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螚 蠂伪渭苇谓畏 蟿喂渭萎 蟿畏蟼 螝伪蟿蔚蟻委谓伪蟼 螠蟺位慰蠀渭 萎 螤蠋蟼 纬蔚谓谓喂苇蟿伪喂 畏 尾委伪 魏伪喂 蟺慰蠉 渭蟺慰蟻蔚委 谓伪 慰未畏纬萎蟽蔚喂
螚 螝伪蟿蔚蟻委谓伪 螠蟺位慰蠀渭, 渭喂伪 谓蔚伪蟻萎 魏伪喂 蠅蟻伪委伪 慰喂魏喂伪魏萎 尾慰畏胃蠈蟼, 蟺慰蠀 苇蟺蔚喂蟿伪 伪蟺蠈 蟽魏位畏蟻萎 未慰蠀位蔚喂维 苇蠂蔚喂 魏伪蟿伪蠁苇蟻蔚喂 谓' 伪蟺慰魏蟿萎蟽蔚喂 未喂伪渭蔚蟻喂蟽渭伪蟿维魏喂 魏伪喂 -渭蔚蟿伪蠂蔚喂蟻喂蟽渭苇谓慰- 桅慰位魏蟽尾维纬魏蔚谓, 纬委谓蔚蟿伪喂 维胃蔚位维 蟿畏蟼 "蟺蟻蠈蟽蠅蟺慰 蟿畏蟼 畏渭苇蟻伪蟼": 蟽' 苇谓伪 伪蟺慰魏蟻喂维蟿喂魏慰 蟺维蟻蟿蠀, 纬谓蠅蟻委味蔚喂 魏伪喂 蔚蟻蠅蟿蔚蠉蔚蟿伪喂 蟿慰谓 螞慰蠉谓蟿尾喂蠂 螕魏伪委蟿蔚谓 蟺慰蠀, 蠈蟺蠅蟼 伪蟺慰未蔚喂魏谓蠉蔚蟿伪喂, 魏伪蟿伪味畏蟿蔚委蟿伪喂 伪蟺蠈 蟿畏谓 伪蟽蟿蠀谓慰渭委伪 纬喂伪 未喂维蠁慰蟻伪 "蔚纬魏位萎渭伪蟿伪". 螆蟿蟽喂 畏 螝伪蟿蔚蟻委谓伪 尾蟻委蟽魏蔚蟿伪喂 维尉伪蠁谓伪 蟽蟿慰 蟽蟿蠈蠂伪蟽蟿蟻慰 蟿慰蠀 魏委蟿蟻喂谓慰蠀 韦蠉蟺慰蠀 -蟺慰蠀 蔚魏蟺蟻慰蟽蠅蟺蔚委蟿伪喂 伪蟺蠈 蟿畏谓 螘蠁畏渭蔚蟻委未伪- 魏伪喂 伪蟺蔚位蟺喂蟽渭苇谓畏 伪蟺蠈 蟿慰 未喂伪蟽蠀蟻渭蠈 蟿畏蟼, 魏伪蟿伪蠁蔚蠉纬蔚喂 蟽蟿畏 渭蠈谓畏 维渭蠀谓伪 蟺慰蠀 蟿畏蟼 伪蟺慰渭苇谓蔚喂: 未慰位慰蠁慰谓蔚委 蟿慰谓 未喂蔚蠁胃伪蟻渭苇谓慰 未畏渭慰蟽喂慰纬蟻维蠁慰 韦伪委蟿纬魏蔚蟼.
156 pages, Paperback
First published January 1, 1974
360 people are currently reading
14.2k people want to read
About the author
Heinrich B枚ll
621听books1,611听followersDer deutsche Schriftsteller und 脺bersetzer gilt als einer der bedeutendsten deutschen Autoren der Nachkriegszeit. Er schrieb Gedichte, Kurzgeschichten und Romane, von denen auch einige verfilmt wurden. Dabei setzte er sich kritisch mit der jungen Bundesrepublik auseinander. Zu seinen erfolgreichsten Werken z盲hlen "Billard um halbzehn", "Ansichten eines Clowns" und "Gruppenbild mit Dame". Den Nobelpreis f眉r Literatur bekam Heinrich B枚ll 1972; er war nach 43 Jahren der erste deutsche Schriftsteller, dem diese Auszeichnung zuteil wurde. 1974 erschien sein wohl popul盲rstes Werk, "Die verlorene Ehre der Katharina Blum". Durch sein politisches Engagement wirkte er, gemeinsam mit seinem Freund Lew Kopelew, auf die europ盲ische Literatur der Nachkriegszeit. Dar眉ber hinaus arbeitete B枚ll gemeinsam mit seiner Frau Annemarie als Herausgeber und 脺bersetzer englischsprachiger Werke ins Deutsche...
Heinrich B枚ll became a full-time writer at the age of 30. His first novel, Der Zug war p眉nktlich (The Train Was on Time), was published in 1949. Many other novels, short stories, radio plays, and essay collections followed. In 1972 he received the Nobel Prize for Literature "for his writing which through its combination of a broad perspective on his time and a sensitive skill in characterization has contributed to a renewal of German literature." He was the first German-born author to receive the Nobel Prize since Hermann Hesse in 1946. His work has been translated into more than 30 languages, and he is one of Germany's most widely read authors.
Heinrich B枚ll became a full-time writer at the age of 30. His first novel, Der Zug war p眉nktlich (The Train Was on Time), was published in 1949. Many other novels, short stories, radio plays, and essay collections followed. In 1972 he received the Nobel Prize for Literature "for his writing which through its combination of a broad perspective on his time and a sensitive skill in characterization has contributed to a renewal of German literature." He was the first German-born author to receive the Nobel Prize since Hermann Hesse in 1946. His work has been translated into more than 30 languages, and he is one of Germany's most widely read authors.
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Displaying 1 - 30 of 1,170 reviews
February 1, 2020
Does "freedom of speech" include the right to exploit individuals and to distort evidence to serve a populist paper's financial profit as well as its wealthy, ultra-conservative, bigoted patrons' agenda?
I first read Katharina Blum's story in school, and my memory of it was vague, concerned mostly with the question whether or not it was understandable that she fell in love with a criminal, helped him escape and then committed a murder after being the victim of atrociously untruthful and sensationalist press coverage in a news outlet quite similar to Daily Mail or Fox News.
Rereading the short novel today, labelled a "pamphlet" by the author himself, I have a different, more nuanced impression. What I conceived as a cold, detached narrative now seems a perfectly valid method to show what an objective report of a string of incidents might look like, - avoiding expletives, sexual voyeurism, random interpretation, misquoting and speculation. It is a direct response, stylistically speaking, to the press coverage that destroyed Katharina's life, just because IT COULD.
It contains an open political message, a warning. Without justifying violence in any way, it highlights the hatred which erupts out of frustration and despair when a person is exposed to public shaming. It shows the danger of corrupt people in powerful positions colluding with newspapers under their control to deliberately plant false information in the public consciousness.
The most powerful scene in the story shows Katharina paralysed by the evil lies about herself in the populist paper she is reading. A kind friend collects several articles in objective, fair newspapers to show her the contrast to the big front pages and photographs that torture her. Katharina shrugs off those truthful articles.
"Doesn't matter what the other papers write, everybody reads this one", she says, displaying the paradox of human nature, claiming to want information while actually asking for voyeuristic entertainment that endangers truth rather than uncovering it.
Katharina Blum's story is almost more relevant today, when objective news outlets are openly threatened by extreme populists in powerful positions around the world, and when unethical, power hungry politicians shout "fake news" whenever a journalist reports evidence that goes against their personal agenda. They act like wolves dressed up as sheep, pointing at the sheepish crowds and yelling "Wolf!" at them, thus deflecting attention from the true predators.
In the end, nobody knows whom to trust, anything is possible, and journalism is discredited and irrevocably damaged. And that in turn puts both democracy and individual human rights in danger.
We need to learn again the difference between journalistic bullying with a biased political agenda and independent reporting of facts.
We need to discover again that the flashiest headlines and most compromising pictures and scandalous details are not the most valid information.
We need to respect the privacy of individuals and separate abuse from reportage.
We need to think about the long term effects of journalism without ethical rules - for its own sake.
When female sexuality is exploited and demonised to cover up assault and abuse of power, individual human lives are destroyed. That is the message of the story, not whether or not Katharina was justified to commit murder. She wasn't. She never thought she was. But she was driven to the point of not caring about that anymore.
Our shared human responsibility is not to deliver a platform for vile defamation, not to encourage bullying and threatening behaviour, and to support press coverage that remains objective, fair, fact-based and truthful - and relevant.
I hope they still read Katharina Blum in schools nowadays.
I first read Katharina Blum's story in school, and my memory of it was vague, concerned mostly with the question whether or not it was understandable that she fell in love with a criminal, helped him escape and then committed a murder after being the victim of atrociously untruthful and sensationalist press coverage in a news outlet quite similar to Daily Mail or Fox News.
Rereading the short novel today, labelled a "pamphlet" by the author himself, I have a different, more nuanced impression. What I conceived as a cold, detached narrative now seems a perfectly valid method to show what an objective report of a string of incidents might look like, - avoiding expletives, sexual voyeurism, random interpretation, misquoting and speculation. It is a direct response, stylistically speaking, to the press coverage that destroyed Katharina's life, just because IT COULD.
It contains an open political message, a warning. Without justifying violence in any way, it highlights the hatred which erupts out of frustration and despair when a person is exposed to public shaming. It shows the danger of corrupt people in powerful positions colluding with newspapers under their control to deliberately plant false information in the public consciousness.
The most powerful scene in the story shows Katharina paralysed by the evil lies about herself in the populist paper she is reading. A kind friend collects several articles in objective, fair newspapers to show her the contrast to the big front pages and photographs that torture her. Katharina shrugs off those truthful articles.
"Doesn't matter what the other papers write, everybody reads this one", she says, displaying the paradox of human nature, claiming to want information while actually asking for voyeuristic entertainment that endangers truth rather than uncovering it.
Katharina Blum's story is almost more relevant today, when objective news outlets are openly threatened by extreme populists in powerful positions around the world, and when unethical, power hungry politicians shout "fake news" whenever a journalist reports evidence that goes against their personal agenda. They act like wolves dressed up as sheep, pointing at the sheepish crowds and yelling "Wolf!" at them, thus deflecting attention from the true predators.
In the end, nobody knows whom to trust, anything is possible, and journalism is discredited and irrevocably damaged. And that in turn puts both democracy and individual human rights in danger.
We need to learn again the difference between journalistic bullying with a biased political agenda and independent reporting of facts.
We need to discover again that the flashiest headlines and most compromising pictures and scandalous details are not the most valid information.
We need to respect the privacy of individuals and separate abuse from reportage.
We need to think about the long term effects of journalism without ethical rules - for its own sake.
When female sexuality is exploited and demonised to cover up assault and abuse of power, individual human lives are destroyed. That is the message of the story, not whether or not Katharina was justified to commit murder. She wasn't. She never thought she was. But she was driven to the point of not caring about that anymore.
Our shared human responsibility is not to deliver a platform for vile defamation, not to encourage bullying and threatening behaviour, and to support press coverage that remains objective, fair, fact-based and truthful - and relevant.
I hope they still read Katharina Blum in schools nowadays.
November 8, 2021
(Book 338 from 1001 books) - Die Verlorene Ehre der Katharina Blum oder: Wie Gewalt entsteht und Wohin sie F眉hren Kann = The Lost Honor of Katharina Blum, Heinrich B枚ll
The story deals with the sensationalism of tabloid news and the political climate of panic over Red Army Faction terrorism in the 1970's Federal Republic of Germany.
The main character, Katharina Blum, is an innocent housekeeper whose life is ruined by an invasive tabloid reporter and a police investigation when the man with whom she has just fallen in love turns out to be wanted by the police because of a bank robbery.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 丿賵賲 賲丕賴 丌诏賵爻鬲 爻丕賱1985賲蹖賱丕丿蹖
毓賳賵丕賳: 丌亘乇賵蹖 丕夭 丿爻鬲 乇賮鬲賴 讴丕鬲乇蹖賳丕 亘賱賵賲貨 賳賵蹖爻賳丿賴: 賴丕蹖賳乇蹖卮 亘賱貙 賲鬲乇噩賲: 丨爻賳 賳賯乇賴 趩蹖貙 鬲賴乇丕賳貙 賳卮乇 賳蹖賱賵賮乇貙 爻丕賱1383貨 丿乇133氐貨 卮丕亘讴9789644482311貨 趩丕倬 丿賵賲 爻丕賱1388貨 趩丕倬 爻賵賲 爻丕賱1392貨 趩丕倬 趩賴丕乇賲 爻丕賱1395貨 賲賵囟賵毓 丕丿亘蹖丕鬲 丕夭 賳賵蹖爻賳丿诏丕賳 丌賱賲丕賳 - 爻丿賴 20賲
鬲乇噩賲賴 丿蹖诏乇蹖 賳蹖夭 丕夭 乇賵丕賳卮丕丿 噩賳丕亘 丌賯丕蹖: 卮乇蹖賮 賱賳讴乇丕賳蹖貙 趩丕倬 丕賵賱 爻丕賱1357貙 趩丕倬 丿賵賲 亘賴賲賳 賲丕賴 爻丕賱1363貙 丕夭 丕賳鬲卮丕乇丕鬲 禺賵丕乇夭賲蹖
卮蹖賵賴 蹖 賳诏丕乇卮 乇卅丕賱蹖爻鬲蹖 芦賴丕蹖賳乇蹖卮 亘賱禄貙 賵 丿乇賵賳賲丕蹖賴 蹖 丕賳爻丕賳蹖 丌孬丕乇卮丕賳貙 丕蹖卮丕賳 乇丕 倬蹖卮诏丕賲 丕丿亘蹖丕鬲 乇卅丕賱蹖爻鬲蹖 芦丌賱賲丕賳禄 讴乇丿貨 夭賳丿诏蹖 丿賵乇丕賳 噩賳诏貙 丿乇丿賴丕蹖 乇賵夭丕賳賴 蹖 賲乇丿賲貙 賵 鬲丕孬蹖乇 噩賳诏 亘乇 夭賳丿诏蹖 丌賳賴丕貙 丿爻鬲賲丕蹖賴 蹖 丕蹖卮丕賳貙 丿乇 亘蹖卮鬲乇 丌孬丕乇卮丕賳 丕爻鬲貨 讴丕乇賴丕蹖 芦賴丕蹖賳乇蹖卮 亘賱禄貙 噩賳亘賴 賴丕蹖 诏賵賳丕诏賵賳 賳蹖夭 丿丕乇丿貨 胤賳夭賳賵蹖爻 亘賵丿賳丿貙 賵 诏丕賴 賳賲丕蹖卮賳丕賲賴 賳蹖夭 賲蹖賳賵卮鬲賳丿貙 賵 爻賮乇賳丕賲賴 賳蹖夭 賳诏丕卮鬲賴 丕賳丿貨 亘丕 賳賵卮鬲丕乇 賵 诏賮鬲丕乇 禺賵蹖卮貙 丿乇 爻蹖丕爻鬲 賳蹖夭貙 诏丕賴 賵乇賵丿 讴乇丿賴 丕賳丿貨 乇賲丕賳 芦丌亘乇賵蹖 丕夭 丿爻鬲 乇賮鬲賴 讴丕鬲乇蹖賳丕 亘賱賵賲: 禺卮賵賳鬲 趩诏賵賳賴 亘賵噩賵丿 賲蹖丌蹖丿 賵 亘賴 讴噩丕 賲蹖鬲賵丕賳丿 賲賳噩乇 卮賵丿禄 亘賴 乇丕爻鬲蹖貙 丿賳亘丕賱賴 丕蹖 亘乇 乇賲丕賳 倬蹖卮蹖賳 丕蹖卮丕賳 亘丕 毓賳賵丕賳 芦爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓禄 賳蹖夭 賴爻鬲貙 讴賴 丌賳 乇賲丕賳 噩丕蹖夭賴 蹖 芦賳賵亘賱禄 乇丕貙 賳氐蹖亘 芦賴丕蹖賳乇蹖卮 亘賱禄貙 讴乇丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 29/10/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 16/08/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
The story deals with the sensationalism of tabloid news and the political climate of panic over Red Army Faction terrorism in the 1970's Federal Republic of Germany.
The main character, Katharina Blum, is an innocent housekeeper whose life is ruined by an invasive tabloid reporter and a police investigation when the man with whom she has just fallen in love turns out to be wanted by the police because of a bank robbery.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 丿賵賲 賲丕賴 丌诏賵爻鬲 爻丕賱1985賲蹖賱丕丿蹖
毓賳賵丕賳: 丌亘乇賵蹖 丕夭 丿爻鬲 乇賮鬲賴 讴丕鬲乇蹖賳丕 亘賱賵賲貨 賳賵蹖爻賳丿賴: 賴丕蹖賳乇蹖卮 亘賱貙 賲鬲乇噩賲: 丨爻賳 賳賯乇賴 趩蹖貙 鬲賴乇丕賳貙 賳卮乇 賳蹖賱賵賮乇貙 爻丕賱1383貨 丿乇133氐貨 卮丕亘讴9789644482311貨 趩丕倬 丿賵賲 爻丕賱1388貨 趩丕倬 爻賵賲 爻丕賱1392貨 趩丕倬 趩賴丕乇賲 爻丕賱1395貨 賲賵囟賵毓 丕丿亘蹖丕鬲 丕夭 賳賵蹖爻賳丿诏丕賳 丌賱賲丕賳 - 爻丿賴 20賲
鬲乇噩賲賴 丿蹖诏乇蹖 賳蹖夭 丕夭 乇賵丕賳卮丕丿 噩賳丕亘 丌賯丕蹖: 卮乇蹖賮 賱賳讴乇丕賳蹖貙 趩丕倬 丕賵賱 爻丕賱1357貙 趩丕倬 丿賵賲 亘賴賲賳 賲丕賴 爻丕賱1363貙 丕夭 丕賳鬲卮丕乇丕鬲 禺賵丕乇夭賲蹖
卮蹖賵賴 蹖 賳诏丕乇卮 乇卅丕賱蹖爻鬲蹖 芦賴丕蹖賳乇蹖卮 亘賱禄貙 賵 丿乇賵賳賲丕蹖賴 蹖 丕賳爻丕賳蹖 丌孬丕乇卮丕賳貙 丕蹖卮丕賳 乇丕 倬蹖卮诏丕賲 丕丿亘蹖丕鬲 乇卅丕賱蹖爻鬲蹖 芦丌賱賲丕賳禄 讴乇丿貨 夭賳丿诏蹖 丿賵乇丕賳 噩賳诏貙 丿乇丿賴丕蹖 乇賵夭丕賳賴 蹖 賲乇丿賲貙 賵 鬲丕孬蹖乇 噩賳诏 亘乇 夭賳丿诏蹖 丌賳賴丕貙 丿爻鬲賲丕蹖賴 蹖 丕蹖卮丕賳貙 丿乇 亘蹖卮鬲乇 丌孬丕乇卮丕賳 丕爻鬲貨 讴丕乇賴丕蹖 芦賴丕蹖賳乇蹖卮 亘賱禄貙 噩賳亘賴 賴丕蹖 诏賵賳丕诏賵賳 賳蹖夭 丿丕乇丿貨 胤賳夭賳賵蹖爻 亘賵丿賳丿貙 賵 诏丕賴 賳賲丕蹖卮賳丕賲賴 賳蹖夭 賲蹖賳賵卮鬲賳丿貙 賵 爻賮乇賳丕賲賴 賳蹖夭 賳诏丕卮鬲賴 丕賳丿貨 亘丕 賳賵卮鬲丕乇 賵 诏賮鬲丕乇 禺賵蹖卮貙 丿乇 爻蹖丕爻鬲 賳蹖夭貙 诏丕賴 賵乇賵丿 讴乇丿賴 丕賳丿貨 乇賲丕賳 芦丌亘乇賵蹖 丕夭 丿爻鬲 乇賮鬲賴 讴丕鬲乇蹖賳丕 亘賱賵賲: 禺卮賵賳鬲 趩诏賵賳賴 亘賵噩賵丿 賲蹖丌蹖丿 賵 亘賴 讴噩丕 賲蹖鬲賵丕賳丿 賲賳噩乇 卮賵丿禄 亘賴 乇丕爻鬲蹖貙 丿賳亘丕賱賴 丕蹖 亘乇 乇賲丕賳 倬蹖卮蹖賳 丕蹖卮丕賳 亘丕 毓賳賵丕賳 芦爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓禄 賳蹖夭 賴爻鬲貙 讴賴 丌賳 乇賲丕賳 噩丕蹖夭賴 蹖 芦賳賵亘賱禄 乇丕貙 賳氐蹖亘 芦賴丕蹖賳乇蹖卮 亘賱禄貙 讴乇丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 29/10/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 16/08/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
August 29, 2022
DEL COME LA VIOLENZA PU脪 SVILUPPARSI E DOVE PU脪 PORTARE
Angela Winkler 猫 Katharina Blum nel film del 1975, di Volker Schl枚ndorff e Margarethe von Trotta. Dietro di lei, l鈥檌mmancabile Mario Adorf.
Heinrich B枚ll conosceva personalmente Ulrike Meinhof e scrisse un saggio su di lei; ospit貌 a casa sua Sol啪enicyn subito dopo l鈥檈spulsione dall鈥橴RSS; critic貌 la guerra fredda, la corsa agli armamenti, il modo come la stampa di destra affrontava il terrorismo, e la politica repressiva del governo tedesco.
Tutto questo scaten貌 una campagna di stampa contro di lui, fu tacciato di comunismo (in Germania all鈥檈poca accusa gravissima. Non solo in Germania e non solo all鈥檈poca) e di amicizia coi terroristi.
Sbatti il mostro in prima pagina, si potrebbe dire.
L鈥檃ltro protagonista maschile del film, J眉rgen Prochnow, anni prima che il film 鈥淒as Boot鈥� lo facesse sbarcare a Hollywood specializzandosi nel ruolo del cattivo, al punto che in ogni suo film appena entrava in scena si sapeva come sarebbe andata a finire, il ruolo del bad guy era immediatamente chiaro.
Appare evidente che L鈥檕nore perduto di Katharina Blum (dal quale fu tratto un film non all鈥檃ltezza del romanzo, con la regia firmata a quattro mani da Volker Schl枚ndorff e Margarethe von Trotta) 猫 ispirato da questi fatti, 猫 la risposta in letteratura di B枚ll alla stampa di destra (il quotidiano Bild Zeitung del gruppo Springer).
Essendo un grande scrittore, ne 猫 venuto fuori un grande libro: molto lontano dalle opere dei suoi esordi che ho letto di recente, 猫 un racconto lungo, o romanzo breve, graffiante, caustico, divertente per l鈥檌ronia tagliente che B枚ll dispiega largamente.
Il titolo originale 猫 鈥淟鈥檕nore perduto di Katharina Blum, in Italia il film usc矛 come 鈥淚l caso Katharina Blum鈥�: evidentemente l鈥檕nore perduto fu considerato un deterrente per gli spettatori.
Un narratore fittizio confronta la versione ufficiale dei fatti, ma manipolata dalla stampa (il 鈥淕iornale鈥�), con i retroscena del caso.
E鈥� una contro cronaca retrospettiva costruita intorno all鈥檌nterrogatorio di Katharina nell鈥檜fficio di polizia.
La responsabilit脿 di chi si serve delle parole come strumento di oppressione, 猫 trasfigurata nelle formule burocratiche degli inquirenti, nei luoghi comuni grossolani e mistificanti di certa stampa, a cui si contrappone l鈥檌persensibilit脿 filologica di Katharina.
La donna risponde con un atto di violenza alla violenza diffamatoria della stampa e delle istituzioni, e dopo aver riscattato il suo onore perduto, si costituisce.
E鈥� un gesto clamoroso, che certo non la far脿 entrare nella storia, ma, ahilei, nella cronaca per pochi brutti giorni, doppiamente vittima.
Lui voleva fare bum-bum, no?, e io ho fatto bum-bum.
Quando lo Stato fa sul serio.
Angela Winkler 猫 Katharina Blum nel film del 1975, di Volker Schl枚ndorff e Margarethe von Trotta. Dietro di lei, l鈥檌mmancabile Mario Adorf.
Heinrich B枚ll conosceva personalmente Ulrike Meinhof e scrisse un saggio su di lei; ospit貌 a casa sua Sol啪enicyn subito dopo l鈥檈spulsione dall鈥橴RSS; critic貌 la guerra fredda, la corsa agli armamenti, il modo come la stampa di destra affrontava il terrorismo, e la politica repressiva del governo tedesco.
Tutto questo scaten貌 una campagna di stampa contro di lui, fu tacciato di comunismo (in Germania all鈥檈poca accusa gravissima. Non solo in Germania e non solo all鈥檈poca) e di amicizia coi terroristi.
