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唳呧Κ唰佮Π 唳唳佮唳距Σ唳�
The absorbing story of how one of the greatest directors of our time began his film-making career
143 pages, Hardcover
First published January 1, 1994
14 people are currently reading
538 people want to read
About the author
Satyajit Ray
579听books1,461听followersSatyajit Ray (Bengali: 唳膏Δ唰嵿Ο唳溹唰� 唳班唳) was an Indian filmmaker and author of Bengali fiction and regarded as one of the greatest auteurs of world cinema. Ray was born in the city of Calcutta into a Bengali family prominent in the world of arts and literature. Starting his career as a commercial artist, Ray was drawn into independent filmmaking after meeting French filmmaker Jean Renoir and watching Vittorio De Sica's Italian neorealist 1948 film, Bicycle Thieves.
Ray directed 36 films, including feature films, documentaries and shorts. He was also a fiction writer, publisher, illustrator, calligrapher, graphic designer and film critic. He authored several short stories and novels, primarily aimed at children and adolescents.
Ray's first film, Pather Panchali (1955), won eleven international prizes, including Best Human Documentary at the Cannes Film Festival. This film, Aparajito (1956) and Apur Sansar (1959) form The Apu Trilogy. Ray did the scripting, casting, scoring, and editing, and designed his own credit titles and publicity material. Ray received many major awards in his career, including 32 Indian National Film Awards, a number of awards at international film festivals and award ceremonies, and an Academy Award in 1992. The Government of India honoured him with the Bharat Ratna in 1992.
Early Life and Background:
Ray's grandfather, Upendrakishore Ray Chowdhury was a writer, illustrator, philosopher, publisher, amateur astronomer and a leader of the Brahmo Samaj, a religious and social movement in nineteenth century Bengal. Sukumar Ray, Upendrakishore's son and father of Satyajit, was a pioneering Bengali author and poet of nonsense rhyme and children's literature, an illustrator and a critic. Ray was born to Sukumar and Suprabha Ray in Calcutta.
Ray completed his B.A. (Hons.) in Economics at Presidency College of the University of Calcutta, though his interest was always in Fine Arts. In 1940, he went to study in Santiniketan where Ray came to appreciate Oriental Art. In 1949, Ray married Bijoya Das and the couple had a son, Sandip ray, who is now a famous film director.
Literary Works:
Ray created two of the most famous fictional characters ever in Bengali children's literature鈥擣eluda, a sleuth in Holmesian tradition, and Professor Shonku, a genius scientist. Ray also wrote many short stories mostly centered on Macabre, Thriller and Paranormal which were published as collections of 12 stories. Ray wrote an autobiography about his childhood years, Jakhan Choto Chilam (1982). He also wrote essays on film, published as the collections: Our Films, Their Films (1976), Bishoy Chalachchitra (1976), and Ekei Bole Shooting (1979).
Awards, Honors and Recognitions:
Ray received many awards, including 32 National Film Awards by the Government of India. At the Moscow Film Festival in 1979, he was awarded for the contribution to cinema. At the Berlin Film Festival, he was one of only three to win the Silver Bear for Best Director more than once and holds the record for the most Golden Bear nominations, with seven. At the Venice Film Festival, he won a Golden Lion for Aparajito(1956), and awarded the Golden Lion Honorary Award in 1982. In 1992 he was posthumously awarded the Akira Kurosawa Award for Lifetime Achievement in Directing at the San Francisco International Film Festival.
Ray directed 36 films, including feature films, documentaries and shorts. He was also a fiction writer, publisher, illustrator, calligrapher, graphic designer and film critic. He authored several short stories and novels, primarily aimed at children and adolescents.
Ray's first film, Pather Panchali (1955), won eleven international prizes, including Best Human Documentary at the Cannes Film Festival. This film, Aparajito (1956) and Apur Sansar (1959) form The Apu Trilogy. Ray did the scripting, casting, scoring, and editing, and designed his own credit titles and publicity material. Ray received many major awards in his career, including 32 Indian National Film Awards, a number of awards at international film festivals and award ceremonies, and an Academy Award in 1992. The Government of India honoured him with the Bharat Ratna in 1992.
Early Life and Background:
Ray's grandfather, Upendrakishore Ray Chowdhury was a writer, illustrator, philosopher, publisher, amateur astronomer and a leader of the Brahmo Samaj, a religious and social movement in nineteenth century Bengal. Sukumar Ray, Upendrakishore's son and father of Satyajit, was a pioneering Bengali author and poet of nonsense rhyme and children's literature, an illustrator and a critic. Ray was born to Sukumar and Suprabha Ray in Calcutta.
