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賲賱丕賱 倬丕乇蹖爻 賵 亘乇诏夭蹖丿賴 丕蹖 丕夭 诏賱鈥屬囏й� 亘丿蹖
趩丕倬 丕賵賱 丕蹖賳 讴鬲丕亘 鬲賵爻胤 "亘賳诏丕賴 鬲乇噩賲賴 賵 賳卮乇 讴鬲丕亘" 丿乇 爻丕賱 1341 (1962) 丿乇 249 氐賮丨賴 趩丕倬 卮丿 賵 趩丕倬 丿賵賲 亘丕 丕賮夭丕蹖卮 鬲毓丿丕丿 氐賮丨丕鬲 亘賴 298 氐賮丨賴 丿乇 爻丕賱 1349 (1970) 亘賴 賵爻蹖賱賴 賴賲丕賳 賳丕卮乇 亘賴 趩丕倬 乇爻蹖丿
300 pages, Hardcover
First published January 1, 1857
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About the author
Charles Baudelaire
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Les fleurs du mal
(1857), obscene only volume of French writer, translator, and critic Charles Pierre Baudelaire; expanded in 1861, it exerted an enormous influence over later symbolist and modernist poets.
Reputation of Charles Pierre Baudelaire rests primarily on perhaps the most important literary art collection, published in Europe in the 19th century. Similarly, his early experiment Petits po猫mes en prose (1868) ( Little Prose Poems ) most succeeded and innovated of the time.
From financial disaster to prosecution for blasphemy, drama and strife filled life of known Baudelaire with highly controversial and often dark tales of Edgar Allan Poe. Long after his death, his name represents depravity and vice. He seemingly speaks directly to the 20th century civilization.
Reputation of Charles Pierre Baudelaire rests primarily on perhaps the most important literary art collection, published in Europe in the 19th century. Similarly, his early experiment Petits po猫mes en prose (1868) ( Little Prose Poems ) most succeeded and innovated of the time.
From financial disaster to prosecution for blasphemy, drama and strife filled life of known Baudelaire with highly controversial and often dark tales of Edgar Allan Poe. Long after his death, his name represents depravity and vice. He seemingly speaks directly to the 20th century civilization.
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March 5, 2022
Les fleurs du mal; Le spleen de Paris = The Flowers of Evil Paris Spleen: Selected Poems, Charles Baudelaire
Charles Pierre Baudelaire (April 9, 1821 鈥� August 31, 1867) was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. His most famous work, The Flowers of Evil, expresses the changing nature of beauty in modern, industrializing Paris during the 19th century.
Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and St茅phane Mallarm茅 among many others. He is credited with coining the term modernity to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility art has to capture that experience.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 賴卮鬲賲 賲丕賴 爻倬鬲丕賲亘乇 爻丕賱1976賲蹖賱丕丿蹖
毓賳賵丕賳: 賲賱丕賱鈥� 倬丕乇蹖爻鈥� 賵 亘乇诏夭蹖丿賴 丕蹖 丕夭 诏賱賴丕蹖鈥� 亘丿蹖鈥屫� 卮毓乇 賵 賳孬乇: 卮丕乇賱鈥� 亘賵丿賱乇 賲鬲乇噩賲 賲丨賲丿毓賱蹖 丕爻賱丕賲蹖 賳丿賵卮賳貨 鬲賴乇丕賳貙 亘賳诏丕賴 鬲乇噩賲賴 賵 賳卮乇 讴鬲丕亘貙 爻丕賱1341貨 丿乇47貙 賵250氐貨 賲賵囟賵毓: 丕丿亘蹖丕鬲 賵 卮毓乇 卮丕毓乇丕賳 賮乇丕賳爻賴 - 爻丿賴19賲
噩賳丕亘 芦賲丨賲丿毓賱蹖 丕爻賱丕賲蹖 賳丿賵卮賳禄 賳賵卮鬲賴 丕賳丿: 芦賲賱丕賱鈥� 倬丕乇蹖爻鈥屄回� 賵 芦诏賱賴丕蹖鈥� 亘丿蹖鈥屄回� 诏夭蹖丿賴鈥� 丕蹖鈥� 丕夭 卮毓乇 賵 賳孬乇 芦卮丕乇賱鈥� 亘賵丿賱乇 (1821賲蹖賱丕丿蹖 鬲丕 1867賲蹖賱丕丿蹖)禄貙 卮丕毓乇 芦賮乇丕賳爻賵蹖鈥屄� 爻丿賴 蹖 賳賵夭丿賴賲鈥� 賲蹖賱丕丿蹖 丕爻鬲貨 讴賴鈥� 丌賳乇丕 爻丕賱賴丕 倬蹖卮鈥� 亘賴鈥� 夭亘丕賳鈥� 賮丕乇爻蹖鈥� 丿乇丌賵乇丿賴 丕賲鈥屫� 丕诏乇 芦亘賵丿賱乇禄 賲賴賲鈥屫臂屬嗏€� 卮丕毓乇 芦賮乇丕賳爻賵蹖鈥屄� 賳亘丕卮丿貙 亘賴鈥� 賳馗乇 賲蹖鈥屫必池� 讴賴鈥� 賳丕賮匕鬲乇蹖賳鈥� 亘賵丿賴 丕賳丿貨 賵 亘爻蹖丕乇蹖 丕蹖卮丕賳 乇丕 倬蹖卮賵丕蹖鈥� 卮毓乇 賳賵 丿乇 芦丕乇賵倬丕禄 禺賵丕賳丿賴鈥� 丕賳丿
丿乇 賲賯丿賾賲丞鈥� 丕蹖賳鈥� 讴鬲丕亘鈥� 丌賲丿賴鈥� 丕爻鬲鈥�: (丿乇 夭亘丕賳鈥� 芦賮乇丕賳爻賴鈥屄� 賴蹖趩鈥� 卮丕毓乇蹖鈥� 賴賲趩賵賳鈥� 芦亘賵丿賱乇禄 丿爻鬲禺賵卮鈥� 丌賳鈥� 賴賲賴鈥� 鬲毓亘蹖乇賴丕蹖鈥� 诏賵賳丕诏賵賳鈥� 賳亘賵丿賴鈥� 丕爻鬲鈥屫� 丿爻鬲賴鈥� 丕蹖鈥� 丕賵 乇丕 亘丕夭蹖诏乇 賵 卮蹖丕丿 禺賵丕賳丿賴鈥� 丕賳丿貙 賵 丿爻鬲賴鈥� 丕蹖鈥� 丿蹖诏乇 倬蹖丕賲鈥� 丌賵乇貨 丕蹖卮丕賳 乇丕 賴賲鈥� 丕賳賯賱丕亘蹖鈥� 丕蹖鈥� 毓賳丕賳鈥� 诏爻蹖禺鬲賴鈥� 卮賳丕禺鬲賴鈥� 丕賳丿貙 賵 賴賲鈥� 賲乇鬲噩毓蹖鈥� 賳丕亘讴丕乇貙 賴賲鈥� 賲爻蹖丨蹖鈥� 丕蹖鈥� 賲丐賲賳貙鈥� 賵 賴賲鈥� 賲賱丨丿蹖鈥� 禺丿丕 賳卮賳丕爻鈥屫� 賴賲鈥� 賮乇夭丕賳賴鈥� 賵 賴賲鈥� 丿蹖賵丕賳賴鈥� 禺賵丕賳丿賴 丕賳丿貨 诏賮鬲賴鈥� 丕賳丿 讴賴鈥� 噩夭 賲爻鬲丨賾賯鈥� 賮乇丕賲賵卮蹖鈥� 賳蹖爻鬲貙鈥� 賵 诏賮鬲賴鈥� 丕賳丿 讴賴鈥� 丿乇 賴賲丞鈥� 乇丐蹖丕賴丕 賵 丌乇賲丕賳賴丕蹖鈥� 亘卮乇蹖鈥� 丨囟賵乇 丿丕乇丿貨 禺賵丿 丕蹖卮丕賳 亘賴鈥� 爻亘亘鈥� 鬲賳丕賯囟賴丕蹖卮丕賳 丿乇 丕蹖賳鈥� 诏賲乇丕賴鈥� 讴乇丿賳鈥� 亘蹖鈥� 鬲兀孬蹖乇 賳亘賵丿賴鈥� 丕賳丿貨 賴賲丕賳賳丿 芦丨囟乇鬲 丨丕賮馗鈥屄� 鬲丕 丨丿賾蹖鈥� 賲賱丕賲鬲蹖鈥� 亘賵丿賴 丕賳丿貨
賲蹖鈥屭堐屫�: 賲賳蹖鈥� 讴賴鈥� 趩賵賳鈥� 讴丕睾匕蹖鈥� 爻賮蹖丿 倬丕讴丿丕賲賳鈥� 賴爻鬲賲鈥屫� 亘蹖鈥� 倬蹖乇丕蹖賴鈥� 趩賵賳鈥� 丌亘鈥屫� 倬丕乇爻丕 趩賵賳鈥� 丿禺鬲乇蹖鈥� 賳丕亘丕賱睾鈥屫� 亘蹖鈥� 丌夭丕乇 趩賵賳鈥� 诏賵爻賮賳丿蹖鈥� 賯乇亘丕賳蹖鈥屫� 亘乇丕蹖賲鈥� 賳丕禺賵卮丕蹖賳丿 賳蹖爻鬲鈥� 讴賴鈥� 蹖讴鈥� 亘丿賲爻鬲鈥屫� 蹖讴鈥� 賳丕亘讴丕乇 賵 蹖讴鈥� 丌丿賲讴卮鈥� 賯賱賲丿丕丿 卮賵賲鈥�
亘賵丿賱乇 卮丕毓乇 毓氐蹖丕賳鈥� 賵 丕賳讴丕乇 亘賵丿賴 丕爻鬲鈥屫� 丿賳蹖丕 乇丕 亘丿丕賳诏賵賳賴鈥� 讴賴鈥� 賴爻鬲鈥� 賳賲蹖鈥屬矩佰屫辟嗀� 賵 亘賴鈥� 丌蹖蹖賳賴丕蹖鈥� 丿乇賵睾蹖賳鈥� 丌賳鈥屫� 亘賴鈥� 丌賳趩賴鈥� 賳丕賲乇丿丕賳鈥� 賵 丕亘賱賴丕賳鈥� 亘賴鈥� 丌賳鈥� 丕丨鬲乇丕賲鈥� 賲蹖鈥屭柏ж辟嗀� 诏乇丿賳鈥� 賳賲蹖鈥屬嗁囐嗀�....貨 賲蹖鈥屭┵堌促嗀� 鬲丕 亘賴鈥� 賳蹖乇賵蹖鈥� 卮毓乇 賳卮丕賳鈥� 丿賴賳丿 讴賴鈥� 賲賯賴賵乇 爻乇诏匕卮鬲鈥� 賳蹖爻鬲賳丿
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亘賴鈥� 賳爻亘鬲貙鈥� 毓賲乇 讴賵鬲丕賴蹖鈥� 讴賴 丿丕卮鬲賳丿鈥屫� 丌孬丕乇蹖鈥� 賳賴鈥� 趩賳丿丕賳鈥� 賮乇丕賵丕賳鈥� 丕夭 丕蹖卮丕賳 亘乇噩丕蹖鈥� 賲丕賳丿賴鈥� 丕爻鬲鈥屫� 賵賱蹖鈥� 丌賳趩賴鈥� 賲丕賳丿賴鈥屫� 趩讴蹖丿賴鈥� 賴丕 賵 賳禺亘賴鈥� 賴丕爻鬲鈥�: 蹖讴蹖鈥� 丿蹖賵丕賳鈥� 卮毓乇 丕爻鬲鈥� 亘賴鈥� 賳丕賲鈥� 芦诏賱賴丕蹖鈥� 亘丿蹖禄鈥屫� 讴賴鈥� 賲賳馗賵乇卮鈥� 诏賳丕賴鈥� 匕丕鬲蹖鈥� 丕爻鬲鈥屫� 夭蹖乇丕 亘卮乇 亘賳丕 亘賴鈥� 爻乇卮鬲鈥� 禺賵丿 诏賳丕賴鈥� 倬匕蹖乇 禺賱賯鈥� 卮丿賴鈥� 丕爻鬲鈥屫� 賵 亘丕蹖丿 夭賳丿诏蹖卮鈥� 賲氐乇賵賮鈥� 亘賴鈥� 鬲毓丿蹖賱鈥� 诏賳丕賴鈥� 诏乇丿丿貨 丿賵賲鈥� 芦賯胤毓賴鈥� 賴丕蹖鈥� 卮毓乇 賲賳孬賵乇禄貙 讴賴鈥� 丌賳賴丕 賳蹖夭貙 诏乇趩賴鈥� 亘賴鈥� 賳孬乇 賴爻鬲賳丿貙 噩賵賴乇蹖鈥� 卮丕毓乇丕賳賴鈥� 丿丕乇賳丿貙 賵 爻賵賲鈥� 芦賳賯丿賴丕蹖鈥� 丕丿亘蹖鈥� 賵 賴賳乇蹖禄鈥屫� 讴賴鈥� 丕蹖賳鈥� 賲賯丕賱賴鈥� 賴丕 賵 蹖丕丿丿丕卮鬲賴丕 賳蹖夭 丕蹖卮丕賳 乇丕 丿乇 乇丿蹖賮鈥� 鬲蹖夭亘蹖賳鈥屫臂屬嗏€� 賳賯賾丕丿丕賳鈥� 丕噩鬲賲丕毓蹖鈥� 賯乇丕乇 丿丕丿賴鈥� 丕賳丿貨
