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鬲丕賷賷爻
鬲乇噩賲丞 : 兀丨賲丿 丕賱氐丕賵賶 賲丨賲丿
赌赌赌赌赌赌赌赌赌赌
" 賮丕夭 兀賳丕鬲賵賱 賮乇賳爻 亘噩丕卅夭丞 賳賵亘賱 毓丕賲 1923 貙 賵 賲賳 兀爻亘丕亘 賮賵夭賴 鬲兀賱賷賮賴 賱賴匕賴 丕賱乇賵丕賷丞 丕賱禺丕賱丿丞
貙 廿賳賴丕 賯氐丞 鬲賱賰 丕賱睾丕賳賷丞 丕賱鬲賶 毓丕卮鬲 賮賶 丕賱廿爻賰賳丿乇賷丞 賰賷賮 兀爻賯胤鬲 丕賱乇噩丕賱 賮賶 睾乇丕賲賴丕 賵 賰賷賮 丿賮毓鬲 丨賷丕鬲賴丕 孬賲賳丕賸 賱睾乇丕賲 賵賯毓鬲 亘賴 .
"
赌赌赌赌赌赌赌赌赌赌
" 賮丕夭 兀賳丕鬲賵賱 賮乇賳爻 亘噩丕卅夭丞 賳賵亘賱 毓丕賲 1923 貙 賵 賲賳 兀爻亘丕亘 賮賵夭賴 鬲兀賱賷賮賴 賱賴匕賴 丕賱乇賵丕賷丞 丕賱禺丕賱丿丞
貙 廿賳賴丕 賯氐丞 鬲賱賰 丕賱睾丕賳賷丞 丕賱鬲賶 毓丕卮鬲 賮賶 丕賱廿爻賰賳丿乇賷丞 賰賷賮 兀爻賯胤鬲 丕賱乇噩丕賱 賮賶 睾乇丕賲賴丕 賵 賰賷賮 丿賮毓鬲 丨賷丕鬲賴丕 孬賲賳丕賸 賱睾乇丕賲 賵賯毓鬲 亘賴 .
"
154 pages, Paperback
First published January 1, 1890
157 people are currently reading
2888 people want to read
About the author
Anatole France
1,389听books535听followersFrench critic Anatole France, pen name of Jacques Anatole Fran莽ois Thibault wrote sophisticated, often satirical short stories and novels, including
Penguin Island
(1908), and won the Nobel Prize of 1921 for literature.
Anatole France began his career as a poet and a journalist. From 1867, he as a journalist composed articles and notices.
In 1869, Le Parnasse Contemporain published La Part de Madeleine of his poems. In 1875, he sat on the committee in charge of the third such compilation. He moved Paul Verlaine and St茅phane Mallarm茅 aside.
Skeptical old scholar Sylvester Bonnard, protagonist of famous Le Crime de Sylvestre Bonnard (1881), embodied own personality of the author. The academy praised its elegant prose.
Anatole France in La Rotisserie de la Reine Pedauque (1893) ridiculed belief in the occult and in Les Opinions de Jerome Coignard (1893) captured the atmosphere of the fin de si猫cle.
People elected him to the Acad茅mie fran莽aise in 1896.
People falsely convicted Alfred Dreyfus, a Jewish army officer, of espionage. Anatole France took an important part in the affair, signed manifesto of 脡mile Zola to support Dreyfus, and authored Monsieur Bergeret in 1901.
After the nearsighted Abbot Mael baptized the animals in error, France in later work depicts the transformation into human nature in 1908.
People considered most profound La Revolte des Anges (1914). It tells of Arcade, the guardian angel of Maurice d'Esparvieu. Arcade falls in love, joins the revolutionary movement of angels, and towards the end recognizes the meaningless overthrow of God unless "in ourselves and in ourselves alone we attack and destroy Ialdabaoth."
People awarded him "in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament" in 1921.
In 1922, the Catholic Church put entire works of France on the Index Librorum Prohibitorum (Index of Prohibited Books).
He died, and people buried his body in the Neuilly-sur-Seine community cemetery near Paris.
Anatole France began his career as a poet and a journalist. From 1867, he as a journalist composed articles and notices.
In 1869, Le Parnasse Contemporain published La Part de Madeleine of his poems. In 1875, he sat on the committee in charge of the third such compilation. He moved Paul Verlaine and St茅phane Mallarm茅 aside.
Skeptical old scholar Sylvester Bonnard, protagonist of famous Le Crime de Sylvestre Bonnard (1881), embodied own personality of the author. The academy praised its elegant prose.
Anatole France in La Rotisserie de la Reine Pedauque (1893) ridiculed belief in the occult and in Les Opinions de Jerome Coignard (1893) captured the atmosphere of the fin de si猫cle.
People elected him to the Acad茅mie fran莽aise in 1896.
People falsely convicted Alfred Dreyfus, a Jewish army officer, of espionage. Anatole France took an important part in the affair, signed manifesto of 脡mile Zola to support Dreyfus, and authored Monsieur Bergeret in 1901.
After the nearsighted Abbot Mael baptized the animals in error, France in later work depicts the transformation into human nature in 1908.
People considered most profound La Revolte des Anges (1914). It tells of Arcade, the guardian angel of Maurice d'Esparvieu. Arcade falls in love, joins the revolutionary movement of angels, and towards the end recognizes the meaningless overthrow of God unless "in ourselves and in ourselves alone we attack and destroy Ialdabaoth."
People awarded him "in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament" in 1921.
In 1922, the Catholic Church put entire works of France on the Index Librorum Prohibitorum (Index of Prohibited Books).
He died, and people buried his body in the Neuilly-sur-Seine community cemetery near Paris.
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May 22, 2025
丨賰丕賷丞 丕賱乇丕賴亘 亘丕賮賳賵爻 賰丕賴賳 亘賱丿丞 兀賳氐賷賳丕 鬲賯毓 賮賷 氐毓賷丿 賲氐乇 賵丕賱睾丕賳賷丞 丕賱丨爻賳丕亍 鬲丕賷賷爻 丕賱鬲賷 鬲毓賷卮 賮賷 丕賱廿爻賰賳丿乇賷丞. 亘胤賱丕 丕賱乇賵丕賷丞. 丕賱鬲賷 鬲噩乇賷 賵賯丕卅毓賴丕 賮賷 丕賱賯乇賳 丕賱乇丕亘毓 丕賱賲賷賱丕丿賷 賷賲孬賱丕賳 賱賱賵賴賱丞 丕賱兀賵賱賶 孬賳丕卅賷丞 丕賱禺賷乇 賵丕賱卮乇 兀賵 丕賱禺胤賷卅丞 賵丕賱胤賴丕乇丞 睾賷乇 兀賳 兀賳丕鬲賵賱 賮乇丕賳爻 賱丕 賷賴丿賮 廿賱賶 鬲亘賷丕賳 賴匕丕 丕賱賮乇夭 丕賱丨丕丿 亘賯丿乇 賲丕 賷爻毓賶 廿賱賶 丕爻鬲賰卮丕賮 兀賱睾丕夭 賵兀爻乇丕乇 賴匕賴 丕賱孬賳丕卅賷丞 丕賱鬲賷 鬲鬲氐丕乇毓 賲毓丕賸 賮賷 丿賵丕禺賱 丕賱賮乇丿 丕賱賵丕丨丿. 賷乇賵賷 丕賱賰丕鬲亘 賮氐賵賱丕賸 毓賳 毓賱丕賯丞 丕賱乇丕賴亘 丕賱賲鬲賳爻賰 亘丕賱噩賲賷賱丞 鬲丕賷賷爻 賱丐賱丐丞 丕賱廿爻賰賳丿乇賷丞
丨賷賳 賷丨賯賯 賲亘鬲睾丕賴 賮賷 丕賳鬲卮丕賱 鬲丕賷賷爻 賲賳 丨賷丕丞 丕賱賱賴賵 賵丕賱氐禺亘 賵丕賱睾賵丕賷丞 鬲毓氐賮 亘賴 兀夭賲丕鬲 乇賵丨賷丞 丨丕丿丞. 賷賴賷賲 爻賳賵丕鬲 毓賱賶 賵噩賴賴 亘丕丨孬丕賸 毓賳 丕賱乇丕丨丞 丕賱賳賮爻賷丞 亘賱丕 噩丿賵賶. 賵丨賷賳賲丕 賷氐賱 廿賱賶 賲爻丕賲毓賴 兀賳 鬲丕賷賷爻 毓賱賶 賵卮賰 丕賱賲賵鬲 鬲賳賮噩乇 毓賵丕胤賮賴 丿賮毓丞 賵丕丨丿丞 廿匕 賷丿乇賰 賲丿賶 丨亘賴 賱鬲丕賷賷爻 賵噩賳丕賷鬲賴 亘丨賯 賴匕賴 丕賱賮鬲丕丞 丕賱鬲賷 兀乇丕丿鬲 兀賳 鬲鬲亘丕賴賶 亘噩賲丕賱賴丕 賵鬲爻鬲噩賷亘 賱賳丿丕亍 乇賵丨賴丕 丕賱鬲賷 賰丕賳鬲 鬲鬲賯丕賮夭 賰賮乇丕卮丞 毓賱賶 丕賱賲爻乇丨. 賷賯鬲賳毓 丕賱乇丕賴亘 亘毓丿 賮賵丕鬲 丕賱兀賵丕賳 亘賯賷賲丞 丕賱噩賲丕賱 賮賷 兀賳 賷毓賷卮 賱丨馗鬲賴 賵丕賳 賰賱 鬲夭賲鬲 賱丕 賷賯賵丿 廿賱丕 廿賱賶 丕賱賴賱丕賰 賰賲丕 丨氐賱 賲毓賴.
丕賱乇賵丕賷丞 丕賱鬲賷 賱丕 鬲鬲噩丕賵夭 丕賱賲卅鬲賷 氐賮丨丞 鬲兀鬲賷 亘賲孬丕亘丞 丿乇爻 賮賷 丕賱賮賱爻賮丞 賵丕賱鬲丕乇賷禺 賵丕賱毓賱賵賲 賵賴賷 鬲爻鬲毓乇囟 毓賱賶 賳丨賵 賲賵噩夭 丕賱賯乇賵賳 丕賱兀賵賱賶 賱馗賴賵乇 丕賱丿賷丕賳丞 丕賱賲爻賷丨賷丞 賵廿乇賴丕氐丕鬲 丕賳鬲卮丕乇賴丕 賵丕賱氐毓賵亘丕鬲 丕賱鬲賷 丕毓鬲乇囟鬲 胤乇賷賯賴丕 廿賱賶 兀賳 爻賲丨 亘丕賳鬲卮丕乇賴丕 毓賱賶 賷丿 丕賱廿賲亘乇丕胤賵乇 賯爻胤賳胤賷賳. 賵賳馗乇丕賸 丕賱賶 賴匕丕 丕賱孬乇丕亍 丕賱賲毓乇賮賷 丕賱匕賷 賵爻賲 賰鬲丕亘丕鬲 丕賳丕鬲賵賱 賮乇丕賳爻 賮賯丿 乇兀賶 賮賷賴 丕賱賳賯丕丿 賲孬賯賮丕賸 爻丕賴賲 賲毓 賯賱丞 賲賳 兀賲孬丕賱賴 賮賷 鬲兀爻賷爻 賵鬲卮賰賷賱 丕賱賵毓賷 賮賷 丕賱孬賱丕孬賷賳丕鬲 賵丕賱兀乇亘毓賷賳丕鬲 賲賳 丕賱賯乇賳 丕賱賲丕囟賷.
April 23, 2017
While staring at my bookshelves dedicated to literature Nobel Laureates (and a bunch of other books that didn't fit anywhere else), Thais fell into my hands.
I wasn't impressed with the book at first since I took it for yet another one of those conversions of the sinful woman by a holy man - and an awful, stupid holy man at that. After , not to mention , which made me scream, I have developed an allergy against old men who get away with everything because they have learned to use Christian terminology and pseudo-morality to justify their sense of entitlement and superiority and inappropriate self-righteousness.
But gradually I got dragged into the story of the holy man's pitiful delusion. He mistakes his sexual feelings for divine whispers, then thinks he is under the influence of the devil. Finally, when it is too late, he understands the nature of his rapture and hurries to confess his true, earthly love - only to find out that his beloved Thais now believes in his delusional teachings. She dies without giving him any consolation. Talking about poetical justice!
"Il y a des forces, Lucius, infiniment plus puissantes que la raison et que la science.
-Lesquelles? demanda Cotta.
L'ignorance et la folie, reponda Aristee."
That is as true now as it was when Anatole France wrote it, and he concludes with a poignant and unforgettable final sentence:
"Il 茅tait devenu si hideux qu'en passant la main sur son visage, il sentit son laideur."
I didn't feel sorry for him.
And I have felt sorry for very unlikely candidates, most recently for example the most manipulative characters in or !
This character was beyond compassion, but it was an excellent read!
I wasn't impressed with the book at first since I took it for yet another one of those conversions of the sinful woman by a holy man - and an awful, stupid holy man at that. After , not to mention , which made me scream, I have developed an allergy against old men who get away with everything because they have learned to use Christian terminology and pseudo-morality to justify their sense of entitlement and superiority and inappropriate self-righteousness.
But gradually I got dragged into the story of the holy man's pitiful delusion. He mistakes his sexual feelings for divine whispers, then thinks he is under the influence of the devil. Finally, when it is too late, he understands the nature of his rapture and hurries to confess his true, earthly love - only to find out that his beloved Thais now believes in his delusional teachings. She dies without giving him any consolation. Talking about poetical justice!
"Il y a des forces, Lucius, infiniment plus puissantes que la raison et que la science.
-Lesquelles? demanda Cotta.
L'ignorance et la folie, reponda Aristee."
That is as true now as it was when Anatole France wrote it, and he concludes with a poignant and unforgettable final sentence:
"Il 茅tait devenu si hideux qu'en passant la main sur son visage, il sentit son laideur."
I didn't feel sorry for him.
And I have felt sorry for very unlikely candidates, most recently for example the most manipulative characters in or !
This character was beyond compassion, but it was an excellent read!
May 2, 2013
This review is dedicated to T.R.G.T.
This novel presents the parallel story, of some sorts since it is intertwined, of a double metamorphosis.
On the one hand we have a beautiful courtesan. 罢丑补茂蝉, transforming from a state of golden splendor in which she relishes in her glamour and smiles to the pleasures that life can offer her, as seen here:
To one in which, in a less colorful world, she can strive to extricate her soul from her binding body and send it along with her gaze towards her newly found god, as we see in:
But as the basic tenet of finance theory says, there is no reward that can come without relinquishing something. The above conversion would require a price to pay.
To compensate the story of the courtesan above we see an anchorite moving from his zone of comfort, where his soul feels in perfect harmony with his surroundings, to one in which challenges will be summoned and confronted. In this second transformation we see Paphnuce, the ascetic, moving from this state of bliss:
To a situation in which after a struggle is fought and lost, he may face having to enter this place.
That is, unless the reward carried its own redeeming recompense, as we all hope.
罢丑补茂蝉 was written by the Nobel Prize winner Anatole France, or Anatole Fran莽ois Thibault (1844-1924), and was published in 1890, first in serialized form and eventually in one volume. In writing this story of a Saint from the 4th century Alexandria, France had inspired himself in a relatively recent French translation of 10th century tale written by a German nun.
Apart from the crossing parallels mentioned above, the novel includes a famous debate on philosophy and theology which at the time, due to its anticlerical tone, raised more than one eyebrow. A. France eventually, in 1920, joined the Communist party.
As a writer, France was famous not just for his very public role in French Letters, but for his stylized style found in most of his works. He is also admired for his courageous support for Dreyfus during the dreadful scandal. The Surrealists, however, loathed him but later Joseph Conrad redeemed him when he referred to him as 鈥渢he prince of prose鈥�.
Now he is also known for his role as Mentor to Marcel Proust and as one of the models for the latter鈥檚 character of Bergotte.
For me the book鈥檚 main appeal coincides with that of Conrad鈥檚 as well as residing with his connection to Proust. In my reading I have been looking for his a taste of lyricism and for Proustian seeds. I found a few.
A sample of the melodious writing that mesmerized Proust:
The two writers shared similar concepts about appearances and reality:
Or gave a comparable importance to beauty:
They both coincided in their opinion on whether acting should be done in a poetic declamatory manner, the 鈥渕ajest茅 tragique et le chant des beaux vers鈥�, or in the easier and more vulgar performance style in which 鈥渓鈥檃ttitude et le geste鈥� are emphasized.
And if Proust鈥檚 young Narrator listened to Bergotte鈥檚 analysis of the Ph猫dre that haunted him, here we can read France鈥檚 direct tribute to this cursed heroine.
----------------------------
France's novel inspired Jules Massenet (1842-1912) to write an opera, also called 罢丑补茂蝉, which was premiered at the Garnier in 1894, but which after some revisions reached its final form four years later. Even if 罢丑补茂蝉 does not belong to the top Opera repertory, Massenet鈥檚 work has been more acclaimed than the original novel.
Original poster for the premiere of 罢丑补茂蝉, the Opera
The most famous parts in the opera are the mellifluous violin solo or the 惭茅诲颈迟补迟颈辞苍 played in an intermezzo, and the very lyrical duets by the Soprano and the Baritone voices for this perplexing couple formed by the courtesan 罢丑补茂蝉 and the anchorite Athana毛l (Paphnuce in the novel). The duet sung in the Desert, which dates from the revised edition, presented in the middle of Act 2 is particularly beautiful. And the less usual pairing of a Soprano with a Baritone is one of the attractions of this opera.
I have listened and watched the DVD production with the fantastic Ren茅e Fleming as she appeared with Thomas Hampson in the Met production in 2008 (as seen above). As the NY Times reported, this opera was undertaken by the Met because Fleming wanted to sing this notoriously difficult role, rather than the other way around. As an American soprano she is rightfully stepping into the shoes of Sibyl Anderson, the Californian singer for whose voice Massenet composed his opera. Fleming鈥檚 magnificent costumes were designed by Christian Lacroix.
罢丑补茂蝉 was also made into a film in 1917 by Goldwyn, but I cannot offer any opinion on this.
This has been a fascinating theme to explore. I am not sure I will ever read the novel again, but I certainly plan to watch and listen to this very beautiful opera (3 stars for the novel, 4 for the opera).
Soon.
This novel presents the parallel story, of some sorts since it is intertwined, of a double metamorphosis.
On the one hand we have a beautiful courtesan. 罢丑补茂蝉, transforming from a state of golden splendor in which she relishes in her glamour and smiles to the pleasures that life can offer her, as seen here:
To one in which, in a less colorful world, she can strive to extricate her soul from her binding body and send it along with her gaze towards her newly found god, as we see in:
But as the basic tenet of finance theory says, there is no reward that can come without relinquishing something. The above conversion would require a price to pay.
To compensate the story of the courtesan above we see an anchorite moving from his zone of comfort, where his soul feels in perfect harmony with his surroundings, to one in which challenges will be summoned and confronted. In this second transformation we see Paphnuce, the ascetic, moving from this state of bliss:
To a situation in which after a struggle is fought and lost, he may face having to enter this place.
That is, unless the reward carried its own redeeming recompense, as we all hope.
罢丑补茂蝉 was written by the Nobel Prize winner Anatole France, or Anatole Fran莽ois Thibault (1844-1924), and was published in 1890, first in serialized form and eventually in one volume. In writing this story of a Saint from the 4th century Alexandria, France had inspired himself in a relatively recent French translation of 10th century tale written by a German nun.