Ray completed his B.A. (Hons.) in Economics at Presidency College of the University of Calcutta, though his interest was always in Fine Arts. In 1940, he went to study in Santiniketan where Ray came to appreciate Oriental Art. In 1949, Ray married Bijoya Das and the couple had a son, Sandip ray, who is now a famous film director.
Literary Works:
Ray created two of the most famous fictional characters ever in Bengali children's literature鈥擣eluda, a sleuth in Holmesian tradition, and Professor Shonku, a genius scientist. Ray also wrote many short stories mostly centered on Macabre, Thriller and Paranormal which were published as collections of 12 stories. Ray wrote an autobiography about his childhood years, Jakhan Choto Chilam (1982). He also wrote essays on film, published as the collections: Our Films, Their Films (1976), Bishoy Chalachchitra (1976), and Ekei Bole Shooting (1979).
Awards, Honors and Recognitions:
Ray received many awards, including 32 National Film Awards by the Government of India. At the Moscow Film Festival in 1979, he was awarded for the contribution to cinema. At the Berlin Film Festival, he was one of only three to win the Silver Bear for Best Director more than once and holds the record for the most Golden Bear nominations, with seven. At the Venice Film Festival, he won a Golden Lion for Aparajito(1956), and awarded the Golden Lion Honorary Award in 1982. In 1992 he was posthumously awarded the Akira Kurosawa Award for Lifetime Achievement in Directing at the San Francisco International Film Festival.
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May 26, 2024
me before you 唳夃Κ唳ㄠ唳唳膏唳� 唳忇 唳椸唳班唳む唳Κ唰傕Π唰嵿Γ 唳︵唳多唳� 唳忇Ξ唳� - 唳侧唳囙Ω唳� 唳忇唳熰 唳曕唳氞唳� 唳溹唳ㄠ唳� 唳唳權 唳唳侧唳涏啷� 唳Ζ唳班唳椸 唳ㄠ唳唳� 唳夃唳� 唳熰唳班唳ㄠΠ唰囙Π 唳Ο唳监 唳侧唳囙Ω唳� 唳忇Ξ唳ㄠ唳む唳� 唳膏唳班唳唰嵿Ψ唳｀唳� 唳嗋Δ唳權唳曕 唳ム唳曕啷� 唳曕唳� 唳唳權唳� 唳Π听 唳夃唳侧唳� 唳ㄠ唳班唳Ξ 唳曕Ε唳距Π 唳嗋唰嵿Π唳Γ唰� 唳氞唳栢唳� 唳唳ㄠ 唳оΠ唰� 唳唳班唳ㄠ 唳�; 唳︵唳唳距Σ唰� 唳唳� 唳犩唳曕 唳唳撪Ο唳监唳 唳ㄠ唳溹唳� 唳膏Μ 唳多唰嵿Δ唳� 唳溹Α唳监 唳曕Π唰� 唳唳班Δ唳苦Μ唳距Ζ 唳曕Π唰囙イ听
唳膏唳ㄠ唳唳 唳忇 唳︵唳多唳唳� 唳灌Ο唳监 唳椸唳侧 唳忇Ξ唳� - 唳侧唳囙Ω唳� 唳曕唳氞唳� 唳溹唳ㄠ唳� 唳唳權Σ唰�, 唳ㄠ唳唳� 唳唳距Μ唳曕 唳曕Π唳侧, 唳侧唳囙Ω唳� 唳唳班唰嵿Δ 唳灌Ο唳监 唳唳班Δ唳苦Μ唳距Ζ 唳曕Π唳侧啷� 唳多Π唰€唳班 唳唳涏 唳Ω唳侧 唳唳ㄠ唳� 唳Δ唰嬥唰佮唰� 唳唳班唰嵿Δ 唳灌Ο唳� 唳侧唳囙Ω唳距Π 唳唳班唰嵿Δ唳苦Π 唳Π唳苦Ξ唳距Γ 唳む唳� 唳氞唳囙Δ唰� 唳忇唳熰唳� 唳唳多 唳ㄠΟ唳监イ 唳嗋Π 唳夃唳� 唳膏唳熰 唳唳ㄠ唳� 唳ㄠ唳侧啷� 唳忇唳� 唳︵唳多唳� 唳曕唳ㄠ唳む 唳呧Ν唳苦唳距Δ 唳曕Δ唰� 唳唳ㄠ唳ㄠイ
唳︵唳囙唳距唳距Π 唳唳囙Χ唰� "唳呧Κ唳班唳溹唳�" 唳ㄠ唳唳� 唳忇唳熰 唳膏唳ㄠ唳 唳唳ㄠ唳ㄠ听 唳灌Ο唳监唳涏 唳膏Δ唰嵿Ο唳溹唳む唳� "唳Ε唰囙Π 唳唳佮唳距Σ唳�" 唳ㄠ唳班唳唳｀唳� 唳ㄠ唳Ε唰嵿Ο 唳椸Σ唰嵿Κ 唳ㄠ唳唰囙イ 唳膏Μ 唳膏Ξ唳膏唳 唳膏Μ 唳唳Δ唰嵿Δ唳� 唳忇Δ唰� 唳膏唳溹 唳膏Ξ唳距Η唳距Θ 唳灌Ο唳监 唳唳! 唳膏唳ㄠ唳唳� 唳呧Θ唰佮Κ唰嵿Π唰囙Π唳｀ 唳涏唳侧 唳膏Δ唰嵿Ο唳溹唳む唳� "唳呧Κ唰佮Π 唳唳佮唳距Σ唳苦イ" 唳忇Δ唰嬥Ζ唳苦Θ 唳Π 唳唳熰 唳Α唳监 唳唳澿Σ唳距Ξ "唳呧Κ唳班唳溹唳�" 唳曕 唳Π唳苦Ξ唳距Γ 唳唳溹 唳灌Ο唳监唳涏啷� 唳忇唰囙Π 唳Π 唳忇 唳唳佮Η唳�, 唳熰唳曕 唳ㄠ唳�, 唳唳班唰冟Δ唳� 唳唳班唳�, 唳氞唳曕Π唳� 唳оΠ唰� 唳班唳栢Δ唰� 唳灌唰嵿唰� 唳嗋Μ唳距Π 唳多唳熰唳� 唳曕Π唳む 唳灌唰嵿唰�, 唳唳唰囙Π 唳椸Ο唳监Θ唳� 唳Θ唰嵿Η唳� 唳班唳栢Δ唰� 唳灌唰嵿唰�, 唳膏Ξ唰嵿Κ唳距Ζ唳ㄠ唳� 唳膏Ξ唳 唳ㄠ唳�, 唳唳班唳 唰оЖ 唳︵唳� 唳ㄠ 唳樴唳唳唰� 唳唳班唳｀唳ㄠ唳� 唳Π唳苦Χ唰嵿Π唳� 唳曕Π唰� 唳涏Μ唳苦Π 唳氞唳∴唳距Θ唰嵿Δ 唳曕唳� 唳膏Ξ唳距Κ唰嵿Δ 唳曕Π唳む 唳灌唰嵿唰� - 唳唳班 唳樴唳ㄠ 唳忇唳︵唳曕 唳唳Θ 唳灌唳︵Ο唳� 唳唳︵唳班, 唳呧Θ唰嵿Ο唳︵唳曕 唳む唳Θ 唳熰唳ㄠ唳距Θ 唳夃Δ唰嵿Δ唰囙唳ㄠ唳唳班唳｀イ 唳膏Δ唰嵿Ο唳溹唰� 唳Σ唰囙 唳忇Ν唳距Μ唰� 唳侧唳栢Δ唰� 唳唳班唳涏唳ㄠイ
唳膏唳ㄠ唳唳 唳忇 唳︵唳多唳唳� 唳灌Ο唳监 唳椸唳侧 唳忇Ξ唳� - 唳侧唳囙Ω唳� 唳曕唳氞唳� 唳溹唳ㄠ唳� 唳唳權Σ唰�, 唳ㄠ唳唳� 唳唳距Μ唳曕 唳曕Π唳侧, 唳侧唳囙Ω唳� 唳唳班唰嵿Δ 唳灌Ο唳监 唳唳班Δ唳苦Μ唳距Ζ 唳曕Π唳侧啷� 唳多Π唰€唳班 唳唳涏 唳Ω唳侧 唳唳ㄠ唳� 唳Δ唰嬥唰佮唰� 唳唳班唰嵿Δ 唳灌Ο唳� 唳侧唳囙Ω唳距Π 唳唳班唰嵿Δ唳苦Π 唳Π唳苦Ξ唳距Γ 唳む唳� 唳氞唳囙Δ唰� 唳忇唳熰唳� 唳唳多 唳ㄠΟ唳监イ 唳嗋Π 唳夃唳� 唳膏唳熰 唳唳ㄠ唳� 唳ㄠ唳侧啷� 唳忇唳� 唳︵唳多唳� 唳曕唳ㄠ唳む 唳呧Ν唳苦唳距Δ 唳曕Δ唰� 唳唳ㄠ唳ㄠイ
唳︵唳囙唳距唳距Π 唳唳囙Χ唰� "唳呧Κ唳班唳溹唳�" 唳ㄠ唳唳� 唳忇唳熰 唳膏唳ㄠ唳 唳唳ㄠ唳ㄠ听 唳灌Ο唳监唳涏 唳膏Δ唰嵿Ο唳溹唳む唳� "唳Ε唰囙Π 唳唳佮唳距Σ唳�" 唳ㄠ唳班唳唳｀唳� 唳ㄠ唳Ε唰嵿Ο 唳椸Σ唰嵿Κ 唳ㄠ唳唰囙イ 唳膏Μ 唳膏Ξ唳膏唳 唳膏Μ 唳唳Δ唰嵿Δ唳� 唳忇Δ唰� 唳膏唳溹 唳膏Ξ唳距Η唳距Θ 唳灌Ο唳监 唳唳! 唳膏唳ㄠ唳唳� 唳呧Θ唰佮Κ唰嵿Π唰囙Π唳｀ 唳涏唳侧 唳膏Δ唰嵿Ο唳溹唳む唳� "唳呧Κ唰佮Π 唳唳佮唳距Σ唳苦イ" 唳忇Δ唰嬥Ζ唳苦Θ 唳Π 唳唳熰 唳Α唳监 唳唳澿Σ唳距Ξ "唳呧Κ唳班唳溹唳�" 唳曕 唳Π唳苦Ξ唳距Γ 唳唳溹 唳灌Ο唳监唳涏啷� 唳忇唰囙Π 唳Π 唳忇 唳唳佮Η唳�, 唳熰唳曕 唳ㄠ唳�, 唳唳班唰冟Δ唳� 唳唳班唳�, 唳氞唳曕Π唳� 唳оΠ唰� 唳班唳栢Δ唰� 唳灌唰嵿唰� 唳嗋Μ唳距Π 唳多唳熰唳� 唳曕Π唳む 唳灌唰嵿唰�, 唳唳唰囙Π 唳椸Ο唳监Θ唳� 唳Θ唰嵿Η唳� 唳班唳栢Δ唰� 唳灌唰嵿唰�, 唳膏Ξ唰嵿Κ唳距Ζ唳ㄠ唳� 唳膏Ξ唳 唳ㄠ唳�, 唳唳班唳 唰оЖ 唳︵唳� 唳ㄠ 唳樴唳唳唰� 唳唳班唳｀唳ㄠ唳� 唳Π唳苦Χ唰嵿Π唳� 唳曕Π唰� 唳涏Μ唳苦Π 唳氞唳∴唳距Θ唰嵿Δ 唳曕唳� 唳膏Ξ唳距Κ唰嵿Δ 唳曕Π唳む 唳灌唰嵿唰� - 唳唳班 唳樴唳ㄠ 唳忇唳︵唳曕 唳唳Θ 唳灌唳︵Ο唳� 唳唳︵唳班, 唳呧Θ唰嵿Ο唳︵唳曕 唳む唳Θ 唳熰唳ㄠ唳距Θ 唳夃Δ唰嵿Δ唰囙唳ㄠ唳唳班唳｀イ 唳膏Δ唰嵿Ο唳溹唰� 唳Σ唰囙 唳忇Ν唳距Μ唰� 唳侧唳栢Δ唰� 唳唳班唳涏唳ㄠイ
May 13, 2018
唳曕 唳嗋Π 唳Σ唳? 唳膏Δ唰嵿Ο唳距唳苦Δ 唳班唳 唳Π唳距Μ唳班唳班 唳Δ唳� Outstanding. 唳膏Δ唰嵿Ο唳距唳苦Δ 唳班唳, 唳膏唳曕唳唳� 唳班唳, 唳夃Κ唰囙Θ唰嵿Ζ唰嵿Π唳曕唳多唳� 唳班唳 唳忇Θ唳距Ζ唰囙Π 唳︵唳栢 唳嗋Ξ唳距Π 唳Θ唰� 唳嗋Μ唳涏 唳忇唳熰 唳о唳班Γ唳� 唳溹Θ唰嵿Ξ 唳ㄠ唳氞唳涏 唳 唳熰唳唳侧唳ㄠ唳� 唳Θ唰� 唳灌Ο唳� 唳曕唳涏唳熰 唳溹唳ㄠ唳熰唳曕唳唳侧イ 唳唳� 唳灌唳�, 唳忇 唳唳唰� 唳嗋唰� 唳Π唳苦唳距Σ唳� 唳灌唳膏唳 唳膏Δ唰嵿Ο唳溹唰� 唳班唳唰囙Π 唳唳む唳班 唳多唳班唳� 唳椸Σ唰嵿Κ啷� 唳呧Κ唰� 唳熰唳班唳侧唳苦Δ唰� 唳曕唳� 唳曕Π唳距Π 唳膏Ξ唳 唳夃Σ唰嵿Σ唰囙唳唳椸唳� 唳曕唳涏 唳樴唳ㄠ 唳夃唰� 唳忇Ω唰囙唰囙イ 唳呧Κ唰� 唳熰唳班唳侧唳� 唳︵唳栢 唳Ζ唳� 唳唳熰 唳Α唳监Δ唳距Ξ 唳唳о唳 唳嗋Π唳� 唳唳侧唳唳 唳班唳侧唳� 唳曕Π唳む 唳唳班Δ唳距Ξ啷� 唳膏唳ㄠ唰佮Σ唰� 唳氞唳栢唳� 唳膏唳Θ唰� 唳唳膏Δ啷� 唳唳熰 唳Α唳监 唳曕唳涏 唳曕Ε唳� 唳Θ唰� 唳灌Ο唳监唳涏啷�
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May 11, 2018
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P.S: 唳嗋Ξ唳� 唳曕Ο唳监唳曕Ζ唳苦Θ 唳ム唳曕唳� 唳膏Δ唰嵿Ο唳溹唳� 唳班唳唰囙Π 唳唳 唳︵唳栢Δ唰囙唳苦Σ唳距Ξ, 唳む唳� 唳撪Θ唳距Π 唳唳 唳唳ㄠ唳ㄠ唳� 唳唳涏Θ唰囙Π 唳椸Σ唰嵿Κ 唳Α唳监Δ唰� 唳呧Θ唰囙 唳唳侧 唳侧唳椸Σ唰嬥イ
May 24, 2021
唰� 唳む唳班 唳︵唳唳� 唳涏唳∴唳� 唳椸唳班 唳む唳唳曕 唳嗋Π 唳曕-唳� 唳 唳︵唳唳� 唳嗋唰� 唳嗋Ξ唳距Π...
