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丕賲乇兀丞 毓賳丿 賳賯胤丞 丕賱氐賮乇
"賴匕賴 丕賱賲乇兀丞 丨賯賷賯丞 賲賳 賱丨賲 賵 丿賲貙 賯丕亘賱鬲賴丕 賮賷 爻噩賳 丕賱賯賳丕胤乇 賲賳匕 亘囟毓丞 兀毓賵丕賲. 賰賳鬲 兀賯賵賲 亘亘丨孬 毓賳 卮禺氐賷丞 亘毓囟 丕賱賳爻丕亍丕賱賲鬲賴賲丕鬲 丕賵 丕賱賲丨賰賵賲 毓賱賷賴賳 賮賷 賯囟丕賷丕 賲鬲賳賵毓丞.
賵 賯丕賱 賱賷 胤亘賷亘 丕賱爻噩賳 丕賳 賴匕賴 丕賱賲乇兀丞 丨賰賲 毓賱賷賴丕 亘丕賱丕毓丿丕賲 賱丕賳賴丕 賯鬲賱鬲 乇噩賱丕貙 賵賱賰賳賴丕 賱賷爻鬲 賰丕賱賯丕鬲賱丕鬲 丕賱賲賯賷賲丕鬲 賴賳丕 賮賷 丕賱爻噩賳貙 賮賴賷 卮禺氐賷丞 賲禺鬲賱賮丞 鬲賲丕賲丕 賵 賱賳 鬲賯丕亘賱賷 賵丕丨丿丞 賲孬賱賴丕 丿丕禺賱 丕賱爻噩賳 丕賵 禺丕乇噩賴."
" 賵 丕禺鬲賮鬲 賲賳 丕賲丕賲 毓賷賳賷 丕賱賶 丕賱丕亘丿. 賱賰賳 氐賵鬲賴丕 賰丕賳 賱丕 亘夭丕賱 賷鬲乇丿丿 賮賷 丕匕賳賷貙 賷乇噩 賮賷 丕匕賳賷 賵 賷乇噩 乇兀爻賷貙 賵 賷乇噩 丕賱夭賳夭丕賳丞 賵 賷乇噩 丕賱爻噩賳 賵 賷乇噩 丕賱卮賵丕乇毓貙 賵 賷乇噩 丕賱毓丕賱賲 賰賱賴. 賷爻亘亘 丕賱乇毓亘 賮賷 丕賱毓丕賱賲 賰賱賴貙 乇毓亘 丕賱氐丿賯 丕賱賯丕鬲賱貙 賴賵賱 丕賱丨賯賷賯丞 丕賱賲鬲賵丨卮丞 丕賱亘爻賷胤丞 亘爻丕胤丞 丕賱賲賵鬲貙 亘爻丕胤丞 胤賮賱 賱丕 賷毓乇賮 丕賱賰匕亘. 賵 賱丕賳 丕賱毓丕賱賲 賰賱賴 賷賰匕亘 賮賯丿 賰丕賳 毓賱賶 賮乇丿賵爻 丕賳 鬲丿賮毓 孬賲賳 丕賱氐丿賯 亘丕賴馗丕.
賵 乇賰亘鬲 毓乇亘鬲賷 丕賱氐睾賷乇丞 賵 丕賳丕 賲胤乇賯丞 丕賱乇兀爻. 兀禺噩賱 賲賳 賳賮爻賷 賵 兀禺噩賱 賲賳 丨賷丕鬲賷 賵 兀禺噩賱 賲賳 賰匕亘賷. 賵 兀禺噩賱 賲賳 禺賵賮賷. 賵 乇兀賷鬲 丕賱賳丕爻 賷賴乇賵賱賵賳 賮賷 丕賱卮賵丕乇毓 丕賱賶 賰匕亘賴賲 賵 賳賮丕賯賴賲貙 賵 賱賲丨鬲 丕賱氐丨賮 賲乇賮賵毓丞 賮賷 丕賱丕賰卮丕賰 賲賱賷卅丞 亘丕賱毓賳丕賵賷賳 丕賱賰丕匕亘丞貙 賵 丕毓賱丕賲 丕賱夭賷賮 賲乇賮賵毓丞 賮賷 賰賱 賲賰丕賳. 賵 丿爻鬲 亘賯丿賲賷 毓賱賶 丿賵丕爻丞 丕賱亘賳夭賷賳 亘賰賱 賯賵鬲賷 賰兀賳賲丕 兀丿賵爻 毓賱賶 丕賱毓丕賱賲 賰賱賴貙 賵 丕丿乇賰鬲 賵 丕賳丕 丕賵賯賮 丕賱毓乇亘丞 賮噩兀丞 賯亘賱 丕賳 鬲氐胤丿賲 亘丕賱毓丕賱賲 兀賳 賮乇丿賵爻 賰丕賳鬲 丕卮噩毓 賲賳賷."
-賲賳 丕賱賲賯丿賲丞 賵丕賱禺丕鬲賲丞-
賵 賯丕賱 賱賷 胤亘賷亘 丕賱爻噩賳 丕賳 賴匕賴 丕賱賲乇兀丞 丨賰賲 毓賱賷賴丕 亘丕賱丕毓丿丕賲 賱丕賳賴丕 賯鬲賱鬲 乇噩賱丕貙 賵賱賰賳賴丕 賱賷爻鬲 賰丕賱賯丕鬲賱丕鬲 丕賱賲賯賷賲丕鬲 賴賳丕 賮賷 丕賱爻噩賳貙 賮賴賷 卮禺氐賷丞 賲禺鬲賱賮丞 鬲賲丕賲丕 賵 賱賳 鬲賯丕亘賱賷 賵丕丨丿丞 賲孬賱賴丕 丿丕禺賱 丕賱爻噩賳 丕賵 禺丕乇噩賴."
" 賵 丕禺鬲賮鬲 賲賳 丕賲丕賲 毓賷賳賷 丕賱賶 丕賱丕亘丿. 賱賰賳 氐賵鬲賴丕 賰丕賳 賱丕 亘夭丕賱 賷鬲乇丿丿 賮賷 丕匕賳賷貙 賷乇噩 賮賷 丕匕賳賷 賵 賷乇噩 乇兀爻賷貙 賵 賷乇噩 丕賱夭賳夭丕賳丞 賵 賷乇噩 丕賱爻噩賳 賵 賷乇噩 丕賱卮賵丕乇毓貙 賵 賷乇噩 丕賱毓丕賱賲 賰賱賴. 賷爻亘亘 丕賱乇毓亘 賮賷 丕賱毓丕賱賲 賰賱賴貙 乇毓亘 丕賱氐丿賯 丕賱賯丕鬲賱貙 賴賵賱 丕賱丨賯賷賯丞 丕賱賲鬲賵丨卮丞 丕賱亘爻賷胤丞 亘爻丕胤丞 丕賱賲賵鬲貙 亘爻丕胤丞 胤賮賱 賱丕 賷毓乇賮 丕賱賰匕亘. 賵 賱丕賳 丕賱毓丕賱賲 賰賱賴 賷賰匕亘 賮賯丿 賰丕賳 毓賱賶 賮乇丿賵爻 丕賳 鬲丿賮毓 孬賲賳 丕賱氐丿賯 亘丕賴馗丕.
賵 乇賰亘鬲 毓乇亘鬲賷 丕賱氐睾賷乇丞 賵 丕賳丕 賲胤乇賯丞 丕賱乇兀爻. 兀禺噩賱 賲賳 賳賮爻賷 賵 兀禺噩賱 賲賳 丨賷丕鬲賷 賵 兀禺噩賱 賲賳 賰匕亘賷. 賵 兀禺噩賱 賲賳 禺賵賮賷. 賵 乇兀賷鬲 丕賱賳丕爻 賷賴乇賵賱賵賳 賮賷 丕賱卮賵丕乇毓 丕賱賶 賰匕亘賴賲 賵 賳賮丕賯賴賲貙 賵 賱賲丨鬲 丕賱氐丨賮 賲乇賮賵毓丞 賮賷 丕賱丕賰卮丕賰 賲賱賷卅丞 亘丕賱毓賳丕賵賷賳 丕賱賰丕匕亘丞貙 賵 丕毓賱丕賲 丕賱夭賷賮 賲乇賮賵毓丞 賮賷 賰賱 賲賰丕賳. 賵 丿爻鬲 亘賯丿賲賷 毓賱賶 丿賵丕爻丞 丕賱亘賳夭賷賳 亘賰賱 賯賵鬲賷 賰兀賳賲丕 兀丿賵爻 毓賱賶 丕賱毓丕賱賲 賰賱賴貙 賵 丕丿乇賰鬲 賵 丕賳丕 丕賵賯賮 丕賱毓乇亘丞 賮噩兀丞 賯亘賱 丕賳 鬲氐胤丿賲 亘丕賱毓丕賱賲 兀賳 賮乇丿賵爻 賰丕賳鬲 丕卮噩毓 賲賳賷."
-賲賳 丕賱賲賯丿賲丞 賵丕賱禺丕鬲賲丞-
115 pages, Paperback
First published January 1, 1975
817 people are currently reading
36.6k people want to read
About the author
Nawal El Saadawi
112听books3,115听followersNawal El Saadawi (Arabic: ) was born in 1931, in a small village outside Cairo. Unusually, she and her brothers and sisters were educated together, and she graduated from the University of Cairo Medical School in 1955, specializing in psychiatry. For two years, she practiced as a medical doctor, both at the university and in her native Tahla.
From 1963 until 1972, Saadawi worked as Director General for Public Health Education for the Egyptian government. During this time, she also studied at Columbia University in New York, where she received her Master of Public Health degree in 1966. Her first novel Memoirs of a Woman Doctor was published in Cairo in 1958. In 1972, however, she lost her job in the Egyptian government as a result of political pressure. The magazine, Health, which she had founded and edited for more than three years, was closed down.
From 1973 to 1978 Saadawi worked at the High Institute of Literature and Science. It was at this time that she began to write, in works of fiction and non-fiction, the books on the oppression of Arab women for which she has become famous. Her most famous novel, Woman at Point Zero was published in Beirut in 1973. It was followed in 1976 by God Dies by the Nile and in 1977 by The Hidden Face of Eve: Women in the Arab World.
In 1981 Nawal El Saadawi publicly criticized the one-party rule of President Anwar Sadat, and was subsequently arrested and imprisoned. She was released one month after his assassination. In 1982, she established the Arab Women's Solidarity Association, which was outlawed in 1991. When, in 1988, her name appeared on a fundamentalist death list, she and her second husband, Sherif Hetata, fled to the USA, where she taught at Duke University and Washington State University. She returned to Egypt in 1996.
In 2004 she presented herself as a candidate for the presidential elections in Egypt, with a platform of human rights, democracy and greater freedom for women. In July 2005, however, she was forced to withdraw her candidacy in the face of ongoing government persecution.
Nawal El Saadawi has achieved widespread international recognition for her work. She holds honorary doctorates from the universities of York, Illinois at Chicago, St Andrews and Tromso. Her many prizes and awards include the Great Minds of the Twentieth Century Prize, awarded by the American Biographical Institute in 2003, the North-South Prize from the Council of Europe and the Premi Internacional Catalunya in 2004. Her books have been translated into over 28 languages worldwide. They are taught in universities across the world.
She now works as a writer, psychiatrist and activist. Her most recent novel, entitled Al Riwaya was published in Cairo in 2004.
From 1963 until 1972, Saadawi worked as Director General for Public Health Education for the Egyptian government. During this time, she also studied at Columbia University in New York, where she received her Master of Public Health degree in 1966. Her first novel Memoirs of a Woman Doctor was published in Cairo in 1958. In 1972, however, she lost her job in the Egyptian government as a result of political pressure. The magazine, Health, which she had founded and edited for more than three years, was closed down.
From 1973 to 1978 Saadawi worked at the High Institute of Literature and Science. It was at this time that she began to write, in works of fiction and non-fiction, the books on the oppression of Arab women for which she has become famous. Her most famous novel, Woman at Point Zero was published in Beirut in 1973. It was followed in 1976 by God Dies by the Nile and in 1977 by The Hidden Face of Eve: Women in the Arab World.
In 1981 Nawal El Saadawi publicly criticized the one-party rule of President Anwar Sadat, and was subsequently arrested and imprisoned. She was released one month after his assassination. In 1982, she established the Arab Women's Solidarity Association, which was outlawed in 1991. When, in 1988, her name appeared on a fundamentalist death list, she and her second husband, Sherif Hetata, fled to the USA, where she taught at Duke University and Washington State University. She returned to Egypt in 1996.
In 2004 she presented herself as a candidate for the presidential elections in Egypt, with a platform of human rights, democracy and greater freedom for women. In July 2005, however, she was forced to withdraw her candidacy in the face of ongoing government persecution.
Nawal El Saadawi has achieved widespread international recognition for her work. She holds honorary doctorates from the universities of York, Illinois at Chicago, St Andrews and Tromso. Her many prizes and awards include the Great Minds of the Twentieth Century Prize, awarded by the American Biographical Institute in 2003, the North-South Prize from the Council of Europe and the Premi Internacional Catalunya in 2004. Her books have been translated into over 28 languages worldwide. They are taught in universities across the world.
She now works as a writer, psychiatrist and activist. Her most recent novel, entitled Al Riwaya was published in Cairo in 2004.
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Displaying 1 - 30 of 3,655 reviews
July 1, 2013
I was surprised when I saw the rating for Woman at Point Zero . To me, it was a solid five-star book. When I scrolled through the reviews, I noticed many, many five star and four star reviews, but there was a pervasive theme of how she seemed unrelatable and fake. I completely disagree.
First of all, Woman at Point Zero is a short read, 114 pages at the most. In three chapters, Firdaus' life story is framed by the author's own narrative, which develops from vaguely superior and curious to shocked and humbled. I had trouble reading this book, mostly because I wanted to find a quiet place where I could read it all in one setting and digest this magnificent woman's life.
Secondly, people seem to forget that they aren't reading a fictional story. In fiction, one is expected to connect with the main character, which is why authors continue to fall back on the age-old archetypes and standards. What readers often don't realize is that they are not relating to a protagonist or deuteragonist or antagonist that reminds them of themselves, but rather relating to an ideal, something that they wish they were or qualities that they think they possess, following a story that they wish they could go through. It's also probably one of the reasons why people find this story to be unbelievable, paradoxically. Fictional works often have the reader suspend their disbelief in order to spin a tale of growth and fairy tale morals. In non-fiction, there is no sugar. When the truth is reached, it's not because she was an underdog who reached the top with the help of her friends and family and familiar, it's because she's had everything stripped away from her and has been left with nothing to lose.
People don't like that. People would rather read happy tales that don't end up in front of the firing squad waiting to be executed. Exploring the depths of human nature and societal structures is a threat to all we find to be "normal" or "safe".
This brings me to the next point I'd like to make. Culturally, Egypt is extremely different from the Western countries, which have a history of being comparatively liberal. Maybe execution for killing a man seems excessive to us, but to them, she is a woman. The lowest of the low, beaten, caged, and silenced. "Pure". She's a prostitute. A whore. She lives in a land of intolerance, one so patriarchal that a woman's word is worth half of a man's. She's essentially considered subhuman in her country, which is also one with a habit of almost unrestrained violence among the classes.
If that sounds familiar, it should. Racial oppression, social oppression, and sexual oppression are more than related.
I approached this book with hopefully an open mind, but truthfully, I would never have even considered reading such a slim book if my mom hadn't first picked it up and asked me, "Why would your cousin"--male--"have to read a woman's book? It's completely inappropriate." Immediately, I asked her why she would say that, and she couldn't give me an answer. I asked her if she thought it was inappropriate for me to read books written by men about men (i.e. the majority of books I've read for school in the past five years). She couldn't give me an answer.
So, in all honesty, I approached this book with a feminist point of view and I was sucked in. It may seem a little unrealistic for Firdaus to have encountered so much suffering at the hands of men, but I know that it's more than possible. After all, statistics don't usually lie. No wonder she hated men by the end of her story. Only when she held herself up by herself did she manage to flourish as best as she could, but even that was taken away at the end.
By the end of the book, I realized two things that the people who reviewed before me had often missed.
1) Firdaus is not the main character of the story. She is the central character, but not a character. She is a symbol of the oppressed, those who have nothing for themselves except their bodies and minds. We are not expected to be able to sympathize with her, despite her courage and dead reality. Instead, we must be like the author who listened to her story, who is, in fact, us. We are the ones who do not understand because we live in a world built on lies, where we pretend that we are above the common streetwalker. We aren't.
2) It would be wrong to label this book as a feminist novel. Really, it's a feminist novel because the central character is female and it focuses on her struggle to maintain dignity and strength even when she has nothing. It would be labeled an LGBTQQ novel if the main character were a lesbian. What if it were about a straight man who prostituted himself to survive? Does it seem even less believable now?
This is a story about finding the truth. And the truth is not that women can't survive without men. It's not that all men are scum. It's that life is cruel and that power is dangerous in the wrong hands and that too much power corrupts. It reveals the diseases of society and how people are so blind and unwilling to change because there is always someone below them and because there is always some irrational reason to keep them from changing. It shows the futility of revolution and the futility of a singular being attempting change. It's a cautionary tale from a woman who lived her life like all of us, constantly seeking happiness.
I urge everybody to read this book. It's a learning experience, if not an enjoyable one.
First of all, Woman at Point Zero is a short read, 114 pages at the most. In three chapters, Firdaus' life story is framed by the author's own narrative, which develops from vaguely superior and curious to shocked and humbled. I had trouble reading this book, mostly because I wanted to find a quiet place where I could read it all in one setting and digest this magnificent woman's life.
Secondly, people seem to forget that they aren't reading a fictional story. In fiction, one is expected to connect with the main character, which is why authors continue to fall back on the age-old archetypes and standards. What readers often don't realize is that they are not relating to a protagonist or deuteragonist or antagonist that reminds them of themselves, but rather relating to an ideal, something that they wish they were or qualities that they think they possess, following a story that they wish they could go through. It's also probably one of the reasons why people find this story to be unbelievable, paradoxically. Fictional works often have the reader suspend their disbelief in order to spin a tale of growth and fairy tale morals. In non-fiction, there is no sugar. When the truth is reached, it's not because she was an underdog who reached the top with the help of her friends and family and familiar, it's because she's had everything stripped away from her and has been left with nothing to lose.
People don't like that. People would rather read happy tales that don't end up in front of the firing squad waiting to be executed. Exploring the depths of human nature and societal structures is a threat to all we find to be "normal" or "safe".
This brings me to the next point I'd like to make. Culturally, Egypt is extremely different from the Western countries, which have a history of being comparatively liberal. Maybe execution for killing a man seems excessive to us, but to them, she is a woman. The lowest of the low, beaten, caged, and silenced. "Pure". She's a prostitute. A whore. She lives in a land of intolerance, one so patriarchal that a woman's word is worth half of a man's. She's essentially considered subhuman in her country, which is also one with a habit of almost unrestrained violence among the classes.
If that sounds familiar, it should. Racial oppression, social oppression, and sexual oppression are more than related.
I approached this book with hopefully an open mind, but truthfully, I would never have even considered reading such a slim book if my mom hadn't first picked it up and asked me, "Why would your cousin"--male--"have to read a woman's book? It's completely inappropriate." Immediately, I asked her why she would say that, and she couldn't give me an answer. I asked her if she thought it was inappropriate for me to read books written by men about men (i.e. the majority of books I've read for school in the past five years). She couldn't give me an answer.
So, in all honesty, I approached this book with a feminist point of view and I was sucked in. It may seem a little unrealistic for Firdaus to have encountered so much suffering at the hands of men, but I know that it's more than possible. After all, statistics don't usually lie. No wonder she hated men by the end of her story. Only when she held herself up by herself did she manage to flourish as best as she could, but even that was taken away at the end.
By the end of the book, I realized two things that the people who reviewed before me had often missed.
1) Firdaus is not the main character of the story. She is the central character, but not a character. She is a symbol of the oppressed, those who have nothing for themselves except their bodies and minds. We are not expected to be able to sympathize with her, despite her courage and dead reality. Instead, we must be like the author who listened to her story, who is, in fact, us. We are the ones who do not understand because we live in a world built on lies, where we pretend that we are above the common streetwalker. We aren't.
2) It would be wrong to label this book as a feminist novel. Really, it's a feminist novel because the central character is female and it focuses on her struggle to maintain dignity and strength even when she has nothing. It would be labeled an LGBTQQ novel if the main character were a lesbian. What if it were about a straight man who prostituted himself to survive? Does it seem even less believable now?
This is a story about finding the truth. And the truth is not that women can't survive without men. It's not that all men are scum. It's that life is cruel and that power is dangerous in the wrong hands and that too much power corrupts. It reveals the diseases of society and how people are so blind and unwilling to change because there is always someone below them and because there is always some irrational reason to keep them from changing. It shows the futility of revolution and the futility of a singular being attempting change. It's a cautionary tale from a woman who lived her life like all of us, constantly seeking happiness.
I urge everybody to read this book. It's a learning experience, if not an enjoyable one.
April 3, 2025
Nawal El Saadawi was an Egyptian psychiatrist, writer, political activist and even a candidate to Presidency until she was forced to retire. She was relentless fighter for women rights.
This short book left a lasting impression upon me. The moment I shut the last page I remained unmoving, thinking about what I read. How some women have no chance to become anything else than what men tell them to. How, no matter how much they struggle they cannot escape their fate.
I am not sure the book can be considered a novel. It is a nicely written account of an encounter that the author had with a woman who was on death row. While in prison working on another project, the author finds about the existence of the only woman there sentenced to death. With only a few hours before her execution, she agrees to an interview. She shares with the author her life story. As a child, she loved school and she had very good marks. However, her father married her off to an older man in order to get rid of her. She is beaten repeatedly until she runs away. She finds another man, who initially is nice to her, but when she tries to obtain a bit of independence, starts to abuse her. She runs away again and she end up a prostitute. She is abused and broken again and again. When things start to go well for her, a man will put her down again. Until she cannot stand it any longer and kills a man. She does not repent, she does not want to beg for mercy. She has no hope and willingness to fight. She is spent.
This book made me terribly angry, as it always happens when I read about women who are hurt and are not allowed to be themselves. A must read.
This short book left a lasting impression upon me. The moment I shut the last page I remained unmoving, thinking about what I read. How some women have no chance to become anything else than what men tell them to. How, no matter how much they struggle they cannot escape their fate.
