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賲乇囟 賲乇诏
毓賳賵丕賳: 賲乇囟 賲乇诏
倬丿蹖丿丌賵乇賳丿賴: 賲丕乇诏賵乇蹖鬲 丿賵乇丕爻
賮丕乇爻蹖鈥屰� 倬乇賴丕賲 卮賴乇噩乇丿蹖
趩丕倬 丕賵賱: 賲乇丿丕丿賲丕賴 郾鄢酃郯
賳丕卮乇: 賳卮乇 卮毓乇 倬丕乇蹖爻
倬丿蹖丿丌賵乇賳丿賴: 賲丕乇诏賵乇蹖鬲 丿賵乇丕爻
賮丕乇爻蹖鈥屰� 倬乇賴丕賲 卮賴乇噩乇丿蹖
趩丕倬 丕賵賱: 賲乇丿丕丿賲丕賴 郾鄢酃郯
賳丕卮乇: 賳卮乇 卮毓乇 倬丕乇蹖爻
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First published January 1, 1982
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About the author
Marguerite Duras
389听books3,067听followersMarguerite Germaine Marie Donnadieu , known as Marguerite Duras, was a French novelist, playwright, screenwriter, essayist, and experimental filmmaker. Her script for the film Hiroshima mon amour (1959) earned her a nomination for Best Original Screenplay at the Academy Awards.
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Displaying 1 - 30 of 389 reviews
August 3, 2020
A novella, really a short story. A man hires a woman to spend several weeks with him by the sea. He 鈥渃an鈥檛 love鈥� but wants to lean how. Although he hires her, she tells him she鈥檚 not a prostitute. Death in this story refers to his inability to love.
Here鈥檚 a passage that gives you a good idea of the writing style that uses extremely short sentences almost exclusively :
鈥淭he tears wake her. She looks at you. She looks at the room. And again at you. She strokes your hand. Asks: Why are you crying? You say it鈥檚 for her to say, she鈥檚 the one who ought to know.
She answers softly, gently: Because you don鈥檛 love. You say that鈥檚 it.
She asks you to say it clearly.
You say: I don鈥檛 love.
She says: Never?
You say: Never.
She says: The wish to be about to kill a lover, to keep him for yourself, yourself alone, to take him, steal him in defiance of every law, every moral authority 鈥� you don鈥檛 know what that is, you鈥檝e never experienced it?
You say: Never.
She looks at you, repeats: A dead man鈥檚 a strange thing.鈥�
Here鈥檚 the blurb from GR and on the book jacket:
The woman is no one in particular, a "she," a warm, moist body with a beating heart-the enigma of Other. Skilled in the mechanics of sex, he desires through her to penetrate a different mystery: he wants to learn love. It isn't a matter of will, she tells him. Still, he wants to learn to try . . .This beautifully wrought erotic novel is an extended haiku on the meaning of love, "perhaps a sudden lapse in the logic of the universe," and of its absence, "the malady of death." "The whole tragedy of the inability to love is in this work, thanks to Duras' unparalleled art of reinventing the most familiar words, of weighing their meaning." - Le Monde; "Deceptively simple and Racinian in its purity, condensed to the essential." - Translation Review.
At the end the author gives a few pages of instructions about staging this story for the theatre or making a film of it. Written in 1982, it was staged as a play in 2018. Wikipedia tells us that during the time when Duras wrote this story, she was drinking 6 to 7 liters of wine a day and was in and out of the hospital, sometimes so incapacitated that she could not write. She dictated this story to her nurse.
The story did not appeal to me. Perhaps if I was into poetry and treated is as a haiku it would be more appealing. So unless you are into poetry, I don鈥檛 really recommend it.
Top photo of a French beach in Basque country from nyt.com
Middle photo from meredithcorp.io
The author from groveatlantic.com
Here鈥檚 a passage that gives you a good idea of the writing style that uses extremely short sentences almost exclusively :
鈥淭he tears wake her. She looks at you. She looks at the room. And again at you. She strokes your hand. Asks: Why are you crying? You say it鈥檚 for her to say, she鈥檚 the one who ought to know.
She answers softly, gently: Because you don鈥檛 love. You say that鈥檚 it.
She asks you to say it clearly.
You say: I don鈥檛 love.
She says: Never?
You say: Never.
She says: The wish to be about to kill a lover, to keep him for yourself, yourself alone, to take him, steal him in defiance of every law, every moral authority 鈥� you don鈥檛 know what that is, you鈥檝e never experienced it?
You say: Never.
She looks at you, repeats: A dead man鈥檚 a strange thing.鈥�
Here鈥檚 the blurb from GR and on the book jacket:
The woman is no one in particular, a "she," a warm, moist body with a beating heart-the enigma of Other. Skilled in the mechanics of sex, he desires through her to penetrate a different mystery: he wants to learn love. It isn't a matter of will, she tells him. Still, he wants to learn to try . . .This beautifully wrought erotic novel is an extended haiku on the meaning of love, "perhaps a sudden lapse in the logic of the universe," and of its absence, "the malady of death." "The whole tragedy of the inability to love is in this work, thanks to Duras' unparalleled art of reinventing the most familiar words, of weighing their meaning." - Le Monde; "Deceptively simple and Racinian in its purity, condensed to the essential." - Translation Review.
At the end the author gives a few pages of instructions about staging this story for the theatre or making a film of it. Written in 1982, it was staged as a play in 2018. Wikipedia tells us that during the time when Duras wrote this story, she was drinking 6 to 7 liters of wine a day and was in and out of the hospital, sometimes so incapacitated that she could not write. She dictated this story to her nurse.
The story did not appeal to me. Perhaps if I was into poetry and treated is as a haiku it would be more appealing. So unless you are into poetry, I don鈥檛 really recommend it.
Top photo of a French beach in Basque country from nyt.com
Middle photo from meredithcorp.io
The author from groveatlantic.com
September 17, 2022
Rating: 4* of five
2022 UPDATE
I discovered the joys of reading Marguerite Duras after I began working for John Calder at Riverrun Press in New York. It was a fabulous fringe benefit indeed.
Women are the bitterest, cruelest, most reductive misogynists known to Humankind.
2022 UPDATE
I discovered the joys of reading Marguerite Duras after I began working for John Calder at Riverrun Press in New York. It was a fabulous fringe benefit indeed.
Women are the bitterest, cruelest, most reductive misogynists known to Humankind.
You say she mustn't speak, like the women of her ancestors, must yield completely to you and to your will, be entirely submissive like peasant women in the barns after the harvest when they're exhausted and let the men come to them while they're asleep. So that you may gradually get used to that shape molding itself to yours, at your mercy as nuns are at God's. And also so that little by little, as day dawns, you may be less afraid of not knowing where to put your body or at what emptiness to aim your love.
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November 4, 2024An old philosophy of things says that everything is learned, that nothing is doomed to the impossible . Duras' theme in this mini-novel is impossible love, and the absence of desire.
We have a gay writer here, as a main character, and a prostitute. In fact, a prostitute is improperly said, because that woman, without a " face " - only plays the role of a prostitute, even if she is paid to help this man to be able to love.
She obeys blindly, lets herself be explored, waiting for nothing more than for things to happen.
The Malady of Death is an intimate text, taking the form of a confession by the author that delivers a message that would seem outdated today : According to her, homosexuals cannot be attached to anyone, they are doomed to move from one relationship to another, without the satisfaction of a true partener.
It is a deeply rooted idea in Duras, which he calls " the malady of death " - the inability to love, actually. In Duras, death can be " lived " many times, it is a state of fact, a temporary condition of the human being, an absence of love and serious gaps in daily life, which causes a social-death, a death of feeling.
The style of the novel approaches by construction that of a theatrical one. However, the absurdity of the search for a love that cannot exist - penetrates me only from the literary angle , I couldn't fit that note of fatality in the form of the author's idea.
Often, we get caught up in the game of the absence of love, and we play this game of suffering of our own choosing. There is no incapacity such as the absence of love, but the inability to perceive its presence, even if this inability is only a perception, not a reality.
Love is a reality, its absence is just a mental virus that can be cured by giving up feeding it. I know, it's easy to say.. This illusory incapacity is an acquired one, we have just "learned" that we cannot, or that we are not able of love. But this love does not die by a natural death, it dies due to blindness, indifference, it dies for that it was not taken care of.
We have a gay writer here, as a main character, and a prostitute. In fact, a prostitute is improperly said, because that woman, without a " face " - only plays the role of a prostitute, even if she is paid to help this man to be able to love.
She obeys blindly, lets herself be explored, waiting for nothing more than for things to happen.
The Malady of Death is an intimate text, taking the form of a confession by the author that delivers a message that would seem outdated today : According to her, homosexuals cannot be attached to anyone, they are doomed to move from one relationship to another, without the satisfaction of a true partener.
It is a deeply rooted idea in Duras, which he calls " the malady of death " - the inability to love, actually. In Duras, death can be " lived " many times, it is a state of fact, a temporary condition of the human being, an absence of love and serious gaps in daily life, which causes a social-death, a death of feeling.
The style of the novel approaches by construction that of a theatrical one. However, the absurdity of the search for a love that cannot exist - penetrates me only from the literary angle , I couldn't fit that note of fatality in the form of the author's idea.
Often, we get caught up in the game of the absence of love, and we play this game of suffering of our own choosing. There is no incapacity such as the absence of love, but the inability to perceive its presence, even if this inability is only a perception, not a reality.