Sbatti il mostro in prima pagina, si potrebbe dire.
L鈥檃ltro protagonista maschile del film, J眉rgen Prochnow, anni prima che il film 鈥淒as Boot鈥� lo facesse sbarcare a Hollywood specializzandosi nel ruolo del cattivo, al punto che in ogni suo film appena entrava in scena si sapeva come sarebbe andata a finire, il ruolo del bad guy era immediatamente chiaro.
Appare evidente che L鈥檕nore perduto di Katharina Blum (dal quale fu tratto un film non all鈥檃ltezza del romanzo, con la regia firmata a quattro mani da Volker Schl枚ndorff e Margarethe von Trotta) 猫 ispirato da questi fatti, 猫 la risposta in letteratura di B枚ll alla stampa di destra (il quotidiano Bild Zeitung del gruppo Springer).
Essendo un grande scrittore, ne 猫 venuto fuori un grande libro: molto lontano dalle opere dei suoi esordi che ho letto di recente, 猫 un racconto lungo, o romanzo breve, graffiante, caustico, divertente per l鈥檌ronia tagliente che B枚ll dispiega largamente.
Il titolo originale 猫 鈥淟鈥檕nore perduto di Katharina Blum, in Italia il film usc矛 come 鈥淚l caso Katharina Blum鈥�: evidentemente l鈥檕nore perduto fu considerato un deterrente per gli spettatori.
Un narratore fittizio confronta la versione ufficiale dei fatti, ma manipolata dalla stampa (il 鈥淕iornale鈥�), con i retroscena del caso.
E鈥� una contro cronaca retrospettiva costruita intorno all鈥檌nterrogatorio di Katharina nell鈥檜fficio di polizia.
La responsabilit脿 di chi si serve delle parole come strumento di oppressione, 猫 trasfigurata nelle formule burocratiche degli inquirenti, nei luoghi comuni grossolani e mistificanti di certa stampa, a cui si contrappone l鈥檌persensibilit脿 filologica di Katharina.
La donna risponde con un atto di violenza alla violenza diffamatoria della stampa e delle istituzioni, e dopo aver riscattato il suo onore perduto, si costituisce.
E鈥� un gesto clamoroso, che certo non la far脿 entrare nella storia, ma, ahilei, nella cronaca per pochi brutti giorni, doppiamente vittima.
Lui voleva fare bum-bum, no?, e io ho fatto bum-bum.
Quando lo Stato fa sul serio.
February 12, 2025
Katharina Blum is a genuinely sublime character.
Little pampered by fate, she maintains morally irreproachable behavior by always remaining faithful to her character, regardless of the circumstances.
She had suddenly subjected following the meeting of a man wanted by the police to the dubious precedents of a sensational journalist who translates all the exemplary elements of his life into means of provoking a public's attention and interest, always blas茅 and insatiable. As a result, she loses all interest in the life she led until then and comes, in just a few days, to murder without remorse or conscience.
It has exposed the events in a precise, practical way. However, the tiny points of humor make it possible not to overemphasize the despicable methods employed by the unworthy penpusher.
It was striking to find that the despicable processes shown in the novel are very close to what one can observe in reality. Anyone who has dealt with the news in person knows how the media often presents the truth in its most sensational, far too frequently leaving the essentials entirely in the dark.
When the rules of the perverse game are known, it is up to those who want to get their messages across to be very careful to avoid the slightest false step. On the other hand, when it is a question of a person who asks only to continue his real modest life in anonymity, the dishonor of the phenomenon becomes genuinely striking. We are touching on an essential aspect of any democratic system. It currently functions extremely poorly since it sells itself to sensation, which can overflow nightmarishly, as presented by B枚ll.
He wrote the novel in the 1970s and steadily gained traction. However, the advent of the Internet and social media has made it worse than ever.
May vigilance, critical spirit, and irony always accompany us in these valleys of shadows and cheap deaths!
Little pampered by fate, she maintains morally irreproachable behavior by always remaining faithful to her character, regardless of the circumstances.
She had suddenly subjected following the meeting of a man wanted by the police to the dubious precedents of a sensational journalist who translates all the exemplary elements of his life into means of provoking a public's attention and interest, always blas茅 and insatiable. As a result, she loses all interest in the life she led until then and comes, in just a few days, to murder without remorse or conscience.
It has exposed the events in a precise, practical way. However, the tiny points of humor make it possible not to overemphasize the despicable methods employed by the unworthy penpusher.
It was striking to find that the despicable processes shown in the novel are very close to what one can observe in reality. Anyone who has dealt with the news in person knows how the media often presents the truth in its most sensational, far too frequently leaving the essentials entirely in the dark.
When the rules of the perverse game are known, it is up to those who want to get their messages across to be very careful to avoid the slightest false step. On the other hand, when it is a question of a person who asks only to continue his real modest life in anonymity, the dishonor of the phenomenon becomes genuinely striking. We are touching on an essential aspect of any democratic system. It currently functions extremely poorly since it sells itself to sensation, which can overflow nightmarishly, as presented by B枚ll.
He wrote the novel in the 1970s and steadily gained traction. However, the advent of the Internet and social media has made it worse than ever.
May vigilance, critical spirit, and irony always accompany us in these valleys of shadows and cheap deaths!
July 29, 2019
芦螚 蠂伪渭苇谓畏 蟿喂渭萎 蟿畏蟼 螝伪蟿蔚蟻委谓伪蟼 螠蟺位慰蠉渭禄 未蔚谓 蠂伪蟻伪魏蟿畏蟻委味蔚蟿伪喂 蠅蟼 苇谓伪 伪蟻喂蟽蟿慰蠀蟻纬畏渭伪蟿喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪 渭蔚纬伪位蔚喂蠋未慰蠀蟼 蟺谓蔚蠀渭伪蟿喂魏萎蟼 蟿蟻慰蠁慰未慰蟽委伪蟼 蟽魏苇蠄蔚蠅谓.
螛伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 蠂伪蟻伪魏蟿畏蟻喂蟽蟿蔚委 蠅蟼 位慰纬慰蟿蔚蠂谓喂魏萎 伪蟺蔚喂魏蠈谓喂蟽畏 蟿畏蟼 魏慰喂谓蠅谓喂魏萎蟼 蟽蠀谓蔚委未畏蟽畏蟼.
螠喂伪 魏维蟺蠅蟼 蟺伪蟻蠅蠂畏渭苇谓畏 纬喂伪 蟿畏谓 蔚蟺慰蠂萎 渭伪蟼 伪蟺蔚喂魏蠈谓喂蟽畏 蟺慰蠀 蠀蟺蔚蟻尾伪委谓蔚喂 渭蔚 喂未喂伪委蟿蔚蟻蔚蟼 蟽蠀谓胃萎魏蔚蟼 蟿伪 伪蟺慰蟿蔚位苇蟽渭伪蟿伪 蟿慰蠀 魏委蟿蟻喂谓慰蠀 未喂伪蠂蟻慰谓喂魏慰蠉 蟿蠉蟺慰蠀, 蟺慰蠀 蟿伪 蟺蟻慰魏伪位蔚委 畏 蠀蟺慰魏喂谓慰蠉渭蔚谓畏 魏伪喂 蔚谓蟿蔚蟿伪位渭苇谓畏 蔚位蔚蠀胃蔚蟻慰蟿蠀蟺委伪.
螚 畏胃喂魏萎 蟺慰蠀 位伪蟽蟺蠋谓蔚喂 蟿畏谓 喂蟽蟿慰蟻委伪 渭伪蟼 蔚委谓伪喂 畏 魏伪蟺喂蟿伪位喂蟽蟿喂魏萎 萎 魏伪喂 畏 尾伪胃喂维 蟽慰蟽喂伪位喂蟽蟿喂魏萎 畏胃喂魏萎.
螚 畏蟻蠅委未伪 渭伪蟼 伪谓萎魏蔚喂 蟽蟿畏谓 蔚蟻纬伪蟿喂魏萎 蟿维尉畏,
蟺伪位蔚蠉蔚喂 魏伪喂 慰谓蔚喂蟻蔚蠉蔚蟿伪,蔚蟻纬伪味蠈渭蔚谓畏 蠅蟼 慰喂魏蔚喂伪魏萎 尾慰畏胃蠈蟼, 谓伪 伪蟺慰魏蟿萎蟽蔚喂 渭喂伪 维谓蔚蟿畏 渭喂魏蟻慰伪蟽蟿喂魏萎 蠉蟺伪蟻尉畏 伪谓维渭蔚蟽伪 蟽蔚 喂蟽蠂蠀蟻维, 未蠀谓伪蟿维,蔚尉苇蠂慰谓蟿伪 魏伪喂 伪蟻魏慰蠉谓蟿蠅蟼 尾伪胃蠉蟺位慰蠀蟿伪 蟽畏渭伪委谓慰谓蟿伪 蟺蟻蠈蟽蠅蟺伪 魏维胃蔚 蔚委未慰蠀蟼 蔚尉慰蠀蟽委伪蟼.
螠蔚蠂蟻喂 蟺慰蠀 蟽蠀谓伪谓蟿维蔚喂 苇谓伪谓 魏伪蟿伪位维胃慰蟼 蟿蟻慰渭慰魏蟻维蟿畏 魏伪喂 魏蠀蟻喂蔚蠉蔚蟿伪喂 伪蟺慰 蟿慰 蟺维胃慰蟼 蟿畏蟼 蟿蟻苇位伪蟼 魏伪喂 蟿畏蟼 伪谓伪喂蟽胃畏蟽委伪蟼 伪蟺苇谓伪谓蟿喂 蟽蔚 魏维胃蔚 魏委谓未蠀谓慰, 蔚蠀胃蠉谓畏, 位慰纬喂魏萎, 畏胃喂魏萎 魏伪喂 蟺伪蟻伪蠁慰蟻维, 蟺慰蠀 渭蠈谓慰 畏 蔚蠁蠈蟻渭畏蟽畏 蟿慰蠀 苇蟻蠅蟿伪 渭蟺慰蟻蔚委 谓伪 未畏渭喂慰蠀蟻纬萎蟽蔚喂 魏伪喂 谓伪 伪魏蠀蟻蠋蟽蔚喂 魏维胃蔚 伪谓胃蟻蠋蟺喂谓畏 伪谓蟿委蟽蟿伪蟽畏.
螣 苇蟻蠅蟿伪蟼 魏伪蟿伪未蠀谓伪蟽蟿蔚蠉蔚蟿伪喂 伪蟺慰 蟺慰位喂蟿喂魏苇蟼, 伪蟽蟿蠀谓慰渭喂魏苇蟼, 胃蟻畏蟽魏蔚蠀蟿喂魏苇蟼 魏伪喂 蠀蟺慰谓慰渭蔚蠀蟿喂魏苇蟼 蟽魏慰蟺喂渭蠈蟿畏蟿蔚蟼 魏伪蟿锟斤拷位萎纬慰谓蟿伪蟼 尾慰蟻维 蟽蟿喂蟼 伪谓伪蠁慰蟻苇蟼 渭喂伪蟼 蔚蠁畏渭蔚蟻委未伪蟼 渭蔚纬维位畏蟼 魏蠀魏位慰蠁慰蟻委伪蟼 蟺慰蠀 伪蟽魏蔚委 蟺慰位喂蟿喂魏蠈 尾喂伪蟽渭蠈 蟺蟻慰蟽蠅蟺喂魏蠋谓 未蔚未慰渭苇谓蠅谓 蟺伪蟻伪尾喂维味慰谓蟿伪蟼 蟿伪 未喂魏伪喂蠋渭伪蟿伪 蟿蠅谓 伪蟿蠈渭蠅谓 蟽蔚 渭喂伪 蠁喂位蔚位蔚蠉胃蔚蟻畏 未畏渭慰魏蟻伪蟿委伪 (位苇渭蔚 蟿蠋蟻伪..).
螚 蠂蔚喂蟻伪纬蠋纬畏蟽畏 蟿蠅谓 蟺位畏蟻慰蠁慰蟻喂蠋谓, 蟿伪 渭蠀蟽蟿喂魏维 魏伪喂 蠄苇渭伪蟿伪, 魏蟻蠀渭渭苇谓伪 魏伪位维. 蟺委蟽蠅 伪蟺慰 蟿慰 蠈谓慰渭伪 蟺伪蟻慰蠂萎蟼 蠀蟺畏蟻蔚蟽喂蠋谓 蟺蟻慰蟼 未喂伪蟿萎蟻畏蟽畏 蟿畏蟼 维蟻蟿喂伪蟼 蔚谓畏渭苇蟻蠅蟽畏蟼 蟿慰蠀 魏慰喂谓慰蠉 纬喂伪 蟿伪 魏伪胃畏渭蔚蟻喂谓维, 蟿伪 蟽蟺维谓喂伪, 蟿伪 蔚蠀蟺蠋位畏蟿伪 魏伪蟿伪蟽魏蔚蠀伪蟽渭苇谓伪 纬蔚纬慰谓蠈蟿伪 渭喂伪蟼 蟺蔚蟻喂慰蠂萎蟼 萎 蠈位慰蠀 蟿慰蠀 蟺位伪谓萎蟿畏.
螒蠀蟿蠈 伪魏蟻喂尾蠋蟼 蔚委谓伪喂 蟿慰 蟽魏畏谓喂魏蠈 蟺慰蠀 伪蟺慰蟿蔚位蔚委 苇谓伪蠀蟽渭伪 蟺伪蟻伪蠁蟻慰蟽蠉谓畏蟼 萎 伪蟺位萎 蔚喂未畏蟽蔚慰纬蟻伪蠁喂魏萎 蟺位畏蟻慰蠁蠈蟻畏蟽畏 伪胃蠋蠅谓 伪谓胃蟻蠋蟺蠅谓, 伪谓蠀蟺慰蠄委伪蟽蟿蠅谓 胃蠀蟿蠋谓 魏伪喂 伪蟺伪胃苇蟽蟿伪蟿伪 尾伪蟽伪谓喂蟽渭苇谓蠅谓 位伪蠋谓.
螘未蠋, 畏 未畏渭慰魏蟻伪蟿委伪 蟿畏蟼 蔚位蔚蠀胃蔚蟻慰蟿蠀蟺委伪蟼 魏伪喂 畏 伪谓伪味萎蟿畏蟽畏 蟿畏蟼 蟺喂慰 伪魏蟻喂尾慰蟺位畏蟻蠅渭苇谓畏蟼 伪位萎胃蔚喂伪蟼 伪蟺慰 蟿畏谓 蟿蟻慰渭慰魏蟻伪蟿喂魏萎 慰蟻纬维谓蠅蟽畏 蟿蠅谓 苇谓蟿蠀蟺蠅谓 蔚尉慰蠀蟽喂蠋谓 慰未畏纬蔚委 蟽蟿畏谓 未慰位慰蠁慰谓委伪 蔚谓蠈蟼 伪谓伪味畏蟿畏蟿萎 蔚蠀胃蠀谓蠋谓 渭蔚 蠀蟺蔚蠉胃蠀谓慰 蟺蠈蟽蟿慰. 螣 伪谓伪味畏蟿畏蟿萎蟼 蔚蟻纬维味蔚蟿伪喂 蟽蔚 渭喂伪 维蟻喂蟽蟿伪 魏伪蟿伪蟻蟿喂蟽渭苇谓畏 魏伪喂 蔚尉蔚蠂蠈谓蟿蠅蟼 未喂魏蟿蠀蠅渭苇谓畏 蔚喂未畏蟽蔚慰纬蟻伪蠁委伪 魏伪谓喂尾伪位喂蟽渭慰蠉 蠄蠀蠂蠋谓.
螚 未蠀伪未喂魏蠈蟿畏蟿伪 蟿畏蟼 伪位萎胃蔚喂伪蟼 魏伪喂 蟿慰蠀 蠄苇渭伪蟿慰蟼 渭慰喂蟻维味蔚喂 蟿喂蟼 味蠅慰蟿蟻慰蠁苇蟼 蟽蔚 苇谓伪 蟺伪喂蠂谓委未喂 伪纬蠋谓蠅谓 谓慰畏蟿喂魏萎蟼 魏伪喂 蟽蠀谓蔚喂未喂伪蟽喂伪魏萎蟼 蟺蔚委谓伪蟼. 危蟿畏谓 蟺蔚蟻委蟺蟿蠅蟽畏 伪蠀蟿萎 畏 伪位萎胃蔚喂伪 蟽畏魏蠋谓蔚蟿伪喂 蟿蔚位蔚蠀蟿伪委伪 伪蟺慰 蟿慰 蟿蟻伪蟺苇味喂...!
馃槇
螝伪位萎 伪谓维纬谓蠅蟽畏.
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
螛伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 蠂伪蟻伪魏蟿畏蟻喂蟽蟿蔚委 蠅蟼 位慰纬慰蟿蔚蠂谓喂魏萎 伪蟺蔚喂魏蠈谓喂蟽畏 蟿畏蟼 魏慰喂谓蠅谓喂魏萎蟼 蟽蠀谓蔚委未畏蟽畏蟼.
螠喂伪 魏维蟺蠅蟼 蟺伪蟻蠅蠂畏渭苇谓畏 纬喂伪 蟿畏谓 蔚蟺慰蠂萎 渭伪蟼 伪蟺蔚喂魏蠈谓喂蟽畏 蟺慰蠀 蠀蟺蔚蟻尾伪委谓蔚喂 渭蔚 喂未喂伪委蟿蔚蟻蔚蟼 蟽蠀谓胃萎魏蔚蟼 蟿伪 伪蟺慰蟿蔚位苇蟽渭伪蟿伪 蟿慰蠀 魏委蟿蟻喂谓慰蠀 未喂伪蠂蟻慰谓喂魏慰蠉 蟿蠉蟺慰蠀, 蟺慰蠀 蟿伪 蟺蟻慰魏伪位蔚委 畏 蠀蟺慰魏喂谓慰蠉渭蔚谓畏 魏伪喂 蔚谓蟿蔚蟿伪位渭苇谓畏 蔚位蔚蠀胃蔚蟻慰蟿蠀蟺委伪.
螚 畏胃喂魏萎 蟺慰蠀 位伪蟽蟺蠋谓蔚喂 蟿畏谓 喂蟽蟿慰蟻委伪 渭伪蟼 蔚委谓伪喂 畏 魏伪蟺喂蟿伪位喂蟽蟿喂魏萎 萎 魏伪喂 畏 尾伪胃喂维 蟽慰蟽喂伪位喂蟽蟿喂魏萎 畏胃喂魏萎.
螚 畏蟻蠅委未伪 渭伪蟼 伪谓萎魏蔚喂 蟽蟿畏谓 蔚蟻纬伪蟿喂魏萎 蟿维尉畏,
蟺伪位蔚蠉蔚喂 魏伪喂 慰谓蔚喂蟻蔚蠉蔚蟿伪,蔚蟻纬伪味蠈渭蔚谓畏 蠅蟼 慰喂魏蔚喂伪魏萎 尾慰畏胃蠈蟼, 谓伪 伪蟺慰魏蟿萎蟽蔚喂 渭喂伪 维谓蔚蟿畏 渭喂魏蟻慰伪蟽蟿喂魏萎 蠉蟺伪蟻尉畏 伪谓维渭蔚蟽伪 蟽蔚 喂蟽蠂蠀蟻维, 未蠀谓伪蟿维,蔚尉苇蠂慰谓蟿伪 魏伪喂 伪蟻魏慰蠉谓蟿蠅蟼 尾伪胃蠉蟺位慰蠀蟿伪 蟽畏渭伪委谓慰谓蟿伪 蟺蟻蠈蟽蠅蟺伪 魏维胃蔚 蔚委未慰蠀蟼 蔚尉慰蠀蟽委伪蟼.
螠蔚蠂蟻喂 蟺慰蠀 蟽蠀谓伪谓蟿维蔚喂 苇谓伪谓 魏伪蟿伪位维胃慰蟼 蟿蟻慰渭慰魏蟻维蟿畏 魏伪喂 魏蠀蟻喂蔚蠉蔚蟿伪喂 伪蟺慰 蟿慰 蟺维胃慰蟼 蟿畏蟼 蟿蟻苇位伪蟼 魏伪喂 蟿畏蟼 伪谓伪喂蟽胃畏蟽委伪蟼 伪蟺苇谓伪谓蟿喂 蟽蔚 魏维胃蔚 魏委谓未蠀谓慰, 蔚蠀胃蠉谓畏, 位慰纬喂魏萎, 畏胃喂魏萎 魏伪喂 蟺伪蟻伪蠁慰蟻维, 蟺慰蠀 渭蠈谓慰 畏 蔚蠁蠈蟻渭畏蟽畏 蟿慰蠀 苇蟻蠅蟿伪 渭蟺慰蟻蔚委 谓伪 未畏渭喂慰蠀蟻纬萎蟽蔚喂 魏伪喂 谓伪 伪魏蠀蟻蠋蟽蔚喂 魏维胃蔚 伪谓胃蟻蠋蟺喂谓畏 伪谓蟿委蟽蟿伪蟽畏.
螣 苇蟻蠅蟿伪蟼 魏伪蟿伪未蠀谓伪蟽蟿蔚蠉蔚蟿伪喂 伪蟺慰 蟺慰位喂蟿喂魏苇蟼, 伪蟽蟿蠀谓慰渭喂魏苇蟼, 胃蟻畏蟽魏蔚蠀蟿喂魏苇蟼 魏伪喂 蠀蟺慰谓慰渭蔚蠀蟿喂魏苇蟼 蟽魏慰蟺喂渭蠈蟿畏蟿蔚蟼 魏伪蟿锟斤拷位萎纬慰谓蟿伪蟼 尾慰蟻维 蟽蟿喂蟼 伪谓伪蠁慰蟻苇蟼 渭喂伪蟼 蔚蠁畏渭蔚蟻委未伪蟼 渭蔚纬维位畏蟼 魏蠀魏位慰蠁慰蟻委伪蟼 蟺慰蠀 伪蟽魏蔚委 蟺慰位喂蟿喂魏蠈 尾喂伪蟽渭蠈 蟺蟻慰蟽蠅蟺喂魏蠋谓 未蔚未慰渭苇谓蠅谓 蟺伪蟻伪尾喂维味慰谓蟿伪蟼 蟿伪 未喂魏伪喂蠋渭伪蟿伪 蟿蠅谓 伪蟿蠈渭蠅谓 蟽蔚 渭喂伪 蠁喂位蔚位蔚蠉胃蔚蟻畏 未畏渭慰魏蟻伪蟿委伪 (位苇渭蔚 蟿蠋蟻伪..).
螚 蠂蔚喂蟻伪纬蠋纬畏蟽畏 蟿蠅谓 蟺位畏蟻慰蠁慰蟻喂蠋谓, 蟿伪 渭蠀蟽蟿喂魏维 魏伪喂 蠄苇渭伪蟿伪, 魏蟻蠀渭渭苇谓伪 魏伪位维. 蟺委蟽蠅 伪蟺慰 蟿慰 蠈谓慰渭伪 蟺伪蟻慰蠂萎蟼 蠀蟺畏蟻蔚蟽喂蠋谓 蟺蟻慰蟼 未喂伪蟿萎蟻畏蟽畏 蟿畏蟼 维蟻蟿喂伪蟼 蔚谓畏渭苇蟻蠅蟽畏蟼 蟿慰蠀 魏慰喂谓慰蠉 纬喂伪 蟿伪 魏伪胃畏渭蔚蟻喂谓维, 蟿伪 蟽蟺维谓喂伪, 蟿伪 蔚蠀蟺蠋位畏蟿伪 魏伪蟿伪蟽魏蔚蠀伪蟽渭苇谓伪 纬蔚纬慰谓蠈蟿伪 渭喂伪蟼 蟺蔚蟻喂慰蠂萎蟼 萎 蠈位慰蠀 蟿慰蠀 蟺位伪谓萎蟿畏.
螒蠀蟿蠈 伪魏蟻喂尾蠋蟼 蔚委谓伪喂 蟿慰 蟽魏畏谓喂魏蠈 蟺慰蠀 伪蟺慰蟿蔚位蔚委 苇谓伪蠀蟽渭伪 蟺伪蟻伪蠁蟻慰蟽蠉谓畏蟼 萎 伪蟺位萎 蔚喂未畏蟽蔚慰纬蟻伪蠁喂魏萎 蟺位畏蟻慰蠁蠈蟻畏蟽畏 伪胃蠋蠅谓 伪谓胃蟻蠋蟺蠅谓, 伪谓蠀蟺慰蠄委伪蟽蟿蠅谓 胃蠀蟿蠋谓 魏伪喂 伪蟺伪胃苇蟽蟿伪蟿伪 尾伪蟽伪谓喂蟽渭苇谓蠅谓 位伪蠋谓.
