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賮乇卮鬲賴 爻讴賵鬲 讴乇丿

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The first novel by the Nobel prize winner, but not published until after his death. Written at the end of the Second World War it describes the death and destruction faced by the people of a city ravaged by war.

159 pages

First published September 1, 1992

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About the author

Heinrich B枚ll

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Der deutsche Schriftsteller und 脺bersetzer gilt als einer der bedeutendsten deutschen Autoren der Nachkriegszeit. Er schrieb Gedichte, Kurzgeschichten und Romane, von denen auch einige verfilmt wurden. Dabei setzte er sich kritisch mit der jungen Bundesrepublik auseinander. Zu seinen erfolgreichsten Werken z盲hlen "Billard um halbzehn", "Ansichten eines Clowns" und "Gruppenbild mit Dame". Den Nobelpreis f眉r Literatur bekam Heinrich B枚ll 1972; er war nach 43 Jahren der erste deutsche Schriftsteller, dem diese Auszeichnung zuteil wurde. 1974 erschien sein wohl popul盲rstes Werk, "Die verlorene Ehre der Katharina Blum". Durch sein politisches Engagement wirkte er, gemeinsam mit seinem Freund Lew Kopelew, auf die europ盲ische Literatur der Nachkriegszeit. Dar眉ber hinaus arbeitete B枚ll gemeinsam mit seiner Frau Annemarie als Herausgeber und 脺bersetzer englischsprachiger Werke ins Deutsche...

Heinrich B枚ll became a full-time writer at the age of 30. His first novel, Der Zug war p眉nktlich (The Train Was on Time), was published in 1949. Many other novels, short stories, radio plays, and essay collections followed. In 1972 he received the Nobel Prize for Literature "for his writing which through its combination of a broad perspective on his time and a sensitive skill in characterization has contributed to a renewal of German literature." He was the first German-born author to receive the Nobel Prize since Hermann Hesse in 1946. His work has been translated into more than 30 languages, and he is one of Germany's most widely read authors.

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Profile Image for Will Byrnes.
1,356 reviews121k followers
December 12, 2019
This was Nobel-prize-winner Boll鈥檚 first novel was not published when he wrote it in 1950, but in 1992, with an English translation in 1994. Boll had mined the work for use in later works.

Hans, a deserter from the German army at the end of World War II, returns to his home town. He is delivering a dead soldier鈥檚 coat to his widow. The will that is sewn into its lining is central to the core of the story. The dead soldier had been well off and his family would rather not face having to share his estate with his widow. After seeking food and help in finding the widow at a Catholic Church, Hans makes the acquaintance of a woman whose child died when Americans invaded the city. They become lovers.

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Heinrich B枚ll - image from The Irish Times

Hans struggles with issues of physical survival and moral clarity. Bread is a central image. Sustenance can be both physical and moral. Hans seeks food when we first meet him, but the church that feeds him physically becomes a source of moral sustenance as well. In one unsubtle reference, the priest gives Hans not only bread but a bottle of wine as well. (elements of Catholic communion). Hans ultimately returns to the church wholly.

Boll鈥檚 bleak, rubble-strewn, postwar landscape is busy with references to light and dark. Almost every page makes some use of darkness, or sun. The ruins here are not only of the unnamed city but of the characters鈥� lives. Hans has lost his young wife. A grieving mother has lost her baby. Another young woman is on her deathbed. A man is losing his adult daughter.

Identification is primary here as well. Hans is traveling with forged papers, gets more false papers. Who is he really? What will he will himself to be?

Time heals wounds, or does it?
The date of the destruction of any particular ruin could be determined by its overgrowth: it was a question of botany. This heap of rubble was naked and barred, raw stone, newly broken masonry, piled thickly, violently, with iron beams jutting out, sowing scarcely a spot of rust. There wasn鈥檛 a blade of grass to be seen; while in other places trees were already growing, charming little trees in bedrooms and kitchens, close by the rusty shell of the burned-out stove.
People struggle with growing, accepting, moving on.
She was secretly cursing the sudden impulse that had led her to clean the room. Where had it come from? She didn鈥檛 know. The desire for order and cleanliness was totally new, and she knew that it was senseless. Everything had seemed cleaner before: spots and ugly circles were now visible where she had damp-mopped the floor, ancient ground-in chalk that hadn鈥檛 been noticeable before. All her efforts had served only to reveal a strange, transparent film of repulsive stains that appeared ineradicable鈥n infinite expanse of dirt appeared that now threw her into despair, and against which all struggle was useless.


I was much taken with Boll鈥檚 rich use of language. Reading The Silent Angel was like eating a torte, dense, filling. I found that I thought about the book after I had read it much more than is usual for me. Potent imagery plus evocative language, plus moral substance equals a pretty good read.
Profile Image for Ahmad Sharabiani.
9,562 reviews5 followers
August 7, 2020
Der Engel Schwieg = The Silent Angel, Heinrich B枚ll (1917 - 1985)

The first novel by the Nobel prize winner, but not published until after his death. Written at the end of the Second World War it describes the death and destruction faced by the people of a city ravaged by war.

鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 丿賵丕夭丿賴賲 賲丕賴 丿爻丕賲亘乇 爻丕賱 2000賲蹖賱丕丿蹖

毓賳賵丕賳: 賮乇卮鬲賴 爻讴賵鬲 讴乇丿貨 賳賵蹖爻賳丿賴: 賴丕蹖賳乇蹖卮 亘賵賱貨 賲鬲乇噩賲: 爻毓蹖丿 賮乇賴賵丿蹖貨 賲卮禺氐丕鬲 賳卮乇 鬲賴乇丕賳貙 賳蹖賱丕貙 1378貙 丿乇 160氐貙 夭蹖乇賳卮乇: 丨賲蹖丿 丕賲噩丿貨 卮丕亘讴 9649175075貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丌賱賲丕賳蹖 爻丿賴 20賲

賲丕噩乇丕蹖 丕蹖賳 讴鬲丕亘 丿乇 乇賵夭 鬲爻賱蹖賲 卮丿賳 丌賱賲丕賳 丿乇 爻丕賱 1945賲蹖賱丕丿蹖 丌睾丕夭 賲蹖卮賵丿貙 賵 乇賵丕蹖鬲 爻乇亘丕夭蹖 丕爻鬲 讴賴 丕夭 噩賳诏 賮乇丕乇 讴乇丿賴貙 賵 亘賴 卮賴乇 賵蹖乇丕賳 卮丿賴 蹖 禺賵丿 亘丕夭 賲蹖诏乇丿丿.貨 賯賴乇賲丕賳 丿丕爻鬲丕賳 讴賴 芦賴丕賳爻禄 賳丕賲 丿丕乇丿貙 丿乇 卮賴乇 亘賴 丿賳亘丕賱 賳丕賳 賵 爻乇倬賳丕賴 丕爻鬲 賵鈥ω� 丿乇 讴鬲丕亘 亘賴 丿賵乇丕賳 噩賳诏 賴賲 丕卮丕乇賴 賲蹖卮賵丿貙 丕賲丕 亘賴 賴蹖趩 賵噩賴 乇賵丕蹖鬲 禺賵丿 噩賳诏 賳蹖爻鬲貙 亘賱讴賴 乇賵丕蹖鬲 夭賳丿诏蹖 倬爻 丕夭 噩賳诏 丕爻鬲