Love is a reality, its absence is just a mental virus that can be cured by giving up feeding it. I know, it's easy to say.. This illusory incapacity is an acquired one, we have just "learned" that we cannot, or that we are not able of love. But this love does not die by a natural death, it dies due to blindness, indifference, it dies for that it was not taken care of.
June 12, 2017
You say you can't know why, that you don't understand the malady you suffer from.
She smiles, says this is the first time, that until she met you, she didn't know death could be lived.
Your death has already begun.
螆谓伪 渭蔚纬维位慰 蔚蠀蠂伪蟻喂蟽蟿蠋 蟽蟿畏谓 螜蠅维谓谓伪 纬喂伪 蟿畏谓 蟺蟻蠈蟿伪蟽畏 蟿畏蟼.
韦慰 渭蠈谓慰 蟺慰蠀 渭慰蠀 苇蟻蠂蔚蟿伪喂 谓伪 蟺蠅 蔚委谓伪喂 苇谓伪 quote 蟿慰蠀 Oscar:
"Suffering is permanent, obscure, and dark. and has the nature of infinity"
螝伪喂 魏位蔚委谓蠅 蟺维位喂 渭蔚 quote 伪蟺蠈 蟿慰 尾喂尾位委慰.
Even so you have managed to live that love in the only way possible for you. Losing it before it happened.
She smiles, says this is the first time, that until she met you, she didn't know death could be lived.
Your death has already begun.
螆谓伪 渭蔚纬维位慰 蔚蠀蠂伪蟻喂蟽蟿蠋 蟽蟿畏谓 螜蠅维谓谓伪 纬喂伪 蟿畏谓 蟺蟻蠈蟿伪蟽畏 蟿畏蟼.
韦慰 渭蠈谓慰 蟺慰蠀 渭慰蠀 苇蟻蠂蔚蟿伪喂 谓伪 蟺蠅 蔚委谓伪喂 苇谓伪 quote 蟿慰蠀 Oscar:
"Suffering is permanent, obscure, and dark. and has the nature of infinity"
螝伪喂 魏位蔚委谓蠅 蟺维位喂 渭蔚 quote 伪蟺蠈 蟿慰 尾喂尾位委慰.
Even so you have managed to live that love in the only way possible for you. Losing it before it happened.
September 21, 2024
Porque logo que falou comigo vi que sofria da doen莽a da morte. (...) Pergunta-lhe como 茅 que ela sabe. Ela diz simplesmente que sabe. Diz que 茅 poss铆vel sab锚-lo sem saber como 茅 que se sabe.
Muito teatral na 尘颈蝉别-别苍-蝉肠猫苍别 e nas falas, este pequeno texto que, de facto, Marguerite Duras achou que poderia ser encenado. Mesmo sabendo que Duras 茅 sobretudo linguagem e imagem, este 茅 o texto mais estranho, abstracto e desconexo que j谩 li dela; e n茫o tenho como n茫o acreditar que para isso contribu铆ram os seis litros de vinho que a autora bebia todos os dias, na fase em que o escreveu.
H谩 em si um pranto cuja raz茫o desconhece. Um pranto que fica retido em si, que n茫o chega a poder unir-se-lhe de forma a conseguir chor谩-lo. Diante do mar sombrio, encostado 脿 parede do quarto onde ela dorme, chora por si como o faria um desconhecido.
Muito teatral na 尘颈蝉别-别苍-蝉肠猫苍别 e nas falas, este pequeno texto que, de facto, Marguerite Duras achou que poderia ser encenado. Mesmo sabendo que Duras 茅 sobretudo linguagem e imagem, este 茅 o texto mais estranho, abstracto e desconexo que j谩 li dela; e n茫o tenho como n茫o acreditar que para isso contribu铆ram os seis litros de vinho que a autora bebia todos os dias, na fase em que o escreveu.
H谩 em si um pranto cuja raz茫o desconhece. Um pranto que fica retido em si, que n茫o chega a poder unir-se-lhe de forma a conseguir chor谩-lo. Diante do mar sombrio, encostado 脿 parede do quarto onde ela dorme, chora por si como o faria um desconhecido.
June 8, 2021
Daleko je ovo od njenih najboljih romana, ali je na ovih 膷etrdeset strana upakovano sve 拧to je esencija Dirasove u njenoj poslednjoj i najproduktivnijoj fazi. Delom novela, delom skica za pozori拧ni komad, delom pesma u prozi, a opet, svojim minimalisti膷kim pripovedanjem, izbeljenim i anemi膷nim, podse膰a i na poku拧aj da se prepri膷a neki od filmova koje je re啪irala. Najvi拧e podse膰a na film jer u oba imamo nemogu膰e ljubavnike u centru, u prostoru i vremenu ispra啪njenom od zna膷enja. U filmu su nemogu膰i ljubavnici brat i sestra Agata 鈥� referenca na incestuozne ljubavnike iz Muzilovog 鈥災宱veka bez osobina鈥� - i prisutni su na filmskoj traci glasom, koji pripada druga膷ijem dijageti膷kom nivou nego doga膽aji koji su ispripovedani putem slika. U 鈥濨olesti smrti鈥� imamo to sli膷no, ali druga膷ije izvedeno. Imamo pripoveda膷a koji sa posebnog nivoa pripoveda u drugom licu uputstva 拧ta nemogu膰i ljubavnik treba da radi i da ka啪e ljubavnici, 拧to u praksi zvu膷i kao da 膷itate transkript re啪iserovih instrukcija glumcu pri pripremanju pozori拧ne predstave. O paru ne znamo mnogo, osim da je on, verovatno, homoseksualac koji je do拧ao kod nepoznate 啪ene, da proba da voli 啪ensko telo, a ona pristaje da mu pru啪i ljubav uz nov膷anu nadoknadu, iako tvrdi da nije prostitutka. I to je sve od zapleta, ostalo je pillow talk, dodu拧e vrlo 膷udan jer ga izgovara pripoveda膷 u vidu instrukcija 鈥� tako da dobijajamo iluziju, ni拧ta manje 膷udnog, ljubavnog trougla.
Iako je knjiga kratka, ima u njoj svega 拧to poseduju Dirasine knjige iz osamdesetih: minimalisti膷ki stil, poigravanje dijageti膷kim nivoima, likovima je prerano postalo suvi拧e kasno, amnezije, vinjak atmosfere, izbeljenosti, otvorene i skrivene autobiografije, svest o razlici izme膽u ozna膷enog i ozna膷itelja, manirizma, psiholo拧kih uvida (koji su se od intuitivnih lakan-kan pretvorili u lakan-valcere) i druge raznolike francuz拧tine 鈥� od Ru啪monove ideje da je dominantan mit ljubavi na Zapadu mit o nemogu膰oj ljubavi, Batajeve fantazmagorije o ljubavnom 膷inu kao ritualu 啪rtvovanja i uni拧tenja, pa do 膷injenice da ljubavnica u ovoj noveli obi膷no spava, 拧to je o膷igledna referenca na Albertinu koja u 鈥濼raganju za izgubljenim vremenom鈥� neo膷ekivano 膷esto drema, jer je Marsel najsre膰niji dok je ona u snu. Diras je meni uvek dirljiva na neki poseban na膷in, gotovo kao postkoitalna melanholija, koja naposletku jeste egocentri膷na tuga, ili kako bi pripoveda膷 uputio imperativ glavnom junaku: 鈥濳ad ste plakali, bilo je to zbog vas samog, a ne zbog divne mogu膰nosti da je dosegnete kroz razli膷itost koja vas razdvaja鈥�.
Iako je knjiga kratka, ima u njoj svega 拧to poseduju Dirasine knjige iz osamdesetih: minimalisti膷ki stil, poigravanje dijageti膷kim nivoima, likovima je prerano postalo suvi拧e kasno, amnezije, vinjak atmosfere, izbeljenosti, otvorene i skrivene autobiografije, svest o razlici izme膽u ozna膷enog i ozna膷itelja, manirizma, psiholo拧kih uvida (koji su se od intuitivnih lakan-kan pretvorili u lakan-valcere) i druge raznolike francuz拧tine 鈥� od Ru啪monove ideje da je dominantan mit ljubavi na Zapadu mit o nemogu膰oj ljubavi, Batajeve fantazmagorije o ljubavnom 膷inu kao ritualu 啪rtvovanja i uni拧tenja, pa do 膷injenice da ljubavnica u ovoj noveli obi膷no spava, 拧to je o膷igledna referenca na Albertinu koja u 鈥濼raganju za izgubljenim vremenom鈥� neo膷ekivano 膷esto drema, jer je Marsel najsre膰niji dok je ona u snu. Diras je meni uvek dirljiva na neki poseban na膷in, gotovo kao postkoitalna melanholija, koja naposletku jeste egocentri膷na tuga, ili kako bi pripoveda膷 uputio imperativ glavnom junaku: 鈥濳ad ste plakali, bilo je to zbog vas samog, a ne zbog divne mogu膰nosti da je dosegnete kroz razli膷itost koja vas razdvaja鈥�.
May 2, 2024
I adore short, abstract fictions like this one. I think no American literary movement has come close to affecting me like the French Nouveau Roman of the 1950-60s. Of these authors I so admire, however, Duras's work is, for me, a tad up and down. But I found this one very fine. Stark. Erotic, but not sexy. Existential, if you will. A paid relationship pared down to poetic lines, as if metered. Generalizations so full of meaning they became weightless and therefore profound-sounding, ridiculous if you want them to be, almost meaningless in their stark beauty. They strike you--funny or heavy, take it as you will; I find such writing worth the risk of laughter, of ridicule.