亘賵丿賱乇 丿乇 夭賲丕賳蹖鈥� 夭賳丿诏蹖鈥� 賲蹖鈥屭┴必嗀� 讴賴鈥� 乇诏賴鈥� 賴丕蹖蹖鈥� 丕夭 丕賳丿蹖卮丞鈥� 卮乇賯蹖鈥屫� 亘賴鈥� 芦丕乇賵倬丕禄 乇丕賴鈥� 蹖丕賮鬲賴鈥� 亘賵丿貙 賵 丕蹖卮丕賳 賳蹖夭 賳爻亘鬲鈥� 亘賴鈥� 丌賳賴丕 亘蹖鈥� 鬲兀孬賾乇 賳賲丕賳丿賳丿貨 丕蹖賳鈥� 乇诏賴鈥� 賴丕 噩丕亘噩丕 賯丕亘賱鈥� 鬲卮禺蹖氐鈥� 賴爻鬲賳丿貨
賲鬲乇噩賲 丿乇 賲賯丿賾賲丞鈥� 讴鬲丕亘鈥�: 丕诏乇 亘禺賵丕賴蹖賲鈥� 賵囟毓鈥� 芦亘賵丿賱乇禄 乇丕 丿乇 讴卮賵乇 禺賵丿卮鈥� 賲噩爻賾賲鈥� 讴賳蹖賲鈥屫� 丌賳乇丕 鬲丕 丨丿賾蹖鈥� 賳夭丿蹖讴鈥� 亘賴鈥� 賲賯丕賲蹖鈥� 亘诏蹖乇蹖賲鈥� 讴賴鈥� 芦丨丕賮馗鈥屄� 丿乇 夭亘丕賳鈥� 賮丕乇爻蹖鈥� 丿丕乇賳丿貨 賴乇 丿賵蹖鈥� 丌賳賴丕 賳丕賮匕鬲乇蹖賳鈥� 卮丕毓乇丕賳鈥� 讴卮賵乇 禺賵丿 賴爻鬲賳丿貨 芦亘賵丿賱乇禄 賳蹖夭 賴賲趩賵賳鈥� 芦禺賵丕噩丞鈥� 卮蹖乇丕夭禄貙 讴賲丕亘蹖卮鈥� 賴賲丕賳鈥� 賳睾賲丞鈥� 爻丨乇丌賲蹖夭貙 賴賲丕賳鈥� 噩賵賾 毓胤乇丌诏蹖賳鈥� 賵 賲乇賲賵夭貙 賴賲丕賳鈥� 丨丕賱鬲鈥� 賲爻鬲鈥� 讴賳賳丿賴鈥屫� 賱亘乇蹖夭 讴賳賳丿賴鈥屫� 賵 賴賲丕賳鈥� 禺丕氐蹖鬲鈥� 賳丕亘 亘賵丿賳貙 賵 趩讴蹖丿賴鈥� 丕蹖鈥� 丿乇 讴賱丕賲鈥� 禺賵丿 丿丕乇賳丿貨 芦亘賵丿賱乇禄 賳蹖夭 亘蹖卮鈥� 賵 讴賲鈥� 賴賲趩賵賳鈥� 芦丨丕賮馗鈥屄� 卮丕毓乇 卮毓乇 賲乇氐賾毓鈥� 丕爻鬲貨 亘丕 丕蹖賳 賴賲賴貙 芦丨丕賮馗鈥屄� 丿乇 賵丕丿蹖鈥� 卮毓乇 亘賴鈥� 賲乇丨賱丞鈥� 丕毓噩丕夭 賵 讴賲丕賱蹖鈥� 乇爻蹖丿賴鈥� 讴賴鈥� 芦亘賵丿賱乇禄 噩夭 亘賴鈥� 丌爻鬲丕賳丞鈥� 丌賳鈥� 乇丕賴鈥� 賳蹖丕賮鬲賴鈥� 丕爻鬲
亘賵丿賱乇 乇丕 賳賴鈥� 賲蹖鈥屫堌з嗏€� 卮丕毓乇 亘丿亘蹖賳鈥� 禺賵丕賳丿 賵 賳賴鈥� 禺賵卮亘蹖賳鈥屫� 丕賵 賳賵賲蹖丿蹖鈥� 賵 丕賲蹖丿 乇丕 丿乇 蹖讴鈥� 丕賳亘丕賳鈥� 賲蹖鈥屬嗁囏� 賵 亘賴鈥� 讴賱賾 賲蹖鈥屫з嗀屫簇� 亘賴 乇睾賲鈥� 乇賵卮賳蹖鈥� 爻蹖丕賴蹖鈥� 讴賴鈥� 亘乇 丌孬丕乇卮鈥� 丕賮讴賳丿賴鈥� 卮丿賴鈥屫� 賲賵囟賵毓鈥� 亘卮乇蹖鬲鈥� 丕夭 賳蹖賲賴 蹖 丌賮鬲丕亘鈥屭屫� 賵 亘丕乇賵乇卮鈥� 賲蹖賳诏乇丿貨 亘賴鈥� 賳馗乇 賵蹖鈥� 卮毓乇 賲蹖賵丞賴 蹖 爻丕毓丕鬲鈥� 夭蹖亘丕蹖鈥� 夭賳丿诏蹖鈥� 爻鬲鈥屫� 蹖毓賳蹖鈥� 爻丕毓丕鬲蹖鈥� 讴賴鈥� 丕賳爻丕賳鈥� 禺賵丿 乇丕 禺賵卮亘禺鬲鈥� 賲蹖鈥屫ㄛ屬嗀� 賮讴乇 賲蹖鈥屭┵嗀� 賵 夭賳丿诏蹖鈥� 賲蹖鈥屭┵嗀�
趩丕倬 賳禺爻鬲貙 亘賳诏丕賴 鬲乇噩賲賴 賵 賳卮乇 讴鬲丕亘貙 丌禺乇蹖賳 趩丕倬 丕賳鬲卮丕乇丕鬲 蹖夭丿丕賳貨 丌賳趩賴鈥� 丿乇 丕蹖賳鈥� 讴鬲丕亘鈥� 丌賲丿賴鈥�: (芦賲賯丿賾賲賴鈥屄回� 芦卮丕毓乇 乇賵卮賳丕卅蹖鈥� 爻蹖丕賴鈥屄回� 芦噩賵丕賳蹖鈥� 賲賳鈥� 丕夭 讴賵丿讴蹖鈥� 蹖丕丿 丿丕乇賲鈥屄回� 芦丌賮乇蹖丿诏丕乇 賵 卮蹖胤丕賳鈥屄回� 芦卮毓乇 賵 賵囟毓鈥� 亘卮乇禄貨 芦夭賳鈥屄回� 芦賲鬲賳鈥� 讴鬲丕亘鈥� - 亘禺卮鈥� 賳禺爻鬲 诏夭蹖丿丞鈥� 芦賲賱丕賱鈥� 倬丕乇蹖爻鈥屄� 卮丕賲賱: 卮毓乇賴丕蹖鈥� 賲賳孬賵乇貨 趩賴賱鈥� 賵 蹖讴鈥� 賯胤毓賴鈥屄回� 芦亘禺卮鈥� 丿賵賲鈥� 芦诏賱賴丕蹖鈥� 亘丿蹖鈥屄� 诏夭蹖丿賴 蹖 卮毓乇賴丕貨 亘蹖爻鬲鈥� 賵 卮卮鈥� 賯胤毓賴鈥屄回� 賵 芦鬲賵囟蹖丨丕鬲禄貨
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 04/03/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 13/12/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Charles Pierre Baudelaire (April 9, 1821 鈥� August 31, 1867) was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. His most famous work, The Flowers of Evil, expresses the changing nature of beauty in modern, industrializing Paris during the 19th century.
Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and St茅phane Mallarm茅 among many others. He is credited with coining the term modernity to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility art has to capture that experience.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 賴卮鬲賲 賲丕賴 爻倬鬲丕賲亘乇 爻丕賱1976賲蹖賱丕丿蹖
毓賳賵丕賳: 賲賱丕賱鈥� 倬丕乇蹖爻鈥� 賵 亘乇诏夭蹖丿賴 丕蹖 丕夭 诏賱賴丕蹖鈥� 亘丿蹖鈥屫� 卮毓乇 賵 賳孬乇: 卮丕乇賱鈥� 亘賵丿賱乇 賲鬲乇噩賲 賲丨賲丿毓賱蹖 丕爻賱丕賲蹖 賳丿賵卮賳貨 鬲賴乇丕賳貙 亘賳诏丕賴 鬲乇噩賲賴 賵 賳卮乇 讴鬲丕亘貙 爻丕賱1341貨 丿乇47貙 賵250氐貨 賲賵囟賵毓: 丕丿亘蹖丕鬲 賵 卮毓乇 卮丕毓乇丕賳 賮乇丕賳爻賴 - 爻丿賴19賲
噩賳丕亘 芦賲丨賲丿毓賱蹖 丕爻賱丕賲蹖 賳丿賵卮賳禄 賳賵卮鬲賴 丕賳丿: 芦賲賱丕賱鈥� 倬丕乇蹖爻鈥屄回� 賵 芦诏賱賴丕蹖鈥� 亘丿蹖鈥屄回� 诏夭蹖丿賴鈥� 丕蹖鈥� 丕夭 卮毓乇 賵 賳孬乇 芦卮丕乇賱鈥� 亘賵丿賱乇 (1821賲蹖賱丕丿蹖 鬲丕 1867賲蹖賱丕丿蹖)禄貙 卮丕毓乇 芦賮乇丕賳爻賵蹖鈥屄� 爻丿賴 蹖 賳賵夭丿賴賲鈥� 賲蹖賱丕丿蹖 丕爻鬲貨 讴賴鈥� 丌賳乇丕 爻丕賱賴丕 倬蹖卮鈥� 亘賴鈥� 夭亘丕賳鈥� 賮丕乇爻蹖鈥� 丿乇丌賵乇丿賴 丕賲鈥屫� 丕诏乇 芦亘賵丿賱乇禄 賲賴賲鈥屫臂屬嗏€� 卮丕毓乇 芦賮乇丕賳爻賵蹖鈥屄� 賳亘丕卮丿貙 亘賴鈥� 賳馗乇 賲蹖鈥屫必池� 讴賴鈥� 賳丕賮匕鬲乇蹖賳鈥� 亘賵丿賴 丕賳丿貨 賵 亘爻蹖丕乇蹖 丕蹖卮丕賳 乇丕 倬蹖卮賵丕蹖鈥� 卮毓乇 賳賵 丿乇 芦丕乇賵倬丕禄 禺賵丕賳丿賴鈥� 丕賳丿
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亘賵丿賱乇 丿乇 夭賲丕賳蹖鈥� 夭賳丿诏蹖鈥� 賲蹖鈥屭┴必嗀� 讴賴鈥� 乇诏賴鈥� 賴丕蹖蹖鈥� 丕夭 丕賳丿蹖卮丞鈥� 卮乇賯蹖鈥屫� 亘賴鈥� 芦丕乇賵倬丕禄 乇丕賴鈥� 蹖丕賮鬲賴鈥� 亘賵丿貙 賵 丕蹖卮丕賳 賳蹖夭 賳爻亘鬲鈥� 亘賴鈥� 丌賳賴丕 亘蹖鈥� 鬲兀孬賾乇 賳賲丕賳丿賳丿貨 丕蹖賳鈥� 乇诏賴鈥� 賴丕 噩丕亘噩丕 賯丕亘賱鈥� 鬲卮禺蹖氐鈥� 賴爻鬲賳丿貨
賲鬲乇噩賲 丿乇 賲賯丿賾賲丞鈥� 讴鬲丕亘鈥�: 丕诏乇 亘禺賵丕賴蹖賲鈥� 賵囟毓鈥� 芦亘賵丿賱乇禄 乇丕 丿乇 讴卮賵乇 禺賵丿卮鈥� 賲噩爻賾賲鈥� 讴賳蹖賲鈥屫� 丌賳乇丕 鬲丕 丨丿賾蹖鈥� 賳夭丿蹖讴鈥� 亘賴鈥� 賲賯丕賲蹖鈥� 亘诏蹖乇蹖賲鈥� 讴賴鈥� 芦丨丕賮馗鈥屄� 丿乇 夭亘丕賳鈥� 賮丕乇爻蹖鈥� 丿丕乇賳丿貨 賴乇 丿賵蹖鈥� 丌賳賴丕 賳丕賮匕鬲乇蹖賳鈥� 卮丕毓乇丕賳鈥� 讴卮賵乇 禺賵丿 賴爻鬲賳丿貨 芦亘賵丿賱乇禄 賳蹖夭 賴賲趩賵賳鈥� 芦禺賵丕噩丞鈥� 卮蹖乇丕夭禄貙 讴賲丕亘蹖卮鈥� 賴賲丕賳鈥� 賳睾賲丞鈥� 爻丨乇丌賲蹖夭貙 賴賲丕賳鈥� 噩賵賾 毓胤乇丌诏蹖賳鈥� 賵 賲乇賲賵夭貙 賴賲丕賳鈥� 丨丕賱鬲鈥� 賲爻鬲鈥� 讴賳賳丿賴鈥屫� 賱亘乇蹖夭 讴賳賳丿賴鈥屫� 賵 賴賲丕賳鈥� 禺丕氐蹖鬲鈥� 賳丕亘 亘賵丿賳貙 賵 趩讴蹖丿賴鈥� 丕蹖鈥� 丿乇 讴賱丕賲鈥� 禺賵丿 丿丕乇賳丿貨 芦亘賵丿賱乇禄 賳蹖夭 亘蹖卮鈥� 賵 讴賲鈥� 賴賲趩賵賳鈥� 芦丨丕賮馗鈥屄� 卮丕毓乇 卮毓乇 賲乇氐賾毓鈥� 丕爻鬲貨 亘丕 丕蹖賳 賴賲賴貙 芦丨丕賮馗鈥屄� 丿乇 賵丕丿蹖鈥� 卮毓乇 亘賴鈥� 賲乇丨賱丞鈥� 丕毓噩丕夭 賵 讴賲丕賱蹖鈥� 乇爻蹖丿賴鈥� 讴賴鈥� 芦亘賵丿賱乇禄 噩夭 亘賴鈥� 丌爻鬲丕賳丞鈥� 丌賳鈥� 乇丕賴鈥� 賳蹖丕賮鬲賴鈥� 丕爻鬲
亘賵丿賱乇 乇丕 賳賴鈥� 賲蹖鈥屫堌з嗏€� 卮丕毓乇 亘丿亘蹖賳鈥� 禺賵丕賳丿 賵 賳賴鈥� 禺賵卮亘蹖賳鈥屫� 丕賵 賳賵賲蹖丿蹖鈥� 賵 丕賲蹖丿 乇丕 丿乇 蹖讴鈥� 丕賳亘丕賳鈥� 賲蹖鈥屬嗁囏� 賵 亘賴鈥� 讴賱賾 賲蹖鈥屫з嗀屫簇� 亘賴 乇睾賲鈥� 乇賵卮賳蹖鈥� 爻蹖丕賴蹖鈥� 讴賴鈥� 亘乇 丌孬丕乇卮鈥� 丕賮讴賳丿賴鈥� 卮丿賴鈥屫� 賲賵囟賵毓鈥� 亘卮乇蹖鬲鈥� 丕夭 賳蹖賲賴 蹖 丌賮鬲丕亘鈥屭屫� 賵 亘丕乇賵乇卮鈥� 賲蹖賳诏乇丿貨 亘賴鈥� 賳馗乇 賵蹖鈥� 卮毓乇 賲蹖賵丞賴 蹖 爻丕毓丕鬲鈥� 夭蹖亘丕蹖鈥� 夭賳丿诏蹖鈥� 爻鬲鈥屫� 蹖毓賳蹖鈥� 爻丕毓丕鬲蹖鈥� 讴賴鈥� 丕賳爻丕賳鈥� 禺賵丿 乇丕 禺賵卮亘禺鬲鈥� 賲蹖鈥屫ㄛ屬嗀� 賮讴乇 賲蹖鈥屭┵嗀� 賵 夭賳丿诏蹖鈥� 賲蹖鈥屭┵嗀�
趩丕倬 賳禺爻鬲貙 亘賳诏丕賴 鬲乇噩賲賴 賵 賳卮乇 讴鬲丕亘貙 丌禺乇蹖賳 趩丕倬 丕賳鬲卮丕乇丕鬲 蹖夭丿丕賳貨 丌賳趩賴鈥� 丿乇 丕蹖賳鈥� 讴鬲丕亘鈥� 丌賲丿賴鈥�: (芦賲賯丿賾賲賴鈥屄回� 芦卮丕毓乇 乇賵卮賳丕卅蹖鈥� 爻蹖丕賴鈥屄回� 芦噩賵丕賳蹖鈥� 賲賳鈥� 丕夭 讴賵丿讴蹖鈥� 蹖丕丿 丿丕乇賲鈥屄回� 芦丌賮乇蹖丿诏丕乇 賵 卮蹖胤丕賳鈥屄回� 芦卮毓乇 賵 賵囟毓鈥� 亘卮乇禄貨 芦夭賳鈥屄回� 芦賲鬲賳鈥� 讴鬲丕亘鈥� - 亘禺卮鈥� 賳禺爻鬲 诏夭蹖丿丞鈥� 芦賲賱丕賱鈥� 倬丕乇蹖爻鈥屄� 卮丕賲賱: 卮毓乇賴丕蹖鈥� 賲賳孬賵乇貨 趩賴賱鈥� 賵 蹖讴鈥� 賯胤毓賴鈥屄回� 芦亘禺卮鈥� 丿賵賲鈥� 芦诏賱賴丕蹖鈥� 亘丿蹖鈥屄� 诏夭蹖丿賴 蹖 卮毓乇賴丕貨 亘蹖爻鬲鈥� 賵 卮卮鈥� 賯胤毓賴鈥屄回� 賵 芦鬲賵囟蹖丨丕鬲禄貨
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 04/03/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 13/12/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
November 7, 2024
Charles Baudelaire's Little Poems in Prose (The Spleen of Paris) are inseparable from Paris and the architectural, social, and economic transformations the capital experienced in the second half of the 19th century.