賳賯賱 賳賲賵賳賴 賲鬲賳 讴鬲丕亘: 芦賳賵乇 丌鬲卮 卮賲丕賱 卮賴乇 丌賳賯丿乇 亘賵丿 讴賴 丕賵 亘鬲賵丕賳丿 丨乇賵賮 爻乇 丿乇 亘賳丕蹖蹖 乇丕貙 讴賴 丿乇 丕孬乇 亘賲亘丕乇丕賳 賵蹖乇丕賳 卮丿賴 亘賵丿貙 亘禺賵丕賳丿.貨 倬爻 丕夭 禺賵丕賳丿賳 賳丕賲賽 芦爻賳鬲 賴丕賵爻禄貙 亘丕 丕丨鬲蹖丕胤 丕夭 倬賱賴 賴丕 亘丕賱丕 乇賮鬲.貨 丕夭 蹖讴蹖 丕夭 倬賳噩乇賴 賴丕蹖 爻賲鬲 乇丕爻鬲賽 夭蹖乇夭賲蹖賳 賳賵乇蹖 賲蹖鬲丕亘蹖丿.貨 賱丨馗賴 丕蹖 丕蹖爻鬲丕丿貙 賵 讴賵卮蹖丿 鬲丕 倬卮鬲 卮蹖卮賴 賴丕蹖 丌賱賵丿賴 亘賴 禺丕讴 賵 丿賵丿 趩蹖夭蹖 亘亘蹖賳丿貙 爻倬爻 爻賱丕賳賴 爻賱丕賳賴 丿乇 噩賴鬲 禺賱丕賮 爻丕蹖賴 丕卮貙 讴賴 亘丕賱丕鬲乇 亘乇 丿蹖賵丕乇 爻丕賱賲蹖貙 賲丿丕賲 亘夭乇诏 賵 亘夭乇诏鬲乇 賲蹖卮丿貙 亘賴 乇丕賴 禺賵蹖卮 丕丿丕賲賴 丿丕丿.貨 芦賴丕賳爻禄 鬲讴丕賳 禺賵乇丿.貨 爻賴 賴賮鬲賴 乇丕 丿乇 亘爻鬲乇 诏匕乇丕賳丿賴 亘賵丿.貨 丕蹖賳 賲丿鬲 亘賴 賳馗乇卮 亘蹖賳賴丕蹖鬲 乇爻蹖丿貙 賲孬賱 丕蹖賳 亘賵丿 讴賴 鬲賲丕賲 夭賳丿诏蹖 乇丕 賴賲蹖賳 噩賵乇 爻倬乇蹖 讴乇丿賴 亘丕卮丿貙 丿乇 丕鬲丕賯蹖 賳蹖賲賴 鬲丕乇蹖讴貙 亘丕 讴乇讴乇賴 賴丕蹖 賴賲蹖卮賴 亘爻鬲賴貙 賵 賳丕賳 賵 爻蹖诏丕乇 賵 爻賵倬 丌賲丕丿賴鈥ω� 丕蹖賳 爻賴 賴賮鬲賴 賲蹖鬲賵丕賳爻鬲 爻賴 爻丕賱 亘丕卮丿.貨 丕賵 丿蹖诏乇 賴蹖趩 丕丨爻丕爻蹖 丕夭 夭賲丕賳 賳丿丕卮鬲貨 亘賴 賳馗乇卮 賲蹖丌賲丿 讴賴 丿乇 賵丕賯毓蹖鬲蹖 鬲蹖乇賴 賵 鬲丕乇 賮乇賵乇賮鬲賴 丕爻鬲.貨 丿乇 賱丨馗賴 丕蹖 讴賴 賲鬲賵噩賴 芦乇诏蹖賳丕禄 亘賵丿貙 亘賴 蹖丕丿 丌賵乇丿 乇賵夭诏丕乇蹖 讴鬲丕亘賮乇賵卮 亘賵丿賴貙 賵 賴賲爻乇 丿蹖诏乇蹖 丿丕卮鬲賴貙 讴賴 亘丕 賴賲 丿乇 蹖讴 讴鬲丕亘賮乇賵卮蹖 讴丕乇 賲蹖讴乇丿賳丿.貨 诏丕賴蹖 亘賴 爻蹖賳賲丕 賲蹖乇賮鬲賳丿貙 蹖丕 丿乇 丿賵乇賴 蹖 丌賲賵夭卮蹖 亘丕賴賲 亘賴 禺丕賳賴 亘丕夭賲蹖诏卮鬲賳丿.貨 丕賲丕 賴賲賴 蹖 丕蹖賳賴丕 亘乇賲蹖诏卮鬲 亘賴 丌賳 夭賲丕賳 亘爻蹖丕乇 丿賵乇貙 丿乇 蹖讴 夭賳丿诏蹖 丿蹖诏乇.禄貨 倬丕蹖丕賳 賳賯賱

鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 16/05/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Profile Image for Semjon.
731 reviews467 followers
April 6, 2024
Diese posthum ver枚ffentlichte Werk hat es auf jeden Fall verdient, doch noch Licht der Leserschaft zu erblicken. Normalerweise bin ich skeptisch, bei solchen Nachl盲ssen. Ich denke mir dann, dass Autorin bzw. Autor ja die bewusste Entscheidung getroffen hatte, das Werk nicht zu ver枚ffentlichen. Warum ihnen dann nachtr盲glich in den R眉cken fallen. Hier war es anders, denn B枚ll wollte den Roman Anfang der 50er Jahre herausbringen, doch der Verlag lehnte diese Art von Tr眉mmerliteratur ab. Diese Leute wollte nach deren Ansicht nicht an die Schrecken erinnert werden. Also zert眉ckelte er den Roman und brachte Teile in Erz盲hlungen unter.

Gerade die Bedeutung des Brots f眉r hungernden Personen in dem Buch erinnerte mich an "Das Brot der fr眉hen Jahre". B枚ll schrieb dieses Erstlingswerk schon sehr gekonnt, 盲u脽erst atmosph盲risch und symboltr盲chtig. Man hat beim Lesen das Gef眉hl, den sich den nur langsam verziehenden Kalkstaub der Tr眉mmer am 08.05.1945 in K枚ln noch zu schmecken. Eine bewegende Geschichte, die trotz der vielen Tragik am Ende eine Hoffnung bietet, ohne dabei kitschig zu wirken. Mein Lieblingsschriftersteller Ende der 80er Jahre, den ich komplett gelesen habe.
229 reviews113 followers
September 2, 2017
讴鬲丕亘 乇賵丕蹖鬲蹖 丕夭 噩賳诏 噩賴丕賳蹖 丿賵賲賴. 丿乇 丨賯蹖賯鬲 丕夭 賱丨馗賴 蹖 丌鬲卮 亘爻 賵 倬丕蹖丕賳 噩賳诏 卮乇賵毓 賲蹖卮賴. 賮賯乇 賵 賮賯乇 賵 賮賯乇 賵 诏乇爻賳诏蹖... 蹖賴 爻乇亘丕夭 賮乇丕乇蹖 丕夭 噩賳诏 讴賴 亘毓丿 丕夭 亘丕夭诏卮鬲 亘賴 卮賴乇 亘丕 賵蹖乇丕賳賴 賴丕蹖 卮賴乇卮 賲賵丕噩賴 賲蹖卮賴 賵 鬲賱丕卮 賲蹖讴賳賴 丕夭 诏乇爻賳诏蹖 賳噩丕鬲 倬蹖丿丕 讴賳賴.