As in my last review, pretentious is the word that comes to mind. Only I can only use this word as a compliment for I think that's what art pretty much always does--it takes a small portion of the meaninglessness of the world and blows it up into a self-important work, an object, a thing to be admired. An aesthetic object is fraught with undue significance. This, to me, is how the human brain works as well. This habit of mind is the place from whence mythology, painting, religion, music, politics, and literature all emerge. Big crybabies screaming for some thwarted desire. Look at me! Look at my suffering! Love me! I enjoyed the reversal here, the self-important john, buying a woman to test his own heartlessness--as if the act of purchasing a human being had not already proved that he was living death. The woman struck me as bemused.
---------
Just did a re-read of this one as I'm teaching a Female European Writers course thus June in summer school. It's weird and maybe too sexy/perverse for American college students so on the list it goes. Should be a hoot to see them struggle with such sexual abstraction.
As in my last review, pretentious is the word that comes to mind. Only I can only use this word as a compliment for I think that's what art pretty much always does--it takes a small portion of the meaninglessness of the world and blows it up into a self-important work, an object, a thing to be admired. An aesthetic object is fraught with undue significance. This, to me, is how the human brain works as well. This habit of mind is the place from whence mythology, painting, religion, music, politics, and literature all emerge. Big crybabies screaming for some thwarted desire. Look at me! Look at my suffering! Love me! I enjoyed the reversal here, the self-important john, buying a woman to test his own heartlessness--as if the act of purchasing a human being had not already proved that he was living death. The woman struck me as bemused.
---------
Just did a re-read of this one as I'm teaching a Female European Writers course thus June in summer school. It's weird and maybe too sexy/perverse for American college students so on the list it goes. Should be a hoot to see them struggle with such sexual abstraction.
August 6, 2017
You ask how loving can happen-the emotion of loving. She answers: Perhaps a sudden lapse in the logic of universe. She says: Through a mistake for instance. She says: Never through an act of will. You ask: Could the emotion of loving come from other things too? You beg her to say. She says: It can come from the flight of a night bird, from a sleep, from a dream of sleep, from the approach of death, from a word, from a crime, of itself, from oneself, often without knowing how.螤蟻维尉畏 渭苇蟽伪 伪蟺蠈 蟿畏谓 伪蟺蟻伪尉委伪, 苇谓伪 未喂伪位慰纬喂魏蠈 魏蔚委渭蔚谓慰 蟺慰蠀 胃伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 蔚委谓伪喂 渭慰谓蠈位慰纬慰蟼, 未蠉慰 蠁蠅谓苇蟼 蟿慰蠀 委未喂慰蠀 蠀蟺慰魏蔚喂渭苇谓慰蠀, 慰 胃维谓伪蟿慰蟼 魏喂 畏 味蠅萎 蟺蟻慰蟽蠅蟺慰蟺慰喂畏渭苇谓慰喂. 螒蟺伪喂蟽喂蠈未慰尉畏, 蔚蟻蠅蟿喂魏萎 纬蟻伪蠁萎, 蠈渭慰喂伪 渭蔚 蠈谓蔚喂蟻慰, 渭喂伪 喂蟽蟿慰蟻委伪 蟽蟿伪蟿喂魏萎 未慰蟽渭苇谓畏 渭蔚 魏喂谓畏渭伪蟿慰纬蟻伪蠁喂魏萎 未慰渭萎.
螚 Marguerite Duras 纬蟻维蠁蔚喂:
If I ever filmed this text I'd want the weeping by the sea to be shot in such a way that the white turmoil of the waves is seen almost simultaneously with the man's face. There should be a correlation between the white of the sheets and the white of the sea. The sheets should be a prior image of the sea. All this by way of general suggestion.蟺蟻慰蟽胃苇蟿慰谓蟿伪蟼 魏伪喂 蟿慰谓委味慰谓蟿伪蟼 伪位位慰蠉 蟿畏谓 伪蟺慰蠀蟽委伪 渭慰蠀蟽喂魏萎蟼 伪位位维 魏伪喂 慰渭慰蠄蠀蠂委伪蟼, 渭苇蟽伪 伪蟺蠈 蟿畏谓 伪蟺慰渭维魏蟻蠀谓蟽畏 蟿蠅谓 未蠀慰 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿蠋谓 蔚蟺委 蟽魏畏谓萎蟼, 未畏渭喂慰蠀蟻纬蠋谓蟿伪蟼 蟿伪蠀蟿蠈蠂蟻慰谓伪 苇谓伪 蟽蠀纬魏蔚魏蟻喂渭苇谓慰 蟿苇渭蟺慰, 未委谓慰谓蟿伪蟼 蟿畏 渭蔚位伪纬蠂慰位喂魏萎 伪蟿渭蠈蟽蠁伪喂蟻伪 蟺慰蠀 魏蠀蟻喂蔚蠉蔚喂 蟿慰 魏蔚委渭蔚谓慰 魏伪喂 蟺慰蠀 蟽蠀谓蠀蟺维蟻蠂蔚喂 渭蔚 蟿畏 未喂维蠂蠀蟿畏 魏伪喂 蟺蟻慰纬蟻伪渭渭伪蟿喂魏萎 蟽蔚尉慰蠀伪位喂魏蠈蟿畏蟿伪.
February 27, 2015
This is a kind of pure concentrate of late Duras, the brief scenario focused into a streamlined intensity of plot and signifiers. A repeated series of nights, an (absent) love, an absence, tears=waves, and night, always night, only night. She also takes the form to its furthest extent -- unstable tenses unsettle and amplify the salience of the "story", these are words carving out meaning from the very point of their conveyance, the signs are the signified, rather than an attempt to convey a narrative truth that exists untouched outside them. It's great. I feel that I should re-read this already, even.
December 14, 2023
丿乇 丨丿 賮丕氐賱 鄢 爻丕毓鬲貙 鄢 亘丕乇 丕蹖賳 讴鬲丕亘 乇賵 禺賵賳丿賲. 蹖讴 亘丕乇 賮丕乇爻蹖 賵 丿賵 亘丕乇 丕賳诏賱蹖爻蹖.
賲丨鬲賵丕蹖 賮賵賯鈥屫з勜关ж団€屫й� 賳丿丕乇賴. 賴賲賵賳 丿丕爻鬲丕賳 鬲讴乇丕乇蹖 賲乇丿蹖 讴賴 毓卮賯 乇賵 賳賲蹖鈥屫促嗀ж迟� 賵 夭賳蹖 讴賴 賯乇丕乇賴 亘丕 毓卮賯 丌卮賳丕 讴賳賴 丕賵賳 乇賵.
丕賲丕 賮乇賲 賵賳孬乇卮 卮丕毓乇丕賳賴鈥屫池� 賳孬乇卮 亘蹖鈥屬嗀港屫辟� 賵 亘賴 禺丕胤乇 賴賲蹖賳 丿賱蹖賱 亘賴 鬲賳賴丕蹖蹖 丕乇夭卮 趩賳丿 丿賴 亘丕乇 禺賵賳丿賳 乇賵 丿丕乇賴.
賲丨鬲賵丕蹖 賮賵賯鈥屫з勜关ж団€屫й� 賳丿丕乇賴. 賴賲賵賳 丿丕爻鬲丕賳 鬲讴乇丕乇蹖 賲乇丿蹖 讴賴 毓卮賯 乇賵 賳賲蹖鈥屫促嗀ж迟� 賵 夭賳蹖 讴賴 賯乇丕乇賴 亘丕 毓卮賯 丌卮賳丕 讴賳賴 丕賵賳 乇賵.
丕賲丕 賮乇賲 賵賳孬乇卮 卮丕毓乇丕賳賴鈥屫池� 賳孬乇卮 亘蹖鈥屬嗀港屫辟� 賵 亘賴 禺丕胤乇 賴賲蹖賳 丿賱蹖賱 亘賴 鬲賳賴丕蹖蹖 丕乇夭卮 趩賳丿 丿賴 亘丕乇 禺賵賳丿賳 乇賵 丿丕乇賴.
March 9, 2020
芦 氐賵乇鬲 丿乇 禺賵丕亘 賲丕賳丿賴
氐賵乇鬲 賱丕賱 丕爻鬲
氐賵乇鬲 賲孬賱 丿爻鬲鈥屬囏� 賲蹖鈥屫堌жㄘ�
丕夭 丿賵亘丕乇賴鈥屫堌з嗃� 丿賵乇丕爻貨 丿乇 賲鬲賳 亘賱丕賳卮賵.
