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賲乇诏 丌乇鬲蹖賲賵 讴乇賵夭
賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭 蹖讴蹖 丕夭 亘賴鬲乇蹖賳 賳賲賵賳賴鈥屬囏й� 噩乇蹖丕賳 爻蹖丕賱 匕賴賳 丿乇 丕丿亘蹖丕鬲 丌賲乇蹖讴丕蹖 賱丕鬲蹖賳 丕爻鬲. 亘禺卮 丕毓馗賲 乇賲丕賳 賲鬲卮讴賱 丕夭 诏賮鬲丕乇 丿乇賵賳蹖 賵 匕賴賳蹖 賵 卮乇丨 丨丕賱 乇丕賵蹖 丕爻鬲. 匕賴賳 丕賵 賲丿丕賲 丿乇 乇賮鬲 賵 亘乇诏卮鬲 丕爻鬲 賵 賵賯丕蹖毓 賲乇亘賵胤 亘賴 丿賵乇丕賳 丕賳賯賱丕亘蹖 诏乇蹖 賵 趩诏賵賳诏蹖 賮丕氐賱賴 诏乇賮鬲賳 丕賵 乇丕 丕夭 丌乇賲丕賳鈥屬囏й屫� 亘賴 鬲氐賵蹖乇 賲蹖鈥屭┴簇�. 亘禺卮鈥屬囏й屰� 丕夭 乇賲丕賳 亘賴 賳賯丿 鬲賮讴乇丕鬲 讴賱蹖爻丕蹖蹖 賲蹖鈥屬矩必ж藏� 讴賴 噩爻鬲 賵噩賵蹖 丨賯 賵 毓丿丕賱鬲 乇丕 賳賵毓蹖 賳丕卮讴乇蹖 賲蹖鈥屫з嗀� 賵 賲蹖鈥屭堐屫� 賳爻亘鬲 亘賴 丌賳趩賴 賵噩賵丿 丿丕乇丿 亘丕蹖丿 乇丕囟蹖 亘賵丿 趩乇丕讴賴 夭賳丿诏蹖 讴賵鬲丕賴 丕爻鬲 賵 賳亘丕蹖丿 丿賳亘丕賱 丕賮讴丕乇 亘賱賳丿倬乇賵丕夭丕賳賴 乇賮鬲. 讴丕乇賱賵爻 賮賵卅賳鬲爻 丿乇 丕蹖賳 乇賲丕賳 囟賲賳 賳賯丿 卮乇丕蹖胤 倬爻 丕夭 丕賳賯賱丕亘 賲讴夭蹖讴貙 鬲賮讴乇丕鬲 賲丨丕賮馗賴 讴丕乇丕賳賴 讴賱蹖爻丕蹖蹖 乇丕 賳蹖夭 賳賯丿 賲蹖鈥屭┵嗀�.
336 pages, Paperback
First published January 1, 1962
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About the author
Carlos Fuentes
371听books1,676听followersCarlos Fuentes Mac铆as was a Mexican writer and one of the best-known novelists and essayists of the 20th century in the Spanish-speaking world. Fuentes influenced contemporary Latin American literature, and his works have been widely translated into English and other languages.
Fuentes was born in Panama City, Panama; his parents were Mexican. Due to his father being a diplomat, during his childhood he lived in Montevideo, Rio de Janeiro, Washington, Santiago, and Buenos Aires. In his adolescence, he returned to Mexico, where he lived until 1965. He was married to film star Rita Macedo from 1959 till 1973, although he was an habitual philanderer and allegedly, his affairs - which he claimed include film actresses such as Jeanne Moreau and Jean Seberg - brought her to despair. The couple ended their relationship amid scandal when Fuentes eloped with a very pregnant and then-unknown journalist named Silvia Lemus. They were eventually married.
Following in the footsteps of his parents, he also became a diplomat in 1965 and served in London, Paris (as ambassador), and other capitals. In 1978 he resigned as ambassador to France in protest over the appointment of Gustavo Diaz Ordaz, former president of Mexico, as ambassador to Spain. He also taught courses at Brown, Princeton, Harvard, Penn, George Mason, Columbia and Cambridge.
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讴丕乇賱賵爻 賮賵卅賳鬲爻 丿乇 郾郾 賳賵丕賲亘乇 郾酃鄄鄹 丿乇 倬丕賳丕賲丕爻蹖鬲蹖 亘賴 丿賳蹖丕 丌賲丿. 賲丕丿乇卮 亘乇鬲丕 賲丕爻蹖丕爻 乇蹖賵丕爻 賵 倬丿乇卮 乇丕賮丕卅賱 賮賵卅賳鬲爻 亘賵卅賴鈥屫屭� 丕爻鬲. 倬丿乇 賵蹖 丕夭 丿蹖倬賱賲丕鬲鈥屬囏й� 賲卮賴賵乇 賲讴夭蹖讴 丕爻鬲. 賵蹖 爻賮蹖乇 賲讴夭蹖讴 丿乇 賴賱賳丿貙 倬丕賳丕賲丕貙 倬乇鬲睾丕賱 賵 丕蹖鬲丕賱蹖丕 亘賵丿.
丿賵乇丕賳 讴賵丿讴蹖鈥屫ж� 丿乇 賵丕卮賳鬲诏鬲賳 丿蹖.爻蹖. 賵 爻丕賳鬲蹖丕诏賵蹖 卮蹖賱蹖 诏匕卮鬲. 賮賵卅賳鬲爻 丿乇 丿丕賳卮诏丕賴 賲讴夭蹖讴 賵 跇賳賵 丿乇 乇卮鬲賴贁 丨賯賵賯 鬲丨氐蹖賱 讴乇丿. 丕賵 亘賴 夭亘丕賳鈥屬囏й� 丕賳诏賱蹖爻蹖 賵 賮乇丕賳爻賴 鬲爻賱胤 讴丕賲賱 丿丕乇丿.
丌孬丕乇
* 賲乇诏 丌乇鬲賲蹖賵讴乇賵夭貙 郾酃鄱鄄
* 丌卅賵乇丕貙 郾酃鄱鄄
* 夭賲蹖賳 賲丕貙鈥� 郾酃鄯鄣
* 诏乇蹖賳诏賵蹖 倬蹖乇貙 郾酃鄹鄣
* 賲賱讴賴贁 毓乇賵爻讴鈥屬囏�
* 丌爻賵丿賴 禺丕氐乇貙 鬲乇噩賲賴贁 賲丨賲丿丕賲蹖賳 賱丕賴蹖噩蹖.
* 賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭貙 鬲乇噩賲賴贁 賲賴丿蹖 爻丨丕亘蹖.
* 丌卅賵乇丕貙 鬲乇噩賲賴贁 毓亘丿丕賱賱賴 讴賵孬乇蹖.
* 爻乇賴蹖丿丕.
* 禺賵丿賲 亘丕 丿蹖诏乇丕賳 (亘賴 鬲丕夭诏蹖 亘丕 賳丕賲 丕夭 趩卮賲 賮賵卅賳鬲爻) 鬲乇噩賲賴贁 毓亘丿丕賱賱賴 讴賵孬乇蹖.
---
Carlos Fuentes Mac铆as fue un escritor mexicano y uno de los novelistas y ensayistas m谩s conocidos en el mundo de habla espa帽ola. Fuentes influy贸 en la literatura contempor谩nea de Am茅rica Latina, y sus obras han sido ampliamente traducidas al ingl茅s y otros idiomas.
Fuentes naci贸 en la ciudad de Panam谩, Panam谩, sus padres eran mexicanos. Debido a su padre era un diplom谩tico, durante su infancia vivi贸 en Montevideo, R铆o de Janeiro, Washington, Santiago y Buenos Aires. En su adolescencia regres贸 a M茅xico, donde vivi贸 hasta 1965. Estuvo casado con la estrella de cine Rita Macedo de 1959 hasta 1973, aunque era un mujeriego habitual y, al parecer, sus asuntos - que se ha cobrado incluyen actrices como Jeanne Moreau y Jean Seberg, su llevados a la desesperaci贸n. La pareja termin贸 su relaci贸n en medio del esc谩ndalo, cuando Fuentes se fug贸 con un periodista muy embarazada y entonces desconocido de nombre Silvia Lemus. Se casaron finalmente.
Siguiendo los pasos de sus padres, tambi茅n se convirti贸 en un diplom谩tico en 1965 y sirvi贸 en Londres, Par铆s (como embajador), y otras capitales. En 1978 renunci贸 al cargo de embajador en Francia en protesta por el nombramiento de Gustavo D铆az Ordaz, ex presidente de M茅xico, como embajador en Espa帽a.
Fuentes was born in Panama City, Panama; his parents were Mexican. Due to his father being a diplomat, during his childhood he lived in Montevideo, Rio de Janeiro, Washington, Santiago, and Buenos Aires. In his adolescence, he returned to Mexico, where he lived until 1965. He was married to film star Rita Macedo from 1959 till 1973, although he was an habitual philanderer and allegedly, his affairs - which he claimed include film actresses such as Jeanne Moreau and Jean Seberg - brought her to despair. The couple ended their relationship amid scandal when Fuentes eloped with a very pregnant and then-unknown journalist named Silvia Lemus. They were eventually married.
Following in the footsteps of his parents, he also became a diplomat in 1965 and served in London, Paris (as ambassador), and other capitals. In 1978 he resigned as ambassador to France in protest over the appointment of Gustavo Diaz Ordaz, former president of Mexico, as ambassador to Spain. He also taught courses at Brown, Princeton, Harvard, Penn, George Mason, Columbia and Cambridge.
---
讴丕乇賱賵爻 賮賵卅賳鬲爻 丿乇 郾郾 賳賵丕賲亘乇 郾酃鄄鄹 丿乇 倬丕賳丕賲丕爻蹖鬲蹖 亘賴 丿賳蹖丕 丌賲丿. 賲丕丿乇卮 亘乇鬲丕 賲丕爻蹖丕爻 乇蹖賵丕爻 賵 倬丿乇卮 乇丕賮丕卅賱 賮賵卅賳鬲爻 亘賵卅賴鈥屫屭� 丕爻鬲. 倬丿乇 賵蹖 丕夭 丿蹖倬賱賲丕鬲鈥屬囏й� 賲卮賴賵乇 賲讴夭蹖讴 丕爻鬲. 賵蹖 爻賮蹖乇 賲讴夭蹖讴 丿乇 賴賱賳丿貙 倬丕賳丕賲丕貙 倬乇鬲睾丕賱 賵 丕蹖鬲丕賱蹖丕 亘賵丿.
丿賵乇丕賳 讴賵丿讴蹖鈥屫ж� 丿乇 賵丕卮賳鬲诏鬲賳 丿蹖.爻蹖. 賵 爻丕賳鬲蹖丕诏賵蹖 卮蹖賱蹖 诏匕卮鬲. 賮賵卅賳鬲爻 丿乇 丿丕賳卮诏丕賴 賲讴夭蹖讴 賵 跇賳賵 丿乇 乇卮鬲賴贁 丨賯賵賯 鬲丨氐蹖賱 讴乇丿. 丕賵 亘賴 夭亘丕賳鈥屬囏й� 丕賳诏賱蹖爻蹖 賵 賮乇丕賳爻賴 鬲爻賱胤 讴丕賲賱 丿丕乇丿.
丌孬丕乇
* 賲乇诏 丌乇鬲賲蹖賵讴乇賵夭貙 郾酃鄱鄄
* 丌卅賵乇丕貙 郾酃鄱鄄
* 夭賲蹖賳 賲丕貙鈥� 郾酃鄯鄣
* 诏乇蹖賳诏賵蹖 倬蹖乇貙 郾酃鄹鄣
* 賲賱讴賴贁 毓乇賵爻讴鈥屬囏�
* 丌爻賵丿賴 禺丕氐乇貙 鬲乇噩賲賴贁 賲丨賲丿丕賲蹖賳 賱丕賴蹖噩蹖.
* 賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭貙 鬲乇噩賲賴贁 賲賴丿蹖 爻丨丕亘蹖.
* 丌卅賵乇丕貙 鬲乇噩賲賴贁 毓亘丿丕賱賱賴 讴賵孬乇蹖.
* 爻乇賴蹖丿丕.
* 禺賵丿賲 亘丕 丿蹖诏乇丕賳 (亘賴 鬲丕夭诏蹖 亘丕 賳丕賲 丕夭 趩卮賲 賮賵卅賳鬲爻) 鬲乇噩賲賴贁 毓亘丿丕賱賱賴 讴賵孬乇蹖.
---
Carlos Fuentes Mac铆as fue un escritor mexicano y uno de los novelistas y ensayistas m谩s conocidos en el mundo de habla espa帽ola. Fuentes influy贸 en la literatura contempor谩nea de Am茅rica Latina, y sus obras han sido ampliamente traducidas al ingl茅s y otros idiomas.
Fuentes naci贸 en la ciudad de Panam谩, Panam谩, sus padres eran mexicanos. Debido a su padre era un diplom谩tico, durante su infancia vivi贸 en Montevideo, R铆o de Janeiro, Washington, Santiago y Buenos Aires. En su adolescencia regres贸 a M茅xico, donde vivi贸 hasta 1965. Estuvo casado con la estrella de cine Rita Macedo de 1959 hasta 1973, aunque era un mujeriego habitual y, al parecer, sus asuntos - que se ha cobrado incluyen actrices como Jeanne Moreau y Jean Seberg, su llevados a la desesperaci贸n. La pareja termin贸 su relaci贸n en medio del esc谩ndalo, cuando Fuentes se fug贸 con un periodista muy embarazada y entonces desconocido de nombre Silvia Lemus. Se casaron finalmente.
Siguiendo los pasos de sus padres, tambi茅n se convirti贸 en un diplom谩tico en 1965 y sirvi贸 en Londres, Par铆s (como embajador), y otras capitales. En 1978 renunci贸 al cargo de embajador en Francia en protesta por el nombramiento de Gustavo D铆az Ordaz, ex presidente de M茅xico, como embajador en Espa帽a.
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Displaying 1 - 30 of 887 reviews
July 8, 2023
Time of great social cataclysms鈥� Time of youth鈥� Ideals are calling鈥�
Ideals perish鈥� Cynicism survives鈥�
Power beckons鈥� Overstep everybody鈥� Take power in stride鈥� But power corrupts鈥�
Love passes away鈥� Hate remains鈥� But hate doesn鈥檛 bring happiness鈥�
Money won鈥檛 save鈥� Power won鈥檛 save鈥� Religion won鈥檛 save鈥� Everyone has one鈥檚 last hour lying in wait.
A revolution starts in the battlefields, but once it gets corrupted, even though military battles are still won, it鈥檚 lost. And we鈥檙e all to blame. We鈥檝e let ourselves be divided and directed by the lustful, the ambitious, the mediocre. Those who want a real, radical, intransigent revolution are, unfortunately, ignorant, bloody men.
Ideals perish鈥� Cynicism survives鈥�
Artemio Cruz. So that was the name of the new world rising out of the civil war; that was the name of those who had come to take his place. Unfortunate land that has to destroy its old possessors with each new generation and put in their place new owners just as rapacious and ambitious as the old ones.
Power beckons鈥� Overstep everybody鈥� Take power in stride鈥� But power corrupts鈥�
Love passes away鈥� Hate remains鈥� But hate doesn鈥檛 bring happiness鈥�
You will not stop to think about the fact that your blood circulates, your heart beats, your gallbladder empties itself of serous liquids, your liver secretes bile, your kidney produces urine, your pancreas regulates the sugar in your blood. You haven鈥檛 caused these functions by thinking about them. You will know that you breathe, but you will not think about it, because it doesn鈥檛 depend on your thoughts. You will turn your back on it and live鈥� Until today. Today, when your involuntary functions will force you to take account of them, will triumph, and end up destroying your person.
Money won鈥檛 save鈥� Power won鈥檛 save鈥� Religion won鈥檛 save鈥� Everyone has one鈥檚 last hour lying in wait.
August 8, 2023
The book鈥檚 title shows truth in advertising. We are at the deathbed of a man 71 years old. He reminisces about his life and in the process gives us a mini-history of modern Mexico. He also tells us in too-great detail about his pains and symptoms. [TMI as young people say.] His wife, daughter and son-in-law are usually by his bedside. He despises all of them.
Like many men who were in war, in his old age he goes back to those events as the most significant in his life. In Artemio鈥檚 case it was episodes during the Mexican Revolution/civil war of roughly 1910-1920. He fought and won on the side of the revolutionaries overthrowing the landed estate owners and other rich people.
But Artemio lost his idealism and eventually became one of the 1% he helped overthrow. He was elected to national politics and promptly used his position to accrue wealth.
He had a son that he encouraged to fight in the Spanish Civil War. Maybe this was an attempt to recover his youthful idealism?
In all his business affairs Artemio felt that an accident of geography had him born on the Mexican side of the border. In his heart he 'belonged on the other side' with the Norte Americanos 鈥� the Donald Trump characters he wheeled and dealed with in his business doings.
The book jumps around chronologically from past to present and sometimes becomes confusing. We go from 1919, at the time of the fighting, then back to 1913 when he met the love of his life then to his son in the Spainish Civil War in the 1930s. We wait until the last chapter to learn details of his birth and childhood and in the 1890s.
Of course he had many mistresses along the way and we learn bits and pieces of his relationships with some of them. His fantastic wealth is illustrated when we read of his annual New Year鈥檚 bash for 100 of Mexico鈥檚 elite at his exquisite mansion. Food and singers and waste all around as low-paid busboys hustle drinks and cooks slave in the kitchen.
But all Artemio is left with are memories of the war, of his first love, and the taste of ash.
Top photo of Mexican rebels from arc.gis.com
Mexico City from wikimedia commons
The author (1928-2012) from literary-arts.org
[Revised 2/5/22 for typos, spoilers hidden, pictures added. Edited 8/8/23]
Like many men who were in war, in his old age he goes back to those events as the most significant in his life. In Artemio鈥檚 case it was episodes during the Mexican Revolution/civil war of roughly 1910-1920. He fought and won on the side of the revolutionaries overthrowing the landed estate owners and other rich people.
But Artemio lost his idealism and eventually became one of the 1% he helped overthrow. He was elected to national politics and promptly used his position to accrue wealth.
He had a son that he encouraged to fight in the Spanish Civil War. Maybe this was an attempt to recover his youthful idealism?
In all his business affairs Artemio felt that an accident of geography had him born on the Mexican side of the border. In his heart he 'belonged on the other side' with the Norte Americanos 鈥� the Donald Trump characters he wheeled and dealed with in his business doings.
The book jumps around chronologically from past to present and sometimes becomes confusing. We go from 1919, at the time of the fighting, then back to 1913 when he met the love of his life then to his son in the Spainish Civil War in the 1930s. We wait until the last chapter to learn details of his birth and childhood and in the 1890s.
Of course he had many mistresses along the way and we learn bits and pieces of his relationships with some of them. His fantastic wealth is illustrated when we read of his annual New Year鈥檚 bash for 100 of Mexico鈥檚 elite at his exquisite mansion. Food and singers and waste all around as low-paid busboys hustle drinks and cooks slave in the kitchen.
But all Artemio is left with are memories of the war, of his first love, and the taste of ash.
Top photo of Mexican rebels from arc.gis.com
Mexico City from wikimedia commons
The author (1928-2012) from literary-arts.org
[Revised 2/5/22 for typos, spoilers hidden, pictures added. Edited 8/8/23]
May 9, 2022
La Muerte de Artemio Cruz = The Death of Artemio Cruz, Carlos Fuentes
The Death of Artemio Cruz is a novel written in 1962, by Mexican writer Carlos Fuentes. It is considered to be a milestone in the Latin American Boom. Artemio Cruz, a corrupt soldier, politician, journalist, tycoon, and lover, lies on his deathbed, recalling the shaping events of his life, from the Mexican Revolution through the development of the Institutional Revolutionary Party. His family crowds around, pressing him to reveal the location of his will; a priest provides extreme unction, angling for a deathbed confession and reconciliation with the Church (while Artemio indulges in obscene thoughts about the birth of Jesus); his private secretary has come with audiotapes of various corrupt dealings, many with gringo diplomats and speculators. Punctuating the sordid record of betrayal is Cruz's awareness of his failing body and his keen attachment to sensual life. Finally his thoughts decay into a drawn-out death.
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦賲乇诏 丌乇鬲蹖賲賵 讴乇賵夭禄貨 芦賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭禄貨 賳賵蹖爻賳丿賴: 讴丕乇賱賵爻 賮賵卅賳鬲爻貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮 乇賵夭 亘蹖爻鬲 賵 趩賴丕乇賲 賲丕賴 賲蹖 爻丕賱1986賲蹖賱丕丿蹖
毓賳賵丕賳: 賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭貨 賳賵蹖爻賳丿賴: 讴丕乇賱賵爻 賮賵卅賳鬲爻貨 賲鬲乇噩賲: 賲賴丿蹖 爻丨丕亘蹖貨 鬲賴乇丕賳貙 鬲賳丿乇貙 爻丕賱1364貨 丿乇287氐貨 鬲乇噩賲賴 丕夭 賲鬲賳 賮乇丕賳爻賴貨 毓賳賵丕賳 乇賵蹖 噩賱丿 賲乇诏 丌乇鬲蹖賲賵 讴乇賵夭貨 毓賳賵丕賳 孬亘鬲 卮丿賴 賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丌賲乇蹖讴丕蹖 賱丕鬲蹖賳 賲讴夭蹖讴 - 爻丿賴20賲
毓賳賵丕賳: 賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭貨 賳賵蹖爻賳丿賴: 讴丕乇賱賵爻 賮賵卅賳鬲爻貨 賲鬲乇噩賲: 賲賴卮蹖丿 囟乇睾丕賲貨 鬲賴乇丕賳貙 爻賴乇賵乇丿蹖貙 爻丕賱1364貨 丿乇373氐貨 鬲乇噩賲賴 丕夭 賲鬲賳 丕賳诏賱蹖爻蹖貨
讴鬲丕亘 芦賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭禄貙 蹖讴蹖 丕夭 亘賴鬲乇蹖賳 賳賲賵賳賴 賴丕蹖 噩乇蹖丕賳 爻蹖丕賱 匕賴賳貙 丿乇 丕丿亘蹖丕鬲 芦丌賲乇蹖讴丕蹖 賱丕鬲蹖賳禄 丕爻鬲貨 亘禺卮 亘夭乇诏蹖 丕夭 乇賲丕賳貙 卮讴賱 诏乇賮鬲賴 丕夭 诏賮鬲丕乇 丿乇賵賳蹖 賵 匕賴賳蹖貙 賵 卮乇丨 丨丕賱 乇丕賵蹖 丿丕爻鬲丕賳 丕爻鬲貨 匕賴賳 丕賵 賴賲丕乇賴 丿乇 乇賮鬲 賵 亘乇诏卮鬲 丕爻鬲貙 賵 乇禺丿丕丿賴丕蹖 丿賵乇丕賳 丕賳賯賱丕亘蹖诏乇蹖貙 賵 趩诏賵賳诏蹖 賮丕氐賱賴 诏乇賮鬲賳 丕賵 乇丕 丕夭 丌乇賲丕賳賴丕蹖 禺賵蹖卮貙 亘丕 賵丕跇賴 賴丕 亘賴 鬲氐賵蹖乇 賲蹖讴卮丿貨 亘禺卮賴丕蹖蹖 丕夭 乇賲丕賳貙 亘賴 賳賯丿 丕賳丿蹖卮賴 賴丕蹖 讴賱蹖爻丕蹖蹖 賲蹖倬乇丿丕夭丿貙 讴賴 噩爻鬲噩賵蹖 丨賯 賵 丿丕丿 乇丕貙 賳賵毓蹖 賳丕卮讴乇蹖 賲蹖丿丕賳丿貙 賵 賲蹖诏賵蹖丿 賳爻亘鬲 亘賴 丌賳趩賴 賵噩賵丿 丿丕乇丿貙 亘丕蹖丿 乇丕囟蹖 亘賵丿貙 趩乇丕 讴賴 夭賳丿诏蹖 讴賵鬲丕賴 丕爻鬲貙 賵 賳亘丕蹖丿 丿賳亘丕賱 丕賳丿蹖卮賴 賴丕蹖 亘賱賳丿 倬乇賵丕夭丕賳賴 乇賮鬲貨 芦讴丕乇賱賵爻 賮賵卅賳鬲爻禄 丿乇 丕蹖賳 乇賲丕賳貙 亘丕 賳賯丿 卮乇丕蹖胤 倬爻 丕夭 丕賳賯賱丕亘 芦賲讴夭蹖讴禄貙 丕賳丿蹖卮賴 賴丕蹖 讴賴賳 讴賱蹖爻丕蹖蹖 乇丕 賳蹖夭貙 賳賯丿 賲蹖讴賳丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 03/04/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 18/02/1401賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
The Death of Artemio Cruz is a novel written in 1962, by Mexican writer Carlos Fuentes. It is considered to be a milestone in the Latin American Boom. Artemio Cruz, a corrupt soldier, politician, journalist, tycoon, and lover, lies on his deathbed, recalling the shaping events of his life, from the Mexican Revolution through the development of the Institutional Revolutionary Party. His family crowds around, pressing him to reveal the location of his will; a priest provides extreme unction, angling for a deathbed confession and reconciliation with the Church (while Artemio indulges in obscene thoughts about the birth of Jesus); his private secretary has come with audiotapes of various corrupt dealings, many with gringo diplomats and speculators. Punctuating the sordid record of betrayal is Cruz's awareness of his failing body and his keen attachment to sensual life. Finally his thoughts decay into a drawn-out death.
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦賲乇诏 丌乇鬲蹖賲賵 讴乇賵夭禄貨 芦賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭禄貨 賳賵蹖爻賳丿賴: 讴丕乇賱賵爻 賮賵卅賳鬲爻貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮 乇賵夭 亘蹖爻鬲 賵 趩賴丕乇賲 賲丕賴 賲蹖 爻丕賱1986賲蹖賱丕丿蹖
毓賳賵丕賳: 賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭貨 賳賵蹖爻賳丿賴: 讴丕乇賱賵爻 賮賵卅賳鬲爻貨 賲鬲乇噩賲: 賲賴丿蹖 爻丨丕亘蹖貨 鬲賴乇丕賳貙 鬲賳丿乇貙 爻丕賱1364貨 丿乇287氐貨 鬲乇噩賲賴 丕夭 賲鬲賳 賮乇丕賳爻賴貨 毓賳賵丕賳 乇賵蹖 噩賱丿 賲乇诏 丌乇鬲蹖賲賵 讴乇賵夭貨 毓賳賵丕賳 孬亘鬲 卮丿賴 賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丌賲乇蹖讴丕蹖 賱丕鬲蹖賳 賲讴夭蹖讴 - 爻丿賴20賲
毓賳賵丕賳: 賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭貨 賳賵蹖爻賳丿賴: 讴丕乇賱賵爻 賮賵卅賳鬲爻貨 賲鬲乇噩賲: 賲賴卮蹖丿 囟乇睾丕賲貨 鬲賴乇丕賳貙 爻賴乇賵乇丿蹖貙 爻丕賱1364貨 丿乇373氐貨 鬲乇噩賲賴 丕夭 賲鬲賳 丕賳诏賱蹖爻蹖貨
讴鬲丕亘 芦賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭禄貙 蹖讴蹖 丕夭 亘賴鬲乇蹖賳 賳賲賵賳賴 賴丕蹖 噩乇蹖丕賳 爻蹖丕賱 匕賴賳貙 丿乇 丕丿亘蹖丕鬲 芦丌賲乇蹖讴丕蹖 賱丕鬲蹖賳禄 丕爻鬲貨 亘禺卮 亘夭乇诏蹖 丕夭 乇賲丕賳貙 卮讴賱 诏乇賮鬲賴 丕夭 诏賮鬲丕乇 丿乇賵賳蹖 賵 匕賴賳蹖貙 賵 卮乇丨 丨丕賱 乇丕賵蹖 丿丕爻鬲丕賳 丕爻鬲貨 匕賴賳 丕賵 賴賲丕乇賴 丿乇 乇賮鬲 賵 亘乇诏卮鬲 丕爻鬲貙 賵 乇禺丿丕丿賴丕蹖 丿賵乇丕賳 丕賳賯賱丕亘蹖诏乇蹖貙 賵 趩诏賵賳诏蹖 賮丕氐賱賴 诏乇賮鬲賳 丕賵 乇丕 丕夭 丌乇賲丕賳賴丕蹖 禺賵蹖卮貙 亘丕 賵丕跇賴 賴丕 亘賴 鬲氐賵蹖乇 賲蹖讴卮丿貨 亘禺卮賴丕蹖蹖 丕夭 乇賲丕賳貙 亘賴 賳賯丿 丕賳丿蹖卮賴 賴丕蹖 讴賱蹖爻丕蹖蹖 賲蹖倬乇丿丕夭丿貙 讴賴 噩爻鬲噩賵蹖 丨賯 賵 丿丕丿 乇丕貙 賳賵毓蹖 賳丕卮讴乇蹖 賲蹖丿丕賳丿貙 賵 賲蹖诏賵蹖丿 賳爻亘鬲 亘賴 丌賳趩賴 賵噩賵丿 丿丕乇丿貙 亘丕蹖丿 乇丕囟蹖 亘賵丿貙 趩乇丕 讴賴 夭賳丿诏蹖 讴賵鬲丕賴 丕爻鬲貙 賵 賳亘丕蹖丿 丿賳亘丕賱 丕賳丿蹖卮賴 賴丕蹖 亘賱賳丿 倬乇賵丕夭丕賳賴 乇賮鬲貨 芦讴丕乇賱賵爻 賮賵卅賳鬲爻禄 丿乇 丕蹖賳 乇賲丕賳貙 亘丕 賳賯丿 卮乇丕蹖胤 倬爻 丕夭 丕賳賯賱丕亘 芦賲讴夭蹖讴禄貙 丕賳丿蹖卮賴 賴丕蹖 讴賴賳 讴賱蹖爻丕蹖蹖 乇丕 賳蹖夭貙 賳賯丿 賲蹖讴賳丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 03/04/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 18/02/1401賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
March 23, 2024
La novela, publicada en 1962, no tiene nada que envidiar a otras posteriores que se encuentran entre las mejores y m谩s experimentales de sus respectivos autores como 鈥淐onversaci贸n en la catedral鈥� (1969) y 鈥淥to帽o del patriarca鈥� (1975), con las que guarda grandes semejanzas de forma y fondo.
鈥淰iva M茅xico, jijos de su rechingada鈥�Tambi茅n en esta novela cabr铆a parafrasear la famosa cuesti贸n que plante贸 el escritor peruano en su novela: 驴en qu茅 momento se hab铆a jodido M茅xico? Pregunta ret贸rica que parte de una premisa falsa, esto es, que hubo alg煤n momento en el que no estuvieron jodidos. No conozco ning煤n pueblo que no haya estado jodido desde siempre, no conozco una revoluci贸n en contra de la opresi贸n de un pueblo que no haya acabado oprimiendo a ese mismo pueblo. Nunca faltan los Artemio Cruz dispuestos a la rapi帽a en nombre de la revoluci贸n, a engrandecer su nombre en el supuesto engrandecimiento de la revoluci贸n y que contribuyen a acabar con la revoluci贸n encumbrando a otra casta de opresores que tratar谩n a su pueblo de igual o similar forma que los opresores depuestos. As铆 se termina siempre por muy idealistas que sean los objetivos y por muy justas que sean las demandas, por eso, porque nunca faltan los Artemio Cruz.
鈥淎 veces, me parece que la falta de sangre y de muerte nos desespera. Es como si s贸lo nos sinti茅ramos vivos rodeados de destrucci贸n y fusilamientos鈥�La novela es exigente con el lector, que deber谩 estar dispuesto a poner todo de su parte para lidiar con los varios narradores que se alternan sin previo aviso, con los textos en primera, segunda y tercera persona que se suceden sin interrupci贸n, con el frecuente flujo de conciencia, con los varios planos temporales y espaciales sucesivos y simult谩neos que contribuyen a la sensaci贸n de que la historia se mueve en c铆rculos, que nada cambia, que todo acaba siempre igual, con los mismos perdedores de siempre鈥�
鈥淓res quien eres porque supiste chingar y no te dejaste chingar; eres quien eres porque no supiste chingar y te dejaste chingar: cadena de la chingada que nos aprisiona a todos鈥�鈥� para contarnos una historia de traici贸n, de ambici贸n voraz, de odio y rencor, de remordimientos, tambi茅n de superaci贸n, de amor, de sacrificio, de pasi贸n, una historia personal de Artemio Cruz, desde su nacimiento hasta su muerte, que encarna al mismo tiempo la historia colectiva de la revoluci贸n mexicana.
鈥溾€� el padrecito le da la salvaci贸n eterna a don Gamaliel, a cambio de que don Gamaliel le d茅 la salvaci贸n en la tierra al padrecito鈥�No s茅 si me irrita un poco la idea del exitoso pr贸cer sin escr煤pulos que al borde de la muerte sufre por el rumbo que cogi贸 su vida, por los amores que no pudo vivir, por las desgracias familiares, ese est煤pido e impotente consuelo de que los ricos tambi茅n lloran y que el deterioro f铆sico, la enfermedad y la muerte acaba por igualarnos a todos. Supongo que todo contribuye a dar volumen a un personaje tan contradictorio y, lamentablemente, tan frecuente.
鈥溾€� descubrir谩s que la virtud es s贸lo deseable, pero la soberbia es s贸lo necesaria...s贸lo al final, aunque sea al final, la soberbia es superflua y la humildad necesaria鈥�
P.S. Encontr茅 estas declaraciones del autor que me parece que resumen muy bien los porqu茅s y los c贸mos de esta novela:
鈥樷€楽e relatan aqu铆 las doce horas de agon铆a de este viejo que muere de infarto al mesenterio, mal que los m茅dicos no descubren sino hasta el 煤ltimo momento. En el transcurso de estas doce horas se interpolan los doce d铆as que 茅l considera definitivos en su vida. Hay un tercer elemento, el subconsciente, especie de Virgilio que lo gu铆a por los doce c铆rculos de su infierno, y que es la otra cara de su espejo, la otra mitad de Artemio Cruz: es el T煤 que habla en futuro. Es el subconsciente que se aferra a un porvenir que el Yo 鈥攅l viejo moribundo鈥� no alcanzar谩 a conocer. El viejo Yo es el presente, en tanto el 脡l rescata el pasado de Artemio Cruz. Se trata de un di谩logo de espejos entre las tres personas, entre los tres tiempos que forman la vida de este personaje duro y enajenado. En su agon铆a, Artemio trata de reconquistar, por medio de la memoria, sus doce d铆as definitivos, d铆as que son, en realidad, doce opciones. Su biograf铆a espiritual es m谩s importante que su biograf铆a f铆sica. Las negativas, las traiciones, las elecciones, las presiones a las que su esp铆ritu se somete lo empujan al mundo de los objetos, en el cual 茅l es un objeto m谩s. En el tiempo presente de la novela, Artemio es un hombre sin libertad: la ha agotado a fuerza de elegir. Bueno o malo, al lector toca decidirlo.鈥�
September 6, 2018
芦胃伪 蠁慰尾畏胃蔚委蟼 蟿畏谓 伪纬维蟺畏, 伪蠀蟿萎 蟿畏 渭苇蟻伪:
伪位位维 胃伪 魏伪蟿伪蠁苇蟻蔚喂蟼 谓伪 蟿畏谓 伪谓伪魏蟿萎蟽蔚喂蟼:
胃伪 伪谓伪蟺伪蠀蟿蔚委蟼 渭蔚 蟿伪 渭维蟿喂伪 魏位蔚喂蟽蟿维, 伪位位维 未蔚谓 胃伪 蟺维蠄蔚喂蟼 谓伪 尾位苇蟺蔚喂蟼, 未蔚谓 胃伪 蟺维蠄蔚喂蟼 谓伪 蔚蟺喂胃蠀渭蔚委蟼, 纬喂伪蟿委 苇蟿蟽喂 胃伪 魏维谓蔚喂蟼 未喂魏蠈 蟽慰蠀 蟿慰 伪谓蟿喂魏蔚委渭蔚谓慰 蟿畏蟼 蔚蟺喂胃蠀渭委伪蟼 蟽慰蠀:
畏 渭谓萎渭畏 蔚委谓伪喂 畏 喂魏伪谓慰蟺慰喂畏渭苇谓畏 蔚蟺喂胃蠀渭委伪
蟽萎渭蔚蟻伪 蟺慰蠀 畏 味蠅萎 蟽慰蠀 魏伪喂 畏 渭慰委蟻伪 蟽慰蠀 苇纬喂谓伪谓 苇谓伪.禄
芦螣 螛维谓伪蟿慰蟼 韦慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼禄 蔚委谓伪喂 苇谓伪 维蟻蟻蠅蟽蟿慰, 蟽蠂喂味慰蠁蟻蔚谓喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 蔚尉伪喂蟻蔚蟿喂魏维 伪蟺伪喂蟿畏蟿喂魏蠈, 伪蟺慰位慰纬畏蟿喂魏蠈, 蟽魏位畏蟻蠈,
尾伪胃喂维 魏伪喂 苇谓蟿慰谓伪 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏蠈 魏伪喂 魏伪胃蠈位慰蠀 蔚蠉魏慰位慰 谓伪 未喂伪尾伪蟽蟿蔚委.
螖蔚谓 蟺蟻蠈魏蔚喂蟿伪喂 谓伪 蟽慰蠀 未蠋蟽蔚喂 蟿慰蠀蟼 蟺谓蔚蠀渭伪蟿喂魏慰蠉蟼 胃畏蟽伪蠀蟻慰蠉蟼 蟿慰蠀 伪谓 未蔚谓 蟽魏维蠄蔚喂蟼 谓慰蔚蟻维 纬喂伪 谓伪 蟿慰蠀蟼 伪谓伪魏伪位蠉蠄蔚喂蟼.
螖蔚谓 胃伪 蟽蔚 伪纬魏伪位喂维蟽蔚喂 渭蔚 蟿喂蟼 蔚魏蟺位畏魏蟿喂魏苇蟼 伪蟺慰魏伪位蠉蠄蔚喂蟼, 未蔚谓 胃伪 蟽慰蠀 蠁伪谓蔚蟻蠋蟽蔚喂 蟿畏谓 伪蟺委蟽蟿蔚蠀蟿伪 味蠅纬蟻伪蠁喂魏萎 魏伪喂 蟺慰喂畏蟿喂魏萎 蟿慰蠀 蔚喂魏蠈谓伪, 蟿伪 蟺伪蟻伪位畏蟻萎渭伪蟿伪 蟺慰蠀 蔚蠀未慰魏喂渭慰蠉谓 蟽蟿慰 纬蠈谓喂渭慰 苇未伪蠁慰蟼 蟺慰蠀 蟽蟺苇蟻谓蔚喂 畏 蟽魏苇蠄畏 魏伪喂 畏 蟽蠀谓蔚喂未畏蟽喂伪魏萎 蟻慰萎 蟿慰蠀, 魏伪胃蠋蟼 蟽蔚 蟿蟻蔚位伪委谓蔚喂 渭蔚 蟿畏谓 伪蟺委蟽蟿蔚蠀蟿畏 蟿伪蠂蠉蟿畏蟿伪 蟺伪位喂谓未蟻慰渭喂魏蠋谓 伪谓伪蠁慰蟻蠋谓.
螣 桅慰蠀苇谓蟿蔚蟼 伪蟺慰魏伪位蠉蟺蟿蔚喂 伪蟻纬维 魏伪喂 尾伪蟽伪谓喂蟽蟿喂魏维, 蠈蟺蠅蟼 伪魏蟻喂尾蠋蟼 魏伪委纬蔚蟿伪喂 魏伪喂 蟽喂纬慰位喂蠋谓蔚喂 苇谓伪蟼 伪蟽胃蔚谓萎蟼 蟺慰蠀 伪蟻纬慰蟺蔚胃伪委谓蔚喂, 蟿畏谓 蟺慰蟻蔚委伪 蟿畏蟼 味蠅萎蟼, 渭蔚 蠁蠅蟿蔚喂谓慰蠉蟼 蟽畏渭伪蟿慰未蠈蟿蔚蟼 蟿伪 伪蟺慰蟿蔚位苇蟽渭伪蟿伪 蟿蠅谓 蔚蟺喂位慰纬蠋谓, 魏伪喂 蟿喂蟼 蟿蟻伪纬喂魏苇蟼 蟽蠀渭蟺蟿蠋蟽蔚喂蟼, 蟽蔚 蟽蠂苇蟽畏 渭蔚 蟿畏谓 渭慰喂蟻慰位伪蟿蟻喂魏萎 蟺委蟽蟿畏 蟽蟿慰 蟿蠀蠂伪委慰, 蟿慰 蟺蔚蟺蟻蠅渭苇谓慰, 蟿慰 伪谓伪蟺蠈蠁蔚蠀魏蟿慰.
螠蔚 伪蠀蟿蠈 蟿慰谓 蟺蔚蟻委蟺位慰魏慰 魏伪喂 蟺慰位蠀蔚蟺委蟺蔚未慰 蟿蟻慰蟺慰 纬蟻伪蠁萎蟼 蟽蔚 蟺蟻慰蟽魏伪位蔚委 蟽蟿慰 蟿伪尉委未喂 渭谓萎渭畏蟼, 位畏蟽渭慰蟽蠉谓畏蟼, 尾委伪蟼, 伪蟺委蟽蟿蔚蠀蟿畏蟼 尾委伪蟼, -蟽蔚 蟽畏渭蔚委慰 谓伪 伪蟺慰蟿蔚位蔚委 畏 位苇尉畏 伪蠀蟿萎 伪蟺维谓蟿畏蟽畏 魏伪喂 渭慰委蟻伪- 味蠅萎蟼, 胃伪谓维蟿慰蠀, 伪蟺蠋位蔚喂伪蟼 魏伪喂 伪蟺蠈位蠀蟿慰蠀 苇蟻蠅蟿伪, 渭苇蟽伪 伪蟺慰 蟿伪 蟺慰位位维 蟺蟻蠈蟽蠅蟺伪 魏伪喂 蟿喂蟼 维蟺蔚喂蟻蔚蟼 蠁蠅谓苇蟼 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼.
