What do you think?
Rate this book
丕賱丕爻鬲孬賳丕亍 賵 丕賱賯丕毓丿丞 賵 賲丨丕賰賲丞 賱賵賰賵賱賵爻
賷乇鬲亘胤 丕爻賲 亘乇賷禺鬲 亘丕賱賲爻乇丨 丕賱賲賱丨賲賷 丕賱匕賷 兀乇丕丿 兀 賳賷亘丿兀 亘賴 毓賴丿丕 噩丿賷丿丕 賱賱賲爻乇丨 , 賵 賯丿 兀胤賱賯 毓賱賷賴 兀賷囟丕 丕爻賲 丕賱賲爻乇丨 睾賷乇 丕賱兀乇爻胤胤丕賱賷 兀, 丕賱賲爻乇丨 丕賱丿賷丕賱賰鬲賷賰賷 丕賱匕賷 賷賵賯馗 賲賱賰丞 丕賱丨賰賲 毓賳丿 丕賱賲鬲賮乇噩 賵 賷孬賷乇 賮賷賴 丕賱廿丨爻丕爻 亘丕賱睾乇丕亘丞 賵 丕賱丿賴卮丞 賱賲丕 賷乇丕賴 賵 賷亘毓孬 賮賷賴 廿乇丕丿丞 丕賱鬲睾賷賷乇 丕賱孬賵乇賷 賱賱賯賷賲 賵 丕賱馗乇賵賮 丕賱丕噩鬲賲丕毓賷丞 丕賱鬲賷 賷毓賷卮 賮賷賴丕 賵 賷乇丕賴丕 兀賲丕賲賴 賲賳毓賰爻丞 毓賱賶 禺卮亘丞 丕賱賲爻乇丨 .
賵 賲毓 兀賳賾 丕賱廿胤丕乇 丕賱賲賱丨賲賷 賮賷 丕賱丿乇丕賲丕 賯丿賷賲 賯丿賲 丕賱丿乇丕賲丕 賳賮爻賴丕 , 賵 賲毓 兀賳賾賴 賷鬲禺賱賱 丕賱賲爻乇丨 丕賱睾乇亘賷 賲賳 丕賷爻禺賷賱賵爻 廿賱賶 賷賵賳爻賰賵賵丌丿丕賲賵賮 , 賮廿賳 亘乇禺鬲 兀孬丕乇 亘鬲毓亘賷乇賴 "丕賱賲爻乇丨 丕賱賲賱丨賲賷" 賰孬賷乇丕賸 賲賳 丕賱睾賲賵囟 賵 丕賱丨賷乇丞 賵 丕賱丕囟胤乇丕亘 .
賵 賲毓 兀賳賾 丕賱廿胤丕乇 丕賱賲賱丨賲賷 賮賷 丕賱丿乇丕賲丕 賯丿賷賲 賯丿賲 丕賱丿乇丕賲丕 賳賮爻賴丕 , 賵 賲毓 兀賳賾賴 賷鬲禺賱賱 丕賱賲爻乇丨 丕賱睾乇亘賷 賲賳 丕賷爻禺賷賱賵爻 廿賱賶 賷賵賳爻賰賵賵丌丿丕賲賵賮 , 賮廿賳 亘乇禺鬲 兀孬丕乇 亘鬲毓亘賷乇賴 "丕賱賲爻乇丨 丕賱賲賱丨賲賷" 賰孬賷乇丕賸 賲賳 丕賱睾賲賵囟 賵 丕賱丨賷乇丞 賵 丕賱丕囟胤乇丕亘 .
192 pages, Paperback
First published May 15, 1965
215 people want to read
About the author
Bertolt Brecht
1,540听books1,868听followersEugen Berthold Friedrich Brecht was a German poet, playwright, and theatre director. A seminal theatre practitioner of the twentieth century, Brecht made equally significant contributions to dramaturgy and theatrical production, the latter particularly through the seismic impact of the tours undertaken by the Berliner Ensemble鈥攖he post-war theatre company operated by Brecht and his wife and long-time collaborator, the actress Helene Weigel鈥攚ith its internationally acclaimed productions.
From his late twenties Brecht remained a life-long committed Marxist who, in developing the combined theory and practice of his 'epic theatre', synthesized and extended the experiments of Piscator and Meyerhold to explore the theatre as a forum for political ideas and the creation of a critical aesthetics of dialectical materialism. Brecht's modernist concern with drama-as-a-medium led to his refinement of the 'epic form' of the drama (which constitutes that medium's rendering of 'autonomization' or the 'non-organic work of art'鈥攔elated in kind to the strategy of divergent chapters in Joyce's novel Ulysses, to Eisenstein's evolution of a constructivist 'montage' in the cinema, and to Picasso's introduction of cubist 'collage' in the visual arts). In contrast to many other avant-garde approaches, however, Brecht had no desire to destroy art as an institution; rather, he hoped to 're-function' the apparatus of theatrical production to a new social use. In this regard he was a vital participant in the aesthetic debates of his era鈥攑articularly over the 'high art/popular culture' dichotomy鈥攙ying with the likes of Adorno, Luk谩cs, Bloch, and developing a close friendship with Benjamin. Brechtian theatre articulated popular themes and forms with avant-garde formal experimentation to create a modernist realism that stood in sharp contrast both to its psychological and socialist varieties. "Brecht's work is the most important and original in European drama since Ibsen and Strindberg," Raymond Williams argues, while Peter B眉rger insists that he is "the most important materialist writer of our time."
As Jameson among others has stressed, "Brecht is also 鈥楤recht鈥�"鈥攃ollective and collaborative working methods were inherent to his approach. This 'Brecht' was a collective subject that "certainly seemed to have a distinctive style (the one we now call 'Brechtian') but was no longer personal in the bourgeois or individualistic sense." During the course of his career, Brecht sustained many long-lasting creative relationships with other writers, composers, scenographers, directors, dramaturgs and actors; the list includes: Elisabeth Hauptmann, Margarete Steffin, Ruth Berlau, Slatan Dudow, Kurt Weill, Hanns Eisler, Paul Dessau, Caspar Neher, Teo Otto, Karl von Appen, Ernst Busch, Lotte Lenya, Peter Lorre, Therese Giehse, Angelika Hurwicz, and Helene Weigel herself. This is "theatre as collective experiment [...] as something radically different from theatre as expression or as experience."
There are few areas of modern theatrical culture that have not felt the impact or influence of Brecht's ideas and practices; dramatists and directors in whom one may trace a clear Brechtian legacy include: Dario Fo, Augusto Boal, Joan Littlewood, Peter Brook, Peter Weiss, Heiner M眉ller, Pina Bausch, Tony Kushner and Caryl Churchill. In addition to the theatre, Brechtian theories and techniques have exerted considerable sway over certain strands of film theory and cinematic practice; Brecht's influence may be detected in the films of Joseph Losey, Jean-Luc Godard, Lindsay Anderson, Rainer Werner Fassbinder, Nagisa Oshima, Ritwik Ghatak, Lars von Trier, Jan Bucquoy and Hal Hartley.
During the war years, Brecht became a prominent writer of the Exilliteratur. He expressed his opposition to the National Socialist and Fascist movements in his most famous plays.
From his late twenties Brecht remained a life-long committed Marxist who, in developing the combined theory and practice of his 'epic theatre', synthesized and extended the experiments of Piscator and Meyerhold to explore the theatre as a forum for political ideas and the creation of a critical aesthetics of dialectical materialism. Brecht's modernist concern with drama-as-a-medium led to his refinement of the 'epic form' of the drama (which constitutes that medium's rendering of 'autonomization' or the 'non-organic work of art'鈥攔elated in kind to the strategy of divergent chapters in Joyce's novel Ulysses, to Eisenstein's evolution of a constructivist 'montage' in the cinema, and to Picasso's introduction of cubist 'collage' in the visual arts). In contrast to many other avant-garde approaches, however, Brecht had no desire to destroy art as an institution; rather, he hoped to 're-function' the apparatus of theatrical production to a new social use. In this regard he was a vital participant in the aesthetic debates of his era鈥攑articularly over the 'high art/popular culture' dichotomy鈥攙ying with the likes of Adorno, Luk谩cs, Bloch, and developing a close friendship with Benjamin. Brechtian theatre articulated popular themes and forms with avant-garde formal experimentation to create a modernist realism that stood in sharp contrast both to its psychological and socialist varieties. "Brecht's work is the most important and original in European drama since Ibsen and Strindberg," Raymond Williams argues, while Peter B眉rger insists that he is "the most important materialist writer of our time."