賵 賲賵禺乇賴鈥屰� 丿賵乇丕爻 亘乇 讴鬲丕亘:
芦丕诏乇 賯乇丕乇 亘丕卮丿 丕夭 丕蹖賳 賲鬲賳 賮蹖賱賲 亘爻丕夭賲貙 賲蹖鈥屫堌з囐� 讴賴 丕卮讴鈥屬囏й� 乇賵蹖 丿乇蹖丕 胤賵乇蹖 亘丕卮丿 讴賴 丿乇賴賲 卮讴爻鬲賳 賲賵噩鈥屬囏й� 丿乇蹖丕 賵 氐賵乇鬲 賲乇丿 鬲賯乇蹖亘賳 賴賲夭賲丕賳 丿蹖丿賴 卮賵丿. 讴賴 乇丕亘胤賴鈥屫й� 亘蹖賳 爻賮蹖丿蹖鈥屰� 賲賱丨賮賴鈥屬囏� 賵 爻賮蹖丿鈥屰屸€屰� 丿乇蹖丕 賵噩賵丿 丿丕卮鬲賴 亘丕卮丿 讴賴 賲賱丨賮賴鈥屬囏� 鬲氐賵蹖乇蹖 丕夭 丿乇蹖丕 亘丕卮丿.禄
氐賵乇鬲 賱丕賱 丕爻鬲
氐賵乇鬲 賲孬賱 丿爻鬲鈥屬囏� 賲蹖鈥屫堌жㄘ�
丕夭 丿賵亘丕乇賴鈥屫堌з嗃� 丿賵乇丕爻貨 丿乇 賲鬲賳 亘賱丕賳卮賵.
賵 賲賵禺乇賴鈥屰� 丿賵乇丕爻 亘乇 讴鬲丕亘:
芦丕诏乇 賯乇丕乇 亘丕卮丿 丕夭 丕蹖賳 賲鬲賳 賮蹖賱賲 亘爻丕夭賲貙 賲蹖鈥屫堌з囐� 讴賴 丕卮讴鈥屬囏й� 乇賵蹖 丿乇蹖丕 胤賵乇蹖 亘丕卮丿 讴賴 丿乇賴賲 卮讴爻鬲賳 賲賵噩鈥屬囏й� 丿乇蹖丕 賵 氐賵乇鬲 賲乇丿 鬲賯乇蹖亘賳 賴賲夭賲丕賳 丿蹖丿賴 卮賵丿. 讴賴 乇丕亘胤賴鈥屫й� 亘蹖賳 爻賮蹖丿蹖鈥屰� 賲賱丨賮賴鈥屬囏� 賵 爻賮蹖丿鈥屰屸€屰� 丿乇蹖丕 賵噩賵丿 丿丕卮鬲賴 亘丕卮丿 讴賴 賲賱丨賮賴鈥屬囏� 鬲氐賵蹖乇蹖 丕夭 丿乇蹖丕 亘丕卮丿.禄
November 16, 2019
I read this in about an hour. Barely a novella, this surreal, erotic story packs a punch. There are notes at the end from Duras that indicate staging, which to me means she wrote this to be staged or filmed. There is an omniscient narrator above the He/She actors playing out the age old struggle between male and female, yin and yang. The only elements are white sheets and a black roiling sea that continually roars in the background. Some great observations on love and the lack of it.
January 26, 2015
"If I ever filmed this text I'd want the weeping by the sea to be shot in such a way that the white turmoil of the waves is seen almost simultaneously with the man's face. There should be a correlation between the white of the sheets and the white of the sea...
All this by way of general suggestion."
All this by way of general suggestion."
December 28, 2017
You ask: Why is the malady of death fatal? She answers: Because whoever has it doesn't know he's a carrier, of death. And also because he's like to die without any life to die to, and without even knowing that's what he's doing...The fact that you ask the question proves you can't understand.
March 29, 2019
Great piece of art.
I am sorry, i have to add something here. This book was "given" to me by a person who i love deeply. Thank you, my dear, for this beautiful gift, and also, thank you, for everything.
I am sorry, i have to add something here. This book was "given" to me by a person who i love deeply. Thank you, my dear, for this beautiful gift, and also, thank you, for everything.
February 12, 2024
El amor y la soledad son cosas tan complejas que no puedes vivir una sin la otra.
June 1, 2015
You go out again onto the terrace facing the black sea. Inside you there are sobs you can't explain. They linger on the brink of you as if they were outside, they can't reach you and be wept. Facing the black sea, leaning against the wall of the room where she's sleeping, you weep for yourself as a stranger might.
[...]