Apart from the crossing parallels mentioned above, the novel includes a famous debate on philosophy and theology which at the time, due to its anticlerical tone, raised more than one eyebrow. A. France eventually, in 1920, joined the Communist party.
As a writer, France was famous not just for his very public role in French Letters, but for his stylized style found in most of his works. He is also admired for his courageous support for Dreyfus during the dreadful scandal. The Surrealists, however, loathed him but later Joseph Conrad redeemed him when he referred to him as 鈥渢he prince of prose鈥�.
Now he is also known for his role as Mentor to Marcel Proust and as one of the models for the latter鈥檚 character of Bergotte.
For me the book鈥檚 main appeal coincides with that of Conrad鈥檚 as well as residing with his connection to Proust. In my reading I have been looking for his a taste of lyricism and for Proustian seeds. I found a few.
A sample of the melodious writing that mesmerized Proust:
Le soleil 茅tait d茅j脿 bas 脿 l鈥檋orizon quand il vit le fleuve effrayant qui roulait ses eaux sanglantes entre des rochers d鈥檕r et de feu.
The two writers shared similar concepts about appearances and reality:
Les pyramides de Memphis semblent au lever de l鈥檃urore des c么nes de lumi猫re rose. Elles apparaissent, au coucher du soleil, sur le ciel embrass茅 comme de noirs triangles. Mais qui p茅n茅trera leur intime substance ? Tu me reproches de nier les apparences quand au contraire les apparences sont les seules r茅alit茅s que je reconnaisse. Le soleil me semble lumineux, mais sa nature m鈥檈st inconnue.
Or gave a comparable importance to beauty:
Certes. La beaut茅 est-ce qu鈥檌l y a de plus puissant au monde et, si nous 茅tions faits pour la poss茅der toujours, nous nous soucierions aussi peu que possible de d茅miurge, du logos, des 茅ons et de toutes les autres r锚veries des philosophes.
They both coincided in their opinion on whether acting should be done in a poetic declamatory manner, the 鈥渕ajest茅 tragique et le chant des beaux vers鈥�, or in the easier and more vulgar performance style in which 鈥渓鈥檃ttitude et le geste鈥� are emphasized.
And if Proust鈥檚 young Narrator listened to Bergotte鈥檚 analysis of the Ph猫dre that haunted him, here we can read France鈥檚 direct tribute to this cursed heroine.
----------------------------
France's novel inspired Jules Massenet (1842-1912) to write an opera, also called 罢丑补茂蝉, which was premiered at the Garnier in 1894, but which after some revisions reached its final form four years later. Even if 罢丑补茂蝉 does not belong to the top Opera repertory, Massenet鈥檚 work has been more acclaimed than the original novel.
Original poster for the premiere of 罢丑补茂蝉, the Opera
The most famous parts in the opera are the mellifluous violin solo or the 惭茅诲颈迟补迟颈辞苍 played in an intermezzo, and the very lyrical duets by the Soprano and the Baritone voices for this perplexing couple formed by the courtesan 罢丑补茂蝉 and the anchorite Athana毛l (Paphnuce in the novel). The duet sung in the Desert, which dates from the revised edition, presented in the middle of Act 2 is particularly beautiful. And the less usual pairing of a Soprano with a Baritone is one of the attractions of this opera.
I have listened and watched the DVD production with the fantastic Ren茅e Fleming as she appeared with Thomas Hampson in the Met production in 2008 (as seen above). As the NY Times reported, this opera was undertaken by the Met because Fleming wanted to sing this notoriously difficult role, rather than the other way around. As an American soprano she is rightfully stepping into the shoes of Sibyl Anderson, the Californian singer for whose voice Massenet composed his opera. Fleming鈥檚 magnificent costumes were designed by Christian Lacroix.
罢丑补茂蝉 was also made into a film in 1917 by Goldwyn, but I cannot offer any opinion on this.
This has been a fascinating theme to explore. I am not sure I will ever read the novel again, but I certainly plan to watch and listen to this very beautiful opera (3 stars for the novel, 4 for the opera).
Soon.
April 8, 2023
A terrible philosophical feat! This book offers a journey that is both intellectual and philosophical, so glorious to such an extent that one would risk getting lost in the cogs of religion. Thoughts never stop twisting and biting. Philosophies clash and crumble like the path to truth is a rough, winding road. Anatole France leads us with verve in these winding paths to make us know its truth. I do not know, in any case, the fact that routs all the knowledge I had on Christianity, the philosophers. Anatole France tells us about the life of Paphnutius, a solitary monk. They abandoned everything related to earthly joys or achievements to perfect his soul or spirit in the desert, where he created a small community of the poor in the body but rich in the heart. Paphnutius' life will never be the same again, the day she decides to convert 罢丑补茂蝉, a courtesan who lights both the stage in the Alexandrian theatre and the hearts of men. It will not be up to Paphnutius to succeed only in this project but also to resist the winds which will rise around this disturbing initiative!
A complex and captivating reading, and I appreciated its philosophical scope!
A complex and captivating reading, and I appreciated its philosophical scope!
November 5, 2020
"But why should we offend Him? Since He has created us, He can be neither angry nor surprised to see us as He made us, and acting according to the nature He has given us. A good deal too much is said on His behalf, and He is often credited with ideas He never had. You yourself, stranger, do you know His true character? Who are you that you should speak to me in His name?"
November 6, 2010
丕賱乇賵丕賷丞 鬲賳丕賯卮 賮賰乇丞 : 丕賱丕賷賲丕賳 丕賱匕賶 賱賲 賷禺鬲亘乇 . 丕匕丕 賱賲 賳賵囟毓 賮賶 鬲噩乇亘丞 賵 賳噩鬲丕夭賴丕 賱賳 賳毓乇賮 兀亘丿丕 丨賯賷賯丞 兀賳賮爻賳丕 賵 賴賵賷鬲賳丕. 賵丨丿賴丕 丕賱鬲噩乇亘丞 賴賶 丕賱鬲賶 鬲賰卮賮 賱賳丕 賵 鬲夭賷賱 丕賱睾賲賵囟 毓賳 賰賷賳賵賳丞 兀賳賮爻賳丕
December 21, 2016
鈥庁з勜ㄘз娯� 賰丕賳鬲 賲賳 丕賱乇亘丕胤 丕賱賲賯丿爻
鈥庁必жω关� 鬲賵賮賷賯 丕賱丨賰賷賲
鈥庂佡傎勜� 賳賯乇丕 鬲丕賷賷爻 賵亘丕賱賮毓賱 丕賱賯氐丞 乇丕卅毓丞
鈥庁焚堎� 賲丕 丕賳丕 亘賯乇兀 亘賯賳毓 賳賮爻賷 丕賳賴丕 乇丕卅毓丞 賵丿賱賵賯鬲賷 賴鬲丨賱賵 ... 胤賷亘 賲賳 丕賱賮氐賱 丕賱噩丕賷 ... 賲丕 賴賷 丕賱賯氐丞 丕氐賱丕 賲賵囟賵毓賴丕 噩賲賷賷賷賷賱 ......賲賮賷卮
鈥庂呝佡娯� 丨丕噩丞 禺丕賱氐
鈥庁жㄙ� 丕賱賴賵賱 賵賳胤賯 .. 賯賱鬲 賲毓賱卮 賲夭噩 丕賱賵丕賯毓 亘丕賱禺賷丕賱 賵賰丿賴
鈥庂佖蒂� 丕賱賲兀丿亘丞 賮氐賱 賰丕賲賱 毓賳 丕賱賮賱爻賮丞 賵毓賳 丕賱賲賷孬賵賱賵噩賷丕 丕賱廿睾乇賷賯賷丞 賲賱賵卮 兀賷 毓賱丕賯丞 亘丕賱賯氐丞
鈥庁焚娯� 賲毓賱卮 賲毓賱賵賲丕鬲 亘乇丿賵賴 賵孬賯丕賮丞
鈥庁焚娯� 賮賷 毓亘乇丞 賮賷 丕賱賲賵囟賵毓 胤亘毓丕 賮賷賴
鈥庁焚娯� 丕賱毓賮丕乇賷鬲 賵丕賱卮賷丕胤賷賳 賱賷賴 丿賱賵賯鬲賷 .. 賲卮 毓丕乇賮丞
鈥庁з嗁呚� 賮賷 丕賱兀禺乇 丕賱乇丕賴亘 賷鬲丨賵賱 賱賵胤賵丕胤
鈥庂勜Ｘ� .. 賰丿賴 賰鬲賷賷賷賷乇 賰鬲賷乇 兀賵賶
鈥庂冐� 丕賵賵賵賵賮乇. :/
鈥庂勝娯� 賷丕 賳賵亘賱 鬲丿乇賷 兀賷賳 鬲賳賮賯 噩賵丕卅夭賰 !
鈥庁必жω关� 鬲賵賮賷賯 丕賱丨賰賷賲
鈥庂佡傎勜� 賳賯乇丕 鬲丕賷賷爻 賵亘丕賱賮毓賱 丕賱賯氐丞 乇丕卅毓丞
鈥庁焚堎� 賲丕 丕賳丕 亘賯乇兀 亘賯賳毓 賳賮爻賷 丕賳賴丕 乇丕卅毓丞 賵丿賱賵賯鬲賷 賴鬲丨賱賵 ... 胤賷亘 賲賳 丕賱賮氐賱 丕賱噩丕賷 ... 賲丕 賴賷 丕賱賯氐丞 丕氐賱丕 賲賵囟賵毓賴丕 噩賲賷賷賷賷賱 ......賲賮賷卮
鈥庂呝佡娯� 丨丕噩丞 禺丕賱氐
鈥庁жㄙ� 丕賱賴賵賱 賵賳胤賯 .. 賯賱鬲 賲毓賱卮 賲夭噩 丕賱賵丕賯毓 亘丕賱禺賷丕賱 賵賰丿賴
鈥庂佖蒂� 丕賱賲兀丿亘丞 賮氐賱 賰丕賲賱 毓賳 丕賱賮賱爻賮丞 賵毓賳 丕賱賲賷孬賵賱賵噩賷丕 丕賱廿睾乇賷賯賷丞 賲賱賵卮 兀賷 毓賱丕賯丞 亘丕賱賯氐丞
鈥庁焚娯� 賲毓賱卮 賲毓賱賵賲丕鬲 亘乇丿賵賴 賵孬賯丕賮丞
鈥庁焚娯� 賮賷 毓亘乇丞 賮賷 丕賱賲賵囟賵毓 胤亘毓丕 賮賷賴
鈥庁焚娯� 丕賱毓賮丕乇賷鬲 賵丕賱卮賷丕胤賷賳 賱賷賴 丿賱賵賯鬲賷 .. 賲卮 毓丕乇賮丞
鈥庁з嗁呚� 賮賷 丕賱兀禺乇 丕賱乇丕賴亘 賷鬲丨賵賱 賱賵胤賵丕胤
鈥庂勜Ｘ� .. 賰丿賴 賰鬲賷賷賷賷乇 賰鬲賷乇 兀賵賶
鈥庂冐� 丕賵賵賵賵賮乇. :/
鈥庂勝娯� 賷丕 賳賵亘賱 鬲丿乇賷 兀賷賳 鬲賳賮賯 噩賵丕卅夭賰 !
December 30, 2019
I absolutely loved this novel. At first, I wasn't too crazy about it for I found the 'spiritual' protagonist, the monk, more than a bit annoying. However, even at the very start, I was impressed by the intelligent writing filled with philosophical passages, gentle irony and subtle wit. It is rare that a man can mock religion and invoke respect for it in the same time. Anatole France criticisms the church, but at the same time he respects the holiness that can exist within it. He seems to be wonderfully open towards everything and an admirer of honesty and truth.
The opening to the novel is pretty simple. A monk travels to Alexandria in order to convert an infidel woman. This monk has decided that he will bring Taida, a famous actress (he himself was enamored with her in his young days) to the light of faith and make a nun of her. As I said, there were quite a few things that bugged me about this monk but as the novel progressed, I realized that they are bugging the author himself. Anatole France adopts the form of the religious/spiritual novel, but his novel is often a criticism of religion itself.
Anatole France mocks the dogmatism and the fanaticism of the religious but at the same time, he shows respect for simple honest believers. He also shows respect for the skeptics, the poor or for anyone who is honest about anything. I also loved how the author made a heroine of a woman who was quite promiscuous and amazingly beautiful. It seems that the writer doesn't blame Taida for anything. That's so unlike the dogmatic way of thinking and so refreshing. The author criticisms a materialistic way of life and the pursuit of wealth, but he doesn't do it by pushing religion down our throats. One has a feeling France understood that this world is a complex place and that answers aren't easily found. There is not a single answer that fits everyone, for we all different and cannot arrive at the same conclusions. Taida wasn't predictable at all. I could sense how things are going to end, but only towards the end. I truly enjoyed reading it. All in all, Taida is a wonderful piece of writing. I was very much impressed with every aspect of this novel. I can't wait to read more of this writer.
The opening to the novel is pretty simple. A monk travels to Alexandria in order to convert an infidel woman. This monk has decided that he will bring Taida, a famous actress (he himself was enamored with her in his young days) to the light of faith and make a nun of her. As I said, there were quite a few things that bugged me about this monk but as the novel progressed, I realized that they are bugging the author himself. Anatole France adopts the form of the religious/spiritual novel, but his novel is often a criticism of religion itself.
Anatole France mocks the dogmatism and the fanaticism of the religious but at the same time, he shows respect for simple honest believers. He also shows respect for the skeptics, the poor or for anyone who is honest about anything. I also loved how the author made a heroine of a woman who was quite promiscuous and amazingly beautiful. It seems that the writer doesn't blame Taida for anything. That's so unlike the dogmatic way of thinking and so refreshing. The author criticisms a materialistic way of life and the pursuit of wealth, but he doesn't do it by pushing religion down our throats. One has a feeling France understood that this world is a complex place and that answers aren't easily found. There is not a single answer that fits everyone, for we all different and cannot arrive at the same conclusions. Taida wasn't predictable at all. I could sense how things are going to end, but only towards the end. I truly enjoyed reading it. All in all, Taida is a wonderful piece of writing. I was very much impressed with every aspect of this novel. I can't wait to read more of this writer.
June 21, 2021
A hermit monk, so dedicated to an austere lifestyle that he is afraid to even take pleasure in the splendor of nature, starts having intrusive thoughts about a woman he saw dancing on stage when he was a teenager. He decides that the best course of action is to go to Alexandria and make her repent and mend her ways. He will win her soul for God. (Yeah, good luck with that, I thought.)
But as it turns out, he does succeed, because there was actually a Saint 罢丑补茂蝉 who was a courtesan in Roman Egypt in the 4th Century. So then I figured that the narrative would switch to her, the book bearing her name and all. But no, for information about the life and sainthood of 罢丑补茂蝉 the reader must look elsewhere. We get a bit of information, but this is decidedly not her book. This is all about the monk, and his religious antics for the glory of God, his doubts, his visions, his obsessions. But also about 4th Century Egypt - and what a time and place to be alive! On his way to convert the very successful courtesan 罢丑补茂蝉 the monk meets a Spinx - who accepts his benediction - and a sort of nihilist fakir - who does not. In Alexandria there are philosophers and theologians of various brands in heated (and fairly drunken) debate. We are, amongst other things, treated to a surprising theory of redemption featuring, not Jesus of Nazareth, but Helen of Troy. In the desert demons are on the prowl in animal shape, holy men practicing self-flagellation live in caves and on top of pillars, and the whole atmosphere of the book is one of intense religious and philosophical activity - although not all of it particularly sound or healthy.
The prose is amazing (if somewhat biblical in tone). And while it is a bit of a pet peeve of mine when a female title character turns out to only exist in the book as a foil, or opportunity for growth, for the male main character, I forgive it when the story manages to mesmerize me. And this one did. Although I am not sure I would recommend it to anyone without at least a little bit of a background in Greek philosophy and/or Roman history and/or late Antiquity Christian Era. I caught a lot of references, but I'm sure I missed at least as many. At one point France introduces an anachronism in the shape of a musical instrument that, as far as I could discover, wasn't invented until close to his own time, and I am convinced that he did it on purpose but highly uncertain as to why. To remind the reader that the story is a fictionalized account with many liberties? At any rate it is a highly entertaining story from a fascinating era, with a moral that I think a lot of people could stand to have impressed upon them today - that actions and sins of the flesh are readily forgiven if the spirit is pure, but be careful that what you do in God's name is actually for His glory and not your own.
But as it turns out, he does succeed, because there was actually a Saint 罢丑补茂蝉 who was a courtesan in Roman Egypt in the 4th Century. So then I figured that the narrative would switch to her, the book bearing her name and all. But no, for information about the life and sainthood of 罢丑补茂蝉 the reader must look elsewhere. We get a bit of information, but this is decidedly not her book. This is all about the monk, and his religious antics for the glory of God, his doubts, his visions, his obsessions. But also about 4th Century Egypt - and what a time and place to be alive! On his way to convert the very successful courtesan 罢丑补茂蝉 the monk meets a Spinx - who accepts his benediction - and a sort of nihilist fakir - who does not. In Alexandria there are philosophers and theologians of various brands in heated (and fairly drunken) debate. We are, amongst other things, treated to a surprising theory of redemption featuring, not Jesus of Nazareth, but Helen of Troy. In the desert demons are on the prowl in animal shape, holy men practicing self-flagellation live in caves and on top of pillars, and the whole atmosphere of the book is one of intense religious and philosophical activity - although not all of it particularly sound or healthy.
The prose is amazing (if somewhat biblical in tone). And while it is a bit of a pet peeve of mine when a female title character turns out to only exist in the book as a foil, or opportunity for growth, for the male main character, I forgive it when the story manages to mesmerize me. And this one did. Although I am not sure I would recommend it to anyone without at least a little bit of a background in Greek philosophy and/or Roman history and/or late Antiquity Christian Era. I caught a lot of references, but I'm sure I missed at least as many. At one point France introduces an anachronism in the shape of a musical instrument that, as far as I could discover, wasn't invented until close to his own time, and I am convinced that he did it on purpose but highly uncertain as to why. To remind the reader that the story is a fictionalized account with many liberties? At any rate it is a highly entertaining story from a fascinating era, with a moral that I think a lot of people could stand to have impressed upon them today - that actions and sins of the flesh are readily forgiven if the spirit is pure, but be careful that what you do in God's name is actually for His glory and not your own.
November 28, 2015
" 丕賱賳丕爻 賷鬲兀賱賲賵賳 賱兀賳賴賲 賲丨乇賵賲賵賳 賲丕賷馗賳賵賳賴 禺賷乇丕 貙 賵廿匕丕 賳丕賱賵賴 禺卮賵丕 兀賳 賷賮賯丿賵賴 .. 兀賵 賱兀賳賴賲 賷毓丕賳賵賳 賲丕賷馗賳賵賳賴 卮乇丕 貙 賮廿匕丕 亘胤賱 賰賱 丕毓鬲賯丕丿 賲賳 賴匕丕 丕賱賯亘賷賱 夭丕賱鬲 噩賲賷毓 丕賱卮乇賵乇 "
May 18, 2012
賷亘丿賵 兀賳 丕乇爻胤賵 賰丕賳 賲丨賯丕 丨賷賳 賯丕賱 " 丕賱丨亘 丕賱匕賷 賷賳鬲賴賷 賱賷爻 丨亘丕 丨賯賷賯賷丕" ..賮賴丕 賴賵 亘丕賮賳賵爻 亘毓丿 爻賳賵丕鬲 賲賳 丕賱乇賴亘賳丞 賷丨賳 廿賱賶 鬲賱賰 丕賱賮鬲丕丞 丕賱鬲賷 鬲毓賱賯 亘賴丕 賯賱亘賴 ( 鬲丕賷賷爻) 賮賷噩賵亘 丕賱氐丨丕乇 賵 賷爻丕賮乇 貙 亘丿丕賮毓 賲賳 丕賱乇睾亘丞 賮賷賴丕 兀禺賮丕賴 賵賴賲 丕賱賯丿丕爻丞 丕賱鬲賷 爻賵賱鬲 賱賴 賵丕噩亘 丕賳鬲卮丕賱賴丕 賲賳 賲爻鬲賳賯毓 丕賱賮噩賵乇 賵 丕賱丌孬丕賲 丕賱鬲賷 鬲睾乇賯 賮賷賴 貙 賵 賴丿丕賷鬲賴丕 廿賱賶 丕賱賱賴 ..賵 亘丕賱賮毓賱 兀賵氐賱賴丕 亘賳賮爻賴 賱賱丿賷乇 .
