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Corto Maltese #7
螝蠈蟻蟿慰 螠伪位蟿苇味蔚: 螔蔚谓蔚蟿蟽喂维谓喂魏慰 螤伪蟻伪渭蠉胃喂
螒谓维渭蔚蟽伪 蟽蟿慰蠀蟼 未伪喂未维位慰蠀蟼 蟿畏蟼 螔蔚谓蔚蟿委伪蟼, 蟽蔚 蟽蟿慰苇蟼 伪位位维 魏伪喂 蟽蔚 魏蟻蠀蠁维 渭苇蟻畏 魏蟻蠉尾蔚蟿伪喂 蟿慰 渭蠀蟽蟿喂魏蠈 蔚谓蠈蟼 蟺伪谓维蟻蠂伪喂慰蠀 蟽蟿慰喂蠂萎渭伪蟿慰蟼 渭蔚蟿伪尉蠉 蟿慰蠀 螒蟺慰蟽蟿蠈位慰蠀 螤苇蟿蟻慰蠀 魏伪喂 蟿慰蠀 危委渭蠅谓伪 蟿慰蠀 渭维纬慰蠀. 螣蟺慰喂慰蟼 蟿慰 伪谓伪魏伪位蠉蠄蔚喂 胃伪 伪蟺慰魏蟿萎蟽蔚喂 苇谓伪谓 伪蟺慰 蟿慰蠀蟼 胃畏蟽伪蠀蟻慰蠉蟼 蟿慰蠀 危慰位慰渭蠋谓蟿伪 魏伪喂 蟿畏蟼 尾伪蟽委位喂蟽伪蟼 蟿慰蠀 危伪尾维.螣 螝蠈蟻蟿慰 胃伪 蟺喂蟽蟿苇蠄蔚喂 蟿畏谓 喂蟽蟿慰蟻委伪 纬喂伪 伪位畏胃喂谓萎, 蔚委谓伪喂 蠈渭蠅蟼 苇蟿蟽喂 萎 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 苇谓伪 伪魏蠈渭伪 尾蔚谓蔚蟿蟽喂维谓喂魏慰 蟺伪蟻伪渭蠉胃喂;
74 pages, Paperback
First published January 1, 1977
20 people are currently reading
472 people want to read
About the author
Hugo Pratt
679听books405听followersHugo Pratt, born Ugo Eugenio Prat (1927鈥�1995), was an Italian comic book writer and artist. Internationally known for Corto Maltese, a series of adventure comics first published in Italy and France between 1967 and 1991, Pratt is regarded as a pioneer of the literary graphic novel.
Born in Rimini, Italy, Pratt spent his childhood in Venice in a cosmopolitan family environment. In 1937, ten-years old Hugo moved with his parents to Ethiopia, East Africa, following the Italian occupation of the country. Pratt's father eventually died as a prisoner of war in 1942. Hugo himself and his mother spent some time in a British prison camp in Africa, before being sent back to Venice. This childhood experiences shaped Pratt's fascination with military uniforms, machineries and settings, a visual constant in most of his adult works.
As a young artist in post-war Italy, Pratt was part of the so-called 'Venice Group', which also included cartoonists Alberto Ongaro, Mario Faustinelli. Their magazine Asso di Picche, launched in 1945, mostly featured adventure comics.
In 1949 Pratt moved to Buenos Aires, Argentina, where he worked for various local publishers and interacted with well-known Argentine cartoonists, most notably Alberto Breccia and Solano L贸pez, while also teaching at the Escuela Panamericana de Arte. During this period he produced his first notable comic books: Sgt. Kirk and Ernie Pike, written by H茅ctor Germ谩n Oesterheld; Anna nella jungla, Capitan Cormorant and Wheeling, as a complete author.
From the summer of 1959 to the summer of 1960, Pratt lived in London drawing war comics by British scriptwriters for Fleetway Publications. He returned to Argentina for a couple more years, then moved back to Italy in 1962. Here he started collaborating with the comics magazine Il Corriere dei Piccoli, for which he adapted several classics, including works by Robert Louis Stevenson.
In 1967, Hugo Pratt and entrepreneur Florenzo Ivaldi created the comics magazine Il Sergente Kirk, named after one of Pratt's original characters. Pratt's most famous work, Una ballata del mare salato (1967, The Ballad of the Salty Sea) was serialised in the pages of this magazine. The story can be seen as one of the first modern graphic novels. It also introduced Pratt's best known character, mariner and adventurer Corto Maltese. Corto became the protagonist of its own series three years later in the French comics magazine Pif gadget. Pratt would continue releasing new Corto Maltese books every few years until 1991. Corto's stories are set in various parts of the world, in a given moment in the first three decades of the 20th century. They often tangently deal with real historical events or real historical figures. The series gave Pratt international notoriety, being eventually translated into fifteen languages.
Pratt's other works include Gli scorpioni del deserto (1969-1992), a series of military adventures set in East Africa during WWII, and a few one-shots published for Bonelli's comic magazine Un Uomo Un'Avventura ('One Man One Adventure'), most notably the short story Jesuit Joe (1980, The Man from the Great North). He also scripted a couple of stories for his pupil Milo Manara.
Pratt lived in France from 1970 to 1984, then in Switzerland till his death from bowel cancer in 1995.