You can't understand how it's possible for her not to know of your tears, for her to be protected from you by herself, for her to be so completely unaware of how she fills the whole world.You lie down beside her. And, still for yourself, you weep.
[...]
You can't understand how it's possible for her not to know of your tears, for her to be protected from you by herself, for her to be so completely unaware of how she fills the whole world.You lie down beside her. And, still for yourself, you weep.
December 15, 2018
丕賵賱蹖賳 趩蹖夭蹖 讴賴 亘毓丿 丕夭 禺賵賳丿賳 丕蹖賳 讴鬲丕亘 亘賴 匕賴賳賲 乇爻蹖丿 丕蹖賳 噩賲賱賴 丕夭 倬丕卅賵賱賵 讴賵卅賱蹖賵 亘賵丿:
亘蹖丕蹖蹖丿 丕夭 蹖丕丿 賳亘乇蹖賲: 毓卮賯 賱胤丕賮鬲 丕爻鬲. 蹖讴 乇賵丨 爻禺鬲貙 丕噩丕夭賴 賳賲蹖 丿賴丿 丿爻鬲 禺丿丕賵賳丿 丌賳乇丕 賲胤丕亘賯 賲蹖賱 禺賵丿 卮讴賱 亘禺卮丿
賲胤賲卅賳丕 卮丿賴 讴賴 賴賲賴 丌丿賲丕 蹖賴 賲賱丕賱 讴卮賳丿賴 丕蹖 乇賵 鬲賵 夭賳丿诏蹖 丕丨爻丕爻 讴賳賳 讴賴 丕诏賴 亘丕 卮賴丕賲鬲 噩賱賵卮 賳賲賵賳賳貙 鬲賴卮 賲蹖卮賳 蹖賴 賲購乇丿賴 丕蹖 賲孬賱 賴賲蹖賳 讴丕乇丕讴鬲乇 賲乇丿 丿丕爻鬲丕賳
鬲氐賲蹖賲 賳丿丕卮鬲賲 丕蹖賳 讴鬲丕亘賵 亘禺賵賳賲 賵 禺賵丕賳丿賳卮 讴丕賲賱丕 丕鬲賮丕賯蹖 亘賵丿 丕賲丕 丕夭 丕賵賳 丨丕丿孬賴 賴丕蹖 倬乇賲毓賳蹖 讴賴 诏丕賴蹖 讴賴 丿賯鬲 讴賳蹖賲貙 賮賯胤 诏丕賴蹖 乇禺 賲蹖丿賳! 賮讴乇蹖 讴賴 倬卮鬲 丕蹖賳 讴鬲丕亘 賯乇丕乇 丿丕乇賴 禺賵丿卮 賮賱爻賮賴 丕蹖 賴爻鬲 讴丕賲賱 賵 賲噩夭丕
鬲丕 丕蹖賳 卮亘貙 賳賮賴賲蹖丿賴 亘賵丿蹖丿 趩胤賵乇 賲蹖 卮賵丿 賳爻亘鬲 亘賴 丌賳趩賴 趩卮賲 賲蹖 亘蹖賳丿貙 丌賳趩賴 丿爻鬲 賴丕貙 丌賳趩賴 亘丿賳 賱賲爻 賲蹖 讴賳丿貨 噩丕賴賱 亘賵丿. 丕蹖賳 噩賴丕賱鬲 乇丕 讴卮賮 賲蹖 讴賳蹖丿
丕夭 丕賵 賲蹖 倬乇爻蹖丿: 賲乇囟 賲乇诏 亘賴 趩賴 卮讴賱蹖 讴卮賳丿賴 丕爻鬲責 噩賵丕亘 賲蹖 丿賴丿: 讴爻蹖 讴賴 亘賴 丌賳 賲亘鬲賱丕爻鬲 賳賲蹖 丿丕賳丿 讴賴 丨丕賲賱 丌賳貙 丨丕賲賱 賲乇诏 丕爻鬲. 賵 賳蹖夭 丕蹖賳 胤賵乇貙 讴爻蹖 讴賴 丨丕賲賱 賲乇囟 賲乇诏 丕爻鬲 賲蹖 賲蹖乇丿 亘丿賵賳 夭賳丿诏蹖 丕蹖 讴賴 倬蹖卮 丕夭 丌賳 亘賲蹖乇丿貙 亘丿賵賳 賴蹖趩诏賵賳賴 卮賳丕禺鬲蹖 丕夭 賲乇丿賳 丿乇 賴蹖趩 夭賳丿诏蹖 丕蹖
賲鬲賵噩賴 賲蹖 卮賵蹖丿 讴賴 丕蹖賳 乇賳诏 趩卮賲 賳蹖爻鬲 讴賴 鬲丕 丕亘丿 賲乇夭 睾蹖乇賯丕亘賱 毓亘賵乇 亘蹖賳 丕賵 賵 卮賲丕 禺賵丕賴丿 亘賵丿. 賳賴貙 乇賳诏 賳蹖爻鬲貙 賲蹖 丿丕賳蹖丿 讴賴 亘蹖賳 爻亘夭 賵 禺丕讴爻鬲乇蹖 爻鬲貙 賳賴貙 乇賳诏 賳蹖爻鬲貙 賳賴貙 賳诏丕賴 丕爻鬲. 賳诏丕賴
賴賯 賴賯 賴丕蹖蹖 丿乇 卮賲丕爻鬲 讴賴 丿賱蹖賱卮 乇丕 賳賲蹖 丿丕賳蹖丿. 丿乇 賳夭丿蹖讴蹖 卮賲丕 賲鬲賵賯賮 賲丕賳丿賴 丕賳丿貙 诏賵蹖蹖 亘蹖乇賵賳 丕夭 卮賲丕 賴爻鬲賳丿貙 賳賲蹖 鬲賵丕賳賳丿 亘賴 卮賲丕 亘乇爻賳丿 鬲丕 诏乇蹖賴 卮丕賳 讴賳蹖丿. 乇賵亘乇賵蹖 丿乇蹖丕蹖 爻蹖丕賴貙 倬卮鬲 亘賴 丿蹖賵丕乇 丕鬲丕賯蹖 讴賴 丕賵 賲蹖 禺賵丕亘丿貙 賲孬賱 蹖讴 睾乇蹖亘賴 乇賵蹖 禺賵丿鬲丕賳 诏乇蹖賴 賲蹖 讴賳蹖丿
丿乇讴 賳賲蹖 讴賳蹖丿 讴賴 趩胤賵乇 賲賲讴賳 丕爻鬲 讴賴 丕賵 丕卮讴 賴丕蹖 卮賲丕 乇丕 賳丕丿蹖丿賴 亘诏蹖乇丿貙 讴賴 鬲賵爻胤 禺賵丿卮 丕夭 卮賲丕 賲丨丕賮馗鬲 卮賵丿貙 讴賴 賳丿丕賳丿 鬲丕 丕蹖賳 丕賳丿丕夭賴 鬲賲丕賲 丿賳蹖丕 乇丕 亘賴 賴賲 乇蹖禺鬲賴 丕爻鬲
賴賲趩賳丕賳 丨賵丕賱蹖 爻倬蹖丿賴 丿賲 丕爻鬲. 爻丕毓鬲 賴丕蹖蹖 爻鬲 讴賴 亘賴 賵爻毓鬲 賮囟丕賴丕蹖 丌爻賲丕賳 丕爻鬲. 禺蹖賱蹖 夭蹖丕丿 丕爻鬲貙 夭賲丕賳 賳賲蹖 丿丕賳丿 丕夭 讴噩丕 亘诏匕乇丿. 夭賲丕賳 丿蹖诏乇 賳賲蹖 诏匕乇丿
丿蹖诏乇 賳诏丕賴 賳賲蹖 讴賳蹖丿. 丿蹖诏乇 賴蹖趩 趩蹖夭 乇丕 賳诏丕賴 賳賲蹖 讴賳蹖丿. 趩卮賲 賴丕蹖鬲丕賳 乇丕 賲蹖 亘賳丿蹖丿 鬲丕 禺賵丿 乇丕 丿乇 鬲賮丕賵鬲 鬲丕賳 倬蹖丿丕 讴賳蹖丿貙 丿乇 賲乇诏鬲丕賳
賲蹖 诏賵蹖丿: 丕蹖賳 禺賵丕爻鬲 讴賴 丿乇 賲乇夭 讴卮鬲賳 賲毓卮賵賯 亘丕卮蹖丿貙 丕賵 乇丕 亘乇丕蹖 禺賵丿鬲丕賳 鬲賳賴丕 亘禺賵丕賴蹖丿 貙 亘诏蹖乇蹖丿卮貙 丿乇 賲賯丕亘賱 鬲賲丕賲蹖 賯賵丕賳蹖賳貙 丿乇 賲賯丕亘賱 鬲賲丕賲 丕賲倬乇丕胤賵乇蹖 賴丕蹖 丕禺賱丕賯貙 亘丿夭丿蹖丿卮貙 丕蹖賳 乇丕 賳賲蹖 卮賳丕爻蹖丿責 賴蹖趩 賵賯鬲 賳卮賳丕禺鬲蹖丿責
賲蹖 诏賵蹖蹖丿: 賴蹖趩 賵賯鬲
賳诏丕賴 鬲丕賳 賲蹖 讴賳丿貙 鬲讴乇丕乇 賲蹖 讴賳丿: 賲購乇丿賴 趩蹖夭 毓噩蹖亘蹖 爻鬲
丕夭 丕賵 賲蹖 倬乇爻蹖丿 讴賴 丌蹖丕 賮讴乇 賲蹖 讴賳丿賲蹖 鬲賵丕賳 卮賲丕 乇丕 丿賵爻鬲 丿丕卮鬲責
賲蹖 诏賵蹖丿 讴賴 亘賴 賴蹖趩 賵噩賴 賳賲蹖 鬲賵丕賳. 丕夭 丕賵 賲蹖 倬乇爻蹖丿: 亘賴 禺丕胤乇 賲乇诏責 賲蹖 诏賵蹖丿 亘賱賴貙 亘禺丕胤乇 丕蹖賳 亘蹖 賲夭賴 诏蹖貙 丕蹖賳 亘蹖 丨乇讴鬲 亘賵丿賳 丨爻 鬲丕賳貙 亘賴 丿賱蹖賱 丕蹖賳 丿乇賵睾 讴賴 丿乇蹖丕 爻蹖丕賴 丕爻鬲