The street plays a fundamental role in this because it represents the meeting place par excellence, a place of excellent mixing: the classes of society crossed there, the beings, crowds, or individuals, are offered in their diversity, generality, or specificity, revealing a form of their truth and a style of their honesty and authenticity.
How does time, the history of France and Europe, the history of ideas, and scientific and technological progress change Baudelaire's vision and poetics to bring it into modernity to be one of the initiators?
In the Spleen of Paris, Baudelaire becomes a man of the street, a ranger, voyeur, and clairvoyant. In this fascinating, repulsive city, Paris, Baudelaire seeks his inspiration and is no longer in the spectacle of nature.
It expands the field of inner experience in this place of evil and wanderings from which beauty sometimes arises.
Turning his back on conventional poetry, he then enters modernity.
The street plays a fundamental role in this because it represents the meeting place par excellence, a place of excellent mixing: the classes of society crossed there, the beings, crowds, or individuals, are offered in their diversity, generality, or specificity, revealing a form of their truth and a style of their honesty and authenticity.
How does time, the history of France and Europe, the history of ideas, and scientific and technological progress change Baudelaire's vision and poetics to bring it into modernity to be one of the initiators?
In the Spleen of Paris, Baudelaire becomes a man of the street, a ranger, voyeur, and clairvoyant. In this fascinating, repulsive city, Paris, Baudelaire seeks his inspiration and is no longer in the spectacle of nature.
It expands the field of inner experience in this place of evil and wanderings from which beauty sometimes arises.
Turning his back on conventional poetry, he then enters modernity.
September 25, 2023
I have this book by my bed. Before I drop my eyes into deep sleep I like to read a page or two of this book. It gives me a certain sense ..... of dreams. Wonderful dreams.
October 5, 2017
Tell me, enigmatical man, whom do you love best, your father,
your mother, your sister, or your brother?
I have neither father, nor mother, nor sister, nor brother.
Your friends?
Now you use a word whose meaning I have never known.
Your country?
I do not know in what latitude it lies.
Beauty?
I could indeed love her, Goddess and Immortal.
Gold?
I hate it as you hate God.
Then what do you love, extraordinary stranger?
I love the clouds...the clouds that pass...up there...
up there...the wonderful clouds!
your mother, your sister, or your brother?
I have neither father, nor mother, nor sister, nor brother.
Your friends?
Now you use a word whose meaning I have never known.
Your country?
I do not know in what latitude it lies.
Beauty?
I could indeed love her, Goddess and Immortal.
Gold?
I hate it as you hate God.
Then what do you love, extraordinary stranger?
I love the clouds...the clouds that pass...up there...
up there...the wonderful clouds!
May 25, 2023
袧械斜芯谢褜褕芯泄 褋斜芯褉薪懈泻 褋褌懈褏芯胁 胁 锌褉芯蟹械, 芯褔械薪褜 邪褌屑芯褋褎械褉薪褘泄, 胁 泻芯褌芯褉芯屑 械褋褌褜 懈 袩邪褉懈卸, 懈 褋锌谢懈薪, 屑褘褋谢懈, 褉邪蟹屑褘褕谢械薪懈褟, 蟹邪褉懈褋芯胁泻懈, 薪邪斜谢褞写械薪懈褟, 薪邪褋褌褉芯械薪懈械... 袙 锌褉械写懈褋谢芯胁懈懈 袘芯写谢械褉 锌懈褕械褌 : "袣褌芯 懈蟹 薪邪褋 薪械 屑械褔褌邪械褌, 胁 薪邪褕械 褔械褋褌芯谢褞斜懈胁芯械 胁褉械屑褟, 褋芯蟹写邪褌褜 褔褍写芯 褋褌懈褏芯褌胁芯褉薪芯泄 锌褉芯蟹褘, 屑褍蟹褘泻邪谢褜薪芯泄 斜械蟹 褉懈褌屑邪 懈 褉懈褎屑褘, 写芯褋褌邪褌芯褔薪芯 谐懈斜泻芯泄 懈 薪械褉芯胁薪芯泄, 褔褌芯斜褘 锌褉懈褋锌芯褋芯斜懈褌褜褋褟 泻 谢懈褉懈褔械褋泻懈屑 锌芯褉褘胁邪屑 写褍褕懈, 泻 锌芯胁芯褉芯褌邪屑 褎邪薪褌邪蟹懈懈, 泻 屑械褌邪薪懈褟屑 褋芯胁械褋褌懈?
袠蟹 褔邪褋褌褘褏 锌褉芯谐褍谢芯泻 锌芯 斜芯谢褜褕懈屑 谐芯褉芯写邪屑, 懈蟹 薪邪斜谢褞写械薪懈泄 蟹邪 斜械褋褔懈褋谢械薪薪褘屑懈 谢褞写褋泻懈屑懈 芯褌薪芯褕械薪懈褟屑懈 懈 胁芯蟹薪懈泻邪械褌 褝褌芯褌 薪械芯褌褋褌褍锌薪褘泄 懈写械邪谢".
效褍卸械蟹械屑械褑, 褍 泻芯褌芯褉芯谐芯 薪懈泻芯谐芯 薪械褌, 泻芯谐芯 斜褘 谢褞斜懈褌褜, 薪芯 泻芯褌芯褉褘泄 谢褞斜懈褌 芯斜谢邪泻邪, 褔褌芯 锌谢褘胁褍褌 褌邪屑 胁 胁褘褕懈薪械, 写懈胁薪褘械 芯斜谢邪泻邪, 小褌邪褉褘泄 袩邪褟褑 懈 屑薪芯谐懈械 写褉褍谐懈械 卸懈胁褍褌 胁 褝褌芯泄 谢懈褉懈泻械 胁 锌褉芯蟹械.
携蟹褘泻 袘芯写谢械褉邪 芯斜褉邪蟹械薪 懈 芯斜褉邪蟹褘 锌褉械泻褉邪褋薪褘.
"袧械褌 芯褋褌褉懈褟 斜芯谢械械 泻芯谢泻芯谐芯, 褔械屑 芯褋褌褉懈械 袘械褋泻芯薪械褔薪芯褋褌懈."
小褌懈褏芯褌胁芯褉械薪懈褟 薪邪锌芯谢薪械薪褘 褝泻蟹懈褋褌械薪褑懈邪谢褜薪芯泄 褌芯褋泻芯泄, 芯褌褔邪褟薪懈褟, 锌褉械写芯锌褉械写械谢褢薪薪芯褋褌懈 锌芯褉邪卸械薪懈褟 薪邪 褎芯薪械 胁械褔薪芯泄 泻褉邪褋芯褌褘. "袨写薪邪泻芯 褝褌懈 屑褘褋谢懈, 懈褋褏芯写褟褌 谢懈 芯薪懈 芯褌 屑械薪褟 懈谢懈 褍褋褌褉械屑谢褟褞褌褋褟 懈蟹 谐谢褍斜懈薪褘 胁械褖械泄, 写械谢邪褞褌褋褟 胁褋泻芯褉械 褔械褉械褋褔褍褉 薪邪锌褉褟卸械薪薪褘屑懈. 袠蟹斜褘褌芯泻 薪邪褋谢邪卸写械薪懈褟 褋屑械薪褟械褌褋褟 胁褟谢芯褋褌褜褞 懈 褋邪屑褘屑 薪邪褋褌芯褟褖懈屑 褋褌褉邪写邪薪懈械屑. 袦芯懈 薪械褉胁褘, 褋谢懈褕泻芯屑 薪邪褌褟薪褍褌褘械, 褋芯写褉芯谐邪褞褌褋褟 斜芯谢械蟹薪械薪薪芯 懈 屑褍褔懈褌械谢褜薪芯.
袠 胁芯褌 褍卸械 谐谢褍斜懈薪邪 薪械斜械褋 屑械薪褟 锌芯写邪胁谢褟械褌, 褔懈褋褌芯褌邪 懈 锌褉芯蟹褉邪褔薪芯褋褌褜 鈥� 胁褘胁芯写褟褌 懈蟹 褋械斜褟. 袘械褋褋褌褉邪褋褌薪邪褟 屑芯褉褋泻邪褟 谐谢邪写褜, 薪械蟹褘斜谢械屑芯褋褌褜 褝褌芯谐芯 谐褉邪薪写懈芯蟹薪芯谐芯 蟹褉械谢懈褖邪 锌褉械写褋褌邪胁谢褟褞褌褋褟 屑薪械 胁芯蟹屑褍褌懈褌械谢褜薪褘屑懈鈥� 袗褏!.. 薪褍卸薪芯 谢懈 胁械褔薪芯 褋褌褉邪写邪褌褜 懈谢懈 胁械褔薪芯 懈蟹斜械谐邪褌褜 锌褉械泻褉邪褋薪芯谐芯? 袩褉懈褉芯写邪, 胁芯谢褕械斜薪懈褑邪, 薪械 蟹薪邪褞褖邪褟 卸邪谢芯褋褌懈, 胁褋械谐写邪 褌芯褉卸械褋褌胁褍褞褖邪褟 褋芯锌械褉薪懈褑邪, 芯褋褌邪胁褜 屑械薪褟! 袧械 懈褋泻褍褕邪泄 屑械薪褟 胁 屑芯懈褏 卸械谢邪薪懈褟褏 懈 胁 屑芯械泄 谐芯褉写褘薪械! 袙褋褟泻懈泄 褍褉芯泻 锌褉械泻褉邪褋薪芯谐芯 鈥� 锌芯械写懈薪芯泻, 谐写械 褏褍写芯卸薪懈泻 懈褋锌褍褋泻邪械褌 胁芯锌谢褜 褍卸邪褋邪, 锌械褉械写 褌械屑 泻邪泻 褍锌邪褋褌褜 锌芯斜械卸写械薪薪褘屑."
孝械屑 胁 褝褌芯屑 褋斜芯褉薪懈泻械 褌邪泻 屑薪芯谐芯 懈 芯薪懈 懈蟹胁械褉谐邪褞褌褋褟 褌邪泻懈屑 斜械褋锌芯褉褟写芯褔薪褘屑 锌芯褌芯泻芯屑, 褔褌芯 泻邪卸写褘泄 斜褍写械褌 懈屑械褌褜 褋胁芯械 屑薪械薪懈械, 芯 褔械屑 卸械 褋褌懈褏懈.
袦薪械 卸械 泻邪卸械褌褋褟, 褔褌芯 泻褉邪褋芯褌邪 懈 褏褍写芯卸薪懈泻 / 锌芯褝褌. 袗 屑芯卸械褌 斜褘褌褜 袙褉械屑褟, 泻芯谐写邪 褋械泻褍薪写褘, 褋褉褘胁邪褞褖懈械褋褟 褋 屑邪褟褌薪懈泻邪 胁芯蟹胁械褖邪褞褌: "携 鈥� 褋邪屑邪 袞懈蟹薪褜, 薪械胁褘薪芯褋懈屑邪褟, 薪械褍屑芯谢懈屑邪褟 袞懈蟹薪褜!".
袦薪芯谐懈械 褋褌懈褏芯褌胁芯褉械薪懈褟 褎懈谢芯褋芯褎褋泻懈 谐谢褍斜芯泻懈.
袧械芯卸懈写邪薪薪芯 械褋褌褜 懈 褋芯褑懈邪谢褜薪邪褟 锌褉芯斜谢械屑邪褌懈泻邪, 薪邪锌褉懈屑械褉, 胁 "小褌邪褉芯屑 锌邪褟褑械", "袠谐褉褍褕泻械 斜械写薪褟泻邪" 懈谢懈 "袩懈褉芯卸泻械".
袠蟹 褔邪褋褌褘褏 锌褉芯谐褍谢芯泻 锌芯 斜芯谢褜褕懈屑 谐芯褉芯写邪屑, 懈蟹 薪邪斜谢褞写械薪懈泄 蟹邪 斜械褋褔懈褋谢械薪薪褘屑懈 谢褞写褋泻懈屑懈 芯褌薪芯褕械薪懈褟屑懈 懈 胁芯蟹薪懈泻邪械褌 褝褌芯褌 薪械芯褌褋褌褍锌薪褘泄 懈写械邪谢".
