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پاريس تگزاس
English, French, German
- GenresDramaFilmArtPhotography
135 pages, Paperback
First published January 1, 1984
156 people want to read
About the author
Wim Wenders
102books100followersErnst Wilhelm ("Wim") Wenders is a German film director, playwright, author, photographer and producer. He was born in Düsseldorf.
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Displaying 1 - 8 of 8 reviews
November 23, 2020
Paris, Texas: Screenplay, Wim Wenders
Paris, Texas is a 1984 road movie directed by Wim Wenders and starring Harry Dean Stanton, Dean Stockwell, Nastassja Kinski, and Hunter Carson.
The screenplay was written by L. M. Kit Carson and playwright Sam Shepard, while the distinctive musical score was composed by Ry Cooder.
The film was a co-production between companies in France and West Germany, and was shot in the United States by Robby Müller.
تاریخ نخستین خوانش: سال 1990میلادی
عنوان: پاریس تگزاس: فیلمنامه؛ اثر: سام شپاردو؛ کارگردان: ویم وندرس؛ مترجم: هوشنگ گلمکانی؛ مشخصات نشر تهران، نجوا، 1369، در 98ص و 18ص، تصویر، مصور، موضوع فیلمنامه های نویسندگان کارگردانها ی آلمانی - سده 20م
پاریس، تگزاس، فیلمی درام است، ساخته ی «ویم وندرس»، در سال 1984میلادی، و درباره ی مردیست، که در صحرا گم شده است، و برادرش او را می‌یابد� و به خانه برمی‌گرداند� نام فیلم از «پاریس» که شهری در شمال� شرقی «ایالت تگزاس (واقع در شهرستان لامار)» است، برگرفته شده، گرچه هیچ صحنه� ای از فیلم، در آنجا فیلمبرداری نشده است؛ این فیلم برنده ی جایزه «نخل طلا»، از جشنواره فیلم «کن»، در سال 1984میلادی شده است؛ «پاریس تگزاس»، فیلمی بی‌ابهام� اما سرشار از ایهام است، از آن‌گون� فیلم‌های� که برای تشریح زیبایی‌هایش� باید مدام به تماشایش بنشست
تاریخ بهنگام رسانی 02/09/1399هجری خورشیدی؛ ا. شربیانی
Paris, Texas is a 1984 road movie directed by Wim Wenders and starring Harry Dean Stanton, Dean Stockwell, Nastassja Kinski, and Hunter Carson.
The screenplay was written by L. M. Kit Carson and playwright Sam Shepard, while the distinctive musical score was composed by Ry Cooder.
The film was a co-production between companies in France and West Germany, and was shot in the United States by Robby Müller.
تاریخ نخستین خوانش: سال 1990میلادی
عنوان: پاریس تگزاس: فیلمنامه؛ اثر: سام شپاردو؛ کارگردان: ویم وندرس؛ مترجم: هوشنگ گلمکانی؛ مشخصات نشر تهران، نجوا، 1369، در 98ص و 18ص، تصویر، مصور، موضوع فیلمنامه های نویسندگان کارگردانها ی آلمانی - سده 20م
پاریس، تگزاس، فیلمی درام است، ساخته ی «ویم وندرس»، در سال 1984میلادی، و درباره ی مردیست، که در صحرا گم شده است، و برادرش او را می‌یابد� و به خانه برمی‌گرداند� نام فیلم از «پاریس» که شهری در شمال� شرقی «ایالت تگزاس (واقع در شهرستان لامار)» است، برگرفته شده، گرچه هیچ صحنه� ای از فیلم، در آنجا فیلمبرداری نشده است؛ این فیلم برنده ی جایزه «نخل طلا»، از جشنواره فیلم «کن»، در سال 1984میلادی شده است؛ «پاریس تگزاس»، فیلمی بی‌ابهام� اما سرشار از ایهام است، از آن‌گون� فیلم‌های� که برای تشریح زیبایی‌هایش� باید مدام به تماشایش بنشست
تاریخ بهنگام رسانی 02/09/1399هجری خورشیدی؛ ا. شربیانی
January 15, 2021
برای اولین بار آرزو کرد که ای کاش می‌تونس� بره، خیلی دور. دلش می‌خواس� در دل یک سرزمین پهناور گم بشه، جایی که هیچ‌ک� اون رو نشناسه. جایی بدون زبان، بدون خیابون. اون خواب چنین جایی رو دید، بدون این‌ک� اسمش رو بدونه.