丕蹖賳 讴鬲丕亘 丕賵賱蹖賳 丕孬乇 賴丕蹖賳乇蹖卮 亘賱 賴爻鬲卮 讴賴 爻丕賱 賴丕 倬爻 丕夭 賲乇诏卮 賲賳鬲卮乇 賲蹖卮賴. 丕夭賵賳噩丕蹖蹖 讴賴 丕賵賱蹖賳 丕孬乇卮賴貙 賯亘賱 丕夭 禺賵賳丿賳卮 鬲氐賵乇賲 丕蹖賳 亘賵丿 讴賴 丕丨鬲賲丕賱丕 禺蹖賱蹖 噩匕丕亘 賳禺賵丕賴丿 亘賵丿. 賵賱蹖 賵丕賯毓丕 丕卮鬲亘丕賴 賲蹖讴乇丿賲. 賲賳 賵丕賯毓丕 禺賵卮賲 丕賵賲丿 賵 丿賵爻鬲卮 丿丕卮鬲賲.. 亘賴 胤賵乇 讴賱蹖貙 丕賵賳 爻亘讴 賴賲蹖卮诏蹖 亘賱貙 丨鬲蹖 鬲賵蹖 丕賵賱蹖賳 讴鬲丕亘卮 賴賲 賲卮賴賵丿賴..
Profile Image for Amir .
588 reviews38 followers
September 30, 2014
蹖賴 乇賲丕賳 賴丕蹖賳乇蹖卮 亘賱蹖. 乇賲丕賳 噩夭 丕賵賱蹖賳 讴丕乇賴丕蹖 賴丕蹖賳乇蹖卮 亘賱 賴爻鬲 丕賲丕 爻丕賱鈥屬囏� 亘毓丿 丕夭 亘賴 卮賴乇鬲 乇爻蹖丿賳 亘賱 亘賴 趩丕倬 乇爻蹖丿賴. 賯氐賴 丕蹖賳 亘丕乇 丕夭 乇賵夭 丕毓賱丕賲 丌鬲卮鈥屫ㄘ� 噩賳诏 噩賴丕賳蹖 丿賵賲 卮乇賵毓 賲蹖卮賴. 丿睾丿睾賴鈥屬囏й� 亘賱 賴賲賵賳 丿睾丿睾賴鈥屬囏й� 賴賲蹖卮诏蹖 賴爻鬲貙 丕賲丕 亘丕 乇賳诏 賵 亘賵蹖 丕賳鬲賯丕丿蹖 讴賲鬲乇. 賯賴乇賲丕賳 丕蹖賳 乇賲丕賳 賴賲 丿乇 噩爻鬲噩賵蹖 芦賳丕賳禄 賴爻鬲. 賴丕賳爻 丕蹖賳 乇賲丕賳 賴賲 亘丕 賳賴丕丿 讴賱蹖爻丕 賵 賳馗丕賲 丕夭丿賵丕噩 爻賳鬲蹖 賲卮讴賱 丿丕乇賴貙 丕賲丕 賴賳賵夭 亘賴 丕賳丿丕夭賴鈥屰� 丿賱賯讴 毓氐蹖丕賳鈥屭┴ж� 賵 爻丕夭卮鈥屬嗀з矩佰屫� 賳蹖爻鬲.
乇賲丕賳 鬲丕 賮氐賱 丿賴賲 毓丕賱蹖 倬蹖卮 賲蹖乇賴貙 丕賲丕 丕夭 賮氐賱 蹖丕夭丿賴賲 亘賴 亘毓丿 亘賴 卮丿鬲 丕賮鬲 賲蹖鈥屭┵嗁� 賵 禺乇丿賴 乇賵丕蹖鬲鈥屬囏� 賱丕蹖 趩乇禺鈥屫嗀団€屰� 乇蹖鬲賲 乇賲丕賳 诏蹖乇 賲蹖鈥屭┵嗁�. (鬲賵蹖 賲賵禺乇賴 賳賵卮鬲賴 讴賴 亘蹖賳 賳賵卮鬲賳 亘禺卮鈥屬囏й� 讴鬲丕亘 賮丕氐賱賴 丕賮鬲丕丿賴 賵 蹖讴鈥屬嗁佖� 賳賵卮鬲賴 賳卮丿賴. 卮讴 賳丿丕乇賲 亘毓丿 丕夭 賮氐賱 丿賴 亘賱 蹖賴 鬲賵賯賮 丕爻丕爻蹖 讴乇丿賴.) 丕蹖賳 賵囟毓蹖鬲 賴賲蹖賳鈥屫堌� 丕丿丕賲賴 倬蹖丿丕 賲蹖鈥屭┵嗁� 鬲丕 亘乇爻賴 亘賴 亘禺卮 賴噩丿賴賲 讴賴 亘乇诏 亘乇賳丿賴鈥屰� 讴鬲丕亘 賴爻鬲. 鬲氐賵蹖乇 讴乇丿賳 賱丨馗丕鬲 賲乇诏... 丕诏賴 丕夭 賴乇 賳賵蹖爻賳丿賴鈥屫й� 丕賳鬲馗丕乇 賳丿丕卮鬲賴 亘丕卮蹖丿 讴賴 亘鬲賵賳賴 賱丨馗丕鬲 賲乇诏 乇賵 亘賴 丕賳丿丕夭賴鈥屰� 鬲賵賱爻鬲賵蹖 鬲賵蹖 芦賲乇诏 丕蹖賵丕賳 丕蹖賱蹖趩禄 亘丕賵乇倬匕蹖乇 賵 賳賮爻鈥屭屫� 鬲氐賵蹖乇 讴賳賴貙 丕蹖賳 亘禺卮 乇賵 亘賴鬲賵賳 鬲賵氐蹖賴 賲蹖鈥屭┵嗁�
Profile Image for AC.
2,026 reviews
September 17, 2012
(I am currently reading Billiards at Half-Past Nine. I thought that Silent Angel was good, I guess, when I read it - because the topic was of interest to me. But now I see it is merely juvenalia and have lowered my rating (from 4) to 3. Nothing in it prepared me for the mature B枚ll, which is now overwhelming me.)

