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"賲匕賰乇丕鬲 亘丕亘賱賵 賳賷乇賵丿丕 "兀毓鬲乇賮 亘兀賳賳賷 賯丿 毓卮鬲
廿賳 賴匕賴 丕賱賲匕賰乇丕鬲 兀賵 丕賱匕賰乇賷丕鬲 賲鬲賯胤毓丞 鬲鬲賳丕賵亘 毓賱賶 賮鬲乇丕鬲 賰孬賷乇丞 丕賱爻賴賵 賵丕賱賳爻賷丕賳 賱兀賳賴 賴賰匕丕 爻賳丞 丕賱丨賷丕丞. 廿賳 鬲毓丕賯亘 丕賱丨賱賲 賷噩毓賱賳丕 兀賯賵賶 毓賱賶 鬲丨賲賱 賲卮賯丕鬲 丕賱毓賲賱. 丨賷賳 丕爻鬲丨囟乇 丕賱匕賰乇賷丕鬲 兀噩丿 兀賳 賰孬賷乇丕 賲賳賴丕 賯丿 丕賲丨賶 賵毓賮丕 賵睾丿丕 睾亘丕乇丕 賱賷爻 賷賴丿兀 賲孬賱 夭噩丕噩 噩乇賷丨 賱賷爻 賷亘乇兀
廿賳 賲匕賰乇丕鬲 賰丕鬲亘 丕賱賲匕賰乇丕鬲 賱賷爻鬲 賲匕賰乇丕鬲 卮丕毓乇 匕丕賰 乇亘賲丕 毓丕卮 兀賯賱 賲賳 丕賱卮丕毓乇貙 賱賰賳賴 丕賱鬲賯胤賴 氐賵乇丕 丕賰孬乇 賲賳賴 賮賴賵 賱匕賱賰 賷賲鬲毓賳丕 亘丕賱噩夭卅賷丕鬲 丕賱賲鬲賯賳丞 丕賱賲賴匕亘丞貙 亘賷賳賲丕 丕賱卮丕毓乇 賷賲賳丨賳丕 賲毓乇囟丕 賲賳 丕賱丕卮亘丕丨 丕賱賲賴鬲夭丞 丕賱賲鬲乇丕賵丨丞 亘賷賳 丕賱賳丕乇 賵丕賱馗賱 賰丕賳毓賰丕爻 賱毓氐乇 丕賱卮丕毓乇
乇亘賲丕 兀賳賷 賱賲 丕毓卮 賮賷 匕丕鬲賷貙 乇亘賲丕 毓卮鬲 丨賷賵丕鬲 丕賱丌禺乇賷賳 .
亘賯丿乇 賲丕 丕爻鬲賵丿毓鬲 賴匕賴 丕賱氐賮丨丕鬲 賲賳 賰鬲丕亘丞 爻鬲噩賵丿 丿丕卅賲丕 賰賲丕 賮賷 睾賷賱 丕賱禺乇賷賮 賵賰賲丕 賮賷 賲賵爻賲 丕賱賰乇賲丞- 丕賱丕賵乇丕賯 丕賱氐賮乇丕亍 丕賱鬲賷 鬲乇賵丨 鬲賲賵鬲 賵丕賱丕毓賳丕亘 丕賱鬲賷 爻鬲賳亘毓孬 賮賷 丕賱賳亘賷匕 丕賱賲賯丿爻
丨賷丕鬲賷 賴賷 丨賷丕丞 氐賷睾鬲 賲賳 賰賱 丕賱丨賷賵丕鬲 : 丨賷賵丕鬲 卮丕毓乇 .
廿賳 賲匕賰乇丕鬲 賰丕鬲亘 丕賱賲匕賰乇丕鬲 賱賷爻鬲 賲匕賰乇丕鬲 卮丕毓乇 匕丕賰 乇亘賲丕 毓丕卮 兀賯賱 賲賳 丕賱卮丕毓乇貙 賱賰賳賴 丕賱鬲賯胤賴 氐賵乇丕 丕賰孬乇 賲賳賴 賮賴賵 賱匕賱賰 賷賲鬲毓賳丕 亘丕賱噩夭卅賷丕鬲 丕賱賲鬲賯賳丞 丕賱賲賴匕亘丞貙 亘賷賳賲丕 丕賱卮丕毓乇 賷賲賳丨賳丕 賲毓乇囟丕 賲賳 丕賱丕卮亘丕丨 丕賱賲賴鬲夭丞 丕賱賲鬲乇丕賵丨丞 亘賷賳 丕賱賳丕乇 賵丕賱馗賱 賰丕賳毓賰丕爻 賱毓氐乇 丕賱卮丕毓乇
乇亘賲丕 兀賳賷 賱賲 丕毓卮 賮賷 匕丕鬲賷貙 乇亘賲丕 毓卮鬲 丨賷賵丕鬲 丕賱丌禺乇賷賳 .
亘賯丿乇 賲丕 丕爻鬲賵丿毓鬲 賴匕賴 丕賱氐賮丨丕鬲 賲賳 賰鬲丕亘丞 爻鬲噩賵丿 丿丕卅賲丕 賰賲丕 賮賷 睾賷賱 丕賱禺乇賷賮 賵賰賲丕 賮賷 賲賵爻賲 丕賱賰乇賲丞- 丕賱丕賵乇丕賯 丕賱氐賮乇丕亍 丕賱鬲賷 鬲乇賵丨 鬲賲賵鬲 賵丕賱丕毓賳丕亘 丕賱鬲賷 爻鬲賳亘毓孬 賮賷 丕賱賳亘賷匕 丕賱賲賯丿爻
丨賷丕鬲賷 賴賷 丨賷丕丞 氐賷睾鬲 賲賳 賰賱 丕賱丨賷賵丕鬲 : 丨賷賵丕鬲 卮丕毓乇 .
518 pages, Paperback
First published March 23, 1974
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About the author
Pablo Neruda
1,001听books9,439听followersPablo Neruda, born Ricardo Eli茅cer Neftal铆 Reyes Basoalto in 1904 in Parral, Chile, was a poet, diplomat, and politician, widely considered one of the most influential literary figures of the 20th century. From an early age, he showed a deep passion for poetry, publishing his first works as a teenager. He adopted the pen name Pablo Neruda to avoid disapproval from his father, who discouraged his literary ambitions. His breakthrough came with Veinte poemas de amor y una canci贸n desesperada (Twenty Love Poems and a Song of Despair, 1924), a collection of deeply emotional and sensual poetry that gained international recognition and remains one of his most celebrated works.
Neruda鈥檚 career took him beyond literature into diplomacy, a path that allowed him to travel extensively and engage with political movements around the world. Beginning in 1927, he served in various consular posts in Asia and later in Spain, where he witnessed the Spanish Civil War and became an outspoken advocate for the Republican cause. His experiences led him to embrace communism, a commitment that would shape much of his later poetry and political activism. His collection Espa帽a en el coraz贸n (Spain in Our Hearts, 1937) reflected his deep sorrow over the war and marked a shift toward politically engaged writing.
Returning to Chile, he was elected to the Senate in 1945 as a member of the Communist Party. However, his vocal opposition to the repressive policies of President Gabriel Gonzalez Videla led to his exile. During this period, he traveled through various countries, including Argentina, Mexico, and the Soviet Union, further cementing his status as a global literary and political figure. It was during these years that he wrote Canto General (1950), an epic work chronicling Latin American history and the struggles of its people.
Neruda鈥檚 return to Chile in 1952 marked a new phase in his life, balancing political activity with a prolific literary output. He remained a staunch supporter of socialist ideals and later developed a close relationship with Salvador Allende, who appointed him as Chile鈥檚 ambassador to France in 1970. The following year, he was awarded the Nobel Prize in Literature, recognized for the scope and impact of his poetry. His later years were marked by illness, and he died in 1973, just days after the military coup that overthrew Allende. His legacy endures, not only in his vast body of work but also in his influence on literature, political thought, and the cultural identity of Latin America.
Neruda鈥檚 career took him beyond literature into diplomacy, a path that allowed him to travel extensively and engage with political movements around the world. Beginning in 1927, he served in various consular posts in Asia and later in Spain, where he witnessed the Spanish Civil War and became an outspoken advocate for the Republican cause. His experiences led him to embrace communism, a commitment that would shape much of his later poetry and political activism. His collection Espa帽a en el coraz贸n (Spain in Our Hearts, 1937) reflected his deep sorrow over the war and marked a shift toward politically engaged writing.
Returning to Chile, he was elected to the Senate in 1945 as a member of the Communist Party. However, his vocal opposition to the repressive policies of President Gabriel Gonzalez Videla led to his exile. During this period, he traveled through various countries, including Argentina, Mexico, and the Soviet Union, further cementing his status as a global literary and political figure. It was during these years that he wrote Canto General (1950), an epic work chronicling Latin American history and the struggles of its people.
Neruda鈥檚 return to Chile in 1952 marked a new phase in his life, balancing political activity with a prolific literary output. He remained a staunch supporter of socialist ideals and later developed a close relationship with Salvador Allende, who appointed him as Chile鈥檚 ambassador to France in 1970. The following year, he was awarded the Nobel Prize in Literature, recognized for the scope and impact of his poetry. His later years were marked by illness, and he died in 1973, just days after the military coup that overthrew Allende. His legacy endures, not only in his vast body of work but also in his influence on literature, political thought, and the cultural identity of Latin America.
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October 24, 2019
Autobiography, yes, but big history, too, for Neruda was a sincere communist who met Mao, Ghandi and was f锚ted in the U.S.S.R. This poet was consequential; his poems frightened rightest despots. He was jailed by these hysterical non-communists, who at times worked with the U.S. and Chilean fascists. Early on there are amusing youthful exploits among his Chilean college friends. The tale of his mongoose鈥檚 encounter with a viper during a diplomatic mission to Sri Lanka (Ceylon) is hilarious. The book is compressed and very fast-paced. His life was enormously eventful. In Bueno Aries he meets , in Madrid the goatherd and poetic genius and among others. The sections on the Spanish Civil War (1936-39) mesh nicely with my readings, particularly 鈥檚 exhaustive history of the conflict, George Orwell鈥檚 and . I have the selected poems here, , which is 1,000 pages long. A true 鈥渃ollected鈥� might easily run to 2,500 pages, which strikes me as astonishing given the output of most poets. My favorite chapter here, among many excellent chapters, is 鈥淧oetry Is an Occupation,鈥� for in it Neruda reveals much about his processes, intentions, influences, critics and literary friends, among them , , , , , and fellow Chilean and Nobelist, . The final pages here were written three days after the CIA-funded assassination of Chilean President Salvador Allende, and eleven days before PN鈥檚 own death, at this writing still under investigation by an international team of forensic experts. (Please Google it.)
鈥淚 got used to riding on horseback. My world expanded upward and outward along the towering mud trails, over roads with sudden curves. I encountered the tangled vegetation, the silence or the sounds of wild birds, the sudden outburst of a flowering tree dressed in scarlet robes like a gigantic archbishop of the mountains.... Or from time to time, when least expected, the copihue bell-flower, wild, untamable, indestructible, dangling from the thickets like a drop of fresh blood. Slowly I got used to the horse, the saddle, the stiff, complicated riding gear, the cruel spurs jangling at my heels. Along endless beaches or thicketed hills, a communion was started between my spirit鈥� that is, my poetry鈥� and the loneliest land in the world. That was many years ago, but that communion, that revelation, that pact with the wilderness, is still a part of my life.鈥� (p. 18)
鈥淪hyness is a kink in the soul, a special category, a dimension that opens out into solitude. Moreover, it is an inherent suffering, as if we had two epidermises and the one underneath rebelled and shrank back from life. Of the things that make up a man, this quality, this damaging thing, is a part of the alloy that lays the foundation, in the long run, for the perpetuity of the self.鈥� (p. 34)
鈥�What a great language I have, it鈥檚 a fine language we inherited from the fierce conquistadors . . . They strode over the giant cordilleras, over the rugged Americas, hunting for potatoes, sausages, beans, black tobacco, gold, corn, fried eggs, with a voracious appetite not found in the world since then . . . They swallowed up everything, religions, pyramids, tribes, idolotries just like the ones they brought along in their huge sacks . . . Wherever they went, they razed our land . . . But words fell like pebbles out of the boots of the barbarians, out of their beards, their helmets, their horseshoes, luminous words that were left glittering here . . . our language. We came up losers . . . We came up winners . . . The carried off the gold and left us the gold . . . They left us the words.鈥� (p. 54)
鈥� had a premonition of his death. Once, shortly after returning from a theatrical tour, he called me up and told me about the strange incident. He had arrived with the La Barraca troupe at some out-of-the-way village in Castile and camped on the edge of town. Overtired because of the pressures on the trip, Federico could not sleep. He got up at dawn and went out to wander around alone. . . . He had stopped at the gate of an old estate, the entrance to the immense park of a feudal manor. Its state of abandonment, the hour, and the cold made the solitude even more penetrating. Suddenly Federico felt oppressed as if by something about to happen. . . . A tiny lamb came out to browse in the weeds among the ruins, appearing like an angel out of the mist, out of nowhere, to turn solitude into something human . . . . The poet no longer felt alone. Suddenly a heard of swine also came into the area. . . . Then Federico witnessed a bloodcurdling scene: the swine fell on the lamb and, to the great horror of poet, tore it to pieces and devoured it. . . . Three months before the Civil War, when he told me this chilling story, Federico was still haunted by the horror of it. Later on I saw, more and more clearly, that the incident had been a vision of his own death, the premonition of his incredible tragedy.鈥� (p. 123)
鈥�. . . stated it well in his article, 鈥業 am not a Communist, but if I were a Chilean poet, I would be one, like Pablo Neruda. You have to take sides here, with the Cadillacs or with the people who have no schooling or shoes.鈥� These people without schooling or shoes elected me senator on March 4, 1945. I shall always cherish with pride the fact that thousands of people in Chile鈥檚 most inhospitable region, the great mining region of copper and nitrate, gave me their vote. Walking over the pampa was laborious and rough. It hasn鈥檛 rained for half a century there, and the desert has done its work on the faces of the miners. They are men with scorched features; their solitude and the neglect they are consigned to has been fixed in the dark intensity of their eyes. Going from the desert up to the mountains, entering any needy home, getting to know the inhuman labor these people do, and feeling that the hopes of isolated and sunken men have been entrusted to you, is not a light responsibility.鈥� (p. 166)
鈥�, who was reading and translating my poems [into Russian], scolded me: too much root, too many roots in your poems. Why so many? It鈥檚 true. The frontier regions sank their roots into my poetry and these roots have never been able to wrench themselves out. My life is a long pilgrimage that is always turning on itself, always returning to the woods in the south, to the forest lost in me. There the huge trees were sometimes felled by their seven-hundred years of powerful life, uprooted by storms, blighted by the snow, or destroyed by fire. I have heard titanic trees crashing deep in the forest: the oak tree plunging down with the sound of a muffled cataclysm, as if pounding with a giant hand on the earth鈥檚 doors, asking for burial. But the roots are left out in the open, exposed to their enemy, time, to the dampness, to the lichens, to one destruction after another. Nothing more beautiful than those huge, open hands, wounded or burned, that tell us, when we come across them on a forest path, the secret of the buried tree, the mystery that nourished the leaves, the deep reaching muscles of the vegetable kingdom. Tragic and shaggy, they show us a new beauty: they are sculptures molded by the depths of the earth: nature鈥檚 secret masterpieces.鈥� (p. 191)
鈥淲hat first impressed me in the U.S.S.R. was the feeling of immensity it gives, of unity within that vast country鈥檚 population, the movements of the birches on the plains, the huge forest so miraculously unspoiled, the great rivers, the horses running like waves across the wheat fields. I loved the Soviet land at first sight, and realized that not only does it offer a moral lesson for every corner of the globe, a way of comparing possibilities, an ever increasing progress in working together and sharing, but I sense, too, that an extraordinary flight would begin from this land of steppes, which preserved so much natural purity. The entire human race knows that a colossal truth is being worked out there, and the whole world waits eagerly to see what will happen. Some wait in terror, others simply wait, still others believe they can see what is coming.鈥� (p. 194)
鈥淎ll this persecution came to a head one morning in Naples . . . The police came to my hotel. Using an alleged error in my passport as a pretext, they asked me to accompany them to the prefecture. There they offered me an espresso and informed me that I must leave Italian soil that same day . . . At the station in Rome . . . I was able to make out an enormous crowd from my window. I heard shouting. I saw great commotion and confusion. Armfuls of flowers advanced toward the train, raised over a river of heads. 鈥楶ablo! Pablo!鈥� . . . When I went down the car鈥檚 steps, elegantly guarded, I became the center of a swirling melee. In a matter of seconds, men and women writers, newsmen, deputies, perhaps close to a thousand persons, snatched me away from the hands of the police. During these dramatic moments I made out a few famous faces. and his wife, Elsa Morante, like him a novelist. The eminent painter Renato Guttuso. Other poets. Other painters. , the celebrated author of , was holding out a bouquet of roses. In the midst of all this, flowers were spilling to the ground, hats and umbrellas flew, fist blows sounded like explosions. The police were getting the worst of it, and I was once more recovered by my friends. During the scuffle I had a glimpse of gentle striking a policeman on the head with a silk parasol. Suddenly the luggage hand trucks were going by and I saw one of the porters, a corpulent facchino, bring a club down on a policeman鈥榮 back. These were the Roman people backing me up . . . The crowd was shouting: 鈥楴eruda stays in Rome. Neruda is not leaving Italy! Let the poet stay! Let the Chilean stay! . . .鈥欌€� (p. 213)
鈥淚n Stalin鈥檚 case, I have contributed my share to the personality cult. But in those days Stalin had seemed to us the conqueror who had crushed Hitler鈥榮 armies, the savior of all humanity. The deterioration of his character was a mysterious process, still an enigma for many of us. And now, here in plain sight, in the vast expanse of the new China鈥檚 land and skies [Neruda was on the Yangtze], once more a man was turning into a myth right before my eyes. A myth destined to lord it over the revolutionary conscience, to put in one man鈥檚 grip the creation of a world that must belong to all. I could not swallow that bitter pill a second time.鈥� (p. 237)
鈥淚 got used to riding on horseback. My world expanded upward and outward along the towering mud trails, over roads with sudden curves. I encountered the tangled vegetation, the silence or the sounds of wild birds, the sudden outburst of a flowering tree dressed in scarlet robes like a gigantic archbishop of the mountains.... Or from time to time, when least expected, the copihue bell-flower, wild, untamable, indestructible, dangling from the thickets like a drop of fresh blood. Slowly I got used to the horse, the saddle, the stiff, complicated riding gear, the cruel spurs jangling at my heels. Along endless beaches or thicketed hills, a communion was started between my spirit鈥� that is, my poetry鈥� and the loneliest land in the world. That was many years ago, but that communion, that revelation, that pact with the wilderness, is still a part of my life.鈥� (p. 18)
鈥淪hyness is a kink in the soul, a special category, a dimension that opens out into solitude. Moreover, it is an inherent suffering, as if we had two epidermises and the one underneath rebelled and shrank back from life. Of the things that make up a man, this quality, this damaging thing, is a part of the alloy that lays the foundation, in the long run, for the perpetuity of the self.鈥� (p. 34)
鈥�What a great language I have, it鈥檚 a fine language we inherited from the fierce conquistadors . . . They strode over the giant cordilleras, over the rugged Americas, hunting for potatoes, sausages, beans, black tobacco, gold, corn, fried eggs, with a voracious appetite not found in the world since then . . . They swallowed up everything, religions, pyramids, tribes, idolotries just like the ones they brought along in their huge sacks . . . Wherever they went, they razed our land . . . But words fell like pebbles out of the boots of the barbarians, out of their beards, their helmets, their horseshoes, luminous words that were left glittering here . . . our language. We came up losers . . . We came up winners . . . The carried off the gold and left us the gold . . . They left us the words.鈥� (p. 54)
鈥� had a premonition of his death. Once, shortly after returning from a theatrical tour, he called me up and told me about the strange incident. He had arrived with the La Barraca troupe at some out-of-the-way village in Castile and camped on the edge of town. Overtired because of the pressures on the trip, Federico could not sleep. He got up at dawn and went out to wander around alone. . . . He had stopped at the gate of an old estate, the entrance to the immense park of a feudal manor. Its state of abandonment, the hour, and the cold made the solitude even more penetrating. Suddenly Federico felt oppressed as if by something about to happen. . . . A tiny lamb came out to browse in the weeds among the ruins, appearing like an angel out of the mist, out of nowhere, to turn solitude into something human . . . . The poet no longer felt alone. Suddenly a heard of swine also came into the area. . . . Then Federico witnessed a bloodcurdling scene: the swine fell on the lamb and, to the great horror of poet, tore it to pieces and devoured it. . . . Three months before the Civil War, when he told me this chilling story, Federico was still haunted by the horror of it. Later on I saw, more and more clearly, that the incident had been a vision of his own death, the premonition of his incredible tragedy.鈥� (p. 123)