از مقدسات! هم فیلم، هم فیلمنامه و هم خودِ کتاب که مدت‌ه� دنبالش بودم و بالاخره هدیه گرفته‌م�.
March 19, 2014
فیلم پاریس تگزاس (کارگردان: ویم وندرس - محصول سال 1984) را 5 سال پیش در جلسه کانون فیلم انجمن اسلامی دانشگاه دیده بودم.با این حال خواندن فیلمنامه آن بعد از پنج سال بسیار جذاب بود.اما برای پی بردن به کنه زیبایی و ظرافت شگفتی ساز آن باید فیلم را حتما تماشا کرد.نام کتاب برگرفته از محله ای در تگزاس است.که نطفه شخصیت اول فیلم در آن جا بسته شده است.نقطه آغاز و احتمالا نقطه پایان.زیرا مشخص است تراویس بعد از ترک دوباره خانواده اش به آنجا رهسپار می شود.درون نام "پاریس تگزاس" تضادی ظریف نیز نهفته است.پاریس نماد عشق و تگزاس نماد خشونت.پاریس تگزاس روایتی "جاده ای" محسوب می شود.روح سفر در تمام طول داستان جریان دارد.داستان مضامین نهفته بسیاری دارد،از بستن جینی با کمربند تا فرار تراویس به بیابان و یا راه رفتن پدر و پسر هر کدام در یک طرف پیاده رو. علاوه بر این،در فیلم کارگردان با مهارت خاصی مضامین دیگری را ماهرانه به داستان افزوده است(مانند استفاده از رنگ ها،کنتراست خاص بعضی از صحنه ها و فریم های فوق العاده زیبا).به همین جهت دیدن فیلم نیز در کنار خواندن فیلمنامه توصیه می شود
March 1, 2017
my one & only love.
"I... I used to make long speeches to you after you left. I used to talk to you all the time, even though I was alone. I walked around for months talking to you. Now I don't know what to say. It was easier when I just imagined you. I even imagined you talking back to me. We'd have long conversations, the two of us. It was almost like you were there. I could hear you, I could see you, smell you. I could hear your voice. Sometimes your voice would wake me up. It would wake me up in the middle of the night, just like you were in the room with me. Then... it slowly faded. I couldn't picture you anymore. I tried to talk out loud to you like I used to, but there was nothing there. I couldn't hear you. Then... I just gave it up. Everything stopped. You just... disappeared. And now I'm working here. I hear your voice all the time. Every man has your voice."
"I... I used to make long speeches to you after you left. I used to talk to you all the time, even though I was alone. I walked around for months talking to you. Now I don't know what to say. It was easier when I just imagined you. I even imagined you talking back to me. We'd have long conversations, the two of us. It was almost like you were there. I could hear you, I could see you, smell you. I could hear your voice. Sometimes your voice would wake me up. It would wake me up in the middle of the night, just like you were in the room with me. Then... it slowly faded. I couldn't picture you anymore. I tried to talk out loud to you like I used to, but there was nothing there. I couldn't hear you. Then... I just gave it up. Everything stopped. You just... disappeared. And now I'm working here. I hear your voice all the time. Every man has your voice."
June 13, 2007
من ابتدا فیلم "ویم وندرس" را دیده ام، و بعد متوجه شده ام که متن اولیه، کتابی ست، یا بهتر بگویم داستانی ست از "سام شپارد"، نویسنده ی امریکایی که آثارش را بسیار دوست دارم.، پس رفته ام سراغ کتاب. واقعیت آن است که میان نوشته ی مکتوب، و فیلم نامه ای که خود سام شپارد هم در نوشتن آن سهیم بوده، تفاوت بسیاری ست. اگرچه هر دو زیباست، داستان خواندنی ست و فیلم دیدنی، ست با این همه .....