November 6, 2022
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唳唳熰 唳︵唳唳む唳 唳唳班唳� 唳Δ 唳Α唳监Σ唳距Ξ啷� 唳嗋Π唰� 唳曕Δ唳唳� 唳Α唳监Μ,唳む唳� 唳曕唳� 唳囙Ο唳监Δ唰嵿Δ唳� 唳ㄠ唳囙イ 唳忇 唳 唳唳距Θ 唳唳ㄠ唳� 唳熰,唳膏Δ唰嵿Ο唳溹唰� 唳班唳啷� 唳忇Ξ唳� 唳唳ㄠ唳� 唳氞唳佮Ζ 唳膏唳班唳唳� 唳Δ 唳忇唳熰-唳� 唳灌Ο唳监イ 唳忇唳唳� 唳� 唳嗋Ω唰� 唳唳ム唳唳む啷� 唳忇Ξ唳� 唳多唳班Ζ唰嵿Η唰囙Ο唳� 唳唳ㄠ唳粪唳� 唳夃唰� 唳嗋Ω唳距Π 唳椸Σ唰嵿Κ 唳椸唳侧 唳唳� 唳Α唳监,唳ㄠ唳溹唳� 唳唳むΠ 唳忇唳熰 唳呧Θ唰嵿Ο 唳班唳� 唳多唰嵿Δ唳� 唳唳囙イ 唳唳多唳� 唳氞Σ唳氞唳氞唳む唳班唳� 唳忇唳溹Θ 唳Ε唳苦唰冟, 唳膏Δ唰嵿Ο唳溹唰� 唳班唳啷� 唳む唳佮唰� 唳嗋Ξ唳距Π 唳唳班Γ唳距Ξ啷�
May 12, 2025
唳膏Δ唰嵿Ο唳溹唰� 鉂わ笍
October 30, 2015
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June 6, 2014
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'唳呧Κ唰佮Π 唳唳佮唳距Σ唳�' 唳侧唳栢唰囙Π 唳囙唳班唳溹唳む 唳侧唳栢 唳膏唳唳む唳曕Ε唳� 'My Years with Apu' 唳忇Π 唳唳傕Σ唳� 唳呧Θ唰佮Μ唳距Ζ啷� 唳曕唳Θ 唳曕Π唰�, 唳曕Δ唳栢唳ㄠ 唳唳о-唳唳Δ唰嵿Δ唳� 唳� 唳唳氞唳む唳� 唳呧Ν唳苦唰嵿唳む唳� 唳Η唰嵿Ο唰� 唳む唳ㄠ 唳膏唳班唳ム唳む唳 唳唳佮唰囙唳苦Σ唰囙Θ 唳む唳� 唳ㄠ唳Ε唰嵿Ο-唳曕唳灌唳ㄠ '唳呧Κ唰佮Π 锟斤拷唳距唳氞唳侧'啷�
June 22, 2022
唳Ε唰囙Π 唳唳佮唳距Σ唰€ 唳熰唳班唳侧唳苦Π 唳唳班唳熰 唳嗋Ξ唳� 唳︵唳栢唳ㄠ, 唳多唳о 唳唳班Ε唳唳� 唳嗋Π 唳多唳粪唳� 唳︵唳栢唳涏啷� 唳呧Κ唰佮Π 唳膏唳膏唳� 唳嗋Ξ唳距Π 唳唳唳� 唳唳班 唳唳ㄠ唳︵唳� 唳涏Μ唳�, 唳唳唰囙Π 唳Π 唳唳 唳唳� 唳嗋Ξ唰囙Π唳苦唳� 唳椸唳�, 唳む唳� 唳唳 唳唳傕Σ唳距Ζ唰囙Χ唰� 唳Ω唰� 唳忇 唳唳唳熰 唳︵唳栢Δ啷�
唳曕唳ㄠ唳む 唳 唳︵唳熰 唳む 唳Α唳监唳涏啷� 唳忇唳� 唳忇 唳 唳Α唳监唳� 唳Π 唳Θ唰� 唳灌Σ, 唳膏唳� 唳唳侧 唳樴唳粪唳侧唳� 唳曕Ε唳�,"唳侧唳侧, 唳む唳� 唳む 唳椸Σ唰嵿Κ 唳侧唳栢唳� 唳栢唳侧唳�, 唳Δ 唳澿唰嵿唳� 唳唳灌唳む 唳灌Ο唳� 唳嗋Ξ唳距Ζ唰囙Π!"(唳唳唳唳囙Ο唳监唳� 唳唳唳唳熰)啷�
唳膏Δ唰嵿Ο唳苦, 唳侧唳囙唰囙Π 唳曕唳�, 唳曕唳唳唳班唳� 唳曕唳�, 唳唳班Κ唳距Π 唳忇唳多Θ唰囙Π 唳曕唳�, 唳溹唳唳椸 唳唳涏唳囙Ο唳监唳� 唳曕唳�, 唳唳ㄠ唳ㄠΩ唳� 唳呧Ν唳苦Θ唰囙Δ唳�, 唳呧Ν唳苦Θ唰囙Δ唰嵿Π唰€ 唳唳涏唳囙Ο唳监唳� 唳曕唳�, 唳唳班Α唳距唳多Θ唰囙Π 唳曕唳�, 唳忇Α唳苦唳苦 唳忇Π 唳曕唳�, 唳涏Μ唳� 唳唳ㄠ唳ㄠ 唳忇唳熰 唳唳班唳� 唳曕Π唰嵿Ξ唳唰嵿 唳唰�!