As Jameson among others has stressed, "Brecht is also 鈥楤recht鈥�"鈥攃ollective and collaborative working methods were inherent to his approach. This 'Brecht' was a collective subject that "certainly seemed to have a distinctive style (the one we now call 'Brechtian') but was no longer personal in the bourgeois or individualistic sense." During the course of his career, Brecht sustained many long-lasting creative relationships with other writers, composers, scenographers, directors, dramaturgs and actors; the list includes: Elisabeth Hauptmann, Margarete Steffin, Ruth Berlau, Slatan Dudow, Kurt Weill, Hanns Eisler, Paul Dessau, Caspar Neher, Teo Otto, Karl von Appen, Ernst Busch, Lotte Lenya, Peter Lorre, Therese Giehse, Angelika Hurwicz, and Helene Weigel herself. This is "theatre as collective experiment [...] as something radically different from theatre as expression or as experience."
There are few areas of modern theatrical culture that have not felt the impact or influence of Brecht's ideas and practices; dramatists and directors in whom one may trace a clear Brechtian legacy include: Dario Fo, Augusto Boal, Joan Littlewood, Peter Brook, Peter Weiss, Heiner M眉ller, Pina Bausch, Tony Kushner and Caryl Churchill. In addition to the theatre, Brechtian theories and techniques have exerted considerable sway over certain strands of film theory and cinematic practice; Brecht's influence may be detected in the films of Joseph Losey, Jean-Luc Godard, Lindsay Anderson, Rainer Werner Fassbinder, Nagisa Oshima, Ritwik Ghatak, Lars von Trier, Jan Bucquoy and Hal Hartley.
During the war years, Brecht became a prominent writer of the Exilliteratur. He expressed his opposition to the National Socialist and Fascist movements in his most famous plays.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 22 of 22 reviews
June 2, 2012
毓亘賯乇賷
丕賱丕爻鬲孬賳丕亍 賵 丕賱賯丕毓丿丞 , 賲賵噩夭丞 賵 爻乇賷毓丞 , 賵 賱賰賳 丨爻丕爻賷賾丞 亘乇賷禺鬲 賱賱廿賳爻丕賳 賵 丕賱馗賱賲 丕賱胤亘賯賷 丕賱賲賯賵賳賳 賵 丕賱賲鬲賮賯 毓賱賷賴 賮賷 丕賱賲噩鬲賲毓 毓丕賱賷丞
賰匕賱賰 賲丨丕賰賲丞 賱賵賰賵賱賵爻
夭賷賮 丕賱兀賲噩丕丿 , 賵 賲毓賷丕乇 丕賱丨賯賷賯丞 賮賷 丕賱賳賮毓 賵 丕賱囟乇乇 賱兀賵賱卅賰 丕賱亘爻胤丕亍 丕賱匕賷賳 賱丕 賷乇丕賴賲 兀氐丨丕亘 丕賱兀賱賯丕亘 兀氐賱丕賸 .. 丕賱丨爻丕爻賷賾丞 匕丕鬲賴丕
卮賮賷賮 賵 賲賲鬲毓
丕賱丕爻鬲孬賳丕亍 賵 丕賱賯丕毓丿丞 , 賲賵噩夭丞 賵 爻乇賷毓丞 , 賵 賱賰賳 丨爻丕爻賷賾丞 亘乇賷禺鬲 賱賱廿賳爻丕賳 賵 丕賱馗賱賲 丕賱胤亘賯賷 丕賱賲賯賵賳賳 賵 丕賱賲鬲賮賯 毓賱賷賴 賮賷 丕賱賲噩鬲賲毓 毓丕賱賷丞
賰匕賱賰 賲丨丕賰賲丞 賱賵賰賵賱賵爻
夭賷賮 丕賱兀賲噩丕丿 , 賵 賲毓賷丕乇 丕賱丨賯賷賯丞 賮賷 丕賱賳賮毓 賵 丕賱囟乇乇 賱兀賵賱卅賰 丕賱亘爻胤丕亍 丕賱匕賷賳 賱丕 賷乇丕賴賲 兀氐丨丕亘 丕賱兀賱賯丕亘 兀氐賱丕賸 .. 丕賱丨爻丕爻賷賾丞 匕丕鬲賴丕
卮賮賷賮 賵 賲賲鬲毓
June 22, 2013
丕賱賲爻乇丨賷丞 丕賱兀賵賱賶 賴賷 "丕賱丕爻鬲孬賳丕亍 賵 丕賱賯丕毓丿丞" 賵 鬲鬲丨丿孬 毓賳 丕賱毓賱丕賯丞 亘賷賳 丕賱亘卮乇..
丕賱賲爻乇丨賷丞 賯氐賷乇丞 噩丿丕 亘丕賱賲賯丕乇賳丞 亘丕賱賲毓鬲丕丿.. 賵 賱賰賳 賲毓 賴匕丕丕賱賯氐乇 賰丕賳鬲 賮賷 睾丕賷丞 丕賱乇賵毓丞... 丕賳賴丕 鬲鬲丨丿孬 毓賳 丕賱胤亘賷毓丞 丕賱亘卮乇賷丞.. 賰賷賮 兀氐亘丨鬲 丕賱賯丕毓丿丞 賴賶 兀賳 賷賱鬲賴賲 丕賱丕賳爻丕賳 丕賱丌禺乇賷賳 賵賰賷賮 兀氐亘丨鬲 "丕賱丕賳爻丕賳賷丞" 賴賷 丕賱丕爻孬鬲賳丕亍 ..賱賱丿乇噩丞 丕賱鬲賷 鬲噩毓賱 丕賱丕賳爻丕賳 丕賱丨賯賷賯賷 賴賵 丕賱賲噩乇賲 賮賷 賳馗乇 丕賱賲噩鬲賲毓 丕賱賲乇賷囟 兀氐賱丕...
丕賱賲爻乇丨賷丞 丕賱孬丕賳賷丞 賴賷 "賲丨丕賰賲丞 賱賵賰賵賱賵爻" 賵賲乇丞 丕禺乇賷 賷鬲賳丕賵賱 亘乇賷禺鬲 丕賱胤亘賷毓丞 丕賱亘卮乇賷丞 .. 賴賳丕 賷鬲丨丿孬 毓賳 賵賮丕丞 兀丨丿 丕賱賯丕丿丞 賵 賲丨丕賰賲鬲賴 亘毓丿 丕賱賲賵鬲 兀賲丕賲 賲丨賰賲丞 兀禺乇賵賷丞 ... 丕賱賲爻乇丨賷丞 鬲賳鬲賯丿 乇睾亘丞 丕賱丕賳爻丕賳 賮賷 丕賱賲噩丿 賵 丕賱卮賴乇丞 丕賱鬲賷 賮賷 爻亘賷賱賴丕 賷爻賷乇 毓賱賶 兀乇賵丕丨 丕賱丌禺乇賷賳 賲賳 兀噩賱 丕賱賵氐賵賱 賱賴丿賮賴 賵 賰賷賮 賷賲賰賳 賱賷 丕賱丨賯丕卅賯 賱鬲賮爻賷乇 兀賷 賮毓賱 賲賴賲丕 賰丕賳鬲 丿賳丕卅鬲賴.. 賵 賮賷 賲丨鬲賲毓 賲乇賷囟 賲孬賱 賴匕丕 賷氐亘丨 丕賱賯丕鬲賱 亘胤賱丕 賵 丕賱賲賯鬲賵賱 賲噩乇丿 禺爻丕卅乇 噩丕賳亘賷丞 賱丕 賯賷賲丞 賱賴丕
賰毓丕丿丞 亘乇賷禺鬲 賷爻賳禺丿賲 丕賱爻禺乇賷丞 賵 丕賱賰賵賲賷丿賷丕 丕賱爻賵丿丕亍 亘丨乇賮賷丞 卮丿賷丿丞 噩丿丕 鬲噩毓賱賰 鬲亘鬲爻賲 賵 賮賷 賳賮爻 丕賱賵賯鬲 賱丕 鬲賲賱賰 兀賱丕 兀賳 鬲賮賰乇 賮賷 賰賱 賰賱賲丞 賲賰鬲賵亘丞.. 賰鬲丕亘 賷爻鬲丨賯 丕賱賯乇丕亍丞 亘丕賱賮毓賱
丕賱賲爻乇丨賷丞 賯氐賷乇丞 噩丿丕 亘丕賱賲賯丕乇賳丞 亘丕賱賲毓鬲丕丿.. 賵 賱賰賳 賲毓 賴匕丕丕賱賯氐乇 賰丕賳鬲 賮賷 睾丕賷丞 丕賱乇賵毓丞... 丕賳賴丕 鬲鬲丨丿孬 毓賳 丕賱胤亘賷毓丞 丕賱亘卮乇賷丞.. 賰賷賮 兀氐亘丨鬲 丕賱賯丕毓丿丞 賴賶 兀賳 賷賱鬲賴賲 丕賱丕賳爻丕賳 丕賱丌禺乇賷賳 賵賰賷賮 兀氐亘丨鬲 "丕賱丕賳爻丕賳賷丞" 賴賷 丕賱丕爻孬鬲賳丕亍 ..賱賱丿乇噩丞 丕賱鬲賷 鬲噩毓賱 丕賱丕賳爻丕賳 丕賱丨賯賷賯賷 賴賵 丕賱賲噩乇賲 賮賷 賳馗乇 丕賱賲噩鬲賲毓 丕賱賲乇賷囟 兀氐賱丕...