Written in 1950, this book was not published until 1992 - 7 years after Heinrich B枚ll's death. Apparently the nation could not cope with a book of this sort. The reasons for this are well explained by Sebald, who discusses the 'cultural amnesia' that has afflicted Germany since the end of WWII - (in the Natural HIstory of Destruction). At any rate, this is one of the better examples of what is known as Tr眉mmerliteratur -- much of which, to listen to Sebald, is rather sentimental and kitschy.

This was also B枚ll's first novel -- he was 33 when it was written. But it is already a mature work, and does not have the feel of juvenalia about it. Some of the writting is both beautiful and insightful.

The second half is devoted to finding meaning in the 'Catastrophe' (that is, the events in Germany just after Capitulation), and appeals to B枚ll's deeply held Catholicism. B枚ll was from the south of Germany.

Though I am not a Catholic, I have occasionally found Catholic literature to be quite moving. Georges Bernanos' Diary of a Country Priest, for example, breaths this same atmosphere of poignant hopefullness in the midst of despair that one finds to some degree in The Silent Angel. But as I am not a believer, I found B枚ll's faith somewhat distressing, and that detracted (for me) from the value of this book.

Nonetheless, this is definitely a book worth reading. I haven't read any other B枚ll yet (though I did read a short story of his in German once back in graduate school - in German for Reading), and plan to read Billiards in the next week or two.
Profile Image for Sarah ~.
978 reviews973 followers
November 28, 2019
丕賱賲賱丕賰 丕賱氐丕賲鬲 - 賴丕賷賳乇賷卮 亘賵賱

賰丕賳鬲 丕賱賯乇丕亍丞 賱賴丕賷賳乇賷卮 亘賵賱 兀賲乇賸丕 兀鬲賵賯 賱賴 賲賳匕 賵賯鬲 胤賵賷賱貙 賵賱毓賱 兀賵賱 賲丕 賷鬲亘丕丿乇 廿賱賶 匕賴賳賷 毓賳丿賲丕 賷匕賰乇 賴丕賷賳乇賷卮 亘賵賱 賱賷爻賻 兀毓賲丕賱賴 丕賱兀丿亘賷丞 亘賱 賳卮丕胤賴 丕賱爻賷丕爻賷 賵丿毓賵鬲賴 賱賱爻賱丕賲 賵乇賮囟賴 賱賱卮賲賵賱賷丞 賵鬲毓爻賮 丕賱爻賱胤丞 賵丕賱鬲爻賱丨 亘賰賱 兀卮賰丕賱賴 賵禺丕氐丞 爻亘丕賯 丕賱鬲爻賱丨 丕賱賳賵賵賷 .
賮賷 賴匕賴 丕賱乇賵丕賷丞 賷乇賵賷 賯氐丞 噩賳丿賷賺 毓丕丿 廿賱賶 賲丿賷賳鬲賴 丕賱賲丿賲乇丞 賮賷 賳賴丕賷丞 丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱孬丕賳賷丞 賵賴賵 賲爻鬲睾乇賯賹 亘丕賱賳噩丕丞 賵賲毓賴 賰賱 賲噩鬲賲毓 賲丕 亘毓丿 丕賱丨乇亘 賵鬲氐賵乇 賰匕賱賰 亘丐爻 丕賱賲乇丨賱丞 賵賮爻丕丿賴丕貙 賵鬲毓賵丿 丕賱兀丨丿丕孬 賱丕丨賯賸丕 廿賱賶 亘丿丕賷丞 丕賱丨乇亘 .
毓賲賱 亘爻賷胤 賵賲賰鬲賵亘 亘卮賰賱 噩賲賷賱 賱賰賳 賱賲 鬲毓噩亘賳賷 丕賱鬲乇噩賲丞 ..
Profile Image for 脰锄驳眉谤.
160 reviews159 followers
January 24, 2020
B枚ll'眉n ilk roman谋 olan ama 1992'ye kadar yay谋mlanmayan kitap sava艧谋n yaratt谋臒谋 sefaleti etkileyici bir 艧ekilde aktar谋yor. Sebald'谋n '谋nda sava艧 sonras谋 Almanya'daki y谋k谋m谋 anlatan nadir kitaplardan biri olarak bahsedilince okumak istemi艧tim. Bu a莽谋dan tatmin edici bir okumayd谋.
Profile Image for Rise.
306 reviews38 followers
February 21, 2013
As noted by W. G. Sebald in his book of literary criticism On the Natural History of Destruction, Heinrich B枚ll's The Silent Angel was one of only a handful of postwar novels that depicted the aftermath of intensive carpet bombing leveled against Germany in the second world war. Though written early in B枚ll's career, the novel was not published in his lifetime due to the subject matter that was perceived by his publisher as unpalatable to the German public. Isn't it inappropriate to dwell on a topic that brings home the very episodes one wanted to forget? After so much destruction and suffering, is it not perhaps best to move on to cheery stories?

B枚ll described the wasteland of war-torn Germany right after the end of the bombings. Amid this tortured landscape the characters moved like zombies, traumatized by their experiences and haunted by relentless hunger. The lack of food and shelter consigned the majority of the citizens to the status of refugees. They lived only to survive hunger, scrounging for the rare bread and provisions that came at high prices.

At the start of the novel, Hans, a German soldier who lacked proper identification, stumbled into a hospital and was offered a bread loaf by a nun working there. The reader was given a first taste of the novel's subject.

听听 Quickly he broke off a large piece of the bread. His chin trembled and he felt the muscles of his mouth and jaws twitch. Then he buried his teeth in the soft, uneven place where the bread had been broken, and bit in. The loaf was old, at least four or five days old, perhaps even older, plain brown bread bearing some bakery's red paper label; but it tasted so sweet. He bit in even more deeply, taking the leathery, brown crust into his mouth as well; then he seized the loaf in his hands and tore off a new piece. While he ate with his right hand he held the loaf fast in his left, as if someone might come and try to take it from him, and he saw his hand lying on the bread, thin and dirty, with a deep scratch that was soiled and scabbed.

There was pathetic beauty in the way Hans noted both the sweetness and the stale condition of the bread. The act of biting and chewing acquired a strong sense of concretion particularly when juxtaposed with the soiled and scabbed hand holding the bread. The attention paid to the color of the crust and the paper label seemed to celebrate the bread's providential existence.

It was notable that Hans was not only concerned with satisfying his hunger but with securing his identification papers. That he should lose his identity in the rubble and ruins, together with the experience of seeing his hometown burnt to the ground and his loved ones perish, made him a victim who almost didn't have anything more to lose.

Physical hunger and destroyed landscapes of the city inhabited the tissues of the novel. Hunger (and destruction) was so pervasive as to go beyond the realm of the physical. It crossed the threshold of the characters' physical state, to become the hunger of their souls, the debilitating poverty of spirit. It became the very fires in their belly that drove them to resist that very same hunger.

His heart kept on pounding. He was still thinking about the bread, and his heartbeat was like the gently painful yet pleasant throbbing of a wound: a large, raw spot in his chest, his heart.