唳忇Ω唳� 唳曕唳� 唳 唳唳距Θ 唳呧Ζ唰嵿Ν唰佮Δ 唳唳班Δ唳苦Ν唳距Χ唳距Σ唰€ 唳唳唰嵿Δ唳苦Π 唳膏唳氞唳班 唳呧唰嵿唰佮Σ唳苦唰囙Σ唳ㄠ 唳曕Π唳む 唳唳班唳涏唳侧唳�, 唳む唳ㄠ 唳膏Δ唰嵿Ο唳溹唰� 唳班唳啷� 唳忇唳熰 唳唳ㄠ唳粪唳� 唳Η唰嵿Ο唰� 唳忇Δ唳班唳� 唳椸唳�, 唳嗋Π 唳班唳氞唳唳� 唳ム唳曕Δ唰� 唳唳班, 唳呧Μ唳苦Χ唰嵿Μ唳距Ω唰嵿Ο! 唳嗋Π 唳灌唳唳�, 唳椸唳｀唳� 唳唳多唳唳多 唳涏唳� 唳唳唳多Θ啷� 唳曕 唳曕Π唰� 唳Ε唰囙Π 唳唳氞唳佮Σ唰€ 唳灌Μ唰�, 唳曕 唳氞唳む唳班Θ唳距唰嵿Ο, 唳曕 唳溹唳唳椸 唳唳涏唳�, 唳曕 唳唳溹唳�, 唳曕 唳嗋唰囙Π 唳呧Ν唳苦唰嵿唳む, 唳曕唳涏唳� 唳曕 唳膏Δ唰嵿Ο唳溹唰� 唳唳侧唳唳� 唳曕Π唰� 唳班唳栢唳涏唳侧唳�? 唳ㄠ啷� 唳呧Ε唳� 唳膏唳熰唳� 唳曕唳唳 唳唳傕Σ唳� 唳膏唳ㄠ唳唳� 唳忇唳唳む唳� 唳呧Ω唰嵿唳距Π 唳灌Ο唳监 唳班唳�? 唳膏唳熰 唳多唳о 唳膏Δ唰嵿Ο唳溹唰� 唳忇Π 唳Δ 唳Θ唰囙Π 唳溹唳� 唳涏唳� 唳Σ唰囙啷� 唳多唳о 唳む唳� 唳呧Ξ唳苦Δ 唳唳班Δ唳苦Ν唳距Π 唳椸唳｀ 唳ㄠΟ唳监イ
唳嗋Π唰囙唳熰 唳溹唳ㄠ唳� 唳唳Σ唳距Ξ, 唳ㄠ唳唳氞唳班唳� 唳唳侧唳膏 唳多唳熰唳� 唳曕Π唳�, 唳多 唳ㄠ唳撪Ο唳监, 唳溹唳唳椸唳熰 唳∴唳曕唳班唳� 唳曕Π唳距唳距 唳︵唳班唳� 唳忇唳熰 唳︵唰嵿Ψ唳む唳� 唳唳唳唳班イ 唳嗋唳曕唳� 唳多唳о 唳椸唳唳о 唳膏唳曕唳班唳唳� 唳嗋Π 唳椸唳班唳唳曕唳膏唳� 唳唳椸 唳撪Ξ唳� 唳︵唰嵿Ψ唳む 唳曕唳班 唳ム唳曕 唳嗋Χ唳� 唳曕Π唳距 唳唳イ
唳唳傕Σ唳距Ζ唰囙Χ唰囙Π 唳 唳曕Σ唳曕唳む唳� 唳嗋Η唰佮Θ唳苦 唳氞唳む唳班Κ唳班唳氞唳侧唳班 唳ㄠΞ唳膏唳曕唳� 唳犩唳曕唳� 唳栢唳侧唳膏イ 唳嗋Ω唳侧唳� 唳曕 唳曕Π唰� 唳涏Μ唳� 唳曕Π唳む 唳灌Ο唳�, 唳曕 唳曕Π唰� 唳∴唳囙Π唰囙唰嵿唳� 唳灌Δ唰� 唳灌Ο唳�, 唳嗋Π 唳膏Μ唳距Π 唳撪Κ唳班 唳曕 唳曕Π唰� 唳ㄠ唳溹唳� 唳唳唳多Θ唳曕 唳膏唳班唳ム 唳班唳� 唳︵唳撪Ο唳监 唳唳, 唳膏唳熰 唳溹唳ㄠΔ唰� 唳忇 唳 唳唳囙Μ唰囙Σ唰囙Π 唳Δ 唳Α唳监 唳唳む 唳唳班啷� 唳膏Δ唰嵿Ο唳溹唰� 唳ㄠ唳溹 唳涏唳侧唳�, 唳む唳侧 唳︵唳唰� 唳椸唳涏唳� 唳膏唳唳む唳班唰�, 唳多Π唰嵿Ξ唳苦Σ唳� 唳犩唳曕唳班唰囙イ 唳忇Π唳Π 唳嗋Π 唳曕 唳曕唳� 唳忇Ω唰囙唰囙Θ? 唳呧Ξ唳� 唳呧Ν唰嵿Π唳唳︵ 唳唳班Δ唳苦Ν唳�, 唳呧Ξ唳� 唳班唳氞, 唳呧Ξ唳� 唳︵唳栢唳� 唳氞唳� 唳ㄠ唳唰�?
唳膏唳ㄠ唳 唳嗋Ω唳侧 唳 唳忇唳熰 唳溹唳Θ, 唳忇唳熰 唳多唳侧唳�, 唳忇唳距唰� 唳 唳唳班唳唳班 唳о唳班Γ 唳曕Π唳む 唳灌Ο唳�, 唳膏唳熰 唳膏Δ唰嵿Ο唳溹唳む唳� 唳Π 唳嗋Π 唳曕唳夃唰� 唳唳澿Δ唰� 唳︵唳栢 唳椸唳� 唳ㄠ! 唳む唳� "唳膏唳ㄠ唳 唳ㄠ 唳曕Π唳む 唳唳班Σ唰� 唳唳氞唳佮 唳 唳侧唳� 唳曕!" 唳忇 唳曕Ε唳� 唳撪 唳唳ㄠ唳粪唳苦Π 唳唳栢唳� 唳唳ㄠ唳啷�
唳膏Δ唰嵿Ο唳溹唰� 唳膏Δ唰嵿Ο唳溹唰庎, 唳忇 唳曕Ε唳距唳� 唳侧唳栢 唳︵唳侧唳� 唳灌Δ啷� 唳曕唳ㄠ唳む 唳む唳ㄠ 唳曕唳� 唳 唳膏Δ唰嵿Ο唳溹唰�,唳膏唳熰唳� 唳Σ唳距Π 唳︵Π唳曕唳� 唳涏唳侧イ 唳忇Μ唳距Π 唳唳熰 唳Α唳监 唳呧Θ唰嵿Ο 唳唳犩唰囙Π唳� 唳оΘ唰嵿Ο 唳灌Θ, 唳唳Θ 唳嗋Ξ唳� 唳灌Ο唳监唳涏啷�
唳曕唳ㄠ唳む 唳 唳︵唳熰 唳む 唳Α唳监唳涏啷� 唳忇唳� 唳忇 唳 唳Α唳监唳� 唳Π 唳Θ唰� 唳灌Σ, 唳膏唳� 唳唳侧 唳樴唳粪唳侧唳� 唳曕Ε唳�,"唳侧唳侧, 唳む唳� 唳む 唳椸Σ唰嵿Κ 唳侧唳栢唳� 唳栢唳侧唳�, 唳Δ 唳澿唰嵿唳� 唳唳灌唳む 唳灌Ο唳� 唳嗋Ξ唳距Ζ唰囙Π!"(唳唳唳唳囙Ο唳监唳� 唳唳唳唳熰)啷�
唳膏Δ唰嵿Ο唳苦, 唳侧唳囙唰囙Π 唳曕唳�, 唳曕唳唳唳班唳� 唳曕唳�, 唳唳班Κ唳距Π 唳忇唳多Θ唰囙Π 唳曕唳�, 唳溹唳唳椸 唳唳涏唳囙Ο唳监唳� 唳曕唳�, 唳唳ㄠ唳ㄠΩ唳� 唳呧Ν唳苦Θ唰囙Δ唳�, 唳呧Ν唳苦Θ唰囙Δ唰嵿Π唰€ 唳唳涏唳囙Ο唳监唳� 唳曕唳�, 唳唳班Α唳距唳多Θ唰囙Π 唳曕唳�, 唳忇Α唳苦唳苦 唳忇Π 唳曕唳�, 唳涏Μ唳� 唳唳ㄠ唳ㄠ 唳忇唳熰 唳唳班唳� 唳曕Π唰嵿Ξ唳唰嵿 唳唰�!