鈥�. . . stated it well in his article, 鈥業 am not a Communist, but if I were a Chilean poet, I would be one, like Pablo Neruda. You have to take sides here, with the Cadillacs or with the people who have no schooling or shoes.鈥� These people without schooling or shoes elected me senator on March 4, 1945. I shall always cherish with pride the fact that thousands of people in Chile鈥檚 most inhospitable region, the great mining region of copper and nitrate, gave me their vote. Walking over the pampa was laborious and rough. It hasn鈥檛 rained for half a century there, and the desert has done its work on the faces of the miners. They are men with scorched features; their solitude and the neglect they are consigned to has been fixed in the dark intensity of their eyes. Going from the desert up to the mountains, entering any needy home, getting to know the inhuman labor these people do, and feeling that the hopes of isolated and sunken men have been entrusted to you, is not a light responsibility.鈥� (p. 166)
鈥�, who was reading and translating my poems [into Russian], scolded me: too much root, too many roots in your poems. Why so many? It鈥檚 true. The frontier regions sank their roots into my poetry and these roots have never been able to wrench themselves out. My life is a long pilgrimage that is always turning on itself, always returning to the woods in the south, to the forest lost in me. There the huge trees were sometimes felled by their seven-hundred years of powerful life, uprooted by storms, blighted by the snow, or destroyed by fire. I have heard titanic trees crashing deep in the forest: the oak tree plunging down with the sound of a muffled cataclysm, as if pounding with a giant hand on the earth鈥檚 doors, asking for burial. But the roots are left out in the open, exposed to their enemy, time, to the dampness, to the lichens, to one destruction after another. Nothing more beautiful than those huge, open hands, wounded or burned, that tell us, when we come across them on a forest path, the secret of the buried tree, the mystery that nourished the leaves, the deep reaching muscles of the vegetable kingdom. Tragic and shaggy, they show us a new beauty: they are sculptures molded by the depths of the earth: nature鈥檚 secret masterpieces.鈥� (p. 191)
鈥淲hat first impressed me in the U.S.S.R. was the feeling of immensity it gives, of unity within that vast country鈥檚 population, the movements of the birches on the plains, the huge forest so miraculously unspoiled, the great rivers, the horses running like waves across the wheat fields. I loved the Soviet land at first sight, and realized that not only does it offer a moral lesson for every corner of the globe, a way of comparing possibilities, an ever increasing progress in working together and sharing, but I sense, too, that an extraordinary flight would begin from this land of steppes, which preserved so much natural purity. The entire human race knows that a colossal truth is being worked out there, and the whole world waits eagerly to see what will happen. Some wait in terror, others simply wait, still others believe they can see what is coming.鈥� (p. 194)
鈥淎ll this persecution came to a head one morning in Naples . . . The police came to my hotel. Using an alleged error in my passport as a pretext, they asked me to accompany them to the prefecture. There they offered me an espresso and informed me that I must leave Italian soil that same day . . . At the station in Rome . . . I was able to make out an enormous crowd from my window. I heard shouting. I saw great commotion and confusion. Armfuls of flowers advanced toward the train, raised over a river of heads. 鈥楶ablo! Pablo!鈥� . . . When I went down the car鈥檚 steps, elegantly guarded, I became the center of a swirling melee. In a matter of seconds, men and women writers, newsmen, deputies, perhaps close to a thousand persons, snatched me away from the hands of the police. During these dramatic moments I made out a few famous faces. and his wife, Elsa Morante, like him a novelist. The eminent painter Renato Guttuso. Other poets. Other painters. , the celebrated author of , was holding out a bouquet of roses. In the midst of all this, flowers were spilling to the ground, hats and umbrellas flew, fist blows sounded like explosions. The police were getting the worst of it, and I was once more recovered by my friends. During the scuffle I had a glimpse of gentle striking a policeman on the head with a silk parasol. Suddenly the luggage hand trucks were going by and I saw one of the porters, a corpulent facchino, bring a club down on a policeman鈥榮 back. These were the Roman people backing me up . . . The crowd was shouting: 鈥楴eruda stays in Rome. Neruda is not leaving Italy! Let the poet stay! Let the Chilean stay! . . .鈥欌€� (p. 213)
鈥淚n Stalin鈥檚 case, I have contributed my share to the personality cult. But in those days Stalin had seemed to us the conqueror who had crushed Hitler鈥榮 armies, the savior of all humanity. The deterioration of his character was a mysterious process, still an enigma for many of us. And now, here in plain sight, in the vast expanse of the new China鈥檚 land and skies [Neruda was on the Yangtze], once more a man was turning into a myth right before my eyes. A myth destined to lord it over the revolutionary conscience, to put in one man鈥檚 grip the creation of a world that must belong to all. I could not swallow that bitter pill a second time.鈥� (p. 237)
July 29, 2019
Ser uno de los pocos premios Nobel de todo un subcontinente no es un hecho fortuito, ni, en muchos casos, el producto de un ama帽amiento pol铆tico, sino el merecido espaldarazo a la obra de toda una vida. Siendo la Biograf铆a uno de los subg茅neros literarios m谩s ricos, nada mejor que una sobre este grande de las letras que vivi贸 tan intensamente. Pero a煤n mejor trat谩ndose de una autobiograf铆a, en la que, de su pu帽o y letra, Pablo Neruda empieza con el d铆a de su nacimiento y termina 鈥搃nopinado or谩culo鈥� con la dram谩tica muerte del presidente Salvador Allende, acaecida pocas semanas antes de la suya propia. Con su larga historia como intelectual activo y diplom谩tico de su pa铆s y sus principios, nos lleva de la mano por los m谩s importantes escenarios de medio mundo, y nos hace codearnos con las m谩s relevantes figuras, art铆sticas y pol铆ticas, de aquel convulsionante mundo. Hace la cr贸nica de su vida y su tiempo, poniendo en el relato de su vida el mismo coraz贸n e intelecto conque forjara sus poemarios, para hacer de estas memorias la aut茅ntica joya pros铆stica que 茅l convierte en la novela de su vida, la 煤nica que escribir铆a.
CONFIESO QUE HE VIVIDO no tiene una sola p谩gina aburrida: tal fue el bagaje de sus vivencias y su agudeza a la hora de rememorarlas. Lo mismo en sus consideraciones filos贸ficas, hist贸ricas o est茅ticas, que en los abundant铆simos pasajes anecd贸ticos, asume un lenguaje directo, enriquecido por su magistral s铆ntesis po茅tica y su gran magnetismo vital. Mal relatada, esta autobiograf铆a habr铆a tenido el doble de p谩ginas: relatada por Neruda, tiene las que ten铆a que tener. As铆 de simple.
Contada desde la sinceridad, aunque sin poder evitar la subjetividad, Neruda ensalza o repudia a 茅ste o aqu茅l personaje sin cortarse un pelo, y sin mediaci贸n de compromisos, salvo consigo mismo. El gran ego que lo posey贸, propio de los grandes creadores, no fue 贸bice para, poniendo en un segundo plano su producci贸n po茅tica, considerar la mayor obra de su vida su labor de rescate de miles de refugiados espa帽oles, perdedores y v铆ctimas de la Guerra Civil Espa帽ola.
Hombre de mundo y humanista comprometido con su tiempo, fue capaz de ver en 茅ste, pero tan s贸lo a medias, la era de las utop铆as. El verdadero genio visionario, en perenne b煤squeda de la justicia social, habr铆a terminado devolviendo el Premio Stalin de la Paz, que una vez se le otorgara: algo m谩s que considerar su tiempo como 鈥渦na 茅poca diab贸licamente confusa, en donde todas las conclusiones se hacen posibles鈥� (sus palabras). As铆 de simple.
CONFIESO QUE HE VIVIDO es la vida de Neruda, un grande con m谩s aciertos que yerros, una suerte de testamento literario, un segundo CANTO GENERAL que el poeta nos leg贸, muy pocos d铆as antes de dejar para siempre su Residencia en la Tierra.
CONFIESO QUE HE VIVIDO no tiene una sola p谩gina aburrida: tal fue el bagaje de sus vivencias y su agudeza a la hora de rememorarlas. Lo mismo en sus consideraciones filos贸ficas, hist贸ricas o est茅ticas, que en los abundant铆simos pasajes anecd贸ticos, asume un lenguaje directo, enriquecido por su magistral s铆ntesis po茅tica y su gran magnetismo vital. Mal relatada, esta autobiograf铆a habr铆a tenido el doble de p谩ginas: relatada por Neruda, tiene las que ten铆a que tener. As铆 de simple.
Contada desde la sinceridad, aunque sin poder evitar la subjetividad, Neruda ensalza o repudia a 茅ste o aqu茅l personaje sin cortarse un pelo, y sin mediaci贸n de compromisos, salvo consigo mismo. El gran ego que lo posey贸, propio de los grandes creadores, no fue 贸bice para, poniendo en un segundo plano su producci贸n po茅tica, considerar la mayor obra de su vida su labor de rescate de miles de refugiados espa帽oles, perdedores y v铆ctimas de la Guerra Civil Espa帽ola.
Hombre de mundo y humanista comprometido con su tiempo, fue capaz de ver en 茅ste, pero tan s贸lo a medias, la era de las utop铆as. El verdadero genio visionario, en perenne b煤squeda de la justicia social, habr铆a terminado devolviendo el Premio Stalin de la Paz, que una vez se le otorgara: algo m谩s que considerar su tiempo como 鈥渦na 茅poca diab贸licamente confusa, en donde todas las conclusiones se hacen posibles鈥� (sus palabras). As铆 de simple.
CONFIESO QUE HE VIVIDO es la vida de Neruda, un grande con m谩s aciertos que yerros, una suerte de testamento literario, un segundo CANTO GENERAL que el poeta nos leg贸, muy pocos d铆as antes de dejar para siempre su Residencia en la Tierra.
July 5, 2014
"Perhaps I didn't live just in myself, perhaps I lived the lives of others鈥y life is a life put together from all those lives: the lives of the poet." (1)
Pablo Neruda
Pablo Neruda, born Neftali Ricardo Reyes Basoalto, was a Nobel Prize for Literature laureate (1971), a poet whose verses breathe life themselves, whose life, was poetry itself. Gabriel Garcia Marquez fearlessly called him the Che Guevara ,in his diaries revered Neruda as his favorite writer, and carried only two books with him till his death, one of which was Neruda鈥檚 Cantos General (the reason of which will be readily apparent later on). He was not just a poet; he was THE poet of the people, of the oppressed, the unheard, and the forgotten.
Primera Vida: A Child of the Forest "Perhaps love and nature were, very early on, the source of my poems." (19)
Temuco Chile, who wouldn't fall in love with that?
Neruda aptly starts his by writing where it all began, in the then frontier lands of Temuco, Chile, emblazoned by nature鈥檚 ardor. Nature made me euphoric (7), Neruda writes and indeed, nature did become an indispensable aspect throughout his poems as the reader would conspicuously experience throughout his works. He characterized his childhood with modesty and austerity when referring to their economic and fiscal means, and yet one cannot help but feel that he was nothing but rich beyond measure as he reminisced his childhood with picturesque landscapes, forest adventures, and long walks defined by an indescribable affinity with nature. I have come out of that landscape, that mud, that silence, to roam, to go singing through the world (7). And sing he did.
Segunda Vida: A Barred Poet, Militant Student, and Gabriela Mistral鈥檚 Touch.
A later photo showing Neruda with Mistral, they also both ended up as diplomats
As expected, Neruda鈥檚 father did not welcome the fact that his son wanted to become a poet amidst their challenging living conditions. The encouragement he failed to find in his father, Neruda found abounding with Gabriela Mistral(later to be a fellow Nobel Laureate (1945)), who introduced him to Russian classics. Neruda was undaunted, he continued to take poetry as a profession and went to a university at Santiago, Chile. While in the university he got acquainted with hunger and intermittent homelessness, his poems were all that kept him defiantly warm and firm.
Tercera Vida: A Diplomatic Affair"I learned what true loneliness was, in those days and years鈥� (49).
Neruda visits the USSR
Neruda opted to accept an appointment as a consul after leaving the university and was first assigned in Rangoon, that further lead him to Colombo, Batavia, Singapore, Paris, and Mexico to name a few, the memoirs would suggest that Neruda welcomed the appointment, but other accounts tells that it was dire financial need that compelled him to accept the said appointment. Whichever the case was, his consulship had a very profound effect on him, meeting a vast number of notable personas, chief of this was Loneliness. Solitude, in this case, was not a formula for building up a writing mood but something as hard as a prison wall; you could smash your head against the wall and nobody came, no matter how you screamed or wept. (92) Unlike most poets, loneliness was a revolting concept in literary endeavors to someone like Neruda who celebrated love and life. And to combat this loneliness he wrote, 鈥淚 went so deep into the soul and the life of the people" (90). He sought to immerse himself with the land and the people wherever he was based, this aside from meeting personalities like Nehru, Miguel Asturias (awarded the Nobel in 1967), Picasso, Joliot-Curie, Federico Lorca, Fidel Castro and Che Guevara (later on). "The poet cannot be afraid of the people. Life seemed to be handing me a warning and teaching me a lesson I would never forget: the lesson of hidden honor, of fraternity we know nothing about, of beauty that blossoms in the dark."(89) Indeed this philosophy modeled by this consulship will lead him to directly take part in defending the Spanish Republic through propagandas and more essentially, his poems (an aspect which will be fully utilized in Chile鈥檚 very own struggles).
Cuarta Vida: The People鈥檚 Poet, A Senator, and a Communist on the Run "鈥olitics became part of my poetry and my life. In my poems I could not shut the door to the street, just as I could not shut the door to love, life, joy, or sadness in my young poet's heart."(55)
Neruda embracing Allende, also from the Left Wing, whom he supported for the Presidency
With his direct participation in the Spanish Civil war, he was removed from his post and returned to Chile. He entered the political scene and was elected a Senator in 1945, and later officially joined the Chilean Communist Party. The President elect of the same term hailed from the same Communist party but turned on against the Party and he banned the PArty altogether in 1948, with Neruda being removed in office, he surreptitiously escaped Chile and lived in exile for the next three years. Throughout those unwelcoming times, Neruda鈥檚 greatest weapon was his poems. 鈥淎t hundreds of rallies, in places remote from one another, I heard the same request: to read my poems. They were often asked for by title.鈥� (170)
His ardent feeling towards the people and his poetry at this point cannot be denied, and it was riveting.
Neruda returned to Chile in the next presidential elections, at the same time abandoning his nomination to run for the Presidency and instead supported Allende鈥檚 run, who will later win.
Quinta Vida: A Lover鈥檚 Life "Perhaps love and nature were, very early on, the source of my poems." (19)
Neruda with Mathilde
Love completes the vital elements that comprise Neruda鈥檚 impeccably conceived poems. And of course, to write poetry as good as he did, inspiration must have come by the lot. Neruda had the penchant for overlapping love affairs characterized by sudden departures and intermittent unconventional sexual encounters. Neruda had three wives and each have been the subject of a set or collection of poems. Matilde Urrutia, however was the inspiration for the .
--
Neruda died twelve days after Allende was killed (1973) by Pinochet鈥檚 attack of the presidential palace. As it stands, Neruda鈥檚 cause of death was by prostate cancer, although later claims emerged that he was poisoned for his Pro-Allende stances enough to call for an exhumation of the body, the same act is claimed to have been ordered by the Pinochet Regime. The body was exhumed in 2013 (the Neruda Foundation fought against exhuming the body) and test results revealed in November 2013 negated any existence of chemical compounds. The great poet succumbed to cancer.
____________________________________
Originally entitled I Confess I Have Lived, was first published in 1974, under the editorial ambit of Mathilde Urrutia. , is essentially a poem in prose by the manner Neruda wrote this. His lyrical style was unrelenting. Take for example this excerpt on one instance when an earthquake hit,
Or his reaction upon seeing the sea the first time,
This is the general tone by which was written so those who relish and live by Neruda鈥檚 verses are never truly alienated in this prosaic work.
The entries intermittently jump through pivotal years, but not one chapter failed to contain people and individuals that helped, changed and loved Neruda however monumental or minuscule that was, and so as it goes, he mentions unpublished poets, forgotten names and acquaintances to people who rocked the very foundations of life. Humorous instances are also contained in this work, how he reacted to the alleged awarding of the Nobel, to his pet mongoose, to a hysterically paranoid woman, and the reason why he choose the pen name Neruda. Along with this, Neruda nonchalantly tells of his sexual encounters, of which, of course, there were numerous. If you opened the spoiler above, you will understand my reservation to this seminal Author exist, perhaps, in that instance only.
After reading his , what came across is that Neruda is a poet through and through. It鈥檚 interesting to read that whatever he was subjected to, in whatever kind of instance or predicament he found himself in, the poet never left. He tells us of the various literary stimuli that lead to a specific work. To Neruda, his poems were not only both his sword and shield, it too was his soul.
_______________________
*Neruda is said to have written only in green ink, probably a color closest to the forest, other yet say that this was his personal symbol for desire and hope.
I have reviewed other works by Pablo Neruda
This book forms part of my remarkably extensive reading list on
This review, along with my other reviews, has been cross-posted at
Pablo Neruda
Pablo Neruda, born Neftali Ricardo Reyes Basoalto, was a Nobel Prize for Literature laureate (1971), a poet whose verses breathe life themselves, whose life, was poetry itself. Gabriel Garcia Marquez fearlessly called him the Che Guevara ,in his diaries revered Neruda as his favorite writer, and carried only two books with him till his death, one of which was Neruda鈥檚 Cantos General (the reason of which will be readily apparent later on). He was not just a poet; he was THE poet of the people, of the oppressed, the unheard, and the forgotten.
Primera Vida: A Child of the Forest "Perhaps love and nature were, very early on, the source of my poems." (19)
Temuco Chile, who wouldn't fall in love with that?
Neruda aptly starts his by writing where it all began, in the then frontier lands of Temuco, Chile, emblazoned by nature鈥檚 ardor. Nature made me euphoric (7), Neruda writes and indeed, nature did become an indispensable aspect throughout his poems as the reader would conspicuously experience throughout his works. He characterized his childhood with modesty and austerity when referring to their economic and fiscal means, and yet one cannot help but feel that he was nothing but rich beyond measure as he reminisced his childhood with picturesque landscapes, forest adventures, and long walks defined by an indescribable affinity with nature. I have come out of that landscape, that mud, that silence, to roam, to go singing through the world (7). And sing he did.