I am not sure the book can be considered a novel. It is a nicely written account of an encounter that the author had with a woman who was on death row. While in prison working on another project, the author finds about the existence of the only woman there sentenced to death. With only a few hours before her execution, she agrees to an interview. She shares with the author her life story. As a child, she loved school and she had very good marks. However, her father married her off to an older man in order to get rid of her. She is beaten repeatedly until she runs away. She finds another man, who initially is nice to her, but when she tries to obtain a bit of independence, starts to abuse her. She runs away again and she end up a prostitute. She is abused and broken again and again. When things start to go well for her, a man will put her down again. Until she cannot stand it any longer and kills a man. She does not repent, she does not want to beg for mercy. She has no hope and willingness to fight. She is spent.
This book made me terribly angry, as it always happens when I read about women who are hurt and are not allowed to be themselves. A must read.
January 31, 2016
鈥淎 new world was opening up in front of my eyes, a world which for me had not existed before. Maybe it had always been there, always existed, but I had never seen it, never realized it had been there all the time. How was it that I had been blind to its existence all these years?鈥�- Nawal El Saadawi, Woman at Point Zero
I was told by a friend that the German title for this book is translated as 鈥淚 Spit on You,鈥� and it makes a lot of sense after you read the book, because that will probably be your reaction to most of the characters. This is my second El Saadawi book and I wish I鈥檇 written a review for the first book of hers that I read, The Innocence of the Devil, because I thought both books were excellent, similar in their approach and very powerful in how they portrayed patriarchy, sexism, hypocrisy, and misogyny.
I love Firdaus, our protagonist, and I think she鈥檚 a character who鈥檒l stay with me for a very long time. At the beginning of the novella we find her on death row for killing a man and as she recounts her story to a female psychiatrist who is sent to visit her. We learn more about her. And it鈥檚 shocking. It wouldn鈥檛 surprise me if many women are able to see themselves in Firdaus, despite the fact that we might not be Egyptian, Muslim etc, like she was. Parts of her story are surely the stories of many women.
The tone of the book starts off so innocently and simply; the change in describing brutal incidents caught me by surprise. From every single man Firdaus encounters she experiences abuse or exploitation of sorts. Firdaus changes because of her experiences and we see how strong she becomes, despite encountering such awful things.
Despite the tragic story, Firdaus has moments of agency and emancipation. This woman who nobody wants, who鈥檚 abused time and again, who isn鈥檛 helped when she should be, comes up with her own definition of truth based on what she sees and experiences, not what she has been indoctrinated with. El Saadawi exposes the hypocrisy in religious and patriarchal societies with men using tradition for their own purposes:
鈥淚 discovered that all these rulers were men. What they had in common was an avaricious and distorted personality, a never-ending appetite for money, sex and unlimited power. They were men who sowed corruption on the earth, and plundered their peoples, men endowed with loud voices, a capacity for persuasion, for choosing sweet words and shooting poisoned arrows. Thus, the truth about them was revealed only after their deaths, and as a result I discovered that history tended to repeat itself with a foolish obstinacy.鈥�
She compares and contrasts marriage and prostitution, and she is often very blunt about what she perceives to be the position of women in society:
鈥淎ll women are victims of deception. Men impose deception on women and punish them for being deceived, force them down to the lowest level and punish them for falling so low, bind them in marriage and then chastise them with menial service for life, or insults, or blows.鈥�
But there is the hope when women like Firdaus realize the truth but also the power they actually have:
鈥淗ow many were the years of my life that went by before my body, and my self became really mine, to do with them as I wished? How many were the years of my life that were lost before I tore my body and my self away from the people who held me in their grasp since the very first day?鈥�
And ultimately though the telling of Firdaus鈥� story, I found myself changed as well, and more understanding of Firdaus鈥� journey and evolution.
鈥淎 man does not know a woman鈥檚 value, Firdaus. She is the one who determines her value."
I was told by a friend that the German title for this book is translated as 鈥淚 Spit on You,鈥� and it makes a lot of sense after you read the book, because that will probably be your reaction to most of the characters. This is my second El Saadawi book and I wish I鈥檇 written a review for the first book of hers that I read, The Innocence of the Devil, because I thought both books were excellent, similar in their approach and very powerful in how they portrayed patriarchy, sexism, hypocrisy, and misogyny.
I love Firdaus, our protagonist, and I think she鈥檚 a character who鈥檒l stay with me for a very long time. At the beginning of the novella we find her on death row for killing a man and as she recounts her story to a female psychiatrist who is sent to visit her. We learn more about her. And it鈥檚 shocking. It wouldn鈥檛 surprise me if many women are able to see themselves in Firdaus, despite the fact that we might not be Egyptian, Muslim etc, like she was. Parts of her story are surely the stories of many women.
The tone of the book starts off so innocently and simply; the change in describing brutal incidents caught me by surprise. From every single man Firdaus encounters she experiences abuse or exploitation of sorts. Firdaus changes because of her experiences and we see how strong she becomes, despite encountering such awful things.
Despite the tragic story, Firdaus has moments of agency and emancipation. This woman who nobody wants, who鈥檚 abused time and again, who isn鈥檛 helped when she should be, comes up with her own definition of truth based on what she sees and experiences, not what she has been indoctrinated with. El Saadawi exposes the hypocrisy in religious and patriarchal societies with men using tradition for their own purposes:
鈥淚 discovered that all these rulers were men. What they had in common was an avaricious and distorted personality, a never-ending appetite for money, sex and unlimited power. They were men who sowed corruption on the earth, and plundered their peoples, men endowed with loud voices, a capacity for persuasion, for choosing sweet words and shooting poisoned arrows. Thus, the truth about them was revealed only after their deaths, and as a result I discovered that history tended to repeat itself with a foolish obstinacy.鈥�
She compares and contrasts marriage and prostitution, and she is often very blunt about what she perceives to be the position of women in society:
鈥淎ll women are victims of deception. Men impose deception on women and punish them for being deceived, force them down to the lowest level and punish them for falling so low, bind them in marriage and then chastise them with menial service for life, or insults, or blows.鈥�
But there is the hope when women like Firdaus realize the truth but also the power they actually have:
鈥淗ow many were the years of my life that went by before my body, and my self became really mine, to do with them as I wished? How many were the years of my life that were lost before I tore my body and my self away from the people who held me in their grasp since the very first day?鈥�
And ultimately though the telling of Firdaus鈥� story, I found myself changed as well, and more understanding of Firdaus鈥� journey and evolution.
鈥淎 man does not know a woman鈥檚 value, Firdaus. She is the one who determines her value."
April 10, 2023
[Revised 4/10/23]
This translation by an Egyptian female author gives us a traumatic picture of how a young woman is brutalized physically and mentally by just about every man - relative or stranger - that she runs into. It could be subtitled 鈥楾he Brutal Life of an Egyptian Prostitute.鈥�
She runs away from her brutal husband and becomes a prostitute to survive. At first she turns cheap tricks but later she learns to turn men down, becoming more exclusive and expensive, raising the level of her clientele. She works her way up to being a prostitute who caters to the wealthy political and military elite of the society. She becomes wealthy herself.
This book is a tragedy of course, and we can see why the author鈥檚 works were banned. Indeed it鈥檚 such an indictment of Egyptian society in general, and male society in particular, that it鈥檚 amazing that this book managed to get published in Egypt in 1975.
Here is a quote from the book: 鈥淭hey said, 'You are a savage and dangerous woman.'
I am speaking the truth. And the truth is savage and dangerous.鈥�
The author who died recently (1931-2021) was an outspoken advocate for women鈥檚 rights, especially in calling for the elimination of female circumcision. She has been called 'the Simone de Beauvoir of the Arab World.'
Her writings and activism led to her removal from just about every position she held, including Egypt鈥檚 national director of public health. She was imprisoned under Egyptian leader Anwar Sadat but was released within a year only because he died. She fled Egypt because of death threats and taught at universities in the USA, although she eventually went back to Egypt. With more than 18,000 ratings and 2,500 reviews, Woman at Point Zero is by far her best-known book on GR. Only a few of her books have been translated into English.
Top photo of prostitutes in Cairo from lyonbrinton.com
The author from aljazeera.com
This translation by an Egyptian female author gives us a traumatic picture of how a young woman is brutalized physically and mentally by just about every man - relative or stranger - that she runs into. It could be subtitled 鈥楾he Brutal Life of an Egyptian Prostitute.鈥�
She runs away from her brutal husband and becomes a prostitute to survive. At first she turns cheap tricks but later she learns to turn men down, becoming more exclusive and expensive, raising the level of her clientele. She works her way up to being a prostitute who caters to the wealthy political and military elite of the society. She becomes wealthy herself.
This book is a tragedy of course, and we can see why the author鈥檚 works were banned. Indeed it鈥檚 such an indictment of Egyptian society in general, and male society in particular, that it鈥檚 amazing that this book managed to get published in Egypt in 1975.
Here is a quote from the book: 鈥淭hey said, 'You are a savage and dangerous woman.'
I am speaking the truth. And the truth is savage and dangerous.鈥�
The author who died recently (1931-2021) was an outspoken advocate for women鈥檚 rights, especially in calling for the elimination of female circumcision. She has been called 'the Simone de Beauvoir of the Arab World.'
Her writings and activism led to her removal from just about every position she held, including Egypt鈥檚 national director of public health. She was imprisoned under Egyptian leader Anwar Sadat but was released within a year only because he died. She fled Egypt because of death threats and taught at universities in the USA, although she eventually went back to Egypt. With more than 18,000 ratings and 2,500 reviews, Woman at Point Zero is by far her best-known book on GR. Only a few of her books have been translated into English.
Top photo of prostitutes in Cairo from lyonbrinton.com
The author from aljazeera.com
June 17, 2020
The first time I found Woman at Zero Point was when I deliberately read a tweet from a literacy base, I followed the last few days. Starting from the amount of spam that featured the cover and its review in the reply column. So many say that this book is excellent. It's small but contains something powerful that is valuable for many people to know, a tragic truth. Honestly, I am not a person who quickly consumed other people's reviews. But seeing the number of spam menfess was scattered that day made me decide to buy one in a few days.
It didn't take more than two days to complete this book. For every part of this book, Nawal has successfully surprised and shuddered me terribly in what was experienced by Firdaus, the central character of this book. Sorrowful, miserable, and pathetic, that was only I got from this book.
I was wondering why did Nawal el-Saadawi be so intent on pursuing Firdaus to tell her story? Why would a doctor be willing to write a book about a whore waiting for her death day?
It turned out to be true. If I were Nawal, I would do so and maybe more than that. Because what did Firdaus pass literally illustrates how many women out there are living injustice by an ingrained patriarchal system. But what the final choice of Firdaus is, that is, it is different for each woman.
***
Firdaus, a woman who chose her own life to become a whore.
"I know that my profession has been created by men and that men control two of our worlds, those on this earth and those in the afterlife. That men force women to sell their bodies at a certain price."
A work that was indirectly formed by all the men she knew during her life. Since childhood, she often got violent. Every new person she met in her life always brought her afflictions. They did at least 3 things; cheating, harassment, and abuse. Her father was a selfish, awful temperament person who only thought of his own stomach and never gives any attention to his kids. Firdaus, her mother, and her siblings were like slaves who must serve his father in any condition. Her siblings, one by one, died cause of starving.
"If one of his daughters dies, Father will eat his dinner, Mother will wash his feet, and then he will go to sleep, as he does every night. If a boy, he would hit Mother, then eat dinner and lay down to sleep. Dad won't go to sleep without eating dinner first, no matter what. Sometimes if there is no food at home, we will all go to sleep empty stomachs. But he will always get food."
Since she was a kid, Firdaus has received immoral acts from her male friend, Muhammadain. Not only stop there, her uncle even so, ironic, because she also loved her uncle more than her parents. After that, her uncle married her to a calculated ancient man who always committed violence against her. Then, she met with Bayoumi, a man she met at the Caf茅 when she was looking for jobs using her school diploma. Bayoumi kept her away for a while until he raped her and locked her up, even Firdaus was also raped by Bayoumi's friends. And there are many more that every man she met only invite her to sleep together.
Without warning it, the situation has allowed her body to be enjoyed by many men. Until finally, she realized that her body can make money. She chose to be an honorable whore with the consent of both parties with high pay, she could even choose whoever men she wanted to sleep with. She thought it was far more honorable than having sex as a forced husband and wife. By becoming a whore, she is free of her life, of her own body.
But apparently, Firdaus was wrong; there was still a pimp, "men are always good at kissing people's money," whom she was forced to marry him, Marzouk. Firdaus was fed up and finally stabbed the pimp, which caused her to be sentenced to death. Firdaus proudly welcomed it with a victory like "welcome the truth."
"I have won both life and death, because I have no desire to live, nor do I feel afraid of death."
***
Nawal wrote this book in an adorable, poetic, and descriptive way, tho... the translation style isn't quite enjoyable to read. It's too confusing, and too many repetitive sentences make me repeat several paragraphs to understand it. Such the depiction of a pair of eyes that seem complicated and rambling "two rings that are very white around two dark circles."
I give it five stars tho, for successful Nawal, who makes me realize the importance of caring for other women as a woman, not precisely as a human being. Probably, Firdaus wouldn't be like this if she got love from people she knew during her life. The power of love is so meaningful to all living things.
We knew in Interstellar book that Cooper is safe because of his love for his daughter, Murph.
At this moment, whoever you are, man or woman must read this book, and you will care more about your friends, maybe we can help another Firdaus who is trapped at the lowest point in her life, at zero point.
A small book with a lot of value, what a precious little thing I like the most about how to dare fighting harassment, about how to love yourself. Firdaus now becomes my new real favorite character of a nonfictional book for the first time.
Now, I just knew why Nawal took pains to meet Firdaus because we are nothing compared to her, who has a lot of courage throughout her life.
"And I realize that Firdaus has more courage than I have."
It didn't take more than two days to complete this book. For every part of this book, Nawal has successfully surprised and shuddered me terribly in what was experienced by Firdaus, the central character of this book. Sorrowful, miserable, and pathetic, that was only I got from this book.
I was wondering why did Nawal el-Saadawi be so intent on pursuing Firdaus to tell her story? Why would a doctor be willing to write a book about a whore waiting for her death day?
It turned out to be true. If I were Nawal, I would do so and maybe more than that. Because what did Firdaus pass literally illustrates how many women out there are living injustice by an ingrained patriarchal system. But what the final choice of Firdaus is, that is, it is different for each woman.
***
Firdaus, a woman who chose her own life to become a whore.
"I know that my profession has been created by men and that men control two of our worlds, those on this earth and those in the afterlife. That men force women to sell their bodies at a certain price."
A work that was indirectly formed by all the men she knew during her life. Since childhood, she often got violent. Every new person she met in her life always brought her afflictions. They did at least 3 things; cheating, harassment, and abuse. Her father was a selfish, awful temperament person who only thought of his own stomach and never gives any attention to his kids. Firdaus, her mother, and her siblings were like slaves who must serve his father in any condition. Her siblings, one by one, died cause of starving.
"If one of his daughters dies, Father will eat his dinner, Mother will wash his feet, and then he will go to sleep, as he does every night. If a boy, he would hit Mother, then eat dinner and lay down to sleep. Dad won't go to sleep without eating dinner first, no matter what. Sometimes if there is no food at home, we will all go to sleep empty stomachs. But he will always get food."
Since she was a kid, Firdaus has received immoral acts from her male friend, Muhammadain. Not only stop there, her uncle even so, ironic, because she also loved her uncle more than her parents. After that, her uncle married her to a calculated ancient man who always committed violence against her. Then, she met with Bayoumi, a man she met at the Caf茅 when she was looking for jobs using her school diploma. Bayoumi kept her away for a while until he raped her and locked her up, even Firdaus was also raped by Bayoumi's friends. And there are many more that every man she met only invite her to sleep together.
Without warning it, the situation has allowed her body to be enjoyed by many men. Until finally, she realized that her body can make money. She chose to be an honorable whore with the consent of both parties with high pay, she could even choose whoever men she wanted to sleep with. She thought it was far more honorable than having sex as a forced husband and wife. By becoming a whore, she is free of her life, of her own body.
But apparently, Firdaus was wrong; there was still a pimp, "men are always good at kissing people's money," whom she was forced to marry him, Marzouk. Firdaus was fed up and finally stabbed the pimp, which caused her to be sentenced to death. Firdaus proudly welcomed it with a victory like "welcome the truth."
"I have won both life and death, because I have no desire to live, nor do I feel afraid of death."
***
Nawal wrote this book in an adorable, poetic, and descriptive way, tho... the translation style isn't quite enjoyable to read. It's too confusing, and too many repetitive sentences make me repeat several paragraphs to understand it. Such the depiction of a pair of eyes that seem complicated and rambling "two rings that are very white around two dark circles."
I give it five stars tho, for successful Nawal, who makes me realize the importance of caring for other women as a woman, not precisely as a human being. Probably, Firdaus wouldn't be like this if she got love from people she knew during her life. The power of love is so meaningful to all living things.
We knew in Interstellar book that Cooper is safe because of his love for his daughter, Murph.
At this moment, whoever you are, man or woman must read this book, and you will care more about your friends, maybe we can help another Firdaus who is trapped at the lowest point in her life, at zero point.
A small book with a lot of value, what a precious little thing I like the most about how to dare fighting harassment, about how to love yourself. Firdaus now becomes my new real favorite character of a nonfictional book for the first time.
Now, I just knew why Nawal took pains to meet Firdaus because we are nothing compared to her, who has a lot of courage throughout her life.
"And I realize that Firdaus has more courage than I have."
September 14, 2020
I was hoping that Saadawi would win the Nobel Prize this time round; sadly it wasn鈥檛 to be. However I suspect she was not surprised, as she says;
鈥淚 am still ignored by big literary powers in the world, because I write in Arabic, and also because I am critical of the colonial, capitalist, racist, patriarchal mind set of the super-powers.鈥�
However she is much more than just a novelist/writer; she originally trained as a doctor, then went into politics (Public Health). She lost her job because of political activism and spent some time in prison. Her political activism involves challenging FGM, arguing that women are oppressed by the patriarchal religions and highlighting a range of women鈥檚 issues.
This novel is based on Saadawi鈥檚 meeting with a woman soon to be executed in prison in the early 1970s. She was so affected by the meeting that she wrote the novel in a week. Saadawi explores the issues she has written about over the years, but principally the role of women and their powerlessness in the society she was observing.
In the novel Firdaus tells her life story from a level of childhood innocence, through FGM, abuse from a relative, the death of her parents, school, an arranged marriage to a much older man (whom she leaves when he abuses her), time with another man (starts well but ends in control and abuse), time as a prostitute in a brothel (well-paid but Firduas realizes that the woman cannot protect her), then as a prostitute on her own, then a menial job in a local office, falls in love and thinks it is reciprocated, Firduas is betrayed and goes back to prostitution, when a pimp moves in to try to control her she has to kill him. She has to kill him because the only way for women to liberate themselves from men is to kill them. This, Firduas says, is why she has to die.
Firduas has lead a life where choice has been absent and this is the point; freedom is illusory, as Janis Joplin sang 鈥淔reedom鈥檚 just another word for nothing left to lose鈥�. It may all sound quite grim and given the subject matter that is inevitable, but Saadawi does write lyrically as well:
鈥淚t was clean, paved thoroughfare, which ran along one bank of the Nile with tall trees on either side. The houses were surrounded by fences and gardens. The air which entered my lungs was pure and free of dust. I saw a stone bench facing the river. I sat down on it, and lifted my face to the refreshing breeze.鈥�
However the crux of the matter relates to choice and control, the lack of choices women have and the control men have:
鈥淗ow many were the years of my life that went by before my body, and my self became really mine, to do with them as I wished? How many were the years of my life that were lost before I tore my body and my self away from these people who held me in their grasp since the very first day?鈥�
Saadawi gives agency to the voiceless and the reader is drawn into Firduas鈥檚 life and feels the inevitability of her action. The men, as set in the culture, have all the power and all the choices. The novel provides a powerful analysis of the nature of control and coercion wrought upon women by men. It鈥檚 also a well written novel. So why didn鈥檛 she get the Nobel?
鈥淚 am still ignored by big literary powers in the world, because I write in Arabic, and also because I am critical of the colonial, capitalist, racist, patriarchal mind set of the super-powers.鈥�
However she is much more than just a novelist/writer; she originally trained as a doctor, then went into politics (Public Health). She lost her job because of political activism and spent some time in prison. Her political activism involves challenging FGM, arguing that women are oppressed by the patriarchal religions and highlighting a range of women鈥檚 issues.
This novel is based on Saadawi鈥檚 meeting with a woman soon to be executed in prison in the early 1970s. She was so affected by the meeting that she wrote the novel in a week. Saadawi explores the issues she has written about over the years, but principally the role of women and their powerlessness in the society she was observing.
In the novel Firdaus tells her life story from a level of childhood innocence, through FGM, abuse from a relative, the death of her parents, school, an arranged marriage to a much older man (whom she leaves when he abuses her), time with another man (starts well but ends in control and abuse), time as a prostitute in a brothel (well-paid but Firduas realizes that the woman cannot protect her), then as a prostitute on her own, then a menial job in a local office, falls in love and thinks it is reciprocated, Firduas is betrayed and goes back to prostitution, when a pimp moves in to try to control her she has to kill him. She has to kill him because the only way for women to liberate themselves from men is to kill them. This, Firduas says, is why she has to die.
Firduas has lead a life where choice has been absent and this is the point; freedom is illusory, as Janis Joplin sang 鈥淔reedom鈥檚 just another word for nothing left to lose鈥�. It may all sound quite grim and given the subject matter that is inevitable, but Saadawi does write lyrically as well:
鈥淚t was clean, paved thoroughfare, which ran along one bank of the Nile with tall trees on either side. The houses were surrounded by fences and gardens. The air which entered my lungs was pure and free of dust. I saw a stone bench facing the river. I sat down on it, and lifted my face to the refreshing breeze.鈥�
However the crux of the matter relates to choice and control, the lack of choices women have and the control men have:
鈥淗ow many were the years of my life that went by before my body, and my self became really mine, to do with them as I wished? How many were the years of my life that were lost before I tore my body and my self away from these people who held me in their grasp since the very first day?鈥�
Saadawi gives agency to the voiceless and the reader is drawn into Firduas鈥檚 life and feels the inevitability of her action. The men, as set in the culture, have all the power and all the choices. The novel provides a powerful analysis of the nature of control and coercion wrought upon women by men. It鈥檚 also a well written novel. So why didn鈥檛 she get the Nobel?