唳忇Ω唳� 唳曕唳� 唳 唳唳距Θ 唳呧Ζ唰嵿Ν唰佮Δ 唳唳班Δ唳苦Ν唳距Χ唳距Σ唰€ 唳唳唰嵿Δ唳苦Π 唳膏唳氞唳班 唳呧唰嵿唰佮Σ唳苦唰囙Σ唳ㄠ 唳曕Π唳む 唳唳班唳涏唳侧唳�, 唳む唳ㄠ 唳膏Δ唰嵿Ο唳溹唰� 唳班唳啷� 唳忇唳熰 唳唳ㄠ唳粪唳� 唳Η唰嵿Ο唰� 唳忇Δ唳班唳� 唳椸唳�, 唳嗋Π 唳班唳氞唳唳� 唳ム唳曕Δ唰� 唳唳班, 唳呧Μ唳苦Χ唰嵿Μ唳距Ω唰嵿Ο! 唳嗋Π 唳灌唳唳�, 唳椸唳｀唳� 唳唳多唳唳多 唳涏唳� 唳唳唳多Θ啷� 唳曕 唳曕Π唰� 唳Ε唰囙Π 唳唳氞唳佮Σ唰€ 唳灌Μ唰�, 唳曕 唳氞唳む唳班Θ唳距唰嵿Ο, 唳曕 唳溹唳唳椸 唳唳涏唳�, 唳曕 唳唳溹唳�, 唳曕 唳嗋唰囙Π 唳呧Ν唳苦唰嵿唳む, 唳曕唳涏唳� 唳曕 唳膏Δ唰嵿Ο唳溹唰� 唳唳侧唳唳� 唳曕Π唰� 唳班唳栢唳涏唳侧唳�? 唳ㄠ啷� 唳呧Ε唳� 唳膏唳熰唳� 唳曕唳唳 唳唳傕Σ唳� 唳膏唳ㄠ唳唳� 唳忇唳唳む唳� 唳呧Ω唰嵿唳距Π 唳灌Ο唳监 唳班唳�? 唳膏唳熰 唳多唳о 唳膏Δ唰嵿Ο唳溹唰� 唳忇Π 唳Δ 唳Θ唰囙Π 唳溹唳� 唳涏唳� 唳Σ唰囙啷� 唳多唳о 唳む唳� 唳呧Ξ唳苦Δ 唳唳班Δ唳苦Ν唳距Π 唳椸唳｀ 唳ㄠΟ唳监イ
唳嗋Π唰囙唳熰 唳溹唳ㄠ唳� 唳唳Σ唳距Ξ, 唳ㄠ唳唳氞唳班唳� 唳唳侧唳膏 唳多唳熰唳� 唳曕Π唳�, 唳多 唳ㄠ唳撪Ο唳监, 唳溹唳唳椸唳熰 唳∴唳曕唳班唳� 唳曕Π唳距唳距 唳︵唳班唳� 唳忇唳熰 唳︵唰嵿Ψ唳む唳� 唳唳唳唳班イ 唳嗋唳曕唳� 唳多唳о 唳椸唳唳о 唳膏唳曕唳班唳唳� 唳嗋Π 唳椸唳班唳唳曕唳膏唳� 唳唳椸 唳撪Ξ唳� 唳︵唰嵿Ψ唳む 唳曕唳班 唳ム唳曕 唳嗋Χ唳� 唳曕Π唳距 唳唳イ
唳唳傕Σ唳距Ζ唰囙Χ唰囙Π 唳 唳曕Σ唳曕唳む唳� 唳嗋Η唰佮Θ唳苦 唳氞唳む唳班Κ唳班唳氞唳侧唳班 唳ㄠΞ唳膏唳曕唳� 唳犩唳曕唳� 唳栢唳侧唳膏イ 唳嗋Ω唳侧唳� 唳曕 唳曕Π唰� 唳涏Μ唳� 唳曕Π唳む 唳灌Ο唳�, 唳曕 唳曕Π唰� 唳∴唳囙Π唰囙唰嵿唳� 唳灌Δ唰� 唳灌Ο唳�, 唳嗋Π 唳膏Μ唳距Π 唳撪Κ唳班 唳曕 唳曕Π唰� 唳ㄠ唳溹唳� 唳唳唳多Θ唳曕 唳膏唳班唳ム 唳班唳� 唳︵唳撪Ο唳监 唳唳, 唳膏唳熰 唳溹唳ㄠΔ唰� 唳忇 唳 唳唳囙Μ唰囙Σ唰囙Π 唳Δ 唳Α唳监 唳唳む 唳唳班啷� 唳膏Δ唰嵿Ο唳溹唰� 唳ㄠ唳溹 唳涏唳侧唳�, 唳む唳侧 唳︵唳唰� 唳椸唳涏唳� 唳膏唳唳む唳班唰�, 唳多Π唰嵿Ξ唳苦Σ唳� 唳犩唳曕唳班唰囙イ 唳忇Π唳Π 唳嗋Π 唳曕 唳曕唳� 唳忇Ω唰囙唰囙Θ? 唳呧Ξ唳� 唳呧Ν唰嵿Π唳唳︵ 唳唳班Δ唳苦Ν唳�, 唳呧Ξ唳� 唳班唳氞, 唳呧Ξ唳� 唳︵唳栢唳� 唳氞唳� 唳ㄠ唳唰�?
唳膏唳ㄠ唳 唳嗋Ω唳侧 唳 唳忇唳熰 唳溹唳Θ, 唳忇唳熰 唳多唳侧唳�, 唳忇唳距唰� 唳 唳唳班唳唳班 唳о唳班Γ 唳曕Π唳む 唳灌Ο唳�, 唳膏唳熰 唳膏Δ唰嵿Ο唳溹唳む唳� 唳Π 唳嗋Π 唳曕唳夃唰� 唳唳澿Δ唰� 唳︵唳栢 唳椸唳� 唳ㄠ! 唳む唳� "唳膏唳ㄠ唳 唳ㄠ 唳曕Π唳む 唳唳班Σ唰� 唳唳氞唳佮 唳 唳侧唳� 唳曕!" 唳忇 唳曕Ε唳� 唳撪 唳唳ㄠ唳粪唳苦Π 唳唳栢唳� 唳唳ㄠ唳啷�
唳膏Δ唰嵿Ο唳溹唰� 唳膏Δ唰嵿Ο唳溹唰庎, 唳忇 唳曕Ε唳距唳� 唳侧唳栢 唳︵唳侧唳� 唳灌Δ啷� 唳曕唳ㄠ唳む 唳む唳ㄠ 唳曕唳� 唳 唳膏Δ唰嵿Ο唳溹唰�,唳膏唳熰唳� 唳Σ唳距Π 唳︵Π唳曕唳� 唳涏唳侧イ 唳忇Μ唳距Π 唳唳熰 唳Α唳监 唳呧Θ唰嵿Ο 唳唳犩唰囙Π唳� 唳оΘ唰嵿Ο 唳灌Θ, 唳唳Θ 唳嗋Ξ唳� 唳灌Ο唳监唳涏啷�
September 13, 2016
You really think you are passionate about film making? Then, you must read these chronicles by Satyajit Ray. You will find out why he is regarded as the pioneer of Indian Cinema! Such was his passion and love towards movies. Those who love the Apu trilogy will enjoy the stories behind some epic shots and transitions, especially the 'train scene' and the final ''necklace'' scene from "Pather Panjali". Highly recommended for film making aspirants.
April 30, 2013
The story of how one of the greatest directors of India entered into filmmaking with a gem of a film.
The process that went into its making, the hurdles they faced and all those events that eventually led to its completion make for a very fine read.
And since, it has been written by Satyajit Ray himself, this book provides quite a lot of insight into the mind of the director.
The process that went into its making, the hurdles they faced and all those events that eventually led to its completion make for a very fine read.
And since, it has been written by Satyajit Ray himself, this book provides quite a lot of insight into the mind of the director.
July 7, 2023
My Years with Apu, the final book written by Satyajit Ray before his death, goes back to the beginning "birth pangs" of his career as a filmmaker. This book makes a good duo with Ray's prior "Childhood Days", chronicling autobiographically his childhood, early influences, career start and early successes.
Altogether they remind me of Akira Kurosawa's autobiography, which I had read recently. Compared to Ray's, Kurosawa's youthful stories are more colorful and mischievous, and contain more in-depth musings about filmmaking, owing to his breadth of experience in the industry. But Ray's stories are unique and intriguing in a different way, as he jumped into directing his first film a complete amateur, with a ragtag crew of other inexperienced filmmakers like him. You get to see how Ray and co. struggled and overcame the limitations that are so familiar to budding filmmakers: the lack of funding, on-set and off-set troubles, or lukewarm audience reactions. Ultimately, what amazed me and kept me reading is his confidence and love in the work he was doing, apparent in every anecdotes and improvisations. A short and inspiring read for any similar budding filmmakers.
Altogether they remind me of Akira Kurosawa's autobiography, which I had read recently. Compared to Ray's, Kurosawa's youthful stories are more colorful and mischievous, and contain more in-depth musings about filmmaking, owing to his breadth of experience in the industry. But Ray's stories are unique and intriguing in a different way, as he jumped into directing his first film a complete amateur, with a ragtag crew of other inexperienced filmmakers like him. You get to see how Ray and co. struggled and overcame the limitations that are so familiar to budding filmmakers: the lack of funding, on-set and off-set troubles, or lukewarm audience reactions. Ultimately, what amazed me and kept me reading is his confidence and love in the work he was doing, apparent in every anecdotes and improvisations. A short and inspiring read for any similar budding filmmakers.