Born in Rimini, Italy, Pratt spent his childhood in Venice in a cosmopolitan family environment. In 1937, ten-years old Hugo moved with his parents to Ethiopia, East Africa, following the Italian occupation of the country. Pratt's father eventually died as a prisoner of war in 1942. Hugo himself and his mother spent some time in a British prison camp in Africa, before being sent back to Venice. This childhood experiences shaped Pratt's fascination with military uniforms, machineries and settings, a visual constant in most of his adult works.
As a young artist in post-war Italy, Pratt was part of the so-called 'Venice Group', which also included cartoonists Alberto Ongaro, Mario Faustinelli. Their magazine Asso di Picche, launched in 1945, mostly featured adventure comics.
In 1949 Pratt moved to Buenos Aires, Argentina, where he worked for various local publishers and interacted with well-known Argentine cartoonists, most notably Alberto Breccia and Solano L贸pez, while also teaching at the Escuela Panamericana de Arte. During this period he produced his first notable comic books: Sgt. Kirk and Ernie Pike, written by H茅ctor Germ谩n Oesterheld; Anna nella jungla, Capitan Cormorant and Wheeling, as a complete author.
From the summer of 1959 to the summer of 1960, Pratt lived in London drawing war comics by British scriptwriters for Fleetway Publications. He returned to Argentina for a couple more years, then moved back to Italy in 1962. Here he started collaborating with the comics magazine Il Corriere dei Piccoli, for which he adapted several classics, including works by Robert Louis Stevenson.
In 1967, Hugo Pratt and entrepreneur Florenzo Ivaldi created the comics magazine Il Sergente Kirk, named after one of Pratt's original characters. Pratt's most famous work, Una ballata del mare salato (1967, The Ballad of the Salty Sea) was serialised in the pages of this magazine. The story can be seen as one of the first modern graphic novels. It also introduced Pratt's best known character, mariner and adventurer Corto Maltese. Corto became the protagonist of its own series three years later in the French comics magazine Pif gadget. Pratt would continue releasing new Corto Maltese books every few years until 1991. Corto's stories are set in various parts of the world, in a given moment in the first three decades of the 20th century. They often tangently deal with real historical events or real historical figures. The series gave Pratt international notoriety, being eventually translated into fifteen languages.
Pratt's other works include Gli scorpioni del deserto (1969-1992), a series of military adventures set in East Africa during WWII, and a few one-shots published for Bonelli's comic magazine Un Uomo Un'Avventura ('One Man One Adventure'), most notably the short story Jesuit Joe (1980, The Man from the Great North). He also scripted a couple of stories for his pupil Milo Manara.
Pratt lived in France from 1970 to 1984, then in Switzerland till his death from bowel cancer in 1995.
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Displaying 1 - 30 of 92 reviews
November 27, 2019
After , this is my favorite Corto story. In a city built by poets rather than architects and with a myriad of intrigues and small romances, the artwork and narrative takes us through a Venise which even now drowns in its own history.
October 18, 2020
鈥淐ado spesso un poco dalle nuvole鈥�
Corto, nella Favola di Venezia, arriva per la terza volta a Venezia, incontra Hipazia e va alla ricerca di una clavicola di Salomone.
Ne L鈥檃ngelo della finestra d鈥橭riente, un padre francescano consegna a Corto la mappa del mitico Eldorado, rozzamente disegnata sulla pelle di un confratello, scuoiato nel 1750 dagli indios jivaro huambiza dell鈥檃lto Mara帽on.
Il fascino della Venezia reale e di quella immaginifica di Corto.
Il confine tra sogno e realt脿, sottilissimo esso 猫...
Corto, nella Favola di Venezia, arriva per la terza volta a Venezia, incontra Hipazia e va alla ricerca di una clavicola di Salomone.
Ne L鈥檃ngelo della finestra d鈥橭riente, un padre francescano consegna a Corto la mappa del mitico Eldorado, rozzamente disegnata sulla pelle di un confratello, scuoiato nel 1750 dagli indios jivaro huambiza dell鈥檃lto Mara帽on.
Il fascino della Venezia reale e di quella immaginifica di Corto.
Il confine tra sogno e realt脿, sottilissimo esso 猫...
August 11, 2020
When I was a little kiddo I loved reading Corto Maltese comic books. I still love reading them and this is the best of the series.
September 30, 2011
I've never read "Fable of Venice." This review is of a different book, not listed anywhere on the 欧宝娱乐 site. But if you ever go to Venice, I urge you to meet me first; I will hand this other book to you. kate and I planned three days there this year; at the end of each we looked at each other and said "just one more day." Yes, the city. But really, because we were hooked on this book, which became the city for us. It's a sort of imaginary guide book, a treasure map with no destination, one of journeying -- in *the* most magical city we have to explore on our planet.
The book is called "The Secret Venice of Corto Maltese" by Hugo Pratt. I plan to adapt this concept to produce a series of fantastical e-guides for children (different guides will be produced for kids of different ages as my children get older) on a point system that rewards curiosity and discovery and wandering. And the inspiration came from this magical book of "fantastic and hidden itineraries" in which you trace the steps of the fictitious Corto Maltese, or at least the whiffs of stories people tell who saw him, knew him, claimed to have loved him; rumors and hints about his days here guide you around. Above all, though tangentially, surreptitiously, adventitiously, this is a culinary guide through the city's osterias. (!Yes!) Aren't the best things the ones that are continually surprising?
