Wherever you are in your development as a writer, On Writing the Short Story can help you focus your creativity more productively. Noted writer and editor Hallie Burnett guides you through the elements of powerful story writing-character, plot, setting, theme and style-and discusses the techniques that other writers have used to revise and perfect their work.
I was disappointed with On Writing the Short Story. I purchased this book based on the recommendation of Self-Editing for Fiction Writers. They indicated this was one of the best books out there about short stories. I beg to disagree. Some of the advice is note-worthy, however a good share of it has been written in other books. It would have made more sense to discuss the different points after each author's story she included so we understand clearly the point she was making instead having to refer back. I would have liked more information for the money I spent on this book because of its high recommendation.
A quick, helpful read for writers from beginner to veteran in under 170 pages. Covers character, plot, setting, theme and style. I recommend to my authors.
I have been reading a variety of creative writing manuals over the past few months to gear up for my workshopping, writing, teaching, and learning that I will be doing in my new MFA program. All of the books I have read have been mostly repetitive, while all offered interesting and powerful glimmers into one aspect of creative writing that really turned me on and opened my eyes (while I felt the other lessons provided were good, but mostly repeated a great deal of information I was already very familiar with). This review will focus on what I felt was specifically unique about this book in particular and may leave out observations about the entirety of the workshop.
This was one of the least helpful of the group that I have been reading recently. It is rambling, indirect, and contains very little valuable information. It is written in a narrative format that seems to dance around any helpful advice, and felt to me like one of those college classes where an elderly professor is sitting at the front of the room and is riffing on their topic without a real distinct goal for the day鈥檚 class as far as anyone can tell. Half of the book is her 鈥榗ourse鈥� and the other half of the book is a very small anthology of notable short stories that were published in Story magazine.
That said, I was surprised at how poorly executed this book was as Burnett was the editor of Story magazine for something like thirty years鈥� But that does not a good teacher through a nonfiction book on creative writing make. As a matter of fact, I really enjoyed her piece that appeared in the book 鈥� yes, she put one of her own short stories next to Capote, Taylor, and others as an editorial decision in her book. But there was no clear reason why the stories were there besides the fact that they were great.
All in all, there are a few tips in here hidden in a bramble of anecdotal nonsense, but it is safe to say you can skip it if you want to learn something about creative writing. Pick up 鈥極n Writing鈥� or 鈥榃riting Down The Bones鈥� or even some inspiration from some back issues of Story to kickstart your adventure, but you can feel free to leave this one on the shelf.
I bought "On Writing the Short Story" by Hallie Burnett because it was recommended in "Self-Editing for Fiction Writers" as "the best book we've found on the subject". Right now that doesn't seem such a glowing endorsement. It just makes me wonders what the other books are like if they aren't as good. Because while it's a good book with some excellent information and advice it's very thin and around half of it is sample stories. This sounds rather lack my complaints about another book on short story writing "How to Write Short Stories For Magazines -- and get Published" but this book wins over the previous one for several reasons.
1. The quality of the advice is much better, and it's generally better written. 2. Only one of the sample stories is actually by the book's author 3. One of the sample stories is the classic "Address Unknown" by Kressman Taylor which retails on its own for 拢5.99 on Amazon - it's worth buying for this powerful and tragic story on its own. 4. The internal layout of the book looks like a book.
So it doesn't feel as anaemic as "How to Write Short Stories for Magazines" and I didn't pay anywhere near as much for it, but it still doesn't feel comprehensive. It's an excellent primer, and given you can pick it up for 拢1.51 on Amazon (well from other sellers selling through Amazon) it's worth the money, but I wanted something a bit meatier.
It's still head and shoulders above "How to Write Short Stories for Magazines" and so I grant it 3 stars.
Not terrible, but there are other books which 1. Go into more detail / give more specific strategies and (more importantly) 2. Have more modern examples of stories. Not highly recommended given some of the other books that are out there.