January 1, 2018
Revisiting my Nobels always also includes guessing and hoping for a favourite to receive this year's award. Nawal El-Saadawi has been on my wish list for the Nobel Prize in Literature for many, many years, ever since she dragged me into the scary universe of , showing the double life of women in Egypt, conforming to rules set by men while letting their creativity and independence gain power within their own minds.
The Swedish Academy being what it is, it would be completely unheard of to award women two years in a row, but I keep hoping!
Why Nawal El-Saadawi?
She was a psychiatrist before she became an author, and she is a politician and a human rights activist, so one might argue that she is not dedicating her whole body and soul to literature and therefore not a valid aesthetic choice. However, Nobel's will clearly states that the prizes should be awarded "to those who, during the preceding year, shall have conferred the greatest benefit to mankind".
"Woman at Point Zero" makes the case for women in the Arab world, shows their vulnerability, their strength and intelligence, and at the same time, it is a harrowing work of fiction, of classical
drama. Awarding El-Saadawi the Nobel Prize would officially recognise the voice of women in oppressive societies, while adding a compelling storyteller to the list of laureates.
Similar to Drakulic' in the depiction of regular, institutionalised abuse, "Woman at Point Zero" adds the dimension of internal striving for freedom.
The book begins on the night before the main character's execution in a prison. The basic facts of the story are true, and Nawal El-Saadawi recounts the original circumstances in her preface, explaining how she came to know the real woman the novel is based on:
"Firdaus, however, remained a woman apart. She stood out amongst the others, vibrated within me, or sometimes lay quiet, until the day when I put her down in ink on paper and gave her life after she had died."
This story is an act of catharsis, using the creation of art to survive the pain of reality. Again, the similarity to Drakulic is striking. She also focused on the therapeutic, cathartic power of art in her novel .
El-Saadawi does not simply record the story she listens to, in the way of the journalist Svetlana Alexievich in her documentation of the Soviet Union and Russian life post communism, she creates a setting, not unlike Sheherazade's nightly storytelling atmosphere in the face of imminent execution. There is urgency in the voice of the woman who cuts her visitor short:
"Let me speak. Do not interrupt me. I have no time to listen to you. They are coming to take me at six o'clock this evening. Tomorrow morning I shall no longer be here."
Then she starts talking, and the story unfolds with terrifying logic. We encounter a young girl full of curiosity, loving school, devouring books:
"I developed a love of books, for with every book I learned something new. I got to know about the Persians, the Turks and the Arabs. I read about the crimes committed by kings and rulers, about wars, peoples, revolutions, and the lives of the revolutionaries."
At this point in her life, she has already experienced sexual abuse by her uncle, and she relates the stories she reads to her own life and concludes:
"I discovered that history tended to repeat itself with a foolish obstinacy."
As a grown-up, she works as a prostitute and learns to suppress all feelings. She becomes an automaton, brutally shaken awake when she falls in love:
"When I was selling my body to men, the pain had been much less. It was imaginary, rather than real. As a prostitute, I was not myself, my feelings did not arise from within me.
They were not really mine. [...] With love I began to imagine that I had become a human being."
Her humiliation and hurt are so intense because she had begun to hope. Let down even by the man she loves, she is devastated.
After that experience, she frees herself from all male domination and acts on her own. She strikes back, and returns the violence she has been subject to since childhood.
The result eventually is her arrest for murder and ultimately her execution, which she celebrates:
"They said: "You are a savage and dangerous woman".
"I am speaking the truth, and truth is savage and dangerous."
With pride she leaves for her last encounter with oppressive society, leaving the shocked and deeply touched narrator behind:
"I saw her walk out with them. I never saw her again. But her voice continued to echo in my ears, vibrating in my head, in the cell, in the prison, in the streets, in the whole world, shaking everything, spreading fear wherever it went, the fear of the truth which kills, the power of truth, as savage, and as simple, and as awesome as death, yet as simple and as gentle as the child that has not yet learnt to lie."
Those words speak for themselves, and that voice deserves to be heard, along with the many other voices creating a chorus singing of freedom of choice for oppressed people around the world, a chorus in which chimes in, or Virginia Woolf in her .
Maybe it is time for the academy to make a statement by awarding women the Nobel Prize in Literature twice in a row, after a century of lopsidedness, missing out on women of Woolf's caliber?
Says the bookworm cheering on her favourites, well aware that the election process is complicated, political, and sometimes quite random. And that her taste is not universal, but personal!
I have other favourites to cheer on as well, but I keep my fingers crossed for this author of savage truth in a political landscape recently labelled the "post-truth era" by The Economist!
The Swedish Academy being what it is, it would be completely unheard of to award women two years in a row, but I keep hoping!
Why Nawal El-Saadawi?
She was a psychiatrist before she became an author, and she is a politician and a human rights activist, so one might argue that she is not dedicating her whole body and soul to literature and therefore not a valid aesthetic choice. However, Nobel's will clearly states that the prizes should be awarded "to those who, during the preceding year, shall have conferred the greatest benefit to mankind".
"Woman at Point Zero" makes the case for women in the Arab world, shows their vulnerability, their strength and intelligence, and at the same time, it is a harrowing work of fiction, of classical
drama. Awarding El-Saadawi the Nobel Prize would officially recognise the voice of women in oppressive societies, while adding a compelling storyteller to the list of laureates.
Similar to Drakulic' in the depiction of regular, institutionalised abuse, "Woman at Point Zero" adds the dimension of internal striving for freedom.
The book begins on the night before the main character's execution in a prison. The basic facts of the story are true, and Nawal El-Saadawi recounts the original circumstances in her preface, explaining how she came to know the real woman the novel is based on:
"Firdaus, however, remained a woman apart. She stood out amongst the others, vibrated within me, or sometimes lay quiet, until the day when I put her down in ink on paper and gave her life after she had died."
This story is an act of catharsis, using the creation of art to survive the pain of reality. Again, the similarity to Drakulic is striking. She also focused on the therapeutic, cathartic power of art in her novel .
El-Saadawi does not simply record the story she listens to, in the way of the journalist Svetlana Alexievich in her documentation of the Soviet Union and Russian life post communism, she creates a setting, not unlike Sheherazade's nightly storytelling atmosphere in the face of imminent execution. There is urgency in the voice of the woman who cuts her visitor short:
"Let me speak. Do not interrupt me. I have no time to listen to you. They are coming to take me at six o'clock this evening. Tomorrow morning I shall no longer be here."
Then she starts talking, and the story unfolds with terrifying logic. We encounter a young girl full of curiosity, loving school, devouring books:
"I developed a love of books, for with every book I learned something new. I got to know about the Persians, the Turks and the Arabs. I read about the crimes committed by kings and rulers, about wars, peoples, revolutions, and the lives of the revolutionaries."
At this point in her life, she has already experienced sexual abuse by her uncle, and she relates the stories she reads to her own life and concludes:
"I discovered that history tended to repeat itself with a foolish obstinacy."
As a grown-up, she works as a prostitute and learns to suppress all feelings. She becomes an automaton, brutally shaken awake when she falls in love:
"When I was selling my body to men, the pain had been much less. It was imaginary, rather than real. As a prostitute, I was not myself, my feelings did not arise from within me.
They were not really mine. [...] With love I began to imagine that I had become a human being."
Her humiliation and hurt are so intense because she had begun to hope. Let down even by the man she loves, she is devastated.
After that experience, she frees herself from all male domination and acts on her own. She strikes back, and returns the violence she has been subject to since childhood.
The result eventually is her arrest for murder and ultimately her execution, which she celebrates:
"They said: "You are a savage and dangerous woman".
"I am speaking the truth, and truth is savage and dangerous."
With pride she leaves for her last encounter with oppressive society, leaving the shocked and deeply touched narrator behind:
"I saw her walk out with them. I never saw her again. But her voice continued to echo in my ears, vibrating in my head, in the cell, in the prison, in the streets, in the whole world, shaking everything, spreading fear wherever it went, the fear of the truth which kills, the power of truth, as savage, and as simple, and as awesome as death, yet as simple and as gentle as the child that has not yet learnt to lie."
Those words speak for themselves, and that voice deserves to be heard, along with the many other voices creating a chorus singing of freedom of choice for oppressed people around the world, a chorus in which chimes in, or Virginia Woolf in her .
Maybe it is time for the academy to make a statement by awarding women the Nobel Prize in Literature twice in a row, after a century of lopsidedness, missing out on women of Woolf's caliber?
Says the bookworm cheering on her favourites, well aware that the election process is complicated, political, and sometimes quite random. And that her taste is not universal, but personal!
I have other favourites to cheer on as well, but I keep my fingers crossed for this author of savage truth in a political landscape recently labelled the "post-truth era" by The Economist!
January 23, 2019
If you live in an Arab Muslim country , you would have probably heard of Nawel Saadaoui once in your lifetime.
I know I have.
But it took me a while until I decided to pick up one of her books and it is mainly thanks to Ilham , a dear friend of mine , who recommended it to me.
I opened the first pages , started reading and next thing i know , there are no pages left for me to read.
It's heartbreaking , deeply uncomfortable and mournful.
Ferdaous's story is definitely one of those stories that need to be read/heard of. An egyptian woman faced with the ugly side of life ever since she was a child.
The tone of the book starts off simply and slowly however the change in describing brutal incidents caught me by surprise.
Nawel does not stop to reflect or to further explain what happened , she writes as if it is a ususal thing . Only later that I have managed to unravel the reason why she hasn't stopped and let us grasp , other equally awful encounters were on the way.
This book also raises a key feminist topic : Women's right to choose . Feminists have always fought for the freedom of choice , only women are capable of choosing how they live their lives. In other words , anything can be considered feminist as long as it is a woman鈥檚 choice.
Nawal discusses this point with her readers while narrating Ferdaous'story , she argues that the fact that a woman chooses something does not necessarily mean that choice is feminist , claiming that women should be aware that patriarchy gives women no choices at all .
That made me think!
I loved Firdaus and I think she鈥檚 a character who鈥檒l stay with me for a very long time . Ferdaous' tragic story is the story of many women across time and cultures.
You need to read this book.
I know I have.
But it took me a while until I decided to pick up one of her books and it is mainly thanks to Ilham , a dear friend of mine , who recommended it to me.
I opened the first pages , started reading and next thing i know , there are no pages left for me to read.
It's heartbreaking , deeply uncomfortable and mournful.
Ferdaous's story is definitely one of those stories that need to be read/heard of. An egyptian woman faced with the ugly side of life ever since she was a child.
The tone of the book starts off simply and slowly however the change in describing brutal incidents caught me by surprise.
Nawel does not stop to reflect or to further explain what happened , she writes as if it is a ususal thing . Only later that I have managed to unravel the reason why she hasn't stopped and let us grasp , other equally awful encounters were on the way.
This book also raises a key feminist topic : Women's right to choose . Feminists have always fought for the freedom of choice , only women are capable of choosing how they live their lives. In other words , anything can be considered feminist as long as it is a woman鈥檚 choice.
Nawal discusses this point with her readers while narrating Ferdaous'story , she argues that the fact that a woman chooses something does not necessarily mean that choice is feminist , claiming that women should be aware that patriarchy gives women no choices at all .
That made me think!
I loved Firdaus and I think she鈥檚 a character who鈥檒l stay with me for a very long time . Ferdaous' tragic story is the story of many women across time and cultures.
You need to read this book.
January 5, 2025
A remarkable and harrowing true tale of feminism and revolution. This novel bring up several incredibly interesting points regarding the perception of women, liberty, marriage, and class, with the bitter truth of someone struggling against abuse and injustice firsthand. Insightful and philosophical, a worthy read.
April 15, 2016
I've loved this slim novel since I read it for the first time in an undergrad literature class. It's beautifully written, addictive as heck and features a harrowing main character. It's simply written and that gives room for the complex narrative (this my favorite type of writing). This book was an enormous influence on my own novel Who Fears Death. And rereading it really reminded me why.
March 23, 2013
丕賮囟賱 賴匕丕 丕賱賳賵毓 賲賳 丕賱丕毓賲丕賱 丕賱丕丿亘賷賴 丕賱匕賶 賷毓賰爻 賵丕賯毓 賵賷禺丿賲 亘卮賰賱 賲亘丕卮乇 賯囟賷賴 丕賳爻丕賳賷賴 丨丕賲賱丕 乇爻丕賱賴 賵丕囟丨賴.. 丕賳賴丕 賱賷爻鬲 賲噩乇丿 乇賵丕賷賴 賲兀爻丕賵賷賴 丕賳鬲賴鬲 亘噩乇賷賲賴 丕賵 鬲賮丕氐賷賱 噩乇賷卅賴 賲賳 丕噩賱 丕賱鬲爻賱賷賴 賵噩匕亘 丕賱賯乇丕亍 賰賲丕 賷馗賳 丕賱賯丕乇卅 丕賱爻丕匕噩貙 丕賳賴丕 鬲鬲賳丕賵賱 亘氐丿賯 賵丕賯毓 丕賱賲乇兀賴 丕賱毓乇亘賷賴 賵賵囟毓賴丕 賲賯丕乇賳賴 亘賵囟毓 丕賱乇噩賱 賮賶 賲噩鬲賲毓 賲夭丿賵噩 爻賷丕爻丕鬲賴 丕賱毓丕賲賴 賴賶 丕賱馗賱賲 賵丕賱賯賴乇.. 賲噩鬲賲毓 丕賱爻賱胤賴 賮賷賴 鬲賲賳丨 賱賱丕爻賵兀 賵丕賱丕賰孬乇 噩卮毓丕 賵賮爻丕丿丕 賵賲噩賵賳丕 賵賯丿 丕孬亘鬲 丕賱匕賰乇 鈥撡堌з勜ж辟娯� 禺賷乇 卮丕賴丿- 丕賳賴 丕賱噩賳爻 丕賱丕賳爻亘 賵丕賱丕賰孬乇 噩丿丕乇賴 賱賲賴丕賲 賰賴匕賴!! .. 丕賲丕 亘丕賱賳爻亘賴 賱賱賲乇兀賴 賮賶 賲噩鬲賲毓賳丕 賮賴賶 亘亘爻丕胤賴 賱賳 鬲賰賵賳 -賲賴賲丕 亘賱睾鬲- 丕賱丕 丕賱賲毓鬲賵賴丞 丕賵 丕賱卮賷胤丕賳賴 丕賱鬲賶 毓賱賷賴丕 丕賳 鬲鬲丨賲賱 丕禺胤丕亍 丕賱噩賲賷毓 賵丕賱爻亘亘 胤亘毓丕 賱丕賳賴丕 丕賲乇兀賴 賵賴匕丕 爻亘亘 賰丕賮賶 噩丿丕 賱賱賵賲賴丕 賵丕爻鬲睾賱丕賱賴丕 賵賯賴乇賴丕 賵賱賳賮爻 丕賱爻亘亘 丕賷囟丕 毓賱賷賴丕 丕賳 鬲丐賲賳 亘卮丿賴 丕賳賴丕 丕賱丕丿賳賶 賱丕爻亘丕亘 賱賷爻鬲 毓賱賲賷賴 亘賷賵賱賵噩賷賴 賵賱丕 丨鬲賶 丿賷賳賷賴.. 賵 丕匕丕 賰丕賳鬲 賲爻鬲賳賷乇賴 賵丕毓賷賴 毓丕賯賱賴 氐丕丿賯賴 賮賴賶 丕賱毓丿賵 丕賱丕賵賱 賱賲噩鬲賲毓 匕賰賵乇賶 丕賯胤丕毓賶 噩丕賴賱 賲乇賷囟 賷毓胤賶 丕賱丕賵爻賲賴 賱丕氐丨丕亘 丕賱賳賮賵匕 賵丕賱賯賵賴 賵丕賱賲丕賱 賲賳 丕賱乇噩丕賱 丕賱睾賷乇 卮乇賮丕亍 毓丕丿賴貙 賵毓賱賷賴丕 丕賳 鬲賵丕噩賴 丕賱毓賯丕亘 丕賱賳賮爻賶 丕匕 賱賲 賷賰賳 丕賯鬲氐丕丿賷丕 丕賵 亘丿賳賷丕 賮賶 丕賱亘賷鬲 賮賶 丕賱毓賲賱 賮賶 丕賱卮丕乇毓 賰賱 賷賵賲.... 賵賱丕 毓噩亘 丕賳 賲噩鬲賲毓丕鬲賳丕 鬲毓噩 亘丕賱賰孬賷乇 賲賳 丕賱乇噩丕賱 丕賱噩卮毓賷賳 丕賱丕賳匕丕賱 丕賱賲丕噩賳賷賳 賵 丕賱賰孬賷乇 丕賷囟丕 賲賳 丕賱賳爻丕亍 丕賱爻賱亘賷丕鬲 丕賱賲睾賮賱丕鬲 賲賲賳 丕鬲亘毓賵丕 賯丕賳賵賳 丕賱匕賰乇 賵賴賵 丕賱丕賷賲丕賳 亘兀噩爻丕丿賴賳 賮賯胤 丿賵賳 毓賯賵賱賴賳貙 噩賳爻賴賳 丿賵賳 丕賳爻丕賳賷鬲賴賳..賵丕賱賲丨氐賱賴 賲噩鬲賲毓 丕賮乇丕丿賴 囟丕卅毓賵賳 賮丕賯丿賵賳 賱匕丕鬲賴賲 丕賱丨賯賷賯賷賴 賵賯賷賲賴賲 丕賱爻丕賲賷賴... 丕賲丕 丕賱亘丕丨孬-乇噩賱 賰丕賳 丕賲 丕賲乇兀賴- 毓賳 丕賱丨賯貙 丕賱爻賱丕賲 丕賱賳賮爻賶 賵丕賱丨賯賷賯賴 賰丕賱丨亘 賵丕賱毓丿賱 賵丕賱賲爻丕賵丕賴 賵丕賱氐丿賯 賵丕賱乇丨賲賴 賵丕賱丕禺賱丕氐 毓賱賷賴 丕賳 賷毓卮 賲睾鬲乇亘丕 賵丨賷丿丕 乇丕賮囟丕 賲乇賮賵囟丕 賲賰鬲卅亘丕 賮賶 氐丿丕賲 丿丕卅賲 賲毓 丕賱丕禺乇賷賳 賵 丕賲丕 丕賳 賷氐亘丨 賲丿毓賷丕 賲鬲馗丕賴乇丕 胤賵丕賱 丕賱賵賯鬲 賮丕賯丿丕 賱賳賮爻賴 賲夭丿賵噩丕 賲賳丕賮賯丕 賱賷賰賵賳 丕賰孬乇 鬲賰賷賮丕 賲毓 賴匕丕 丕賱賲噩鬲賲毓 丕賱賲夭丿賵噩 丕賱賲乇賷囟.
賲丐禺乇丕 賯乇兀鬲 丕賱毓丿賷丿 賲賳 賰鬲丕亘丕鬲 賳賵丕賱 丕賱爻毓丿丕賵賶.. 賵鬲丨賲爻鬲 賵鬲賮丕毓賱鬲 賰孬賷乇丕 亘爻亘亘 氐丿賯賴丕 賵賳夭丕賴鬲賴丕 賮賶 鬲賳丕賵賱 丕賰亘乇 賯囟賷賴 賮賶 賲噩鬲賲毓丕鬲賳丕.. 卮禺氐賷丕 丕賳丕 賲丐賲賳賴 亘兀賳 丕賱賮爻丕丿 賵丕賱賲噩賵賳 賵丕賱毓賳賮 賵丕賱噩乇賷賲賴 爻亘亘賴丕 乇睾亘丕鬲 匕賰乇 賮賶 丕賱賲賯丕賲 丕賱丕賵賱貙 賵賱賰賵賳賶 丕賲乇兀賴 丕丿乇賰鬲 賴匕賴 丕賱丨賯賷賯賴 丕賱賰丕乇孬賷賴 亘丕賱丕囟丕賮賴 丕賳賶 賯囟賷鬲 丕賱賰孬賷乇 賲賳 丕賱賵賯鬲 -亘丨賰賲 丿乇丕爻鬲賶 賵毓賲賱賶- 賮賶 丕賱賲丿丕乇爻 賵丕賱丕氐賱丕丨賷丕鬲 賵丿賵乇 丕賱乇毓丕賷賴 賵丕賱鬲兀賴賷賱 賵丿賵乇 丕賱丕賷鬲丕賲 賵賲丨丕賰賲 丕賱丕爻乇賴 .. 賵卮賴丿鬲 丕睾乇亘 丕賱丕丨丿丕孬 丕賱鬲賶 賷賲賰賳 丕賳 鬲丨丿孬 賱賱賲乇兀賴 賵爻賲毓鬲 丕睾乇亘 丕賱賯氐氐 賵丕賱丨賰丕賷丕鬲 賲賲丕 夭丕丿賳賶 丕丿乇丕賰丕 賵 乇賮囟丕 賱賵丕賯毓 賲噩鬲賲毓賳丕 丕賱賲乇賷囟 丕賱賮丕爻丿 丕賱馗丕賱賲 亘丕賱丕噩賲丕賱.
賲丐禺乇丕 賯乇兀鬲 丕賱毓丿賷丿 賲賳 賰鬲丕亘丕鬲 賳賵丕賱 丕賱爻毓丿丕賵賶.. 賵鬲丨賲爻鬲 賵鬲賮丕毓賱鬲 賰孬賷乇丕 亘爻亘亘 氐丿賯賴丕 賵賳夭丕賴鬲賴丕 賮賶 鬲賳丕賵賱 丕賰亘乇 賯囟賷賴 賮賶 賲噩鬲賲毓丕鬲賳丕.. 卮禺氐賷丕 丕賳丕 賲丐賲賳賴 亘兀賳 丕賱賮爻丕丿 賵丕賱賲噩賵賳 賵丕賱毓賳賮 賵丕賱噩乇賷賲賴 爻亘亘賴丕 乇睾亘丕鬲 匕賰乇 賮賶 丕賱賲賯丕賲 丕賱丕賵賱貙 賵賱賰賵賳賶 丕賲乇兀賴 丕丿乇賰鬲 賴匕賴 丕賱丨賯賷賯賴 丕賱賰丕乇孬賷賴 亘丕賱丕囟丕賮賴 丕賳賶 賯囟賷鬲 丕賱賰孬賷乇 賲賳 丕賱賵賯鬲 -亘丨賰賲 丿乇丕爻鬲賶 賵毓賲賱賶- 賮賶 丕賱賲丿丕乇爻 賵丕賱丕氐賱丕丨賷丕鬲 賵丿賵乇 丕賱乇毓丕賷賴 賵丕賱鬲兀賴賷賱 賵丿賵乇 丕賱丕賷鬲丕賲 賵賲丨丕賰賲 丕賱丕爻乇賴 .. 賵卮賴丿鬲 丕睾乇亘 丕賱丕丨丿丕孬 丕賱鬲賶 賷賲賰賳 丕賳 鬲丨丿孬 賱賱賲乇兀賴 賵爻賲毓鬲 丕睾乇亘 丕賱賯氐氐 賵丕賱丨賰丕賷丕鬲 賲賲丕 夭丕丿賳賶 丕丿乇丕賰丕 賵 乇賮囟丕 賱賵丕賯毓 賲噩鬲賲毓賳丕 丕賱賲乇賷囟 丕賱賮丕爻丿 丕賱馗丕賱賲 亘丕賱丕噩賲丕賱.