螘未蠋, 畏 未畏渭慰魏蟻伪蟿委伪 蟿畏蟼 蔚位蔚蠀胃蔚蟻慰蟿蠀蟺委伪蟼 魏伪喂 畏 伪谓伪味萎蟿畏蟽畏 蟿畏蟼 蟺喂慰 伪魏蟻喂尾慰蟺位畏蟻蠅渭苇谓畏蟼 伪位萎胃蔚喂伪蟼 伪蟺慰 蟿畏谓 蟿蟻慰渭慰魏蟻伪蟿喂魏萎 慰蟻纬维谓蠅蟽畏 蟿蠅谓 苇谓蟿蠀蟺蠅谓 蔚尉慰蠀蟽喂蠋谓 慰未畏纬蔚委 蟽蟿畏谓 未慰位慰蠁慰谓委伪 蔚谓蠈蟼 伪谓伪味畏蟿畏蟿萎 蔚蠀胃蠀谓蠋谓 渭蔚 蠀蟺蔚蠉胃蠀谓慰 蟺蠈蟽蟿慰. 螣 伪谓伪味畏蟿畏蟿萎蟼 蔚蟻纬维味蔚蟿伪喂 蟽蔚 渭喂伪 维蟻喂蟽蟿伪 魏伪蟿伪蟻蟿喂蟽渭苇谓畏 魏伪喂 蔚尉蔚蠂蠈谓蟿蠅蟼 未喂魏蟿蠀蠅渭苇谓畏 蔚喂未畏蟽蔚慰纬蟻伪蠁委伪 魏伪谓喂尾伪位喂蟽渭慰蠉 蠄蠀蠂蠋谓.
螚 未蠀伪未喂魏蠈蟿畏蟿伪 蟿畏蟼 伪位萎胃蔚喂伪蟼 魏伪喂 蟿慰蠀 蠄苇渭伪蟿慰蟼 渭慰喂蟻维味蔚喂 蟿喂蟼 味蠅慰蟿蟻慰蠁苇蟼 蟽蔚 苇谓伪 蟺伪喂蠂谓委未喂 伪纬蠋谓蠅谓 谓慰畏蟿喂魏萎蟼 魏伪喂 蟽蠀谓蔚喂未喂伪蟽喂伪魏萎蟼 蟺蔚委谓伪蟼. 危蟿畏谓 蟺蔚蟻委蟺蟿蠅蟽畏 伪蠀蟿萎 畏 伪位萎胃蔚喂伪 蟽畏魏蠋谓蔚蟿伪喂 蟿蔚位蔚蠀蟿伪委伪 伪蟺慰 蟿慰 蟿蟻伪蟺苇味喂...!
馃槇
螝伪位萎 伪谓维纬谓蠅蟽畏.
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
December 1, 2016
"Mama I'm in Love with the criminal."
-Britney SpearKatherina Blum
It seems people find a certain kind of enjoyment in seeing each other's lives going to ruins. We love to get hold of dirt on whosoever, we can, maybe it serves as a kind of moral victory for our own boring selves, plus it is a good source of entertainment. And news agencies exploit this tendency by providing us scapegoats. The only time it is a problem for us is when it is our own life being reduced to pieces. Kind of like in Shirley Jackson's The Lottery.
Katherina Blum probably didn't even enjoy this scape-goating by media. She was the most puritan, pious soul you can imagine outside a nun's dress. Until she fell in love with a criminal and go all Bella Swan for him after a single dance. And irresponsible journalism did the rest. I think the dull narrative, the narrator is actually apologetic for the mention of blood, suits the book given that B枚ll is writing against sensationalism.
November 18, 2020
讴鬲丕亘 禺賵亘蹖 亘賵丿. 賮蹖賱賲 丕賯鬲亘丕爻蹖 賳爻亘鬲丕 禺賵亘蹖 賴賲 丌賯丕蹖 卮賱賳丿賵乇賮 賵 禺丕賳賲 賲丕乇诏丕乇鬲賴 賮賵賳 鬲乇賵鬲丕 丕夭 丌賳 爻丕禺鬲賴鈥屫з嗀� 丕诏乇 毓賱丕賯賴 丿丕卮鬲蹖丿 亘亘蹖賳蹖丿
The lost honor of Katharina Blum (1975) 7.4
The lost honor of Katharina Blum (1975) 7.4
January 17, 2018
The day I write this review, coincides with two events: Five years ago, on 3/3/2009 the Historical Archive of the City of Cologne collapsed, two people died and many historical treasures kept in the building are believed to be destroyed forever:
Today is also Rosenmontag, the highlight of the German carnival season and Cologne being one of the carnival hot spots in Germany:
So, why am I telling you this?
First of all, Heinrich B枚ll was born in Cologne and lived there or nearby his whole life. After his death the descendants decided to transfer almost his entire literary remains to the Historical Archive in Cologne, the manuscripts, letters, sources, etc. Most likely all of these are now lost. Whether or not the manuscript of this novel has been destroyed I cannot say. It has been a great loss in any case. Secondly, I don't think Mr. B枚ll cared for the carnival business at all. But the story of the book takes place in a few days just before Rosenmontag. So you could say I read the book at the time the story unfolds, only 40 years later.
The blurb of this book is very accurate and aptly put, so I don't want to add anything here. The prose is detached and there's no real narrator. It reads more like a journal of some kind. It's strange, but interesting strange. Part of it contains some more or less hidden black humor while other parts seem like they have been written in great anger, with a fist in his pocket, so to speak. The relationship between the tabloid press (especially the newspaper called BILD and the Springer publishing firm to which this paper belongs) and the author wasn't a very good one, to put it mildly. After the usual disclaimer about fictitious events and characters we find the following revealing statement:
I don't want to go into more detail here. Suffice to say that Springer refused to publish bestseller lists in his magazines for as long as KATARINA BLUM was on them. Childish behavior? You bet, but in the years that started in 1968 with the APO (extra-parliamentary opposition) and culminated in the so called German Autumn in 1977, the nerves (on both sides) were pretty raw.
So, I guess, this is a rather political book. And it is (or better was back then) largely misunderstood. People actually believed it contains calls for violence. Nothing could be further from the truth, and the subtitle to this book "How violence develops and where can it lead" may give a small hint to this.
This work is licensed under a .
Today is also Rosenmontag, the highlight of the German carnival season and Cologne being one of the carnival hot spots in Germany:
So, why am I telling you this?
First of all, Heinrich B枚ll was born in Cologne and lived there or nearby his whole life. After his death the descendants decided to transfer almost his entire literary remains to the Historical Archive in Cologne, the manuscripts, letters, sources, etc. Most likely all of these are now lost. Whether or not the manuscript of this novel has been destroyed I cannot say. It has been a great loss in any case. Secondly, I don't think Mr. B枚ll cared for the carnival business at all. But the story of the book takes place in a few days just before Rosenmontag. So you could say I read the book at the time the story unfolds, only 40 years later.
The blurb of this book is very accurate and aptly put, so I don't want to add anything here. The prose is detached and there's no real narrator. It reads more like a journal of some kind. It's strange, but interesting strange. Part of it contains some more or less hidden black humor while other parts seem like they have been written in great anger, with a fist in his pocket, so to speak. The relationship between the tabloid press (especially the newspaper called BILD and the Springer publishing firm to which this paper belongs) and the author wasn't a very good one, to put it mildly. After the usual disclaimer about fictitious events and characters we find the following revealing statement:
Should in the description of certain journalistic practices similarities with the practices of the BILD-Zeitung be revealed, these similarities are not intended or accidental, but inevitable.
I don't want to go into more detail here. Suffice to say that Springer refused to publish bestseller lists in his magazines for as long as KATARINA BLUM was on them. Childish behavior? You bet, but in the years that started in 1968 with the APO (extra-parliamentary opposition) and culminated in the so called German Autumn in 1977, the nerves (on both sides) were pretty raw.
So, I guess, this is a rather political book. And it is (or better was back then) largely misunderstood. People actually believed it contains calls for violence. Nothing could be further from the truth, and the subtitle to this book "How violence develops and where can it lead" may give a small hint to this.
This work is licensed under a .
June 3, 2017
卮丕賴賰丕乇 鬲賳賴丕 賰賱賲賴 丕賷爻鬲 賰賴 丿乇 賵氐賮 丕賷賳 賰鬲丕亘 賲賷鬲賵丕賳賲 亘賴 賰丕乇 亘亘乇賲.丕亘乇賵賷 丕夭 丿爻鬲 乇賮鬲賴 賷 賰丕鬲乇賷賳丕 亘賱賵賲 亘賷 賳馗賷乇 丕爻鬲 趩賴 丕夭 賳馗乇 鬲賰賳賷賰 賳賵卮鬲丕乇賷 賵 趩賴 丕夭 賱丨丕馗 丿丕爻鬲丕賳 诏賵賷賷..丨丕賱丕 賲賷亘賷賳賲 賰賴 趩賴 鬲毓丿丕丿 賰鬲丕亘 禺賵亘 賵噩賵丿 丿丕乇丿 賰賴 賲賴噩賵乇 賲丕賳丿賴 丕賳丿.
亘購賱 丕賷賳 賰鬲丕亘 乇丕 丿乇 賳賯丿 乇賵夭賳丕賲賴 賳诏丕乇賷 賳丕 賲爻卅賵賱丕賳賴 賰賴 賮賯胤 亘賴 賮賰乇 鬲賷乇丕跇 亘賷卮鬲乇 賵 丿乇 禺丿賲鬲 丕乇亘丕亘 賯丿乇鬲 賴爻鬲賳丿 賳賵卮鬲.乇賵夭賳丕賲賴 賴丕賷賷 賰賴 亘賴 丕爻賲 丕夭丕丿賷 賯賱賲 賴乇 禺夭毓亘賱賷 乇丕 亘賴 禺賵乇丿 賲賱鬲 賲賷丿賴賳丿.丕賵 丨鬲賷 丕賳鬲賯丕丿賷 賴賲 亘賴 賲乇丿賲 丿丕乇丿 賰賴 丿乇 亘夭乇诏 卮丿賳 趩賳賷賳 乇賵夭賳丕賲賴 賴丕賷賷 卮乇賷賰 賴爻鬲賳丿
丕賵 丿乇 丕亘鬲丿丕賷 賰鬲丕亘 賳賵卮鬲賴:
丕賮乇丕丿 賵 丕鬲賮丕賯丕鬲 丕賷賳 丿丕爻鬲丕賳 賴賲诏賷 鬲禺賷賱賷 賴爻鬲賳丿.丕诏乇 丕賳趩賴 賳诏丕卮鬲賴 卮丿賴 亘丕 卮賷賵賴 毓賲賱 乇賵夭賳丕賲賴 賳诏丕乇丕賳 亘賷賱丿 (Bild) 卮亘丕賴鬲 丿丕乇丿 毓賲丿賷 賷丕 丕鬲賮丕賯賷 賳賷爻鬲 亘賱賰賴 丕噩鬲賳丕亘 賳丕倬匕賷乇 丕爻鬲.
丿乇 賴賲賷賳 丕亘鬲丿丕 丕賵 賷賰 賲鬲賱賰 亘賴 乇賵夭賳丕賲賴 亘賷賱丿 丕賱賲丕賳 賰賴 乇賵夭賳丕賲賴 丕賷 夭乇丿 賵 倬乇 丨丕卮賷賴 賵 倬乇賮乇賵卮 鬲乇賷賳 乇賵夭賳丕賲賴 丕賱賲丕賳 丕爻鬲 丕賳丿丕禺鬲賴 丕爻鬲.乇賵夭賳丕賲賴 亘賷賱丿 賲禺鬲氐 毓賵丕賲 賵 亘賷 爻賵丕丿丕賳 丕賱賲丕賳 丕爻鬲 賵 亘丕 鬲賷乇丕跇 趩賳丿 賲賷賱賷賵賳賷 鬲丕孬賷乇 亘賴 爻夭丕賷賷 亘乇 丕匕賴丕賳 毓賲賵賲賷 丕賱賲丕賳 丿丕乇丿
賴丕賷賳乇賷卮 亘賱 丿乇 亘乇賴賴 丕賷 亘丕 乇賵夭賳丕賲賴 亘賷賱丿 亘乇 爻乇 丿賮丕毓 丕夭 诏乇賵賴賷 丿乇诏賷乇 賲賷卮賵丿 鬲丕 丕賳噩丕 賰賴 賰丕乇 亘賴 丿丕丿诏丕賴 賲賷賰卮丿.亘賱 丿乇 丕賳 夭賲丕賳 賲賯丕賱賴 丕賷 亘乇 毓賱賷賴 亘賷賱丿 丿乇 乇賵夭賳丕賲賴 丕卮倬賷诏賱-賰賴 乇爻丕賳賴 乇賵卮賳賮賰乇丕賳 賵 鬲丨氐賷賱 賰乇丿賴 賴丕 亘賵丿- 趩丕倬 賲賷賰賳丿 賰賴 爻乇 賵 氐丿丕賷 夭賷丕丿賷 亘賴 倬丕 賲賷賰賳丿
賴賲賴 亘禺賵亘賷 賲賷丿丕賳賷賲 賰賴 乇爻丕賳賴 趩賴 賯丿乇鬲 賲禺乇亘賷 賲賷鬲賵丕賳丿 丿丕卮鬲賴 亘丕卮丿 賵 丕诏乇 丿爻鬲 丕賴賱卮 賳亘丕卮丿 賯丕丿乇 丕爻鬲 趩賴 賮噩丕賷毓賷 亘賴 亘丕乇 亘賷丕賵乇丿.亘購賱 亘賴 夭賷亘丕賷賷 毓賲賱賰乇丿 丕賳賴丕 乇丕 賳賯丿 賲賷賰賳丿
賰丕鬲乇賷賳丕 亘賱賵賲 夭賳賷爻鬲 佗侑 爻丕賱賴貙丕賵 丕夭 胤亘賯賴 賮賯賷乇 噩丕賲毓賴 爻鬲..倬丿乇卮 賲乇丿賴 賵 賲丕丿乇卮 丿乇 亘爻鬲乇 亘賷賲丕乇賷 亘賴 爻乇 賲賷亘乇丿.賰丕鬲乇賷賳丕 賵賱賷 亘丕 亘乇賳丕賲賴 乇賷夭賷 丿賯賷賯 賵 丕賳囟亘丕胤 賰丕乇賷 亘賴 爻乇毓鬲 丿乇 卮睾賱卮 賰賴 禺丿賲鬲 賰丕乇賷 賵 賲賷賴賲丕賳丿丕乇賷 丿乇 賲噩丕賱爻 丕爻鬲 倬賷卮乇賮鬲 賲賷賰賳丿.丕賵 亘賴 丿賱賷賱 鬲毓賴丿 賵 氐丿丕賯鬲 丿乇 賰丕乇卮 賳夭丿 賰丕乇賮乇賲丕賷丕賳卮 賰賴 賴賲诏賷 丕夭 胤亘賯賴 賲乇賮賴 賴爻鬲賳丿 賲丨亘賵亘 賲賷卮賵丿 賵 丕賳賴丕 亘賴 賳丨賵賷 亘賴 丕賵 丿乇 倬賷卮亘乇丿 卮乇丕賷胤 夭賳丿诏賷 丕卮 賰賲賰 賲賷賰賳賳丿.賴賲賷賳 亘丕毓孬 賲賷卮賵丿 賰賴 賰丕鬲乇賷賳丕 丿乇 佗侑 爻丕賱诏賷 賵 亘丕 卮睾賱 禺丿賲鬲 賰丕乇賷 亘鬲賵丕賳丿 禺丕賳賴 丕賷 鬲賯乇賷亘丕 賲丿乇賳 亘賴 氐賵乇鬲 賯爻胤賷 賵 丕鬲賵賲賵亘賷賱賷 卮禺氐賷 亘禺乇丿
賰丕鬲乇賷賳丕 賰賴 賲胤賱賯賴 丕爻鬲 夭賳賷 夭賷亘丕 賵 禺賵卮 丕賳丿丕賲 丕爻鬲貙亘丕 丕賷賳丨丕賱 乇賵丕亘胤 趩賳丿丕賳 乇丕丨鬲賷 亘丕 賲乇丿丕賳 賳丿丕乇丿.丕賵 禺噩丕賱鬲賷 爻鬲 賵 丕夭 丕乇鬲亘丕胤 亘丕 賲乇丿丕賳 賴乇丕爻 丿丕乇丿貙夭賷乇丕 丕賵 乇丕亘胤賴 亘丕 丕賳賴丕 乇丕 鬲賳賴丕 夭賲丕賳賷 丿賵爻鬲 丿丕乇丿 賰賴 倬丕賷 毓卮賯賷 丕鬲卮賷賳 丿乇 賲賷丕賳 亘丕卮丿.亘賴 賴賲賷賳 丿賱賷賱 丿賵爻鬲丕賳卮 丕賵 乇丕 丕賲賱 賷丕 禺賵丕賴乇 乇賵丨丕賳賷 氐丿丕 賲賷賰賳賳丿
賵賱賷 夭賳丿诏賷 亘乇丕賷 賰丕鬲乇賷賳丕 賰賴 賴賷趩賵賯鬲 賴賲 賳賵丕夭卮诏乇 賳亘賵丿賴貙 賳丕诏賴丕賳 鬲亘丿賷賱 亘賴 賮丕噩毓賴 丕賷 鬲賲丕賲 毓賷丕乇 賲賷卮賵丿.丕賵 丿乇 丕賳馗丕乇 毓賲賵賲賷 鬲亘丿賷賱 亘賴 夭賳賷 賴乇夭賴貙賮丕丨卮賴貙禺乇丕亘賰丕乇貙亘賷 賲亘丕賱丕鬲 賵..賲賷卮賵丿.賲丕噩乇丕 趩賷爻鬲責
賰丕鬲乇賷賳丕 丿乇 亘毓丿 丕夭 馗賴乇 佗贍 賮賵乇賷賴 佟侃侑伽 亘賴 賯氐丿 卮乇賰鬲 丿乇 賷賰 賲賷賴賲丕賳賷 丕夭 禺丕賳賴 禺丕乇噩 賲賷卮賵丿.賵 伽 乇賵夭 亘毓丿 禺賵丿卮 乇丕 亘賴 倬賱賷爻 賲毓乇賮賷 賵 丕賯乇丕乇 亘賴 賯鬲賱 乇賵夭賳丕賲賴 賳诏丕乇賷 亘賴 賳丕賲 鬲賵鬲诏爻 丿乇 禺丕賳賴 丕卮 賲賷賰賳丿.丿乇 乇賵夭 賲賴賲丕賳賷 丕賵 亘丕 賲乇丿賷 睾乇賷亘賴 亘賴 賳丕賲 賱賵丿賵賷诏 诏賵鬲賳 丕卮賳丕 賲賷卮賵丿 賵 亘賴 乇賯氐 亘丕 丕賵 賲賷倬乇丿丕夭丿 賵 賲賵噩亘丕鬲 鬲毓噩亘 丿賵爻鬲丕賳卮 乇丕 賮乇丕賴賲 賲賷賰賳丿.诏賵鬲賳 賵賱賷 馗丕賴乇丕 賮乇丿賷爻鬲 禺賱丕賮賰丕乇 賵 鬲丨鬲 鬲毓賯賷亘 倬賱賷爻.丕賳賴丕 倬爻 丕夭 倬丕賷丕賳 賲賷賴賲丕賳賷貙卮亘 乇丕 丿乇 禺丕賳賴 賷 賰丕鬲乇賷賳丕 賲賷诏匕乇丕賳賳丿.倬賱賷爻 禺丕賳賴 丕賵 乇丕 鬲丨鬲 賳馗乇 賲賷诏賷乇丿 賵賱賷 賵賯鬲賷 賵丕乇丿 毓賲賱 賲賷卮賵丿 诏賵鬲賳 賮乇丕乇 賰乇丿賴 丕爻鬲.倬賱賷爻 賰丕鬲乇賷賳丕 乇丕 丿爻鬲诏賷乇 賲賷賰賳丿 賵 亘賴 噩乇賲 賴賲賰丕乇賷 賵 賮乇丕乇賷 丿丕丿賳 賷賰 噩丕賳賷 丕賵 乇丕 亘賴 丕丿丕乇賴 倬賱賷爻 賲賷亘乇賳丿.
乇賵賳丿 鬲丨賯賷賯丕鬲 賵 亘丕夭噩賵賷賷 倬賱賷爻 賵 賲賴賲 鬲乇 丕夭 丕賳 賵丕乇丿 卮丿賳 乇賵夭賳丕賲賴 (亘購賱 丿乇 鬲賲丕賲 賰鬲丕亘 丕夭 丕爻賲 丕賳 丕爻鬲賮丕丿賴 賳賲賷賰賳丿) 亘賴 賲丕噩乇丕 丿乇 丕賷賳 伽 乇賵夭 亘丕毓孬 賲賷卮賵丿 賰賴 賲賵囟賵毓 賰丕鬲乇賷賳丕 鬲亘丿賷賱 亘賴 賲賴賲鬲乇賷賳 禺亘乇 乇賵夭 丕賱賲丕賳 卮賵丿 賵 丕禺亘丕乇 賲乇亘賵胤 亘賴 丕賵 賵 禺丕賳賵丕丿賴 丕卮 亘丕 毓賰爻 賵 鬲賷鬲乇賴丕賷 亘夭乇诏 丿乇 氐賮丨賴 丕賵賱 乇賵夭賳丕賲賴 趩丕倬 卮賵丿.
乇賵夭賳丕賲賴 亘丕 賯賱亘 賵丕賯毓賷鬲貙鬲丨乇賷賮 氐丨亘鬲賴丕賷 丿賷诏乇丕賳貙趩丕倬 丕禺亘丕乇賷 亘乇 倬丕賷賴 丨丿爻 賵 诏賲丕賳貙亘乇 趩爻亘 夭賳賷 (禺胤丕亘 賰乇丿賳 賰丕鬲乇賷賳丕 亘丕 丕爻賲賴丕賷賷 賲丕賳賳丿 賮丕禺卮賴貙禺丕卅賳 賵..)貙氐丕丿乇 賰乇丿賳 丨賰賲 丿乇亘丕乇賴 丕賵貙亘賴 賵爻胤 賰卮賷丿賳 爻丕亘賯賴 賵 诏匕卮鬲賴 賰丕鬲乇賷賳丕 賵 禺丕賳賵丕丿賴 丕卮 丕賳賴賲 亘賴 丿乇賵睾貙倬乇 乇賳诏 賰乇丿賳 賳賯卮 丕賮乇丕丿賷 賰賴 鬲丕孬賷乇賷 夭賷丕丿賷 丿乇 賲丕噩乇丕 賳丿丕乇賳丿 賵賱賷 丕夭 丨丕賲賷丕賳 賰丕鬲乇賷賳丕 賴爻鬲賳丿 (賲丕賳賳丿 氐丕丨亘 賰丕乇丕賳卮貙丕賯丕 賵 禺丕賳賲 亘賱賵乇賳丕)貙賳丕丿賷丿賴 诏乇賮鬲賳 賷丕 賰賲 乇賳诏 賰乇丿賳 賳賯卮 丕賮乇丕丿賷 賰賴 鬲丕孬賷乇 夭賷丕丿賷 丿乇 亘丨乇丕賳賷 卮丿賳 卮乇丕賷胤 賰丕鬲乇賷賳丕 丿丕卮鬲賴 丕賳丿 (賲丕賳賳丿 爻乇賲丕賷賴 丿丕乇賷 賰賴 爻毓賷 丿乇 丕賷噩丕丿 乇丕亘胤賴 亘丕 賰丕鬲乇賷賳丕 丿丕卮鬲賴) 賵..亘丕毓孬 賲賷卮賵丿 賰丕鬲乇賷賳丕 亘賴 爻賲鬲 賷賰 賮乇賵倬丕卮賷 毓馗賷賲 乇賵丨賷 乇賵丕賳賷 倬賷卮 亘乇賵丿 賵 賳賴 鬲賳賴丕 丕賵 亘賱賰賴 夭賳丿诏賷 賳夭丿賷賰丕賳卮 賲丕賳賳丿 賲丕丿乇卮貙丕賯丕 賵 禺丕賳賲 亘賱賵乇賳丕 賵 丿賵爻鬲卮 丕賱夭賴 丿爻鬲禺賵卮 鬲睾賷賷乇丕鬲 丕爻丕爻賷 卮賵丿.亘購賱 亘賴 夭賷亘丕賷賷 爻賵賯 丿丕丿賴 卮丿賳 賷賰 賳賮乇 亘賴 爻賲鬲 禺卮賵賳鬲 賵 丕乇鬲賰丕亘 丕賳乇丕 噩賱賵賷 趩卮賲丕賳 賲丕 亘賴 賳賲丕賷卮 丿乇 丕賵乇丿賴.
