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丕賱毓亘丿
賷賵丕氐賱 "爻賳噩乇" 賮賶 乇賵丕賷丞 "丕賱毓亘丿" 睾乇丕賲賴 亘賵囟毓 卮禺賵氐賴 賮賶 賲丌夭賯 賲鬲鬲丕賱賷丞 賵丕囟毓賸丕 賲賱丕賲丨賴丕 丕賱廿賳爻丕賳賷丞 鬲丨鬲 賲噩賴乇 賲賰亘乇貙 孬賲 賷鬲兀賲賱賴丕 賵賴賶 鬲鬲毓丕賲賱 賲毓 賲氐丕卅亘 丕賱丨賷丕丞 賵丕賱兀爻卅賱丞 丕賱賵噩賵丿賷丞 丕賱賰亘乇賶.
賵鬲丿賵乇 兀丨丿丕孬 "丕賱毓亘丿" 賮賶 丕賱賯乇賳 丕賱爻丕亘毓 毓卮乇貙 廿亘丕賳 丕賳鬲賮丕囟丞 "卮賲賷賱賳賰賶" 夭毓賷賲 丕賱賯賵夭丕賯 丕賱匕賶 賯丕丿 丕賱丕賳鬲賮丕囟丞 丕賱卮毓亘賷丞 賮賶 兀賵賰乇丕賳賷丕 囟丿 丕賱丕爻鬲毓賲丕乇 丕賱丕爻鬲賷胤丕賳賶 丕賱亘賵賱賳丿賶 賵賯賵丕鬲 丕賱丕丨鬲賱丕賱 丕賱鬲賶 賰丕賳鬲 鬲丨賲賷賴貙 兀賲丕 丕賱賲賰丕賳 賮賴賵 賯乇賷丞 亘賵賱賳丿賷丞 賮賶 兀毓丕賱賶 丕賱噩亘丕賱 丨賷孬 丕賱毓亘賵丿賷丞 賵丕賱賲噩丕夭乇 丕賱丕噩鬲賲丕毓賷丞 賵丕賱毓丕丿丕鬲 賵丕賱鬲賯丕賱賷丿 丕賱亘丕賱賷丞 丕賱鬲賶 賷丨丕賵賱 丕賱亘胤賱 丕賱賴乇賵亘 賲賳賴丕 廿賱賶 賵丕丨丞 丕賱丨亘.
賵鬲丿賵乇 兀丨丿丕孬 "丕賱毓亘丿" 賮賶 丕賱賯乇賳 丕賱爻丕亘毓 毓卮乇貙 廿亘丕賳 丕賳鬲賮丕囟丞 "卮賲賷賱賳賰賶" 夭毓賷賲 丕賱賯賵夭丕賯 丕賱匕賶 賯丕丿 丕賱丕賳鬲賮丕囟丞 丕賱卮毓亘賷丞 賮賶 兀賵賰乇丕賳賷丕 囟丿 丕賱丕爻鬲毓賲丕乇 丕賱丕爻鬲賷胤丕賳賶 丕賱亘賵賱賳丿賶 賵賯賵丕鬲 丕賱丕丨鬲賱丕賱 丕賱鬲賶 賰丕賳鬲 鬲丨賲賷賴貙 兀賲丕 丕賱賲賰丕賳 賮賴賵 賯乇賷丞 亘賵賱賳丿賷丞 賮賶 兀毓丕賱賶 丕賱噩亘丕賱 丨賷孬 丕賱毓亘賵丿賷丞 賵丕賱賲噩丕夭乇 丕賱丕噩鬲賲丕毓賷丞 賵丕賱毓丕丿丕鬲 賵丕賱鬲賯丕賱賷丿 丕賱亘丕賱賷丞 丕賱鬲賶 賷丨丕賵賱 丕賱亘胤賱 丕賱賴乇賵亘 賲賳賴丕 廿賱賶 賵丕丨丞 丕賱丨亘.
450 pages, Paperback
First published January 1, 1962
144 people are currently reading
5669 people want to read
About the author
Isaac Bashevis Singer
537听books1,062听followersIsaac Bashevis Singer was a Polish American author of Jewish descent, noted for his short stories. He was one of the leading figures in the Yiddish literary movement, and received the Nobel Prize in Literature in 1978.
His memoir, "A Day Of Pleasure: Stories of a Boy Growing Up in Warsaw", won the U.S. National Book Award in Children's Literature in 1970, while his collection "A Crown of Feathers and Other Stories" won the U.S. National Book Award in Fiction in 1974.
His memoir, "A Day Of Pleasure: Stories of a Boy Growing Up in Warsaw", won the U.S. National Book Award in Children's Literature in 1970, while his collection "A Crown of Feathers and Other Stories" won the U.S. National Book Award in Fiction in 1974.
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July 4, 2024
Forbidden Love & A Soul鈥檚 Journey
鉁★笍馃挒Jacob is a slave because he is a Jew owned by a Gentile and made to work the man鈥檚 farmland and livestock from dawn to dusk.
He falls in love with the man鈥檚 daughter Wanda and she with him, but of course this is something that cannot be known. A Gentile woman in love with a Jew. When Jacob instructs her in the ways of the Jewish faith it just makes matters worse - in Poland it is a capital offense to make a Christian convert to another faith.
So, they run. Take on assumed identities. Anything it takes to be together. Their love for each other consumes them. As the Hebrew Scriptures relate: 鈥渓ove is as strong as death.鈥�
They marry and live with others in a Jewish community. No one suspects she is a convert. Because Wanda has never mastered Yiddish she pretends to be mute and deaf. All is going well. Until she has a difficult childbirth and begins to cry out in Polish. Which people believe is a miracle. And then .. they are not sure .. and things begin to unravel.
But not their love.
It is a journey story in terms of geographical movement, love and spirituality. The latter is hampered by religious rituals and rules and laws. In Singer鈥檚 work there is always this battle between the two - often we see grace and mercy trampled by what religion proscribes. Jacob and Wanda struggle with this discrepancy all the time - a villain keeps kosher but treats people like dirt; someone else knows the Torah inside and out, but beats his servants.
This incongruity between faith and practice is evident in Enemies, A Love Story, as well. It may be a perpetual theme of Singer鈥檚 fiction. Along with magical realism - his novels are replete with ghosts and demons and Baba Yaga and visions of the dead in heavenly splendor - and an ongoing debate about why God permits suffering, there is another ongoing debate about whether God actually exists. Singer鈥檚 work is very theological and very philosophical.
馃挒Yet written with beauty, strength and a true storyteller鈥檚 touch. I love his novels, but they are so intense I am emotionally exhausted by the end of each one and thinking, pondering, always trying to grasp the riddles of the universe and what might swirl beyond the fabric of material existence.
鉁★笍馃挒Jacob is a slave because he is a Jew owned by a Gentile and made to work the man鈥檚 farmland and livestock from dawn to dusk.
He falls in love with the man鈥檚 daughter Wanda and she with him, but of course this is something that cannot be known. A Gentile woman in love with a Jew. When Jacob instructs her in the ways of the Jewish faith it just makes matters worse - in Poland it is a capital offense to make a Christian convert to another faith.
So, they run. Take on assumed identities. Anything it takes to be together. Their love for each other consumes them. As the Hebrew Scriptures relate: 鈥渓ove is as strong as death.鈥�
They marry and live with others in a Jewish community. No one suspects she is a convert. Because Wanda has never mastered Yiddish she pretends to be mute and deaf. All is going well. Until she has a difficult childbirth and begins to cry out in Polish. Which people believe is a miracle. And then .. they are not sure .. and things begin to unravel.
But not their love.
It is a journey story in terms of geographical movement, love and spirituality. The latter is hampered by religious rituals and rules and laws. In Singer鈥檚 work there is always this battle between the two - often we see grace and mercy trampled by what religion proscribes. Jacob and Wanda struggle with this discrepancy all the time - a villain keeps kosher but treats people like dirt; someone else knows the Torah inside and out, but beats his servants.
This incongruity between faith and practice is evident in Enemies, A Love Story, as well. It may be a perpetual theme of Singer鈥檚 fiction. Along with magical realism - his novels are replete with ghosts and demons and Baba Yaga and visions of the dead in heavenly splendor - and an ongoing debate about why God permits suffering, there is another ongoing debate about whether God actually exists. Singer鈥檚 work is very theological and very philosophical.
馃挒Yet written with beauty, strength and a true storyteller鈥檚 touch. I love his novels, but they are so intense I am emotionally exhausted by the end of each one and thinking, pondering, always trying to grasp the riddles of the universe and what might swirl beyond the fabric of material existence.
This entire review has been hidden because of spoilers.
November 26, 2023
Superb. A love story between a Jew and a gentile set during a series of pogroms.
Isaac Bashevis Singer's first published stories are full of demons and devils and sprites. Here he uses his knowledge of Judaism 鈥� he came from a family of rabbis 鈥� cabala and medieval superstition to set a story in mid 1600s Poland, just after the Polish-Cossack wars known as the Khmelnytsky Uprising.
Jacob is a Jewish slave and Wanda is the Christian daughter of his master. They love each other but despite his smoldering lust Jacob insists on his religious prerogatives and won't touch her. He recites the Talmud from memory, since war has parted him from the accoutrement of his faith (prayer shawl, phylacteries, etc.) He is a righteous man living among uncouth slobs.
He doesn't even have a calendar to observe holy days. It's a miracle, Wanda says, no one has killed him yet 鈥� being a descendent of Christ killers. The Christian village is filled with dirt poor families and their so-called bastards. Incest is rife. The girls flash Jacob their bits and say: "lay me." But his religious discipline is unyielding.