亘賷丿 兀賳 ( 亘丕賮賳賵爻 ) 丕賱毓丕卮賯 賱賲 賷爻鬲胤毓 丕賳 賷胤乇丿 ( 鬲丕賷賷爻 ) 賲賳 賲禺賷賱鬲賴 貙 賮胤賷賱丞 兀毓賵丕賲 亘毓丿賴丕 賱賲 鬲賮丕乇賯賴 貙 廿賱賶 兀賳 賷賰賮乇 亘賰賱 賲亘丕丿卅賴 貙 賵 賰賱 賯賷賲賴 丕賱鬲賷 胤丕賱賲丕 賶賲賳 亘賴丕 賵 乇爻禺賴丕 賮賷 胤賱丕亘賴 賵 賲乇賷丿賷賴 貙 賮賷鬲噩賴 賳丨賵 鬲丕賷賷爻 丨賷賳 毓賱賲 亘丕卮乇丕賮賴丕 毓賱賶 丕賱賲賵鬲 貙 賮賷賳丿賲 毓賱賶 賱丨馗丕鬲 亘毓丿賴 毓賳賴丕 貙 賵 賷氐乇丨 亘賰賮乇賴 亘賰賱 賯賷賲賴 貙 賵 廿賷賲丕賳賴 賮賯胤 亘丨亘賴丕 ..
丕賱賵乇丕賷丞 賲賮毓賲丞 亘丕賱乇丐賶 丕賱賮賱爻賮賷丞 賱賱乇賴亘賳丞 丕賱賲爻賷丨賷丞 貙 賵 丨賵丕乇丕鬲 丕賱賲賱丨丿賷賳 貙 賵 丕賱賱兀丿乇賷賷賳 貙 賲賲丕 賯丿 賷囟賮賷 毓賱賷賴丕 噩賵丕 賲賳 丕賱乇鬲丕亘丞 賵 丕賱爻兀賲 ...
賮亘賷賳 乇賴亘丕賳賷丞 丨乇賲鬲 毓賱賶 丕鬲亘丕毓賴丕 亘丕賱鬲賲鬲毓 亘賲賳 鬲毓賱賯 亘賴丕 賯賱亘賴 貙 賵 賮賱爻賮丕鬲 噩毓賱鬲 兀氐丨丕亘賴丕 賷卮賯賵賳 亘毓賯賵賱賴賲 貙 賵 賰兀賳賰 鬲亘氐乇 賮賷賴賲 賯賵賱 廿賷賱賷丕 :
廿賳賷 丕乇丕賰 賰爻丕卅丨 賮賷 丕賱賯賮乇 囟賱 毓賳 丕賱胤乇賷賯
賷乇噩賵 氐丿賷賯丕 賮賷 丕賱賮賱丕丞 賵 丕賷賳 賮賷 丕賱賯賮乇 丕賱氐丿賷賯.
亘賷丿 兀賳 ( 亘丕賮賳賵爻 ) 丕賱毓丕卮賯 賱賲 賷爻鬲胤毓 丕賳 賷胤乇丿 ( 鬲丕賷賷爻 ) 賲賳 賲禺賷賱鬲賴 貙 賮胤賷賱丞 兀毓賵丕賲 亘毓丿賴丕 賱賲 鬲賮丕乇賯賴 貙 廿賱賶 兀賳 賷賰賮乇 亘賰賱 賲亘丕丿卅賴 貙 賵 賰賱 賯賷賲賴 丕賱鬲賷 胤丕賱賲丕 賶賲賳 亘賴丕 賵 乇爻禺賴丕 賮賷 胤賱丕亘賴 賵 賲乇賷丿賷賴 貙 賮賷鬲噩賴 賳丨賵 鬲丕賷賷爻 丨賷賳 毓賱賲 亘丕卮乇丕賮賴丕 毓賱賶 丕賱賲賵鬲 貙 賮賷賳丿賲 毓賱賶 賱丨馗丕鬲 亘毓丿賴 毓賳賴丕 貙 賵 賷氐乇丨 亘賰賮乇賴 亘賰賱 賯賷賲賴 貙 賵 廿賷賲丕賳賴 賮賯胤 亘丨亘賴丕 ..
丕賱賵乇丕賷丞 賲賮毓賲丞 亘丕賱乇丐賶 丕賱賮賱爻賮賷丞 賱賱乇賴亘賳丞 丕賱賲爻賷丨賷丞 貙 賵 丨賵丕乇丕鬲 丕賱賲賱丨丿賷賳 貙 賵 丕賱賱兀丿乇賷賷賳 貙 賲賲丕 賯丿 賷囟賮賷 毓賱賷賴丕 噩賵丕 賲賳 丕賱乇鬲丕亘丞 賵 丕賱爻兀賲 ...
賮亘賷賳 乇賴亘丕賳賷丞 丨乇賲鬲 毓賱賶 丕鬲亘丕毓賴丕 亘丕賱鬲賲鬲毓 亘賲賳 鬲毓賱賯 亘賴丕 賯賱亘賴 貙 賵 賮賱爻賮丕鬲 噩毓賱鬲 兀氐丨丕亘賴丕 賷卮賯賵賳 亘毓賯賵賱賴賲 貙 賵 賰兀賳賰 鬲亘氐乇 賮賷賴賲 賯賵賱 廿賷賱賷丕 :
廿賳賷 丕乇丕賰 賰爻丕卅丨 賮賷 丕賱賯賮乇 囟賱 毓賳 丕賱胤乇賷賯
賷乇噩賵 氐丿賷賯丕 賮賷 丕賱賮賱丕丞 賵 丕賷賳 賮賷 丕賱賯賮乇 丕賱氐丿賷賯.
November 10, 2020
Nem tudom, olvastam-e m谩r olyan reg茅nyt, amelyik az i. sz. 4. sz谩zadban j谩tsz贸dik. Alexandri谩ban vagyunk, illetve nem is vagyunk, hanem a reg茅ny j谩tsz贸dik ott, de engem azonnal beszippantott, ez茅rt m茅gis hely茅nval贸 azt mondani, vagyunk. Pontos铆tva, valahol az egyiptomi sivatagban vagyunk, 茅s 鈥濫bben az id艖ben anakhor茅t谩k n茅pes铆tett茅k be a sivatagot鈥�, ami persze nem jelent nagy n茅ps疟r疟s茅get, mert t谩volabb 谩lltak a s谩rkunyh贸k egym谩st贸l, szerett茅k mag谩nyosan sanyargatni magukat az aszk茅t谩k.
A var谩zslat sz谩momra ebben a mondatban 谩llott: 鈥濼h茅ba harcmez艖 volt, ahol 贸r谩nk茅nt, de kiv谩ltk茅ppen 茅jszaka, csod谩latos 眉tk枚zetek zajlottak menny 茅s pokol k枚z枚tt.鈥� Megismerked眉nk a h艖ssel, a szent emberrel, aki olyan nagy szent fiatal kora ellen茅re, hogy k枚vet艖i is vannak m谩r. Benne is 枚sszecsap menny 茅s pokol, k眉ldet茅se t谩mad, 茅gi sugallat hat谩s谩ra el kell indulnia, hogy megmentse Thaist, Alexandria leg眉nnepeltebb sz铆n茅szn艖-kurtiz谩nj谩t... Ez m茅g a reg茅ny legeleje, ez茅rt elmondhattam, onnan meg egy val贸s谩gos kult煤rharc tan煤i lehet眉nk, itt m茅g a kereszt茅nys茅gnek t枚bb 谩ga van 茅s a g枚r枚g istenek is 茅lnek.
Elgondolkodtam ennek az 铆r谩snak az 煤n. ideol贸giai n茅z艖pontj谩n. Mes茅l艖nk, a mindentud贸 narr谩tor kivonja mag谩t a t枚rt茅n茅sekb艖l annyira, hogy nem is lehet tudni, van-e egy谩ltal谩n 谩ll谩sfoglal谩s. Vannak persze nagyon is mulattat贸 oda-odapiszk谩k az int茅zm茅nyes kereszt茅nys茅gnek, 茅s 茅rezhet艖 a szimp谩tia n茅melyik g枚r枚g filoz贸fia ir谩ny谩ba, de a v茅g茅n nem tudom eld枚nteni, kinek is adjak igazat (茅s hogy France mit is k茅pvisel) 鈥� 茅n 煤gy l谩tom, a v茅ge minden felfog谩st igazolhat 鈥� 茅s akkor az is nyilv谩nval贸, hogy ez egy tanmese, m茅ghozz谩 emiatt egy igen ravasz tanmese.
Ami azt illeti, ha valami gyenges茅get k茅ne eml铆tenem, k枚nnyen megtal谩ln谩m: ez ugyanis t茅nyleg egy mese, m茅ghozz谩 abban az 茅rtlemben, hogy a konfliktusok eltompulnak az el艖ad谩s m贸dja miatt: nincs igaz谩b贸l (茅s 茅rz茅sem szerint) k茅mi谩ja a szerepl艖knek, mindenki egy-egy elm茅letet vagy ideol贸gi谩t k茅pvisel, r谩ad谩sul azt ki is fejti am煤gy g枚r枚g m贸dra. De ez meg j贸 amiatt, mert igen megnyugtat贸 az olvas谩s 鈥� tal谩n a v茅g茅t艖l eltekintve.
A molyon 4,5 csillagra tenn茅m.
A var谩zslat sz谩momra ebben a mondatban 谩llott: 鈥濼h茅ba harcmez艖 volt, ahol 贸r谩nk茅nt, de kiv谩ltk茅ppen 茅jszaka, csod谩latos 眉tk枚zetek zajlottak menny 茅s pokol k枚z枚tt.鈥� Megismerked眉nk a h艖ssel, a szent emberrel, aki olyan nagy szent fiatal kora ellen茅re, hogy k枚vet艖i is vannak m谩r. Benne is 枚sszecsap menny 茅s pokol, k眉ldet茅se t谩mad, 茅gi sugallat hat谩s谩ra el kell indulnia, hogy megmentse Thaist, Alexandria leg眉nnepeltebb sz铆n茅szn艖-kurtiz谩nj谩t... Ez m茅g a reg茅ny legeleje, ez茅rt elmondhattam, onnan meg egy val贸s谩gos kult煤rharc tan煤i lehet眉nk, itt m茅g a kereszt茅nys茅gnek t枚bb 谩ga van 茅s a g枚r枚g istenek is 茅lnek.
Elgondolkodtam ennek az 铆r谩snak az 煤n. ideol贸giai n茅z艖pontj谩n. Mes茅l艖nk, a mindentud贸 narr谩tor kivonja mag谩t a t枚rt茅n茅sekb艖l annyira, hogy nem is lehet tudni, van-e egy谩ltal谩n 谩ll谩sfoglal谩s. Vannak persze nagyon is mulattat贸 oda-odapiszk谩k az int茅zm茅nyes kereszt茅nys茅gnek, 茅s 茅rezhet艖 a szimp谩tia n茅melyik g枚r枚g filoz贸fia ir谩ny谩ba, de a v茅g茅n nem tudom eld枚nteni, kinek is adjak igazat (茅s hogy France mit is k茅pvisel) 鈥� 茅n 煤gy l谩tom, a v茅ge minden felfog谩st igazolhat 鈥� 茅s akkor az is nyilv谩nval贸, hogy ez egy tanmese, m茅ghozz谩 emiatt egy igen ravasz tanmese.
Ami azt illeti, ha valami gyenges茅get k茅ne eml铆tenem, k枚nnyen megtal谩ln谩m: ez ugyanis t茅nyleg egy mese, m茅ghozz谩 abban az 茅rtlemben, hogy a konfliktusok eltompulnak az el艖ad谩s m贸dja miatt: nincs igaz谩b贸l (茅s 茅rz茅sem szerint) k茅mi谩ja a szerepl艖knek, mindenki egy-egy elm茅letet vagy ideol贸gi谩t k茅pvisel, r谩ad谩sul azt ki is fejti am煤gy g枚r枚g m贸dra. De ez meg j贸 amiatt, mert igen megnyugtat贸 az olvas谩s 鈥� tal谩n a v茅g茅t艖l eltekintve.
A molyon 4,5 csillagra tenn茅m.
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February 14, 2010賱賻賲 兀鬲賲賳賻賾 賯賻胤 兀賻賳 賷購亘毓賻孬 賰丕鬲賽亘賹 賰丕賱賲賻賳賮賻賱賵胤賽賷 賲賳 賲賻乇賯賻丿賽賴 賱賷購鬲賻乇賿噩賽賲賻 賳氐賸賾丕 廿賱賾丕 丨賽賷賳 鬲毓乇賾賮鬲購 毓賻賱賶 鬲賻丕賷賽賷爻 貙賱賽賯丕卅賽賷賻 丕賱兀賵賾賱 亘賽賮丕鬲賽賳賻丞 丕賱丕爻賰賳丿乇賷賾丞 賴匕賴 兀購乇賾禺賻 賮賷 丕賱氐賾賮丨丞 丕賱孬賾丕賲賽賳丞 賵丕賱爻賾亘毓賵賳 亘毓丿賻 丕賱賲賻丕卅賻丞 賲賳 賰賽鬲丕亘 鈥溬佡� 氐丕賱賵賳 丕賱毓賯賾丕丿 .. 賰丕賳鬲 賱賳丕 兀賷賾丕賲鈥� 賱賲丐賱賾賮賴 鈥溫Ｙ嗁娯� 賲賳氐賵乇鈥� 貙 賵賰丿兀亘賽 丕賱賱賯丕亍賻丕鬲 丕賱兀賵賱賶 禺乇噩鬲購 賲賳賴 賲購睾乇賻賲丞 亘賴匕賴 丕賱賭 鬲丕賷賷爻 貙 賱賰賳賾 賲丕 亘賻毓丿賻賴 賱賲 賷賰賳 亘賽匕丕賰賻 丕賱賲購爻鬲賵賶 賲賳 丕賱廿毓噩丕亘 賵賱爻鬲購 兀丿乇賷 賴賱 丕賱鬲賾乇噩賲丞 丕賱鬲賷 鬲賳丕賴賻鬲 廿賱賶 賷丿賷 賲購禺鬲賱賮丞 毓賳 丕賱鬲賷 賯乇兀賴丕 鈥溬呝嗀蒂堌扁€� 廿匕 兀賳賾 賴賳丕賰 賮乇賵賯丕鬲 賮賷 賲購噩乇賷丕鬲 丕賱兀丨丿丕孬 -兀賵 兀賳賾 丕賱賵賴賲 賰丕賳 賲賳賴購 賮鬲丿丕禺賻賱鬲 兀丨丿丕孬 賴匕賴 丕賱乇賾賵丕賷丞 亘乇賵丕賷賻丞 兀購禺乇賶 鬲丨賲賽賱 丕賱賮賰乇賻丞 匕丕鬲賴丕 : 丕賱睾丕賳賷丞 賵丕賱乇賾丕賴亘.
鬲鬲賲丨賵賾乇 丕賱乇賾賵丕賷賻丞 丨賵賱賻 卮禺氐賷賾鬲賷賳 賴購賲丕 鈥溫з娰娯斥€� 乇丕賯賽氐賻丞 丕賱丕爻賰賻賳丿乇賷賾丞 丕賱鬲賷 賲賱賾鬲 丨賻賷丕丞 丕賱亘賽睾丕亍 賵丕賱乇賾丕賴賽亘 丕賱匕賽賷 卮購睾賽賮 賰賰賱賾 丕賱賳賾丕爻 亘乇亘賾丞 丕賱丨購爻賳 鬲賻丕賷賽賷爻 ..
丕賱乇賾賵丕賷賻丞 亘爻賷胤賻丞 賮賷 兀丨丿丕孬賽賴丕 廿匕 賷購賲賰賳 鬲賱禺賽賷氐賴丕 亘爻胤乇 賵丕丨賽丿 鈥� 兀丨亘 丕賱乇賾丕賴賽亘 鬲丕賷賷爻 貙 匕賴亘 廿賱賷賴丕 賱賷丿毓賵賴丕 賱賱賳賾氐乇丕賳賷賾丞鈥澵� 丕爻鬲噩丕亘鬲 孬賲賾 丕賳鬲賻賰賻爻鈥� 貙 賱賰賳賾 丕賱賰丕鬲賽亘 兀賵睾賻賱 賮賷 賵賻氐賮賽 丨丕賱 丕賱乇賾賴亘丕賳 丕賱賲鬲夭賴賾丿賷賳 賵丨賷丕鬲賴賲 丕賱賲鬲賯卮賾賮丞 丕賱賯賻丕卅賽賲賻丞 毓賱賶 噩購卮賵亘賻丞 丕賱賲賻胤毓賲 賵禺購卮賵賳賻丞 丕賱賲賻賱亘賻爻 賵賲丕 賷丿賷賵賳 亘賴 .. 賴匕丕 亘丕賱廿囟丕賮丞 廿賱賶 賴賻乇胤賻賯丕鬲 丕賱賮賻賱丕爻賽賮賻丞 賵鬲爻賿賮賷賴賴賲 賰賱 丕賱賲毓鬲賯丿丕鬲 丕賱賳賾氐乇丕賳賷賾丞 丕賱鬲賷 鬲丐賲賳 亘賵噩賵丿 廿賱賴 .
鬲爻乇賾亘 賱賳賻賮爻賷 丕賱賲賻賱賱 賮賷 亘毓囟賽 丕賱氐賾賮丨丕鬲 鈥撡勜� 兀購賳賰乇 匕賱賰- 賱賰賳賾 丨賽賰丕賷賻丞 鬲丕賷賽賷爻 噩賻毓賻賱鬲賳賷 賵 賱賱賲乇賾丞 丕賱兀賵賱賶 兀爻鬲毓賽賷乇賽 毓賻賷賿賳賻賷賾 鈥� 毓亘丿丕賱賵賴丕亘 賲胤丕賵毓鈥� 賱兀賯乇兀 亘賽賴賽賲丕 貙 匕賻丕賰 丕賱賰丕鬲亘 丕賱噩賻賲賷賱 丕賱匕賷 賷賻毓氐賽乇 丕賱賯氐氐 鈥撠官勝� 亘賻爻丕胤賻鬲賴丕- 賱賷賻囟毓 禺購賱丕氐賻丞 丕賱賮賻賵丕卅賽丿 毓賱賶 胤亘賯 賲賳 賮囟賾丞 賱賱賯丕乇賽卅 貙 賱爻鬲購 兀乇睾賻亘 亘丨乇賯賽 丕賱乇賾賵丕賷賻丞 亘賽賲賻夭賷丿賺 賲賳 丕賱鬲賾賮丕氐賽賷賱 賱賰賳賾賷 兀賳氐賻丨 丕賱賯賻丕乇賽卅 亘丕賱亘賻丨孬 毓賳 兀賮囟賻賱 鬲乇噩賻賲丞 賱賴匕丕 丕賱毓賻賲賻賱 丕賱賮賻乇賷丿 鈥撠ベ� 賰丕賳 賴賳丕賰 睾賷乇 丕賱鬲賷 賯乇兀鬲- .