August 1, 2019
Los pelos de punta me ha puesto esta historia a lo largo de sus p谩ginas. Y me ha provocado rabia, mucha rabia.
En este libro vamos a conocer a Firdaus, una mujer condenada a la pena de muerte, que como 煤ltima voluntad decide contar la historia de su vida. Su vida nos ser谩 narrada a trav茅s de las p谩ginas de una forma r谩pida y directa, pero no exenta de mucho dolor.
Nuestra protagonista nacer谩 en Egipto, y desde bien temprano descubrir谩 que ninguna mujer es libre en su pa铆s. Todas son esclavas de los hombres. Primero lo ser谩 de su padre, luego de su t铆o, despu茅s de su marido, y as铆, se ir谩n sucediendo un sin fin de personajes masculinos, que solo se acercar谩n a ella para sacar provecho. Como si fuera un simple objeto al que se le pudiera sacar todo el beneficio posible. Estas situaciones la ir谩n llevando a una tristeza y a una desesperaci贸n cada vez m谩s grande, hasta que pierda toda la esperanza ante la vida. Y se vuelva insensible.
Esta es una obra incre铆ble, pero de una gran dureza. Cuesta creer que la autora tuviera el valor de hacer un retrato tan crudo y ta directo de la sociedad machista egipcia en el 1973. Aunque bueno, a d铆a de hoy, seguir铆a siendo algo tremendamente valiente. De hecho, libros como este y otros muchos que tiene, le valieron ser despedida de diferentes trabajos, encarcelada, e incluso, tener que exiliarse en EEUU por ser amenazada de muerte por terroristas.
La reflexi贸n m谩s interesante de la novela, viene a confirmar lo que la autora sufri贸 despu茅s por escribir los libros que escribi贸: La verdad es mucho m谩s peligrosa y poderosa que la muerte, y quien no quiere oirla tratar谩 de acallarla con violencia. Y no hay mejor arma contra esta que la verdad.
En definitiva, un libro super recomendable, pero incre铆blemente duro. Un libro que nos habla sobre la situaci贸n de la mujer en Egipto, un pa铆s donde la violaci贸n y el maltrato por parte del hombre est谩 completamente interiorizada en la sociedad, hasta tal punto que la mujer no solo es culpable de los actos que el hombre hace, si no tambi茅n lo es de los actos a los que este le obliga. Otro libro maravilloso para que las personas se eduquen.
En este libro vamos a conocer a Firdaus, una mujer condenada a la pena de muerte, que como 煤ltima voluntad decide contar la historia de su vida. Su vida nos ser谩 narrada a trav茅s de las p谩ginas de una forma r谩pida y directa, pero no exenta de mucho dolor.
Nuestra protagonista nacer谩 en Egipto, y desde bien temprano descubrir谩 que ninguna mujer es libre en su pa铆s. Todas son esclavas de los hombres. Primero lo ser谩 de su padre, luego de su t铆o, despu茅s de su marido, y as铆, se ir谩n sucediendo un sin fin de personajes masculinos, que solo se acercar谩n a ella para sacar provecho. Como si fuera un simple objeto al que se le pudiera sacar todo el beneficio posible. Estas situaciones la ir谩n llevando a una tristeza y a una desesperaci贸n cada vez m谩s grande, hasta que pierda toda la esperanza ante la vida. Y se vuelva insensible.
Esta es una obra incre铆ble, pero de una gran dureza. Cuesta creer que la autora tuviera el valor de hacer un retrato tan crudo y ta directo de la sociedad machista egipcia en el 1973. Aunque bueno, a d铆a de hoy, seguir铆a siendo algo tremendamente valiente. De hecho, libros como este y otros muchos que tiene, le valieron ser despedida de diferentes trabajos, encarcelada, e incluso, tener que exiliarse en EEUU por ser amenazada de muerte por terroristas.
La reflexi贸n m谩s interesante de la novela, viene a confirmar lo que la autora sufri贸 despu茅s por escribir los libros que escribi贸: La verdad es mucho m谩s peligrosa y poderosa que la muerte, y quien no quiere oirla tratar谩 de acallarla con violencia. Y no hay mejor arma contra esta que la verdad.
En definitiva, un libro super recomendable, pero incre铆blemente duro. Un libro que nos habla sobre la situaci贸n de la mujer en Egipto, un pa铆s donde la violaci贸n y el maltrato por parte del hombre est谩 completamente interiorizada en la sociedad, hasta tal punto que la mujer no solo es culpable de los actos que el hombre hace, si no tambi茅n lo es de los actos a los que este le obliga. Otro libro maravilloso para que las personas se eduquen.
March 5, 2019
螚 Nawal El-Saadawi 蔚委谓伪喂 伪喂纬蠉蟺蟿喂伪 蟽蠀纬纬蟻伪蠁苇伪蟼,蠄蠀蠂委伪蟿蟻慰蟼 魏伪喂 伪魏蟿喂尾委蟽蟿蟻喂伪 纬喂伪 蟿伪 未喂魏伪喂蠋渭伪蟿伪 蟿蠅谓 纬蠀谓伪喂魏蠋谓.
螝伪蟿维 蟿畏 未喂维蟻魏蔚喂伪 渭喂伪蟼 苇蟻蔚蠀谓伪蟼 蟺慰蠀 苇魏伪谓蔚 纬喂伪 蟿喂蟼 谓蔚蠀蟻蠋蟽蔚喂蟼 蟽蟿喂蟼 纬蠀谓伪委魏蔚蟼,尾蟻苇胃畏魏蔚 魏伪喂 蟽蔚 渭喂伪 蠁蠀位伪魏萎 蠈蟺慰蠀 魏伪喂 苇渭伪胃蔚 纬喂伪 蟿畏谓 桅喂蟻谓蟿维慰蠀蟼,渭喂伪 纬蠀谓伪委魏伪 魏伪蟿伪未喂魏伪蟽渭苇谓畏 蟽蔚 胃维谓伪蟿慰,魏伪喂 味萎蟿畏蟽蔚 谓伪 蟿畏谓 未蔚喂.螚 桅喂蟻谓蟿维慰蠀蟼 伪蟻谓喂蠈蟿伪谓 谓伪 蟿畏蟼 渭喂位萎蟽蔚喂 纬喂伪 伪蟻魏蔚蟿苇蟼 蔚尾未慰渭维未蔚蟼,渭苇蠂蟻喂 蟺慰蠀 魏维蟺慰喂伪 渭苇蟻伪 伪蟺慰蠁维蟽喂蟽蔚 谓伪 蟺蔚喂 蟿畏谓 喂蟽蟿慰蟻委伪 蟿畏蟼 味蠅萎蟼 蟿畏蟼 蟽蟿畏谓 纬喂伪蟿蟻蠈.
螒蠀蟿萎谓 蟿畏谓 喂蟽蟿慰蟻委伪 胃苇位畏蟽蔚 谓伪 渭蔚蟿伪蠁苇蟻蔚喂 蟽蔚 伪蠀蟿蠈 蟿慰 尾喂尾位委慰 畏 El Saadawi.
螚 桅喂蟻谓蟿维慰蠀蟼 伪纬伪蟺慰蠉蟽蔚 蟿慰 蟽蠂慰位蔚委慰,蟿畏 渭维胃畏蟽畏,胃伪 萎胃蔚位蔚 谓伪 蟽蟺慰蠀未维蟽蔚喂,谓伪 未慰蠀位苇蠄蔚喂,谓伪 蔚委谓伪喂 蔚位蔚蠉胃蔚蟻畏.螡伪 未喂伪位苇尉蔚喂 伪蠀蟿萎 蟿慰 未蟻蠈渭慰 蟿畏蟼.螕蔚谓谓萎胃畏魏蔚 蠈渭蠅蟼 蟽蔚 渭喂伪 魏慰喂谓蠅谓委伪 慰蟺慰蠀 ,蠅蟼 纬蠀谓伪委魏伪,未蔚谓 蔚委蠂蔚 伪蠀蟿蠈 蟿慰 未喂魏伪委蠅渭伪.
螝伪魏慰蟺慰喂萎胃畏魏蔚 尉伪谓维 魏伪喂 尉伪谓维,蟺蟻慰蟽蟺维胃畏蟽蔚 谓伪 尉蔚蠁蠉纬蔚喂,苇味畏蟽蔚 渭喂伪 蠄蔚蠀未伪委蟽胃畏蟽畏 蔚位蔚蠀胃蔚蟻委伪蟼,渭苇蠂蟻喂 蟺慰蠀 魏伪蟿维位伪尾蔚 蟺蠅蟼 蠈蟿喂 魏伪喂 谓伪 魏维谓蔚喂 未蔚谓 渭蟺慰蟻蔚委 谓伪 纬位蠀蟿蠋蟽蔚喂 伪蟺慰 蟿慰蠀蟼 维谓蟿蟻蔚蟼,蟺慰蠀 苇蠂慰蠀谓 蠈位伪 蟿伪 未喂魏伪喂蠋渭伪蟿伪,蔚谓蠋 伪蠀蟿萎 魏伪谓苇谓伪.
螝伪蟿维 蟿畏 未喂维蟻魏蔚喂伪 渭喂伪蟼 苇蟻蔚蠀谓伪蟼 蟺慰蠀 苇魏伪谓蔚 纬喂伪 蟿喂蟼 谓蔚蠀蟻蠋蟽蔚喂蟼 蟽蟿喂蟼 纬蠀谓伪委魏蔚蟼,尾蟻苇胃畏魏蔚 魏伪喂 蟽蔚 渭喂伪 蠁蠀位伪魏萎 蠈蟺慰蠀 魏伪喂 苇渭伪胃蔚 纬喂伪 蟿畏谓 桅喂蟻谓蟿维慰蠀蟼,渭喂伪 纬蠀谓伪委魏伪 魏伪蟿伪未喂魏伪蟽渭苇谓畏 蟽蔚 胃维谓伪蟿慰,魏伪喂 味萎蟿畏蟽蔚 谓伪 蟿畏谓 未蔚喂.螚 桅喂蟻谓蟿维慰蠀蟼 伪蟻谓喂蠈蟿伪谓 谓伪 蟿畏蟼 渭喂位萎蟽蔚喂 纬喂伪 伪蟻魏蔚蟿苇蟼 蔚尾未慰渭维未蔚蟼,渭苇蠂蟻喂 蟺慰蠀 魏维蟺慰喂伪 渭苇蟻伪 伪蟺慰蠁维蟽喂蟽蔚 谓伪 蟺蔚喂 蟿畏谓 喂蟽蟿慰蟻委伪 蟿畏蟼 味蠅萎蟼 蟿畏蟼 蟽蟿畏谓 纬喂伪蟿蟻蠈.
螒蠀蟿萎谓 蟿畏谓 喂蟽蟿慰蟻委伪 胃苇位畏蟽蔚 谓伪 渭蔚蟿伪蠁苇蟻蔚喂 蟽蔚 伪蠀蟿蠈 蟿慰 尾喂尾位委慰 畏 El Saadawi.
螚 桅喂蟻谓蟿维慰蠀蟼 伪纬伪蟺慰蠉蟽蔚 蟿慰 蟽蠂慰位蔚委慰,蟿畏 渭维胃畏蟽畏,胃伪 萎胃蔚位蔚 谓伪 蟽蟺慰蠀未维蟽蔚喂,谓伪 未慰蠀位苇蠄蔚喂,谓伪 蔚委谓伪喂 蔚位蔚蠉胃蔚蟻畏.螡伪 未喂伪位苇尉蔚喂 伪蠀蟿萎 蟿慰 未蟻蠈渭慰 蟿畏蟼.螕蔚谓谓萎胃畏魏蔚 蠈渭蠅蟼 蟽蔚 渭喂伪 魏慰喂谓蠅谓委伪 慰蟺慰蠀 ,蠅蟼 纬蠀谓伪委魏伪,未蔚谓 蔚委蠂蔚 伪蠀蟿蠈 蟿慰 未喂魏伪委蠅渭伪.
螝伪魏慰蟺慰喂萎胃畏魏蔚 尉伪谓维 魏伪喂 尉伪谓维,蟺蟻慰蟽蟺维胃畏蟽蔚 谓伪 尉蔚蠁蠉纬蔚喂,苇味畏蟽蔚 渭喂伪 蠄蔚蠀未伪委蟽胃畏蟽畏 蔚位蔚蠀胃蔚蟻委伪蟼,渭苇蠂蟻喂 蟺慰蠀 魏伪蟿维位伪尾蔚 蟺蠅蟼 蠈蟿喂 魏伪喂 谓伪 魏维谓蔚喂 未蔚谓 渭蟺慰蟻蔚委 谓伪 纬位蠀蟿蠋蟽蔚喂 伪蟺慰 蟿慰蠀蟼 维谓蟿蟻蔚蟼,蟺慰蠀 苇蠂慰蠀谓 蠈位伪 蟿伪 未喂魏伪喂蠋渭伪蟿伪,蔚谓蠋 伪蠀蟿萎 魏伪谓苇谓伪.
March 28, 2019
螖蠀蟽蟿蠀蠂蠋蟼 魏喂 伪蠀蟿蠈 伪谓萎魏蔚喂 蟽蟿伪 尾喂尾位委伪 蟺慰蠀 蔚蠉蠂蔚蟽伪喂 谓伪 萎蟿伪谓 fiction.
螚 喂蟽蟿慰蟻委伪 魏伪胃伪蠀蟿萎 蔚委谓伪喂 蟽蠀纬魏位慰谓喂蟽蟿喂魏萎: 渭喂伪 纬蠀谓伪委魏伪 蟺慰蠀 魏伪魏慰蟺慰喂萎胃畏魏蔚 蔚蟺伪谓蔚喂位畏渭渭苇谓伪 伪蟺蠈 伪谓未蟻喂魏维 蠂苇蟻喂伪 蟽蔚 蠈位畏 蟿畏蟼 味蠅萎 魏伪蟿伪未喂魏维味蔚蟿伪喂 纬喂伪 蠁蠈谓慰 魏伪喂 蟿畏蟼 蔚蟺喂尾维位位蔚蟿伪喂 畏 胃伪谓伪蟿喂魏萎 蟺慰喂谓萎.
惟蟽蟿蠈蟽慰 魏维蟿喂 蟽蟿畏 纬蟻伪蠁萎 渭蔚 尉苇谓喂蟽蔚 伪蟻魏蔚蟿维. 螖蔚 渭蟺慰蟻蠋 谓伪 蟿慰 蔚尉畏纬萎蟽蠅 伪魏蟻喂尾蠋蟼, 蟺维谓蟿蠅蟼 蟺喂蟽蟿蔚蠉蠅 蠈蟿喂 未蔚谓 蔚委谓伪喂 胃苇渭伪 渭蔚蟿维蠁蟻伪蟽畏蟼.
4/5 蠈蟺蠅蟼 魏伪喂 谓伪 '蠂蔚喂 纬喂伪 蟿畏谓 桅喂蟻谓蟿维慰蠀蟼 魏伪喂 纬喂伪 魏维胃蔚 桅喂蟻谓蟿维慰蠀蟼 蔚魏蔚委 苇尉蠅.
螚 喂蟽蟿慰蟻委伪 魏伪胃伪蠀蟿萎 蔚委谓伪喂 蟽蠀纬魏位慰谓喂蟽蟿喂魏萎: 渭喂伪 纬蠀谓伪委魏伪 蟺慰蠀 魏伪魏慰蟺慰喂萎胃畏魏蔚 蔚蟺伪谓蔚喂位畏渭渭苇谓伪 伪蟺蠈 伪谓未蟻喂魏维 蠂苇蟻喂伪 蟽蔚 蠈位畏 蟿畏蟼 味蠅萎 魏伪蟿伪未喂魏维味蔚蟿伪喂 纬喂伪 蠁蠈谓慰 魏伪喂 蟿畏蟼 蔚蟺喂尾维位位蔚蟿伪喂 畏 胃伪谓伪蟿喂魏萎 蟺慰喂谓萎.
惟蟽蟿蠈蟽慰 魏维蟿喂 蟽蟿畏 纬蟻伪蠁萎 渭蔚 尉苇谓喂蟽蔚 伪蟻魏蔚蟿维. 螖蔚 渭蟺慰蟻蠋 谓伪 蟿慰 蔚尉畏纬萎蟽蠅 伪魏蟻喂尾蠋蟼, 蟺维谓蟿蠅蟼 蟺喂蟽蟿蔚蠉蠅 蠈蟿喂 未蔚谓 蔚委谓伪喂 胃苇渭伪 渭蔚蟿维蠁蟻伪蟽畏蟼.
4/5 蠈蟺蠅蟼 魏伪喂 谓伪 '蠂蔚喂 纬喂伪 蟿畏谓 桅喂蟻谓蟿维慰蠀蟼 魏伪喂 纬喂伪 魏维胃蔚 桅喂蟻谓蟿维慰蠀蟼 蔚魏蔚委 苇尉蠅.
March 30, 2017
This review could probably just read:
Men suck.
But then that wouldn't cover the fact that sometimes women do too. But:
Men suck (and sometimes women as well)
doesn't have the same punchiness.
Really though, in this story by Nawal El-Saadawi men do suck. Lots. Whether you are a poor uneducated brute or a more educated sophisticated man; whether you are a pimp or a prince, a near relation or a policeman, if you are a man it is a given that you are going to seriously suck at some point. Sometimes it will take some time for you to show us just how much you suck, but that only means when you do, you end up sucking twice as bad.
Does Ms El-Saadawi blame the specific environment of Egypt and the contaminating influence of Islamic religion used to praise the dehumanising of women? Or does it go further down to the fact that she thinks that all men are just scum regardless of place and religious upbringing? Perhaps it doesn't matter - if your whole world is one area and one idea then that is your specific reality. And in that reality, men suck.
Big time.
Men suck.
But then that wouldn't cover the fact that sometimes women do too. But:
Men suck (and sometimes women as well)
doesn't have the same punchiness.
Really though, in this story by Nawal El-Saadawi men do suck. Lots. Whether you are a poor uneducated brute or a more educated sophisticated man; whether you are a pimp or a prince, a near relation or a policeman, if you are a man it is a given that you are going to seriously suck at some point. Sometimes it will take some time for you to show us just how much you suck, but that only means when you do, you end up sucking twice as bad.
Does Ms El-Saadawi blame the specific environment of Egypt and the contaminating influence of Islamic religion used to praise the dehumanising of women? Or does it go further down to the fact that she thinks that all men are just scum regardless of place and religious upbringing? Perhaps it doesn't matter - if your whole world is one area and one idea then that is your specific reality. And in that reality, men suck.
Big time.
September 3, 2015
Yazar谋n M谋s谋r'da Kanat谋r cevaevinde g枚r眉艧t眉臒眉 idam mahkumu bir kad谋n谋n hikayesi. Karar vermek zor; insan olarak m谋 yoksa kad谋n olarak m谋 daha 莽ok etkilendim?
Ger莽ekli臒ine inanmak istemeyece臒imiz kadar ger莽ek maalesef.
Ger莽ekli臒ine inanmak istemeyece臒imiz kadar ger莽ek maalesef.
September 28, 2017
Tokat gibi 莽arp谋yor insan谋n surat谋na.
March 28, 2019
螣位蠈魏位畏蟻畏 畏 魏蟻喂蟿喂魏萎 渭慰蠀 纬喂伪 蟿慰 尾喂尾位委慰 .
螚 螡伪慰蠀维位 伪位 危伪伪谓蟿维慰蠀喂, 纬蔚谓谓畏渭苇谓畏 蟽蟿畏谓 螒委纬蠀蟺蟿慰 蟿慰 1931, 尾委蠅蟽蔚 伪蟺蠈 蟺慰位蠉 渭喂魏蟻萎 畏位喂魏委伪 蟿慰 蠁蠀蟽喂魏慰蟺慰喂畏渭苇谓慰 尾维蟻慰蟼 蟿畏蟼 伪谓未蟻喂魏萎蟼 魏伪蟿伪蟺委蔚蟽畏蟼, 蟿畏 尾委伪 蟺慰蠀 蟽蠁蟻伪纬委味蔚喂 蟿慰 蟽蠋渭伪, 伪蠁慰蠉 蟽蟿伪 苇尉喂 蟿畏蟼 蠂蟻蠈谓喂伪 蠀蟺苇蟽蟿畏 魏位蔚喂蟿慰蟻喂未蔚魏蟿慰渭萎, 蠈蟺蠅蟼 魏喂 畏 畏蟻蠅委未伪 伪蠀蟿慰蠉 蟿慰蠀 尾喂尾位委慰蠀, 畏 桅喂蟻谓蟿维慰蠀蟼. 螤伪蟻鈥� 蠈位伪 伪蠀蟿维, 畏 慰喂魏慰纬苇谓蔚喂维 蟿畏蟼 蟿萎蟼 蔚蟺苇蟿蟻蔚蠄蔚 谓伪 蟽蟺慰蠀未维蟽蔚喂 喂伪蟿蟻喂魏萎 蟽蟿慰 螤伪谓蔚蟺喂蟽蟿萎渭喂慰 蟿慰蠀 螝伪螑蟻慰蠀, 伪蟺鈥� 蠈蟺慰蠀 伪蟺慰蠁慰委蟿畏蟽蔚 蟽蟿伪 渭苇蟽伪 蟿畏蟼 未蔚魏伪蔚蟿委伪蟼 蟿慰蠀 鈥�50.