September 22, 2021
唳Ε唰囙Π 唳唳佮唳距Σ唳�,唳呧Κ唳班唳溹唳�, 唳呧Κ唰佮Π 唳膏唳膏唳� 唳忇 唳熰唳班唳侧唳� 唳︵唳栢 唳ㄠ 唳忇Ξ唳� 唳唳權唳侧唳� 唳膏唳栢唳 唳栢唳 唳曕Ξ啷� 唳Ε唰囙Π 唳唳佮唳距Σ唳� 唳︵唳栢Δ唰� 唳︵唳栢Δ唰� 唳嗋Ξ唳班 唳嗋Μ唰囙唰� 唳嗋Κ唰嵿Σ唰佮Δ 唳灌Ο唳监 唳唳,唳呧Κ唰佮Π 唳膏唳膏唳� 唳膏唳ㄠ唳唳む 唳呧Κ唳班唳｀唳� 唳唳む唳 唳Θ唰� 唳忇Ξ唳� 唳︵唳� 唳曕唳熰唳ㄠ 唳忇Ξ唳� 唳︵Χ唳班唳� 唳栢唳佮唰� 唳唳撪Ο唳监 唳唳�!
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唳嗋Ξ唳班 唳 唳Ε唰囙Π 唳唳佮唳距Σ唳� 唳熰唳 唳Π唰嵿Ζ唳距Ο唳� 唳︵唳栢唳涏,唳膏唳熰唳曕 唳熰唳 唳Π唰嵿Ζ唳� 唳Π唰嵿Ο唳监Θ唰嵿Δ 唳嗋Θ唳む 唳忇唳熰 唳唳ㄠ唳� 唳ㄠ唳溹唳� 唳膏Μ唳熰唳曕 唳夃唳距Π 唳曕Π唰� 唳︵唳唰囙唳苦Σ啷� 唳膏 唳唳ㄠ唳粪唳距Π 唳曕Ε唳� 唳嗋Ξ唳班 唳� 唳溹Θ 唳溹唳ㄠ? 唳曕唳傕Μ唳� 唳忇 唳Ε唰囙Π 唳唳佮唳距Σ唳� 唳ㄠ唳班唳唳ㄠ 唳忇唳熰 唳ㄠΔ唰佮Θ 唳Π唳苦唳距Σ唳曕唳� 唳曕Δ唳熰唳曕 唳澿唰嵿唳�-唳澿唳唳侧唳� 唳唳灌唳む 唳灌Ο唳监唳涏唳�, 唳む唳� 唳曕Δ唳熰唳曕 唳 唳嗋Ξ唳班 唳溹唳ㄠ!!
唳忇唳溹Θ 唳唳溹唳炧唳Θ 唳ㄠ唳班唳唳む 唳ム唳曕 唳忇唳溹Θ 唳膏Λ唳� 唳Π唳苦唳距Σ唳� 唳灌唳唳�, 唳む唳� 唳唳多唳� 唳︵Χ唳曕唳� 唳Δ 唳膏Ξ唳唰� 唳Ω唰�, 唳曕唳� 唳栢唳侧 唳曕Ε唳� 唳ㄠΟ唳监イ
唳呧Κ唰佮Π 唳唳佮唳距Σ唳� 唳唳唰� 唳膏唳唳� 唳膏Δ唰嵿Ο唳溹唰� 唳班唳, 唳む唳� 唳夃Δ唰嵿Ε唳距Θ唰囙Π 唳椸Σ唰嵿Κ 唳多唳ㄠ唳唰囙唰囙Θ啷� 唳膏唳栢唳ㄠ 唳栢唳� 唳氞Ξ唰庎唳距Π 唳唳 唳む唳ㄠ 唳呧Κ唰� 唳熰唳班唳侧唳苦Π 唳椸Σ唰嵿Κ 唳Σ唰囙唰囙Θ啷� 唳︵唳班唳︵唳ㄠ唳�! 唳むΜ唰� 唳︵唳冟唰囙Π 唳唳粪Ο唳� 唳灌唰嵿唰� 唳忇 唳唳熰 唳む唳ㄠ 唳多唳� 唳曕Π唰� 唳唳む 唳唳班唳� 唳ㄠ,唳呧Π唰嵿Η唰囙 唳侧唳栢唳涏唳� 唳む唳� 唳囙唳班唳溹唳む啷� 唳膏Δ唰嵿Ο唳溹唰� 唳Δ唰嵿Θ唰€ 唳唳溹Ο唳监 唳班唳 唳膏 唳嗋Π唰� 唳曕Ο唳监唳曕唳� 唳唳侧 唳忇 唳唳熰 唳むΠ唰嵿唳 唳曕Π唰囙Θ 唳唳傕Σ唳距Ο唳监イ 唳Σ唰� 唳唳傕Σ唳� 唳膏唳灌唳む唳唳� 唳忇唳熰 唳膏Ξ唰嵿Κ唳� 唳唳∴唰囙唰� 唳嗋Π 唳溹唳炧唳� 唳唳唳膏唳︵唳� 唳む唳粪唳｀ 唳栢唳ㄠ唳曕唳� 唳曕Ξ唰囙唰囙イ 唳膏Δ唰嵿Ο唳溹唰� 唳班唳 唳班Μ唰€唳ㄠ唳︵唳� 唳Π唳Π唰嵿Δ唰€ 唳唳權唳侧唳� 唳多唳班唳粪唳� 唳膏Θ唰嵿Δ唳距Θ啷� 唳む唳� 唳夃唰嵿唳む唳� 唳Δ唳� 唳む唳� 唳唳唳曕唳む唳む唳イ
May 16, 2019
Recently watched the Apu trilogy on Criterion which brought me to this book. Wouldn't attempt to review the movies here but would be suffice to say that they were very moving.
Thankfully the book doesn't read like a collection of diary entries. It's a wholesome account of the struggles Mr.Ray faced to make his first movie and the inspirations that led him to that point. He clearly led a colorful life crossing paths with some of the visionary film makers of that era. Some of the insights on the first movie 'Pather Panchali' were delightful. I wish there was more time spent talking about the third movie as well.
Overall, reading the book enriched my experience of the Apu saga. I feel grateful to have watched the movies and hope to watch more from Satyajit Ray.
Thankfully the book doesn't read like a collection of diary entries. It's a wholesome account of the struggles Mr.Ray faced to make his first movie and the inspirations that led him to that point. He clearly led a colorful life crossing paths with some of the visionary film makers of that era. Some of the insights on the first movie 'Pather Panchali' were delightful. I wish there was more time spent talking about the third movie as well.
Overall, reading the book enriched my experience of the Apu saga. I feel grateful to have watched the movies and hope to watch more from Satyajit Ray.
July 25, 2024
Having loved this man and his creations since childhood, getting to be a part of the behind the scenes of his first ever movie, has been a privilege. This book is by far the closest I have come to understanding Satyajit Ray and why he did what he did. I would encourage everyone who admire him, to take this journey of determination, creativity, passion and above all mastery of the great Satyajit Ray.
April 11, 2023
ray is a doer.
convinced me to read-
1) more non fiction by practitioners (aka people who have done things)
2) fewer by academics (aka people who read about things)
5/5 stars because i grew up reading 唳唳侧唳︵
the name drops are crazy. man has rabindranath tagore and ravi sankar on speed dial
convinced me to read-
1) more non fiction by practitioners (aka people who have done things)
2) fewer by academics (aka people who read about things)
5/5 stars because i grew up reading 唳唳侧唳︵
the name drops are crazy. man has rabindranath tagore and ravi sankar on speed dial
August 5, 2013
Great insight into Ray's working methods and the story of how the Apu trilogy came to be. Recommend!
November 27, 2024
My Years with Apu is the first book I ever finished, and it deeply moved me as a film enthusiast. What鈥檚 even more astonishing is the story behind the book itself. Half of Ray鈥檚 original papers for this book were stolen imagine even after his death, someone tried to take away pieces of his legacy out of jealousy.Still his family worked hard to preserve what remained and ensure the book was published.
The book is more than a story 鈥攊t鈥檚 a journey of hard work, patience, and passion for filmmaking of a young lad Manik. From Satyajit Ray鈥檚 early days as a painter in Shantiniketan to his time at Keymer when he got job, meeting Renoir, forming the Calcutta Film Society, and eventually making Pather Panchali with storyboarding with paintings, the book gives a simple and honest account of his life.