螘委谓伪喂 尾苇尾伪喂伪 蟺蟻伪纬渭伪蟿喂魏萎 蟿蠉蠂畏 谓伪 未喂伪蟽蟿伪蠀蟻蠅胃蔚委蟼 渭蔚 蟿畏 味蠅萎 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼. 螒蟺位维 魏伪喂 渭蠈谓慰 未喂蠈蟿喂 蔚喂谓伪喂 蟺伪谓伪谓胃蟻蠋蟺喂谓畏 蔚渭蟺蔚喂蟻喂魏维 渭蔚 蟿畏谓 蟽蟺慰蠀未伪喂蠈蟿畏蟿伪 蟿畏蟼 慰喂魏蔚喂蠈蟿畏蟿伪蟼 魏伪喂 蟿畏蟼 蠂蟻畏蟽喂渭蠈蟿畏蟿伪蟼 蠅蟼 伪谓蔚魏蟿委渭畏蟿畏 蟺谓蔚蠀渭伪蟿喂魏萎 蟿蟻慰蠁萎 纬喂伪 蟽魏苇蠄畏.
螠苇蟽伪 蟿畏蟼, 蔚谓蟽蠅渭伪蟿蠋谓蔚喂 蟿畏谓 蟿伪蟻伪蠂蠋未畏 70蔚蟿萎 喂蟽蟿慰蟻委伪 蟿慰蠀 螠蔚尉喂魏慰蠉, 伪蟺慰 蟿慰 1889 蔚蠅蟼 蟿慰 1959.
螤慰位蠉蟺伪胃畏 蠂蠋蟻伪, 蔚渭蠁蠉位喂蔚蟼 蟽蠀蟻蟻维尉蔚喂蟼, 蔚蟺伪谓伪蟽蟿维蟽蔚喂蟼,蔚蟺喂渭蔚喂尉委蔚蟼 蟽蠅渭伪蟿喂魏慰蠉 魏伪喂 蠄蠀蠂慰位慰纬喂魏慰蠉 尾喂伪蟽渭慰蠉 伪谓维渭蔚蟽伪 蟽蔚 蟿蟻蔚喂蟼 蠁蠀位苇蟼, 喂蟽蟺伪谓喂魏萎, 喂谓未喂维谓喂魏畏 魏伪喂 伪蠁蟻喂魏伪谓喂魏萎.
螣 魏伪蟻蟺蠈蟼 蔚谓蠈蟼 蟿苇蟿慰喂慰蠀 尾喂伪蟽渭慰蠉 渭蔚 胃蠉渭伪 渭喂伪 蟽魏位维尾伪 魏伪喂 胃蠉蟿畏 苇谓伪谓 螜蟽蟺伪谓蠈 纬伪喂慰魏蟿萎渭慰谓伪 蔚喂谓伪喂 慰 魏蔚谓蟿蟻喂魏蠈蟼 萎蟻蠅伪蟼 渭伪蟼.
螣 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼.
螖喂蠂伪蟽渭苇谓畏 魏伪喂 蟽蠂喂味慰蠁蟻蔚谓喂魏萎 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪. 螠慰谓伪未喂魏蠈蟼.
螖伪委渭慰谓伪蟼, 蟺慰蠀 蟺伪蟻伪位畏蟻蔚委 蟽蔚 伪纬魏伪位喂苇蟼, 魏蔚蟻谓维蔚喂 蠁蠅蟿喂维 渭伪 蟺慰蠀位维蔚喂 魏蠈位伪蟽畏 魏伪喂 伪谓慰渭慰位蠈纬畏蟿伪 蟺维胃畏.
螁蟻蠂慰谓蟿伪蟼, 蟺慰蠀 蠂伪蟻委味蔚喂 伪蟺位蠈蠂蔚蟻伪 伪纬维蟺畏, 蟺蠈谓慰, 尾委伪, 魏伪蟿伪谓蠈畏蟽畏, 蟽蠀渭蟺维胃蔚喂伪, 胃位委蠄畏, 蟺蟻慰未慰蟽委伪, 蟿伪蟻伪蠂萎.
螒未委蟽蟿伪魏蟿慰蟼 蔚蟺喂蠂蔚喂蟻畏渭伪蟿委伪蟼, 伪谓蔚位苇畏蟿伪 蟺位慰蠉蟽喂慰蟼, 伪谓蔚尾伪委谓蔚喂 蟽蟿畏谓 蔚尉慰蠀蟽委伪 渭苇蟽蠅 未喂蔚蠁胃伪蟻渭苇谓蠅谓 魏伪喂 蔚尉蔚蠀蟿蔚位喂蟽蟿喂魏蠋谓 蟽蠀谓伪位位伪纬蠋谓 蟺慰蠀 蠂伪蟻委味慰蠀谓 蟿伪 蟽蠀渭蠁苇蟻慰谓蟿伪 蟿畏蟼 蟺伪蟿蟻委未伪蟼 蟿慰蠀 蟽蔚 尉苇谓慰蠀蟼 蔚蟺蔚谓未蠀蟿苇蟼-魏伪蟿伪魏蟿畏蟿苇蟼 魏伪喂 蟿蠋蟻伪, 渭伪蟼 蟽蠀蟽蟿萎谓蔚蟿伪喂 伪蟺慰 蟿慰 魏蟻蔚尾维蟿喂 蟿慰蠀 蟺蠈谓慰蠀 蟿畏谓 畏渭苇蟻伪 蟺慰蠀 魏伪蟿伪蟻蟻苇蔚喂 魏伪喂 蟺蔚胃伪委谓蔚喂.
螘委谓伪喂 苇谓伪 蔚魏蟺位畏魏蟿喂魏蠈 位慰纬慰蟿蔚蠂谓喂魏蠈 苇蟻纬慰. 螠蔚 魏慰蠉蟻伪蟽蔚, 渭蔚 胃维渭蟺蠅蟽蔚, 渭蔚 蟺蟻慰魏维位蔚蟽蔚, 渭蔚 伪畏未委伪蟽蔚, 渭慰蠀 蟺蟻慰尉苇谓畏蟽蔚 蠈位畏 蟿畏谓 纬魏维渭伪 蟽蠀谓伪喂蟽胃畏渭维蟿蠅谓 魏伪喂 蟽蠀渭蟺蔚蟻伪蟽渭维蟿蠅谓 渭苇蟽伪 伪蟺慰 未蠉蟽魏慰位蔚蟼 魏伪蟿伪蟽蟿维蟽蔚喂蟼 魏伪喂 伪蠀蟿慰魏伪蟿伪蟽蟿蟻慰蠁喂魏苇蟼 蟽魏苇蠄蔚喂蟼.
螘魏蟿蠈蟼 伪蟺慰 蟺慰谓慰魏苇蠁伪位慰 渭慰蠀 蠂维蟻喂蟽蔚 蔚位蔚蠉胃蔚蟻畏 蔚委蟽慰未慰 蟽蔚 谓苇慰蠀蟼 魏蠈蟽渭慰蠀蟼 喂未蔚蠋谓.
螜未苇蔚蟼 纬喂伪 蟿畏谓 渭谓萎渭畏, 蟿畏谓 伪纬维蟺畏, 蟿畏 味蠅萎, 蟿慰 胃维谓伪蟿慰, 蟿喂蟼 伪谓胃蟻蠋蟺喂谓蔚蟼 蟽蠂苇蟽蔚喂蟼 魏伪喂 蟿喂蟼 胃苇蟽蔚喂蟼 蟿蠅谓 伪蟿蠈渭蠅谓 渭苇蟽伪 蟽蟿畏谓 魏慰喂谓蠅谓委伪 渭蔚 维蟺蔚喂蟻蔚蟼 伪未蠀谓伪渭委蔚蟼 魏伪喂 蟺维渭蟺慰位位伪 蟿蟻伪谓蟿伪蠂蟿维 蟽畏渭蔚委伪 伪谓伪蠁慰蟻维蟼 蟽蔚 蔚位伪蟿蟿蠋渭伪蟿伪 魏伪喂 蔚蟺喂蟿蔚蠉纬渭伪蟿伪.
螣喂 伪蠁畏纬畏渭伪蟿喂魏苇蟼 蟿蔚蠂谓喂魏苇蟼 蟿慰蠀 桅慰蠀苇谓蟿蔚蟼 蔚委谓伪喂 蠀蟺苇蟻慰蠂蔚蟼 魏伪喂 未蠉蟽魏慰位蔚蟼.
围蟻畏蟽喂渭慰蟺慰喂蔚委 蟿蔚蠂谓喂魏苇蟼 蟺慰蠀 味蠅纬蟻伪蠁委味慰蠀谓 蟿畏 味蠅萎 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼 魏伪喂 蟿畏蟼 魏伪蟿伪未喂魏伪蟽渭苇谓畏蟼 蔚蟺伪谓维蟽蟿伪蟽畏蟼 蟽蟿慰 螠蔚尉喂魏蠈 蟺慰蠀 蔚蟺伪谓伪位萎蠁胃畏魏蔚 渭蔚 蔚蟺喂蟿蠀蠂委伪 魏伪喂 伪蟺苇蟿蠀蠂蔚 伪蟺慰 伪蠀蟿慰蠉蟼 蟺慰蠀 魏蔚蟻未萎胃畏魏蔚.
危蟿慰 蟺伪蟻蠈谓 苇蠂慰蠀渭蔚 蟺蟻蠅蟿慰蟺蟻蠈蟽蠅蟺畏 伪蠁萎纬畏蟽畏, 蟺蟻慰蟽蠅蟺喂魏萎 魏伪喂 喂未喂伪委蟿蔚蟻伪 尉蔚蠂蠅蟻喂蟽蟿萎. 螝维蟺慰蠀 蟽蟿慰 1960 蟺慰蠀 慰 螝蟻慰蠀蟼 伪纬魏伪位喂维味蔚喂 蟿慰谓 胃维谓伪蟿慰.
螝伪蟿伪魏蔚蟻渭伪蟿喂蟽渭苇谓蔚蟼 蟽魏苇蠄蔚喂蟼 蔚谓蠈蟼 蔚蟿慰喂渭慰胃维谓伪蟿慰蠀, 蔚谓伪位位伪纬苇蟼 蟽蔚 蠂蠋蟻慰蠀蟼 魏伪喂 蠂蟻蠈谓慰蠀蟼 伪蟺蟻慰蔚喂未慰蟺慰委畏蟿伪 魏伪喂 蠂伪慰蟿喂魏苇蟼 蠄蠀蠂喂魏苇蟼 魏伪蟿伪蟽蟿维蟽蔚喂蟼 渭蔚 苇谓蟿伪蟽畏 魏伪喂 伪纬蠅谓委伪 魏伪胃蠋蟼 未蔚谓 纬谓蠅蟻委味慰蠀渭蔚 伪魏蠈渭畏 蟿委蟺慰蟿伪 纬喂伪 蟿畏 味蠅萎 蟿慰蠀.
螖蔚蠉蟿蔚蟻畏 伪蠁畏纬畏渭伪蟿喂魏萎 渭慰蟻蠁萎 魏伪喂 蠁蔚蠉纬慰蠀渭蔚 伪蟺慰 蟿慰 螘螕惟 蟺维渭蔚 渭蔚 位蠀蟻喂蟽渭蠈 魏伪喂 伪蠀蟿慰魏蟻喂蟿喂魏萎 蟽蟿慰 螘危违.
螘未蠋 慰 萎蟻蠅伪蟼 渭伪蟼 尾纬伪委谓蔚喂 伪蟺慰 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀 纬喂伪 谓伪 渭蟺慰蟻苇蟽蔚喂 谓伪 蟿慰谓 魏伪蟿伪魏蟻委谓蔚喂. 围慰位萎, 未蠀蟽伪蟻苇蟽魏蔚喂伪, 胃蠀渭蠈蟼, 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏萎 苇谓蟿伪蟽畏 伪谓维渭蔚蟽伪 蟽蟿慰谓 螝蟻慰蠀蟼 魏伪喂 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀. 螝伪蟿伪未喂魏维味蔚喂, 蔚蟺伪喂谓蔚委, 胃蠀渭维蟿伪喂, 魏伪喂 蟺蟻慰蟽蟺伪胃蔚委 谓伪 尉蔚蠂维蟽蔚喂.
螆谓伪 渭苇位位慰谓 蟽蟿慰 蟺伪蟻蠈谓.
韦蟻委蟿畏 伪蠁畏纬畏渭伪蟿喂魏萎 渭苇胃慰未慰蟼 魏伪喂 蟿蟻喂蟿慰蟺蟻蠈蟽蠅蟺畏 伪蠁萎纬畏蟽畏, 蔚魏蟿蔚蟿伪渭苇谓畏 蠂蟻慰谓喂魏维 魏伪喂 蟿慰蟺喂魏维 渭苇蟽伪 伪蟺慰 蟺慰位位苇蟼 蔚蟺慰蠂苇蟼.
螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 伪蟺慰蟽蟺伪蟽渭伪蟿喂魏苇蟼, 蔚魏胃蔚蟽喂伪魏苇蟼 蟽蟿喂纬渭苇蟼, 蠈蟺慰蠀 渭伪胃伪委谓慰蠀渭蔚 蟺慰位位维 魏伪喂 伪蟺慰魏伪位蠀蟺蟿喂魏维 纬喂伪 蟿畏谓 蟺蟻慰蟽蠅蟺喂魏萎 味蠅萎 蟿慰蠀 蠂蠅蟻委蟼 谓伪 蟺蔚蟻喂位伪渭尾维谓慰谓蟿伪喂 蟽魏苇蠄蔚喂蟼 未喂魏苇蟼 蟿慰蠀 萎 维位位蠅谓.
螤蟻慰蠁伪谓蠋蟼 魏伪喂 蔚尉畏纬慰蠉谓蟿伪喂 慰喂 蟽魏苇蠄蔚喂蟼 蟿蠅谓 蟺蔚蟻委蟺位慰魏蠅谓 伪蟺慰蟽蟺伪蟽渭维蟿蠅谓 蟿慰蠀 螘螕惟 魏伪喂 蟿慰蠀 螘危违.
螆蟻蠂蔚蟿伪喂 苇谓伪蟼 蟺慰位蠀蟺蟻维纬渭蠅谓 伪蠁畏纬畏蟿萎蟼 螒违韦螣危 魏伪喂 渭伪蟼 蔚尉畏纬蔚委 渭蔚 蟺慰位位苇蟼 伪谓伪未蟻慰渭苇蟼 蟿畏 味蠅萎 蟿慰蠀 萎蟻蠅伪 渭伪蟼.
螤伪蟻维位位畏位伪 伪蠀蟿蠈 蟿慰 蟽蠀谓伪蟻蟺伪蟽蟿喂魏蠈 苇蟻纬慰 蟺伪委味蔚喂 魏伪喂 渭蔚 蟿慰 蠉蠁慰蟼, 蠅蟼 蠀蟺蠈未蔚喂纬渭伪 位慰纬慰蟿蔚蠂谓喂魏萎蟼 纬蟻伪蠁萎蟼.
违蟺蠈未蔚喂纬渭伪 蟽蠀谓蔚喂未畏蟽喂伪魏萎蟼 蟺慰蟻蔚委伪蟼, 蠂蟻慰谓喂魏蠈 魏伪喂 喂蟽蟿慰蟻喂魏蠈 谓蟿慰魏慰蠀渭苇谓蟿慰 纬喂伪 蟿畏谓 喂蟽蟿慰蟻委伪 蟿慰蠀 螠蔚尉喂魏慰蠉. 魏蠀蟻委蠅蟼 蠈位蠅谓 蟿蠅谓 魏慰喂谓蠅谓喂魏蠋谓 蟿维尉蔚蠅谓 魏伪喂 蟺慰位喂蟿喂魏蠋谓 蟺蔚蟺慰喂胃萎蟽蔚蠅谓 蟿蠅谓 伪蟺位蠋谓 伪谓胃蟻蠋蟺蠅谓.
螞蠈纬喂慰 伪谓维纬谓蠅蟽渭伪, 未慰魏委渭喂慰 蠁喂位慰蟽慰蠁委伪蟼, 蔚尉喂蟽蟿蠈蟻畏蟽畏 渭蔚 蟺喂魏维谓蟿喂魏慰 魏伪喂 位伪蠆魏蠈 蠉蠁慰蟼.
螠蠀胃喂蟽蟿蠈蟻畏渭伪 蟺慰蠀 纬蔚渭委味蔚喂 蟿慰 渭蠀伪位蠈 渭蔚 蠂蟻蠋渭伪蟿伪, 伪蟻蠋渭伪蟿伪, 渭蔚位蠅未委蔚蟼, 蟺慰位位伪蟺位苇蟼 蟿伪蠀蟿蠈蟿畏蟿蔚蟼, 喂魏伪谓苇蟼 纬喂伪 蟿伪 喂未蔚伪蟿维 魏伪喂 伪未委蟽蟿伪魏蟿蔚蟼 渭蟺蟻慰蟽蟿维 蟽蟿畏谓 蟺慰位蠀蟿苇位蔚喂伪 蟿畏蟼 蔚尉伪蠂蟻蔚委蠅蟽畏蟼. 螔喂慰纬蟻伪蠁委蔚蟼 维纬喂蠅谓 魏伪喂 伪渭伪蟻蟿蠅位蠋谓.
螚 味蠅萎 蟿慰蠀 螠蔚尉喂魏慰蠉 蟺蔚蟻谓维蔚喂 蟽伪谓 苇谓伪 尉蔚蠂蠅蟻喂蟽蟿蠈 魏伪喂 伪尉蔚蠂伪蟽蟿慰 蟿伪尉委未喂, 渭苇蟽伪 伪蟺慰 蟿慰 渭蠀伪位蠈 蔚谓蠈蟼 胃伪蠀渭维蟽喂慰蠀, 渭慰谓伪蠂喂魏慰蠉 魏伪喂 蟺蔚蟻萎蠁伪谓慰蠀 伪谓胃蟻蠋蟺慰蠀. 螘谓蠈蟼 谓蔚魏蟻慰蠉 伪谓胃蟻蠋蟺慰蠀: 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼.
螣 桅慰蠀苇谓蟿蔚蟼 苇蠂蔚喂 纬蟻维蠄蔚喂 苇谓伪 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪 蟺慰蠀 蟽蠀谓委蟽蟿伪蟿伪喂 纬喂伪 伪谓伪纬谓蠋蟽蟿蔚蟼 未喂伪蟿蔚胃蔚喂渭苇谓慰蠀蟼 谓伪 未喂伪谓蠉蟽慰蠀谓 蠂喂位喂维未蔚蟼 蠂喂位喂蠈渭蔚蟿蟻伪 纬喂伪 苇谓伪 尾喂尾位委慰...!
螝伪位萎 伪谓维纬谓蠅蟽畏.
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
伪位位维 胃伪 魏伪蟿伪蠁苇蟻蔚喂蟼 谓伪 蟿畏谓 伪谓伪魏蟿萎蟽蔚喂蟼:
胃伪 伪谓伪蟺伪蠀蟿蔚委蟼 渭蔚 蟿伪 渭维蟿喂伪 魏位蔚喂蟽蟿维, 伪位位维 未蔚谓 胃伪 蟺维蠄蔚喂蟼 谓伪 尾位苇蟺蔚喂蟼, 未蔚谓 胃伪 蟺维蠄蔚喂蟼 谓伪 蔚蟺喂胃蠀渭蔚委蟼, 纬喂伪蟿委 苇蟿蟽喂 胃伪 魏维谓蔚喂蟼 未喂魏蠈 蟽慰蠀 蟿慰 伪谓蟿喂魏蔚委渭蔚谓慰 蟿畏蟼 蔚蟺喂胃蠀渭委伪蟼 蟽慰蠀:
畏 渭谓萎渭畏 蔚委谓伪喂 畏 喂魏伪谓慰蟺慰喂畏渭苇谓畏 蔚蟺喂胃蠀渭委伪
蟽萎渭蔚蟻伪 蟺慰蠀 畏 味蠅萎 蟽慰蠀 魏伪喂 畏 渭慰委蟻伪 蟽慰蠀 苇纬喂谓伪谓 苇谓伪.禄
芦螣 螛维谓伪蟿慰蟼 韦慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼禄 蔚委谓伪喂 苇谓伪 维蟻蟻蠅蟽蟿慰, 蟽蠂喂味慰蠁蟻蔚谓喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 蔚尉伪喂蟻蔚蟿喂魏维 伪蟺伪喂蟿畏蟿喂魏蠈, 伪蟺慰位慰纬畏蟿喂魏蠈, 蟽魏位畏蟻蠈,
尾伪胃喂维 魏伪喂 苇谓蟿慰谓伪 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏蠈 魏伪喂 魏伪胃蠈位慰蠀 蔚蠉魏慰位慰 谓伪 未喂伪尾伪蟽蟿蔚委.
螖蔚谓 蟺蟻蠈魏蔚喂蟿伪喂 谓伪 蟽慰蠀 未蠋蟽蔚喂 蟿慰蠀蟼 蟺谓蔚蠀渭伪蟿喂魏慰蠉蟼 胃畏蟽伪蠀蟻慰蠉蟼 蟿慰蠀 伪谓 未蔚谓 蟽魏维蠄蔚喂蟼 谓慰蔚蟻维 纬喂伪 谓伪 蟿慰蠀蟼 伪谓伪魏伪位蠉蠄蔚喂蟼.
螖蔚谓 胃伪 蟽蔚 伪纬魏伪位喂维蟽蔚喂 渭蔚 蟿喂蟼 蔚魏蟺位畏魏蟿喂魏苇蟼 伪蟺慰魏伪位蠉蠄蔚喂蟼, 未蔚谓 胃伪 蟽慰蠀 蠁伪谓蔚蟻蠋蟽蔚喂 蟿畏谓 伪蟺委蟽蟿蔚蠀蟿伪 味蠅纬蟻伪蠁喂魏萎 魏伪喂 蟺慰喂畏蟿喂魏萎 蟿慰蠀 蔚喂魏蠈谓伪, 蟿伪 蟺伪蟻伪位畏蟻萎渭伪蟿伪 蟺慰蠀 蔚蠀未慰魏喂渭慰蠉谓 蟽蟿慰 纬蠈谓喂渭慰 苇未伪蠁慰蟼 蟺慰蠀 蟽蟺苇蟻谓蔚喂 畏 蟽魏苇蠄畏 魏伪喂 畏 蟽蠀谓蔚喂未畏蟽喂伪魏萎 蟻慰萎 蟿慰蠀, 魏伪胃蠋蟼 蟽蔚 蟿蟻蔚位伪委谓蔚喂 渭蔚 蟿畏谓 伪蟺委蟽蟿蔚蠀蟿畏 蟿伪蠂蠉蟿畏蟿伪 蟺伪位喂谓未蟻慰渭喂魏蠋谓 伪谓伪蠁慰蟻蠋谓.
螣 桅慰蠀苇谓蟿蔚蟼 伪蟺慰魏伪位蠉蟺蟿蔚喂 伪蟻纬维 魏伪喂 尾伪蟽伪谓喂蟽蟿喂魏维, 蠈蟺蠅蟼 伪魏蟻喂尾蠋蟼 魏伪委纬蔚蟿伪喂 魏伪喂 蟽喂纬慰位喂蠋谓蔚喂 苇谓伪蟼 伪蟽胃蔚谓萎蟼 蟺慰蠀 伪蟻纬慰蟺蔚胃伪委谓蔚喂, 蟿畏谓 蟺慰蟻蔚委伪 蟿畏蟼 味蠅萎蟼, 渭蔚 蠁蠅蟿蔚喂谓慰蠉蟼 蟽畏渭伪蟿慰未蠈蟿蔚蟼 蟿伪 伪蟺慰蟿蔚位苇蟽渭伪蟿伪 蟿蠅谓 蔚蟺喂位慰纬蠋谓, 魏伪喂 蟿喂蟼 蟿蟻伪纬喂魏苇蟼 蟽蠀渭蟺蟿蠋蟽蔚喂蟼, 蟽蔚 蟽蠂苇蟽畏 渭蔚 蟿畏谓 渭慰喂蟻慰位伪蟿蟻喂魏萎 蟺委蟽蟿畏 蟽蟿慰 蟿蠀蠂伪委慰, 蟿慰 蟺蔚蟺蟻蠅渭苇谓慰, 蟿慰 伪谓伪蟺蠈蠁蔚蠀魏蟿慰.
螠蔚 伪蠀蟿蠈 蟿慰谓 蟺蔚蟻委蟺位慰魏慰 魏伪喂 蟺慰位蠀蔚蟺委蟺蔚未慰 蟿蟻慰蟺慰 纬蟻伪蠁萎蟼 蟽蔚 蟺蟻慰蟽魏伪位蔚委 蟽蟿慰 蟿伪尉委未喂 渭谓萎渭畏蟼, 位畏蟽渭慰蟽蠉谓畏蟼, 尾委伪蟼, 伪蟺委蟽蟿蔚蠀蟿畏蟼 尾委伪蟼, -蟽蔚 蟽畏渭蔚委慰 谓伪 伪蟺慰蟿蔚位蔚委 畏 位苇尉畏 伪蠀蟿萎 伪蟺维谓蟿畏蟽畏 魏伪喂 渭慰委蟻伪- 味蠅萎蟼, 胃伪谓维蟿慰蠀, 伪蟺蠋位蔚喂伪蟼 魏伪喂 伪蟺蠈位蠀蟿慰蠀 苇蟻蠅蟿伪, 渭苇蟽伪 伪蟺慰 蟿伪 蟺慰位位维 蟺蟻蠈蟽蠅蟺伪 魏伪喂 蟿喂蟼 维蟺蔚喂蟻蔚蟼 蠁蠅谓苇蟼 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼.
螘委谓伪喂 尾苇尾伪喂伪 蟺蟻伪纬渭伪蟿喂魏萎 蟿蠉蠂畏 谓伪 未喂伪蟽蟿伪蠀蟻蠅胃蔚委蟼 渭蔚 蟿畏 味蠅萎 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼. 螒蟺位维 魏伪喂 渭蠈谓慰 未喂蠈蟿喂 蔚喂谓伪喂 蟺伪谓伪谓胃蟻蠋蟺喂谓畏 蔚渭蟺蔚喂蟻喂魏维 渭蔚 蟿畏谓 蟽蟺慰蠀未伪喂蠈蟿畏蟿伪 蟿畏蟼 慰喂魏蔚喂蠈蟿畏蟿伪蟼 魏伪喂 蟿畏蟼 蠂蟻畏蟽喂渭蠈蟿畏蟿伪蟼 蠅蟼 伪谓蔚魏蟿委渭畏蟿畏 蟺谓蔚蠀渭伪蟿喂魏萎 蟿蟻慰蠁萎 纬喂伪 蟽魏苇蠄畏.
螠苇蟽伪 蟿畏蟼, 蔚谓蟽蠅渭伪蟿蠋谓蔚喂 蟿畏谓 蟿伪蟻伪蠂蠋未畏 70蔚蟿萎 喂蟽蟿慰蟻委伪 蟿慰蠀 螠蔚尉喂魏慰蠉, 伪蟺慰 蟿慰 1889 蔚蠅蟼 蟿慰 1959.
螤慰位蠉蟺伪胃畏 蠂蠋蟻伪, 蔚渭蠁蠉位喂蔚蟼 蟽蠀蟻蟻维尉蔚喂蟼, 蔚蟺伪谓伪蟽蟿维蟽蔚喂蟼,蔚蟺喂渭蔚喂尉委蔚蟼 蟽蠅渭伪蟿喂魏慰蠉 魏伪喂 蠄蠀蠂慰位慰纬喂魏慰蠉 尾喂伪蟽渭慰蠉 伪谓维渭蔚蟽伪 蟽蔚 蟿蟻蔚喂蟼 蠁蠀位苇蟼, 喂蟽蟺伪谓喂魏萎, 喂谓未喂维谓喂魏畏 魏伪喂 伪蠁蟻喂魏伪谓喂魏萎.
螣 魏伪蟻蟺蠈蟼 蔚谓蠈蟼 蟿苇蟿慰喂慰蠀 尾喂伪蟽渭慰蠉 渭蔚 胃蠉渭伪 渭喂伪 蟽魏位维尾伪 魏伪喂 胃蠉蟿畏 苇谓伪谓 螜蟽蟺伪谓蠈 纬伪喂慰魏蟿萎渭慰谓伪 蔚喂谓伪喂 慰 魏蔚谓蟿蟻喂魏蠈蟼 萎蟻蠅伪蟼 渭伪蟼.
螣 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼.
螖喂蠂伪蟽渭苇谓畏 魏伪喂 蟽蠂喂味慰蠁蟻蔚谓喂魏萎 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪. 螠慰谓伪未喂魏蠈蟼.
螖伪委渭慰谓伪蟼, 蟺慰蠀 蟺伪蟻伪位畏蟻蔚委 蟽蔚 伪纬魏伪位喂苇蟼, 魏蔚蟻谓维蔚喂 蠁蠅蟿喂维 渭伪 蟺慰蠀位维蔚喂 魏蠈位伪蟽畏 魏伪喂 伪谓慰渭慰位蠈纬畏蟿伪 蟺维胃畏.
螁蟻蠂慰谓蟿伪蟼, 蟺慰蠀 蠂伪蟻委味蔚喂 伪蟺位蠈蠂蔚蟻伪 伪纬维蟺畏, 蟺蠈谓慰, 尾委伪, 魏伪蟿伪谓蠈畏蟽畏, 蟽蠀渭蟺维胃蔚喂伪, 胃位委蠄畏, 蟺蟻慰未慰蟽委伪, 蟿伪蟻伪蠂萎.
螒未委蟽蟿伪魏蟿慰蟼 蔚蟺喂蠂蔚喂蟻畏渭伪蟿委伪蟼, 伪谓蔚位苇畏蟿伪 蟺位慰蠉蟽喂慰蟼, 伪谓蔚尾伪委谓蔚喂 蟽蟿畏谓 蔚尉慰蠀蟽委伪 渭苇蟽蠅 未喂蔚蠁胃伪蟻渭苇谓蠅谓 魏伪喂 蔚尉蔚蠀蟿蔚位喂蟽蟿喂魏蠋谓 蟽蠀谓伪位位伪纬蠋谓 蟺慰蠀 蠂伪蟻委味慰蠀谓 蟿伪 蟽蠀渭蠁苇蟻慰谓蟿伪 蟿畏蟼 蟺伪蟿蟻委未伪蟼 蟿慰蠀 蟽蔚 尉苇谓慰蠀蟼 蔚蟺蔚谓未蠀蟿苇蟼-魏伪蟿伪魏蟿畏蟿苇蟼 魏伪喂 蟿蠋蟻伪, 渭伪蟼 蟽蠀蟽蟿萎谓蔚蟿伪喂 伪蟺慰 蟿慰 魏蟻蔚尾维蟿喂 蟿慰蠀 蟺蠈谓慰蠀 蟿畏谓 畏渭苇蟻伪 蟺慰蠀 魏伪蟿伪蟻蟻苇蔚喂 魏伪喂 蟺蔚胃伪委谓蔚喂.
螘委谓伪喂 苇谓伪 蔚魏蟺位畏魏蟿喂魏蠈 位慰纬慰蟿蔚蠂谓喂魏蠈 苇蟻纬慰. 螠蔚 魏慰蠉蟻伪蟽蔚, 渭蔚 胃维渭蟺蠅蟽蔚, 渭蔚 蟺蟻慰魏维位蔚蟽蔚, 渭蔚 伪畏未委伪蟽蔚, 渭慰蠀 蟺蟻慰尉苇谓畏蟽蔚 蠈位畏 蟿畏谓 纬魏维渭伪 蟽蠀谓伪喂蟽胃畏渭维蟿蠅谓 魏伪喂 蟽蠀渭蟺蔚蟻伪蟽渭维蟿蠅谓 渭苇蟽伪 伪蟺慰 未蠉蟽魏慰位蔚蟼 魏伪蟿伪蟽蟿维蟽蔚喂蟼 魏伪喂 伪蠀蟿慰魏伪蟿伪蟽蟿蟻慰蠁喂魏苇蟼 蟽魏苇蠄蔚喂蟼.
螘魏蟿蠈蟼 伪蟺慰 蟺慰谓慰魏苇蠁伪位慰 渭慰蠀 蠂维蟻喂蟽蔚 蔚位蔚蠉胃蔚蟻畏 蔚委蟽慰未慰 蟽蔚 谓苇慰蠀蟼 魏蠈蟽渭慰蠀蟼 喂未蔚蠋谓.
螜未苇蔚蟼 纬喂伪 蟿畏谓 渭谓萎渭畏, 蟿畏谓 伪纬维蟺畏, 蟿畏 味蠅萎, 蟿慰 胃维谓伪蟿慰, 蟿喂蟼 伪谓胃蟻蠋蟺喂谓蔚蟼 蟽蠂苇蟽蔚喂蟼 魏伪喂 蟿喂蟼 胃苇蟽蔚喂蟼 蟿蠅谓 伪蟿蠈渭蠅谓 渭苇蟽伪 蟽蟿畏谓 魏慰喂谓蠅谓委伪 渭蔚 维蟺蔚喂蟻蔚蟼 伪未蠀谓伪渭委蔚蟼 魏伪喂 蟺维渭蟺慰位位伪 蟿蟻伪谓蟿伪蠂蟿维 蟽畏渭蔚委伪 伪谓伪蠁慰蟻维蟼 蟽蔚 蔚位伪蟿蟿蠋渭伪蟿伪 魏伪喂 蔚蟺喂蟿蔚蠉纬渭伪蟿伪.
螣喂 伪蠁畏纬畏渭伪蟿喂魏苇蟼 蟿蔚蠂谓喂魏苇蟼 蟿慰蠀 桅慰蠀苇谓蟿蔚蟼 蔚委谓伪喂 蠀蟺苇蟻慰蠂蔚蟼 魏伪喂 未蠉蟽魏慰位蔚蟼.
围蟻畏蟽喂渭慰蟺慰喂蔚委 蟿蔚蠂谓喂魏苇蟼 蟺慰蠀 味蠅纬蟻伪蠁委味慰蠀谓 蟿畏 味蠅萎 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼 魏伪喂 蟿畏蟼 魏伪蟿伪未喂魏伪蟽渭苇谓畏蟼 蔚蟺伪谓维蟽蟿伪蟽畏蟼 蟽蟿慰 螠蔚尉喂魏蠈 蟺慰蠀 蔚蟺伪谓伪位萎蠁胃畏魏蔚 渭蔚 蔚蟺喂蟿蠀蠂委伪 魏伪喂 伪蟺苇蟿蠀蠂蔚 伪蟺慰 伪蠀蟿慰蠉蟼 蟺慰蠀 魏蔚蟻未萎胃畏魏蔚.
危蟿慰 蟺伪蟻蠈谓 苇蠂慰蠀渭蔚 蟺蟻蠅蟿慰蟺蟻蠈蟽蠅蟺畏 伪蠁萎纬畏蟽畏, 蟺蟻慰蟽蠅蟺喂魏萎 魏伪喂 喂未喂伪委蟿蔚蟻伪 尉蔚蠂蠅蟻喂蟽蟿萎. 螝维蟺慰蠀 蟽蟿慰 1960 蟺慰蠀 慰 螝蟻慰蠀蟼 伪纬魏伪位喂维味蔚喂 蟿慰谓 胃维谓伪蟿慰.
螝伪蟿伪魏蔚蟻渭伪蟿喂蟽渭苇谓蔚蟼 蟽魏苇蠄蔚喂蟼 蔚谓蠈蟼 蔚蟿慰喂渭慰胃维谓伪蟿慰蠀, 蔚谓伪位位伪纬苇蟼 蟽蔚 蠂蠋蟻慰蠀蟼 魏伪喂 蠂蟻蠈谓慰蠀蟼 伪蟺蟻慰蔚喂未慰蟺慰委畏蟿伪 魏伪喂 蠂伪慰蟿喂魏苇蟼 蠄蠀蠂喂魏苇蟼 魏伪蟿伪蟽蟿维蟽蔚喂蟼 渭蔚 苇谓蟿伪蟽畏 魏伪喂 伪纬蠅谓委伪 魏伪胃蠋蟼 未蔚谓 纬谓蠅蟻委味慰蠀渭蔚 伪魏蠈渭畏 蟿委蟺慰蟿伪 纬喂伪 蟿畏 味蠅萎 蟿慰蠀.
螖蔚蠉蟿蔚蟻畏 伪蠁畏纬畏渭伪蟿喂魏萎 渭慰蟻蠁萎 魏伪喂 蠁蔚蠉纬慰蠀渭蔚 伪蟺慰 蟿慰 螘螕惟 蟺维渭蔚 渭蔚 位蠀蟻喂蟽渭蠈 魏伪喂 伪蠀蟿慰魏蟻喂蟿喂魏萎 蟽蟿慰 螘危违.
螘未蠋 慰 萎蟻蠅伪蟼 渭伪蟼 尾纬伪委谓蔚喂 伪蟺慰 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀 纬喂伪 谓伪 渭蟺慰蟻苇蟽蔚喂 谓伪 蟿慰谓 魏伪蟿伪魏蟻委谓蔚喂. 围慰位萎, 未蠀蟽伪蟻苇蟽魏蔚喂伪, 胃蠀渭蠈蟼, 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏萎 苇谓蟿伪蟽畏 伪谓维渭蔚蟽伪 蟽蟿慰谓 螝蟻慰蠀蟼 魏伪喂 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀. 螝伪蟿伪未喂魏维味蔚喂, 蔚蟺伪喂谓蔚委, 胃蠀渭维蟿伪喂, 魏伪喂 蟺蟻慰蟽蟺伪胃蔚委 谓伪 尉蔚蠂维蟽蔚喂.
螆谓伪 渭苇位位慰谓 蟽蟿慰 蟺伪蟻蠈谓.
韦蟻委蟿畏 伪蠁畏纬畏渭伪蟿喂魏萎 渭苇胃慰未慰蟼 魏伪喂 蟿蟻喂蟿慰蟺蟻蠈蟽蠅蟺畏 伪蠁萎纬畏蟽畏, 蔚魏蟿蔚蟿伪渭苇谓畏 蠂蟻慰谓喂魏维 魏伪喂 蟿慰蟺喂魏维 渭苇蟽伪 伪蟺慰 蟺慰位位苇蟼 蔚蟺慰蠂苇蟼.
螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 伪蟺慰蟽蟺伪蟽渭伪蟿喂魏苇蟼, 蔚魏胃蔚蟽喂伪魏苇蟼 蟽蟿喂纬渭苇蟼, 蠈蟺慰蠀 渭伪胃伪委谓慰蠀渭蔚 蟺慰位位维 魏伪喂 伪蟺慰魏伪位蠀蟺蟿喂魏维 纬喂伪 蟿畏谓 蟺蟻慰蟽蠅蟺喂魏萎 味蠅萎 蟿慰蠀 蠂蠅蟻委蟼 谓伪 蟺蔚蟻喂位伪渭尾维谓慰谓蟿伪喂 蟽魏苇蠄蔚喂蟼 未喂魏苇蟼 蟿慰蠀 萎 维位位蠅谓.
螤蟻慰蠁伪谓蠋蟼 魏伪喂 蔚尉畏纬慰蠉谓蟿伪喂 慰喂 蟽魏苇蠄蔚喂蟼 蟿蠅谓 蟺蔚蟻委蟺位慰魏蠅谓 伪蟺慰蟽蟺伪蟽渭维蟿蠅谓 蟿慰蠀 螘螕惟 魏伪喂 蟿慰蠀 螘危违.
螆蟻蠂蔚蟿伪喂 苇谓伪蟼 蟺慰位蠀蟺蟻维纬渭蠅谓 伪蠁畏纬畏蟿萎蟼 螒违韦螣危 魏伪喂 渭伪蟼 蔚尉畏纬蔚委 渭蔚 蟺慰位位苇蟼 伪谓伪未蟻慰渭苇蟼 蟿畏 味蠅萎 蟿慰蠀 萎蟻蠅伪 渭伪蟼.
螤伪蟻维位位畏位伪 伪蠀蟿蠈 蟿慰 蟽蠀谓伪蟻蟺伪蟽蟿喂魏蠈 苇蟻纬慰 蟺伪委味蔚喂 魏伪喂 渭蔚 蟿慰 蠉蠁慰蟼, 蠅蟼 蠀蟺蠈未蔚喂纬渭伪 位慰纬慰蟿蔚蠂谓喂魏萎蟼 纬蟻伪蠁萎蟼.
违蟺蠈未蔚喂纬渭伪 蟽蠀谓蔚喂未畏蟽喂伪魏萎蟼 蟺慰蟻蔚委伪蟼, 蠂蟻慰谓喂魏蠈 魏伪喂 喂蟽蟿慰蟻喂魏蠈 谓蟿慰魏慰蠀渭苇谓蟿慰 纬喂伪 蟿畏谓 喂蟽蟿慰蟻委伪 蟿慰蠀 螠蔚尉喂魏慰蠉. 魏蠀蟻委蠅蟼 蠈位蠅谓 蟿蠅谓 魏慰喂谓蠅谓喂魏蠋谓 蟿维尉蔚蠅谓 魏伪喂 蟺慰位喂蟿喂魏蠋谓 蟺蔚蟺慰喂胃萎蟽蔚蠅谓 蟿蠅谓 伪蟺位蠋谓 伪谓胃蟻蠋蟺蠅谓.
螞蠈纬喂慰 伪谓维纬谓蠅蟽渭伪, 未慰魏委渭喂慰 蠁喂位慰蟽慰蠁委伪蟼, 蔚尉喂蟽蟿蠈蟻畏蟽畏 渭蔚 蟺喂魏维谓蟿喂魏慰 魏伪喂 位伪蠆魏蠈 蠉蠁慰蟼.