Segunda Vida: A Barred Poet, Militant Student, and Gabriela Mistral鈥檚 Touch.
A later photo showing Neruda with Mistral, they also both ended up as diplomats
As expected, Neruda鈥檚 father did not welcome the fact that his son wanted to become a poet amidst their challenging living conditions. The encouragement he failed to find in his father, Neruda found abounding with Gabriela Mistral(later to be a fellow Nobel Laureate (1945)), who introduced him to Russian classics. Neruda was undaunted, he continued to take poetry as a profession and went to a university at Santiago, Chile. While in the university he got acquainted with hunger and intermittent homelessness, his poems were all that kept him defiantly warm and firm.
Tercera Vida: A Diplomatic Affair"I learned what true loneliness was, in those days and years鈥� (49).
Neruda visits the USSR
Neruda opted to accept an appointment as a consul after leaving the university and was first assigned in Rangoon, that further lead him to Colombo, Batavia, Singapore, Paris, and Mexico to name a few, the memoirs would suggest that Neruda welcomed the appointment, but other accounts tells that it was dire financial need that compelled him to accept the said appointment. Whichever the case was, his consulship had a very profound effect on him, meeting a vast number of notable personas, chief of this was Loneliness. Solitude, in this case, was not a formula for building up a writing mood but something as hard as a prison wall; you could smash your head against the wall and nobody came, no matter how you screamed or wept. (92) Unlike most poets, loneliness was a revolting concept in literary endeavors to someone like Neruda who celebrated love and life. And to combat this loneliness he wrote, 鈥淚 went so deep into the soul and the life of the people" (90). He sought to immerse himself with the land and the people wherever he was based, this aside from meeting personalities like Nehru, Miguel Asturias (awarded the Nobel in 1967), Picasso, Joliot-Curie, Federico Lorca, Fidel Castro and Che Guevara (later on). "The poet cannot be afraid of the people. Life seemed to be handing me a warning and teaching me a lesson I would never forget: the lesson of hidden honor, of fraternity we know nothing about, of beauty that blossoms in the dark."(89) Indeed this philosophy modeled by this consulship will lead him to directly take part in defending the Spanish Republic through propagandas and more essentially, his poems (an aspect which will be fully utilized in Chile鈥檚 very own struggles).
Cuarta Vida: The People鈥檚 Poet, A Senator, and a Communist on the Run "鈥olitics became part of my poetry and my life. In my poems I could not shut the door to the street, just as I could not shut the door to love, life, joy, or sadness in my young poet's heart."(55)
Neruda embracing Allende, also from the Left Wing, whom he supported for the Presidency
With his direct participation in the Spanish Civil war, he was removed from his post and returned to Chile. He entered the political scene and was elected a Senator in 1945, and later officially joined the Chilean Communist Party. The President elect of the same term hailed from the same Communist party but turned on against the Party and he banned the PArty altogether in 1948, with Neruda being removed in office, he surreptitiously escaped Chile and lived in exile for the next three years. Throughout those unwelcoming times, Neruda鈥檚 greatest weapon was his poems. 鈥淎t hundreds of rallies, in places remote from one another, I heard the same request: to read my poems. They were often asked for by title.鈥� (170)
His ardent feeling towards the people and his poetry at this point cannot be denied, and it was riveting.
Neruda returned to Chile in the next presidential elections, at the same time abandoning his nomination to run for the Presidency and instead supported Allende鈥檚 run, who will later win.
Quinta Vida: A Lover鈥檚 Life "Perhaps love and nature were, very early on, the source of my poems." (19)
Neruda with Mathilde
Love completes the vital elements that comprise Neruda鈥檚 impeccably conceived poems. And of course, to write poetry as good as he did, inspiration must have come by the lot. Neruda had the penchant for overlapping love affairs characterized by sudden departures and intermittent unconventional sexual encounters. Neruda had three wives and each have been the subject of a set or collection of poems. Matilde Urrutia, however was the inspiration for the .
--
Neruda died twelve days after Allende was killed (1973) by Pinochet鈥檚 attack of the presidential palace. As it stands, Neruda鈥檚 cause of death was by prostate cancer, although later claims emerged that he was poisoned for his Pro-Allende stances enough to call for an exhumation of the body, the same act is claimed to have been ordered by the Pinochet Regime. The body was exhumed in 2013 (the Neruda Foundation fought against exhuming the body) and test results revealed in November 2013 negated any existence of chemical compounds. The great poet succumbed to cancer.
____________________________________
Originally entitled I Confess I Have Lived, was first published in 1974, under the editorial ambit of Mathilde Urrutia. , is essentially a poem in prose by the manner Neruda wrote this. His lyrical style was unrelenting. Take for example this excerpt on one instance when an earthquake hit,
鈥溾€ometimes it all begins with a vague stirring, and those who are sleeping wake up. Sleeping fitfully, the soul reaches down to pro卢found roots, to their very depth under the earth. It has always wanted to know it. And knows it now. And then, during the great tremor, there is nowhere to run, because the gods have gone away, the vainglorious churches have been ground up into heaps of rubble.(59)鈥�
Or his reaction upon seeing the sea the first time,
鈥淭he first time I stood before the sea, I was overwhelmed. The great ocean unleashed its fury there between two big hills, Huilque and Maule. It wasn't just the immense snow-crested swells, rising many meters above our heads, but the loud pound卢ing of a gigantic heart, the heartbeat of the universe.(25)鈥�
This is the general tone by which was written so those who relish and live by Neruda鈥檚 verses are never truly alienated in this prosaic work.
The entries intermittently jump through pivotal years, but not one chapter failed to contain people and individuals that helped, changed and loved Neruda however monumental or minuscule that was, and so as it goes, he mentions unpublished poets, forgotten names and acquaintances to people who rocked the very foundations of life. Humorous instances are also contained in this work, how he reacted to the alleged awarding of the Nobel, to his pet mongoose, to a hysterically paranoid woman, and the reason why he choose the pen name Neruda. Along with this, Neruda nonchalantly tells of his sexual encounters, of which, of course, there were numerous. If you opened the spoiler above, you will understand my reservation to this seminal Author exist, perhaps, in that instance only.
After reading his , what came across is that Neruda is a poet through and through. It鈥檚 interesting to read that whatever he was subjected to, in whatever kind of instance or predicament he found himself in, the poet never left. He tells us of the various literary stimuli that lead to a specific work. To Neruda, his poems were not only both his sword and shield, it too was his soul.
鈥淭he poet who is not a realist is dead. And the poet who is only a realist is also dead. The poet who is only irrational will only be understood by himself and his beloved, and this is very sad. The poet who is all reason will even be understood by jackasses, and this is also terribly sad. There are no hard and fast rules, there are no ingredients prescribed by God or the Devil, but these two very important gentlemen wage a steady battle in the realm of poetry, and in this battle first one wins and then the other, but poetry itself cannot be defeated.(265)鈥�
_______________________
*Neruda is said to have written only in green ink, probably a color closest to the forest, other yet say that this was his personal symbol for desire and hope.
I have reviewed other works by Pablo Neruda
This book forms part of my remarkably extensive reading list on
This review, along with my other reviews, has been cross-posted at
January 7, 2014
丕賳鬲馗乇鬲 賴匕賴 丕賱爻賷乇丞 賰孬賷乇丕 賵 亘賮囟賱 氐丿賷賯 亘乇賵賱賷鬲丕乇賷 乇賮賷賯 賮賰乇 鬲賵賮乇鬲 賱賷 賱丕 賷爻毓賳賷 兀賳 兀賵賮賷賴 丨賯賴 亘丕賱卮賰乇..賲丕匕丕 兀爻鬲胤賷毓 兀賳 兀賯賵賱 毓賳 賳賷乇賵丿丕 爻賷乇丞 賲賱賴賲丞 毓賱賲鬲賳賷 兀賲乇丕 賲丕兀賵 丨賰丕賷丞 丕賳爻丕賳 丕丨鬲乇賮 丕賱卮毓乇 賰丨賷丕丞 賵 氐丕丿賮 兀賳 毓丕卮 亘賷賳 丕賱卮毓乇 賵 丕賱爻賷丕爻丞 賲爻丕賮乇丕 鬲賵丨丿 丕賱毓丕賱賲 亘賯丕乇丕鬲賴 亘賷賳 賷丿賷賴 賵 賷爻賳 兀賵乇丕賯賴 氐丕丿賮 賲賳 丕賱賳丕爻 丕賱亘爻胤丕亍 賵 丕賱爻賷丕爻賷賷賳 賵 丕賱孬賵乇賷賷賳 賵 丕賱賰鬲丕亘 賵 丕賱兀丿亘丕亍 賲丕 噩毓賱 賲賳 爻賷乇鬲賴 賴匕賴 賲賵爻賵毓丞 賯丕卅賲丞亘匕丕鬲賴丕,賱丕 丕賳賰乇 兀賳賷 賱賲 兀乇賰夭 毓賱賶 卮睾賮賴 亘毓丕賱賲 丕賱乇禺賵賷丕鬲 賵 丕賱亘丨乇 賵 卮睾賮賴 亘丕賱賳亘丕鬲 亘賯丿乇 賲丕 乇賰夭鬲 毓賱賶 鬲賮丕氐賷賱 賲賱賴賲丕鬲 卮毓乇賴 賵 鬲賮丕氐賷賱 丿賵丕賵賷賳賴 賵 毓賱丕賯丕鬲賴 亘丕賱賮賳丕賳賷賳 賵 睾賷乇賴賲 賲賳 丕賱兀丿亘丕亍 賵 亘丕賱兀禺氐 鬲賮丕氐賷賱 丨賷丕鬲賴 賰乇噩賱 卮賷賵毓賷 孬賵乇賷 賲賳丕囟賱 賲乇鬲丨賱 賲賱丕丨賯..賳賷乇賵丿丕 賰丕賳 賷丐乇禺 亘卮賰賱 賲丕 兀丿亘 兀賲乇賷賰丕 丕賱賱丕鬲賷賳賷丞 賵 兀賵乇賵亘丕 賮賷 賮鬲乇丞 賲丕 亘賷賳 丕賱丨乇亘賷賳 賵 亘毓丿賴丕 賱睾丕賷丞 賵賮丕鬲賴 賵 亘賵孬賯 兀賷囟丕 賱賮鬲乇丕鬲 丨乇噩丞 賲賳 鬲丕乇賷禺 丕賱鬲卮賷賱賷 賵 亘丕賯賷 兀賲乇賰賷丕 丕賱賱丕鬲賷賳賷丞 賵 丕爻亘丕賳賷丕 賵 丕賱氐賷賳 賵 丕賱賴賳丿 賵 丕賱丕鬲丨丕丿 丕賱爻賵賮賷丕鬲賷..賱丕 兀丿乇賷 賱賲丕 丨夭 賮賷 賳賮爻賷 兀賳賴 賱賲 賷兀鬲賷 亘匕賰乇 賱賱丨乇賰丕鬲 丕賱卮賷賵毓賷丞 丕賱毓乇亘賷丞 賵 賱丕 丕賱賶 賲賯丕賵賲鬲賴丕 囟丿 丕賱丕丨鬲賱丕賱 賵 丕賱乇兀爻賲丕賱賷丞 賰賲丕 鬲賮丕噩兀鬲 兀賳賴 賱賲 賷匕賰乇 卮禺氐賷丞 兀賲賲賷丞 賰丕賱賲賴丿賷 亘賳亘乇賰丞 乇亘賲丕 賱賲 賷爻賲毓 亘賴 賲賳 賯亘賱 賲賳 賷毓賱賲.
賳賷乇賵丿丕 賰丕賳 丕賳爻丕賳丕 賯亘賱 賰賵賳賴 爻賷丕爻賷丕 卮賷賵毓賷丕 鬲馗賴乇 丕賳爻丕賳賷鬲賴 賮賷 丨亘賴 賱夭賵噩鬲賴 賲丕鬲賷賱丿丕 丕賱鬲賷 禺氐賴丕 亘丿賷賵丕賳 賱丨丕賱賴 賲卅丞 爻賵賳丕鬲丞 丨亘 賰賲丕 鬲馗賴乇 丕賳爻丕賳賷鬲賴 賮賷 爻毓賷賴 賱丕賳賯丕匕 賱丕噩卅賷 兀賵乇賵亘丕 賱賱鬲卮賷賱賷 賵 賮賷 胤乇賷賯丞 賲毓丕賲賱鬲賴 賱禺丿賲賴 賱丨賷賵丕賳丕鬲賴 賱賳亘丕鬲丕鬲賴..
丨賷賳 鬲鬲賲 賴匕賴 丕賱爻賷乇丞 爻鬲噩丿 賱爻丕賳 丨丕賱賰 賷賯賵賱 亘孬賯丞 兀賳賴 賮毓賱丕 賯丿 毓丕卮..賵 兀賰孬乇 賲賳 丨賷丕丞 .
賳賷乇賵丿丕 賰丕賳 丕賳爻丕賳丕 賯亘賱 賰賵賳賴 爻賷丕爻賷丕 卮賷賵毓賷丕 鬲馗賴乇 丕賳爻丕賳賷鬲賴 賮賷 丨亘賴 賱夭賵噩鬲賴 賲丕鬲賷賱丿丕 丕賱鬲賷 禺氐賴丕 亘丿賷賵丕賳 賱丨丕賱賴 賲卅丞 爻賵賳丕鬲丞 丨亘 賰賲丕 鬲馗賴乇 丕賳爻丕賳賷鬲賴 賮賷 爻毓賷賴 賱丕賳賯丕匕 賱丕噩卅賷 兀賵乇賵亘丕 賱賱鬲卮賷賱賷 賵 賮賷 胤乇賷賯丞 賲毓丕賲賱鬲賴 賱禺丿賲賴 賱丨賷賵丕賳丕鬲賴 賱賳亘丕鬲丕鬲賴..
丨賷賳 鬲鬲賲 賴匕賴 丕賱爻賷乇丞 爻鬲噩丿 賱爻丕賳 丨丕賱賰 賷賯賵賱 亘孬賯丞 兀賳賴 賮毓賱丕 賯丿 毓丕卮..賵 兀賰孬乇 賲賳 丨賷丕丞 .
October 16, 2013
I can only give a warning; after reading this book you will be forced to think that you have not really lived until now, that you were sleepwalking while the treasure of world lay open in front of you. He travelled to nearly every corner of the world and amalgamated himself with it. He discovered beauty and wealth in the mountain of andes and the arms of a Tamil untouchable in Ceylon. He fought for his poor countrymen, for peace, for humanism. While sometimes five star hotels greeted him, sometimes he found himself penniless with torn clothes clinging to nothing but his poetry for comfort. Neruda plays with word as a child with pebbles. He can leave you spell bound paragraph by paragraph, wanting for more. He talks to nature, to revolutions, to his beloved countrymen and describes his lovely homeland Chile with an art I have never ever come across. Poet, Politician, Traveller, Revolutionary and finally a great human being, Neruda is a not only a person but a phenomenon which must be explored through this book.
March 18, 2020
爻賷乇丞 匕丕鬲賷丞 乇丕卅毓丞貙 賷賰賮賷 丕賳 賲賳 賰鬲亘賴丕 卮丕毓乇 賰亘賷乇. 賵賱賷爻 兀賷 卮丕毓乇 丕賳賴 亘丕亘賱賵 賳賷乇賵丿丕 貙
丨賷丕丞 賲賱賷卅丞 亘丕賱兀丨丿丕孬 丕賱毓馗賷賲丞 賵賲賱賷卅丞 亘丕賱鬲乇丨丕賱 賵丕賱爻賮乇 賵丕賱丕禺鬲賱丕胤 賲毓 噩賲賷毓 丕賱卮毓賵亘 賵丕賱兀噩賳丕爻.
卮丕毓乇 賲賳 丕賱卮毓亘 賵賲鬲賮丕毓賱 賲毓 卮毓亘賴 賵丕賱丕賱鬲夭丕賲 亘丕賱賲亘丿兀 賵乇睾賲 丕賳賴 亘卮毓乇賴 賰丕賳 賷爻鬲胤賷毓 丕賱鬲毓丕賷卮 賲毓 兀賷 丨夭亘 賵 丨丕賰賲 賰賲丕 賷賮毓賱 賲賳 賷賳鬲爻亘賵賳 丕賱賶 丕賱兀丿亘 賮賷 毓氐乇賳丕 丕賱丨丕賱賷 賷鬲賱賵賳賵賳 賰賲丕 鬲鬲賱賵賳 丕賱丨乇亘丕亍 賲毓 丕賻賷 鬲賷丕乇 爻賷丕爻賷 賵丕賷 丨丕賰賲 .
賲賳 丿亘賱賵賲丕爻賷 賷賲孬賱 丿賵賱鬲賴 賰爻賮賷乇 丕賱賶 卮乇賷丿 鬲胤丕乇丿賴 丨賰賵賲鬲賴 貙 賱賲 賷鬲睾賷乇 賵賱賲 賷亘丿賱 賵賱丕亍賴 亘賯賷 孬丕亘鬲 毓賱賶 丨夭亘賴 丕賱卮賷賵毓賷貙 賵卮丕毓乇 賰賳賷乇賵丿丕 賲賳 丕賱胤亘賷毓賷 丕賳 賷賳鬲賲賷 丕賱賶 丕賱丨夭亘 丕賱卮賷賵毓賷. 丨夭亘 丕賱賰丕丿丨賷賳 賵丕賱賮賯乇丕亍.
丕購爻賱賵亘. 丕賱爻賷乇丞 乇丕卅毓 賵鬲卮亘賷賴丕鬲 丕乇賵毓 賵賯氐氐 賱丕 鬲賰賱 賵賱丕 鬲賲賱 賲賳賴丕 賮賷 丨賷丕丞 丕毓鬲乇賮 丕賱賲丐賱賮 丕賳賴 毓丕卮賴丕 亘丕賱胤賵賱 賵丕賱毓乇囟.
賵丕賱鬲乇噩賲丞 丕賷囟丕 乇丕卅毓丞 賵亘匕賱 賲噩賴賵丿 賰亘賷乇 賱鬲賯乇賷亘 亘毓囟 丕賱兀賱賮丕馗 丕賱賶 丕賱賱睾丞 丕賱毓乇亘賷丞 賵丕禺鬲賷丕乇 丕賱賱賮馗 丕賱賲賳丕爻亘 丨爻亘 爻賷丕賯 丕賱乇賵丕賷丞.
噩賲賷賷賷賷賷賱丞
丨賷丕丞 賲賱賷卅丞 亘丕賱兀丨丿丕孬 丕賱毓馗賷賲丞 賵賲賱賷卅丞 亘丕賱鬲乇丨丕賱 賵丕賱爻賮乇 賵丕賱丕禺鬲賱丕胤 賲毓 噩賲賷毓 丕賱卮毓賵亘 賵丕賱兀噩賳丕爻.
卮丕毓乇 賲賳 丕賱卮毓亘 賵賲鬲賮丕毓賱 賲毓 卮毓亘賴 賵丕賱丕賱鬲夭丕賲 亘丕賱賲亘丿兀 賵乇睾賲 丕賳賴 亘卮毓乇賴 賰丕賳 賷爻鬲胤賷毓 丕賱鬲毓丕賷卮 賲毓 兀賷 丨夭亘 賵 丨丕賰賲 賰賲丕 賷賮毓賱 賲賳 賷賳鬲爻亘賵賳 丕賱賶 丕賱兀丿亘 賮賷 毓氐乇賳丕 丕賱丨丕賱賷 賷鬲賱賵賳賵賳 賰賲丕 鬲鬲賱賵賳 丕賱丨乇亘丕亍 賲毓 丕賻賷 鬲賷丕乇 爻賷丕爻賷 賵丕賷 丨丕賰賲 .