---

听听 In the distance, beyond the community gardens, jutting high above the railway embankment, he saw the charred ruins of the city, a dark, ragged silhouette鈥攈e felt a deep, piercing pain and pulled the window closed again. Now, within, it was dim and quiet once more, shut off from the chirping of the birds. he now understood why she hadn't wanted to open the window.

Hunger and ruins were likened to a gaping wound in the heart, a source of pain. For the characters, hunger was a constant reminder that they were still alive.

B枚ll was able to illuminate a time that was barely recorded, even consciously avoided, according to Sebald鈥攅rased from memory, sanitized and repressed by German writers. It was not a popular subject but it was necessary to keep a record of destruction of cities and its effects on men and women. Sebald found in The Silent Angel not only an important subject but a quality of writing that he felt approached the gravity of the subject.

At the novel's center was a love story with a subplot of a family drama. Yet the plot was almost sketchy and directionless as to reflect the chaos of the cityscape. The imaginary was given up in favor of the imaginative.

The curtains had been pulled open, and in the large, black window frames stood the fantasylike image of the ruins: smoke-blackened flanks of buildings, cracked gables that seemed about to fall鈥攐vergrown mounds that had been ripped apart a second time, leaving only a few spots where the green was mossy and peaceful.

The above passage described the image of the ruins as "fantasylike" but the real view of destruction made the image un-fantasylike. The qualification of the smoke-blackened, cracked, overgrown, and ripped objects could not deny the direct harms inflicted to the people on the ground.

Likewise, B枚ll's similes and imagery were purposefully constructed. An open piano in a corner "stood like a monster with a thousand false teeth". In a particular ruin could be seen "only naked destruction, desolate and terribly empty, as if the breath of the bomb still hung in the air". That lingering "breath of the bomb" was sufficient to convey the utter "nakedness" of the damage.

A most powerful description of destruction was that of the silent statues in a church.

听听 His gaze remained below: the altar was buried in debris, the choir stalls had been toppled by the blast. He saw their broad brown backs inclined in what seemed sarcastic prayer. The lower rank of saints on the columns showed gaps as well: abraded torsos and flayed stone, hideous in its mutilation and painfully deformed, as if it once had been alive. He was struck by the demonic grotesqueness. A few faces grimaced like furious cripples because they lacked an ear or a chin, or because strange cracks deformed them; others were headless, and the stone stumps of their necks thrust up horribly from their bodies. Equally disturbing were those who lacked hands. They almost seemed to bleed, silently imploring, and a baroque plaster statue was oddly split, almost cracked like an egg: the pale plaster face of the saint was undamaged, the narrow, melancholy face of a Jesuit, but its chest and belly were ripped open. The plaster had trickled down鈥攊t lay in whitish flakes at the base of the figure鈥攁nd from the dark hollow of the belly straw spilled forth, saturated with hardened plaster.

There's no ambiguity here as to why the mutilation of the statues displayed a "demonic grotesqueness". There's also no mystery as to who it was the personified stone ("as if it once had been alive") stood for. This posthumous horror was probably one of the most indirect and one of the most graphic descriptions of the aftermath of a night of "successful" bombing run a reader will encounter in fiction. (The sickening image of desecration reminded me of a scene at the end of Jos茅 Saramago's Blindness, where a group of blind men and women made their way to a church where the "blind" statues of saints seemed to mock their tragic condition.)

Despite the depressing, vivid images in the novel, the reader could not fail to detect the deep sense of the novelist's humanity. He did not reduce his characters to virtual zombies. Instead, the novelist kept intact their human strengths and failings. His genuine compassion was evident in his nontrivial portraits of the human casualties of war.

Amid the the piles of debris in the city, the white powder chalk and plaster, signs of renewal of vegetation started to shoot up from the ground. From these bleak surroundings, B枚ll's beautiful prose was able to yield a comforting quality of tenderness, like the love story at its center. The words had lightness and softness, like sweet bread. It was not really all black smoke and white dust:

听听 He stood up, walked quietly over to the door, and opened it cautiously. Light was coming from the kitchen. The old, blue coat that she had draped over the windowpane let large, yellow beams of light in through its tattered holes, and the rays fell onto the debris in the hall: the axe blade gleamed somewhere and he saw the dark logs, their split surfaces glowing yellowly. He approached slowly and now he could see her. He realized he'd never seen her like this before. She was lying on the couch with her legs drawn up, wrapped in a large, red blanket, reading. He saw her from behind. Her long, damply shining hair seemed darker, tinged with red; it fell across the arm of the couch. A lamp stood beside her, and the stove was lit. A pack of cigarettes lay on the table, together with a jar of marmalade, a loaf of bread that had been cut into, and beside it the knife with its loose, black handle. . . .

The colors and sheen were so lovingly spread over this description of domestic setting and minutiae听 as to drum up the characters' expectations of a return to peaceful, normal circumstances. There was a flicker of love in that passage, a sense that all was not lost. The sense that hunger (physical, spiritual) does not go unfulfilled. The pangs of hunger only served as their amulet.