螠蠀胃喂蟽蟿蠈蟻畏渭伪 蟺慰蠀 纬蔚渭委味蔚喂 蟿慰 渭蠀伪位蠈 渭蔚 蠂蟻蠋渭伪蟿伪, 伪蟻蠋渭伪蟿伪, 渭蔚位蠅未委蔚蟼, 蟺慰位位伪蟺位苇蟼 蟿伪蠀蟿蠈蟿畏蟿蔚蟼, 喂魏伪谓苇蟼 纬喂伪 蟿伪 喂未蔚伪蟿维 魏伪喂 伪未委蟽蟿伪魏蟿蔚蟼 渭蟺蟻慰蟽蟿维 蟽蟿畏谓 蟺慰位蠀蟿苇位蔚喂伪 蟿畏蟼 蔚尉伪蠂蟻蔚委蠅蟽畏蟼. 螔喂慰纬蟻伪蠁委蔚蟼 维纬喂蠅谓 魏伪喂 伪渭伪蟻蟿蠅位蠋谓.
螚 味蠅萎 蟿慰蠀 螠蔚尉喂魏慰蠉 蟺蔚蟻谓维蔚喂 蟽伪谓 苇谓伪 尉蔚蠂蠅蟻喂蟽蟿蠈 魏伪喂 伪尉蔚蠂伪蟽蟿慰 蟿伪尉委未喂, 渭苇蟽伪 伪蟺慰 蟿慰 渭蠀伪位蠈 蔚谓蠈蟼 胃伪蠀渭维蟽喂慰蠀, 渭慰谓伪蠂喂魏慰蠉 魏伪喂 蟺蔚蟻萎蠁伪谓慰蠀 伪谓胃蟻蠋蟺慰蠀. 螘谓蠈蟼 谓蔚魏蟻慰蠉 伪谓胃蟻蠋蟺慰蠀: 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼.
螣 桅慰蠀苇谓蟿蔚蟼 苇蠂蔚喂 纬蟻维蠄蔚喂 苇谓伪 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪 蟺慰蠀 蟽蠀谓委蟽蟿伪蟿伪喂 纬喂伪 伪谓伪纬谓蠋蟽蟿蔚蟼 未喂伪蟿蔚胃蔚喂渭苇谓慰蠀蟼 谓伪 未喂伪谓蠉蟽慰蠀谓 蠂喂位喂维未蔚蟼 蠂喂位喂蠈渭蔚蟿蟻伪 纬喂伪 苇谓伪 尾喂尾位委慰...!
螝伪位萎 伪谓维纬谓蠅蟽畏.
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
February 9, 2022
賲賳 禺賱丕賱 丨賰丕賷丕鬲 丕乇鬲賷賲賷賵 賰乇賵孬 毓賳 丨賷丕鬲賴 賵賴賵 毓賱賶 賮乇丕卮 丕賱賲賵鬲
賷賰鬲亘 賰丕乇賱賵爻 賮賵賷賳鬲爻 賮賷 賲爻丕乇丕鬲 爻乇丿賷丞 賲鬲丿丕禺賱丞 毓賳 鬲丕乇賷禺 丕賱賲賰爻賷賰
丕賱鬲丕乇賷禺 丕賱爻賷丕爻賷 賵丕賱孬賵乇丞 丕賱賲賰爻賷賰賷丞 賵丕賱兀丨賵丕賱 丕賱丕賯鬲氐丕丿賷丞 賵鬲賮丕氐賷賱 丨賷丕丞 丕賱賳丕爻 丕賱賷賵賲賷丞
賷賳鬲賯賱 賮賵賷賳鬲爻 亘賷賳 丕賱丨丕囟乇 賵丕賱賲丕囟賷 賱賱丨賰賷 毓賳 丕賱匕賰乇賷丕鬲 賵丕賱兀丨賱丕賲 賵丕賱兀賵賴丕賲
賵丕賱兀賴賲 毓賳 鬲丨賵賱丕鬲 丕賱卮禺氐賷丞 賵丕賱鬲賳丕賯囟丕鬲 丕賱亘卮乇賷丞 丕賱鬲賷 鬲睾賷乇 胤亘賷毓丞 丕賱丨賷丕丞 賵丕賱丕賳爻丕賳 毓賱賶 賲丿賶 丕賱毓賲乇 丕賱胤賵賷賱
賷賰鬲亘 賰丕乇賱賵爻 賮賵賷賳鬲爻 賮賷 賲爻丕乇丕鬲 爻乇丿賷丞 賲鬲丿丕禺賱丞 毓賳 鬲丕乇賷禺 丕賱賲賰爻賷賰
丕賱鬲丕乇賷禺 丕賱爻賷丕爻賷 賵丕賱孬賵乇丞 丕賱賲賰爻賷賰賷丞 賵丕賱兀丨賵丕賱 丕賱丕賯鬲氐丕丿賷丞 賵鬲賮丕氐賷賱 丨賷丕丞 丕賱賳丕爻 丕賱賷賵賲賷丞
賷賳鬲賯賱 賮賵賷賳鬲爻 亘賷賳 丕賱丨丕囟乇 賵丕賱賲丕囟賷 賱賱丨賰賷 毓賳 丕賱匕賰乇賷丕鬲 賵丕賱兀丨賱丕賲 賵丕賱兀賵賴丕賲
賵丕賱兀賴賲 毓賳 鬲丨賵賱丕鬲 丕賱卮禺氐賷丞 賵丕賱鬲賳丕賯囟丕鬲 丕賱亘卮乇賷丞 丕賱鬲賷 鬲睾賷乇 胤亘賷毓丞 丕賱丨賷丕丞 賵丕賱丕賳爻丕賳 毓賱賶 賲丿賶 丕賱毓賲乇 丕賱胤賵賷賱
March 13, 2023
协褌芯褌 褉芯屑邪薪 屑薪械 锌芯褋芯胁械褌芯胁邪谢邪 Daisyread 懈 褟 芯褔械薪褜 斜谢邪谐芯写邪褉薪邪 械泄 蟹邪 褝褌芯. 袧芯胁邪褌芯褉褋泻懈泄 懈 锌芯谢薪褘泄 谢懈褌械褉邪褌褍褉薪褘褏 褝泻褋锌械褉懈屑械薪褌芯胁, 褋芯 褋谢芯卸薪芯泄 泻芯屑锌芯蟹懈褑懈械泄, 褉芯屑邪薪 锌褉械写褋褌邪胁谢褟械褌 褋芯斜芯泄 锌芯褌芯泻 褋芯蟹薪邪薪懈褟 褍屑懈褉邪褞褖械谐芯 懈 蟹邪泻芯谢褜褑芯胁邪薪, 薪邪褔懈薪邪褟褋褜 褋 邪谐芯薪懈懈, 写邪谢械械 胁芯褋锌芯屑懈薪邪薪懈褟屑懈 锌褉芯褏芯写懈褌 褋泻胁芯蟹褜 胁褋褞 卸懈蟹薪褜 芯褌 褉褍泻芯胁芯写褋褌胁邪 斜懈蟹薪械褋-懈屑锌械褉懈懈, 卸械薪懈褌褜斜械 薪邪 袣邪褌邪谢懈薪械 褋 褑械谢褜褞 蟹邪胁谢邪写械薪懈褟 懈屑械薪懈械屑, 谢褞斜胁懈 泻 袪械褏懈薪械, 褍褔邪褋褌懈械屑 胁 谐褉邪卸写邪薪褋泻芯泄 胁芯泄薪械, 写械褌褋褌胁芯屑, 褉芯卸写械薪懈械屑 懈 蟹邪泻邪薪褔懈胁邪械褌褋褟 褋屑械褉褌褜褞.
携, 孝褘, 袨薪 鈥� 褌邪泻 褉邪蟹屑褘褕谢褟械褌 褍屑懈褉邪褞褖懈泄 屑懈谢谢懈芯薪械褉 袗褉褌械屑懈芯 袣褉褍褍褋 芯 褋械斜械 懈 褋胁芯械泄 卸懈蟹薪懈 懈 褝褌懈 褌褉懈 褋邪屑芯懈写械薪褌懈褎懈泻邪褑懈懈 褋芯褋褌邪胁谢褟褞褌 褌褉懈 锌械褉械锌谢械褌邪褞褖懈褏褋褟 锌谢邪褋褌邪 锌芯胁械褋褌胁芯胁邪薪懈褟. 携 鈥� 褝褌芯 锌械褉懈芯写 褋械泄褔邪褋, 锌械褉懈芯写 褌械谢械褋薪褘褏 屑褍泻, 泻芯谐写邪 芯薪 褋褌褉邪写邪械褌, 懈褋锌褘褌褘胁邪械褌 斜芯谢褜 懈 褋褌褉邪褏 邪谐芯薪懈懈, 薪芯 褍褋锌械胁邪械褌 芯褌写邪胁邪褌褜 褉邪褋锌芯褉褟卸械薪懈褟 褋胁芯械屑褍 胁械褉薪芯屑褍 邪写屑懈薪懈褋褌褉邪褌芯褉褍 袩邪写懈谢褜械, 褉邪褋锌芯褉褟卸械薪懈褟, 褋胁褟蟹邪薪薪褘械 褋 褍泻褉械锌谢械薪懈械屑 屑芯谐褍褖械褋褌胁邪 械谐芯 斜懈蟹薪械褋-懈屑锌械褉懈懈. 袨薪 鈥� 褝褌芯 袗褉褌械屑懈芯 胁 屑芯谢芯写芯褋褌懈, 泻芯谐写邪 芯薪 褋褉邪卸邪谢褋褟 胁 褉褟写邪褏 泻邪褉褉邪薪褋懈褋褌芯胁 胁 谐芯写褘 屑械泻褋懈泻邪薪褋泻芯泄 褉械胁芯谢褞褑懈懈. 孝褘 鈥� 褝褌芯 谐芯谢芯褋 斜褍写褍褖械谐芯 懈蟹 锌褉芯褕谢芯谐芯 懈谢懈 薪邪褋褌芯褟褖械谐芯, 械褋谢懈 褏芯褌懈褌械, 谐芯谢芯褋 褋褍写褜斜褘, 谐芯谢芯褋 锌褉械写芯锌褉械写械谢械薪懈褟, 斜芯卸械褋褌胁械薪薪芯械 胁 褋械斜械. 芦袧懈泻褌芯, 泻褉芯屑械 褌械斜褟, 薪邪胁械褉薪芯械, 薪械 褍蟹薪邪械褌, 褔褌芯 胁褋褟 卸懈蟹薪褜 褌胁芯褟 斜褍写械褌 褋芯褌泻邪薪邪 懈蟹 褉邪蟹薪芯褑胁械褌薪褘褏 薪懈褌械泄, 泻邪泻, 胁锌褉芯褔械屑, 懈 卸懈蟹薪褜 写褉褍谐懈褏 谢褞写械泄; 褔褌芯 褍 褌械斜褟 斜褍写械褌 泻邪泻 褉邪蟹 褋褌芯谢褜泻芯 胁芯蟹屑芯卸薪芯褋褌械泄 鈥� 薪懈 芯写薪芯泄 屑械薪褜褕械, 薪懈 芯写薪芯泄 斜芯谢褜褕械, - 褋泻芯谢褜泻芯 薪褍卸薪芯, 褔褌芯斜褘 胁褘谢械锌懈褌褜 卸懈蟹薪褜 锌芯 卸械谢邪械屑芯屑褍 芯斜褉邪蟹褑褍. 袠 械褋谢懈 孝褘 褋褌邪薪械褕褜 懈屑械薪薪芯 褋芯斜芯褞, 邪 薪械 泻械屑-褌芯 写褉褍谐懈屑, 褌芯 鈥� 泻邪泻 褝褌芯 薪懈 锌邪褉邪写芯泻褋邪谢褜薪芯, - 谢懈褕褜 锌芯褌芯屑褍, 褔褌芯 褌械斜械 锌褉懈写械褌褋褟 胁褘斜懈褉邪褌褜. 袠 泻邪卸写褘泄 褌胁芯泄 胁褘斜芯褉 薪械 懈褋泻谢褞褔懈褌 写褉褍谐懈褏 锌褍褌械泄 胁 锌褉械写褋褌芯褟褖械泄 褌械斜械 卸懈蟹薪懈, 薪械 锌芯褏芯褉芯薪懈褌 褌芯, 褔褌芯 褔褌芯 锌褉懈写械褌褋褟 芯褌斜褉芯褋懈褌褜, 薪芯 卸懈蟹薪械薪薪芯械 褉褍褋谢芯 斜褍写械褌 褋褍卸邪褌褜褋褟, 褋褍卸邪褌褜褋褟, 锌芯泻邪 薪邪泻芯薪械褑 褌胁芯泄 胁褘斜芯褉 懈 褌胁芯褟 写芯谢褟 薪械 褋褌邪薪褍褌 芯写薪懈屑 懈 褌械屑 卸械.禄 袙 褎懈薪邪谢械 谐械褉芯泄 蟹邪写邪械褌褋褟 胁芯锌褉芯褋芯屑 褋邪屑芯懈写械薪褌懈褎懈泻邪褑懈懈, 泻褌芯 卸械 芯薪: 芦携 鈥� 薪械 蟹薪邪褞鈥� 薪械 蟹薪邪褞. 袨薪 鈥� 褝褌芯 褟? 孝褘 鈥� 褝褌芯 斜褘谢 芯薪? 袠谢懈 褟 鈥� 褝褌芯 胁褋械 褌褉芯械? 孝褘鈥� 褟 薪械褋褍 褌械斜褟 胁 褋械斜械, 懈 褌褘 褍屑褉械褕褜 褋芯 屑薪芯褞鈥� 袚芯褋锌芯写懈 袘芯卸械鈥� 袨薪鈥� 褟 薪械褋 械谐芯 胁 褋械斜械, 懈 芯薪 褍屑褉械褌 褋芯 屑薪芯褞鈥β�
袨写薪懈屑 懈蟹 芯斜褗械泻褌芯胁 胁薪懈屑邪薪懈褟 锌懈褋邪褌械谢褟 褟胁谢褟械褌褋褟 胁褉械屑褟, 懈屑械薪薪芯 褝褌芯泄 褑械谢懈 锌芯写褔懈薪械薪芯 褉邪蟹写械谢械薪懈械 胁褉械屑械薪薪褘褏 锌谢邪褋褌芯胁 锌芯胁械褋褌胁芯胁邪薪懈褟 薪邪 携, 孝褘 懈 袨薪. 袙 邪褑褌械泻褋泻芯屑 泻邪谢械薪写邪褉械 褑懈泻谢 褋芯褋褌邪胁谢褟械褌 52 谐芯写邪, 懈屑械薪薪芯 褋褌芯谢褜泻芯 写谢懈褌褋褟 邪泻褌懈胁薪邪褟 褋芯褑懈邪谢褜薪邪褟 卸懈蟹薪褜 袗褉褌械屑懈芯 袣褉褍褋邪, 锌褉懈褔械屑 写邪褌邪 褉芯卸写械薪懈褟 褋芯胁锌邪写邪械褌 褋 写邪褌芯泄 褋屑械褉褌懈. 孝褘 褋褌邪薪械褕褜 懈蟹屑械褉褟褌褜 褏芯写 褋胁芯械泄 卸懈蟹薪懈 胁褉械屑械薪械屑, 胁褉械屑械薪械屑, 泻芯褌芯褉芯械 孝褘 胁褘写褍屑邪械褕褜, 褔褌芯斜褘 卸懈褌褜 写芯谢褜褕械, 褔褌芯斜褘 褋芯蟹写邪褌褜 懈谢谢褞蟹懈褞 斜芯谢械械 写谢懈褌械谢褜薪芯谐芯 锌褉械斜褘胁邪薪懈褟 薪邪 蟹械屑谢械. 袙褉械屑褟 斜褍写械褌 锌芯褉芯卸写械薪芯 褌胁芯懈屑 褉邪蟹褍屑芯屑, 泻芯褌芯褉褘泄 褋屑芯卸械褌 锌芯褋褌懈谐薪褍褌褜 褔械褉械写芯胁邪薪懈械 褋胁械褌邪 懈 褌褜屑褘 胁 泻胁邪写褉邪薪褌械 褋薪邪; 褋屑芯卸械褌 蟹邪褎懈泻褋懈褉芯胁邪褌褜 芯褔械褉械写薪芯褋褌褜 斜械谐褍褖懈褏 芯斜褉邪蟹芯胁: 芯谐褉芯屑薪褘褏 褔械褉薪褘褏 褌褍褔 鈥� 锌褉械写胁械褋褌薪懈泻芯胁 谐褉芯屑邪, 褋胁械褉泻邪褞褖械泄 屑芯谢薪懈懈, 谐褉芯褏芯褔褍褖械谐芯 谢懈胁薪褟, 薪械写胁懈卸薪芯泄 褉邪写褍谐懈; 褋屑芯卸械褌 褉邪褋锌芯蟹薪邪胁邪褌褜 蟹胁褍泻懈 胁褉械屑械薪懈: 胁芯锌谢懈 谐芯写芯胁 胁芯泄薪褘, 褋褌芯薪褘 屑械褋褟褑械胁 褌褉邪褍褉邪, 泻褉懈泻懈 写薪械泄 锌褉邪蟹写薪懈泻邪, 胁械褋械薪薪懈械 锌褉懈蟹褘胁褘 谢械褋薪褘褏 蟹胁械褉械泄. 袪邪蟹褍屑 褋屑芯卸械褌 薪邪泻芯薪械褑 薪邪谐褉邪写懈褌褜 胁褉械屑褟 褋锌芯褋芯斜薪芯褋褌褜褞 谐芯胁芯褉懈褌褜, 胁械褖邪褌褜, 锌褉懈泻邪蟹褘胁邪褌褜 鈥� 薪械褋褍褖械褋褌胁褍褞褖械械 胁褉械屑褟 胁褋械谢械薪薪芯泄, 泻芯褌芯褉邪褟 薪械 蟹薪邪械褌 胁褉械屑械薪懈, 锌芯褌芯屑褍 褔褌芯 芯薪芯 薪懈泻芯谐写邪 薪械 薪邪褔懈薪邪谢芯褋褜 懈 薪懈泻芯谐写邪 薪械 泻芯薪褔懈褌褋褟, 薪械 懈屑械械褌 薪懈 泻芯薪褑邪, 薪懈 薪邪褔邪谢邪 鈥� 懈蟹芯斜褉械褌械薪薪邪褟 褌芯斜芯泄 屑械褉邪 斜械褋泻芯薪械褔薪芯褋褌懈, 褍褏懈褖褉械薪懈械 蟹写褉邪胁芯谐芯 褋屑褘褋谢邪. 孝褘 锌褉懈写褍屑邪械褕褜 懈 褋褌邪薪械褕褜 芯褌褋褔懈褌褘胁邪褌褜 薪械褋褍褖械褋褌胁褍褞褖械械 胁褉械屑褟.
袧械褋褔邪褋褌褜械 褋褌褉邪薪褘 蟹邪泻谢褞褔邪谢芯褋褜 胁 褌芯屑, 褔褌芯 泻邪卸写芯械 薪芯胁芯械 锌芯泻芯谢械薪懈械, 写芯谢卸薪芯 薪懈蟹胁械褉谐邪褌褜 锌褉械卸薪懈褏 胁谢邪褋褌懈褌械谢械泄 懈 蟹邪屑械薪懈褌褜 懈褏 薪芯胁褘屑懈 褏芯蟹褟械胁邪屑懈, 褌邪泻懈屑懈 卸械 褏懈褖薪褘屑懈 懈 泻芯褉褘褋褌薪褘屑懈, 泻邪泻 锌褉械卸薪懈械. 袠 胁芯褌, 薪邪 褋屑械薪褍 褋褌邪褉懈泻褍 袚邪屑邪谢懈褝谢褞 锌褉懈褏芯写懈褌 锌芯泻邪 械褖械 袨薪. 袨薪 写邪卸械 薪械 褍锌芯屑褟薪褍谢 芯 褑械谢懈 褋胁芯械谐芯 胁懈蟹懈褌邪, 胁芯泄写褟 胁 写芯屑. 小褌邪褉懈泻 褋褉邪蟹褍 褉邪褋泻褍褋懈谢, 褔褌芯 褝褌芯 - 褔械谢芯胁械泻 薪芯胁褘褏 卸懈蟹薪械薪薪褘褏 锌褉懈薪褑懈锌芯胁, 胁褘泻芯胁邪薪薪褘褏 胁 谐芯褉薪懈谢械 胁芯泄薪褘 鈥� 懈谐褉邪褌褜 胁邪-斜邪薪泻, 懈斜芯 褌械褉褟褌褜 械屑褍 薪械褔械谐芯, 褋褌褉械屑懈褌褜褋褟 芯胁谢邪写械褌褜 锌褉邪胁邪屑懈, 蟹邪胁芯械胁邪薪薪褘屑懈 褑械薪芯泄 卸械褉褌胁, 褋褉邪卸械薪懈泄, 褉邪薪. 袙褋褌褉械褌懈胁 薪邪褋褌芯褟褖褍褞, 斜芯谢褜褕褍褞 谢褞斜芯胁褜 胁芯 胁褉械屑褟 胁芯泄薪褘 鈥� 袪械褏懈薪褍, 芯薪 薪械 褋屑芯谐 械械 褍斜械褉械褔褜, 械械 锌芯胁械褋懈谢懈 褋芯谢写邪褌褘 褋 锌褉芯褌懈胁芯斜芯褉褋褌胁褍褞褖械泄 褋褌芯褉芯薪褘.
小褌褉邪褕薪械械 谐褉邪卸写邪薪褋泻芯泄 胁芯泄薪褘 薪懈褔械谐芯 薪械 屑芯卸械褌 斜褘褌褜. 袙 袦械泻褋懈泻械, 芯薪邪 锌械褉械褉芯写懈谢邪褋褜 胁 胁芯泄薪褍 谐褉褍锌锌懈褉芯胁芯泻, - 褝褌芯 械褖械 斜芯谢褜褕械械 褉邪蟹写褉芯斜谢械薪懈械, 褝褌芯 械褖械 斜芯谢褜褕懈泄 褉邪褋泻芯谢 芯斜褖械褋褌胁邪 薪邪 屑械谢泻懈械, 薪械锌褉懈屑懈褉懈屑褘械 芯褋泻芯谢泻懈. 芦袛邪卸械 褟泻懈, 泻芯褌芯褉褘泄 褋薪邪褔邪谢邪 褕械谢 胁芯械胁邪褌褜 蟹邪 褋胁芯懈 蟹械屑谢懈, 褌械锌械褉褜 褋褉邪卸邪械褌褋褟 褌芯谢褜泻芯 蟹邪 谐械薪械褉邪谢邪 袨斜褉械谐芯薪邪 懈 锌褉芯褌懈胁 谐械薪械褉邪谢邪 袙懈谢褜褟.禄 袛芯 胁芯泄薪褘 谐褉褍锌锌懈褉芯胁芯泻, 胁芯 胁褉械屑褟 褉械胁芯谢褞褑懈懈, 泻褉械褋褌褜褟薪械 芯褋胁芯斜芯卸写邪谢懈褋褜 芯褌 写芯谢谐芯胁芯泄 泻邪斜邪谢褘, 斜芯谐邪褌械械胁-褋锌械泻褍谢褟薪褌芯胁 褝泻褋锌褉芯锌褉懈懈褉芯胁邪谢懈, 锌芯谢懈褌懈褔械褋泻懈褏 蟹邪泻谢褞褔械薪薪褘褏 芯褋胁芯斜芯卸写邪谢懈. 袧芯 蟹邪泻芯薪褔懈谢芯褋褜 褌械屑, 褔褌芯 胁 芯褌褋褍褌褋褌胁懈械 褋懈谢褜薪芯谐芯 谢懈写械褉邪, 褉邪褋锌谢芯写懈谢懈褋褜 泻邪褍写懈谢褜芯 鈥� 胁芯卸写懈. 芦孝械, 泻褌芯 褏芯褔械褌 薪邪褋褌芯褟褖械泄 褉械胁芯谢褞褑懈懈, 斜械褋泻芯屑锌褉芯屑懈褋褋薪芯泄, 斜械蟹 胁褋褟泻懈褏 褋泻懈写芯泻, - 泻 褋芯卸邪谢械薪懈褞, 谢褞写懈 薪械胁械卸械褋褌胁械薪薪褘械 懈 泻褉芯胁芯卸邪写薪褘械. 袗 懈薪褌械谢谢懈谐械薪褌褘 褏芯褌褟褌 褉械胁芯谢褞褑懈褞 锌芯谢芯胁懈薪褔邪褌褍褞, 泻芯褌芯褉邪褟 薪械 蟹邪褌褉芯薪械褌 懈褏 懈薪褌械褉械褋芯胁, 薪械 锌芯屑械褕邪械褌 懈屑 斜谢邪谐芯写械薪褋褌胁芯胁邪褌褜, 卸懈褌褜 胁 褋胁芯械 褍写芯胁芯谢褜褋褌胁懈械, 蟹邪屑械薪懈褌褜 褋芯斜芯褞 褝谢懈褌褍 写芯薪邪 袩芯褉褎懈褉懈芯. 袙 褝褌芯屑 写褉邪屑邪 袦械泻褋懈泻懈.禄 袘褘谢懈 懈 泻邪褉褉邪薪懈褋褌褘, 懈 胁懈谢褜懈褋褌褘, 懈 褋邪锌邪褌懈褋褌褘 懈 泻芯谐芯 褌芯谢褜泻芯 薪械 斜褘谢芯... 芦袧邪褕懈 谢褞写懈, 泻邪泻 褟褖械褉懈褑褘: 芯薪懈 屑械薪褟褞褌 泻芯卸褍 锌芯写 褑胁械褌 蟹械屑谢懈, 锌褉褟褔褍褌褋褟 胁 褋胁芯懈褏 褏懈卸懈薪邪褏, 褋薪芯胁邪 芯斜褉褟卸邪褞褌褋褟 胁 褌褉褟锌褜械 锌械芯薪芯胁 懈 卸写褍褌 褔邪褋邪, 褔褌芯斜褘 芯锌褟褌褜 懈写褌懈 胁 斜芯泄禄. 协褌芯 斜褘谢芯 胁褉械屑褟, 泻芯谐写邪 谐褉邪斜械卸懈 芯锌褉邪胁写褘胁邪谢懈褋褜 懈屑械薪械屑 褉械胁芯谢褞褑懈懈, 懈 屑械谢泻懈械 泻邪褍写懈谢褜芯 锌褉芯褋谢邪胁谢褟谢懈 褋械斜褟 胁芯 懈屑褟 褉械胁芯谢褞褑懈懈 鈥� 褋锌谢芯褕薪邪褟 褔械褉械写邪 锌褉械写邪褌械谢褜褋褌胁 懈 懈蟹屑械薪.
袨薪 褍屑懈褉邪械褌 胁 芯泻褉褍卸械薪懈懈 褉芯写褋褌胁械薪薪懈泻芯胁, 薪芯 薪邪 褋邪屑芯屑 写械谢械 芯薪 褋褌褉邪褕薪芯 芯写懈薪芯泻. 袣邪褌邪谢懈薪邪, 械谐芯 卸械薪邪 鈥� 泻谢褍斜芯泻 锌褉芯褌懈胁芯褉械褔懈泄, 锌芯 薪芯褔邪屑 芯薪邪 薪邪褋谢邪卸写邪谢邪褋褜 胁 芯斜褗褟褌懈褟褏 袗褉褌械屑懈芯, 邪 写薪械屑 芯薪邪 胁械谢邪 褋械斜褟 写械屑芯薪褋褌褉邪褌懈胁薪芯 褏芯谢芯写薪芯. 袨薪邪 薪械 屑芯谐谢邪 锌褉芯褋褌懈褌褜 屑褍卸褍 褋屑械褉褌褜 斜褉邪褌邪 袚芯薪褋邪谢芯 袘械褉薪邪谢褟, 褋 泻芯褌芯褉褘屑 芯薪 斜褘谢 胁 锌谢械薪褍 褍 胁懈谢褜懈褋褌芯胁. 袘褉邪褌邪 褉邪褋褋褌褉械谢褟谢懈, 邪 袗褉褌械屑懈芯 褏懈褌褉芯褋褌褜褞 蟹邪褋褌邪胁懈谢 锌芯谢泻芯胁薪懈泻邪 小邪谐邪谢褟 褍褔邪褋褌胁芯胁邪褌褜 胁 锌芯械写懈薪泻械, 写芯褕械谢 写芯 薪械胁懈写懈屑芯谐芯 斜邪褉褜械褉邪, 锌芯褋谢械 泻芯褌芯褉芯谐芯 褍褋谢芯胁懈谢懈褋褜, 褔褌芯 小邪谐邪谢褜 褋褌褉械谢褟褌褜 薪械 斜褍写械褌, 懈 泻芯胁邪褉薪芯 蟹邪褋褌褉械谢懈谢 械谐芯. 袨 屑芯褉邪谢褜薪褘褏 泻邪褔械褋褌胁邪褏 袣褉褍褋邪 褋胁懈写械褌械谢褜褋褌胁褍械褌 懈 褌芯, 褔褌芯 芯薪 屑芯谐 胁褘薪械褋褌懈 懈蟹 斜芯褟 褉邪薪械薪芯谐芯 斜芯泄褑邪, 薪芯 芯褋褌邪胁懈谢 械谐芯 褍屑懈褉邪褌褜. 袣褉褍褋 薪邪 褎芯薪械 褋胁芯械泄 褋械屑褜懈 泻邪卸械褌褋褟, 锌褍褋褌褜 卸械褋褌芯泻懈屑, 薪械褋锌褉邪胁械写谢懈胁褘屑 懈 泻芯胁邪褉薪褘屑, 薪芯 写械褟褌械谢械屑, 锌褍褋褌褜 懈 褋 薪械谐邪褌懈胁薪褘屑 褋屑褘褋谢芯屑. 袝谐芯 卸械薪邪, 写芯褔褜 懈 蟹褟褌褜 鈥� 薪邪褋褌芯褟褖懈械 锌邪褉邪蟹懈褌褘, 芯薪懈 薪械 胁 褋懈谢邪褏 写芯卸写邪褌褜褋褟 褋屑械褉褌懈 懈 褌械褉蟹邪褞褖懈械 褍屑懈褉邪褞褖懈械 胁芯锌褉芯褋邪屑懈, 谐写械 薪邪褏芯写懈褌褋褟 蟹邪胁械褖邪薪懈械. 袝写懈薪褋褌胁械薪薪褘泄, 泻 泻芯屑褍 褍 薪械谐芯 褌械锌谢褘械 褔褍胁褋褌胁邪 鈥� 袥芯褉械薪褋芯, 泻芯褌芯褉褘泄 褍屑械褉 胁 袠褋锌邪薪懈懈 胁 1939 谐芯写褍, 褍屑械褉, 泻邪泻 谐械褉芯泄. 袠 谐写械-褌芯 胁 谐谢褍斜懈薪械 写褍褕懈 袗褉褌械屑懈芯 写褍屑邪械褌, 褔褌芯 芯薪 褌芯卸械 写芯谢卸械薪 斜褘谢 褌邪泻 褍屑械褉械褌褜.
袛邪 芯薪 芯褋褌邪胁懈谢 懈屑 薪邪褋谢械写褋褌胁芯. 芦孝褘 芯褋褌邪胁懈褕褜 胁 薪邪褋谢械写褋褌胁芯 薪械薪褍卸薪褘械 褋屑械褉褌懈, 屑械褉褌胁褘械 懈屑械薪邪; 懈屑械薪邪 褌械褏, 泻褌芯 锌芯谐懈斜, 褔褌芯斜褘 薪械 锌芯谐懈斜谢芯 褌胁芯械 懈屑褟; 懈屑械薪邪 谢褞写械泄, 谢懈褕械薪薪褘褏 胁褋械谐芯, 褔褌芯斜褘 胁褋械屑 芯斜谢邪写邪谢芯 褌胁芯械 懈屑褟; 懈屑械薪邪 谢褞写械泄, 蟹邪斜褘褌褘褏 写谢褟 褌芯谐芯, 褔褌芯斜褘 薪懈泻芯谐写邪 薪械 斜褘谢芯 蟹邪斜褘褌芯 褌胁芯械 懈屑褟. 孝褘 芯褋褌邪胁懈褕褜 胁 薪邪褋谢械写褋褌胁芯 褝褌褍 褋褌褉邪薪褍, 芯褋褌邪胁懈褕褜 褋胁芯褞 谐邪蟹械褌褍, 褕械锌芯褌芯泻 懈 谢械褋褌褜; 褋芯胁械褋褌褜, 褍斜邪褞泻邪薪薪褍褞 谢卸懈胁褘屑懈 褉械褔邪屑懈 褋械褉械薪褜泻懈褏 谢褞写懈褕械泻; 懈 芯褋褌邪胁懈褕褜 蟹邪泻谢邪写薪褘械, 褉邪蟹谢芯卸懈胁褕懈泄褋褟 泻谢邪褋褋, 胁谢邪褋褌褜 斜械蟹 胁械谢懈褔懈褟, 芯斜芯卸械褋褌胁谢褟械屑褍褞 褌褍锌芯褋褌褜, 锌谢械斜械泄褋泻芯械 褌褖械褋谢邪胁懈械, 褕褍褌芯胁褋泻芯械 锌芯薪褟褌懈械 芯 写芯谢谐械, 锌褍褋褌芯械 泻褉邪褋薪芯斜邪泄褋褌胁芯, 斜芯褟蟹薪褜 锌械褉械屑械薪, 屑械谢泻懈泄 褝谐芯懈蟹屑. 孝褘 芯褋褌邪胁懈褕褜 胁 薪邪褋谢械写褋褌胁芯 褝褌褍 褋褌褉邪薪褍, 芯褋褌邪胁懈褕褜 褋胁芯褞 谐邪蟹械褌褍, 褕械锌芯褌芯泻 懈 谢械褋褌褜; 褋芯胁械褋褌褜, 褍斜邪褞泻邪薪薪褍褞 谢卸懈胁褘屑懈 褉械褔邪屑懈 褋械褉械薪褜泻懈褏 谢褞写懈褕械泻; 懈 芯褋褌邪胁懈褕褜 蟹邪泻谢邪写薪褘械, 褉邪蟹谢芯卸懈胁褕懈泄褋褟 泻谢邪褋褋, 胁谢邪褋褌褜 斜械蟹 胁械谢懈褔懈褟, 芯斜芯卸械褋褌胁谢褟械屑褍褞 褌褍锌芯褋褌褜, 锌谢械斜械泄褋泻芯械 褌褖械褋谢邪胁懈械, 褕褍褌芯胁褋泻芯械 锌芯薪褟褌懈械 芯 写芯谢谐械, 锌褍褋褌芯械 泻褉邪褋薪芯斜邪泄褋褌胁芯, 斜芯褟蟹薪褜 锌械褉械屑械薪, 屑械谢泻懈泄 褝谐芯懈蟹屑. 孝褘 芯褋褌邪胁懈褕褜 胁 薪邪褋谢械写褋褌胁芯 锌芯谢懈褌懈泻邪薪芯胁-胁芯褉芯胁, 褋懈薪写懈泻邪褌褘 薪邪 褋谢褍卸斜械 锌褉械写锌褉懈薪懈屑邪褌械谢械泄, 薪芯胁褘械 谢邪褌懈褎褍薪写懈懈, 邪屑械褉懈泻邪薪褋泻懈械 泻邪锌懈褌邪谢芯胁谢芯卸械薪懈褟, 褉邪斜芯褔懈褏 胁 褌褞褉褜屑邪褏, 斜芯谢褜褕褍褞 锌褉械褋褋褍, 褋锌械泻褍谢褟薪褌芯胁 懈 斜邪褌褉邪泻芯胁, 褋泻芯褌芯胁芯写芯胁 懈 褌邪泄薪褘褏 邪谐械薪褌芯胁, 蟹邪谐褉邪薪懈褔薪褘械 胁泻谢邪写褘, 锌褉芯写邪卸薪褘褏 斜懈褉卸械胁懈泻芯胁, 写械锌褍褌邪褌芯胁-锌芯写褏邪谢懈屑芯胁, 屑懈薪懈褋褌褉芯胁-褋褌褟卸邪褌械谢械泄, 褝谢械谐邪薪褌薪芯械 锌芯谢懈褌懈泻邪薪褋褌胁芯, 薪邪褑懈芯薪邪谢褜薪褘械 褞斜懈谢械懈 懈 锌邪屑褟褌薪褘械 写薪懈, 谐褉褟蟹褜 懈 褔械褉胁懈胁褘械 谢械锌械褕泻懈, 薪械谐褉邪屑芯褌薪褘褏 懈薪写械泄褑械胁, 斜械蟹褉邪斜芯褌薪褘褏 屑褍卸褔懈薪 懈 卸械薪褖懈薪, 褌芯谢褋褌芯斜褉褞褏芯械, 胁芯芯褉褍卸械薪薪褘褏 邪泻胁邪谢邪薪谐邪屑懈 懈 邪泻褑懈褟屑懈; 谐芯谢芯写邪褞褖懈褏, 胁芯芯褉褍卸械薪薪褘褏 薪芯谐褌褟屑懈. 袩褍褋褌褜 斜械褉褍褌 褋胁芯褞 袦械泻褋懈泻褍, 锌褍褋褌褜 斜械褉褍褌 褌胁芯械 蟹邪胁械褖邪薪懈械. 孝褘 芯褋褌邪胁懈褕褜 胁 薪邪褋谢械写褋褌胁芯 谢褞写械泄, 芯斜褘泻薪芯胁械薪薪褘褏, 薪械蟹薪邪泻芯屑褘褏; 谢褞写械泄 斜械蟹 蟹邪胁褌褉邪褕薪械谐芯 写薪褟, 锌芯褌芯屑褍 褔褌芯 芯薪懈 写械谢邪褞褌 褋胁芯懈 写械谢邪 褋械谐芯写薪褟, 谐芯胁芯褉褟褌 鈥� 褋械谐芯写薪褟, 褋褍褖械褋褌胁褍褞褌 褌芯谢褜泻芯 胁 薪邪褋褌芯褟褖械屑, 懈 褋邪屑懈 芯薪懈 鈥� 褋械谐芯写薪褟褕薪懈泄 写械薪褜. 袨薪懈 谐芯胁芯褉褟褌: 芦蟹邪胁褌褉邪禄, 薪芯 懈屑 薪械褌 写械谢邪 写芯 蟹邪胁褌褉邪. 孝褘 斜褍写械褕褜 谐褉褟写褍褖懈屑, 褌芯谐芯 薪械 胁械写邪褟; 褌褘 懈褋褔械蟹薪械褕褜 褋械谐芯写薪褟, 写褍屑邪褟 芯 蟹邪胁褌褉邪褕薪械屑 写薪械. 袨薪懈 斜褍写褍褌 卸懈褌褜 蟹邪胁褌褉邪 褌芯谢褜泻芯 锌芯褌芯屑褍, 褔褌芯 卸懈胁褍褌 褋械谐芯写薪褟褕薪懈屑 写薪械屑. 孝胁芯泄 薪邪褉芯写. 孝胁芯褟 褋屑械褉褌褜: 褌褘 鈥� 卸懈胁芯褌薪芯械, 泻芯褌芯褉芯械 锌褉械写胁懈写懈褌 褋胁芯褞 褋屑械褉褌褜, 胁芯褋锌械胁邪械褌 褋胁芯褞 褋屑械褉褌褜, 谐芯胁芯褉懈褌 芯 薪械泄, 懈蟹芯斜褉邪卸邪械褌 胁 褌邪薪褑械, 褉懈褋褍械褌 械械, 胁褋锌芯屑懈薪邪械褌 芯 薪械泄 写芯 褌芯谐芯, 泻邪泻 褍屑褉械褌. 孝胁芯褟 蟹械屑谢褟. 孝褘 薪械 褍屑褉械褕褜 斜械蟹胁芯蟹胁褉邪褌薪芯.禄
袪芯屑邪薪 蟹邪写邪械褌 褎懈谢芯褋芯褎褋泻懈械 胁芯锌褉芯褋褘, 褉邪写懈 褔械谐芯 卸懈谢 褝褌芯褌 褔械谢芯胁械泻? 袪邪写懈 褔械谐芯 芯薪 褍斜懈胁邪谢 谢褞写械泄 胁芯 胁褉械屑褟 谐褉邪卸写邪薪褋泻芯泄 胁芯泄薪褘, 褉邪写懈 褔械谐芯 芯薪 褉邪蟹芯褉褟谢 泻褉械褋褌褜褟薪 胁芯 胁褉械屑褟 褍锌褉邪胁谢械薪懈褟 懈屑械薪懈械屑 袚邪屑邪谢懈褝谢褟, 褉邪写懈 褔械谐芯 芯薪 谐褉褟蟹薪褘屑懈 屑械褌芯写邪屑懈 写褍褕懈谢 褋胁芯斜芯写薪褍褞 锌褉械褋褋褍, 斜芯褉芯谢褋褟 褋 锌褉芯褎褋芯褞蟹邪屑懈 懈 褋芯蟹写邪胁邪谢 褎械泄泻懈, 写械蟹懈薪褎芯褉屑邪褑懈褞, 褋锌谢械褌薪懈 懈 泻谢械胁械褌褍 胁 褋胁芯械泄 谐邪蟹械褌械 写谢褟 褌芯谐芯, 褔褌芯斜褘 褉邪褋锌褉邪胁懈褌褜褋褟 褋 泻芯薪泻褍褉械薪褌邪屑懈 懈谢懈 锌褉芯褌懈胁薪懈泻邪屑懈? 袨薪 锌褉懈蟹薪邪械褌, 褔褌芯 械写懈薪褋褌胁械薪薪芯, 褔褌芯 芯薪 谢褞斜懈谢 鈥� 褝褌芯 胁械褖懈, 褉芯褋泻芯褕薪褘械 胁械褖懈. 袧械褍卸械谢懈 胁褋械 褝褌芯 芯薪 写械谢邪谢 褉邪写懈 胁械褖械泄? 小褌邪谢 斜褘 芯薪 写褉褍谐懈屑, 械褋谢懈 斜褘 袪械褏懈薪邪 芯褋褌邪谢邪褋褜 卸懈胁邪 懈谢懈 斜褘谢芯 斜褘 胁褋械 褌芯 卸械 褋邪屑芯械, 褌芯谢褜泻芯 褋 薪械泄? 袙芯 懈屑褟 褔械谐芯 斜褘谢邪 褝褌邪 褉械胁芯谢褞褑懈褟 懈 斜褉邪褌芯褍斜懈泄褋褌胁械薪薪邪褟 胁芯泄薪邪?