鬲鬲賲丨賵賾乇 丕賱乇賾賵丕賷賻丞 丨賵賱賻 卮禺氐賷賾鬲賷賳 賴購賲丕 鈥溫з娰娯斥€� 乇丕賯賽氐賻丞 丕賱丕爻賰賻賳丿乇賷賾丞 丕賱鬲賷 賲賱賾鬲 丨賻賷丕丞 丕賱亘賽睾丕亍 賵丕賱乇賾丕賴賽亘 丕賱匕賽賷 卮購睾賽賮 賰賰賱賾 丕賱賳賾丕爻 亘乇亘賾丞 丕賱丨購爻賳 鬲賻丕賷賽賷爻 ..
丕賱乇賾賵丕賷賻丞 亘爻賷胤賻丞 賮賷 兀丨丿丕孬賽賴丕 廿匕 賷購賲賰賳 鬲賱禺賽賷氐賴丕 亘爻胤乇 賵丕丨賽丿 鈥� 兀丨亘 丕賱乇賾丕賴賽亘 鬲丕賷賷爻 貙 匕賴亘 廿賱賷賴丕 賱賷丿毓賵賴丕 賱賱賳賾氐乇丕賳賷賾丞鈥澵� 丕爻鬲噩丕亘鬲 孬賲賾 丕賳鬲賻賰賻爻鈥� 貙 賱賰賳賾 丕賱賰丕鬲賽亘 兀賵睾賻賱 賮賷 賵賻氐賮賽 丨丕賱 丕賱乇賾賴亘丕賳 丕賱賲鬲夭賴賾丿賷賳 賵丨賷丕鬲賴賲 丕賱賲鬲賯卮賾賮丞 丕賱賯賻丕卅賽賲賻丞 毓賱賶 噩購卮賵亘賻丞 丕賱賲賻胤毓賲 賵禺購卮賵賳賻丞 丕賱賲賻賱亘賻爻 賵賲丕 賷丿賷賵賳 亘賴 .. 賴匕丕 亘丕賱廿囟丕賮丞 廿賱賶 賴賻乇胤賻賯丕鬲 丕賱賮賻賱丕爻賽賮賻丞 賵鬲爻賿賮賷賴賴賲 賰賱 丕賱賲毓鬲賯丿丕鬲 丕賱賳賾氐乇丕賳賷賾丞 丕賱鬲賷 鬲丐賲賳 亘賵噩賵丿 廿賱賴 .
鬲爻乇賾亘 賱賳賻賮爻賷 丕賱賲賻賱賱 賮賷 亘毓囟賽 丕賱氐賾賮丨丕鬲 鈥撡勜� 兀購賳賰乇 匕賱賰- 賱賰賳賾 丨賽賰丕賷賻丞 鬲丕賷賽賷爻 噩賻毓賻賱鬲賳賷 賵 賱賱賲乇賾丞 丕賱兀賵賱賶 兀爻鬲毓賽賷乇賽 毓賻賷賿賳賻賷賾 鈥� 毓亘丿丕賱賵賴丕亘 賲胤丕賵毓鈥� 賱兀賯乇兀 亘賽賴賽賲丕 貙 匕賻丕賰 丕賱賰丕鬲亘 丕賱噩賻賲賷賱 丕賱匕賷 賷賻毓氐賽乇 丕賱賯氐氐 鈥撠官勝� 亘賻爻丕胤賻鬲賴丕- 賱賷賻囟毓 禺購賱丕氐賻丞 丕賱賮賻賵丕卅賽丿 毓賱賶 胤亘賯 賲賳 賮囟賾丞 賱賱賯丕乇賽卅 貙 賱爻鬲購 兀乇睾賻亘 亘丨乇賯賽 丕賱乇賾賵丕賷賻丞 亘賽賲賻夭賷丿賺 賲賳 丕賱鬲賾賮丕氐賽賷賱 賱賰賳賾賷 兀賳氐賻丨 丕賱賯賻丕乇賽卅 亘丕賱亘賻丨孬 毓賳 兀賮囟賻賱 鬲乇噩賻賲丞 賱賴匕丕 丕賱毓賻賲賻賱 丕賱賮賻乇賷丿 鈥撠ベ� 賰丕賳 賴賳丕賰 睾賷乇 丕賱鬲賷 賯乇兀鬲- .
July 31, 2018
France mon amour
Di Anatole France, premio Nobel tra i pi霉 trascurati, avevo letto - con sommo divertimento, anzi, colgo l'occasione per consigliarlo, . Qui ho trovato una voce diversa, sempre critica e crudelmente ironica, che rivisita in maniera originale la storia (il mito?) di San Pafnuzio di Tebe e di Santa Taide. Nonostante sia breve, 猫 un libro che soffre a mio avviso per eccesso di pagine: sarebbe stato un fenomenale racconto lungo. O breve.
In sintesi, abbiamo una doppia conversione: Taide, attrice dalla vita dissoluta, viene convertita al cristianesimo dall'anacoreta Pafnuzio, che sacrificher脿 involontariamente la propria santit脿 per "salvare" la donna, convertendosi al desiderio. Sotto le scorie religiose, il resoconto della sofferta scoperta dell'amore terreno. Massenet ringrazia (per rimanere in tema di trascurati).
Di Anatole France, premio Nobel tra i pi霉 trascurati, avevo letto - con sommo divertimento, anzi, colgo l'occasione per consigliarlo, . Qui ho trovato una voce diversa, sempre critica e crudelmente ironica, che rivisita in maniera originale la storia (il mito?) di San Pafnuzio di Tebe e di Santa Taide. Nonostante sia breve, 猫 un libro che soffre a mio avviso per eccesso di pagine: sarebbe stato un fenomenale racconto lungo. O breve.
In sintesi, abbiamo una doppia conversione: Taide, attrice dalla vita dissoluta, viene convertita al cristianesimo dall'anacoreta Pafnuzio, che sacrificher脿 involontariamente la propria santit脿 per "salvare" la donna, convertendosi al desiderio. Sotto le scorie religiose, il resoconto della sofferta scoperta dell'amore terreno. Massenet ringrazia (per rimanere in tema di trascurati).
July 6, 2009
Anatole France took an old legend about the conversion of a beautiful woman in Egypt, about 300 A.D., who progresses from prostitute to a saint, and wrote it into this late 19th-century novel with an interesting psychological twist. The central character is Thais, a sought-after Alexandrian singer-dancer and courtesan, who will eventually leave behind her life of luxurious material possessions and ongoing adoration of hundreds of male admirers (and clients), convert wholly to Christianity, trek across the Egyptian desert, enter a cloistered convent, then die in the ectasy of religious visions. The really interesting character, though, is Paphnuce, a Christian monk from a desert monestary who travels to Alexandria because he is obsessed with converting Thais. Like the monk Ambrosio in The Monk by Matthew B. Lewis, Paphnuce is just a little too impressed by his own religious fervor, which makes him ripe for a fall. Also, we readers guess early on that his motivations for wishing to travel to Alexandria and convert Thais may not be entirely pure. As the book moves to its end, we see that Thais eventually will rise to much higher spiritual level than Paphnuce ever knew, and that he will eventually fall to much lower depths of degradation than she ever knew, even as a courtesane. Jules Massenet turned this story into a breathtakingly beautiful opera. Every aria is exquisite, but it's worth the whole ticket just to hear "Meditation," the hauntingly beautiful instrumental piece between Acts 2 and 3, during which Thais is struggling to make her decision whether she will leave her life of luxury behind and follow the Christian promptings of her heart.
November 24, 2012
丨爻賳丕 賷丕 亘丕賮賳賵爻 !
丕賳 賳賴丕賷賴 乇賵丕賷鬲賰 賴賶 亘丿丕賷賴 鬲毓乇賮賰 毓賱賶 丕賱賱賴
乇睾賲 丨賷丕賴 丕賱乇賴亘賳賴 賰賱賴丕 丕賱鬲賶 毓卮鬲賴丕 .
賱鬲賰賵賳 賲孬賱 鬲丕賷賷爻 亘卮乇賶 鬲乇鬲賰亘 丕賱丨賲丕賯丕鬲 賵 鬲賮賴賲 賲丕 賴賵 丕賱賮爻丕丿 丨鬲賶 賷鬲胤賴乇 賯賱亘賰 責!
賴賱 賴匕丕 賴賵 丕賱賲毓賳賶 丕賱匕賶 丕乇丕丿 丕賱賰丕鬲亘 丕賷氐丕賱賴
賲毓賳賶 丕賱鬲囟丕丿 賱賳 鬲毓乇賮 丕賱禺賷乇 丕賱禺丕賱氐 賯亘賱 丕賳 鬲毓乇賮 丕賱卮乇 !
丕賳 丕賱賱賴 賯丿 賯亘賱 鬲賱賰 丕賱睾丕賳賷賴 丕賱鬲賶 毓丕卮鬲 丨賷丕鬲賴丕 賲賳睾賲爻賴 賮賶 丕賱匕賳賵亘 !
賵 兀乇丕賴丕 賲賰丕賳賴丕 賮賶 丕賱噩賳賴
!
賵 鬲丕亘 毓賱賷賴丕 . !
賵 賱賲 賷賯亘賱 丕賱乇丕賴亘 丕賱匕賶 馗賱 胤賵丕賱 丕賱乇丕賵賷賴 賷賳兀賶 亘賳賮爻賴 毓賳 丕賱賮賵丕丨卮
賵 賷鬲乇賮毓 毓賳 賰賱 丕賱卮賴賵丕鬲
賵 賰丕賳鬲 丕賱卮賷丕胤賷賳 鬲禺丕賮賴 !
孬賲 兀乇丕丿 丕賳 賷噩毓賱 賴匕賴 丕賱睾丕賳賷賴 鬲鬲賵亘 丕賱賶 丕賱賱賴
賮匕賴亘 丕賱賷賴丕 賵 兀賯賳毓賴丕 賵 兀胤丕毓鬲賴 !
賵
賴匕丕 賱賲 賷卮賮毓 賱賴 毓賳丿 丕賱賱賴 賱賷賴丿賷賴 爻亘賷賱賴
亘賱 馗賳 亘丕賮賳賵爻 丕賳 丕賱賱賴 賯丿 鬲乇賰賴 .
賵 鬲禺賱賶 毓賳賴 !
賴賱 鬲乇賰賴 丕賱賱賴 丨賯丕 丕賲 丕賳賴 賱賲 賷賰賳 賲毓賴 賲賳 丕賱亘丿丕賷賴 責!
賵 賰賱 丨賷丕賴 丕賱乇賴亘賳賴 丕賱鬲賶 毓丕卮賴丕 賰丕賳鬲 丨賷丕賴 囟丨賱賴
賵 丕賷賲丕賳 爻胤丨賶
賱丕賳賴 賱賲 賷禺鬲亘乇 賮毓賱丕 賴匕丕 丕賱丕賷賲丕賳 亘鬲毓乇囟賴 賱賱卮賴賵丕鬲
亘賱 丕賳賴 賳兀賶 亘賳賮爻賴 毓賳賴丕
賵賵氐賱 賱賱丕毓鬲賯丕丿 丕賱賳賴丕卅賶 丕賳 丕賱丕賳爻丕賳 賱丕亘丿 丕賳 賷賳毓夭賱 毓賳 賰賱 賮賰乇賴
丨鬲賶 賷爻鬲胤賷毓 丕賳 賷賳睾賲爻 賮賶 丨亘 丕賱賱賴 !
賱丕賳賴 賰丕賳 賲毓 賰賱 賮賰乇賴 賮乇賷爻賴 賱賱卮賷胤丕賳
賵 賰丕賳 囟毓賷賮 .
毓賳丿賲丕 囟丨賰 賲賳賴 丕賱卮賷胤丕賳 賵 兀睾乇丕賴 亘兀賳 賷氐毓丿 丕賱毓賲賵丿 !
賴匕丕 卮賶亍 賷丿賲賶 丕賱賮丐丕丿 !
丕賳 鬲馗賳 丕賳 丕賱乇爻丕賱賴 賲賳 丕賱賱賴 賱鬲乇賶 丕賱卮賷胤丕賳 賷囟丨賰 賲賳賰 爻丕禺乇丕
賮賷氐乇禺 賷丕賱賱賴 賱賲丕匕丕 鬲禺賱賷鬲 毓賳賶 . !
賵 毓賳丿賲丕 丕氐亘丨 賱丕 賷爻鬲胤賷毓 丕賱鬲賮乇賯賴 亘賷賳 賵丨賶 丕賱賱賴 賵 賵丨賶 睾賷乇 丕賱賱賴 !
賱賲丕匕丕 賰丕賳 亘賲賯丿賵乇賴 丕賳 賷卮賮賶 丕賱賳丕爻 !
丕賳 賰丕賳 賴匕丕 賲賳 毓賲賱 丕賱卮賷胤丕賳 賮賲賳 丕賷賳 賱賴 賴匕賴 丕賱亘乇賰賴 責!
賴賱 賰丕賳 卮賮丕丐賴賲 賵賴賲 禺丕賱氐 !
___
丕賱賰亘乇賷丕亍 .. 丕賱丕賳睾賲丕爻 賮賶 丕賱卮賴賵丕鬲 .. 丕賱卮賰 !
賴賶 丕賱丕卮賷丕亍 丕賱鬲賶 匕賰乇賴丕 丕賱賰丕鬲亘 爻亘亘丕 賰丕賮賷丕 賱賴賱丕賰 亘丕賮賳賵爻 .
丕賳 丕賱賰亘乇賷丕亍 賴匕賴 賴賶 丕賱鬲賶 噩毓賱鬲賴 賷禺丕胤亘 丕賱賱賴 賮賷賯賵賱
賱賲丕匕丕 賯亘賱鬲 賷丕 乇亘 賴匕丕 丕賱夭丕賳賶 賵 丕賳丕 鬲鬲乇賰賳賶 責!
.
賵 丕賱丕賳睾賲丕爻 賮賶 丕賱卮賴賵丕鬲 賱賲 賷賰賳 睾賷乇 鬲賱賰 丕賱禺賷丕賱丕鬲 賵 丕賱丕丨賱丕賲 丕賱鬲賶 賱賲 賷爻鬲胤鬲毓 乇睾賲 賲丨丕賵賱丕鬲賴 丕賱卮鬲賶 丕賳 鬲鬲乇賰賴 賵 卮兀賳賴 !
丕賱卮賰 .
丕賳 賴匕丕 丕賱卮賰 丕賱匕賶 丕賳鬲賴賶 丕賱賷賴 賳丕噩賲丕 毓賳 丕丨爻丕爻賴 亘丕賳賴 丕氐亘丨 賵丨賷丿丕 亘丿賵賳 丕賱賱賴
賴匕丕 賰賱賴 賲賳 丨賷丕賴 丕賱乇賴亘賳賴 賵 丕賱毓夭賱賴 毓賳 丕賱丨賷丕賴
. !!
_____
賱丕 鬲賲賵鬲賶 ! 兀賳賶 兀丨亘賰 賮賱丕 鬲賲賵鬲賶 !
丕爻賲毓賷賳賶 賷丕 鬲丕賷賷爻 賱賯丿 禺丿毓鬲賰 賵 賲賰乇鬲 亘賰 賵 賲丕 賰賳鬲 丕賱丕 賲毓鬲賵賴丕 卮賯賷丕
丕賳 丕賱賱賴 賵 丕賱爻賲賵丕鬲 賱賷爻鬲 卮賷卅丕 賲匕賰賵乇丕
賵 賲丕賲賳 卮賶亍 賱賴 賵夭賳 !
丕賳賴 兀丿乇賰 毓賳丿賲丕 毓賱賲 亘賯乇亘 賲賵鬲賴丕
丕賳賴 賱賲 賷賰賳 賱賴 乇睾亘賴 禺丕賱氐賴 賮賶 丕賶 卮賶亍 賵賱丕 丕賱鬲賯乇亘 丕賱賶 丕賱賱賴
亘賯丿乇 賲丕 賰丕賳鬲 賱丿賷賴 丕賱乇睾亘賴 賮賶 丨亘賴丕
丕賳 賴匕丕 賵丕囟丨 噩賱賶 .
...
丕賳 丕賱賱賴 丕賱匕賶 賯亘賱 丕賱睾丕賳賷賴 丕賱鬲賶 鬲丕亘鬲 賱賴
爻賷賯亘賱賴 丕賳 賰賮 毓賳 毓夭賱鬲賴 賵 毓乇賮 賲毓賳賶 丕賱丨賷丕賴
賵 丕乇鬲賰亘 賲賳 丕賱匕賳賵亘 賲丕 賷乇鬲賰亘賴 丕賱亘卮乇
孬賲 賷鬲賵亘
!
兀賳丕 賲丐賲賳賴 亘丕賳 丕賱賱賴 賱賲 賷鬲乇賰賴 賵 賱賳 賷匕賴亘 亘賴 丕賱賶 丕賱噩丨賷賲
丕賳 丕賱賳賴丕賷賴 鬲丐賱賲賳賶 !
孬賲 丕賳 賴匕丕 賱賵 賰丕賳 丿乇爻丕 賮丕賳賴 賯丕爻賶 丨鬲賲丕 .
March 12, 2015
Anatole France is the most clever satirist I have known, and I have known many. The writing is not my style, but it cannot be denied that he is gifted. Of course if you are well versed in the Christian faith, you will likely predict something of the ending well beforehand, but truly this story is written as if it were a cautionary tale of the new testament. If, as you are reading, you find yourself vexed or infuriated with Paphnutius, fear not, he will reap what he sows.
November 18, 2008
This book was fun. I wish I could read books like this on an average basis. In fact, I should. He is very similar to Voltaire. Both authors I believe are similar to that of Dylan and Guthrie. You could learn how to live just by reading all of their books.
January 12, 2017
#賳賵亘賱
睾乇丕亘 睾乇丕亘 睾乇丕亘... 氐乇禺鬲 丕賱乇丕賴亘丕鬲 賵賯丿 乇兀賵丕 丕賱乇丕賴亘 賯丿 鬲丨賵賱 亘毓丿 賵賮丕鬲 鬲丕賷賷爻....