效褍卸械蟹械屑械褑, 褍 泻芯褌芯褉芯谐芯 薪懈泻芯谐芯 薪械褌, 泻芯谐芯 斜褘 谢褞斜懈褌褜, 薪芯 泻芯褌芯褉褘泄 谢褞斜懈褌 芯斜谢邪泻邪, 褔褌芯 锌谢褘胁褍褌 褌邪屑 胁 胁褘褕懈薪械, 写懈胁薪褘械 芯斜谢邪泻邪, 小褌邪褉褘泄 袩邪褟褑 懈 屑薪芯谐懈械 写褉褍谐懈械 卸懈胁褍褌 胁 褝褌芯泄 谢懈褉懈泻械 胁 锌褉芯蟹械.
携蟹褘泻 袘芯写谢械褉邪 芯斜褉邪蟹械薪 懈 芯斜褉邪蟹褘 锌褉械泻褉邪褋薪褘.
"袧械褌 芯褋褌褉懈褟 斜芯谢械械 泻芯谢泻芯谐芯, 褔械屑 芯褋褌褉懈械 袘械褋泻芯薪械褔薪芯褋褌懈."
小褌懈褏芯褌胁芯褉械薪懈褟 薪邪锌芯谢薪械薪褘 褝泻蟹懈褋褌械薪褑懈邪谢褜薪芯泄 褌芯褋泻芯泄, 芯褌褔邪褟薪懈褟, 锌褉械写芯锌褉械写械谢褢薪薪芯褋褌懈 锌芯褉邪卸械薪懈褟 薪邪 褎芯薪械 胁械褔薪芯泄 泻褉邪褋芯褌褘. "袨写薪邪泻芯 褝褌懈 屑褘褋谢懈, 懈褋褏芯写褟褌 谢懈 芯薪懈 芯褌 屑械薪褟 懈谢懈 褍褋褌褉械屑谢褟褞褌褋褟 懈蟹 谐谢褍斜懈薪褘 胁械褖械泄, 写械谢邪褞褌褋褟 胁褋泻芯褉械 褔械褉械褋褔褍褉 薪邪锌褉褟卸械薪薪褘屑懈. 袠蟹斜褘褌芯泻 薪邪褋谢邪卸写械薪懈褟 褋屑械薪褟械褌褋褟 胁褟谢芯褋褌褜褞 懈 褋邪屑褘屑 薪邪褋褌芯褟褖懈屑 褋褌褉邪写邪薪懈械屑. 袦芯懈 薪械褉胁褘, 褋谢懈褕泻芯屑 薪邪褌褟薪褍褌褘械, 褋芯写褉芯谐邪褞褌褋褟 斜芯谢械蟹薪械薪薪芯 懈 屑褍褔懈褌械谢褜薪芯.
袠 胁芯褌 褍卸械 谐谢褍斜懈薪邪 薪械斜械褋 屑械薪褟 锌芯写邪胁谢褟械褌, 褔懈褋褌芯褌邪 懈 锌褉芯蟹褉邪褔薪芯褋褌褜 鈥� 胁褘胁芯写褟褌 懈蟹 褋械斜褟. 袘械褋褋褌褉邪褋褌薪邪褟 屑芯褉褋泻邪褟 谐谢邪写褜, 薪械蟹褘斜谢械屑芯褋褌褜 褝褌芯谐芯 谐褉邪薪写懈芯蟹薪芯谐芯 蟹褉械谢懈褖邪 锌褉械写褋褌邪胁谢褟褞褌褋褟 屑薪械 胁芯蟹屑褍褌懈褌械谢褜薪褘屑懈鈥� 袗褏!.. 薪褍卸薪芯 谢懈 胁械褔薪芯 褋褌褉邪写邪褌褜 懈谢懈 胁械褔薪芯 懈蟹斜械谐邪褌褜 锌褉械泻褉邪褋薪芯谐芯? 袩褉懈褉芯写邪, 胁芯谢褕械斜薪懈褑邪, 薪械 蟹薪邪褞褖邪褟 卸邪谢芯褋褌懈, 胁褋械谐写邪 褌芯褉卸械褋褌胁褍褞褖邪褟 褋芯锌械褉薪懈褑邪, 芯褋褌邪胁褜 屑械薪褟! 袧械 懈褋泻褍褕邪泄 屑械薪褟 胁 屑芯懈褏 卸械谢邪薪懈褟褏 懈 胁 屑芯械泄 谐芯褉写褘薪械! 袙褋褟泻懈泄 褍褉芯泻 锌褉械泻褉邪褋薪芯谐芯 鈥� 锌芯械写懈薪芯泻, 谐写械 褏褍写芯卸薪懈泻 懈褋锌褍褋泻邪械褌 胁芯锌谢褜 褍卸邪褋邪, 锌械褉械写 褌械屑 泻邪泻 褍锌邪褋褌褜 锌芯斜械卸写械薪薪褘屑."
孝械屑 胁 褝褌芯屑 褋斜芯褉薪懈泻械 褌邪泻 屑薪芯谐芯 懈 芯薪懈 懈蟹胁械褉谐邪褞褌褋褟 褌邪泻懈屑 斜械褋锌芯褉褟写芯褔薪褘屑 锌芯褌芯泻芯屑, 褔褌芯 泻邪卸写褘泄 斜褍写械褌 懈屑械褌褜 褋胁芯械 屑薪械薪懈械, 芯 褔械屑 卸械 褋褌懈褏懈.
袦薪械 卸械 泻邪卸械褌褋褟, 褔褌芯 泻褉邪褋芯褌邪 懈 褏褍写芯卸薪懈泻 / 锌芯褝褌. 袗 屑芯卸械褌 斜褘褌褜 袙褉械屑褟, 泻芯谐写邪 褋械泻褍薪写褘, 褋褉褘胁邪褞褖懈械褋褟 褋 屑邪褟褌薪懈泻邪 胁芯蟹胁械褖邪褞褌: "携 鈥� 褋邪屑邪 袞懈蟹薪褜, 薪械胁褘薪芯褋懈屑邪褟, 薪械褍屑芯谢懈屑邪褟 袞懈蟹薪褜!".
袦薪芯谐懈械 褋褌懈褏芯褌胁芯褉械薪懈褟 褎懈谢芯褋芯褎褋泻懈 谐谢褍斜芯泻懈.
袧械芯卸懈写邪薪薪芯 械褋褌褜 懈 褋芯褑懈邪谢褜薪邪褟 锌褉芯斜谢械屑邪褌懈泻邪, 薪邪锌褉懈屑械褉, 胁 "小褌邪褉芯屑 锌邪褟褑械", "袠谐褉褍褕泻械 斜械写薪褟泻邪" 懈谢懈 "袩懈褉芯卸泻械".
April 23, 2018
賰鬲丕亘丕鬲 亘賵丿賱賷乇 爻賵丿丕賵賷丞 賯丕鬲賲丞 睾丕乇賯丞 賮賷 丕賱賰丌亘丞 賷賰鬲亘 丕賱乇噩賱 亘丨爻丕賷爻丞 卮丿賷丿丞 賵賲毓賯丿丞 賵锟斤拷賮乇胤丞 賮賷 丕賱賵毓賷 賵丕賱鬲乇丕卮賯 丕賱賱賮馗賷 丕賱毓賳賷賮 丕賱鬲賷 鬲爻賵丿 賮賷 賲毓馗賲 賳孬乇賷丕鬲 賴匕丕 丕賱賰鬲丕亘, 賴匕丕 丕賱乇噩賱 賷卮毓 噩賳賵賳丕賸 賵丨爻丕爻賷丞 賲賳 賰賱 卮賷亍, 賰卅賷亘 賰丨卮乇丞, 賲賵噩毓 賰丨丕賮丞 爻賰賷賳 , 賱賷爻 賱丿賷賴 睾丕賷丞 賮賷賲丕 賷賰鬲亘 爻賵賶 丕賱毓亘孬 亘賲夭丕噩 丕賱賯丕乇卅 亘賳氐賵氐 兀丨賷丕賳锟斤拷賸 賴賷 兀賯乇亘 賱賱賴賱賵爻丕鬲, 爻亘亘鬲 賱賷 賰鬲丕亘丕鬲賴 禺賱丕賱 丕賱兀賷丕賲 丕賱賲丕囟賷丞 毓賯丿丞 賳賮爻賷丞 賲賳 丕賱賯乇丕亍丞 賵毓噩夭鬲 毓賳 丕賱鬲賵賯賮 毓賳 賲鬲丕亘毓丞 賲丕亘丿兀鬲 亘賴..
廿賳賴 毓賲賱 睾賷乇 氐丕賱丨 , 賱丕 兀賳氐丨 兀丨丿丕賸 亘丕賱丕賯鬲乇丕亘 賲賳 賴匕丕 丕賱乇噩賱 禺氐賵氐丕賸 賱賵 賰丕賳 賷毓丕賳賷 賲賳 丨爻丕爻賷丞 賲賮乇胤丞 兀賵 賰丌亘丞 賲夭賲賳丞 , 賮賱賳 賷夭賷丿賴 賴匕丕 丕賱賰鬲丕亘 廿賱丕 禺亘丕賱丕賸 ..
丕賱賰鬲丕亘 噩賷丿 賲賳 丕賱賳丕丨賷丞 丕賱兀丿亘賷丞 賱丕 卮賰 賵賱賰賳賴 賯丿 賷乇賵賯 賱賱賰孬賷乇賷賳 亘賯鬲丕賲鬲賴 賵爻賵丿丕賵賷鬲賴..
廿賳賴 毓賲賱 睾賷乇 氐丕賱丨 , 賱丕 兀賳氐丨 兀丨丿丕賸 亘丕賱丕賯鬲乇丕亘 賲賳 賴匕丕 丕賱乇噩賱 禺氐賵氐丕賸 賱賵 賰丕賳 賷毓丕賳賷 賲賳 丨爻丕爻賷丞 賲賮乇胤丞 兀賵 賰丌亘丞 賲夭賲賳丞 , 賮賱賳 賷夭賷丿賴 賴匕丕 丕賱賰鬲丕亘 廿賱丕 禺亘丕賱丕賸 ..
丕賱賰鬲丕亘 噩賷丿 賲賳 丕賱賳丕丨賷丞 丕賱兀丿亘賷丞 賱丕 卮賰 賵賱賰賳賴 賯丿 賷乇賵賯 賱賱賰孬賷乇賷賳 亘賯鬲丕賲鬲賴 賵爻賵丿丕賵賷鬲賴..
May 15, 2025
I first met Paris Spleen on the Boulevard Saint-Michel while living in Paris as an exchange student in the year 2000. There it was, standing by the poetry section of a second-hand bookstore, looking both miserable and chic at the same time as it ran a finger along the spines of paperback poets. I said hi, any recommendations? Since then, it has sat next to me on the benches of every public park, in every season, in every cinema, on every metro line, every flight between Paris and Vancouver, through every joy and heartbreak鈥攎y constant companion. Paris Spleen has never let me down. It was with me when I met the love of my life in 2001. It was with me when I had my appendix taken out in 2006. It was best man at my wedding in 2008. When I started writing my first songs, it hummed along while drying the dishes. All my life of drudgery Paris Spleen has been by my side mumbling poetry. When my son was born, Paris Spleen offered to be his godfather. Nights I had had too much to drink, it guided me safely home along the dim, wobbly streets of Babylon. If I was ill, Paris Spleen saw me through to recovery. Paris Spleen quarantined itself with me when Covid struck. At times of sorrow it wiped the snot of despair from my nose with its sable sleeve. It paid my taxes, it cleaned my toilet, it restrung my guitar. And the day when crushed by the weight of too much mortality I will lie on my deathbed before my ultimate sunset, Paris Spleen will put an arm around my shoulder and, pointing to the window, say: mon ami, regarde les nuages qui passent... l脿-bas... l脿-bas... les merveilleux nuages!
January 12, 2023
Paris Spleen is a retelling of Les Fleurs du Mal in a more profound and elaborate manner. It's more powerful with its touch on a wider range of themes. As in with Les Fleurs du Mal, pleasure, women, and intoxication, the causes of moral decadence are touched and elaborated. The artistry that was budding in the former work is fully realized in this work with the vagueness and mystery being replaced by more expression. But what makes Paris Spleen unique and stands apart from its predecessor is the picture of the daily city life of Paris that it paints through the 50 prose poems.
Baudelaire's observations of contemporary Paris flow through these powerful vignettes. It was a time of social, cultural, and economic transformation. And Baudelaire's pen exposed the human conditions and the human emotions of the people in this transformation period. With dark undertones, Baudelaire brings out the negative, the ugly aspect of things, that the city was eager to hide. And amidst all this change and progress, Baudelaire contemplates on one thing that the city seems to forget, which is human mortality.
Paris Spleen won my heart more than Les Fleurs du Mal. I did enjoy the mysterious and darker beauty of the latter but enjoyed more the open and communicative nature of the former. Out of his two celebrated works, I found Paris Spleen easier to connect with. His unmistakable sympathy for the unpleasant side of life was more positively and completely communicated through this bold collection.
Baudelaire is a gifted poet. He has the rare ability to make readers fall in love with the negative, the ugly, and the taboo. He tore the hypocritical veil of pretty verses and paved the way for realistic expression. In short, he exposed the truth of life, its nature, and its conditions in its true form.
More of my reviews can be found at
Baudelaire's observations of contemporary Paris flow through these powerful vignettes. It was a time of social, cultural, and economic transformation. And Baudelaire's pen exposed the human conditions and the human emotions of the people in this transformation period. With dark undertones, Baudelaire brings out the negative, the ugly aspect of things, that the city was eager to hide. And amidst all this change and progress, Baudelaire contemplates on one thing that the city seems to forget, which is human mortality.
Paris Spleen won my heart more than Les Fleurs du Mal. I did enjoy the mysterious and darker beauty of the latter but enjoyed more the open and communicative nature of the former. Out of his two celebrated works, I found Paris Spleen easier to connect with. His unmistakable sympathy for the unpleasant side of life was more positively and completely communicated through this bold collection.
Baudelaire is a gifted poet. He has the rare ability to make readers fall in love with the negative, the ugly, and the taboo. He tore the hypocritical veil of pretty verses and paved the way for realistic expression. In short, he exposed the truth of life, its nature, and its conditions in its true form.
More of my reviews can be found at
December 26, 2017
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
Contrary to popular belief, I had never read Baudelaire until now. I've trusted Walter Benjamin and lately Calasso to provide me with a well informed ethos about this central figure. There are many concerns that this is the literature of the young, to which I shout, absurd. This is the lettres of the Absolute, the eternally curious.
Below the bile, there is a hum of sensitivity. Behind the debris are the tears of the sensitive. Is it forgiving, likely not? There is a buzzing pulse at play, a hum and a forgiving glance.