The book is called "The Secret Venice of Corto Maltese" by Hugo Pratt. I plan to adapt this concept to produce a series of fantastical e-guides for children (different guides will be produced for kids of different ages as my children get older) on a point system that rewards curiosity and discovery and wandering. And the inspiration came from this magical book of "fantastic and hidden itineraries" in which you trace the steps of the fictitious Corto Maltese, or at least the whiffs of stories people tell who saw him, knew him, claimed to have loved him; rumors and hints about his days here guide you around. Above all, though tangentially, surreptitiously, adventitiously, this is a culinary guide through the city's osterias. (!Yes!) Aren't the best things the ones that are continually surprising?
April 14, 2015
Venice is a black book, an alchemical treaty, an athanor. Corto course the city. It is a search. He seeks the clavicle of Solomon, a mythical object for the freemasons. Of course he will not find it. but that does not have any importance.
"Point n'est besoin d'esp茅rer pour entreprendre, ni de r茅ussir pour pers茅v茅rer" Guillaume I掳 Orange
(No need to hope in order to undertake, nor to succeed in order to persevere)
"Point n'est besoin d'esp茅rer pour entreprendre, ni de r茅ussir pour pers茅v茅rer" Guillaume I掳 Orange
(No need to hope in order to undertake, nor to succeed in order to persevere)
June 18, 2024
Stupendo, teatrale, leggetelo lo amerete.
"Perch茅 tua madre ha una gamba d'argento?"
"脠 una storia d'amore. Mia madre prima di incontrare un suo spasimante battitore di rame aveva una gamba di legno."
"Perch茅 tua madre ha una gamba d'argento?"
"脠 una storia d'amore. Mia madre prima di incontrare un suo spasimante battitore di rame aveva una gamba di legno."
March 14, 2018
O livro come莽a com uma pequena introdu莽茫o onde se discorre sobre uma av么 em Veneza que levaria o neto a visitar uma amiga. A casa desta amiga seria uma esp茅cie de labirinto, constru铆do como resultado do cruzamento de v谩rias cren莽as e mitos, religi玫es e culturas, numa sucess茫o de enigmas cab谩licos e obscuros 鈥� um lugar m谩gico que alimenta a imagina莽茫o da crian莽a e, mais tarde, do homem.
Neste F谩bula de Veneza Corto Maltese explora a cidade em busca de uma pedra rara numa aventura carregada de refer锚ncias 脿 experi锚ncia infantil do autor. A aventura come莽a com a interrup莽茫o de um encontro ma莽贸nico, onde Corto Maltese cai do telhado. Entre amigos de interesses diversos (e opostos), vai seguindo as pistas de um enigma imposs铆vel deixado por um antigo e louco poeta.
Se outros encontram, nas refer锚ncias do poema chave, um intrincado obscuro de palavras, Corto desembrulha-as sem grande dificuldade, entrela莽ando lendas e culturas, e encontrando, na pr贸pria cidade os pontos associados 脿s pistas. A pesquisa 茅 carregada dos usuais sobressaltos 鈥� n茫o falta uma apari莽茫o de Rasputine, mulheres bel铆ssimas que se revelam vil茫s ou conhecidos que enlouquecem por amor ou por dinheiro. Todos estes elementos s茫o comuns a outras hist贸rias de Corto Maltese e voltam a ser usados aqui, eficazmente.
Mais curta que as hist贸rias que li antes deste volume, F谩bula de Veneza sabe a pouco, deixando alguns mist茅rios por resolver e possuindo um final que n茫o me foi totalmente satisfat贸rio. Claro que, sendo Corto Maltese estamos a falar de um volume de qualidade bastante acima da m茅dia, que fascina pelas refer锚ncias hist贸ricas e culturais, sobretudo quando toca nas hist贸rias de tesouros perdidos e antigas apostas milion谩rias entre personalidades divergentes.
June 11, 2019
Secondo me non uno dei migliori episodi di Corto Maltese, ma comunque godibile.
September 15, 2020
H谩 30 anos gostei mais.
July 11, 2017
Santos da casa n茫o fazem milagres mas imagino que, h谩 50 anos atr谩s, todo o mundo do cartoon europeu que conhecesse Hugo Pratt e o seu marinheiro, j谩 tivesse enviado uma carta ao autor a pedir uma aventura com Veneza como pano de fundo. Uma Veneza que eu adoraria explorar (mesmo que tamb茅m tivesse de cair do telhado das casas algumas vezes).
A clav铆cula de Salom茫o, que inclui uma cobi莽ada esmeralda, serve como objetivo do her贸i, "desafiado" por um falecido escritor ingl锚s. Numa It谩lia de Mussolini, numa Veneza de ma莽ons, judeus e reminisc锚ncias 谩rabes e gregas, o protagonista enamora-se da cidade e do mist茅rio que pretende resolver. Mist茅rio que visa dar tributo a uma cidade-estado com uma hist贸ria de com茅rcio, interc芒mbio cultural e pilhagens com 1500 anos de hist贸ria, que a tornou (n茫o por estas raz玫es, infelizmente) num formigueiro de turistas.
A clav铆cula de Salom茫o, que inclui uma cobi莽ada esmeralda, serve como objetivo do her贸i, "desafiado" por um falecido escritor ingl锚s. Numa It谩lia de Mussolini, numa Veneza de ma莽ons, judeus e reminisc锚ncias 谩rabes e gregas, o protagonista enamora-se da cidade e do mist茅rio que pretende resolver. Mist茅rio que visa dar tributo a uma cidade-estado com uma hist贸ria de com茅rcio, interc芒mbio cultural e pilhagens com 1500 anos de hist贸ria, que a tornou (n茫o por estas raz玫es, infelizmente) num formigueiro de turistas.