آثار سام شپارد به نمایش نامه ها و داستان های کوتاهش محدود نمی شود. او در زمینه ی موسیقی جاز و پاپ هم کار کرده و برخی از سروده هایش برای خوانندگان مشهور، معروف است. سام شپارد فیلم نامه نویس و بازیگر سینما و تیاتر هم هست و در بسیاری از فیلم ها بازی کرده و در برخی از آنها مانند "فرانسیس" با همسرش "جسیکا لنگ" همبازی بوده است. سام شپارد هم چنین منتقد تیاتر و سینما هم هست و برخی از نقدهایش در مجلات مشهور دنیای انگلیسی زبان چاپ می شود.
آثار سام شپارد به نمایش نامه ها و داستان های کوتاهش محدود نمی شود. او در زمینه ی موسیقی جاز و پاپ هم کار کرده و برخی از سروده هایش برای خوانندگان مشهور، معروف است. سام شپارد فیلم نامه نویس و بازیگر سینما و تیاتر هم هست و در بسیاری از فیلم ها بازی کرده و در برخی از آنها مانند "فرانسیس" با همسرش "جسیکا لنگ" همبازی بوده است. سام شپارد هم چنین منتقد تیاتر و سینما هم هست و برخی از نقدهایش در مجلات مشهور دنیای انگلیسی زبان چاپ می شود.
December 15, 2018
Paris, Texas, written by Sam Shepard and directed by Wim Wenders
9 out of 10
This is one of the best films that one can see, included among the Top Rated Movies and winner of the most important- more relevant than any Oscar - cinematic prize of all:
The Palme d'Or at the Cannes Film Festival of 1984
The extraordinary Harry Dean Stanton has here the leading role - and it makes cinephiles wonder why he had this opportunity so seldom - of Travis Henderson.
This a man that has been severely affected by trauma - we would learn in the course of the film about the break up of his marriage, in spite of the deep love that he felt for his wife and she may have reciprocated- and in the first few scenes, he enters a bar, where he collapses and is then taken to see a Doctor- actually, it is vice versa, in his condition, the hero can see nothing and nobody.
His brother, Walt Henderson - played by another formidable artist, Dean Stockwell - is called and he comes to take his lost relative, that had been absent for the past years - was it four?
When Walt is absent, in town to buy new clothes and boots, for the footwear that the traveler has in his feet have big holes in them and have been used beyond their expiration date, the pilgrim is off again.
The puzzled brother takes the rented car and drives around, finding the bizarre Walker near the railway line, inviting him back in, but without much success in prompting his companion to talk, even when he emphasizes that this is going to be a long drive.
That is especially true when Travis refuses to fly in an aero plane and they have to go back to the rental agency and get the same car - they insist upon it - to travel for days and thousands of miles.
When they arrive home, Walt's wife, Anne, is worried that the boy they almost adopted, Hunter, would be lost to them as he reunites with Travis, his real father.
Hunter is confused by the new situation, and when his "new" parent comes to take him from school, he refuses to go, opting for a ride in a car.
Granted, this is America and the boy indicates that his father came on foot and nobody Walks!
Therefore, another time his prodigal parent tries to cut a better figure, dresses up, takes a Texan hat and does some funny tricks, walks in an amusing way, even hits a garbage bin by mistake.
They all watch some amateur films in which they were all happy, mother Jane included, played by the delicate, sensuous Nastassja Kinski.
Talking with Anne, Travis learns that the estranged woman is sending money on each fifth of every month, depending on her financial status, she deposits a hundred dollars sometimes and at other times much less than that.
The hero decides to travel and find his wife and his son, who has bonded with him in the meantime, wants to come along.
When they start, Anne and Walt are very worried, indeed, panicked to find father and son missing.
However, the somewhat - or should we say completely irresponsible parent - tells Hunter to call the uncle and aunt that have been his protectors and emotional support for four years and tell them about their plan.
They wait outside the bank from where the money is sent, the boy at one exit and Travis at another, until Jane drives away and they start following, although for a good while, they are unsure if they chase the right car.
