This volume of Simone de Beauvoir's legendary autobiography presents Beauvoir at the height of her international fame and portrays her inner struggle with aging. Beauvoir recounts her difficult long-distance romance with novelist Nelson Algren and her involvement with Claude Lanzmann (the future director of Shoah). She also vividly describes her travels with Sartre to Brazil and Cuba, reveals her private sense of despair in reaction to French atrocities in Algeria, and confronts her own deepening depression. Simone de Beauvoir's outstanding achievement is to have left us an admirable record of her unceasing battle to become an independent woman and writer.
Simone de Beauvoir was a French author and philosopher. She wrote novels, monographs on philosophy, political and social issues, essays, biographies, and an autobiography. She is now best known for her metaphysical novels, including She Came to Stay and The Mandarins, and for her 1949 treatise The Second Sex, a detailed analysis of women's oppression and a foundational tract of contemporary feminism.
---- Simone de Beauvoir est née à Paris le 9 janvier 1908. Elle fit ses études jusqu'au baccalauréat dans le très catholique cours Désir. Agrégée de philosophie en 1929, elle enseigna à Marseille, à Rouen et à Paris jusqu'en 1943. C'est L'Invitée (1943) qu'on doit considérer comme son véritable début littéraire. Viennent ensuite Le sang des autres (1945), Tous les hommes sont mortels (1946), Les Mandarins (prix Goncourt 1954), Les Belles Images (1966) et La Femme rompue (1968).
Simone de Beauvoir a écrit des mémoires où elle nous donne elle-même à connaître sa vie, son œuvre. L'ampleur de l'entreprise autobiographique trouve sa justification, son sens, dans une contradiction essentielle à l'écrivain : choisir lui fut toujours impossible entre le bonheur de vivre et la nécessité d'écrire ; d'une part la splendeur contingente, de l'autre la rigueur salvatrice. Faire de sa propre existence l'objet de son écriture, c'était en partie sortir de ce dilemme.
Outre le célèbre Deuxième sexe (1949) devenu l'ouvrage de référence du mouvement féministe mondial, l'œuvre théorique de Simone de Beauvoir comprend de nombreux essais philosophiques ou polémiques.
Après la mort de Jean-Paul Sartre, Simone de Beauvoir a publié La Cérémonie des adieux (1981) et les Lettres au Castor (1983) qui rassemblent une partie de l'abondante correspondance qu'elle reçut de lui. Jusqu'au jour de sa mort, le 14 avril 1986, elle a collaboré activement à la revue fondée par Sartre et elle-même, Les Temps Modernes, et manifesté sous des formes diverses et innombrables sa solidarité avec le féminisme.
This second part of The Force of Things remains at the height of the memoir. Perhaps even more successful. From a political point of view, we are immersed in the twists and turns of the Algerian War and the return of De Gaulle. This historical event is not treated in the same way as the Second World War. Simone de Beauvoir seems to take a step back (paradoxically, she wrote this part quite soon after experiencing these events). The author struggles with her moral conscience; this is ultimately the first time she has distanced herself so much from France and the French. And we can understand this in light of the crimes of the French state! In terms of her private life, she also seems increasingly transparent, mainly through her relationship with Lanzmann. One of the most successful parts is the trip to Brazil. As much as her previous trips could seem long, this country is wonderfully well described, and one does not get bored there (no doubt because it is studied in the light of political and personal convictions). Finally, as in the previous one, one feels death closely throughout this part. And the epilogue is the climax in qualitative terms. She takes stock of her relationship with Sartre and her relationship with herself through the evolution of her body, her tastes, and her convictions. Once the complicity is established between Beauvoir and the reader, it doesn't seem easy to let go of her on such a good path. Few authors have provoked this effect in me; it is not a question of similar life, converging ideas, or style. It is a whole. Thanks to her, the work of Memoirs is sublimated!
They met in 1952, when he was 27 and she was 44, and things clicked at once. His opening gambit was remarkably effective. A free translation from her account:
- Hello?
- Hi Simone, it's Claude.
- Hi.
- Look, would you like to go see a movie with me?
- Um... which movie?
- It doesn't matter.
If anyone else has the courage to try this, I'd be curious to know whether it works for them too.
Hela var mycket bra (såklart) men när jag läste epilogen om relationen till Sartre, skrivandet, att vara kvinna, att åldras och att se livet levt gick jag bara sönder så fint det var. Lite citat från epilogen, lösryckt: ”Jag har skrivit några böcker, inga andra. Det är något i allt detta som förvirrar mig. Jag har levt vänd mot framtiden och nu sammanfattar jag mig i det förflutna � det är som om nuet smusslats bort. I många år har jag tänkt att jag hade mitt verk framför mig, och nu är det plötsligt bakom mig: det finns inget ögonblick då det har ägt rum.�
Om att författa: ”Varje sida, varje mening kräver en uppfinning, ett inte förut fattat beslut. Skapandet är ett äventyr, det är ungdom och frihet.�
Om den korta framtid som finns kvar: ”Och vilka hot den rymmer! Det enda både nya och viktiga som kan hända mig är olyckan.�
Och epilogens avslut: ”Jag återser häcken med hasselbuskar som vinden slet i och de löften med vilka jag berusade mitt hjärta medan jag betraktade guldgruvan vid mina fötter: ett helt liv att leva. Jag har hållit mina löften. Men samtidigt som jag vänder mig om och fäster en klentrogen blick på den godtrogna tonåringen, inser jag med bestörtning hur bedragen jag har blivit.�
Lecture captivante. Riche d'Histoire, de voyages, de réflexions politiques sociologiques et philosophiques. Ces 3 mémoires sont à la fois accessibles et profonds de sens, dignes d'une grande écrivaine.
This one was steeped too heavily in the FRench politics of the time for me to wade through comfortably. Felt I needed a very large reference work on FRance from 1950 to 1963 in order to understand most of it. Not as personal as the first volume. Her analysis of the "Nouveau Roman" at the end very curious - exactly on target but somehow not realizing that point WAS the target. Probably for de Beauvior fanatics or francophiles interested in the political climate and intrigues of the 50's and 60's.
The sense of alienation she expresses about being a citizen of France during the Algerian "crisis" speaks too strongly to me. Even in the (relative) bubble of San Francisco, the past decade has been difficult. How is it I am an American? What does that mean? What can I do?
J’ai moins apprécié ce tome qui m’a moins touché que le précédent. Simone de Beauvoir se sent aliénée par la vieillesse et la guerre d’Algerie. J’ai admiré ses passions, dans tout à fait comprendre le contexte politique dont je ne maîtrise pas les tenants. Mais j’ai beaucoup admiré ses descriptions de voyage même si son optimisme, sa foi dans certains régimes et dans certains systèmes m’ont laissé un peu pantoise (enfin bon, elle ne pouvait pas connaître la réalité de ce qui allait advenir) Ce qu’il y a de vraiment fort chez de Beauvoir c’est sa lucidité avec elle même et son souci d’honnêteté passionné. C’est ça, plus que le reste, qui m’a touché et tenu en haleine.
Although I preferred the first volume of La Force des choses to this second volume, the "Epilogue" at the end of this one is the best section written in any of the volumes of Beauvoir's memoirs that I've read so far.
Simone de Beauvoir made a strong inspiration to me in her second autobiography The Prime of LIfe. Though this third drags at times it was invigorating reading for I am in awe of her life. Just envisioning the circles she travelled in in Paris is enough to make my head spin. I've written