The making of Pather Panchali was full of challenges. Producers rejected his story and even tried to get another director to make the film by approaching Bibhutibhushan Bandopadhyay鈥檚 wife. Ray didn鈥檛 give up and kept working,even though the budget was so small that his team even struggled to cover daily fares to Boral (village shown in film) to fare he given to landlord . They couldn鈥檛 afford subtitles and had to send the film to festivals without them. Still, the story spoke for itself and impressed people worldwide.
What touched me the most was how Ray remembered everyone who helped him, no matter how small their role was. From Bansi, the art director, to Anil Chatterjee, who supported the project, to Nicholson, who just gave him leaves at keymar and gave a job assurance while he was busy with filmmaking.Ray gave credit to all of them.
He remembered every detail, every name, and mentioned how each person contributed to his work.It shows how good his memory is, and how much he's still grateful to all of them.
Ray also worked with many inexperienced actors, like Karuna Banerjee, who played Sarbajaya. She had never acted before, yet her performance is remembered as one of the best portrayals of motherhood in Indian cinema. This shows how much trust Ray had in people and his ability to guide them to perform their best.
The book talks about many practical problems, like how they managed every rupee during the shoot and the effort behind difficult scenes like the pigeon shot in Aparajito. Ray found creative ways to solve problems and made the most out of what he had.
I almost cried when I read about Pather Panchali winning the Best Human Document award at Cannes, even beating a film by Akira Kurosawa. That was the moment when Manik Ray, the struggling filmmaker from Calcutta, truly became The Satyajit Ray, a name that would resonate across the globe. A film made with so many struggles and challenges getting such recognition felt so inspiring and emotional.
Ray鈥檚 story is a lesson for all of us who make excuses or wait for the right time. He showed that even with no money/resources , if you have dedication and passion, you can create something extraordinary. This book inspires me to work hard If The Satyajit Ray with so immense talent went through such hardships, who are we to procrastinate?
The book is more than a story 鈥攊t鈥檚 a journey of hard work, patience, and passion for filmmaking of a young lad Manik. From Satyajit Ray鈥檚 early days as a painter in Shantiniketan to his time at Keymer when he got job, meeting Renoir, forming the Calcutta Film Society, and eventually making Pather Panchali with storyboarding with paintings, the book gives a simple and honest account of his life.
The making of Pather Panchali was full of challenges. Producers rejected his story and even tried to get another director to make the film by approaching Bibhutibhushan Bandopadhyay鈥檚 wife. Ray didn鈥檛 give up and kept working,even though the budget was so small that his team even struggled to cover daily fares to Boral (village shown in film) to fare he given to landlord . They couldn鈥檛 afford subtitles and had to send the film to festivals without them. Still, the story spoke for itself and impressed people worldwide.
What touched me the most was how Ray remembered everyone who helped him, no matter how small their role was. From Bansi, the art director, to Anil Chatterjee, who supported the project, to Nicholson, who just gave him leaves at keymar and gave a job assurance while he was busy with filmmaking.Ray gave credit to all of them.
He remembered every detail, every name, and mentioned how each person contributed to his work.It shows how good his memory is, and how much he's still grateful to all of them.
Ray also worked with many inexperienced actors, like Karuna Banerjee, who played Sarbajaya. She had never acted before, yet her performance is remembered as one of the best portrayals of motherhood in Indian cinema. This shows how much trust Ray had in people and his ability to guide them to perform their best.
The book talks about many practical problems, like how they managed every rupee during the shoot and the effort behind difficult scenes like the pigeon shot in Aparajito. Ray found creative ways to solve problems and made the most out of what he had.
I almost cried when I read about Pather Panchali winning the Best Human Document award at Cannes, even beating a film by Akira Kurosawa. That was the moment when Manik Ray, the struggling filmmaker from Calcutta, truly became The Satyajit Ray, a name that would resonate across the globe. A film made with so many struggles and challenges getting such recognition felt so inspiring and emotional.
Ray鈥檚 story is a lesson for all of us who make excuses or wait for the right time. He showed that even with no money/resources , if you have dedication and passion, you can create something extraordinary. This book inspires me to work hard If The Satyajit Ray with so immense talent went through such hardships, who are we to procrastinate?
January 18, 2022
"My Years with Apu" is the 1st ever memoir I've ever read. It's by Satyajit Ray. This isn't about his whole life. This is about how he made the "Apu Trilogy" and how he gathered his interest around films.
I don't have any words for this novel. The writing style of Satyajit Ray is so simple yet charming. It's like i can literally, hear him narrating the story. I never read anything in English by him, but i'm so thankful, that i gave it a read.
Although he was unable to finish it by himself, when he was on his death bed the copy got stolen. So. Bijoya Devi his wife finished this novel.
This story has 8 parts.
1st is Flashback, where he elaborated his encounters with Nandalal Bose, his years in Shantinikaton and his childhood. And the legacy of his father.
(Side note:- i loved the English name of "Abol- Tabol" it's "Hocus-Pocus" and "Ha-ja-ba-ra-la" it's "Higgledy-Pigedy")
Thn in "Birth Pangs", "Fade-in Fade-out" , "Action at last" where we'll be able to see the birth of the 1st film "Pather Panchali" as well as Apu. And, his struggles. How he found Apun, his lack of money. Him collecting funds. And everything.
In the 5th chapter "The Aftermath" , we'll be witnessing the enormous success of "Pather Panchali".
Chapter 6 is my favorite "Picking up the threads" where he is making the 2nd film in Apun Trilogy "Aparajito", and what i love about this chapter is, he went back and forth to his diary and the current date. It's like same person, same issue but different perspective. It was beautiful.
In Chapter 7 "Through and Crests" he talked about the giant success of "Aparajito".
And finally in chapter 8 "Apu Redivivus" he talked about how he made "Apur Sansar" the 3rd film in "Apu Trilogy" and it was beautiful. He explained few scenes, and they were so beautiful. The "Hairpin scene" personally got me. And... Finally pack up.
This book has the voice of Satyajit Ray. And we'll able to see the beautiful yet extremely hard journey of Him making these films. I loved this book. And i'll always cherish the experience of me reading this book.
I don't have any words for this novel. The writing style of Satyajit Ray is so simple yet charming. It's like i can literally, hear him narrating the story. I never read anything in English by him, but i'm so thankful, that i gave it a read.
Although he was unable to finish it by himself, when he was on his death bed the copy got stolen. So. Bijoya Devi his wife finished this novel.
This story has 8 parts.
1st is Flashback, where he elaborated his encounters with Nandalal Bose, his years in Shantinikaton and his childhood. And the legacy of his father.
(Side note:- i loved the English name of "Abol- Tabol" it's "Hocus-Pocus" and "Ha-ja-ba-ra-la" it's "Higgledy-Pigedy")
Thn in "Birth Pangs", "Fade-in Fade-out" , "Action at last" where we'll be able to see the birth of the 1st film "Pather Panchali" as well as Apu. And, his struggles. How he found Apun, his lack of money. Him collecting funds. And everything.
In the 5th chapter "The Aftermath" , we'll be witnessing the enormous success of "Pather Panchali".
Chapter 6 is my favorite "Picking up the threads" where he is making the 2nd film in Apun Trilogy "Aparajito", and what i love about this chapter is, he went back and forth to his diary and the current date. It's like same person, same issue but different perspective. It was beautiful.
In Chapter 7 "Through and Crests" he talked about the giant success of "Aparajito".
And finally in chapter 8 "Apu Redivivus" he talked about how he made "Apur Sansar" the 3rd film in "Apu Trilogy" and it was beautiful. He explained few scenes, and they were so beautiful. The "Hairpin scene" personally got me. And... Finally pack up.
This book has the voice of Satyajit Ray. And we'll able to see the beautiful yet extremely hard journey of Him making these films. I loved this book. And i'll always cherish the experience of me reading this book.
May 29, 2024
's
My Years with Apu
tells the story behind the making of the Apu Trilogy - Pather Panchali (1955), Aparajito (1956), and Apur Sansar (1959). This book was reconstructed by Ray's wife, , from his initial draft copy when the actual draft got stolen while he was in a nursing home waiting for his final moments, fighting for his life. Ray has given a wonderful narration of his journey of making his initial films as an amateur, finally becoming a visionary and a pioneer of Indian cinema. The Apu Trilogy is actually based on the two novels -
and
by . I have read the Malayalam versions of these two novels years ago (啻触嗟囙导 啻淳啻炧祶啻氞淳啻侧纯 - 啻淳啻む疮嗟佮礋嗟� 啻膏磦啻椸祤啻む磦, 啻呧椽啻班淳啻溹纯啻む祷) and also have watched the movies Pather Panchali (1955), Aparajito (1956) and Apur Sansar (1959).