丕賱賲爻乇丨賷丞 丕賱孬丕賳賷丞 賴賷 "賲丨丕賰賲丞 賱賵賰賵賱賵爻" 賵賲乇丞 丕禺乇賷 賷鬲賳丕賵賱 亘乇賷禺鬲 丕賱胤亘賷毓丞 丕賱亘卮乇賷丞 .. 賴賳丕 賷鬲丨丿孬 毓賳 賵賮丕丞 兀丨丿 丕賱賯丕丿丞 賵 賲丨丕賰賲鬲賴 亘毓丿 丕賱賲賵鬲 兀賲丕賲 賲丨賰賲丞 兀禺乇賵賷丞 ... 丕賱賲爻乇丨賷丞 鬲賳鬲賯丿 乇睾亘丞 丕賱丕賳爻丕賳 賮賷 丕賱賲噩丿 賵 丕賱卮賴乇丞 丕賱鬲賷 賮賷 爻亘賷賱賴丕 賷爻賷乇 毓賱賶 兀乇賵丕丨 丕賱丌禺乇賷賳 賲賳 兀噩賱 丕賱賵氐賵賱 賱賴丿賮賴 賵 賰賷賮 賷賲賰賳 賱賷 丕賱丨賯丕卅賯 賱鬲賮爻賷乇 兀賷 賮毓賱 賲賴賲丕 賰丕賳鬲 丿賳丕卅鬲賴.. 賵 賮賷 賲丨鬲賲毓 賲乇賷囟 賲孬賱 賴匕丕 賷氐亘丨 丕賱賯丕鬲賱 亘胤賱丕 賵 丕賱賲賯鬲賵賱 賲噩乇丿 禺爻丕卅乇 噩丕賳亘賷丞 賱丕 賯賷賲丞 賱賴丕
賰毓丕丿丞 亘乇賷禺鬲 賷爻賳禺丿賲 丕賱爻禺乇賷丞 賵 丕賱賰賵賲賷丿賷丕 丕賱爻賵丿丕亍 亘丨乇賮賷丞 卮丿賷丿丞 噩丿丕 鬲噩毓賱賰 鬲亘鬲爻賲 賵 賮賷 賳賮爻 丕賱賵賯鬲 賱丕 鬲賲賱賰 兀賱丕 兀賳 鬲賮賰乇 賮賷 賰賱 賰賱賲丞 賲賰鬲賵亘丞.. 賰鬲丕亘 賷爻鬲丨賯 丕賱賯乇丕亍丞 亘丕賱賮毓賱
December 21, 2014
丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞
賲爻乇丨賷丞 亘鬲鬲賰賱賲 毓賳 丕賱賳馗丕賲 丕賱乇兀爻賲丕賱賷 丕賱賱賷 亘賷乇賲夭 賱賷賴 丕賱鬲丕噩乇
賵丕賱胤亘賯丞 丕賱賱賶 賵丕賯毓 毓賱賷賴丕 丕賱馗賱賲 丕賱賳丕鬲噩 毓賳 丕賱乇兀爻賲丕賱賷丞 丕賱賲鬲賲孬賱丞 賮賶 卮禺氐賷丞 丕賱兀噩賷乇 賵丕賱丿賱賷賱
亘乇賷禺鬲 賰毓丕丿鬲賴 賲亘丿毓 賵賯丿乇 賷賵氐賱 丕賱氐賵乇丞 賮賶 卮賰賱 賲爻乇丨賷
賵丕賱賲爻乇丨賷丞 亘鬲賳鬲賲賷 賱賳賵毓 丕賱鬲毓賱賷賲賷
賲爻乇丨賷丞 賲丨丕賰賲丞 賱賵賰賵賱賵爻
賲賱賷鬲 賲賳賴丕 卮賵賷丞
賲爻乇丨賷丞 亘鬲鬲賰賱賲 毓賳 丕賱賳馗丕賲 丕賱乇兀爻賲丕賱賷 丕賱賱賷 亘賷乇賲夭 賱賷賴 丕賱鬲丕噩乇
賵丕賱胤亘賯丞 丕賱賱賶 賵丕賯毓 毓賱賷賴丕 丕賱馗賱賲 丕賱賳丕鬲噩 毓賳 丕賱乇兀爻賲丕賱賷丞 丕賱賲鬲賲孬賱丞 賮賶 卮禺氐賷丞 丕賱兀噩賷乇 賵丕賱丿賱賷賱
亘乇賷禺鬲 賰毓丕丿鬲賴 賲亘丿毓 賵賯丿乇 賷賵氐賱 丕賱氐賵乇丞 賮賶 卮賰賱 賲爻乇丨賷
賵丕賱賲爻乇丨賷丞 亘鬲賳鬲賲賷 賱賳賵毓 丕賱鬲毓賱賷賲賷
賲爻乇丨賷丞 賲丨丕賰賲丞 賱賵賰賵賱賵爻
賲賱賷鬲 賲賳賴丕 卮賵賷丞
December 22, 2020
"賮賷 丕賱賳馗丕賲 丕賱匕賷 乇爻賲鬲賲賵賴 賱賳丕
鬲氐亘丨 丕賱乇丨賲丞 賴賷 丕賱卮匕賵匕 賵丕賱丕爻鬲孬賳丕亍"
丕賱賲爻乇丨賷丞 丕賱兀賵賱賷 丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞 乇睾賲 氐睾乇賴丕 廿賱丕 兀賳賴丕 毓亘賯乇賷丞 賵噩賲賷賱丞 噩丿丕 貙鬲氐賵乇 丕賱毓賱丕賯丞 亘賷賳 丕賱亘卮乇 賵丕賱氐乇丕毓 亘賷賳賴賲 賵丕賱氐乇丕毓 亘賷賳 丕賱卮乇 賵丕賱噩卮毓 (丕賱賯丕毓丿丞) 賵亘賷賳 丕賱禺賷乇 賵丕賱乇丨賲丞 (丕賱丕爻鬲孬賳丕亍).
兀賷囟丕 馗賴乇鬲 賲丕乇賰爻賷丞 亘乇賷禺鬲 賮賷 賴匕丕 丕賱毓賲賱 丕賱噩賲賷賱 丨賷賳 氐賵乇 賲丿賷 噩卮毓 兀氐丨丕亘 乇丐賵爻 丕賱兀賲賵丕賱 賵賲爻丕毓丿丞 丕賱賯丕賳賵賳 賱賴賲 賮賷 廿爻鬲毓亘丕丿 丕賱毓賲丕賱 賵丕賱賲兀噩賵乇賷賳 賵賲丿賷 亘卮丕毓丞 丕賱鬲賳丕賮爻 亘賷賳 乇噩丕賱 丕賱兀毓賲丕賱 毓賱賷 丕賱賲賵丕乇丿 賵丕賱賮乇氐.
丕賱賲爻乇丨賷丞 丕賱孬丕賳賷丞 鬲氐賵乇 賲丨丕賰賲丞 丕賱賯丕卅丿 丕賱乇賵賲丕賳賷 賱賵賰賵賱賵爻 賮賷 丕賱毓丕賱賲 丕賱爻賮賱賷 亘毓丿 賵賮丕鬲賴 貙丨賷孬 賷丨囟乇 丕賱賮賯乇丕亍 賵丕賱賲丿賳賷賵賳 丕賱賲爻丕賰賷賳 丕賱匕賷賳 賯鬲賱賴賲 賵兀爻乇賴賲 賱賵賰賵賱賵爻 禺賱丕賱 賮鬲賵丨賴 賮賷 丌爻賷丕 賵丕賱賴賳丿 貙賵賷胤丕賱亘賵賳 噩賲賷毓丕 丕賱丨賰賲 毓賱賷賴 亘廿賯鬲賷丕丿賴 賱噩賴賳賲 亘噩賵丕乇 賰賱 丕賱賯鬲賱賴 賵丕賱胤睾丕丞 賵氐賳丕毓 丕賱丨乇賵亘 兀毓丿丕亍 丕賱廿賳爻丕賳賷丞.