"Jacob . . . was now past twenty-nine, so he had lived a seventh of his life in this remote mountain village, deprived of family and community, separated from books, like one of those souls who wander naked in Tophet. And here it was the end of summer; the short days, the cold nights had come. He could reach out his hand and actually touch the darkness of Egypt, the void from which God's face was absent. Dejection is only one small step from denial. Satan became arrogant and spoke to Jacob insolently: 'There is no God. There is no world beyond this one.' He bid Jacob become a pagan among the pagans; he commanded him to marry Wanda or at the very least to lie with her." (p. 54)
The Slave reminds me of Bernard Malmud's impressive . Though set at a different time that book, too, is filled with an ever-present genocidal atmosphere for Jews. Both books are in their way lessons about how we got to today's homicidal antisemitism. When Jacob sleeps with Wanda his prayers mix with a newfound bodily astonishment.
"How could he have known that such passion and love as Wanda's existed? He again heard Wanda's voice, the words she had whispered to him, her groans, the swift intake of her breath, and he again felt the touch of her tongue and the sharpness of her teeth. She had left marks on his body. She was willing to flee with him across the mountains in the middle of the night. She spoke to him exactly as Ruth had spoken: 'Where thou goest, I go. Thy people are my people. Thy God is my God.'" (p. 71)
This novel is like any other that carries you to a strange and mysterious realm: i.e. Neil Gaiman, Stephen King, Hilary Mantel, etc. It's , , . No single people have a monopoly on virtue; these are people, good and bad, whether Jew or gentile.
Later, when ransom is paid and he is brought back to his village, Jacob thinks of Wanda, who is far away. She is, he believes, a manifestation of the devil for which he constantly upbraids himself. Yet he cannot stop thinking about her. Jacob tries to focus on the Jews all around him who have been maimed and crippled by the Cossacks, but inevitably his thoughts drift to Wanda, and self-hatred. Finally, he gives in, travels back to the village in which he was a slave, and takes her with him.
They blend into a new, post-pogrom village. Wanda is now Dumb Sarah, pretending to be a mute, and pregnant. Jacob teaches in the school and builds a house. Naturally, the villagers try to make out their story. The couple fear exposure more than anything.
"Sarah's presence in Pilitz imperiled the town. If the Polish authorities learned that a Christian girl had been seduced into Judaism, there would be reprisals. God knows what accusations would be made. The priests only wanted a pretext. And if the Jews got wind of it, the elders would immediately investigate the circumstances of the conversion and would guess correctly that Sarah had left her own religion because of Jacob 鈥� women being little interested in speculative matters; and Jacob would be ex-communicated." (p. 156)
She's smart. The passage when they're lying in bed and whispering about the law, while she asks trenchant questions, is gripping. Theirs is a profound but anxious happiness. Will they be found out? What about the child? When the peasants see her they make a slitting-the-throat gesture. Will the Cossacks return? My God, the tension! And this vague synopsis covers only half the book. Please read it...
Isaac Bashevis Singer's first published stories are full of demons and devils and sprites. Here he uses his knowledge of Judaism 鈥� he came from a family of rabbis 鈥� cabala and medieval superstition to set a story in mid 1600s Poland, just after the Polish-Cossack wars known as the Khmelnytsky Uprising.
Jacob is a Jewish slave and Wanda is the Christian daughter of his master. They love each other but despite his smoldering lust Jacob insists on his religious prerogatives and won't touch her. He recites the Talmud from memory, since war has parted him from the accoutrement of his faith (prayer shawl, phylacteries, etc.) He is a righteous man living among uncouth slobs.
He doesn't even have a calendar to observe holy days. It's a miracle, Wanda says, no one has killed him yet 鈥� being a descendent of Christ killers. The Christian village is filled with dirt poor families and their so-called bastards. Incest is rife. The girls flash Jacob their bits and say: "lay me." But his religious discipline is unyielding.
"Jacob . . . was now past twenty-nine, so he had lived a seventh of his life in this remote mountain village, deprived of family and community, separated from books, like one of those souls who wander naked in Tophet. And here it was the end of summer; the short days, the cold nights had come. He could reach out his hand and actually touch the darkness of Egypt, the void from which God's face was absent. Dejection is only one small step from denial. Satan became arrogant and spoke to Jacob insolently: 'There is no God. There is no world beyond this one.' He bid Jacob become a pagan among the pagans; he commanded him to marry Wanda or at the very least to lie with her." (p. 54)
The Slave reminds me of Bernard Malmud's impressive . Though set at a different time that book, too, is filled with an ever-present genocidal atmosphere for Jews. Both books are in their way lessons about how we got to today's homicidal antisemitism. When Jacob sleeps with Wanda his prayers mix with a newfound bodily astonishment.
"How could he have known that such passion and love as Wanda's existed? He again heard Wanda's voice, the words she had whispered to him, her groans, the swift intake of her breath, and he again felt the touch of her tongue and the sharpness of her teeth. She had left marks on his body. She was willing to flee with him across the mountains in the middle of the night. She spoke to him exactly as Ruth had spoken: 'Where thou goest, I go. Thy people are my people. Thy God is my God.'" (p. 71)
This novel is like any other that carries you to a strange and mysterious realm: i.e. Neil Gaiman, Stephen King, Hilary Mantel, etc. It's , , . No single people have a monopoly on virtue; these are people, good and bad, whether Jew or gentile.
Later, when ransom is paid and he is brought back to his village, Jacob thinks of Wanda, who is far away. She is, he believes, a manifestation of the devil for which he constantly upbraids himself. Yet he cannot stop thinking about her. Jacob tries to focus on the Jews all around him who have been maimed and crippled by the Cossacks, but inevitably his thoughts drift to Wanda, and self-hatred. Finally, he gives in, travels back to the village in which he was a slave, and takes her with him.
They blend into a new, post-pogrom village. Wanda is now Dumb Sarah, pretending to be a mute, and pregnant. Jacob teaches in the school and builds a house. Naturally, the villagers try to make out their story. The couple fear exposure more than anything.
"Sarah's presence in Pilitz imperiled the town. If the Polish authorities learned that a Christian girl had been seduced into Judaism, there would be reprisals. God knows what accusations would be made. The priests only wanted a pretext. And if the Jews got wind of it, the elders would immediately investigate the circumstances of the conversion and would guess correctly that Sarah had left her own religion because of Jacob 鈥� women being little interested in speculative matters; and Jacob would be ex-communicated." (p. 156)
She's smart. The passage when they're lying in bed and whispering about the law, while she asks trenchant questions, is gripping. Theirs is a profound but anxious happiness. Will they be found out? What about the child? When the peasants see her they make a slitting-the-throat gesture. Will the Cossacks return? My God, the tension! And this vague synopsis covers only half the book. Please read it...
January 26, 2020
韦喂 魏伪蟿伪蟺位畏魏蟿喂魏蠈 尾喂尾位委慰... 韦喂 魏伪蟿伪蟺位畏魏蟿喂魏蠈 尾喂尾位委慰!
螘蟺喂蟿苇位慰蠀蟼 苇谓伪 伪谓维纬谓蠅蟽渭伪 蟺慰蠀 谓伪 未喂魏伪喂蠋谓蔚喂 蟿伪 尾蟻伪尾蔚委伪 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蟿慰蠀.
韦蟻伪尾萎尉蟿蔚 蟿畏谓 魏慰蠀蟻蟿委谓伪 蟿畏蟼 蠁伪喂谓慰渭蔚谓喂魏维 伪蟺位萎蟼 喂蟽蟿慰蟻委伪蟼 伪纬维蟺畏蟼, 魏伪喂 胃伪 未蔚委蟿蔚 蟺慰位蠉 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪 伪蟺' 伪蠀蟿蠈.
韦慰 蟽蠀谓喂蟽蟿蠋 蠂蠅蟻委蟼 魏伪渭委伪 蔚蟺喂蠁蠉位伪尉畏.
螘蟺喂蟿苇位慰蠀蟼 苇谓伪 伪谓维纬谓蠅蟽渭伪 蟺慰蠀 谓伪 未喂魏伪喂蠋谓蔚喂 蟿伪 尾蟻伪尾蔚委伪 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蟿慰蠀.
韦蟻伪尾萎尉蟿蔚 蟿畏谓 魏慰蠀蟻蟿委谓伪 蟿畏蟼 蠁伪喂谓慰渭蔚谓喂魏维 伪蟺位萎蟼 喂蟽蟿慰蟻委伪蟼 伪纬维蟺畏蟼, 魏伪喂 胃伪 未蔚委蟿蔚 蟺慰位蠉 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪 伪蟺' 伪蠀蟿蠈.
韦慰 蟽蠀谓喂蟽蟿蠋 蠂蠅蟻委蟼 魏伪渭委伪 蔚蟺喂蠁蠉位伪尉畏.
July 10, 2019
This is a stunning work. I can't do it justice. But I'll try with what enfeebled abilities I have. But first the whole story I got this book and took too long to read it.
I first became a "serious reader" in my mid to late high school years. I remember it was George Orwell and Anthony Burgess who, first, introduced to me the idea that books could be more than just fodder thrown by unfulfilled public school teachers at a sneering and half conscious student body to keep them busy and adhere to arbitrary academic standards. Orwell's "Animal Farm" and "1984" as well as Burgess' "A Clockwork Orange" were the first novels to evidence the ability of literature to cut deep and excite, to teach and to terrify, and, most profoundly, entertain and revivify.
