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Ian Spring

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Ian Spring


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Ian Spring has been writing about Scottish cultural history for over forty years. After an academic career in universities in Scotland, England, Wales and the United States, he now devotes himself solely to writing and publishing.

He has written two books on Glasgow: Phantom Village and Real Glasgow. Other works include Hamish Henderson and Scottish Folk Song (2014) and he has edited the work of Mary Symon and Peter Buchan. His first volume of poetry will appear in 2021.
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Average rating: 3.88 · 16 ratings · 2 reviews · 14 distinct works â€� Similar authors
Real Glasgow

3.60 avg rating — 5 ratings
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Phantom Village: the Myth o...

really liked it 4.00 avg rating — 4 ratings — published 2001 — 4 editions
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The Stone Mirror

4.50 avg rating — 2 ratings
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The Little White Town of Ne...

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liked it 3.00 avg rating — 1 rating — published 1917 — 3 editions
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Scottish Short Stories 1986

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it was ok 2.00 avg rating — 1 rating — published 1986 — 2 editions
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Hamish Henderson: A Critica...

0.00 avg rating — 0 ratings — published 2020
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Burns Sources According to ...

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Media Studies Materiography...

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Collected Poems and Prose 2020

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Secret Songs of Silence

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0.00 avg rating — 0 ratings — published 2010
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Quotes by Ian Spring  (?)
Quotes are added by the Å·±¦ÓéÀÖ community and are not verified by Å·±¦ÓéÀÖ.

“However harmful the kailyard tradition was to Scottish literature and the perception of Scotland, it invariably portrayed village or small town life in Scotland as harmonious and not umpleasant. At the beginning of the twentieth century, an anti-kailyard tradition of Scottish literature developed, most markedly represented by two novels: George Douglas Brown, 'The House with the Green Shutters (1901), and John MacDougall Hay, Gillespie (1914). Both were based on the authors' own experience of Scottish villages (Ochiltree and Tarbert respectively). Both display the unsavoury and tragic side of parochial life.

Could we view The Little White Town of Never Weary as a sort of riposte to this tradition? It certainly emphasises the more idyllic traditional life of rural market town and burgh.”
Ian Spring, The Little White Town of Never Weary



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