鬲氐亘丨 丕賱乇丨賲丞 賴賷 丕賱卮匕賵匕 賵丕賱丕爻鬲孬賳丕亍"
丕賱賲爻乇丨賷丞 丕賱兀賵賱賷 丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞 乇睾賲 氐睾乇賴丕 廿賱丕 兀賳賴丕 毓亘賯乇賷丞 賵噩賲賷賱丞 噩丿丕 貙鬲氐賵乇 丕賱毓賱丕賯丞 亘賷賳 丕賱亘卮乇 賵丕賱氐乇丕毓 亘賷賳賴賲 賵丕賱氐乇丕毓 亘賷賳 丕賱卮乇 賵丕賱噩卮毓 (丕賱賯丕毓丿丞) 賵亘賷賳 丕賱禺賷乇 賵丕賱乇丨賲丞 (丕賱丕爻鬲孬賳丕亍).
兀賷囟丕 馗賴乇鬲 賲丕乇賰爻賷丞 亘乇賷禺鬲 賮賷 賴匕丕 丕賱毓賲賱 丕賱噩賲賷賱 丨賷賳 氐賵乇 賲丿賷 噩卮毓 兀氐丨丕亘 乇丐賵爻 丕賱兀賲賵丕賱 賵賲爻丕毓丿丞 丕賱賯丕賳賵賳 賱賴賲 賮賷 廿爻鬲毓亘丕丿 丕賱毓賲丕賱 賵丕賱賲兀噩賵乇賷賳 賵賲丿賷 亘卮丕毓丞 丕賱鬲賳丕賮爻 亘賷賳 乇噩丕賱 丕賱兀毓賲丕賱 毓賱賷 丕賱賲賵丕乇丿 賵丕賱賮乇氐.
丕賱賲爻乇丨賷丞 丕賱孬丕賳賷丞 鬲氐賵乇 賲丨丕賰賲丞 丕賱賯丕卅丿 丕賱乇賵賲丕賳賷 賱賵賰賵賱賵爻 賮賷 丕賱毓丕賱賲 丕賱爻賮賱賷 亘毓丿 賵賮丕鬲賴 貙丨賷孬 賷丨囟乇 丕賱賮賯乇丕亍 賵丕賱賲丿賳賷賵賳 丕賱賲爻丕賰賷賳 丕賱匕賷賳 賯鬲賱賴賲 賵兀爻乇賴賲 賱賵賰賵賱賵爻 禺賱丕賱 賮鬲賵丨賴 賮賷 丌爻賷丕 賵丕賱賴賳丿 貙賵賷胤丕賱亘賵賳 噩賲賷毓丕 丕賱丨賰賲 毓賱賷賴 亘廿賯鬲賷丕丿賴 賱噩賴賳賲 亘噩賵丕乇 賰賱 丕賱賯鬲賱賴 賵丕賱胤睾丕丞 賵氐賳丕毓 丕賱丨乇賵亘 兀毓丿丕亍 丕賱廿賳爻丕賳賷丞.
September 29, 2020
賲爻乇丨賷鬲丕賳 鬲鬲囟賲賳 丕賱兀賵賱賶 賲丨丕賰賲丞 丿賳賷賵賷丞貙 賵丕賱孬丕賳賷丞 賲丨丕賰賲丞 賮賷 毓丕賱賲 亘毓丿 丕賱賲賵鬲.
鬲乇賶 賮賷賴賲丕 丕賱賮乇賯 亘賷賳 賰賷賮賷丞 丕賱丨賰賲 毓賱賶 丕賱賲乇亍 賮賷 丕賱丿賳賷丕 賵賰賷賮 賷鬲丿禺賱 丕賱賲乇賰夭 賵丕賱賲馗賴乇 賮賷 丕賱丨賰賲 毓賱賶 丕賱廿賳爻丕賳貙 兀賲丕 亘毓丿 丕賱賲賵鬲 賮賰賱 賴匕丕 賱丕 賷賴賲貙 賱丕 賷賴賲 賰賲 賲賳 賲丕賱 噩賳賷鬲 兀賵 丨乇賵亘 賰爻亘鬲賴丕貙 丕賱賲賴賲 賲丕 賯丿賲鬲賴 賲賳 氐丕賱丨賺..丕賱賲賴賲 賲丕 亘禺賷乇 賮賷 賯賱亘賰.
鬲乇賶 賮賷賴賲丕 丕賱賮乇賯 亘賷賳 賰賷賮賷丞 丕賱丨賰賲 毓賱賶 丕賱賲乇亍 賮賷 丕賱丿賳賷丕 賵賰賷賮 賷鬲丿禺賱 丕賱賲乇賰夭 賵丕賱賲馗賴乇 賮賷 丕賱丨賰賲 毓賱賶 丕賱廿賳爻丕賳貙 兀賲丕 亘毓丿 丕賱賲賵鬲 賮賰賱 賴匕丕 賱丕 賷賴賲貙 賱丕 賷賴賲 賰賲 賲賳 賲丕賱 噩賳賷鬲 兀賵 丨乇賵亘 賰爻亘鬲賴丕貙 丕賱賲賴賲 賲丕 賯丿賲鬲賴 賲賳 氐丕賱丨賺..丕賱賲賴賲 賲丕 亘禺賷乇 賮賷 賯賱亘賰.
January 28, 2019
毓噩亘鬲賳賷 賲丨丕賰賲丞 賱賵賰賵賱賵爻 噩丿丕 賵 兀丿賵丕乇 丕賱賲賲孬賱賷賳 賰丕賳鬲 乇兀卅毓丞 ..
賲爻乇丨賷丞 丕賱賯丕毓丿丞 賵 丕賱丕爻鬲孬賳丕亍 .. 賰丕賳鬲 賲賲鬲毓丞 亘鬲氐賵賷乇 丕賱鬲賳丕賯囟 丕賱賵囟丨 亘賷賳 丕賱禺賷乇 賵 丕賱卮乇 ..
賲爻乇丨賷丞 丕賱賯丕毓丿丞 賵 丕賱丕爻鬲孬賳丕亍 .. 賰丕賳鬲 賲賲鬲毓丞 亘鬲氐賵賷乇 丕賱鬲賳丕賯囟 丕賱賵囟丨 亘賷賳 丕賱禺賷乇 賵 丕賱卮乇 ..
November 6, 2020
丨亘賷鬲 丕賱丕爻鬲孬賳丕亍 丕賰鬲乇
April 7, 2020
Shockingly good.
August 29, 2020
Lakalles!
But my name is lucullus?
Lakalles!
Lakalles!
Lakalles!
But my name is lucullus?
Lakalles!
Lakalles!
Lakalles!
This entire review has been hidden because of spoilers.
April 21, 2015
賱丕 兀毓乇賮 賲丕匕丕 兀賯賵賱 毓賳 賴匕賽賴賽 丕賱賲賻爻乇賻丨賷賾丞
賵禺氐賵氐丕賸 丕賱賲購丨丕賰賲丞
賳毓賷卮 鬲丨鬲 馗賱 亘胤賵賱丕鬲賺 鬲賵丿 賱賳賮爻賴丕 丕賱鬲賵爻賾毓 賵賱丕 鬲賮賰賾乇 亘丕賱睾賷乇賽 賲賽賳賻 丕賱亘購爻胤丕亍 賵賱禺賾氐鬲賴丕 "亘丕卅毓丞 丕賱爻賲賰 "亘丨賵丕乇賽賴丕 賲毓 "賱賵賰賵賱賵爻" 賷賳 賯丕賱鬲:-爻賲毓鬲賰賲 鬲鬲丨丿孬賵賳 毓賳 丕賱匕賴亘
兀賳丕 兀賷囟丕賸 毓卮鬲購 賮賷 乇賵賲丕
賵賱賲 兀乇賻 匕賴亘丕賸
丨賷孬 毓卮鬲購
賵丿丿鬲購 賱賵 兀毓乇賮
兀賷賳 乇丕丨.
賱賵賰賵賱賵爻: 賷丕 賱賴 賲賳 爻丐丕賱!