Contrary to popular belief, I had never read Baudelaire until now. I've trusted Walter Benjamin and lately Calasso to provide me with a well informed ethos about this central figure. There are many concerns that this is the literature of the young, to which I shout, absurd. This is the lettres of the Absolute, the eternally curious.
Below the bile, there is a hum of sensitivity. Behind the debris are the tears of the sensitive. Is it forgiving, likely not? There is a buzzing pulse at play, a hum and a forgiving glance.
April 23, 2022
Continuo a dire che leggere i bozzetti scritti dagli autori consente di apprezzare ancora di pi霉 il loro stile e la loro poetica. In questi brevi poemetti dal gusto prosaico, Baudelaire ci conduce a conoscere buona parte della Parigi nascosta, di quelle vite che a stento destano l'attenzione del passante, ma che tanto hanno dentro di s茅. Solitudine, disperazione, scoramento, ma anche gioia, speranza, spensieratezza sembrano mescolarsi nell'animo delle curiose figure protagoniste di questa breve raccolta, a ricordarci che la vita non 猫 una cosa soltanto, ma miriadi di sensazioni mescolati insieme. Come il cielo stellato che tanto sa emozionarci.
May 26, 2013
I feel odd labeling a book of poetry as 'read'. That's not how a book of poetry is appreciated. It's not the simple act of opening to page one, reading each page in a linear fashion, then putting it back on the shelf (or in this case, closing the Kindle). Poetry is something that one must refer back to again and again. The images sit in the back of the mind waiting to be recalled again. Then, when the mood strikes, you jump to the bookcase and frantically flip the pages to find that image once again, to find that perfect phrase, that lucid expression that just sits there like an enigmatic cat, unmoving with deep-set eyes that flash and hint at some mysterious profundity.
This is true at least of the good poetry and Baudelaire gives us bags and bags full of those enigmatic cats (please excuse the cruel metaphor) in this collection. I'm not sure why Le fleurs de mal gets all the attention. These prose poems read so much more pure and uninhibited by the confines of poetic tradition. How can one resist such a beautiful manifesto to life as this:
"One must be for ever drunken: that is the sole question of importance. If you would not feel the horrible burden of Time that bruises your shoulders and bends you to the earth, you must be drunken without cease. But how? With wine, with poetry, with virtue, with what you please. But be drunken."
Twisting the notion of intoxication and turning the Enlightenment, with its glorious seekers of truth and justice, on its head feels so wonderfully perverse. There is a heavy dose of Romanticism in this phrase as there is at the core of much of Baudelaire's work, but I read it as a more mature Romanticism. Not the naive idealism and ignorant aspirations that killed Madame Bovary, but a Romanticism that's willing to look at life right in the eyes and kick it in the teeth if need be. Baudelaire seems to be someone who was attracted to the exuberance of Romanticism, but who was unwilling the accept the falseness of it.
Maybe we could call this a pragmatic Romanticism, or a realistic Romanticism. Hoping for the ideal while accepting the real. One example of this can be seen in Artist's Confiteor (which is "a form of prayer confessing sins, used in the Roman Catholic Mass and some other sacraments"). The poem starts with a romantic description of an autumn day. The sky and the sea. The immensity of Infinity. The Silence. The Solitude. Then, it all becomes too much. "Now the profound depth of the sky dismays me; its purity irritates me." Here we have a more realistic relationship between man and nature, Beauty and the artist, which leads to the final line of the poem: "The study of beauty is a duel in which the artist shrieks with terror before being overcome."
This is true at least of the good poetry and Baudelaire gives us bags and bags full of those enigmatic cats (please excuse the cruel metaphor) in this collection. I'm not sure why Le fleurs de mal gets all the attention. These prose poems read so much more pure and uninhibited by the confines of poetic tradition. How can one resist such a beautiful manifesto to life as this:
"One must be for ever drunken: that is the sole question of importance. If you would not feel the horrible burden of Time that bruises your shoulders and bends you to the earth, you must be drunken without cease. But how? With wine, with poetry, with virtue, with what you please. But be drunken."
Twisting the notion of intoxication and turning the Enlightenment, with its glorious seekers of truth and justice, on its head feels so wonderfully perverse. There is a heavy dose of Romanticism in this phrase as there is at the core of much of Baudelaire's work, but I read it as a more mature Romanticism. Not the naive idealism and ignorant aspirations that killed Madame Bovary, but a Romanticism that's willing to look at life right in the eyes and kick it in the teeth if need be. Baudelaire seems to be someone who was attracted to the exuberance of Romanticism, but who was unwilling the accept the falseness of it.
Maybe we could call this a pragmatic Romanticism, or a realistic Romanticism. Hoping for the ideal while accepting the real. One example of this can be seen in Artist's Confiteor (which is "a form of prayer confessing sins, used in the Roman Catholic Mass and some other sacraments"). The poem starts with a romantic description of an autumn day. The sky and the sea. The immensity of Infinity. The Silence. The Solitude. Then, it all becomes too much. "Now the profound depth of the sky dismays me; its purity irritates me." Here we have a more realistic relationship between man and nature, Beauty and the artist, which leads to the final line of the poem: "The study of beauty is a duel in which the artist shrieks with terror before being overcome."
November 9, 2019
亘賳馗乇賲 丕蹖賳 讴鬲丕亘 亘乇丕蹖 丌卮賳丕蹖蹖 亘丕 丿蹖丿诏丕賴 賵 丕卮毓丕乇 亘賵丿賱乇 賮賵賯鈥屫з勜关ж� 毓丕賱蹖賴. 丿讴鬲乇 賳丿賵卮賳 賮氐賱 丕賵賱 賲禺鬲氐乇蹖 丕夭 爻乇诏匕卮鬲 亘賵丿賱乇 乇賵 卮乇丨 賲蹖丿賴 賵 丿乇 亘禺卮 亘毓丿蹖 毓賳丕賵蹖賳 賵 倬蹖乇賳诏鈥屬囏й� 丕氐賱蹖 賲胤乇丨 卮丿賴 丿乇 丕卮毓丕乇 亘蹖丕賳 賲蹖卮賳貙 讴賴 亘丕毓孬 賲蹖卮賴 亘丕 蹖賴 丿蹖丿 讴賱蹖 賵 賳爻亘鬲丕 讴丕賲賱 爻乇丕睾卮賵賳 亘乇蹖丿.
鄞郾 賯胤毓賴 丕夭 丕卮毓丕乇 賳孬乇 賲賱丕賱 倬丕乇蹖爻 賵 鄄鄱 賯胤毓賴鈥屰� 亘乇诏夭蹖丿賴 丕夭 诏賱鈥屬囏й� 亘丿蹖 鬲乇噩賲賴 卮丿賳丿貙 讴賴 亘賳馗乇賲 鬲乇噩賲賴鈥屰� 禺蹖賱蹖 禺賵亘蹖 賴賲 丿丕乇賳丿. 賲毓賲賵賱丕 鬲乇噩賲賴鈥屰� 卮毓乇 丕夭 夭亘丕賳 丿蹖诏賴 賵 丕賳鬲賯丕賱 賵噩賴 丕丨爻丕爻蹖 賵 乇賵丨 丕亘蹖丕鬲 亘賴 卮丿鬲 爻禺鬲賴 賵賱蹖 丕蹖賳 丕卮毓丕乇 賮賵賯 丕賱毓丕丿賴 丕毓噩丕亘 丕賳诏蹖夭賳.
丿乇 丕賳鬲賴丕 賴賲 鬲賵囟蹖丨 讴賵鬲丕賴蹖 亘乇丕蹖 賴乇 賯胤毓賴 丌賵乇丿賴 卮丿賴 讴賴 亘賴 丿乇讴 亘賴鬲乇 夭亘丕賳 亘賵丿賱乇 禺蹖賱蹖 讴賲讴 賲蹖讴賳賴.
賳讴鬲賴鈥屰� 噩丕賱亘 鬲丕孬蹖乇 倬匕蹖乇蹖 毓賲蹖賯 氐丕丿賯 賴丿丕蹖鬲 丕夭 亘賵丿賱乇 鬲賵 亘賵賮 讴賵乇 亘賵丿 讴賴 禺蹖賱蹖 噩丕賴丕 亘賴卮 丕卮丕乇賴 卮丿賴.
丕诏乇 鬲賵賳爻鬲蹖丿 丕卮毓丕乇 乇賵 亘賴 夭亘丕賳 丕氐賱蹖 賴賲 亘禺賵賳蹖丿 讴賴 賱匕鬲卮 丿賵趩賳丿丕賳賴.
鄞郾 賯胤毓賴 丕夭 丕卮毓丕乇 賳孬乇 賲賱丕賱 倬丕乇蹖爻 賵 鄄鄱 賯胤毓賴鈥屰� 亘乇诏夭蹖丿賴 丕夭 诏賱鈥屬囏й� 亘丿蹖 鬲乇噩賲賴 卮丿賳丿貙 讴賴 亘賳馗乇賲 鬲乇噩賲賴鈥屰� 禺蹖賱蹖 禺賵亘蹖 賴賲 丿丕乇賳丿. 賲毓賲賵賱丕 鬲乇噩賲賴鈥屰� 卮毓乇 丕夭 夭亘丕賳 丿蹖诏賴 賵 丕賳鬲賯丕賱 賵噩賴 丕丨爻丕爻蹖 賵 乇賵丨 丕亘蹖丕鬲 亘賴 卮丿鬲 爻禺鬲賴 賵賱蹖 丕蹖賳 丕卮毓丕乇 賮賵賯 丕賱毓丕丿賴 丕毓噩丕亘 丕賳诏蹖夭賳.
丿乇 丕賳鬲賴丕 賴賲 鬲賵囟蹖丨 讴賵鬲丕賴蹖 亘乇丕蹖 賴乇 賯胤毓賴 丌賵乇丿賴 卮丿賴 讴賴 亘賴 丿乇讴 亘賴鬲乇 夭亘丕賳 亘賵丿賱乇 禺蹖賱蹖 讴賲讴 賲蹖讴賳賴.
賳讴鬲賴鈥屰� 噩丕賱亘 鬲丕孬蹖乇 倬匕蹖乇蹖 毓賲蹖賯 氐丕丿賯 賴丿丕蹖鬲 丕夭 亘賵丿賱乇 鬲賵 亘賵賮 讴賵乇 亘賵丿 讴賴 禺蹖賱蹖 噩丕賴丕 亘賴卮 丕卮丕乇賴 卮丿賴.
丕诏乇 鬲賵賳爻鬲蹖丿 丕卮毓丕乇 乇賵 亘賴 夭亘丕賳 丕氐賱蹖 賴賲 亘禺賵賳蹖丿 讴賴 賱匕鬲卮 丿賵趩賳丿丕賳賴.
May 17, 2015
J'aurais eu bien du mal 脿 entrer dans l'univers tr猫s particulier de ces po猫mes en prose de Charles Baudelaire (1821-1867) si je n'avais pas lu au pr茅alable son , un essai dans lequel il expose son 茅tat d'esprit vis 脿 vis de l'art: quelque chose de fugace, de fragile, sans cesse menac茅 par la lourdeur et la b锚tise ambiante, une fleur rare 脿 cueillir non pas seulement sur les monts Ida ou Parnasse, mais aussi et surtout dans l'activit茅 des faubourgs, le fracas et les tracas de la vie moderne, les bras des amantes, les vapeurs des liqueurs, pour qui sait la voir, la saisir et la peindre.
Les quelques dizaines de textes courts qui composent cet ouvrage ne forment aucune esp猫ce d'unit茅, et sont ind茅pendantes les unes des autres. Le plus souvent, l'auteur semble tirer d'anecdotes de sa vie quotidienne un sujet frappant pour l'imagination, le jugement et la sensibilit茅, qu'il tourne avec un style et un vocabulaire 茅l茅gant, et serre en la terminant d'une chute cruelle, d'un aphorisme riche ou d'une pens茅e 茅lev茅e. Le bonheur n'est jamais complet ou b茅at, le malheur fracassant et terrible; l'茅motion est le fruit d'une dissonance, d'un contraste, d'une opposition: entre le bien et le mal, l'amour et le m茅pris, le luxe et la pauvret茅, l'illusion et le r茅el, la nature et la civilisation, la violence et la charit茅, la solitude et l'empathie. Il int茅resse et inqui猫te 脿 la fois, il fascine et d茅range en m锚me temps.
Mon temp茅rament est bien 茅loign茅 du sien; il aime l'ombre et les contrastes, je pr茅f猫re la lumi猫re et la clart茅; il aime l'ivresse et la douleur, je pr茅f猫re le calme et la s茅r茅nit茅. Et pourtant, il a r茅ussi 脿 me faire vibrer, 脿 m'envouter, 脿 me transmettre ses 茅motions. Cette mani猫re d'enchanter le r茅el dans ce qu'il a de plus sordide ou de plus trivial, m'a agr茅ablement surpris, charm茅 et conquis. Une tr猫s belle collection de textes po茅tiques en prose.
February 1, 2023
Charles Baudelaire鈥檚 鈥淟es Fen锚tres鈥�
(translated by Emily Leithauser)
He who looks out at the world from an open window never sees as many things as he who looks at a closed window. There is nothing deeper, more mysterious, more fruitful, more shadowy, or more dazzling than a window lit by a candle. What we can see in daylight is always less interesting than what happens behind a windowpane. Deep in that dark or luminous aperture, life lives, life dreams, life suffers.
Beyond the waves of rooftops, I glimpse a middle-aged woman, already wrinkled, poor; she is always bent over something, and never goes out. From her face, from her clothing, from her gestures, from almost nothing, I have remade this woman鈥檚 past, or rather, her story, which I tell myself from time to time in tears.
If it had been a poor, old man, I would have remade his story just as easily.
And then I go to sleep, proud of having lived and suffered as people other than myself.
You might ask me: 鈥淎re you sure that this story is the real one?鈥� What does it matter what reality dwells outside of me, if the story helps me live, helps me feel that I am and what I am?
(translated by Emily Leithauser)
He who looks out at the world from an open window never sees as many things as he who looks at a closed window. There is nothing deeper, more mysterious, more fruitful, more shadowy, or more dazzling than a window lit by a candle. What we can see in daylight is always less interesting than what happens behind a windowpane. Deep in that dark or luminous aperture, life lives, life dreams, life suffers.
Beyond the waves of rooftops, I glimpse a middle-aged woman, already wrinkled, poor; she is always bent over something, and never goes out. From her face, from her clothing, from her gestures, from almost nothing, I have remade this woman鈥檚 past, or rather, her story, which I tell myself from time to time in tears.