From there I slowly made my winding way through the annals of many books. Not as many as I'd like, not as many as some friends (both current and former) but many enough to whittle away hours, months, days, years. And amid all that I took slow steps into the realm of Jewish Fiction. There was no direction, no guiding ethos, I just read what I could find and what was recommended to me. Philip Roth was a perverted and neurotic maestro of prose, Saul Bellow was a bloviating dilettante not without his share of genius, Kafka was the patron saint of Jewish misery and 'the guilt without source'. Of course Norman Mailer was the robber baron of arrogance and unparalleled literary ambition. And then the Jews of European and Israeli origins. The list goes on. But with all of that the name Isaac Bashevis Singer popped up in random spots, a soft whisper resonant of a Jewish life and mentality that had all but ceased to be. This need be evidenced no more than by his choice (and superb ability) to write in Yiddish. Not English, not German, not Hebrew, but Yiddish; a writer of the old language, emblematic of diaspora and all that came with it. And that he was awarded the nobel prize of literature and a Jew of orthodoxy (and a vegetarian to boot!) only added to his mystique and appeal.
So I read Singer's "Gimpel the Fool" and enjoyed it. Much later I read "The Penitent" which, while skillfully written, was unfortunately brought down by the noxious pedantry and sententious elitism of its protagonist. But all along his novel "The Slave" remained on the backburner. A more or less self-published novelist, an American Jew living in Israel who become very religious and conservative, derided the novel as well written but borderline pornographic. Having been at the stage where I was just simply angry, I bought the book almost as an act of spite against a man I'd never met but who seemed to embody the worst of my then current neuroses and shortcomings, and dreams and aspirations as well. But years have gone by and my obsessions and weaknesses have shifted. And still "The Slave" remained on my perpetual 'to read' pile.
When I finally sat down to read the book I consumed it quickly and deeply. The story of Jacob the Polish Jew who is sold into slavery after a horrific pogrom that leaves most of his family dead and his village destroyed, is told in bitter but never embittered terms. It's a superb recitation of a black historical incident. Jacob is exiled to the Polish mountains where he barely ekes out an existence among people who, at best, distrust him, and, at worst, want him dead for the crime of living. But still Jacob maintains, to the best of his ability, his religious Jewish life. This would have been and could have been a monastic tale of personal strength in a time of diaspora but Singer introduces the love interest: the non-Jewish Polish woman Wanda, who proves to be the impetus for Jacob's transformation into one the most tragic, beautiful, and fully realized protagonists in world Jewish literature.
Singer pulls no punches here. The non-Jewish Poles are depicted in various states of savagery and depredation, as well as with spots of humanity belying their downtrodden circumstances. Jacob's fellow Jews are trenchantly delineated with a similarly even hand, showing both the beauty and the hypocrisy inherent within the Jewish religious lifestyle under the aegis of ambivalent (at times) and evil (at times) host culture. The true characters in this work are Jacob and Wanda (later Sarah) who, through their doomed love and passionate dedication to each other, create a tableau of such meaning and profundity that's hard to believe this book isn't at the top of more 'best of' lists.
Jacob and Wanda, for me, represent the ethereal and complex, the damning and revelatory aspects of love better than anything I've yet read. They aren't meant to be. And they will be torn from each other and destroyed. But like a postlapsarian Adam and Eve, theirs is a love of creation amid a dark world of Lilith and Satan, a fire to be snuffed but to shine brilliantly while it can.
This is a sad novel. But it possesses a nobility and an elan in form I've never seen before. It's human. It's love made real in all its maddening perplexities and hypocrisies. Read this if you want a taste of what it is to love, be damned by that love, but to love anyway, because it's human, and the joy is the misery is the joy.
I first became a "serious reader" in my mid to late high school years. I remember it was George Orwell and Anthony Burgess who, first, introduced to me the idea that books could be more than just fodder thrown by unfulfilled public school teachers at a sneering and half conscious student body to keep them busy and adhere to arbitrary academic standards. Orwell's "Animal Farm" and "1984" as well as Burgess' "A Clockwork Orange" were the first novels to evidence the ability of literature to cut deep and excite, to teach and to terrify, and, most profoundly, entertain and revivify.
From there I slowly made my winding way through the annals of many books. Not as many as I'd like, not as many as some friends (both current and former) but many enough to whittle away hours, months, days, years. And amid all that I took slow steps into the realm of Jewish Fiction. There was no direction, no guiding ethos, I just read what I could find and what was recommended to me. Philip Roth was a perverted and neurotic maestro of prose, Saul Bellow was a bloviating dilettante not without his share of genius, Kafka was the patron saint of Jewish misery and 'the guilt without source'. Of course Norman Mailer was the robber baron of arrogance and unparalleled literary ambition. And then the Jews of European and Israeli origins. The list goes on. But with all of that the name Isaac Bashevis Singer popped up in random spots, a soft whisper resonant of a Jewish life and mentality that had all but ceased to be. This need be evidenced no more than by his choice (and superb ability) to write in Yiddish. Not English, not German, not Hebrew, but Yiddish; a writer of the old language, emblematic of diaspora and all that came with it. And that he was awarded the nobel prize of literature and a Jew of orthodoxy (and a vegetarian to boot!) only added to his mystique and appeal.
So I read Singer's "Gimpel the Fool" and enjoyed it. Much later I read "The Penitent" which, while skillfully written, was unfortunately brought down by the noxious pedantry and sententious elitism of its protagonist. But all along his novel "The Slave" remained on the backburner. A more or less self-published novelist, an American Jew living in Israel who become very religious and conservative, derided the novel as well written but borderline pornographic. Having been at the stage where I was just simply angry, I bought the book almost as an act of spite against a man I'd never met but who seemed to embody the worst of my then current neuroses and shortcomings, and dreams and aspirations as well. But years have gone by and my obsessions and weaknesses have shifted. And still "The Slave" remained on my perpetual 'to read' pile.
When I finally sat down to read the book I consumed it quickly and deeply. The story of Jacob the Polish Jew who is sold into slavery after a horrific pogrom that leaves most of his family dead and his village destroyed, is told in bitter but never embittered terms. It's a superb recitation of a black historical incident. Jacob is exiled to the Polish mountains where he barely ekes out an existence among people who, at best, distrust him, and, at worst, want him dead for the crime of living. But still Jacob maintains, to the best of his ability, his religious Jewish life. This would have been and could have been a monastic tale of personal strength in a time of diaspora but Singer introduces the love interest: the non-Jewish Polish woman Wanda, who proves to be the impetus for Jacob's transformation into one the most tragic, beautiful, and fully realized protagonists in world Jewish literature.
Singer pulls no punches here. The non-Jewish Poles are depicted in various states of savagery and depredation, as well as with spots of humanity belying their downtrodden circumstances. Jacob's fellow Jews are trenchantly delineated with a similarly even hand, showing both the beauty and the hypocrisy inherent within the Jewish religious lifestyle under the aegis of ambivalent (at times) and evil (at times) host culture. The true characters in this work are Jacob and Wanda (later Sarah) who, through their doomed love and passionate dedication to each other, create a tableau of such meaning and profundity that's hard to believe this book isn't at the top of more 'best of' lists.
Jacob and Wanda, for me, represent the ethereal and complex, the damning and revelatory aspects of love better than anything I've yet read. They aren't meant to be. And they will be torn from each other and destroyed. But like a postlapsarian Adam and Eve, theirs is a love of creation amid a dark world of Lilith and Satan, a fire to be snuffed but to shine brilliantly while it can.
This is a sad novel. But it possesses a nobility and an elan in form I've never seen before. It's human. It's love made real in all its maddening perplexities and hypocrisies. Read this if you want a taste of what it is to love, be damned by that love, but to love anyway, because it's human, and the joy is the misery is the joy.
August 13, 2017
Ovo je jedan izuzetan roman smje拧ten 1648, u vrijeme nakon masakra nekoliko tisu膰a 沤idova od strane koza膷kih hordi. Glavni je lik pobo啪an i obrazovan 沤idov Jakov koji u tom masakru gubi svoju porodicu, zarobljen je i postaje rob u hri拧膰anskoj porodici. Lijepo se prema njemu ophodi jedino prelijepa Wanda, k膰i njegovog gospodara. I naravno, po膷inje romansa... ali kakva! Neobi膷na i dirljiva, napisana na jedan stvarno vrhunski na膷in. Ovo je dirljiva, tragi膷na i izuzetno tmurna pri膷a ljubavi, strasti, ali i vjere, pobo啪nosti i duhovnosti. Ovo je divno, predivno napisana knjiga puna 啪ivota i nabijena emocijama. Opet nas Singer uvjerava u svoja ube膽enja 鈥� preko discipline, vjere, kulture i tradicije mo啪e se istrajati uprkos svemu. Li膷no me fascinira ta 沤idovska vjera i tradicija. Iako po ube膽enju ateist, rasla sam uz njegove knjige i shvatam njegova nastojanja koja gravitiraju natrag u tradiicju koja je zbog svega nabrojanog odolela brojnim napadima i antisemitizmu, poku拧aj da se iza膽e iz slijepe ulice modernog i da se spasi taj veliki duh i vrline. Wanda i Sara 鈥� dva imena jedne 啪ene koja se zbog ljubavi odri膷e svega i zbog koje se Jakob bori sa samim sobom, ali i zbog koje stvara svoju du拧u ponovo i makar i na kratko do啪ivljava sre膰u zbog koje opstaje. Jakov je rob Jana Bizika, u isto vrijeme rob vjere, tradicije, rituala da bi postao rob ljubavi, 啪udnje i strasti....
Svaka me je re膷enica odu拧evila. Ova je knjiga dragulj u svijetskoj knji啪evnosti!