June 19, 2017
韦慰 "螔蔚谓蔚蟿蟽喂维谓喂魏慰 螤伪蟻伪渭蠉胃喂" 蔚委谓伪喂 畏 蟿蟻委蟿畏 喂蟽蟿慰蟻委伪 螝蠈蟻蟿慰 蟺慰蠀 未喂伪尾维味蠅 渭蔚蟿维 蟿畏谓 螠蟺伪位维谓蟿伪 魏伪喂 蟿畏谓 螝蟻蠀蠁萎 伪蠀位萎. 螝伪蟿维蠁蔚蟻蔚 蟽蔚 渭委伪 未喂魏萎 渭慰蠀 魏伪蟿维蟿伪尉畏 蟿蠅谓 维位渭蟺慰蠀渭 谓伪 渭蟺蔚喂 蔚渭尾蠈位喂渭伪 渭蔚蟿伪尉蠉 蟿蠅谓 未蠉慰 渭蔚 委蟽畏 伪蟺蠈蟽蟿伪蟽畏 渭蔚蟿伪尉蠉 蟿慰蠀蟼. 螇蟿伪谓 蟺喂慰 蟺蟻慰蟽蔚纬渭苇谓慰 蟽蠂蔚未喂伪蟽蟿喂魏维/蟽蔚谓伪蟻喂伪魏维 伪蟺蠈 蟿畏谓 螠蟺伪位维谓蟿伪 畏 慰蟺慰委伪 蟺蔚蟻谓维蔚喂 3畏 伪位位维 蟿伪蠀蟿蠈蠂蟻慰谓伪 蟺喂慰 伪蟺蟻慰蟽未喂蠈蟻喂蟽蟿慰 魏伪喂 伪苇蟻喂慰 伪蟺蠈 蟿畏谓 螝蟻蠀蠁萎 伪蠀位萎 蟿慰蠀 渭蠀蟽蟿畏蟻委慰蠀.
螠蔚 蟿畏谓 位苇尉畏 伪蟺蟻慰蟽未喂蠈蟻喂蟽蟿慰 蟿蔚委谓蠅 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 蟺蟻慰蟼 蟿慰 伪蟽蠀谓蔚蠂苇蟼 蟺伪蟻维 蟺蟻慰蟼 蟿慰 伪蟽伪蠁苇蟼. 螘喂未喂魏维 蟺蟻慰蟼 蟿慰 蟿苇位慰蟼 蟺慰蠀 伪谓伪魏伪位蠉蠁胃畏魏蔚 蟿慰 魏蠈位蟺慰 蟿慰蠀 螔伪蟻蠋谓慰蠀 魏伪喂 慰喂 蠂伪蟻伪魏蟿萎蟻蔚蟼 蟽伪谓 维位位慰喂 畏胃慰蟺慰喂慰委 胃蔚维蟿蟻慰蠀 蠀蟺慰魏位委胃畏魏伪谓 蟽蟿畏 蟽魏畏谓萎, 渭蔚 维蠁畏蟽蔚 位委纬慰 渭蟺蔚蟻未蔚渭苇谓慰 蠅蟼 蟺蟻慰蟼 蟿畏谓 伪位位畏纬慰蟻委伪 蟺慰蠀 魏蟻蠉尾蔚蟿伪喂 伪蟺蠈 蟺委蟽蠅. 螇 蟺慰位蠉 伪蟺位维 慰 螤蟻伪蟿蟿 萎胃蔚位蔚 谓伪 魏伪蟿伪蟽蟿萎蟽蔚喂 蟽伪蠁萎 蟿畏谓 渭伪蟿伪喂蠈蟿畏蟿伪 渭喂伪蟼 蟿蠈蟽慰 伪魏蟻伪委伪蟼 伪谓伪味萎蟿畏蟽畏蟼 魏伪喂 萎胃蔚位蔚 谓伪 蟿畏谓 蟺伪蟻慰渭慰喂维蟽蔚喂 渭蔚 渭喂伪 蠀蟺慰魏蟻喂蟿喂魏萎 蟺伪蟻维蟽蟿伪蟽畏.
螘谓 蟺维蟽畏 蟺蔚蟻喂蟺蟿蠋蟽蔚喂 慰 螝蠈蟻蟿慰 蟽蔚 伪蠀蟿萎 蟿畏谓 蟺蔚蟻喂蟺苇蟿蔚喂伪 尉蔚未喂蟺位蠋谓蔚喂 苇谓伪 伪魏蠈渭伪 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏蠈 蟿慰蠀: 危蟿慰 蟿苇位慰蟼 蟿畏蟼 畏渭苇蟻伪蟼 未蔚谓 蟿慰谓 蔚谓未喂伪蠁苇蟻蔚喂 蟿慰 尾蟻伪尾蔚委慰 伪位位维 慰 伪纬蠋谓伪蟼 渭苇蠂蟻喂 谓伪 蟿慰 蠁蟿维蟽蔚喂. 螣 蟿蠉蟺慰蟼 味蔚喂 蟿畏谓 蟽蟿喂纬渭萎 魏伪喂 纬慰蠀蟽蟿维蟻蔚喂 蠂蠅蟻委蟼 谓伪 未委谓蔚喂 未蔚魏维蟻伪 伪谓 蔚谓 蟿苇位蔚喂 苇蠂蔚喂 魏伪谓苇谓伪 谓蠈畏渭伪 蠈位慰 伪蠀蟿蠈. 螝伪喂 渭蔚喂蟼 纬慰蠀蟽蟿维蟻慰蠀渭蔚 渭伪味委 蟿慰蠀.