First posted in my blog.
Profile Image for Lea.
1,068 reviews284 followers
March 3, 2024
Starts out excellent, but doesn't fully come together and feels a little like a sketch, especially the quick ending and the love story. Since the novel wasn't published when it was originally meant to in the 50s but instead decades later, maybe it would have been edited to make it very good instead of just good. You really get a feeling for Germany days after the war ended, the hopelessness and the hunger. B枚ll is amazing at evoking these feelings.
Profile Image for Ruth.
118 reviews22 followers
April 24, 2015
My 2nd Heinrich Boll book, and I am now a big fan. Very low key, understated; writing about horrors and everyday reality in Germany right after WWII. The Russians were sending everyone, and I do mean everyone to "camps". Really hard to find an identity card that looked good enough (no POW's, no refugees; pretty much anyone who had not stayed in the same spot they were in when the war began) to get a food rationing card for a crust of bread. The author lived through these times, but he is very matter-of-fact about whatever comes his way. So is everyone else. It's war, and it's not dramatic it's deadening to the spirit. Anyway--great book.
Profile Image for Lena.
60 reviews11 followers
May 20, 2017
Die Tr眉mmerliteratur im wahrsten Sinne des Wortes - ein kurzer, fast dokumentationsartiger Einblick in die ersten Nachkriegstage: die unkenntlich gewordenen Stra脽en, die zerbombten H盲userskelette am Horizont und die Menschen, die den Gesetzen des Lebens folgend, versuchen, ihre Existenz weiterzuf眉hren. Vom Krieg selbst ist jedoch kaum die Rede, die stumme Dekoration der Stadt ist aussagekr盲ftig genug. Es ist das Menschliche, was in den Vordergrund ger眉ckt wird - wie schmeckt ein Brot, wie schuldlos ist eine Liebesnacht und wie trinkt man Messwein in einem weltlichen Zimmer wo vom Dach Regentropfen fallen und man die Dachrinne drau脽en klappern h枚rt.
Profile Image for Fotis Ips.
103 reviews20 followers
August 14, 2020
螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 苇谓伪 尾喂尾位委慰 尾伪胃喂维 伪谓胃蟻蠋蟺喂谓慰, 蟺慰蠀 蠂蠅蟻委蟼 蟺蔚蟻喂蟿蟿苇蟼 位蔚蟺蟿慰渭苇蟻蔚喂蔚蟼 魏伪喂 伪谓伪位蠉蟽蔚喂蟼 未喂蔚喂蟽未蠉蔚喂 蟽蟿畏谓 伪谓胃蟻蠋蟺喂谓畏 蠄蠀蠂萎 魏伪喂 蟽蟿伪 蟿蟻伪蠉渭伪蟿伪 蟺慰蠀 伪蠁萎谓蔚喂 蟽蔚 伪蠀蟿萎谓 慰 蟺蠈位蔚渭慰蟼.
螣 萎蟻蠅伪蟼 渭苇蟽伪 伪蟺蠈 渭委伪 蟽蠉谓蟿慰渭畏 蟺慰蟻蔚委伪 蟺慰蠀 尾位苇蟺慰蠀渭蔚 蟽蟿慰 尾喂尾位委慰, 蔚蟺喂尾喂蠋谓蔚喂 伪蟺蠈 蟿畏谓 蟺蔚委谓伪, 蟿畏谓 蔚魏渭蔚蟿维位位蔚蠀蟽畏 魏伪喂 蟿畏谓 蟽魏位畏蟻萎 蟺位蔚蠀蟻维 蟿蠅谓 伪谓胃蟻蠋蟺蠅谓, 蠂蠅蟻委蟼 蠅蟽蟿蠈蟽慰 谓伪 蔚委谓伪喂 伪蟻魏蔚蟿维 伪蠀蟿维 蟺慰蠀 魏伪蟿伪蠁苇蟻谓蔚喂 谓伪 魏蔚蟻未委蟽蔚喂 纬喂伪 谓伪 蟿慰谓 魏伪位蠉蠄慰蠀谓.
螠慰蠀 苇魏伪谓蔚 蔚谓蟿蠉蟺蠅蟽畏 畏 伪蟺位萎 纬蟻伪蠁萎 蟿慰蠀 螠蟺苇位, 蟺慰蠀 蠈渭蠅蟼 蔚委谓伪喂 蟿蠈蟽慰 维渭蔚蟽畏 魏伪喂 苇渭渭蔚蟽畏 蟿伪蠀蟿蠈蠂蟻慰谓伪 纬喂伪 蟺蟻慰尾位畏渭伪蟿喂蟽渭蠈 魏伪喂 蟽魏苇蠄畏. 螣喂 蟿蔚位蔚蠀蟿伪委蔚蟼 蟽魏畏谓苇蟼 渭蔚 蟿慰 维纬伪位渭伪, 蠀蟺苇蟻慰蠂蔚蟼.
Profile Image for Omid Milanifard.
379 reviews41 followers
August 22, 2020
讴鬲丕亘蹖 趩诏丕賱 丕夭 乇賳噩 賵 睾賲 賵 爻禺鬲蹖 丿乇 乇賵夭诏丕乇 倬爻丕 噩賳诏 噩賴丕賳蹖 丿乇 丌賱賲丕賳 賵蹖乇丕賳 卮丿賴. 禺賵卮蹖賴丕蹖 丕蹖賳 夭賲丕賳賴 丕蹖賳賯丿乇 丿乇 賲賯丕亘賱 賳丕賲賱丕蹖賲丕鬲 讴賲乇賳诏 卮丿丕 丕賳丿 讴賴 诏丕賴蹖 丕夭 蹖丕丿 賲蹖 亘乇蹖賲 噩賵蹖丿賳 鬲讴賴 丕蹖 賳丕賳 賲蹖鬲賵丕賳丿 丌乇夭賵蹖 亘夭乇诏 蹖讴 丕賳爻丕賳 亘丕卮丿..
Profile Image for 賱蹖丿丕 賯賴乇賲丕賳賱賵.
Author听1 book4 followers
July 5, 2015
亘賳蹖丕賳 讴鬲丕亘 亘乇 丌賳 丕爻鬲 讴賴 亘賱丕蹖 噩賳诏 噩賴丕賳蹖 丿賵賲 賵 乇賳噩 诏乇爻賳诏蹖 賵 亘蹖 禺丕賳賲丕賳蹖 讴賴 亘毓丿 丕夭 丌賳 亘卮乇 賲鬲丨賲賱 卮丿 乇丕 亘賴 鬲氐賵蹖乇 亘讴卮丿. 讴丕乇蹖 讴賴 賴丕賳乇蹖卮 亘賱 亘賴 賳丨賵 丕丨爻賳鬲 丕賳噩丕賲 賲蹖 丿賴丿. 賵賯鬲蹖 讴鬲丕亘 乇丕 亘丕夭 賲蹖 讴乇丿賲 诏賲 賲蹖 卮丿賲 丿乇 乇賳噩 賳丕賲賴 蹖 丌丿賲 賴丕蹖蹖 讴賴 丕夭 噩賳诏 爻蹖丕賴 噩丕賳 爻丕賱賲 亘賴 丿乇 亘乇丿賴 亘賵丿賳丿 丕賲丕 丿乇 亘丕賲丿丕丿 鬲爻賱蹖賲 丌賱賲丕賳 賴蹖趩 丕賲蹖丿蹖 亘乇丕蹖 夭賳丿诏蹖 賳丿丕卮鬲賳丿...诏乇趩賴 亘丕夭 賴賲 賳賵蹖爻賳丿賴 丕爻鬲丕丿丕賳賴 賳賴丕賱 丕賲蹖丿 乇丕 亘丕 丕夭丿賵丕噩 乇诏蹖賳丕 賵 賴丕賳爻 賲蹖 讴丕乇丿...亘毓丿 丕夭 噩賳诏 賴賲 賴賲趩賳丕賳 丌丿賲 亘丿賴丕 亘丿賳丿 賵 丌丿賲 禺賵亘 賴丕 賯乇亘丕賳蹖...賵 賲匕賴亘 賴賲 賴賲趩賳丕賳 鬲讴賴 蹖 亘蹖 賯賵丕乇賴 丕蹖 丕爻鬲 亘賴 讴賱 鬲氐賵蹖乇. 亘丕賵乇讴乇丿賳卮 爻禺鬲 丕爻鬲 趩賳蹖賳 賲噩賲賵毓賴 蹖 賯賵蹖 讴丕乇 丕賵賱 蹖讴 賳賵蹖爻賳丿賴 丕爻鬲!
Profile Image for Lysergius.
3,142 reviews
March 27, 2025
It is strange how few German writers wrote about the condition of the German cities at the end of WWII. There was a sense that this was too horrific to write about. This was the case with The Silent Angel which was published long after it was originally presented to publishers. It was considered "inappropriate" and too shocking...