廿匕賳 兀賷賳 亘丿兀 丕賱兀賲乇... 賯丿 亘丿兀 賲毓 鬲丕賷賷爻 毓丕賴乇丞 丕睾賵鬲 丕賱丕爻賰賳丿乇賷丞 賰丕賮丞 毓丕賴乇丞 鬲賲賱賰 爻丨乇 丕賱毓賷賵賳 賷賯丕賵賲 乇丕賯氐丞 賲賳 胤乇丕夭 乇賮賷毓 丕賱賲爻鬲賵賶 賷賯丕賵賲 噩爻丿賴丕 兀卮丿 丕賱乇賴亘丕賳 鬲賯賵賶... 鬲鬲丨乇賰 賲賳 乇噩賱 賱丌禺乇 賵賱丕 兀丨丿 賷賯賵賱 賱丕... 賰丕賳 賴賳丕賰 賳賵亘賷 賯丿 毓賲丿賴丕 賵亘丿兀 賷賱賯賳賴丕 丕賱鬲毓丕賱賷賲 廿賱賶 兀賲 賲丕鬲 卮賴賷丿丕... 毓丕卮 賳賰乇賴 賵賲丕鬲 噩賱賷賱丕.. 丕賱賲丿賷賳賴 鬲賲卮賷 丨賵賱 鬲丕亘賵鬲賴 賵賯丿 氐丕乇 丕賷賯賵賳賴 丕賷賲丕賳... 賮賷賲丕 亘毓丿 丕丨亘賴丕 乇丕賴亘賳丕 兀卮丿 丨亘.. 賱賰賳 賲賳 賳賵毓 丌禺乇 賮鬲丨乇賰 賷爻毓賶 賱賷賴丿賷賴丕 賱胤乇賷賯 丕賱乇亘 賮賷賳噩丨 賵賷賯毓 賮賷 丕賱廿孬賲 賴賵... 毓賱賲鬲賲 丕賱丌賳 賰賷賮 氐丕乇 睾乇丕亘.... 氐丕乇 賷爻賰賳 賲賯丕亘乇 賲賵丨卮丞... 賰丕賳 賲丐賲賳 廿賱丕 兀賳 毓賱賲 ' 亘賯乇亘 賲賵鬲賴丕... 賰賷賮 賷馗賳 兀賳 丕賱噩賳賴 賵丕賱賳毓賷賲 亘毓丿 丕賱賲賵鬲.. 賱賲丕 賱丕 賷鬲賯乇亘 廿賱賷 丕賱賱賴 賲賳 卮賮鬲賷賴丕... 廿賳賴丕 丕賱賳毓賷賲 丕賷 丨賲賯 賯丿 丨賱 毓賱賷賴 丨賷賳賴丕.... 賵賱賲丕 丕賱卮賷禺 丕賱賱毓賷賳 匕賵 丕賱丨賰賲賴 賵丕賱毓賱賲 賷亘毓丿 賳賮爻丞 毓賳 丕賱乇亘.... 賱賲丕 賷氐乇 毓賱賶 丕賱賰賮乇.... 賱賲丕 丕賱賲乇兀賴 丿丕卅賲丕 鬲賲賱賰 丕賱丨賷丕賴 賵丕賱賲賵鬲 賵賷賯毓 賮賷 卮乇賰賴丕 賵卮乇賰 丕賱賱匕丞 丕賱賰賱.... 丕賱乇賵丕賷丞 賲賱賷卅丞 亘丕賱氐乇丕毓 丕賱丕賴賵鬲賷 賵丕賱丕噩鬲賲丕毓賷 賵丕賱丕囟胤賴丕丿 賵丕禺賷乇丕 賵丕賱兀賴賲 賲賱賷卅丞 亘丕賱氐乇丕毓 亘賷賳 丕賱卮賴賵丞 賵賲賳 賴賵 丕賱賱賴... 丕賱乇賵丕賷丞 鬲丨賰賷 賮賷 丕賱丕爻賰賳丿乇賷丞 亘賷賳 丕賱乇賴亘丕賳 丕賱賱匕賷賳 賷賯毓賵賳 賮賷 卮乇賰 賱匕丞 賯囟賷亘賴賲... 賵鬲賱賰 丕賱睾丕賳賷賴... 賵賰賷賮 賴賵 丕賱丨亘 亘丨賯... 賮賷 亘賱丕睾賴 賱賲 兀賯乇兀 賲孬賱賴丕 賵賮賷 賯賵丞 乇賴賷亘賴 賵賮賱爻賮丞 賵噩賲丕賱 賰鬲亘鬲 鬲賱賰 丕賱乇賵丕賷丞 丕賱禺丕賱丿丞 . 賵賴賷 賲賳 兀爻亘丕亘 丨氐賵賱 丕賱賰丕鬲亘 毓賱賶 賳賵亘賱
4賳噩賵賲
睾乇丕亘 睾乇丕亘 睾乇丕亘... 氐乇禺鬲 丕賱乇丕賴亘丕鬲 賵賯丿 乇兀賵丕 丕賱乇丕賴亘 賯丿 鬲丨賵賱 亘毓丿 賵賮丕鬲 鬲丕賷賷爻....
廿匕賳 兀賷賳 亘丿兀 丕賱兀賲乇... 賯丿 亘丿兀 賲毓 鬲丕賷賷爻 毓丕賴乇丞 丕睾賵鬲 丕賱丕爻賰賳丿乇賷丞 賰丕賮丞 毓丕賴乇丞 鬲賲賱賰 爻丨乇 丕賱毓賷賵賳 賷賯丕賵賲 乇丕賯氐丞 賲賳 胤乇丕夭 乇賮賷毓 丕賱賲爻鬲賵賶 賷賯丕賵賲 噩爻丿賴丕 兀卮丿 丕賱乇賴亘丕賳 鬲賯賵賶... 鬲鬲丨乇賰 賲賳 乇噩賱 賱丌禺乇 賵賱丕 兀丨丿 賷賯賵賱 賱丕... 賰丕賳 賴賳丕賰 賳賵亘賷 賯丿 毓賲丿賴丕 賵亘丿兀 賷賱賯賳賴丕 丕賱鬲毓丕賱賷賲 廿賱賶 兀賲 賲丕鬲 卮賴賷丿丕... 毓丕卮 賳賰乇賴 賵賲丕鬲 噩賱賷賱丕.. 丕賱賲丿賷賳賴 鬲賲卮賷 丨賵賱 鬲丕亘賵鬲賴 賵賯丿 氐丕乇 丕賷賯賵賳賴 丕賷賲丕賳... 賮賷賲丕 亘毓丿 丕丨亘賴丕 乇丕賴亘賳丕 兀卮丿 丨亘.. 賱賰賳 賲賳 賳賵毓 丌禺乇 賮鬲丨乇賰 賷爻毓賶 賱賷賴丿賷賴丕 賱胤乇賷賯 丕賱乇亘 賮賷賳噩丨 賵賷賯毓 賮賷 丕賱廿孬賲 賴賵... 毓賱賲鬲賲 丕賱丌賳 賰賷賮 氐丕乇 睾乇丕亘.... 氐丕乇 賷爻賰賳 賲賯丕亘乇 賲賵丨卮丞... 賰丕賳 賲丐賲賳 廿賱丕 兀賳 毓賱賲 ' 亘賯乇亘 賲賵鬲賴丕... 賰賷賮 賷馗賳 兀賳 丕賱噩賳賴 賵丕賱賳毓賷賲 亘毓丿 丕賱賲賵鬲.. 賱賲丕 賱丕 賷鬲賯乇亘 廿賱賷 丕賱賱賴 賲賳 卮賮鬲賷賴丕... 廿賳賴丕 丕賱賳毓賷賲 丕賷 丨賲賯 賯丿 丨賱 毓賱賷賴 丨賷賳賴丕.... 賵賱賲丕 丕賱卮賷禺 丕賱賱毓賷賳 匕賵 丕賱丨賰賲賴 賵丕賱毓賱賲 賷亘毓丿 賳賮爻丞 毓賳 丕賱乇亘.... 賱賲丕 賷氐乇 毓賱賶 丕賱賰賮乇.... 賱賲丕 丕賱賲乇兀賴 丿丕卅賲丕 鬲賲賱賰 丕賱丨賷丕賴 賵丕賱賲賵鬲 賵賷賯毓 賮賷 卮乇賰賴丕 賵卮乇賰 丕賱賱匕丞 丕賱賰賱.... 丕賱乇賵丕賷丞 賲賱賷卅丞 亘丕賱氐乇丕毓 丕賱丕賴賵鬲賷 賵丕賱丕噩鬲賲丕毓賷 賵丕賱丕囟胤賴丕丿 賵丕禺賷乇丕 賵丕賱兀賴賲 賲賱賷卅丞 亘丕賱氐乇丕毓 亘賷賳 丕賱卮賴賵丞 賵賲賳 賴賵 丕賱賱賴... 丕賱乇賵丕賷丞 鬲丨賰賷 賮賷 丕賱丕爻賰賳丿乇賷丞 亘賷賳 丕賱乇賴亘丕賳 丕賱賱匕賷賳 賷賯毓賵賳 賮賷 卮乇賰 賱匕丞 賯囟賷亘賴賲... 賵鬲賱賰 丕賱睾丕賳賷賴... 賵賰賷賮 賴賵 丕賱丨亘 亘丨賯... 賮賷 亘賱丕睾賴 賱賲 兀賯乇兀 賲孬賱賴丕 賵賮賷 賯賵丞 乇賴賷亘賴 賵賮賱爻賮丞 賵噩賲丕賱 賰鬲亘鬲 鬲賱賰 丕賱乇賵丕賷丞 丕賱禺丕賱丿丞 . 賵賴賷 賲賳 兀爻亘丕亘 丨氐賵賱 丕賱賰丕鬲亘 毓賱賶 賳賵亘賱
4賳噩賵賲
August 6, 2011
Anatole France named the beautiful principal female protagonist here "Thais." To those who like her, she's an excellent stage actress and a practitioner of free love. To those who don't like her, she's but a prostitute, albeit a high-class one.
Enter the monk who had her once before he turned to God. He wants to save her from perdition. Along the way he battles/debates with friends and foes alike with all sorts of philosophies.
In the end, the monk realizes that it is Thais (or her thighs?) whom he loves, not God. This was my first Kindle-read book (no book cover, no blurbs) so I have no idea what this novel is supposed to be. I then just went direct to the story. And I finished it like a race because I did not know how Anatole France ended it, and was eager to find out, even as I was imagining all sorts of possible endings, from the prurient to the sublime.
I do not know why he did not entitle this "Paphnutius", after the monk, since it was he who did most of the agonizing here.
Enter the monk who had her once before he turned to God. He wants to save her from perdition. Along the way he battles/debates with friends and foes alike with all sorts of philosophies.
In the end, the monk realizes that it is Thais (or her thighs?) whom he loves, not God. This was my first Kindle-read book (no book cover, no blurbs) so I have no idea what this novel is supposed to be. I then just went direct to the story. And I finished it like a race because I did not know how Anatole France ended it, and was eager to find out, even as I was imagining all sorts of possible endings, from the prurient to the sublime.
I do not know why he did not entitle this "Paphnutius", after the monk, since it was he who did most of the agonizing here.
February 2, 2017
鬲丕賷賷爻貙 賮鬲丕丞 賮賷 睾丕賷丞 丕賱噩賲丕賱 .. 毓丕卮鬲 賮賷 丕賱賯乇賳 丕賱乇丕亘毓 亘毓丿 丕賱賲賷賱丕丿 賮賷 丕賱廿爻賰賳丿乇賷丞. 鬲卮毓賱 賳賷乇丕賳 丕賱卮賴賵丞 賮賷 賳賮爻 賰賱 賲賳 賷賯毓 賳馗乇賴 毓賱賷賴丕 賲賳 丕賱乇噩丕賱! 丨鬲賶 兀賳 亘毓囟賴賲 賰丕賳 賷囟毓 孬乇賵鬲賴 鬲丨鬲 賯丿賲賷賴丕! 賵賰睾丕賳賷丞 賱毓賵亘 賵睾賳賷丞 .. 賰丕賳鬲 賲丨丕胤丞 亘噩賲賷毓 兀賳賵丕毓 丕賱賲賱匕丕鬲. 亘丕賮賳賵爻貙 賰丕賴賳 夭丕賴丿 賵賲鬲毓賮賮貙 賷丨丕賵賱 兀賳 "賷賴丿賷賴丕" 廿賱賶 丕賱氐乇丕胤 賵夭乇毓 丨亘 丕賱丿賷賳 賮賷 賳賮爻賴丕! 賮賷毓賷卮 丕賱廿孬賳丕賳 賮賷 乇丨賱丞 丕賰鬲卮丕賮 丕賱匕丕鬲 賵丨賯賷賯丞 丕賱賳賮爻 .. 賮賷 賲睾丕賲乇丞 賲丨賮賵賮丞 亘丕賱兀丨丿丕孬 賵丕賱乇丐賶 丕賱鬲賷 賰丕賳鬲 鬲毓賰爻 丕賱鬲賳丕賯囟丕鬲 丿丕禺賱 賳賮爻 丕賱賰丕賴賳. 賮賴賱 賷賳噩丨 賮賷 賴丿丕賷鬲賴丕責
鬲毓丕賱噩 丕賱乇賵丕賷丞 賮賰乇丞: 丕賱廿賷賲丕賳 丕賱囟毓賷賮 丕賱匕賷 賱賲 賷購賲鬲丨賳 亘毓丿 .. 賵賷鬲夭毓夭毓 毓賳丿 丕賱廿賲鬲丨丕賳丕鬲 丕賱氐毓亘丞.
鬲丕賷賷爻貙 賲賳 兀亘乇夭 兀毓賲丕賱 丕賱兀丿賷亘 丕賱賮乇賳爻賷 兀賳丕鬲賵賱 賮乇丕賳爻 .. 賳購卮乇鬲 毓丕賲 佟侉侃贍賲
鬲毓丕賱噩 丕賱乇賵丕賷丞 賮賰乇丞: 丕賱廿賷賲丕賳 丕賱囟毓賷賮 丕賱匕賷 賱賲 賷購賲鬲丨賳 亘毓丿 .. 賵賷鬲夭毓夭毓 毓賳丿 丕賱廿賲鬲丨丕賳丕鬲 丕賱氐毓亘丞.
鬲丕賷賷爻貙 賲賳 兀亘乇夭 兀毓賲丕賱 丕賱兀丿賷亘 丕賱賮乇賳爻賷 兀賳丕鬲賵賱 賮乇丕賳爻 .. 賳購卮乇鬲 毓丕賲 佟侉侃贍賲
January 11, 2012
鬲丕賷賷爻 賴賷 丕賲乇兀丞 亘丕乇毓丞 丕賱噩賲丕賱 毓丕卮鬲 賮賷 丕賱廿爻賰賳丿乇賷丞, 禺賱丕賱 丕賱賯乇賳 丕賱乇丕亘毓 賱賱賲賷賱丕丿, 毓賷卮 丕賱亘睾丕賷丕, 孬賲 鬲丕亘鬲 毓賱賶 賷丿 兀丨丿 丕賱乇賴亘丕賳 賵乇賮毓鬲 廿賱賶 賲乇鬲亘丞 丕賱賯丿丕爻丞.*
賵毓賱賶 兀爻丕爻 賲賳 賯氐鬲賴丕 亘賳賶 丕賱賰丕鬲亘 丕賱賮乇賳爻賷 兀賳丕鬲賵賱 賮乇丕賳爻 乇賵丕賷鬲賴 丕賱鬲賷 鬲丿賵乇 丨賵賱 丕賱乇丕賴亘 亘丕賮賳賵爻 賵丕賱睾丕賳賷丞 鬲丕賷賷爻
丨賯賷賯丞 賱丕 兀賳賰乇 兀賳賷 賲賱賱鬲 賮賷 亘毓囟 氐賮丨丕鬲賴丕 賲孬賱丕 賮賷 賲卮賴丿 鬲噩賲毓 丕賱賮賱丕爻賮丞 , 賵丨丿賷孬賴賲 丕賱匕賷 亘丿丕 賱賷 賰賱丕賲丕 賮丕乇睾丕 , 孬乇孬乇丞 賰孬賷乇丞 亘賱丕 賲毓賳賶
兀噩賲賱 丕賱賲賯丕胤毓 賴賷 丕賱鬲賷 賰丕賳 賷丨賱賲 賮賷賴丕 亘丕賮賳賵爻 賵丕賱鬲賷 賰丕賳鬲 鬲鬲爻賱賱 賮賷賴丕 丕賱卮賷丕胤賷賳 廿賱賷賴 賲賳 禺賱丕賱賴丕 ,
睾賷乇 匕賱賰 兀毓鬲賯丿 兀賳賷 賯乇兀鬲 賲孬賱 賴匕賴 丕賱丨賰丕賷丞 兀賰孬乇 賲賳 賲乇丞 賮賱賲 賷賰賳 賮賷 丕賱乇賵丕賷丞 卮賷亍 卮毓乇鬲 兀賳賴 噩丿賷丿丕 睾賷乇 兀賳 丕賱賳賴丕賷丞 賰丕賳鬲 賲丐賱賲丞 !
廿賱丕 兀賳賳賷 兀馗賳 兀賳 鬲丨賵賱 丕賱卮禺氐賷丞 廿賱賶 丕賱賳賯賷囟 鬲賲丕賲丕 賷賮賯丿賴丕 丕賱賰孬賷乇 賲賳 丨賯賷賯鬲賴丕 爻賵丕亍 鬲丕賷賷爻 丕賱鬲丕卅亘丞 兀賵 亘丕賮賳賵爻 丕賱乇丕賴亘
賵毓賱賶 兀爻丕爻 賲賳 賯氐鬲賴丕 亘賳賶 丕賱賰丕鬲亘 丕賱賮乇賳爻賷 兀賳丕鬲賵賱 賮乇丕賳爻 乇賵丕賷鬲賴 丕賱鬲賷 鬲丿賵乇 丨賵賱 丕賱乇丕賴亘 亘丕賮賳賵爻 賵丕賱睾丕賳賷丞 鬲丕賷賷爻
丨賯賷賯丞 賱丕 兀賳賰乇 兀賳賷 賲賱賱鬲 賮賷 亘毓囟 氐賮丨丕鬲賴丕 賲孬賱丕 賮賷 賲卮賴丿 鬲噩賲毓 丕賱賮賱丕爻賮丞 , 賵丨丿賷孬賴賲 丕賱匕賷 亘丿丕 賱賷 賰賱丕賲丕 賮丕乇睾丕 , 孬乇孬乇丞 賰孬賷乇丞 亘賱丕 賲毓賳賶
兀噩賲賱 丕賱賲賯丕胤毓 賴賷 丕賱鬲賷 賰丕賳 賷丨賱賲 賮賷賴丕 亘丕賮賳賵爻 賵丕賱鬲賷 賰丕賳鬲 鬲鬲爻賱賱 賮賷賴丕 丕賱卮賷丕胤賷賳 廿賱賷賴 賲賳 禺賱丕賱賴丕 ,
睾賷乇 匕賱賰 兀毓鬲賯丿 兀賳賷 賯乇兀鬲 賲孬賱 賴匕賴 丕賱丨賰丕賷丞 兀賰孬乇 賲賳 賲乇丞 賮賱賲 賷賰賳 賮賷 丕賱乇賵丕賷丞 卮賷亍 卮毓乇鬲 兀賳賴 噩丿賷丿丕 睾賷乇 兀賳 丕賱賳賴丕賷丞 賰丕賳鬲 賲丐賱賲丞 !
廿賱丕 兀賳賳賷 兀馗賳 兀賳 鬲丨賵賱 丕賱卮禺氐賷丞 廿賱賶 丕賱賳賯賷囟 鬲賲丕賲丕 賷賮賯丿賴丕 丕賱賰孬賷乇 賲賳 丨賯賷賯鬲賴丕 爻賵丕亍 鬲丕賷賷爻 丕賱鬲丕卅亘丞 兀賵 亘丕賮賳賵爻 丕賱乇丕賴亘
November 5, 2015
This was an interesting well written story with a few surprises. As I mention in a comment, it might have inspired Clive Barker. See the full review on my book blog:
November 19, 2017
乇賵丕賷丞 賲孬賷乇丞 噩丿丕 賱賱丕賴鬲賲丕賲 賲毓 亘毓囟 丕賱乇賵賲丕賳爻賷賴
賵兀賳丕鬲賵賱 賮乇丕賳爻 賱丿賷賴 丕賱丨賯 賮賷 丕賱丨氐賵賱 毓賱賶 噩丕卅夭丞 賳賵亘賱 賮賷 丕賱兀丿亘
乇賵丕賷賴 乇丕卅毓賴
賵兀賳丕鬲賵賱 賮乇丕賳爻 賱丿賷賴 丕賱丨賯 賮賷 丕賱丨氐賵賱 毓賱賶 噩丕卅夭丞 賳賵亘賱 賮賷 丕賱兀丿亘
乇賵丕賷賴 乇丕卅毓賴
August 25, 2023
賵胤賵丕胤!! 賵胤賵丕胤.