If it had been a poor, old man, I would have remade his story just as easily.
And then I go to sleep, proud of having lived and suffered as people other than myself.
You might ask me: 鈥淎re you sure that this story is the real one?鈥� What does it matter what reality dwells outside of me, if the story helps me live, helps me feel that I am and what I am?
March 14, 2017
螣 Baudelaire , 蠅蟼 维位位慰蟼 Bukowski 蟿畏蟼 蔚蟺慰蠂萎蟼 蟿慰蠀, 渭伪蟼 蟺伪蟻伪蟽蠉蟻蔚喂 蟽蔚 蟽蔚 渭委伪 渭蔚位蠅未喂魏萎 慰谓蔚喂蟻慰蟺蠈位畏蟽畏, 蠈蟺慰蠀 伪谓伪尾位蠉味慰蠀谓 锟斤拷喂 渭慰蠀蟽喂魏苇蟼 蟿畏蟼 味蠅萎蟼 蟽蔚 苇谓伪 伪蠈蟻喂蟽蟿慰 渭慰蠀蟻渭慰蠀蟻畏蟿蠈 . 螚 蟺慰委畏蟽萎 蟿慰蠀 蟺慰蠀 蟺伪蟻慰蠀蟽喂维味蔚喂 蟿蠈蟽慰 位蠀蟻喂魏维 蟿畏 渭喂味苇蟻喂伪 蟿畏蟼 魏伪胃畏渭蔚蟻喂谓蠈蟿畏蟿伪蟼 魏伪喂 蟿慰蠀 蟺蟻慰蟽蠅蟺喂魏慰蠉 未蟻维渭伪蟿慰蟼. 螝 蠈蟺蠅蟼 未喂伪蟺喂蟽蟿蠋谓蔚喂 魏 慰 委未喂慰蟼, 蟽伪谓 蟺伪纬喂未蔚蠀渭苇谓慰蟼 位蠉魏慰蟼, 渭苇谓蔚喂 蟺蟻慰蟽魏慰位位畏渭苇谓慰蟼, 委蟽蠅蟼 纬喂伪 蟺维谓蟿伪, 蟽蟿慰谓 蟿维蠁慰 蟿慰蠀 喂未伪谓喂魏慰蠉
April 7, 2021
锌褉械泻褉邪褋薪褨 锌械褉械泻谢邪写懈. 褏芯褌褨谢芯褋褜 斜懈 斜褨谢褜褕械 锌褉芯蟹懈 袘芯写谢械褉邪 褍泻褉邪褩薪褋褜泻芯褞+写械褟泻褨 锌褉懈屑褨褌泻懈 薪邪写褌芯 泻褍褑褨 泄 薪械褨薪褎芯褉屑邪褌懈胁薪褨, 邪谢械 蟹邪谐邪谢褜薪邪 蟹邪写褍屑泻邪 (胁褋褌褍锌+褌胁芯褉懈+泻芯薪褌械泻褋褌 胁褨写 袘械薪褜褟屑褨薪邪) - 薪芯胁邪 泄 褨薪褌褉懈谐褍褦.
October 15, 2019
O impacto de Baudelaire na poesia francesa oitocentista 茅 equivalente ao de Victor Hugo na prosa do per铆odo an谩logo. Tal como Hugo, Baudelaire representa um aut锚ntico cometa que veio revolucionar os meios liter谩rios e art铆sticos atrav茅s dos quais melhor se expressou. Na verdade, a publica莽茫o da sua primeira, e definidora, obra po茅tica, As Flores do Mal (1857), mereceu um elogio rasgado da parte do pr贸prio Hugo: 鈥渁s suas As Flores do Mal brilham e deslumbram como estrelas鈥� (consultar 搁别蹿别谤锚苍肠颈补蝉).
Apesar de ficar conhecido para a posteridade pela sua poesia, foi pela cr铆tica de arte que Baudelaire primeiro enveredou. A atest谩-lo est谩 a publica莽茫o do Salon de 1845 e do Salon de 1846, mistos de cat谩logos das obras ent茫o expostas no sal茫o parisiense e de uma fina censura contra a parcialidade dos cr铆ticos de arte da Monarquia de Julho. Na g茅nese destes ensaios estava j谩 subjacente aquela que seria a sua futura teoriza莽茫o da arte e do conceito de modernidade, e a rela莽茫o intr铆nseca entre ambas, a partir do per铆odo Rom芒ntico, com a consequente rejei莽茫o dos modelos cl谩ssicos, exposta em O Pintor da Vida Moderna.
Paralelamente, e de importante relev芒ncia para a matura莽茫o do sentido est茅tico baudelairiano, surge o interesse pelo autor americano Edgar Allan Poe. Respons谩vel pela geral aceita莽茫o de Poe em Fran莽a, atrav茅s de in煤meras tradu莽玫es da sua lavra, Baudelaire considerava-o o seu antecessor liter谩rio, e a ele foi beber inspira莽茫o para o grotesco e o satanismo on铆rico da sua l铆rica futura. A produ莽茫o intermitente destas tradu莽玫es coincidir谩 com a publica莽茫o da magnum opus As Flores do Mal, corte definitivo com a hegemonia do c芒none rom芒ntico na poesia, abrindo novos horizontes na expressividade simb贸lica e fragment谩ria, prenhe de sensa莽玫es e intui莽玫es que prefiguram j谩 uma nova est茅tica de estilo impressionista. A morte prematura de Baudelaire (1867), aos 46 anos, v铆tima dos excessos a que se votou, e a pouco mais de meia d煤zia de obras publicadas em vida n茫o devem, contudo, enganar o observador superficial, a maior parte das suas produ莽玫es liter谩rias foi publicada postumamente.
O Spleen de Paris encontra-se precisamente entre essa produ莽茫o p贸stuma, tendo sido dado ao prelo em 1869, pelas m茫os de Charles Asselineau e Th茅odore de Banville. O nome pelo qual tamb茅m 茅 conhecido, Petits Po猫mes en Prose, evidencia o car谩cter formal inovador, composto por cinquenta poemas em prosa, 脿 maneira de Louis Jacques Napol茅on Bertrand, seu inventor. Como parte da sua busca por uma nova expressividade capaz de apreender e plasmar a realidade em perp茅tua e alucinante mudan莽a da modernidade, prop贸sito 煤ltimo de Baudelaire, O Spleen de Paris representa uma quebra decisiva com as formas po茅ticas tradicionais, alteradas mas n茫o derrubadas pelos Rom芒nticos. Nas suas pr贸prias palavras, esse inv贸lucro exterior deveria assumir a forma de uma 鈥減rosa po茅tica, musical sem ritmo e sem rima, suficientemente male谩vel e suficientemente contrastante para se adaptar aos movimentos l铆ricos da alma, 脿s ondula莽玫es do devaneio, aos sobressaltos da consci锚ncia鈥� (BAUDELAIRE, p. 17-18) .
Tendo passado os 煤ltimos anos da sua vida a terminar o Spleen, no qual vinha a trabalhar de forma intermitente desde 1855, era inten莽茫o de Baudelaire que a colect芒nea de poemas funcionasse como complemento ou introdu莽茫o a As Flores do Mal. 脌 semelhan莽a de Balzac em A Com茅dia Humana, o tema central dos Petits Po猫mes 茅 a pr贸pria Paris caput mundi, leviat茫 insaci谩vel da modernidade, cadinho da civiliza莽茫o ocidental em constante expans茫o, desta feita sob a batuta do bar茫o Haussmann, introdutor da racionalidade urban铆stica. O conceito de spleen que d谩 nome 脿 obra, j谩 introduzido em As Flores do Mal, 茅 aqui aprofundado como forma de pintar a nova vida parisiense, convulsionada pelas constantes demoli莽玫es de Haussmann, enegrecida pela pobreza e mis茅ria humanas resultantes da industrializa莽茫o, ent茫o em franca expans茫o, impregnada de t茅dio, des芒nimo e ang煤stia existencial.
A defini莽茫o do poeta 茅 outro dos vectores agregadores dos Petits Po猫mes. Para Baudelaire, o poeta deve ser o nefelibata profissional da inquietude, eternamente incompreendido pela sociedade mundana, dela exclu铆do para melhor captar o seu 芒mago; o 蹿濒芒苍别耻谤 das exist锚ncias colectivas, vagueando n茫o s贸 pela cidade como pela alma dos transeuntes por quem se cruza, sendo sua obriga莽茫o viver m煤ltiplas vidas, tantas quantas as que tocam a sua sensibilidade, naquilo que descreve como uma 鈥渟anta prostitui莽茫o da alma鈥� (BAUDELAIRE, p. 40). O iluminismo, em particular o mito rousseauniano do bom selvagem, 茅 ridicularizado, sendo contraposto ao absurdo da vida mundana e 脿s for莽as inelut谩veis do irracional. Em contrapartida, a est茅tica decadentista 茅 j谩 antevista no poema 鈥淥 Confiteor do Artista鈥�, onde 茅 advogada a superioridade da subjectividade po茅tica e a sua capacidade de artif铆cio criativo em detrimento da esterilidade da natureza id铆lica e espont芒nea, n茫o mediada pela vis茫o mistificadora do eu l铆rico. Por fim, perpassa por toda a obra o indel茅vel sabor, nas palavras do pr贸prio Baudelaire, dos 鈥減a铆ses sonhadores que consolam Gambrinus鈥� (BAUDELAIRE, p. 96), uma refer锚ncia 脿 cerveja e ao 谩lcool (aos quais recorre como b谩lsamo demasiadas vezes administrado), atrav茅s da evoca莽茫o do lend谩rio her贸i europeu a eles associado.
Se a primeira metade do s茅culo XIX viveu sob a 茅gide de Victor Hugo, a segunda metade de oitocentos viveria sob a influ锚ncia de Charles Baudelaire. Ap贸s a sua morte, poetas como Verlaine, Rimbaud ou Mallarm茅 reivindicariam o ascendente baudelairiano na sua poesia. Deste modo, as inova莽玫es formais presentes em As Flores do Mal e O Spleen de Paris far茫o escola, particularmente a prosa po茅tica abrir谩 novos horizontes 脿 poesia do s茅culo XX, pelo que podemos afirmar acerca de Baudelaire que 茅 o primeiro poeta moderno. Ademais, tal como j谩 referido, a sua est茅tica ser谩 a base do movimento liter谩rio decadentista. Bem assim, o frequente emprego de uma simbologia sinest茅sica como forma de alargar os horizontes da apreens茫o de uma realidade apenas percept铆vel ao olhar perscrutador do sujeito po茅tico constituir谩 o fundamento do movimento simbolista.
Como nota de rodap茅, 茅 interessante entrever, em embri茫o, o heter贸nimo de Fernando Pessoa, Bernardo Soares, nos versos 鈥減orqu锚 obrigar o meu corpo a mudar de lugar, se a minha alma viaja t茫o lestamente? E para qu锚 realizar projectos, se o projecto j谩 茅 um prazer suficiente?鈥� (BAUDELAIRE, p. 71).
搁别蹿别谤锚苍肠颈补蝉
[Consultado a 06-10-2019].
BAUDELAIRE, Charles (2007) 鈥� O Spleen de Paris 鈥� Pequenos Poemas em Prosa. Lisboa: Rel贸gio D鈥櫭乬ua Editores. (BI: Biblioteca de Editores Independentes, n.潞 25).
Apesar de ficar conhecido para a posteridade pela sua poesia, foi pela cr铆tica de arte que Baudelaire primeiro enveredou. A atest谩-lo est谩 a publica莽茫o do Salon de 1845 e do Salon de 1846, mistos de cat谩logos das obras ent茫o expostas no sal茫o parisiense e de uma fina censura contra a parcialidade dos cr铆ticos de arte da Monarquia de Julho. Na g茅nese destes ensaios estava j谩 subjacente aquela que seria a sua futura teoriza莽茫o da arte e do conceito de modernidade, e a rela莽茫o intr铆nseca entre ambas, a partir do per铆odo Rom芒ntico, com a consequente rejei莽茫o dos modelos cl谩ssicos, exposta em O Pintor da Vida Moderna.
Paralelamente, e de importante relev芒ncia para a matura莽茫o do sentido est茅tico baudelairiano, surge o interesse pelo autor americano Edgar Allan Poe. Respons谩vel pela geral aceita莽茫o de Poe em Fran莽a, atrav茅s de in煤meras tradu莽玫es da sua lavra, Baudelaire considerava-o o seu antecessor liter谩rio, e a ele foi beber inspira莽茫o para o grotesco e o satanismo on铆rico da sua l铆rica futura. A produ莽茫o intermitente destas tradu莽玫es coincidir谩 com a publica莽茫o da magnum opus As Flores do Mal, corte definitivo com a hegemonia do c芒none rom芒ntico na poesia, abrindo novos horizontes na expressividade simb贸lica e fragment谩ria, prenhe de sensa莽玫es e intui莽玫es que prefiguram j谩 uma nova est茅tica de estilo impressionista. A morte prematura de Baudelaire (1867), aos 46 anos, v铆tima dos excessos a que se votou, e a pouco mais de meia d煤zia de obras publicadas em vida n茫o devem, contudo, enganar o observador superficial, a maior parte das suas produ莽玫es liter谩rias foi publicada postumamente.
O Spleen de Paris encontra-se precisamente entre essa produ莽茫o p贸stuma, tendo sido dado ao prelo em 1869, pelas m茫os de Charles Asselineau e Th茅odore de Banville. O nome pelo qual tamb茅m 茅 conhecido, Petits Po猫mes en Prose, evidencia o car谩cter formal inovador, composto por cinquenta poemas em prosa, 脿 maneira de Louis Jacques Napol茅on Bertrand, seu inventor. Como parte da sua busca por uma nova expressividade capaz de apreender e plasmar a realidade em perp茅tua e alucinante mudan莽a da modernidade, prop贸sito 煤ltimo de Baudelaire, O Spleen de Paris representa uma quebra decisiva com as formas po茅ticas tradicionais, alteradas mas n茫o derrubadas pelos Rom芒nticos. Nas suas pr贸prias palavras, esse inv贸lucro exterior deveria assumir a forma de uma 鈥減rosa po茅tica, musical sem ritmo e sem rima, suficientemente male谩vel e suficientemente contrastante para se adaptar aos movimentos l铆ricos da alma, 脿s ondula莽玫es do devaneio, aos sobressaltos da consci锚ncia鈥� (BAUDELAIRE, p. 17-18) .