賲賳 丿亘賱賵賲丕爻賷 賷賲孬賱 丿賵賱鬲賴 賰爻賮賷乇 丕賱賶 卮乇賷丿 鬲胤丕乇丿賴 丨賰賵賲鬲賴 貙 賱賲 賷鬲睾賷乇 賵賱賲 賷亘丿賱 賵賱丕亍賴 亘賯賷 孬丕亘鬲 毓賱賶 丨夭亘賴 丕賱卮賷賵毓賷貙 賵卮丕毓乇 賰賳賷乇賵丿丕 賲賳 丕賱胤亘賷毓賷 丕賳 賷賳鬲賲賷 丕賱賶 丕賱丨夭亘 丕賱卮賷賵毓賷. 丨夭亘 丕賱賰丕丿丨賷賳 賵丕賱賮賯乇丕亍.
丕購爻賱賵亘. 丕賱爻賷乇丞 乇丕卅毓 賵鬲卮亘賷賴丕鬲 丕乇賵毓 賵賯氐氐 賱丕 鬲賰賱 賵賱丕 鬲賲賱 賲賳賴丕 賮賷 丨賷丕丞 丕毓鬲乇賮 丕賱賲丐賱賮 丕賳賴 毓丕卮賴丕 亘丕賱胤賵賱 賵丕賱毓乇囟.
賵丕賱鬲乇噩賲丞 丕賷囟丕 乇丕卅毓丞 賵亘匕賱 賲噩賴賵丿 賰亘賷乇 賱鬲賯乇賷亘 亘毓囟 丕賱兀賱賮丕馗 丕賱賶 丕賱賱睾丞 丕賱毓乇亘賷丞 賵丕禺鬲賷丕乇 丕賱賱賮馗 丕賱賲賳丕爻亘 丨爻亘 爻賷丕賯 丕賱乇賵丕賷丞.
噩賲賷賷賷賷賷賱丞
May 7, 2023
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May 21, 2022
At the end of this era, I am alone once more in newly discovered lands, as if this whole long voyage had been a waste. I go into an agony, into a second solitude, just as in the throes of birth, in the alarming beginning, filled with the metaphysical terror from which the spring of my early poems flowed, in the new twilight my own creation has provoked. Where am I to go? Which way should I return, aim for, which way to silence or a breathing space? I turn the light and the darkness upside down and inside out, and I find nothing but the emptiness my hands built with such deadly care.
January 3, 2023
Me da ganas de leer el texto entero ese fragmento de la vida del poeta chileno.
Esos relatos sobre su juventud me parecieron instructivos y hasta apasionantes por lo detallados que son y por la personalidad del a煤tor que brota de ellos.
En esa edici贸n se puede leer los capitulos:
I. El joven provinciano
II. Perdido en la ciudad
III. Los caminos del mundo
Esos relatos sobre su juventud me parecieron instructivos y hasta apasionantes por lo detallados que son y por la personalidad del a煤tor que brota de ellos.
En esa edici贸n se puede leer los capitulos:
I. El joven provinciano
II. Perdido en la ciudad
III. Los caminos del mundo
July 31, 2016
賵兀賳丕 兀毓鬲乇賮 兀賳賰 賯丿 毓卮鬲 賷丕 亘丕亘賱賵貙 爻賷乇丞 匕丕鬲賷丞 賲賱賷卅丞 亘丕賱丿賴卮丞 賵丕賱噩賲丕賱 賵丕賱毓胤丕亍 賵丕賱丨賷丕丞.
賮賷 丕賱亘丿丕賷丞 鬲乇賶 鬲卮賷賱賷 亘毓賷賳 亘丕亘賱賵 賳賷乇賵丿丕貙 賲丕 兀噩賲賱 胤亘賷毓鬲賴丕 丨爻亘 賵氐賮賴貙 氐乇鬲 賲卮鬲丕賯賸丕 賱乇丐賷鬲賴丕 丨賯賸丕貙 賵兀乇丕賴賳 毓賱賶 兀賳 兀卮毓丕乇賴 爻鬲賰賵賳 賷賵賲 兀賯乇兀賴丕 賲賱賷卅丞 亘丕賱賵乇賵丿 賵丕賱兀夭賴丕乇 賵兀爻賲丕卅賴丕 亘毓丿 兀賵氐丕賮賴 丕賱噩賲賷賱丞 賱賴丕貙 賷賰鬲亘 丨鬲賶 丕賱丌賳 亘爻賱丕爻丞貙 賵賷賵氐賱 賱賱賯丕乇卅 賲丕 賷乇賷丿 丿賵賳 丕賱丿禺賵賱 賮賷 賲鬲丕賴丕鬲貙 賯氐丞 丕賱毓噩丕卅夭 丕賱孬賱丕孬貙 賵丕賱賮鬲丕丞 丕賱鬲賷 夭丕乇鬲賴 賮賷 丕賱賱賷賱.
賲賳 丕賱賰鬲丕亘:
廿賳 毓賲賱 丕賱賰鬲賾丕亘 賮賷 乇兀賷賷貙 賱賴 卮亘賴 賰亘賷乇 亘毓賲賱 兀賵賱卅賰 丕賱氐賷丕丿賷賳 賮賷 丕賱賯胤亘 丕賱卮賲丕賱賷貙 毓賱賶 丕賱賰丕鬲亘 兀賳 賷亘丨孬 毓賳 丕賱賳賴乇 賮廿賳 賵噩丿賴 賲鬲噩賲丿賸丕 賮廿賳賴 賷囟胤乇 兀賳 賷孬賯亘 丕賱噩賱賷丿. 毓賱賷賴 兀賳 賷噩賱丿 賵賷氐亘乇貙 兀賳 賷鬲丨賲賱 丕賱胤賯爻 丕賱賲毓丕丿賷 賵丕賱賳賯丿 丕賱賲囟丕丿. 兀賳 賷鬲丨丿賶 丕賱鬲賮丕賴丞貙 兀賳 賷亘丨孬 毓賳 丕賱鬲賷丕乇 丕賱毓賲賷賯貙 兀賳 賷乇賲賷 亘丕賱氐賳丕乇丞 丕賱氐丕賱丨丞 丕賱氐丕卅亘丞貙 賱賷禺乇噩 亘毓丿 噩賴丿 噩賴賷丿 賵氐亘乇 卮丿賷丿 爻賲賰丞 氐睾賷乇丞. 亘賷丿 兀賳賴 賱丕 亘丿 賱賴 賲賳 兀賳 賷乇噩毓 丕賱賰乇丞 賵賷毓賵丿 賱賱氐賷丿 賲賳 噩丿賷丿貙 囟丿 丕賱亘乇丿貙 囟丿 丕賱氐賯賷毓貙 囟丿 丕賱賲丕亍貙 囟丿 丕賱賳賯丿貙 賵賴賰匕丕 丿賵丕賱賷賰 丨鬲賶 賷禺乇噩 賮賷 賰賱 賲乇丞 氐賷丿賸丕 兀賰亘乇 賵兀毓馗賲.
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噩賱爻 乇卅賷爻 丕賱卮乇胤丞 賮賷 賲賰丕賳 亘丕乇夭 賮賷 兀賵賱 氐賮 噩賱爻丞 鬲賮鬲賷卮 賵鬲丨乇賾 賵廿賳匕丕乇. 賲賳 亘毓丿 毓乇賮鬲 兀賳 兀乇亘毓 亘賳丕丿賯 爻乇賷毓丞 丕賱胤賱賯丕鬲 賰丕賳鬲 賯丿 乇賰夭鬲 賴賳丕賰 賵賵噩賴鬲 賳丨賵賷 賵賳丨賵 丕賱噩賲賴賵乇. 賰丕賳鬲 爻鬲賳胤賱賯 賮賷賲丕 廿匕丕 睾丕丿乇 乇卅賷爻 丕賱卮乇胤丞 賲賯毓丿賴 賵賯丕胤毓 賯乇丕亍丞 丕賱卮毓乇. 賱賰賳 賲丕 噩乇賶 卮賷亍 賷爻鬲丿毓賷 匕賱賰貙 賮賯丿 馗賱 乇卅賷爻 丕賱卮乇胤丞 賮賷 賲賯毓丿賴 賷爻鬲賲毓 廿賱賶 兀卮毓丕乇賷 丨鬲賶 丕賱賳賴丕賷丞.
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賷匕賰乇 亘丕亘賱賵 賳賷乇賵丿丕 賮賷 賰鬲丕亘賴 兀毓鬲乇賮 兀賳賳賷 賯丿 毓卮鬲貙 卮丕毓乇賸丕 兀乇噩賳鬲賷賳賷賸丕 丕爻賲賴 毓賲乇 亘賷睾賳賵賱丞貙 賵賰丕賳 賴匕丕 丕賱卮丕毓乇 賲賴賳丿爻賸丕 夭乇丕毓賷賸丕 兀賷囟賸丕貙 賵賮賷 賷賵賲 賲丐鬲賲乇 賳丕丿賷 丕賱賯賱賲 丕賱毓丕賱賲賷 丕賱兀賵賱貙 噩丕亍 毓賲乇 乇丕賰亘賸丕 亘賯乇鬲賴 賵兀丿禺賱賴丕 賲毓賴 廿賱賶 賯丕毓丞 丕賱賲丐鬲賲乇 乇睾賲 賲丨丕賵賱丕鬲 賲賳毓賴 賲賳 丕賱卮乇胤丞 賵賯鬲賴丕. 賷賰賲賱 賳賷乇賵丿丕 丨丿賷孬賴 毓賳賴 亘賯氐丞 兀禺乇賶 兀賳 毓賲乇 亘賷睾賳賵賱丞 鬲丨丿賶 匕丕鬲 賲乇丞 賲氐丕乇毓賸丕 賷丕亘丕賳賷賸丕 亘胤賱賸丕貙 賮鬲噩賲毓 丕賱賳丕爻 賲賳鬲馗乇賷賳 賴匕丕 丕賱賳夭丕賱貙 賱賷丿禺賱 亘毓丿賴丕 廿賱賶 丕賱丨賱亘丞 賲毓 亘賯乇鬲賴貙 乇亘胤賴丕 賮賷 廿丨丿賶 丕賱夭賵丕賷丕貙 賱賰賳賴丕 賱賲 鬲賮丿賴 亘卮賷亍貙 廿匕 賯丕賲 丕賱賲氐丕乇毓 亘囟乇亘賴 賵乇賲賷賴 賮賰丕賳 賰鬲賱丞 賴丕賲丿丞 賱丕 丨賵賱 亘賴丕 賵賱丕 賯賵丞 賲賲丕 兀丿賶 廿賱賶 丕爻鬲賴夭丕亍 賵丕爻鬲禺賮丕賮 丕賱噩賲賴賵乇 丕賱賲丨鬲卮丿 丕賱匕賷賳 賰丕賳賵丕 賷胤丕賱亘賵賳 亘丕爻鬲賲乇丕乇 丕賱賯鬲丕賱 乇睾賲 爻賯賵胤 毓賲乇 亘睾賳賵賱丞 毓賱賶 丕賱兀乇囟 亘賱丕 丨乇丕賰. 亘毓丿賴丕 亘卮賴賵乇 賳卮乇 賰鬲丕亘賸丕 噩丿賷丿賸丕 亘毓賳賵丕賳: 兀丨丕丿賷孬 賲毓 丕賱亘賯乇丞貙 亘廿賴丿丕亍 賰丕賱鬲丕賱賷: "兀賴丿賷 賴匕丕 丕賱賰鬲丕亘 丕賱賮賱爻賮賷 廿賱賶 丕賱兀乇亘毓賷賳 兀賱賮 **** 丕賱匕賷賳 賰丕賳賵丕 賷氐賮賾乇賵賳 賱賷 賵賷爻鬲賴夭卅賵賳 亘賷 賵賷胤丕賱亘賵賳 亘賲賵鬲賷 賮賷 丨賱亘丞 丕賱氐乇丕毓 賱賷賱丞 24 卮亘丕胤".
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胤乇賷賯丞 賰鬲丕亘鬲賴 鬲丿賱 毓賱賶 兀賳賴 卮丕毓乇貙 賵禺丕氐丞 賮賷 賳賴丕賷丞 丕賱兀賯爻丕賲 鬲乇丕賴 賷賰鬲亘 亘胤乇賷賯丞 噩賳賵賳賷丞 毓匕亘丞
July 31, 2008
I hate to say this but I think Neruda is a little heavy handed with words. He uses tons, he uses a whole freaking mountain worth of words and then some 鈥� homeboy can throw down some words. The man goes on and on, he makes every sentence obese with words, and more words. He鈥檚 a poet for Christ sake, isn鈥檛 he suppose to be all sparing with the words? What happened? Those guys usually just write a couple-a-fragmented-sentences and then call it a day, go drink some red wine, moan about the injustice of it all. And what鈥檚 the deal with the attention-deficit-disorder-jump-around-short-attention-span-can鈥檛-keep-on-the-same-subject-for-more-that-six-pages thing? I鈥檝e had more linear conversations with actively using crackheads.
鈥淎h, the poets, the poets. There鈥檚 Juan Carlos el Topo del Norte, one of the finest poets the world has ever known. Too bad his words were never written down and published. That woman is looking at me, she wants me, of course she wants me. I鈥檒l make love to her now. I need to go to Paris. Ah, the mountains, the forest, the land of my youth. It鈥檚 winter in France, where are my pants? Don Chi Chi del Pinnochi comes into my room, says you must try this woman, please, yes, I will try this woman, serve her to me like a side of Argentinean beef on a silver platter. She is magnificent, like no other, we both take her, we both agree, like no other we say 鈥� then we lose her in a taxicab. Oh, I鈥檓 an ambassador to Guam. There is a woman there that wants me, I know this, her beauty is like the poem I published in my book Pedacitos Po茅ticos Squirmy. Franco, what pain he cause his country. Where鈥檚 my ambassador salary? Look it鈥檚 Gandhi! The Fascists are in Germany. ? She wants me, yes, yes she does. I Think I married her, we lived together for years. I was not at the consulate in Buenos Aires long. Barcelona. Oh, the poets, the poets鈥︹€�
Maybe it鈥檚 the translation. You can blame a lot on those insufferable translators. Yet what could anyone do with a couple of lines like this: 鈥淕irls of various colorings visited my campaign cot, leaving no record but the lightning spasm of the flesh. My body was a lonely bonfire burning night and day on that tropical coast.鈥� (page 99)
Ouch! Ick! Smoking sex machine, eh? Pablo just never stops, he鈥檚 sort of full of himself, sort of. I admire his ego, his stamina, his gall - although I had to fight the urge to take a shower between chapters 鈥� but I got tired of it really, really quick. That and the incessant name-dropping, the obscure references to published work, his and others, and the words. Too many words, man. Too many words.
There is one scene/passage, it starts right after that horrid 鈥渓onely bonfire burning night and day on the tropical coast鈥� line (middle of page 99 鈥� 100). Where Pablo beds/forces a Tamil woman, who cleans out his shit pail every morning, to have sex with him. He goes on about her beauty, he compares her to a sculpture, and when they have sex he states: 鈥淚t was the coming together of a man and a statue.鈥� Ooooh, nice. Then he writes: 鈥淪he kept her eyes wide open all the while, completely unresponsive. She was right to despise me. The experience was never repeated.鈥�
Right when I was about to toss the book across the room, for the fifth time I might add, Neruda goes and lets me see that he knows he鈥檚 a womanizing self centered egomaniac. She鈥檚 stiff as a statue, unresponsive to his machismo, submissive, because she was born into the pariah caste. She let him have his way, but she isn鈥檛 into it or him. Even Pablo, or Pablo鈥檚 ego actually, can grasp that she鈥檚 not interested. I know, no big revelation here, except, for a second I鈥檓 thinking maybe old Pablo really didn鈥檛 hold himself in such high regard as it appears he did 鈥� that it鈥檚 all mainly bravado, and he knows it.
Then I threw the book across the room.
However:
鈥減lacid lakes, high up in the mountains, like eyes forgotten by wasteful gods.鈥� (pg.155)
Is such a lethargically beautiful image.
鈥渋t was easier to pull a Mexican鈥檚 tooth then wrest his beloved gun from him.鈥� (pg.157)
This guy kills me.
Yet I totally must admit the style, the language, and the pace, of the book is what really drove me insane. The truth is these days I want a little methamphetamine drive prose, just a little 鈥� too much and I鈥檓 shot to the curb, rubbing my eyes, wanting to go to sleep. David Sedaris, has just the right amount of ADD to keep the pace flowing and my interest engaged. Denis Johnson can get vague and wander a little bit. Ok, a lot. But when I鈥檓 reading one of his books I鈥檓 not looking at the map trying to figure out where he turned left and somehow we ended up in Winnemucca 鈥� he pointed me in that direction a long time ago, we鈥檝e just made a few hundred stops along the way. Gabriel Garcia Marquez鈥檚 incredible memoir: Vivir Para Contarla (Living to Tell the Tale), while highly poetic and prose driven, managed to get me from point A to point B, in one smooth linear motion. And Marquez, sexist as he was/is, didn鈥檛 leave me with a queasy porno booth voyeur feeling 鈥� and besides, he鈥檚 freakin Gabriel Garcia Marquez, 100 years of Solitude man! Mary Karr composed the most beautiful dysfunctional memoir ever written and when I was done I wanted more, read Cherry, still wanted more 鈥� addictive she is.
I had no preconceived notion as to what to expect from Neruda, I was interested, I was intrigued, I鈥檝e never knowingly read his poetry, but I certainly knew who he was and have nothing but respect for the man and his politics 鈥� and still I found him hard to read. Perhaps he was a tad unleashed with the prospect of just writing about himself? I mean, I know the feeling. I鈥檓 so self-absorbed that鈥檚 all I write about 鈥� me, me, bloody me! Have I gone off the subject yet? Is this Winnemucca?
Did I mention there were too many words?
鈥淎h, the poets, the poets. There鈥檚 Juan Carlos el Topo del Norte, one of the finest poets the world has ever known. Too bad his words were never written down and published. That woman is looking at me, she wants me, of course she wants me. I鈥檒l make love to her now. I need to go to Paris. Ah, the mountains, the forest, the land of my youth. It鈥檚 winter in France, where are my pants? Don Chi Chi del Pinnochi comes into my room, says you must try this woman, please, yes, I will try this woman, serve her to me like a side of Argentinean beef on a silver platter. She is magnificent, like no other, we both take her, we both agree, like no other we say 鈥� then we lose her in a taxicab. Oh, I鈥檓 an ambassador to Guam. There is a woman there that wants me, I know this, her beauty is like the poem I published in my book Pedacitos Po茅ticos Squirmy. Franco, what pain he cause his country. Where鈥檚 my ambassador salary? Look it鈥檚 Gandhi! The Fascists are in Germany. ? She wants me, yes, yes she does. I Think I married her, we lived together for years. I was not at the consulate in Buenos Aires long. Barcelona. Oh, the poets, the poets鈥︹€�
Maybe it鈥檚 the translation. You can blame a lot on those insufferable translators. Yet what could anyone do with a couple of lines like this: 鈥淕irls of various colorings visited my campaign cot, leaving no record but the lightning spasm of the flesh. My body was a lonely bonfire burning night and day on that tropical coast.鈥� (page 99)
Ouch! Ick! Smoking sex machine, eh? Pablo just never stops, he鈥檚 sort of full of himself, sort of. I admire his ego, his stamina, his gall - although I had to fight the urge to take a shower between chapters 鈥� but I got tired of it really, really quick. That and the incessant name-dropping, the obscure references to published work, his and others, and the words. Too many words, man. Too many words.