携, 孝褘, 袨薪 鈥� 褌邪泻 褉邪蟹屑褘褕谢褟械褌 褍屑懈褉邪褞褖懈泄 屑懈谢谢懈芯薪械褉 袗褉褌械屑懈芯 袣褉褍褍褋 芯 褋械斜械 懈 褋胁芯械泄 卸懈蟹薪懈 懈 褝褌懈 褌褉懈 褋邪屑芯懈写械薪褌懈褎懈泻邪褑懈懈 褋芯褋褌邪胁谢褟褞褌 褌褉懈 锌械褉械锌谢械褌邪褞褖懈褏褋褟 锌谢邪褋褌邪 锌芯胁械褋褌胁芯胁邪薪懈褟. 携 鈥� 褝褌芯 锌械褉懈芯写 褋械泄褔邪褋, 锌械褉懈芯写 褌械谢械褋薪褘褏 屑褍泻, 泻芯谐写邪 芯薪 褋褌褉邪写邪械褌, 懈褋锌褘褌褘胁邪械褌 斜芯谢褜 懈 褋褌褉邪褏 邪谐芯薪懈懈, 薪芯 褍褋锌械胁邪械褌 芯褌写邪胁邪褌褜 褉邪褋锌芯褉褟卸械薪懈褟 褋胁芯械屑褍 胁械褉薪芯屑褍 邪写屑懈薪懈褋褌褉邪褌芯褉褍 袩邪写懈谢褜械, 褉邪褋锌芯褉褟卸械薪懈褟, 褋胁褟蟹邪薪薪褘械 褋 褍泻褉械锌谢械薪懈械屑 屑芯谐褍褖械褋褌胁邪 械谐芯 斜懈蟹薪械褋-懈屑锌械褉懈懈. 袨薪 鈥� 褝褌芯 袗褉褌械屑懈芯 胁 屑芯谢芯写芯褋褌懈, 泻芯谐写邪 芯薪 褋褉邪卸邪谢褋褟 胁 褉褟写邪褏 泻邪褉褉邪薪褋懈褋褌芯胁 胁 谐芯写褘 屑械泻褋懈泻邪薪褋泻芯泄 褉械胁芯谢褞褑懈懈. 孝褘 鈥� 褝褌芯 谐芯谢芯褋 斜褍写褍褖械谐芯 懈蟹 锌褉芯褕谢芯谐芯 懈谢懈 薪邪褋褌芯褟褖械谐芯, 械褋谢懈 褏芯褌懈褌械, 谐芯谢芯褋 褋褍写褜斜褘, 谐芯谢芯褋 锌褉械写芯锌褉械写械谢械薪懈褟, 斜芯卸械褋褌胁械薪薪芯械 胁 褋械斜械. 芦袧懈泻褌芯, 泻褉芯屑械 褌械斜褟, 薪邪胁械褉薪芯械, 薪械 褍蟹薪邪械褌, 褔褌芯 胁褋褟 卸懈蟹薪褜 褌胁芯褟 斜褍写械褌 褋芯褌泻邪薪邪 懈蟹 褉邪蟹薪芯褑胁械褌薪褘褏 薪懈褌械泄, 泻邪泻, 胁锌褉芯褔械屑, 懈 卸懈蟹薪褜 写褉褍谐懈褏 谢褞写械泄; 褔褌芯 褍 褌械斜褟 斜褍写械褌 泻邪泻 褉邪蟹 褋褌芯谢褜泻芯 胁芯蟹屑芯卸薪芯褋褌械泄 鈥� 薪懈 芯写薪芯泄 屑械薪褜褕械, 薪懈 芯写薪芯泄 斜芯谢褜褕械, - 褋泻芯谢褜泻芯 薪褍卸薪芯, 褔褌芯斜褘 胁褘谢械锌懈褌褜 卸懈蟹薪褜 锌芯 卸械谢邪械屑芯屑褍 芯斜褉邪蟹褑褍. 袠 械褋谢懈 孝褘 褋褌邪薪械褕褜 懈屑械薪薪芯 褋芯斜芯褞, 邪 薪械 泻械屑-褌芯 写褉褍谐懈屑, 褌芯 鈥� 泻邪泻 褝褌芯 薪懈 锌邪褉邪写芯泻褋邪谢褜薪芯, - 谢懈褕褜 锌芯褌芯屑褍, 褔褌芯 褌械斜械 锌褉懈写械褌褋褟 胁褘斜懈褉邪褌褜. 袠 泻邪卸写褘泄 褌胁芯泄 胁褘斜芯褉 薪械 懈褋泻谢褞褔懈褌 写褉褍谐懈褏 锌褍褌械泄 胁 锌褉械写褋褌芯褟褖械泄 褌械斜械 卸懈蟹薪懈, 薪械 锌芯褏芯褉芯薪懈褌 褌芯, 褔褌芯 褔褌芯 锌褉懈写械褌褋褟 芯褌斜褉芯褋懈褌褜, 薪芯 卸懈蟹薪械薪薪芯械 褉褍褋谢芯 斜褍写械褌 褋褍卸邪褌褜褋褟, 褋褍卸邪褌褜褋褟, 锌芯泻邪 薪邪泻芯薪械褑 褌胁芯泄 胁褘斜芯褉 懈 褌胁芯褟 写芯谢褟 薪械 褋褌邪薪褍褌 芯写薪懈屑 懈 褌械屑 卸械.禄 袙 褎懈薪邪谢械 谐械褉芯泄 蟹邪写邪械褌褋褟 胁芯锌褉芯褋芯屑 褋邪屑芯懈写械薪褌懈褎懈泻邪褑懈懈, 泻褌芯 卸械 芯薪: 芦携 鈥� 薪械 蟹薪邪褞鈥� 薪械 蟹薪邪褞. 袨薪 鈥� 褝褌芯 褟? 孝褘 鈥� 褝褌芯 斜褘谢 芯薪? 袠谢懈 褟 鈥� 褝褌芯 胁褋械 褌褉芯械? 孝褘鈥� 褟 薪械褋褍 褌械斜褟 胁 褋械斜械, 懈 褌褘 褍屑褉械褕褜 褋芯 屑薪芯褞鈥� 袚芯褋锌芯写懈 袘芯卸械鈥� 袨薪鈥� 褟 薪械褋 械谐芯 胁 褋械斜械, 懈 芯薪 褍屑褉械褌 褋芯 屑薪芯褞鈥β�
袨写薪懈屑 懈蟹 芯斜褗械泻褌芯胁 胁薪懈屑邪薪懈褟 锌懈褋邪褌械谢褟 褟胁谢褟械褌褋褟 胁褉械屑褟, 懈屑械薪薪芯 褝褌芯泄 褑械谢懈 锌芯写褔懈薪械薪芯 褉邪蟹写械谢械薪懈械 胁褉械屑械薪薪褘褏 锌谢邪褋褌芯胁 锌芯胁械褋褌胁芯胁邪薪懈褟 薪邪 携, 孝褘 懈 袨薪. 袙 邪褑褌械泻褋泻芯屑 泻邪谢械薪写邪褉械 褑懈泻谢 褋芯褋褌邪胁谢褟械褌 52 谐芯写邪, 懈屑械薪薪芯 褋褌芯谢褜泻芯 写谢懈褌褋褟 邪泻褌懈胁薪邪褟 褋芯褑懈邪谢褜薪邪褟 卸懈蟹薪褜 袗褉褌械屑懈芯 袣褉褍褋邪, 锌褉懈褔械屑 写邪褌邪 褉芯卸写械薪懈褟 褋芯胁锌邪写邪械褌 褋 写邪褌芯泄 褋屑械褉褌懈. 孝褘 褋褌邪薪械褕褜 懈蟹屑械褉褟褌褜 褏芯写 褋胁芯械泄 卸懈蟹薪懈 胁褉械屑械薪械屑, 胁褉械屑械薪械屑, 泻芯褌芯褉芯械 孝褘 胁褘写褍屑邪械褕褜, 褔褌芯斜褘 卸懈褌褜 写芯谢褜褕械, 褔褌芯斜褘 褋芯蟹写邪褌褜 懈谢谢褞蟹懈褞 斜芯谢械械 写谢懈褌械谢褜薪芯谐芯 锌褉械斜褘胁邪薪懈褟 薪邪 蟹械屑谢械. 袙褉械屑褟 斜褍写械褌 锌芯褉芯卸写械薪芯 褌胁芯懈屑 褉邪蟹褍屑芯屑, 泻芯褌芯褉褘泄 褋屑芯卸械褌 锌芯褋褌懈谐薪褍褌褜 褔械褉械写芯胁邪薪懈械 褋胁械褌邪 懈 褌褜屑褘 胁 泻胁邪写褉邪薪褌械 褋薪邪; 褋屑芯卸械褌 蟹邪褎懈泻褋懈褉芯胁邪褌褜 芯褔械褉械写薪芯褋褌褜 斜械谐褍褖懈褏 芯斜褉邪蟹芯胁: 芯谐褉芯屑薪褘褏 褔械褉薪褘褏 褌褍褔 鈥� 锌褉械写胁械褋褌薪懈泻芯胁 谐褉芯屑邪, 褋胁械褉泻邪褞褖械泄 屑芯谢薪懈懈, 谐褉芯褏芯褔褍褖械谐芯 谢懈胁薪褟, 薪械写胁懈卸薪芯泄 褉邪写褍谐懈; 褋屑芯卸械褌 褉邪褋锌芯蟹薪邪胁邪褌褜 蟹胁褍泻懈 胁褉械屑械薪懈: 胁芯锌谢懈 谐芯写芯胁 胁芯泄薪褘, 褋褌芯薪褘 屑械褋褟褑械胁 褌褉邪褍褉邪, 泻褉懈泻懈 写薪械泄 锌褉邪蟹写薪懈泻邪, 胁械褋械薪薪懈械 锌褉懈蟹褘胁褘 谢械褋薪褘褏 蟹胁械褉械泄. 袪邪蟹褍屑 褋屑芯卸械褌 薪邪泻芯薪械褑 薪邪谐褉邪写懈褌褜 胁褉械屑褟 褋锌芯褋芯斜薪芯褋褌褜褞 谐芯胁芯褉懈褌褜, 胁械褖邪褌褜, 锌褉懈泻邪蟹褘胁邪褌褜 鈥� 薪械褋褍褖械褋褌胁褍褞褖械械 胁褉械屑褟 胁褋械谢械薪薪芯泄, 泻芯褌芯褉邪褟 薪械 蟹薪邪械褌 胁褉械屑械薪懈, 锌芯褌芯屑褍 褔褌芯 芯薪芯 薪懈泻芯谐写邪 薪械 薪邪褔懈薪邪谢芯褋褜 懈 薪懈泻芯谐写邪 薪械 泻芯薪褔懈褌褋褟, 薪械 懈屑械械褌 薪懈 泻芯薪褑邪, 薪懈 薪邪褔邪谢邪 鈥� 懈蟹芯斜褉械褌械薪薪邪褟 褌芯斜芯泄 屑械褉邪 斜械褋泻芯薪械褔薪芯褋褌懈, 褍褏懈褖褉械薪懈械 蟹写褉邪胁芯谐芯 褋屑褘褋谢邪. 孝褘 锌褉懈写褍屑邪械褕褜 懈 褋褌邪薪械褕褜 芯褌褋褔懈褌褘胁邪褌褜 薪械褋褍褖械褋褌胁褍褞褖械械 胁褉械屑褟.
袧械褋褔邪褋褌褜械 褋褌褉邪薪褘 蟹邪泻谢褞褔邪谢芯褋褜 胁 褌芯屑, 褔褌芯 泻邪卸写芯械 薪芯胁芯械 锌芯泻芯谢械薪懈械, 写芯谢卸薪芯 薪懈蟹胁械褉谐邪褌褜 锌褉械卸薪懈褏 胁谢邪褋褌懈褌械谢械泄 懈 蟹邪屑械薪懈褌褜 懈褏 薪芯胁褘屑懈 褏芯蟹褟械胁邪屑懈, 褌邪泻懈屑懈 卸械 褏懈褖薪褘屑懈 懈 泻芯褉褘褋褌薪褘屑懈, 泻邪泻 锌褉械卸薪懈械. 袠 胁芯褌, 薪邪 褋屑械薪褍 褋褌邪褉懈泻褍 袚邪屑邪谢懈褝谢褞 锌褉懈褏芯写懈褌 锌芯泻邪 械褖械 袨薪. 袨薪 写邪卸械 薪械 褍锌芯屑褟薪褍谢 芯 褑械谢懈 褋胁芯械谐芯 胁懈蟹懈褌邪, 胁芯泄写褟 胁 写芯屑. 小褌邪褉懈泻 褋褉邪蟹褍 褉邪褋泻褍褋懈谢, 褔褌芯 褝褌芯 - 褔械谢芯胁械泻 薪芯胁褘褏 卸懈蟹薪械薪薪褘褏 锌褉懈薪褑懈锌芯胁, 胁褘泻芯胁邪薪薪褘褏 胁 谐芯褉薪懈谢械 胁芯泄薪褘 鈥� 懈谐褉邪褌褜 胁邪-斜邪薪泻, 懈斜芯 褌械褉褟褌褜 械屑褍 薪械褔械谐芯, 褋褌褉械屑懈褌褜褋褟 芯胁谢邪写械褌褜 锌褉邪胁邪屑懈, 蟹邪胁芯械胁邪薪薪褘屑懈 褑械薪芯泄 卸械褉褌胁, 褋褉邪卸械薪懈泄, 褉邪薪. 袙褋褌褉械褌懈胁 薪邪褋褌芯褟褖褍褞, 斜芯谢褜褕褍褞 谢褞斜芯胁褜 胁芯 胁褉械屑褟 胁芯泄薪褘 鈥� 袪械褏懈薪褍, 芯薪 薪械 褋屑芯谐 械械 褍斜械褉械褔褜, 械械 锌芯胁械褋懈谢懈 褋芯谢写邪褌褘 褋 锌褉芯褌懈胁芯斜芯褉褋褌胁褍褞褖械泄 褋褌芯褉芯薪褘.
小褌褉邪褕薪械械 谐褉邪卸写邪薪褋泻芯泄 胁芯泄薪褘 薪懈褔械谐芯 薪械 屑芯卸械褌 斜褘褌褜. 袙 袦械泻褋懈泻械, 芯薪邪 锌械褉械褉芯写懈谢邪褋褜 胁 胁芯泄薪褍 谐褉褍锌锌懈褉芯胁芯泻, - 褝褌芯 械褖械 斜芯谢褜褕械械 褉邪蟹写褉芯斜谢械薪懈械, 褝褌芯 械褖械 斜芯谢褜褕懈泄 褉邪褋泻芯谢 芯斜褖械褋褌胁邪 薪邪 屑械谢泻懈械, 薪械锌褉懈屑懈褉懈屑褘械 芯褋泻芯谢泻懈. 芦袛邪卸械 褟泻懈, 泻芯褌芯褉褘泄 褋薪邪褔邪谢邪 褕械谢 胁芯械胁邪褌褜 蟹邪 褋胁芯懈 蟹械屑谢懈, 褌械锌械褉褜 褋褉邪卸邪械褌褋褟 褌芯谢褜泻芯 蟹邪 谐械薪械褉邪谢邪 袨斜褉械谐芯薪邪 懈 锌褉芯褌懈胁 谐械薪械褉邪谢邪 袙懈谢褜褟.禄 袛芯 胁芯泄薪褘 谐褉褍锌锌懈褉芯胁芯泻, 胁芯 胁褉械屑褟 褉械胁芯谢褞褑懈懈, 泻褉械褋褌褜褟薪械 芯褋胁芯斜芯卸写邪谢懈褋褜 芯褌 写芯谢谐芯胁芯泄 泻邪斜邪谢褘, 斜芯谐邪褌械械胁-褋锌械泻褍谢褟薪褌芯胁 褝泻褋锌褉芯锌褉懈懈褉芯胁邪谢懈, 锌芯谢懈褌懈褔械褋泻懈褏 蟹邪泻谢褞褔械薪薪褘褏 芯褋胁芯斜芯卸写邪谢懈. 袧芯 蟹邪泻芯薪褔懈谢芯褋褜 褌械屑, 褔褌芯 胁 芯褌褋褍褌褋褌胁懈械 褋懈谢褜薪芯谐芯 谢懈写械褉邪, 褉邪褋锌谢芯写懈谢懈褋褜 泻邪褍写懈谢褜芯 鈥� 胁芯卸写懈. 芦孝械, 泻褌芯 褏芯褔械褌 薪邪褋褌芯褟褖械泄 褉械胁芯谢褞褑懈懈, 斜械褋泻芯屑锌褉芯屑懈褋褋薪芯泄, 斜械蟹 胁褋褟泻懈褏 褋泻懈写芯泻, - 泻 褋芯卸邪谢械薪懈褞, 谢褞写懈 薪械胁械卸械褋褌胁械薪薪褘械 懈 泻褉芯胁芯卸邪写薪褘械. 袗 懈薪褌械谢谢懈谐械薪褌褘 褏芯褌褟褌 褉械胁芯谢褞褑懈褞 锌芯谢芯胁懈薪褔邪褌褍褞, 泻芯褌芯褉邪褟 薪械 蟹邪褌褉芯薪械褌 懈褏 懈薪褌械褉械褋芯胁, 薪械 锌芯屑械褕邪械褌 懈屑 斜谢邪谐芯写械薪褋褌胁芯胁邪褌褜, 卸懈褌褜 胁 褋胁芯械 褍写芯胁芯谢褜褋褌胁懈械, 蟹邪屑械薪懈褌褜 褋芯斜芯褞 褝谢懈褌褍 写芯薪邪 袩芯褉褎懈褉懈芯. 袙 褝褌芯屑 写褉邪屑邪 袦械泻褋懈泻懈.禄 袘褘谢懈 懈 泻邪褉褉邪薪懈褋褌褘, 懈 胁懈谢褜懈褋褌褘, 懈 褋邪锌邪褌懈褋褌褘 懈 泻芯谐芯 褌芯谢褜泻芯 薪械 斜褘谢芯... 芦袧邪褕懈 谢褞写懈, 泻邪泻 褟褖械褉懈褑褘: 芯薪懈 屑械薪褟褞褌 泻芯卸褍 锌芯写 褑胁械褌 蟹械屑谢懈, 锌褉褟褔褍褌褋褟 胁 褋胁芯懈褏 褏懈卸懈薪邪褏, 褋薪芯胁邪 芯斜褉褟卸邪褞褌褋褟 胁 褌褉褟锌褜械 锌械芯薪芯胁 懈 卸写褍褌 褔邪褋邪, 褔褌芯斜褘 芯锌褟褌褜 懈写褌懈 胁 斜芯泄禄. 协褌芯 斜褘谢芯 胁褉械屑褟, 泻芯谐写邪 谐褉邪斜械卸懈 芯锌褉邪胁写褘胁邪谢懈褋褜 懈屑械薪械屑 褉械胁芯谢褞褑懈懈, 懈 屑械谢泻懈械 泻邪褍写懈谢褜芯 锌褉芯褋谢邪胁谢褟谢懈 褋械斜褟 胁芯 懈屑褟 褉械胁芯谢褞褑懈懈 鈥� 褋锌谢芯褕薪邪褟 褔械褉械写邪 锌褉械写邪褌械谢褜褋褌胁 懈 懈蟹屑械薪.
袨薪 褍屑懈褉邪械褌 胁 芯泻褉褍卸械薪懈懈 褉芯写褋褌胁械薪薪懈泻芯胁, 薪芯 薪邪 褋邪屑芯屑 写械谢械 芯薪 褋褌褉邪褕薪芯 芯写懈薪芯泻. 袣邪褌邪谢懈薪邪, 械谐芯 卸械薪邪 鈥� 泻谢褍斜芯泻 锌褉芯褌懈胁芯褉械褔懈泄, 锌芯 薪芯褔邪屑 芯薪邪 薪邪褋谢邪卸写邪谢邪褋褜 胁 芯斜褗褟褌懈褟褏 袗褉褌械屑懈芯, 邪 写薪械屑 芯薪邪 胁械谢邪 褋械斜褟 写械屑芯薪褋褌褉邪褌懈胁薪芯 褏芯谢芯写薪芯. 袨薪邪 薪械 屑芯谐谢邪 锌褉芯褋褌懈褌褜 屑褍卸褍 褋屑械褉褌褜 斜褉邪褌邪 袚芯薪褋邪谢芯 袘械褉薪邪谢褟, 褋 泻芯褌芯褉褘屑 芯薪 斜褘谢 胁 锌谢械薪褍 褍 胁懈谢褜懈褋褌芯胁. 袘褉邪褌邪 褉邪褋褋褌褉械谢褟谢懈, 邪 袗褉褌械屑懈芯 褏懈褌褉芯褋褌褜褞 蟹邪褋褌邪胁懈谢 锌芯谢泻芯胁薪懈泻邪 小邪谐邪谢褟 褍褔邪褋褌胁芯胁邪褌褜 胁 锌芯械写懈薪泻械, 写芯褕械谢 写芯 薪械胁懈写懈屑芯谐芯 斜邪褉褜械褉邪, 锌芯褋谢械 泻芯褌芯褉芯谐芯 褍褋谢芯胁懈谢懈褋褜, 褔褌芯 小邪谐邪谢褜 褋褌褉械谢褟褌褜 薪械 斜褍写械褌, 懈 泻芯胁邪褉薪芯 蟹邪褋褌褉械谢懈谢 械谐芯. 袨 屑芯褉邪谢褜薪褘褏 泻邪褔械褋褌胁邪褏 袣褉褍褋邪 褋胁懈写械褌械谢褜褋褌胁褍械褌 懈 褌芯, 褔褌芯 芯薪 屑芯谐 胁褘薪械褋褌懈 懈蟹 斜芯褟 褉邪薪械薪芯谐芯 斜芯泄褑邪, 薪芯 芯褋褌邪胁懈谢 械谐芯 褍屑懈褉邪褌褜. 袣褉褍褋 薪邪 褎芯薪械 褋胁芯械泄 褋械屑褜懈 泻邪卸械褌褋褟, 锌褍褋褌褜 卸械褋褌芯泻懈屑, 薪械褋锌褉邪胁械写谢懈胁褘屑 懈 泻芯胁邪褉薪褘屑, 薪芯 写械褟褌械谢械屑, 锌褍褋褌褜 懈 褋 薪械谐邪褌懈胁薪褘屑 褋屑褘褋谢芯屑. 袝谐芯 卸械薪邪, 写芯褔褜 懈 蟹褟褌褜 鈥� 薪邪褋褌芯褟褖懈械 锌邪褉邪蟹懈褌褘, 芯薪懈 薪械 胁 褋懈谢邪褏 写芯卸写邪褌褜褋褟 褋屑械褉褌懈 懈 褌械褉蟹邪褞褖懈械 褍屑懈褉邪褞褖懈械 胁芯锌褉芯褋邪屑懈, 谐写械 薪邪褏芯写懈褌褋褟 蟹邪胁械褖邪薪懈械. 袝写懈薪褋褌胁械薪薪褘泄, 泻 泻芯屑褍 褍 薪械谐芯 褌械锌谢褘械 褔褍胁褋褌胁邪 鈥� 袥芯褉械薪褋芯, 泻芯褌芯褉褘泄 褍屑械褉 胁 袠褋锌邪薪懈懈 胁 1939 谐芯写褍, 褍屑械褉, 泻邪泻 谐械褉芯泄. 袠 谐写械-褌芯 胁 谐谢褍斜懈薪械 写褍褕懈 袗褉褌械屑懈芯 写褍屑邪械褌, 褔褌芯 芯薪 褌芯卸械 写芯谢卸械薪 斜褘谢 褌邪泻 褍屑械褉械褌褜.
袛邪 芯薪 芯褋褌邪胁懈谢 懈屑 薪邪褋谢械写褋褌胁芯. 芦孝褘 芯褋褌邪胁懈褕褜 胁 薪邪褋谢械写褋褌胁芯 薪械薪褍卸薪褘械 褋屑械褉褌懈, 屑械褉褌胁褘械 懈屑械薪邪; 懈屑械薪邪 褌械褏, 泻褌芯 锌芯谐懈斜, 褔褌芯斜褘 薪械 锌芯谐懈斜谢芯 褌胁芯械 懈屑褟; 懈屑械薪邪 谢褞写械泄, 谢懈褕械薪薪褘褏 胁褋械谐芯, 褔褌芯斜褘 胁褋械屑 芯斜谢邪写邪谢芯 褌胁芯械 懈屑褟; 懈屑械薪邪 谢褞写械泄, 蟹邪斜褘褌褘褏 写谢褟 褌芯谐芯, 褔褌芯斜褘 薪懈泻芯谐写邪 薪械 斜褘谢芯 蟹邪斜褘褌芯 褌胁芯械 懈屑褟. 孝褘 芯褋褌邪胁懈褕褜 胁 薪邪褋谢械写褋褌胁芯 褝褌褍 褋褌褉邪薪褍, 芯褋褌邪胁懈褕褜 褋胁芯褞 谐邪蟹械褌褍, 褕械锌芯褌芯泻 懈 谢械褋褌褜; 褋芯胁械褋褌褜, 褍斜邪褞泻邪薪薪褍褞 谢卸懈胁褘屑懈 褉械褔邪屑懈 褋械褉械薪褜泻懈褏 谢褞写懈褕械泻; 懈 芯褋褌邪胁懈褕褜 蟹邪泻谢邪写薪褘械, 褉邪蟹谢芯卸懈胁褕懈泄褋褟 泻谢邪褋褋, 胁谢邪褋褌褜 斜械蟹 胁械谢懈褔懈褟, 芯斜芯卸械褋褌胁谢褟械屑褍褞 褌褍锌芯褋褌褜, 锌谢械斜械泄褋泻芯械 褌褖械褋谢邪胁懈械, 褕褍褌芯胁褋泻芯械 锌芯薪褟褌懈械 芯 写芯谢谐械, 锌褍褋褌芯械 泻褉邪褋薪芯斜邪泄褋褌胁芯, 斜芯褟蟹薪褜 锌械褉械屑械薪, 屑械谢泻懈泄 褝谐芯懈蟹屑. 孝褘 芯褋褌邪胁懈褕褜 胁 薪邪褋谢械写褋褌胁芯 褝褌褍 褋褌褉邪薪褍, 芯褋褌邪胁懈褕褜 褋胁芯褞 谐邪蟹械褌褍, 褕械锌芯褌芯泻 懈 谢械褋褌褜; 褋芯胁械褋褌褜, 褍斜邪褞泻邪薪薪褍褞 谢卸懈胁褘屑懈 褉械褔邪屑懈 褋械褉械薪褜泻懈褏 谢褞写懈褕械泻; 懈 芯褋褌邪胁懈褕褜 蟹邪泻谢邪写薪褘械, 褉邪蟹谢芯卸懈胁褕懈泄褋褟 泻谢邪褋褋, 胁谢邪褋褌褜 斜械蟹 胁械谢懈褔懈褟, 芯斜芯卸械褋褌胁谢褟械屑褍褞 褌褍锌芯褋褌褜, 锌谢械斜械泄褋泻芯械 褌褖械褋谢邪胁懈械, 褕褍褌芯胁褋泻芯械 锌芯薪褟褌懈械 芯 写芯谢谐械, 锌褍褋褌芯械 泻褉邪褋薪芯斜邪泄褋褌胁芯, 斜芯褟蟹薪褜 锌械褉械屑械薪, 屑械谢泻懈泄 褝谐芯懈蟹屑. 孝褘 芯褋褌邪胁懈褕褜 胁 薪邪褋谢械写褋褌胁芯 锌芯谢懈褌懈泻邪薪芯胁-胁芯褉芯胁, 褋懈薪写懈泻邪褌褘 薪邪 褋谢褍卸斜械 锌褉械写锌褉懈薪懈屑邪褌械谢械泄, 薪芯胁褘械 谢邪褌懈褎褍薪写懈懈, 邪屑械褉懈泻邪薪褋泻懈械 泻邪锌懈褌邪谢芯胁谢芯卸械薪懈褟, 褉邪斜芯褔懈褏 胁 褌褞褉褜屑邪褏, 斜芯谢褜褕褍褞 锌褉械褋褋褍, 褋锌械泻褍谢褟薪褌芯胁 懈 斜邪褌褉邪泻芯胁, 褋泻芯褌芯胁芯写芯胁 懈 褌邪泄薪褘褏 邪谐械薪褌芯胁, 蟹邪谐褉邪薪懈褔薪褘械 胁泻谢邪写褘, 锌褉芯写邪卸薪褘褏 斜懈褉卸械胁懈泻芯胁, 写械锌褍褌邪褌芯胁-锌芯写褏邪谢懈屑芯胁, 屑懈薪懈褋褌褉芯胁-褋褌褟卸邪褌械谢械泄, 褝谢械谐邪薪褌薪芯械 锌芯谢懈褌懈泻邪薪褋褌胁芯, 薪邪褑懈芯薪邪谢褜薪褘械 褞斜懈谢械懈 懈 锌邪屑褟褌薪褘械 写薪懈, 谐褉褟蟹褜 懈 褔械褉胁懈胁褘械 谢械锌械褕泻懈, 薪械谐褉邪屑芯褌薪褘褏 懈薪写械泄褑械胁, 斜械蟹褉邪斜芯褌薪褘褏 屑褍卸褔懈薪 懈 卸械薪褖懈薪, 褌芯谢褋褌芯斜褉褞褏芯械, 胁芯芯褉褍卸械薪薪褘褏 邪泻胁邪谢邪薪谐邪屑懈 懈 邪泻褑懈褟屑懈; 谐芯谢芯写邪褞褖懈褏, 胁芯芯褉褍卸械薪薪褘褏 薪芯谐褌褟屑懈. 袩褍褋褌褜 斜械褉褍褌 褋胁芯褞 袦械泻褋懈泻褍, 锌褍褋褌褜 斜械褉褍褌 褌胁芯械 蟹邪胁械褖邪薪懈械. 孝褘 芯褋褌邪胁懈褕褜 胁 薪邪褋谢械写褋褌胁芯 谢褞写械泄, 芯斜褘泻薪芯胁械薪薪褘褏, 薪械蟹薪邪泻芯屑褘褏; 谢褞写械泄 斜械蟹 蟹邪胁褌褉邪褕薪械谐芯 写薪褟, 锌芯褌芯屑褍 褔褌芯 芯薪懈 写械谢邪褞褌 褋胁芯懈 写械谢邪 褋械谐芯写薪褟, 谐芯胁芯褉褟褌 鈥� 褋械谐芯写薪褟, 褋褍褖械褋褌胁褍褞褌 褌芯谢褜泻芯 胁 薪邪褋褌芯褟褖械屑, 懈 褋邪屑懈 芯薪懈 鈥� 褋械谐芯写薪褟褕薪懈泄 写械薪褜. 袨薪懈 谐芯胁芯褉褟褌: 芦蟹邪胁褌褉邪禄, 薪芯 懈屑 薪械褌 写械谢邪 写芯 蟹邪胁褌褉邪. 孝褘 斜褍写械褕褜 谐褉褟写褍褖懈屑, 褌芯谐芯 薪械 胁械写邪褟; 褌褘 懈褋褔械蟹薪械褕褜 褋械谐芯写薪褟, 写褍屑邪褟 芯 蟹邪胁褌褉邪褕薪械屑 写薪械. 袨薪懈 斜褍写褍褌 卸懈褌褜 蟹邪胁褌褉邪 褌芯谢褜泻芯 锌芯褌芯屑褍, 褔褌芯 卸懈胁褍褌 褋械谐芯写薪褟褕薪懈屑 写薪械屑. 孝胁芯泄 薪邪褉芯写. 孝胁芯褟 褋屑械褉褌褜: 褌褘 鈥� 卸懈胁芯褌薪芯械, 泻芯褌芯褉芯械 锌褉械写胁懈写懈褌 褋胁芯褞 褋屑械褉褌褜, 胁芯褋锌械胁邪械褌 褋胁芯褞 褋屑械褉褌褜, 谐芯胁芯褉懈褌 芯 薪械泄, 懈蟹芯斜褉邪卸邪械褌 胁 褌邪薪褑械, 褉懈褋褍械褌 械械, 胁褋锌芯屑懈薪邪械褌 芯 薪械泄 写芯 褌芯谐芯, 泻邪泻 褍屑褉械褌. 孝胁芯褟 蟹械屑谢褟. 孝褘 薪械 褍屑褉械褕褜 斜械蟹胁芯蟹胁褉邪褌薪芯.禄
袪芯屑邪薪 蟹邪写邪械褌 褎懈谢芯褋芯褎褋泻懈械 胁芯锌褉芯褋褘, 褉邪写懈 褔械谐芯 卸懈谢 褝褌芯褌 褔械谢芯胁械泻? 袪邪写懈 褔械谐芯 芯薪 褍斜懈胁邪谢 谢褞写械泄 胁芯 胁褉械屑褟 谐褉邪卸写邪薪褋泻芯泄 胁芯泄薪褘, 褉邪写懈 褔械谐芯 芯薪 褉邪蟹芯褉褟谢 泻褉械褋褌褜褟薪 胁芯 胁褉械屑褟 褍锌褉邪胁谢械薪懈褟 懈屑械薪懈械屑 袚邪屑邪谢懈褝谢褟, 褉邪写懈 褔械谐芯 芯薪 谐褉褟蟹薪褘屑懈 屑械褌芯写邪屑懈 写褍褕懈谢 褋胁芯斜芯写薪褍褞 锌褉械褋褋褍, 斜芯褉芯谢褋褟 褋 锌褉芯褎褋芯褞蟹邪屑懈 懈 褋芯蟹写邪胁邪谢 褎械泄泻懈, 写械蟹懈薪褎芯褉屑邪褑懈褞, 褋锌谢械褌薪懈 懈 泻谢械胁械褌褍 胁 褋胁芯械泄 谐邪蟹械褌械 写谢褟 褌芯谐芯, 褔褌芯斜褘 褉邪褋锌褉邪胁懈褌褜褋褟 褋 泻芯薪泻褍褉械薪褌邪屑懈 懈谢懈 锌褉芯褌懈胁薪懈泻邪屑懈? 袨薪 锌褉懈蟹薪邪械褌, 褔褌芯 械写懈薪褋褌胁械薪薪芯, 褔褌芯 芯薪 谢褞斜懈谢 鈥� 褝褌芯 胁械褖懈, 褉芯褋泻芯褕薪褘械 胁械褖懈. 袧械褍卸械谢懈 胁褋械 褝褌芯 芯薪 写械谢邪谢 褉邪写懈 胁械褖械泄? 小褌邪谢 斜褘 芯薪 写褉褍谐懈屑, 械褋谢懈 斜褘 袪械褏懈薪邪 芯褋褌邪谢邪褋褜 卸懈胁邪 懈谢懈 斜褘谢芯 斜褘 胁褋械 褌芯 卸械 褋邪屑芯械, 褌芯谢褜泻芯 褋 薪械泄? 袙芯 懈屑褟 褔械谐芯 斜褘谢邪 褝褌邪 褉械胁芯谢褞褑懈褟 懈 斜褉邪褌芯褍斜懈泄褋褌胁械薪薪邪褟 胁芯泄薪邪?
June 1, 2018
carlos fuentes is another one of those latin american writers that makes me hate myself. beyond his tremendous skill as a novelist, he's good looking, well dressed, worldly, dashing, daring, and claims to have slept with jean seberg and jeanne moreau. the bastard.
and then i come across the article below and all my self-hatred is directed solely at him: the series mentioned would surely be my favorite bunch of books ever written... except they don't exist.
"In the fall of 1967 I happened to be in London at the same time as the Peruvian novelist Mario Vargas Llosa. We had both read, recently and with admiration, as well as a touch of envy, Edmund Wilson's portraits of the American Civil War in ''Patriotic Gore.'' Sitting in a pub in Hampstead, we thought it would be a good idea to have a comparable book on Latin America. An imaginary portrait gallery immediately stepped forward, demanding incarnation: the Latin American dictators.
Individuals such as Mexico's Santa Anna, the peg-legged cockfighter who lost the Southwest to President James K. Polk's Manifest Destiny; or Venezuela's Juan Vicente Gomez, who announced his own death in order to punish those who dared celebrate it; or El Salvador's Maximiliano Hernandez Martinez, who fought off scarlet fever by having street lights wrapped in red paper; or Bolivia's Enrique Penaranda, of whom his mother said, ''If I had known that my son was going to be president, I would have taught him to read and write'' - all of them pose tremendous problems for Latin American novelists: How to compete with history? How to create characters richer, crazier, more imaginative than those offered by history?
Mr. Vargas Llosa and I sought an answer by inviting a dozen Latin American authors to write a novella each - no more than 50 pages per capita - on their favorite national tyrant. The collective volume would be called ''Los Padres de las Patrias'' (''The Fathers of the Fatherlands''), and the French publisher Claude Gallimard took it up instantly. Unfortunately, it proved impossible to coordinate the multiple tempos and varied wills of a wide variety of writers who included, if my recall is as good as that of Augusto Roa Bastos' character El Supremo, Mr. Roa Bastos himself, Argentina's Julio Cortazar, Venezuela's Miguel Otero Silva, Colombia's Gabriel Garcia Marquez, Cuba's Alejo Carpentier, the Dominican Republic's Juan Bosch and Chile's Jose Donoso and Jorge Edwards (one of them promised to take on a Bolivian dictator). When the project fell through, three of these authors went on to write full-length novels of their own: Mr. Carpentier (''Reasons of State''), Mr. Garcia Marquez (''The Autumn of the Patriarch'') and Mr. Roa Bastos (''I the Supreme'')."
bastard.
and then i come across the article below and all my self-hatred is directed solely at him: the series mentioned would surely be my favorite bunch of books ever written... except they don't exist.
"In the fall of 1967 I happened to be in London at the same time as the Peruvian novelist Mario Vargas Llosa. We had both read, recently and with admiration, as well as a touch of envy, Edmund Wilson's portraits of the American Civil War in ''Patriotic Gore.'' Sitting in a pub in Hampstead, we thought it would be a good idea to have a comparable book on Latin America. An imaginary portrait gallery immediately stepped forward, demanding incarnation: the Latin American dictators.
Individuals such as Mexico's Santa Anna, the peg-legged cockfighter who lost the Southwest to President James K. Polk's Manifest Destiny; or Venezuela's Juan Vicente Gomez, who announced his own death in order to punish those who dared celebrate it; or El Salvador's Maximiliano Hernandez Martinez, who fought off scarlet fever by having street lights wrapped in red paper; or Bolivia's Enrique Penaranda, of whom his mother said, ''If I had known that my son was going to be president, I would have taught him to read and write'' - all of them pose tremendous problems for Latin American novelists: How to compete with history? How to create characters richer, crazier, more imaginative than those offered by history?
Mr. Vargas Llosa and I sought an answer by inviting a dozen Latin American authors to write a novella each - no more than 50 pages per capita - on their favorite national tyrant. The collective volume would be called ''Los Padres de las Patrias'' (''The Fathers of the Fatherlands''), and the French publisher Claude Gallimard took it up instantly. Unfortunately, it proved impossible to coordinate the multiple tempos and varied wills of a wide variety of writers who included, if my recall is as good as that of Augusto Roa Bastos' character El Supremo, Mr. Roa Bastos himself, Argentina's Julio Cortazar, Venezuela's Miguel Otero Silva, Colombia's Gabriel Garcia Marquez, Cuba's Alejo Carpentier, the Dominican Republic's Juan Bosch and Chile's Jose Donoso and Jorge Edwards (one of them promised to take on a Bolivian dictator). When the project fell through, three of these authors went on to write full-length novels of their own: Mr. Carpentier (''Reasons of State''), Mr. Garcia Marquez (''The Autumn of the Patriarch'') and Mr. Roa Bastos (''I the Supreme'')."
bastard.
June 18, 2019
You are on your death-bed, suffering from an affliction of uncertain causes, Artemio Cruz. Surrounded by people you dislike, although they are part of your family, you are drifting from dream to reality, from past to present. 鈥淭ime鈥� will exist only in the reconstruction of isolated memory, in the flight of isolated desire, which will be lost once the chance to live is used up, incarnate in this singular individual that you are, a boy, already a moribund old man鈥�"
Your mind is chaotically travelling from a moment in your life to another. There is no sense to the order in which you are remembering episodes of your life, both personal and social. Past loves, treacheries, escape from poverty and ascent on the wealth scale, history of your losses come in random flashbacks to you. And you wake up and listen to fragments of conversation, try to discern gestures or physical traits of the ones around you at present and you are only now seeing the invisible threads connecting your life and your ascent to the development of Mexican revolution and implicitly Mexican history. In this random recapitulation of your life, you cling to the memory of people that meant much to you: a prostitute who loved you sincerely and not for money and whom you loved more than you loved anybody else, your son whom you lost because of the civil war in Spain, your wife Catalina who only meant to take revenge when she married you and so on. Going back and forth in time, you keep remembering Regina, the only person who didn鈥檛 love you for your wealth.
Written in a wonderful narrative style, the story of your life impresses. The lyricism and the exceptional beauty of the phrases make the tragedy of your life sharper through antagonization:
...
They all say that Fuentes was a genius. I now know why.