乇丕賵賷 丿丕爻鬲丕賳 乇丕 亘乇 丕爻丕爻 伲 賲賳亘毓 亘乇丕賷 賲丕 诏夭丕乇卮 賲賷賰賳丿.
賰鬲丕亘 丿乇 丕亘鬲丿丕 卮賲丕 乇丕 亘賴 氐賵乇鬲 噩丿賷 亘賴 趩丕賱卮 賲賷賰卮丿..賲丿丕賲 賲噩亘賵乇賷丿 亘賴 毓賯亘 亘乇诏乇丿賷丿 賵 鬲丕乇賷禺賴丕 賷丕 卮禺氐賷鬲賴丕賷賷 乇丕 趩賰 賰賳賷丿.賵 賲丿丕賲 丕夭 乇賵丕亘胤 噩丿賷丿賷 賰賴 賰卮賮 賲賷卮賵賳丿 卮賵賰賴 賲賷卮賵賷丿.鬲毓丿丕丿 卮禺氐賷鬲賴丕 亘丕 賵噩賵丿 丨噩賲 賰賲 賰鬲丕亘 亘丕賱丕爻鬲 賵 賴賲賷賳 鬲丕 丨丿賵丿賷 卮賲丕 乇丕 爻乇诏乇丿丕賳 賲賷賰賳丿.卮禺氐賷鬲賴丕 亘丕 賷賰丿賷诏乇 乇賵丕亘胤 倬賷趩賷丿賴 賵 丿乇 賴賲 鬲賳賷丿賴 丕賷 丿丕乇賳丿 賷丕 丨丿丕賯賱 亘賴鬲乇 丕爻鬲 亘诏賵賷賷賲 賳丨賵賴 丕賷 賰賴 亘購賱 丿丕爻鬲丕賳 乇丕 乇賵丕賷鬲 賲賷賰賳丿 丕賷賳趩賳賷賳 倬賷趩賷丿賴 丕爻鬲.
賯爻賲鬲賴丕賷賷 丕夭 鬲丨乇賷賮 卮丿賳 氐丨亘鬲賴丕賷 丿賷诏乇丕賳 丿乇亘丕乇賴 賰丕鬲乇賷賳丕 鬲賵爻胤 乇賵夭賳丕賲賴:
賰丕鬲乇賷賳丕 丕賳爻丕賳賷 亘爻賷丕乇 賮賴賲賷丿賴 丕賲丕 爻乇丿 賵 賳趩爻亘 丕爻鬲 (噩賲賱賴 丕夭 賷賰賷 丕夭 氐丕丨亘 賰丕乇丕賳 賯亘賱賷) 鬲亘丿賷賱 賲賷卮賵丿 亘賴:賰丕鬲乇賷賳丕 亘賴 爻乇丿賷 賷禺 賵 賵賷乇丕賳诏乇 丕爻鬲
賷丕
賲賳 賷賰 賵賰賷賱 賴爻鬲賲 賵 禺賵亘 賲賷丿丕賳賲 趩賴 賰爻賷 賯丕丿乇 亘賴 噩賳丕賷鬲 賰乇丿賳 賴爻鬲 賵 趩賴 賰爻賷 賳賷爻鬲(丕夭 丿賰鬲乇 亘賱賵乇賳丕貙賵賰賷賱 賵 氐丕丨亘 賰丕乇 賮毓賱賷 賰丕鬲乇賷賳丕) 鬲亘丿賷賱 賲賷卮賵丿 亘賴:
丕賵 丕丨鬲賲丕賱丕 賯丕丿乇 亘賴 丕賳噩丕賲 賰丕乇賴丕賷 噩賳丕賷賷 丕爻鬲
賰鬲丕亘 佗 亘丕乇 鬲賵爻胤 賲乇丨賵賲 卮乇賷賮 賱賳賰乇丕賳賷 (丕賳鬲卮丕乇丕鬲 禺賵丕乇夭賲賷) 賵 丨爻賳 賳賯乇賴 趩賷 (丕賳鬲卮丕乇丕鬲 賳賷賱賵賮乇) 亘賴 趩丕倬 乇爻賷丿賴 丕爻鬲.
鬲乇噩賲賴 賷 丕賯丕賷 賳賯乇賴 趩賷 倬賷趩賷丿诏賷 賰鬲丕亘 賵 賱丨賳 诏夭丕乇卮 诏賵賳賴 賷 亘購賱 乇丕 亘禺賵亘賷 丿乇 丕賵乇丿賴 賴乇趩賳丿 賰賴 丿乇 亘毓囟賷 噩丕賴丕 賲卮賰賱丕鬲 賵賷乇丕爻鬲丕乇賷 丿丕乇丿.
亘購賱 丕賷賳 賰鬲丕亘 乇丕 丿乇 賳賯丿 乇賵夭賳丕賲賴 賳诏丕乇賷 賳丕 賲爻卅賵賱丕賳賴 賰賴 賮賯胤 亘賴 賮賰乇 鬲賷乇丕跇 亘賷卮鬲乇 賵 丿乇 禺丿賲鬲 丕乇亘丕亘 賯丿乇鬲 賴爻鬲賳丿 賳賵卮鬲.乇賵夭賳丕賲賴 賴丕賷賷 賰賴 亘賴 丕爻賲 丕夭丕丿賷 賯賱賲 賴乇 禺夭毓亘賱賷 乇丕 亘賴 禺賵乇丿 賲賱鬲 賲賷丿賴賳丿.丕賵 丨鬲賷 丕賳鬲賯丕丿賷 賴賲 亘賴 賲乇丿賲 丿丕乇丿 賰賴 丿乇 亘夭乇诏 卮丿賳 趩賳賷賳 乇賵夭賳丕賲賴 賴丕賷賷 卮乇賷賰 賴爻鬲賳丿
丕賵 丿乇 丕亘鬲丿丕賷 賰鬲丕亘 賳賵卮鬲賴:
丕賮乇丕丿 賵 丕鬲賮丕賯丕鬲 丕賷賳 丿丕爻鬲丕賳 賴賲诏賷 鬲禺賷賱賷 賴爻鬲賳丿.丕诏乇 丕賳趩賴 賳诏丕卮鬲賴 卮丿賴 亘丕 卮賷賵賴 毓賲賱 乇賵夭賳丕賲賴 賳诏丕乇丕賳 亘賷賱丿 (Bild) 卮亘丕賴鬲 丿丕乇丿 毓賲丿賷 賷丕 丕鬲賮丕賯賷 賳賷爻鬲 亘賱賰賴 丕噩鬲賳丕亘 賳丕倬匕賷乇 丕爻鬲.
丿乇 賴賲賷賳 丕亘鬲丿丕 丕賵 賷賰 賲鬲賱賰 亘賴 乇賵夭賳丕賲賴 亘賷賱丿 丕賱賲丕賳 賰賴 乇賵夭賳丕賲賴 丕賷 夭乇丿 賵 倬乇 丨丕卮賷賴 賵 倬乇賮乇賵卮 鬲乇賷賳 乇賵夭賳丕賲賴 丕賱賲丕賳 丕爻鬲 丕賳丿丕禺鬲賴 丕爻鬲.乇賵夭賳丕賲賴 亘賷賱丿 賲禺鬲氐 毓賵丕賲 賵 亘賷 爻賵丕丿丕賳 丕賱賲丕賳 丕爻鬲 賵 亘丕 鬲賷乇丕跇 趩賳丿 賲賷賱賷賵賳賷 鬲丕孬賷乇 亘賴 爻夭丕賷賷 亘乇 丕匕賴丕賳 毓賲賵賲賷 丕賱賲丕賳 丿丕乇丿
賴丕賷賳乇賷卮 亘賱 丿乇 亘乇賴賴 丕賷 亘丕 乇賵夭賳丕賲賴 亘賷賱丿 亘乇 爻乇 丿賮丕毓 丕夭 诏乇賵賴賷 丿乇诏賷乇 賲賷卮賵丿 鬲丕 丕賳噩丕 賰賴 賰丕乇 亘賴 丿丕丿诏丕賴 賲賷賰卮丿.亘賱 丿乇 丕賳 夭賲丕賳 賲賯丕賱賴 丕賷 亘乇 毓賱賷賴 亘賷賱丿 丿乇 乇賵夭賳丕賲賴 丕卮倬賷诏賱-賰賴 乇爻丕賳賴 乇賵卮賳賮賰乇丕賳 賵 鬲丨氐賷賱 賰乇丿賴 賴丕 亘賵丿- 趩丕倬 賲賷賰賳丿 賰賴 爻乇 賵 氐丿丕賷 夭賷丕丿賷 亘賴 倬丕 賲賷賰賳丿
賴賲賴 亘禺賵亘賷 賲賷丿丕賳賷賲 賰賴 乇爻丕賳賴 趩賴 賯丿乇鬲 賲禺乇亘賷 賲賷鬲賵丕賳丿 丿丕卮鬲賴 亘丕卮丿 賵 丕诏乇 丿爻鬲 丕賴賱卮 賳亘丕卮丿 賯丕丿乇 丕爻鬲 趩賴 賮噩丕賷毓賷 亘賴 亘丕乇 亘賷丕賵乇丿.亘購賱 亘賴 夭賷亘丕賷賷 毓賲賱賰乇丿 丕賳賴丕 乇丕 賳賯丿 賲賷賰賳丿
賰丕鬲乇賷賳丕 亘賱賵賲 夭賳賷爻鬲 佗侑 爻丕賱賴貙丕賵 丕夭 胤亘賯賴 賮賯賷乇 噩丕賲毓賴 爻鬲..倬丿乇卮 賲乇丿賴 賵 賲丕丿乇卮 丿乇 亘爻鬲乇 亘賷賲丕乇賷 亘賴 爻乇 賲賷亘乇丿.賰丕鬲乇賷賳丕 賵賱賷 亘丕 亘乇賳丕賲賴 乇賷夭賷 丿賯賷賯 賵 丕賳囟亘丕胤 賰丕乇賷 亘賴 爻乇毓鬲 丿乇 卮睾賱卮 賰賴 禺丿賲鬲 賰丕乇賷 賵 賲賷賴賲丕賳丿丕乇賷 丿乇 賲噩丕賱爻 丕爻鬲 倬賷卮乇賮鬲 賲賷賰賳丿.丕賵 亘賴 丿賱賷賱 鬲毓賴丿 賵 氐丿丕賯鬲 丿乇 賰丕乇卮 賳夭丿 賰丕乇賮乇賲丕賷丕賳卮 賰賴 賴賲诏賷 丕夭 胤亘賯賴 賲乇賮賴 賴爻鬲賳丿 賲丨亘賵亘 賲賷卮賵丿 賵 丕賳賴丕 亘賴 賳丨賵賷 亘賴 丕賵 丿乇 倬賷卮亘乇丿 卮乇丕賷胤 夭賳丿诏賷 丕卮 賰賲賰 賲賷賰賳賳丿.賴賲賷賳 亘丕毓孬 賲賷卮賵丿 賰賴 賰丕鬲乇賷賳丕 丿乇 佗侑 爻丕賱诏賷 賵 亘丕 卮睾賱 禺丿賲鬲 賰丕乇賷 亘鬲賵丕賳丿 禺丕賳賴 丕賷 鬲賯乇賷亘丕 賲丿乇賳 亘賴 氐賵乇鬲 賯爻胤賷 賵 丕鬲賵賲賵亘賷賱賷 卮禺氐賷 亘禺乇丿
賰丕鬲乇賷賳丕 賰賴 賲胤賱賯賴 丕爻鬲 夭賳賷 夭賷亘丕 賵 禺賵卮 丕賳丿丕賲 丕爻鬲貙亘丕 丕賷賳丨丕賱 乇賵丕亘胤 趩賳丿丕賳 乇丕丨鬲賷 亘丕 賲乇丿丕賳 賳丿丕乇丿.丕賵 禺噩丕賱鬲賷 爻鬲 賵 丕夭 丕乇鬲亘丕胤 亘丕 賲乇丿丕賳 賴乇丕爻 丿丕乇丿貙夭賷乇丕 丕賵 乇丕亘胤賴 亘丕 丕賳賴丕 乇丕 鬲賳賴丕 夭賲丕賳賷 丿賵爻鬲 丿丕乇丿 賰賴 倬丕賷 毓卮賯賷 丕鬲卮賷賳 丿乇 賲賷丕賳 亘丕卮丿.亘賴 賴賲賷賳 丿賱賷賱 丿賵爻鬲丕賳卮 丕賵 乇丕 丕賲賱 賷丕 禺賵丕賴乇 乇賵丨丕賳賷 氐丿丕 賲賷賰賳賳丿
賵賱賷 夭賳丿诏賷 亘乇丕賷 賰丕鬲乇賷賳丕 賰賴 賴賷趩賵賯鬲 賴賲 賳賵丕夭卮诏乇 賳亘賵丿賴貙 賳丕诏賴丕賳 鬲亘丿賷賱 亘賴 賮丕噩毓賴 丕賷 鬲賲丕賲 毓賷丕乇 賲賷卮賵丿.丕賵 丿乇 丕賳馗丕乇 毓賲賵賲賷 鬲亘丿賷賱 亘賴 夭賳賷 賴乇夭賴貙賮丕丨卮賴貙禺乇丕亘賰丕乇貙亘賷 賲亘丕賱丕鬲 賵..賲賷卮賵丿.賲丕噩乇丕 趩賷爻鬲責
賰丕鬲乇賷賳丕 丿乇 亘毓丿 丕夭 馗賴乇 佗贍 賮賵乇賷賴 佟侃侑伽 亘賴 賯氐丿 卮乇賰鬲 丿乇 賷賰 賲賷賴賲丕賳賷 丕夭 禺丕賳賴 禺丕乇噩 賲賷卮賵丿.賵 伽 乇賵夭 亘毓丿 禺賵丿卮 乇丕 亘賴 倬賱賷爻 賲毓乇賮賷 賵 丕賯乇丕乇 亘賴 賯鬲賱 乇賵夭賳丕賲賴 賳诏丕乇賷 亘賴 賳丕賲 鬲賵鬲诏爻 丿乇 禺丕賳賴 丕卮 賲賷賰賳丿.丿乇 乇賵夭 賲賴賲丕賳賷 丕賵 亘丕 賲乇丿賷 睾乇賷亘賴 亘賴 賳丕賲 賱賵丿賵賷诏 诏賵鬲賳 丕卮賳丕 賲賷卮賵丿 賵 亘賴 乇賯氐 亘丕 丕賵 賲賷倬乇丿丕夭丿 賵 賲賵噩亘丕鬲 鬲毓噩亘 丿賵爻鬲丕賳卮 乇丕 賮乇丕賴賲 賲賷賰賳丿.诏賵鬲賳 賵賱賷 馗丕賴乇丕 賮乇丿賷爻鬲 禺賱丕賮賰丕乇 賵 鬲丨鬲 鬲毓賯賷亘 倬賱賷爻.丕賳賴丕 倬爻 丕夭 倬丕賷丕賳 賲賷賴賲丕賳賷貙卮亘 乇丕 丿乇 禺丕賳賴 賷 賰丕鬲乇賷賳丕 賲賷诏匕乇丕賳賳丿.倬賱賷爻 禺丕賳賴 丕賵 乇丕 鬲丨鬲 賳馗乇 賲賷诏賷乇丿 賵賱賷 賵賯鬲賷 賵丕乇丿 毓賲賱 賲賷卮賵丿 诏賵鬲賳 賮乇丕乇 賰乇丿賴 丕爻鬲.倬賱賷爻 賰丕鬲乇賷賳丕 乇丕 丿爻鬲诏賷乇 賲賷賰賳丿 賵 亘賴 噩乇賲 賴賲賰丕乇賷 賵 賮乇丕乇賷 丿丕丿賳 賷賰 噩丕賳賷 丕賵 乇丕 亘賴 丕丿丕乇賴 倬賱賷爻 賲賷亘乇賳丿.
乇賵賳丿 鬲丨賯賷賯丕鬲 賵 亘丕夭噩賵賷賷 倬賱賷爻 賵 賲賴賲 鬲乇 丕夭 丕賳 賵丕乇丿 卮丿賳 乇賵夭賳丕賲賴 (亘購賱 丿乇 鬲賲丕賲 賰鬲丕亘 丕夭 丕爻賲 丕賳 丕爻鬲賮丕丿賴 賳賲賷賰賳丿) 亘賴 賲丕噩乇丕 丿乇 丕賷賳 伽 乇賵夭 亘丕毓孬 賲賷卮賵丿 賰賴 賲賵囟賵毓 賰丕鬲乇賷賳丕 鬲亘丿賷賱 亘賴 賲賴賲鬲乇賷賳 禺亘乇 乇賵夭 丕賱賲丕賳 卮賵丿 賵 丕禺亘丕乇 賲乇亘賵胤 亘賴 丕賵 賵 禺丕賳賵丕丿賴 丕卮 亘丕 毓賰爻 賵 鬲賷鬲乇賴丕賷 亘夭乇诏 丿乇 氐賮丨賴 丕賵賱 乇賵夭賳丕賲賴 趩丕倬 卮賵丿.
乇賵夭賳丕賲賴 亘丕 賯賱亘 賵丕賯毓賷鬲貙鬲丨乇賷賮 氐丨亘鬲賴丕賷 丿賷诏乇丕賳貙趩丕倬 丕禺亘丕乇賷 亘乇 倬丕賷賴 丨丿爻 賵 诏賲丕賳貙亘乇 趩爻亘 夭賳賷 (禺胤丕亘 賰乇丿賳 賰丕鬲乇賷賳丕 亘丕 丕爻賲賴丕賷賷 賲丕賳賳丿 賮丕禺卮賴貙禺丕卅賳 賵..)貙氐丕丿乇 賰乇丿賳 丨賰賲 丿乇亘丕乇賴 丕賵貙亘賴 賵爻胤 賰卮賷丿賳 爻丕亘賯賴 賵 诏匕卮鬲賴 賰丕鬲乇賷賳丕 賵 禺丕賳賵丕丿賴 丕卮 丕賳賴賲 亘賴 丿乇賵睾貙倬乇 乇賳诏 賰乇丿賳 賳賯卮 丕賮乇丕丿賷 賰賴 鬲丕孬賷乇賷 夭賷丕丿賷 丿乇 賲丕噩乇丕 賳丿丕乇賳丿 賵賱賷 丕夭 丨丕賲賷丕賳 賰丕鬲乇賷賳丕 賴爻鬲賳丿 (賲丕賳賳丿 氐丕丨亘 賰丕乇丕賳卮貙丕賯丕 賵 禺丕賳賲 亘賱賵乇賳丕)貙賳丕丿賷丿賴 诏乇賮鬲賳 賷丕 賰賲 乇賳诏 賰乇丿賳 賳賯卮 丕賮乇丕丿賷 賰賴 鬲丕孬賷乇 夭賷丕丿賷 丿乇 亘丨乇丕賳賷 卮丿賳 卮乇丕賷胤 賰丕鬲乇賷賳丕 丿丕卮鬲賴 丕賳丿 (賲丕賳賳丿 爻乇賲丕賷賴 丿丕乇賷 賰賴 爻毓賷 丿乇 丕賷噩丕丿 乇丕亘胤賴 亘丕 賰丕鬲乇賷賳丕 丿丕卮鬲賴) 賵..亘丕毓孬 賲賷卮賵丿 賰丕鬲乇賷賳丕 亘賴 爻賲鬲 賷賰 賮乇賵倬丕卮賷 毓馗賷賲 乇賵丨賷 乇賵丕賳賷 倬賷卮 亘乇賵丿 賵 賳賴 鬲賳賴丕 丕賵 亘賱賰賴 夭賳丿诏賷 賳夭丿賷賰丕賳卮 賲丕賳賳丿 賲丕丿乇卮貙丕賯丕 賵 禺丕賳賲 亘賱賵乇賳丕 賵 丿賵爻鬲卮 丕賱夭賴 丿爻鬲禺賵卮 鬲睾賷賷乇丕鬲 丕爻丕爻賷 卮賵丿.亘購賱 亘賴 夭賷亘丕賷賷 爻賵賯 丿丕丿賴 卮丿賳 賷賰 賳賮乇 亘賴 爻賲鬲 禺卮賵賳鬲 賵 丕乇鬲賰丕亘 丕賳乇丕 噩賱賵賷 趩卮賲丕賳 賲丕 亘賴 賳賲丕賷卮 丿乇 丕賵乇丿賴.
乇丕賵賷 丿丕爻鬲丕賳 乇丕 亘乇 丕爻丕爻 伲 賲賳亘毓 亘乇丕賷 賲丕 诏夭丕乇卮 賲賷賰賳丿.
賰鬲丕亘 丿乇 丕亘鬲丿丕 卮賲丕 乇丕 亘賴 氐賵乇鬲 噩丿賷 亘賴 趩丕賱卮 賲賷賰卮丿..賲丿丕賲 賲噩亘賵乇賷丿 亘賴 毓賯亘 亘乇诏乇丿賷丿 賵 鬲丕乇賷禺賴丕 賷丕 卮禺氐賷鬲賴丕賷賷 乇丕 趩賰 賰賳賷丿.賵 賲丿丕賲 丕夭 乇賵丕亘胤 噩丿賷丿賷 賰賴 賰卮賮 賲賷卮賵賳丿 卮賵賰賴 賲賷卮賵賷丿.鬲毓丿丕丿 卮禺氐賷鬲賴丕 亘丕 賵噩賵丿 丨噩賲 賰賲 賰鬲丕亘 亘丕賱丕爻鬲 賵 賴賲賷賳 鬲丕 丨丿賵丿賷 卮賲丕 乇丕 爻乇诏乇丿丕賳 賲賷賰賳丿.卮禺氐賷鬲賴丕 亘丕 賷賰丿賷诏乇 乇賵丕亘胤 倬賷趩賷丿賴 賵 丿乇 賴賲 鬲賳賷丿賴 丕賷 丿丕乇賳丿 賷丕 丨丿丕賯賱 亘賴鬲乇 丕爻鬲 亘诏賵賷賷賲 賳丨賵賴 丕賷 賰賴 亘購賱 丿丕爻鬲丕賳 乇丕 乇賵丕賷鬲 賲賷賰賳丿 丕賷賳趩賳賷賳 倬賷趩賷丿賴 丕爻鬲.
賯爻賲鬲賴丕賷賷 丕夭 鬲丨乇賷賮 卮丿賳 氐丨亘鬲賴丕賷 丿賷诏乇丕賳 丿乇亘丕乇賴 賰丕鬲乇賷賳丕 鬲賵爻胤 乇賵夭賳丕賲賴:
賰丕鬲乇賷賳丕 丕賳爻丕賳賷 亘爻賷丕乇 賮賴賲賷丿賴 丕賲丕 爻乇丿 賵 賳趩爻亘 丕爻鬲 (噩賲賱賴 丕夭 賷賰賷 丕夭 氐丕丨亘 賰丕乇丕賳 賯亘賱賷) 鬲亘丿賷賱 賲賷卮賵丿 亘賴:賰丕鬲乇賷賳丕 亘賴 爻乇丿賷 賷禺 賵 賵賷乇丕賳诏乇 丕爻鬲
賷丕
賲賳 賷賰 賵賰賷賱 賴爻鬲賲 賵 禺賵亘 賲賷丿丕賳賲 趩賴 賰爻賷 賯丕丿乇 亘賴 噩賳丕賷鬲 賰乇丿賳 賴爻鬲 賵 趩賴 賰爻賷 賳賷爻鬲(丕夭 丿賰鬲乇 亘賱賵乇賳丕貙賵賰賷賱 賵 氐丕丨亘 賰丕乇 賮毓賱賷 賰丕鬲乇賷賳丕) 鬲亘丿賷賱 賲賷卮賵丿 亘賴:
丕賵 丕丨鬲賲丕賱丕 賯丕丿乇 亘賴 丕賳噩丕賲 賰丕乇賴丕賷 噩賳丕賷賷 丕爻鬲
賰鬲丕亘 佗 亘丕乇 鬲賵爻胤 賲乇丨賵賲 卮乇賷賮 賱賳賰乇丕賳賷 (丕賳鬲卮丕乇丕鬲 禺賵丕乇夭賲賷) 賵 丨爻賳 賳賯乇賴 趩賷 (丕賳鬲卮丕乇丕鬲 賳賷賱賵賮乇) 亘賴 趩丕倬 乇爻賷丿賴 丕爻鬲.
鬲乇噩賲賴 賷 丕賯丕賷 賳賯乇賴 趩賷 倬賷趩賷丿诏賷 賰鬲丕亘 賵 賱丨賳 诏夭丕乇卮 诏賵賳賴 賷 亘購賱 乇丕 亘禺賵亘賷 丿乇 丕賵乇丿賴 賴乇趩賳丿 賰賴 丿乇 亘毓囟賷 噩丕賴丕 賲卮賰賱丕鬲 賵賷乇丕爻鬲丕乇賷 丿丕乇丿.