賴賱 賰丕賳 毓賱賷賾 兀賳 兀夭丨賮 亘噩賷賵卮賷 賱賰賷 兀賯鬲賳氐 賰乇爻賷賾丕賸 噩丿賷丿丕賸 賱亘丕卅毓丞賽 丕賱爻賲賰責
亘丕卅毓丞 丕賱爻賲賰: 廿賳 賰賳鬲 賱賲 鬲噩賱亘 賱賳丕 卮賷卅丕賸 廿賱賶 爻賵賯賽 丕賱爻賲賰
賮賯丿 兀禺匕鬲賻 賲賳 爻賵賯賽 丕賱爻賲賰 卮賷卅丕賸:
兀亘賳丕亍賳丕.
赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌
賵丨賷賳 賯丕賱鬲 賱賱噩賳丿賷 丕賱孬丕賳賷:(兀丨丿 丕賱賲丨丕乇亘賷賳 丕賱賲賳賯賵卮丞 氐賵乇賴賲 毓賱賶 丕賱賱賵丨) 丕
兀乇丕賰賻 鬲賲丿購賾 賷丿賻賰賻 ..賴賱 賰賳鬲賻 鬲購丨賷賷 丕賱賯丕卅丿責
丕賱噩賳丿賷 丕賱孬丕賳賷: 賰賳鬲購 兀賵丿 丕賳 兀亘賷賾賳 賱賴 賲丕 夭丕賱鬲 禺丕賵賷丞
賵禺氐賵氐丕賸 丕賱賲購丨丕賰賲丞
賳毓賷卮 鬲丨鬲 馗賱 亘胤賵賱丕鬲賺 鬲賵丿 賱賳賮爻賴丕 丕賱鬲賵爻賾毓 賵賱丕 鬲賮賰賾乇 亘丕賱睾賷乇賽 賲賽賳賻 丕賱亘購爻胤丕亍 賵賱禺賾氐鬲賴丕 "亘丕卅毓丞 丕賱爻賲賰 "亘丨賵丕乇賽賴丕 賲毓 "賱賵賰賵賱賵爻" 賷賳 賯丕賱鬲:-爻賲毓鬲賰賲 鬲鬲丨丿孬賵賳 毓賳 丕賱匕賴亘
兀賳丕 兀賷囟丕賸 毓卮鬲購 賮賷 乇賵賲丕
賵賱賲 兀乇賻 匕賴亘丕賸
丨賷孬 毓卮鬲購
賵丿丿鬲購 賱賵 兀毓乇賮
兀賷賳 乇丕丨.
賱賵賰賵賱賵爻: 賷丕 賱賴 賲賳 爻丐丕賱!
賴賱 賰丕賳 毓賱賷賾 兀賳 兀夭丨賮 亘噩賷賵卮賷 賱賰賷 兀賯鬲賳氐 賰乇爻賷賾丕賸 噩丿賷丿丕賸 賱亘丕卅毓丞賽 丕賱爻賲賰責
亘丕卅毓丞 丕賱爻賲賰: 廿賳 賰賳鬲 賱賲 鬲噩賱亘 賱賳丕 卮賷卅丕賸 廿賱賶 爻賵賯賽 丕賱爻賲賰
賮賯丿 兀禺匕鬲賻 賲賳 爻賵賯賽 丕賱爻賲賰 卮賷卅丕賸:
兀亘賳丕亍賳丕.
赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌
賵丨賷賳 賯丕賱鬲 賱賱噩賳丿賷 丕賱孬丕賳賷:(兀丨丿 丕賱賲丨丕乇亘賷賳 丕賱賲賳賯賵卮丞 氐賵乇賴賲 毓賱賶 丕賱賱賵丨) 丕
兀乇丕賰賻 鬲賲丿購賾 賷丿賻賰賻 ..賴賱 賰賳鬲賻 鬲購丨賷賷 丕賱賯丕卅丿責
丕賱噩賳丿賷 丕賱孬丕賳賷: 賰賳鬲購 兀賵丿 丕賳 兀亘賷賾賳 賱賴 賲丕 夭丕賱鬲 禺丕賵賷丞
November 3, 2015
Thought provoking short morality play depicting the great General Lucullus speaking to the shadows about his life and whether he deserves to go to the Elysian Fields or be cast down to Hades.
December 2, 2020
" 賮賷 丕賱賳馗丕賲 丕賱匕賷 乇爻賲鬲賲賵賴 賱賳丕
鬲氐亘丨 丕賱乇丨賲丞 賴賷 丕賱卮匕賵匕 賵丕賱丕爻鬲孬賳丕亍
賱丕 鬲賰賳 廿賳爻丕賳丕 賮鬲丿賮毓 孬賲賳 廿賳爻丕賳賷鬲賰 睾丕賱賷丕 "
毓亘賯乇賷丞 賲爻乇丨賷丞 丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞
鬲氐亘丨 丕賱乇丨賲丞 賴賷 丕賱卮匕賵匕 賵丕賱丕爻鬲孬賳丕亍
賱丕 鬲賰賳 廿賳爻丕賳丕 賮鬲丿賮毓 孬賲賳 廿賳爻丕賳賷鬲賰 睾丕賱賷丕 "
毓亘賯乇賷丞 賲爻乇丨賷丞 丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞
March 26, 2020
賲爻乇丨賷鬲丕賳 賱亘乇賷禺鬲 丕賱丕賵賱賶 丕賱賯丕毓丿丞 賵丕賱丕爻鬲孬賳丕亍 毓賳 鬲丕噩乇 賷丕禺匕 丿賱賷賱丕 賱賱胤乇賷賯 賵丕噩賷乇丕 賷丨賲賱 丕賲鬲毓鬲賴. 丕賱鬲丕噩乇 賷鬲毓噩賱 丕賱胤乇賷賯 丕賱賶 丕賵乇噩丕 賱賷丨氐賱 毓賱賶 丨賯賵賱 丕賱賳賮胤 賴賳丕賰 賲賲丕 賷噩亘乇 丕賱丕噩賷乇 毓賱賶 丕賱爻賷乇 丕爻乇毓 賱賷爻亘賯 亘丕賯賷 丕賱鬲噩丕乇. 賮毓賱丕 賷爻亘賯 亘丕賯賷 丕賱鬲噩丕乇 亘賷賵賲 亘爻亘亘 丕賱賯爻賵丞 毓賱賶 丕賱丕噩賷乇. 丕賱鬲丕噩乇 賷禺丕賮 賲賳 丕賱丿賱賷賱 賵賲賳 丕賱丕噩賷乇 賵賷毓丕賲賱賴丕 亘賯爻賵丞 賵睾賱馗丞 賵丕丨賷丕賳丕 賷賱丕胤賮賴賲丕 賱賷丨氐賱 賲乇丕丿賴. 毓賳丿賲丕 賷氐賱丕賳 丕賱賶 丕禺乇 丕爻鬲乇丕丨丞 賮賷 丕賱胤乇賷賯 丕賱賶 丕賵乇噩丕 賷賯賷賱 丕賱丿賱賷賱 賲賳 賲賴賲鬲賴 亘毓丿 丕賳 賷卮賰 丕賳賴賲丕 賷鬲丌賲乇丕賳 毓賱賷賴. 賷賯賵賲 丕賱丿賱賷賱 亘丕毓胤丕亍 丕賱丕噩賷乇 夭賲夭賲賷鬲賴 賱賷爻鬲毓賲賱賴丕 賮賷 丨丕賱丞 囟賷丕毓賴 賵丕賱鬲丕噩乇 賵賷氐賮 賱賴 丕賱胤乇賷賯.
賷賰賲賱 丕賱鬲丕噩乇 乇丨賱鬲賴 賵賷噩亘乇 丕賱丕噩賷乇 毓賱賶 賯胤毓 丕賱賳賴丕乇 亘鬲賴丿賷丿賴 亘丕賱賲爻丿爻 賵賮賷 丕賱賳賴乇 鬲賰爻乇 賷丿 丕賱丕噩賷乇 賵賷賰丕丿 賷睾乇賯 賱賵賱丕 丕賳賯丕匕 丕賱鬲丕噩乇 賱賴. 賷囟賱丕賳 胤乇賷賯賴賲丕 賵賷亘丿丕 丕賱賲丕亍 賷賳賯氐. 丕賱鬲丕噩乇 賷禺丕賮 賲賳 丕賱丕噩賷乇 賵賲賳 鬲氐乇賮丕鬲賴 賵賷賮爻乇賴丕 毓賱賶 丕賳賴 賷乇賷丿 丕賳 賷賳鬲賯賲 賵丕賳 賷賯鬲賱賴. 賷丕鬲賷 丕賱丕噩賷乇 亘丕賱夭賲夭賲賷丞 賱賷毓胤賷賴丕 賱賱鬲丕噩乇 賮賷馗賳賴 賷乇賷丿 丕賳 賷賯鬲賱賴 亘丨噩乇 賮賷賯鬲賱賴.