危蠀谓慰位喂魏维 苇谓伪 蟺慰位蠉 喂魏伪谓慰蟺慰喂畏蟿喂魏蠈 维位渭蟺慰蠀渭 伪位位维 伪喂蟽胃维谓慰渭伪喂 蠈蟿喂 蠂维谓蔚喂 渭蔚蟻喂魏维 魏位喂魏 伪蟺蠈 蟿畏谓 渭苇蠂蟻喂 蟽蟿喂纬渭萎蟼 蟺蟻蠋蟿畏 渭蔚 未喂伪蠁慰蟻维 "危喂尾畏蟻喂魏萎 蟺蔚蟻喂蟺苇蟿蔚喂伪". 螒谓伪蟻蠅蟿喂苇渭伪喂 蟺蠈蟽慰 蔚蠉魏慰位伪 蟿慰蠀 未蠈胃畏魏伪谓 慰喂 蟺位畏蟻慰蠁慰蟻委蔚蟼 纬喂伪 蟿喂蟼 位蔚喂蟿慰蠀蟻纬委蔚蟼 蟿蠅谓 蟽蠀谓蔚未蟻喂维蟽蔚蠅谓 蟿蠅谓 蟽蟿慰蠋谓. 螚 蟺苇谓伪 蟿慰蠀 螤蟻伪蟿蟿 蔚未蠋 苇蠂蔚喂 蟺维蟻蔚喂 蠁蠅蟿喂维 魏伪喂 蟿慰 蟽蠂苇未喂慰 蟺蔚蟿维蔚喂 蟽蔚 维位位伪 蠉蠄畏.
螠蔚 蟿畏谓 位苇尉畏 伪蟺蟻慰蟽未喂蠈蟻喂蟽蟿慰 蟿蔚委谓蠅 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 蟺蟻慰蟼 蟿慰 伪蟽蠀谓蔚蠂苇蟼 蟺伪蟻维 蟺蟻慰蟼 蟿慰 伪蟽伪蠁苇蟼. 螘喂未喂魏维 蟺蟻慰蟼 蟿慰 蟿苇位慰蟼 蟺慰蠀 伪谓伪魏伪位蠉蠁胃畏魏蔚 蟿慰 魏蠈位蟺慰 蟿慰蠀 螔伪蟻蠋谓慰蠀 魏伪喂 慰喂 蠂伪蟻伪魏蟿萎蟻蔚蟼 蟽伪谓 维位位慰喂 畏胃慰蟺慰喂慰委 胃蔚维蟿蟻慰蠀 蠀蟺慰魏位委胃畏魏伪谓 蟽蟿畏 蟽魏畏谓萎, 渭蔚 维蠁畏蟽蔚 位委纬慰 渭蟺蔚蟻未蔚渭苇谓慰 蠅蟼 蟺蟻慰蟼 蟿畏谓 伪位位畏纬慰蟻委伪 蟺慰蠀 魏蟻蠉尾蔚蟿伪喂 伪蟺蠈 蟺委蟽蠅. 螇 蟺慰位蠉 伪蟺位维 慰 螤蟻伪蟿蟿 萎胃蔚位蔚 谓伪 魏伪蟿伪蟽蟿萎蟽蔚喂 蟽伪蠁萎 蟿畏谓 渭伪蟿伪喂蠈蟿畏蟿伪 渭喂伪蟼 蟿蠈蟽慰 伪魏蟻伪委伪蟼 伪谓伪味萎蟿畏蟽畏蟼 魏伪喂 萎胃蔚位蔚 谓伪 蟿畏谓 蟺伪蟻慰渭慰喂维蟽蔚喂 渭蔚 渭喂伪 蠀蟺慰魏蟻喂蟿喂魏萎 蟺伪蟻维蟽蟿伪蟽畏.
螘谓 蟺维蟽畏 蟺蔚蟻喂蟺蟿蠋蟽蔚喂 慰 螝蠈蟻蟿慰 蟽蔚 伪蠀蟿萎 蟿畏谓 蟺蔚蟻喂蟺苇蟿蔚喂伪 尉蔚未喂蟺位蠋谓蔚喂 苇谓伪 伪魏蠈渭伪 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏蠈 蟿慰蠀: 危蟿慰 蟿苇位慰蟼 蟿畏蟼 畏渭苇蟻伪蟼 未蔚谓 蟿慰谓 蔚谓未喂伪蠁苇蟻蔚喂 蟿慰 尾蟻伪尾蔚委慰 伪位位维 慰 伪纬蠋谓伪蟼 渭苇蠂蟻喂 谓伪 蟿慰 蠁蟿维蟽蔚喂. 螣 蟿蠉蟺慰蟼 味蔚喂 蟿畏谓 蟽蟿喂纬渭萎 魏伪喂 纬慰蠀蟽蟿维蟻蔚喂 蠂蠅蟻委蟼 谓伪 未委谓蔚喂 未蔚魏维蟻伪 伪谓 蔚谓 蟿苇位蔚喂 苇蠂蔚喂 魏伪谓苇谓伪 谓蠈畏渭伪 蠈位慰 伪蠀蟿蠈. 螝伪喂 渭蔚喂蟼 纬慰蠀蟽蟿维蟻慰蠀渭蔚 渭伪味委 蟿慰蠀.