Your mind is chaotically travelling from a moment in your life to another. There is no sense to the order in which you are remembering episodes of your life, both personal and social. Past loves, treacheries, escape from poverty and ascent on the wealth scale, history of your losses come in random flashbacks to you. And you wake up and listen to fragments of conversation, try to discern gestures or physical traits of the ones around you at present and you are only now seeing the invisible threads connecting your life and your ascent to the development of Mexican revolution and implicitly Mexican history. In this random recapitulation of your life, you cling to the memory of people that meant much to you: a prostitute who loved you sincerely and not for money and whom you loved more than you loved anybody else, your son whom you lost because of the civil war in Spain, your wife Catalina who only meant to take revenge when she married you and so on. Going back and forth in time, you keep remembering Regina, the only person who didn鈥檛 love you for your wealth.
Written in a wonderful narrative style, the story of your life impresses. The lyricism and the exceptional beauty of the phrases make the tragedy of your life sharper through antagonization:
鈥淢idday had barely passed: the rays of the sun in decline passed through the root of tropical leaves like water through a sieve, pelting down hard. The time of paralyzed branches, when even the river seemed not to flow.鈥�It was really not easy to make sense of the disarray that your mind is displaying through Fuentes鈥� words, but it was so rewarding when I succeeded in doing so. I mentally experienced such wonderfully narrated moments, in spite of their sadness, that I will always remember you like a character who, although highly unlikable, has a certain je-ne-sais-quoi that attracts and stays in your memory alive.
...
They all say that Fuentes was a genius. I now know why.
October 30, 2018
鈥庁堌池з嗁� 诏乇丕賳賯丿乇貙 <丌乇鬲蹖賲賵 讴乇賵夭> 爻蹖丕爻鬲賲丿丕乇 賵 賳賲丕蹖賳丿賴贁 賲噩賱爻 賲蹖亘丕卮丿 賵 亘賴 賯賵賱賽 讴爻丕賳蹖 讴賴 丿乇 丕蹖乇丕賳 夭賳丿诏蹖 賲蹖讴賳賳丿貙 亘趩賴 丕賳賯賱丕亘蹖 亘賵丿賴 丕爻鬲... 丌乇鬲蹖賲賵 丕夭 賮爻丕丿賽 丿賵賱鬲 賵 囟毓賮賽 賳馗丕賲賽 丨丕讴賲 亘乇 賲讴夭蹖讴 亘賴乇賴 亘乇丿賴 賵 賯丿乇鬲 賵 孬乇賵鬲賽 賮乇丕賵丕賳 亘丿爻鬲 賲蹖 丌賵乇丿 賵 丕賱亘鬲賴 丿乇 讴賳丕乇賽 丕蹖賳 賲賵丕乇丿貙 丕賲鬲蹖丕夭賽 倬乇賮乇賵卮鬲乇蹖賳 賵 倬乇亘丕夭丿蹖丿鬲乇蹖賳 乇賵夭賳丕賲賴贁 賲讴夭蹖讴 乇丕 賳蹖夭 亘锟斤拷蹖丿 亘賴 丿丕卮鬲賴 賴丕蹖卮 丕囟丕賮賴 讴賳蹖賲
鈥庁� 賳诏丕賴 賳禺爻鬲貙 丿丕爻鬲丕賳 爻賴 賮氐賱賽 讴賱蹖 丿丕卮鬲賴 賵 丕蹖賳 爻賴 賮氐賱貙 丨丕賱 賵 丌蹖賳丿賴 賵 诏匕卮鬲賴 乇丕 鬲卮讴蹖賱 賲蹖丿賴丿貙 賵賱蹖 丕夭 丿蹖丿诏丕賴賽 賲賳貙 丿乇 丕氐賱 丿丕爻鬲丕賳 丿賵 亘禺卮 丿丕乇丿貙 亘禺卮蹖 讴賴 賯丕亘賱賽 賱賲爻 賵 倬跇賵賴卮 亘賵丿賴 賵 賲乇亘賵胤 亘賴 鬲丕乇蹖禺 賵 乇賵蹖丿丕丿賴丕蹖賽 丌賳 亘賵丿賴 丕爻鬲 賵 亘禺卮蹖 讴賴 賯丕亘賱賽 倬跇賵賴卮 賳亘賵丿賴 賵 賲乇亘賵胤 亘賴 匕賴賳蹖鬲 賵 禺丕胤乇賴 賴丕蹖賽 丌乇鬲蹖賲賵 讴乇賵夭 賲蹖亘丕卮丿 賵 讴爻蹖 噩夭 禺賵丿賽 丕賵貙 亘賴 丌賳賴丕 丿爻鬲乇爻蹖 賳禺賵丕賴丿 丿丕卮鬲
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鈥庁关槽屫藏з嗁呚� <丌乇鬲蹖賲賵> 丿乇 丿賵乇丕賳賽 噩賵丕賳蹖 賮毓丕賱蹖鬲賴丕蹖賽 丕賳賯賱丕亘蹖 丿丕乇丿 賵 亘丕 丨讴賵賲鬲賽 丌賳 夭賲丕賳貙 賲亘丕乇夭賴 賲蹖讴賳丿 賵 丿乇 賴賲丕賳 丿賵乇丕賳 丕爻鬲 讴賴 毓卮賯 賵 丿賱丿丕丿诏蹖 丿乇 丕賵 倬丿蹖丿丕乇 賲蹖卮賵丿 賵 丿賱亘丕禺鬲賴贁 丿禺鬲乇蹖 亘賴 賳丕賲賽 <乇跇蹖賳丕> 卮丿賴貙 讴賴 丕蹖賳 丿禺鬲乇 賳蹖夭 賴賲趩賵賳 丌乇鬲蹖賲賵 丕賳賯賱丕亘蹖 賲蹖亘丕卮丿... 丕蹖賳 毓卮賯 丌賳賯丿乇賴丕 丿賵丕賲 賳丿丕卮鬲賴 賵 乇跇蹖賳丕 丿乇 賳亘乇丿賴丕蹖賽 禺蹖丕亘丕賳蹖 讴卮鬲賴 賲蹖卮賵丿... 丕蹖賳 乇賵蹖丿丕丿賽 鬲賱禺貙 丌賳賯丿乇 丿乇 丌乇鬲蹖賲賵 鬲兀孬蹖乇 賲蹖诏匕丕乇丿 讴賴 丿蹖诏乇 毓卮賯 乇丕 賮乇丕賲賵卮 讴乇丿賴 賵 賴賲賴 趩蹖夭賽 夭賳丿诏蹖賽 丕賵 亘丿爻鬲 丌賵乇丿賳賽 賯丿乇鬲 賲蹖卮賵丿... 亘丕 诏匕卮鬲賽 夭賲丕賳貙 丌乇鬲蹖賲賵 亘丕 <讴丕鬲丕賱蹖賳丕 亘乇賳丕賱> 丕夭丿賵丕噩 賲蹖讴賳丿.. 讴丕鬲丕賱蹖賳丕 丿禺鬲乇蹖 丕卮乇丕賮 夭丕丿賴 丕爻鬲 賵 賴賲蹖卮賴 丌乇鬲蹖賲賵 乇丕 讴賵趩讴 倬賳丿丕卮鬲賴 賵 丕賵 乇丕 鬲丨賯蹖乇 賲蹖讴賳丿
鈥庁ж池з� 夭丕賵蹖賴 賴丕蹖賽 诏賵賳丕诏賵賳蹖 乇丕 亘賴 鬲氐賵蹖乇 賲蹖讴卮丿 賵 亘賴 賳賵毓蹖 賳卮丕賳 賲蹖丿賴丿 讴賴 趩诏賵賳賴 噩賵丕賳丕賳 賵 賴爻鬲賴 賴丕蹖賽 丕氐賱蹖賽 丕賳賯賱丕亘貙 亘丕 诏匕卮鬲賽 夭賲丕賳 賵 亘丿爻鬲 丌賵乇丿賳賽 賯丿乇鬲貙 賲蹖鬲賵丕賳賳丿 亘賴 丕賳賯賱丕亘 禺蹖丕賳鬲 讴賳賳丿.. 賲蹖鬲賵丕賳 亘賴 胤賵乇賽 讴賱蹖 丕蹖賳 乇賲丕賳 乇丕 丿乇 丿爻鬲賴贁 乇賲丕賳賴丕蹖 丕賳賯賱丕亘蹖 賵 丕賱亘鬲賴 丿乇 丿爻鬲賴贁 讴賵趩讴鬲乇蹖 亘賴 賳丕賲賽 "禺蹖丕賳鬲賴丕蹖賽 丕賳賯賱丕亘蹖" 噩丕蹖 丿丕丿 讴賴 丿乇 讴賳丕乇賽 賳卮丕賳 丿丕丿賳賽 乇賵蹖丿丕丿賴丕蹖賽 丕賳賯賱丕亘蹖貙 夭賳丿诏蹖賽 亘賵乇跇賵丕夭蹖 賵 乇賵丕亘胤賽 禺丕賳賵丕丿诏蹖 賵 倬丿乇 賵 賮乇夭賳丿蹖賽 丌賳賴丕 - 毓卮賯 賵 丿賱丿丕丿诏蹖 - 亘丕賵乇賴丕蹖賽 丕卮鬲亘丕賴 賵 禺夭毓亘賱丕鬲賽 丿蹖賳蹖 賵 賲匕賴亘蹖 乇丕 賳蹖夭 亘乇乇爻蹖 賲蹖讴賳丿.... 丌乇鬲蹖賲賵 賲爻蹖丨蹖 亘賵丿賴 丕爻鬲貙 倬爻 賳亘丕蹖丿 亘賴 丿賳亘丕賱賽 讴卮賮賽 丨賯蹖賯鬲 賵 噩賳诏蹖丿賳 亘乇丕蹖賽 丌賳 亘丕卮丿.. 丨丕賱 丌乇鬲蹖賲賵 讴乇賵夭賽 亘蹖趩丕乇賴 亘丕 鬲賲丕賲賽 讴跇 乇賮鬲丕乇蹖 賴丕 賵 卮讴爻鬲賴丕 賵 倬蹖乇賵夭蹖 賴丕蹖卮貙 亘丕蹖丿 丿乇 亘爻鬲乇賽 賲乇诏貙 鬲賲丕賲賽 夭賳丿诏蹖 賵 禺丕胤乇丕鬲卮 乇丕 賲乇賵乇 讴賳丿 賵 亘賴 诏賳丕賴丕賳賽 禺賵蹖卮 丕毓鬲乇丕賮 讴乇丿賴貙 鬲丕 倬丕讴 賵 賲賳夭賴 卮賵丿 賵 爻倬爻 爻乇卮 乇丕 夭賲蹖賳 诏匕丕卮鬲賴 賵 亘賲蹖乇丿!! 賲诏乇 趩賳蹖賳 趩蹖夭蹖 賲賲讴賳 丕爻鬲!!! 丕蹖賳 丿蹖賳 賵 賲匕賴亘貙 丨鬲蹖 賱丨馗賴贁 賲乇诏 賳蹖夭貙 诏乇蹖亘丕賳賽 丕賳爻丕賳 乇丕 乇賴丕 賳禺賵丕賴丿 讴乇丿
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鈥庁з呟屫堌ж辟� 丕蹖賳 乇蹖賵蹖賵 丿乇 噩賴鬲賽 丌卮賳丕蹖蹖 亘丕 丕蹖賳 讴鬲丕亘貙 讴丕賮蹖 賵 賲賮蹖丿 亘賵丿賴 亘丕卮賴
鈥�<倬蹖乇賵夭 亘丕卮蹖丿 賵 丕蹖乇丕賳蹖>
鈥庁� 賳诏丕賴 賳禺爻鬲貙 丿丕爻鬲丕賳 爻賴 賮氐賱賽 讴賱蹖 丿丕卮鬲賴 賵 丕蹖賳 爻賴 賮氐賱貙 丨丕賱 賵 丌蹖賳丿賴 賵 诏匕卮鬲賴 乇丕 鬲卮讴蹖賱 賲蹖丿賴丿貙 賵賱蹖 丕夭 丿蹖丿诏丕賴賽 賲賳貙 丿乇 丕氐賱 丿丕爻鬲丕賳 丿賵 亘禺卮 丿丕乇丿貙 亘禺卮蹖 讴賴 賯丕亘賱賽 賱賲爻 賵 倬跇賵賴卮 亘賵丿賴 賵 賲乇亘賵胤 亘賴 鬲丕乇蹖禺 賵 乇賵蹖丿丕丿賴丕蹖賽 丌賳 亘賵丿賴 丕爻鬲 賵 亘禺卮蹖 讴賴 賯丕亘賱賽 倬跇賵賴卮 賳亘賵丿賴 賵 賲乇亘賵胤 亘賴 匕賴賳蹖鬲 賵 禺丕胤乇賴 賴丕蹖賽 丌乇鬲蹖賲賵 讴乇賵夭 賲蹖亘丕卮丿 賵 讴爻蹖 噩夭 禺賵丿賽 丕賵貙 亘賴 丌賳賴丕 丿爻鬲乇爻蹖 賳禺賵丕賴丿 丿丕卮鬲
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鈥庁关槽屫藏з嗁呚� <丌乇鬲蹖賲賵> 丿乇 丿賵乇丕賳賽 噩賵丕賳蹖 賮毓丕賱蹖鬲賴丕蹖賽 丕賳賯賱丕亘蹖 丿丕乇丿 賵 亘丕 丨讴賵賲鬲賽 丌賳 夭賲丕賳貙 賲亘丕乇夭賴 賲蹖讴賳丿 賵 丿乇 賴賲丕賳 丿賵乇丕賳 丕爻鬲 讴賴 毓卮賯 賵 丿賱丿丕丿诏蹖 丿乇 丕賵 倬丿蹖丿丕乇 賲蹖卮賵丿 賵 丿賱亘丕禺鬲賴贁 丿禺鬲乇蹖 亘賴 賳丕賲賽 <乇跇蹖賳丕> 卮丿賴貙 讴賴 丕蹖賳 丿禺鬲乇 賳蹖夭 賴賲趩賵賳 丌乇鬲蹖賲賵 丕賳賯賱丕亘蹖 賲蹖亘丕卮丿... 丕蹖賳 毓卮賯 丌賳賯丿乇賴丕 丿賵丕賲 賳丿丕卮鬲賴 賵 乇跇蹖賳丕 丿乇 賳亘乇丿賴丕蹖賽 禺蹖丕亘丕賳蹖 讴卮鬲賴 賲蹖卮賵丿... 丕蹖賳 乇賵蹖丿丕丿賽 鬲賱禺貙 丌賳賯丿乇 丿乇 丌乇鬲蹖賲賵 鬲兀孬蹖乇 賲蹖诏匕丕乇丿 讴賴 丿蹖诏乇 毓卮賯 乇丕 賮乇丕賲賵卮 讴乇丿賴 賵 賴賲賴 趩蹖夭賽 夭賳丿诏蹖賽 丕賵 亘丿爻鬲 丌賵乇丿賳賽 賯丿乇鬲 賲蹖卮賵丿... 亘丕 诏匕卮鬲賽 夭賲丕賳貙 丌乇鬲蹖賲賵 亘丕 <讴丕鬲丕賱蹖賳丕 亘乇賳丕賱> 丕夭丿賵丕噩 賲蹖讴賳丿.. 讴丕鬲丕賱蹖賳丕 丿禺鬲乇蹖 丕卮乇丕賮 夭丕丿賴 丕爻鬲 賵 賴賲蹖卮賴 丌乇鬲蹖賲賵 乇丕 讴賵趩讴 倬賳丿丕卮鬲賴 賵 丕賵 乇丕 鬲丨賯蹖乇 賲蹖讴賳丿
鈥庁ж池з� 夭丕賵蹖賴 賴丕蹖賽 诏賵賳丕诏賵賳蹖 乇丕 亘賴 鬲氐賵蹖乇 賲蹖讴卮丿 賵 亘賴 賳賵毓蹖 賳卮丕賳 賲蹖丿賴丿 讴賴 趩诏賵賳賴 噩賵丕賳丕賳 賵 賴爻鬲賴 賴丕蹖賽 丕氐賱蹖賽 丕賳賯賱丕亘貙 亘丕 诏匕卮鬲賽 夭賲丕賳 賵 亘丿爻鬲 丌賵乇丿賳賽 賯丿乇鬲貙 賲蹖鬲賵丕賳賳丿 亘賴 丕賳賯賱丕亘 禺蹖丕賳鬲 讴賳賳丿.. 賲蹖鬲賵丕賳 亘賴 胤賵乇賽 讴賱蹖 丕蹖賳 乇賲丕賳 乇丕 丿乇 丿爻鬲賴贁 乇賲丕賳賴丕蹖 丕賳賯賱丕亘蹖 賵 丕賱亘鬲賴 丿乇 丿爻鬲賴贁 讴賵趩讴鬲乇蹖 亘賴 賳丕賲賽 "禺蹖丕賳鬲賴丕蹖賽 丕賳賯賱丕亘蹖" 噩丕蹖 丿丕丿 讴賴 丿乇 讴賳丕乇賽 賳卮丕賳 丿丕丿賳賽 乇賵蹖丿丕丿賴丕蹖賽 丕賳賯賱丕亘蹖貙 夭賳丿诏蹖賽 亘賵乇跇賵丕夭蹖 賵 乇賵丕亘胤賽 禺丕賳賵丕丿诏蹖 賵 倬丿乇 賵 賮乇夭賳丿蹖賽 丌賳賴丕 - 毓卮賯 賵 丿賱丿丕丿诏蹖 - 亘丕賵乇賴丕蹖賽 丕卮鬲亘丕賴 賵 禺夭毓亘賱丕鬲賽 丿蹖賳蹖 賵 賲匕賴亘蹖 乇丕 賳蹖夭 亘乇乇爻蹖 賲蹖讴賳丿.... 丌乇鬲蹖賲賵 賲爻蹖丨蹖 亘賵丿賴 丕爻鬲貙 倬爻 賳亘丕蹖丿 亘賴 丿賳亘丕賱賽 讴卮賮賽 丨賯蹖賯鬲 賵 噩賳诏蹖丿賳 亘乇丕蹖賽 丌賳 亘丕卮丿.. 丨丕賱 丌乇鬲蹖賲賵 讴乇賵夭賽 亘蹖趩丕乇賴 亘丕 鬲賲丕賲賽 讴跇 乇賮鬲丕乇蹖 賴丕 賵 卮讴爻鬲賴丕 賵 倬蹖乇賵夭蹖 賴丕蹖卮貙 亘丕蹖丿 丿乇 亘爻鬲乇賽 賲乇诏貙 鬲賲丕賲賽 夭賳丿诏蹖 賵 禺丕胤乇丕鬲卮 乇丕 賲乇賵乇 讴賳丿 賵 亘賴 诏賳丕賴丕賳賽 禺賵蹖卮 丕毓鬲乇丕賮 讴乇丿賴貙 鬲丕 倬丕讴 賵 賲賳夭賴 卮賵丿 賵 爻倬爻 爻乇卮 乇丕 夭賲蹖賳 诏匕丕卮鬲賴 賵 亘賲蹖乇丿!! 賲诏乇 趩賳蹖賳 趩蹖夭蹖 賲賲讴賳 丕爻鬲!!! 丕蹖賳 丿蹖賳 賵 賲匕賴亘貙 丨鬲蹖 賱丨馗賴贁 賲乇诏 賳蹖夭貙 诏乇蹖亘丕賳賽 丕賳爻丕賳 乇丕 乇賴丕 賳禺賵丕賴丿 讴乇丿
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鈥庁з呟屫堌ж辟� 丕蹖賳 乇蹖賵蹖賵 丿乇 噩賴鬲賽 丌卮賳丕蹖蹖 亘丕 丕蹖賳 讴鬲丕亘貙 讴丕賮蹖 賵 賲賮蹖丿 亘賵丿賴 亘丕卮賴
鈥�<倬蹖乇賵夭 亘丕卮蹖丿 賵 丕蹖乇丕賳蹖>
December 2, 2016
讴鬲丕亘 丿乇 賲賵乇丿 鬲丕乇蹖禺 賲讴夭蹖讴 丕爻鬲 賳賴 蹖讴 賲乇丿. 乇賵丕蹖鬲卮 丕夭 胤乇蹖賯 夭賳丿诏蹖 蹖讴 賲乇丿 丕爻鬲 亘賴 賳丕賲 丌乇鬲蹖賲賵 讴乇賵夭 讴賴 亘賴 爻賴 亘禺卮 賲賳 (丨丕賱)貙 鬲賵 (丌蹖賳丿賴) 賵 丕賵 (诏匕卮鬲賴) 亘丕夭诏賵 賲蹖鈥屫促堌�. 亘禺卮 芦賲賳禄 丌乇鬲蹖賲賵 讴乇賵夭 丿乇 丨丕賱 賲乇诏 乇丕 乇賵丕蹖鬲 賲蹖鈥屭┵嗀�. 芦鬲賵禄 賴賲丕賳胤賵乇 讴賴 丌蹖賳丿賴鈥� 丨丕賱鬲蹖 丕賳鬲夭丕毓蹖 丿乇 賮讴乇 賵 丕賳丿蹖卮賴 丿丕乇丿貙 乇賵丕蹖鬲 丿乇 賴賲 賵 爻蹖丕賱蹖鈥屫池� 賵 亘禺卮 芦丕賵禄 倬乇丕讴賳丿賴 禺丕胤乇丕鬲蹖 丕夭 丌乇鬲蹖賲賵 讴乇賵夭 丕爻鬲 讴賴 丿乇 賵丕賯毓 鬲丕乇蹖禺 賲讴夭蹖讴 乇丕 亘丕夭賲蹖鈥屭堐屫�.
賳讴鬲賴鈥屫й� 讴賴 丿乇 賲賵乇丿 賮賵卅賳鬲爻 亘乇丕蹖 賲賳 賵噩賵丿 丿丕乇丿 丕蹖賳 丕爻鬲 讴賴 讴鬲丕亘鈥屬囏й屫� 乇丕 丿賵爻鬲 丿丕乇賲 賵 丕夭 禺賵丕賳丿賳卮丕賳 賱匕鬲 賲蹖鈥屫ㄘ辟� 賵 賲鬲乇噩賲蹖 讴賴 丿乇 匕賴賳賲 亘乇丕蹖 丕賵 賲鬲氐賵乇 賲蹖鈥屫促堎呚� 賴賲蹖卮賴貙 毓亘丿丕賱賱賴 讴賵孬乇蹖 賳丕夭賳蹖賳 丕爻鬲. 亘丕 賵噩賵丿 丕蹖賳讴賴 賲賴丿蹖 爻丨丕亘蹖 乇丕 噩夭賵 亘賴鬲乇蹖賳 賲鬲乇噩賲蹖賳 丕蹖乇丕賳蹖 賲蹖 丿丕賳賲 亘丕夭 賴賲 亘丕 卮讴 讴鬲丕亘 乇丕 丿爻鬲 诏乇賮鬲賲 賵賱蹖 亘丕蹖爻鬲蹖 亘诏賵蹖賲 讴賴 鬲乇噩賲賴 夭賳丿賴鈥屰屫ж� 爻丨丕亘蹖 賲孬賱 賴賲蹖卮賴 毓丕賱蹖 賵 亘蹖鈥屬嗀港屫� 亘賵丿. 蹖丕丿 賮賵卅賳鬲爻 賵 賲賴丿蹖 爻丨丕亘蹖 诏乇丕賲蹖.
賳讴鬲賴鈥屫й� 讴賴 丿乇 賲賵乇丿 賮賵卅賳鬲爻 亘乇丕蹖 賲賳 賵噩賵丿 丿丕乇丿 丕蹖賳 丕爻鬲 讴賴 讴鬲丕亘鈥屬囏й屫� 乇丕 丿賵爻鬲 丿丕乇賲 賵 丕夭 禺賵丕賳丿賳卮丕賳 賱匕鬲 賲蹖鈥屫ㄘ辟� 賵 賲鬲乇噩賲蹖 讴賴 丿乇 匕賴賳賲 亘乇丕蹖 丕賵 賲鬲氐賵乇 賲蹖鈥屫促堎呚� 賴賲蹖卮賴貙 毓亘丿丕賱賱賴 讴賵孬乇蹖 賳丕夭賳蹖賳 丕爻鬲. 亘丕 賵噩賵丿 丕蹖賳讴賴 賲賴丿蹖 爻丨丕亘蹖 乇丕 噩夭賵 亘賴鬲乇蹖賳 賲鬲乇噩賲蹖賳 丕蹖乇丕賳蹖 賲蹖 丿丕賳賲 亘丕夭 賴賲 亘丕 卮讴 讴鬲丕亘 乇丕 丿爻鬲 诏乇賮鬲賲 賵賱蹖 亘丕蹖爻鬲蹖 亘诏賵蹖賲 讴賴 鬲乇噩賲賴 夭賳丿賴鈥屰屫ж� 爻丨丕亘蹖 賲孬賱 賴賲蹖卮賴 毓丕賱蹖 賵 亘蹖鈥屬嗀港屫� 亘賵丿. 蹖丕丿 賮賵卅賳鬲爻 賵 賲賴丿蹖 爻丨丕亘蹖 诏乇丕賲蹖.
January 24, 2022
It's hard when a good friend recommends a book so highly and you can't come to the party. Artemio Cruz, the great Latin American novel? I can't see it. In synopsis, maybe, it's got everything the genre requires: ex-revolutionary soldier turned landowner through loveless relationship with big man's daughter becomes corrupt politician and media magnate and reflects, on his death-bed, on all the people he's shafted. It's the Citizen Kane of Mexico. But for all that, to me it doesn't have half the power of Juan Rulfo's Pedro Paramo, which treats of similar themes (if less explicitly) in a third the space, and if you throw in Rulfo's short stories (another 100 pages, still less than Cruz's 300) then I know for damn sure which revolutionary Mexican I'll be siding with. Not Carlos Fuentes.
What's good about Artemio Cruz? It's got some rip-roaring action, some serious drama, mainly in the flashbacks to the Revolution, which take up at least half of the narrative. The words seem to fly off Fuentes's pen; it moves fast. And by the end you're left with an elemental, hard-boiled, cartoon-like tapestry of revolutionary Mexico that is not dissimilar to a Sergio Leone film, though lacking the soundtrack and the humour, and given an extra heft by its aura of historical accuracy and, yes, passion. It's deeply-felt, but as if felt by some obsessive given to only one strain of feeling 鈥� some bitter sensualist fixated on thwarted love and evil. Which is fine 鈥� of course we need those books too. But it's limited. That said, there's some epic sequences here: the battle in the ravine and Cruz's subsequent escape into the mine and duel with the rival Colonel springs to mind as the best of them.
Still, to this reviewer it all seems kind of pat. The death bed reflections of a corrupt magnate? Yeah, well there'd better be a twist in there. And maybe that's what Fuentes had in mind with the 鈥� to me, arbitrary, elementary, mechanical 鈥� supposedly experimental structure, an unvarying repeated A/B/C in which A is a third-person flashback (focussed on Cruz, never omniscient), B is a first-person view of the hospital room, and C is a second-person inner monologue which seemed like sheer show business to me, unnecessary for anything but establishing Fuentes's avant garde credentials. Tellingly, the third person occupies by far the most space here, and I for one gritted my teeth through the other sections for the sake of a return to this main body of the story. A sample:
And so on. Now far be it from me to demand that every sentence in a book be beautiful. Pedro Paramo, for example, has many sentences that, taken alone, don't make much of an impression at all. But they're to the point. That above passage, and pages and pages like it, I'd just as soon Fuentes had thrown in the trash. But you start cutting a big jangled mess like this and you just might find all you have left is a kind of James M. Cain wartime potboiler, and I dare say that's not what Fuentes was going for. Might have made a better read than this, though. Spare me the trimmings.
What's good about Artemio Cruz? It's got some rip-roaring action, some serious drama, mainly in the flashbacks to the Revolution, which take up at least half of the narrative. The words seem to fly off Fuentes's pen; it moves fast. And by the end you're left with an elemental, hard-boiled, cartoon-like tapestry of revolutionary Mexico that is not dissimilar to a Sergio Leone film, though lacking the soundtrack and the humour, and given an extra heft by its aura of historical accuracy and, yes, passion. It's deeply-felt, but as if felt by some obsessive given to only one strain of feeling 鈥� some bitter sensualist fixated on thwarted love and evil. Which is fine 鈥� of course we need those books too. But it's limited. That said, there's some epic sequences here: the battle in the ravine and Cruz's subsequent escape into the mine and duel with the rival Colonel springs to mind as the best of them.
Still, to this reviewer it all seems kind of pat. The death bed reflections of a corrupt magnate? Yeah, well there'd better be a twist in there. And maybe that's what Fuentes had in mind with the 鈥� to me, arbitrary, elementary, mechanical 鈥� supposedly experimental structure, an unvarying repeated A/B/C in which A is a third-person flashback (focussed on Cruz, never omniscient), B is a first-person view of the hospital room, and C is a second-person inner monologue which seemed like sheer show business to me, unnecessary for anything but establishing Fuentes's avant garde credentials. Tellingly, the third person occupies by far the most space here, and I for one gritted my teeth through the other sections for the sake of a return to this main body of the story. A sample:
鈥� but I look at my fingernails when I reach out to touch my frozen feet which I no longer feel, I look at my brand-new blue, blackish fingernails that I've put on especially to die, ahhh! it won't go away, I don't want that blue skin, that skin painted over with lifeless blood, no, no, I don't want it, blue is for other things, blue for the sky, blue for memories, blue for horses that ford rivers, blue for shiny horses and green for the sea, blue for flowers, but not blue for me, no, no, no, ahhh! ahhh! and I have to lie back because I don't know where to go, how to move, I don't know where to put my arms and the legs I don't feel, I don't know where to look, I don't want to get up anymore鈥�
And so on. Now far be it from me to demand that every sentence in a book be beautiful. Pedro Paramo, for example, has many sentences that, taken alone, don't make much of an impression at all. But they're to the point. That above passage, and pages and pages like it, I'd just as soon Fuentes had thrown in the trash. But you start cutting a big jangled mess like this and you just might find all you have left is a kind of James M. Cain wartime potboiler, and I dare say that's not what Fuentes was going for. Might have made a better read than this, though. Spare me the trimmings.
March 6, 2017
螛伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 蔚委谓伪喂 苇谓伪 渭蔚纬维位慰 蟺慰委畏渭伪 萎 苇谓伪 尾伪胃喂维 蠁喂位慰蟽慰蠁畏渭苇谓慰 未慰魏委渭喂慰 纬喂伪 蟿畏 味蠅萎. 螒谓蟿' 伪蠀蟿慰蠉 蔚委谓伪喂 苇谓伪蟼 蔚蟺委位慰纬慰蟼. 螆谓伪蟼 蔚蟺喂胃伪谓维蟿喂慰蟼 蟻蠈纬蠂慰蟼.
螘魏蟿喂渭慰蠉渭蔚 魏维蟿喂, 蟽蠀谓萎胃蠅蟼, 蠈蟿伪谓 蟿慰 蠂维谓慰蠀渭蔚. 螤蠈蟽慰 渭维位位慰谓 蠈蟿伪谓 伪蠀蟿蠈 蟿慰 魏维蟿喂 蔚委谓伪喂 畏 委未喂伪 渭伪蟼 畏 味蠅萎, 蠈蟺蠅蟼 蟽蟿畏谓 蟺蔚蟻委蟺蟿蠅蟽畏 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼.
螠苇蟽伪 伪蟺蠈 蟿喂蟼 蟿蔚位蔚蠀蟿伪委蔚蟼 蠋蟻蔚蟼 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼, 畏 味蠅萎 蟿慰蠀 蟺蔚蟻谓维 蟽伪谓 位维渭蠄畏 渭蟺蟻慰蟽蟿维 伪蟺蠈 蟿伪 渭维蟿喂伪 蟿慰蠀, 胃慰位维 伪蟺蠈 蟿慰谓 胃维谓伪蟿慰 蟺慰蠀 蟺位畏蟽喂维味蔚喂. 螠蔚 蟿畏谓 委未喂伪 蟿伪蠂蠉蟿畏蟿伪 蟺伪蟻伪魏慰位慰蠀胃慰蠉渭蔚 魏伪喂 蟿畏 谓蔚蠈蟿蔚蟻畏 喂蟽蟿慰蟻委伪 蟿慰蠀 螠蔚尉喂魏蠈.
螚 喂未喂伪喂蟿蔚蟻蠈蟿畏蟿伪 伪蠀蟿慰蠉 蟿慰蠀 蔚蟺喂胃伪谓维蟿喂慰蠀 蟻蠈纬蠂慰蠀 蔚委谓伪喂 畏 伪蠁萎纬畏蟽萎 蟿慰蠀, 蠈蟺慰蠀 蟿慰 蔚纬蠋 蔚谓伪位位维蟽蟽蔚蟿伪喂 渭蔚 蟿慰 蔚蟽蠉 魏伪喂 蟿慰 伪蠀蟿蠈蟼. 螣 Carlos Fuentes 纬蟻维蠁蔚喂 蟽蟿慰 蟺蟻蠋蟿慰 蔚谓喂魏蠈 蟺蟻蠈蟽蠅蟺慰 (蔚纬蠋), 蠅蟼 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼 蟽蟿慰 谓蔚魏蟻慰魏蟻苇尾伪蟿慰, 蟽蟿慰 未蔚蠉蟿蔚蟻慰 蔚谓喂魏蠈 (蔚蟽蠉), 蠅蟼 苇谓伪蟼 伪蠀蟽蟿畏蟻蠈蟼 蔚蟺喂魏蟻喂蟿萎蟼 蟿蠅谓 位伪胃蠋谓 蟿畏蟼 味蠅萎蟼 蟿慰蠀 魏伪喂 蟽蟿慰 蟿蟻委蟿慰 蔚谓喂魏蠈 (伪蠀蟿蠈蟼), 蠅蟼 伪蠁畏纬畏蟿萎蟼 蟿蠅谓 魏蠀蟻喂慰蟿苇蟻蠅谓 蟽蟿伪胃渭蠋谓 蟺慰蠀 蟽蟿喂纬渭维蟿畏蟽伪谓 蟿慰谓 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎.
螚 喂蟽蟿慰蟻委伪 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼 未喂伪尾维味蔚蟿伪喂 渭蔚 渭喂伪 伪谓维蟽伪, 苇蟿蟽喂 蠈蟺蠅蟼 蠁伪委谓蔚蟿伪喂 谓伪 纬蟻维蠁蟿畏魏蔚, 蟽伪谓 苇谓伪蟼 维谓胃蟻蠅蟺慰蟼 蟺慰蠀 蟺蔚胃伪委谓蔚喂 魏伪喂 委蟽伪 蟺慰蠀 蟺蟻慰位伪尾伪委谓蔚喂 谓伪 纬蔚蠀蟿蔚委, 谓伪 渭蠀蟻委蟽蔚喂, 谓伪 伪魏慰蠉蟽蔚喂, 谓伪 谓喂蠋蟽蔚喂 魏伪喂 谓伪 未蔚喂 蟿畏谓 委未喂伪 蟿慰蠀 蟿畏 味蠅萎.
违.螕. 韦慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 渭蟺慰蟻蔚委 谓伪 蟽蠀谓慰未蔚蠀蟿蔚委 蠀蟺蠈 蟿慰蠀蟼 萎蠂慰蠀蟼 蟿畏蟼 蟽魏慰谓喂蟽渭苇谓畏蟼 americana 蟿蠅谓 Castanets 萎 蟿蠅谓 Woven Hand 渭蔚 蔚谓伪位位伪纬苇蟼 伪蟺蠈 蟿慰 "Delirium Cordia" 蟿蠅谓 Fantomas.
螘魏蟿喂渭慰蠉渭蔚 魏维蟿喂, 蟽蠀谓萎胃蠅蟼, 蠈蟿伪谓 蟿慰 蠂维谓慰蠀渭蔚. 螤蠈蟽慰 渭维位位慰谓 蠈蟿伪谓 伪蠀蟿蠈 蟿慰 魏维蟿喂 蔚委谓伪喂 畏 委未喂伪 渭伪蟼 畏 味蠅萎, 蠈蟺蠅蟼 蟽蟿畏谓 蟺蔚蟻委蟺蟿蠅蟽畏 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼.
螠苇蟽伪 伪蟺蠈 蟿喂蟼 蟿蔚位蔚蠀蟿伪委蔚蟼 蠋蟻蔚蟼 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼, 畏 味蠅萎 蟿慰蠀 蟺蔚蟻谓维 蟽伪谓 位维渭蠄畏 渭蟺蟻慰蟽蟿维 伪蟺蠈 蟿伪 渭维蟿喂伪 蟿慰蠀, 胃慰位维 伪蟺蠈 蟿慰谓 胃维谓伪蟿慰 蟺慰蠀 蟺位畏蟽喂维味蔚喂. 螠蔚 蟿畏谓 委未喂伪 蟿伪蠂蠉蟿畏蟿伪 蟺伪蟻伪魏慰位慰蠀胃慰蠉渭蔚 魏伪喂 蟿畏 谓蔚蠈蟿蔚蟻畏 喂蟽蟿慰蟻委伪 蟿慰蠀 螠蔚尉喂魏蠈.
螚 喂未喂伪喂蟿蔚蟻蠈蟿畏蟿伪 伪蠀蟿慰蠉 蟿慰蠀 蔚蟺喂胃伪谓维蟿喂慰蠀 蟻蠈纬蠂慰蠀 蔚委谓伪喂 畏 伪蠁萎纬畏蟽萎 蟿慰蠀, 蠈蟺慰蠀 蟿慰 蔚纬蠋 蔚谓伪位位维蟽蟽蔚蟿伪喂 渭蔚 蟿慰 蔚蟽蠉 魏伪喂 蟿慰 伪蠀蟿蠈蟼. 螣 Carlos Fuentes 纬蟻维蠁蔚喂 蟽蟿慰 蟺蟻蠋蟿慰 蔚谓喂魏蠈 蟺蟻蠈蟽蠅蟺慰 (蔚纬蠋), 蠅蟼 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼 蟽蟿慰 谓蔚魏蟻慰魏蟻苇尾伪蟿慰, 蟽蟿慰 未蔚蠉蟿蔚蟻慰 蔚谓喂魏蠈 (蔚蟽蠉), 蠅蟼 苇谓伪蟼 伪蠀蟽蟿畏蟻蠈蟼 蔚蟺喂魏蟻喂蟿萎蟼 蟿蠅谓 位伪胃蠋谓 蟿畏蟼 味蠅萎蟼 蟿慰蠀 魏伪喂 蟽蟿慰 蟿蟻委蟿慰 蔚谓喂魏蠈 (伪蠀蟿蠈蟼), 蠅蟼 伪蠁畏纬畏蟿萎蟼 蟿蠅谓 魏蠀蟻喂慰蟿苇蟻蠅谓 蟽蟿伪胃渭蠋谓 蟺慰蠀 蟽蟿喂纬渭维蟿畏蟽伪谓 蟿慰谓 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎.
螚 喂蟽蟿慰蟻委伪 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼 未喂伪尾维味蔚蟿伪喂 渭蔚 渭喂伪 伪谓维蟽伪, 苇蟿蟽喂 蠈蟺蠅蟼 蠁伪委谓蔚蟿伪喂 谓伪 纬蟻维蠁蟿畏魏蔚, 蟽伪谓 苇谓伪蟼 维谓胃蟻蠅蟺慰蟼 蟺慰蠀 蟺蔚胃伪委谓蔚喂 魏伪喂 委蟽伪 蟺慰蠀 蟺蟻慰位伪尾伪委谓蔚喂 谓伪 纬蔚蠀蟿蔚委, 谓伪 渭蠀蟻委蟽蔚喂, 谓伪 伪魏慰蠉蟽蔚喂, 谓伪 谓喂蠋蟽蔚喂 魏伪喂 谓伪 未蔚喂 蟿畏谓 委未喂伪 蟿慰蠀 蟿畏 味蠅萎.
违.螕. 韦慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 渭蟺慰蟻蔚委 谓伪 蟽蠀谓慰未蔚蠀蟿蔚委 蠀蟺蠈 蟿慰蠀蟼 萎蠂慰蠀蟼 蟿畏蟼 蟽魏慰谓喂蟽渭苇谓畏蟼 americana 蟿蠅谓 Castanets 萎 蟿蠅谓 Woven Hand 渭蔚 蔚谓伪位位伪纬苇蟼 伪蟺蠈 蟿慰 "Delirium Cordia" 蟿蠅谓 Fantomas.
July 2, 2017
丿賵爻鬲卮 丿丕卮鬲賲 . 賯賱賲 賮賵卅賳鬲爻 亘蹖 賴賲鬲丕爻鬲
賲乇爻蹖 丿賵爻鬲賲 賲爻賱賲 亘丕亘鬲 倬蹖卮賳賴丕丿 丕蹖賳 讴鬲丕亘 :)
鬲賵 賵噩賵丿 丿丕乇蹖 ... 夭賳丿诏蹖 禺賵丕賴蹖 讴乇丿 ... 倬蹖讴乇 鬲賵 亘乇丕蹖 禺賵丿 丿賱蹖賱蹖 丿丕乇丿 .... 夭賳丿诏蹖鬲 丿賱蹖賱蹖 丿丕乇丿 .... 讴賴讴卮丕賳 賴丕 亘乇丕蹖 鬲賵 乇賵卮賳 賲蹖 卮賵丿 賵 禺賵乇卮蹖丿 亘乇丕蹖 鬲賵 賲蹖 爻賵夭丿 .... 鬲丕 鬲賵 丿賵爻鬲 亘丿丕乇蹖 賵 夭賳丿诏蹖 讴賳蹖 賵 亘丕卮蹖 .... 鬲丕 鬲賵 亘賴 乇丕夭 倬蹖 亘亘乇蹖 賵 亘賲蹖乇蹖 亘蹖 丌賳 讴賴 亘鬲賵丕賳蹖 丌賳 乇丕 賲賳鬲賯賱 讴賳蹖 貙 夭蹖乇丕 鬲賳賴丕 夭賲丕賳蹖 亘賴 乇丕夭 倬蹖 賲蹖 亘乇蹖 讴賴 趩卮賲丕賳鬲 亘乇丕蹖 賴賲蹖卮賴 亘爻鬲賴 賲蹖 卮賵丿 ....