There is one scene/passage, it starts right after that horrid 鈥渓onely bonfire burning night and day on the tropical coast鈥� line (middle of page 99 鈥� 100). Where Pablo beds/forces a Tamil woman, who cleans out his shit pail every morning, to have sex with him. He goes on about her beauty, he compares her to a sculpture, and when they have sex he states: 鈥淚t was the coming together of a man and a statue.鈥� Ooooh, nice. Then he writes: 鈥淪he kept her eyes wide open all the while, completely unresponsive. She was right to despise me. The experience was never repeated.鈥�
Right when I was about to toss the book across the room, for the fifth time I might add, Neruda goes and lets me see that he knows he鈥檚 a womanizing self centered egomaniac. She鈥檚 stiff as a statue, unresponsive to his machismo, submissive, because she was born into the pariah caste. She let him have his way, but she isn鈥檛 into it or him. Even Pablo, or Pablo鈥檚 ego actually, can grasp that she鈥檚 not interested. I know, no big revelation here, except, for a second I鈥檓 thinking maybe old Pablo really didn鈥檛 hold himself in such high regard as it appears he did 鈥� that it鈥檚 all mainly bravado, and he knows it.
Then I threw the book across the room.
However:
鈥減lacid lakes, high up in the mountains, like eyes forgotten by wasteful gods.鈥� (pg.155)
Is such a lethargically beautiful image.
鈥渋t was easier to pull a Mexican鈥檚 tooth then wrest his beloved gun from him.鈥� (pg.157)
This guy kills me.
Yet I totally must admit the style, the language, and the pace, of the book is what really drove me insane. The truth is these days I want a little methamphetamine drive prose, just a little 鈥� too much and I鈥檓 shot to the curb, rubbing my eyes, wanting to go to sleep. David Sedaris, has just the right amount of ADD to keep the pace flowing and my interest engaged. Denis Johnson can get vague and wander a little bit. Ok, a lot. But when I鈥檓 reading one of his books I鈥檓 not looking at the map trying to figure out where he turned left and somehow we ended up in Winnemucca 鈥� he pointed me in that direction a long time ago, we鈥檝e just made a few hundred stops along the way. Gabriel Garcia Marquez鈥檚 incredible memoir: Vivir Para Contarla (Living to Tell the Tale), while highly poetic and prose driven, managed to get me from point A to point B, in one smooth linear motion. And Marquez, sexist as he was/is, didn鈥檛 leave me with a queasy porno booth voyeur feeling 鈥� and besides, he鈥檚 freakin Gabriel Garcia Marquez, 100 years of Solitude man! Mary Karr composed the most beautiful dysfunctional memoir ever written and when I was done I wanted more, read Cherry, still wanted more 鈥� addictive she is.
I had no preconceived notion as to what to expect from Neruda, I was interested, I was intrigued, I鈥檝e never knowingly read his poetry, but I certainly knew who he was and have nothing but respect for the man and his politics 鈥� and still I found him hard to read. Perhaps he was a tad unleashed with the prospect of just writing about himself? I mean, I know the feeling. I鈥檓 so self-absorbed that鈥檚 all I write about 鈥� me, me, bloody me! Have I gone off the subject yet? Is this Winnemucca?
Did I mention there were too many words?
February 13, 2024
Impresionanta calatorie prin lume si istorie, alaturi de o multitudine de personalitati. A fost interesant sa vad evenimentele prin ochii autorului.
,,Am strans acasa jucarii mari si mici, fara de care nu puteam trai. Copilul care nu se joaca nu e copil, dar adultul care nu se joaca si-a pierdut pe veci inocenta care-i va lipsi enorm."
,,Trec anii. Imbatranesti, infloresti, suferi si te bucuri. Anii iti daruiesc si iti risipesc viata.[...]
Cei care se duc cand te afli departe de ei parca mor mai putin, continuand sa traiasca in noi, vii."
,,Am strans acasa jucarii mari si mici, fara de care nu puteam trai. Copilul care nu se joaca nu e copil, dar adultul care nu se joaca si-a pierdut pe veci inocenta care-i va lipsi enorm."
,,Trec anii. Imbatranesti, infloresti, suferi si te bucuri. Anii iti daruiesc si iti risipesc viata.[...]
Cei care se duc cand te afli departe de ei parca mor mai putin, continuand sa traiasca in noi, vii."
May 25, 2020
Ovo nije vek pesnika, ni u kom pogledu, taman onoliko koliko pro拧li jeste bio. Surovost ratova, dinamiku promena, vetrove revolucuje, vulkane emocija, mnogo bolje je hvatala vrhunska poezija. I pesnici behu dr啪avnici koliko i buntovnici, revolucionari koliko i ambasadori. Sve se to vidi u memoarima 膷ileanskog nobelovca.
Neverovatno je pak, kako je Neruda uspeo da fantasti膷no bogat i dinami膷an, neretko i dinamitan 啪ivot kakav je vodio, upakuje u ovako nenametljiv prozni rukopis. On leti preko doga膽aja, ne osvr膰u膰i se ni za jednim, iako bi o mnogima mogle stasati vrhunske knjige, on ih ostavlja iza sebe, galopiraju膰i napred, i tek tu i tamo zastajkuju膰i da na du啪e od nekoliko strana dozvoli retkima od njih da se bar na trenutak razmahnu. Tako tipi膷na poetska du拧a, autenti膷no razbaru拧ena, nemarna, neuhvatljiva i zapravo lenja.
Putopisni spis, od Singapura, Cejlona, Buenos Ajresa, Pekinga, Jerevana, Pariza, i ve膷nog povratka u domovinu bez koje se ne mo啪e. Latinoameri膷ka strast za ju啪nim kontinentom. Levi膷arski zanosi mladosti preto膷eni u crvenu kolote膷inu birokratije iza toga, Nobel u rukama, i obilje detalja od kojih zasuze o膷i, poput opisa gradova, preko recitovanja radnicima do ode Aljendeu.
Nesumnjivo va啪na knjiga, mada prozno zaklju膷ana i oivi膷ena ispresecanim mislima pesnika.
Ovo dakle nije vek poezije, i zato 膰e njega ta膷nije i preciznije opisati Knausgor 膷iji 啪ivot je beskona膷no dosadan u pore膽enju sa Nerudinim, ali ga ovaj nepogre拧ivo hvata, crta i daje mu dozu proznog savr拧enstva koju Neruda nije ni poku拧ao da dotakne, ma ni da omiri拧e. I zato ne 膷itajte ovu knjigu odmah nakon Moje borbe recimo, to je topao i prijateljski savet.
Neverovatno je pak, kako je Neruda uspeo da fantasti膷no bogat i dinami膷an, neretko i dinamitan 啪ivot kakav je vodio, upakuje u ovako nenametljiv prozni rukopis. On leti preko doga膽aja, ne osvr膰u膰i se ni za jednim, iako bi o mnogima mogle stasati vrhunske knjige, on ih ostavlja iza sebe, galopiraju膰i napred, i tek tu i tamo zastajkuju膰i da na du啪e od nekoliko strana dozvoli retkima od njih da se bar na trenutak razmahnu. Tako tipi膷na poetska du拧a, autenti膷no razbaru拧ena, nemarna, neuhvatljiva i zapravo lenja.
Putopisni spis, od Singapura, Cejlona, Buenos Ajresa, Pekinga, Jerevana, Pariza, i ve膷nog povratka u domovinu bez koje se ne mo啪e. Latinoameri膷ka strast za ju啪nim kontinentom. Levi膷arski zanosi mladosti preto膷eni u crvenu kolote膷inu birokratije iza toga, Nobel u rukama, i obilje detalja od kojih zasuze o膷i, poput opisa gradova, preko recitovanja radnicima do ode Aljendeu.
Nesumnjivo va啪na knjiga, mada prozno zaklju膷ana i oivi膷ena ispresecanim mislima pesnika.
Ovo dakle nije vek poezije, i zato 膰e njega ta膷nije i preciznije opisati Knausgor 膷iji 啪ivot je beskona膷no dosadan u pore膽enju sa Nerudinim, ali ga ovaj nepogre拧ivo hvata, crta i daje mu dozu proznog savr拧enstva koju Neruda nije ni poku拧ao da dotakne, ma ni da omiri拧e. I zato ne 膷itajte ovu knjigu odmah nakon Moje borbe recimo, to je topao i prijateljski savet.
April 30, 2020
Una "confesi贸n" emotiva y magistral. Neruda evoca sus recuerdos m谩s queridos, sus amores (por sus mujeres, por su Chile, por Espa帽a) y amistades (Federico Garc铆a Lorca, Miguel Hern谩ndez, Alberti, entre much铆smos otros) sus decepciones y frustraciones, la historia del nacimiento de sus obras mas conocidas (Crepusculario, Veinte poemas de amor y una canci贸n desesperada, entre ellos) con su excepcional talento narrativo y su estilo sencillo y placentero.
Un lujo.
Un lujo.
January 3, 2019
Appunto volato qui da non so dove
Postuma esce l鈥檃utobiografia Confesso che ho vissuto (1974), dalla quale emerge trombone quant鈥檃ltri mai (giustamente Bola帽o la definisce 芦deprecabile禄).
Postuma esce l鈥檃utobiografia Confesso che ho vissuto (1974), dalla quale emerge trombone quant鈥檃ltri mai (giustamente Bola帽o la definisce 芦deprecabile禄).
March 25, 2020
Excelente libro. Qu茅 manera m谩s entretenida y po茅tica de escribir sobre la vida.
April 28, 2020
賰鬲亘 亘丕亘賱賵 賴匕賴 丕賱賲匕賰乇丕鬲 賮賷 爻賳鬲賴 丕賱兀禺賷乇丞 亘毓丿 丕賳鬲賴丕亍 乇丨賱丞 胤賵賷賱丞 賲賲鬲賱卅丞 亘丕賱爻賷丕爻丞 賵 丕賱鬲丕乇賷禺 賵 丕賱卮賽毓乇 賵 丕賱兀氐丿賯丕亍 賵 卮毓亘賴 丕賱匕賷 兀丨亘賴 賰孬賷乇丕 卮毓亘 鬲卮賷賱賷 丕賱毓馗賷賲 丕賱匕賷 兀丨亘亘鬲賴 賵 兀丨亘亘鬲 卮毓賵亘 兀賲乇賷賰丕 丕賱噩賳賵亘賷丞 亘氐賮丞 毓丕賲丞 賵噩丿鬲 賮賷賴賲 賯賵丕爻賲 賲卮鬲乇賰丞 賲毓賳丕 賳丨賳 丕賱毓乇亘 賳賮爻 丕賱馗乇賵賮 賵 丕賱丨丕賱丞 丕賱爻賷丕爻賷丞 賵 丕賱丕噩鬲賲丕毓賷丞 賵 丕賱胤亘丕卅毓 丕賱廿賳爻丕賳賷丞 賲賳 胤乇賷賯丞 毓賷卮 賵 賰乇賲 賵 賮賵囟賵賷丞 噩賲賷賱丞 賵 賳禺賵丞 賮賲孬賱丕賸 賯亘賱 兀卮賴乇 賱賲 兀爻鬲胤毓 兀賳 兀購禺賮賷 丨賲丕爻賷 賵 丕毓噩丕亘賷 亘賲丕賮賷丕 鬲噩丕乇丞 丕賱賲禺丿乇丕鬲 丕賱賲賰爻賷賰賷丞 亘毓賷丿丕賸 毓賳 賳卮丕胤賴賲 毓賳丿賲丕 丕爻鬲賳賮乇賵丕 賱廿賳賯丕匕 丕亘賳 丕賱 鬲卮丕亘賵 賲賳 丕賱丕毓鬲賯丕賱 賵 賱賲 賷禺賷亘賵丕 兀賲賱賷 亘賴賲 賮賲毓 兀丨丿丕孬 兀夭賲丞 賰賵乇賵賳丕 卮賴丿賳丕 丕亘賳丞 丕賱 鬲卮丕亘賵 賵賴賷 鬲賵夭毓 丕賱賲爻丕毓丿丕鬲 毓賱賶 丕賱賮賯乇丕亍 賵 兀賰孬乇 賲賳 賲丕賮賷丕 毓丕賱賲賷丞 鬲亘乇毓鬲 賲賳 兀噩賱 卮毓亘賴丕 亘賲亘丕賱睾 賴丕卅賱丞 賮賷 丨賷賳 兀賳 亘毓囟 鬲噩丕乇 廿丨丿賶 丕賱丿賵賱 丕賱毓乇亘賷丞 丕賱匕賷賳 丕爻鬲孬賲丕乇丕鬲賴賲 丕賱丿丕禺賱賷丞 賵 丕賱禺丕乇噩賷丞 鬲賯丿乇 亘賲賱丕賷賷賳 丕賱丿賵賱丕乇丕鬲 賯丿 胤丕賱亘賵丕 丨賰賵賲丕鬲賴賲 亘鬲毓賵賷囟丕鬲 賳鬲賷噩丞 賱賱禺爻丕卅乇 丕賱鬲賷 胤丕賱鬲
孬乇賵丕鬲賴賲 賲鬲兀孬乇丞 亘丕賱兀夭賲丞 賮賲賳 丕賱賲丕賮賷丕 丕賱丨賯賷賯賷丞 !責
賳毓賵丿 賱亘丕亘賱賵 鬲丨丿孬 毓賳 胤賮賵賱鬲賴 丕賱乇賷賮賷丞 貙 賯氐賷丿鬲賴 丕賱兀賵賱賶 丕賱鬲賷 賱賲 賷賱賯賷 賵丕賱丿賴 賱賴丕 亘丕賱丕賸 貙 丿賷賵丕賳賴 丕賱兀賵賱 丕賱匕賷 胤亘毓賴 亘毓丿 兀賳 亘丕毓 兀睾乇丕囟賴 丕賱卮禺氐賷丞 賵 禺乇噩 賲賳 丕賱賲胤亘毓丞 亘丨匕丕亍 賲賴鬲乇卅 賵 賮乇丨丞 賲噩賳賵賳丞 賱賲 賷毓卮 亘毓丿賴丕 賮乇丨丞 賲孬賱賴丕 .. 丨鬲賶 噩丕卅乇丞 賳賵亘賱 賱賱丌丿丕亘 丕賱鬲賷 丨氐賱 毓賱賷賴丕 毓丕賲 1971
毓賲賱 賰賯賳氐賱 爻賳賷賳 胤賵賷賱丞 賮賷 丿賵賱 賰孬賷乇丞 賲賳賴丕 丿賵賱 卮乇賯 丌爻賷丕 賵 丕賱賴賳丿 兀亘丕賳 丕賱丕爻鬲毓賲丕乇 丕賱亘乇賷胤丕賳賷 賮賷賯賵賱 " 廿賳 丕賱卮乇賯 兀孬賾乇 賮賷 賳賮爻賷 賰賵賳賴 兀爻乇丞 廿賳爻丕賳賷丞 賰亘賷乇丞 鬲毓賷爻賴 "
毓丕卮 賰卮賷賵毓賷 賲賳丕囟賱 賲賳 兀噩賱 亘賱丕丿賴 賵 卮毓亘 鬲卮賷賱賷 賵 卮毓賵亘 丕賱兀乇囟 賰丕賮丞 賰賲丕 賷賯賵賱 貙 賷丨賲賱 丨賱賲 噩賲賷賱 賵 兀賲賱 賮賷 賲爻鬲賯亘賱 兀賮囟賱 丕賱鬲賯賶 丕賱賰孬賷乇 賲賳 丕賱爻賷丕爻賷賷賳 睾丕賳丿賷 貙 賳賴乇賵 貙 爻鬲丕賱賷賳 貙 噩賷賮丕乇丕 賵 睾賷乇賴賲
丕賱賰孬賷乇 賲賳 丕賱氐丿丕賯丕鬲 賵 丕賱卮毓乇丕亍 賵 丕賱兀丿亘丕亍 丕賱匕賷賳 兀丨亘賴賲 兀卮賴乇賴賲 賱賵乇賰丕 賵 賳丕馗賲 賵 丨賰賲鬲 賲爻鬲爻賴亘 賮賷 丕賱丨丿賷孬 毓賳 賰賱 兀丿賷亘 賵 匕賰乇賷丕鬲賴 賲毓賴賲 賲賯丿乇丕賸 賵 賲賮鬲禺乇 亘氐丿丕賯鬲賴賲
毓丕賳賶 賲賳 兀噩賱 賲賵丕賯賮賴 賵 丌乇丕卅賴 丕賱爻賷丕爻賷丞 賲賳 丨賰賵賲丞 亘賱丕丿賴 賮馗賱 賲胤丕乇丿丕賸 賱兀賰孬乇 賲賳 爻賳丞 賵 賳氐賮 賲賳 卮乇胤丞 亘賱丕丿賴 賵 賰丕賳 禺賱丕賱賴丕 賷賳鬲賯賱 賲賳 賯乇賷丞 賱賯乇賷丞 賵 賲賳 賲丿賷賳丞 賱賲丿賷賳丞 亘賲爻丕毓丿丞 卮毓亘 鬲卮賷賱賷 丕賱匕賷賳 丕爻鬲囟丕賮賵賴 賮賷 亘賷賵鬲賴賲 廿賱賶 兀賳 丕爻鬲胤丕毓 丕賱賴乇亘 兀禺賷乇丕 賱賱兀乇噩賳鬲賷賳 賰丕賳鬲 卮毓亘賷鬲賴 賰亘賷乇丞 賵 鬲丕乇賷禺賴 賲卮乇賮 ..