February 2, 2017
Insightful and believable if somewhat confusing look at the media frenzy surrounding a criminal on the run and a young woman who becomes involved with him. It's 1974 and pretty hardworking German Katharina Blum is caught like a rabbit in the headlights when accused of helping wanted criminal Ludwig Gotten evade police capture from a building already under surveillance by law enforcement. Once the tabloids get their dirty little operations going they start an intrusive and nasty smear campaign of hate where she is portrayed by a leading newspaper as a whore, communist and atheist, while a reporter may or may not have been partly responsible for the death of Katherina's mother after trying to get an interview from the hospital she was staying, Katharina though would go on to have the last laugh with chilling results. Heinrich B枚ll writes with icy and unemotional conviction that not wholly makes you feel any sympathy as fact and fiction blur, and the twisting of events can seem deceitful. Using a step by step police interrogation style that both works but also creates a problem as it's not always easy to follow the timelines presented to the reader. Winner of the Nobel Prize in 1972, what B枚ll has done well here also is creating a paranoid and edgy Germany at a time of political unrest and terrorism that takes any investigation as a wider spectrum of trouble.
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March 1, 2021If I said magnificent, or fantastic, that might be a bit much, if I described it as just about right, that could sound too grudging and mean spirited.
Die verlorene Ehre der Katharina Blum ider: Wie Gewalt entstehen und wohin sie fuehren kann is a very short book dating back to 1976 when I was far too young to have read I for myself. Despite its age and particular historical (and cultural) setting, it is a contemporary story, Andy Warhol said In the future, everyone will be world-famous for 15 minutes, a little bit before B枚ll wrote this story, which deals with the nature of that fame and its consequences, in that sense it is rather like , except not half a million pages long and an epic journey through 1980s New York. Instead this book is funny, well not exactly funny, I laughed while reading some that was not at all funny.
This little book tells the story of why Katharina Blum, a young woman, working as a cleaning lady and occasional bar maid, came to murder a journalist and turn herself into the police .
It reminded me of a story - I think about Benjamin Franklin, who although himself as a printer was a big fan of the freedom to print what ever you like, advised in the case of other people freely publishing lies, slander or rubbish about you, to have a big stick handy to beat said purveyors of such untruths. There's a pessimism in that, an acknowledgement that in Blum's terms once your honour is lost, it is not going to be regained, not even in the event of a very small apology printed at the bottom of page 33 of the same newspaper scrutinised by a team of lawyers with far more care than the original dishonouring article(s) was (were) written. But revenge in the form of physical violence might offer some relief.
One can see the attraction of this, in the story there are a couple of examples of statements or quotations, judiciously edited by journalists to say the exact opposite of what the speaker intended, all the better einfachen Menschen Artikulationshilfe zu geben (p.92). The freedom of the press then denies freedom of expression and opinion of everyone who is not the press. Here demonstrated by the creation of waves of rage and hostility towards Blum and her employers.
Obviously this is a fictional story, but now and again one can come across similar non-fiction stories of people who get their 15 minutes of fame, and whose lives get chewed over and spat out as a result.
Die verlorene Ehre der Katharina Blum ider: Wie Gewalt entstehen und wohin sie fuehren kann is a very short book dating back to 1976 when I was far too young to have read I for myself. Despite its age and particular historical (and cultural) setting, it is a contemporary story, Andy Warhol said In the future, everyone will be world-famous for 15 minutes, a little bit before B枚ll wrote this story, which deals with the nature of that fame and its consequences, in that sense it is rather like , except not half a million pages long and an epic journey through 1980s New York. Instead this book is funny, well not exactly funny, I laughed while reading some that was not at all funny.
This little book tells the story of why Katharina Blum, a young woman, working as a cleaning lady and occasional bar maid, came to murder a journalist and turn herself into the police .
It reminded me of a story - I think about Benjamin Franklin, who although himself as a printer was a big fan of the freedom to print what ever you like, advised in the case of other people freely publishing lies, slander or rubbish about you, to have a big stick handy to beat said purveyors of such untruths. There's a pessimism in that, an acknowledgement that in Blum's terms once your honour is lost, it is not going to be regained, not even in the event of a very small apology printed at the bottom of page 33 of the same newspaper scrutinised by a team of lawyers with far more care than the original dishonouring article(s) was (were) written. But revenge in the form of physical violence might offer some relief.
One can see the attraction of this, in the story there are a couple of examples of statements or quotations, judiciously edited by journalists to say the exact opposite of what the speaker intended, all the better einfachen Menschen Artikulationshilfe zu geben (p.92). The freedom of the press then denies freedom of expression and opinion of everyone who is not the press. Here demonstrated by the creation of waves of rage and hostility towards Blum and her employers.
Obviously this is a fictional story, but now and again one can come across similar non-fiction stories of people who get their 15 minutes of fame, and whose lives get chewed over and spat out as a result.
June 4, 2019
螚 蠂伪渭苇谓畏 蟿喂渭萎 蟿畏蟼 螝伪蟿伪蟻委谓伪 螠蟺位慰蠀渭 蔚委谓伪喂 苇谓伪 尾喂尾位委慰 蟺慰蠀 纬蟻维蠁蟿畏魏蔚 蟿慰 1974 伪蟺蠈 蟿慰谓 Heinrich B枚ll. 螚 蟺位慰魏萎 蟿慰蠀 蔚尉蔚位委蟽蟽蔚蟿伪喂 蟽蔚 蟿苇蟽蟽蔚蟻喂蟼 渭蠈位喂蟼 渭苇蟻蔚蟼 魏伪喂 未喂伪未蟻伪渭伪蟿委味蔚蟿伪喂 蟽蟿畏谓 螝慰位蠅谓委伪.
螤蟻蠅蟿伪纬蠅谓委蟽蟿蟻喂伪 蔚委谓伪喂 畏 螝伪蟿伪蟻委谓伪 螠蟺位慰蠀渭, 渭喂伪 蠁喂位萎蟽蠀蠂畏 纬蠀谓伪委魏伪 蟺慰蠀 蔚蟻纬维味蔚蟿伪喂 蠅蟼 慰喂魏喂伪魏萎 尾慰畏胃蠈蟼 蟽蟿慰 蟽蟺委蟿喂 蔚谓蠈蟼 未喂魏畏纬蠈蟻慰蠀. 螚 螝伪蟿伪蟻委谓伪 纬谓蠅蟻委味蔚蟿伪喂 蟽蔚 苇谓伪 伪蟺慰魏蟻喂维蟿喂魏慰 蟺维蟻蟿喂 渭蔚 蟿慰谓 螞慰蠉谓蟿尾喂蠂. 围蠅蟻委蟼 谓伪 蟿慰 蟽蠀谓畏胃委味蔚喂, 蟺蔚蟻谓维蔚喂 蟿畏 谓蠉蠂蟿伪 渭伪味委 蟿慰蠀. 韦畏谓 蔚蟺蠈渭蔚谓畏 渭苇蟻伪 蠅蟽蟿蠈蟽慰 畏 伪蟽蟿蠀谓慰渭委伪 蔚喂蟽苇蟻蠂蔚蟿伪喂 蟽蟿慰 蟽蟺委蟿喂 蟿畏蟼 渭蔚 蟽魏慰蟺蠈 谓伪 蟽蠀位位维尾蔚喂 蟿慰谓 螞慰蠉谓蟿尾喂蠂, 慰 慰蟺慰委慰蟼 魏伪蟿伪味畏蟿蔚委蟿伪喂. 螚 螝伪蟿伪蟻委谓伪 尾慰畏胃维 蟿慰谓 螞慰蠉谓蟿尾喂蠂 谓伪 未喂伪蠁蠉纬蔚喂 魏伪喂 伪蟺蠈 蟿蠈蟿蔚 尉蔚魏喂谓维 蟿慰 渭伪蟻蟿蠉蟻喂慰 蟿畏蟼. 桅蠀蟽喂魏维 蟽蠀位位伪渭尾维谓蔚蟿伪喂 魏伪喂 伪谓伪魏蟻委谓蔚蟿伪喂 魏伪喂 畏 委未喂伪. 螣喂 蟽魏伪谓未伪位慰胃畏蟻喂魏苇蟼 蔚蠁畏渭蔚蟻委未蔚蟼 蔚喂蟽尾维位位慰蠀谓 蟽蟿慰 蟽蟺委蟿喂 魏伪喂 蟿畏 味蠅萎 蟿畏蟼.
韦慰 蠈谓慰渭伪 蟿畏蟼 未喂伪蟽蠉蟻蔚蟿伪喂 蟽蟿畏 位维蟽蟺畏 魏伪喂 畏 味蠅萎 蟿畏蟼 未喂伪位蠉蔚蟿伪喂 苇蟿蟽喂 伪蟺位维 魏伪喂 伪谓蠋未蠀谓伪. 螞慰喂未慰蟻委蔚蟼, 蠄蔚蠀蟿喂苇蟼 魏伪喂 未喂伪蟽蟿蟻蔚尾位蠋蟽蔚喂蟼 蟺蟻慰魏伪位慰蠉谓 蟿苇蟿慰喂伪 蟽蠉纬蠂蠀蟽畏 蟽蟿畏谓 魏伪胃畏渭蔚蟻喂谓蠈蟿畏蟿伪 蟿畏蟼, 蟺慰蠀 畏 委未喂伪 伪未蠀谓伪蟿蔚委 蟺位苇慰谓 谓伪 伪谓蟿喂渭蔚蟿蠅蟺委蟽蔚喂.
螆谓伪 尾喂尾位委慰 渭蔚 位蠈纬慰 蟽蠀渭蟺蠀魏谓蠅渭苇谓慰, 未喂蔚魏蟺蔚蟻伪喂蠅蟿喂魏蠈, 蟽蠂蔚未蠈谓 蟿畏位蔚纬蟻伪蠁喂魏蠈 魏伪喂 蠂蠅蟻委蟼 伪谓伪魏蟻委尾蔚喂蔚蟼. 韦伪 渭喂魏蟻维 魏蔚蠁维位伪喂伪 魏维谓慰蠀谓 蟿慰 尾喂尾位委慰 喂未喂伪委蟿蔚蟻伪 蔚蠀魏慰位慰未喂维尾伪蟽蟿慰. 危蔚 位委纬蔚蟼 渭蠈谓慰 蟽蔚位委未蔚蟼 慰未畏纬蔚委 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏 蟽蔚 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏萎 蟺伪蟻伪味维位畏. 危蔚 蟽蠀谓未蠀伪蟽渭蠈 渭蔚 蟿畏谓 伪胃蠅蠈蟿畏蟿伪 蟿畏蟼 蟺蟻蠅蟿伪纬蠅谓委蟽蟿蟻喂伪蟼 畏 伪蟺伪谓胃蟻蠅蟺喂维 蟿畏蟼 魏慰喂谓蠅谓委伪蟼 伪蟺慰未蔚喂魏谓蠉蔚蟿伪喂 伪魏蠈渭畏 蟺喂慰 蟽魏位畏蟻萎 魏伪喂 尾维谓伪蠀蟽畏.
韦喂 魏维谓蔚喂 维蟻伪纬蔚 苇谓伪蟼 维谓胃蟻蠅蟺慰蟼 蟺慰蠀 蟿慰蠀 魏伪蟿伪蟽蟿蟻苇蠁慰蠀谓 蟿畏 味蠅萎 ;
螤蠋蟼 伪谓蟿喂未蟻维 畏 螝伪蟿伪蟻委谓伪 ;
螖喂维尾伪蟽蔚 蟿慰 魏伪喂 蟽蠀 纬喂伪 谓伪 渭维胃蔚喂蟼!
螤蟻蠅蟿伪纬蠅谓委蟽蟿蟻喂伪 蔚委谓伪喂 畏 螝伪蟿伪蟻委谓伪 螠蟺位慰蠀渭, 渭喂伪 蠁喂位萎蟽蠀蠂畏 纬蠀谓伪委魏伪 蟺慰蠀 蔚蟻纬维味蔚蟿伪喂 蠅蟼 慰喂魏喂伪魏萎 尾慰畏胃蠈蟼 蟽蟿慰 蟽蟺委蟿喂 蔚谓蠈蟼 未喂魏畏纬蠈蟻慰蠀. 螚 螝伪蟿伪蟻委谓伪 纬谓蠅蟻委味蔚蟿伪喂 蟽蔚 苇谓伪 伪蟺慰魏蟻喂维蟿喂魏慰 蟺维蟻蟿喂 渭蔚 蟿慰谓 螞慰蠉谓蟿尾喂蠂. 围蠅蟻委蟼 谓伪 蟿慰 蟽蠀谓畏胃委味蔚喂, 蟺蔚蟻谓维蔚喂 蟿畏 谓蠉蠂蟿伪 渭伪味委 蟿慰蠀. 韦畏谓 蔚蟺蠈渭蔚谓畏 渭苇蟻伪 蠅蟽蟿蠈蟽慰 畏 伪蟽蟿蠀谓慰渭委伪 蔚喂蟽苇蟻蠂蔚蟿伪喂 蟽蟿慰 蟽蟺委蟿喂 蟿畏蟼 渭蔚 蟽魏慰蟺蠈 谓伪 蟽蠀位位维尾蔚喂 蟿慰谓 螞慰蠉谓蟿尾喂蠂, 慰 慰蟺慰委慰蟼 魏伪蟿伪味畏蟿蔚委蟿伪喂. 螚 螝伪蟿伪蟻委谓伪 尾慰畏胃维 蟿慰谓 螞慰蠉谓蟿尾喂蠂 谓伪 未喂伪蠁蠉纬蔚喂 魏伪喂 伪蟺蠈 蟿蠈蟿蔚 尉蔚魏喂谓维 蟿慰 渭伪蟻蟿蠉蟻喂慰 蟿畏蟼. 桅蠀蟽喂魏维 蟽蠀位位伪渭尾维谓蔚蟿伪喂 魏伪喂 伪谓伪魏蟻委谓蔚蟿伪喂 魏伪喂 畏 委未喂伪. 螣喂 蟽魏伪谓未伪位慰胃畏蟻喂魏苇蟼 蔚蠁畏渭蔚蟻委未蔚蟼 蔚喂蟽尾维位位慰蠀谓 蟽蟿慰 蟽蟺委蟿喂 魏伪喂 蟿畏 味蠅萎 蟿畏蟼.
韦慰 蠈谓慰渭伪 蟿畏蟼 未喂伪蟽蠉蟻蔚蟿伪喂 蟽蟿畏 位维蟽蟺畏 魏伪喂 畏 味蠅萎 蟿畏蟼 未喂伪位蠉蔚蟿伪喂 苇蟿蟽喂 伪蟺位维 魏伪喂 伪谓蠋未蠀谓伪. 螞慰喂未慰蟻委蔚蟼, 蠄蔚蠀蟿喂苇蟼 魏伪喂 未喂伪蟽蟿蟻蔚尾位蠋蟽蔚喂蟼 蟺蟻慰魏伪位慰蠉谓 蟿苇蟿慰喂伪 蟽蠉纬蠂蠀蟽畏 蟽蟿畏谓 魏伪胃畏渭蔚蟻喂谓蠈蟿畏蟿伪 蟿畏蟼, 蟺慰蠀 畏 委未喂伪 伪未蠀谓伪蟿蔚委 蟺位苇慰谓 谓伪 伪谓蟿喂渭蔚蟿蠅蟺委蟽蔚喂.
螆谓伪 尾喂尾位委慰 渭蔚 位蠈纬慰 蟽蠀渭蟺蠀魏谓蠅渭苇谓慰, 未喂蔚魏蟺蔚蟻伪喂蠅蟿喂魏蠈, 蟽蠂蔚未蠈谓 蟿畏位蔚纬蟻伪蠁喂魏蠈 魏伪喂 蠂蠅蟻委蟼 伪谓伪魏蟻委尾蔚喂蔚蟼. 韦伪 渭喂魏蟻维 魏蔚蠁维位伪喂伪 魏维谓慰蠀谓 蟿慰 尾喂尾位委慰 喂未喂伪委蟿蔚蟻伪 蔚蠀魏慰位慰未喂维尾伪蟽蟿慰. 危蔚 位委纬蔚蟼 渭蠈谓慰 蟽蔚位委未蔚蟼 慰未畏纬蔚委 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏 蟽蔚 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏萎 蟺伪蟻伪味维位畏. 危蔚 蟽蠀谓未蠀伪蟽渭蠈 渭蔚 蟿畏谓 伪胃蠅蠈蟿畏蟿伪 蟿畏蟼 蟺蟻蠅蟿伪纬蠅谓委蟽蟿蟻喂伪蟼 畏 伪蟺伪谓胃蟻蠅蟺喂维 蟿畏蟼 魏慰喂谓蠅谓委伪蟼 伪蟺慰未蔚喂魏谓蠉蔚蟿伪喂 伪魏蠈渭畏 蟺喂慰 蟽魏位畏蟻萎 魏伪喂 尾维谓伪蠀蟽畏.
韦喂 魏维谓蔚喂 维蟻伪纬蔚 苇谓伪蟼 维谓胃蟻蠅蟺慰蟼 蟺慰蠀 蟿慰蠀 魏伪蟿伪蟽蟿蟻苇蠁慰蠀谓 蟿畏 味蠅萎 ;
螤蠋蟼 伪谓蟿喂未蟻维 畏 螝伪蟿伪蟻委谓伪 ;
螖喂维尾伪蟽蔚 蟿慰 魏伪喂 蟽蠀 纬喂伪 谓伪 渭维胃蔚喂蟼!
November 5, 2019
噩匕丕亘蹖鬲 讴鬲丕亘 丕賵賳噩丕蹖蹖 亘賵丿 讴賴 倬丕蹖丕賳 丿丕爻鬲丕賳 賲卮禺氐 亘賵丿 賵 賲賳賽 賲禺丕胤亘 讴鬲丕亘賵 賳賲蹖禺賵賳丿賲 讴賴 亘亘蹖賳賲 倬丕蹖丕賳卮 趩蹖 卮丿. 賲蹖禺賵賳丿賲 讴賴 亘亘蹖賳賲 趩蹖 卮丿 讴賴 亘賴 丕蹖賳 倬丕蹖丕賳 乇爻蹖丿. 蹖毓賳蹖 賲禺丕胤亘 噩匕亘 胤賵賱 丿丕爻鬲丕賳 賲蹖卮丿 賳賴 丕賳鬲賴丕蹖 丕賵賳.
鬲丕孬蹖乇 诏匕丕乇 賵 噩匕丕亘 亘賵丿 賵賱蹖 毓丕賱蹖 賵 禺賮賳 賳賴.
鬲丕孬蹖乇 诏匕丕乇 賵 噩匕丕亘 亘賵丿 賵賱蹖 毓丕賱蹖 賵 禺賮賳 賳賴.
March 21, 2021
Nobel Prize for Literature 1972
English:
B枚ll wrote this in 1974 because he was furious at the infamous German yellow press paper "Bild"; in 2021, the editor-in-chief of said publication is under fire because of a scandalous compliance investigation against him, feat., you know, sexual misconduct, abuse of power etc. pp. *sigh* *facepalm* Well, back in 1974 when "Katharina Blum" was published, B枚ll was upset because parts of the yellow press, namely "Bild", (wrongfully!) suggested that he was a sympathizer of the Red Army Fraction, a domestic terror organization - so this slim volume is his pamphlet against the role of the yellow press in sensationalizing terror and ruining people's lives in order to push papers.
The book tells the story of the title-giving Katharina, a 27-year-old woman who meets a man named Ludwig at a carnival and spends the night with him - as it turns out, Ludwig is suspected to be a terrorist who has robbed a bank and committed a murder. Katharina is deemed to have helped him flee during that faithful night, she is arrested and becomes the center of a vicious media campaign perpetrated by the "Zeitung" (a.k.a. "Bild") that depicts her as a criminal slut.
A hit song by "Die 脛rzte" states that "Bild" consists of "fear, hate, tits and the weather forecast", and yes, this is played on the radio in Germany, even on public radio, so we can assume that the way "Bild" works is by now common knowledge. Also, I think that nowadays, people are more aware of the strategies depicted by B枚ll, especially people under 40 who are more media savvy. The didactical impetus of the author does not help the text either, it's a little Brecht-like in its annoyingness. But still, it's a fact that "Bild" sells like sliced bread and harms people - not too long ago, the ex-girlfriend of famous soccer player J茅r么me Boateng killed herself after a vicious campaign led by "Bild" (it's still unclear in how far the paper was responsible for that suicide).
So relevant topic, certainly even more so in the 70's, but is that great literature? Meeehhh.
English:
B枚ll wrote this in 1974 because he was furious at the infamous German yellow press paper "Bild"; in 2021, the editor-in-chief of said publication is under fire because of a scandalous compliance investigation against him, feat., you know, sexual misconduct, abuse of power etc. pp. *sigh* *facepalm* Well, back in 1974 when "Katharina Blum" was published, B枚ll was upset because parts of the yellow press, namely "Bild", (wrongfully!) suggested that he was a sympathizer of the Red Army Fraction, a domestic terror organization - so this slim volume is his pamphlet against the role of the yellow press in sensationalizing terror and ruining people's lives in order to push papers.
The book tells the story of the title-giving Katharina, a 27-year-old woman who meets a man named Ludwig at a carnival and spends the night with him - as it turns out, Ludwig is suspected to be a terrorist who has robbed a bank and committed a murder. Katharina is deemed to have helped him flee during that faithful night, she is arrested and becomes the center of a vicious media campaign perpetrated by the "Zeitung" (a.k.a. "Bild") that depicts her as a criminal slut.
A hit song by "Die 脛rzte" states that "Bild" consists of "fear, hate, tits and the weather forecast", and yes, this is played on the radio in Germany, even on public radio, so we can assume that the way "Bild" works is by now common knowledge. Also, I think that nowadays, people are more aware of the strategies depicted by B枚ll, especially people under 40 who are more media savvy. The didactical impetus of the author does not help the text either, it's a little Brecht-like in its annoyingness. But still, it's a fact that "Bild" sells like sliced bread and harms people - not too long ago, the ex-girlfriend of famous soccer player J茅r么me Boateng killed herself after a vicious campaign led by "Bild" (it's still unclear in how far the paper was responsible for that suicide).
So relevant topic, certainly even more so in the 70's, but is that great literature? Meeehhh.
January 12, 2019
3.5/5
螖蔚谓 胃伪 蠂伪蟻伪魏蟿萎蟻喂味伪 蟿慰谓 围维喂谓蟻喂蠂 螠蟺蔚位 伪魏蟻喂尾蠋蟼 蠁蔚渭喂谓喂蟽蟿萎, 未蔚谓 渭慰蠀 伪蟻苇蟽蔚喂 谓伪 尾维味蠅 蟿伪渭蟺苇位蔚蟼, 蟺蠈蟽慰 渭维位位慰谓 蟽蔚 伪谓胃蟻蠋蟺慰蠀蟼 蟽伪谓 蔚魏蔚委谓慰谓, 蟺慰蠀 未蔚谓 伪谓萎魏慰蠀谓 蟺慰蠀胃蔚谓维, 蟽蔚 魏伪谓蔚谓蠈蟼 蔚委未慰蠀蟼 魏蠈渭渭伪, 胃蟻畏蟽魏蔚委伪, 魏委谓畏渭伪 萎 喂未蔚慰位慰纬委伪, 蟺维蟻伪 渭慰谓维蠂伪 蟽蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀蟼. (未蔚谓 未蠉谓伪渭伪喂 谓伪 蠂蟻畏蟽喂渭慰蟺慰喂蠋 蟺伪蟻蔚位胃慰谓蟿喂魏蠈 蠂蟻蠈谓慰 纬喂伪 蟿喂蟼 伪喂蠅谓喂蠈蟿畏蟿蔚蟼)
惟蟽蟿蠈蟽慰, 魏维胃蔚 蠁慰蟻维 蟺慰蠀 蟿慰谓 未喂伪尾维味蠅, 渭蔚 蟽蠀纬魏喂谓蔚委 蟿慰 委未喂慰 苇谓蟿慰谓伪 慰 尉蔚蠂蠅蟻喂蟽蟿蠈蟼 蟿蟻蠈蟺慰蟼 蟺慰蠀 伪纬伪蟺维 魏伪喂 蟽蠀谓胃苇蟿蔚喂 蠈位慰蠀蟼 蟿慰蠀蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼 蟿慰蠀, 渭伪 魏蠀蟻委蠅蟼 蟿喂蟼 纬蠀谓伪委魏蔚蟼 畏蟻蠅委未蔚蟼 蟿慰蠀, 蟺慰蠀 未蔚谓 胃伪 渭蟺慰蟻慰蠉蟽伪 蟺慰蟿苇 魏伪喂 蟽蔚 魏伪渭委伪 蟺蔚蟻委蟺蟿蠅蟽畏 谓伪 蟿慰谓 蟺蔚蟻喂纬蟻维蠄蠅 喂魏伪谓慰蟺慰喂畏蟿喂魏维. 螤蟻苇蟺蔚喂 谓伪 蟿慰谓 未喂伪尾维蟽蔚喂 魏维蟺慰喂慰蟼 纬喂伪 谓伪 魏伪蟿伪位维尾蔚喂 蟿喂 蔚谓谓慰蠋, 蠋蟽蟿蔚 谓伪 伪蟺慰蠁蠉纬蔚喂 谓伪 魏维谓蔚喂 蟿畏谓 蔚蟽蠁伪位渭苇谓畏 蠀蟺蠈胃蔚蟽畏 蠈蟿喂 伪蠀蟿蠈蟼 蟿慰蠀 慰 蟽蔚尾伪蟽渭蠈蟼 蟺蟻慰蟼 蟿畏 纬蠀谓伪委魏伪 未蔚谓 蔚委谓伪喂 魏维蟿喂 蟺畏纬伪委慰 魏伪喂 伪蠀胃蔚谓蟿喂魏蠈, 伪位位维 魏维蟿喂 蟺蟻慰蟽蟺慰喂畏蟿蠈 纬喂伪 蔚渭蟺慰蟻喂魏慰蠉蟼 蟽魏慰蟺慰蠉蟼.