亘氐賵乇鬲蹖 賳丕賲丨爻賵爻 亘賴 卮賲丕 賲蹖 诏賵蹖丿: 卮賲丕 丕夭 "賲乇诏" 賲蹖 賲蹖乇蹖丿! 賲乇诏 鬲丕賳 丌睾丕夭 卮丿賴 丕爻鬲. 诏乇蹖賴 賲蹖 讴賳蹖丿. 亘賴 卮賲丕 賲蹖 诏賵蹖丿: 诏乇蹖賴 賳讴賳蹖丿貙 丕丨鬲蹖丕噩蹖 賳蹖爻鬲貙 丕夭 丕蹖賳 毓丕丿鬲 亘乇 禺賵丿 诏乇蹖爻鬲賳 丿爻鬲 亘讴卮蹖丿貙 丕丨鬲蹖丕噩蹖 賳蹖爻鬲
鬲賳賴丕 丿乇 丿賳蹖丕貙 賴賲丕賳胤賵乇蹖 讴賴 丿賱鬲丕賳 賲蹖 禺賵丕賴丿貙 賴賲丕賳胤賵乇蹖 讴賴 丿賱鬲丕賳 賲蹖 禺賵丕賴丿亘賴 丨乇賮 夭丿賳 丕丿丕賲賴 賲蹖 丿賴蹖丿. 賲蹖 诏賵蹖蹖丿 讴賴 亘賴 賳馗乇鬲丕賳 毓卮賯 賴賲蹖卮賴 趩蹖夭 毓賵囟蹖 丕蹖 亘賵丿賴貙 讴賴 賴蹖趩賵賯鬲 賳賮賴賲蹖丿賴 丕蹖丿貙 讴賴 賴賲蹖卮賴 丕夭 丿賵爻鬲 丿丕卮鬲賳 胤賮乇賴 乇賮鬲賴 丕蹖丿貙 讴賴 賴賲蹖卮賴 禺賵丕爻鬲賴 丕蹖丿 丌夭丕丿 亘丕卮蹖丿 讴賴 丿賵爻鬲 賳丿丕卮鬲賴 亘丕卮蹖丿. 賲蹖 诏賵蹖蹖丿 讴賴 爻乇丿乇诏賲 卮丿賴 丕蹖丿. 賲蹖 诏賵蹖蹖丿 讴賴 賳賲蹖 丿丕賳蹖丿 亘禺丕胤乇 趩蹖貙 丿乇 趩蹖 爻乇丿乇诏賲 卮丿賴 丕蹖丿
賲蹖 诏賵蹖丿 丕賲蹖丿賵丕乇 丕爻鬲 賴蹖趩 賵賯鬲 丌賳胤賵乇 讴賴 卮賲丕 趩蹖夭蹖 丕夭 丿賳蹖丕 賳賲蹖 丿丕賳蹖丿貙 趩蹖夭蹖 丕夭 丿賳蹖丕 賳丿丕賳丿! 賲蹖 诏賵蹖丿: 賳賲蹖 禺賵丕賴賲 亘賴 卮讴賱蹖 讴賴 卮賲丕 賲蹖 丿丕賳蹖丿貙 趩蹖夭蹖 亘丿丕賳賲貨 亘丕 丕蹖賳 蹖賯蹖賳蹖 讴賴 丕夭 賲乇诏 乇蹖卮賴 賲蹖 诏蹖乇丿貙 丕蹖賳 蹖讴賳賵丕禺鬲蹖 亘蹖 毓賱丕噩貙 蹖讴噩賵乇 賵 蹖讴賳賵丕禺鬲貙 賴乇 乇賵夭 賵 賴乇 卮亘 夭賳丿诏蹖鬲丕賳貙 亘丕 丕蹖賳 賵馗蹖賮賴 蹖 讴卮賳丿賴 蹖 毓丿賲 丿賵爻鬲 丿丕卮鬲賳! 賲蹖 诏賵蹖丿: 乇賵夭 卮丿賴貙 賴賲賴 趩蹖夭 丌睾丕夭 賲蹖 卮賵丿貙 噩夭 卮賲丕. 卮賲丕貙 賴蹖趩 賵賯鬲 丌睾丕夭 賳賲蹖 卮賵蹖丿
賲蹖 倬乇爻蹖丿 讴賴 丨爻 丿賵爻鬲 丿丕卮鬲賳 趩胤賵乇 倬蹖卮 賲蹖 丌蹖丿責 噩賵丕亘 賲蹖 丿賴丿: 卮丕蹖丿 丕夭 賳賯氐蹖 賳丕诏賴丕賳蹖 丿乇 賲賳胤賯 噩賴丕賳. 賲蹖 诏賵蹖丿: 賲孬賱丕 丕夭 蹖讴 丕卮鬲亘丕賴. 賲蹖 诏賵蹖丿: 賴蹖趩 賵賯鬲 丕夭 蹖讴 禺賵丕爻鬲 (丿乇禺賵丕爻鬲責). 賲蹖 倬乇爻蹖丿: 丨爻 丿賵爻鬲 丿丕卮鬲賳 賲蹖 鬲賵丕賳丿 丕夭 趩蹖夭賴丕蹖 丿蹖诏乇蹖 賳丕卮蹖 卮賵丿責 賲蹖 诏賵蹖丿: 丕夭 賴賲賴 趩蹖夭貙 丕夭 倬乇賵丕夭 倬乇賳丿賴 丕蹖 丿乇 卮亘貙 丕夭 蹖讴 禺賵丕亘貙 丕夭 乇賵蹖丕蹖 蹖讴 禺賵丕亘貙 丕夭 賳夭丿蹖讴蹖 賲乇诏貙 丕夭 蹖讴 讴賱賲賴貙 丕夭 蹖讴 噩賳丕蹖鬲貙 丕夭 禺賵丿貙 蹖讴亘丕乇賴 亘丿賵賳 丕蹖賳讴賴 丿賱蹖賱卮 賲毓賱賵賲 亘丕卮丿
賵賯鬲蹖 诏乇蹖賴 讴乇丿蹖丿貙 乇賵蹖 禺賵丿鬲丕賳 鬲賳賴丕 亘賵丿 讴賴 诏乇蹖賴 讴乇丿蹖丿 賵 賳賴 乇賵蹖 賳丕賲賲讴賳 亘賵丿賳 鬲丨爻蹖賳 亘乇丕賳诏蹖夭 乇爻蹖丿賳 亘賴 丕賵貨 丕夭 禺賱丕賱 鬲賮丕賵鬲蹖 讴賴 卮賲丕 乇丕 丕夭 賴賲 噩丿丕 賲蹖 讴賳丿
禺蹖賱蹖 夭賵丿 丿爻鬲 賲蹖 讴卮蹖丿貙 丿蹖诏乇 丿賳亘丕賱卮 賳賲蹖 诏乇丿蹖丿貙 賳賴 丿乇 卮賴乇貙 賳賴 丿乇 卮亘貙 賳賴 丿乇 乇賵夭. 丕賲丕 亘賴 丕蹖賳 氐賵乇鬲 鬲賵丕賳爻鬲蹖丿 鬲賳賴丕 卮讴賱 丕夭 丕蹖賳 毓卮賯 乇丕 讴賴 亘乇丕蹖鬲丕賳 賲賯丿賵乇 亘賵丿貙 夭賳丿诏蹖 讴賳蹖丿貙 亘丕 丕夭 丿爻鬲 丿丕丿賳卮 倬蹖卮 丕夭 丌賳讴賴 丕鬲賮丕賯 亘蹖賮鬲丿
亘蹖丕蹖蹖丿 丕夭 蹖丕丿 賳亘乇蹖賲: 毓卮賯 賱胤丕賮鬲 丕爻鬲. 蹖讴 乇賵丨 爻禺鬲貙 丕噩丕夭賴 賳賲蹖 丿賴丿 丿爻鬲 禺丿丕賵賳丿 丌賳乇丕 賲胤丕亘賯 賲蹖賱 禺賵丿 卮讴賱 亘禺卮丿
賲胤賲卅賳丕 卮丿賴 讴賴 賴賲賴 丌丿賲丕 蹖賴 賲賱丕賱 讴卮賳丿賴 丕蹖 乇賵 鬲賵 夭賳丿诏蹖 丕丨爻丕爻 讴賳賳 讴賴 丕诏賴 亘丕 卮賴丕賲鬲 噩賱賵卮 賳賲賵賳賳貙 鬲賴卮 賲蹖卮賳 蹖賴 賲購乇丿賴 丕蹖 賲孬賱 賴賲蹖賳 讴丕乇丕讴鬲乇 賲乇丿 丿丕爻鬲丕賳
鬲氐賲蹖賲 賳丿丕卮鬲賲 丕蹖賳 讴鬲丕亘賵 亘禺賵賳賲 賵 禺賵丕賳丿賳卮 讴丕賲賱丕 丕鬲賮丕賯蹖 亘賵丿 丕賲丕 丕夭 丕賵賳 丨丕丿孬賴 賴丕蹖 倬乇賲毓賳蹖 讴賴 诏丕賴蹖 讴賴 丿賯鬲 讴賳蹖賲貙 賮賯胤 诏丕賴蹖 乇禺 賲蹖丿賳! 賮讴乇蹖 讴賴 倬卮鬲 丕蹖賳 讴鬲丕亘 賯乇丕乇 丿丕乇賴 禺賵丿卮 賮賱爻賮賴 丕蹖 賴爻鬲 讴丕賲賱 賵 賲噩夭丕
鬲丕 丕蹖賳 卮亘貙 賳賮賴賲蹖丿賴 亘賵丿蹖丿 趩胤賵乇 賲蹖 卮賵丿 賳爻亘鬲 亘賴 丌賳趩賴 趩卮賲 賲蹖 亘蹖賳丿貙 丌賳趩賴 丿爻鬲 賴丕貙 丌賳趩賴 亘丿賳 賱賲爻 賲蹖 讴賳丿貨 噩丕賴賱 亘賵丿. 丕蹖賳 噩賴丕賱鬲 乇丕 讴卮賮 賲蹖 讴賳蹖丿
丕夭 丕賵 賲蹖 倬乇爻蹖丿: 賲乇囟 賲乇诏 亘賴 趩賴 卮讴賱蹖 讴卮賳丿賴 丕爻鬲責 噩賵丕亘 賲蹖 丿賴丿: 讴爻蹖 讴賴 亘賴 丌賳 賲亘鬲賱丕爻鬲 賳賲蹖 丿丕賳丿 讴賴 丨丕賲賱 丌賳貙 丨丕賲賱 賲乇诏 丕爻鬲. 賵 賳蹖夭 丕蹖賳 胤賵乇貙 讴爻蹖 讴賴 丨丕賲賱 賲乇囟 賲乇诏 丕爻鬲 賲蹖 賲蹖乇丿 亘丿賵賳 夭賳丿诏蹖 丕蹖 讴賴 倬蹖卮 丕夭 丌賳 亘賲蹖乇丿貙 亘丿賵賳 賴蹖趩诏賵賳賴 卮賳丕禺鬲蹖 丕夭 賲乇丿賳 丿乇 賴蹖趩 夭賳丿诏蹖 丕蹖
賲鬲賵噩賴 賲蹖 卮賵蹖丿 讴賴 丕蹖賳 乇賳诏 趩卮賲 賳蹖爻鬲 讴賴 鬲丕 丕亘丿 賲乇夭 睾蹖乇賯丕亘賱 毓亘賵乇 亘蹖賳 丕賵 賵 卮賲丕 禺賵丕賴丿 亘賵丿. 賳賴貙 乇賳诏 賳蹖爻鬲貙 賲蹖 丿丕賳蹖丿 讴賴 亘蹖賳 爻亘夭 賵 禺丕讴爻鬲乇蹖 爻鬲貙 賳賴貙 乇賳诏 賳蹖爻鬲貙 賳賴貙 賳诏丕賴 丕爻鬲. 賳诏丕賴
賴賯 賴賯 賴丕蹖蹖 丿乇 卮賲丕爻鬲 讴賴 丿賱蹖賱卮 乇丕 賳賲蹖 丿丕賳蹖丿. 丿乇 賳夭丿蹖讴蹖 卮賲丕 賲鬲賵賯賮 賲丕賳丿賴 丕賳丿貙 诏賵蹖蹖 亘蹖乇賵賳 丕夭 卮賲丕 賴爻鬲賳丿貙 賳賲蹖 鬲賵丕賳賳丿 亘賴 卮賲丕 亘乇爻賳丿 鬲丕 诏乇蹖賴 卮丕賳 讴賳蹖丿. 乇賵亘乇賵蹖 丿乇蹖丕蹖 爻蹖丕賴貙 倬卮鬲 亘賴 丿蹖賵丕乇 丕鬲丕賯蹖 讴賴 丕賵 賲蹖 禺賵丕亘丿貙 賲孬賱 蹖讴 睾乇蹖亘賴 乇賵蹖 禺賵丿鬲丕賳 诏乇蹖賴 賲蹖 讴賳蹖丿