危蠀谓慰位喂魏维 苇谓伪 蟺慰位蠉 喂魏伪谓慰蟺慰喂畏蟿喂魏蠈 维位渭蟺慰蠀渭 伪位位维 伪喂蟽胃维谓慰渭伪喂 蠈蟿喂 蠂维谓蔚喂 渭蔚蟻喂魏维 魏位喂魏 伪蟺蠈 蟿畏谓 渭苇蠂蟻喂 蟽蟿喂纬渭萎蟼 蟺蟻蠋蟿畏 渭蔚 未喂伪蠁慰蟻维 "危喂尾畏蟻喂魏萎 蟺蔚蟻喂蟺苇蟿蔚喂伪". 螒谓伪蟻蠅蟿喂苇渭伪喂 蟺蠈蟽慰 蔚蠉魏慰位伪 蟿慰蠀 未蠈胃畏魏伪谓 慰喂 蟺位畏蟻慰蠁慰蟻委蔚蟼 纬喂伪 蟿喂蟼 位蔚喂蟿慰蠀蟻纬委蔚蟼 蟿蠅谓 蟽蠀谓蔚未蟻喂维蟽蔚蠅谓 蟿蠅谓 蟽蟿慰蠋谓. 螚 蟺苇谓伪 蟿慰蠀 螤蟻伪蟿蟿 蔚未蠋 苇蠂蔚喂 蟺维蟻蔚喂 蠁蠅蟿喂维 魏伪喂 蟿慰 蟽蠂苇未喂慰 蟺蔚蟿维蔚喂 蟽蔚 维位位伪 蠉蠄畏.
April 20, 2020
Review 纬喂伪 蟿畏谓 苇魏未慰蟽畏 蟿慰蠀 螠喂魏蟻慰蠉 螇蟻蠅伪:
螒苇蟻喂谓慰, 蠈渭慰蟻蠁慰, 胃蔚伪蟿蟻喂魏蠈 魏伪喂 蟽蠀谓维渭伪 蠈,蟿喂 魏伪位蠉蟿蔚蟻慰 苇蠂蠅 未喂伪尾维蟽蔚喂 伪蟺蠈 螝蠈蟻蟿慰 渭苇蠂蟻喂 蟽蟿喂纬渭萎蟼. 螌渭蠅蟼, 蟺伪蟻伪渭苇谓蔚喂 蟺蟻慰尾位畏渭伪蟿喂魏蠈 蟽蔚 蠈,蟿喂 伪蠁慰蟻维 蟿畏 蟻慰萎, 伪位位维 慰魏, 蔚委谓伪喂 蟿慰蠀位维蠂喂蟽蟿慰谓 蟿喂蟿位慰蠁慰蟻畏渭苇谓慰 "螤伪蟻伪渭蠉胃喂", 慰蟺蠈蟿蔚 伪蠀蟿蠈 未喂魏伪喂慰位慰纬蔚委 蟿慰 蟺慰位位维魏喂蟼 蟽蟺维蟽喂渭慰 蟿慰蠀 4th wall, 伪谓 魏伪喂 渭蔚 伪尉喂慰蟺蔚蟻委蔚蟻纬慰 蟿蟻蠈蟺慰 蟺维谓蟿伪.
螠维位位慰谓 未蔚谓 蔚委谓伪喂 慰 螝蠈蟻蟿慰 纬喂伪 渭苇谓伪 蟿蔚位喂魏维, 魏伪胃蠋蟼 慰蠉蟿蔚 畏 螠蟺伪位维谓蟿伪 渭蔚 蔚谓胃慰蠀蟽委伪蟽蔚... 韦慰 螝蠈蟻蟿慰 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蔚委谓伪喂 魏伪喂 noir 魏伪喂 蟿伪尉喂未喂维蟻喂魏慰 魏伪喂 蟽慰蠀蟻蔚伪位喂蟽蟿喂魏蠈 魏伪喂 蟿慰 伪蟺慰蟿苇位蔚蟽渭伪 蔚委谓伪喂 伪蟺位维 蟺蔚蟻委蔚蟻纬慰.
螒蟺慰渭苇谓蔚喂 畏 危伪渭伪蟻魏维谓未畏...
螒苇蟻喂谓慰, 蠈渭慰蟻蠁慰, 胃蔚伪蟿蟻喂魏蠈 魏伪喂 蟽蠀谓维渭伪 蠈,蟿喂 魏伪位蠉蟿蔚蟻慰 苇蠂蠅 未喂伪尾维蟽蔚喂 伪蟺蠈 螝蠈蟻蟿慰 渭苇蠂蟻喂 蟽蟿喂纬渭萎蟼. 螌渭蠅蟼, 蟺伪蟻伪渭苇谓蔚喂 蟺蟻慰尾位畏渭伪蟿喂魏蠈 蟽蔚 蠈,蟿喂 伪蠁慰蟻维 蟿畏 蟻慰萎, 伪位位维 慰魏, 蔚委谓伪喂 蟿慰蠀位维蠂喂蟽蟿慰谓 蟿喂蟿位慰蠁慰蟻畏渭苇谓慰 "螤伪蟻伪渭蠉胃喂", 慰蟺蠈蟿蔚 伪蠀蟿蠈 未喂魏伪喂慰位慰纬蔚委 蟿慰 蟺慰位位维魏喂蟼 蟽蟺维蟽喂渭慰 蟿慰蠀 4th wall, 伪谓 魏伪喂 渭蔚 伪尉喂慰蟺蔚蟻委蔚蟻纬慰 蟿蟻蠈蟺慰 蟺维谓蟿伪.