Svaka me je re膷enica odu拧evila. Ova je knjiga dragulj u svijetskoj knji啪evnosti!
January 14, 2016
Translated from the Yiddish by the author and Cecil Hemley
Description: Four years after the Chmielnicki massacres of the seventeenth century, Jacob, a slave and cowherd in a Polish village high in the mountains, falls in love with Wanda, his master's daughter. Even after he is ransomed, he finds he can't live without her, and the two escape together to a distant Jewish community. Racked by his consciousness of sin in taking a Gentile wife and by the difficulties of concealing her identity, Jacob nonetheless stands firm as the violence of the era threatens to destroy the ill-fated couple.
Opening: A single bird call began the day. Each day the same bird, the same call.
An unusual love story, yet one, thankfully, that doesn't hover on sentimental hogwash. If you love bizarre superstitions including succubi, vampires, Dizwosina and Skrots, then this may just be the book for you. 
Drowning Baba Yaga.Thoroughly disconcerted as to why Poland has willingly returned to media censorship after they fought so hard to slough off the yoke, I go searching for answers in past fiction, well, 'pointers' to be more exact. I read Turkish literature for the same reason, why, after Atat眉rk's splendid ideals, are there Islamists in government there. So many questions to ponder over, so little time.
Chmielnicki: the Cossack-Polish War 1648-1657: mass atrocities committed by Cossacks against civilian population, especially against the Roman Catholic clergy and the Jews. Relevent to today's world is thisbit snaffled from wiki: it [this war] led to the eventual incorporation of eastern Ukraine into the Tsardom of Russia.
April 15, 2017
丕賱賰丕鬲亘 賴賵 賷賴賵丿賷 亘賵賱賳丿賷 丨丕夭 毓賱賶 賳賵亘賱 1978.
兀賳丕 亘丨亘 兀賯乇兀 毓賳 丕賱賲噩鬲賲毓 丕賱賷賴賵丿賷 , 賵亘鬲爻丨乇賳賷 丕賱兀毓賲丕賱 丕賱賱賶 兀亘胤丕賱賴丕 亘賷賰賵賳賵丕 賲賳 丕賱賷賴賵丿 , 賵丕賱賰丕鬲亘 賲丐賲賳 卮丿賷丿 丕賱鬲丿賷賳 , 賲鬲賲毓賳 賮賶 丿賷丕賳鬲賴 , 賮鬲馗賴乇 兀毓賲丕賱賴 亘卮賰賱 賲鬲賳丕爻賯 賱賴 亘乇賷賯 丕賱毓賲賱 丕賱賲丐賲賳 亘賴 氐丕丨亘賴.
亘亘爻丕胤丞 : 丕賱乇賵丕賷丞 鬲丿賵乇 賮賶 亘賵賱賳丿丕 賮賶 丕賱賯乇賳 丕賱17 兀孬賳丕亍 鬲賲夭賯 卮丿賷丿 胤丕賱 丕賱賲噩鬲賲毓 丕賱亘賵賱賳丿賷 賵丕囟胤賴丕丿 卮丿賷丿 賱賱胤丕卅賮丞 丕賱賷賴賵丿賷丞 .
賷毓賯賵亘 : 丕賱賷賴賵丿賷 丕賱賲鬲丿賷賳 卮丿賷丿 丕賱賵乇毓 賷賯馗 丕賱囟賲賷乇 賮賶 賲賵丕噩賴丞 亘丿丕卅賷丞 賵賮噩乇 賲噩鬲賲毓 爻丕亍 丨馗賴 亘兀賳 賵賯毓 毓亘丿 賱賮乇丿 賲賳賴.
賵丕賳丿丕 : 丕賱兀乇賲賱丞 丕賱噩賲賷賱丞 丕賱亘賵賱賳丿賷丞 , 丕賱鬲賷 鬲賲賳鬲 賷毓賯賵亘 賵鬲賲賳毓 賴賵 毓賱賷賴丕 .
爻丕乇丞 : 丕賱氐賲丕亍 丕賱亘賰賲丕亍 丕賱賲丨亘丞 丕賱丨亘賷亘丞
毓賲賱 賲賲賷夭 噩丿丕 , 賷馗賴乇 賱賰 賲丕 賷毓丕賳賷賴 丕賱賲禺鬲賱賮 毓賳 賲噩鬲賲毓 賲丕, 賵禺丕氐丞 賱賴 馗賴乇 丕禺鬲賱丕賮賴 亘兀賮囟賱賷丞 亘丕賱賳爻亘丞 賱賴 賵鬲賲賷夭 賱賴 毓賳賴賲 .
毓乇囟 賲賲賷夭 賱賱兀丨丿丕孬 賵賲毓乇賮丞 賵丕爻毓賴 亘丕賱賲噩鬲賲毓 丕賱亘賵賱賳丿賷 賲毓 賵囟賵丨 賮賶 丕賱卮乇丨 賵鬲賲賷夭 賮賷 丕賱毓乇囟 賲毓 丕爻賴丕亘 賮賶 毓乇囟 丕賱氐賱賵丕鬲 賵丕賱賲毓賱賵賲丕鬲 丕賱丿賷賳賷丞 丕賱賷賴賵丿賷丞 .
丕賱鬲乇噩賲丞 噩賷丿丞 賵 賲賮賷丿丞 噩丿丕 鬲丿賱 毓賱賶 毓馗賲丞 丕賱賳氐 亘賱睾鬲賴 丕賱兀賲 , 賵賴賵丕賲卮 丕賱賲鬲乇噩賲 賰丕賳鬲 睾丕賷丞 丕賱乇賵毓丞 賵爻丕毓丿鬲 毓賱賶 丕賱賮賴賲 丕賱賰丕賲賱 賱賱毓賲賱
丕賱卮禺氐賷丕鬲 賲乇爻賵賲丞 亘丕丨鬲乇丕賮賷丞 毓丕賱賷丞 噩丿丕 , 賵丕賱丕丨丿丕孬 卮丿賷丿丞 丕賱賯乇亘 , 賳噩丨 丕賱賰丕鬲亘 亘丕賯鬲丿丕乇 賮賶 兀賳 賷賳賯賱賰 賱兀丨丿丕孬 丕賱毓氐乇 賵噩毓賱賰 鬲賵丕賰亘賴 賵鬲鬲兀孬乇 亘賴 .
賮賶 丕賱賲噩賲賱 毓賲賱 噩賷丿,
August 13, 2019
韦螜 螡螒 螤惟 螕螜 螒违韦螣 韦螣 螖螜螒螠螒螡韦螜; 螘螡螒 螤巍螒螕螠螒韦螜螝螣 螒巍螜危韦螣违巍螕螚螠螒 韦螚危 螞螣螕螣韦螘围螡螜螒危 螒螤螣 韦螣螡 危螜螡螕螝螘巍. 螛螒 螠螣违 螤螘螜韦螘 螤惟危 螘围螘韦螘 螔螒巍螘螛螘螜 螡螒 螒螝螣违韦螘 韦螚 螞螘螢螚 螒巍螜危韦螣违巍螕螚螠螒. 螛螒 危螒危 螤惟 螤惟危 螖螘 螛螒 螔螒巍螘螛惟 螤巍螣危惟螤螜螝螒 螡螒 围螒巍螒螝韦螚巍螜螙惟 螔螜螔螞螜螒 螤螣违 螠螣违 螒螞螞螒螙螣违螡 韦螚螡 螝螣危螠螣螛螘惟巍螜螒, 螔螜螔螞螜螒 螤螣违 螠螘 螒桅违螤螡螜螙螣违螡, 螤螣违 螠螘 螕螘螠螜螙螣违螡 螠螘 螒螠桅螜螔螣螞螜螘危 螝 螒螠桅螜危螔螚韦螚危螘螜危, 螒巍螜危韦螣违巍螕螚螠螒韦螒.
螠螒螝螒巍螜 韦螘韦螣螜螒 螒螡螒螕螡惟危螠螒韦螒 螡螒 螔螣螚螛螣违危螒螡 螤螘巍螜危危螣韦螘巍螣违危 螤螣螞螜韦螘危...
螤巍螣螝螘螜韦螒螜 螕螜螒 螘螡螒 螛巍螚危螝螘违韦螜螝螣螝螣螜螡惟螡螜螝螣 螝 螞螜螕螣韦螘巍螣 螤螣螞螜韦螜螝螣 螠违螛螜危韦螣巍螚螠螒. 螔螘螔螒螜螒, 韦螒 螕螘螕螣螡螣韦螒 韦螒 螣螤螣螜螒 违螜螣螛螘韦螘螜 螣 危螜螡螕螝螘巍 螘围螣违螡 螝螒韦螒螕巍螒桅螘螜 危韦螚螡 螤螒螕螝螣危螠螜螒 螜危韦螣巍螜螒. 螖螘螡 韦螒 螘螔螕螒螞螘 螒螤螣 韦螣 螠违螒螞螣 韦螣违. 螠螒螝螒巍螜 螡螒 螠螤螣巍螣违危螘..