賰兀賷 賲賳丕囟賱 賵 丕賳爻丕賳 禺丿賲 賵胤賳賴 賵 兀賴賱賴 賷爻鬲丨賯 賱賮鬲賴 噩賲賷賱丞 賰兀賳 賷丨賲賱 卮丕乇毓 賮賷 亘賱丕丿賴 丕爻賲賴 賲孬賱丕賸 賴匕丕 賲丕 賰丕賳 爻賷丨丿孬 賮賯丿 賯乇乇鬲 丨賰賵賲丞 鬲卮賷賱賷 毓丕賲2011 兀賳 賷丨賲賱 賲胤丕乇 丕賱毓丕氐賲丞 丕爻賲賴 賱賰賳 賱丕賯賶 賴匕丕 丕賱賯乇丕乇 乇賮囟丕賸 卮毓亘賷丕賸 賲賳 丕賱賳爻賵賷丕鬲 賲亘乇乇丕鬲 匕賱賰 亘丕睾鬲氐丕亘賴 賱賮鬲丕丞 爻賷乇賱丕賳賰賷丞 禺丿賲鬲賴 毓賳丿賲丕 賰丕賳 賯賳氐賱丕賸 卮丕亘 賴賳丕賰 " 丕賱賮賷賲賳爻鬲 " 丕賱鬲賷 亘丿丕禺賱賷 兀亘賴噩賴丕 賴匕丕 丕賱乇賮囟 賱賰賳 丕賱睾乇賷亘 兀賳 亘丕亘賱賵 匕賰乇 賴匕賴 丕賱丨丕丿孬丞 亘鬲賮丕氐賷賱賴丕 賮賷 賲匕賰乇丕鬲賴 賮丕賱賮鬲丕丞 丕賱賲爻賰賷賳丞 賱賲 鬲賯丕賵賲 兀賵 鬲乇賮囟 廿賱丕 亘賳馗乇丕鬲賴丕 丕賱賲夭丿乇卅賴 賱賴 乇亘賲丕 賳鬲賷噩丞 賱賱賮賯乇 貙 賱賱噩賴賱 貙 賱賱鬲乇亘賷丞 賵 丕賱賲噩鬲賲毓 賮賰賷賮 鬲賵丕噩賴 乇噩賱 兀賲乇賷賰賷 賵 丿亘賱賵賲丕爻賷 兀賷囟丕賸 賱賰賳賴 賰丕賳 賳丕丿賲丕賸 賮賷賯賵賱 " 賱賯丿 兀丨爻賳鬲 氐賳毓丕賸 亘丕丨鬲賯丕乇賷 賵 丕夭丿乇丕卅賷 " 賱丕 兀爻鬲胤賷毓 廿賱丕 兀賳 丕爻賯胤 賴匕賴 丕賱丨丕丿孬丞 毓賱賶 毓丕賱賲賳丕 丕賱毓乇亘賷 賮賰賲 賲賲賳 爻乇賯賵丕 賵 禺丕賳賵丕 毓賱賶 賲乇兀賶 賲賳 丕賱噩賲賷毓 賷亘乇兀賵賳 賵 賷賳丕賱賵賳 丕賱鬲賰乇賷賲 賵 廿賳 爻賯胤賵丕 賵 賱賲 賷噩丿賵丕 賲丕 賷賱賲毓 氐賵乇鬲賴賲 賵 賷賳賯匕賴賲 兀爻賰鬲賵賰 亘賯賵賱 " 丕乇丨賲賵丕 毓夭賷夭 賯賵賲 匕賱 "
毓丕卮 賳賷乇賵丿丕 丨賯丕賸 賵 兀賳丕 毓卮鬲 兀賷丕賲 噩賲賷賱丞 賲賳 禺賱丕賱 賲匕賰乇丕鬲賴 賵 丌賲賳鬲 亘賯賵丞 丕賱卮賽毓乇 賵 丕賱賰賱賲丞 丕賱丨乇丞
" 廿賳 丕賱卮毓乇 賱賴賵 丿賵賲丕賸 賮毓賱 爻賱賲 貙 廿賳 丕賱卮丕毓乇 賷賵賱丿 賲賳 丕賱爻賱丕賲 賰賲丕 賷賵賱丿 丕賱禺亘夭 賲賳 丕賱丿賯賷賯 "
" 兀賳丕 兀賲囟賷 兀毓賲賱 亘丕賱賲賵丕丿 丕賱鬲賷 兀賲賱賰 賵 丕賱鬲賷 賴賷 兀賳丕 貙 廿賳賷 兀賱鬲賴賲 賰賱 卮賷亍 丕賱賲卮丕毓乇 貙 丕賱賲禺賱賵賯丕鬲 貙 丕賱賰鬲亘 貙 丕賱兀丨丿丕孬 貙 丕賱賲毓丕乇賰 賱賵 丕爻鬲胤毓鬲 賱兀賰賱鬲 丕賱兀乇囟 賰賱賴丕 賵 賱卮乇亘鬲 丕賱亘丨乇 噩賲賷毓賴 "
" 賲丕 夭賱鬲 丕毓鬲賯丿 賮賷 廿賲賰丕賳賷丞 丕賱丨亘 貙 賱丿賷 賷賯賷賳 亘兀賳 丕賱鬲賮丕賴賲 亘賷賳 丕賱亘卮乇 爻賷鬲賲 毓賱賶 丕賱乇睾賲 賲賳 丕賱丌賱丕賲 賵 賲賳 丕賱丿賲 賵 賲賳 丕賱夭噩丕噩 丕賱賲賴卮賲 "
孬乇賵丕鬲賴賲 賲鬲兀孬乇丞 亘丕賱兀夭賲丞 賮賲賳 丕賱賲丕賮賷丕 丕賱丨賯賷賯賷丞 !責
賳毓賵丿 賱亘丕亘賱賵 鬲丨丿孬 毓賳 胤賮賵賱鬲賴 丕賱乇賷賮賷丞 貙 賯氐賷丿鬲賴 丕賱兀賵賱賶 丕賱鬲賷 賱賲 賷賱賯賷 賵丕賱丿賴 賱賴丕 亘丕賱丕賸 貙 丿賷賵丕賳賴 丕賱兀賵賱 丕賱匕賷 胤亘毓賴 亘毓丿 兀賳 亘丕毓 兀睾乇丕囟賴 丕賱卮禺氐賷丞 賵 禺乇噩 賲賳 丕賱賲胤亘毓丞 亘丨匕丕亍 賲賴鬲乇卅 賵 賮乇丨丞 賲噩賳賵賳丞 賱賲 賷毓卮 亘毓丿賴丕 賮乇丨丞 賲孬賱賴丕 .. 丨鬲賶 噩丕卅乇丞 賳賵亘賱 賱賱丌丿丕亘 丕賱鬲賷 丨氐賱 毓賱賷賴丕 毓丕賲 1971
毓賲賱 賰賯賳氐賱 爻賳賷賳 胤賵賷賱丞 賮賷 丿賵賱 賰孬賷乇丞 賲賳賴丕 丿賵賱 卮乇賯 丌爻賷丕 賵 丕賱賴賳丿 兀亘丕賳 丕賱丕爻鬲毓賲丕乇 丕賱亘乇賷胤丕賳賷 賮賷賯賵賱 " 廿賳 丕賱卮乇賯 兀孬賾乇 賮賷 賳賮爻賷 賰賵賳賴 兀爻乇丞 廿賳爻丕賳賷丞 賰亘賷乇丞 鬲毓賷爻賴 "
毓丕卮 賰卮賷賵毓賷 賲賳丕囟賱 賲賳 兀噩賱 亘賱丕丿賴 賵 卮毓亘 鬲卮賷賱賷 賵 卮毓賵亘 丕賱兀乇囟 賰丕賮丞 賰賲丕 賷賯賵賱 貙 賷丨賲賱 丨賱賲 噩賲賷賱 賵 兀賲賱 賮賷 賲爻鬲賯亘賱 兀賮囟賱 丕賱鬲賯賶 丕賱賰孬賷乇 賲賳 丕賱爻賷丕爻賷賷賳 睾丕賳丿賷 貙 賳賴乇賵 貙 爻鬲丕賱賷賳 貙 噩賷賮丕乇丕 賵 睾賷乇賴賲
丕賱賰孬賷乇 賲賳 丕賱氐丿丕賯丕鬲 賵 丕賱卮毓乇丕亍 賵 丕賱兀丿亘丕亍 丕賱匕賷賳 兀丨亘賴賲 兀卮賴乇賴賲 賱賵乇賰丕 賵 賳丕馗賲 賵 丨賰賲鬲 賲爻鬲爻賴亘 賮賷 丕賱丨丿賷孬 毓賳 賰賱 兀丿賷亘 賵 匕賰乇賷丕鬲賴 賲毓賴賲 賲賯丿乇丕賸 賵 賲賮鬲禺乇 亘氐丿丕賯鬲賴賲
毓丕賳賶 賲賳 兀噩賱 賲賵丕賯賮賴 賵 丌乇丕卅賴 丕賱爻賷丕爻賷丞 賲賳 丨賰賵賲丞 亘賱丕丿賴 賮馗賱 賲胤丕乇丿丕賸 賱兀賰孬乇 賲賳 爻賳丞 賵 賳氐賮 賲賳 卮乇胤丞 亘賱丕丿賴 賵 賰丕賳 禺賱丕賱賴丕 賷賳鬲賯賱 賲賳 賯乇賷丞 賱賯乇賷丞 賵 賲賳 賲丿賷賳丞 賱賲丿賷賳丞 亘賲爻丕毓丿丞 卮毓亘 鬲卮賷賱賷 丕賱匕賷賳 丕爻鬲囟丕賮賵賴 賮賷 亘賷賵鬲賴賲 廿賱賶 兀賳 丕爻鬲胤丕毓 丕賱賴乇亘 兀禺賷乇丕 賱賱兀乇噩賳鬲賷賳 賰丕賳鬲 卮毓亘賷鬲賴 賰亘賷乇丞 賵 鬲丕乇賷禺賴 賲卮乇賮 ..
賰兀賷 賲賳丕囟賱 賵 丕賳爻丕賳 禺丿賲 賵胤賳賴 賵 兀賴賱賴 賷爻鬲丨賯 賱賮鬲賴 噩賲賷賱丞 賰兀賳 賷丨賲賱 卮丕乇毓 賮賷 亘賱丕丿賴 丕爻賲賴 賲孬賱丕賸 賴匕丕 賲丕 賰丕賳 爻賷丨丿孬 賮賯丿 賯乇乇鬲 丨賰賵賲丞 鬲卮賷賱賷 毓丕賲2011 兀賳 賷丨賲賱 賲胤丕乇 丕賱毓丕氐賲丞 丕爻賲賴 賱賰賳 賱丕賯賶 賴匕丕 丕賱賯乇丕乇 乇賮囟丕賸 卮毓亘賷丕賸 賲賳 丕賱賳爻賵賷丕鬲 賲亘乇乇丕鬲 匕賱賰 亘丕睾鬲氐丕亘賴 賱賮鬲丕丞 爻賷乇賱丕賳賰賷丞 禺丿賲鬲賴 毓賳丿賲丕 賰丕賳 賯賳氐賱丕賸 卮丕亘 賴賳丕賰 " 丕賱賮賷賲賳爻鬲 " 丕賱鬲賷 亘丿丕禺賱賷 兀亘賴噩賴丕 賴匕丕 丕賱乇賮囟 賱賰賳 丕賱睾乇賷亘 兀賳 亘丕亘賱賵 匕賰乇 賴匕賴 丕賱丨丕丿孬丞 亘鬲賮丕氐賷賱賴丕 賮賷 賲匕賰乇丕鬲賴 賮丕賱賮鬲丕丞 丕賱賲爻賰賷賳丞 賱賲 鬲賯丕賵賲 兀賵 鬲乇賮囟 廿賱丕 亘賳馗乇丕鬲賴丕 丕賱賲夭丿乇卅賴 賱賴 乇亘賲丕 賳鬲賷噩丞 賱賱賮賯乇 貙 賱賱噩賴賱 貙 賱賱鬲乇亘賷丞 賵 丕賱賲噩鬲賲毓 賮賰賷賮 鬲賵丕噩賴 乇噩賱 兀賲乇賷賰賷 賵 丿亘賱賵賲丕爻賷 兀賷囟丕賸 賱賰賳賴 賰丕賳 賳丕丿賲丕賸 賮賷賯賵賱 " 賱賯丿 兀丨爻賳鬲 氐賳毓丕賸 亘丕丨鬲賯丕乇賷 賵 丕夭丿乇丕卅賷 " 賱丕 兀爻鬲胤賷毓 廿賱丕 兀賳 丕爻賯胤 賴匕賴 丕賱丨丕丿孬丞 毓賱賶 毓丕賱賲賳丕 丕賱毓乇亘賷 賮賰賲 賲賲賳 爻乇賯賵丕 賵 禺丕賳賵丕 毓賱賶 賲乇兀賶 賲賳 丕賱噩賲賷毓 賷亘乇兀賵賳 賵 賷賳丕賱賵賳 丕賱鬲賰乇賷賲 賵 廿賳 爻賯胤賵丕 賵 賱賲 賷噩丿賵丕 賲丕 賷賱賲毓 氐賵乇鬲賴賲 賵 賷賳賯匕賴賲 兀爻賰鬲賵賰 亘賯賵賱 " 丕乇丨賲賵丕 毓夭賷夭 賯賵賲 匕賱 "
毓丕卮 賳賷乇賵丿丕 丨賯丕賸 賵 兀賳丕 毓卮鬲 兀賷丕賲 噩賲賷賱丞 賲賳 禺賱丕賱 賲匕賰乇丕鬲賴 賵 丌賲賳鬲 亘賯賵丞 丕賱卮賽毓乇 賵 丕賱賰賱賲丞 丕賱丨乇丞
" 廿賳 丕賱卮毓乇 賱賴賵 丿賵賲丕賸 賮毓賱 爻賱賲 貙 廿賳 丕賱卮丕毓乇 賷賵賱丿 賲賳 丕賱爻賱丕賲 賰賲丕 賷賵賱丿 丕賱禺亘夭 賲賳 丕賱丿賯賷賯 "
" 兀賳丕 兀賲囟賷 兀毓賲賱 亘丕賱賲賵丕丿 丕賱鬲賷 兀賲賱賰 賵 丕賱鬲賷 賴賷 兀賳丕 貙 廿賳賷 兀賱鬲賴賲 賰賱 卮賷亍 丕賱賲卮丕毓乇 貙 丕賱賲禺賱賵賯丕鬲 貙 丕賱賰鬲亘 貙 丕賱兀丨丿丕孬 貙 丕賱賲毓丕乇賰 賱賵 丕爻鬲胤毓鬲 賱兀賰賱鬲 丕賱兀乇囟 賰賱賴丕 賵 賱卮乇亘鬲 丕賱亘丨乇 噩賲賷毓賴 "
" 賲丕 夭賱鬲 丕毓鬲賯丿 賮賷 廿賲賰丕賳賷丞 丕賱丨亘 貙 賱丿賷 賷賯賷賳 亘兀賳 丕賱鬲賮丕賴賲 亘賷賳 丕賱亘卮乇 爻賷鬲賲 毓賱賶 丕賱乇睾賲 賲賳 丕賱丌賱丕賲 賵 賲賳 丕賱丿賲 賵 賲賳 丕賱夭噩丕噩 丕賱賲賴卮賲 "
July 15, 2017
Pablo Neruda. Grande poeta chileno. Vencedor do Pr茅mio Nobel de 1971. C么nsul do Chile e mais tarde embaixador. Grande amigo de Jorge Amado. Um homem cheio de cultura e experi锚ncia. Pol铆tico comunista... Marido apaixonado.... Poeta excomungado.
Nesta obra, Pablo Neruda escreve as suas mem贸rias. Um conjunto de cadernos em que dialoga todos os assuntos. Da sua poesia, das suas viagens, da sua ingress茫o da pol铆tica, das suas rela莽玫es internacionais... e da vida.
Era necess谩rio uma vida inteira para escrever sobre o poeta chileno. Tanto j谩 se falou e escreveu sobre ele. As palavras que faltam... Apenas posso afirmar que sou grande admiradora da sua poesia, que conheci nas minhas aulas de portugu锚s no 3 ciclo.
Nesta obra, Pablo Neruda escreve as suas mem贸rias. Um conjunto de cadernos em que dialoga todos os assuntos. Da sua poesia, das suas viagens, da sua ingress茫o da pol铆tica, das suas rela莽玫es internacionais... e da vida.
Era necess谩rio uma vida inteira para escrever sobre o poeta chileno. Tanto j谩 se falou e escreveu sobre ele. As palavras que faltam... Apenas posso afirmar que sou grande admiradora da sua poesia, que conheci nas minhas aulas de portugu锚s no 3 ciclo.
January 6, 2022
Ugh, reading this in 2019: rape scene, racism, large sections of prose lauding great male writers and maybe one or two lines, maybe a single passage to his mentor Gabriela Mistral. Other women are sex objects, sex scenes, wives, or considered pathetic. For some strange reason, I did read through this book, perhaps fascinated by the politics of it all. But a large majority of it was abhorrent.
September 12, 2014
爻賷乇丞賹 賰賳鬲購 兀鬲賴賷亘購 丕賱賵賱賵噩賻 亘毓丕賱賲賽賴丕 禺賵賮賸丕 賲賳 囟禺丕賲鬲賽賴丕貙 賵賱賲 兀賰賳賿 兀毓賱賲購 丨賷賳賴丕 兀賳賻賾 囟禺丕賲鬲賻賴丕 賴賵 爻乇購賾 噩賲丕賱賽賴丕 賵乇賵毓鬲賽賴丕.
賳賷乇賵丿丕 賮賷 乇丨賱丞賽 丨賷丕鬲賽賴貙 乇丨賱丞賽 丕賱夭賲丕賳賽 賵丕賱賲賰丕賳賽貙 乇丨賱丞賽 鬲賯賱亘丕鬲賽 丕賱卮毓乇賽 賵鬲胤賵乇賽賴貙 賵鬲賯賱亘丕鬲賽 鬲賵噩賴賽賴 丕賱爻賷丕爻賷貙 賲賳 丕賱賴賳丿賽 賵爻賷賱丕賳 賱廿爻亘丕賳賷丕 賵亘丕乇賷爻貙 廿賱賶 丕賱賲賰爻賷賰賽 賵乇丨賱丞賽 丕賱賳賮賷 毓亘乇賻 噩亘丕賱 鬲卮賷賱賷 賵丕賱丕乇噩賳鬲賷賳 賴乇亘丕 賵賮賻乇賯賸丕 賲賳 丕囟胤賴丕丿賽 丕賱賳馗丕賲賽. 丨賷丕丞賹 賲賱賷卅丞賹 廿賱賶 丨丿賽賾 丕賱鬲購禺賲丞賽貙 賲賱賷卅丞賹 亘毓匕賵亘丞賽 丕賱卮毓乇賽貙 亘乇賮賯丕亍賽 丕賱丨賷丕丞賽貙 賮賷 賰賱 亘賱丿賺 賷丨賱購賾 亘賴賽 賷賰爻亘購 卮亘賰丞賸 賲賳 丕賱禺賱丕賳賽貙 爻賷賰賵賳賵賳 毓賵賳賸丕 賱賴 賮賷 兀賵賯丕鬲賺貙 賵賲氐丿乇賻 卮丐賲 賮賷 兀禺乇賶貙 賮賷 賰賱 賴匕丕 鬲賰賲賳購 丨賷丕丞購 賳賷乇賵丿丕
丕賱兀爻賲丕亍購 鬲丨鬲賱 賲賰丕賳丞賸 睾賷乇賻 胤亘賷毓賷丞賺 賮賷 賮賱爻賮丞賽 賳賷乇賵丿丕貙 賷賳馗乇購 廿賱賶 賲丕 賵乇丕卅賽賴丕貙 賷鬲賲鬲毓購貙 賷鬲賱匕匕購 亘匕賰乇賽賴丕貙 賱賴丕 胤賯賵爻購賴丕 丕賱禺丕氐丞購 賲毓賴購.
賲賳 兀噩賲賱賽 丕賱賰鬲亘 賽丕賱鬲賷 賯乇兀鬲購賴丕貨 賮賴賷 賲賵爻賷賯賶 鬲乇賳購賾 亘賰賱賽 噩賲賱丞賺 賮賷賴丕.