The psychologically traumatized woman works in the sex industry, so to say, in an outfit where men pay to watch employees wearing bizarre uniforms - one is dressed as a nurse and has a toy pony with her.
Travis has to come again, for the first conversation with the spouse that cannot see him when the light is on on her side of the window is not auspicious
The second time though, he starts telling a story...his narrative and this is when the public finds what happened and Jane understands that she listens to her husband.
The end is uncertain.
It looks like it could be sad, but given the outre characters, the return of the Prodigal Father, his consequent departure and then what happened between him and his son, maybe there is a chance for a bright future, even if this is not the kind of feature with...
They all lived happily for ever after!
9 out of 10
This is one of the best films that one can see, included among the Top Rated Movies and winner of the most important- more relevant than any Oscar - cinematic prize of all:
The Palme d'Or at the Cannes Film Festival of 1984
The extraordinary Harry Dean Stanton has here the leading role - and it makes cinephiles wonder why he had this opportunity so seldom - of Travis Henderson.
This a man that has been severely affected by trauma - we would learn in the course of the film about the break up of his marriage, in spite of the deep love that he felt for his wife and she may have reciprocated- and in the first few scenes, he enters a bar, where he collapses and is then taken to see a Doctor- actually, it is vice versa, in his condition, the hero can see nothing and nobody.
His brother, Walt Henderson - played by another formidable artist, Dean Stockwell - is called and he comes to take his lost relative, that had been absent for the past years - was it four?
When Walt is absent, in town to buy new clothes and boots, for the footwear that the traveler has in his feet have big holes in them and have been used beyond their expiration date, the pilgrim is off again.
The puzzled brother takes the rented car and drives around, finding the bizarre Walker near the railway line, inviting him back in, but without much success in prompting his companion to talk, even when he emphasizes that this is going to be a long drive.
That is especially true when Travis refuses to fly in an aero plane and they have to go back to the rental agency and get the same car - they insist upon it - to travel for days and thousands of miles.
When they arrive home, Walt's wife, Anne, is worried that the boy they almost adopted, Hunter, would be lost to them as he reunites with Travis, his real father.
Hunter is confused by the new situation, and when his "new" parent comes to take him from school, he refuses to go, opting for a ride in a car.
Granted, this is America and the boy indicates that his father came on foot and nobody Walks!
Therefore, another time his prodigal parent tries to cut a better figure, dresses up, takes a Texan hat and does some funny tricks, walks in an amusing way, even hits a garbage bin by mistake.
They all watch some amateur films in which they were all happy, mother Jane included, played by the delicate, sensuous Nastassja Kinski.
Talking with Anne, Travis learns that the estranged woman is sending money on each fifth of every month, depending on her financial status, she deposits a hundred dollars sometimes and at other times much less than that.
The hero decides to travel and find his wife and his son, who has bonded with him in the meantime, wants to come along.
When they start, Anne and Walt are very worried, indeed, panicked to find father and son missing.
However, the somewhat - or should we say completely irresponsible parent - tells Hunter to call the uncle and aunt that have been his protectors and emotional support for four years and tell them about their plan.
They wait outside the bank from where the money is sent, the boy at one exit and Travis at another, until Jane drives away and they start following, although for a good while, they are unsure if they chase the right car.
The psychologically traumatized woman works in the sex industry, so to say, in an outfit where men pay to watch employees wearing bizarre uniforms - one is dressed as a nurse and has a toy pony with her.
Travis has to come again, for the first conversation with the spouse that cannot see him when the light is on on her side of the window is not auspicious
The second time though, he starts telling a story...his narrative and this is when the public finds what happened and Jane understands that she listens to her husband.
The end is uncertain.
It looks like it could be sad, but given the outre characters, the return of the Prodigal Father, his consequent departure and then what happened between him and his son, maybe there is a chance for a bright future, even if this is not the kind of feature with...
They all lived happily for ever after!
January 13, 2022
Even though I am not a big Wim Wenders Fan, this made me cry. Bit cheesy, but I liked it.
September 7, 2014
Never understood the fondness for this slow paced Wim Wenders film
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