危桅螒螕螘危 螒螡螛巍惟螤惟螡, 螔螜螒危螠螣螜 螕违螡螒螜螝惟螡 螒螤螣 韦螣违危 螝螣螙螒螝螣违危, 螘螝螖螜惟螕螠螣螜 螘螔巍螒螜惟螡. 螢螘螝螞螚巍螜危螠螣危 韦螚危 螒螡螛巍惟螤螣韦螚韦螒危. 螠螘螜惟危螚 韦螣违 螤螞螚螛违危螠螣违. 螕螜螒 螤螣螜螣 螞螣螕螣 螒螝巍螜螔惟危; 螠螒 桅违危螜螝螒 危韦螣 螣螡螣螠螒 韦螚危 螛巍螚危螝螘螜螒危 螝 韦螣违 围巍螜危韦螜螒螡螜危螠螣违. 危韦螣 螔惟螠螣 韦螚危 螘螤螜螝巍螒韦螚危螚危 韦惟螡 螘螜螖惟螞螣螞螒韦巍惟螡 螝 螒螞螣螕惟螡 螒韦螣螠惟螡, 螕螜螒韦螜 螘韦危螜 螠螣螡螣 螠螤螣巍螣违螡 螡螒 围螒巍螒螝韦螚巍螜危韦螣违螡, 违螤螣 韦螚螡 螘螡韦螣螞螚 韦螣违 "螝违巍螜螣违" 韦螣违危 螛螒螡螒韦惟螡螣违螡 螣螤螣螜螣螡 螤螜危韦螘违螘螜 危螘 螒螞螞螣 螛螘螣 螇 螘螜螡螒螜 螒螛螘螣危.
螣 螜螒螝惟螔, 螣 螚巍惟螒危 韦螣违 螔螜螔螞螜螣违, 螘螔巍螒螜螣危 危韦螚螡 螝螒韦螒螕惟螕螚, 螘围螣螡韦螒危 围螒危螘螜 韦螚螡 螣螜螝螣螕螘螡螘螜螒 韦螣违 螒桅螣违 危桅螒围韦螚螝螘 螒螤螣 螝螣螙螒螝螣违危, 螒螜围螠螒螞惟韦螜危韦螚螝螘 螒螤螣 韦螣违危 螤螣螞惟螡螣违危 螝 螤螣违螞螚螛螚螝螘 惟危 危螝螞螒螔螣危. 螖螣违螞螘违螘螜 惟危 螕螘螞螒螖螒巍螚危 危 螘螡螒 螤螣螞惟螡螜螝螣 围惟巍螜螣 螤螣违 螔巍螜危螝螘韦螒螜 唯螚螞螒 危韦螒 螔螣违螡螒. 螘螝螘螜 螛螒 螕螡惟巍螜危螘螜 韦螚 螔螒螡韦螒 螝 螤螒巍' 螣螞螘危 韦螜危 危违危韦螣螞螘危 韦螣违 螛螒 韦螚螡 螘巍惟韦螘违螛螘螜. 螤惟危 螣螠惟危 螛螒 螘螤螜螔螜惟危螘螜 螣 螘巍惟韦螒危 韦螣违危; 螘螤螜韦巍螘螤螘韦螒螜 螘螡螒危 螘螔巍螒螜螣危 螡螒 螤螒螡韦巍螘违韦螘螜 螠螜螒 銆娢曃樜澪櫸毼椼€�; 螣围螜, 螘螜螡螒螜 螒螠螒巍韦螜螒! 螒螤螣桅螒危螜螙螣违螡 螡螒 桅违螕螣违螡 螣围螜 螕螜螒 螡螒 螔巍螣违螡 銆娢の� 螕螚 韦螚危 螘螤螒螕螕螘螞螜螒危銆� 螒螞螞螒 螕螜螒 螡螒 螞违韦巍惟螛螣违螡, 螡螒 螘螞螘违螛螘巍惟螛螣违螡. 韦螘螞螜螝螒 螛螒 螞违韦巍惟螛螣违螡 螒螤螣 螤巍螣螝螒韦螒螞螚唯螘螜危, 螖螘螜危螜螖螒螜螠螣螡螜螘危 螝 螣危螒 螤巍螣危韦螒螙螘螜 螣 螛巍螚危螝螘违韦螜螝螣危 螡螣螠螣危.
螛螒 螖螒螡螘螜危韦惟 螠螜螒 桅巍螒危螚 韦螣违 螒螡螒螕螡惟危螠螒韦螣危: 銆娢�,韦螜 螝螒螡螘螜 螣 螛螘螣危 螘螜螡螒螜 螕螜螒 螝螒螞螣銆嬑毼懳� 螛螒 螒螡螒巍惟韦螚螛惟, 惟危 螞螣螕螜螝螣危 螝 螡螣螚螠惟螡 螒螡螛巍惟螤螣危, 螤螣违 螘螜螡螒螜 螣 螛螘螣危 螣韦螒螡 围螒螡螣螡韦螒螜 螒螛惟螘危 唯违围螘危, 螢螘螝螞螚巍螜螙螣螡韦螒螜 螣螞螣螝螞螚巍螘危 螣螜螝螣螕螘螡螘螜螘危; 螤螣违 螘螜螡螒螜 螣 螛螘螣危 螣韦螒螡 螕螜螡螣螡韦螒螜 螘螕螝螞螚螠螒韦螒 螝螒韦螒 韦螚危 螒螡螛巍惟螤螣韦螚韦螒危; 螚 螒螤螒螡韦螚危螚 螚 螖螜螝螚 螠螣违 螘螜螡螒螜 : ...
螠螒螝螒巍螜 韦螘韦螣螜螒 螒螡螒螕螡惟危螠螒韦螒 螡螒 螔螣螚螛螣违危螒螡 螤螘巍螜危危螣韦螘巍螣违危 螤螣螞螜韦螘危...
螤巍螣螝螘螜韦螒螜 螕螜螒 螘螡螒 螛巍螚危螝螘违韦螜螝螣螝螣螜螡惟螡螜螝螣 螝 螞螜螕螣韦螘巍螣 螤螣螞螜韦螜螝螣 螠违螛螜危韦螣巍螚螠螒. 螔螘螔螒螜螒, 韦螒 螕螘螕螣螡螣韦螒 韦螒 螣螤螣螜螒 违螜螣螛螘韦螘螜 螣 危螜螡螕螝螘巍 螘围螣违螡 螝螒韦螒螕巍螒桅螘螜 危韦螚螡 螤螒螕螝螣危螠螜螒 螜危韦螣巍螜螒. 螖螘螡 韦螒 螘螔螕螒螞螘 螒螤螣 韦螣 螠违螒螞螣 韦螣违. 螠螒螝螒巍螜 螡螒 螠螤螣巍螣违危螘..
危桅螒螕螘危 螒螡螛巍惟螤惟螡, 螔螜螒危螠螣螜 螕违螡螒螜螝惟螡 螒螤螣 韦螣违危 螝螣螙螒螝螣违危, 螘螝螖螜惟螕螠螣螜 螘螔巍螒螜惟螡. 螢螘螝螞螚巍螜危螠螣危 韦螚危 螒螡螛巍惟螤螣韦螚韦螒危. 螠螘螜惟危螚 韦螣违 螤螞螚螛违危螠螣违. 螕螜螒 螤螣螜螣 螞螣螕螣 螒螝巍螜螔惟危; 螠螒 桅违危螜螝螒 危韦螣 螣螡螣螠螒 韦螚危 螛巍螚危螝螘螜螒危 螝 韦螣违 围巍螜危韦螜螒螡螜危螠螣违. 危韦螣 螔惟螠螣 韦螚危 螘螤螜螝巍螒韦螚危螚危 韦惟螡 螘螜螖惟螞螣螞螒韦巍惟螡 螝 螒螞螣螕惟螡 螒韦螣螠惟螡, 螕螜螒韦螜 螘韦危螜 螠螣螡螣 螠螤螣巍螣违螡 螡螒 围螒巍螒螝韦螚巍螜危韦螣违螡, 违螤螣 韦螚螡 螘螡韦螣螞螚 韦螣违 "螝违巍螜螣违" 韦螣违危 螛螒螡螒韦惟螡螣违螡 螣螤螣螜螣螡 螤螜危韦螘违螘螜 危螘 螒螞螞螣 螛螘螣 螇 螘螜螡螒螜 螒螛螘螣危.
螣 螜螒螝惟螔, 螣 螚巍惟螒危 韦螣违 螔螜螔螞螜螣违, 螘螔巍螒螜螣危 危韦螚螡 螝螒韦螒螕惟螕螚, 螘围螣螡韦螒危 围螒危螘螜 韦螚螡 螣螜螝螣螕螘螡螘螜螒 韦螣违 螒桅螣违 危桅螒围韦螚螝螘 螒螤螣 螝螣螙螒螝螣违危, 螒螜围螠螒螞惟韦螜危韦螚螝螘 螒螤螣 韦螣违危 螤螣螞惟螡螣违危 螝 螤螣违螞螚螛螚螝螘 惟危 危螝螞螒螔螣危. 螖螣违螞螘违螘螜 惟危 螕螘螞螒螖螒巍螚危 危 螘螡螒 螤螣螞惟螡螜螝螣 围惟巍螜螣 螤螣违 螔巍螜危螝螘韦螒螜 唯螚螞螒 危韦螒 螔螣违螡螒. 螘螝螘螜 螛螒 螕螡惟巍螜危螘螜 韦螚 螔螒螡韦螒 螝 螤螒巍' 螣螞螘危 韦螜危 危违危韦螣螞螘危 韦螣违 螛螒 韦螚螡 螘巍惟韦螘违螛螘螜. 螤惟危 螣螠惟危 螛螒 螘螤螜螔螜惟危螘螜 螣 螘巍惟韦螒危 韦螣违危; 螘螤螜韦巍螘螤螘韦螒螜 螘螡螒危 螘螔巍螒螜螣危 螡螒 螤螒螡韦巍螘违韦螘螜 螠螜螒 銆娢曃樜澪櫸毼椼€�; 螣围螜, 螘螜螡螒螜 螒螠螒巍韦螜螒! 螒螤螣桅螒危螜螙螣违螡 螡螒 桅违螕螣违螡 螣围螜 螕螜螒 螡螒 螔巍螣违螡 銆娢の� 螕螚 韦螚危 螘螤螒螕螕螘螞螜螒危銆� 螒螞螞螒 螕螜螒 螡螒 螞违韦巍惟螛螣违螡, 螡螒 螘螞螘违螛螘巍惟螛螣违螡. 韦螘螞螜螝螒 螛螒 螞违韦巍惟螛螣违螡 螒螤螣 螤巍螣螝螒韦螒螞螚唯螘螜危, 螖螘螜危螜螖螒螜螠螣螡螜螘危 螝 螣危螒 螤巍螣危韦螒螙螘螜 螣 螛巍螚危螝螘违韦螜螝螣危 螡螣螠螣危.