鬲鬲賯丿賲 夭賵噩鬲賴 亘丿毓賵賶 賱賱賲丨賰賲丞 囟丿 丕賱鬲丕噩乇 賮鬲亘乇卅 丕賱賲丨賰賲丞 丕賱鬲丕噩乇 賵鬲噩丿 丕賳 鬲氐乇賮 丕賱丕噩賷乇 丕丨賲賯 賵丕賳賴 賲賳丕賮賺 賱賱賲賳胤賯 賵賷丨賯 賱賱鬲丕噩乇 丕賳 賷卮賰 賮賷 鬲氐乇賮丕鬲賴 賵丕賱鬲賷 丕賷 丕賳爻丕賳 胤亘賷毓賷 賰丕賳 爻賷賯賵賲 亘賴丕 賵賴賷 丕賳 賷賳鬲賯賲 賲賳 丕賱鬲丕噩乇 賱丕 丕賳 賷毓胤賷賴 丕賱夭賲夭賷丞 賱賷胤賮卅 毓胤卮賴.
丕賱賲爻乇丨賷丞 丕賱孬丕賳賷丞 鬲鬲賰賱賲 毓賳 賱賵賰賵賱賵爻 賯丕卅丿 乇賵賲丕賳賷 賮賷 胤乇賷賯 丕賱賶 毓丕賱賲 丕賱賲賵鬲賶 鬲爻賷乇 噩賳丕夭鬲賴 賮賷 丕賱胤乇賯丕鬲 丕賱賶 丕賱賲丿賮賳. 賵亘賷賳 賲毓馗賾賲 賱賴 賵爻丕禺胤 毓賱賷賴 賲賳 鬲噩丕乇 賵丕賲賴丕鬲 賵胤賵丕卅賮 丕賱卮毓亘 賵亘賷賳 賯丕卅賲丞 亘丕毓賲丕賱賴 賵亘胤賵賱丕鬲賴. 賵亘毓丿 鬲賵氐賷賱賴 丕賱賶 丕賱賲賯亘乇 賲毓 丕賱賱賵丨 丕賱賲賳賯賵卮 毓賱賷賴 丕賳噩丕夭丕鬲賴 賷兀鬲賷 丿賵乇 丕賱丨爻丕亘 賮賷 毓丕賱賲 丕賱賲賵鬲賶. 賮鬲賳賯賱亘 毓賱賷賴 丕賳噩丕夭丕鬲賴 丨爻乇丕鬲 賮丕賳鬲氐丕乇丕鬲賴 賰丕賳鬲 爻亘亘丕 賱賴賱丕賰賴賲 賵禺爻乇丕賳 卮亘丕亘賴賲 丿賵賳 賵噩賴 丨賯 賵賱賲 賷毓賵丿 毓賱賷賴賲 亘丕賱禺賷乇 賵賱丕 毓賱賶 丕賴賱賴賲 賵賱丕 丕賱毓亘賷丿 賮賷胤丕賱亘賵賳 亘賲丨賰賲丞 丕賱毓丕賱賲 丕賱爻賮賱賷 丕賳 賷賱賯賵賴 丕賱賶 丕賱噩丨賷賲.
賷賰賲賱 丕賱鬲丕噩乇 乇丨賱鬲賴 賵賷噩亘乇 丕賱丕噩賷乇 毓賱賶 賯胤毓 丕賱賳賴丕乇 亘鬲賴丿賷丿賴 亘丕賱賲爻丿爻 賵賮賷 丕賱賳賴乇 鬲賰爻乇 賷丿 丕賱丕噩賷乇 賵賷賰丕丿 賷睾乇賯 賱賵賱丕 丕賳賯丕匕 丕賱鬲丕噩乇 賱賴. 賷囟賱丕賳 胤乇賷賯賴賲丕 賵賷亘丿丕 丕賱賲丕亍 賷賳賯氐. 丕賱鬲丕噩乇 賷禺丕賮 賲賳 丕賱丕噩賷乇 賵賲賳 鬲氐乇賮丕鬲賴 賵賷賮爻乇賴丕 毓賱賶 丕賳賴 賷乇賷丿 丕賳 賷賳鬲賯賲 賵丕賳 賷賯鬲賱賴. 賷丕鬲賷 丕賱丕噩賷乇 亘丕賱夭賲夭賲賷丞 賱賷毓胤賷賴丕 賱賱鬲丕噩乇 賮賷馗賳賴 賷乇賷丿 丕賳 賷賯鬲賱賴 亘丨噩乇 賮賷賯鬲賱賴.
鬲鬲賯丿賲 夭賵噩鬲賴 亘丿毓賵賶 賱賱賲丨賰賲丞 囟丿 丕賱鬲丕噩乇 賮鬲亘乇卅 丕賱賲丨賰賲丞 丕賱鬲丕噩乇 賵鬲噩丿 丕賳 鬲氐乇賮 丕賱丕噩賷乇 丕丨賲賯 賵丕賳賴 賲賳丕賮賺 賱賱賲賳胤賯 賵賷丨賯 賱賱鬲丕噩乇 丕賳 賷卮賰 賮賷 鬲氐乇賮丕鬲賴 賵丕賱鬲賷 丕賷 丕賳爻丕賳 胤亘賷毓賷 賰丕賳 爻賷賯賵賲 亘賴丕 賵賴賷 丕賳 賷賳鬲賯賲 賲賳 丕賱鬲丕噩乇 賱丕 丕賳 賷毓胤賷賴 丕賱夭賲夭賷丞 賱賷胤賮卅 毓胤卮賴.
丕賱賲爻乇丨賷丞 丕賱孬丕賳賷丞 鬲鬲賰賱賲 毓賳 賱賵賰賵賱賵爻 賯丕卅丿 乇賵賲丕賳賷 賮賷 胤乇賷賯 丕賱賶 毓丕賱賲 丕賱賲賵鬲賶 鬲爻賷乇 噩賳丕夭鬲賴 賮賷 丕賱胤乇賯丕鬲 丕賱賶 丕賱賲丿賮賳. 賵亘賷賳 賲毓馗賾賲 賱賴 賵爻丕禺胤 毓賱賷賴 賲賳 鬲噩丕乇 賵丕賲賴丕鬲 賵胤賵丕卅賮 丕賱卮毓亘 賵亘賷賳 賯丕卅賲丞 亘丕毓賲丕賱賴 賵亘胤賵賱丕鬲賴. 賵亘毓丿 鬲賵氐賷賱賴 丕賱賶 丕賱賲賯亘乇 賲毓 丕賱賱賵丨 丕賱賲賳賯賵卮 毓賱賷賴 丕賳噩丕夭丕鬲賴 賷兀鬲賷 丿賵乇 丕賱丨爻丕亘 賮賷 毓丕賱賲 丕賱賲賵鬲賶. 賮鬲賳賯賱亘 毓賱賷賴 丕賳噩丕夭丕鬲賴 丨爻乇丕鬲 賮丕賳鬲氐丕乇丕鬲賴 賰丕賳鬲 爻亘亘丕 賱賴賱丕賰賴賲 賵禺爻乇丕賳 卮亘丕亘賴賲 丿賵賳 賵噩賴 丨賯 賵賱賲 賷毓賵丿 毓賱賷賴賲 亘丕賱禺賷乇 賵賱丕 毓賱賶 丕賴賱賴賲 賵賱丕 丕賱毓亘賷丿 賮賷胤丕賱亘賵賳 亘賲丨賰賲丞 丕賱毓丕賱賲 丕賱爻賮賱賷 丕賳 賷賱賯賵賴 丕賱賶 丕賱噩丨賷賲.
March 16, 2020
"賮賷 丕賱賳馗丕賲 丕賱匕賷 乇爻賲鬲賲賵賴 賱賳丕
鬲氐亘丨 丕賱乇丨賲丞 賴賷 丕賱卮匕賵匕 賵丕賱丕爻鬲孬賳丕亍"
丕賱賲爻乇丨賷丞 丕賱兀賵賱賷 丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞 乇睾賲 氐睾乇賴丕 廿賱丕 兀賳賴丕 毓亘賯乇賷丞 賵噩賲賷賱丞 噩丿丕 貙鬲氐賵乇 丕賱毓賱丕賯丞 亘賷賳 丕賱亘卮乇 賵丕賱氐乇丕毓 亘賷賳賴賲 賵丕賱氐乇丕毓 亘賷賳 丕賱卮乇 賵丕賱噩卮毓 (丕賱賯丕毓丿丞) 賵亘賷賳 丕賱禺賷乇 賵丕賱乇丨賲丞 (丕賱丕爻鬲孬賳丕亍).
