Tuna Kiremit莽i (b. February 1973, Eski艧ehir) is a contemporary Turkish author.
His first poems were published in the magazine Varl谋k during his Galatasaray High School years. His book entitled "Ayabakanlar" (Moon Watchers) that won him the "Ya艧ar Nabi Nay谋r" Award for Poetry met his readers in 1994. In 1997 he shared the "Erguvan Balkan Poetry Award with the Bosnian poet Izzet Saraylic. This was followed by his second book of poems "Akademi" (Academy) in 1998.
Tuna Kiremit莽i's first novel "Git Kendini 脟ok Sevdirmeden" (Leave Before I Fall in) that came out in 2002 excited great interest and was acknowledged as one of the most important literary events of that year. His second novel "Bu 陌艧te Bir Yaln谋zl谋k Var" (Way of Loneliness) and "Baz谋 艦iirler Baz谋 艦ark谋lar" (Some Poems Some Songs) a collection of his poems were published in 2003. His books "Yolda 脺莽 Ki艧i" (Three On The Road) and "A.艦.K. Neyin K谋saltmas谋?" (What is L.O.V.E.?) published in 2005 have met with a wide audience.
His books that on the whole treat the tragedies of ordinary people, the impasse of relationships between men and women in today's Turkish society and the melancholy of getting old with an expression that is mournful but that evokes a smile here and there, have been appraised by Professor G眉rsel Ayta莽 as being examples in Turkish literature of "romantic irony" (H眉rriyet G枚steri: July-August 2005).
Tuna Kiremit莽i who studied cinema at the Mimar Sinan University of Fine Arts, and who has received awards for short films at various festivals is engaged on work as a columnist and in writing scenarios. Besides this in the 1990s he did work on Ethnic Rock with the group Kumdan Kaleler (Sand Castles) and put his name to the album ("Denize Do臒ru"; 1996 Facing The Sea) as composer and soloist. He is married and the father of a son.
K茅t n艖 besz茅lget茅seir艖l sz贸l a k枚nyv, p谩rbesz茅des form谩ban, n茅ha felt疟nik egy szolg谩l贸 is, de 艖 n茅ma. K茅t gener谩ci贸 tal谩lkozik 枚ssze, a f艖iskol谩s Pelin 茅s a 80vh谩ny 茅ves Rosella. Azt hittem, hogy ezt a k枚nyvet 茅n szeretni fogom, de m谩r b谩nom, hogy ezt k茅rtem aj谩nd茅kba. A p谩rbesz茅des form谩val nincs bajom egyed眉l. 1. Nagyon haragszom a szerz艖re, hogy hazudik. Lehet, hogy ez az 茅n h眉lyes茅gem, hogy n茅mi t枚rt茅nelmi h疟s茅get elv谩rok, v谩llalom, de basszus m谩r, egy Nobel-d铆jas tud贸st 铆rt bele, 2 perc ellen艖rizni! Akkor semmi bajom nem lenne, ha csak kital谩lt nevekkel pakolta volna tele, 铆gy el谩sta mag谩t n谩lam. 2. A mondatok, f艖leg az elej茅n, olyanok, mintha egy 枚t枚dikes dolgozat谩t olvasn谩m. Arckapar贸san szenved艖s. Nem tudom, hogy eredetileg is ilyen-e vagy a ford铆t贸 nem volt a helyzet magaslat谩n, de mivel a v茅gefel茅 k枚zeledve jobbak lesznek, hajlok arra, hogy az eredeti ilyen. 3. Egy egyetemista se ennyire t谩j茅kozatlan. Van pof谩ja az 铆r贸nak elhitetni, hogy vki ennyire nem tud semmit a n谩ci N茅metorsz谩gr贸l. Ehhez nagyon but谩nak k茅ne lenni. 4. Abszol煤t semmir艖l nem sz贸l a k枚nyv. De t茅nyleg semmir艖l. V谩rtam, hogy lesz majd vmi, belemennek m茅lyebben a dolgokba, de nem k枚vetkezetett be. S煤lytalan az eg茅sz. Pr贸b谩lja elhitetni, hogy mennyire 茅rzelmes az eg茅sz, nem j枚tt 枚ssze. 5. Az elej茅n 铆rtam ugye, hogy 80vh谩ny 茅ves Rosella, na ezt az茅rt 铆rtam, mert egyszer 84, egyszer 88 茅s nem tudtam eld枚nteni, hogy nyomtat谩si hiba, vagy direkt. + volt benne p谩r stilisztikai hiba is. Sokkal jobbat is ki lehetett volna ebb艖l hozni, az alapszitu nagyon j贸 alapanyag lett volna hozz谩. Ezt 2 贸ra 14 perc alatt olvastam el.