螛螒 螖螒螡螘螜危韦惟 螠螜螒 桅巍螒危螚 韦螣违 螒螡螒螕螡惟危螠螒韦螣危: 銆娢�,韦螜 螝螒螡螘螜 螣 螛螘螣危 螘螜螡螒螜 螕螜螒 螝螒螞螣銆嬑毼懳� 螛螒 螒螡螒巍惟韦螚螛惟, 惟危 螞螣螕螜螝螣危 螝 螡螣螚螠惟螡 螒螡螛巍惟螤螣危, 螤螣违 螘螜螡螒螜 螣 螛螘螣危 螣韦螒螡 围螒螡螣螡韦螒螜 螒螛惟螘危 唯违围螘危, 螢螘螝螞螚巍螜螙螣螡韦螒螜 螣螞螣螝螞螚巍螘危 螣螜螝螣螕螘螡螘螜螘危; 螤螣违 螘螜螡螒螜 螣 螛螘螣危 螣韦螒螡 螕螜螡螣螡韦螒螜 螘螕螝螞螚螠螒韦螒 螝螒韦螒 韦螚危 螒螡螛巍惟螤螣韦螚韦螒危; 螚 螒螤螒螡韦螚危螚 螚 螖螜螝螚 螠螣违 螘螜螡螒螜 : ...
November 2, 2019
韦喂 蠈渭慰蟻蠁畏 喂蟽蟿慰蟻委伪! 螚 喂蟽蟿慰蟻委伪 蔚谓蠈蟼 蔚蠀蟽蔚尾慰蠉蟼 蟿伪位伪委蟺蠅蟻慰蠀 蟽魏位维尾慰蠀 蟿慰蠀 慰蟺慰委慰蠀 畏 味蠅萎 蟿慰谓 魏伪蟿伪未委魏伪蟽蔚 蟽蔚 渭喂伪 蟿蔚蟻维蟽蟿喂伪 蟺蔚蟻喂蟺苇蟿蔚喂伪. 螠蝿 苇谓伪 蟽蠀纬魏喂谓畏蟿喂魏蠈 蟿苇位慰蟼. 螘蟺苇蟽蟿蟻蔚蠄蔚 渭蔚蟿维 伪蟺蠈 蔚委魏慰蟽喂 蠂蟻蠈谓喂伪 蟽蟿慰谓 蟿蠈蟺慰 蟺慰蠀 伪蠁萎蟽蔚喂 蟿畏谓 谓蔚魏蟻萎 纬蠀谓伪委魏伪 蟿慰蠀 蔚尉伪喂蟿委伪蟼 蟿畏蟼 魏伪蟿伪未委魏畏蟼 蟿畏蟼 魏慰喂谓蠅谓委伪蟼. 螘蠄伪蠂谓蔚 蟿慰谓 蟿维蠁慰 蟿畏蟼. 螖蔚谓 蟿伪 尾蟻萎魏蔚 蔚委蠂伪谓 蟺慰未慰蟺伪蟿萎蟽蔚喂 蟿慰谓 蟿维蠁慰 蟿畏蟼 魏伪喂 萎蟿伪谓 伪未蠉谓伪蟿慰 谓伪 尾蟻蔚胃蔚委 渭苇蟽伪 蟽蟿畏谓 蟿蔚蟻维蟽蟿喂伪 蟺蟻慰苇魏蟿伪蟽畏 蟿慰蠀 谓蔚魏蟻慰蟿伪蠁蔚委慰蠀. 螣 萎蟻蠅伪蟼 渭伪蟼 位蠈纬蠅 魏伪魏慰蠀蠂喂蠋谓 蟺苇胃伪谓蔚. 危蟿慰 渭苇蟻慰蟼 蟺慰蠀 苇蟽魏伪尾伪谓 谓伪 蟿慰谓 胃维蠄慰蠀谓, 蔚谓蟿蠈蟺喂蟽伪谓 蟿伪 慰蟽蟿维 蟿畏蟼 纬蠀谓伪委魏伪蟼 蟿慰蠀!
螖蔚谓 蠂蟻蔚喂维味慰谓蟿伪喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪. 螒谓蟿喂蟽蟿伪胃蔚委蟿蔚 蟽蟿喂蟼 谓苇蔚蟼 蔚魏未蠈蟽蔚喂蟼, 尾蟻蔚委蟿蔚 蟿慰 尾喂尾位委慰 魏伪喂 胃伪 蟺蔚蟻维蟽蔚蟿蔚 蟽蟺慰蠀未伪委蔚蟼 蟽蟿喂纬渭苇蟼 伪谓伪纬谓蠅蟽蟿喂魏萎蟼 伪蟺蠈位伪蠀蟽畏蟼....
螖蔚谓 蠂蟻蔚喂维味慰谓蟿伪喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪. 螒谓蟿喂蟽蟿伪胃蔚委蟿蔚 蟽蟿喂蟼 谓苇蔚蟼 蔚魏未蠈蟽蔚喂蟼, 尾蟻蔚委蟿蔚 蟿慰 尾喂尾位委慰 魏伪喂 胃伪 蟺蔚蟻维蟽蔚蟿蔚 蟽蟺慰蠀未伪委蔚蟼 蟽蟿喂纬渭苇蟼 伪谓伪纬谓蠅蟽蟿喂魏萎蟼 伪蟺蠈位伪蠀蟽畏蟼....
August 23, 2019
A rich, poignant, deep, tragic and somber novel of love, faith and spirituality. Four years after the Chmielnicki massacres of 1648 in which tens of thousands of Jews were massacred by Cossack hordes, a pious Jew Jacob, exists as a slave ,captured during the massacres in the mountains of Poland for gentile, peasants. Treated like a beast, he is shown mercy and tenderness by his master's beautiful daughter Wanda, who he falls in love with.
When he returns to how own Jewish town, Jacob cannot forget Wanda and brings her back to his home as a convert to Judaism. But as conversion was forbidden in that time and place, he cannot reveal her gentile birth and to cover up this, and not let this be revealed by her Polish accent, he must pass her off as a mute. Her name is now Sarah.
Despite her great reservoir of kindness, and piety she is ill treated by most of the community. Jacob has to also forebear the capricious cruelty of the local Polish nobleman Adam Pilsidsky. Before Wanda dies in childbirth she reveals that she is of gentile birth. As a result of pressure from the narrow minded hypocrites within the community especially the execrable Gershon, Sarah is given a donkey's burial, and the baby boy she has delivered declared not a part of the community. But he is looked after by a good hearted couple and is fetched by his father who takes him to the Land of Israel. 20 years pass before Jacob returns and a great miracle takes place to show that Sarah's (Wanda) soul was indeed that of a daughter of Israel. Full of spiritual phenomena, as well as the rich superstitions of the time, this novel will excite those interested in such subjects and is a classic and jewel of Jewish literature by a master in that craft.
When he returns to how own Jewish town, Jacob cannot forget Wanda and brings her back to his home as a convert to Judaism. But as conversion was forbidden in that time and place, he cannot reveal her gentile birth and to cover up this, and not let this be revealed by her Polish accent, he must pass her off as a mute. Her name is now Sarah.
Despite her great reservoir of kindness, and piety she is ill treated by most of the community. Jacob has to also forebear the capricious cruelty of the local Polish nobleman Adam Pilsidsky. Before Wanda dies in childbirth she reveals that she is of gentile birth. As a result of pressure from the narrow minded hypocrites within the community especially the execrable Gershon, Sarah is given a donkey's burial, and the baby boy she has delivered declared not a part of the community. But he is looked after by a good hearted couple and is fetched by his father who takes him to the Land of Israel. 20 years pass before Jacob returns and a great miracle takes place to show that Sarah's (Wanda) soul was indeed that of a daughter of Israel. Full of spiritual phenomena, as well as the rich superstitions of the time, this novel will excite those interested in such subjects and is a classic and jewel of Jewish literature by a master in that craft.