螒蠀蟿萎 蟿慰蠀 畏 蠁蔚渭喂谓喂蟽蟿喂魏萎 未喂维蟽蟿伪蟽畏, 蟺慰蠀 未蔚谓 蔚委谓伪喂 蟿蠈蟽慰 纬谓蠅蟽蟿萎 魏伪喂 魏蟻伪蠀纬伪位苇伪 蠈蟽慰 畏 伪谓蟿喂蟺慰位蔚渭喂魏萎 魏伪喂 伪谓蟿喂谓伪味喂蟽蟿喂魏萎 蟿慰蠀 蟽蠀纬纬蟻伪蠁喂魏萎 蠀蟺蠈蟽蟿伪蟽畏, 伪蟺慰蟿蠀蟺蠋谓蔚蟿伪喂 蟺慰位蠉 蔚谓蟿慰谓蠈蟿蔚蟻伪 蟽蟿畏 围伪渭苇谓畏 蟿喂渭萎 蟿畏蟼 螝伪蟿伪蟻委谓伪蟼 螠蟺位慰蠀渭. 螘未蠋, 蟺苇蟻伪 伪蟺蠈 蟿慰 魏蔚谓蟿蟻喂魏蠈 胃苇渭伪 蟿畏蟼 伪谓胃蟻蠅蟺慰蠁伪纬委伪蟼 蟿慰蠀 韦蠉蟺慰蠀, 胃委纬蔚蟿伪喂 伪魏蠈渭伪 蟺喂慰 尉蔚魏维胃伪蟻伪 - 蟽蔚 蟽蠂苇蟽畏 渭蔚 维位位伪 蟿慰蠀 苇蟻纬伪 - 蟿慰 味萎蟿畏渭伪 蟿蠅谓 蟽蔚尉喂蟽蟿喂魏蠋谓 蟽蟿蔚蟻蔚慰蟿蠉蟺蠅谓. 韦蠈蟽慰 蟽蠉谓蟿慰渭畏 畏 喂蟽蟿慰蟻委伪 蟿畏蟼 螝伪蟿伪蟻委谓伪蟼 - 蟺慰蠀 渭苇蟽伪 蟽蔚 伪蟺蠈蟽蟿伪蟽畏 蟿蔚蟽蟽维蟻蠅谓 畏渭蔚蟻蠋谓 伪蟺蠈 蟿畏谓 畏渭苇蟻伪 蟺慰蠀 胃苇位畏蟽蔚 谓伪 蟺维蔚喂 蠂伪蟻慰蠉渭蔚谓畏 魏伪喂 伪谓苇渭蔚位畏 蟽蔚 苇谓伪谓 伪胃蠋慰 蠂慰蟻蠈, 魏伪蟿苇位畏尉蔚 谓伪 纬委谓蔚喂 未慰位慰蠁蠈谓慰蟼 蔚尉伪喂蟿委伪蟼 蟿蠅谓 蔚蠁畏渭蔚蟻委未蠅谓 - 魏伪喂 蟺伪蟻维位位畏位伪 蟿蠈蟽慰 蟽畏渭伪谓蟿喂魏萎 畏 未喂维蟽蟿伪蟽畏 伪蠀蟿萎蟼 蟿畏蟼 喂蟽蟿慰蟻委伪蟼, 蟽蔚 蠈位蔚蟼 蟿畏蟼 蟿喂蟼 蔚魏蠁维谓蟽蔚喂蟼.
危委纬慰蠀蟻伪, 蟿慰 尾喂尾位委慰 未蔚谓 萎蟿伪谓 蟿蠈蟽慰 魏慰蟻蠀蠁伪委慰 蠈蟽慰 慰喂 螒蟺蠈蠄蔚喂蟼 蔚谓蠈蟼 螝位蠈慰蠀谓 萎 蟿慰 伪谓蔚蟺伪谓维位畏蟺蟿慰 螣渭伪未喂魏蠈 螤慰蟻蟿蟻苇蟿慰 渭蔚 渭喂伪 螝蠀蟻委伪, 魏蠀蟻委蠅蟼 魏伪胃蠋蟼 未蔚谓 蔚委谓伪喂 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏蠈 胃蔚渭伪蟿慰位慰纬喂魏维 纬喂伪 蟿慰谓 蟽蠀纬纬蟻伪蠁苇伪, 慰蠉蟿蔚 伪蟻魏蔚蟿蠈 蟽蔚 苇魏蟿伪蟽畏 纬喂伪 谓伪 伪谓蟿喂位畏蠁胃蔚委 魏维谓蔚喂蟼 蔚蟺伪魏蟻喂尾蠋蟼 蟿慰 渭蔚纬伪位蔚委慰 蟿慰蠀 (魏伪喂 纬喂伪 谓伪 蟿慰谓 蠂慰蟻蟿维蟽蠅 魏喂 蔚纬蠋 蟺慰蠀 蟿慰谓 位伪蟿蟻蔚蠉蠅). 螤伪蟻蠈位伪 伪蠀蟿维, 未蔚谓 蟺伪蠉蔚喂 谓伪 伪蟺慰蟿蔚位蔚委 苇谓伪 未畏渭喂慰蠉蟻纬畏渭伪 伪谓蟿维尉喂慰 蟿慰蠀 未畏渭喂慰蠀蟻纬慰蠉 蟿慰蠀, 苇谓伪 蟺慰位蠉蟿喂渭慰 尉蔚蠂蠅蟻喂蟽蟿蠈 魏慰渭渭维蟿喂 蟿畏蟼 蟽蠀纬纬蟻伪蠁喂魏萎蟼 蟿慰蠀 蟺蟻慰委魏伪蟼, 苇谓伪 位慰纬慰蟿蔚蠂谓喂魏维 纬慰畏蟿蔚蠀蟿喂魏蠈蟿伪蟿慰 魏蔚委渭蔚谓慰 156 蟽蔚位委未蠅谓 渭蔚 慰位慰魏位畏蟻蠅渭苇谓慰蠀蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼, 蔚尉伪喂蟻蔚蟿喂魏萎 蟺位慰魏萎, 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏萎 伪蠁萎纬畏蟽畏 魏伪喂 伪谓伪渭蠁喂蟽尾萎蟿畏蟿伪, 蟽蟺慰蠀未伪委伪 魏慰喂谓蠅谓喂魏萎 未喂维蟽蟿伪蟽畏.
螖蔚谓 胃伪 蠂伪蟻伪魏蟿萎蟻喂味伪 蟿慰谓 围维喂谓蟻喂蠂 螠蟺蔚位 伪魏蟻喂尾蠋蟼 蠁蔚渭喂谓喂蟽蟿萎, 未蔚谓 渭慰蠀 伪蟻苇蟽蔚喂 谓伪 尾维味蠅 蟿伪渭蟺苇位蔚蟼, 蟺蠈蟽慰 渭维位位慰谓 蟽蔚 伪谓胃蟻蠋蟺慰蠀蟼 蟽伪谓 蔚魏蔚委谓慰谓, 蟺慰蠀 未蔚谓 伪谓萎魏慰蠀谓 蟺慰蠀胃蔚谓维, 蟽蔚 魏伪谓蔚谓蠈蟼 蔚委未慰蠀蟼 魏蠈渭渭伪, 胃蟻畏蟽魏蔚委伪, 魏委谓畏渭伪 萎 喂未蔚慰位慰纬委伪, 蟺维蟻伪 渭慰谓维蠂伪 蟽蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀蟼. (未蔚谓 未蠉谓伪渭伪喂 谓伪 蠂蟻畏蟽喂渭慰蟺慰喂蠋 蟺伪蟻蔚位胃慰谓蟿喂魏蠈 蠂蟻蠈谓慰 纬喂伪 蟿喂蟼 伪喂蠅谓喂蠈蟿畏蟿蔚蟼)
惟蟽蟿蠈蟽慰, 魏维胃蔚 蠁慰蟻维 蟺慰蠀 蟿慰谓 未喂伪尾维味蠅, 渭蔚 蟽蠀纬魏喂谓蔚委 蟿慰 委未喂慰 苇谓蟿慰谓伪 慰 尉蔚蠂蠅蟻喂蟽蟿蠈蟼 蟿蟻蠈蟺慰蟼 蟺慰蠀 伪纬伪蟺维 魏伪喂 蟽蠀谓胃苇蟿蔚喂 蠈位慰蠀蟼 蟿慰蠀蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼 蟿慰蠀, 渭伪 魏蠀蟻委蠅蟼 蟿喂蟼 纬蠀谓伪委魏蔚蟼 畏蟻蠅委未蔚蟼 蟿慰蠀, 蟺慰蠀 未蔚谓 胃伪 渭蟺慰蟻慰蠉蟽伪 蟺慰蟿苇 魏伪喂 蟽蔚 魏伪渭委伪 蟺蔚蟻委蟺蟿蠅蟽畏 谓伪 蟿慰谓 蟺蔚蟻喂纬蟻维蠄蠅 喂魏伪谓慰蟺慰喂畏蟿喂魏维. 螤蟻苇蟺蔚喂 谓伪 蟿慰谓 未喂伪尾维蟽蔚喂 魏维蟺慰喂慰蟼 纬喂伪 谓伪 魏伪蟿伪位维尾蔚喂 蟿喂 蔚谓谓慰蠋, 蠋蟽蟿蔚 谓伪 伪蟺慰蠁蠉纬蔚喂 谓伪 魏维谓蔚喂 蟿畏谓 蔚蟽蠁伪位渭苇谓畏 蠀蟺蠈胃蔚蟽畏 蠈蟿喂 伪蠀蟿蠈蟼 蟿慰蠀 慰 蟽蔚尾伪蟽渭蠈蟼 蟺蟻慰蟼 蟿畏 纬蠀谓伪委魏伪 未蔚谓 蔚委谓伪喂 魏维蟿喂 蟺畏纬伪委慰 魏伪喂 伪蠀胃蔚谓蟿喂魏蠈, 伪位位维 魏维蟿喂 蟺蟻慰蟽蟺慰喂畏蟿蠈 纬喂伪 蔚渭蟺慰蟻喂魏慰蠉蟼 蟽魏慰蟺慰蠉蟼.
螒蠀蟿萎 蟿慰蠀 畏 蠁蔚渭喂谓喂蟽蟿喂魏萎 未喂维蟽蟿伪蟽畏, 蟺慰蠀 未蔚谓 蔚委谓伪喂 蟿蠈蟽慰 纬谓蠅蟽蟿萎 魏伪喂 魏蟻伪蠀纬伪位苇伪 蠈蟽慰 畏 伪谓蟿喂蟺慰位蔚渭喂魏萎 魏伪喂 伪谓蟿喂谓伪味喂蟽蟿喂魏萎 蟿慰蠀 蟽蠀纬纬蟻伪蠁喂魏萎 蠀蟺蠈蟽蟿伪蟽畏, 伪蟺慰蟿蠀蟺蠋谓蔚蟿伪喂 蟺慰位蠉 蔚谓蟿慰谓蠈蟿蔚蟻伪 蟽蟿畏 围伪渭苇谓畏 蟿喂渭萎 蟿畏蟼 螝伪蟿伪蟻委谓伪蟼 螠蟺位慰蠀渭. 螘未蠋, 蟺苇蟻伪 伪蟺蠈 蟿慰 魏蔚谓蟿蟻喂魏蠈 胃苇渭伪 蟿畏蟼 伪谓胃蟻蠅蟺慰蠁伪纬委伪蟼 蟿慰蠀 韦蠉蟺慰蠀, 胃委纬蔚蟿伪喂 伪魏蠈渭伪 蟺喂慰 尉蔚魏维胃伪蟻伪 - 蟽蔚 蟽蠂苇蟽畏 渭蔚 维位位伪 蟿慰蠀 苇蟻纬伪 - 蟿慰 味萎蟿畏渭伪 蟿蠅谓 蟽蔚尉喂蟽蟿喂魏蠋谓 蟽蟿蔚蟻蔚慰蟿蠉蟺蠅谓. 韦蠈蟽慰 蟽蠉谓蟿慰渭畏 畏 喂蟽蟿慰蟻委伪 蟿畏蟼 螝伪蟿伪蟻委谓伪蟼 - 蟺慰蠀 渭苇蟽伪 蟽蔚 伪蟺蠈蟽蟿伪蟽畏 蟿蔚蟽蟽维蟻蠅谓 畏渭蔚蟻蠋谓 伪蟺蠈 蟿畏谓 畏渭苇蟻伪 蟺慰蠀 胃苇位畏蟽蔚 谓伪 蟺维蔚喂 蠂伪蟻慰蠉渭蔚谓畏 魏伪喂 伪谓苇渭蔚位畏 蟽蔚 苇谓伪谓 伪胃蠋慰 蠂慰蟻蠈, 魏伪蟿苇位畏尉蔚 谓伪 纬委谓蔚喂 未慰位慰蠁蠈谓慰蟼 蔚尉伪喂蟿委伪蟼 蟿蠅谓 蔚蠁畏渭蔚蟻委未蠅谓 - 魏伪喂 蟺伪蟻维位位畏位伪 蟿蠈蟽慰 蟽畏渭伪谓蟿喂魏萎 畏 未喂维蟽蟿伪蟽畏 伪蠀蟿萎蟼 蟿畏蟼 喂蟽蟿慰蟻委伪蟼, 蟽蔚 蠈位蔚蟼 蟿畏蟼 蟿喂蟼 蔚魏蠁维谓蟽蔚喂蟼.
危委纬慰蠀蟻伪, 蟿慰 尾喂尾位委慰 未蔚谓 萎蟿伪谓 蟿蠈蟽慰 魏慰蟻蠀蠁伪委慰 蠈蟽慰 慰喂 螒蟺蠈蠄蔚喂蟼 蔚谓蠈蟼 螝位蠈慰蠀谓 萎 蟿慰 伪谓蔚蟺伪谓维位畏蟺蟿慰 螣渭伪未喂魏蠈 螤慰蟻蟿蟻苇蟿慰 渭蔚 渭喂伪 螝蠀蟻委伪, 魏蠀蟻委蠅蟼 魏伪胃蠋蟼 未蔚谓 蔚委谓伪喂 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏蠈 胃蔚渭伪蟿慰位慰纬喂魏维 纬喂伪 蟿慰谓 蟽蠀纬纬蟻伪蠁苇伪, 慰蠉蟿蔚 伪蟻魏蔚蟿蠈 蟽蔚 苇魏蟿伪蟽畏 纬喂伪 谓伪 伪谓蟿喂位畏蠁胃蔚委 魏维谓蔚喂蟼 蔚蟺伪魏蟻喂尾蠋蟼 蟿慰 渭蔚纬伪位蔚委慰 蟿慰蠀 (魏伪喂 纬喂伪 谓伪 蟿慰谓 蠂慰蟻蟿维蟽蠅 魏喂 蔚纬蠋 蟺慰蠀 蟿慰谓 位伪蟿蟻蔚蠉蠅). 螤伪蟻蠈位伪 伪蠀蟿维, 未蔚谓 蟺伪蠉蔚喂 谓伪 伪蟺慰蟿蔚位蔚委 苇谓伪 未畏渭喂慰蠉蟻纬畏渭伪 伪谓蟿维尉喂慰 蟿慰蠀 未畏渭喂慰蠀蟻纬慰蠉 蟿慰蠀, 苇谓伪 蟺慰位蠉蟿喂渭慰 尉蔚蠂蠅蟻喂蟽蟿蠈 魏慰渭渭维蟿喂 蟿畏蟼 蟽蠀纬纬蟻伪蠁喂魏萎蟼 蟿慰蠀 蟺蟻慰委魏伪蟼, 苇谓伪 位慰纬慰蟿蔚蠂谓喂魏维 纬慰畏蟿蔚蠀蟿喂魏蠈蟿伪蟿慰 魏蔚委渭蔚谓慰 156 蟽蔚位委未蠅谓 渭蔚 慰位慰魏位畏蟻蠅渭苇谓慰蠀蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼, 蔚尉伪喂蟻蔚蟿喂魏萎 蟺位慰魏萎, 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏萎 伪蠁萎纬畏蟽畏 魏伪喂 伪谓伪渭蠁喂蟽尾萎蟿畏蟿伪, 蟽蟺慰蠀未伪委伪 魏慰喂谓蠅谓喂魏萎 未喂维蟽蟿伪蟽畏.
October 19, 2012
This is an astonishing little novella. The most striking contrast to the Flanagan which treats the same subject of a woman exposed to the savagery of the media after it turns out that the man she spent the night with is a wanted criminal, is the tone. Flanagan wrote a competent thriller, but B枚ll uses the reports of the state prosecution, the police and Katharina's defence lawyers to create a dry, meticulous, straight narrative of the events of four days. But despite this sober intent, there are many ironic little asides, comments both on this undertaking of transcribing events into printed words, which is what is actually being exposed as fraudulant and highly questionable when undertaken by the print media, and on the events and people involved themselves. Katharina herself is also a remarkable creation: she is loyal and truthful and virtuous, and the act of murder seems to liberate her. She looks forward to living a life much closer in essence to that of her lover, now that both are in prison. She looks forward to their coming out of prison, also roughly at the same time, when they will both still be young enough to start over. The person who seems to be destroyed by events is the lawyer who was Katharina's employer and who also undertook her defence. The newspaper that is pilloried here still distorts and misconstrues and misrepresents. I wonder if the readership is a little less guileless now?
December 9, 2018
"丕賮乇丕丿 賵 丕鬲賮丕賯丕鬲 丕蹖賳 丿丕爻鬲丕賳 賴賲诏蹖 鬲禺蹖賱蹖 賴爻鬲賳丿. 丕诏乇 丌賳趩賴 賳诏丕卮鬲賴 卮丿賴 亘丕 卮蹖賵賴 蹖 毓賲賱 乇賵夭賳丕賲賴 賳诏丕乇丕賳 亘蹖賱丿 卮亘丕賴鬲 丿丕乇丿貙 毓賲丿蹖 賵 蹖丕 丕鬲賮丕賯蹖 賳蹖爻鬲貙 亘賱讴賴 丕噩鬲賳丕亘 賳丕倬匕蹖乇 丕爻鬲"
乇賲丕賳 "丌亘乇賵蹖 丕夭 丿爻鬲 乇賮鬲賴 讴丕鬲乇蹖賳丕 亘賱賵賲" (亘丕 賳丕賲 賮乇毓蹖 "禺卮賵賳鬲 趩诏賵賳賴 卮讴賱 賲蹖 诏蹖乇丿 賵 亘賴 讴噩丕 賲蹖 丕賳噩丕賲丿") 亘丕 噩賲賱賴 蹖 亘丕賱丕 卮乇賵毓 賲蹖 卮賵丿. 賴丕蹖賳乇蹖卮 亘賱 亘丕 噩賲賱賴 讴賵亘賳丿賴 賵 丨爻丕亘 卮丿賴 丕卮 丕夭 賴賲丕賳 丕亘鬲丿丕 鬲讴賱蹖賮卮 乇丕 亘丕 賲禺丕胤亘 賲卮禺氐 賲蹖 讴賳丿. 賳賮乇鬲 毓賲蹖賯 丕夭 乇賵夭賳丕賲賴 賳诏丕乇丕賳. 丕诏乇 鬲丕讴賳賵賳 毓賲賵賲丕 毓丕丿鬲 讴乇丿賴 亘賵丿蹖賲 乇賵夭賳丕賲賴 賳诏丕乇丕賳 乇丕 丿乇 賯丕賱亘 丕賮乇丕丿 賲鬲毓賴丿 亘賴 噩丕賲毓賴 亘亘蹖賳蹖賲貙 亘賱 丿乇 乇賲丕賳 賲毓乇賵賮卮 賲丕 乇丕 亘賴 賳馗丕乇賴 蹖 賳蹖賲賴 蹖 鬲丕乇蹖讴 乇賵夭賳丕賲賴 賳诏丕乇蹖 丿毓賵鬲 賲蹖 讴賳丿. 乇賲丕賳 丿乇 爻丕賱 1974 (2 爻丕賱 倬爻 丕夭 噩丕蹖夭賴 賳賵亘賱 丕丿亘蹖丕鬲 亘乇丕蹖 亘賱) 賳賵卮鬲賴 卮丿 賵 丿乇 毓乇囟 趩賳丿 賲丕賴 賵賱讴乇 卮賵賱賳丿賵乇賮 丕夭 乇賲丕賳 丕賯鬲亘丕爻 賵賮丕丿丕乇丕賳賴 丕蹖 亘賴 毓賲賱 丌賵乇丿.
賴賲趩賳丕賳 讴賴 丕夭 賳丕賲 乇賲丕賳 倬蹖丿丕爻鬲貙 讴丕鬲乇蹖賳丕 卮禺氐蹖鬲 丕氐賱蹖 乇賲丕賳 丕爻鬲. 讴丕鬲乇蹖賳丕 丿乇 禺丕賳賴 丿蹖诏乇丕賳 讴丕乇 賲蹖 讴賳丿 賵 亘丕 賵噩賵丿 賲卮賯鬲 賮乇丕賵丕賳 丿乇 夭賳丿诏蹖 丕卮貙 丿爻鬲 丕夭 夭賳丿诏蹖 卮乇丕賮鬲賲賳丿丕賳賴 賳讴卮蹖丿賴 丕爻鬲. 讴丕鬲乇蹖賳丕蹖 賲胤賱賯賴 丿乇 亘乇賯乇丕乇蹖 乇丕亘胤賴 亘丕 賲乇丿丕賳 禺噩丕賱鬲蹖 丕爻鬲貙 鬲丕 丨丿蹖 讴賴 丕夭 胤乇賮 丿賵爻鬲丕賳卮 "禺賵丕賴乇 乇賵丨丕賳蹖" 賳丕蹖丿賴 賲蹖 卮賵丿. 夭賳丿诏蹖 讴丕鬲乇蹖賳丕 倬爻 丕夭 丌卮賳丕蹖蹖 丕卮 亘丕 倬爻乇蹖 (賱賵丿賵蹖诏) 丿乇 蹖讴 賲賴賲丕賳蹖 賵丕乇丿 賲爻蹖乇 鬲丕夭賴 賵 賳丕賴賲賵丕乇蹖 賲蹖 卮賵丿. 賱賵丿賵蹖诏 讴賴 鬲丨鬲 鬲毓賯蹖亘 倬賱蹖爻 丕爻鬲貙 卮亘 乇丕 丿乇 禺丕賳賴 讴丕鬲乇蹖賳丕 賲蹖 诏匕乇丕賳丿. 氐亘丨 讴賴 賲丕賲賵乇丕賳 倬賱蹖爻 賵丕乇丿 禺丕賳賴 丕蹖 賲蹖 卮賵賳丿貙 丕孬乇蹖 丕夭 賱賵丿賵蹖诏 賳賲蹖 亘蹖賳賳丿 賵 讴丕鬲乇蹖賳丕 乇丕 亘賴 噩乇賲 賴賲丿爻鬲蹖 亘乇丕蹖 亘丕夭噩賵蹖蹖 亘丕 禺賵丿 賲蹖 亘乇賳丿. 讴丕鬲乇蹖賳丕 倬爻 丕夭 亘丕夭噩賵卅蹖 賴丕蹖 丌夭丕乇 丿賴賳丿賴 亘賴 禺丕賳賴 賲蹖 乇賵丿貙 丕賲丕 賮乇丿丕 丿乇 毓蹖賳 賳丕亘丕賵乇蹖 賲蹖 亘蹖賳丿 乇賵夭賳丕賲賴 倬乇 賮乇賵卮 禺亘乇 丿爻鬲诏蹖乇蹖 賵 亘丕夭噩賵蹖蹖 丕賵 乇丕 讴丕乇 讴乇丿賴 丕爻鬲貙 丕賲丕 亘丨乇丕賳 亘賴 賴賲蹖賳 噩丕 禺鬲賲 賳賲蹖 卮賵丿 賵 禺亘乇賳诏丕乇 亘丕 乇噩賵毓 亘賴 诏丿卮鬲賴 夭賳丿诏蹖 卮禺氐蹖 讴丕鬲乇蹖賳丕 賵 賲氐丕丨亘賴 亘丕 賳夭丿蹖讴丕賳 丕賵 賵 亘丕 鬲乇賮賳丿 睾蹖乇 丕禺賱丕賯蹖 亘丕夭蹖 亘丕 讴賱賲丕鬲貙 爻賵跇賴 噩賳噩丕賱蹖 賵 丿丕睾蹖 乇丕 亘乇丕蹖 禺賵丕賳賳丿诏丕賳 乇賵夭賳丕賲賴 賮乇丕賴賲 賲蹖 讴賳丿. 爻賵跇賴 丕蹖 讴賴 亘賴 賯蹖賲鬲 亘蹖 丌亘乇賵蹖蹖 蹖讴 卮賴乇賵賳丿 卮乇蹖賮 鬲賲丕賲 賲蹖 卮賵丿.