賲乇爻蹖 丿賵爻鬲賲 賲爻賱賲 亘丕亘鬲 倬蹖卮賳賴丕丿 丕蹖賳 讴鬲丕亘 :)
鬲賵 賵噩賵丿 丿丕乇蹖 ... 夭賳丿诏蹖 禺賵丕賴蹖 讴乇丿 ... 倬蹖讴乇 鬲賵 亘乇丕蹖 禺賵丿 丿賱蹖賱蹖 丿丕乇丿 .... 夭賳丿诏蹖鬲 丿賱蹖賱蹖 丿丕乇丿 .... 讴賴讴卮丕賳 賴丕 亘乇丕蹖 鬲賵 乇賵卮賳 賲蹖 卮賵丿 賵 禺賵乇卮蹖丿 亘乇丕蹖 鬲賵 賲蹖 爻賵夭丿 .... 鬲丕 鬲賵 丿賵爻鬲 亘丿丕乇蹖 賵 夭賳丿诏蹖 讴賳蹖 賵 亘丕卮蹖 .... 鬲丕 鬲賵 亘賴 乇丕夭 倬蹖 亘亘乇蹖 賵 亘賲蹖乇蹖 亘蹖 丌賳 讴賴 亘鬲賵丕賳蹖 丌賳 乇丕 賲賳鬲賯賱 讴賳蹖 貙 夭蹖乇丕 鬲賳賴丕 夭賲丕賳蹖 亘賴 乇丕夭 倬蹖 賲蹖 亘乇蹖 讴賴 趩卮賲丕賳鬲 亘乇丕蹖 賴賲蹖卮賴 亘爻鬲賴 賲蹖 卮賵丿 ....
April 3, 2021
Artemio Cruz鈥檜n son saatlerinde hayat谋na dair geri d枚n眉艧leriyle ba艧l谋yor anlat谋. Bu b枚l眉nm眉艧 ki艧ili臒in an谋lar谋 眉zerindense, bir 眉lkenin t眉m sosyal-politik s谋n谋flar谋n谋n ac谋 dolu 莽alkant谋l谋 yak谋n tarihi ortaya koyuyor. Baz谋 b枚l眉mler ger莽ekten hayran b谋rak谋yor ancak kitap boyunca s眉regelen at谋flar ile okumas谋 olduk莽a zor ve yorucu. Etkileyici ancak okuyucusundan da emek isteyen kitaplardan.
January 6, 2022
I had the strangest reading experience reading this, considered by many to be a masterpiece of Mexican literature. The protagonist is an old man at death鈥檚 door, seemingly mostly bedridden. We are seeing his life in snippets, probably memories that pass through his dying brain as he approaches the end of life. Can鈥檛 be sure you like him at first - he appears to have been a soldier and criminal, maybe a corrupt senator and even president, a lover and whoremonger. It鈥檚 hard to grasp exactly who he is or the people he鈥檚 remembering are, but as I prepped for the end of year holidays and dipped into the book and his recollections, I thought of how my own life would surface in my dying brain, what I might recall, and how I might interact with those around trying to care for me at the end of life.
Artemio鈥檚 life supposedly stands in as a metaphor for Mexican history, and I can鈥檛 speak about that. But there are many sections where if I couldn鈥檛 grasp the historical significance, I could feel the pathos and emotional depth of the scene in a man鈥檚 life, and the experiences of the others there with him. The disjointed mess of the scenes without context until sometimes several pages in were occasionally a struggle to follow, but then really work as part of the flow of memories and regrets and illustration of the man whose death we share. The last surgery and what the doctors discover is a little overkill as metaphors go for corruption of the soul, but overall, the book as a tapestry of a man鈥檚 life and a nation鈥檚 story is quite moving.
Artemio鈥檚 life supposedly stands in as a metaphor for Mexican history, and I can鈥檛 speak about that. But there are many sections where if I couldn鈥檛 grasp the historical significance, I could feel the pathos and emotional depth of the scene in a man鈥檚 life, and the experiences of the others there with him. The disjointed mess of the scenes without context until sometimes several pages in were occasionally a struggle to follow, but then really work as part of the flow of memories and regrets and illustration of the man whose death we share. The last surgery and what the doctors discover is a little overkill as metaphors go for corruption of the soul, but overall, the book as a tapestry of a man鈥檚 life and a nation鈥檚 story is quite moving.
August 13, 2020
賵賯鬲蹖 賲蹖鈥屫辟� 爻乇丕睾 賮賵卅賳鬲爻 鬲丕 丨丿 夭蹖丕丿蹖 禺蹖丕賱賲 乇丕丨鬲賴 讴賴 丿乇 賳賴丕蹖鬲 讴爻賱 賵 亘蹖鈥屫堌蒂勝� 賵 丿賱鈥屫藏� 賳賲蹖鈥屫促�. 賮賵卅賳鬲爻 賴蹖趩賵賯鬲 賳丕丕賲蹖丿賲 賳讴乇丿賴. 丕賲丕 亘賴鈥屫ж坟� 賮乇賲 乇賵丕蹖鬲 賲蹖鈥屫ㄘй屫池� 賮賵丕氐賱 丿爻鬲 诏乇賮鬲賳 讴鬲丕亘貙 讴賵鬲丕賴鈥屫� 賲蹖鈥屫簇�. 賵 賳亘丕蹖丿 賴乇诏夭 丕賵賳 乇賵 丿乇 丨丕賱鬲 禺爻鬲诏蹖 禺賵賳丿. 亘丕蹖丿 鬲賵 賲鬲賳 爻蹖乇 讴乇丿 賵 爻賮乇 讴乇丿 賴賲乇丕賴 亘丕 丌丿賲 賲丨鬲囟乇蹖 讴賴 丿丕乇賴 讴賱 夭賳丿诏蹖卮 乇賵 賲乇賵乇 賲蹖鈥屭┵嗁� 賵 賴乇 氐賮丨賴 賲賲讴賳賴 蹖賴 賳賯胤賴鈥屫й� 丕夭 毓賲乇卮 亘丕卮賴. 丕夭 丌賯丕蹖 賮賵卅賳鬲爻 毓匕乇 賲蹖鈥屫堌з� 讴賴 賳鬲賵賳爻鬲賲 丨賯 丕蹖賳 讴鬲丕亘 乇賵 亘賴鈥屫� 亘蹖丕乇賲 賵 丕賵賳鈥屫堌� 讴賴 卮丕蹖爻鬲賴鈥屫ж促� 亘禺賵賳賲卮.
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June 9, 2018氐賮丨賴 鄄鄢郯
賴賲蹖卮賴 趩蹖夭蹖 賴爻鬲 讴賴 丿乇 亘蹖乇賵賳 丕夭 鬲丕亘賱賵蹖 賳賯丕卮蹖 亘丕賯蹖 賲蹖 賲丕賳丿貙 夭蹖乇丕 丿賳蹖丕蹖蹖 讴賴 丿乇 丿乇賵賳 趩丕乇趩賵亘 鬲丕亘賱賵 鬲乇爻蹖賲 卮丿賴 丕爻鬲 亘丕蹖丿 亘賴 亘蹖乇賵賳 丕夭 丌賳 讴卮蹖丿賴 卮賵丿 賵 诏爻鬲乇卮 蹖丕亘丿貙 亘丕蹖丿 倬乇 丕夭 乇賳诏賴丕蹖 丿蹖诏乇貙 丌丿賲 賴丕蹖 丿蹖诏乇 賵 趩卮賲 丕賳丿丕夭賴丕蹖 丿蹖诏乇 亘丕卮丿貙 夭蹖乇丕 亘賴 蹖丕乇蹖 賴賲蹖賳 亘禺卮 賴丕蹖 賳丕倬蹖丿丕爻鬲 讴賴 鬲丕亘賱賵 卮讴賱 賲蹖鈥屭屫必� 賵 賲賵噩賵丿蹖鬲 賲蹖 蹖丕亘丿
賴賲蹖卮賴 趩蹖夭蹖 賴爻鬲 讴賴 丿乇 亘蹖乇賵賳 丕夭 鬲丕亘賱賵蹖 賳賯丕卮蹖 亘丕賯蹖 賲蹖 賲丕賳丿貙 夭蹖乇丕 丿賳蹖丕蹖蹖 讴賴 丿乇 丿乇賵賳 趩丕乇趩賵亘 鬲丕亘賱賵 鬲乇爻蹖賲 卮丿賴 丕爻鬲 亘丕蹖丿 亘賴 亘蹖乇賵賳 丕夭 丌賳 讴卮蹖丿賴 卮賵丿 賵 诏爻鬲乇卮 蹖丕亘丿貙 亘丕蹖丿 倬乇 丕夭 乇賳诏賴丕蹖 丿蹖诏乇貙 丌丿賲 賴丕蹖 丿蹖诏乇 賵 趩卮賲 丕賳丿丕夭賴丕蹖 丿蹖诏乇 亘丕卮丿貙 夭蹖乇丕 亘賴 蹖丕乇蹖 賴賲蹖賳 亘禺卮 賴丕蹖 賳丕倬蹖丿丕爻鬲 讴賴 鬲丕亘賱賵 卮讴賱 賲蹖鈥屭屫必� 賵 賲賵噩賵丿蹖鬲 賲蹖 蹖丕亘丿
January 13, 2022
賲诏乇 賳賴 丕蹖賳讴賴 賲蹖鈥屭堐屬嗀� 禺賵丕亘 賲乇诏 讴賵趩讴 丕爻鬲 賵 賴乇 丕賳爻丕賳蹖 賯亘賱 賲乇诏貙 亘賴 丨爻乇鬲賴丕蹖卮 賮讴乇 賲蹖讴賳丿責
賲賳賴賲 賴乇卮亘貙 亘丿賵賳 丕爻鬲孬賳丕 賴乇卮亘 賯亘賱 禺賵丕亘 亘賴 蹖讴 賲賵囟賵毓 鬲讴乇丕乇蹖 賮讴乇 賲蹖讴賳賲貨 丕賲丕 賴乇亘丕乇 爻毓蹖 賲蹖讴賳賲 丕夭 乇丕賴 噩丿蹖丿 亘丕 丌賳 乇賵亘乇賵 卮賵賲. 賳賲蹖鈥屫з嗁� 鬲丕 亘丨丕賱 趩賳丿 乇丕賴 乇丕 乇賮鬲賴 丕賲貙 丨爻丕亘卮 賳讴乇丿賴 丕賲. 賴蹖趩賵賯鬲 毓賱丕賯賴 丕蹖 亘賴 賳诏賴 丿丕卮鬲賳 丨爻丕亘 趩蹖夭蹖 賳丿丕卮鬲賲. 卮丕蹖丿 賮讴乇 賲蹖讴乇丿賲 賴賲賴 趩蹖夭 賴賲蹖卮賴 亘賴 賴賲丕賳 卮讴賱 亘丕賯蹖 禺賵丕賴賳丿 賲丕賳丿貨 蹖丕 卮丕蹖丿 賴賲 丕蹖賳賴丕 賴賲賴 丕夭 鬲賳亘賱蹖 匕賴賳 亘丕卮丿 賵 賲賳 丿丕乇賲 賳丕卮蹖丕賳賴 鬲賵噩蹖賴 賲蹖讴賳賲. 丿丕卮鬲賲 賲蹖诏賮鬲賲 讴賴 賴乇卮亘 亘賴 鬲賵 賮讴乇 賲蹖讴賳賲.鈥� 丕賵賱卮 禺賵丕爻鬲賲 亘賳賵蹖爻賲: 賴乇卮亘貙 亘丿賵賳 丕爻鬲孬賳丕 賴乇卮亘 蹖讴 賲賵囟賵毓 鬲讴乇丕乇蹖 賮讴乇賲 乇丕 賲卮睾賵賱 賲蹖鈥屭┵嗀�. 丕賲丕 丿蹖丿賲 丕蹖賳胤賵乇 丿乇 噩丕蹖诏丕賴 丕亘跇讴鬲蹖賵 賯乇丕乇 賲蹖诏蹖乇賲貙 蹖丕 卮丕蹖丿 讴爻蹖 鬲氐賵乇 讴賳丿 丌賳 賲賵囟賵毓 趩蹖夭 賳丕禺賵卮丕蹖賳丿蹖 丕爻鬲貨 讴賴 賴乇 丿賵 丨丕賱鬲 丕卮鬲亘丕賴 丕爻鬲. 趩賵賳 賲賳 禺賵丿禺賵丕爻鬲賴 賵 賵爻賵丕爻 诏賵賳賴 亘賴 鬲賵 賮讴乇 賲蹖讴賳賲 賵 鬲賵 丕氐賱丕 賲賵囟賵毓 賳丕禺賵卮丕蹖賳丿蹖 賳蹖爻鬲蹖. 禺蹖賱蹖 趩蹖夭賴丕 丿乇 夭賳丿诏蹖 丕賲 賵噩賵丿 丿丕乇賳丿 讴賴 賲爻鬲賯蹖賲丕 鬲賵 乇丕 亘賴 蹖丕丿賲 賲蹖鈥屫①堌辟嗀�. 賲孬賱丕 丿爻鬲賲丕賱 賴丕. 賲賳 亘賴 丿爻鬲賲丕賱 賴丕 賮讴乇 賲蹖讴賳賲. 鬲賵 丕诏乇 丿爻鬲賲丕賱 亘賵丿蹖 鬲乇噩蹖丨 賲蹖丿丕丿蹖 趩胤賵乇 丕夭鬲 丕爻鬲賮丕丿賴 讴賳賳丿責 鬲乇噩蹖丨 賳賲蹖丿丕丿蹖 亘賴 噩丕蹖 丕蹖賳讴賴 丿乇 噩蹖亘 亘睾賱 賲乇丿 賲蹖丕賳爻丕賱蹖 亘倬賵爻蹖貙 亘蹖賳蹖 讴賵趩讴 丿禺鬲乇 夭蹖亘丕蹖蹖 乇丕 鬲賲蹖夭 讴賳蹖責 倬爻 趩胤賵乇 賲蹖鬲賵丕賳蹖 賲賳 乇丕 亘禺丕胤乇 爻毓丕丿鬲蹖 讴賴 倬賷卮讴卮 丕鬲 讴乇丿賴 丕賲 爻乇夭賳卮 讴賳蹖. 鬲賵 丨鬲蹖 丿乇 賲蹖丕賳 丿爻鬲賲丕賱 賴丕 賴賲 禺賵卮亘禺鬲 鬲乇蹖賳蹖 賵 丌賳 乇丕 亘賴 賲賳 賲丿蹖賵賳蹖.
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丿乇亘丕乇賴 讴鬲丕亘:
"賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭" 乇賲丕賳蹖 爻賵乇卅丕賱 賵 丿乇亘丕乇賴 賲讴夭蹖讴 賯乇賳 亘蹖爻鬲賲 丕爻鬲 讴賴 丕夭 丿乇蹖趩賴 趩卮賲 丌乇鬲賲蹖賵 讴乇賵夭 亘賴 丌賳 賳诏乇蹖爻鬲賴 賲蹖卮賵丿.
丌乇鬲賲蹖賵 讴乇賵夭 賲乇丿蹖 丕爻鬲 讴賴 賲乇诏 賯乇蹖亘鈥屫з勝堎傎堌关� 亘賴 丕賵 丕蹖賳 丕賲讴丕賳 乇丕 賲蹖鈥屫囏� 鬲丕 丿乇 趩賳丿 乇賵夭 倬丕蹖丕賳蹖 夭賳丿诏蹖 丕卮 亘賴 诏匕卮鬲賴 賳诏丕賴 讴乇丿賴 賵 乇賵夭賴丕蹖 丕賵噩 丌賳 乇丕 丿賵亘丕乇賴 夭賳丿诏蹖 讴賳丿. 丕賵 倬爻乇 賳丕賲卮乇賵毓 蹖讴 賵丕乇孬 賲夭乇毓賴 丿丕乇 噩賵丕賳貙 禺賵卮鈥屫屬� 賵 孬乇賵鬲賲賳丿 丕爻鬲. 賲乇丿 噩賵丕賳 亘賴 賲丕丿乇 讴乇賵夭 讴賴 亘乇丿賴 噩賵丕賳蹖 亘賵丿賴 鬲噩丕賵夭 賲蹖讴賳丿. 倬爻 丕夭 鬲賵賱丿 賳賵夭丕丿貙 賲丕丿乇 讴賴 賲賵乇丿 囟乇亘 賵 卮鬲賲 賯乇丕乇 诏乇賮鬲賴 亘賵丿貙 賲噩亘賵乇 賲蹖 卮賵丿 丌賳 賲夭乇毓賴 乇丕 鬲乇讴 讴賳丿. 讴乇賵夭 鬲賵爻胤 毓賲賵蹖卮 賱賵賳乇賵 亘夭乇诏 賲蹖 卮賵丿.
倬爻 丕夭 賲乇诏 賱賵賳乇賵貙 讴乇賵夭 亘賴 噩賳亘卮 丕賳賯賱丕亘蹖 丌乇賲丕賳鈥屭必й屰� 賲蹖鈥屬聚屬堎嗀� 讴賴 賴丿賮卮 亘蹖乇賵賳 讴卮蹖丿賳 夭賲蹖賳 丕夭 丿爻鬲 孬乇賵鬲賲賳丿丕賳 賵 鬲賵夭蹖毓 丌賳 亘蹖賳 丿賴賯丕賳丕賳 丕爻鬲貨 鬲丕 賴乇 丿賴賯丕賳 亘賴 丕賳丿丕夭賴 讴丕賮蹖 夭賲蹖賳 亘乇丕蹖 丕丿丕乇賴 賲毓蹖卮鬲 禺丕賳賵丕丿賴 禺賵丿 丿丕卮鬲賴 亘丕卮丿. 丕賵賱蹖賳 毓卮賯 讴乇賵夭貙 乇噩蹖賳丕貙 鬲賵爻胤 賳蹖乇賵賴丕蹖 賲禺丕賱賮 亘賴 丿丕乇 丌賵蹖禺鬲賴 賲蹖 卮賵丿. 丕蹖賳 丨丕丿孬賴 鬲丕孬蹖乇 亘夭乇诏蹖 亘乇 卮禺氐蹖鬲 讴乇賵夭 賲蹖 诏匕丕乇丿 賵 毓賲賱丕 爻乇賳賵卮鬲 丕賵 乇丕 賲蹖鈥屫池ж藏�. 丿乇 爻丕賱 郾酃郾酃貙 跇賳乇丕賱 倬賵乇賮蹖乇蹖賵 卮讴爻鬲 賲蹖禺賵乇丿 賵 讴卮賵乇 丿乇 爻乇丿乇诏賲蹖 丿丕卅賲蹖 賵 禺賵賳蹖賳 诏乇賮鬲丕乇 賲蹖鈥屫促堌�. 賵賯鬲蹖 讴乇賵夭 亘丕 蹖讴 丕賮爻乇 噩賵丕賳 亘賴 賳丕賲 诏賵賳夭賵賱賵 亘乇賳丕賱 夭賳丿丕賳蹖 賵 賲丨讴賵賲 亘賴 丕毓丿丕賲 賲蹖 卮賵丿貙 丕胤賱丕毓丕鬲 丕乇夭卮賲賳丿蹖 丿乇 賲賵乇丿 夭賳丿诏蹖 卮禺氐蹖 丕蹖賳 賲乇丿 亘賴 丿爻鬲 賲蹖 丌賵乇丿. 讴乇賵夭 禺賵丿 賲賵賮賯 亘賴 賮乇丕乇 賲蹖鈥屫促堌� 丕賲丕 賴蹖趩 鬲賱丕卮蹖 亘乇丕蹖 賳噩丕鬲 丕賮爻乇 讴賴 賳夭丿蹖讴 丕爻鬲 鬲賵爻胤 噩賵禺賴 鬲蹖乇丕賳丿丕夭蹖 丕毓丿丕賲 卮賵丿貙 賳賲蹖鈥屭┵嗀�. 丕賵 亘丕 丕胤賱丕毓丕鬲蹖 讴賴 亘賴 丿爻鬲 丌賵乇丿賴 賵 亘丕 賳蹖乇賳诏 賵 賮乇蹖亘貙 讴丕鬲丕賱蹖賳丕 禺賵丕賴乇 诏賵賳夭賱賵貙 讴賴 丿禺鬲乇 蹖讴 夭賲蹖賳丿丕乇 孬乇賵鬲 賳蹖夭 賴爻鬲 乇丕 亘賴 丕夭丿賵丕噩蹖 亘丿賵賳 毓卮賯 賲噩亘賵乇 賲蹖讴賳丿.听丕夭 丌賳噩丕蹖蹖 讴賴 丿乇 賲讴夭蹖讴 夭賳丕賳 丕噩丕夭賴 賳丿丕乇賳丿 丿丕乇丕蹖蹖 丕夭 禺賵丿 丿丕卮鬲賴 亘丕卮賳丿貙 倬爻 丕夭 賲乇诏 倬丿乇 讴丕鬲丕賱蹖賳丕貙 讴乇賵夭 丿乇 賲丿鬲 讴賵鬲丕賴蹖貙 鬲賲丕賲 孬乇賵鬲 禺丕賳賵丕丿賴 乇丕 亘賴 丕乇孬 賲蹖 亘乇丿 賵 鬲亘丿蹖賱 亘賴 賲乇丿蹖 亘爻蹖丕乇 孬乇賵鬲賲賳丿 賲蹖鈥屫促堌�.听丿乇 丨賯蹖賯鬲 倬賵賱 賳賯丿 讴賲蹖 亘賴 丕賵 賲蹖乇爻丿貙 丕賲丕 亘禺卮 毓馗蹖賲蹖 丕夭 孬乇賵鬲 讴賴 丿乇 乇賵蹖 夭賲蹖賳 賴丕爻鬲貙 亘賴 丕賵 賲賳鬲賯賱鈥屬呟屸€屫促堌�.听讴乇賵夭 亘賴 夭賵丿蹖 丿丕乇丕蹖蹖 賴丕蹖 禺丕賳賵丕丿賴 乇丕 丕夭 胤乇蹖賯 丨蹖賱賴 賵 禺卮賵賳鬲 丕賮夭丕蹖卮 賲蹖 丿賴丿. 丕賵 乇賵夭賳丕賲賴 丕蹖 丿乇 賲讴夭蹖讴賵爻蹖鬲蹖 賲蹖 禺乇丿 賵 丕夭 賯丿乇鬲 賵 鬲乇蹖亘賵賳蹖 讴賴 丿乇 丕禺鬲賷丕乇卮 賯乇丕乇 賲蹖鈥屭屫必� 亘乇丕蹖 诏爻鬲乇卮 丿丕乇丕蹖蹖 賴丕蹖 賳丕賲卮乇賵毓 禺賵丿 丕爻鬲賮丕丿賴 賲蹖 讴賳丿.听丕賵 丕夭 丕蹖賳 乇賵夭賳丕賲賴 亘乇丕蹖 亘丕噩鈥屭屫臂� 丕夭 乇賯亘丕蹖 鬲噩丕乇蹖 賵 鬲禺乇蹖亘 爻蹖丕爻鬲賲丿丕乇丕賳 睾蹖乇禺賵丿蹖 丕爻鬲賮丕丿賴 賲蹖鈥屭┵嗀�.听讴乇賵夭 賴賲趩賳蹖賳 卮乇賵毓 亘賴 賵丕爻胤賴鈥屭臂� 賲蹖 讴賳丿 賵 賲毓丕賲賱丕鬲 鬲噩丕乇蹖 賮丕爻丿 乇丕 鬲爻賴蹖賱 賲蹖 讴賳丿 鬲丕 賲賳丕亘毓 胤亘蹖毓蹖 讴卮賵乇 乇丕 亘賴 亘丕夭乇诏丕賳丕賳 丌賲乇蹖讴丕蹖蹖 亘賮乇賵卮丿 - 丕賱亘鬲賴 亘丕 賴夭蹖賳賴 丕蹖 诏夭丕賮.
讴乇賵夭 鬲賳賴丕 倬爻乇卮貙 賱賵乇賳夭賵貙 乇丕 丿乇 爻賳 郾鄄 爻丕賱诏蹖 亘乇丕蹖 賲丿蹖乇蹖鬲 丕賲賱丕讴 禺丕賳賵丕丿诏蹖 亘賴 讴賵讴賵蹖丕 賲蹖 賮乇爻鬲丿貙 丕賱亘鬲賴鈥� 丿賱蹖賱 丕氐賱蹖 丕賷賳 讴丕乇 丨爻丕丿鬲 亘賴 乇丕亘胤賴 讴丕鬲丕賱蹖賳丕 賵 倬爻乇卮丕賳 丕爻鬲.听賱賵乇賳夭賵 丿乇 郾鄯 爻丕賱诏蹖貙 丌乇賲丕賳鈥屭必� 賵 賲氐賲賲 亘乇丕蹖 倬蹖賵爻鬲賳 亘賴 賲亘丕乇夭賴 亘丕 賮丕卮蹖爻鬲鈥屬囏ж� 亘賴 丕爻倬丕賳蹖丕 賲蹖乇賵丿 賵 丿乇 丿乇诏蹖乇蹖 讴卮鬲賴 賲蹖 卮賵丿. 丨丕賱丕 讴乇賵夭 鬲賳賴丕 蹖讴 丿禺鬲乇 亘賴 賳丕賲 鬲乇夭丕 丿丕乇丿 讴賴 丕夭 倬丿乇 亘蹖夭丕乇 丕爻鬲.听讴乇賵夭 丿乇 鬲賲丕賲 毓賲乇 丿爻鬲 丕夭 禺蹖丕賳鬲 亘賴 賴賲爻乇 賵 丌夭丕乇 乇賵丨蹖 丿禺鬲乇卮 亘乇 賳賲蹖鈥屫ж必�. 丕賵 丿乇 亘爻鬲乇 賲乇诏 賴賲 亘賴 毓匕丕亘 丿丕丿賳 丌賳賴丕 丕丿丕賲賴 賲蹖鈥屫囏� 賵 丿乇 賲賵乇丿 賲丨賱 賵氐蹖鬲賳丕賲賴 禺賵丿 亘賴 丌賳賴丕 丿乇賵睾 賲蹖 诏賵蹖丿.听丿乇 賵丕賯毓貙 丕賵 亘禺卮 毓賲丿賴 丕蹖 丕夭 丿丕乇丕蹖蹖 禺賵丿 乇丕 亘賴 丿爻鬲蹖丕乇 賵賮丕丿丕乇卮貙 倬丕丿蹖賱丕貙 賵丕诏匕丕乇 讴乇丿賴 丕爻鬲 賵 亘丕 丕蹖賳讴丕乇 丕夭 禺丕賳賵丕丿賴 丕賳鬲賯丕賲 賲蹖鈥屭屫必�.
鬲丨賵賱 讴乇賵夭 丕夭 噩賵丕賳蹖 賮賯蹖乇 賵 丌乇賲丕賳鈥屭必� 亘賴 賲蹖丕賳爻丕賱蹖 賮丕爻丿 賵 賲賳丨胤 貙 賵 丌卮賮鬲诏蹖 鬲丕乇蹖禺蹖 賲讴夭蹖讴貙 倬蹖丕賲鈥屬囏й� 丕氐賱蹖 乇賲丕賳 賴爻鬲賳丿.听卮丕蹖丿 丕蹖賳 乇賲丕賳 賲賳毓讴爻 讴賳賳丿賴 丕蹖賳 毓賯蹖丿賴 賮賵卅賳鬲爻 亘丕卮丿 讴賴: 賮賯胤 讴爻丕賳蹖 讴賴 丿乇 噩賵丕賳蹖 賲蹖 賲蹖乇賳丿 蹖丕 丿乇 賮賯乇 卮丿蹖丿 夭賳丿诏蹖 賲蹖 讴賳賳丿貙 賲蹖 鬲賵丕賳賳丿 丌乇賲丕賳 诏乇丕蹖蹖 禺賵丿 乇丕 丨賮馗 讴賳賳丿.
听賮賵卅賳鬲爻 丿乇 丕蹖賳 乇賲丕賳 賲丕賳賳丿 蹖讴 卮丕毓乇 丕夭 丕爻鬲毓丕乇賴 賵 噩乇蹖丕賳 爻蹖丕賱 匕賴賳 丕爻鬲賮丕丿賴 賲蹖 讴賳丿.听賲賳 毓賲蹖賯丕賸 亘賴 鬲讴賳蹖讴 丕禺鬲乇丕毓蹖 賮賵卅賳鬲爻 賵 爻亘讴 乇賵丕蹖蹖 丕卮 丕丨鬲乇丕賲 賲蹖 诏匕丕乇賲 賵 丌賳 乇丕 鬲丨爻蹖賳 賲蹖 讴賳賲 夭蹖乇丕 丕夭 亘乇禺蹖 噩賴丕鬲 賲丕賳賳丿 丿丕爻鬲丕賳 乇賲丕賳卮 丕賳賯賱丕亘蹖 丕爻鬲. 鬲睾蹖蹖乇 氐丿丕蹖 乇賵丕蹖蹖 賲蹖丕賳 丕賵賱 卮禺氐貙 丿賵賲 卮禺氐 賵 爻賵賲鈥� 卮禺氐 噩爻賵乇丕賳賴 丕爻鬲 賵 亘乇丕蹖 夭賳丿賴 賳诏賴 丿丕卮鬲賳 禺胤 乇賵丕蹖蹖 丿丕爻鬲丕賳 亘禺賵亘蹖 毓賲賱 賲蹖讴賳丿. 丌丿賲 賵丕賯毓丕賸 丿乇 亘禺卮鈥屬囏й� 乇賵丕蹖鬲 丕賵賱 卮禺氐 丕爻鬲 讴賴 丌乇鬲賲蹖賵 乇丕 賲蹖鈥屫促嗀ж池� 賵 丿乇 乇賵丕蹖鬲 賴丕蹖 爻賵賲 卮禺氐 丕爻鬲 讴賴 丨賵丕丿孬 毓蹖賳蹖 鬲乇 賲蹖鈥屫促堎嗀�. 賮賱丕卮鈥� 亘讴鈥屬囏� 賲乇丕 賲噩匕賵亘 讴乇丿賳丿. 賮賵卅賳鬲爻 丕夭 鬲睾蹖蹖乇丕鬲 丿乇 夭賲丕賳 亘乇丕蹖 禺丿賲鬲 亘賴 乇賵丕蹖鬲 丕爻鬲賮丕丿賴 賲蹖鈥屭┵嗀� 夭蹖乇丕 禺賵丕賳賳丿賴 乇丕 亘賴 亘丕賱丕 賵 倬丕蹖蹖賳 夭賳丿诏蹖 丌賳鬲丕诏賵賳蹖爻鬲 禺賵丿 賲蹖鈥屫ㄘ必�.丕賵 賲丕 乇丕 丕夭 賮賯乇 賵丨卮鬲賳丕讴 讴乇賵夭 賵 賲丕噩乇丕噩賵蹖蹖 賴丕蹖 丕賳賯賱丕亘蹖 丕卮貙 亘賴 鬲賲丕卮丕蹖 乇賵丕亘胤 毓卮賯蹖 賵 丕鬲丕賯 禺賵丕亘卮 賲蹖亘乇丿. 讴乇賵夭 蹖讴 讴丕乇丕讴鬲乇 丕丿亘蹖 噩匕丕亘 丕爻鬲 讴賴 囟毓賮鈥屬囏й� 丕賳爻丕賳蹖鈥� 亘爻蹖丕乇 夭蹖丕丿 丿丕乇丿貙 丕賲丕 亘賴鈥屫ж坟� 鬲讴賳蹖讴 乇賵丕蹖蹖 賮賵卅賳鬲爻貙 亘賴 卮讴賱蹖 亘丕賵乇倬匕蹖乇 鬲氐賵蹖乇 卮丿賴 賵 丨鬲蹖 噩丕賴丕蹖蹖 賴賲丿賱蹖 禺賵丕賳賳丿賴 乇丕 鬲丨乇蹖讴 賲蹖讴賳丿.
丿乇 丕賳鬲賴丕 賴卮丿丕乇 賲蹖丿賴賲 讴賴 丕蹖賳 乇賲丕賳 丌爻丕賳蹖 賳蹖爻鬲. 賮賯胤 夭賲丕賳蹖 丌賳乇丕 亘賴 丿爻鬲 亘诏蹖乇蹖丿 讴賴 賲胤賲卅賳 亘丕卮蹖丿 丕夭 禺賵丕賳丿賳 乇賵丕蹖鬲 賲丿乇賳 丿丕爻鬲丕賳 賴丕 賱匕鬲 賲蹖鈥屫ㄘ臂屫�.
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賲賳 讴鬲丕亘 乇丕 亘賴 氐賵乇鬲 氐賵鬲蹖 亘丕 氐丿丕蹖 毓賱蹖 丿賳蹖賵蹖 爻丕乇賵蹖 賵 丕夭 賮蹖丿蹖亘賵 丿賵爻鬲賲 爻毓蹖丿 _讴賴 毓賲乇卮 丿乇丕夭 亘丕丿_ 丿乇丨蹖賳 倬蹖丕丿賴 乇賵蹖 賴丕蹖 丕噩亘丕乇蹖 爻丕毓鬲 鄯 乇賵夭賴丕蹖 夭賵噩貙 诏賵卮 丿丕丿賲. 賲賲賳賵賳賲 賵 亘蹖卮 亘丕丿 :)
賲賳賴賲 賴乇卮亘貙 亘丿賵賳 丕爻鬲孬賳丕 賴乇卮亘 賯亘賱 禺賵丕亘 亘賴 蹖讴 賲賵囟賵毓 鬲讴乇丕乇蹖 賮讴乇 賲蹖讴賳賲貨 丕賲丕 賴乇亘丕乇 爻毓蹖 賲蹖讴賳賲 丕夭 乇丕賴 噩丿蹖丿 亘丕 丌賳 乇賵亘乇賵 卮賵賲. 賳賲蹖鈥屫з嗁� 鬲丕 亘丨丕賱 趩賳丿 乇丕賴 乇丕 乇賮鬲賴 丕賲貙 丨爻丕亘卮 賳讴乇丿賴 丕賲. 賴蹖趩賵賯鬲 毓賱丕賯賴 丕蹖 亘賴 賳诏賴 丿丕卮鬲賳 丨爻丕亘 趩蹖夭蹖 賳丿丕卮鬲賲. 卮丕蹖丿 賮讴乇 賲蹖讴乇丿賲 賴賲賴 趩蹖夭 賴賲蹖卮賴 亘賴 賴賲丕賳 卮讴賱 亘丕賯蹖 禺賵丕賴賳丿 賲丕賳丿貨 蹖丕 卮丕蹖丿 賴賲 丕蹖賳賴丕 賴賲賴 丕夭 鬲賳亘賱蹖 匕賴賳 亘丕卮丿 賵 賲賳 丿丕乇賲 賳丕卮蹖丕賳賴 鬲賵噩蹖賴 賲蹖讴賳賲. 丿丕卮鬲賲 賲蹖诏賮鬲賲 讴賴 賴乇卮亘 亘賴 鬲賵 賮讴乇 賲蹖讴賳賲.鈥� 丕賵賱卮 禺賵丕爻鬲賲 亘賳賵蹖爻賲: 賴乇卮亘貙 亘丿賵賳 丕爻鬲孬賳丕 賴乇卮亘 蹖讴 賲賵囟賵毓 鬲讴乇丕乇蹖 賮讴乇賲 乇丕 賲卮睾賵賱 賲蹖鈥屭┵嗀�. 丕賲丕 丿蹖丿賲 丕蹖賳胤賵乇 丿乇 噩丕蹖诏丕賴 丕亘跇讴鬲蹖賵 賯乇丕乇 賲蹖诏蹖乇賲貙 蹖丕 卮丕蹖丿 讴爻蹖 鬲氐賵乇 讴賳丿 丌賳 賲賵囟賵毓 趩蹖夭 賳丕禺賵卮丕蹖賳丿蹖 丕爻鬲貨 讴賴 賴乇 丿賵 丨丕賱鬲 丕卮鬲亘丕賴 丕爻鬲. 趩賵賳 賲賳 禺賵丿禺賵丕爻鬲賴 賵 賵爻賵丕爻 诏賵賳賴 亘賴 鬲賵 賮讴乇 賲蹖讴賳賲 賵 鬲賵 丕氐賱丕 賲賵囟賵毓 賳丕禺賵卮丕蹖賳丿蹖 賳蹖爻鬲蹖. 禺蹖賱蹖 趩蹖夭賴丕 丿乇 夭賳丿诏蹖 丕賲 賵噩賵丿 丿丕乇賳丿 讴賴 賲爻鬲賯蹖賲丕 鬲賵 乇丕 亘賴 蹖丕丿賲 賲蹖鈥屫①堌辟嗀�. 賲孬賱丕 丿爻鬲賲丕賱 賴丕. 賲賳 亘賴 丿爻鬲賲丕賱 賴丕 賮讴乇 賲蹖讴賳賲. 鬲賵 丕诏乇 丿爻鬲賲丕賱 亘賵丿蹖 鬲乇噩蹖丨 賲蹖丿丕丿蹖 趩胤賵乇 丕夭鬲 丕爻鬲賮丕丿賴 讴賳賳丿責 鬲乇噩蹖丨 賳賲蹖丿丕丿蹖 亘賴 噩丕蹖 丕蹖賳讴賴 丿乇 噩蹖亘 亘睾賱 賲乇丿 賲蹖丕賳爻丕賱蹖 亘倬賵爻蹖貙 亘蹖賳蹖 讴賵趩讴 丿禺鬲乇 夭蹖亘丕蹖蹖 乇丕 鬲賲蹖夭 讴賳蹖責 倬爻 趩胤賵乇 賲蹖鬲賵丕賳蹖 賲賳 乇丕 亘禺丕胤乇 爻毓丕丿鬲蹖 讴賴 倬賷卮讴卮 丕鬲 讴乇丿賴 丕賲 爻乇夭賳卮 讴賳蹖. 鬲賵 丨鬲蹖 丿乇 賲蹖丕賳 丿爻鬲賲丕賱 賴丕 賴賲 禺賵卮亘禺鬲 鬲乇蹖賳蹖 賵 丌賳 乇丕 亘賴 賲賳 賲丿蹖賵賳蹖.
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丿乇亘丕乇賴 讴鬲丕亘:
"賲乇诏 丌乇鬲賲蹖賵 讴乇賵夭" 乇賲丕賳蹖 爻賵乇卅丕賱 賵 丿乇亘丕乇賴 賲讴夭蹖讴 賯乇賳 亘蹖爻鬲賲 丕爻鬲 讴賴 丕夭 丿乇蹖趩賴 趩卮賲 丌乇鬲賲蹖賵 讴乇賵夭 亘賴 丌賳 賳诏乇蹖爻鬲賴 賲蹖卮賵丿.
丌乇鬲賲蹖賵 讴乇賵夭 賲乇丿蹖 丕爻鬲 讴賴 賲乇诏 賯乇蹖亘鈥屫з勝堎傎堌关� 亘賴 丕賵 丕蹖賳 丕賲讴丕賳 乇丕 賲蹖鈥屫囏� 鬲丕 丿乇 趩賳丿 乇賵夭 倬丕蹖丕賳蹖 夭賳丿诏蹖 丕卮 亘賴 诏匕卮鬲賴 賳诏丕賴 讴乇丿賴 賵 乇賵夭賴丕蹖 丕賵噩 丌賳 乇丕 丿賵亘丕乇賴 夭賳丿诏蹖 讴賳丿. 丕賵 倬爻乇 賳丕賲卮乇賵毓 蹖讴 賵丕乇孬 賲夭乇毓賴 丿丕乇 噩賵丕賳貙 禺賵卮鈥屫屬� 賵 孬乇賵鬲賲賳丿 丕爻鬲. 賲乇丿 噩賵丕賳 亘賴 賲丕丿乇 讴乇賵夭 讴賴 亘乇丿賴 噩賵丕賳蹖 亘賵丿賴 鬲噩丕賵夭 賲蹖讴賳丿. 倬爻 丕夭 鬲賵賱丿 賳賵夭丕丿貙 賲丕丿乇 讴賴 賲賵乇丿 囟乇亘 賵 卮鬲賲 賯乇丕乇 诏乇賮鬲賴 亘賵丿貙 賲噩亘賵乇 賲蹖 卮賵丿 丌賳 賲夭乇毓賴 乇丕 鬲乇讴 讴賳丿. 讴乇賵夭 鬲賵爻胤 毓賲賵蹖卮 賱賵賳乇賵 亘夭乇诏 賲蹖 卮賵丿.