丿乇讴 賳賲蹖 讴賳蹖丿 讴賴 趩胤賵乇 賲賲讴賳 丕爻鬲 讴賴 丕賵 丕卮讴 賴丕蹖 卮賲丕 乇丕 賳丕丿蹖丿賴 亘诏蹖乇丿貙 讴賴 鬲賵爻胤 禺賵丿卮 丕夭 卮賲丕 賲丨丕賮馗鬲 卮賵丿貙 讴賴 賳丿丕賳丿 鬲丕 丕蹖賳 丕賳丿丕夭賴 鬲賲丕賲 丿賳蹖丕 乇丕 亘賴 賴賲 乇蹖禺鬲賴 丕爻鬲
賴賲趩賳丕賳 丨賵丕賱蹖 爻倬蹖丿賴 丿賲 丕爻鬲. 爻丕毓鬲 賴丕蹖蹖 爻鬲 讴賴 亘賴 賵爻毓鬲 賮囟丕賴丕蹖 丌爻賲丕賳 丕爻鬲. 禺蹖賱蹖 夭蹖丕丿 丕爻鬲貙 夭賲丕賳 賳賲蹖 丿丕賳丿 丕夭 讴噩丕 亘诏匕乇丿. 夭賲丕賳 丿蹖诏乇 賳賲蹖 诏匕乇丿
丿蹖诏乇 賳诏丕賴 賳賲蹖 讴賳蹖丿. 丿蹖诏乇 賴蹖趩 趩蹖夭 乇丕 賳诏丕賴 賳賲蹖 讴賳蹖丿. 趩卮賲 賴丕蹖鬲丕賳 乇丕 賲蹖 亘賳丿蹖丿 鬲丕 禺賵丿 乇丕 丿乇 鬲賮丕賵鬲 鬲丕賳 倬蹖丿丕 讴賳蹖丿貙 丿乇 賲乇诏鬲丕賳
賲蹖 诏賵蹖丿: 丕蹖賳 禺賵丕爻鬲 讴賴 丿乇 賲乇夭 讴卮鬲賳 賲毓卮賵賯 亘丕卮蹖丿貙 丕賵 乇丕 亘乇丕蹖 禺賵丿鬲丕賳 鬲賳賴丕 亘禺賵丕賴蹖丿 貙 亘诏蹖乇蹖丿卮貙 丿乇 賲賯丕亘賱 鬲賲丕賲蹖 賯賵丕賳蹖賳貙 丿乇 賲賯丕亘賱 鬲賲丕賲 丕賲倬乇丕胤賵乇蹖 賴丕蹖 丕禺賱丕賯貙 亘丿夭丿蹖丿卮貙 丕蹖賳 乇丕 賳賲蹖 卮賳丕爻蹖丿責 賴蹖趩 賵賯鬲 賳卮賳丕禺鬲蹖丿責
賲蹖 诏賵蹖蹖丿: 賴蹖趩 賵賯鬲
賳诏丕賴 鬲丕賳 賲蹖 讴賳丿貙 鬲讴乇丕乇 賲蹖 讴賳丿: 賲購乇丿賴 趩蹖夭 毓噩蹖亘蹖 爻鬲
丕夭 丕賵 賲蹖 倬乇爻蹖丿 讴賴 丌蹖丕 賮讴乇 賲蹖 讴賳丿賲蹖 鬲賵丕賳 卮賲丕 乇丕 丿賵爻鬲 丿丕卮鬲責
賲蹖 诏賵蹖丿 讴賴 亘賴 賴蹖趩 賵噩賴 賳賲蹖 鬲賵丕賳. 丕夭 丕賵 賲蹖 倬乇爻蹖丿: 亘賴 禺丕胤乇 賲乇诏責 賲蹖 诏賵蹖丿 亘賱賴貙 亘禺丕胤乇 丕蹖賳 亘蹖 賲夭賴 诏蹖貙 丕蹖賳 亘蹖 丨乇讴鬲 亘賵丿賳 丨爻 鬲丕賳貙 亘賴 丿賱蹖賱 丕蹖賳 丿乇賵睾 讴賴 丿乇蹖丕 爻蹖丕賴 丕爻鬲
亘氐賵乇鬲蹖 賳丕賲丨爻賵爻 亘賴 卮賲丕 賲蹖 诏賵蹖丿: 卮賲丕 丕夭 "賲乇诏" 賲蹖 賲蹖乇蹖丿! 賲乇诏 鬲丕賳 丌睾丕夭 卮丿賴 丕爻鬲. 诏乇蹖賴 賲蹖 讴賳蹖丿. 亘賴 卮賲丕 賲蹖 诏賵蹖丿: 诏乇蹖賴 賳讴賳蹖丿貙 丕丨鬲蹖丕噩蹖 賳蹖爻鬲貙 丕夭 丕蹖賳 毓丕丿鬲 亘乇 禺賵丿 诏乇蹖爻鬲賳 丿爻鬲 亘讴卮蹖丿貙 丕丨鬲蹖丕噩蹖 賳蹖爻鬲
鬲賳賴丕 丿乇 丿賳蹖丕貙 賴賲丕賳胤賵乇蹖 讴賴 丿賱鬲丕賳 賲蹖 禺賵丕賴丿貙 賴賲丕賳胤賵乇蹖 讴賴 丿賱鬲丕賳 賲蹖 禺賵丕賴丿亘賴 丨乇賮 夭丿賳 丕丿丕賲賴 賲蹖 丿賴蹖丿. 賲蹖 诏賵蹖蹖丿 讴賴 亘賴 賳馗乇鬲丕賳 毓卮賯 賴賲蹖卮賴 趩蹖夭 毓賵囟蹖 丕蹖 亘賵丿賴貙 讴賴 賴蹖趩賵賯鬲 賳賮賴賲蹖丿賴 丕蹖丿貙 讴賴 賴賲蹖卮賴 丕夭 丿賵爻鬲 丿丕卮鬲賳 胤賮乇賴 乇賮鬲賴 丕蹖丿貙 讴賴 賴賲蹖卮賴 禺賵丕爻鬲賴 丕蹖丿 丌夭丕丿 亘丕卮蹖丿 讴賴 丿賵爻鬲 賳丿丕卮鬲賴 亘丕卮蹖丿. 賲蹖 诏賵蹖蹖丿 讴賴 爻乇丿乇诏賲 卮丿賴 丕蹖丿. 賲蹖 诏賵蹖蹖丿 讴賴 賳賲蹖 丿丕賳蹖丿 亘禺丕胤乇 趩蹖貙 丿乇 趩蹖 爻乇丿乇诏賲 卮丿賴 丕蹖丿
賲蹖 诏賵蹖丿 丕賲蹖丿賵丕乇 丕爻鬲 賴蹖趩 賵賯鬲 丌賳胤賵乇 讴賴 卮賲丕 趩蹖夭蹖 丕夭 丿賳蹖丕 賳賲蹖 丿丕賳蹖丿貙 趩蹖夭蹖 丕夭 丿賳蹖丕 賳丿丕賳丿! 賲蹖 诏賵蹖丿: 賳賲蹖 禺賵丕賴賲 亘賴 卮讴賱蹖 讴賴 卮賲丕 賲蹖 丿丕賳蹖丿貙 趩蹖夭蹖 亘丿丕賳賲貨 亘丕 丕蹖賳 蹖賯蹖賳蹖 讴賴 丕夭 賲乇诏 乇蹖卮賴 賲蹖 诏蹖乇丿貙 丕蹖賳 蹖讴賳賵丕禺鬲蹖 亘蹖 毓賱丕噩貙 蹖讴噩賵乇 賵 蹖讴賳賵丕禺鬲貙 賴乇 乇賵夭 賵 賴乇 卮亘 夭賳丿诏蹖鬲丕賳貙 亘丕 丕蹖賳 賵馗蹖賮賴 蹖 讴卮賳丿賴 蹖 毓丿賲 丿賵爻鬲 丿丕卮鬲賳! 賲蹖 诏賵蹖丿: 乇賵夭 卮丿賴貙 賴賲賴 趩蹖夭 丌睾丕夭 賲蹖 卮賵丿貙 噩夭 卮賲丕. 卮賲丕貙 賴蹖趩 賵賯鬲 丌睾丕夭 賳賲蹖 卮賵蹖丿
賲蹖 倬乇爻蹖丿 讴賴 丨爻 丿賵爻鬲 丿丕卮鬲賳 趩胤賵乇 倬蹖卮 賲蹖 丌蹖丿責 噩賵丕亘 賲蹖 丿賴丿: 卮丕蹖丿 丕夭 賳賯氐蹖 賳丕诏賴丕賳蹖 丿乇 賲賳胤賯 噩賴丕賳. 賲蹖 诏賵蹖丿: 賲孬賱丕 丕夭 蹖讴 丕卮鬲亘丕賴. 賲蹖 诏賵蹖丿: 賴蹖趩 賵賯鬲 丕夭 蹖讴 禺賵丕爻鬲 (丿乇禺賵丕爻鬲責). 賲蹖 倬乇爻蹖丿: 丨爻 丿賵爻鬲 丿丕卮鬲賳 賲蹖 鬲賵丕賳丿 丕夭 趩蹖夭賴丕蹖 丿蹖诏乇蹖 賳丕卮蹖 卮賵丿責 賲蹖 诏賵蹖丿: 丕夭 賴賲賴 趩蹖夭貙 丕夭 倬乇賵丕夭 倬乇賳丿賴 丕蹖 丿乇 卮亘貙 丕夭 蹖讴 禺賵丕亘貙 丕夭 乇賵蹖丕蹖 蹖讴 禺賵丕亘貙 丕夭 賳夭丿蹖讴蹖 賲乇诏貙 丕夭 蹖讴 讴賱賲賴貙 丕夭 蹖讴 噩賳丕蹖鬲貙 丕夭 禺賵丿貙 蹖讴亘丕乇賴 亘丿賵賳 丕蹖賳讴賴 丿賱蹖賱卮 賲毓賱賵賲 亘丕卮丿
賵賯鬲蹖 诏乇蹖賴 讴乇丿蹖丿貙 乇賵蹖 禺賵丿鬲丕賳 鬲賳賴丕 亘賵丿 讴賴 诏乇蹖賴 讴乇丿蹖丿 賵 賳賴 乇賵蹖 賳丕賲賲讴賳 亘賵丿賳 鬲丨爻蹖賳 亘乇丕賳诏蹖夭 乇爻蹖丿賳 亘賴 丕賵貨 丕夭 禺賱丕賱 鬲賮丕賵鬲蹖 讴賴 卮賲丕 乇丕 丕夭 賴賲 噩丿丕 賲蹖 讴賳丿
禺蹖賱蹖 夭賵丿 丿爻鬲 賲蹖 讴卮蹖丿貙 丿蹖诏乇 丿賳亘丕賱卮 賳賲蹖 诏乇丿蹖丿貙 賳賴 丿乇 卮賴乇貙 賳賴 丿乇 卮亘貙 賳賴 丿乇 乇賵夭. 丕賲丕 亘賴 丕蹖賳 氐賵乇鬲 鬲賵丕賳爻鬲蹖丿 鬲賳賴丕 卮讴賱 丕夭 丕蹖賳 毓卮賯 乇丕 讴賴 亘乇丕蹖鬲丕賳 賲賯丿賵乇 亘賵丿貙 夭賳丿诏蹖 讴賳蹖丿貙 亘丕 丕夭 丿爻鬲 丿丕丿賳卮 倬蹖卮 丕夭 丌賳讴賴 丕鬲賮丕賯 亘蹖賮鬲丿
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December 28, 2017鬲乇噩賲賴 賵 賵蹖乇丕爻鬲卮 丕賮鬲囟丕丨 亘賵丿. 丕夭 丕賵賳噩丕蹖蹖 讴賴 亘乇丕蹖 爻賵蹖蹖趩 讴乇丿賳 乇賵 賲鬲賳 丕氐賱蹖 禺蹖賱蹖 鬲賳亘賱蹖 讴乇丿賲貙 亘丕蹖丿 丿賵亘丕乇賴 亘禺賵賳賲.