August 20, 2024
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鈻笍唳呧Μ唳多唳粪, 唳唳班 唳氞Σ唳氞唳氞唳む唳� 唳膏Ξ唰嵿Κ唳班唳曕 唳溹唳ㄠΔ唰� 唳氞唳� 唳む唳︵唳� 唳溹Θ唰嵿Ο 唳呧Μ唳多唳Κ唳距唰嵿Ο 唳忇 唳啷� 唳忇唳距Α唳监唳� 唳膏唳о唳班Γ 唳唳ㄠ唳粪唳班 唳Α唳监 唳夃唳苦Δ啷� 唳曕唳ㄠΘ唳� 唳呧Η唰嵿Ο唳Ω唳距Ο唳� 唳曕Δ唰� 唳︵唳班唳� 唳む 唳唳唰� 唳膏唳ㄠ唳︵Π 唳唳 唳夃唰� 唳忇Ω唰囙唰囙イ 唳夃Σ唰嵿Σ唰囙唰嵿Ο 唳, 唳唳熰 唳ㄠ唳曕 唳呧Θ唰佮Μ唳距Ζ啷� 唳嗋Ω唳� 唳囙唳班唳溹 唳唳粪唳 唳侧唳栢 唳灌Ο唳监唳涏啷� 唳曕唳ㄠ唳む 唳呧Θ唰佮Μ唳距Ζ 唳忇Δ唰� 唳︵唳班唳� 唳 唳Θ唰囙 唳灌Ο唳� 唳ㄠ 唳忇唳� 唳唰嵿唳距Θ唰佮Μ唳距Ζ啷� 唳Θ唰� 唳灌Ο唳监唳涏 唳呧Π唳苦唳苦Θ唳距Σ 唳Α唳监Δ唰囙唳苦イ 唳忇Δ唰嬥Ζ唳苦Θ 唳侧唳栢 唳膏Δ唰嵿Ο唳溹唳む唳� 唳膏唳ム 唳Π唳苦唳 唳涏唳侧, 唳嗋 唳氞Σ唳氞唳氞唳む唳� 唳ㄠ唳班唳唳む 唳膏Δ唰嵿Ο唳溹唰� 唳班唳唰囙Π 唳膏唳ム 唳Π唳苦唳 唳灌Ο唳监 唳椸唳侧啷�
August 31, 2022
Quite a beautiful written memoir, even though this wasn't the final draft (As Mrs. Ray wrote, the final draft of this book went "missing" within a few days of Mr. Ray's death). One wonders what additional moments we could have savoured if we weren't robbed of the final draft.
Also, mind you that this was a journal / diary and hence you so not expect too many explanations into the "workings of the mind". Nevertheless, this book is written in first-person voice, and hence one gets an undiluted peek into Mr. Ray's thoughts, work and an autobiography of his pre-Apu days.
Two specific feedback (which explains "4 stars" instead of "5 stars"):
1/ the translation could have been much better and it seems to me that the book's editors were rather hasty in publishing this, as the book has a sprinkle of typographical errors.
2/ In the copy that I got from Penguin Books (ISBN 978-0-140-24780-0), the photographs were quite dull which normally happens if the printer is short of ink. This prevents me from classifying this book as a collector's item.
Also, mind you that this was a journal / diary and hence you so not expect too many explanations into the "workings of the mind". Nevertheless, this book is written in first-person voice, and hence one gets an undiluted peek into Mr. Ray's thoughts, work and an autobiography of his pre-Apu days.
Two specific feedback (which explains "4 stars" instead of "5 stars"):
1/ the translation could have been much better and it seems to me that the book's editors were rather hasty in publishing this, as the book has a sprinkle of typographical errors.
2/ In the copy that I got from Penguin Books (ISBN 978-0-140-24780-0), the photographs were quite dull which normally happens if the printer is short of ink. This prevents me from classifying this book as a collector's item.
December 7, 2018
A lucid and captivating account of the journey of one of the greatest filmmakers of India, Satyajit Ray, from his creative desk at an advertising agency to the world of reels. Although developed from the notes of Manik babu(nickname of Satyajit Ray) by his wife, Mrs. Bijoya Ray, the memoir doesn't fail to capture the essence of his literary flavour (having read a number of his other works).
The memoir starts with a brief introduction of Manik babu's family and flows on to highlight his initial stint at an advertising agency to transforming his love for films, to a passion. It was no secret that Manik babu had to face innumerable impediments during the making of Pather Panchali, but the manner in which they are detailed out in this memoir makes you eager to learn more about the struggle. The spell-binding description of the shooting of the train scene, to finding the location for Nischindipur to his production woes, you get to live every moment of 'the making'. My only disappointment is that we could not get a more detailed account of his years of making Apur Sansar.
A note for the readers: Do watch the full Apu Trilogy before immersing yourselves into this beautiful journey of a visionary and his ageless classics.
The memoir starts with a brief introduction of Manik babu's family and flows on to highlight his initial stint at an advertising agency to transforming his love for films, to a passion. It was no secret that Manik babu had to face innumerable impediments during the making of Pather Panchali, but the manner in which they are detailed out in this memoir makes you eager to learn more about the struggle. The spell-binding description of the shooting of the train scene, to finding the location for Nischindipur to his production woes, you get to live every moment of 'the making'. My only disappointment is that we could not get a more detailed account of his years of making Apur Sansar.
A note for the readers: Do watch the full Apu Trilogy before immersing yourselves into this beautiful journey of a visionary and his ageless classics.
February 26, 2020
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October 8, 2023
Story behind the making of Apu triology ..(Pather Panjali, Aparajiho and Apur Sansar ) ...Like all filims of Ray these three are classics ... Sail through Bengal of 1950's ...Apart from filim maker Satyajit Ray was a writer of repute ... Generally regarded as India's greatest filim maker ever .....all his movies are worth watching if are into serious filims of national and international arena...
Sharmila tagore's and Soumitra Chatterji made their first appearence in Ray's Apur Sansar... Soumitra Chatterji went on to become the most sought after actor in Bengal, while Sharmila Tagore made an extremely successful career for herself in Bollywood....
Must read if u are a ray fan
Sharmila tagore's and Soumitra Chatterji made their first appearence in Ray's Apur Sansar... Soumitra Chatterji went on to become the most sought after actor in Bengal, while Sharmila Tagore made an extremely successful career for herself in Bollywood....
Must read if u are a ray fan
November 4, 2018
An exceptional book, authored by one of the greatest film makers of India. A language which is beautiful yet flowing, effortless. A presentation such that the whole era flashes in front of you, even if you have not seen the films. Such rich verbal imagery, it magically transforms you back in time.
Makes it plainly easy to understand how & why Mr. Ray became what he did. As also it goes to show what intense passion can help you achieve & how it overcomes all odds!!
Worth every word of the prose!
Makes it plainly easy to understand how & why Mr. Ray became what he did. As also it goes to show what intense passion can help you achieve & how it overcomes all odds!!
Worth every word of the prose!
July 15, 2020
First, I highly recommend the Apu Trilogy to all who haven鈥檛 seen it. and you must see it before reading this.
I adored this book and wish it had been three times as long. The memories recounted here are charming, moving, and sometimes hilarious. Because Ray is never seeking the audience鈥檚 approval and doesn鈥檛 need to self-aggrandize, his plainspoken descriptions of the long road to success mean we are always rooting for him. He has vision but no arrogance 鈥� which makes him a venerable artist.
I adored this book and wish it had been three times as long. The memories recounted here are charming, moving, and sometimes hilarious. Because Ray is never seeking the audience鈥檚 approval and doesn鈥檛 need to self-aggrandize, his plainspoken descriptions of the long road to success mean we are always rooting for him. He has vision but no arrogance 鈥� which makes him a venerable artist.
September 16, 2024
Interested to read about one of the great Indian directors to have existed. This book was a good start to understanding the genius.
The original manuscript of the story was lost for the book and was put together by his wife.
It is extremely well written to understand the movie making process of a time long faded.
Must read for anyone interested to know first Indian to get an Oscar and talented in so many facets.
The original manuscript of the story was lost for the book and was put together by his wife.
It is extremely well written to understand the movie making process of a time long faded.
Must read for anyone interested to know first Indian to get an Oscar and talented in so many facets.
May 22, 2021
Can we as viewers of Indian cinema have a greater fortune than to get to know the backstories and process behind the making of Apu Trilogy narrated in Satyajit Ray's words ? In my opinion, no. I haven't seen all 3 films. But I sure enjoyed the read.
* The book contains details of the plots of all 3 films, if one plans to watch the film, the book might prove to be a spoiler.
* The book contains details of the plots of all 3 films, if one plans to watch the film, the book might prove to be a spoiler.
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January 20, 2022Aww, this book is a precious gem that explores Ray's quintessential details of his journey while making "Apu's trilogy". The hurdles and tackles he faced while filming and how he managed to create the best works with his creative mind and calibre is narrated grippingly in this memoir. The book also makes you go down the lane and imagine the scenes whichever is is is described by the legend Ray.
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