围维蟻畏 蟽蟿畏 未慰蠀位蔚喂维 蟿畏蟼 萎蟻胃蔚 蟽蔚 蔚蟺伪蠁萎 渭蔚 纬蠀谓伪委魏蔚蟼 蟿畏蟼 蠀蟺伪委胃蟻慰蠀 魏伪喂 蠁蟿蠅蠂苇蟼 伪纬蟻蠈蟿喂蟽蟽蔚蟼 蟺慰蠀 蔚委蠂伪谓 蠀蟺慰蟽蟿蔚委 魏喂 蔚魏蔚委谓蔚蟼 蟽蠅渭伪蟿喂魏萎 尾委伪 魏伪喂 伪魏蟻蠅蟿畏蟻喂伪蟽渭慰蠉蟼 蟽蟿伪 纬蔚谓谓畏蟿喂魏维 蟿慰蠀蟼 蠈蟻纬伪谓伪. 螒蟺慰蟿苇位蔚蟽渭伪 渭喂伪蟼 蟿苇蟿慰喂伪蟼 蟽蠀谓维谓蟿畏蟽畏蟼 蔚委谓伪喂 魏伪喂 畏 桅喂蟻谓蟿维慰蠀蟼, 畏 蟺蟻蠅蟿慰蟺蟻蠈蟽蠅蟺畏 蔚尉慰渭慰位蠈纬畏蟽畏 渭喂伪蟼 胃伪谓伪蟿慰蟺慰喂谓委蟿喂蟽蟽伪蟼, 蟺慰蠀 伪蠁畏纬蔚委蟿伪喂 蟿畏 味蠅萎 蟿畏蟼 蟽蟿畏谓 蠄蠀蠂委伪蟿蟻慰 位委纬慰 蟺蟻喂谓 苇蟻胃慰蠀谓 谓伪 蟿畏谓 蟺维蟻慰蠀谓 纬喂伪 蔚魏蟿苇位蔚蟽畏. 螚 桅喂蟻谓蟿维慰蠀蟼 伪蟻谓萎胃畏魏蔚 蟿畏 蠂维蟻畏 蟿慰蠀 蟺蟻慰苇未蟻慰蠀, 未喂维位蔚尉蔚 谓伪 渭畏 蟽蠋蟽蔚喂 蟿畏 味蠅萎 蟿畏蟼, 伪谓蟿喂蟽蟿维胃畏魏蔚 纬喂伪 渭喂伪 蟿蔚位蔚蠀蟿伪委伪 蠁慰蟻维 蟽蟿畏谓 伪谓未蟻喂魏萎 蔚尉慰蠀蟽委伪.
螚 喂蟽蟿慰蟻委伪 蟿畏蟼 尉蔚魏喂谓维蔚喂 伪蟺蠈 蟿畏谓 蟺伪喂未喂魏萎 蟿畏蟼 畏位喂魏委伪 蟽蟿慰 蟺伪蟿蟻喂魏蠈 蟽蟺委蟿喂, 渭苇蟽伪 蟽蔚 魏伪胃蔚蟽蟿蠋蟼 蠁蟿蠋蠂蔚喂伪蟼 魏伪喂 蟽魏位畏蟻蠈蟿畏蟿伪蟼. 螣 伪纬蟻维渭渭伪蟿慰蟼 蟺伪蟿苇蟻伪蟼 蟿畏蟼 维蠁畏谓蔚 谓畏蟽蟿喂魏慰蠉蟼 蟿畏 纬蠀谓伪委魏伪 魏伪喂 蟿伪 蟺伪喂未喂维 蟿慰蠀 纬喂伪 谓伪 渭畏谓 蟿慰蠀 位蔚委蠄蔚喂 蟿慰 未蔚委蟺谓慰 魏喂 蠈蟿伪谓 魏维蟺慰喂慰 伪蟺鈥� 蟿伪 伪纬蠈蟻喂伪 蟺苇胃伪喂谓蔚, 蟽蠀蠂谓蠈 蠁伪喂谓蠈渭蔚谓慰, 尉蠀位慰蠁蠈蟻蟿蠅谓蔚 蟿畏 蟽蠉味蠀纬蠈 蟿慰蠀. 螠蠈位喂蟼 蟿畏谓 伪谓蟿喂魏伪蟿苇蟽蟿畏蟽蔚 渭蔚 魏维蟺慰喂伪 维位位畏, 畏 桅喂蟻谓蟿维慰蠀蟼 伪谓苇位伪尾蔚 谓伪 蟿慰谓 蠀蟺畏蟻蔚蟿蔚委. 螚 渭蠈谓畏 未喂伪蠁蠀纬萎 蟿畏蟼 蠁伪喂谓蠈蟿伪谓 谓伪 蔚委谓伪喂 慰 胃蔚委慰蟼 蟿畏蟼, 苇谓伪蟼 伪魏蠈渭畏 维谓未蟻伪蟼 伪蟺蠈 蟿慰谓 慰蟺慰委慰 伪谓伪纬魏维蟽蟿畏魏蔚 谓伪 蔚尉伪蟻蟿畏胃蔚委 纬喂伪 谓伪 渭蟺慰蟻苇蟽蔚喂 谓伪 蟽蟺慰蠀未维蟽蔚喂 魏伪喂 谓伪 尉蔚蠁蠉纬蔚喂 伪蟺蠈 蟿畏谓 慰喂魏慰纬蔚谓蔚喂伪魏萎 魏伪蟿伪蟺委蔚蟽畏.
螚 桅喂蟻谓蟿维慰蠀蟼 伪谓蟿喂位伪渭尾维谓蔚蟿伪喂 蟿畏谓 蔚魏蟺伪委未蔚蠀蟽萎 蟿畏蟼 蠅蟼 蔚蠀魏伪喂蟻委伪 蠂蔚喂蟻伪蠁苇蟿畏蟽畏蟼 魏伪喂 伪谓蔚尉伪蟻蟿畏蟿慰蟺慰委畏蟽畏蟼, 蠈渭蠅蟼 未喂伪蟺喂蟽蟿蠋谓蔚喂 蟽蠉谓蟿慰渭伪, 魏伪胃蠋蟼 慰 胃蔚委慰蟼 蟿畏蟼 蟺伪谓蟿蟻蔚蠉蔚蟿伪喂 魏伪喂 魏维谓蔚喂 未喂魏维 蟿慰蠀 蟺伪喂未喂维, 蠈蟿喂 苇蠂蔚喂 纬委谓蔚喂 尾维蟻慰蟼, 苇谓伪 蔚蟺喂蟺位苇慰谓 蟽蟿蠈渭伪 蟺慰蠀 蟺蟻苇蟺蔚喂 谓伪 蟿蟻伪蠁蔚委 魏伪喂 蟺慰蠀 未蔚 蟽蠀谓蔚喂蟽蠁苇蟻蔚喂 蟺慰蠀胃蔚谓维. 螣 胃蔚委慰蟼 蟿畏蟼 胃苇位蔚喂 谓伪 蟿畏谓 蟺伪谓蟿蟻苇蠄蔚喂 纬喂伪 谓伪 蟿畏谓 尉蔚蠁慰蟻蟿蠅胃蔚委 魏伪喂 谓伪 尉蔚蟺位畏蟻蠋蟽蔚喂 蟿伪 蠂蟻苇畏 蟿慰蠀 渭蔚 蟿畏谓 蟺蟻慰委魏伪 蟿慰蠀 纬维渭慰蠀 蟿畏蟼. 螚 谓蔚伪蟻萎 魏慰蟺苇位伪 蟺蟻慰蠁伪谓蠋蟼 未蔚谓 苇蠂蔚喂 位蠈纬慰 纬喂伪 蟿慰谓 蟺慰喂慰谓 维谓蟿蟻伪 胃伪 蟺维蟻蔚喂 魏伪喂 魏伪蟿伪位萎纬蔚喂 蟽蔚 苇谓伪 伪魏蠈渭畏 魏伪魏慰蟺慰喂畏蟿喂魏蠈 魏伪喂 蟿伪蟺蔚喂谓蠅蟿喂魏蠈 蟺蔚蟻喂尾维位位慰谓.
螒尉委味蔚喂 谓伪 蟺蟻慰蟽苇尉慰蠀渭蔚 蠈蟿喂 畏 蔚蟺喂蟿萎蟻畏蟽畏 蟺慰蠀 伪蟽魏蔚委 慰 蔚尉慰蠀蟽喂伪蟽蟿萎蟼 蠅蟼 蟽蠀谓胃萎魏畏 魏伪蟿伪蟺委蔚蟽畏蟼 蔚渭蠁伪谓委味蔚蟿伪喂 未喂伪蟻魏蠋蟼 渭苇蟽伪 蟽蟿畏谓 伪蠁萎纬畏蟽畏 蟿畏蟼 桅喂蟻谓蟿维慰蠀蟼 魏伪喂 未喂伪蟺位苇魏蔚蟿伪喂 渭蔚 蟿畏谓 苇谓谓慰喂伪 蟿畏蟼 喂未喂慰魏蟿畏蟽委伪蟼 魏伪喂 蟿慰谓 苇位蔚纬蠂慰 蟿慰蠀 蟽蠋渭伪蟿慰蟼. 螣 畏位喂魏喂蠅渭苇谓慰蟼 蟽蠉味蠀纬慰蟼 蟿畏蟼 蟿萎谓 蟺伪蟻伪魏慰位慰蠀胃蔚委, 渭蔚蟿蟻蠋谓蟿伪蟼 蟿喂蟼 渭蟺慰蠀魏喂苇蟼 蟿畏蟼, 纬喂伪 蟿喂蟼 慰蟺慰委蔚蟼 伪蟺伪喂蟿蔚委 谓伪 谓喂蠋胃蔚喂 蠀蟺慰蠂蟻蔚蠅渭苇谓畏, 魏伪喂 维蟻伪, 谓伪 蔚魏蟿蔚位蔚委 蟿伪 蟽蠀味蠀纬喂魏维 蟿畏蟼 魏伪胃萎魏慰谓蟿伪 蠂蠅蟻委蟼 伪蟺慰蟽蟿蟻慰蠁萎. 螣喂 维谓蟿蟻蔚蟼 蟽蟿慰谓 未蟻蠈渭慰 苇蠂慰蠀谓 蟿慰 未喂魏伪委蠅渭伪 谓伪 未喂伪蟿蟻苇蠂慰蠀谓 蟿慰 魏慰蟻渭委 蟿畏蟼 渭蔚 蟿伪 渭维蟿喂伪 蟿慰蠀蟼 魏喂 苇蟺蔚喂蟿伪 渭蔚 蟿伪 蠂苇蟻喂伪 蟿慰蠀蟼, 蔚谓蠋 畏 桅喂蟻谓蟿维慰蠀蟼 伪蟻蠂喂魏维 蟽蟿苇魏蔚蟿伪喂 伪谓萎渭蟺慰蟻畏 魏伪喂 蟺伪纬蠅渭苇谓畏.
螒谓蟿委胃蔚蟿伪, 畏 渭畏蟿蟻喂魏萎 蔚蟺慰蟺蟿蔚委伪 渭慰喂维味蔚喂 谓伪 蔚蟺喂蠁苇蟻蔚喂 苇谓伪 伪委蟽胃畏渭伪 味蔚蟽蟿伪蟽喂维蟼 魏伪喂 伪蟽蠁维位蔚喂伪蟼. 螚 桅喂蟻谓蟿维慰蠀蟼 谓喂蠋胃蔚喂 蠈蟿喂 渭蔚 蟿慰 谓伪 伪谓萎魏蔚喂 蟽蟿畏 渭畏蟿苇蟻伪 蟿畏蟼, 蟺蟻慰蟽蟿伪蟿蔚蠉蔚蟿伪喂. 螚 渭畏蟿蟻喂魏萎 渭伪蟿喂维 蟺慰蠀 蔚蟺喂蟿畏蟻蔚委 蟿慰 蟺伪喂蠂谓委未喂, 蟺慰蠀 蠁慰尾维蟿伪喂 纬喂伪 蟿伪 蟺蟻蠋蟿伪 尾萎渭伪蟿伪, 蟺慰蠀 尾位苇蟺蔚喂 尾伪胃喂维 渭苇蟽伪 伪蟺鈥� 蟿慰 蟺伪喂未委, 蔚委谓伪喂 渭喂伪 伪蟽蟺委未伪 蟺蟻慰蟽蟿伪蟽委伪蟼. 螠蠈位喂蟼 畏 渭伪蟿喂维 蟿畏蟼 渭畏蟿苇蟻伪蟼 蔚魏位蔚委蠄蔚喂, 魏维胃蔚 维位位畏 蟺蟻慰尾维位位蔚喂 蠅蟼 伪蟺蔚喂位萎. 螕喂鈥� 伪蠀蟿蠈 魏伪喂 蟽蟿喂蟼 位委纬蔚蟼 蟽蟿喂纬渭苇蟼 蟺慰蠀 畏 桅喂蟻谓蟿维慰蠀蟼 尾蟻委蟽魏蔚喂 魏维蟺慰喂慰谓 维谓胃蟻蠅蟺慰 蟺慰蠀 蟿畏蟼 蟽蠀渭蟺伪蟻伪蟽蟿苇魏蔚蟿伪喂, 蔚魏蔚委 伪魏蟻喂尾蠋蟼 尉伪谓伪味蔚委 蟿慰 渭伪蠉蟻慰 魏伪喂 蟿慰 维蟽蟺蟻慰 蟿蠅谓 渭畏蟿蟻喂魏蠋谓 渭伪蟿喂蠋谓, 渭苇蟽伪 伪蟺蠈 渭喂伪 蟽蔚喂蟻维 蟺伪谓苇渭慰蟻蠁蠅谓 蔚蟺伪谓伪位萎蠄蔚蠅谓 魏伪胃蠈位畏 蟿畏 未喂维蟻魏蔚喂伪 蟿畏蟼 味蠅萎 蟿畏蟼, 蟺慰蠀 蠁苇蟻谓慰蠀谓 蟽蟿慰 谓慰蠀 蟽魏畏谓苇蟼 伪蟺蠈 蟿伪 蟺伪蟻伪渭蠉胃喂伪 蟿蠅谓 围喂位委蠅谓 魏伪喂 螠喂伪蟼 螡蠀蠂蟿蠋谓.
螖蟻伪蟺蔚蟿蔚蠉慰谓蟿伪蟼 伪蟺蠈 蟿慰谓 蟽蠉味蠀纬蠈 蟿畏蟼, 尉蔚魏喂谓维蔚喂 纬喂伪 蔚魏蔚委谓畏 苇谓伪蟼 蔚蟺委渭慰谓慰蟼 伪纬蠋谓伪蟼 谓伪 蟺蟻慰蟽蟿伪蟿蔚蠉蟽蔚喂 蟿慰 蟽蠋渭伪 魏伪喂 蟿慰 渭蠀伪位蠈 蟿畏蟼 渭伪魏蟻喂维 伪蟺蠈 蟿喂蟼 纬谓蠅蟽蟿苇蟼 蠈蟽慰 魏伪喂 蔚尉慰蠀蟽喂伪蟽蟿喂魏苇蟼 蟺伪蟻慰蠀蟽委蔚蟼 蟿畏蟼 慰喂魏慰纬苇谓蔚喂伪蟼. 螚 魏慰蟺苇位伪 胃伪 蟺苇蟽蔚喂 胃蠉渭伪 蔚魏渭蔚蟿维位位蔚蠀蟽畏蟼 伪蟺蠈 苇谓伪谓 伪魏蠈渭畏 维谓蟿蟻伪 魏伪喂 胃伪 尾喂伪蟽蟿蔚委 蟺慰位位伪蟺位维. 螛伪 尉蔚蠁蠉纬蔚喂 魏伪喂 蟺维位喂, 渭蠈谓慰 蟺慰蠀 伪蠀蟿萎 蟿畏 蠁慰蟻维 渭喂伪 纬蠀谓伪委魏伪 胃伪 蟿畏蟼 未蠋蟽蔚喂 蟿畏谓 蟺蟻蠅蟿蠈蠁伪谓蟿畏 未蠀谓伪蟿蠈蟿畏蟿伪 蟿畏蟼 蔚蟺喂位慰纬萎蟼. 螚 桅喂蟻谓蟿维慰蠀蟼 胃伪 纬委谓蔚喂 蟺蠈蟻谓畏, 胃伪 蟺位慰蠀蟿委蟽蔚喂 魏伪喂 胃伪 伪蟺慰魏蟿萎蟽蔚喂 纬喂伪 蟺蟻蠋蟿畏 蠁慰蟻维 蟿慰谓 苇位蔚纬蠂慰 蟿畏蟼 味蠅萎蟼 蟿畏蟼, 蟽蠀谓蔚喂未畏蟿慰蟺慰喂蠋谓蟿伪蟼 蠈蟿喂 渭苇蟽伪 蟽蟿畏谓 蟺伪蟿蟻喂伪蟻蠂委伪, 蟺蠈蟻谓蔚蟼 魏伪喂 蔚蠀蠀蟺蠈位畏蟺蟿蔚蟼 纬蠀谓伪委魏蔚蟼 渭蟺慰蟻慰蠉谓 谓伪 蠀蟺慰蠁苇蟻慰蠀谓 蔚尉委蟽慰蠀, 蠀蟺蠈魏蔚喂谓蟿伪喂 蟿慰 委未喂慰 蟽蟿慰蠀蟼 苇渭蠁蠀位慰蠀蟼 蟺蔚蟻喂慰蟻喂蟽渭慰蠉蟼, 渭蟺慰蟻慰蠉谓 谓伪 尾喂伪蟽蟿慰蠉谓 魏伪喂 谓伪 尉蠀位慰蠁慰蟻蟿蠅胃慰蠉谓 蠂蠅蟻委蟼 蟺慰位位苇蟼 未喂伪蠁慰蟻苇蟼.
螤蟻苇蟺蔚喂 谓伪 魏伪蟿伪蟽蟿蔚委 蟽伪蠁苇蟼 蠈蟿喂 畏 喂蟽蟿慰蟻委伪 蟿畏蟼 桅喂蟻谓蟿维慰蠀蟼 未蔚谓 蔚委谓伪喂 渭喂伪 蔚喂未喂魏萎 蟺蔚蟻委蟺蟿蠅蟽畏 蟺慰蠀 蔚魏蟿蠀位委蟽蟽蔚蟿伪喂 蟽蔚 魏维蟺慰喂慰 蔚尉蠅蟿喂魏蠈 蟺蔚蟻喂尾维位位慰谓 萎 蠈蟿喂 蟿苇蟿慰喂伪 蟺伪蟻伪未蔚委纬渭伪蟿伪 蟽蠀谓伪谓蟿慰蠉渭蔚 渭蠈谓慰 蟽蟿伪 喂蟽位伪渭喂魏维 魏蟻维蟿畏. 韦苇蟿慰喂蔚蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 苇蠂慰蠀谓 魏伪谓慰谓喂魏慰蟺慰喂畏胃蔚委 魏伪喂 蟽蔚 蠂蠋蟻蔚蟼 蟿畏蟼 螖蠉蟽畏蟼, 蠈蟺慰蠀 畏 蠄蠀蠂慰位慰纬喂魏萎 魏伪喂 蟽蠅渭伪蟿喂魏萎 尾委伪 魏喂 慰喂 伪蟺伪纬慰蟻蔚蠉蟽蔚喂蟼, 蟺位萎蟿蟿慰蠀谓 纬蠀谓伪委魏蔚蟼 伪蟺蠈 蠈位伪 蟿伪 慰喂魏慰谓慰渭喂魏维 魏伪喂 魏慰喂谓蠅谓喂魏维 蟽蟿蟻蠋渭伪蟿伪, 伪谓蔚尉维蟻蟿畏蟿伪 伪蟺蠈 蟿畏 渭蠈蟻蠁蠅蟽萎 蟿慰蠀蟼.
螕喂' 伪蠀蟿蠈 蠂蟻蔚喂伪味蠈渭伪蟽蟿蔚 蟿畏 桅喂蟻谓蟿维慰蠀蟼 魏伪喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪 魏蔚委渭蔚谓伪 蟽伪谓 魏喂 伪蠀蟿蠈 蟿畏蟼 伪位 危伪伪谓蟿维慰蠀喂, 蠂蟻蔚喂伪味蠈渭伪蟽蟿蔚 蟿喂蟼 喂蟽蟿慰蟻委蔚蟼 蟿蠅谓 纬蠀谓伪喂魏蠋谓 蟺慰蠀 伪纬蠅谓委蟽蟿畏魏伪谓 位蠀蟽蟽伪位苇伪 纬喂伪 蟿畏谓 伪蠀蟿慰魏蠀蟻喂伪蟻蠂委伪 蟿慰蠀蟼, 蟺慰蠀 魏伪蟿苇未蔚喂尉伪谓 渭蔚 蟺维胃慰蟼 蟿伪 伪未喂苇尉慰未伪 蟺慰蠀 尾喂蠋谓慰蠀谓 慰喂 纬蠀谓伪委魏蔚蟼 渭苇蟽伪 蟽蟿畏谓 蟺伪蟿蟻喂伪蟻蠂委伪, 蟺慰蠀 未蔚委蠂谓慰蠀谓 蟿慰谓 未蟻蠈渭慰 蟿畏蟼 伪蠀蟿慰未喂维胃蔚蟽畏蟼, 蟿畏蟼 喂蟽蠈蟿畏蟿伪蟼, 蟿畏蟼 蔚位蔚蠀胃蔚蟻委伪蟼. 围蟻蔚喂伪味蠈渭伪蟽蟿蔚 魏喂 维位位蔚蟼 桅喂蟻谓蟿维慰蠀蟼.