倬爻 丕夭 賲乇诏 賱賵賳乇賵貙 讴乇賵夭 亘賴 噩賳亘卮 丕賳賯賱丕亘蹖 丌乇賲丕賳鈥屭必й屰� 賲蹖鈥屬聚屬堎嗀� 讴賴 賴丿賮卮 亘蹖乇賵賳 讴卮蹖丿賳 夭賲蹖賳 丕夭 丿爻鬲 孬乇賵鬲賲賳丿丕賳 賵 鬲賵夭蹖毓 丌賳 亘蹖賳 丿賴賯丕賳丕賳 丕爻鬲貨 鬲丕 賴乇 丿賴賯丕賳 亘賴 丕賳丿丕夭賴 讴丕賮蹖 夭賲蹖賳 亘乇丕蹖 丕丿丕乇賴 賲毓蹖卮鬲 禺丕賳賵丕丿賴 禺賵丿 丿丕卮鬲賴 亘丕卮丿. 丕賵賱蹖賳 毓卮賯 讴乇賵夭貙 乇噩蹖賳丕貙 鬲賵爻胤 賳蹖乇賵賴丕蹖 賲禺丕賱賮 亘賴 丿丕乇 丌賵蹖禺鬲賴 賲蹖 卮賵丿. 丕蹖賳 丨丕丿孬賴 鬲丕孬蹖乇 亘夭乇诏蹖 亘乇 卮禺氐蹖鬲 讴乇賵夭 賲蹖 诏匕丕乇丿 賵 毓賲賱丕 爻乇賳賵卮鬲 丕賵 乇丕 賲蹖鈥屫池ж藏�. 丿乇 爻丕賱 郾酃郾酃貙 跇賳乇丕賱 倬賵乇賮蹖乇蹖賵 卮讴爻鬲 賲蹖禺賵乇丿 賵 讴卮賵乇 丿乇 爻乇丿乇诏賲蹖 丿丕卅賲蹖 賵 禺賵賳蹖賳 诏乇賮鬲丕乇 賲蹖鈥屫促堌�. 賵賯鬲蹖 讴乇賵夭 亘丕 蹖讴 丕賮爻乇 噩賵丕賳 亘賴 賳丕賲 诏賵賳夭賵賱賵 亘乇賳丕賱 夭賳丿丕賳蹖 賵 賲丨讴賵賲 亘賴 丕毓丿丕賲 賲蹖 卮賵丿貙 丕胤賱丕毓丕鬲 丕乇夭卮賲賳丿蹖 丿乇 賲賵乇丿 夭賳丿诏蹖 卮禺氐蹖 丕蹖賳 賲乇丿 亘賴 丿爻鬲 賲蹖 丌賵乇丿. 讴乇賵夭 禺賵丿 賲賵賮賯 亘賴 賮乇丕乇 賲蹖鈥屫促堌� 丕賲丕 賴蹖趩 鬲賱丕卮蹖 亘乇丕蹖 賳噩丕鬲 丕賮爻乇 讴賴 賳夭丿蹖讴 丕爻鬲 鬲賵爻胤 噩賵禺賴 鬲蹖乇丕賳丿丕夭蹖 丕毓丿丕賲 卮賵丿貙 賳賲蹖鈥屭┵嗀�. 丕賵 亘丕 丕胤賱丕毓丕鬲蹖 讴賴 亘賴 丿爻鬲 丌賵乇丿賴 賵 亘丕 賳蹖乇賳诏 賵 賮乇蹖亘貙 讴丕鬲丕賱蹖賳丕 禺賵丕賴乇 诏賵賳夭賱賵貙 讴賴 丿禺鬲乇 蹖讴 夭賲蹖賳丿丕乇 孬乇賵鬲 賳蹖夭 賴爻鬲 乇丕 亘賴 丕夭丿賵丕噩蹖 亘丿賵賳 毓卮賯 賲噩亘賵乇 賲蹖讴賳丿.听丕夭 丌賳噩丕蹖蹖 讴賴 丿乇 賲讴夭蹖讴 夭賳丕賳 丕噩丕夭賴 賳丿丕乇賳丿 丿丕乇丕蹖蹖 丕夭 禺賵丿 丿丕卮鬲賴 亘丕卮賳丿貙 倬爻 丕夭 賲乇诏 倬丿乇 讴丕鬲丕賱蹖賳丕貙 讴乇賵夭 丿乇 賲丿鬲 讴賵鬲丕賴蹖貙 鬲賲丕賲 孬乇賵鬲 禺丕賳賵丕丿賴 乇丕 亘賴 丕乇孬 賲蹖 亘乇丿 賵 鬲亘丿蹖賱 亘賴 賲乇丿蹖 亘爻蹖丕乇 孬乇賵鬲賲賳丿 賲蹖鈥屫促堌�.听丿乇 丨賯蹖賯鬲 倬賵賱 賳賯丿 讴賲蹖 亘賴 丕賵 賲蹖乇爻丿貙 丕賲丕 亘禺卮 毓馗蹖賲蹖 丕夭 孬乇賵鬲 讴賴 丿乇 乇賵蹖 夭賲蹖賳 賴丕爻鬲貙 亘賴 丕賵 賲賳鬲賯賱鈥屬呟屸€屫促堌�.听讴乇賵夭 亘賴 夭賵丿蹖 丿丕乇丕蹖蹖 賴丕蹖 禺丕賳賵丕丿賴 乇丕 丕夭 胤乇蹖賯 丨蹖賱賴 賵 禺卮賵賳鬲 丕賮夭丕蹖卮 賲蹖 丿賴丿. 丕賵 乇賵夭賳丕賲賴 丕蹖 丿乇 賲讴夭蹖讴賵爻蹖鬲蹖 賲蹖 禺乇丿 賵 丕夭 賯丿乇鬲 賵 鬲乇蹖亘賵賳蹖 讴賴 丿乇 丕禺鬲賷丕乇卮 賯乇丕乇 賲蹖鈥屭屫必� 亘乇丕蹖 诏爻鬲乇卮 丿丕乇丕蹖蹖 賴丕蹖 賳丕賲卮乇賵毓 禺賵丿 丕爻鬲賮丕丿賴 賲蹖 讴賳丿.听丕賵 丕夭 丕蹖賳 乇賵夭賳丕賲賴 亘乇丕蹖 亘丕噩鈥屭屫臂� 丕夭 乇賯亘丕蹖 鬲噩丕乇蹖 賵 鬲禺乇蹖亘 爻蹖丕爻鬲賲丿丕乇丕賳 睾蹖乇禺賵丿蹖 丕爻鬲賮丕丿賴 賲蹖鈥屭┵嗀�.听讴乇賵夭 賴賲趩賳蹖賳 卮乇賵毓 亘賴 賵丕爻胤賴鈥屭臂� 賲蹖 讴賳丿 賵 賲毓丕賲賱丕鬲 鬲噩丕乇蹖 賮丕爻丿 乇丕 鬲爻賴蹖賱 賲蹖 讴賳丿 鬲丕 賲賳丕亘毓 胤亘蹖毓蹖 讴卮賵乇 乇丕 亘賴 亘丕夭乇诏丕賳丕賳 丌賲乇蹖讴丕蹖蹖 亘賮乇賵卮丿 - 丕賱亘鬲賴 亘丕 賴夭蹖賳賴 丕蹖 诏夭丕賮.
讴乇賵夭 鬲賳賴丕 倬爻乇卮貙 賱賵乇賳夭賵貙 乇丕 丿乇 爻賳 郾鄄 爻丕賱诏蹖 亘乇丕蹖 賲丿蹖乇蹖鬲 丕賲賱丕讴 禺丕賳賵丕丿诏蹖 亘賴 讴賵讴賵蹖丕 賲蹖 賮乇爻鬲丿貙 丕賱亘鬲賴鈥� 丿賱蹖賱 丕氐賱蹖 丕賷賳 讴丕乇 丨爻丕丿鬲 亘賴 乇丕亘胤賴 讴丕鬲丕賱蹖賳丕 賵 倬爻乇卮丕賳 丕爻鬲.听賱賵乇賳夭賵 丿乇 郾鄯 爻丕賱诏蹖貙 丌乇賲丕賳鈥屭必� 賵 賲氐賲賲 亘乇丕蹖 倬蹖賵爻鬲賳 亘賴 賲亘丕乇夭賴 亘丕 賮丕卮蹖爻鬲鈥屬囏ж� 亘賴 丕爻倬丕賳蹖丕 賲蹖乇賵丿 賵 丿乇 丿乇诏蹖乇蹖 讴卮鬲賴 賲蹖 卮賵丿. 丨丕賱丕 讴乇賵夭 鬲賳賴丕 蹖讴 丿禺鬲乇 亘賴 賳丕賲 鬲乇夭丕 丿丕乇丿 讴賴 丕夭 倬丿乇 亘蹖夭丕乇 丕爻鬲.听讴乇賵夭 丿乇 鬲賲丕賲 毓賲乇 丿爻鬲 丕夭 禺蹖丕賳鬲 亘賴 賴賲爻乇 賵 丌夭丕乇 乇賵丨蹖 丿禺鬲乇卮 亘乇 賳賲蹖鈥屫ж必�. 丕賵 丿乇 亘爻鬲乇 賲乇诏 賴賲 亘賴 毓匕丕亘 丿丕丿賳 丌賳賴丕 丕丿丕賲賴 賲蹖鈥屫囏� 賵 丿乇 賲賵乇丿 賲丨賱 賵氐蹖鬲賳丕賲賴 禺賵丿 亘賴 丌賳賴丕 丿乇賵睾 賲蹖 诏賵蹖丿.听丿乇 賵丕賯毓貙 丕賵 亘禺卮 毓賲丿賴 丕蹖 丕夭 丿丕乇丕蹖蹖 禺賵丿 乇丕 亘賴 丿爻鬲蹖丕乇 賵賮丕丿丕乇卮貙 倬丕丿蹖賱丕貙 賵丕诏匕丕乇 讴乇丿賴 丕爻鬲 賵 亘丕 丕蹖賳讴丕乇 丕夭 禺丕賳賵丕丿賴 丕賳鬲賯丕賲 賲蹖鈥屭屫必�.
鬲丨賵賱 讴乇賵夭 丕夭 噩賵丕賳蹖 賮賯蹖乇 賵 丌乇賲丕賳鈥屭必� 亘賴 賲蹖丕賳爻丕賱蹖 賮丕爻丿 賵 賲賳丨胤 貙 賵 丌卮賮鬲诏蹖 鬲丕乇蹖禺蹖 賲讴夭蹖讴貙 倬蹖丕賲鈥屬囏й� 丕氐賱蹖 乇賲丕賳 賴爻鬲賳丿.听卮丕蹖丿 丕蹖賳 乇賲丕賳 賲賳毓讴爻 讴賳賳丿賴 丕蹖賳 毓賯蹖丿賴 賮賵卅賳鬲爻 亘丕卮丿 讴賴: 賮賯胤 讴爻丕賳蹖 讴賴 丿乇 噩賵丕賳蹖 賲蹖 賲蹖乇賳丿 蹖丕 丿乇 賮賯乇 卮丿蹖丿 夭賳丿诏蹖 賲蹖 讴賳賳丿貙 賲蹖 鬲賵丕賳賳丿 丌乇賲丕賳 诏乇丕蹖蹖 禺賵丿 乇丕 丨賮馗 讴賳賳丿.
听賮賵卅賳鬲爻 丿乇 丕蹖賳 乇賲丕賳 賲丕賳賳丿 蹖讴 卮丕毓乇 丕夭 丕爻鬲毓丕乇賴 賵 噩乇蹖丕賳 爻蹖丕賱 匕賴賳 丕爻鬲賮丕丿賴 賲蹖 讴賳丿.听賲賳 毓賲蹖賯丕賸 亘賴 鬲讴賳蹖讴 丕禺鬲乇丕毓蹖 賮賵卅賳鬲爻 賵 爻亘讴 乇賵丕蹖蹖 丕卮 丕丨鬲乇丕賲 賲蹖 诏匕丕乇賲 賵 丌賳 乇丕 鬲丨爻蹖賳 賲蹖 讴賳賲 夭蹖乇丕 丕夭 亘乇禺蹖 噩賴丕鬲 賲丕賳賳丿 丿丕爻鬲丕賳 乇賲丕賳卮 丕賳賯賱丕亘蹖 丕爻鬲. 鬲睾蹖蹖乇 氐丿丕蹖 乇賵丕蹖蹖 賲蹖丕賳 丕賵賱 卮禺氐貙 丿賵賲 卮禺氐 賵 爻賵賲鈥� 卮禺氐 噩爻賵乇丕賳賴 丕爻鬲 賵 亘乇丕蹖 夭賳丿賴 賳诏賴 丿丕卮鬲賳 禺胤 乇賵丕蹖蹖 丿丕爻鬲丕賳 亘禺賵亘蹖 毓賲賱 賲蹖讴賳丿. 丌丿賲 賵丕賯毓丕賸 丿乇 亘禺卮鈥屬囏й� 乇賵丕蹖鬲 丕賵賱 卮禺氐 丕爻鬲 讴賴 丌乇鬲賲蹖賵 乇丕 賲蹖鈥屫促嗀ж池� 賵 丿乇 乇賵丕蹖鬲 賴丕蹖 爻賵賲 卮禺氐 丕爻鬲 讴賴 丨賵丕丿孬 毓蹖賳蹖 鬲乇 賲蹖鈥屫促堎嗀�. 賮賱丕卮鈥� 亘讴鈥屬囏� 賲乇丕 賲噩匕賵亘 讴乇丿賳丿. 賮賵卅賳鬲爻 丕夭 鬲睾蹖蹖乇丕鬲 丿乇 夭賲丕賳 亘乇丕蹖 禺丿賲鬲 亘賴 乇賵丕蹖鬲 丕爻鬲賮丕丿賴 賲蹖鈥屭┵嗀� 夭蹖乇丕 禺賵丕賳賳丿賴 乇丕 亘賴 亘丕賱丕 賵 倬丕蹖蹖賳 夭賳丿诏蹖 丌賳鬲丕诏賵賳蹖爻鬲 禺賵丿 賲蹖鈥屫ㄘ必�.丕賵 賲丕 乇丕 丕夭 賮賯乇 賵丨卮鬲賳丕讴 讴乇賵夭 賵 賲丕噩乇丕噩賵蹖蹖 賴丕蹖 丕賳賯賱丕亘蹖 丕卮貙 亘賴 鬲賲丕卮丕蹖 乇賵丕亘胤 毓卮賯蹖 賵 丕鬲丕賯 禺賵丕亘卮 賲蹖亘乇丿. 讴乇賵夭 蹖讴 讴丕乇丕讴鬲乇 丕丿亘蹖 噩匕丕亘 丕爻鬲 讴賴 囟毓賮鈥屬囏й� 丕賳爻丕賳蹖鈥� 亘爻蹖丕乇 夭蹖丕丿 丿丕乇丿貙 丕賲丕 亘賴鈥屫ж坟� 鬲讴賳蹖讴 乇賵丕蹖蹖 賮賵卅賳鬲爻貙 亘賴 卮讴賱蹖 亘丕賵乇倬匕蹖乇 鬲氐賵蹖乇 卮丿賴 賵 丨鬲蹖 噩丕賴丕蹖蹖 賴賲丿賱蹖 禺賵丕賳賳丿賴 乇丕 鬲丨乇蹖讴 賲蹖讴賳丿.
丿乇 丕賳鬲賴丕 賴卮丿丕乇 賲蹖丿賴賲 讴賴 丕蹖賳 乇賲丕賳 丌爻丕賳蹖 賳蹖爻鬲. 賮賯胤 夭賲丕賳蹖 丌賳乇丕 亘賴 丿爻鬲 亘诏蹖乇蹖丿 讴賴 賲胤賲卅賳 亘丕卮蹖丿 丕夭 禺賵丕賳丿賳 乇賵丕蹖鬲 賲丿乇賳 丿丕爻鬲丕賳 賴丕 賱匕鬲 賲蹖鈥屫ㄘ臂屫�.
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賲賳 讴鬲丕亘 乇丕 亘賴 氐賵乇鬲 氐賵鬲蹖 亘丕 氐丿丕蹖 毓賱蹖 丿賳蹖賵蹖 爻丕乇賵蹖 賵 丕夭 賮蹖丿蹖亘賵 丿賵爻鬲賲 爻毓蹖丿 _讴賴 毓賲乇卮 丿乇丕夭 亘丕丿_ 丿乇丨蹖賳 倬蹖丕丿賴 乇賵蹖 賴丕蹖 丕噩亘丕乇蹖 爻丕毓鬲 鄯 乇賵夭賴丕蹖 夭賵噩貙 诏賵卮 丿丕丿賲. 賲賲賳賵賳賲 賵 亘蹖卮 亘丕丿 :)
June 28, 2021
螘谓伪蟼 伪谓胃蟻蠅蟺慰蟼 尾蟻喂蟽魏蔚蟿伪喂 蟽蟿慰 谓慰蟽慰魏慰渭蔚喂慰, 蟽蟿慰 谓蔚魏蟻慰魏蟻蔚尾伪蟿慰 蟿慰蠀. 螘喂谓伪喂 慰 螒蟻蟿蔚渭喂慰 螝蟻慰蠀蟼. 螘谓伪蟼 伪谓蟿蟻伪蟼 蟽魏位畏蟻慰蟼, 蔚喂谓伪喂 畏位喂魏喂蠅渭蔚谓慰蟼, 蔚味畏蟽蔚 渭喂伪 蟺位畏蟻畏 味蠅畏. 螒蠀蟿畏 蟿畏 味蠅畏 蟿畏谓 蟺蔚蟻喂纬蟻伪蠁蔚喂 慰 蟽蠀纬纬蟻伪蠁蔚伪蟼 蟽蔚 3慰 蔚谓喂魏慰.. 螒蠀蟿慰蟼.. 螒蠀蟿慰蟼 慰 伪谓蟿蟻伪蟼 纬蔚谓谓畏胃畏魏蔚 蟽蔚 蟺慰位蠀 伪蟽蠂畏渭蔚蟼 蟽蠀谓胃畏魏蔚蟼 纬喂伪 蟿喂蟼 慰蟺慰喂蔚蟼 蟺位畏蟻慰蠁慰蟻慰蠀渭伪蟽蟿蔚 蟽蠂蔚未慰谓 蟽蟿慰 蟿蔚位慰蟼 蟿慰蠀 尾喂尾位喂慰蠀, 渭蔚纬伪位蠅蟽蔚, 蟺慰位蔚渭畏蟽蔚 蟽蟿畏 渭蔚尉喂魏伪谓喂魏畏 蔚蟺伪谓伪蟽蟿伪蟽畏 蠀蟺蔚蟻 伪蠀蟿蠅谓 蟺慰蠀 蟺喂蟽蟿蔚蠀伪谓 慰蟿喂 蟺蟻蔚蟺蔚喂 谓伪 纬喂谓蔚喂 伪谓伪魏伪蟿伪谓慰渭畏 蟿畏蟼 纬畏蟼 魏伪喂 蟽蟿慰蠀蟼 蠁蟿蠅蠂慰蠀蟼, 伪位位伪 蟿蔚位喂魏伪 魏伪蟿蔚位畏尉蔚 谓伪 纬喂谓蔚喂 蔚谓伪蟼 蟺慰谓畏蟻慰蟼 蔚魏渭蔚蟿伪位位蔚蠀蟿畏蟼 蟺慰蠀 蟺伪谓蟿蟻蔚蠀蟿畏魏蔚 蟿畏谓 伪未蔚蟻蠁畏 蔚谓慰蟼 蟽蠀渭蟺慰位蔚渭喂蟽蟿畏 蟿慰蠀 蟺慰蠀 蟺蔚胃伪谓蔚 伪蟺位伪 纬喂伪 蟿伪 蠂蟻畏渭伪蟿伪 魏伪喂 蟿畏谓 蟺蔚蟻喂慰蠀蟽喂伪. 螒蠀蟿畏 畏 渭蔚蟿伪渭慰蟻蠁蠅蟽畏 蟿慰谓 伪魏慰位慰蠀胃蔚喂 魏伪喂 蟽蔚 伪位位蔚蟼 蟺蟿蠀蠂蔚蟼 蟿畏蟼 味蠅畏蟼 蟿慰蠀 慰蟺慰蠀 伪蟺伪蟿伪, 魏位蔚尾蔚喂, 魏慰蟻慰喂未蔚蠀蔚喂 魏伪喂 蔚魏渭蔚蟿伪位位蔚蠀蔚蟿伪喂 蟿慰蠀蟼 蟺伪位喂慰蠀蟼 蟽蠀谓蟿蟻慰蠁慰蠀蟼 蟿慰蠀 魏伪喂 蟿蔚位喂魏伪 魏伪蟿伪位畏纬蔚喂 谓伪 蟺位畏尉蔚喂 蟿伪 喂未喂伪 蟿伪 蟺伪喂未喂伪 蟿慰蠀. 螘蠂蔚喂 慰渭蠅蟼 魏伪喂 蟽蠀谓蔚喂未畏蟽畏, 伪蠀蟿畏 慰渭蠅蟼 伪蟺慰魏蟿伪 蠁蠅谓畏 魏蠀蟻喂蠅蟼 蟺蟻慰蟼 蟿慰 蟿蔚位慰蟼 蟿慰蠀. 韦慰蠀 渭喂位伪 渭蔚 蟿慰 螘蟽蠀... 螘蟽蠀 蟺慰蠀 蔚魏伪谓蔚蟼 慰位伪 伪蠀蟿伪, 蟿蠅蟻伪 胃伪 蟽慰蠀 蟽蠀渭尾慰蠀谓 伪蠀蟿伪... 螝伪喂 蟿蔚位慰蟼 畏 渭蔚纬伪位蠀蟿蔚蟻畏 蟿喂渭蠅蟻喂伪 蟿慰蠀 螝蟻慰蠀蟼 蔚喂谓伪喂 畏 喂魏伪谓慰蟿畏蟿伪 蟿慰蠀 谓伪 尾位蔚蟺蔚喂 魏伪喂 谓伪 伪魏慰蠀蔚喂 魏伪喂 谓伪 渭伪蟼 渭蔚蟿伪蠁蔚蟻蔚喂 慰位伪 伪蠀蟿伪 蟺慰蠀 纬喂谓慰谓蟿伪喂 蟿喂蟼 蟿蔚位蔚蠀蟿伪喂蔚蟼 12 蠅蟻蔚蟼 蟿畏蟼 味蠅畏蟼 蟿慰蠀. 螠蔚 蟿慰 螘纬蠅.. 螘纬蠅 尾蟻喂蟽魏慰渭伪喂 伪尾慰畏胃畏蟿慰蟼 蟽蔚 蔚谓伪 魏蟻蔚尾伪蟿喂, 伪蟺慰 蟺伪谓蠅 渭慰蠀 纬喂伪蟿蟻慰喂, 喂蔚蟻蔚喂蟼, 纬蟻伪渭渭伪蟿蔚喂蟼 渭蔚 蟿畏 未喂伪胃畏魏畏, 畏 慰喂魏慰纬蔚谓蔚喂伪 渭慰蠀 蟺慰蠀 渭蔚 伪谓蟿喂蟺伪胃蔚喂.. 螣位慰喂 魏伪蟿喂 蟺蔚蟻喂渭蔚谓慰蠀谓, 伪蟺伪喂蟿慰蠀谓 伪蟺慰 蔚渭蔚谓伪..
韦慰 尾喂尾位喂慰 伪蠀蟿慰 未蔚谓 畏蟿伪谓 伪蠀蟿慰 蟺慰蠀 位蔚渭蔚 love at first sight. 螛蔚位蔚喂 蟺慰位位畏 未慰蠀位蔚喂伪, 蟺慰位位畏 蟺蟻慰蟽慰蠂畏, 蟺慰位位畏 蠀蟺慰渭慰谓畏. 螣蟿伪谓 蟿慰蠀 蟿伪 未蠅蟽蔚喂蟼 慰位伪 伪蠀蟿伪 慰渭蠅蟼, 蟽蔚 蟿蟻伪尾伪蔚喂 渭蔚蟽伪 蟿慰蠀. 螡伪 尉蔚魏喂谓畏蟽蠅 伪蟺慰 蟿慰 蔚蠀蟻畏渭伪 渭蔚 蟿伪 3 蟺蟻慰蟽蠅蟺伪 伪蠁畏纬畏蟽畏蟼 蟺慰蠀 蔚喂谓伪喂 慰, 蟿喂 蟺喂慰 渭慰谓伪未喂魏慰 魏伪喂 未蠀蟽魏慰位慰 蔚蠂蠅 未喂伪尾伪蟽蔚喂? 螡伪 蟺蠅 纬喂伪 蟿畏 纬蟻伪蠁畏 蟿慰蠀 桅慰蠀蔚谓蟿蔚蟼 蟺慰蠀 伪蟺慰 蟽蠀纬纬蟻伪蠁蔚伪蟼 纬喂谓蔚蟿伪喂 渭蔚纬喂蟽蟿慰蟼 蟺慰喂畏蟿畏蟼 渭蔚 魏伪蟿喂 伪位位畏纬慰蟻喂魏蔚蟼 蔚喂魏慰谓蔚蟼 蟺慰蠀 蟽蔚 伪蠁畏谓慰蠀谓 伪谓伪蠀未慰? 螡伪 渭喂位畏蟽蠅 纬喂伪 蟿慰谓 蟿蟻慰蟺慰 蟺慰蠀 蟻蔚慰蠀谓 慰喂 蟽魏蔚蠄蔚喂蟼 蟽蟿慰 蠂伪蟻蟿喂 蟽伪谓 蟺慰蟿伪渭慰蟼, 蟺慰位位蔚蟼 蠁慰蟻蔚蟼 伪魏伪蟿伪位畏蟺蟿伪? 螛伪 蟺蠅 慰蟿喂 伪蠀蟿伪 蟿伪 蟽畏渭蔚喂伪 蟺慰蠀 未蠀蟽魏慰位蔚蠀慰蠀谓 蟿慰谓 伪谓伪纬谓蠅蟽蟿畏 蟽蔚 伪蠀蟿慰 蟿慰 蟿慰蟽慰 伪蟺伪喂蟿畏蟿喂魏慰 尾喂尾位喂慰, 蔚喂谓伪喂 蟿蔚位喂魏伪 魏伪喂 蟿伪 蟺喂慰 纬慰畏蟿蔚蠀蟿喂魏伪 蟿慰蠀. 螛伪 蟿慰 蟺蟻慰蟿蔚喂谓伪 慰蟺蠅蟽未畏蟺慰蟿蔚 蟽蔚 慰蟺慰喂慰谓 蔚蠂蔚喂 蟿畏 未喂伪胃蔚蟽畏 魏伪喂 蟿畏谓 蠀蟺慰渭慰谓畏 谓伪 蟿慰蠀 伪蠁蔚胃蔚喂. 螒蟺慰 魏蔚喂 魏伪喂 蟺蔚蟻伪, 胃伪 蟽伪蟼 伪蠁畏蟽蔚喂 伪谓伪蠀未慰蠀蟼.
"胃伪 蟺蔚蟻伪蟽蔚喂, 蟺蟻蔚蟺蔚喂 谓伪 蟺蔚蟻伪蟽蔚喂. 螒位位伪 蠀蟺伪蟻蠂蔚喂 蟿慰蟽慰蟼 位喂纬慰蟼 蠂蟻慰谓慰蟼, 纬喂伪蟿喂 未蔚 渭蔚 伪蠁畏谓慰蠀谓 谓伪 蟿慰 胃蠀渭畏胃蠅? 螡伪喂, 慰蟿伪谓 蟿慰 蟽蠅渭伪 畏蟿伪谓 谓蔚慰. 螝伪蟺慰蟿蔚 蠀蟺畏蟻尉蔚 谓蔚慰, 蠀蟺畏蟻尉蔚 谓蔚慰. 螒蠂 蟿慰 蟽蠅渭伪 蟺蔚胃伪喂谓蔚喂 伪蟺慰 蟺慰谓慰, 伪位位伪 慰 蔚纬魏蔚蠁伪位慰蟼蟺位畏渭渭蠀蟻喂味蔚喂 渭蔚 蠁蠅蟼. 围蠅蟻喂味慰谓蟿伪喂, 蟿慰 尉蔚蟻蠅 蟺蠅蟼 蠂蠅蟻喂味慰谓蟿伪喂.. "
" 蔚纬蠅 未蔚谓 尉蔚蟻蠅... 螖蔚谓 尉蔚蟿蠅... 螒谓 伪蠀蟿慰蟼 蔚喂渭伪喂 蔚纬蠅.. 螒谓 蔚蟽蠀 蔚喂谓伪喂 伪蠀蟿慰蟼.. 螒谓 蔚纬蠅 蔚喂渭伪喂 魏伪喂 慰喂 3.. 螘蟽蠀.. 危蔚 魏慰蠀尾伪位伪蠅 渭蔚蟽伪 渭慰蠀.. 螝伪喂 胃伪 蟺蔚胃伪谓蔚喂蟼 渭伪味喂 渭慰蠀.. 螛蔚蔚.. 螒蠀蟿慰蟼.. 韦慰谓 魏慰蠀尾伪位畏蟽伪 渭蔚蟽伪 渭慰蠀 魏伪喂 胃伪 蟺蔚胃伪谓蔚喂 渭伪味喂 渭慰蠀.. 螣喂 蟿蟻蔚喂蟼.. 螤慰蠀 渭喂位畏蟽伪谓.. 螘纬蠅 胃伪 蟿慰谓 魏慰蠀尾伪位畏蟽蠅 渭蔚蟽伪 渭慰蠀 魏伪喂 胃伪 蟺蔚胃伪谓蔚喂 渭伪味喂 渭慰蠀... 螠慰谓慰蟼... "
韦慰 尾喂尾位喂慰 伪蠀蟿慰 未蔚谓 畏蟿伪谓 伪蠀蟿慰 蟺慰蠀 位蔚渭蔚 love at first sight. 螛蔚位蔚喂 蟺慰位位畏 未慰蠀位蔚喂伪, 蟺慰位位畏 蟺蟻慰蟽慰蠂畏, 蟺慰位位畏 蠀蟺慰渭慰谓畏. 螣蟿伪谓 蟿慰蠀 蟿伪 未蠅蟽蔚喂蟼 慰位伪 伪蠀蟿伪 慰渭蠅蟼, 蟽蔚 蟿蟻伪尾伪蔚喂 渭蔚蟽伪 蟿慰蠀. 螡伪 尉蔚魏喂谓畏蟽蠅 伪蟺慰 蟿慰 蔚蠀蟻畏渭伪 渭蔚 蟿伪 3 蟺蟻慰蟽蠅蟺伪 伪蠁畏纬畏蟽畏蟼 蟺慰蠀 蔚喂谓伪喂 慰, 蟿喂 蟺喂慰 渭慰谓伪未喂魏慰 魏伪喂 未蠀蟽魏慰位慰 蔚蠂蠅 未喂伪尾伪蟽蔚喂? 螡伪 蟺蠅 纬喂伪 蟿畏 纬蟻伪蠁畏 蟿慰蠀 桅慰蠀蔚谓蟿蔚蟼 蟺慰蠀 伪蟺慰 蟽蠀纬纬蟻伪蠁蔚伪蟼 纬喂谓蔚蟿伪喂 渭蔚纬喂蟽蟿慰蟼 蟺慰喂畏蟿畏蟼 渭蔚 魏伪蟿喂 伪位位畏纬慰蟻喂魏蔚蟼 蔚喂魏慰谓蔚蟼 蟺慰蠀 蟽蔚 伪蠁畏谓慰蠀谓 伪谓伪蠀未慰? 螡伪 渭喂位畏蟽蠅 纬喂伪 蟿慰谓 蟿蟻慰蟺慰 蟺慰蠀 蟻蔚慰蠀谓 慰喂 蟽魏蔚蠄蔚喂蟼 蟽蟿慰 蠂伪蟻蟿喂 蟽伪谓 蟺慰蟿伪渭慰蟼, 蟺慰位位蔚蟼 蠁慰蟻蔚蟼 伪魏伪蟿伪位畏蟺蟿伪? 螛伪 蟺蠅 慰蟿喂 伪蠀蟿伪 蟿伪 蟽畏渭蔚喂伪 蟺慰蠀 未蠀蟽魏慰位蔚蠀慰蠀谓 蟿慰谓 伪谓伪纬谓蠅蟽蟿畏 蟽蔚 伪蠀蟿慰 蟿慰 蟿慰蟽慰 伪蟺伪喂蟿畏蟿喂魏慰 尾喂尾位喂慰, 蔚喂谓伪喂 蟿蔚位喂魏伪 魏伪喂 蟿伪 蟺喂慰 纬慰畏蟿蔚蠀蟿喂魏伪 蟿慰蠀. 螛伪 蟿慰 蟺蟻慰蟿蔚喂谓伪 慰蟺蠅蟽未畏蟺慰蟿蔚 蟽蔚 慰蟺慰喂慰谓 蔚蠂蔚喂 蟿畏 未喂伪胃蔚蟽畏 魏伪喂 蟿畏谓 蠀蟺慰渭慰谓畏 谓伪 蟿慰蠀 伪蠁蔚胃蔚喂. 螒蟺慰 魏蔚喂 魏伪喂 蟺蔚蟻伪, 胃伪 蟽伪蟼 伪蠁畏蟽蔚喂 伪谓伪蠀未慰蠀蟼.
"胃伪 蟺蔚蟻伪蟽蔚喂, 蟺蟻蔚蟺蔚喂 谓伪 蟺蔚蟻伪蟽蔚喂. 螒位位伪 蠀蟺伪蟻蠂蔚喂 蟿慰蟽慰蟼 位喂纬慰蟼 蠂蟻慰谓慰蟼, 纬喂伪蟿喂 未蔚 渭蔚 伪蠁畏谓慰蠀谓 谓伪 蟿慰 胃蠀渭畏胃蠅? 螡伪喂, 慰蟿伪谓 蟿慰 蟽蠅渭伪 畏蟿伪谓 谓蔚慰. 螝伪蟺慰蟿蔚 蠀蟺畏蟻尉蔚 谓蔚慰, 蠀蟺畏蟻尉蔚 谓蔚慰. 螒蠂 蟿慰 蟽蠅渭伪 蟺蔚胃伪喂谓蔚喂 伪蟺慰 蟺慰谓慰, 伪位位伪 慰 蔚纬魏蔚蠁伪位慰蟼蟺位畏渭渭蠀蟻喂味蔚喂 渭蔚 蠁蠅蟼. 围蠅蟻喂味慰谓蟿伪喂, 蟿慰 尉蔚蟻蠅 蟺蠅蟼 蠂蠅蟻喂味慰谓蟿伪喂.. "
" 蔚纬蠅 未蔚谓 尉蔚蟻蠅... 螖蔚谓 尉蔚蟿蠅... 螒谓 伪蠀蟿慰蟼 蔚喂渭伪喂 蔚纬蠅.. 螒谓 蔚蟽蠀 蔚喂谓伪喂 伪蠀蟿慰蟼.. 螒谓 蔚纬蠅 蔚喂渭伪喂 魏伪喂 慰喂 3.. 螘蟽蠀.. 危蔚 魏慰蠀尾伪位伪蠅 渭蔚蟽伪 渭慰蠀.. 螝伪喂 胃伪 蟺蔚胃伪谓蔚喂蟼 渭伪味喂 渭慰蠀.. 螛蔚蔚.. 螒蠀蟿慰蟼.. 韦慰谓 魏慰蠀尾伪位畏蟽伪 渭蔚蟽伪 渭慰蠀 魏伪喂 胃伪 蟺蔚胃伪谓蔚喂 渭伪味喂 渭慰蠀.. 螣喂 蟿蟻蔚喂蟼.. 螤慰蠀 渭喂位畏蟽伪谓.. 螘纬蠅 胃伪 蟿慰谓 魏慰蠀尾伪位畏蟽蠅 渭蔚蟽伪 渭慰蠀 魏伪喂 胃伪 蟺蔚胃伪谓蔚喂 渭伪味喂 渭慰蠀... 螠慰谓慰蟼... "
April 3, 2017
In May of 2012, Carlos Fuentes passed away. Recently, a Mexican colleague returned from Mexico with a Spanish copy of The Death of Artemio Cruz for me so I thought it was time to tackle it. I had read the English version a few years ago and loved the story and his language (through a translator). My Spanish is getting better (this is the biggest book I have read in Spanish) but I cannot deny it was a challenge and yet, very rewarding.
I came to two observations. First, I love how Fuentes does a rant and it is even much better in Spanish. His play with the words makes one read for the sheer pleasure of the language. You can't beat that. Second, and the weirdest part is that I felt different towards the hero than when I read it in English. Artemio Cruz is a rich pompous newspaper magnate dying on his death bed reflecting on his life. In the English version, I really disliked the guy and in the Spanish version, I had empathy for him. Why? I don't know.
This is a classic of Mexican literature, written in 1962. Artemio Cruz is symbolic for Mexico and its history (note the dying part). Fuentes gives us Mexican history in little spurts so you don't need to be an expert here but his characterization of the man, from birth to death is the strength of the story. Think of it, torn apart by the Mexican revolution, spurred on by the industrialism and the greed of the PRI of the 1940s and challenged by its neighbor to the north in the 1950s, the man went through a lot! Fuentes' point of view still stands after 50 years. Viva Mexico!
I came to two observations. First, I love how Fuentes does a rant and it is even much better in Spanish. His play with the words makes one read for the sheer pleasure of the language. You can't beat that. Second, and the weirdest part is that I felt different towards the hero than when I read it in English. Artemio Cruz is a rich pompous newspaper magnate dying on his death bed reflecting on his life. In the English version, I really disliked the guy and in the Spanish version, I had empathy for him. Why? I don't know.
This is a classic of Mexican literature, written in 1962. Artemio Cruz is symbolic for Mexico and its history (note the dying part). Fuentes gives us Mexican history in little spurts so you don't need to be an expert here but his characterization of the man, from birth to death is the strength of the story. Think of it, torn apart by the Mexican revolution, spurred on by the industrialism and the greed of the PRI of the 1940s and challenged by its neighbor to the north in the 1950s, the man went through a lot! Fuentes' point of view still stands after 50 years. Viva Mexico!
April 4, 2025
螆谓伪蟼 维谓胃蟻蠅蟺慰蟼 蟺慰蠀 味蔚喂 蟿喂蟼 蟿蔚位蔚蠀蟿伪委蔚蟼 畏渭苇蟻蔚蟼 渭喂伪蟼,听蟺伪蟻蠈渭慰喂伪蟼 渭蔚 伪蠀蟿萎谓 蟿慰蠀 听听味蠅萎蟼, 伪位维 螠蔚蠂喂魏维谓伪.听听听听螣听Fuentes 渭伪蟼 蟺蟻慰蟽魏伪位蔚委 蟽鈥� 苇谓伪 蟿伪尉委未喂 蟽蟿畏谓 蟿蔚位喂魏萎 蔚蠀胃蔚委伪 蟿畏蟼 未喂伪未蟻慰渭萎蟼 蟿慰蠀 螒蟻蟿苇渭喂慰 螝蟻慰蠀蟼,听听蟿喂蟼 畏渭苇蟻蔚蟼听听蠈蟺慰蠀 伪蠀蟿蠈蟼 蟺伪蟻伪魏慰位慰蠀胃蔚委 蟽蔚 喂未喂蠅蟿喂魏萎 蟺蟻慰尾慰位萎 蟿畏 未喂伪未慰蠂萎 蟿蠅谓 伪谓伪渭谓萎蟽蔚蠅谓 蟿慰蠀. 螣听 螖慰谓 螒蟻蟿苇渭喂慰 渭蟺慰蟻蔚委 谓伪 蟺蔚胃伪委谓蔚喂, 蠈渭蠅蟼 尾位苇蟺蔚喂 魏伪胃伪蟻维 - 魏伪喂 纬委谓蔚蟿伪喂 慰 魏蟻喂蟿萎蟼 蟿畏蟼 味蠅萎蟼 蟿慰蠀.
违蟺维蟻蠂蔚喂 味蠅萎 蟺慰蠀 谓伪 渭畏谓 蔚委谓伪喂 位维胃慰蟼 尉慰未蔚渭苇谓畏, 蠀蟺维蟻蠂蔚喂 蟿苇位慰蟼 蟺慰蠀 谓伪 渭畏谓 蔚委谓伪喂 维未慰尉慰; 螣 螝蟻慰蠀蟼听伪蟺伪谓蟿维 未喂伪未慰蠂喂魏维: 蠈蠂喂, 谓伪喂, 魏伪喂 蟺维位喂 蠈蠂喂..
螒尉苇蠂伪蟽蟿畏 畏 蟽魏畏谓萎 蟿畏蟼 蠁喂苇蟽蟿伪蟼 蟿畏蟼 螤蟻蠅蟿慰蠂蟻慰谓喂维蟼, 蠈蟿伪谓 渭蟺蟻慰蟽蟿维 伪蟺蠈 蟿慰谓 胃蟻蠈谓慰 蟿慰蠀 纬苇蟻慰蠀 尾伪蟽喂位喂维 危慰位慰渭蠋谓蟿伪-螒蟻蟿苇渭喂慰听蟺伪蟻慰蠀蟽喂维味慰谓蟿伪喂 慰喂听蟺蟻慰蟽魏蔚魏位畏渭苇谓慰喂 蟿慰蠀, 魏伪喂 渭伪味委听蟿慰蠀蟼 渭蔚蟻喂魏维 伪蟺蠈 蟿伪听伪蟽蟿蟻伪蠁蟿蔚蟻维 蟿慰蠀听位维蠁蠀蟻伪路 蠈位慰喂 魏伪喂 蠈位伪 蔚委谓伪喂 蔚魏蔚委 蠅蟼 渭苇蟿蟻慰 蟿慰蠀 蔚蟺委纬蔚喂慰蠀 渭蔚纬伪位蔚委慰蠀 蟿慰蠀, 蠈渭蠅蟼 蔚魏蔚委谓慰蟼 萎未畏 尾蟻委蟽魏蔚蟿伪喂 伪位位慰蠉.. 听
听听 危蔚 伪谓蟿委蟽蟿喂尉畏 渭蔚 蟿畏谓 蟺伪蟻维蟽蟿伪蟽畏, 畏 伪谓维渭谓畏蟽畏 蟿慰蠀 蟺蟻蠋蟿慰蠀, 渭蔚纬维位慰蠀 魏伪喂 蟿蟻伪纬喂魏慰蠉听蟿慰蠀听苇蟻蠅蟿伪: 鈥溾€� 伪蠁胃慰谓委伪 未委蠂蠅蟼 蠂蟻蠈谓慰... 蟿委 渭蟺慰蟻蔚委 谓伪 渭伪蟼 蟺蔚喂 慰 魏蠈蟽渭慰蟼...蟿委 渭蟺蠈蟻蔚蟽蔚 谓伪 蟺蟻慰蟽胃苇蟽蔚喂 蟽' 伪蠀蟿蠈;鈥�.听听螠委伪 听伪蟺蠈 蟿喂蟼 蟿蔚位蔚蠀蟿伪委蔚蟼 蟽魏畏谓苇蟼 蟽蟿畏谓 慰胃蠈谓畏 蟿慰蠀, 蟺蟻喂谓 伪蟺蠈 蟿畏谓 蟺伪蟻伪位畏蟻畏渭伪蟿喂魏萎 蠁伪谓蟿伪蟽渭伪纬慰蟻委伪 蟿慰蠀 蟿苇位慰蠀蟼 (蟽.307). 螠蟺慰蟻蔚委 蔚魏蔚委, 蟽蟿慰 谓蟿蔚位委蟻喂慰, 蟽蟿畏谓 伪蟺蠈蟻蟻喂蠄畏 蟿畏蟼听蠀蟺慰蠂蟻苇蠅蟽畏蟼听伪蟺慰蟿委渭畏蟽畏蟼, 蟽蟿畏谓 伪蟺伪纬魏委蟽蟿蟻蠅蟽畏 伪蟺蠈 蟿伪 蟺伪蟻蠈谓蟿伪 魏伪喂 蟿畏谓 慰蟻喂蟽蟿喂魏萎 苇谓蠅蟽畏 渭蔚 蟿伪 蠁伪谓蟿维蟽渭伪蟿伪 蟿慰蠀, 谓伪 尾蟻委蟽魏蔚蟿伪喂 畏 蟿蔚位喂魏萎 伪蟺维谓蟿畏蟽畏 纬喂伪 蟿慰谓 螝蟻慰蠀蟼.