On re-reading this I realised that it is incredibly dense and could form the basis for a much longer work.
Profile Image for Jill Roberts.
Author听7 books20 followers
September 12, 2012
It's out of print I believe, but worth picking up a copy on eBay if you can find it. Sad & touching.
Profile Image for Ieva Strazdi艈a [mrs.lasitaja].
495 reviews244 followers
December 18, 2022
Gr膩mata,kas man膩 plaukt膩 nost膩v膿ja vair膩k k膩 piecus gadus un beidzot to izlas墨ju vai dr墨z膩k - izmoc墨ju. Iesp膿jams, pie vainas tas, ka pirms tam las墨tas krietni sp膿c墨g膩kas gr膩matas par II pasaules karu, ta膷u 鈥淓艈模elis klus膿ja鈥� 拧姆ita k膩 virspus膿js st膩sts bez s膩kuma un beig膩m. K膩 izrautas lapas no k膩das biezas gr膩matas.

II pasaules kara beigas - pa v膩rd膩 nenosauktu pils膿tu, tom膿r p膿cv膩rd膩 skaidrots, ka t膩 ir 亩elne - kl墨st dezert膿jis kareivis Hanss. Kareivis, kam uzd膩vin膩ta dz墨v墨ba, jo k膩ds feldf膿belis, apmai艈膩 pret v膩rdos neizteiktu l奴gumu, ie艈膿ma vi艈a vietu uz no拧au拧anu. Kareivis paveic uzdevumu, satiek nejau拧us l墨dzcilv膿kus, k膩 ar墨 kara sagrautaj膩 pils膿t膩 neticami un negaid墨ti satiek savu m墨lest墨bu Reg墨nu.
Kopum膩 st膩sts ir par negaid墨tu un necer膿tu m墨lest墨bu depres墨v膩 laik膩, ta膷u viss st膩sta fons 拧姆iet virspus膿js un haotisks un m墨lest墨bas st膩sts - l墨dz galam neizst膩st墨ts.

V膩ks gan gl墨ts - dro拧i vien t膩d膿募 ar墨 savulaik ieg膩d膩jos gr膩matu.
Profile Image for Tina Tamman.
Author听3 books110 followers
November 5, 2023
I pulled it from my shelf, hoping to abandon it after a cursory glance through. How mistaken I was! It is a very engrossing novel about post-war Germany, not at all sad and hopeless. The biggest surprise was the wealth of smells, textures and sights; this makes the post-war situation almost tangible, but there are other, subtler surprises. It should be more widely known, I would almost make it compulsory reading for all.
Profile Image for Sarah.
36 reviews9 followers
July 8, 2016
W.G. Sebald once said that this is the only novel that somehow captures the horror of the rubble in Germany in the late 40s. Perhaps it was too horrific for the German audience immediately after the war. Although written in 1949-50, the book was not published until 1992.
When it did finally find its ways into bookshops its reviews were mixed. This novel 'of the lost generation', as B枚ll said himself, is not, like other works by the same author, widely read in German lessons. Perhaps, teachers struggle to point out anything educational about it. It does not try to be anything more, or less, than an account of the horrors that befell Germany and its people after the war was officially over and the altruistic charity that was needed to help the protagonist, Hans Schnitzler, towards any sort of future. "Talking is silver, silence is gold", a widely used German proverb, describes well B枚ll's style of writing. The absence of language is often more striking than its presence.
German suffering was often not mentioned or seen as a just punishment. B枚ll's novel shows just what it means when the wounds of a people have to heal in silence.
Profile Image for Fernando.
242 reviews23 followers
August 20, 2022
Con la lectura de est谩 novela de iniciaci贸n del premio Nobel Heinrich Boll, bastante breve, pero indispensable pero aquellos que quieran comprender la precariedad f铆sica , espiritual y mental en que cae el pueblo aleman despu茅s de inminente y contundente derrota del imperio Nazi, saldo una deuda de m谩s de 20 a帽os con uno de mis escritores favoritos y que m谩s extra帽o y releo, W. G. Sebald.
Profile Image for Tahani Shihab.
592 reviews1,138 followers
January 5, 2019

鈥溬勝� 賷毓丿 丕賱兀賰賱 賷亘毓孬 毓賱賶 丕賱爻乇賵乇貙 賰丕賳 賯丕賳賵賳賸丕 兀爻賵丿 賷噩亘乇賴賲 毓賱賶 丕賱亘賱毓 亘兀賷丞 賵爻賷賱丞 賵亘兀賷 孬賲賳 賱爻丿 噩賵毓 賱丕 賷卮亘毓貙 亘賱 賷鬲夭丕賷丿鈥�.

賴丕賷賳乇卮 亘賵賱.
5 reviews1 follower
June 6, 2008
This was Heinrich Boll's first novel - and was supressed in Germany for 41 years after WWII due to Boll's harsh critique of the war and its aftermath. My personal favorite of Boll's is "The Clown" - which actually includes passages from The Silent Angel in a similar but more finely tuned context. Slow in the first few chapters, it picks up steam and finishes strong. Interesting from a historic perspective, especially as a study in a nobel laureate's development. I suspect readers who select this as their introduction to Boll will rate it much higher than I have in view of the other titles I've enjoyed from this influencial and deep thinking author.
ZK
Profile Image for Haniyekheirandish.
31 reviews7 followers
July 7, 2018
诏賮鬲賳 丕夭 夭賳丿诏蹖 .亘賴 賴賲賵賳 丕賳丿丕夭賴 鬲賱禺 賵 亘賴 賴賲賵賳 丕賳丿丕夭賴 爻蹖丕賱 .爻蹖丕賱 丕夭 丕蹖賳讴賴 鬲賱禺蹖 賲蹖 诏匕乇賴 賵 丌丿賲 蹖丕丿 賲蹖诏蹖乇賴 讴賴 丕丿丕賲賴 亘丿賴 .鬲賵氐蹖賮丕鬲賽 賳爻亘鬲丕 丿賯蹖賯.卮禺氐蹖鬲 賴丕蹖蹖 讴賴 夭蹖丕丿 亘賴卮賵賳 賳倬乇丿丕禺鬲賴 亘賴 睾蹖乇 丿賵 鬲丕 爻賴 賳賮乇卮賵賳 貙賵賱蹖 賴乇 讴丿賵賲卮賵賳 賳賲丕蹖賳丿賴 蹖 诏乇賵賴蹖 丕夭 噩丕賲毓賴 丕賳丿 讴賴 亘賴 氐賵乇鬲賽 倬蹖 丿乇 倬蹖 亘賴 賴賲 賲鬲氐賱 丕賳丿 ....卮丕蹖丿 賯卮賳诏 鬲乇蹖賳 賯爻賲鬲卮 亘乇丕賲 賴賲蹖賳 倬蹖賵爻鬲诏蹖 賵 鬲賵 丿乇 鬲賵 亘賵丿賳 乇丕亘胤賴 賴丕蹖 亘蹖賳 卮禺氐蹖鬲 賴丕卮 亘賵丿 賵 丕賱亘鬲賴 鬲賵氐蹖賮丕鬲 賲乇诏 .鬲賵氐蹖賮丕鬲 賮乇卮鬲賴 賵 禺賳丿賴 丕卮.