螚 螡伪慰蠀维位 伪位 危伪伪谓蟿维慰蠀喂, 纬蔚谓谓畏渭苇谓畏 蟽蟿畏谓 螒委纬蠀蟺蟿慰 蟿慰 1931, 尾委蠅蟽蔚 伪蟺蠈 蟺慰位蠉 渭喂魏蟻萎 畏位喂魏委伪 蟿慰 蠁蠀蟽喂魏慰蟺慰喂畏渭苇谓慰 尾维蟻慰蟼 蟿畏蟼 伪谓未蟻喂魏萎蟼 魏伪蟿伪蟺委蔚蟽畏蟼, 蟿畏 尾委伪 蟺慰蠀 蟽蠁蟻伪纬委味蔚喂 蟿慰 蟽蠋渭伪, 伪蠁慰蠉 蟽蟿伪 苇尉喂 蟿畏蟼 蠂蟻蠈谓喂伪 蠀蟺苇蟽蟿畏 魏位蔚喂蟿慰蟻喂未蔚魏蟿慰渭萎, 蠈蟺蠅蟼 魏喂 畏 畏蟻蠅委未伪 伪蠀蟿慰蠉 蟿慰蠀 尾喂尾位委慰蠀, 畏 桅喂蟻谓蟿维慰蠀蟼. 螤伪蟻鈥� 蠈位伪 伪蠀蟿维, 畏 慰喂魏慰纬苇谓蔚喂维 蟿畏蟼 蟿萎蟼 蔚蟺苇蟿蟻蔚蠄蔚 谓伪 蟽蟺慰蠀未维蟽蔚喂 喂伪蟿蟻喂魏萎 蟽蟿慰 螤伪谓蔚蟺喂蟽蟿萎渭喂慰 蟿慰蠀 螝伪螑蟻慰蠀, 伪蟺鈥� 蠈蟺慰蠀 伪蟺慰蠁慰委蟿畏蟽蔚 蟽蟿伪 渭苇蟽伪 蟿畏蟼 未蔚魏伪蔚蟿委伪蟼 蟿慰蠀 鈥�50.
围维蟻畏 蟽蟿畏 未慰蠀位蔚喂维 蟿畏蟼 萎蟻胃蔚 蟽蔚 蔚蟺伪蠁萎 渭蔚 纬蠀谓伪委魏蔚蟼 蟿畏蟼 蠀蟺伪委胃蟻慰蠀 魏伪喂 蠁蟿蠅蠂苇蟼 伪纬蟻蠈蟿喂蟽蟽蔚蟼 蟺慰蠀 蔚委蠂伪谓 蠀蟺慰蟽蟿蔚委 魏喂 蔚魏蔚委谓蔚蟼 蟽蠅渭伪蟿喂魏萎 尾委伪 魏伪喂 伪魏蟻蠅蟿畏蟻喂伪蟽渭慰蠉蟼 蟽蟿伪 纬蔚谓谓畏蟿喂魏维 蟿慰蠀蟼 蠈蟻纬伪谓伪. 螒蟺慰蟿苇位蔚蟽渭伪 渭喂伪蟼 蟿苇蟿慰喂伪蟼 蟽蠀谓维谓蟿畏蟽畏蟼 蔚委谓伪喂 魏伪喂 畏 桅喂蟻谓蟿维慰蠀蟼, 畏 蟺蟻蠅蟿慰蟺蟻蠈蟽蠅蟺畏 蔚尉慰渭慰位蠈纬畏蟽畏 渭喂伪蟼 胃伪谓伪蟿慰蟺慰喂谓委蟿喂蟽蟽伪蟼, 蟺慰蠀 伪蠁畏纬蔚委蟿伪喂 蟿畏 味蠅萎 蟿畏蟼 蟽蟿畏谓 蠄蠀蠂委伪蟿蟻慰 位委纬慰 蟺蟻喂谓 苇蟻胃慰蠀谓 谓伪 蟿畏谓 蟺维蟻慰蠀谓 纬喂伪 蔚魏蟿苇位蔚蟽畏. 螚 桅喂蟻谓蟿维慰蠀蟼 伪蟻谓萎胃畏魏蔚 蟿畏 蠂维蟻畏 蟿慰蠀 蟺蟻慰苇未蟻慰蠀, 未喂维位蔚尉蔚 谓伪 渭畏 蟽蠋蟽蔚喂 蟿畏 味蠅萎 蟿畏蟼, 伪谓蟿喂蟽蟿维胃畏魏蔚 纬喂伪 渭喂伪 蟿蔚位蔚蠀蟿伪委伪 蠁慰蟻维 蟽蟿畏谓 伪谓未蟻喂魏萎 蔚尉慰蠀蟽委伪.
螚 喂蟽蟿慰蟻委伪 蟿畏蟼 尉蔚魏喂谓维蔚喂 伪蟺蠈 蟿畏谓 蟺伪喂未喂魏萎 蟿畏蟼 畏位喂魏委伪 蟽蟿慰 蟺伪蟿蟻喂魏蠈 蟽蟺委蟿喂, 渭苇蟽伪 蟽蔚 魏伪胃蔚蟽蟿蠋蟼 蠁蟿蠋蠂蔚喂伪蟼 魏伪喂 蟽魏位畏蟻蠈蟿畏蟿伪蟼. 螣 伪纬蟻维渭渭伪蟿慰蟼 蟺伪蟿苇蟻伪蟼 蟿畏蟼 维蠁畏谓蔚 谓畏蟽蟿喂魏慰蠉蟼 蟿畏 纬蠀谓伪委魏伪 魏伪喂 蟿伪 蟺伪喂未喂维 蟿慰蠀 纬喂伪 谓伪 渭畏谓 蟿慰蠀 位蔚委蠄蔚喂 蟿慰 未蔚委蟺谓慰 魏喂 蠈蟿伪谓 魏维蟺慰喂慰 伪蟺鈥� 蟿伪 伪纬蠈蟻喂伪 蟺苇胃伪喂谓蔚, 蟽蠀蠂谓蠈 蠁伪喂谓蠈渭蔚谓慰, 尉蠀位慰蠁蠈蟻蟿蠅谓蔚 蟿畏 蟽蠉味蠀纬蠈 蟿慰蠀. 螠蠈位喂蟼 蟿畏谓 伪谓蟿喂魏伪蟿苇蟽蟿畏蟽蔚 渭蔚 魏维蟺慰喂伪 维位位畏, 畏 桅喂蟻谓蟿维慰蠀蟼 伪谓苇位伪尾蔚 谓伪 蟿慰谓 蠀蟺畏蟻蔚蟿蔚委. 螚 渭蠈谓畏 未喂伪蠁蠀纬萎 蟿畏蟼 蠁伪喂谓蠈蟿伪谓 谓伪 蔚委谓伪喂 慰 胃蔚委慰蟼 蟿畏蟼, 苇谓伪蟼 伪魏蠈渭畏 维谓未蟻伪蟼 伪蟺蠈 蟿慰谓 慰蟺慰委慰 伪谓伪纬魏维蟽蟿畏魏蔚 谓伪 蔚尉伪蟻蟿畏胃蔚委 纬喂伪 谓伪 渭蟺慰蟻苇蟽蔚喂 谓伪 蟽蟺慰蠀未维蟽蔚喂 魏伪喂 谓伪 尉蔚蠁蠉纬蔚喂 伪蟺蠈 蟿畏谓 慰喂魏慰纬蔚谓蔚喂伪魏萎 魏伪蟿伪蟺委蔚蟽畏.
螚 桅喂蟻谓蟿维慰蠀蟼 伪谓蟿喂位伪渭尾维谓蔚蟿伪喂 蟿畏谓 蔚魏蟺伪委未蔚蠀蟽萎 蟿畏蟼 蠅蟼 蔚蠀魏伪喂蟻委伪 蠂蔚喂蟻伪蠁苇蟿畏蟽畏蟼 魏伪喂 伪谓蔚尉伪蟻蟿畏蟿慰蟺慰委畏蟽畏蟼, 蠈渭蠅蟼 未喂伪蟺喂蟽蟿蠋谓蔚喂 蟽蠉谓蟿慰渭伪, 魏伪胃蠋蟼 慰 胃蔚委慰蟼 蟿畏蟼 蟺伪谓蟿蟻蔚蠉蔚蟿伪喂 魏伪喂 魏维谓蔚喂 未喂魏维 蟿慰蠀 蟺伪喂未喂维, 蠈蟿喂 苇蠂蔚喂 纬委谓蔚喂 尾维蟻慰蟼, 苇谓伪 蔚蟺喂蟺位苇慰谓 蟽蟿蠈渭伪 蟺慰蠀 蟺蟻苇蟺蔚喂 谓伪 蟿蟻伪蠁蔚委 魏伪喂 蟺慰蠀 未蔚 蟽蠀谓蔚喂蟽蠁苇蟻蔚喂 蟺慰蠀胃蔚谓维. 螣 胃蔚委慰蟼 蟿畏蟼 胃苇位蔚喂 谓伪 蟿畏谓 蟺伪谓蟿蟻苇蠄蔚喂 纬喂伪 谓伪 蟿畏谓 尉蔚蠁慰蟻蟿蠅胃蔚委 魏伪喂 谓伪 尉蔚蟺位畏蟻蠋蟽蔚喂 蟿伪 蠂蟻苇畏 蟿慰蠀 渭蔚 蟿畏谓 蟺蟻慰委魏伪 蟿慰蠀 纬维渭慰蠀 蟿畏蟼. 螚 谓蔚伪蟻萎 魏慰蟺苇位伪 蟺蟻慰蠁伪谓蠋蟼 未蔚谓 苇蠂蔚喂 位蠈纬慰 纬喂伪 蟿慰谓 蟺慰喂慰谓 维谓蟿蟻伪 胃伪 蟺维蟻蔚喂 魏伪喂 魏伪蟿伪位萎纬蔚喂 蟽蔚 苇谓伪 伪魏蠈渭畏 魏伪魏慰蟺慰喂畏蟿喂魏蠈 魏伪喂 蟿伪蟺蔚喂谓蠅蟿喂魏蠈 蟺蔚蟻喂尾维位位慰谓.
螒尉委味蔚喂 谓伪 蟺蟻慰蟽苇尉慰蠀渭蔚 蠈蟿喂 畏 蔚蟺喂蟿萎蟻畏蟽畏 蟺慰蠀 伪蟽魏蔚委 慰 蔚尉慰蠀蟽喂伪蟽蟿萎蟼 蠅蟼 蟽蠀谓胃萎魏畏 魏伪蟿伪蟺委蔚蟽畏蟼 蔚渭蠁伪谓委味蔚蟿伪喂 未喂伪蟻魏蠋蟼 渭苇蟽伪 蟽蟿畏谓 伪蠁萎纬畏蟽畏 蟿畏蟼 桅喂蟻谓蟿维慰蠀蟼 魏伪喂 未喂伪蟺位苇魏蔚蟿伪喂 渭蔚 蟿畏谓 苇谓谓慰喂伪 蟿畏蟼 喂未喂慰魏蟿畏蟽委伪蟼 魏伪喂 蟿慰谓 苇位蔚纬蠂慰 蟿慰蠀 蟽蠋渭伪蟿慰蟼. 螣 畏位喂魏喂蠅渭苇谓慰蟼 蟽蠉味蠀纬慰蟼 蟿畏蟼 蟿萎谓 蟺伪蟻伪魏慰位慰蠀胃蔚委, 渭蔚蟿蟻蠋谓蟿伪蟼 蟿喂蟼 渭蟺慰蠀魏喂苇蟼 蟿畏蟼, 纬喂伪 蟿喂蟼 慰蟺慰委蔚蟼 伪蟺伪喂蟿蔚委 谓伪 谓喂蠋胃蔚喂 蠀蟺慰蠂蟻蔚蠅渭苇谓畏, 魏伪喂 维蟻伪, 谓伪 蔚魏蟿蔚位蔚委 蟿伪 蟽蠀味蠀纬喂魏维 蟿畏蟼 魏伪胃萎魏慰谓蟿伪 蠂蠅蟻委蟼 伪蟺慰蟽蟿蟻慰蠁萎. 螣喂 维谓蟿蟻蔚蟼 蟽蟿慰谓 未蟻蠈渭慰 苇蠂慰蠀谓 蟿慰 未喂魏伪委蠅渭伪 谓伪 未喂伪蟿蟻苇蠂慰蠀谓 蟿慰 魏慰蟻渭委 蟿畏蟼 渭蔚 蟿伪 渭维蟿喂伪 蟿慰蠀蟼 魏喂 苇蟺蔚喂蟿伪 渭蔚 蟿伪 蠂苇蟻喂伪 蟿慰蠀蟼, 蔚谓蠋 畏 桅喂蟻谓蟿维慰蠀蟼 伪蟻蠂喂魏维 蟽蟿苇魏蔚蟿伪喂 伪谓萎渭蟺慰蟻畏 魏伪喂 蟺伪纬蠅渭苇谓畏.
螒谓蟿委胃蔚蟿伪, 畏 渭畏蟿蟻喂魏萎 蔚蟺慰蟺蟿蔚委伪 渭慰喂维味蔚喂 谓伪 蔚蟺喂蠁苇蟻蔚喂 苇谓伪 伪委蟽胃畏渭伪 味蔚蟽蟿伪蟽喂维蟼 魏伪喂 伪蟽蠁维位蔚喂伪蟼. 螚 桅喂蟻谓蟿维慰蠀蟼 谓喂蠋胃蔚喂 蠈蟿喂 渭蔚 蟿慰 谓伪 伪谓萎魏蔚喂 蟽蟿畏 渭畏蟿苇蟻伪 蟿畏蟼, 蟺蟻慰蟽蟿伪蟿蔚蠉蔚蟿伪喂. 螚 渭畏蟿蟻喂魏萎 渭伪蟿喂维 蟺慰蠀 蔚蟺喂蟿畏蟻蔚委 蟿慰 蟺伪喂蠂谓委未喂, 蟺慰蠀 蠁慰尾维蟿伪喂 纬喂伪 蟿伪 蟺蟻蠋蟿伪 尾萎渭伪蟿伪, 蟺慰蠀 尾位苇蟺蔚喂 尾伪胃喂维 渭苇蟽伪 伪蟺鈥� 蟿慰 蟺伪喂未委, 蔚委谓伪喂 渭喂伪 伪蟽蟺委未伪 蟺蟻慰蟽蟿伪蟽委伪蟼. 螠蠈位喂蟼 畏 渭伪蟿喂维 蟿畏蟼 渭畏蟿苇蟻伪蟼 蔚魏位蔚委蠄蔚喂, 魏维胃蔚 维位位畏 蟺蟻慰尾维位位蔚喂 蠅蟼 伪蟺蔚喂位萎. 螕喂鈥� 伪蠀蟿蠈 魏伪喂 蟽蟿喂蟼 位委纬蔚蟼 蟽蟿喂纬渭苇蟼 蟺慰蠀 畏 桅喂蟻谓蟿维慰蠀蟼 尾蟻委蟽魏蔚喂 魏维蟺慰喂慰谓 维谓胃蟻蠅蟺慰 蟺慰蠀 蟿畏蟼 蟽蠀渭蟺伪蟻伪蟽蟿苇魏蔚蟿伪喂, 蔚魏蔚委 伪魏蟻喂尾蠋蟼 尉伪谓伪味蔚委 蟿慰 渭伪蠉蟻慰 魏伪喂 蟿慰 维蟽蟺蟻慰 蟿蠅谓 渭畏蟿蟻喂魏蠋谓 渭伪蟿喂蠋谓, 渭苇蟽伪 伪蟺蠈 渭喂伪 蟽蔚喂蟻维 蟺伪谓苇渭慰蟻蠁蠅谓 蔚蟺伪谓伪位萎蠄蔚蠅谓 魏伪胃蠈位畏 蟿畏 未喂维蟻魏蔚喂伪 蟿畏蟼 味蠅萎 蟿畏蟼, 蟺慰蠀 蠁苇蟻谓慰蠀谓 蟽蟿慰 谓慰蠀 蟽魏畏谓苇蟼 伪蟺蠈 蟿伪 蟺伪蟻伪渭蠉胃喂伪 蟿蠅谓 围喂位委蠅谓 魏伪喂 螠喂伪蟼 螡蠀蠂蟿蠋谓.
螖蟻伪蟺蔚蟿蔚蠉慰谓蟿伪蟼 伪蟺蠈 蟿慰谓 蟽蠉味蠀纬蠈 蟿畏蟼, 尉蔚魏喂谓维蔚喂 纬喂伪 蔚魏蔚委谓畏 苇谓伪蟼 蔚蟺委渭慰谓慰蟼 伪纬蠋谓伪蟼 谓伪 蟺蟻慰蟽蟿伪蟿蔚蠉蟽蔚喂 蟿慰 蟽蠋渭伪 魏伪喂 蟿慰 渭蠀伪位蠈 蟿畏蟼 渭伪魏蟻喂维 伪蟺蠈 蟿喂蟼 纬谓蠅蟽蟿苇蟼 蠈蟽慰 魏伪喂 蔚尉慰蠀蟽喂伪蟽蟿喂魏苇蟼 蟺伪蟻慰蠀蟽委蔚蟼 蟿畏蟼 慰喂魏慰纬苇谓蔚喂伪蟼. 螚 魏慰蟺苇位伪 胃伪 蟺苇蟽蔚喂 胃蠉渭伪 蔚魏渭蔚蟿维位位蔚蠀蟽畏蟼 伪蟺蠈 苇谓伪谓 伪魏蠈渭畏 维谓蟿蟻伪 魏伪喂 胃伪 尾喂伪蟽蟿蔚委 蟺慰位位伪蟺位维. 螛伪 尉蔚蠁蠉纬蔚喂 魏伪喂 蟺维位喂, 渭蠈谓慰 蟺慰蠀 伪蠀蟿萎 蟿畏 蠁慰蟻维 渭喂伪 纬蠀谓伪委魏伪 胃伪 蟿畏蟼 未蠋蟽蔚喂 蟿畏谓 蟺蟻蠅蟿蠈蠁伪谓蟿畏 未蠀谓伪蟿蠈蟿畏蟿伪 蟿畏蟼 蔚蟺喂位慰纬萎蟼. 螚 桅喂蟻谓蟿维慰蠀蟼 胃伪 纬委谓蔚喂 蟺蠈蟻谓畏, 胃伪 蟺位慰蠀蟿委蟽蔚喂 魏伪喂 胃伪 伪蟺慰魏蟿萎蟽蔚喂 纬喂伪 蟺蟻蠋蟿畏 蠁慰蟻维 蟿慰谓 苇位蔚纬蠂慰 蟿畏蟼 味蠅萎蟼 蟿畏蟼, 蟽蠀谓蔚喂未畏蟿慰蟺慰喂蠋谓蟿伪蟼 蠈蟿喂 渭苇蟽伪 蟽蟿畏谓 蟺伪蟿蟻喂伪蟻蠂委伪, 蟺蠈蟻谓蔚蟼 魏伪喂 蔚蠀蠀蟺蠈位畏蟺蟿蔚蟼 纬蠀谓伪委魏蔚蟼 渭蟺慰蟻慰蠉谓 谓伪 蠀蟺慰蠁苇蟻慰蠀谓 蔚尉委蟽慰蠀, 蠀蟺蠈魏蔚喂谓蟿伪喂 蟿慰 委未喂慰 蟽蟿慰蠀蟼 苇渭蠁蠀位慰蠀蟼 蟺蔚蟻喂慰蟻喂蟽渭慰蠉蟼, 渭蟺慰蟻慰蠉谓 谓伪 尾喂伪蟽蟿慰蠉谓 魏伪喂 谓伪 尉蠀位慰蠁慰蟻蟿蠅胃慰蠉谓 蠂蠅蟻委蟼 蟺慰位位苇蟼 未喂伪蠁慰蟻苇蟼.
螤蟻苇蟺蔚喂 谓伪 魏伪蟿伪蟽蟿蔚委 蟽伪蠁苇蟼 蠈蟿喂 畏 喂蟽蟿慰蟻委伪 蟿畏蟼 桅喂蟻谓蟿维慰蠀蟼 未蔚谓 蔚委谓伪喂 渭喂伪 蔚喂未喂魏萎 蟺蔚蟻委蟺蟿蠅蟽畏 蟺慰蠀 蔚魏蟿蠀位委蟽蟽蔚蟿伪喂 蟽蔚 魏维蟺慰喂慰 蔚尉蠅蟿喂魏蠈 蟺蔚蟻喂尾维位位慰谓 萎 蠈蟿喂 蟿苇蟿慰喂伪 蟺伪蟻伪未蔚委纬渭伪蟿伪 蟽蠀谓伪谓蟿慰蠉渭蔚 渭蠈谓慰 蟽蟿伪 喂蟽位伪渭喂魏维 魏蟻维蟿畏. 韦苇蟿慰喂蔚蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 苇蠂慰蠀谓 魏伪谓慰谓喂魏慰蟺慰喂畏胃蔚委 魏伪喂 蟽蔚 蠂蠋蟻蔚蟼 蟿畏蟼 螖蠉蟽畏蟼, 蠈蟺慰蠀 畏 蠄蠀蠂慰位慰纬喂魏萎 魏伪喂 蟽蠅渭伪蟿喂魏萎 尾委伪 魏喂 慰喂 伪蟺伪纬慰蟻蔚蠉蟽蔚喂蟼, 蟺位萎蟿蟿慰蠀谓 纬蠀谓伪委魏蔚蟼 伪蟺蠈 蠈位伪 蟿伪 慰喂魏慰谓慰渭喂魏维 魏伪喂 魏慰喂谓蠅谓喂魏维 蟽蟿蟻蠋渭伪蟿伪, 伪谓蔚尉维蟻蟿畏蟿伪 伪蟺蠈 蟿畏 渭蠈蟻蠁蠅蟽萎 蟿慰蠀蟼.
螕喂' 伪蠀蟿蠈 蠂蟻蔚喂伪味蠈渭伪蟽蟿蔚 蟿畏 桅喂蟻谓蟿维慰蠀蟼 魏伪喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪 魏蔚委渭蔚谓伪 蟽伪谓 魏喂 伪蠀蟿蠈 蟿畏蟼 伪位 危伪伪谓蟿维慰蠀喂, 蠂蟻蔚喂伪味蠈渭伪蟽蟿蔚 蟿喂蟼 喂蟽蟿慰蟻委蔚蟼 蟿蠅谓 纬蠀谓伪喂魏蠋谓 蟺慰蠀 伪纬蠅谓委蟽蟿畏魏伪谓 位蠀蟽蟽伪位苇伪 纬喂伪 蟿畏谓 伪蠀蟿慰魏蠀蟻喂伪蟻蠂委伪 蟿慰蠀蟼, 蟺慰蠀 魏伪蟿苇未蔚喂尉伪谓 渭蔚 蟺维胃慰蟼 蟿伪 伪未喂苇尉慰未伪 蟺慰蠀 尾喂蠋谓慰蠀谓 慰喂 纬蠀谓伪委魏蔚蟼 渭苇蟽伪 蟽蟿畏谓 蟺伪蟿蟻喂伪蟻蠂委伪, 蟺慰蠀 未蔚委蠂谓慰蠀谓 蟿慰谓 未蟻蠈渭慰 蟿畏蟼 伪蠀蟿慰未喂维胃蔚蟽畏蟼, 蟿畏蟼 喂蟽蠈蟿畏蟿伪蟼, 蟿畏蟼 蔚位蔚蠀胃蔚蟻委伪蟼. 围蟻蔚喂伪味蠈渭伪蟽蟿蔚 魏喂 维位位蔚蟼 桅喂蟻谓蟿维慰蠀蟼.