螠维位位慰谓 未蔚谓 蔚委谓伪喂 慰 螝蠈蟻蟿慰 纬喂伪 渭苇谓伪 蟿蔚位喂魏维, 魏伪胃蠋蟼 慰蠉蟿蔚 畏 螠蟺伪位维谓蟿伪 渭蔚 蔚谓胃慰蠀蟽委伪蟽蔚... 韦慰 螝蠈蟻蟿慰 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蔚委谓伪喂 魏伪喂 noir 魏伪喂 蟿伪尉喂未喂维蟻喂魏慰 魏伪喂 蟽慰蠀蟻蔚伪位喂蟽蟿喂魏蠈 魏伪喂 蟿慰 伪蟺慰蟿苇位蔚蟽渭伪 蔚委谓伪喂 伪蟺位维 蟺蔚蟻委蔚蟻纬慰.
螒蟺慰渭苇谓蔚喂 畏 危伪渭伪蟻魏维谓未畏...
April 12, 2019
The slimmest of the volumes I've red so far, and the most disappointing. It has all the Hallmarks of the other Corto tales, but the parts don't fit together well. To many non-sequiturs and (I find it hard to believe I'm typing this) to many digressions into obscure nooks of history distract from the tale and make it a disappointing read.
June 12, 2023
Mais uma divertida aventura de Corto Maltese, com Hugo Pratt no seu melhor: no relato das lendas, na mistura entre os sonhos e a ca莽a ao tesouro, e no magn铆fico leque de personagens que se cruzam com o protagonista.
August 22, 2017
Una de las historias del Corto Malt茅s que m谩s me gustan. Esta y la del sue帽o de una noche de verano... y la del Bar贸n Rojo y...
Un placer volver a visitar Venecia de la mano de Pratt.
Un placer volver a visitar Venecia de la mano de Pratt.
April 4, 2021
Mi sono innamorata.
January 9, 2023
袩芯褋谢械 薪械锌褉懈泻芯褋薪芯胁械薪械 "袘邪谢邪写械" 芯胁芯 褬械 屑芯卸写邪 懈 薪邪褬斜芯褭邪 锌褉懈褔邪 芯 袣芯褉褌褍. 袩芯褌褉邪谐邪 蟹邪 小芯谢芯屑芯薪芯胁懈屑 泻褭褍褔械屑, 谢械谐械薪写械, 蟹邪谐芯薪械褌泻械, 褌邪褬薪邪 写褉褍褕褌胁邪, 屑懈褋褌械褉懈芯蟹薪械 卸械薪械 懈 锌褉械写懈胁薪邪 袩褉邪褌芯胁邪 锌芯械褌懈泻邪 褍 写懈褬邪谢芯蟹懈屑邪 懈 褋褌懈谢懈蟹芯胁邪薪芯屑 褑褉褌械卸褍. 袧械泻邪 屑械褋褌邪 薪邪 锌邪褉 锌芯褋谢械写褮懈褏 褌邪斜谢懈 屑懈 褋械 薪懈褋褍 褌芯谢懈泻芯 褋胁懈写械谢邪, 邪谢懈 屑械 褬械 锌芯褋谢械写褮邪 胁懈褮械褌邪 芯写褍褕械胁懈谢邪. 袩褉邪胁芯 褬械 褍卸懈胁邪褮械 泻芯薪蟹褍屑懈褉邪褌懈 褋薪芯胁懈褌芯褋褌 泻芯褬褍 袩褉邪褌 锌褉械薪械褋械 薪邪 锌邪锌懈褉.
June 29, 2023
Budu za barbara, ale kultovn铆 Corto mi p艡i拧lo d臎sn臎 nudn茅 a hloup茅. Chce to b媒t dobrodru啪n谩 honba za pokladem al谩 TinTin nebo Ka膷e艡i, ale ve v媒sledku jen postavy pob铆haj铆 po Ben谩tk谩ch a po艡谩d dokola opakuj铆 ty stejn茅 v臎ci.
August 30, 2021
2.5/5.0
November 27, 2017
Another classic Corto Maltese story, this time set in Venice (again) as Corto has to solve a mystery involving the freemasons and ancient history. Love this IDW series. Top notch reproduction here.
December 21, 2021
慰 螝蠈蟻蟿慰 螠伪位蟿苇味蔚, 苇谓伪蟼 蠁伪蟽委蟽蟿伪蟼, 慰蟻喂蟽渭苇谓慰喂 渭伪蟽蠈谓慰喂, 苇谓伪蟼 蔚纬纬位苇味慰蟼 位慰纬慰蟿苇蠂谓畏蟼, 蟽' 苇谓伪 尾蔚谓蔚蟿蟽喂维谓喂魏慰 伪谓伪蟿慰位委蟿喂魏慰 蟺伪蟻伪渭蠉胃喂, 渭蔚 尾蔚谓蔚蟿蟽喂维谓慰蠀蟼, 维蟻伪尾蔚蟼, 蔚尾蟻伪委慰蠀蟼, 尾蠀味伪谓蟿喂谓慰蠉蟼, 尾伪蟻维纬纬慰蠀蟼. 螘魏蟺位畏魏蟿喂魏维 蟽蠂苇未喂伪 蟽蔚 渭喂伪 蟺慰位蠉 伪谓伪魏伪蟿蔚渭苇谓畏 魏伪喂 蟺蔚蟻委蟺位慰魏畏 喂蟽蟿慰蟻委伪 蟺慰蠀 未委谓蔚喂 魏伪喂 渭喂伪 维位位畏 蠈蠄畏 蟽蟿畏 螔蔚谓蔚蟿委伪.