賲乇诏 賵 丿乇丿 賴賲賵賳 賯丿乇 讴賴 賲蹖鬲賵賳賴 夭賳丿诏蹖 乇賵 丕夭 讴賳鬲乇賱 禺丕乇噩 讴賳賴 貙丕賵賳賵 亘賴 胤賵乇 賲毓噩夭賴 丌爻丕蹖蹖 鬲亘丿蹖賱 賲蹖讴賳賴 亘賴 夭賳丿诏蹖 賴賲賵賳噩賵乇 讴賴 亘丕蹖丿 亘丕卮賴 诏丕賳诏丕乇 賮乇丕賲賵卮 讴乇丿賳 丿乇丿 賵 乇賳噩 貙夭賳丿诏蹖 乇賵 丕夭賲賵賳 賲蹖诏蹖乇賴 .
3 reviews
July 18, 2019
亘丕 賵噩賵丿 丕蹖賳讴賴 丕賵賱蹖賳 乇賲丕賳 亘賱 亘賵丿賴 賵 賳丕卮乇 丿乇 丕賵賳 夭賲丕賳 賯亘賵賱 賳讴乇丿賴 亘賵丿 讴賴 丕賵賳 乇賵 賲賳鬲卮乇 讴賳賴 賵 賲賳 禺蹖賱蹖 丕鬲賮丕賯蹖 卮乇賵毓 亘賴 禺賵賳丿賳卮 讴乇丿賲 鬲賵賳爻鬲 亘爻蹖丕乇 噩匕亘賲 讴賳賴 賵 丕夭 賴賲賴 夭蹖亘丕鬲乇 丿丕爻鬲丕賳 倬卮鬲 丕蹖賳 乇賲丕賳 亘賵丿 讴賴 丌賯丕蹖 賮乇賴賵丿蹖 丿乇 丕賳鬲賴丕蹖 鬲乇噩賲賴 亘賴 丕賵賳 倬乇丿丕禺鬲賴 亘賵丿
Profile Image for Danielle.
146 reviews20 followers
December 10, 2011
Before Caroline and Lizzy's German Literature Month Heinrich B枚ll was an author I was aware of but hadn't really considered trying. When it comes to German Literature I have to admit my reading has been somewhat patchy tending as I do to pick up mostly American or British writers. So last month was a great way for me to get a little taste of a few German language authors and expand my horizons a bit. B枚ll's Silent Angel (Der Engel schwieg) was also the choice for Caroline's Literature and War Readalong, so it served two purposes. While I'm not entirely sure how I feel about it, it is a grim story (albeit with what you could consider a happy ending), I'm very happy to have read it and been exposed to B枚ll's writing. I never see reading a book by an author of B枚ll's caliber as a waste of time, though this is one I think I might say I really appreciated and 'liked' rather than necessarily 'loved'. I think it is perhaps not his best work, though it was an interesting story, so I look forward to reading something else by him at some point knowing I have even better books to look forward to.

Since prior to reading The Silent Angel I didn't know much about B枚ll I did do a little investigating to see what I could find out about him. This novella is a post-WWII story set in Cologne (rather an unnamed city that bears remarkable likeness to Cologne) right at the very end of the war. I shared a little teaser recently, and the book is indeed full of very dark, despairing imagery. It was this in part that set me off on a little quest to see what meaning I could tease from the story. I think I found out more about and B枚ll's writing in general than any sort of interpretation, but it all helps build a picture of him. Yet again, this slim story does pack a punch and calls out for a reread someday.

Let me start by sharing an interesting quote by German author, Ursula Hegi.

"When I was growing up as a girl in the silence of postwar Germany, Heinrich B枚ll wrote about what other adults wouldn't speak about. From him--not from my family or teachers--I began to learn about German soldiers, about war widows and war orphans, about the impact of the war on the survivors. It was a time when most Germans were using their energies to forget about the war, to push forward into a clean and tidy future by rebuilding bombed out buildings, by creating a history for their children that would make it impossible for them to ask questions about the war. I took B枚ll's books with me to a Catholic boarding school as an adolescent, packed them into my suitcase when I immigrated to America as an 18-year-old."

It's not surprising then that B枚ll earned the reputation as the "conscience of his nation" and would go on to win the Nobel Prize in 1972. B枚ll was himself born in Cologne to a Catholic family with strong Pacifist leanings. He was virulently opposed to the war and refused to join the Hitler Youth organization. However he was eventually conscripted into the Wehrmacht, sent off to fight, was wounded several times and taken prisoner by the American army at the end of the war. After the war he began writing and published his first novel in 1949. I've seen his work categorized in a couple of different ways--as Heimkehrer, which describes the experiences of soldiers returning home and trying to make sense of their lives as they reintegrate into society. More interestingly I've seen the term Tr眉mmerliteratur to describe his books as well, which means something along the lines of "literature of the rubble". Given that Cologne was heavily bombed during the war and literally left in piles of rubble, and The Silent Angel is filled with just such images, it seems fitting.

The Silent Angel was the second book B枚ll wrote but it remained unpublished throughout his lifetime. Although he assured his publisher that the book was not about the war, didn't even have any war scenes in it, it was never published as the reading public had no taste for books about the grim realities of post-war life. As Hegi notes they were ready to move on to a brighter future. He apparently mined the manuscript for other books and reworked sections that would appear in later works. It would seem then that this is a story that many read when they've read B枚ll's other books and want to see where his greatness began. But I'm very contented to have started here.

In the opening pages of the story Hans Schnitzler has returned to Cologne in search of the wife of a soldier who switched uniforms with him and was shot as a deserter in Hans's place. He begins his search for her in a bombed out hospital where he borrows a raincoat that he takes for warmth but later will return to its owner, the woman with whom he'll fall in love. The chance encounters with these two women is what both moves the story along and ties the various characters together. Inside the lining of the uniform jacket is a will that is needed by the widow in order to prove her inheritance. It's through these episodes that B枚ll will be able to explore many different themes and ideas such as love and commitment, and moral decay and greed. There are lots of interesting juxtapositions in the story--loads of images of light and dark, of angels both upright and mired in the mud (on which at the end of the story characters stand), goodness and evil. B枚ll also uses quite a few Catholic symbols like bread and wine and the sacrament of confession.

There's a lot to take in really, and reading the book I feel as though I only skimmed the surface. I've just shared bits and pieces of my reading, impressions of the book rather than anything concrete, so you'll have to forgive my meandering post. This was both an easy (stylistically) and difficult (content and descriptions) read. I like to think of it as a hopeful sort of story--that out of such a bleak landscape can come a tender love. I've read a few nonfiction books about post-WWII Germany but I think this must be the first literary work (in recent memory anyway), so it was interesting reading about the period from such a different perspective. I need to do it more often.
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