賳賷乇賵丿丕 賮賷 乇丨賱丞賽 丨賷丕鬲賽賴貙 乇丨賱丞賽 丕賱夭賲丕賳賽 賵丕賱賲賰丕賳賽貙 乇丨賱丞賽 鬲賯賱亘丕鬲賽 丕賱卮毓乇賽 賵鬲胤賵乇賽賴貙 賵鬲賯賱亘丕鬲賽 鬲賵噩賴賽賴 丕賱爻賷丕爻賷貙 賲賳 丕賱賴賳丿賽 賵爻賷賱丕賳 賱廿爻亘丕賳賷丕 賵亘丕乇賷爻貙 廿賱賶 丕賱賲賰爻賷賰賽 賵乇丨賱丞賽 丕賱賳賮賷 毓亘乇賻 噩亘丕賱 鬲卮賷賱賷 賵丕賱丕乇噩賳鬲賷賳 賴乇亘丕 賵賮賻乇賯賸丕 賲賳 丕囟胤賴丕丿賽 丕賱賳馗丕賲賽. 丨賷丕丞賹 賲賱賷卅丞賹 廿賱賶 丨丿賽賾 丕賱鬲購禺賲丞賽貙 賲賱賷卅丞賹 亘毓匕賵亘丞賽 丕賱卮毓乇賽貙 亘乇賮賯丕亍賽 丕賱丨賷丕丞賽貙 賮賷 賰賱 亘賱丿賺 賷丨賱購賾 亘賴賽 賷賰爻亘購 卮亘賰丞賸 賲賳 丕賱禺賱丕賳賽貙 爻賷賰賵賳賵賳 毓賵賳賸丕 賱賴 賮賷 兀賵賯丕鬲賺貙 賵賲氐丿乇賻 卮丐賲 賮賷 兀禺乇賶貙 賮賷 賰賱 賴匕丕 鬲賰賲賳購 丨賷丕丞購 賳賷乇賵丿丕
丕賱兀爻賲丕亍購 鬲丨鬲賱 賲賰丕賳丞賸 睾賷乇賻 胤亘賷毓賷丞賺 賮賷 賮賱爻賮丞賽 賳賷乇賵丿丕貙 賷賳馗乇購 廿賱賶 賲丕 賵乇丕卅賽賴丕貙 賷鬲賲鬲毓購貙 賷鬲賱匕匕購 亘匕賰乇賽賴丕貙 賱賴丕 胤賯賵爻購賴丕 丕賱禺丕氐丞購 賲毓賴購.
賲賳 兀噩賲賱賽 丕賱賰鬲亘 賽丕賱鬲賷 賯乇兀鬲購賴丕貨 賮賴賷 賲賵爻賷賯賶 鬲乇賳購賾 亘賰賱賽 噩賲賱丞賺 賮賷賴丕.
September 5, 2024
'My poetry and my life have advanced like an American river, a torrent of Chilean water born in the hidden heart of the southern mountains, endlessly steering the flow of its currents towards the sea. My poetry rejected nothing it could carry along in its course; it accepted passion, unraveled mystery, and worked its way into the hearts of the people.
I had to suffer and struggle, to love and sing; I drew my worldly share of triumphs and defeats, I tasted bread and blood. What more can a poet want? All the choices, tears or kisses, loneliness or the fraternity of man, survive in my poetry and my poetry has nourished everything I have striven for. And if I have received many awards, awards fleeting as butterflies, fragile as pollen, I have attained a greater prize, one that some people may deride but many can attain. I have gone through a difficult apprenticeship and a long search, to become the poet of my people.'
March 30, 2025
Je me suis rarement aussi investi dans une autobiographie/m茅moires. La vie du po猫te est si riche est empreinte du si猫cle derni猫re qu'on a l'impression de lire un roman. On peine 脿 croire tout ce qu'il a v茅cu.
La langue est magnifique, il y a des fulgurances, des chapitres entiers que l'on voudrait lire et relire. On voyage 脿 travers toute la plan猫te et 50 ns d'histoire. On est au plus pr猫s des bouleversements politiques, des grandes id茅es, du Parti Communiste (dans de nombreux pays).
C'est une le莽on d'histoire, de po茅sie et de litt茅rature.
Mais voil脿, Neruda aime bien se mettre en sc猫ne, il se r茅p猫te souvent, et il en oublie les femmes : quelques mentions de Mathilde, quasiment aucune de sa premi猫re femme et rien sur sa fille handicap茅e et abandonn茅e. Concernant les femmes, il expedie en quelques phrases un vi*l qu'il a commis dans sa vingtaine lors de ses missions diplomatiques en Asie. C'est un peu court jeune homme.
J'aurai ador茅 encore plus aimer mais c'茅tait d茅j脿 tr猫s bien. Jamais j'aurai pens茅 lire 500 pages de m茅moires sur un po猫te tout en prenant autant de plaisir.
La langue est magnifique, il y a des fulgurances, des chapitres entiers que l'on voudrait lire et relire. On voyage 脿 travers toute la plan猫te et 50 ns d'histoire. On est au plus pr猫s des bouleversements politiques, des grandes id茅es, du Parti Communiste (dans de nombreux pays).
C'est une le莽on d'histoire, de po茅sie et de litt茅rature.
Mais voil脿, Neruda aime bien se mettre en sc猫ne, il se r茅p猫te souvent, et il en oublie les femmes : quelques mentions de Mathilde, quasiment aucune de sa premi猫re femme et rien sur sa fille handicap茅e et abandonn茅e. Concernant les femmes, il expedie en quelques phrases un vi*l qu'il a commis dans sa vingtaine lors de ses missions diplomatiques en Asie. C'est un peu court jeune homme.
J'aurai ador茅 encore plus aimer mais c'茅tait d茅j脿 tr猫s bien. Jamais j'aurai pens茅 lire 500 pages de m茅moires sur un po猫te tout en prenant autant de plaisir.
November 24, 2024
賮丕夭 亘賳賵亘賱 賵鬲乇卮丨 賱乇卅丕爻丞 亘賱丕丿賴 孬賲 賮乇 賲賳賴丕 賱丕丨賯丕賸 賮賷 乇丨賱丞 噩亘賱賷丞 賵毓乇丞.
賲匕賰乇丕鬲 賳噩賵亘 賮賷賴丕 丕賱毓丕賱賲 賲毓 丕賱卮丕毓乇 丕賱鬲卮賷賱賷 亘丕亘賱賵 賳賷乇賵丿丕 賵賴賵 賷鬲賳賯賱 賲賳 亘賱丿 廿賱賶 亘賱丿 賵賲賳 丨丕賱 廿賱賶 丨丕賱.
兀禺賱氐 賳賷乇丿賵丕 賱賱卮毓乇貙 賵賱賱卮賷賵毓賷丞 賵賱賵胤賳賴貙 賵毓丕卮 丨賷丕丞 氐丕禺亘丞 夭丕禺乇丞 亘丕賱兀丨丿丕孬.
毓丕氐乇 丕賱賰孬賷乇 賲賳 丕賱兀丨丿丕孬 丕賱毓丕賱賲賷丞 賲孬賱 丕賱孬賵乇丞 丕賱賴賳丿賷丞 賵丕賱丨乇亘 丕賱兀賴賱賷丞 丕賱廿爻亘丕賳賷丞 賵丕丨鬲賱丕賱 丕賱賳丕夭賷丞 賱賮乇賳爻丕 賵丕賱丕賳賯賱丕亘 丕賱毓爻賰乇賷 賮賷 鬲卮賷賱賷貙 賰賲丕 丕賱鬲賯賶 丕賱賰孬賷乇 賲賳 乇賲賵夭 丕賱賮賰乇 賵丕賱兀丿亘 賵丕賱爻賷丕爻丞 賮賷 乇丨賱丕鬲賴.
賲匕賰乇丕鬲 賲賲鬲毓丞 鬲乇賵賷 賱賳丕 丕賱賰孬賷乇 毓賳 丕賱卮丕毓乇 丕賱毓丕賱賲賷貙 毓賳 賳卮兀鬲賴 賵賰賴賵賱鬲賴貙 毓賳 兀氐丿賯丕亍賴 賵兀毓丿丕亍賴 賵毓賳 丕賱丨賯亘丞 丕賱鬲賷 毓丕卮賴丕 賯亘賱 兀賳 賷睾丕丿乇 毓丕賱賲賳丕 賮賷 馗乇賵賮 睾丕賲囟丞.
賲匕賰乇丕鬲 賳噩賵亘 賮賷賴丕 丕賱毓丕賱賲 賲毓 丕賱卮丕毓乇 丕賱鬲卮賷賱賷 亘丕亘賱賵 賳賷乇賵丿丕 賵賴賵 賷鬲賳賯賱 賲賳 亘賱丿 廿賱賶 亘賱丿 賵賲賳 丨丕賱 廿賱賶 丨丕賱.
兀禺賱氐 賳賷乇丿賵丕 賱賱卮毓乇貙 賵賱賱卮賷賵毓賷丞 賵賱賵胤賳賴貙 賵毓丕卮 丨賷丕丞 氐丕禺亘丞 夭丕禺乇丞 亘丕賱兀丨丿丕孬.
毓丕氐乇 丕賱賰孬賷乇 賲賳 丕賱兀丨丿丕孬 丕賱毓丕賱賲賷丞 賲孬賱 丕賱孬賵乇丞 丕賱賴賳丿賷丞 賵丕賱丨乇亘 丕賱兀賴賱賷丞 丕賱廿爻亘丕賳賷丞 賵丕丨鬲賱丕賱 丕賱賳丕夭賷丞 賱賮乇賳爻丕 賵丕賱丕賳賯賱丕亘 丕賱毓爻賰乇賷 賮賷 鬲卮賷賱賷貙 賰賲丕 丕賱鬲賯賶 丕賱賰孬賷乇 賲賳 乇賲賵夭 丕賱賮賰乇 賵丕賱兀丿亘 賵丕賱爻賷丕爻丞 賮賷 乇丨賱丕鬲賴.
賲匕賰乇丕鬲 賲賲鬲毓丞 鬲乇賵賷 賱賳丕 丕賱賰孬賷乇 毓賳 丕賱卮丕毓乇 丕賱毓丕賱賲賷貙 毓賳 賳卮兀鬲賴 賵賰賴賵賱鬲賴貙 毓賳 兀氐丿賯丕亍賴 賵兀毓丿丕亍賴 賵毓賳 丕賱丨賯亘丞 丕賱鬲賷 毓丕卮賴丕 賯亘賱 兀賳 賷睾丕丿乇 毓丕賱賲賳丕 賮賷 馗乇賵賮 睾丕賲囟丞.
July 24, 2020
L鈥櫭ヾition Folio bilingue de 芦听J鈥檃voue que j鈥檃i v茅cu听禄 est la premi猫re partie des m茅moires du po猫te chilien Pablo Neruda 芦听Confieso que he vivido听禄. Cette partie pr茅sente sa jeunesse jusqu鈥櫭� ce qu鈥檌l soit nomm茅 comme consul 脿 Rangoon au Myanmar. Le texte original et la traduction en fran莽ais se pr茅sentent sur des doubles-pages ce qui rend la lecture facile et agr茅able. Cette 茅dition bilingue est tr猫s r茅ussie et j鈥檃i h芒te de d茅couvrir leurs autres ouvrages bilingues traduits de l鈥檈spagnol.
La premi猫re partie des m茅moires de Neruda est 脿 la fois 茅mouvante, po茅tique et espi猫gle. Les descriptions de la nature chilienne et de Valparaiso sont les plus po茅tiques mais aussi les plus difficiles 脿 comprendre en espagnol. J鈥檃i beaucoup aim茅 aussi la mani猫re r锚veuse dont il raconte certains de ces souvenirs les plus insolites comme sa rencontre avec trois soeurs fran莽aises un peu 茅nigmatiques dans une maison au milieu de nulle part ou ses rencontres singuli猫res 脿 Santiago ou Valparaiso.
Dommage qu鈥檌l n鈥檈xiste pas 脿 ce jour de suite 脿 cette 茅dition Folio bilingue pour d茅couvrir le reste des m茅moires de Neruda.
La premi猫re partie des m茅moires de Neruda est 脿 la fois 茅mouvante, po茅tique et espi猫gle. Les descriptions de la nature chilienne et de Valparaiso sont les plus po茅tiques mais aussi les plus difficiles 脿 comprendre en espagnol. J鈥檃i beaucoup aim茅 aussi la mani猫re r锚veuse dont il raconte certains de ces souvenirs les plus insolites comme sa rencontre avec trois soeurs fran莽aises un peu 茅nigmatiques dans une maison au milieu de nulle part ou ses rencontres singuli猫res 脿 Santiago ou Valparaiso.
Dommage qu鈥檌l n鈥檈xiste pas 脿 ce jour de suite 脿 cette 茅dition Folio bilingue pour d茅couvrir le reste des m茅moires de Neruda.
January 22, 2021
鈥濸oezia mea nu a respins nimic din tot ceea ce 卯i putea 卯mbog膬葲i debitul. A inclus pasiunea 葯i a cultivat misterul, 葯i-a croit drum 卯n inima poporului. Am fost sortit s膬 suf膬r 葯i s膬 lupt, s膬 iubesc 葯i s膬 c芒nt. Pe lumea asta mi-au fost sortite victoria 葯i 卯nfr芒ngerea, am 卯ncercat gustul p芒inii 葯i al s芒ngelui. Ce altceva 卯葯i mai putea dori un poet?"
Ce frumos sun膬: 鈥濵膬rturisesc c膬 am tr膬it", e o pledoarie 卯nchinat膬 frumuse葲ii vie葲ii. 葮i c芒nd m膬 g芒ndesc c膬 Pablo Neruda este un scriitor aproape anonim, de葯i este un poet laureat al Premiului Nobel pentru Literatur膬, o figur膬 marcant膬 a sec XX. Pentru cei care scriu 2 poezii 葯i se cred poe葲i...citi葲i-l pe Pablo Neruda!