螤蟻慰蟺慰渭蟺蠈蟼 蟿慰蠀 芦螘魏伪蟿蠈 蠂蟻蠈谓喂伪 渭慰谓伪尉喂维禄听-听蟿慰 慰蟺慰委慰 胃伪 蔚魏未慰胃蔚委 蟺苇谓蟿蔚听蠂蟻蠈谓喂伪 伪蟻纬蠈蟿蔚蟻伪, 蠀蟺慰位蔚委蟺蔚蟿伪喂 委蟽蠅蟼 伪蟺蠈 伪蠀蟿蠈 渭蠈谓慰 蟽蟿慰听听蠈蟿喂 蔚委谓伪喂 魏维蟺蠅蟼 维谓喂蟽慰 蠅蟼 蟺蟻慰蟼 蟿畏 位慰纬慰蟿蔚蠂谓喂魏萎 蟺蠀魏谓蠈蟿畏蟿伪 蟿蠅谓听蔚蟺喂渭苇蟻慰蠀蟼听蟿渭畏渭维蟿蠅谓 蟿慰蠀路 谓慰渭委味蠅 蠈蟿喂 慰 慰蟻渭畏蟿喂魏蠈蟼, 33蠂蟻慰谓慰蟼听Fuentes听蟺蟻苇蟺蔚喂 谓伪 蟺苇蟻伪蟽蔚 伪蟺蠈 未喂伪蠁慰蟻蔚蟿喂魏苇蟼 蠁维蟽蔚喂蟼 魏伪胃蠋蟼 蟿慰 苇纬蟻伪蠁蔚. 螉蟽蠅蟼 慰听Marquez听谓伪 萎蟿伪谓 蟺喂慰 蠋蟻喂渭慰蟼 蟿蔚蠂谓喂魏维 - 萎蟿伪谓 蟽伪蟻伪谓蟿维蟻畏蟼 蟿畏 蠂蟻慰谓喂维 蟿畏蟼 苇魏未慰蟽畏蟼 蟿慰蠀 未喂魏慰蠉 蟿慰蠀 伪蟻喂蟽蟿慰蠀蟻纬萎渭伪蟿慰蟼..
危蠀纬纬蟻伪蠁苇伪蟼 - 蟺慰蟿伪渭蠈蟼 慰听Carlos听Fuentes 蠈渭蠅蟼, 蟺伪蟻苇未蠅蟽蔚 苇谓伪 苇蟻纬慰 蟺位萎蟻蔚蟼 位蠀蟻喂蟽渭慰蠉, 蟽蠀渭尾蠈位蠅谓 听魏伪喂 蔚喂魏蠈谓蠅谓听-蟿蟻蠀蠁蔚蟻蠋谓 魏伪喂 蟽魏位畏蟻蠋谓 蔚蟺委蟽畏蟼-听蟽蔚 蠀蟺蔚蟻尾慰位喂魏萎, 蟽蠂蔚未蠈谓 渭蟺伪蟻蠈魏 蟺慰蟽蠈蟿畏蟿伪. 螆谓伪 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟺慰蠀 苇蠂蔚喂 未慰渭畏胃蔚委 渭蔚 渭喂伪 蟺蔚蟻委蟺位慰魏畏 蠈蟽慰 魏伪喂 喂未喂蠈蟻蟻蠀胃渭畏 伪蟻蠂喂蟿蔚魏蟿慰谓喂魏萎. 听螘魏蟺位畏魏蟿喂魏萎听畏 渭蔚蟿伪蠁蟻伪蟽蟿喂魏萎 未慰蠀位蔚喂维 蟿畏蟼 魏蠀蟻委伪蟼听听螆蠁畏蟼 螕喂伪谓谓蠈蟺慰蠀位慰蠀.听
听
违蟺维蟻蠂蔚喂 味蠅萎 蟺慰蠀 谓伪 渭畏谓 蔚委谓伪喂 位维胃慰蟼 尉慰未蔚渭苇谓畏, 蠀蟺维蟻蠂蔚喂 蟿苇位慰蟼 蟺慰蠀 谓伪 渭畏谓 蔚委谓伪喂 维未慰尉慰; 螣 螝蟻慰蠀蟼听伪蟺伪谓蟿维 未喂伪未慰蠂喂魏维: 蠈蠂喂, 谓伪喂, 魏伪喂 蟺维位喂 蠈蠂喂..
螒尉苇蠂伪蟽蟿畏 畏 蟽魏畏谓萎 蟿畏蟼 蠁喂苇蟽蟿伪蟼 蟿畏蟼 螤蟻蠅蟿慰蠂蟻慰谓喂维蟼, 蠈蟿伪谓 渭蟺蟻慰蟽蟿维 伪蟺蠈 蟿慰谓 胃蟻蠈谓慰 蟿慰蠀 纬苇蟻慰蠀 尾伪蟽喂位喂维 危慰位慰渭蠋谓蟿伪-螒蟻蟿苇渭喂慰听蟺伪蟻慰蠀蟽喂维味慰谓蟿伪喂 慰喂听蟺蟻慰蟽魏蔚魏位畏渭苇谓慰喂 蟿慰蠀, 魏伪喂 渭伪味委听蟿慰蠀蟼 渭蔚蟻喂魏维 伪蟺蠈 蟿伪听伪蟽蟿蟻伪蠁蟿蔚蟻维 蟿慰蠀听位维蠁蠀蟻伪路 蠈位慰喂 魏伪喂 蠈位伪 蔚委谓伪喂 蔚魏蔚委 蠅蟼 渭苇蟿蟻慰 蟿慰蠀 蔚蟺委纬蔚喂慰蠀 渭蔚纬伪位蔚委慰蠀 蟿慰蠀, 蠈渭蠅蟼 蔚魏蔚委谓慰蟼 萎未畏 尾蟻委蟽魏蔚蟿伪喂 伪位位慰蠉.. 听
听听 危蔚 伪谓蟿委蟽蟿喂尉畏 渭蔚 蟿畏谓 蟺伪蟻维蟽蟿伪蟽畏, 畏 伪谓维渭谓畏蟽畏 蟿慰蠀 蟺蟻蠋蟿慰蠀, 渭蔚纬维位慰蠀 魏伪喂 蟿蟻伪纬喂魏慰蠉听蟿慰蠀听苇蟻蠅蟿伪: 鈥溾€� 伪蠁胃慰谓委伪 未委蠂蠅蟼 蠂蟻蠈谓慰... 蟿委 渭蟺慰蟻蔚委 谓伪 渭伪蟼 蟺蔚喂 慰 魏蠈蟽渭慰蟼...蟿委 渭蟺蠈蟻蔚蟽蔚 谓伪 蟺蟻慰蟽胃苇蟽蔚喂 蟽' 伪蠀蟿蠈;鈥�.听听螠委伪 听伪蟺蠈 蟿喂蟼 蟿蔚位蔚蠀蟿伪委蔚蟼 蟽魏畏谓苇蟼 蟽蟿畏谓 慰胃蠈谓畏 蟿慰蠀, 蟺蟻喂谓 伪蟺蠈 蟿畏谓 蟺伪蟻伪位畏蟻畏渭伪蟿喂魏萎 蠁伪谓蟿伪蟽渭伪纬慰蟻委伪 蟿慰蠀 蟿苇位慰蠀蟼 (蟽.307). 螠蟺慰蟻蔚委 蔚魏蔚委, 蟽蟿慰 谓蟿蔚位委蟻喂慰, 蟽蟿畏谓 伪蟺蠈蟻蟻喂蠄畏 蟿畏蟼听蠀蟺慰蠂蟻苇蠅蟽畏蟼听伪蟺慰蟿委渭畏蟽畏蟼, 蟽蟿畏谓 伪蟺伪纬魏委蟽蟿蟻蠅蟽畏 伪蟺蠈 蟿伪 蟺伪蟻蠈谓蟿伪 魏伪喂 蟿畏谓 慰蟻喂蟽蟿喂魏萎 苇谓蠅蟽畏 渭蔚 蟿伪 蠁伪谓蟿维蟽渭伪蟿伪 蟿慰蠀, 谓伪 尾蟻委蟽魏蔚蟿伪喂 畏 蟿蔚位喂魏萎 伪蟺维谓蟿畏蟽畏 纬喂伪 蟿慰谓 螝蟻慰蠀蟼.
螤蟻慰蟺慰渭蟺蠈蟼 蟿慰蠀 芦螘魏伪蟿蠈 蠂蟻蠈谓喂伪 渭慰谓伪尉喂维禄听-听蟿慰 慰蟺慰委慰 胃伪 蔚魏未慰胃蔚委 蟺苇谓蟿蔚听蠂蟻蠈谓喂伪 伪蟻纬蠈蟿蔚蟻伪, 蠀蟺慰位蔚委蟺蔚蟿伪喂 委蟽蠅蟼 伪蟺蠈 伪蠀蟿蠈 渭蠈谓慰 蟽蟿慰听听蠈蟿喂 蔚委谓伪喂 魏维蟺蠅蟼 维谓喂蟽慰 蠅蟼 蟺蟻慰蟼 蟿畏 位慰纬慰蟿蔚蠂谓喂魏萎 蟺蠀魏谓蠈蟿畏蟿伪 蟿蠅谓听蔚蟺喂渭苇蟻慰蠀蟼听蟿渭畏渭维蟿蠅谓 蟿慰蠀路 谓慰渭委味蠅 蠈蟿喂 慰 慰蟻渭畏蟿喂魏蠈蟼, 33蠂蟻慰谓慰蟼听Fuentes听蟺蟻苇蟺蔚喂 谓伪 蟺苇蟻伪蟽蔚 伪蟺蠈 未喂伪蠁慰蟻蔚蟿喂魏苇蟼 蠁维蟽蔚喂蟼 魏伪胃蠋蟼 蟿慰 苇纬蟻伪蠁蔚. 螉蟽蠅蟼 慰听Marquez听谓伪 萎蟿伪谓 蟺喂慰 蠋蟻喂渭慰蟼 蟿蔚蠂谓喂魏维 - 萎蟿伪谓 蟽伪蟻伪谓蟿维蟻畏蟼 蟿畏 蠂蟻慰谓喂维 蟿畏蟼 苇魏未慰蟽畏蟼 蟿慰蠀 未喂魏慰蠉 蟿慰蠀 伪蟻喂蟽蟿慰蠀蟻纬萎渭伪蟿慰蟼..
危蠀纬纬蟻伪蠁苇伪蟼 - 蟺慰蟿伪渭蠈蟼 慰听Carlos听Fuentes 蠈渭蠅蟼, 蟺伪蟻苇未蠅蟽蔚 苇谓伪 苇蟻纬慰 蟺位萎蟻蔚蟼 位蠀蟻喂蟽渭慰蠉, 蟽蠀渭尾蠈位蠅谓 听魏伪喂 蔚喂魏蠈谓蠅谓听-蟿蟻蠀蠁蔚蟻蠋谓 魏伪喂 蟽魏位畏蟻蠋谓 蔚蟺委蟽畏蟼-听蟽蔚 蠀蟺蔚蟻尾慰位喂魏萎, 蟽蠂蔚未蠈谓 渭蟺伪蟻蠈魏 蟺慰蟽蠈蟿畏蟿伪. 螆谓伪 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟺慰蠀 苇蠂蔚喂 未慰渭畏胃蔚委 渭蔚 渭喂伪 蟺蔚蟻委蟺位慰魏畏 蠈蟽慰 魏伪喂 喂未喂蠈蟻蟻蠀胃渭畏 伪蟻蠂喂蟿蔚魏蟿慰谓喂魏萎. 听螘魏蟺位畏魏蟿喂魏萎听畏 渭蔚蟿伪蠁蟻伪蟽蟿喂魏萎 未慰蠀位蔚喂维 蟿畏蟼 魏蠀蟻委伪蟼听听螆蠁畏蟼 螕喂伪谓谓蠈蟺慰蠀位慰蠀.听
听
July 13, 2014
el estilo de fuentes parece que simplemente no es para mi. tendr茅 que leer "aura" para ver como es en algo m谩s corto, pero en sus novelas largas lo encuentro como desagradablemente enfocado a estilo sobre substancia. adem谩s, su prosa no me es agradable, me parece falta de vida, demasiada acad茅mica. y, la verdad, encuentro pretencioso la forma en que sin m谩s busca traer "grandes ideas" antes que contar una historia.
para ser justos el libro tenia buenos momentos. la relaci贸n de artemio con su esposa me pareci贸 un comentario muy interesante al trato de las mujeres en M茅xico, otras secciones en particular las relacionadas con el paso de artemio por la revoluci贸n tambi茅n era muy interesantes, y creo que es la visi贸n mas especifica de lo que es envejecer que he leido (que no es agradable, por supuesto, pero supongo que vale la lectura). pero las partes en segunda persona en particular, me parecieron insufribles. demasiado largas y demasiado enfocadas en meditaciones filos贸ficas cuando hay una historia en mano. "el mundo halucinante" de reinaldo arenas usa tambi茅n los tres tiempos verbales en diferentes secciones en el discurso y me pareci贸 mucho mejor, pues arenas es mucho m谩s animado, po茅tico e inventivo que fuentes.
esta es mi opini贸n del libro y mentiria si dijera otra, aunque tambi茅n me duele su reciente defuci贸n. a煤n cuando no disfruto de su estilo en particular me parece una obra digna de respeto y no me arrepiento de haberla leido. que descanse en paz, maestro fuentes.
July 3, 2016
#notfan
Sinceramente, no me gust贸. Y s铆, entiendo lo que representa para la narrativa latinoamericana esta novela tan moderna. Pero no me gust贸. Y creo que si la hubiese le铆do en la universidad tampoco me gustar铆a. Me agrad贸 el tema y todo el rollo de contar la vida de Artemio Cruz desde el presente hasta el pasado (como si fuese el final, desarrollo e inicio, como una involuci贸n de la vida), pero no me gust贸 el estilo ni la prosa: es algo muy difuso para m铆. Muchos pasajes se me hicieron irrelevantes. Muy aburrido para mi gusto. Pues s铆, eso.
Sinceramente, no me gust贸. Y s铆, entiendo lo que representa para la narrativa latinoamericana esta novela tan moderna. Pero no me gust贸. Y creo que si la hubiese le铆do en la universidad tampoco me gustar铆a. Me agrad贸 el tema y todo el rollo de contar la vida de Artemio Cruz desde el presente hasta el pasado (como si fuese el final, desarrollo e inicio, como una involuci贸n de la vida), pero no me gust贸 el estilo ni la prosa: es algo muy difuso para m铆. Muchos pasajes se me hicieron irrelevantes. Muy aburrido para mi gusto. Pues s铆, eso.
July 20, 2021
Yani, ne diyeyim 艧imdi ben bu kitap i莽in? Fuentes鈥檈 bo艧una d芒hi demiyoruz, bence az bile diyoruz. Nas谋l olabiliyor, b枚yle yazmak nas谋l m眉mk眉nd眉r, bu kelimeler nas谋l bulunur, nas谋l bir araya getirilir, bir insan谋n yazd谋臒谋 her 艧ey nas谋l ayn谋 zamanda bu kadar lirik ve bu kadar epik olabilir? B枚yle kitaplar okudu臒umda resmen kendimi b眉y眉k bir g眉ce teslim etmi艧 gibi hissediyorum, harfler gelip her yerime s谋z谋yor, beni ele ge莽iriyor gibi bir h芒l 鈥� ve bu h芒le nas谋l bay谋l谋yorum! Seni 莽ok sevdim Artemio Cruz. Kusurlar谋n谋, zavall谋l谋臒谋n谋, ac谋mas谋zl谋臒谋n谋, k枚t眉c眉ll眉臒眉n眉, pi艧manl谋klar谋n谋, 枚fkeni, 芒艧谋k hallerini, ger莽ekli臒ini 鈥� hepsini 莽ok sevdim. 脰l眉m眉nle ba艧layan, do臒umunla tamamlanan 莽emberinden m眉te艧ekkil bu kitab谋 莽ok sevdim. Terra Nostra denen kutsal kitab谋n ayak seslerini, ilk izlerini g枚rd眉m baz谋 b枚l眉mlerde, iyice ba臒land谋m kitaba. Bir de her Fuentes kitab谋ndan sonra s枚yledi臒imi s枚ylemeden edemeyece臒im: bence kendisi edebiyatta bug眉ne dek yaz谋lm谋艧 en ola臒an眉st眉 sevi艧me sahnelerinin yazar谋d谋r. 陌nsan bedenlerinin tutkulu ve mahrem anlar谋n谋; pornografik olanla erotik olan谋 枚yle bir acayip harmanlay谋p 枚yle hisli ve 枚yle ger莽ek yaz谋yor ki; her seferinde hayranl谋ktan ne yapaca臒谋m谋 艧a艧谋r谋yorum. Carlos Fuentes, sana duydu臒um tutkuyu tarif edecek kelimeler bende yok. Yok.
November 26, 2022
韦慰 伪蟻喂蟽蟿慰蠀蟻纬畏渭伪蟿喂魏蠈 蟺伪蟻伪位萎蟻畏渭伪 蔚谓蠈蟼 伪谓胃蟻蠋蟺慰蠀 蟺慰蠀 畏 味蠅萎 蟿慰蠀 萎蟿伪谓 蟺慰位蠀蟿维蟻伪蠂畏 魏伪喂 纬蔚渭维蟿畏 伪谓蟿喂蠁维蟽蔚喂蟼, 位委纬慰 蟺蟻喂谓 蟺蔚蟻维蟽蔚喂 蟽蟿畏 味蠋谓畏 蟿畏蟼 伪谓蠀蟺伪蟻尉委伪蟼.
December 15, 2022
The Death of Artemio Cruz is the kind of book that makes me want to go up to the roof and yell 鈥� Everyone please go read it !鈥�, it鈥檚 THAT good.
Carlos Fuentes was an absolute genius!
If I have to summarize the book in one sentence, I guess it would be 鈥淭he Mexican Revolution and its aftermath examined through the life of a dying man鈥�.
Artemio was once an idealistic revolution soldier, disillusioned by the war, he turns into an exploiter of the revolution and a ruthless and corrupt businessman / politician who uses the newspaper he owns to blackmail his political and business opponents. He is dying and remembers the key events of his life on his deathbed.
The Death of Artemio Cruz is a very ambitious book, and Fuentes鈥� writing fulfils its ambitions and presents the readers a close examination of the intrinsically corruptive human nature which is at odds with the idealistic intentions of the Revolution and a sharp criticism of the political corruptions in post-revolution Mexico.
The book was a challenging read that demanded all my attention, however, what was even more difficult was to put the book down.
The reading experience was exhausting and exhilarating at the same time, with the exhilarating FAR outweighing the exhausting.
It鈥檚 challenging because the stories are told in non-chronological flashbacks of the dying man Artemio Cruz. On top of that three different narrative forms and tenses are used to indicate different stages of Cruz鈥檚 consciousness.
The first person narrative and present tense conveys his immediate responses to his physical pain and the activities of people around him; the second person narrative and future tense signals a comatose state where his consciousness wonders to a higher level and weighs and judges the choices he made in his life. The stream of consciousness style is heavily used in the first and second narrative. Then there is the third person and past tense where his key life events are told in a relatively conventional style.
What makes the book hard to put down is, first and foremost, Fuentes鈥� prose. It is so stunning. It is like a redolent, lush tropical forest.Rich and intoxicating.
Also, Fuentes always manages to stealthily hides bits of and pieces of clues in the stream of consciousness parts of the book. The satisfaction you get out of it is very much like playing jigsaw puzzles, only instead of getting a picture, what we get by piecing all the clues together is a life journey of well-rounded character. He is despicable but at times you can鈥檛 help but feel sympathetic.
I think this is a book that needs to be read at least twice to fully appreciate, as so much has been packed into this 300 page book.
I debated even writing a review because I felt that I didn鈥檛 not fully understand everything in the book.
However, I thought I would still put down my initial thoughts and maybe edit after my 2nd reading.
This is definitely one of my favourites this year and I highly recommend reading it!
Quotes:
鈥渢hick blackened walls raised to protect the Church from Indian attacks and also to link the religious conquest to the military conquest. The rough soldiers, Spanish, the troops of Queen Isabella the Catholic, advance toward your closed eyes with the swelling din of their fifes and drums, and in sunlight you will traverse the wide esplanade with a stone cross at its center and with exterior chapels, the prolongation of the native religion, theatrical and open-air, at its corners. At the top of the church built at the end of the esplanade, the vaults made of tezontle stone will rest on forgotten Moorish scimitars, sign of yet one more bloodline imposed on that of the conquistadors. 鈥�
鈥淭he desert wind shook the curly hair over his eyes, the tatters of his tunic stained with sweat, the strips of his leather puttees. Five days鈥� growth of beard bristled on his cheeks, and his green eyes were lost behind eyelids covered with dust and dry tears. Standing there in the patio, a solitary hero surrounded by corpses. Standing there, a hero without witnesses. Standing there, surrounded by abandon while the battle raged on outside the town, with a roll of drums.鈥�
鈥淵ou will choose, in order to survive you will choose, choose among the infinite mirrors one only, one only, one that will reflect you irrevocably, that will fill other mirrors with a dark shadow, kill them before offering you, once again, those infinite roads of choice.鈥�
鈥淥n the other side rose something they hadn鈥檛 seen: a huge, bare elm, beautiful and white. It wasn鈥檛 covered with snow but with glittering ice. It was so white it glowed like a jewel in the night. He felt the weight of the rifle on his shoulder, the weight of his legs, his leaden feet on the planks; the elm waiting for them seemed so light, luminous, and white.鈥�
鈥淭hey never got the point. I didn鈥檛 need them. I created myself by myself. Soldier. Yaqui. Regina. Gonzalo.鈥�
Carlos Fuentes was an absolute genius!
If I have to summarize the book in one sentence, I guess it would be 鈥淭he Mexican Revolution and its aftermath examined through the life of a dying man鈥�.
Artemio was once an idealistic revolution soldier, disillusioned by the war, he turns into an exploiter of the revolution and a ruthless and corrupt businessman / politician who uses the newspaper he owns to blackmail his political and business opponents. He is dying and remembers the key events of his life on his deathbed.
The Death of Artemio Cruz is a very ambitious book, and Fuentes鈥� writing fulfils its ambitions and presents the readers a close examination of the intrinsically corruptive human nature which is at odds with the idealistic intentions of the Revolution and a sharp criticism of the political corruptions in post-revolution Mexico.
The book was a challenging read that demanded all my attention, however, what was even more difficult was to put the book down.
The reading experience was exhausting and exhilarating at the same time, with the exhilarating FAR outweighing the exhausting.
It鈥檚 challenging because the stories are told in non-chronological flashbacks of the dying man Artemio Cruz. On top of that three different narrative forms and tenses are used to indicate different stages of Cruz鈥檚 consciousness.
The first person narrative and present tense conveys his immediate responses to his physical pain and the activities of people around him; the second person narrative and future tense signals a comatose state where his consciousness wonders to a higher level and weighs and judges the choices he made in his life. The stream of consciousness style is heavily used in the first and second narrative. Then there is the third person and past tense where his key life events are told in a relatively conventional style.
What makes the book hard to put down is, first and foremost, Fuentes鈥� prose. It is so stunning. It is like a redolent, lush tropical forest.Rich and intoxicating.
Also, Fuentes always manages to stealthily hides bits of and pieces of clues in the stream of consciousness parts of the book. The satisfaction you get out of it is very much like playing jigsaw puzzles, only instead of getting a picture, what we get by piecing all the clues together is a life journey of well-rounded character. He is despicable but at times you can鈥檛 help but feel sympathetic.
I think this is a book that needs to be read at least twice to fully appreciate, as so much has been packed into this 300 page book.
I debated even writing a review because I felt that I didn鈥檛 not fully understand everything in the book.
However, I thought I would still put down my initial thoughts and maybe edit after my 2nd reading.
This is definitely one of my favourites this year and I highly recommend reading it!
Quotes:
鈥渢hick blackened walls raised to protect the Church from Indian attacks and also to link the religious conquest to the military conquest. The rough soldiers, Spanish, the troops of Queen Isabella the Catholic, advance toward your closed eyes with the swelling din of their fifes and drums, and in sunlight you will traverse the wide esplanade with a stone cross at its center and with exterior chapels, the prolongation of the native religion, theatrical and open-air, at its corners. At the top of the church built at the end of the esplanade, the vaults made of tezontle stone will rest on forgotten Moorish scimitars, sign of yet one more bloodline imposed on that of the conquistadors. 鈥�
鈥淭he desert wind shook the curly hair over his eyes, the tatters of his tunic stained with sweat, the strips of his leather puttees. Five days鈥� growth of beard bristled on his cheeks, and his green eyes were lost behind eyelids covered with dust and dry tears. Standing there in the patio, a solitary hero surrounded by corpses. Standing there, a hero without witnesses. Standing there, surrounded by abandon while the battle raged on outside the town, with a roll of drums.鈥�
鈥淵ou will choose, in order to survive you will choose, choose among the infinite mirrors one only, one only, one that will reflect you irrevocably, that will fill other mirrors with a dark shadow, kill them before offering you, once again, those infinite roads of choice.鈥�
鈥淥n the other side rose something they hadn鈥檛 seen: a huge, bare elm, beautiful and white. It wasn鈥檛 covered with snow but with glittering ice. It was so white it glowed like a jewel in the night. He felt the weight of the rifle on his shoulder, the weight of his legs, his leaden feet on the planks; the elm waiting for them seemed so light, luminous, and white.鈥�
鈥淭hey never got the point. I didn鈥檛 need them. I created myself by myself. Soldier. Yaqui. Regina. Gonzalo.鈥�
May 14, 2016
I thought the premise of the story sounded interesting - Artemio Cruz (no relation to that other guy named Cruz) is a corrupt... well, everything: politician, soldier, man. He's on his deathbed now, and the story hops around in time to tell his story of each major event of his life, back to the "present" of his deathbed experience. The premise is great, I love the idea of the bouncing around, the storytelling aspect.
But the story itself was not always easy to read, and by that I mean the way that someone once told me they don't read and they consider James Patterson a "hard" author to read, because he's "difficult". Fuentes feels difficult to me to read, and it may very well be because I am not very well-versed in Mexican history, and I feel if I understood more of the historical context, I would have appreciated the story a lot more than I did. This is my own fault, not the fault of the author's.
But the reality is, it did mean I didn't understand a lot of the story. I could understand the corruption and much of the personality and relationships between the characters, but there was a distance I felt to the rest of the story that I can't quite put my finger on, but I've been wondering if it's something I'm not particularly able to put my finger on when it comes to a lot of the Latin American Boom authors, such as some of 's writing and what I've read by so far. Again, I don't blame the authors or the culture, because it's my own fault I don't understand the context in which they wrote. I expect a lot of the emotional distance I interpret in the reading is because of that context which is lost on me. Maybe I'll investigate that and then re-read some of these books and authors that didn't affect me as much as I feel they should have.
But the story itself was not always easy to read, and by that I mean the way that someone once told me they don't read and they consider James Patterson a "hard" author to read, because he's "difficult". Fuentes feels difficult to me to read, and it may very well be because I am not very well-versed in Mexican history, and I feel if I understood more of the historical context, I would have appreciated the story a lot more than I did. This is my own fault, not the fault of the author's.
But the reality is, it did mean I didn't understand a lot of the story. I could understand the corruption and much of the personality and relationships between the characters, but there was a distance I felt to the rest of the story that I can't quite put my finger on, but I've been wondering if it's something I'm not particularly able to put my finger on when it comes to a lot of the Latin American Boom authors, such as some of 's writing and what I've read by so far. Again, I don't blame the authors or the culture, because it's my own fault I don't understand the context in which they wrote. I expect a lot of the emotional distance I interpret in the reading is because of that context which is lost on me. Maybe I'll investigate that and then re-read some of these books and authors that didn't affect me as much as I feel they should have.
October 22, 2020
卮乇賵毓蹖 卮賵讴賴 讴賳賳丿賴:
"賲賳貙亘蹖丿丕乇 賲蹖鈥屫促堎�. 鬲賲丕爻 丕蹖賳 噩爻賲 爻乇丿 亘丕 丕賳丿丕賲賲 亘蹖丿丕乇賲 賲蹖鈥屭┵嗀�. 賳賲蹖鈥屫з嗀池� 讴賴 丌丿賲 诏丕賴蹖 亘蹖鈥屫ж屫ж� 丕丿乇丕乇 賲蹖鈥屭┵嗀�."
丕夭 丌賳 丿爻鬲 讴鬲丕亘鈥屬囏й屰� 丕爻鬲 讴賴 亘丕蹖丿 丿乇 賮氐賱 爻乇丿 亘禺賵丕賳蹖鈥屫ж�. 鬲賲 爻乇丿 賵 爻賳诏蹖賳貙 鬲丿丕禺賱 禺賵丕亘 賵 乇賵蹖丕 賵 賮讴乇貙 诏匕卮鬲賴 賵 丨丕賱貙 噩賲賱賴鈥屬囏й� 丨丕賱 丿乇 诏匕卮鬲賴貙 诏匕卮鬲賴 丿乇 丨丕賱貙 讴丕乇賱賵爻 賮賵卅賳鬲爻 禺賵亘 賲蹖鈥屫堌з嗀� 亘丕 丕蹖賳 趩蹖夭賴丕 亘丕夭蹖鈥屫ж� 丿賴丿.
"亘丕蹖丿 亘賴 亘丿賳 賮讴乇 讴乇丿. 趩賴 禺爻鬲賴 讴賳賳丿賴 丕爻鬲 亘賴 亘丿賳 賮讴乇 讴乇丿賳. 亘賴 亘丿賳 禺賵丿 丌丿賲. 亘賴 亘丿賳鈥屬囏й� 亘賴 賴賲 倬蹖賵爻鬲賴. 禺爻鬲賴 賲蹖鈥屭┵嗀�. 賮讴乇卮 乇丕 賳賲蹖鈥屫促堌� 讴乇丿. 賵噩賵丿 丿丕乇丿鈥�. 賮讴乇 賲蹖鈥屭┵嗁呚� 卮丕賴丿. 賴爻鬲賲貙 亘丿賳. 賲蹖鈥屬呚з嗀�. 賲蹖鈥屫辟堌�... 賲蹖鈥屫辟堌�..."
丌乇鬲蹖賲賵 讴乇賵夭貙 丕蹖賳 爻乇賴賳诏 丿乇 亘爻鬲乇 丕賮鬲丕丿賴貙听
賲蹖賱 亘賴 夭賳丿賴 賲丕賳丿賳卮 乇丕貙 鬲賲丕蹖賱 亘賴 丿丕卮鬲賳 孬乇賵鬲 亘蹖賴賵丿賴鈥屫ж� 乇丕貙 丨乇氐卮 乇丕貙 卮賴賵鬲卮 乇丕貙 賲乇诏卮 乇丕貙
賲蹖鈥屫堌з嗀池� 丿乇讴 讴賳賲 蹖丕 亘乇丕蹖 乇賵丕蹖鬲卮 夭蹖丕丿蹖 噩賵丕賳 亘賵丿賲責!
夭賵丕賱 丕賳爻丕賳 亘賴 乇丕爻鬲蹖 賴賲蹖賳鈥屬傌� 爻丕丿賴 賵 亘蹖鈥屫辟堌� 丕爻鬲責
"丕蹖賳 賳禺爻鬲蹖賳 亘丕乇 賳禺賵丕賴丿 亘賵丿. 夭賳丿诏蹖鬲 爻乇丕爻乇 賲乇诏 亘賵丿賴 丕爻鬲貙 爻乇丕爻乇 賱丨馗丕鬲蹖 丕夭 丨乇讴丕鬲蹖 爻丕丿賴 賵 讴賵鬲丕賴鈥�."
丕诏乇 乇賵夭蹖 丌賳鈥屬傌� 倬蹖乇 卮丿賲 讴賴 丿乇 亘爻鬲乇 亘蹖鈥屫з佖� 賵 亘禺賵丕賴賲 乇賵夭賴丕蹖 讴爻賱 讴賳賳丿賴 賵 倬乇丕夭 亘蹖賲丕乇蹖鈥屫з� 乇丕 亘诏匕乇丕賳賲 丕蹖賳 讴鬲丕亘蹖 丕爻鬲 讴賴 亘丕乇 丿蹖诏乇 丿乇 丿爻鬲丕賳賲 禺賵丕賴賲 诏乇賮鬲.
丌禺乇蹖賳 鬲蹖乇:
倬丕蹖丕賳蹖 卮賵讴賴 讴賳賳丿賴鈥屫�:
"鬲賵 乇丕 亘丕 禺賵丿 丿丕卮鬲賲 賵 亘丕 鬲賵 禺賵丕賴賲 賲乇丿...賴乇爻賴... 賲蹖鈥屬呟屫臂屬�...鬲賵... 賲蹖鈥屬呟屫臂�... 鬲賵 賲乇丿賴鈥屫й�... 賲賳 禺賵丕賴賲 賲乇丿."
99/8/1
"賲賳貙亘蹖丿丕乇 賲蹖鈥屫促堎�. 鬲賲丕爻 丕蹖賳 噩爻賲 爻乇丿 亘丕 丕賳丿丕賲賲 亘蹖丿丕乇賲 賲蹖鈥屭┵嗀�. 賳賲蹖鈥屫з嗀池� 讴賴 丌丿賲 诏丕賴蹖 亘蹖鈥屫ж屫ж� 丕丿乇丕乇 賲蹖鈥屭┵嗀�."
丕夭 丌賳 丿爻鬲 讴鬲丕亘鈥屬囏й屰� 丕爻鬲 讴賴 亘丕蹖丿 丿乇 賮氐賱 爻乇丿 亘禺賵丕賳蹖鈥屫ж�. 鬲賲 爻乇丿 賵 爻賳诏蹖賳貙 鬲丿丕禺賱 禺賵丕亘 賵 乇賵蹖丕 賵 賮讴乇貙 诏匕卮鬲賴 賵 丨丕賱貙 噩賲賱賴鈥屬囏й� 丨丕賱 丿乇 诏匕卮鬲賴貙 诏匕卮鬲賴 丿乇 丨丕賱貙 讴丕乇賱賵爻 賮賵卅賳鬲爻 禺賵亘 賲蹖鈥屫堌з嗀� 亘丕 丕蹖賳 趩蹖夭賴丕 亘丕夭蹖鈥屫ж� 丿賴丿.
"亘丕蹖丿 亘賴 亘丿賳 賮讴乇 讴乇丿. 趩賴 禺爻鬲賴 讴賳賳丿賴 丕爻鬲 亘賴 亘丿賳 賮讴乇 讴乇丿賳. 亘賴 亘丿賳 禺賵丿 丌丿賲. 亘賴 亘丿賳鈥屬囏й� 亘賴 賴賲 倬蹖賵爻鬲賴. 禺爻鬲賴 賲蹖鈥屭┵嗀�. 賮讴乇卮 乇丕 賳賲蹖鈥屫促堌� 讴乇丿. 賵噩賵丿 丿丕乇丿鈥�. 賮讴乇 賲蹖鈥屭┵嗁呚� 卮丕賴丿. 賴爻鬲賲貙 亘丿賳. 賲蹖鈥屬呚з嗀�. 賲蹖鈥屫辟堌�... 賲蹖鈥屫辟堌�..."
丌乇鬲蹖賲賵 讴乇賵夭貙 丕蹖賳 爻乇賴賳诏 丿乇 亘爻鬲乇 丕賮鬲丕丿賴貙听
賲蹖賱 亘賴 夭賳丿賴 賲丕賳丿賳卮 乇丕貙 鬲賲丕蹖賱 亘賴 丿丕卮鬲賳 孬乇賵鬲 亘蹖賴賵丿賴鈥屫ж� 乇丕貙 丨乇氐卮 乇丕貙 卮賴賵鬲卮 乇丕貙 賲乇诏卮 乇丕貙
賲蹖鈥屫堌з嗀池� 丿乇讴 讴賳賲 蹖丕 亘乇丕蹖 乇賵丕蹖鬲卮 夭蹖丕丿蹖 噩賵丕賳 亘賵丿賲責!
夭賵丕賱 丕賳爻丕賳 亘賴 乇丕爻鬲蹖 賴賲蹖賳鈥屬傌� 爻丕丿賴 賵 亘蹖鈥屫辟堌� 丕爻鬲責
"丕蹖賳 賳禺爻鬲蹖賳 亘丕乇 賳禺賵丕賴丿 亘賵丿. 夭賳丿诏蹖鬲 爻乇丕爻乇 賲乇诏 亘賵丿賴 丕爻鬲貙 爻乇丕爻乇 賱丨馗丕鬲蹖 丕夭 丨乇讴丕鬲蹖 爻丕丿賴 賵 讴賵鬲丕賴鈥�."
丕诏乇 乇賵夭蹖 丌賳鈥屬傌� 倬蹖乇 卮丿賲 讴賴 丿乇 亘爻鬲乇 亘蹖鈥屫з佖� 賵 亘禺賵丕賴賲 乇賵夭賴丕蹖 讴爻賱 讴賳賳丿賴 賵 倬乇丕夭 亘蹖賲丕乇蹖鈥屫з� 乇丕 亘诏匕乇丕賳賲 丕蹖賳 讴鬲丕亘蹖 丕爻鬲 讴賴 亘丕乇 丿蹖诏乇 丿乇 丿爻鬲丕賳賲 禺賵丕賴賲 诏乇賮鬲.
丌禺乇蹖賳 鬲蹖乇:
倬丕蹖丕賳蹖 卮賵讴賴 讴賳賳丿賴鈥屫�:
"鬲賵 乇丕 亘丕 禺賵丿 丿丕卮鬲賲 賵 亘丕 鬲賵 禺賵丕賴賲 賲乇丿...賴乇爻賴... 賲蹖鈥屬呟屫臂屬�...鬲賵... 賲蹖鈥屬呟屫臂�... 鬲賵 賲乇丿賴鈥屫й�... 賲賳 禺賵丕賴賲 賲乇丿."
99/8/1
August 16, 2015
螔喂尾位委慰 渭谓畏渭蔚委慰, 蟽蠀纬纬蟻伪蠁喂魏蠈 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪. 螖蔚谓 蠀蟺维蟻蠂蔚喂 伪委蟽胃畏蟽畏 蟺慰蠀 谓伪 渭蔚委谓蔚喂 伪谓喂魏伪谓慰蟺慰委畏蟿畏 伪蟺蠈 蟿畏谓 伪谓维纬谓蠅蟽畏 蟿慰蠀. 螔伪胃喂维 蠀蟺蠈魏位喂蟽畏 蟽蟿畏谓 伪魏慰蠉蟻伪蟽蟿畏 未慰蠀位蔚喂维 蟿畏蟼 渭蔚蟿伪蠁蟻维蟽蟿蟻喂伪蟼 螆蠁畏蟼 螕喂伪谓谓慰蟺慰蠉位慰蠀 蟺慰蠀 魏伪蟿蠈蟻胃蠅蟽蔚 谓伪 魏蟻伪蟿萎蟽蔚喂 蟽蠁喂蠂蟿蠈, 魏伪蟿伪谓慰畏蟿蠈 魏伪喂 维渭蔚蟽慰, 蠂蠅蟻委蟼 谓伪 蠂维蟽蔚喂 委蠂谓慰蟼 伪蟺蠈 蟿畏谓 蟺蔚蟻喂蟺位慰魏蠈蟿畏蟿伪 魏伪喂 蟿慰谓 蟺位慰蠉蟿慰 蟿蠅谓 蟺蔚蟻喂纬蟻伪蠁蠋谓 蟿慰蠀, 苇谓伪 魏蔚委渭蔚谓慰 纬蔚渭维蟿慰 伪谓喂蟽蠈蟺蔚未蔚蟼 伪蠁畏纬萎蟽蔚喂蟼, 蠂蟻慰谓喂魏苇蟼 蟺伪蠉蟽蔚喂蟼 魏伪喂 喂位喂纬纬喂蠋未蔚喂蟼 纬位蠅蟽蟽喂魏苇蟼 魏伪喂 胃蔚渭伪蟿喂魏苇蟼 蟺蔚蟻喂蟽蟿蟻慰蠁苇蟼 纬蠉蟻蠅 伪蟺蠈 蟿慰蠀蟼 维尉慰谓蔚蟼 蟿慰蠀: 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 蠉蟺伪蟻尉畏蟼 魏伪喂 蟿畏蟼 喂蟽蟿慰蟻委伪蟼.
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