賱丕 氐亘丕丨 賵賱丕 賲爻丕 賵賱丕 賰賱賲丞 賰賵賷爻丞 賷丕 賳賵亘賱.
賱丕 氐亘丕丨 賵賱丕 賲爻丕 賵賱丕 賰賱賲丞 賰賵賷爻丞 賷丕 賳賵亘賱.
October 8, 2017
亘丕賮賳賵爻 乇丕賴亘 賲禺賱氐 賷毓賷卮 賮賷 氐毓賷丿 賲氐乇貙 丕賱鬲賯賶 賮賷 賵賯鬲賺 爻丕亘賯 賲賳 丨賷丕鬲賴 亘賮丕鬲賳丞 賲賳 丕賱賮丕鬲賳丕鬲 鬲丿毓賶 鬲丕賷賷爻貙 賱賰賳 賰賱丕賸 賲賳賴賲丕 丕賱丌賳 賯丿 賲囟賶 賮賷 胤乇賷賯 賲購禺鬲賱賮貙 賮賯丿 丕乇鬲賯賶 賴賵 廿賱賶 丕賱爻賲丕亍 賵禺賻賱賻丿賻鬲 賴賷 廿賱賶 丕賱兀乇囟貙 賵賲毓 匕賱賰 賮賰乇 亘丕賮賳賵爻 兀賳 賷爻丕賮乇 廿賱賶 鬲賱賰 丕賱丌孬賲丞 賮賷 丕賱廿爻賰賳丿乇賷丞 賮賷亘匕賱購 賱賴丕 丕賱賳氐丨 賵賷丿毓賴丕 廿賱賶 丕賱賲爻賷丨 毓賱賴丕 鬲乇鬲丿毓 賵鬲乇噩毓 廿賱賶 丨馗賷乇丞 丕賱乇亘.
賷爻鬲毓賷賳 亘丕賮賳賵爻 亘氐丿賷賯 賯丿賷賲 賱賴 賮賷 丕賱廿爻賰賳丿乇賷丞 賰丕賳賵丕 賷丿乇爻賵賳 賲毓 亘毓囟賴賲 丕賱亘毓囟 賮賷 爻賳賵丕鬲 丕賱氐亘丕 賰賷 賷毓賷乇賴 賲賱丕亘爻 賷爻鬲胤賷毓 亘賮囟賱賴丕 丕賱賳賮丕匕 廿賱賶 毓丕賱賲 鬲丕賷賷爻 丕賱匕賷 賱丕 賷賯亘賱 廿賱丕 丕賱爻丕丿丞 丕賱賲購賳賲賯賷賳貙 賵亘丕賱賮毓賱 賷賳賮匕 亘丕賮賳賵爻 廿賱賶 毓丕賱賲賴丕 賵鬲毓乇囟 毓賱賷賴 賳賮爻賴丕 賮賷丨鬲賯乇賴丕 賵賷毓乇賮賴丕 亘賳賮爻賴.
禺丕賮鬲 鬲丕賷賷爻 賲賳 亘丕賮賳賵爻 馗賳丕賸 賲賳賴丕 兀賳賴 賯丕丿乇 毓賱賶 廿鬲賷丕賳 丕賱毓噩丕卅亘 賵兀賳賴 賯丕丿乇 毓賱賶 丌匕賷鬲賴丕 賮兀匕毓賳鬲 賱賴貙 賱賰賳 賲丕 賱亘孬 賳賵乇 丕賱廿賷賲丕賳 丕賱丨賯賷賯賷 兀賳 丿禺賱 廿賱賶 賯賱亘賴丕 賮賯亘賱鬲 賳氐賷丨鬲賴 賵噩毓賱鬲賴 賵賱賷丕賸 毓賱賶 噩賲賷毓 兀賲乇賴丕貙 賵兀賲乇鬲 毓亘賷丿賴丕 賵禺丿丕賲賴丕 兀賳 賷胤賷毓賵賴.
毓賳丿卅匕賺 兀賲乇 亘丕賮賳賵爻 丕賱毓亘賷丿 兀賳 賷賯匕賮賵丕 丕賱乇賷丕卮 賵丕賱孬賷丕亘 賵丕賱賰賳賵夭 賵丕賱賯賱丕卅丿 賮賷 丕賱賳丕乇 賮賮毓賱丕賵丕 賲亘鬲賴噩賷賳 賱賲丕 賮賷 丿丕禺賱賴賲 賲賳 賲賷賱 賮胤乇賷 賱賱鬲禺乇賷亘貙 丨丕賵賱 賵賯鬲賴丕 爻丕丿丞 丕賱廿爻賰賳丿乇賷丞 賲賲賳 賰丕賳鬲 鬲丕賷賷爻 鬲購亘賴賽噩 兀賲爻賷丕鬲賴賲 廿賷賯丕賮 鬲賱賰 丕賱賲賴夭賱丞 亘毓丿 兀賳 丕胤賱毓賵丕 毓賱賶 丕賱賳賷乇丕賳 丕賱鬲賷 鬲兀賰賱 賴丿丕賷丕賴賲 亘睾賷乇 賮丕卅丿丞.
鬲丨乇賰 亘毓丿賴丕 亘丕賮賳賵爻 賵鬲丕賷賷爻 丨鬲賶 賷賵丿毓賴丕 賮賷 丿賷乇 賱乇丕賴亘丞 鬲購丿毓賶 "丕賱亘賷賳" 賮鬲賯亘賱鬲賴丕 丕賱兀禺賷乇丞 賵兀賵丿毓鬲賴丕 丨噩乇丞 氐睾賷乇丞 禺賱鬲 賲賳 賰賱 卮卅 廿賱丕 賮乇丕卮 賵毓賵丿 賲賳 孬賱丕孬丞 孬賯賵亘 氐丕賱丨 賱賱毓夭賮貙 賵禺鬲賲 亘丕賮賳賵爻 亘丕亘 睾乇賮鬲賴丕 亘禺鬲賲賴 丨鬲賶 賷毓乇賮 丕賱賲爻賷丨 兀賳賴 賲賳 賴丿丕賴丕.
毓丕丿 亘丕賮賳賵爻 賲賳 亘毓丿賴丕 廿賱賶 賰賳賷爻鬲賴 丕賱兀賵賱賶 賲購胤賲卅賳丕賸 賱賰賳賴丕 賲丕 賱亘孬 兀賳 丕爻鬲亘丿 亘賴 丕賱卮賵賯 賵丕賱鬲賮賰賷乇 賮賷 鬲丕賷賷爻貙 賰丕賳 賷馗賳 兀賳 鬲賮賰賷乇賴 賮賷賴丕 鬲賮賰賷乇 乇丕賴亘 賮賷 賯丿賷爻丞 賴丿丕賴丕貙 賱賰賳賴 毓乇賮 兀賳賴 賷卮鬲丕賯賴丕 賰兀賳孬賶 賵賴賳丕 賷賱賵賲 亘丕賮賳賵爻 丕賱乇亘... 賵賰賷賮 賷睾賵賷賴 亘賴丕 賵賯丿 鬲丨乇賰 廿賱賷賴丕 丨鬲賶 賷乇噩毓賴丕 毓賱賶 丨馗賷乇鬲賴.
賷爻鬲亘丿 丕賱賮賰乇 亘亘丕賮賳賵爻 丕賱賲賰賱賵賲 賮賷氐毓丿 廿賱賶 毓賲賵丿 胤賵賷賱 賷乇賮囟 丕賱賳夭賵賱 賵賯丿 丕賳賰賮兀 毓賱賶 乇賰亘鬲賴 賲賳毓夭賱丕賸 毓賳 丕賱賳丕爻. 賵毓賳丿賲丕 禺丕賮 兀丨丿 丕賱賲丕乇丞 爻賯賵胤賴 賯丕賲 亘亘賳丕亍 爻賯賮丕賸 賮賵賯賴 賵兀賳夭賱 賲賳賴 兀爻賷丕禺丕賸 賲賳 丨丿賷丿 賱賷丨賮馗賴 賲賳 丕賱爻賯賵胤 賵賴賰匕丕 爻丕乇 賱亘丕賮賳賵爻 賲賯丕賲丕賸 噩丿賷丿丕賸 賷夭賵乇賴 賮賷賴 丕賱賳丕爻 丕亘鬲睾丕亍 丕賱丕爻鬲卮賮丕亍 賵鬲丨賯賷賯 丕賱兀賲賳賷丕鬲貙 賵毓賳丿賲丕 賷卮鬲賴乇 兀賲乇 亘丕賮賳賵爻 亘賷賳 丕賱賳丕爻 賷購賳丕丿賷賴 氐賵鬲丕賸 兀賳 賯丿 賲賳 丕賱賱賴 毓賱賷賰貙 賮賷乇丿 兀賳 "賳毓賲" 賱賰賳賴 賮賵噩卅 亘丕賱氐賵鬲 丕賱睾乇賷亘 賷囟丨賰 賵賷氐丕乇丨賴 兀賳賴 賲丕 賮毓賱 廿賱丕 賲丕 兀賲賱丕賴 毓賱賷賴貙 賮賷毓乇賮 亘丕賮賳賵爻 氐丕丨亘 丕賱氐賵鬲 賵兀賳賴 丕賱卮賷胤丕賳貙 賮賷賳夭賱 賲賳 毓賱賷丕丐賴 賴丕卅賲丕賸 毓賱賶 賵噩賴賴 賲賳鬲馗乇丕賸 丕賱乇亘 兀賳 賷賳賯匕賴.
賷賯毓 亘丕賮賳賵爻 賮賷 賲賯亘乇丞 毓賱賶 賵噩賴賴 賮賷賮賯丿 丕賱賵毓賷 賵鬲鬲亘丿賶 賱賴 丕賱廿睾乇丕亍丕鬲 賵丕賱卮賷丕胤賷賳... 丨鬲賶 賷毓孬乇 毓賱賷賴 夭賲乇丞 賲賳 丕賱乇噩丕賱 丕賱兀亘乇丕乇 賵賷毓乇賮賵賳 亘丕賮賳賵爻 丕賱賯丿賷爻 匕丕卅毓 丕賱氐賷鬲.
賰丕賳 丕賱乇噩丕賱 賵賯鬲賴丕 賷賳鬲馗乇賵賳 "兀賳胤賵丕賳" 丕賱賯丿賷爻 丕賱兀賰亘乇 賵毓賳丿賲丕 丨囟乇 爻兀賱賴 亘丕賮賳賵爻 兀賳 賷亘丕乇賰賴貙 賮賱賲 賷乇丿 兀賳胤賵丕賳 毓賱賷賴 賵兀卮丕乇 廿賱賶 乇噩賱 兀氐丕亘賴 卮卅 賲賳 丕賱賲爻 賷丿毓賶 "亘賵賱爻" 賵賯丕賱 賱賴: 賷丕 亘賳賷 兀賳馗乇 廿賱賶 丕賱爻賲丕亍 賵賯賱 賱賳丕 賲丕匕丕 鬲乇賶貙 賮賯丕賱 丕賱賲噩匕賵亘: 兀乇賶 爻購乇乇丕賸 賲賳 賮囟丞 毓賱賷賴丕 賲賱丕卅賰丞 鬲賳鬲馗乇 丕賱賯丕丿賲" 賮馗賳 亘丕賮賳賵爻 兀賳賴 丕賱賲賯氐賵丿 賮賮乇丨貙 賱賰賳 丕賱賯丿賷爻 丕賱兀賰亘乇 兀賱丨 毓賱賶 亘賵賱爻 兀賳 賷賳馗乇 廿賱賶 丕賱爻賲丕亍 孬丕賳賷丞貙 賮賳馗乇 丕賱賲噩匕賵亘 賱賴丕 賮爻丕亍 賵噩賴賴貙 賮賴賵 丕賱丌賳 賷賳馗乇 廿賱賶 夭亘丕賳賷丞 孬賱丕孬 賮賷 丕賳鬲馗丕乇 鬲毓賷爻貙 賮毓乇賮 亘丕賮賳賵爻 兀賳賴 丕賱賲賯氐賵丿 賵兀賳 丕賱爻購乇乇 賰丕賳鬲 賯丿 兀毓丿鬲 賱鬲丕賷賷爻 賱兀賳 丕賱爻賲丕亍 賯丿 賳丕丿鬲賴丕 賵賴賷 丕賱丌賳 毓賱賶 卮賰 鬲賱亘賷丞 丕賱賳丿丕亍.
賵賯鬲賴丕 賷賰賮乇 亘丕賮賳賵爻 亘賰賱 賲丕 丌賲賳 亘賴貙 賵賷噩賴乇 兀賳賴 賱丕 賲鬲毓丞 亘毓丿 丕賱丨賷丕丞 廿賱賶 丕賱丨賷丕丞 賵賷賳丿賲 兀賳賴 乇賮囟 兀賳 賷賲鬲氐 賲賳 乇賷賯 鬲丕賷賷爻 賵賯鬲 兀賳 毓乇囟鬲 賳賮爻賴丕 毓賱賷賴貙 賵賴乇賵賱 賷丨丕賵賱 丕賱賱丨丕賯 亘賴丕 賮賷 丕賱丿賷乇 賯亘賱 兀賳 賷兀鬲賷賴丕 丕賱賲賵鬲貙 賵氐賱 兀禺賷乇丕賸 廿賱賶 丿賷乇 "兀賱亘賷賳" 賱賷噩丿 鬲丕賷賷爻 丨亘賷亘鬲賴 賮賷 賳夭毓賴丕 丕賱兀禺賷乇貙 兀賲丕 兀賱亘賷賳 賮賯丿 兀禺匕鬲 鬲氐賮 賱賴 賰賷賮 賰丕賳鬲 鬲丕賷賷爻 鬲賲孬賱 賱賴賲 丕賱賲爻乇丨賷丕鬲 丕賱丿賷賳賷丞 賵鬲亘賰賷賴賲 亘丌丿丕卅賴丕 丕賱賲賱卅 亘丕賱氐丿賯 賵賰賷賮 賰丕賳鬲 鬲毓夭賮 毓賱賶 丕賱毓賵丿 兀賱丨賳丕賸 鬲鬲賯胤毓 賳賷丕鬲 丕賱賯賱賵亘 賲賳 乇賯鬲賴丕 賵賰賷賮 兀賳賴 氐丨鬲 鬲賵亘鬲賴丕.
賷丨丕賵賱 亘丕賮賳賵爻 賮賷 鬲賱賰 丕賱賱丨馗丕鬲 丕賱丨丕爻賲丞 兀賳 賷禺亘乇 鬲丕賷賷爻 兀賳賴 禺丿毓賴丕 賵兀賳賴 賱丕 丨賷丕丞 廿賱丕 丨賷丕丞 丕賱賱匕丞 賵丕賱賲鬲毓丞 賵兀賳賴 賷丨亘賴丕 賵賴賵 賳丕丿賲 兀賳賴 賱賲 賷丨氐賱 毓賱賷賴丕 賵兀禺匕 賷囟賲賴丕 賵賷亘賰賷 賵賴賷 毓賳賴 匕丕賴賱丞 鬲乇賶 丕賱賲賱丕卅賰丞 賵丕賱賱賴 賵賲賰丕賳賴丕 賮賷 丕賱噩賳丞貙 丨鬲賶 鬲賱賮馗 兀賳賮丕爻賴丕 丕賱兀禺賷乇丞貙 賷丨丕賵賱 亘丕賮賳賵爻 兀賳 賷囟賲賴丕 噩孬丞 賴丕賲丿丞 賮鬲賱毓賳賴 賵鬲賲賳毓賴 "丕賱亘賷賳" 賱賷噩丿 賵噩賴 賯丿 丕爻鬲丨丕賱 賵噩賴 賵胤賵丕胤丕賸 賲賳 卮丿丞 丕賱賯亘丨 賵賯丿 丨賱鬲 毓賱賷賴 賱毓賳丞 丕賱乇亘.
賷爻鬲毓賷賳 亘丕賮賳賵爻 亘氐丿賷賯 賯丿賷賲 賱賴 賮賷 丕賱廿爻賰賳丿乇賷丞 賰丕賳賵丕 賷丿乇爻賵賳 賲毓 亘毓囟賴賲 丕賱亘毓囟 賮賷 爻賳賵丕鬲 丕賱氐亘丕 賰賷 賷毓賷乇賴 賲賱丕亘爻 賷爻鬲胤賷毓 亘賮囟賱賴丕 丕賱賳賮丕匕 廿賱賶 毓丕賱賲 鬲丕賷賷爻 丕賱匕賷 賱丕 賷賯亘賱 廿賱丕 丕賱爻丕丿丞 丕賱賲購賳賲賯賷賳貙 賵亘丕賱賮毓賱 賷賳賮匕 亘丕賮賳賵爻 廿賱賶 毓丕賱賲賴丕 賵鬲毓乇囟 毓賱賷賴 賳賮爻賴丕 賮賷丨鬲賯乇賴丕 賵賷毓乇賮賴丕 亘賳賮爻賴.
禺丕賮鬲 鬲丕賷賷爻 賲賳 亘丕賮賳賵爻 馗賳丕賸 賲賳賴丕 兀賳賴 賯丕丿乇 毓賱賶 廿鬲賷丕賳 丕賱毓噩丕卅亘 賵兀賳賴 賯丕丿乇 毓賱賶 丌匕賷鬲賴丕 賮兀匕毓賳鬲 賱賴貙 賱賰賳 賲丕 賱亘孬 賳賵乇 丕賱廿賷賲丕賳 丕賱丨賯賷賯賷 兀賳 丿禺賱 廿賱賶 賯賱亘賴丕 賮賯亘賱鬲 賳氐賷丨鬲賴 賵噩毓賱鬲賴 賵賱賷丕賸 毓賱賶 噩賲賷毓 兀賲乇賴丕貙 賵兀賲乇鬲 毓亘賷丿賴丕 賵禺丿丕賲賴丕 兀賳 賷胤賷毓賵賴.
毓賳丿卅匕賺 兀賲乇 亘丕賮賳賵爻 丕賱毓亘賷丿 兀賳 賷賯匕賮賵丕 丕賱乇賷丕卮 賵丕賱孬賷丕亘 賵丕賱賰賳賵夭 賵丕賱賯賱丕卅丿 賮賷 丕賱賳丕乇 賮賮毓賱丕賵丕 賲亘鬲賴噩賷賳 賱賲丕 賮賷 丿丕禺賱賴賲 賲賳 賲賷賱 賮胤乇賷 賱賱鬲禺乇賷亘貙 丨丕賵賱 賵賯鬲賴丕 爻丕丿丞 丕賱廿爻賰賳丿乇賷丞 賲賲賳 賰丕賳鬲 鬲丕賷賷爻 鬲購亘賴賽噩 兀賲爻賷丕鬲賴賲 廿賷賯丕賮 鬲賱賰 丕賱賲賴夭賱丞 亘毓丿 兀賳 丕胤賱毓賵丕 毓賱賶 丕賱賳賷乇丕賳 丕賱鬲賷 鬲兀賰賱 賴丿丕賷丕賴賲 亘睾賷乇 賮丕卅丿丞.