Ce frumos sun膬: 鈥濵膬rturisesc c膬 am tr膬it", e o pledoarie 卯nchinat膬 frumuse葲ii vie葲ii. 葮i c芒nd m膬 g芒ndesc c膬 Pablo Neruda este un scriitor aproape anonim, de葯i este un poet laureat al Premiului Nobel pentru Literatur膬, o figur膬 marcant膬 a sec XX. Pentru cei care scriu 2 poezii 葯i se cred poe葲i...citi葲i-l pe Pablo Neruda!
April 20, 2020
趩賱蹖 讴丕 倬乇爻讴賵賳 賲蹃讴鬲丕 蹃賵丕 诏诰賳丕 噩賳诏賱 丌噩 亘诰蹖 丕倬賳蹖 鬲賲丕賲 鬲乇 卮丕丿丕亘蹖 爻賲蹖鬲 賲蹖乇蹖 蹖丕丿賵诤 賲蹖诤 賱蹃賱蹃丕鬲丕 蹃蹝
亘丕乇卮 賲蹖乇蹝 賱卅蹝 丕蹖讴 賳丕 賯丕亘賱 賮乇丕賲賵卮 丨賯蹖賯鬲 讴丕 丿乇噩蹃 乇讴诰鬲蹖 蹃蹝
賲蹖诤 賳蹝 倬蹃賱蹖 亘丕乇 丕倬賳蹖 丌賳讴诰蹖诤 夭賳丿诏蹖貙 夭賲蹖賳貙 卮丕毓乇蹖 丕賵乇 亘丕乇卮 讴蹝 賱卅蹝 讴诰賵賱蹖诤
賲蹖乇丕 诏诰乇 丕賳 爻乇丨丿蹖 賲讴丕賳賵诤 噩蹖爻丕 鬲诰丕 噩賵 爻亘 丌倬爻 賲蹖诤 賲乇亘賵胤 鬲诰蹝
诏诰乇 賲蹖诤 蹃賲丕乇蹝 倬丕爻 丕蹖讴 氐賳丿賵賯 鬲诰丕 噩賵 丿賱趩爻倬 趩蹖夭賵诤 爻蹝 亘诰乇丕 蹃賵丕 鬲诰丕
賲噩诰蹝 讴鬲丕亘賵诤 爻蹝 乇睾亘鬲 蹃賵 诏卅蹖
亘趩倬賳 讴蹖 蹖丕丿賵诤 賲蹖诤 氐丨蹖丨 胤賵乇 倬乇 賵賯鬲 讴丕 鬲毓蹖賳 賳蹃蹖诤 讴蹖丕 噩丕 爻讴鬲丕
亘趩倬賳 賲蹖诤 丕蹖讴 卮丿蹖丿 噩匕亘蹃 賲噩诰 賲蹖诤 倬蹖丿丕 蹃賵丕 丕賵乇 賲蹖诤 賳蹝 讴趩诰 丕賱賮丕馗 丌丿诰蹝 賵夭賳 賲蹖诤 鬲乇鬲蹖亘 丿蹖蹝
蹖蹃 丕蹖讴 賳馗賲 鬲诰蹖貙 丕倬賳蹖 爻賵鬲蹖賱蹖 賲丕诤 讴蹝 亘丕乇蹝 賲蹖诤
賲蹖乇蹝 丕爻鬲丕丿 賳蹝 讴趩诰 俟丕賱爻俟丕蹖貙 丿賵爻鬲賵賮爻讴蹖 丕賵乇 趩蹖禺賵賮 讴蹝 賳丕賵賱 丿蹖蹝
亘丨乇 丕賱讴丕蹃賱 丌夭丕丿 蹃賵 讴乇 倬蹃丕趹賵诤 讴蹖 趩俟丕賳賵诤 倬乇 賲賵噩賵丿 噩诰丕趹蹖賵诤 讴蹝 噩诰賳趫 賲蹖诤 爻蹝 亘丕乇 亘丕乇 丨賲賱蹃 丌賵乇 蹃賵鬲丕
乇丕鬲 丕賵乇 噩賳诏賱 賲噩诰蹝 禺賵卮蹖 爻蹝 亘蹝 丨丕賱 讴乇 丿蹖鬲蹖
卮丕蹖丿 噩賳诏賱 丕賳 夭賳丿诏蹖賵诤 讴賵 讴诰丕 诏蹖丕
丕丿丕爻 毓賵乇鬲蹖诤 賳蹝 丿賳蹖丕 讴蹝 鬲賳蹃丕 倬蹃丕趹賵诤 丕賵乇 噩賳诏賱 讴蹖 鬲賳蹃丕卅蹖 賲蹖诤 丕蹖讴 毓賲丿蹃 孬賯丕賮鬲 讴賵 賲丨賮賵馗 乇讴诰丕
丿乇禺卮丕诤 爻賵乇噩 丕蹖讴 賳丕 鬲乇丕卮蹖丿蹃 蹃蹖乇蹝 讴蹝 賲丕賳賳丿 倬蹃丕趹賵诤 讴賵 噩诰賱賲賱丕鬲丕 鬲诰丕
丕爻 爻賳蹃乇蹖 鬲蹃賵丕乇 賲蹖诤 卮賵乇賵 睾賱 丕賵乇 丨乇讴鬲 賵 毓賲賱 鬲诰丕
丕爻讴蹖 賲爻讴乇丕蹃俟 賲蹖乇蹝 賵噩賵丿 讴蹖 诏乇蹃蹖诤 讴诰賵賱鬲蹖 丕胤乇丕賮 賵 丕讴賳丕賮 倬乇 賲丨蹖胤 蹃賵 乇蹃蹖 鬲诰蹖
丕爻 讴蹖 爻丕賳爻賵诤 讴蹖 賲賵爻蹖賯蹖 賲蹖乇蹖 爻賲丕毓鬲 賲蹖诤 乇爻 诏诰賵賱賳蹝 賱诏蹖
賲蹖乇丕 丿賲丕睾 讴鬲丕亘賵诤 丕賵乇 禺賵丕亘賵诤 爻蹝 賲毓賲賵乇 鬲诰丕
賳馗賲蹖诤 卮蹃丿 讴蹖 賲讴诰蹖賵诤 讴蹖 胤乇丨 賲蹖乇蹝 丕乇丿 诏乇丿 亘诰賳亘诰賳丕鬲蹖 鬲诰蹖诤
賲蹖诤 丕倬賳蹖 丌夭丕丿蹖 丕賵乇 鬲賳蹃丕卅蹖 爻賲蹖鬲 賵蹃丕诤 乇蹃賳蹝 賱诏丕
賲蹖乇蹖 蹖丕丿賵诤 賲蹖诤 賵蹃 乇蹖賱 诏丕趹蹖 蹃賲蹖卮蹃 賲丨賮賵馗 乇蹃蹝 诏蹖
蹃賲 乇賵卮賳蹖 讴蹝 丿賵丕夭賵诤 讴蹖 胤乇賮 亘趹诰 乇蹃蹝 鬲诰蹝
讴孬蹖乇 鬲毓丿丕丿 讴蹝 蹃蹖噩丕賳 禺蹖夭 乇賳诏賵诤 讴丕 丕噩鬲賲丕毓
丿乇禺卮丕诤 鬲賳蹃丕卅蹖
氐賵賮蹖丕賳蹃 胤乇夭 丨蹖丕鬲 讴丕 丕馗蹃丕乇 禺鬲賲 蹃賵 诏蹖丕 鬲诰丕
賲蹖诤 丿賳蹖丕 讴蹖 丕爻 賯丿蹖賲 鬲乇蹖賳 乇賵丨 丕賵乇 丕爻 亘趹蹝 亘丿 賳氐蹖亘 丕賳爻丕賳蹖 禺丕賳丿丕賳 讴蹝 爻丕鬲诰 乇蹃賳蹝 丌蹖丕 鬲诰丕
鬲亘 賵蹃 乇丕鬲 賲噩诰蹝 亘蹃鬲 胤賵賮丕賳蹖 丕賵乇 夭賲蹖賳 亘蹃鬲 鬲賳蹃丕 賱诏蹖
亘丕乇卮 賲蹖乇蹝 賱卅蹝 丕蹖讴 賳丕 賯丕亘賱 賮乇丕賲賵卮 丨賯蹖賯鬲 讴丕 丿乇噩蹃 乇讴诰鬲蹖 蹃蹝
賲蹖诤 賳蹝 倬蹃賱蹖 亘丕乇 丕倬賳蹖 丌賳讴诰蹖诤 夭賳丿诏蹖貙 夭賲蹖賳貙 卮丕毓乇蹖 丕賵乇 亘丕乇卮 讴蹝 賱卅蹝 讴诰賵賱蹖诤
賲蹖乇丕 诏诰乇 丕賳 爻乇丨丿蹖 賲讴丕賳賵诤 噩蹖爻丕 鬲诰丕 噩賵 爻亘 丌倬爻 賲蹖诤 賲乇亘賵胤 鬲诰蹝
诏诰乇 賲蹖诤 蹃賲丕乇蹝 倬丕爻 丕蹖讴 氐賳丿賵賯 鬲诰丕 噩賵 丿賱趩爻倬 趩蹖夭賵诤 爻蹝 亘诰乇丕 蹃賵丕 鬲诰丕
賲噩诰蹝 讴鬲丕亘賵诤 爻蹝 乇睾亘鬲 蹃賵 诏卅蹖
亘趩倬賳 讴蹖 蹖丕丿賵诤 賲蹖诤 氐丨蹖丨 胤賵乇 倬乇 賵賯鬲 讴丕 鬲毓蹖賳 賳蹃蹖诤 讴蹖丕 噩丕 爻讴鬲丕
亘趩倬賳 賲蹖诤 丕蹖讴 卮丿蹖丿 噩匕亘蹃 賲噩诰 賲蹖诤 倬蹖丿丕 蹃賵丕 丕賵乇 賲蹖诤 賳蹝 讴趩诰 丕賱賮丕馗 丌丿诰蹝 賵夭賳 賲蹖诤 鬲乇鬲蹖亘 丿蹖蹝
蹖蹃 丕蹖讴 賳馗賲 鬲诰蹖貙 丕倬賳蹖 爻賵鬲蹖賱蹖 賲丕诤 讴蹝 亘丕乇蹝 賲蹖诤
賲蹖乇蹝 丕爻鬲丕丿 賳蹝 讴趩诰 俟丕賱爻俟丕蹖貙 丿賵爻鬲賵賮爻讴蹖 丕賵乇 趩蹖禺賵賮 讴蹝 賳丕賵賱 丿蹖蹝
亘丨乇 丕賱讴丕蹃賱 丌夭丕丿 蹃賵 讴乇 倬蹃丕趹賵诤 讴蹖 趩俟丕賳賵诤 倬乇 賲賵噩賵丿 噩诰丕趹蹖賵诤 讴蹝 噩诰賳趫 賲蹖诤 爻蹝 亘丕乇 亘丕乇 丨賲賱蹃 丌賵乇 蹃賵鬲丕
乇丕鬲 丕賵乇 噩賳诏賱 賲噩诰蹝 禺賵卮蹖 爻蹝 亘蹝 丨丕賱 讴乇 丿蹖鬲蹖
卮丕蹖丿 噩賳诏賱 丕賳 夭賳丿诏蹖賵诤 讴賵 讴诰丕 诏蹖丕
丕丿丕爻 毓賵乇鬲蹖诤 賳蹝 丿賳蹖丕 讴蹝 鬲賳蹃丕 倬蹃丕趹賵诤 丕賵乇 噩賳诏賱 讴蹖 鬲賳蹃丕卅蹖 賲蹖诤 丕蹖讴 毓賲丿蹃 孬賯丕賮鬲 讴賵 賲丨賮賵馗 乇讴诰丕
丿乇禺卮丕诤 爻賵乇噩 丕蹖讴 賳丕 鬲乇丕卮蹖丿蹃 蹃蹖乇蹝 讴蹝 賲丕賳賳丿 倬蹃丕趹賵诤 讴賵 噩诰賱賲賱丕鬲丕 鬲诰丕
丕爻 爻賳蹃乇蹖 鬲蹃賵丕乇 賲蹖诤 卮賵乇賵 睾賱 丕賵乇 丨乇讴鬲 賵 毓賲賱 鬲诰丕
丕爻讴蹖 賲爻讴乇丕蹃俟 賲蹖乇蹝 賵噩賵丿 讴蹖 诏乇蹃蹖诤 讴诰賵賱鬲蹖 丕胤乇丕賮 賵 丕讴賳丕賮 倬乇 賲丨蹖胤 蹃賵 乇蹃蹖 鬲诰蹖
丕爻 讴蹖 爻丕賳爻賵诤 讴蹖 賲賵爻蹖賯蹖 賲蹖乇蹖 爻賲丕毓鬲 賲蹖诤 乇爻 诏诰賵賱賳蹝 賱诏蹖
賲蹖乇丕 丿賲丕睾 讴鬲丕亘賵诤 丕賵乇 禺賵丕亘賵诤 爻蹝 賲毓賲賵乇 鬲诰丕
賳馗賲蹖诤 卮蹃丿 讴蹖 賲讴诰蹖賵诤 讴蹖 胤乇丨 賲蹖乇蹝 丕乇丿 诏乇丿 亘诰賳亘诰賳丕鬲蹖 鬲诰蹖诤
賲蹖诤 丕倬賳蹖 丌夭丕丿蹖 丕賵乇 鬲賳蹃丕卅蹖 爻賲蹖鬲 賵蹃丕诤 乇蹃賳蹝 賱诏丕
賲蹖乇蹖 蹖丕丿賵诤 賲蹖诤 賵蹃 乇蹖賱 诏丕趹蹖 蹃賲蹖卮蹃 賲丨賮賵馗 乇蹃蹝 诏蹖
蹃賲 乇賵卮賳蹖 讴蹝 丿賵丕夭賵诤 讴蹖 胤乇賮 亘趹诰 乇蹃蹝 鬲诰蹝
讴孬蹖乇 鬲毓丿丕丿 讴蹝 蹃蹖噩丕賳 禺蹖夭 乇賳诏賵诤 讴丕 丕噩鬲賲丕毓
丿乇禺卮丕诤 鬲賳蹃丕卅蹖
氐賵賮蹖丕賳蹃 胤乇夭 丨蹖丕鬲 讴丕 丕馗蹃丕乇 禺鬲賲 蹃賵 诏蹖丕 鬲诰丕
賲蹖诤 丿賳蹖丕 讴蹖 丕爻 賯丿蹖賲 鬲乇蹖賳 乇賵丨 丕賵乇 丕爻 亘趹蹝 亘丿 賳氐蹖亘 丕賳爻丕賳蹖 禺丕賳丿丕賳 讴蹝 爻丕鬲诰 乇蹃賳蹝 丌蹖丕 鬲诰丕
鬲亘 賵蹃 乇丕鬲 賲噩诰蹝 亘蹃鬲 胤賵賮丕賳蹖 丕賵乇 夭賲蹖賳 亘蹃鬲 鬲賳蹃丕 賱诏蹖
February 18, 2019
禺丕胤乇丕鬲 倬丕亘賱賵 賳乇賵丿丕貙 禺丕胤乇丕鬲 卮丕毓乇蹖 丕爻鬲 讴賴 丿乇 丿賵乇賴鈥屫й� 賲亘丕乇夭 爻蹖丕爻蹖 亘賵丿賴 丕爻鬲貙 丿乇 丿賵乇賴鈥屫й� 丿蹖诏乇 爻賮蹖乇 賵 丿乇 丿賵乇賴鈥屫й� 賳丕賲夭丿 乇蹖丕爻鬲 噩賲賴賵乇蹖! 丕賳诏丕乇 讴賴 亘賴 噩丕蹖 趩賳丿蹖賳 鬲賳 夭賳丿诏蹖 讴乇丿賴 亘丕卮丿貙 丌賳趩賳丕賳 讴賴 夭賳丿诏蹖鈥屫ж� 倬乇賮乇丕夭 賵 賳卮蹖亘 丕爻鬲.
鈥�
禺丕胤乇丕鬲 倬丕亘賱賵 賳乇賵丿丕貙 亘賴 賳賵毓蹖 鬲賱賮蹖賯 夭賳丿诏丕賳蹖 蹖讴 卮丕毓乇 亘丕 鬲丨賵賱丕鬲 鬲丕乇蹖禺蹖 爻胤丨 讴賱丕賳 噩賴丕賳蹖 丕爻鬲. 卮丕毓乇蹖 讴賴 噩賳诏 丕爻倬丕賳蹖丕 乇丕 丕夭 賳夭丿蹖讴 丿蹖丿賴 丕爻鬲. 亘丕 趩賴鈥屭堌ж必� 丿蹖丿丕乇 讴乇丿賴貙 亘賴 賲賱丕賯丕鬲 丕爻鬲丕賱蹖賳 乇賮鬲賴 賵 亘賴 賳賮毓 爻丕賱賵丕丿賵乇 丌賱賳丿賴 丕夭 賳丕賲夭丿蹖 乇蹖丕爻鬲 噩賲賴賵乇蹖 讴賳丕乇 讴卮蹖丿賴 丕爻鬲. 卮丕毓乇蹖 讴賴 讴乇賴 夭賲蹖賳 乇丕 丿乇 卮亘 亘毓丿 丕夭 鬲乇讴 賲毓卮賵賯 爻丕亘賯卮貙 亘爻蹖丕乇 鬲賳賴丕 賲蹖鈥屰屫жㄘ�.
鈥�
禺丕胤乇丕鬲 倬丕亘賱賵 賳乇賵丿丕貙 鬲賳賴丕 亘蹖丕賳 夭賳丿诏蹖 乇賵夭賲乇賴 賳蹖爻鬲貙 亘賱讴賴 鬲丨賵賱 鬲丕乇蹖禺蹖 丿賵乇賴鈥屫й� 丕夭 噩賴丕賳貙 丕夭 賳诏丕賴 蹖讴 卮丕毓乇 賲鬲毓賴丿 賵丕亘爻鬲賴 亘賴 丕蹖丿賴鈥屫①勨€屬囏й� 讴賲賵賳蹖爻鬲蹖 亘乇丕亘乇蹖 賵 乇賴丕蹖蹖 賴賲 賴爻鬲.
鈥�
丕蹖賳 讴鬲丕亘貙 亘賴 氐賵乇鬲 亘禺卮鈥屬囏й� 讴賵鬲丕賴 噩丿丕 丕夭 賴賲 賳賵卮鬲賴 卮丿賴 丕爻鬲. 诏賵蹖蹖 讴賴 卮丕毓乇貙 禺丕胤乇丕鬲卮 乇丕 亘氐賵乇鬲蹖 倬乇丕讴賳丿賴 亘賴 蹖丕丿 賲蹖鈥屫①堌必� 賵 丌賳鈥屬囏� 乇丕 亘丕 賲禺丕胤亘 亘賴 丕卮鬲乇丕讴 賲蹖鈥屭柏ж必�. 亘乇禺蹖 丕夭 亘禺卮鈥屬囏� 丕夭 噩匕丕亘蹖鬲 亘丕賱丕蹖蹖 亘乇禺賵乇丿丕乇 丕爻鬲貙 丕賲丕 丿乇讴 賵 噩匕丕亘蹖鬲 亘毓囟蹖 丕夭 亘禺卮鈥屬囏й� 丿蹖诏乇貙 賲爻鬲賱夭賲 亘乇禺賵乇丿丕乇蹖 丕夭 丨丿丕賯賱 丕胤賱丕毓丕鬲蹖 丿乇 賲賵乇丿 丕卮禺丕氐 賵 賵賯丕蹖毓蹖 丕爻鬲 讴賴 賳乇賵丿丕 丿乇亘丕乇賴 丌賳鈥屬囏� 爻禺賳 賲蹖鈥屭堐屫�.
鈥�
禺丕胤乇丕鬲 倬丕亘賱賵 賳乇賵丿丕貙 亘賴 賳賵毓蹖 鬲賱賮蹖賯 夭賳丿诏丕賳蹖 蹖讴 卮丕毓乇 亘丕 鬲丨賵賱丕鬲 鬲丕乇蹖禺蹖 爻胤丨 讴賱丕賳 噩賴丕賳蹖 丕爻鬲. 卮丕毓乇蹖 讴賴 噩賳诏 丕爻倬丕賳蹖丕 乇丕 丕夭 賳夭丿蹖讴 丿蹖丿賴 丕爻鬲. 亘丕 趩賴鈥屭堌ж必� 丿蹖丿丕乇 讴乇丿賴貙 亘賴 賲賱丕賯丕鬲 丕爻鬲丕賱蹖賳 乇賮鬲賴 賵 亘賴 賳賮毓 爻丕賱賵丕丿賵乇 丌賱賳丿賴 丕夭 賳丕賲夭丿蹖 乇蹖丕爻鬲 噩賲賴賵乇蹖 讴賳丕乇 讴卮蹖丿賴 丕爻鬲. 卮丕毓乇蹖 讴賴 讴乇賴 夭賲蹖賳 乇丕 丿乇 卮亘 亘毓丿 丕夭 鬲乇讴 賲毓卮賵賯 爻丕亘賯卮貙 亘爻蹖丕乇 鬲賳賴丕 賲蹖鈥屰屫жㄘ�.
鈥�
禺丕胤乇丕鬲 倬丕亘賱賵 賳乇賵丿丕貙 鬲賳賴丕 亘蹖丕賳 夭賳丿诏蹖 乇賵夭賲乇賴 賳蹖爻鬲貙 亘賱讴賴 鬲丨賵賱 鬲丕乇蹖禺蹖 丿賵乇賴鈥屫й� 丕夭 噩賴丕賳貙 丕夭 賳诏丕賴 蹖讴 卮丕毓乇 賲鬲毓賴丿 賵丕亘爻鬲賴 亘賴 丕蹖丿賴鈥屫①勨€屬囏й� 讴賲賵賳蹖爻鬲蹖 亘乇丕亘乇蹖 賵 乇賴丕蹖蹖 賴賲 賴爻鬲.
鈥�
丕蹖賳 讴鬲丕亘貙 亘賴 氐賵乇鬲 亘禺卮鈥屬囏й� 讴賵鬲丕賴 噩丿丕 丕夭 賴賲 賳賵卮鬲賴 卮丿賴 丕爻鬲. 诏賵蹖蹖 讴賴 卮丕毓乇貙 禺丕胤乇丕鬲卮 乇丕 亘氐賵乇鬲蹖 倬乇丕讴賳丿賴 亘賴 蹖丕丿 賲蹖鈥屫①堌必� 賵 丌賳鈥屬囏� 乇丕 亘丕 賲禺丕胤亘 亘賴 丕卮鬲乇丕讴 賲蹖鈥屭柏ж必�. 亘乇禺蹖 丕夭 亘禺卮鈥屬囏� 丕夭 噩匕丕亘蹖鬲 亘丕賱丕蹖蹖 亘乇禺賵乇丿丕乇 丕爻鬲貙 丕賲丕 丿乇讴 賵 噩匕丕亘蹖鬲 亘毓囟蹖 丕夭 亘禺卮鈥屬囏й� 丿蹖诏乇貙 賲爻鬲賱夭賲 亘乇禺賵乇丿丕乇蹖 丕夭 丨丿丕賯賱 丕胤賱丕毓丕鬲蹖 丿乇 賲賵乇丿 丕卮禺丕氐 賵 賵賯丕蹖毓蹖 丕爻鬲 讴賴 賳乇賵丿丕 丿乇亘丕乇賴 丌賳鈥屬囏� 爻禺賳 賲蹖鈥屭堐屫�.
July 23, 2015
賰鬲丕亘 賲賲賱 亘毓囟 丕賱卮賷亍貙 賷毓鬲亘乇 賲賴賲 賱賲賳 兀丨亘 賯氐丕卅丿 丕賱卮丕毓乇 丕賱賰亘賷乇 亘丕亘賱賵 賳賷乇賵丿丕 賮賷賴 丕賱賰孬賷乇 毓賳 亘丿丕賷丞 丨賷丕鬲賴 賵噩賵丕賳亘 卮禺氐賷鬲賴
July 25, 2015
賳賷乇賵丿丕 丕賱毓馗賷賲
賴購賳丕 賳賷乇賵丿丕 丕賱孬丕卅乇 貙 賳賷乇賵丿丕 丕賱廿賳爻丕賳
賴購賳丕 賳賷乇賵丿丕 丕賱孬丕卅乇 貙 賳賷乇賵丿丕 丕賱廿賳爻丕賳
November 27, 2023
Questo libro preziosissimo ci fa scoprire la vita e il cuore di un poeta e di un uomo che ha amato la vita e l鈥檜manit脿, che ha vissuto intensamente la storia di un secolo, faccia a faccia con altrettanto grandi personaggi del pensiero, dell鈥檃rte e della politica. Mai avrei immaginato che Neruda avesse avuto una vita cos矛 ricca e complessa. Partito giovane studente e ricco solo di belle speranze dai boschi umidi della Patagonia cilena e dalle sue lande deserte, in brevissimo tempo diventa un intellettuale di notevole spessore, un diplomatico che viaggia tantissimo, incontra personaggi di grande valore, osserva con spirito acuto e partecipe la realt脿 nella quale viene a trovarsi. Sono tanti i ricordi che si affacciano alla mente di questo uomo, che aveva iniziato a riordinare questi suoi ricordi proprio l鈥檃nno prima della morte. Qui spesso si sovrappone ai momenti di lotta, di fratellanza con la sua gente, l鈥檃nalisi del lavoro poetico che ha accompagnato tutta la sua vita. Ma posso dire che anche la sua prosa 猫 poesia. Le descrizioni della sua terra cilena, dei suoi fiori, dei suoi colori sono dei quadri, cos矛 come i racconti che hanno per protagonisti gli amici, i contadini, le donne amate sono una testimonianza della sua fede per l鈥檜manit脿 e costituiscono un grande affresco, dove prevalgono gli affetti dettati da un grande cuore.
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