June 3, 2024
Kratka pri膷a koja pozira kao novela o bolesti ne-啪ivota; pomalo prozai膷na, jednoli膷na filozofija ispripovedana na prefinjeniji na膷in. Prvi susret sa Duras je morao biti ovo s obzirom na pozadinu gde je tekst nastao nakon nedeljnog bind啪a svakodnevnog mla膰enja petolitre belog vina.
3+
3+
February 10, 2024
Fairly dreadful. Likely the ideological origin point for items such as Memories of My Melancholy Whores on the one hand and Pretty Woman on the other, insofar as it features an older dude in an unconventional relationship with a sex worker--though it鈥檚 mostly concerned with the guy鈥檚 hessean crisis.
February 7, 2017
Yazar vermek istedi臒i mesaj谋 枚yle derinlere g枚mm眉艧 ki 眉st眉ne d眉艧眉nd眉k莽e durmadan yeni bir 艧eyler kavr谋yorum. Olduk莽a etkileyici ve yer yer zordu.
November 2, 2024
It was an interesting read though it appeared that I was reading something really smutty. The larger message on death and someone wanting to know love was lost on me.
Why would this lady - prostitute or otherwise- simply submit to the man in context ? It appeared to me that the story was anti feminist. Why could this not have been written differently ? Maybe I am over reacting. But maybe this theme has been used elsewhere.
The means is not justifying its intent - was my takeaway ( what did I take away from?!!!).
Why would this lady - prostitute or otherwise- simply submit to the man in context ? It appeared to me that the story was anti feminist. Why could this not have been written differently ? Maybe I am over reacting. But maybe this theme has been used elsewhere.
The means is not justifying its intent - was my takeaway ( what did I take away from?!!!).
March 25, 2019
賲丕 丕賱賲賵鬲 丕賱匕賷 鬲賯氐丿賴 丿賵乇丕爻責 - 賱賷爻 毓丿賲 丕賱賯丿乇丞 毓賱賶 丕賱丨亘貙 賵賱賷爻 丕賱賲賵鬲 丕賱匕賷 賴賵 丕賳賯胤丕毓 丕賱丨賷丕丞貙 賵賱賷爻 賴賵 丿賲賵毓 賮賯丿 丕賱毓夭賷夭 賵丕賱丨亘賷亘.
丕賱賲賵鬲 丕賱匕賷 鬲賯氐丿賴 丿賵乇丕爻 賴賵 賲賵鬲 丕賳鬲卮丕卅賷 - 兀毓鬲賯丿 - 賴賵 賲賵鬲 丕賱賱丨馗丞 丕賱鬲賷 鬲賱賷 丕賳賴丕賰 丕賱噩爻丿賷賳 賲賳 卮丿丞 毓賳賮 賲賲丕乇爻丞 丕賱丨亘 亘賷賳賴賲丕. 兀賳 鬲賰賵賳 賲賲丿丿丞 亘賰丕賲賱 噩爻丿賴丕 賮賵賯 亘胤賳賴丕貙 睾賷乇 賯丕丿乇丞 毓賱賶 丕賱丨乇賰丞貙 賵賴賵 亘噩丕賳亘賴丕 - 廿賳賴賲丕 賮賷 賴匕賴 丕賱賱丨馗丞 賷毓賷卮丕賳 兀噩賲賱 賱丨馗丕鬲 丕賱賲賵鬲.
丕賱賲賵鬲 丕賱匕賷 鬲賯氐丿賴 丿賵乇丕爻 賴賵 賲賵鬲 丕賳鬲卮丕卅賷 - 兀毓鬲賯丿 - 賴賵 賲賵鬲 丕賱賱丨馗丞 丕賱鬲賷 鬲賱賷 丕賳賴丕賰 丕賱噩爻丿賷賳 賲賳 卮丿丞 毓賳賮 賲賲丕乇爻丞 丕賱丨亘 亘賷賳賴賲丕. 兀賳 鬲賰賵賳 賲賲丿丿丞 亘賰丕賲賱 噩爻丿賴丕 賮賵賯 亘胤賳賴丕貙 睾賷乇 賯丕丿乇丞 毓賱賶 丕賱丨乇賰丞貙 賵賴賵 亘噩丕賳亘賴丕 - 廿賳賴賲丕 賮賷 賴匕賴 丕賱賱丨馗丞 賷毓賷卮丕賳 兀噩賲賱 賱丨馗丕鬲 丕賱賲賵鬲.
May 23, 2020
Duras gives us a fading polaroid snapshot of an unusual relationship, presented through something midway between a novella and a theatre sketch. A man pays a woman to spend several days with him in a hotel by the sea. In doing this, he hopes to be able to experience love, as though it will sprout spontaneously from the soil of this paid liaison. The woman accepts his offer even though she is not a prostitute, but through these pages she remains instead a nameless other, intermittently sleeping and waking and mock-sleeping, draped in the white sheets, a voice telling him that he is in fact incapable of love because he is inflicted with la maladie de la mort. Duras paints this fleeting encounter in the second person, in her poetic prose, filled with repetitions like the white-foamed waves that sound outside the hotel room during the night. She is a writer of great sensuality. I only wish my French was a bit more competent so as to be able to more fully appreciate this.
April 16, 2024
鈥淧or el contrario acaricia el cuerpo con la misma suavidad que si incurriera en el peligro de la felicidad鈥�
鈥淐on todo as铆 pudo usted vivir este amor de la 煤nica forma posible para usted, perdi茅ndolo antes de que se diera鈥�
damn t铆a
鈥淐on todo as铆 pudo usted vivir este amor de la 煤nica forma posible para usted, perdi茅ndolo antes de que se diera鈥�
damn t铆a
September 24, 2023
Video review
January 4, 2017
Edebiyat b枚l眉mlerinde bu kitap tart谋艧谋lmal谋. Ne anlatt谋臒谋n谋, alt mesaj谋 tart谋艧谋n. 脟眉nk眉 g枚r眉nenin, yaz谋lan谋n d谋艧谋nda bir 艧eyler var ama yazar derine 枚yle bir g枚mm眉艧 ki, ya da asl谋nda yok, anlad谋臒谋n谋z谋n varl谋臒谋 bir 艧眉pheli. Puanlamak o y眉zden zor oldu benim i莽in. Baz谋 k谋s谋mlar 莽ok g眉zel olsa da di臒er k谋s谋mlar del眉zyon gibiydi. Belki de buydu verilmek istenen. O y眉zden 眉zerinde d眉艧眉nd眉k莽e daha g眉zel geliyor
January 31, 2024
鈥淣or will you, or anyone else, ever know how she sees, how she thinks, either of the world or of you, of your body or your mind, or of the malady she says you suffer from. She doesn't know, herself. She couldn't tell you. You couldn't find out anything about it from her.鈥�
June 25, 2016
(2.5) I admire Duras's writing, I really do. There's just something about it that makes it teeter between great and bad. This book particularly shows when it tips towards the bad side. It's not that there's anything missing in it, it's just that it comes so close to being erotic fiction with no depth. But what it is is impenetrable (ha ha). Duras is trying to say something inexpressible, and it feels almost like it would make a better short film than a novel. But then you watch and realize that Duras is a better novelist than screenwriter. This dilemma is present in all of her fiction, but I think it's most apparent here. So I'd say unless you're a hardcore Duras fan you can skip this and read or instead.
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