Tendo passado os 煤ltimos anos da sua vida a terminar o Spleen, no qual vinha a trabalhar de forma intermitente desde 1855, era inten莽茫o de Baudelaire que a colect芒nea de poemas funcionasse como complemento ou introdu莽茫o a As Flores do Mal. 脌 semelhan莽a de Balzac em A Com茅dia Humana, o tema central dos Petits Po猫mes 茅 a pr贸pria Paris caput mundi, leviat茫 insaci谩vel da modernidade, cadinho da civiliza莽茫o ocidental em constante expans茫o, desta feita sob a batuta do bar茫o Haussmann, introdutor da racionalidade urban铆stica. O conceito de spleen que d谩 nome 脿 obra, j谩 introduzido em As Flores do Mal, 茅 aqui aprofundado como forma de pintar a nova vida parisiense, convulsionada pelas constantes demoli莽玫es de Haussmann, enegrecida pela pobreza e mis茅ria humanas resultantes da industrializa莽茫o, ent茫o em franca expans茫o, impregnada de t茅dio, des芒nimo e ang煤stia existencial.
A defini莽茫o do poeta 茅 outro dos vectores agregadores dos Petits Po猫mes. Para Baudelaire, o poeta deve ser o nefelibata profissional da inquietude, eternamente incompreendido pela sociedade mundana, dela exclu铆do para melhor captar o seu 芒mago; o 蹿濒芒苍别耻谤 das exist锚ncias colectivas, vagueando n茫o s贸 pela cidade como pela alma dos transeuntes por quem se cruza, sendo sua obriga莽茫o viver m煤ltiplas vidas, tantas quantas as que tocam a sua sensibilidade, naquilo que descreve como uma 鈥渟anta prostitui莽茫o da alma鈥� (BAUDELAIRE, p. 40). O iluminismo, em particular o mito rousseauniano do bom selvagem, 茅 ridicularizado, sendo contraposto ao absurdo da vida mundana e 脿s for莽as inelut谩veis do irracional. Em contrapartida, a est茅tica decadentista 茅 j谩 antevista no poema 鈥淥 Confiteor do Artista鈥�, onde 茅 advogada a superioridade da subjectividade po茅tica e a sua capacidade de artif铆cio criativo em detrimento da esterilidade da natureza id铆lica e espont芒nea, n茫o mediada pela vis茫o mistificadora do eu l铆rico. Por fim, perpassa por toda a obra o indel茅vel sabor, nas palavras do pr贸prio Baudelaire, dos 鈥減a铆ses sonhadores que consolam Gambrinus鈥� (BAUDELAIRE, p. 96), uma refer锚ncia 脿 cerveja e ao 谩lcool (aos quais recorre como b谩lsamo demasiadas vezes administrado), atrav茅s da evoca莽茫o do lend谩rio her贸i europeu a eles associado.
Se a primeira metade do s茅culo XIX viveu sob a 茅gide de Victor Hugo, a segunda metade de oitocentos viveria sob a influ锚ncia de Charles Baudelaire. Ap贸s a sua morte, poetas como Verlaine, Rimbaud ou Mallarm茅 reivindicariam o ascendente baudelairiano na sua poesia. Deste modo, as inova莽玫es formais presentes em As Flores do Mal e O Spleen de Paris far茫o escola, particularmente a prosa po茅tica abrir谩 novos horizontes 脿 poesia do s茅culo XX, pelo que podemos afirmar acerca de Baudelaire que 茅 o primeiro poeta moderno. Ademais, tal como j谩 referido, a sua est茅tica ser谩 a base do movimento liter谩rio decadentista. Bem assim, o frequente emprego de uma simbologia sinest茅sica como forma de alargar os horizontes da apreens茫o de uma realidade apenas percept铆vel ao olhar perscrutador do sujeito po茅tico constituir谩 o fundamento do movimento simbolista.
Como nota de rodap茅, 茅 interessante entrever, em embri茫o, o heter贸nimo de Fernando Pessoa, Bernardo Soares, nos versos 鈥減orqu锚 obrigar o meu corpo a mudar de lugar, se a minha alma viaja t茫o lestamente? E para qu锚 realizar projectos, se o projecto j谩 茅 um prazer suficiente?鈥� (BAUDELAIRE, p. 71).
搁别蹿别谤锚苍肠颈补蝉
[Consultado a 06-10-2019].
BAUDELAIRE, Charles (2007) 鈥� O Spleen de Paris 鈥� Pequenos Poemas em Prosa. Lisboa: Rel贸gio D鈥櫭乬ua Editores. (BI: Biblioteca de Editores Independentes, n.潞 25).
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February 2, 2025"peki, neyi seversin 枚yleyse, ola臒an眉st眉 yabanc谋?"
"bulutlar谋 severim.. i艧te 艧u.. 艧u ge莽ip giden bulutlar谋.. e艧siz bulutlar谋!"
ah, ah..
baudelaire s谋k谋nt谋y谋 sadece ge莽ici bir duygu olarak de臒il, modern ya艧am谋n yayg谋n ve neredeyse ka莽谋n谋lmaz bir ko艧ulu olarak ele alm谋艧. tasvirleri hem b眉y眉leyici hem de bo臒ucu, ben de adeta bir klostrofobi hissi uyand谋rd谋.
ancak tarz谋na a艧ina olmad谋臒谋m i莽in yer yer s谋k谋ld谋臒谋m谋 s枚ylemeliyim, o y眉zden puan konusunda teredd眉tteyim.
"bulutlar谋 severim.. i艧te 艧u.. 艧u ge莽ip giden bulutlar谋.. e艧siz bulutlar谋!"
ah, ah..
baudelaire s谋k谋nt谋y谋 sadece ge莽ici bir duygu olarak de臒il, modern ya艧am谋n yayg谋n ve neredeyse ka莽谋n谋lmaz bir ko艧ulu olarak ele alm谋艧. tasvirleri hem b眉y眉leyici hem de bo臒ucu, ben de adeta bir klostrofobi hissi uyand谋rd谋.
ancak tarz谋na a艧ina olmad谋臒谋m i莽in yer yer s谋k谋ld谋臒谋m谋 s枚ylemeliyim, o y眉zden puan konusunda teredd眉tteyim.
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July 9, 2018K谋sac谋k 枚测办眉ms眉lerden olu艧uyor Paris S谋k谋nt谋s谋. Baudelaire'in yazd谋klar谋 hem 莽ocuksu 莽o艧kunluk ve ne艧eye, hem de bilgece bir vazge莽mi艧lik ve ironiye sahip. Co艧kusuna da, pes etmi艧li臒ine de yolda艧 hissediyorum kendimi. Evet ben de ''bulutlar谋 severim... i艧te 艧u... 艧u ge莽ip giden bulutlar谋... e艧siz bulutlar谋'' ve evet ben de ''d眉nyan谋n d谋艧谋nda neresi olursa, al谋p ba艧谋m谋 gitmek istiyorum.''
Ben Baudelaire'i 莽ok sevdim, pasakl谋 k枚peklere 艧iirler d眉zen kim varsa, al谋p ba臒r谋ma basabilirim.
--Bir de bana uzaktan uzaktan Sait Faik'i 莽a臒r谋艧t谋rd谋 yazd谋klar谋ndaki hissiyat. Ayn谋 艧eyi d眉艧眉n眉p hisseden var m谋d谋r merak ettim.
Ben Baudelaire'i 莽ok sevdim, pasakl谋 k枚peklere 艧iirler d眉zen kim varsa, al谋p ba臒r谋ma basabilirim.
--Bir de bana uzaktan uzaktan Sait Faik'i 莽a臒r谋艧t谋rd谋 yazd谋klar谋ndaki hissiyat. Ayn谋 艧eyi d眉艧眉n眉p hisseden var m谋d谋r merak ettim.
August 22, 2018
螘委谓伪喂 蠋蟻伪 纬喂伪 谓伪 渭蔚胃蠉蟽蔚蟿蔚! 螕喂伪 谓伪 渭畏谓 蔚委蟽蟿蔚 慰喂 尾伪蟽伪谓喂蟽渭苇谓慰喂 蟽魏位维尾慰喂 蟿慰蠀 围蟻蠈谓慰蠀, 渭蔚胃维蟿蔚 伪未喂维魏慰蟺伪. 螒蟺蠈 魏蟻伪蟽委, 伪蟺蠈 蟺慰委畏蟽畏 萎 伪蟺慰 伪蟻蔚蟿萎, 蠈蟺蠅蟼 蟺蟻慰蟿喂渭维蟿蔚
October 10, 2021
Tahsin Y眉cel鈥檌n berrak ve muhte艧em T眉rk莽e鈥檚i, bu harika metne ayr谋 bir tad katm谋艧. Bu t眉r眉 ilk kez okuyorum, 莽ok be臒endim. Yoksulluk, ya艧l谋l谋k, 枚l眉m, umut, sanat, yaln谋zl谋k metinlerde 枚zel bir yer tutuyor. Sindirerek okunmas谋 gereken bir metin.
A艧a臒谋da al谋nt谋lad谋臒谋m ilk metin, bir b枚l眉m眉n tam metnidir. Ger莽ekten 艧iir gibi!
鈥淗ep sarho艧 olmal谋. Her 艧ey bunda: tek Zorum bu. Omuzlar谋n谋z谋 ezen, sizi topra臒a do臒ru 莽eken Zaman鈥櫮眓 korkun莽 a臒谋rl谋臒谋n谋 duymamak i莽in durmamacas谋na sarho艧 olmal谋s谋n谋z.
Ama neyle? 艦arapla, 艧iirle ya da erdemle, nas谋l isterseniz. Ama sarho艧 olun.
Ve baz谋 baz谋, bir saray谋n basamaklar谋, bir hende臒in ye艧il otlar谋 眉st眉nde, odan谋z谋n donuk yaln谋zl谋臒谋 i莽inde, sarho艧lu臒unuz azalm谋艧 ya da b眉sb眉t眉n ge莽mi艧 bir durumda uyan谋rsan谋z, sorun, yele, dalgaya, y谋ld谋za, ku艧a, saatte sorun, her ka莽an 艧eye, inleyen, yuvarlanan, 艧ak谋yan, konu艧an her 艧eye sorun, 鈥淪aat ka莽?鈥� deyin; yel, dalga, y谋ld谋z, ku艧, saat hemen verecektir yan谋t谋 size: 鈥淪arho艧 olma saatidir! Zaman谋n inim inim iniletilen k枚leleri olmamak i莽in sarho艧 olun durmamacas谋na! 艦arapla, 艧iirle ya da erdemle, nas谋l isterseniz.鈥�, sf; 80.
鈥溾€� Ancak e艧it oldu臒unu kan谋tlayan ki艧i e艧ittir bir ba艧kas谋na, 枚zg眉rl眉臒眉 ancak onu kazanan hak eder.鈥�, sf; 111.
鈥溾€� Akademik esin tanr谋莽as谋n谋 istemem! O kocakar谋y谋 ne yapay谋m ben?鈥︹€�, sf; 113.
A艧a臒谋da al谋nt谋lad谋臒谋m ilk metin, bir b枚l眉m眉n tam metnidir. Ger莽ekten 艧iir gibi!
鈥淗ep sarho艧 olmal谋. Her 艧ey bunda: tek Zorum bu. Omuzlar谋n谋z谋 ezen, sizi topra臒a do臒ru 莽eken Zaman鈥櫮眓 korkun莽 a臒谋rl谋臒谋n谋 duymamak i莽in durmamacas谋na sarho艧 olmal谋s谋n谋z.
Ama neyle? 艦arapla, 艧iirle ya da erdemle, nas谋l isterseniz. Ama sarho艧 olun.
Ve baz谋 baz谋, bir saray谋n basamaklar谋, bir hende臒in ye艧il otlar谋 眉st眉nde, odan谋z谋n donuk yaln谋zl谋臒谋 i莽inde, sarho艧lu臒unuz azalm谋艧 ya da b眉sb眉t眉n ge莽mi艧 bir durumda uyan谋rsan谋z, sorun, yele, dalgaya, y谋ld谋za, ku艧a, saatte sorun, her ka莽an 艧eye, inleyen, yuvarlanan, 艧ak谋yan, konu艧an her 艧eye sorun, 鈥淪aat ka莽?鈥� deyin; yel, dalga, y谋ld谋z, ku艧, saat hemen verecektir yan谋t谋 size: 鈥淪arho艧 olma saatidir! Zaman谋n inim inim iniletilen k枚leleri olmamak i莽in sarho艧 olun durmamacas谋na! 艦arapla, 艧iirle ya da erdemle, nas谋l isterseniz.鈥�, sf; 80.
鈥溾€� Ancak e艧it oldu臒unu kan谋tlayan ki艧i e艧ittir bir ba艧kas谋na, 枚zg眉rl眉臒眉 ancak onu kazanan hak eder.鈥�, sf; 111.
鈥溾€� Akademik esin tanr谋莽as谋n谋 istemem! O kocakar谋y谋 ne yapay谋m ben?鈥︹€�, sf; 113.
June 2, 2018
鈥�...Sonra, ya艧am谋 枚ylesine 莽etin olan Zaman鈥櫮� 枚ld眉rmek, 枚ylesine a臒谋r akan Ya艧am鈥櫮� h谋zland谋rmak i莽in yeni 艧i艧eler getirttiler...鈥�
November 27, 2010
I never really understood the appeal of , but so many people love it that I started to feel bad. What was I missing? Along comes this book, Paris Spleen, which is full of prose poems made of equal parts humor, cynicism, and insight (and often all three within a paragraph). I like these poems because reading it, I feel like I have a sense of who Baudelaire might have been as a person...
Plus, his humor is so odd:
Plus, his humor is so odd:
Soup and Clouds
My adorable little minx was serving me supper; through the dining room's open window I was contemplating the shifting architectures God creates from vapour, those marvellous constructions of the evanescent. As I watched, I thought: "Those apparitions are nearly as beautiful as my sweet lady's eyes, the mad little green-eyed monster."
Suddenly a violent fist landed in my back and I heard a charming, raw voice hysterical and brandy-damaged, the voice of my little darling, saying: "Get on with your bloody soup, cloud merchant."