鬲丨乇賰 亘毓丿賴丕 亘丕賮賳賵爻 賵鬲丕賷賷爻 丨鬲賶 賷賵丿毓賴丕 賮賷 丿賷乇 賱乇丕賴亘丞 鬲購丿毓賶 "丕賱亘賷賳" 賮鬲賯亘賱鬲賴丕 丕賱兀禺賷乇丞 賵兀賵丿毓鬲賴丕 丨噩乇丞 氐睾賷乇丞 禺賱鬲 賲賳 賰賱 卮卅 廿賱丕 賮乇丕卮 賵毓賵丿 賲賳 孬賱丕孬丞 孬賯賵亘 氐丕賱丨 賱賱毓夭賮貙 賵禺鬲賲 亘丕賮賳賵爻 亘丕亘 睾乇賮鬲賴丕 亘禺鬲賲賴 丨鬲賶 賷毓乇賮 丕賱賲爻賷丨 兀賳賴 賲賳 賴丿丕賴丕.
毓丕丿 亘丕賮賳賵爻 賲賳 亘毓丿賴丕 廿賱賶 賰賳賷爻鬲賴 丕賱兀賵賱賶 賲購胤賲卅賳丕賸 賱賰賳賴丕 賲丕 賱亘孬 兀賳 丕爻鬲亘丿 亘賴 丕賱卮賵賯 賵丕賱鬲賮賰賷乇 賮賷 鬲丕賷賷爻貙 賰丕賳 賷馗賳 兀賳 鬲賮賰賷乇賴 賮賷賴丕 鬲賮賰賷乇 乇丕賴亘 賮賷 賯丿賷爻丞 賴丿丕賴丕貙 賱賰賳賴 毓乇賮 兀賳賴 賷卮鬲丕賯賴丕 賰兀賳孬賶 賵賴賳丕 賷賱賵賲 亘丕賮賳賵爻 丕賱乇亘... 賵賰賷賮 賷睾賵賷賴 亘賴丕 賵賯丿 鬲丨乇賰 廿賱賷賴丕 丨鬲賶 賷乇噩毓賴丕 毓賱賶 丨馗賷乇鬲賴.
賷爻鬲亘丿 丕賱賮賰乇 亘亘丕賮賳賵爻 丕賱賲賰賱賵賲 賮賷氐毓丿 廿賱賶 毓賲賵丿 胤賵賷賱 賷乇賮囟 丕賱賳夭賵賱 賵賯丿 丕賳賰賮兀 毓賱賶 乇賰亘鬲賴 賲賳毓夭賱丕賸 毓賳 丕賱賳丕爻. 賵毓賳丿賲丕 禺丕賮 兀丨丿 丕賱賲丕乇丞 爻賯賵胤賴 賯丕賲 亘亘賳丕亍 爻賯賮丕賸 賮賵賯賴 賵兀賳夭賱 賲賳賴 兀爻賷丕禺丕賸 賲賳 丨丿賷丿 賱賷丨賮馗賴 賲賳 丕賱爻賯賵胤 賵賴賰匕丕 爻丕乇 賱亘丕賮賳賵爻 賲賯丕賲丕賸 噩丿賷丿丕賸 賷夭賵乇賴 賮賷賴 丕賱賳丕爻 丕亘鬲睾丕亍 丕賱丕爻鬲卮賮丕亍 賵鬲丨賯賷賯 丕賱兀賲賳賷丕鬲貙 賵毓賳丿賲丕 賷卮鬲賴乇 兀賲乇 亘丕賮賳賵爻 亘賷賳 丕賱賳丕爻 賷購賳丕丿賷賴 氐賵鬲丕賸 兀賳 賯丿 賲賳 丕賱賱賴 毓賱賷賰貙 賮賷乇丿 兀賳 "賳毓賲" 賱賰賳賴 賮賵噩卅 亘丕賱氐賵鬲 丕賱睾乇賷亘 賷囟丨賰 賵賷氐丕乇丨賴 兀賳賴 賲丕 賮毓賱 廿賱丕 賲丕 兀賲賱丕賴 毓賱賷賴貙 賮賷毓乇賮 亘丕賮賳賵爻 氐丕丨亘 丕賱氐賵鬲 賵兀賳賴 丕賱卮賷胤丕賳貙 賮賷賳夭賱 賲賳 毓賱賷丕丐賴 賴丕卅賲丕賸 毓賱賶 賵噩賴賴 賲賳鬲馗乇丕賸 丕賱乇亘 兀賳 賷賳賯匕賴.
賷賯毓 亘丕賮賳賵爻 賮賷 賲賯亘乇丞 毓賱賶 賵噩賴賴 賮賷賮賯丿 丕賱賵毓賷 賵鬲鬲亘丿賶 賱賴 丕賱廿睾乇丕亍丕鬲 賵丕賱卮賷丕胤賷賳... 丨鬲賶 賷毓孬乇 毓賱賷賴 夭賲乇丞 賲賳 丕賱乇噩丕賱 丕賱兀亘乇丕乇 賵賷毓乇賮賵賳 亘丕賮賳賵爻 丕賱賯丿賷爻 匕丕卅毓 丕賱氐賷鬲.
賰丕賳 丕賱乇噩丕賱 賵賯鬲賴丕 賷賳鬲馗乇賵賳 "兀賳胤賵丕賳" 丕賱賯丿賷爻 丕賱兀賰亘乇 賵毓賳丿賲丕 丨囟乇 爻兀賱賴 亘丕賮賳賵爻 兀賳 賷亘丕乇賰賴貙 賮賱賲 賷乇丿 兀賳胤賵丕賳 毓賱賷賴 賵兀卮丕乇 廿賱賶 乇噩賱 兀氐丕亘賴 卮卅 賲賳 丕賱賲爻 賷丿毓賶 "亘賵賱爻" 賵賯丕賱 賱賴: 賷丕 亘賳賷 兀賳馗乇 廿賱賶 丕賱爻賲丕亍 賵賯賱 賱賳丕 賲丕匕丕 鬲乇賶貙 賮賯丕賱 丕賱賲噩匕賵亘: 兀乇賶 爻購乇乇丕賸 賲賳 賮囟丞 毓賱賷賴丕 賲賱丕卅賰丞 鬲賳鬲馗乇 丕賱賯丕丿賲" 賮馗賳 亘丕賮賳賵爻 兀賳賴 丕賱賲賯氐賵丿 賮賮乇丨貙 賱賰賳 丕賱賯丿賷爻 丕賱兀賰亘乇 兀賱丨 毓賱賶 亘賵賱爻 兀賳 賷賳馗乇 廿賱賶 丕賱爻賲丕亍 孬丕賳賷丞貙 賮賳馗乇 丕賱賲噩匕賵亘 賱賴丕 賮爻丕亍 賵噩賴賴貙 賮賴賵 丕賱丌賳 賷賳馗乇 廿賱賶 夭亘丕賳賷丞 孬賱丕孬 賮賷 丕賳鬲馗丕乇 鬲毓賷爻貙 賮毓乇賮 亘丕賮賳賵爻 兀賳賴 丕賱賲賯氐賵丿 賵兀賳 丕賱爻購乇乇 賰丕賳鬲 賯丿 兀毓丿鬲 賱鬲丕賷賷爻 賱兀賳 丕賱爻賲丕亍 賯丿 賳丕丿鬲賴丕 賵賴賷 丕賱丌賳 毓賱賶 卮賰 鬲賱亘賷丞 丕賱賳丿丕亍.
賵賯鬲賴丕 賷賰賮乇 亘丕賮賳賵爻 亘賰賱 賲丕 丌賲賳 亘賴貙 賵賷噩賴乇 兀賳賴 賱丕 賲鬲毓丞 亘毓丿 丕賱丨賷丕丞 廿賱賶 丕賱丨賷丕丞 賵賷賳丿賲 兀賳賴 乇賮囟 兀賳 賷賲鬲氐 賲賳 乇賷賯 鬲丕賷賷爻 賵賯鬲 兀賳 毓乇囟鬲 賳賮爻賴丕 毓賱賷賴貙 賵賴乇賵賱 賷丨丕賵賱 丕賱賱丨丕賯 亘賴丕 賮賷 丕賱丿賷乇 賯亘賱 兀賳 賷兀鬲賷賴丕 丕賱賲賵鬲貙 賵氐賱 兀禺賷乇丕賸 廿賱賶 丿賷乇 "兀賱亘賷賳" 賱賷噩丿 鬲丕賷賷爻 丨亘賷亘鬲賴 賮賷 賳夭毓賴丕 丕賱兀禺賷乇貙 兀賲丕 兀賱亘賷賳 賮賯丿 兀禺匕鬲 鬲氐賮 賱賴 賰賷賮 賰丕賳鬲 鬲丕賷賷爻 鬲賲孬賱 賱賴賲 丕賱賲爻乇丨賷丕鬲 丕賱丿賷賳賷丞 賵鬲亘賰賷賴賲 亘丌丿丕卅賴丕 丕賱賲賱卅 亘丕賱氐丿賯 賵賰賷賮 賰丕賳鬲 鬲毓夭賮 毓賱賶 丕賱毓賵丿 兀賱丨賳丕賸 鬲鬲賯胤毓 賳賷丕鬲 丕賱賯賱賵亘 賲賳 乇賯鬲賴丕 賵賰賷賮 兀賳賴 氐丨鬲 鬲賵亘鬲賴丕.
賷丨丕賵賱 亘丕賮賳賵爻 賮賷 鬲賱賰 丕賱賱丨馗丕鬲 丕賱丨丕爻賲丞 兀賳 賷禺亘乇 鬲丕賷賷爻 兀賳賴 禺丿毓賴丕 賵兀賳賴 賱丕 丨賷丕丞 廿賱丕 丨賷丕丞 丕賱賱匕丞 賵丕賱賲鬲毓丞 賵兀賳賴 賷丨亘賴丕 賵賴賵 賳丕丿賲 兀賳賴 賱賲 賷丨氐賱 毓賱賷賴丕 賵兀禺匕 賷囟賲賴丕 賵賷亘賰賷 賵賴賷 毓賳賴 匕丕賴賱丞 鬲乇賶 丕賱賲賱丕卅賰丞 賵丕賱賱賴 賵賲賰丕賳賴丕 賮賷 丕賱噩賳丞貙 丨鬲賶 鬲賱賮馗 兀賳賮丕爻賴丕 丕賱兀禺賷乇丞貙 賷丨丕賵賱 亘丕賮賳賵爻 兀賳 賷囟賲賴丕 噩孬丞 賴丕賲丿丞 賮鬲賱毓賳賴 賵鬲賲賳毓賴 "丕賱亘賷賳" 賱賷噩丿 賵噩賴 賯丿 丕爻鬲丨丕賱 賵噩賴 賵胤賵丕胤丕賸 賲賳 卮丿丞 丕賱賯亘丨 賵賯丿 丨賱鬲 毓賱賷賴 賱毓賳丞 丕賱乇亘.
February 27, 2014
鬲丕賷賷爻 兀賳丕鬲賵賱 賮乇丕賳爻
賮乇丕賳爻 賴賵 兀丨丿 兀毓馗賲 丕賱兀丿亘丕亍 丕賱賮乇賳爻賷賷賳 賯賷賲丞 亘毓丿 賮賵賱鬲賷乇貙 毓丕卮 賲丕 亘賷賳 1844-1924. 毓賲賱 賮賷 賲噩丕賱 丕賱氐丨丕賮丞 賵賰鬲亘 兀賵賱 兀毓賲丕賱賴 "噩乇賷賲丞 爻賷賱賮爻鬲乇 亘賵賳丕乇" 毓丕賲 1881. 孬賲 丕賱鬲賯賶 毓丕賲 1883 亘賲丿丕賲 兀乇賲丕賳 丿賷 賰丕賷丕賮賷賴 賵丕賱鬲賷 賰丕賳鬲 丨爻亘 丕賯乇丕乇 賮乇丕賳爻 賳賮爻賴 爻亘亘 賰賱 丨賱賾 亘賴 賲賳 卮賴乇丞 賱鬲卮噩賷毓賴丕 賱賴 賮賷 賰賱 爻賳賵丕鬲 賲毓乇賮鬲賴賲丕 丕賱鬲賷 胤丕賱鬲 賱亘賯賷丞 丨賷丕鬲賴.
鬲丕賷爻爻 賴賷 乇賵丕賷丞 鬲鬲丨丿孬 毓賳 丕賱賮鬲丕丞 鬲丕賷賷爻 賵賴賷 -廿賳 氐丨 賱賳丕 兀賳 賳賯賵賱- 賲丕 賷賯丕亘賱 "乇丕亘毓丞 丕賱毓丿賵賷丞" 廿賳賲丕 丕賱賳爻禺丞 丕賱賲爻賷丨賷丞 賲賳賴丕 "鬲賯乇賷亘丕賸". 賴賷 睾丕賳賷丞 毓丕卮鬲 賮賷 丕賱廿爻賰賳丿乇賷丞 賵兀賲囟鬲 丨賷丕鬲賴丕 亘丕賱賲噩賵賳 賵賮鬲賳丞 丕賱乇噩丕賱貙 丨鬲賶 噩丕亍賴丕 丕賱兀亘 "亘丕賮賳賵爻" 賱鬲鬲賵亘.
賴匕賴 丕賱丨賰丕賷丞 賴賷 馗丕賴乇賷丞 丕賱氐乇丕毓 亘賷賳 丕賱禺賷乇 賵丕賱卮乇.. 賮丕賱兀亘 賵丕賱匕賷 賲賳 丕賱賲賮鬲乇囟 亘賴 兀賳 賷賲孬賱 賰賱賲丞 丕賱乇亘貙 兀賳 賷賲孬賱 丕賱禺賷乇.. 賳噩丿賴 賵賯丿 賳賰氐 毓賱賶 毓賯亘賷賴 賮賷 賳賴丕賷丞 丕賱乇賵丕賷丞. 兀賲丕 鬲丕賷賷爻 丕賱睾丕賳賷丞 賵丕賱鬲賷 賲賳 丕賱賲賮鬲乇囟 亘賴丕 兀賳 鬲賲孬賱 鬲噩爻賷丿丕賸 賱賱卮賷胤丕賳 丕賱匕賷 丕亘賳 丌丿賲.. 廿匕 亘賴丕 鬲鬲賵亘 毓賳 匕賱賰 賰賱賴 賵鬲夭賴丿 賮賷 賰賱 賴匕賴 丕賱丿賳賷丕.
賰丕賳 丕賱兀亘 亘丕賮賳賵爻 賯丿 丕賱鬲賯賶 亘鬲丕賷賷爻 賲賳 賯亘賱 賵賯丿 丕賮鬲鬲賳 亘賴丕 賵賴匕丕 兀賲乇 胤亘賷毓賷 賱賰賱 廿賳爻丕賳貙 兀賳 賷噩丿 賮賷 賴匕賴 丕賱丿賳賷丕 賲丕 賷賮鬲鬲賳 亘賴. 賵賱丕 賷爻鬲孬賳賶 賲賳 匕賱賰 賲賳 賴賲 禺丕氐丞 丕賱乇亘 賮賷 丕賱兀乇囟. 賱賰賳 丕賱賲卮賰賱丞 賲毓賴 兀賳賴 賵亘毓丿 賲丕 兀丿賶 賲賴賲鬲賴 賮賷 賴丿丕賷丞 鬲丕賷賷爻 廿匕 亘丕賮鬲鬲丕賳賴 匕丕賰 賷胤賮賵 賲賳 兀毓賲丕賯 賯賱亘賴 丨鬲賶 馗賴乇 毓賱賶 丕賱爻胤丨. 賮噩毓賱 賷賳丿賲 毓賱賶 兀賳賴 賱賲 賷賳賱 賲丕 賳丕賱賴 賲賳賴丕 賲賳 丕賱乇噩丕賱 賲賲賳 爻亘賯賵賴 廿賱賷賴丕 ! 賵賱賷爻 匕賱賰 賵丨爻亘 亘賱 廿賳 賰賱 爻毓賷賴 丕賱匕賷 賰丕賳 賲賳 丨賷丕鬲賴 賱賱丌禺乇丞 睾丿丕 賱賷爻 匕丕 賯賷賲丞 鬲匕賰乇 兀賲丕賲 丿賳賷丕 賷賯亘賱 賲丕 賵胤兀鬲 賯丿賲 鬲丕賷賷爻 賲賳 丕賱兀乇囟.
賴賱 賰丕賳鬲 丕賱丨賰丕賷丞 丨賯丕賸 氐乇丕毓 丕賱禺賷乇 賵丕賱卮乇 責 賮賷 丕賱賵丕賯毓貙 賴賷 兀賯乇亘 賱賱丨亘 丕賱匕賷 賷賯賵丿 氐丕丨亘賴 賱賱賲爻禺 ! 賰丕賳 丕賱兀亘 亘丕賮賳賵爻 鬲賲孬賷賱丕賸 賱賰賱 賲丕 賷噩爻丿賴 "丕賱丨亘 丕賱賲乇囟賷" 賲賳 廿孬賲 廿賳 氐丨 丕賱鬲毓亘賷乇. 賴賵 兀賳 鬲睾丕賱亘 丨亘賰 丨鬲賶 賷睾賱亘賰 賮賷 兀亘卮毓 賲丕 賷賲賰賳 賱賴 賲賳 氐賵乇丞.
賵賰賲 賴賲 賰孬乇 賮賷 賴匕賴 丕賱丿賳賷丕 賲賳 兀賲孬丕賱 丕賱兀亘 亘丕賮賳賵爻 賲賳 鬲睾賱亘賴賲 丕賱丿賳賷丕 賮鬲賲爻丨 賰賱 爻毓賷賴賲 賳丨賵 丕賱丌禺乇丞 亘噩乇丞 賯賱賲 ! 賵賰匕賱賰 丕賱匕賷賳 賲賳 兀賲孬丕賱 鬲丕賷賷爻 賵丕賱匕賷賳 賲丕 兀賳 鬲兀鬲賷賴賲 丕賱賮乇氐丞 丨鬲賶 賷睾鬲賳賲賵賴丕 賱賷丐丿賵丕 孬賲賳 賲丕 賯丿賲賵賴 賲賳 兀匕賶 囟丿 兀賳賮爻賴賲 賵丕賱賲噩鬲賲毓.
賰丕賳 丕賱兀亘 亘丕賮賳賵爻 丕賱賳賯賷囟 賲賳 丕賱卮賷禺 丕賱匕賷 爻乇丿鬲 丨賰丕賷鬲賴 賮賷 賰鬲丕亘賷. 賵賰丕賳鬲 鬲丕賷賷爻 氐賵乇丞 兀禺乇賶 毓賳 賰丕鬲乇賷賳 賮賷 匕丕鬲 丕賱丨賰丕賷丞.
亘丕禺鬲氐丕乇貙 丨賰丕賷丞 亘爻賷胤丞.. 賱賲 鬲毓噩亘賳賷 賰孬賷乇丕賸 賱賱氐亘睾丞 丕賱賵毓馗賷丞 丕賱睾丕賱亘丞 毓賱賷賴丕. 賱丕 兀禺丕賱賴丕 賲孬丕賱丕賸 噩賷丿丕賸 賱鬲賲孬賱 兀毓賲丕賱 賮乇丕賳爻 亘賲噩賲賱賴丕. 兀馗賳賳賷 爻兀賯乇兀 賱賴 兀毓賲丕賱丕賸 兀禺乇賶.