兀賷囟丕 馗賴乇鬲 賲丕乇賰爻賷丞 亘乇賷禺鬲 賮賷 賴匕丕 丕賱毓賲賱 丕賱噩賲賷賱 丨賷賳 氐賵乇 賲丿賷 噩卮毓 兀氐丨丕亘 乇丐賵爻 丕賱兀賲賵丕賱 賵賲爻丕毓丿丞 丕賱賯丕賳賵賳 賱賴賲 賮賷 廿爻鬲毓亘丕丿 丕賱毓賲丕賱 賵丕賱賲兀噩賵乇賷賳 賵賲丿賷 亘卮丕毓丞 丕賱鬲賳丕賮爻 亘賷賳 乇噩丕賱 丕賱兀毓賲丕賱 毓賱賷 丕賱賲賵丕乇丿 賵丕賱賮乇氐.
丕賱賲爻乇丨賷丞 丕賱孬丕賳賷丞 鬲氐賵乇 賲丨丕賰賲丞 丕賱賯丕卅丿 丕賱乇賵賲丕賳賷 賱賵賰賵賱賵爻 賮賷 丕賱毓丕賱賲 丕賱爻賮賱賷 亘毓丿 賵賮丕鬲賴 貙丨賷孬 賷丨囟乇 丕賱賮賯乇丕亍 賵丕賱賲丿賳賷賵賳 丕賱賲爻丕賰賷賳 丕賱匕賷賳 賯鬲賱賴賲 賵兀爻乇賴賲 賱賵賰賵賱賵爻 禺賱丕賱 賮鬲賵丨賴 賮賷 丌爻賷丕 賵丕賱賴賳丿 貙賵賷胤丕賱亘賵賳 噩賲賷毓丕 丕賱丨賰賲 毓賱賷賴 亘廿賯鬲賷丕丿賴 賱噩賴賳賲 亘噩賵丕乇 賰賱 丕賱賯鬲賱賴 賵丕锟斤拷胤睾丕丞 賵氐賳丕毓 丕賱丨乇賵亘 兀毓丿丕亍 丕賱廿賳爻丕賳賷丞.
鬲氐亘丨 丕賱乇丨賲丞 賴賷 丕賱卮匕賵匕 賵丕賱丕爻鬲孬賳丕亍"
丕賱賲爻乇丨賷丞 丕賱兀賵賱賷 丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞 乇睾賲 氐睾乇賴丕 廿賱丕 兀賳賴丕 毓亘賯乇賷丞 賵噩賲賷賱丞 噩丿丕 貙鬲氐賵乇 丕賱毓賱丕賯丞 亘賷賳 丕賱亘卮乇 賵丕賱氐乇丕毓 亘賷賳賴賲 賵丕賱氐乇丕毓 亘賷賳 丕賱卮乇 賵丕賱噩卮毓 (丕賱賯丕毓丿丞) 賵亘賷賳 丕賱禺賷乇 賵丕賱乇丨賲丞 (丕賱丕爻鬲孬賳丕亍).
兀賷囟丕 馗賴乇鬲 賲丕乇賰爻賷丞 亘乇賷禺鬲 賮賷 賴匕丕 丕賱毓賲賱 丕賱噩賲賷賱 丨賷賳 氐賵乇 賲丿賷 噩卮毓 兀氐丨丕亘 乇丐賵爻 丕賱兀賲賵丕賱 賵賲爻丕毓丿丞 丕賱賯丕賳賵賳 賱賴賲 賮賷 廿爻鬲毓亘丕丿 丕賱毓賲丕賱 賵丕賱賲兀噩賵乇賷賳 賵賲丿賷 亘卮丕毓丞 丕賱鬲賳丕賮爻 亘賷賳 乇噩丕賱 丕賱兀毓賲丕賱 毓賱賷 丕賱賲賵丕乇丿 賵丕賱賮乇氐.
丕賱賲爻乇丨賷丞 丕賱孬丕賳賷丞 鬲氐賵乇 賲丨丕賰賲丞 丕賱賯丕卅丿 丕賱乇賵賲丕賳賷 賱賵賰賵賱賵爻 賮賷 丕賱毓丕賱賲 丕賱爻賮賱賷 亘毓丿 賵賮丕鬲賴 貙丨賷孬 賷丨囟乇 丕賱賮賯乇丕亍 賵丕賱賲丿賳賷賵賳 丕賱賲爻丕賰賷賳 丕賱匕賷賳 賯鬲賱賴賲 賵兀爻乇賴賲 賱賵賰賵賱賵爻 禺賱丕賱 賮鬲賵丨賴 賮賷 丌爻賷丕 賵丕賱賴賳丿 貙賵賷胤丕賱亘賵賳 噩賲賷毓丕 丕賱丨賰賲 毓賱賷賴 亘廿賯鬲賷丕丿賴 賱噩賴賳賲 亘噩賵丕乇 賰賱 丕賱賯鬲賱賴 賵丕锟斤拷胤睾丕丞 賵氐賳丕毓 丕賱丨乇賵亘 兀毓丿丕亍 丕賱廿賳爻丕賳賷丞.
June 22, 2018
丕賱賲爻乇丨賷鬲丕賳 丨賯賷賯丞 賱賷爻鬲丕 噩賷丿鬲賷賳貙 賵賱賰賳賴賲丕 賮賷 睾丕賷丞 丕賱兀賴賲賷丞貙 匕賱賰 兀賳賴賲丕 賰丕卮賮鬲丕賳 賱賮賱爻賮丞 亘乇賷禺鬲 丨賵賱 丕賱賲爻乇丨貙 賵鬲胤賵乇 賴匕賴 丕賱賮賱爻賮丞貙 賮賴賲丕 鬲賲賰賳丕賳 丕賱賯丕乇卅 丕賱賲鬲丕亘毓 賱亘乇賷禺鬲 賲賳 丕賱賵賯賵賮 毓賱賶 丕賱賲乇丕丨賱 丕賱鬲賷 賲乇 亘賴丕 丨鬲賶 賷賳噩夭 兀毓馗賲 賲爻乇丨賷丕鬲賴.
鬲賳鬲賲賷 丕賱賲爻乇丨賷鬲丕賳 廿賱賶 賲丕 賷氐賮賴 亘乇賷禺鬲 亘賭"丕賱賲爻乇丨 丕賱鬲毓賱賷賲賷"貙 賵賴賷 賲爻乇丨賷丕鬲 丨丕賵賱 賮賷賴丕 鬲胤亘賷賯 賲賳賴噩賴 丕賱賯丕卅賲 毓賱賶 鬲丨乇賷賰 匕賴賳 丕賱賲卮丕賴丿 賵丿賮毓賴 賱賱鬲爻丕丐賱貙 賵賱賰賳 鬲賲 匕賱賰 亘卮賰賱 卮丿賷丿 丕賱氐乇丕賲丞貙 噩毓賱 丕賱賲爻乇丨賷丞 兀賯乇亘 賱賭"丕賱賲爻乇丨賷丞 丕賱匕賴賳賷丞"貙 鬲賮鬲賯乇 賱乇賵丨 丕賱丿乇丕賲丕 賵賱丨賷丕丞 丕賱卮禺氐賷丕鬲 賵賱賵噩賵丿 賳氐 丿乇丕賲賷 丨賯賷賯賷 賷爻鬲胤賷毓 丕賱賲禺乇噩 兀賳 賷鬲毓丕賲賱 賲毓賴.
鬲賳鬲賲賷 丕賱賲爻乇丨賷鬲丕賳 廿賱賶 賲丕 賷氐賮賴 亘乇賷禺鬲 亘賭"丕賱賲爻乇丨 丕賱鬲毓賱賷賲賷"貙 賵賴賷 賲爻乇丨賷丕鬲 丨丕賵賱 賮賷賴丕 鬲胤亘賷賯 賲賳賴噩賴 丕賱賯丕卅賲 毓賱賶 鬲丨乇賷賰 匕賴賳 丕賱賲卮丕賴丿 賵丿賮毓賴 賱賱鬲爻丕丐賱貙 賵賱賰賳 鬲賲 匕賱賰 亘卮賰賱 卮丿賷丿 丕賱氐乇丕賲丞貙 噩毓賱 丕賱賲爻乇丨賷丞 兀賯乇亘 賱賭"丕賱賲爻乇丨賷丞 丕賱匕賴賳賷丞"貙 鬲賮鬲賯乇 賱乇賵丨 丕賱丿乇丕賲丕 賵賱丨賷丕丞 丕賱卮禺氐賷丕鬲 賵賱賵噩賵丿 賳氐 丿乇丕賲賷 丨賯賷賯賷 賷爻鬲胤賷毓 丕賱賲禺乇噩 兀賳 賷鬲毓丕賲賱 賲毓賴.