August 27, 2017
This episode is shorter than average for the series, but the characters are distinct and interesting, the plot is easy to follow, and the drawing is especially crisp. Fans of Umberto Eco's Foucault's Pendulum may appreciate this tale, which doesn't really seem to advance the overall arc of Corto Maltese' life, but is a lot of fun anyway.
August 10, 2018
This eigth chapter in the travels of a curious sailor with a death wish that he isn't aware of is full of intrigue and great characters but a little cumbersome. Still, it's a great read and full of semi real and esoteric history but I'm very tempted to give it ****. Since it was done in 1981 AND I'm not immersed in the nuance within Italian sequentials AND one never knows what suffered in translation- it gets the top rating.
Any work of graphic literature is significantly better when the writer and the artist are the same person with very few exceptions percentage-wise so that always at least rounds up a rating.
In this case a collaboration would have suffered to the greatest degree as he had been tinkering with his curiosity of the esoteric in Venice since he was a little boy hearing stories and looking at inscriptions that he replicated throughout this in the scenery that was authentically Venetian.
I have never rated an introduction but his introduction was very confusing to the uninitiated which would make the vast majority of his readers. It had descriptions of pictures that weren't there and very vague descriptions of everything else. I believe it would have been better if he stuck to describing things he could do in appropriate detail but due to the nature of the content he would probably have had to go deep into the matter and it would have been burdensome so I'm not going to let the introduction go into the review of the work.
He also leaves you with a cute ending after the story itself has ended (you'll see what I mean) which I believe was ahead of its time or at least visionary.
Any work of graphic literature is significantly better when the writer and the artist are the same person with very few exceptions percentage-wise so that always at least rounds up a rating.
In this case a collaboration would have suffered to the greatest degree as he had been tinkering with his curiosity of the esoteric in Venice since he was a little boy hearing stories and looking at inscriptions that he replicated throughout this in the scenery that was authentically Venetian.
I have never rated an introduction but his introduction was very confusing to the uninitiated which would make the vast majority of his readers. It had descriptions of pictures that weren't there and very vague descriptions of everything else. I believe it would have been better if he stuck to describing things he could do in appropriate detail but due to the nature of the content he would probably have had to go deep into the matter and it would have been burdensome so I'm not going to let the introduction go into the review of the work.
He also leaves you with a cute ending after the story itself has ended (you'll see what I mean) which I believe was ahead of its time or at least visionary.
November 23, 2009
This book is both a great story and a love song to Venice, the beauty of the city, both real and imaginary, beautifully translated in images. Pratt not only makes us wish to visit the city, but transports us to that troublesome time after the Great War.
The story is good, but for me it is the most visually beautiful of the Corto Maltese books.
The story is good, but for me it is the most visually beautiful of the Corto Maltese books.
December 31, 2017
Despido el a帽o con esta joya de Hugo Pratt. Una de las historias m谩s inici谩ticas y llena de simbolismo de Corto Malt茅s. Tambi茅n es reconfortante encontrarse con una Venecia misteriosa y que es un personaje m谩s de esta historia que mezcla masones, fascistas, neoplat贸nicos y viejos relatos de 谩rabes y vikingos. Puro sue帽o y aventura.
March 3, 2018
"Bajka wenecka" zawiera wszystko co najlepsze w tej kanonicznej serii. Jest kolejna nieprzeci臋tna przygoda, jest aura tajemnicy, atmosfera nostalii za przesz艂o艣ci膮 i elementy oniryczne, dzi臋ki kt贸rym nigdy nie wiesz czy to czasem nie "sen wariata". Erudycja autora uwidacznia sie w kazdym karze, wi臋c nie dziwi fakt, 偶e Corto to ulubiona rozrywka wielu intelektualist贸w. Mistrzostwo 艣wiata.
May 3, 2012
Para qualquer amante de Banda desenhada, Corto Maltese de Hugo Pratt 茅 um nome incontorn谩vel. Neste volume, a narrativa decorre na cidade de Venesa, esta recriada em imagem, com muito pormenor. 脡 uma viagem linda 脿 cidade e mais uma viagem 脿 dimens茫o de Corto Maltese.
April 11, 2014
Entra nelle storie cadendo dalle nuvole, parla con i pozzi e racconta le favole ai gatti. Un tipo strano questo Corto Maltese, ma... come si fa a non amarlo?
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June 29, 2019Muy entretenido relato. Gana mucho con algunos elementos "semi surrealistas" que incorpora.
August 26, 2021
4.5 stars
I absolutely loved the magic/surreal/theatrical atmosphere.
The setting in Venice were awesome and I loved the scene where Corto talks to the cats.
I absolutely loved the magic/surreal/theatrical atmosphere.
The setting in Venice were awesome and I loved the scene where Corto talks to the cats.
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