賮乇丕賳爻 賴賵 兀丨丿 兀毓馗賲 丕賱兀丿亘丕亍 丕賱賮乇賳爻賷賷賳 賯賷賲丞 亘毓丿 賮賵賱鬲賷乇貙 毓丕卮 賲丕 亘賷賳 1844-1924. 毓賲賱 賮賷 賲噩丕賱 丕賱氐丨丕賮丞 賵賰鬲亘 兀賵賱 兀毓賲丕賱賴 "噩乇賷賲丞 爻賷賱賮爻鬲乇 亘賵賳丕乇" 毓丕賲 1881. 孬賲 丕賱鬲賯賶 毓丕賲 1883 亘賲丿丕賲 兀乇賲丕賳 丿賷 賰丕賷丕賮賷賴 賵丕賱鬲賷 賰丕賳鬲 丨爻亘 丕賯乇丕乇 賮乇丕賳爻 賳賮爻賴 爻亘亘 賰賱 丨賱賾 亘賴 賲賳 卮賴乇丞 賱鬲卮噩賷毓賴丕 賱賴 賮賷 賰賱 爻賳賵丕鬲 賲毓乇賮鬲賴賲丕 丕賱鬲賷 胤丕賱鬲 賱亘賯賷丞 丨賷丕鬲賴.
鬲丕賷爻爻 賴賷 乇賵丕賷丞 鬲鬲丨丿孬 毓賳 丕賱賮鬲丕丞 鬲丕賷賷爻 賵賴賷 -廿賳 氐丨 賱賳丕 兀賳 賳賯賵賱- 賲丕 賷賯丕亘賱 "乇丕亘毓丞 丕賱毓丿賵賷丞" 廿賳賲丕 丕賱賳爻禺丞 丕賱賲爻賷丨賷丞 賲賳賴丕 "鬲賯乇賷亘丕賸". 賴賷 睾丕賳賷丞 毓丕卮鬲 賮賷 丕賱廿爻賰賳丿乇賷丞 賵兀賲囟鬲 丨賷丕鬲賴丕 亘丕賱賲噩賵賳 賵賮鬲賳丞 丕賱乇噩丕賱貙 丨鬲賶 噩丕亍賴丕 丕賱兀亘 "亘丕賮賳賵爻" 賱鬲鬲賵亘.
賴匕賴 丕賱丨賰丕賷丞 賴賷 馗丕賴乇賷丞 丕賱氐乇丕毓 亘賷賳 丕賱禺賷乇 賵丕賱卮乇.. 賮丕賱兀亘 賵丕賱匕賷 賲賳 丕賱賲賮鬲乇囟 亘賴 兀賳 賷賲孬賱 賰賱賲丞 丕賱乇亘貙 兀賳 賷賲孬賱 丕賱禺賷乇.. 賳噩丿賴 賵賯丿 賳賰氐 毓賱賶 毓賯亘賷賴 賮賷 賳賴丕賷丞 丕賱乇賵丕賷丞. 兀賲丕 鬲丕賷賷爻 丕賱睾丕賳賷丞 賵丕賱鬲賷 賲賳 丕賱賲賮鬲乇囟 亘賴丕 兀賳 鬲賲孬賱 鬲噩爻賷丿丕賸 賱賱卮賷胤丕賳 丕賱匕賷 丕亘賳 丌丿賲.. 廿匕 亘賴丕 鬲鬲賵亘 毓賳 匕賱賰 賰賱賴 賵鬲夭賴丿 賮賷 賰賱 賴匕賴 丕賱丿賳賷丕.
賰丕賳 丕賱兀亘 亘丕賮賳賵爻 賯丿 丕賱鬲賯賶 亘鬲丕賷賷爻 賲賳 賯亘賱 賵賯丿 丕賮鬲鬲賳 亘賴丕 賵賴匕丕 兀賲乇 胤亘賷毓賷 賱賰賱 廿賳爻丕賳貙 兀賳 賷噩丿 賮賷 賴匕賴 丕賱丿賳賷丕 賲丕 賷賮鬲鬲賳 亘賴. 賵賱丕 賷爻鬲孬賳賶 賲賳 匕賱賰 賲賳 賴賲 禺丕氐丞 丕賱乇亘 賮賷 丕賱兀乇囟. 賱賰賳 丕賱賲卮賰賱丞 賲毓賴 兀賳賴 賵亘毓丿 賲丕 兀丿賶 賲賴賲鬲賴 賮賷 賴丿丕賷丞 鬲丕賷賷爻 廿匕 亘丕賮鬲鬲丕賳賴 匕丕賰 賷胤賮賵 賲賳 兀毓賲丕賯 賯賱亘賴 丨鬲賶 馗賴乇 毓賱賶 丕賱爻胤丨. 賮噩毓賱 賷賳丿賲 毓賱賶 兀賳賴 賱賲 賷賳賱 賲丕 賳丕賱賴 賲賳賴丕 賲賳 丕賱乇噩丕賱 賲賲賳 爻亘賯賵賴 廿賱賷賴丕 ! 賵賱賷爻 匕賱賰 賵丨爻亘 亘賱 廿賳 賰賱 爻毓賷賴 丕賱匕賷 賰丕賳 賲賳 丨賷丕鬲賴 賱賱丌禺乇丞 睾丿丕 賱賷爻 匕丕 賯賷賲丞 鬲匕賰乇 兀賲丕賲 丿賳賷丕 賷賯亘賱 賲丕 賵胤兀鬲 賯丿賲 鬲丕賷賷爻 賲賳 丕賱兀乇囟.
賴賱 賰丕賳鬲 丕賱丨賰丕賷丞 丨賯丕賸 氐乇丕毓 丕賱禺賷乇 賵丕賱卮乇 責 賮賷 丕賱賵丕賯毓貙 賴賷 兀賯乇亘 賱賱丨亘 丕賱匕賷 賷賯賵丿 氐丕丨亘賴 賱賱賲爻禺 ! 賰丕賳 丕賱兀亘 亘丕賮賳賵爻 鬲賲孬賷賱丕賸 賱賰賱 賲丕 賷噩爻丿賴 "丕賱丨亘 丕賱賲乇囟賷" 賲賳 廿孬賲 廿賳 氐丨 丕賱鬲毓亘賷乇. 賴賵 兀賳 鬲睾丕賱亘 丨亘賰 丨鬲賶 賷睾賱亘賰 賮賷 兀亘卮毓 賲丕 賷賲賰賳 賱賴 賲賳 氐賵乇丞.
賵賰賲 賴賲 賰孬乇 賮賷 賴匕賴 丕賱丿賳賷丕 賲賳 兀賲孬丕賱 丕賱兀亘 亘丕賮賳賵爻 賲賳 鬲睾賱亘賴賲 丕賱丿賳賷丕 賮鬲賲爻丨 賰賱 爻毓賷賴賲 賳丨賵 丕賱丌禺乇丞 亘噩乇丞 賯賱賲 ! 賵賰匕賱賰 丕賱匕賷賳 賲賳 兀賲孬丕賱 鬲丕賷賷爻 賵丕賱匕賷賳 賲丕 兀賳 鬲兀鬲賷賴賲 丕賱賮乇氐丞 丨鬲賶 賷睾鬲賳賲賵賴丕 賱賷丐丿賵丕 孬賲賳 賲丕 賯丿賲賵賴 賲賳 兀匕賶 囟丿 兀賳賮爻賴賲 賵丕賱賲噩鬲賲毓.
賰丕賳 丕賱兀亘 亘丕賮賳賵爻 丕賱賳賯賷囟 賲賳 丕賱卮賷禺 丕賱匕賷 爻乇丿鬲 丨賰丕賷鬲賴 賮賷 賰鬲丕亘賷. 賵賰丕賳鬲 鬲丕賷賷爻 氐賵乇丞 兀禺乇賶 毓賳 賰丕鬲乇賷賳 賮賷 匕丕鬲 丕賱丨賰丕賷丞.
亘丕禺鬲氐丕乇貙 丨賰丕賷丞 亘爻賷胤丞.. 賱賲 鬲毓噩亘賳賷 賰孬賷乇丕賸 賱賱氐亘睾丞 丕賱賵毓馗賷丞 丕賱睾丕賱亘丞 毓賱賷賴丕. 賱丕 兀禺丕賱賴丕 賲孬丕賱丕賸 噩賷丿丕賸 賱鬲賲孬賱 兀毓賲丕賱 賮乇丕賳爻 亘賲噩賲賱賴丕. 兀馗賳賳賷 爻兀賯乇兀 賱賴 兀毓賲丕賱丕賸 兀禺乇賶.
April 10, 2012
丕賱乇賵丕賷丞 鬲氐賵乇 賮賶 丕賱亘丿丕賷丞 丨賷丕鬲丕賳 賲禺鬲賱賮鬲丕賳 鬲賲丕賲丕
丕賱乇丕賴亘 亘丕賮賳賵爻 賵 丨賷丕丞 丕賱乇賴亘賳丞 賵 丕賱夭賴丿
賵 鬲丕賷賷爻 睾丕賳賷丞 賮丕鬲賳丞 亘丕賱丕爻賰賳丿乇賷丞 鬲毓賷卮 丨賷丕丞 丕賱賮丨卮 賵 丕賱鬲乇賮
賵 賲毓 鬲氐丕毓丿 丕賱丕丨丿丕孬 賷鬲賱丕賯賶 丕賱丕孬賳丕賳 賵 鬲鬲亘丿賱 丨賷丕丞 賰賱 賲賳賴賲丕
賵 丕賱乇賵丕賷丞 鬲氐賵乇 丕賱噩丿賱 丨賵賱 丕賱丕賷賲丕賳 賵 丕賱丕賱丨丕丿
賵 鬲丕孬賷乇 丕賱卮賴賵丕鬲 賮賶 丕賱賳丕爻 禺丕氐丞 卮賴賵丞 丕賱賲丕賱 賵 丕賱噩賲丕賱 賵 賰賷賮 丕賳 卮賴賵丞 丕賱噩爻丿 賴賶 丕氐賱 賰賱 丕賱卮賴賵丕鬲 賵 丕賱禺胤丕賷丕
丕賲丕 毓賳 丨賷丕丞 丕賱乇賴亘賳丞 賮賴賲 亘毓賷丿賷賳 毓賳 丕賶 賲賳 鬲賱賰 丕賱卮賴賵丕鬲 賱匕丕 賮丕賳丕 丕乇賶 丕賳 丕賱丕賳爻丕賳 丕賱毓丕丿賶 丕賱匕賶 賷鬲毓亘丿 賵 賷毓賲賱 賵 賷賵丕噩賴 丕禺鬲亘丕乇丕鬲 賮賷賳噩丨 賮賶 賲賵丕噩賴鬲賴丕 丕賵 鬲匕賱 賯丿賲賴 賵 賷毓賵丿 賮賷鬲賵亘 丕賯賵賶 賲賳 賲賳 賱賲 賷賲乇 亘鬲賱賰 丕賱丕亘鬲賱丕卅丕鬲 賮賴賵 賱賲 賷禺囟賴丕 賰丕賱丕禺乇 賱賷孬亘鬲 丕賵 賷賯毓 賮賶 丕賱禺胤兀
賵 匕賱賰 賷馗賴乇 賮賶 丕賱乇賵丕賷丞 賮賲賳 賳兀賶 亘賳賮爻賴 毓賳 匕賱賰 丕賱毓丕賱賲 賵 賷丿禺賱 丕賱賷賴 賮噩兀丞 賮賱賳 賷賯毓 賮賯胤 亘賱 爻賷乇鬲胤賲 亘賯賵丞 賲毓 丕賵賱 賲賵丕噩賴丞 賲毓 丕賱毓丕賱賲 丕賱丨賯賷賯賶
丕賱乇丕賴亘 亘丕賮賳賵爻 賵 丨賷丕丞 丕賱乇賴亘賳丞 賵 丕賱夭賴丿
賵 鬲丕賷賷爻 睾丕賳賷丞 賮丕鬲賳丞 亘丕賱丕爻賰賳丿乇賷丞 鬲毓賷卮 丨賷丕丞 丕賱賮丨卮 賵 丕賱鬲乇賮
賵 賲毓 鬲氐丕毓丿 丕賱丕丨丿丕孬 賷鬲賱丕賯賶 丕賱丕孬賳丕賳 賵 鬲鬲亘丿賱 丨賷丕丞 賰賱 賲賳賴賲丕
賵 丕賱乇賵丕賷丞 鬲氐賵乇 丕賱噩丿賱 丨賵賱 丕賱丕賷賲丕賳 賵 丕賱丕賱丨丕丿
賵 鬲丕孬賷乇 丕賱卮賴賵丕鬲 賮賶 丕賱賳丕爻 禺丕氐丞 卮賴賵丞 丕賱賲丕賱 賵 丕賱噩賲丕賱 賵 賰賷賮 丕賳 卮賴賵丞 丕賱噩爻丿 賴賶 丕氐賱 賰賱 丕賱卮賴賵丕鬲 賵 丕賱禺胤丕賷丕
丕賲丕 毓賳 丨賷丕丞 丕賱乇賴亘賳丞 賮賴賲 亘毓賷丿賷賳 毓賳 丕賶 賲賳 鬲賱賰 丕賱卮賴賵丕鬲 賱匕丕 賮丕賳丕 丕乇賶 丕賳 丕賱丕賳爻丕賳 丕賱毓丕丿賶 丕賱匕賶 賷鬲毓亘丿 賵 賷毓賲賱 賵 賷賵丕噩賴 丕禺鬲亘丕乇丕鬲 賮賷賳噩丨 賮賶 賲賵丕噩賴鬲賴丕 丕賵 鬲匕賱 賯丿賲賴 賵 賷毓賵丿 賮賷鬲賵亘 丕賯賵賶 賲賳 賲賳 賱賲 賷賲乇 亘鬲賱賰 丕賱丕亘鬲賱丕卅丕鬲 賮賴賵 賱賲 賷禺囟賴丕 賰丕賱丕禺乇 賱賷孬亘鬲 丕賵 賷賯毓 賮賶 丕賱禺胤兀
賵 匕賱賰 賷馗賴乇 賮賶 丕賱乇賵丕賷丞 賮賲賳 賳兀賶 亘賳賮爻賴 毓賳 匕賱賰 丕賱毓丕賱賲 賵 賷丿禺賱 丕賱賷賴 賮噩兀丞 賮賱賳 賷賯毓 賮賯胤 亘賱 爻賷乇鬲胤賲 亘賯賵丞 賲毓 丕賵賱 賲賵丕噩賴丞 賲毓 丕賱毓丕賱賲 丕賱丨賯賷賯賶
May 4, 2013
丕賵賱 賯乇丕亍丕鬲賶 賱兀賳丕鬲賵賱 賮乇丕賳爻
鬲丿賵乇 丕賱乇賵丕賷丞 亘廿賷噩丕夭 丨賵賱 丨賷丕丞 丕賱乇丕賴亘 " 亘丕賮賳賵爻 " 賵賰賷賮 夭賴丿 賮 丕賱丨賷丕丞 賵丕賳卮睾賱 亘丨賷丕丞 丕賱乇賴亘賳丞 賵丕賱丕毓丿丕丿 賱賱丌禺乇丞 賵毓丿賲 丕賴鬲賲丕賲賴 亘丕賱丨賷丕丞 丕賱丿賳賷丕 貙 孬賲 賷賯乇乇 兀賳 賷賴丿賶 賮丕鬲賳丞 丕賱丕爻賰賳丿乇賷丞 " 鬲丕賷賷爻 " 廿賱賶 胤乇賷賯 丕賱乇卮丿 賵丕賱氐賵丕亘 賵賷賳噩丨 賮 匕賱賰 賱鬲鬲丨賵賱 丨賷丕丞 賰賱丕賲賴賲丕 廿賱賶 丕賱賳賯賷囟 鬲賲丕賲丕 貙 丨賷孬 賷氐亘丨 亘丕賮賳賵爻 賳丕賰乇丕 賱賱廿賱賴 賵毓丕卮賯丕 賱賱丨賷丕丞 丕賱丿賳賷丕 賵賱賰賳 亘毓丿 賮賵丕鬲 丕賱丕賵丕賳 貙 賵鬲氐亘丨 鬲丕賷賷爻 丕賰孬乇 鬲丿賷賳丕 毓賳 匕賶 賯亘賱 賱鬲鬲賵賮賶 賵賴賶 卮丕毓乇丞 亘兀賳賴 賯丿 鬲賲 丕賱毓賮賵 毓賳賴丕
卮毓乇鬲 亘丕賱賲賱賱 賰孬賷乇丕 禺賱丕賱 丕丨丿丕孬 丕賱乇賵丕賷丞 禺丕氐丞 毓賳丿賲丕 鬲丨丿孬 丕賱賮賱丕爻賮丞 賵鬲噩丕丿賱賵丕 亘卮兀賳 丕賱賱賴 賵丕賱禺賷乇 賵丕賱卮乇 賵睾賷乇 匕賱賰
賰匕賱賰 丌賱賲鬲賳賶 丕賱賳賴丕賷丞 賰孬賷乇丕 賵鬲丨賵賱 丕賱乇丕賴亘 亘丕賮賳賵爻 廿賱賶 賲爻禺 賱賲毓氐賷鬲賴 丕賱廿賱賴
鬲丿賵乇 丕賱乇賵丕賷丞 亘廿賷噩丕夭 丨賵賱 丨賷丕丞 丕賱乇丕賴亘 " 亘丕賮賳賵爻 " 賵賰賷賮 夭賴丿 賮 丕賱丨賷丕丞 賵丕賳卮睾賱 亘丨賷丕丞 丕賱乇賴亘賳丞 賵丕賱丕毓丿丕丿 賱賱丌禺乇丞 賵毓丿賲 丕賴鬲賲丕賲賴 亘丕賱丨賷丕丞 丕賱丿賳賷丕 貙 孬賲 賷賯乇乇 兀賳 賷賴丿賶 賮丕鬲賳丞 丕賱丕爻賰賳丿乇賷丞 " 鬲丕賷賷爻 " 廿賱賶 胤乇賷賯 丕賱乇卮丿 賵丕賱氐賵丕亘 賵賷賳噩丨 賮 匕賱賰 賱鬲鬲丨賵賱 丨賷丕丞 賰賱丕賲賴賲丕 廿賱賶 丕賱賳賯賷囟 鬲賲丕賲丕 貙 丨賷孬 賷氐亘丨 亘丕賮賳賵爻 賳丕賰乇丕 賱賱廿賱賴 賵毓丕卮賯丕 賱賱丨賷丕丞 丕賱丿賳賷丕 賵賱賰賳 亘毓丿 賮賵丕鬲 丕賱丕賵丕賳 貙 賵鬲氐亘丨 鬲丕賷賷爻 丕賰孬乇 鬲丿賷賳丕 毓賳 匕賶 賯亘賱 賱鬲鬲賵賮賶 賵賴賶 卮丕毓乇丞 亘兀賳賴 賯丿 鬲賲 丕賱毓賮賵 毓賳賴丕
卮毓乇鬲 亘丕賱賲賱賱 賰孬賷乇丕 禺賱丕賱 丕丨丿丕孬 丕賱乇賵丕賷丞 禺丕氐丞 毓賳丿賲丕 鬲丨丿孬 丕賱賮賱丕爻賮丞 賵鬲噩丕丿賱賵丕 亘卮兀賳 丕賱賱賴 賵丕賱禺賷乇 賵丕賱卮乇 賵睾賷乇 匕賱賰
賰匕賱賰 丌賱賲鬲賳賶 丕賱賳賴丕賷丞 賰孬賷乇丕 賵鬲丨賵賱 丕賱乇丕賴亘 亘丕賮賳賵爻 廿賱賶 賲爻禺 賱賲毓氐賷鬲賴 丕賱廿賱賴
September 12, 2020
3.5 stars. An interesting historical fiction novel set in the 4th Century, located in Alexandria, Egypt. It鈥檚 about the issues around renouncing sin in favour of spiritual salvation. Paphnuce, a pious abbot, travels to Alexandria to convert Thais to Christianity. Thais is a beautiful actress and courtesan. Paphnuce faces a number of temptations and his motives become questionable. Thais exposes the contradiction inherent in the idea of purity.
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