亘賱 丿乇 乇賲丕賳卮 (賵 亘賴 胤亘毓 丌賳 卮賵賱賳丿賵乇賮 丿乇 賮蹖賱賲卮) 賳卮丕賳 賲蹖 丿賴賳丿 趩诏賵賳賴 倬賱蹖爻 賵 賲胤亘賵毓丕鬲 亘丕 賴賲丿爻鬲蹖 蹖讴丿蹖诏乇 亘乇禺賱丕賮 賵馗丕蹖賮 鬲毓乇蹖賮 卮丿賴 卮丕賳 毓賲賱 賲蹖 讴賳賳丿 賵 倬賱蹖爻蹖 讴賴 亘丕蹖丿 賲馗賴乇 丕賲賳蹖鬲 亘丕卮丿貙 趩诏賵賳賴 賳丕丕賲賳蹖 乇丕 亘乇丕蹖 蹖讴 卮賴乇賵賳丿 賲毓賲賵賱蹖 亘賴 賴賲乇丕賴 賲蹖 丌賵乇丿 賵 乇賵夭賳丕賲賴 賳诏丕乇蹖 讴賴 亘丕蹖丿 賲丿丕賮毓 丨賯賵賯 卮賴乇賵賳丿丕賳 丿乇 賲賯丕亘賱 讴丕賳賵賳 賴丕蹖 賯丿乇鬲 亘丕卮丿貙 亘賴 亘賴丕蹖 讴爻亘 卮賴乇鬲 賵 賳賮賵匕 丿乇 丕丿丕乇丕鬲 乇爻賲蹖貙 趩賵亘 丨乇丕噩 亘乇 丕乇夭卮賲賳丿 鬲乇蹖賳 鬲乇蹖賳 丿丕乇丕蹖蹖 丕賵 (丌亘乇賵蹖卮) 賲蹖 夭賳丿 賵 丕賵 乇丕 亘丿賳丕賲 賲蹖 讴賳丿.
亘禺卮蹖 丕夭 乇賲丕賳 : (丕馗賴丕乇賳馗乇 賴賲爻乇 爻丕亘賯 讴丕鬲乇蹖賳丕 倬爻 丕夭 卮賳蹖丿賳 禺亘乇 丿爻鬲诏蹖乇蹖 讴丕鬲乇蹖賳丕)
丨丕賱丕 賲蹖賮賴賲賲 趩乇丕 亘賴 賲賳 賳丕乇賵 夭丿 賵 賲乇丕 鬲乇讴 讴乇丿. 倬爻 噩乇蹖丕賳 丕夭 丕蹖賳 賯乇丕乇 亘賵丿. 禺賵卮亘禺鬲蹖 賲禺鬲氐乇 賲丕 亘乇丕蹖 丕賵 讴賲 亘賵丿. 丕賵 賲蹖禺賵丕爻鬲 賯丕胤蹖 胤亘賯丕鬲 亘丕賱丕 亘丕卮丿. 蹖讴 讴丕乇诏乇 爻丕丿賴 趩胤賵乇 賲蹖鬲賵丕賳丿 倬賵乇卮賴 亘禺乇丿. 丕蹖賳 毓丕賯亘鬲 丕賮讴丕乇 睾賱胤 爻賵爻蹖丕賱蹖爻鬲蹖 丕爻鬲. 丨丕賱丕 賲蹖賮賴賲賲 趩乇丕 賴賲蹖卮賴 丕夭 乇丕丿蹖讴丕賱 賵 囟丿 賲匕賴亘 亘賵丿賳 丕賵 賲蹖鬲乇爻蹖丿賲.丕丨爻丕爻 毓丕卮賯丕賳賴 蹖讴 丿夭丿 亘乇丕蹖卮 亘蹖卮鬲乇 丕乇夭卮 丿丕卮鬲 鬲丕 毓賱丕賯賴 亘蹖 睾賱 賵 睾卮 賲賳. 亘丕 丕蹖賳 賵噩賵丿 賴賳賵夭 賲蹖禺賵丕賴賲 亘賴 丕賵 倬蹖睾丕賲 亘丿賴賲 讴賴 讴丕鬲乇蹖賳丕蹖 讴賵趩賵賱賵蹖 賲賳 丕诏乇 倬蹖卮賲 賲蹖賲丕賳丿蹖 亘丕 賴賲 丿乇 胤賵賱 趩賳丿 爻丕賱 氐丕丨亘 賲丕卮蹖賳 賵 禺丕賳賴 賲蹖卮丿蹖賲貙 丕賱亘鬲賴 倬賵乇卮賴 讴賴 賳賲蹖鬲賵丕賳賲 亘乇丕蹖鬲 亘禺乇賲 丕賲丕 禺賵卮亘禺鬲蹖 丿乇賵蹖卮丕賳賴 蹖讴 讴丕乇诏乇 爻丕丿賴 乇丕 賲蹖鬲賵丕賳賲 亘乇丕蹖鬲 賮乇丕賴賲 讴賳賲. 讴丕乇诏乇蹖 讴賴 亘賴 爻賳丿蹖讴丕蹖 讴丕乇诏乇蹖 丕氐賱丕 丕毓鬲賲丕丿蹖 賳丿丕乇賴. 丕賵賴 讴丕鬲乇蹖賳丕!
October 6, 2017
Introduction, by Kurt Andersen
Translator's Acknowledgment
--The Lost Honor of Katharina Blum
Translator's Acknowledgment
--The Lost Honor of Katharina Blum
October 25, 2015
亘丕蹖丿 禺賵丿卮丕賳 乇丕 噩丕蹖 賲丕 亘诏匕丕乇賳丿 鬲丕 賲噩爻賲 讴賳賳丿 讴賴 趩賴 丨丕賱蹖 亘賴 賲丕 丿爻鬲 賲蹖鈥屫囏� 賴賳诏丕賲蹖 讴賴 鬲賵蹖 丿賴丕賳 倬乇卮丕賳 賵 蹖丕 亘賴鬲乇 亘诏賵蹖賲 倬賵夭賴 蹖 倬乇卮丕賳 亘丕夭 賴賲 睾匕丕 賲蹖鈥屭嗁矩з嗁嗀� 賴賲賴 賴賲 亘丿賵賳 丕爻鬲孬賳丕 丕亘鬲丿丕 亘賴 馗乇賮 禺丕賵蹖丕乇 蹖賵乇卮 賲蹖鈥屫ㄘ辟嗀�. 賲乇丿丕賳 賵 夭賳丕賳 賲蹖賱蹖賵賳乇蹖 賴賲 賴爻鬲賳丿 讴賴 爻蹖诏丕乇 賵 讴亘乇蹖鬲 賵 亘蹖爻讴賵蹖鬲 鬲賵蹖 讴蹖賮卮丕賳 倬賳賴丕賳 賲蹖鈥屭┵嗁嗀�. 丕诏乇 丕賲讴丕賳卮 亘賵丿 倬丕讴鬲 倬賱丕爻鬲蹖讴蹖 亘丕 禺賵丿卮丕賳 賲蹖鈥屫①堌必嗀� 賵 亘丕賯蹖賲丕賳丿賴鈥屰� 睾匕丕賴丕 賵 賯賴賵賴 賵 卮蹖乇蹖賳蹖 乇丕 亘丕 禺賵卮丕賳 賲蹖鈥屫ㄘ必嗀�. 倬賵賱 賴賲賴鈥屰� 丕蹖賳鈥屬囏� 乇丕 亘丕蹖丿 夭丨賲鬲讴卮丕賳 讴賴 賲丕賱蹖丕鬲 丕夭 丨賯賵賯卮丕賳 讴賲 賲蹖鈥屫促堌� 亘倬乇丿丕夭賳丿.
丕夭 賲鬲賳 讴鬲丕亘
丕夭 賲鬲賳 讴鬲丕亘
November 28, 2021
Time: A couple of weeks in February in 1974
Place: Cologne, West Germany
Characters: for a tiny book I counted 24 characters with names 鈥� that鈥檚 like a lot, don鈥檛 you think? Probably about 15 have speaking roles so it鈥檚 probably a good idea to keep a handy list so you can immediately check who Moeding or Schonner or Brettloh or Straubleder is. Of course if you have a great memory for German names you鈥檒l be fine.
Subject: the deliberate destruction of ordinary people鈥檚 lives by the rancid loathsome shameless degenerate tabloid press, which is still with us to this day.
Method : an official report into the murder of Werner Totges, reporter, by Katherina Blum, 27 year old caterer, housekeeper and occasional waitress.
Mood : ironical, playful, a little smirky if we鈥檙e honest
Religion : these people are a little too busy for God right now. This is a crisis!
Situation: there鈥檚 no doubt she shot that disgusting reporter guy, that鈥檚 not a spoiler, but untangling the skein of events that led to the fatal discharge is the thing we are engaged upon. But what was Ludwig Gotten doing at Katherine鈥檚 flat? Didn鈥檛 she know he was on the run from the cops? That was why the press started in on her.
Language : Because this is all straight-facedly pretend-officialese, we have sentences like There is always the possibility that certain relatively clear pointers toward a relationship between various events and actions will be misinterpreted or lost as mere hints.
Rating : Three stars
Cultural impact : Immediately made into a movie. In the book the outlaw Ludwig Gotten is an army deserter and thief. In the movie he becomes a terrorist on the run which makes sense as the Baader Meinhof Gang were in full flow at the time. I think Heinrich Boll should have thought of that angle himself, it makes the tabloid frenzy about his character more understandable.
Apology to German speakers: there are an awful lot of umlauts missing from this review.
Place: Cologne, West Germany
Characters: for a tiny book I counted 24 characters with names 鈥� that鈥檚 like a lot, don鈥檛 you think? Probably about 15 have speaking roles so it鈥檚 probably a good idea to keep a handy list so you can immediately check who Moeding or Schonner or Brettloh or Straubleder is. Of course if you have a great memory for German names you鈥檒l be fine.
Subject: the deliberate destruction of ordinary people鈥檚 lives by the rancid loathsome shameless degenerate tabloid press, which is still with us to this day.
Method : an official report into the murder of Werner Totges, reporter, by Katherina Blum, 27 year old caterer, housekeeper and occasional waitress.
Mood : ironical, playful, a little smirky if we鈥檙e honest
Religion : these people are a little too busy for God right now. This is a crisis!
Situation: there鈥檚 no doubt she shot that disgusting reporter guy, that鈥檚 not a spoiler, but untangling the skein of events that led to the fatal discharge is the thing we are engaged upon. But what was Ludwig Gotten doing at Katherine鈥檚 flat? Didn鈥檛 she know he was on the run from the cops? That was why the press started in on her.
Language : Because this is all straight-facedly pretend-officialese, we have sentences like There is always the possibility that certain relatively clear pointers toward a relationship between various events and actions will be misinterpreted or lost as mere hints.
Rating : Three stars
Cultural impact : Immediately made into a movie. In the book the outlaw Ludwig Gotten is an army deserter and thief. In the movie he becomes a terrorist on the run which makes sense as the Baader Meinhof Gang were in full flow at the time. I think Heinrich Boll should have thought of that angle himself, it makes the tabloid frenzy about his character more understandable.
Apology to German speakers: there are an awful lot of umlauts missing from this review.
August 3, 2022
3,5*
#JulhoNobel
N茫o tivesse eu a coragem de uma lagartixa e creio que seria levada a fazer exactamente o mesmo que a Katharina Blum no final deste livro, depois de ver o seu nome enlameado e a sua vida exposta de forma insultuosa num pasquim, por um jornalista sem escr煤pulos, tudo em nome de uma parangona chamativa.
Confrontara Frau Blum [m茫e de Katharina] com os factos, mas n茫o tinha a certeza de que ela tivesse percebido tudo, porque, aparentemente, o nome G枚tten, nada lhe dizia. Frau Blum dissera: 鈥淧orque 茅 que havia de acabar desta manheira? Porque 茅 que isto havia de acontecer?鈥� Destas palavras o 鈥淶eitung鈥� fizera as seguintes declara莽玫es: 鈥淚sto tinha de acontecer. Tinha de acabar assim鈥�. T枚tges explicara esta altera莽茫o das palavras de Frau Blum dizendo que, como rep贸rter, estava habituado a 鈥渁judar as pessoas simples a exprimirem-se com mais clareza.鈥�
O pr贸prio estilo de Heinrich B枚ll nesta obra tende para o jornal铆stico, assemelhando-se a uma reportagem que relata o interrogat贸rio, as manobras da Pol铆cia, os movimentos da visada e das pessoas do seu c铆rculo mais chegado e indaga as suas motiva莽玫es. 脡 esta estrutura invulgar o ponto forte de 鈥淎 Honra Perdida de Katharina Blum鈥�, mas por outro lado, 茅 ela que me faz ocupar um lugar de espectadora 脿 dist芒ncia, que 茅 acentuado pela escrita factual e desapaixonada. Sinto-me indignada por Katharina por ser denegrida como cidad茫 e como mulher, mas como pessoa n茫o me tocou.
At茅 se envolver com Ludwig G枚tten, um homem procurado pela Pol铆cia, Katharina n茫o passa de uma cidad茫 comum, respeitada por todos por ser uma trabalhadora s茅ria, eficiente e organizada. Assim que cai nas garras do sensacionalista 鈥淶eitung鈥�, tudo no seu passado 茅 desenterrado e alvo de suspeita (a m茫e alco贸lica, o pai com fama de comunista, o div贸rcio), e os seus actos no presente come莽am a ser deturpados para se atingir um verdadeiro assassinato de car谩cter e a sua dignidade como mulher ser posta em causa.
Foi s贸 nessa altura que Katharina tirou da bolsa os dois n煤meros do 鈥淶eitung鈥� e perguntou se o Estado 鈥� foi assim que ela disse 鈥� n茫o poderia fazer alguma coisa para a proteger contra esta imundice e recuperar a sua honra perdida. Ela sabia perfeitamente que o interrogat贸rio se justificava, embora n茫o entendesse muito bem a necessidade de 鈥渋rem at茅 aos 煤ltimos pormenores da sua vida鈥�, mas o que ela n茫o podia compreender era como certos pormenores do interrogat贸rio 鈥� como, por exemplo, a quest茫o das visitas do cavalheiro 鈥� poderem ter chegado ao conhecimento do 鈥淶eitung鈥�, para al茅m de todas aquelas afirma莽玫es falsas e fraudulentas.
#JulhoNobel
N茫o tivesse eu a coragem de uma lagartixa e creio que seria levada a fazer exactamente o mesmo que a Katharina Blum no final deste livro, depois de ver o seu nome enlameado e a sua vida exposta de forma insultuosa num pasquim, por um jornalista sem escr煤pulos, tudo em nome de uma parangona chamativa.
Confrontara Frau Blum [m茫e de Katharina] com os factos, mas n茫o tinha a certeza de que ela tivesse percebido tudo, porque, aparentemente, o nome G枚tten, nada lhe dizia. Frau Blum dissera: 鈥淧orque 茅 que havia de acabar desta manheira? Porque 茅 que isto havia de acontecer?鈥� Destas palavras o 鈥淶eitung鈥� fizera as seguintes declara莽玫es: 鈥淚sto tinha de acontecer. Tinha de acabar assim鈥�. T枚tges explicara esta altera莽茫o das palavras de Frau Blum dizendo que, como rep贸rter, estava habituado a 鈥渁judar as pessoas simples a exprimirem-se com mais clareza.鈥�
O pr贸prio estilo de Heinrich B枚ll nesta obra tende para o jornal铆stico, assemelhando-se a uma reportagem que relata o interrogat贸rio, as manobras da Pol铆cia, os movimentos da visada e das pessoas do seu c铆rculo mais chegado e indaga as suas motiva莽玫es. 脡 esta estrutura invulgar o ponto forte de 鈥淎 Honra Perdida de Katharina Blum鈥�, mas por outro lado, 茅 ela que me faz ocupar um lugar de espectadora 脿 dist芒ncia, que 茅 acentuado pela escrita factual e desapaixonada. Sinto-me indignada por Katharina por ser denegrida como cidad茫 e como mulher, mas como pessoa n茫o me tocou.
At茅 se envolver com Ludwig G枚tten, um homem procurado pela Pol铆cia, Katharina n茫o passa de uma cidad茫 comum, respeitada por todos por ser uma trabalhadora s茅ria, eficiente e organizada. Assim que cai nas garras do sensacionalista 鈥淶eitung鈥�, tudo no seu passado 茅 desenterrado e alvo de suspeita (a m茫e alco贸lica, o pai com fama de comunista, o div贸rcio), e os seus actos no presente come莽am a ser deturpados para se atingir um verdadeiro assassinato de car谩cter e a sua dignidade como mulher ser posta em causa.
Foi s贸 nessa altura que Katharina tirou da bolsa os dois n煤meros do 鈥淶eitung鈥� e perguntou se o Estado 鈥� foi assim que ela disse 鈥� n茫o poderia fazer alguma coisa para a proteger contra esta imundice e recuperar a sua honra perdida. Ela sabia perfeitamente que o interrogat贸rio se justificava, embora n茫o entendesse muito bem a necessidade de 鈥渋rem at茅 aos 煤ltimos pormenores da sua vida鈥�, mas o que ela n茫o podia compreender era como certos pormenores do interrogat贸rio 鈥� como, por exemplo, a quest茫o das visitas do cavalheiro 鈥� poderem ter chegado ao conhecimento do 鈥淶eitung鈥�, para al茅m de todas aquelas afirma莽玫es falsas e fraudulentas.
September 11, 2019
危蠀谓畏胃委味蠅 蠈蟿伪谓 尉蔚魏喂谓维蠅 苇谓伪 尾喂尾位委慰, 谓伪 渭畏 未喂伪尾维味蠅 蟿慰 慰蟺喂蟽胃蠈蠁蠀位位蠈 蟿慰蠀, 蟺蟻慰蟿喂渭蠋 谓伪 渭畏 纬谓蠅蟻委味蠅 蟿慰 蟺伪蟻伪渭喂魏蟻蠈 纬喂伪 蟿慰蠀蟼 萎蟻蠅蔚蟼 魏伪锟斤拷 蟿畏谓 蟺位慰魏萎 蟿慰蠀. 螝伪喂 伪位萎胃蔚喂伪 蟿慰 位苇蠅 渭慰蠀 蔚委谓伪喂 蟿蟻慰渭蔚蟻维 未蠉蟽魏慰位慰 谓伪 纬蟻维蠄蠅 魏蟻喂蟿喂魏萎 纬喂伪 蟿畏 芦围伪渭苇谓畏 韦喂渭萎 蟿畏蟼 螝伪蟿蔚蟻委谓伪蟼 螠蟺位慰蠀渭禄 魏蠀蟻委蠅蟼 蔚蟺蔚喂未萎 蟽蟿慰 蟿苇位慰蟼 蟿慰蠀, 畏 畏蟻蠅委未伪 苇纬喂谓蔚 纬喂伪 渭苇谓伪 蟿蠈蟽慰 伪位畏胃喂谓蠈蟼 蠂伪蟻伪魏蟿萎蟻伪蟼 蟿畏蟼 魏伪胃畏渭蔚蟻喂谓蠈蟿畏蟿维蟼 渭慰蠀 蟺慰蠀 未蔚 胃伪 蟿慰位渭慰蠉蟽伪 谓伪 渭喂位萎蟽蠅 慰蠉蟿蔚 蟽蟿喂纬渭萎 蟽蔚 蟿蟻委蟿慰蠀蟼 纬喂伪 蟿伪 蠈蟽伪 蟺苇蟻伪蟽蔚, 纬喂伪 蟿慰 纬蔚纬慰谓蠈蟼 蠈蟿喂 蟺位萎蟻蠅蟽蔚 伪魏蟻喂尾维 蟿慰 纬蔚纬慰谓蠈蟼 蟺蠅蟼 慰 魏蠈蟽渭慰蟼 蔚委谓伪喂 伪蟽蠉位位畏蟺蟿伪 魏伪魏慰蠁蟿喂伪纬渭苇谓慰蟼 魏伪喂 未蔚 蠂蠅谓蔚蠉蔚喂 蠈蟽慰蠀蟼 蟺蟻慰慰未蔚蠉慰蠀谓 魏慰喂蟿维味慰谓蟿伪蟼 渭慰谓维蠂伪 蟿畏 未慰蠀位蔚喂维 蟿慰蠀蟼, 魏伪喂 纬喂伪 蟿慰 蔚蟺委蟽畏蟼 纬蔚纬慰谓蠈蟼 蟺蠅蟼 芦慰喂 维谓胃蟻蠅蟺慰喂 未蔚 蟽蠀纬蠂蠅蟻慰蠉谓 伪蠀蟿慰蠉蟼 蟺慰蠀 伪蟺蠈 苇蟻蠅蟿伪 蔚魏蟺苇蟽伪谓蔚禄.
螠伪魏蟻维谓 蟽蟿伪 魏伪位蠉蟿蔚蟻伪 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿伪 蟺慰蠀 苇蟺蔚蟽伪谓 蠁苇蟿慰蟼 蟽蟿伪 蠂苇蟻喂伪 渭慰蠀 魏伪喂 蟽委纬慰蠀蟻伪 苇谓伪 喂未喂伪委蟿蔚蟻伪 蟽畏渭伪谓蟿喂魏蠈 尾喂尾位委慰 蟺慰蠀 伪尉委味蔚喂 谓伪 未喂伪尾伪蟽蟿蔚委 伪蟺蠈 蟺慰位蠉 魏蠈蟽渭慰.
螠伪魏蟻维谓 蟽蟿伪 魏伪位蠉蟿蔚蟻伪 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿伪 蟺慰蠀 苇蟺蔚蟽伪谓 蠁苇蟿慰蟼 蟽蟿伪 蠂苇蟻喂伪 渭慰蠀 魏伪喂 蟽委纬慰蠀蟻伪 苇谓伪 喂未喂伪委蟿蔚蟻伪 蟽畏渭伪谓蟿喂魏蠈 尾喂尾位委慰 蟺慰蠀 伪尉委味蔚喂 谓伪 未喂伪尾伪蟽蟿蔚委 伪蟺蠈 蟺慰位蠉 魏蠈蟽渭慰.