January 7, 2014
Neval El Seddavi'nin biyografik roman谋.. 陌dam mahkumu Firdevs'in ya艧am 枚yk眉s眉n眉, onun dilinden duru bir 艧ekilde anlat谋yor. Firdevs, M谋s谋rl谋 bir fahi艧e..
Kitab谋 okurken k枚lelik, esaret, korku, g眉莽, ger莽ek kavramlar谋n谋 bir daha d眉艧眉nmenize sebep oluyor.. Bi' 莽谋rp谋da bitip, vurucu ve farkl谋 bir lezzet b谋rak谋yor..
"..ger莽e臒i hi莽 zorluk 莽ekmeden anlat谋yorum. 脟眉nk眉 ger莽ek kolay ve yal谋nd谋r. Bu yal谋nl谋臒谋n i莽inde de vah艧i bir g眉莽 yatar. Ya艧am谋n vah艧i, ilkel ger莽eklerine ancak y谋llar s眉ren bir sava艧谋m谋n sonunda varabildim. 脟眉nk眉 insanlar ya艧am谋n yal谋n ama 莽irkin ve g眉莽l眉 olan ger莽eklerine birka莽 y谋l i莽inde varamazlar pek. Ger莽e臒e ula艧mak, art谋k 枚l眉mden korkmamak demektir. Her ikisiyle de y眉z y眉ze gelmek b眉y眉k bir cesaret gerektirdi臒inden, 枚l眉mle ger莽ek birbirine benzer. Ger莽ekler de insan谋 枚ld眉rd眉臒眉 i莽in, 枚l眉m gibidir. Ben bir insan谋 枚ld眉rd眉臒眉m zaman, onu b谋莽akla de臒il, ger莽ekle 枚ld眉rd眉m. Bu y眉zden korkuyorlar; beni yok etmek i莽in bu y眉zden acele ediyorlar. B谋莽aktan korkmazlar. Onlar谋 korkutan ger莽e臒imdir. Bu korkutucu ger莽ek bana g眉莽 veriyor. Beni 枚l眉mden, ya艧amdan, a莽l谋ktan, 莽谋plakl谋ktan ya da y谋lg谋nl谋ktan koruyor. Beni h眉k眉mdarlarla polisin zalimli臒inden koruyan da bu korkutucu ger莽ektir."
Kitab谋 okurken k枚lelik, esaret, korku, g眉莽, ger莽ek kavramlar谋n谋 bir daha d眉艧眉nmenize sebep oluyor.. Bi' 莽谋rp谋da bitip, vurucu ve farkl谋 bir lezzet b谋rak谋yor..
"..ger莽e臒i hi莽 zorluk 莽ekmeden anlat谋yorum. 脟眉nk眉 ger莽ek kolay ve yal谋nd谋r. Bu yal谋nl谋臒谋n i莽inde de vah艧i bir g眉莽 yatar. Ya艧am谋n vah艧i, ilkel ger莽eklerine ancak y谋llar s眉ren bir sava艧谋m谋n sonunda varabildim. 脟眉nk眉 insanlar ya艧am谋n yal谋n ama 莽irkin ve g眉莽l眉 olan ger莽eklerine birka莽 y谋l i莽inde varamazlar pek. Ger莽e臒e ula艧mak, art谋k 枚l眉mden korkmamak demektir. Her ikisiyle de y眉z y眉ze gelmek b眉y眉k bir cesaret gerektirdi臒inden, 枚l眉mle ger莽ek birbirine benzer. Ger莽ekler de insan谋 枚ld眉rd眉臒眉 i莽in, 枚l眉m gibidir. Ben bir insan谋 枚ld眉rd眉臒眉m zaman, onu b谋莽akla de臒il, ger莽ekle 枚ld眉rd眉m. Bu y眉zden korkuyorlar; beni yok etmek i莽in bu y眉zden acele ediyorlar. B谋莽aktan korkmazlar. Onlar谋 korkutan ger莽e臒imdir. Bu korkutucu ger莽ek bana g眉莽 veriyor. Beni 枚l眉mden, ya艧amdan, a莽l谋ktan, 莽谋plakl谋ktan ya da y谋lg谋nl谋ktan koruyor. Beni h眉k眉mdarlarla polisin zalimli臒inden koruyan da bu korkutucu ger莽ektir."
May 5, 2019
乇賵丕賷丞 囟毓賷賮丞.
November 28, 2019
Now I had learnt that honor required large sums of money to protect it, but that large sums of money could not be obtained without losing one's honor. An infernal circle whirling round and round, draggng me up and down with it.
Woman at Point Zero is a harrowing Candide for our post-liberal musing. While reading it we should all be ashamed. No one should take pride in the closing of workhouses, the confinement has happened elsewhere, outsourced to favelas and shanties. Don't linger excessively along the edges of the town and insure that the preterit don't congregate along the promenade. El Saadawi notes that order must be maintained and that being respectful is an ephemeral condition. Everyone celebrating Thanksgiving should read this novel much as my grandmother and I once viewed Grapes of Wrath on the Lord's day of Gluttony.
Woman at Point Zero is a harrowing Candide for our post-liberal musing. While reading it we should all be ashamed. No one should take pride in the closing of workhouses, the confinement has happened elsewhere, outsourced to favelas and shanties. Don't linger excessively along the edges of the town and insure that the preterit don't congregate along the promenade. El Saadawi notes that order must be maintained and that being respectful is an ephemeral condition. Everyone celebrating Thanksgiving should read this novel much as my grandmother and I once viewed Grapes of Wrath on the Lord's day of Gluttony.
December 1, 2017
In the early 1970s, Nawal El Saadawi lost her job as the Director of Health Education and Editor-in-Chief of Health magazine because she did something really horrible: She wrote a book about women and sex.
GASP.
She turned to the research of neuroses in Egyptian women which led her to meet a doctor at an Egyptian prison who would talk to her about his experiences and some of the inmates. Through this friendship with the doctor, she met Firdaus, a woman imprisoned for killing a man. Firdaus was awaiting execution when Saadawi had an opportunity to meet and talk with her, to get the story directly from the inmate's mouth.
The result turned into this slim novel based on what Firdaus told Saadawi.
Understandably, there was not a lot of time between their meeting and the execution of Firdaus, but my biggest complaint about this novel is just how unemotional the connection appears to be. My theory is that this has more to do with the novelization of the story Firdaus told her, as opposed to writing a biography, or marketing this story as nonfiction. Or, even as Truman Capote did once upon a time - through creative nonfiction or whatever else you want to call it.
Because this book is considered straight up fiction, it fails as a whole because it reads without feeling. I feel if this wasn't based on a true story, readers would like this book less than they do. I'm in the minority with my rating; everyone else has given this 4 or 5 stars (of my own little circle of peeps). If we go by subject matter alone, I 100% agree. The life Firdaus led and how she was essentially set up for failure as a female from the moment of birth. This is not an uncommon story, and the fact this was written in the 1970s shows just long how a lot of this bullshit has been going on around the world.
But I never connected to Firdaus or her story. I am not one of those readers that needs to be able to connect emotionally, but in this case, considering the story behind the story, I felt it was a missed opportunity to make a significant impact.
Aside from the writing itself, this book covers a lot of important situations that continue to be relevant in the 21st century such as male dominance, power struggles, female genital mutilation, class, and prostitution. It's not always an easy read because Firdaus is explicit and unwavering in her explanations. She does not regret what she has done, nor should she. When we look at her life, who can blame her?
I might have snapped sooner than she did.
Also, to those out there who dislike this book because it's a diatribe against men, or speaks poorly about the character of all men, I am judging each and every one of you. You obviously haven't been paying attention to anything.
GASP.
She turned to the research of neuroses in Egyptian women which led her to meet a doctor at an Egyptian prison who would talk to her about his experiences and some of the inmates. Through this friendship with the doctor, she met Firdaus, a woman imprisoned for killing a man. Firdaus was awaiting execution when Saadawi had an opportunity to meet and talk with her, to get the story directly from the inmate's mouth.
The result turned into this slim novel based on what Firdaus told Saadawi.
Understandably, there was not a lot of time between their meeting and the execution of Firdaus, but my biggest complaint about this novel is just how unemotional the connection appears to be. My theory is that this has more to do with the novelization of the story Firdaus told her, as opposed to writing a biography, or marketing this story as nonfiction. Or, even as Truman Capote did once upon a time - through creative nonfiction or whatever else you want to call it.
Because this book is considered straight up fiction, it fails as a whole because it reads without feeling. I feel if this wasn't based on a true story, readers would like this book less than they do. I'm in the minority with my rating; everyone else has given this 4 or 5 stars (of my own little circle of peeps). If we go by subject matter alone, I 100% agree. The life Firdaus led and how she was essentially set up for failure as a female from the moment of birth. This is not an uncommon story, and the fact this was written in the 1970s shows just long how a lot of this bullshit has been going on around the world.
But I never connected to Firdaus or her story. I am not one of those readers that needs to be able to connect emotionally, but in this case, considering the story behind the story, I felt it was a missed opportunity to make a significant impact.
Aside from the writing itself, this book covers a lot of important situations that continue to be relevant in the 21st century such as male dominance, power struggles, female genital mutilation, class, and prostitution. It's not always an easy read because Firdaus is explicit and unwavering in her explanations. She does not regret what she has done, nor should she. When we look at her life, who can blame her?
I might have snapped sooner than she did.
Also, to those out there who dislike this book because it's a diatribe against men, or speaks poorly about the character of all men, I am judging each and every one of you. You obviously haven't been paying attention to anything.
How many were the years of my life that went by before my body, and my self became really mine, to do with them as I wished? How many were the years of my life that were lost before I tore my body and my self away from the people who held me in their grasp since the very first day?
(p68)
June 21, 2019
(If you want something general, don't read this, I'll spoil it)
In the beginning, Firdaus鈥� uncle is semi progressive. He reads to her and sends her to school. He isn鈥檛 completely bad until he atrociously takes advantage of the person who needs him the most. In the novel, Saadawi illustrates how men are torn between progress and the backlash of their own sexual frustration and need for power. There is a lot of preaching, little enforcement, and women are mistreated and silenced by societal expectations and fear. Exploitation without consequence is a constant in the novel because men are tyrants of their households. Though it鈥檚 behind closed doors, Saadawi seems to suggest that society imprisons both men and women. Men fear being revealed as disgraceful, but because there are no constraints on their power, they act disgracefully. Meanwhile, women are treated as though they should be ashamed for existing. It shouldn鈥檛 be shocking that the absence of any power dynamic between gender causes corruption. What鈥檚 grossly ironic is that religion aims for equality and fairness, but is often used as an excuse for the corrupt to gain power, which is precisely what causes people to become angry and violent. The reader gets a sense of Saadawi鈥檚 own anger, agony, and desire to 鈥渨ake up鈥� society. Among many things, the book highlights the dire consequences of censorship- this is a bold and brave message because the media does not criticize religion in Egypt.
Abuse and oppression aren鈥檛 going anywhere, but Saadawi reveals that those who are exploited are not broken. In the end, Firdaus no longer hopes for anything, but she also does not fear anything. She does not sign the petition to the President and decides to challenge death. Firdaus has no fear of death, challenges it, and becomes a symbol of struggle against injustice. 鈥淚 realized that I had been afraid, and that the fear had been within me all the time until the fleeting moment when I read fear in his eyes.鈥� This book is not glorifying (justified) murder, it expresses that fear causes irresponsibility and immorality. This killing scene is a killing of fear, injustice, double morality and hypocrisy.
In our numerical system, Zero is the base, but it鈥檚 also capable of expressing massive sums. The number represents a paradoxical truth: having nothing to lose is a lot like having power. Today, we have progressive, aware women who are fighting against religious fundamentalism and it鈥檚 connection to political power. However, there are also many women who are unaware of their rights, and this number grows because of the effects of societal attempts to control. At the end of the day, the human struggle for progress boils down to these two trends. Saadawi reminds us that we should never attempt to 鈥減rotect鈥� ourselves from what鈥檚 messy, dark and broken. It is in our best interest to look deeper.
In the beginning, Firdaus鈥� uncle is semi progressive. He reads to her and sends her to school. He isn鈥檛 completely bad until he atrociously takes advantage of the person who needs him the most. In the novel, Saadawi illustrates how men are torn between progress and the backlash of their own sexual frustration and need for power. There is a lot of preaching, little enforcement, and women are mistreated and silenced by societal expectations and fear. Exploitation without consequence is a constant in the novel because men are tyrants of their households. Though it鈥檚 behind closed doors, Saadawi seems to suggest that society imprisons both men and women. Men fear being revealed as disgraceful, but because there are no constraints on their power, they act disgracefully. Meanwhile, women are treated as though they should be ashamed for existing. It shouldn鈥檛 be shocking that the absence of any power dynamic between gender causes corruption. What鈥檚 grossly ironic is that religion aims for equality and fairness, but is often used as an excuse for the corrupt to gain power, which is precisely what causes people to become angry and violent. The reader gets a sense of Saadawi鈥檚 own anger, agony, and desire to 鈥渨ake up鈥� society. Among many things, the book highlights the dire consequences of censorship- this is a bold and brave message because the media does not criticize religion in Egypt.
Abuse and oppression aren鈥檛 going anywhere, but Saadawi reveals that those who are exploited are not broken. In the end, Firdaus no longer hopes for anything, but she also does not fear anything. She does not sign the petition to the President and decides to challenge death. Firdaus has no fear of death, challenges it, and becomes a symbol of struggle against injustice. 鈥淚 realized that I had been afraid, and that the fear had been within me all the time until the fleeting moment when I read fear in his eyes.鈥� This book is not glorifying (justified) murder, it expresses that fear causes irresponsibility and immorality. This killing scene is a killing of fear, injustice, double morality and hypocrisy.
In our numerical system, Zero is the base, but it鈥檚 also capable of expressing massive sums. The number represents a paradoxical truth: having nothing to lose is a lot like having power. Today, we have progressive, aware women who are fighting against religious fundamentalism and it鈥檚 connection to political power. However, there are also many women who are unaware of their rights, and this number grows because of the effects of societal attempts to control. At the end of the day, the human struggle for progress boils down to these two trends. Saadawi reminds us that we should never attempt to 鈥減rotect鈥� ourselves from what鈥檚 messy, dark and broken. It is in our best interest to look deeper.
July 18, 2018
Bu kitap i莽in yorum yapmak beni zorluyor. Bunca 艧eyi ger莽ekten ya艧am谋艧 bir kad谋n i莽in ben ne diyebilirim ki? Ger莽ekten kad谋n olmak zor. 脰zellikle M谋s谋r鈥檇a daha da zor bence. Daha 莽ocuklu臒unda babas谋n谋n ezmesi ve amcas谋n谋n tacizleriyle ba艧layan hayat谋 hi莽 g眉n y眉z臒ne 莽谋kmayan bir kad谋n. Ger莽ekten y眉re臒im par莽aland谋 okurken ve neredeyse kitab谋n yar谋s谋n谋n alt谋n谋 莽izdim. 艦u an ben ne desem bo艧. Mutlaka al谋n谋p okunmas谋 gereken bir kitap.
September 22, 2016
Ne diyece臒ini bilmedi臒i anlar, genelde s枚yleyecek 莽ok 艧eyi oldu臒u anlar oluyor insan谋n. 艦u kadar谋n谋 diyeyim ki nice devrimci metinden, romandan, s枚ylevden daha devrimci, 莽at谋r 莽at谋r bir hikaye Firdevs'in hikayesi. Bu fahi艧enin hikayesini okuyun l眉tfen. Okuyun ve s枚ylediklerine g眉c眉n眉z ve d眉r眉stl眉臒眉n眉z yetiyorsa cevap verin.
November 22, 2017
O kadar 莽arp谋c谋 bir kitapt谋 ki... Tokat gibiydi, mutlaka okuyun!
June 20, 2020
芦Cuando la calle se convierte en tu modo de vida, ya no esperas nada, no pones esperanzas en nada. Pero yo esperaba algo del amor. Cuando me enamor茅, empec茅 a imaginar que me hab铆a convertido en un ser humano. Cuando era prostituta no daba nada gratis, siempre ped铆a algo a cambio. Pero cuando me enamor茅, entregu茅 mi cuerpo y mi alma, mi mente y todos los esfuerzos de que era capaz, a cambio de nada.禄
馃挏
馃挏
馃挏
Hay personajes que dejan huella, que hablan de una manera profunda que cala hondo, que pasan a formar parte de nuestro acervo lector y de nuestra propia historia vital y Firdaus, la protagonista de este libro, es uno de ellos. Su testimonio se lee conteniendo la respiraci贸n, sintiendo en nuestro cuerpo cada uno de los golpes que recibe, dejando caer, como ella, un nuevo velo de nuestros ojos ante las realidades crudas, brutales y reales que nos cuenta.
Ayer, mi amiga-librera @alina_zarekaite de @lib_mujeres, me comentaba que este libro lo suger铆an como contrapunto a 芦Teor铆a King Kong禄 de Despentes por la forma en la que Nawal El Saadawi aborda el tema de la prostituci贸n a trav茅s de Firdaus, una mujer a la conoci贸 en la c谩rcel de Qanatir (El Cairo) en 1973.
La prostituci贸n como 煤nica forma que encontr贸 Firdaus de ser una mujer libre, tras intentar varias veces ser 芦respetable禄, tras comprender 芦que el matrimonio era un sistema basado en el m谩s cruel sufrimiento para las mujeres禄 y que 芦la menos enga帽ada de todas las mujeres era la prostituta禄. Una decisi贸n dura que ella sobrelleva con dignidad hasta que descubre que, ni como prostituta, 芦ellos禄 la dejan disponer de su propio cuerpo.
Inolvidable, Firdaus.
馃挏
馃挏
馃挏
Hay personajes que dejan huella, que hablan de una manera profunda que cala hondo, que pasan a formar parte de nuestro acervo lector y de nuestra propia historia vital y Firdaus, la protagonista de este libro, es uno de ellos. Su testimonio se lee conteniendo la respiraci贸n, sintiendo en nuestro cuerpo cada uno de los golpes que recibe, dejando caer, como ella, un nuevo velo de nuestros ojos ante las realidades crudas, brutales y reales que nos cuenta.
Ayer, mi amiga-librera @alina_zarekaite de @lib_mujeres, me comentaba que este libro lo suger铆an como contrapunto a 芦Teor铆a King Kong禄 de Despentes por la forma en la que Nawal El Saadawi aborda el tema de la prostituci贸n a trav茅s de Firdaus, una mujer a la conoci贸 en la c谩rcel de Qanatir (El Cairo) en 1973.
La prostituci贸n como 煤nica forma que encontr贸 Firdaus de ser una mujer libre, tras intentar varias veces ser 芦respetable禄, tras comprender 芦que el matrimonio era un sistema basado en el m谩s cruel sufrimiento para las mujeres禄 y que 芦la menos enga帽ada de todas las mujeres era la prostituta禄. Una decisi贸n dura que ella sobrelleva con dignidad hasta que descubre que, ni como prostituta, 芦ellos禄 la dejan disponer de su propio cuerpo.
Inolvidable, Firdaus.
September 23, 2021
A true, succinct, emotive, passionate, comprehensive story. A call to arms. An impassioned plea. A war cry for the downtrodden women of the middle east. An admonishment of their oppressors.
The book was short, but it got its point across. Like walking across hot coal, a sharp slap or a cold shower.
I found myself forced out of my privileged perspective, an Egyptian man in the west and thrust into the life and plight of Firdaus, a prostitute in Egypt, a victim of her society.
And now I cannot continue as I was, naive of the plight of women in Egypt. I cannot feign ignorance.
What is the saddest thing about the story in book? Well. Based on the way that Egyptian censorship works and based on the preface.... Its not a story. Its not fiction at all.
The book was highly quotable and had crisp prose. Probably one of the best Egyptian fiction books I've read.
Highly recommended to all readers interested in Egyptian feminism, Egyptian literature, feminism more broadly and short fiction.
The book was short, but it got its point across. Like walking across hot coal, a sharp slap or a cold shower.
I found myself forced out of my privileged perspective, an Egyptian man in the west and thrust into the life and plight of Firdaus, a prostitute in Egypt, a victim of her society.
And now I cannot continue as I was, naive of the plight of women in Egypt. I cannot feign ignorance.
What is the saddest thing about the story in book? Well. Based on the way that Egyptian censorship works and based on the preface.... Its not a story. Its not fiction at all.
The book was highly quotable and had crisp prose. Probably one of the best Egyptian fiction books I've read.
Highly recommended to all readers interested in Egyptian feminism, Egyptian literature, feminism more broadly and short fiction.
January 17, 2023
爻蹖賱賵蹖丕 賮丿乇蹖趩蹖 鬲賵蹖 賲賯丿賲賴 讴鬲丕亘 賲蹖鈥屭� 丕爻賲 讴鬲丕亘卮 乇賵 丕夭 乇賵蹖 丕蹖賳 乇賲丕賳 丕賱賴丕賲 诏乇賮鬲賴 賵 賲賳賲 丿蹖诏賴 賳鬲賵賳爻鬲賲 賲賯丕賵賲鬲 讴賳賲 賵 乇賮鬲賲 禺賵賳丿賲卮. 丕蹖賳鈥屭┵� 賲蹖鈥屫堎嗃� 賴賲賴 丕鬲賮丕賯鈥屬囏й� 丕蹖賳 乇賲丕賳 賲蹖鈥屫堎嗁� 讴丕賲賱丕賸 賵丕賯毓蹖 亘丕卮賴 賵 丕夭 胤乇賮蹖 乇賵丕賳鬲 诏賳噩丕蹖卮 丕蹖賳 賴賲賴 夭賳鈥屫池屫槽� 乇賵 賳丿丕乇賴 禺賵賳丿賳卮 乇賵 爻禺鬲 賲蹖鈥屭┵嗁�.