February 23, 2019
賷丨賲賱 賴匕丕 丕賱賰鬲丕亘 賲爻乇丨賷鬲賷賳 賮 丕賱丕賵賱賷 賷丨丕賵賱 亘乇賷禺鬲 丕賳 賷賳鬲賯丿 丕賱賵囟毓 丕賱丕賳爻丕賳賷 亘氐賮丞 毓丕賲丞 貙 賰賵賳賴 賷毓鬲亘乇 賰賱 卮賷亍 毓丕丿賷 . 毓賲丿 丕賱丕賰鬲乇丕孬 賱丕賱丕賲 丕賱丕禺乇賷賳 賵丕賱爻毓賷 賳丨賵 丕賱孬乇賵丞 毓賱賷 噩爻爻 賵噩賴丿 丕賱丕禺乇賷賳 貙 丕賱胤亘賯丕鬲 賵賰賱 賲丕 賷賲賷夭 丕賱賲噩鬲賲毓丕鬲 丕賱丕賳爻丕賳賷丞 賵丕賱爻毓賷 丕賱丿丕卅賲 賳丨賵 丕賱孬乇丕亍 賲毓 賲丨丕賵賱丞 鬲亘乇賷乇 賴匕丕 丕賱爻毓賷 亘鬲丨賯賷賯 丕賱賲噩丿 賱賱丕賳爻丕賳賷丞 .
丕賱孬丕賳賷丞 賷丨丕賵賱 丕賳 賷賳馗乇 賱賱丕賳噩丕夭丕鬲 亘賳馗乇丞 丕賱賲賵鬲賷 賵丕賷 丕賳噩丕夭 賷賰賵賳 賲賯丿乇 賮賷 賲丨丕賰賲丞 丕賱賲賵鬲賷 . 賵賰賷賮 丕賳 賰賱 丕賳噩丕夭丕鬲 丕賱丕丨賷丕亍 禺丕丕丕丕賵賷丞 賲賳 賰賱 丕賳噩丕夭 丨賯賷賯賷丞 貙 亘賱 丕賳 賴賮賵丕鬲賴賲 賴賷 丕賳噩丕夭丕鬲賴賲 . 賵賮賷 鬲賯丿賷乇賷 賲丨丕賵賱丞 噩賷丿丞 鬲丨賲賱 賲卮丕毓乇 丕賳爻丕賳賷丞 乇丕丕丕丕賯賷丞 .
丕賱孬丕賳賷丞 賷丨丕賵賱 丕賳 賷賳馗乇 賱賱丕賳噩丕夭丕鬲 亘賳馗乇丞 丕賱賲賵鬲賷 賵丕賷 丕賳噩丕夭 賷賰賵賳 賲賯丿乇 賮賷 賲丨丕賰賲丞 丕賱賲賵鬲賷 . 賵賰賷賮 丕賳 賰賱 丕賳噩丕夭丕鬲 丕賱丕丨賷丕亍 禺丕丕丕丕賵賷丞 賲賳 賰賱 丕賳噩丕夭 丨賯賷賯賷丞 貙 亘賱 丕賳 賴賮賵丕鬲賴賲 賴賷 丕賳噩丕夭丕鬲賴賲 . 賵賮賷 鬲賯丿賷乇賷 賲丨丕賵賱丞 噩賷丿丞 鬲丨賲賱 賲卮丕毓乇 丕賳爻丕賳賷丞 乇丕丕丕丕賯賷丞 .
June 10, 2019
賲丨丕賰賲鬲丕賳貙 賮賷 "丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞" 鬲購亘乇兀 丕賱賲丨賰賲丞 丕賱賲鬲賴賲 丕賱乇兀爻賲丕賱賷 丕賱噩卮毓 丕賱賯丕鬲賱 乇睾賲 賵囟賵丨 賵孬亘賵鬲 丕賱兀丿賱丞.
賵賮賷 "賲丨丕賰賲丞 賱賵賰賵賱賵爻" 鬲購丿賷賳 賲丨賰賲丞 丕賱賲賵鬲賶 賮賷 丕賱毓丕賱賲 丕賱丌禺乇 丕賱賯丕卅丿 丕賱毓馗賷賲 乇睾賲 丕賳鬲氐丕乇丕鬲賴 丕賱毓丿賷丿丞 賵丕賱賲噩丿 丕賱匕賷 丨賯賯賴貙 廿賱丕 兀賳 丕賱丨亘賰丞 賵丕賱丨賵丕乇 賱賲 賷賰賵賳丕 亘丕賱卮賰賱 丕賱匕賷 賰賳鬲 兀賳鬲馗乇賴 賮賷 丕賱毓賲賯 賵丕賱睾賵氐 丕賱卮丿賷丿 賮賷 丕賱兀賮賰丕乇 賵賲囟丕丿丕鬲賴丕 亘賲丕 賷亘乇乇 賱賰賱 賮賰乇賺 賮賰乇賴.
賵賮賷 "賲丨丕賰賲丞 賱賵賰賵賱賵爻" 鬲購丿賷賳 賲丨賰賲丞 丕賱賲賵鬲賶 賮賷 丕賱毓丕賱賲 丕賱丌禺乇 丕賱賯丕卅丿 丕賱毓馗賷賲 乇睾賲 丕賳鬲氐丕乇丕鬲賴 丕賱毓丿賷丿丞 賵丕賱賲噩丿 丕賱匕賷 丨賯賯賴貙 廿賱丕 兀賳 丕賱丨亘賰丞 賵丕賱丨賵丕乇 賱賲 賷賰賵賳丕 亘丕賱卮賰賱 丕賱匕賷 賰賳鬲 兀賳鬲馗乇賴 賮賷 丕賱毓賲賯 賵丕賱睾賵氐 丕賱卮丿賷丿 賮賷 丕賱兀賮賰丕乇 賵賲囟丕丿丕鬲賴丕 亘賲丕 賷亘乇乇 賱賰賱 賮賰乇賺 賮賰乇賴.
March 3, 2020
丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿賴 丕禺匕鬲 廿毓噩丕亘賷 丕賰孬乇 賲賳 賲丨丕賰賲賴 賱賵賰賵賱賵爻.. 乇睾賲 賯氐乇 丕賱賳氐 丕賱賲爻乇丨賷 廿賱丕 兀賳賴 賵氐賱 賱賷 賰賱 丕賱噩賵丕賳亘 丕賱賱賷 賲丨鬲丕噩賴丕 毓賱卮丕賳 丕賮賴賲 丕賱賯氐賴 賵丕鬲毓丕胤賮 賲毓 丕賱丕噩賷乇 賵丕睾鬲丕馗 賲賳 馗賱賲 丕賱鬲丕噩乇 賵丕丨亘 丕賱丿賱賷賱 賱毓胤賮賴 賵丕丨鬲賵丕卅賴... 賵丕賱賳賴丕賷賴 丕賱氐丿賲賴 丕賱鬲賷 丕鬲禺匕賴丕 丕賱賯丕囟賷 丕鬲亘丕毓丕賸 亘兀賳 賴匕丕 賴賵 丕賱賮賰乇 丕賱毓丕賲 賱賱賲噩鬲賲毓 賵賲賳 丨丕丿 毓賳賴 兀氐亘丨 丕爻鬲孬賳丕亍 賵丨丕賱賴 禺丕氐賴 睾賷乇 賲毓鬲丕丿賴
March 24, 2019
毓噩亘賳賶 噩丿丕 賲爻乇丨賷丞 丕賱賲丨丕賰賲丞
November 27, 2019
乇賷賮賷賵 賯乇賷亘 毓賳 丕賱鬲丨賮丞 丿賷賴!
February 27, 2022
丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞 毓噩亘鬲賳賷 噩丿丕 噩丿丕 噩丿丕 ..
丕賱賲丨丕賰賲丞 賱兀
丕賱賲丨丕賰賲丞 賱兀
September 16, 2015
丕賵賱 賲爻乇丨賷賴 丕賯乇丕賴丕.
Displaying 1 - 22 of 22 reviews
Can't find what you're looking for?
Get help and learn more about the design.