Satyajit Ray (Bengali: 唳膏Δ唰嵿Ο唳溹唰� 唳班唳) was an Indian filmmaker and author of Bengali fiction and regarded as one of the greatest auteurs of world cinema. Ray was born in the city of Calcutta into a Bengali family prominent in the world of arts and literature. Starting his career as a commercial artist, Ray was drawn into independent filmmaking after meeting French filmmaker Jean Renoir and watching Vittorio De Sica's Italian neorealist 1948 film, Bicycle Thieves.
Ray directed 36 films, including feature films, documentaries and shorts. He was also a fiction writer, publisher, illustrator, calligrapher, graphic designer and film critic. He authored several short stories and novels, primarily aimed at children and adolescents.
Ray's first film, Pather Panchali (1955), won eleven international prizes, including Best Human Documentary at the Cannes Film Festival. This film, Aparajito (1956) and Apur Sansar (1959) form The Apu Trilogy. Ray did the scripting, casting, scoring, and editing, and designed his own credit titles and publicity material. Ray received many major awards in his career, including 32 Indian National Film Awards, a number of awards at international film festivals and award ceremonies, and an Academy Award in 1992. The Government of India honoured him with the Bharat Ratna in 1992.
Early Life and Background: Ray's grandfather, Upendrakishore Ray Chowdhury was a writer, illustrator, philosopher, publisher, amateur astronomer and a leader of the Brahmo Samaj, a religious and social movement in nineteenth century Bengal. Sukumar Ray, Upendrakishore's son and father of Satyajit, was a pioneering Bengali author and poet of nonsense rhyme and children's literature, an illustrator and a critic. Ray was born to Sukumar and Suprabha Ray in Calcutta.
Ray completed his B.A. (Hons.) in Economics at Presidency College of the University of Calcutta, though his interest was always in Fine Arts. In 1940, he went to study in Santiniketan where Ray came to appreciate Oriental Art. In 1949, Ray married Bijoya Das and the couple had a son, Sandip ray, who is now a famous film director.
Literary Works: Ray created two of the most famous fictional characters ever in Bengali children's literature鈥擣eluda, a sleuth in Holmesian tradition, and Professor Shonku, a genius scientist. Ray also wrote many short stories mostly centered on Macabre, Thriller and Paranormal which were published as collections of 12 stories. Ray wrote an autobiography about his childhood years, Jakhan Choto Chilam (1982). He also wrote essays on film, published as the collections: Our Films, Their Films (1976), Bishoy Chalachchitra (1976), and Ekei Bole Shooting (1979).
Awards, Honors and Recognitions: Ray received many awards, including 32 National Film Awards by the Government of India. At the Moscow Film Festival in 1979, he was awarded for the contribution to cinema. At the Berlin Film Festival, he was one of only three to win the Silver Bear for Best Director more than once and holds the record for the most Golden Bear nominations, with seven. At the Venice Film Festival, he won a Golden Lion for Aparajito(1956), and awarded the Golden Lion Honorary Award in 1982. In 1992 he was posthumously awarded the Akira Kurosawa Award for Lifetime Achievement in Directing at the San Francisco International Film Festival.
Extraordinary story. Although the plot feels old and predictable, to a certain extent, it has got a nice human touch to it that it brings one to tears. Don't get me wrong, this is not some sad soap opera, but a story with a gripping narrative and a definite page-turner. If it was so good in English, I can only try and imagine how much more elegant the prose would have been in its original rendition, Bengali.
鈥業鈥檓 not the only one. Do you think you can鈥檛 be an artist living in a big house and going to school? Its balls I juggle. You can try juggling with words, colours, with tunes! Think of that! You鈥檒l have something worth juggling with and you鈥檒l know what kind of artist you can become. Then you鈥檒l鈥︹€�
A moving and contemplating sketch of nameless relationship between a boy who lost his memory and a juggler who helps him in the journey outside the safe and sound home. The bonding and thread of humanity penned by the Master reminds me one of most beloved humanitarian tale of Gurudeb.
Not the best of ray, on the onset it appears to be an adventure visual novel which grabs attention early on but later looses any excitement as plot becomes bare in the middle.
A simple story, beautifully told. The genius of Ray shines bright throughout the book, especially towards the end. This is one of those stories which leaves a mark forever.