August 30, 2019
爻賴 爻丕賱 倬蹖卮 讴賴 讴鬲丕亘 賳丕蹖丕亘 亘賵丿 蹖賴 卮丕賴賳卮丕賴鈥� 賳卮丕賳鈥屫ж� 乇賵 丕夭 讴鬲丕亘禺賵賳賴 诏乇賮鬲賲 賵 禺賵賳丿賲 賵 蹖讴 賲乇賵乇 亘蹖禺賵丿蹖 賴賲 賴賲蹖賳噩丕 賳賵卮鬲賲 亘丕 趩賴丕乇 爻鬲丕乇賴. 丨丕賱丕 賵賱蹖 讴鬲丕亘 亘乇丕蹖 賲賳 禺蹖賱蹖 毓夭蹖夭鬲乇 丕夭 丕賵賳 賵賯鬲賴 賵 鬲丨爻蹖賳 賲賳 丕夭 卮丕乇賱 亘賵丿賱乇 禺蹖賱蹖 亘蹖卮鬲乇. 蹖賴 胤毓賲 鬲賳丿 禺蹖丕賲蹖 丿丕乇賴 讴丕乇賴丕卮 讴賴 賲爻鬲鬲 賲蹖鈥屭┵嗁�. 毓賱丕賵賴 亘乇 丕賵賳貙 卮毓乇賴丕蹖 亘賵丿賱乇 倬乇 丕夭 乇賳诏 賵 亘賵 賵 氐賵鬲 賵 倬賵爻鬲 賵 賲夭賴 爻 賵 丨鬲蹖 禺蹖丕賱 讴賴 賴賲賴鈥屸€屰� 丨賵丕爻 卮卮鈥屭з嗁団€屰� 鬲賵 乇賵 鬲丨乇蹖讴 讴賳賴. 亘賵丿賱乇 丿乇賵丕賯毓 亘賴 賲乇诏 乇爻蹖丿賴貙 亘賴 賮賳丕倬匕蹖乇蹖 賴乇趩蹖夭 賵 亘乇丕蹖 賴賲蹖賳 丨賵丕爻卮 丿乇 鬲蹖夭鬲乇蹖賳 賵 丕睾乇丕賯鈥屫①呟屫藏臂屬� 丨丕賱鬲 賲賲讴賳賴 賵 禺賵亘 賵 亘丿 乇賵 賯丿乇 賲蹖丿賵賳賴 賵 亘丕夭鬲丕亘 賲蹖鈥屫�.. 丨丕賱丕 賲蹖鈥屫堌ж� 毓胤乇 噩賳诏賱 賲賵賴丕蹖 蹖丕乇 亘丕卮賴 蹖丕 鬲毓賮賳 賱丕卮賴鈥屰� 亘丕丿 讴乇丿賴.
倬.賳: 鬲賵蹖 賲賯丿賲賴 賯卮賳诏 賲毓賱賵賲賴 讴賴 亘賵丿賱乇 禺亘 趩賯丿乇 亘乇丕蹖 睾乇亘蹖鈥屬囏� 賲賴賲賴 賵 賲丨賯賯丕賳 毓夭蹖夭賴賲 胤亘毓丕 鬲賴 夭賳丿诏蹖 卮禺氐蹖 亘賵丿賱乇 乇賵 丿乇 丕賵乇丿賳 賵 讴鬲丕亘鈥屬囏� 賳賵卮鬲賴鈥屫з嗀� 讴賴 乇丕亘胤賴 亘賵丿賱乇 亘丕 賲丕丿乇卮 禺賵卮 亘賵丿賴 蹖丕 賳賴 蹖丕 賮賱丕賳 夭賳 夭賳丿诏蹖鈥屰屫� 乇賵 丿賵爻鬲 丿丕卮鬲賴 蹖丕 賳賴. 賲賳 賳賲蹖鈥屭� 亘蹖賳 丕蹖賳鈥屬囏� 賵 卮毓乇賴丕 丕乇鬲亘丕胤蹖 賳蹖爻鬲 賵賱蹖 禺亘 丨丿蹖 丿丕乇賴 丕蹖賳 卮賴賵鬲 丿丕賳爻鬲賳 賵 鬲賯賱蹖賱 丿丕丿賳. 卮丕毓乇 亘乇丕蹖 賲丕 丕夭 賴乇丕爻蹖 賲蹖诏賴 讴賴 賴乇丕爻 賲丕 賴賲 賴爻鬲. 賴賳乇賲賳丿 丕夭 丕囟胤乇丕亘蹖 讴賴 毓賲蹖賯賴 讴賴 賮乇丕鬲乇 丕夭 賲賳 賵 鬲賵 賵 禺賵丿 賴賳乇賲賳丿賴.
倬.賳: 亘賴 賴賲丕賳 丿賱蹖賱 亘丕賱丕 賵 賴賲趩賳蹖賳 丌夭丕丿 诏匕丕卮鬲賳 匕賴賳賲 亘乇丕蹖 丿乇讴 賵賱匕鬲 亘乇丿賳 丕夭 卮毓乇賴丕貙 亘禺卮 丕賳鬲賴丕蹖蹖 讴鬲丕亘 讴賴 鬲賮爻蹖乇 卮毓乇 亘賴 卮毓乇賴 乇賵 賳禺賵賳丿賲.
倬.賳: 鬲賵蹖 賲賯丿賲賴 賯卮賳诏 賲毓賱賵賲賴 讴賴 亘賵丿賱乇 禺亘 趩賯丿乇 亘乇丕蹖 睾乇亘蹖鈥屬囏� 賲賴賲賴 賵 賲丨賯賯丕賳 毓夭蹖夭賴賲 胤亘毓丕 鬲賴 夭賳丿诏蹖 卮禺氐蹖 亘賵丿賱乇 乇賵 丿乇 丕賵乇丿賳 賵 讴鬲丕亘鈥屬囏� 賳賵卮鬲賴鈥屫з嗀� 讴賴 乇丕亘胤賴 亘賵丿賱乇 亘丕 賲丕丿乇卮 禺賵卮 亘賵丿賴 蹖丕 賳賴 蹖丕 賮賱丕賳 夭賳 夭賳丿诏蹖鈥屰屫� 乇賵 丿賵爻鬲 丿丕卮鬲賴 蹖丕 賳賴. 賲賳 賳賲蹖鈥屭� 亘蹖賳 丕蹖賳鈥屬囏� 賵 卮毓乇賴丕 丕乇鬲亘丕胤蹖 賳蹖爻鬲 賵賱蹖 禺亘 丨丿蹖 丿丕乇賴 丕蹖賳 卮賴賵鬲 丿丕賳爻鬲賳 賵 鬲賯賱蹖賱 丿丕丿賳. 卮丕毓乇 亘乇丕蹖 賲丕 丕夭 賴乇丕爻蹖 賲蹖诏賴 讴賴 賴乇丕爻 賲丕 賴賲 賴爻鬲. 賴賳乇賲賳丿 丕夭 丕囟胤乇丕亘蹖 讴賴 毓賲蹖賯賴 讴賴 賮乇丕鬲乇 丕夭 賲賳 賵 鬲賵 賵 禺賵丿 賴賳乇賲賳丿賴.
倬.賳: 亘賴 賴賲丕賳 丿賱蹖賱 亘丕賱丕 賵 賴賲趩賳蹖賳 丌夭丕丿 诏匕丕卮鬲賳 匕賴賳賲 亘乇丕蹖 丿乇讴 賵賱匕鬲 亘乇丿賳 丕夭 卮毓乇賴丕貙 亘禺卮 丕賳鬲賴丕蹖蹖 讴鬲丕亘 讴賴 鬲賮爻蹖乇 卮毓乇 亘賴 卮毓乇賴 乇賵 賳禺賵賳丿賲.
October 8, 2018
Inesperado.
Este pequeno livro de pequenos poemas em prosa, inquieta.
Com C. B., a poesia deixa de ocupar-se do belo, do ideal, da Natureza e passa a tratar da realidade, de todas as mis茅rias humanas, e da cidade. Tudo pode ser objecto da poesia, mesmo a escrita, mesmo a dificuldade do poeta em escrever. A poesia deixa de servir de entretenimento, e passa a servir para pensar.
O poeta n茫o 茅 diferente dos outros miser谩veis humanos, a 煤nica coisa que o distingue 茅 o facto de escrever. Ele n茫o 茅 inspirado, ele 茅 atento 脿 realidade e usa tamb茅m a imagina莽茫o, mas 茅 atrav茅s do trabalho da escrita, que exp玫e as suas ideias. O poeta apresenta situa莽玫es que promovem a reflex茫o, mas n茫o procura evangelizar, nem afirmar uma determinada verdade.
Este pequeno livro de pequenos poemas em prosa, inquieta.
Com C. B., a poesia deixa de ocupar-se do belo, do ideal, da Natureza e passa a tratar da realidade, de todas as mis茅rias humanas, e da cidade. Tudo pode ser objecto da poesia, mesmo a escrita, mesmo a dificuldade do poeta em escrever. A poesia deixa de servir de entretenimento, e passa a servir para pensar.
O poeta n茫o 茅 diferente dos outros miser谩veis humanos, a 煤nica coisa que o distingue 茅 o facto de escrever. Ele n茫o 茅 inspirado, ele 茅 atento 脿 realidade e usa tamb茅m a imagina莽茫o, mas 茅 atrav茅s do trabalho da escrita, que exp玫e as suas ideias. O poeta apresenta situa莽玫es que promovem a reflex茫o, mas n茫o procura evangelizar, nem afirmar uma determinada verdade.
August 2, 2016
Baudelaire is a lover of dichotomy: rich/poor, solitude/society, excrement/perfume. "She is very ugly. She is nevertheless delectable." ("A Thorough-Bred") The unstated purpose of each poem is to transform degradation and disunity into an unsettled and ironic harmony, or at least to shine a light on the beauty of decay. They are passionate poems; they move with force, but with time it becomes apparent that each of them moves in a familiar pattern, and by the end of the collection it is comforting to find each poem discover its point of balance amidst the contradictions.
July 14, 2019
El spleen o espl铆n, como se lo espa帽oliza, es la melancol铆a que produce tedio o hast铆o de todo.
Y en los 50 poemas en prosa est谩 presente, como no, esa sensaci贸n.
Baudelaire nos lega pensamientos profundos sobre la vida, el amor, las mujeres, las artes y la modernidad (fines del sXIX). Te hace pensar, te provoca sentimientos profundos, te llega al alma.
El concepto de soledad flota a lo largo de varios de los poemas relacionado con temas varios como por ejemplo las multitudes, los viajes, la fealdad, la pobreza.
Es un libro complejo, literatura de alta calidad, de doble lectura.
Y en los 50 poemas en prosa est谩 presente, como no, esa sensaci贸n.
Baudelaire nos lega pensamientos profundos sobre la vida, el amor, las mujeres, las artes y la modernidad (fines del sXIX). Te hace pensar, te provoca sentimientos profundos, te llega al alma.
El concepto de soledad flota a lo largo de varios de los poemas relacionado con temas varios como por ejemplo las multitudes, los viajes, la fealdad, la pobreza.
Es un libro complejo, literatura de alta calidad, de doble lectura.
October 27, 2019
Baudelaire vents his spleen about a variety of issues. Traditionally the spleen was thought to be the seat of emotions. Much emotion is displayed here. These short pieces are keenly observed and beautifully written, but at times they are quite shocking and heart breaking.
January 2, 2022
袙芯蟹胁械褋械谢褟褋褜 胁 写褍褕械, 褟 锌芯写薪褟谢褋褟 薪邪 谐芯褉褍:
袩褉懈褌芯薪, 褔懈褋褌懈谢懈褖械, 邪写, 褋褍屑邪褋褕械写褕懈泄 写芯屑 -
袙芯褌 写械斜褉懈 谐芯褉芯写邪, 褉邪褋锌邪褏薪褍褌褘械 胁蟹芯褉褍,
袟写械褋褜 褉邪褋褑胁械褌邪械褌 谐褉褟蟹褜 褔褍写芯胁懈褖薪褘屑 褑胁械褌泻芯屑.
袩褉懈褌芯薪, 褔懈褋褌懈谢懈褖械, 邪写, 褋褍屑邪褋褕械写褕懈泄 写芯屑 -
袙芯褌 写械斜褉懈 谐芯褉芯写邪, 褉邪褋锌邪褏薪褍褌褘械 胁蟹芯褉褍,
袟写械褋褜 褉邪褋褑胁械褌邪械褌 谐褉褟蟹褜 褔褍写芯胁懈褖薪褘屑 褑胁械褌泻芯屑.
February 24, 2016
Carta a Fernand Desnoyers
Meu caro Desnoyers, voc锚 pede-me versos para o seu pequeno volume, versos sobre a Natureza, n茫o 茅? 鈥� sobre os bosques, os grandes castanheiros, a verdura, os insectos 鈥� o sol, talvez? Mas voc锚 sabe bem que eu sou incapaz de me enternecer com os vegetais, e que a minha alma 茅 rebelde a essa singular Religi茫o nova, que ter谩 sempre, parece-me, para todo o ser espiritual n茫o sei o qu锚 de shocking. Eu nunca acreditarei que a alma dos Deuses habita nas plantas, e, mesmo que a铆 habitasse, eu pouco me importaria com isso, e consideraria a minha como um bem mais precioso que a dos legumes santificados. Sempre pensei, at茅, que havia na Natureza, florescente e rejuvenescida, qualquer coisa de confrangedor, duro, cruel 鈥� um n茫o sei qu锚 que ro莽a a impud锚ncia. Na impossibilidade de o satisfazer completamente segundo os estritos termos do programa, envio-lhe dois trechos po茅ticos que representam quase a suma dos devaneios com que sou assaltado nas horas crepusculares. No fundo dos bosques, encerrado sob essas ab贸badas semelhantes 脿s das sacristias e das catedrais, eu penso nas nossas espantosas cidades, e a m煤sica prodigiosa que roda sobre os cumes parece-me a tradu莽茫o das lamenta莽玫es humanas.
C. B.
Meu caro Desnoyers, voc锚 pede-me versos para o seu pequeno volume, versos sobre a Natureza, n茫o 茅? 鈥� sobre os bosques, os grandes castanheiros, a verdura, os insectos 鈥� o sol, talvez? Mas voc锚 sabe bem que eu sou incapaz de me enternecer com os vegetais, e que a minha alma 茅 rebelde a essa singular Religi茫o nova, que ter谩 sempre, parece-me, para todo o ser espiritual n茫o sei o qu锚 de shocking. Eu nunca acreditarei que a alma dos Deuses habita nas plantas, e, mesmo que a铆 habitasse, eu pouco me importaria com isso, e consideraria a minha como um bem mais precioso que a dos legumes santificados. Sempre pensei, at茅, que havia na Natureza, florescente e rejuvenescida, qualquer coisa de confrangedor, duro, cruel 鈥� um n茫o sei qu锚 que ro莽a a impud锚ncia. Na impossibilidade de o satisfazer completamente segundo os estritos termos do programa, envio-lhe dois trechos po茅ticos que representam quase a suma dos devaneios com que sou assaltado nas horas crepusculares. No fundo dos bosques, encerrado sob essas ab贸badas semelhantes 脿s das sacristias e das catedrais, eu penso nas nossas espantosas cidades, e a m煤sica prodigiosa que roda sobre os cumes parece-me a tradu莽茫o das lamenta莽玫es humanas.
C. B.
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