亘毓丿卮 蹖丕丿 賲氐丕丨亘賴 賴賵卮賳诏 诏賱賲讴丕賳蹖 亘丕 鬲乇丕賳賴 毓賱蹖丿賵爻鬲蹖 丕賮鬲丕丿賲 讴賴 丿乇亘丕乇賴 亘蹖丕賳蹖賴 賴卮鬲氐丿 丕賲囟丕 亘丕賴丕卮 丨乇賮 賲蹖鈥屫操嗁�. 賴賲賵賳 丕賵丕蹖賱 賲氐丕丨亘賴 (趩賵賳 乇丕爻鬲卮 卮毓賵乇 倬丕蹖蹖賳 诏賱賲讴丕賳蹖 丿乇亘丕乇賴 賲爻丕卅賱 夭賳丕賳 丕噩丕夭賴 賳丿丕丿 鬲丕 丌禺乇 亘亘蹖賳賲卮) 丕夭 鬲乇丕賳賴 毓賱蹖丿賵爻鬲蹖 賲蹖鈥屬矩必迟� 趩乇丕 賮賯胤 禺卮賵賳鬲 毓賱蹖賴 夭賳丕賳責 趩乇丕 毓賱蹖賴 賴賲賴 賳賴責 賲诏賴 賲乇丿賴丕 禺卮賵賳鬲 賳賲蹖鈥屫ㄛ屬嗁嗀� 卮賲丕 亘賴 鬲爻丕賵蹖 丕毓鬲賯丕丿 丿丕乇蹖賳 賵賱蹖 賮賯胤 亘乇丕蹖 丨賯賵賯 夭賳丕賳 賲亘丕乇夭賴 賲蹖鈥屭┵嗃屬�. 禺賱丕氐賴 讴賴 丌乇賴 丿賳蹖丕蹖 噩丕賱亘蹖賴.
亘毓丿卮 蹖丕丿 賲氐丕丨亘賴 賴賵卮賳诏 诏賱賲讴丕賳蹖 亘丕 鬲乇丕賳賴 毓賱蹖丿賵爻鬲蹖 丕賮鬲丕丿賲 讴賴 丿乇亘丕乇賴 亘蹖丕賳蹖賴 賴卮鬲氐丿 丕賲囟丕 亘丕賴丕卮 丨乇賮 賲蹖鈥屫操嗁�. 賴賲賵賳 丕賵丕蹖賱 賲氐丕丨亘賴 (趩賵賳 乇丕爻鬲卮 卮毓賵乇 倬丕蹖蹖賳 诏賱賲讴丕賳蹖 丿乇亘丕乇賴 賲爻丕卅賱 夭賳丕賳 丕噩丕夭賴 賳丿丕丿 鬲丕 丌禺乇 亘亘蹖賳賲卮) 丕夭 鬲乇丕賳賴 毓賱蹖丿賵爻鬲蹖 賲蹖鈥屬矩必迟� 趩乇丕 賮賯胤 禺卮賵賳鬲 毓賱蹖賴 夭賳丕賳責 趩乇丕 毓賱蹖賴 賴賲賴 賳賴責 賲诏賴 賲乇丿賴丕 禺卮賵賳鬲 賳賲蹖鈥屫ㄛ屬嗁嗀� 卮賲丕 亘賴 鬲爻丕賵蹖 丕毓鬲賯丕丿 丿丕乇蹖賳 賵賱蹖 賮賯胤 亘乇丕蹖 丨賯賵賯 夭賳丕賳 賲亘丕乇夭賴 賲蹖鈥屭┵嗃屬�. 禺賱丕氐賴 讴賴 丌乇賴 丿賳蹖丕蹖 噩丕賱亘蹖賴.
January 19, 2016
賲賳 丕賱胤乇丕卅賮 賮賷 賲噩鬲賲毓丕鬲賳丕 丕賱毓乇亘賷丞 兀賳賴 亘丿賱丕 賲賳 賲賳丕賯卮丞 賲卮丕賰賱賳丕 賵丕賱亘丨孬 毓賳 兀爻亘丕亘賴丕 賵賰賷賮賷丞 丨賱賴丕貙 賷鬲賲 丕賱丕爻鬲禺賮丕賮 亘賲孬賷乇賷 丕賱賲卮丕賰賱 賵廿爻賰丕鬲賴賲 鬲噩賳亘丕 賱亘匕賱 丕賱噩賴丿 賵賵噩毓 丕賱丿賲丕睾. 丕賱賲孬丕賱 丕賱賰賱丕爻賷賰賷 賱匕賱賰 賴賵 賯囟賷丞 丕賱賲乇兀丞. 丨丕賱賴丕毓賳丿賳丕 -賲賯丕乇賳丞 亘丿賵賱 丕賱毓丕賱賲 丕賱兀賵賱 賵丕賱孬丕賱孬- 賲鬲乇丿賷 丿賵賳 卮賰貙 賵賱丕 賷噩丕丿賱 賮賷 匕賱賰 毓丕賯賱. 賲丐卮乇丕鬲 丕賱賮噩賵丞 賲禺夭賷丞 亘賷賳 丕賱噩賳爻賷賳 賮賷 丕賱丨氐賵賱 毓賱賶 丕賱禺丿賲丕鬲 丕賱鬲毓賱賷賲賷丞 賵丕賱氐丨賷丞 賵丕賱鬲賲賰賷賳 丕賱丕賯鬲氐丕丿賷 賵丕賱爻賷丕爻賷 賮賷 賲賳胤賯鬲賳丕 丕賱丨亘賷亘丞 丕賱鬲賷 鬲購毓乇賮 賮賷 毓賱賲 丕賱丕噩鬲賲丕毓 亘賲賳胤賯丞 丕賱丨夭丕賲 丕賱兀亘賵賷. Patriarchal Belt
賮鬲乇鬲賷亘 賲氐乇 賲孬賱丕 賴匕丕 丕賱毓丕賲 賮賷 賲丐卮乇 丕賱賮噩賵丞 亘賷賳 丕賱噩賳爻賷賳 丕賱匕賷 賷毓丿賴 丕賱賲賳鬲丿賶 丕賱丕賯鬲氐丕丿賷 丕賱毓丕賱賲賷 賴賵 136 賲賳 兀氐賱 145 丿賵賱丞! 賵鬲爻亘賯賳丕 丿賵賱 丕賮乇賷賯賷丞 賵賱丕鬲賷賳賷丞 賳丕賲賷丞 賰孬賷乇丞. 賴匕丕 賴賵 賲乇亘胤 丕賱賮乇爻貙 賮賱賲丕 賷購胤乇丨 賱賱賳賯丕卮貙 賷鬲賲 鬲賳丨賷鬲賴 噩丕賳亘丕 毓賱賶 兀賳賴 賳爻賵賷丞 賵賲丐丕賲乇丞 賱賰乇丕賴賷丞 丕賱乇噩丕賱.
"2013 Gender gap index world map, Gender Inequality Distribution" by - Own work. Licensed under via .
賳兀鬲賷 賱賳賵丕賱 丕賱爻毓丿丕賵賷. 賮亘賷賳賲丕 鬲丿賱賷 亘丿賱賵賴丕 賮賷賲丕 賱賷爻 賱賴丕 賮賷賴 毓賱賲 賵鬲爻鬲禺丿賲 賳馗乇賷丕鬲 賮乇賵賷丿賷丞 毓賮丕 毓賱賷賴丕 丕賱夭賲賳 賵鬲賰鬲亘 兀丿亘丕 乇丿賷卅丕貙 賷鬲賲 丕爻鬲睾賱丕賱賴丕 賱囟乇亘 賯囟賷丞 丕賱賲乇兀丞 賮賷 賲賯鬲賱貙 卮兀賳賴丕 賮賷 匕賱賰 卮兀賳 賲賳賶 丕賱胤丨丕賵賷 賵丌匕乇 賳賮賷爻賷 賵丌賷丕賳 丨乇爻賷 毓賱賷. 賵亘丿賱丕 賲賳 賲賳丕賯卮鬲賴丕 賮賷賲丕 鬲胤乇丨賴 賲賳 賲卮丕賰賱 (禺鬲丕賳 丕賱廿賳丕孬 賰丕賳 廿丨丿丕賴丕 賮賷 賴匕丕 丕賱毓賲賱 賲孬賱丕貙 賵亘丕賱賲賳丕爻亘丞 鬲賯乇賷乇 丕賱賷賵賳賷爻賷賮 丕賱兀禺賷乇 賷卮賷乇 廿賱賶 兀賳 兀賰孬乇 賲賳 90% 賲賳 爻賷丿丕鬲 賲氐乇 賲禺鬲賳丕鬲) 賷鬲賲 丕鬲賴丕賲賴丕 亘丕賱噩賳賵賳 兀賵 "丕賱賰亘鬲". 賵賴賷 兀賯丿賲 丨賷賱丞 賱廿爻賰丕鬲 丕賱賲乇兀丞 賮賷 賲噩鬲賲毓賳丕 賵賰丕賳鬲 鬲爻鬲禺丿賲 賮賷 賲噩鬲賲毓丕鬲 兀禺乇賶 兀賷囟丕貙 丨鬲賶 兀賳 丕賱賳爻丕亍 "丕賱賲鬲賲乇丿丕鬲" 賰丕賳 賷鬲賲 丕丨乇丕賯賴賳 兀丨賷丕亍 賱賰賵賳賴賳 "爻丕丨乇丕鬲" 丨鬲賶 丕賱賯乇賳 丕賱孬丕賲賳 毓卮乇 賮賷 兀賵乇賵亘丕. 兀賳 鬲鬲賴賲賴丕 亘毓丿賲 丕賱毓賯賱丕賳賷丞 兀賵 毓丿賲 丕賱丕卮亘丕毓 丕賱噩賳爻賷 (賲卮 毓丕乇賮丞 丕賷賴 丕賱毓賱丕賯丞責) 兀賵 丕賱禺卮賵賳丞 "賲爻鬲乇噩賱丞" 賱鬲噩賳亘 賲賳丕賯卮丞 兀賮賰丕乇賴丕 賲賳丕賯卮丞 賲賵囟賵毓賷丞 賴賷 兀賮囟賱 胤乇賷賯丞 賱丕禺丕賮丞 賲賳 鬲禺丕賮. 賵賴賵 賲丕 賱丕 賷丨丿孬 賲毓 丕賱乇噩丕賱 亘丕賱胤亘毓 賮賷賲丕 賷胤乇丨賵賳賴 賲賳 兀賮賰丕乇貙 賲賴賲丕 賰丕賳 賰賱丕賲丕 賮丕乇睾丕. 賮兀賯氐賶 賲丕 賳鬲賴賲 亘賴 丕賱乇噩丕賱 賲賲賳 賳禺鬲賱賮 賲毓賴賲 賴賵 丕賱丕賱丨丕丿貙 賵賴賵 毓賱賶 賲丕 賮賷賴 賲賳 廿噩丨丕賮 廿賱丕 兀賳賴 賱丕 賷爻賱亘賴 丕賱毓賯賱丕賳賷丞 賰賲丕 賷丨丿孬 賲毓 丕賱賲乇兀丞 丕賱鬲賷 鬲賳丕賯卮賳丕 賮賷賲丕 賱丕 賳丨亘. 賰賲丕 賱丕 賷鬲賲 丕賯丨丕賲 丨賷丕鬲賴 丕賱卮禺氐賷丞 -賳丕賴賷賰 毓賳 丕賱噩賳爻賷丞- 賮賷 丕賱賳賯丕卮.
賵亘賷賳賲丕 賳丿賮賳 乇丐賵爻賳丕 賮賷 丕賱乇賲丕賱 亘丿賱丕 賲賳 丕賱亘丨孬 毓賳 丨賱賵賱 毓賲賱賷丞 賱賲卮丕賰賱賳丕貙 賷鬲賲 丕賱鬲賴賱賷賱 賱賲孬賱 賳賵丕賱 丕賱爻毓丿丕賵賷 賲賳 丕賱亘毓囟 賮賷 丕賱睾乇亘 賲賲賳 鬲丿睾丿睾 賲卮丕毓乇賴賲 丕賱賱胤賲賷丕鬲 毓賳 丕賱賳爻丕亍 丕賱毓乇亘賷丕鬲 賵丕賱賲爻賱賲丕鬲 賵鬲購卮毓乇 丿丕賮毓賷 丕賱囟乇丕卅亘 亘亘毓囟 賲賳 乇丕丨丞 丕賱亘丕賱 賱賱鬲睾丕囟賷 毓賳 丕賱禺爻丕卅乇 賮賷 丕賱兀乇賵丕丨 賵丕賱兀賲賵丕賱 丕賱匕賷 賷爻亘亘賴 丕賱鬲丿禺賱 丕賱爻賷丕爻賷 賵丕賱毓爻賰乇賷 賮賷 丕賱賲賳胤賯丞.
賵兀禺賷乇丕貙 賴賱 賴匕丕 丕賱賰鬲丕亘 亘丕賱匕丕鬲 爻賷亍責 賳毓賲. 賱丕 兀毓乇賮 賲賴丕乇丕鬲 賳賵丕賱 丕賱爻毓丿丕賵賷 賰胤亘賷亘丞貙 賵賱賰賳賴丕 賲賳 兀賰孬乇 賲賲賳 兀囟乇賵丕 亘賯囟丕賷丕 丕賱賲乇兀丞 賵禺丕氐丞 丕賱丨賯賵賯賷丞 賲賳賴丕. 賴匕丕 賱丕 賷毓賳賷 亘丕賱胤亘毓 兀賳賴 賱賷爻 賱丿賷賳丕 賲卮丕賰賱 賮賷賲丕 賷禺氐 丕賱賲乇兀丞 賵賰孬賷乇 賲賳賴丕 兀孬丕乇鬲賴 賳賵丕賱 丕賱爻毓丿丕賵賷 賵睾賷乇賴丕 賵廿賳 賱賲 賷賵賮賯賳 賮賷 丕賱胤乇丨.
賱賱丕胤賱丕毓 毓賱賶 丕賱鬲賯乇賷乇 賰丕賲賱丕
賮鬲乇鬲賷亘 賲氐乇 賲孬賱丕 賴匕丕 丕賱毓丕賲 賮賷 賲丐卮乇 丕賱賮噩賵丞 亘賷賳 丕賱噩賳爻賷賳 丕賱匕賷 賷毓丿賴 丕賱賲賳鬲丿賶 丕賱丕賯鬲氐丕丿賷 丕賱毓丕賱賲賷 賴賵 136 賲賳 兀氐賱 145 丿賵賱丞! 賵鬲爻亘賯賳丕 丿賵賱 丕賮乇賷賯賷丞 賵賱丕鬲賷賳賷丞 賳丕賲賷丞 賰孬賷乇丞. 賴匕丕 賴賵 賲乇亘胤 丕賱賮乇爻貙 賮賱賲丕 賷購胤乇丨 賱賱賳賯丕卮貙 賷鬲賲 鬲賳丨賷鬲賴 噩丕賳亘丕 毓賱賶 兀賳賴 賳爻賵賷丞 賵賲丐丕賲乇丞 賱賰乇丕賴賷丞 丕賱乇噩丕賱.
"2013 Gender gap index world map, Gender Inequality Distribution" by - Own work. Licensed under via .
賳兀鬲賷 賱賳賵丕賱 丕賱爻毓丿丕賵賷. 賮亘賷賳賲丕 鬲丿賱賷 亘丿賱賵賴丕 賮賷賲丕 賱賷爻 賱賴丕 賮賷賴 毓賱賲 賵鬲爻鬲禺丿賲 賳馗乇賷丕鬲 賮乇賵賷丿賷丞 毓賮丕 毓賱賷賴丕 丕賱夭賲賳 賵鬲賰鬲亘 兀丿亘丕 乇丿賷卅丕貙 賷鬲賲 丕爻鬲睾賱丕賱賴丕 賱囟乇亘 賯囟賷丞 丕賱賲乇兀丞 賮賷 賲賯鬲賱貙 卮兀賳賴丕 賮賷 匕賱賰 卮兀賳 賲賳賶 丕賱胤丨丕賵賷 賵丌匕乇 賳賮賷爻賷 賵丌賷丕賳 丨乇爻賷 毓賱賷. 賵亘丿賱丕 賲賳 賲賳丕賯卮鬲賴丕 賮賷賲丕 鬲胤乇丨賴 賲賳 賲卮丕賰賱 (禺鬲丕賳 丕賱廿賳丕孬 賰丕賳 廿丨丿丕賴丕 賮賷 賴匕丕 丕賱毓賲賱 賲孬賱丕貙 賵亘丕賱賲賳丕爻亘丞 鬲賯乇賷乇 丕賱賷賵賳賷爻賷賮 丕賱兀禺賷乇 賷卮賷乇 廿賱賶 兀賳 兀賰孬乇 賲賳 90% 賲賳 爻賷丿丕鬲 賲氐乇 賲禺鬲賳丕鬲) 賷鬲賲 丕鬲賴丕賲賴丕 亘丕賱噩賳賵賳 兀賵 "丕賱賰亘鬲". 賵賴賷 兀賯丿賲 丨賷賱丞 賱廿爻賰丕鬲 丕賱賲乇兀丞 賮賷 賲噩鬲賲毓賳丕 賵賰丕賳鬲 鬲爻鬲禺丿賲 賮賷 賲噩鬲賲毓丕鬲 兀禺乇賶 兀賷囟丕貙 丨鬲賶 兀賳 丕賱賳爻丕亍 "丕賱賲鬲賲乇丿丕鬲" 賰丕賳 賷鬲賲 丕丨乇丕賯賴賳 兀丨賷丕亍 賱賰賵賳賴賳 "爻丕丨乇丕鬲" 丨鬲賶 丕賱賯乇賳 丕賱孬丕賲賳 毓卮乇 賮賷 兀賵乇賵亘丕. 兀賳 鬲鬲賴賲賴丕 亘毓丿賲 丕賱毓賯賱丕賳賷丞 兀賵 毓丿賲 丕賱丕卮亘丕毓 丕賱噩賳爻賷 (賲卮 毓丕乇賮丞 丕賷賴 丕賱毓賱丕賯丞責) 兀賵 丕賱禺卮賵賳丞 "賲爻鬲乇噩賱丞" 賱鬲噩賳亘 賲賳丕賯卮丞 兀賮賰丕乇賴丕 賲賳丕賯卮丞 賲賵囟賵毓賷丞 賴賷 兀賮囟賱 胤乇賷賯丞 賱丕禺丕賮丞 賲賳 鬲禺丕賮. 賵賴賵 賲丕 賱丕 賷丨丿孬 賲毓 丕賱乇噩丕賱 亘丕賱胤亘毓 賮賷賲丕 賷胤乇丨賵賳賴 賲賳 兀賮賰丕乇貙 賲賴賲丕 賰丕賳 賰賱丕賲丕 賮丕乇睾丕. 賮兀賯氐賶 賲丕 賳鬲賴賲 亘賴 丕賱乇噩丕賱 賲賲賳 賳禺鬲賱賮 賲毓賴賲 賴賵 丕賱丕賱丨丕丿貙 賵賴賵 毓賱賶 賲丕 賮賷賴 賲賳 廿噩丨丕賮 廿賱丕 兀賳賴 賱丕 賷爻賱亘賴 丕賱毓賯賱丕賳賷丞 賰賲丕 賷丨丿孬 賲毓 丕賱賲乇兀丞 丕賱鬲賷 鬲賳丕賯卮賳丕 賮賷賲丕 賱丕 賳丨亘. 賰賲丕 賱丕 賷鬲賲 丕賯丨丕賲 丨賷丕鬲賴 丕賱卮禺氐賷丞 -賳丕賴賷賰 毓賳 丕賱噩賳爻賷丞- 賮賷 丕賱賳賯丕卮.
賵亘賷賳賲丕 賳丿賮賳 乇丐賵爻賳丕 賮賷 丕賱乇賲丕賱 亘丿賱丕 賲賳 丕賱亘丨孬 毓賳 丨賱賵賱 毓賲賱賷丞 賱賲卮丕賰賱賳丕貙 賷鬲賲 丕賱鬲賴賱賷賱 賱賲孬賱 賳賵丕賱 丕賱爻毓丿丕賵賷 賲賳 丕賱亘毓囟 賮賷 丕賱睾乇亘 賲賲賳 鬲丿睾丿睾 賲卮丕毓乇賴賲 丕賱賱胤賲賷丕鬲 毓賳 丕賱賳爻丕亍 丕賱毓乇亘賷丕鬲 賵丕賱賲爻賱賲丕鬲 賵鬲購卮毓乇 丿丕賮毓賷 丕賱囟乇丕卅亘 亘亘毓囟 賲賳 乇丕丨丞 丕賱亘丕賱 賱賱鬲睾丕囟賷 毓賳 丕賱禺爻丕卅乇 賮賷 丕賱兀乇賵丕丨 賵丕賱兀賲賵丕賱 丕賱匕賷 賷爻亘亘賴 丕賱鬲丿禺賱 丕賱爻賷丕爻賷 賵丕賱毓爻賰乇賷 賮賷 丕賱賲賳胤賯丞.
賵兀禺賷乇丕貙 賴賱 賴匕丕 丕賱賰鬲丕亘 亘丕賱匕丕鬲 爻賷亍責 賳毓賲. 賱丕 兀毓乇賮 賲賴丕乇丕鬲 賳賵丕賱 丕賱爻毓丿丕賵賷 賰胤亘賷亘丞貙 賵賱賰賳賴丕 賲賳 兀賰孬乇 賲賲賳 兀囟乇賵丕 亘賯囟丕賷丕 丕賱賲乇兀丞 賵禺丕氐丞 丕賱丨賯賵賯賷丞 賲賳賴丕. 賴匕丕 賱丕 賷毓賳賷 亘丕賱胤亘毓 兀賳賴 賱賷爻 賱丿賷賳丕 賲卮丕賰賱 賮賷賲丕 賷禺氐 丕賱賲乇兀丞 賵賰孬賷乇 賲賳賴丕 兀孬丕乇鬲賴 賳賵丕賱 丕賱爻毓丿丕賵賷 賵睾賷乇賴丕 賵廿賳 賱賲 賷賵賮賯賳 賮賷 丕賱胤乇丨.
賱賱丕胤賱丕毓 毓賱賶 丕賱鬲賯乇賷乇 賰丕賲賱丕
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