March 24, 2017
_The Lost honor of Katharina Blum_
The lost honor of Katharina Blum is a great book. Heinrich B枚ll did something absolutely brilliant with it. He was absolutely brilliant with his sarcasm and his bravery and he was in full control of this from beggining to end. He gave me this feeling, that he knew what he was doing, he knew what he wanted to state with his book and he executed it perfectly. I think of him as a highly intelligent human being, i loved how smartly and smoothly he interrupted the flow of the writing but it never felt doing so. The writing was amazing, truly raw and honest and ocassionally funny but still discreet and elegant. There is also a movie, i am going to watch it for sure. 5/5 <3
The lost honor of Katharina Blum is a great book. Heinrich B枚ll did something absolutely brilliant with it. He was absolutely brilliant with his sarcasm and his bravery and he was in full control of this from beggining to end. He gave me this feeling, that he knew what he was doing, he knew what he wanted to state with his book and he executed it perfectly. I think of him as a highly intelligent human being, i loved how smartly and smoothly he interrupted the flow of the writing but it never felt doing so. The writing was amazing, truly raw and honest and ocassionally funny but still discreet and elegant. There is also a movie, i am going to watch it for sure. 5/5 <3
June 8, 2020
螣 蟿委蟿位慰蟼 未蔚谓 蔚委谓伪喂 魏伪胃蠈位慰蠀 蟿蠀蠂伪委慰蟼. 螤蠋蟼 纬蔚谓谓喂苇蟿伪喂 畏 尾委伪; 韦慰 蟺慰蠉 渭蟺慰蟻蔚委 谓伪 慰未畏纬萎蟽蔚喂 伪魏慰蠉纬蔚蟿伪喂 位委纬慰 慰尉蠉渭蠅蟻慰 (畏 尾委伪 维位位蠅蟽蟿蔚 蟺蟻慰魏伪位蔚委 尾委伪) 伪位位维 慰 B枚ll 蔚喂蟽蠂蠅蟻蔚委 位委纬慰 尾伪胃蠉蟿蔚蟻伪 纬喂伪 谓伪 魏伪蠀蟿畏蟻喂维蟽蔚喂 蟿畏谓 伪蟽蠀未慰蟽委伪 蟿慰蠀 蟿蠉蟺慰蠀. 螠蔚 渭喂伪 纬蟻伪蠁萎 未畏渭慰蟽喂慰纬蟻伪蠁喂魏萎 (蟿慰蠀 螔螔C 蠈蠂喂 蟿畏蟼 Bild - 蟿畏谓 慰蟺慰委伪 未蔚谓 魏伪蟿慰谓慰渭维味蔚喂, 尾苇尾伪喂伪, 伪位位维 蟺蔚蟻喂纬蟻维蠁蔚喂 渭蔚 蟿苇蟿慰喂伪 伪魏蟻委尾蔚喂伪 蟺慰蠀 蔚委谓伪喂 蟽伪谓 谓伪 蟿慰 魏维谓蔚喂), 伪蟺慰蟽蟿蔚喂蟻蠅渭苇谓畏 魏伪喂 蔚谓蟿蔚位蠋蟼 伪蟺伪位位伪纬渭苇谓畏 伪蟺蠈 蟽蠀谓伪喂蟽胃畏渭伪蟿喂蟽渭慰蠉蟼, 魏伪蟿伪蠁苇蟻谓蔚喂 谓伪 蟺蟻慰尾位畏渭伪蟿委蟽蔚喂 蠈蠂喂, 蠈渭蠅蟼, 魏伪喂 谓伪 蟽蠀纬魏喂谓萎蟽蔚喂. 桅伪谓蟿维味慰渭伪喂 伪蠀蟿蠈 苇纬喂谓蔚 畏胃蔚位畏渭苇谓伪 魏伪喂 渭蔚 渭蔚纬维位畏 蟽蠀谓苇蟺蔚喂伪 蠅蟼 蟺蟻慰蟼 蟿慰 蟺蔚蟻喂蔚蠂蠈渭蔚谓慰 蟿慰蠀 尾喂尾位委慰蠀 蟺慰蠀 蟽魏慰蟺蠈 苇蠂蔚喂 谓伪 魏伪蟿伪纬纬蔚委位蔚喂 蟿畏谓 蟺伪蟻伪蟺位畏蟻慰蠁蠈蟻畏蟽畏.
February 13, 2020
Un pamphlet (cos矛 lo ha definito il suo autore), scritto da uno dei fuoriclasse della parola. Basterebbe, per testimoniarlo, il ritratto di quel personaggio, splendido nella sua ambigua, complessa, respingente e indifendibile innocenza, di Katharina Blum.
I difetti di questo romanzo (lo stile secco/freddo ed un certo tono a met脿 strada tra il verbale redatto da un burocrate e lo sfogo controllato di un osservatore indignato e coinvolto) sono, insieme con una sofisticata freschezza espressiva, anche i suoi pregi maggiori.
Perch茅 non c鈥檈ra forse modo pi霉 efficace per portare piano, piano e con il giusto attrito il lettore dentro l鈥檈mozione con cui lo si voleva far reagire davanti alla macchina mediatica del fango. E davanti agli effetti, che come una inarrestabile reazione a catena, produce in chi ne 猫 vittima, direttamente o indirettamente. Soprattutto, voleva far reagire il lettore davanti ad un modo di fare informazione e di fare il mestiere del giornalista.
Ed 猫 particolarmente interessante ri/leggerlo nell鈥檈poca del giornalismo diffuso e dei social.
Chi vuol sapere di pi霉 sul libro e sul tema qui trova qualcosa
I difetti di questo romanzo (lo stile secco/freddo ed un certo tono a met脿 strada tra il verbale redatto da un burocrate e lo sfogo controllato di un osservatore indignato e coinvolto) sono, insieme con una sofisticata freschezza espressiva, anche i suoi pregi maggiori.
Perch茅 non c鈥檈ra forse modo pi霉 efficace per portare piano, piano e con il giusto attrito il lettore dentro l鈥檈mozione con cui lo si voleva far reagire davanti alla macchina mediatica del fango. E davanti agli effetti, che come una inarrestabile reazione a catena, produce in chi ne 猫 vittima, direttamente o indirettamente. Soprattutto, voleva far reagire il lettore davanti ad un modo di fare informazione e di fare il mestiere del giornalista.
Ed 猫 particolarmente interessante ri/leggerlo nell鈥檈poca del giornalismo diffuso e dei social.
Chi vuol sapere di pi霉 sul libro e sul tema qui trova qualcosa
February 11, 2017
The voice of this novel was something new to me: it is written in the form of a report, apparently reserved and unbiased, which presents the slow but effective process of Katharina Blum's public humiliation by police and press.
It all begins with a murder (I'm not sure this may be considered a spoiler, because it comes in the first pages of the novel):
It is an excerpt that speaks for the whole narration: its writer sticks to the facts, using a detached, informative tone, but underneath the dry language there is a lot of humor, the opinions are stated between the lines and the reader is left to his/her own devices to issue a conclusion.
Katharina, an intelligent and hard-working girl who comes from a disjointed family, is brought in the spotlight after her brief association with a man considered a bank robber. In the course of four days, her meticulously rebuilt life is shattered to pieces by police interrogations and defamatory articles in The News. With police, every detail of her life must be accounted for, petty secrets are brought up to light, her intimacy and honor are trampled.
The press makes everything appear in a different light, distorts the statements and facts, issues far-fetched suppositions, with no concern for the individual whose life they are destroying. Not only Katharina, but also those who stand by her are subjected to vilification in the newspaper. The reporters are not the solely responsible for this - there are also the influential people who stand in the shadow, deciding who must be protected and who must be thrown to the wolves.
There is no end to this kind of story, though. One isolated act of justice, condemned by law as is it, won't change a thing - press resembles the mythological Hydra: for each head cut off it grows two more, just as poisonous and deadly. The freedom of the press is a two sided blade.
It all begins with a murder (I'm not sure this may be considered a spoiler, because it comes in the first pages of the novel):
On Sunday evening at almost the same hour (to be precise, at about 7:04 P.M.) she rings the front door bell at the home of Walter Moeding, Crime Commissioner, who is at that moment engaged, for professional rather than private reasons, in disguising himself as a sheikh, and she declares to the startled Moeding that at about 12:15 noon that day she shot and killed Werner T枚tges, reporter, in her apartment, and would the Commissioner kindly give instructions for her front door to be broken down and the reporter to be "removed"; for her part, she has spent the hours between 12:15 noon and 7:00 P.M. roaming around town in search of a remorse that she has failed to find.
It is an excerpt that speaks for the whole narration: its writer sticks to the facts, using a detached, informative tone, but underneath the dry language there is a lot of humor, the opinions are stated between the lines and the reader is left to his/her own devices to issue a conclusion.
Katharina, an intelligent and hard-working girl who comes from a disjointed family, is brought in the spotlight after her brief association with a man considered a bank robber. In the course of four days, her meticulously rebuilt life is shattered to pieces by police interrogations and defamatory articles in The News. With police, every detail of her life must be accounted for, petty secrets are brought up to light, her intimacy and honor are trampled.
The press makes everything appear in a different light, distorts the statements and facts, issues far-fetched suppositions, with no concern for the individual whose life they are destroying. Not only Katharina, but also those who stand by her are subjected to vilification in the newspaper. The reporters are not the solely responsible for this - there are also the influential people who stand in the shadow, deciding who must be protected and who must be thrown to the wolves.
There is no end to this kind of story, though. One isolated act of justice, condemned by law as is it, won't change a thing - press resembles the mythological Hydra: for each head cut off it grows two more, just as poisonous and deadly. The freedom of the press is a two sided blade.
April 25, 2021
螤蠋蟼 魏维蟺慰喂伪 蟿蟻慰位蟼 蟽蟿慰 蟿慰蠀喂蟿蔚蟻 蟺慰蠀 蟽蟿畏谓 魏伪位蠉蟿蔚蟻畏 蟺蔚蟻委蟺蟿蠅蟽畏 伪蟺慰蠁慰委蟿畏蟽伪谓 伪蟺蠈 蟿伪 韦螘螜 螝慰味维谓畏蟼 "伪蟺慰未慰渭慰蠀谓" 蟿慰谓 韦蟽喂慰未蟻伪; 螆蟿蟽喂 魏伪喂 蔚纬蠋 胃伪 伪蟺慰未慰渭畏蟽蠅 蟿慰谓 蟽蠀纬纬蟻伪蠁苇伪 蟿慰蠀 尾喂尾位委慰蠀, 魏伪蟿慰蠂慰 螡蠈渭蟺蔚位 位慰纬慰蟿蔚蠂谓委伪蟼.
危蟿畏谓 伪蟻蠂萎 苇谓喂蠅胃伪 蟺蠅蟼 谓伪喂, 蟽蠀纬魏位慰谓喂蟽蟿喂魏蠈 胃苇渭伪, 伪位位维 蠈蟺蠅蟼 蔚蟺蔚蟽萎渭伪谓伪谓 魏维蟺慰喂蔚蟼 魏蟻喂蟿喂魏苇蟼 畏 纬蟻伪蠁畏 蟿慰蠀 尾喂尾位委慰蠀 渭蔚 蟺蔚蟿慰蠉蟽蔚 苇尉蠅 伪蟺蠈 蟿畏谓 喂蟽蟿慰蟻委伪. 韦蔚位喂魏维 蠈渭蠅蟼 未蠀谓伪蟿萎 喂蟽蟿慰蟻委伪, 畏 纬蟻伪蠁萎 蟿慰蠀 尾喂尾位委慰蠀 未蔚谓 渭蔚 蟺蔚委蟻伪味蔚 (魏伪喂 蟿蠈蟽慰) 伪位位维 慰 渭伪谓喂蠂伪蠆蟽渭慰蟼 蟿慰蠀 魏蠅位慰蠀 蟽蔚 慰位慰 蟿慰 尾喂尾位喂慰 渭蔚 苇魏伪谓蔚 谓伪 伪纬伪谓伪魏蟿畏蟽蠅. 螒蟺蠈 蟿畏 渭喂伪 畏 伪胃蠋伪 魏慰蟻伪蟽喂未伪 渭蔚 蟿慰 未喂伪渭蔚蟻喂蟽渭伪蟿伪魏喂 蟿畏蟼 魏伪喂 蟿慰 伪蠀蟿慰魏喂谓畏蟿维魏喂 蟿畏蟼 (蟽伪谓 蟿慰谓 螞慰蠀魏维 蟽蟿慰 螡蟿慰位蟿蟽蔚 螔喂蟿伪) 渭蔚纬伪位蠅渭苇谓畏 渭蔚 蠂委位喂伪 尾维蟽伪谓伪 渭蔚 蟺蟻慰委魏伪 蟿畏谓 蟿喂渭萎 蟿畏蟼 蟽伪谓 蟿畏谓 魏蠈蟻畏 蟿畏蟼 螞伪蠀蟻蔚谓蟿喂伪蟼 螠蟺喂蟽渭蟺喂魏畏 ("纬喂伪蟿委 蔚渭蔚委蟼 蟽蟿慰 螠蟺喂蟽渭蟺喂魏蔚喂魏慰 苇蠂慰蠀渭蔚 蟿慰 魏慰蠉蟿蔚位慰 魏伪胃伪蟻蠈") 魏伪喂 伪蟺蠈 蟿畏谓 维位位慰喂 魏伪魏慰委 渭蟺伪蟿蟽慰喂 蟺慰蠀 尾维味慰蠀谓 魏慰蟻喂慰蠀蟼, 伪谓委魏伪谓慰喂 蔚喂蟽伪纬纬蔚位蔚委蟼 (蠂渭渭渭渭) 魏伪喂 魏蠀蟻委蠅蟼 未喂蔚蠁胃伪蟻渭苇谓慰喂 魏喂蟿蟻喂谓喂蟽蟿蔚蟼 未畏渭慰蟽喂慰纬蟻维蠁慰喂. 螒魏慰渭畏 魏伪喂 慰喂 纬位蠀魏慰蠀位畏未蔚蟼 蔚蟻纬慰未慰蟿蔚蟼 蟿畏蟼,蔚谓伪蟼 渭蔚纬伪位慰未喂魏畏纬慰蟻慰蟼 魏伪喂 渭喂伪 伪蟻蠂喂蟿蔚魏蟿慰谓喂蟽蟽伪 蟺慰蠀 蟿畏谓 蠀蟺蔚蟻伪纬伪蟺伪谓蔚, 渭蔚蟿伪 蟿伪 蟿蟻伪纬喂魏维 纬蔚纬慰谓慰蟿伪 魏伪蟿伪蟽蟿蟻苇蠁蔚蟿伪喂 畏 魏伪蟻喂苇蟻伪 蟿慰蠀蟼 , 谓伪 蠁伪谓蟿伪蟽蟿蔚委蟼 慰 未喂魏畏纬蠈蟻慰蟼 慰蠂喂 渭慰谓慰 未蔚谓 蟽蟿伪蠀蟻蠅谓蔚喂 未委魏畏 伪位位伪 未蔚谓 蠁慰蟻维蔚喂 魏伪谓 伪蟺慰蟽渭畏蟿喂魏蠈. Seriously dude
;韦慰 渭伪谓喂蟺慰蠀位伪蟻喂蟽渭伪 蔚蠂蔚喂 魏伪喂 蟿伪 蠈蟻喂伪 蟿慰蠀.
危蟿畏谓 伪蟻蠂萎 苇谓喂蠅胃伪 蟺蠅蟼 谓伪喂, 蟽蠀纬魏位慰谓喂蟽蟿喂魏蠈 胃苇渭伪, 伪位位维 蠈蟺蠅蟼 蔚蟺蔚蟽萎渭伪谓伪谓 魏维蟺慰喂蔚蟼 魏蟻喂蟿喂魏苇蟼 畏 纬蟻伪蠁畏 蟿慰蠀 尾喂尾位委慰蠀 渭蔚 蟺蔚蟿慰蠉蟽蔚 苇尉蠅 伪蟺蠈 蟿畏谓 喂蟽蟿慰蟻委伪. 韦蔚位喂魏维 蠈渭蠅蟼 未蠀谓伪蟿萎 喂蟽蟿慰蟻委伪, 畏 纬蟻伪蠁萎 蟿慰蠀 尾喂尾位委慰蠀 未蔚谓 渭蔚 蟺蔚委蟻伪味蔚 (魏伪喂 蟿蠈蟽慰) 伪位位维 慰 渭伪谓喂蠂伪蠆蟽渭慰蟼 蟿慰蠀 魏蠅位慰蠀 蟽蔚 慰位慰 蟿慰 尾喂尾位喂慰 渭蔚 苇魏伪谓蔚 谓伪 伪纬伪谓伪魏蟿畏蟽蠅. 螒蟺蠈 蟿畏 渭喂伪 畏 伪胃蠋伪 魏慰蟻伪蟽喂未伪 渭蔚 蟿慰 未喂伪渭蔚蟻喂蟽渭伪蟿伪魏喂 蟿畏蟼 魏伪喂 蟿慰 伪蠀蟿慰魏喂谓畏蟿维魏喂 蟿畏蟼 (蟽伪谓 蟿慰谓 螞慰蠀魏维 蟽蟿慰 螡蟿慰位蟿蟽蔚 螔喂蟿伪) 渭蔚纬伪位蠅渭苇谓畏 渭蔚 蠂委位喂伪 尾维蟽伪谓伪 渭蔚 蟺蟻慰委魏伪 蟿畏谓 蟿喂渭萎 蟿畏蟼 蟽伪谓 蟿畏谓 魏蠈蟻畏 蟿畏蟼 螞伪蠀蟻蔚谓蟿喂伪蟼 螠蟺喂蟽渭蟺喂魏畏 ("纬喂伪蟿委 蔚渭蔚委蟼 蟽蟿慰 螠蟺喂蟽渭蟺喂魏蔚喂魏慰 苇蠂慰蠀渭蔚 蟿慰 魏慰蠉蟿蔚位慰 魏伪胃伪蟻蠈") 魏伪喂 伪蟺蠈 蟿畏谓 维位位慰喂 魏伪魏慰委 渭蟺伪蟿蟽慰喂 蟺慰蠀 尾维味慰蠀谓 魏慰蟻喂慰蠀蟼, 伪谓委魏伪谓慰喂 蔚喂蟽伪纬纬蔚位蔚委蟼 (蠂渭渭渭渭) 魏伪喂 魏蠀蟻委蠅蟼 未喂蔚蠁胃伪蟻渭苇谓慰喂 魏喂蟿蟻喂谓喂蟽蟿蔚蟼 未畏渭慰蟽喂慰纬蟻维蠁慰喂. 螒魏慰渭畏 魏伪喂 慰喂 纬位蠀魏慰蠀位畏未蔚蟼 蔚蟻纬慰未慰蟿蔚蟼 蟿畏蟼,蔚谓伪蟼 渭蔚纬伪位慰未喂魏畏纬慰蟻慰蟼 魏伪喂 渭喂伪 伪蟻蠂喂蟿蔚魏蟿慰谓喂蟽蟽伪 蟺慰蠀 蟿畏谓 蠀蟺蔚蟻伪纬伪蟺伪谓蔚, 渭蔚蟿伪 蟿伪 蟿蟻伪纬喂魏维 纬蔚纬慰谓慰蟿伪 魏伪蟿伪蟽蟿蟻苇蠁蔚蟿伪喂 畏 魏伪蟻喂苇蟻伪 蟿慰蠀蟼 , 谓伪 蠁伪谓蟿伪蟽蟿蔚委蟼 慰 未喂魏畏纬蠈蟻慰蟼 慰蠂喂 渭慰谓慰 未蔚谓 蟽蟿伪蠀蟻蠅谓蔚喂 未委魏畏 伪位位伪 未蔚谓 蠁慰蟻维蔚喂 魏伪谓 伪蟺慰蟽渭畏蟿喂魏蠈. Seriously dude
;韦慰 渭伪谓喂蟺慰蠀位伪蟻喂蟽渭伪 蔚蠂蔚喂 魏伪喂 蟿伪 蠈蟻喂伪 蟿慰蠀.
May 6, 2015
Irresponsible journalism turns a maid into a murderer. Shock! Horror! It would have been much better written by a 'source' from the National Enquirer. As it is Heinrich Boll is too dry and literary and all the shock and horror is sucked out of it leaving just a competently-written, slightly disturbing story.
March 11, 2021
賯囟丕賵鬲 賴丕蹖 夭賵丿賴賳诏丕賲 賵 睾賱胤
鬲丕孬蹖乇 乇爻丕賳賴 賴丕 亘乇 丕賮讴丕乇 賲乇丿賲 賲禺氐賵氐丕 乇爻丕賳賴 賴丕蹖 夭乇丿
賵 丌亘乇賵蹖 丕夭 丿爻鬲 乇賮鬲賴 禺丕賳賲 亘賱賵賲
丿丕爻鬲丕賳 噩丕賱亘 賵 賲賮賴賵賲 賵丕賱丕蹖蹖 丿丕卮鬲 丕賲丕 丕賳鬲馗丕乇 禺蹖賱蹖 亘蹖卮鬲乇 丕夭 賴丕蹖賳乇蹖卮 亘賱 丿丕卮鬲賲
鬲丕孬蹖乇 乇爻丕賳賴 賴丕 亘乇 丕賮讴丕乇 賲乇丿賲 賲禺氐賵氐丕 乇爻丕賳賴 賴丕蹖 夭乇丿
賵 丌亘乇賵蹖 丕夭 丿爻鬲 乇賮鬲賴 禺丕賳賲 亘賱賵賲
丿丕爻鬲丕賳 噩丕賱亘 賵 賲賮賴賵賲 賵丕賱丕蹖蹖 丿丕卮鬲 丕賲丕 丕賳鬲馗丕乇 禺蹖賱蹖 亘蹖卮鬲乇 丕夭 賴丕蹖賳乇蹖卮 亘賱 丿丕卮鬲賲
May 22, 2011
My first book by the 1972 Nobel Prize for Literature, Heinrich Boll (1917-1985). I am extremely impressed.
This tells the story of a 22-y/o household help and a divorcee, Katharina Blum who at the start of the 4-day Carnival asks her employer for a leave. On the first day, she goes to her friend's party and there meets a mysterious man Ludwig Gotten and falls in love with him. They spend a night in Katharina's apartment and early in the morning Ludwig leaves. Later in the morning, police authorities arrest Katharina allegedly for conniving with a bank robber. The leading newspaper picks up the story and what follows is a media circus. Then towards the end are the two twists: the real identity of Ludwig and what Katharina does to the invasive reporter, Warner Totges who has caused the death of her mother.
This strongly illustrates the negative effects of sensationalizing news especially when it is bordering to being untrue. The book's fictional paper, The News or Die Zeitung does it so badly. For example, when Katharina's mother, Mrs. Blum was interviewed by Totges regarding her daughter Katharina, full of sadness, Mrs. Blum lamented" "Why did it have to end like this, why did it have to come to this?" Totges translated this in the paper: It was bound to come to this, it was bound to come to end like this." Totges accounted for the slight change in Mrs. Blum's statement by saying that as a reporter he was used to "helping simple people to express themselves more clearly."
My goodness. We know what happened to Sgt. Rolando Mendoza during the hijacking that happened last year in Luneta. The media played a big role in the outcome of that sad event.
The book is thin. The writing is plain but Boll knows how to make the story suspenseful thereby making his readers continuously leafing through the pages. He is not too much on describing his settings (something that I enjoy) and tends to concentrate on the events and the people whose lives are interwoven by a particular event. He does not propose a solution to issues. Rather, he presents the facts and let his readers seek for the solution.
The narration is also first person plural (similar to Jeffrey Eugenides' The Virgin Suicides making the readers fell the sad situation that Katharina Blum is experiencing. Making the readers feel like reading just newspaper events that happen on our daily lives. Making us the readers like participants in the novel. Very clever. I thought that Eugenides originated this idea. Now I know better.
I have to read more Boll books.
This tells the story of a 22-y/o household help and a divorcee, Katharina Blum who at the start of the 4-day Carnival asks her employer for a leave. On the first day, she goes to her friend's party and there meets a mysterious man Ludwig Gotten and falls in love with him. They spend a night in Katharina's apartment and early in the morning Ludwig leaves. Later in the morning, police authorities arrest Katharina allegedly for conniving with a bank robber. The leading newspaper picks up the story and what follows is a media circus. Then towards the end are the two twists: the real identity of Ludwig and what Katharina does to the invasive reporter, Warner Totges who has caused the death of her mother.
This strongly illustrates the negative effects of sensationalizing news especially when it is bordering to being untrue. The book's fictional paper, The News or Die Zeitung does it so badly. For example, when Katharina's mother, Mrs. Blum was interviewed by Totges regarding her daughter Katharina, full of sadness, Mrs. Blum lamented" "Why did it have to end like this, why did it have to come to this?" Totges translated this in the paper: It was bound to come to this, it was bound to come to end like this." Totges accounted for the slight change in Mrs. Blum's statement by saying that as a reporter he was used to "helping simple people to express themselves more clearly."
My goodness. We know what happened to Sgt. Rolando Mendoza during the hijacking that happened last year in Luneta. The media played a big role in the outcome of that sad event.
The book is thin. The writing is plain but Boll knows how to make the story suspenseful thereby making his readers continuously leafing through the pages. He is not too much on describing his settings (something that I enjoy) and tends to concentrate on the events and the people whose lives are interwoven by a particular event. He does not propose a solution to issues. Rather, he presents the facts and let his readers seek for the solution.
The narration is also first person plural (similar to Jeffrey Eugenides' The Virgin Suicides making the readers fell the sad situation that Katharina Blum is experiencing. Making the readers feel like reading just newspaper events that happen on our daily lives. Making us the readers like participants in the novel. Very clever. I thought that Eugenides originated this idea. Now I know better.
I have to read more Boll books.
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