June 9, 2019
螤蔚蟻委蔚蟻纬畏 纬蟻伪蠁萎: 伪蠁萎纬畏蟽畏 蟺慰蠀 未蔚 渭慰喂维味蔚喂 渭蔚 伪蠁萎纬畏蟽畏, 蟽伪 谓伪 蟽慰蠀 伪谓慰委纬蔚喂 蟿伪 渭维蟿喂伪 魏伪喂 渭蔚 苇魏蟺位畏尉畏 尾蟻委蟽魏蔚喂蟼 蟿慰谓 蔚伪蠀蟿蠈 蟽慰蠀 蟽蟿慰 委未喂慰 尾慰蟽魏慰蟿蠈蟺喂. 危蟿畏 蟽蔚位委未伪 13 蟽蠂蔚未蠈谓 渭蠉蟻喂蟽伪 蠁蟻蔚蟽魏慰伪蟻渭蔚纬渭苇谓慰 纬维位伪. 螒谓蟿委 谓伪 蟽蠂慰位喂维蟽蔚喂 蟿畏谓 蟺委蟽蟿畏, 蠂蟻畏蟽喂渭慰蟺慰喂蔚委 渭喂伪 蟿蟻伪纬喂魏维 蠅蟻伪委伪 喂魏伪谓蠈蟿畏蟿伪: 蟺伪蟻慰蠀蟽喂维味蔚喂 蟿畏谓 魏伪胃畏渭蔚蟻喂谓蠈蟿畏蟿伪 蟽伪谓 位伪纬伪蟻蠈 蟻蠀维魏喂 蟺慰蠀 蟿慰 谓蔚蟻蠈 蟺维谓蟿伪 魏喂谓蔚委蟿伪喂 渭蔚 蟿慰蠀蟼 蟿蟻蠈蟺慰蠀蟼 蟿慰蠀, 蟿蔚位喂魏维 伪谓蔚渭蟺蠈未喂蟽蟿伪 魏喂 伪蟼 蔚委谓伪喂 蟺维谓蟿伪 蟿慰 委未喂慰, 慰喂 蟿蟻蠈蟺慰喂 蟿慰蠀 魏伪胃畏蟽蠀蠂维味慰蠀谓, 未蔚谓 蠀蟺维蟻蠂蔚喂 蟿委蟺慰蟿伪 蟺蔚味蠈. 螠伪 蟿畏谓 委未喂伪 蟽蟿喂纬渭萎, 畏 蔚胃喂渭慰蟿蠀蟺委伪 蟿畏蟼 蟺委蟽蟿畏蟼 未蔚 未喂伪蠂蠅蟻委味蔚蟿伪喂 伪蟺蠈 未喂伪魏伪蔚委蟼 蠄蠀蠂伪谓伪纬魏伪蟽渭慰蠉蟼 蟿慰蠀 蔚委未慰蠀蟼 蟺慰蠀 纬蔚谓谓维 未喂伪蟻魏蠋蟼 维纬蠂慰蟼, 蟿慰 慰蟺慰委慰 蟺慰蟿苇 未蔚谓 伪谓蟿喂位伪渭尾维谓蔚蟽伪喂 蠅蟼 蟺蟻伪纬渭伪蟿喂魏萎 伪谓喂蔚蟻蠈蟿畏蟿伪, 蟺伪蟻维 蠅蟼 魏蟻蠈蟿慰 蟺慰蠀 蟽蔚 蟺蟻慰蔚喂未慰蟺慰喂蔚委 纬喂伪 魏维蟿喂 蟿慰 伪谓委蔚蟻慰 萎 蟿慰 尾位维蟽蠁畏渭慰 蟺慰蠀 尾蟻委蟽魏蔚蟿伪喂 苇尉蠅 伪蟺鈥� 蟿畏 蟽魏苇蠄畏 蟿喂渭蠅蟻委伪蟼 鈥� 蠄蠀蠂伪谓伪纬魏伪蟽渭蠈 蟽蔚 伪蠀蟿维 蟺慰蠀 蟽蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪 未蔚 渭蟺慰蟻蔚委蟼 谓伪 蔚位苇纬尉蔚喂蟼, 伪蟺伪喂蟿蠋谓蟿伪蟼 渭喂伪 蟿蔚位蔚喂蠈蟿畏蟿伪 伪蟺鈥� 蟿慰谓 蔚伪蠀蟿蠈 蟽慰蠀, 畏 慰蟺慰委伪 蠈渭蠅蟼 未蔚谓 伪谓萎魏蔚喂 蟽蟿畏 蠁蠉蟽畏 蟽慰蠀.
危蟿畏 蟽蔚位委未伪 52 伪喂蟽胃维谓胃畏魏伪 蟺蟻伪纬渭伪蟿喂魏蠈 蟺蠈谓慰 伪蟺鈥� 蟿慰 魏伪魏蠈 蟺慰蠀 渭蟺慰蟻蔚委 谓伪 蟺蟻慰魏伪位苇蟽蔚喂 魏喂 畏 蟺伪蟻伪渭喂魏蟻萎 未蔚喂蟽喂未伪喂渭慰谓委伪, 蠈蟿伪谓 蟺伪委蟻谓慰蠀谓 慰喂 伪纬蔚位伪未维蟻畏未蔚蟼, 蟿慰谓 螜伪魏蠋尾 渭伪味委 蟿慰蠀蟼 蟽蟿慰 蟺伪谓畏纬蠉蟻喂. 危蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪, 畏 位苇尉畏 蟺蠈谓慰蟼 蔚委谓伪喂 蠀蟺蔚蟻尾慰位喂魏萎 魏喂 畏 位苇尉畏 未蠀蟽蠁慰蟻委伪, 位委纬畏. 螆渭慰喂伪味蔚 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 渭蔚 魏伪畏渭蠈 谓伪 尉畏位蠋蟽蠅 伪蠀蟿蠈 蟺慰蠀 未喂维尾伪蟽伪, 蟿畏谓 蔚喂魏蠈谓伪 蟺慰蠀 渭慰蠀 未畏渭喂慰蠉蟻纬畏蟽蔚 伪蟺蠈 渭苇蟽伪 渭慰蠀, 谓伪 蟿伪 尉蔚蠂维蟽蠅 蠈位伪.
螤伪蟻伪魏维蟿蠅 纬委谓蔚蟿伪喂 位蠈纬慰蟼 纬喂伪 鈥樜何滴刮轿� 蟿慰谓 苇蟻蠅蟿伪 蟺慰蠀 蟽蔚 伪蟺慰尉蔚谓蠋谓蔚喂 伪蟺鈥� 蟿慰谓 蔚伪蠀蟿蠈 蟽慰蠀. 螝慰喂蟿维蟼 渭苇蟽伪 魏伪喂 未蔚 渭蟺慰蟻蔚委蟼 谓伪 伪纬纬委尉蔚喂蟼 伪蠀蟿蠈谓 蟺慰蠀 蟽慰蠀 渭喂位慰蠉蟽蔚 蠅蟼 蠂蟿蔚蟼, 渭慰喂维味蔚喂 蟽伪 蠂伪位魏慰渭伪谓委伪 谓伪 魏蠈位位畏蟽蔚 蟺维谓蠅 蟽慰蠀 魏喂 慰 苇谓伪蟼 谓伪 渭畏谓 尉蔚蠂蠅蟻委味蔚喂 伪蟺鈥� 蟿慰谓 维位位慰 蔚伪蠀蟿蠈 魏喂 蠈渭蠅蟼 魏喂 慰喂 未蠀慰 谓伪 伪谓蟿喂位伪渭尾维谓慰谓蟿伪喂 蟿畏谓 伪蟺慰蠀蟽委伪 蟿慰蠀 维位位慰蠀. 螣 苇蟻蠅蟿伪蟼 蟽蔚 伪蟺慰尉蔚谓蠋谓蔚喂 伪蟺鈥� 蟿慰蠀蟼 维位位慰蠀蟼, 伪蠀蟿蠈蟼 锟斤拷渭蠅蟼 慰 苇蟻蠅蟿伪蟼 蟽蟿畏谓 伪蟺慰蠀蟽委伪 蟿慰蠀 维位位慰蠀 蟽蔚 魏维谓蔚喂 谓伪 伪喂蟽胃维谓蔚蟽伪喂 渭喂蟽蠈蟼, 蟽蟿畏谓 伪蟺慰渭维魏蟻蠀谓蟽畏 蟿慰蠀 蔚委蟽伪喂 魏蔚谓蠈蟼. 危蔚 苇谓伪 尾喂尾位委慰 蟺慰蠀 畏 位苇尉畏 苇蟻蠅蟿伪蟼, 未蔚谓 魏维谓蔚喂 蟺慰蠀胃蔚谓维 蟿畏谓 蔚渭蠁维谓喂蟽畏 蟿畏蟼鈥�
螣 蟿蟻蠈蟺慰蟼 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蔚委谓伪喂 蟺慰位蠉 蟺蟻慰蟽蠅蟺喂魏蠈蟼, 蠂蟻畏蟽喂渭慰蟺慰喂蔚委 蟿伪蠀蟿蠈蠂蟻慰谓伪 蟿畏谓 魏蠀蟻喂慰位蔚尉委伪 魏伪喂 蟿畏谓 伪位位畏纬慰蟻委伪 蟿畏 渭喂伪 蟽伪 渭苇蟽慰 纬喂伪 谓伪 魏伪蟿伪蟽蟺伪蟻维尉蔚喂 蟿畏谓 维位位畏, 伪蟺蔚蠀胃蠉谓蔚蟿伪喂 位蔚蟼 蟽蔚 鈥樝兾滴轿� 蟺蟻慰蟽蠅蟺喂魏维 蠂蠅蟻委蟼 谓伪 蟽鈥� 伪蠁萎谓蔚喂 谓伪 伪蟻维尉蔚喂蟼 蟽蟿慰谓 魏伪谓伪蟺苇 蟽慰蠀. 螝喂 蔚委谓伪喂 慰 蟿蟻蠈蟺慰蟼 蟿慰蠀 谓伪 蟽慰蠀 未蔚委尉蔚喂 蟺蠅蟼 蠀蟺维蟻蠂慰蠀谓 蟽蟿喂纬渭苇蟼 蟺慰蠀 魏伪蟿苇蠂蔚喂蟼 蟿伪 蟺维谓蟿伪, 未蔚谓 苇蠂蔚喂蟼 蠈渭蠅蟼 蟿委蟺慰蟿伪, 未蔚 纬蔚蠉蔚蟽伪喂 魏伪谓 魏喂 畏 渭蔚纬维位畏 蟽慰蠀 蔚蠀魏伪喂蟻委伪 蔚委谓伪喂 伪蠀蟿萎 蟺慰蠀 蠁慰尾维蟽伪喂 魏维蟺慰蠀 蟺苇蟻伪 渭伪魏蟻喂维 蟽蟿慰谓 慰蟻委味慰谓蟿伪, 蠈蟿伪谓 蠈位伪 蠂维谓慰谓蟿伪喂. 韦蠈蟿蔚 伪蟻蠂委味蔚喂蟼 蟺蟻伪纬渭伪蟿喂魏维 谓伪 蟿伪 苇蠂蔚喂蟼. 螝喂 伪谓 蟿蠉蠂蔚喂 魏伪喂 蟿伪 蟺位畏蟽喂维蟽蔚喂蟼 蟺维位喂, 苇蟻蠂蔚蟿伪喂 魏喂 畏 伪蠀蟿慰谓蠈畏蟿畏 蟽蠀谓蔚喂未畏蟿慰蟺慰委畏蟽畏 蠈蟽蠅谓 伪魏渭蠋谓 蟽蟿蟻慰纬纬蠉位蔚蠄蔚蟼 伪蟺鈥� 伪蠀蟿维 蟺慰蠀 魏伪蟿蔚委蠂蔚蟼 魏伪喂 苇蠂伪蟽蔚蟼 蟺蟻喂谓 蟺蟻慰位维尾蔚喂蟼 谓伪 魏伪蟿伪谓慰萎蟽蔚喂蟼, 渭伪 蟺慰蠀 苇纬喂谓伪谓 伪蟺蠅胃畏渭苇谓伪 纬喂伪 谓伪 蔚蟺伪谓伪蟺慰魏蟿畏胃慰蠉谓. 螌渭蠅蟼 蔚魏蔚委谓伪 蟺慰蠀 蟽蟿慰 蟽尾萎蟽喂渭慰 蟿慰蠀 纬委谓伪谓蔚 蟺蟻伪纬渭伪蟿喂魏维 未喂魏维 蟽慰蠀, 蟽蠀谓蔚蠂委味蔚喂蟼 谓伪 蟿伪 苇蠂蔚喂蟼 魏喂 蔚委谓伪喂 畏 尾伪胃喂维 慰蠀蟽委伪 蟿慰蠀蟼 蟺慰蠀 蟽慰蠀 伪谓萎魏蔚喂 魏伪喂 纬喂鈥� 伪蠀蟿蠈 蟺喂伪 渭蟺慰蟻蔚委蟼 谓伪 尾位苇蟺蔚喂蟼 蟿伪 蟺蔚蟻喂纬蟻维渭渭伪蟿伪 蟿慰蠀 魏蠈蟽渭慰蠀 伪魏蠈渭伪 魏喂 伪谓 未蔚谓 蔚谓蠋谓蔚喂蟼 蟿喂蟼 蟿蔚位蔚委蔚蟼, 蠈蠂喂 渭蔚 蟿慰谓 蟿蟻蠈蟺慰 蟺慰蠀 胃伪 蔚蟺苇蟿蟻蔚蟺蔚 渭喂伪 伪蟺慰蟽蟿慰渭蠅蟿喂魏萎 伪蟿维魏伪 蟺蟻喂谓 尾纬蔚喂蟼 伪蟺鈥� 蟿畏 蟽魏畏谓萎.
危蟿畏 螠蔚纬维位畏 螤蔚蟻喂蟺苇蟿蔚喂伪 蟿慰蠀 螢蔚谓蠈蟺慰蠀位慰蠀 苇蠂蔚喂蟼 苇谓伪 渭畏 螘尾蟻伪委慰 蟽蠀纬纬蟻伪蠁苇伪 蟺慰蠀 位苇蔚喂 蟺蠅蟼 慰喂 渭畏 螘尾蟻伪委慰喂 蠁蔚蟻胃萎魏伪渭蔚 蟽伪谓 魏蟿萎谓畏. 螝维蟿喂 蟺慰蠀 蟽蠀谓维未蔚喂 渭蔚 蟿畏谓 维蟺慰蠄畏 蟺慰位位蠋谓 螘尾蟻伪委蠅谓 魏伪喂 渭畏 蟽蠀纬纬蟻伪蠁苇蠅谓. 螘未蠋 蠈渭蠅蟼 苇蠂蔚喂蟼 蟿慰谓 蟺蟻蠋蟿慰 蟽蠀纬纬蟻伪蠁苇伪, 伪蟺鈥� 蠈蟽慰蠀蟼 苇蠂蠅 未喂伪尾维蟽蔚喂 蔚纬蠋, 蟺慰蠀 伪蟺伪谓蟿维蔚喂 蟽蠉渭蠁蠅谓伪 渭蔚 鈥樜何滴刮轿� 蟿慰 蟺伪位喂蠈 蟻蠋蟽喂魏慰 蟺伪蟻伪渭蠉胃喂 渭蔚 蟿慰 螕蔚蟻渭伪谓蠈 魏伪喂 蟿慰 巍蠋蟽慰 蟺慰蠀 尉苇蟺谓慰慰喂 伪蟺鈥� 蟿畏谓 伪喂蠋谓喂伪 伪蠄喂渭伪蠂委伪 蟿慰蠀蟼 魏慰喂渭慰蠉谓蟿伪喂 蟽蟿畏谓 伪魏蟻慰蟺慰蟿伪渭喂维 魏伪喂 渭蔚蟼 蟽蟿慰谓 蠉蟺谓慰 伪位位维味慰蠀谓 蟻慰蠉蠂伪 魏伪喂 蟿慰 蟺蟻蠅委 尾位苇蟺蔚喂 慰 苇谓伪蟼 蟽蟿慰谓 维位位慰 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀 纬喂伪 蟺蟻蠋蟿畏 蠁慰蟻维. 螝伪喂 蟽慰蠀 位苇蔚喂, 谓伪喂 魏喂 蔚渭蔚委蟼 慰喂 螘尾蟻伪委慰喂 蔚委渭伪蟽蟿蔚 蟿慰 委未喂慰 蔚蟺喂蟻蟻蔚蟺蔚委蟼 蟽蟿畏 渭伪蟿伪喂慰未慰尉委伪, 蟽蟿畏 位伪喂渭伪蟻纬委伪, 蟽蟿畏 蠂蔚喂蟻伪纬蠋纬畏蟽畏, 蠈蟺蠅蟼 魏维胃蔚 维位位慰蟼 位伪蠈蟼. 韦慰 尾喂尾位委慰 伪蠀蟿蠈 蔚委谓伪喂 苇谓伪 蟼 蟺伪蟿苇蟻伪蟼 蟽魏位畏蟻蠈蟼 蟺慰蠀 未蔚谓 蟺伪蠉蔚喂 谓伪 蔚委谓伪喂 未委魏伪喂慰蟼 魏伪喂 蟺慰蠀 渭蟺慰蟻蔚委 魏伪喂 谓伪 纬委谓蔚喂 蟺慰位蠉 蟿蟻蠀蠁蔚蟻蠈蟼.
螝伪喂 胃伪 渭蟺慰蟻慰蠉蟽蔚 魏维蟺慰喂慰蟼 谓伪 蠀蟺慰胃苇蟽蔚喂 蟺蠅蟼 苇谓伪 尾喂尾位委慰 蟽蟿慰 慰蟺慰委慰 纬委谓蔚蟿伪喂 未喂伪蟻魏苇蟼 渭蟺蟻伪谓蟿蔚蠁苇蟻 伪谓维渭蔚蟽伪 蟽蟿畏谓 蟺委蟽蟿畏 魏伪喂 蟿畏谓 伪渭蠁喂尾慰位委伪 蟽蟿慰 蟺蔚蟻喂尾维位位慰谓 蟿慰蠀 螜慰蠀未伪蠆蟽渭慰蠉 未蔚 渭伪蟼 伪蠁慰蟻维, 伪蠁慰蟻维 维位位慰蠀蟼. 螌蠂喂 伪蠁慰蟻维 蔚渭维蟼. 螣喂 维谓胃蟻蠅蟺慰喂 谓蟿蠀谓蠈渭伪蟽蟿蔚 未喂伪蠁慰蟻蔚蟿喂魏维 魏伪喂 魏维胃蔚 蔚蟺慰蠂萎 苇蠂蔚喂 蟿畏 未喂魏萎 蟿畏蟼 苇魏蠁蟻伪蟽畏, 蠈渭蠅蟼 蟺维谓蟿伪 慰喂 委未喂蔚蟼 蟽魏伪谓未维位蔚蟼 渭伪蟼 蠁慰尾委味慰蠀谓, 慰喂 委未喂蔚蟼 蔚尉维蟺蟿慰蠀谓 蟿畏谓 蟺蔚蟻喂苇蟻纬蔚喂伪 渭伪蟼, 萎 伪谓维尾慰蠀谓 蟿畏 蠁位蠈纬伪 蟿蠅谓 蠀蠄畏位蠋谓 喂未伪谓喂魏蠋谓 萎 蟿畏蟼 位伪纬谓蔚委伪蟼. 螝伪喂 渭蟺慰蟻慰蠉渭蔚 谓伪 伪蟺慰蟻蟻委蠄慰蠀渭蔚 蟿慰 尾喂尾位委慰 蟺蠅蟼 渭喂位维蔚喂 纬喂伪 蟺蟻维纬渭伪蟿伪 蟺伪位喂维 魏伪喂 蠂喂位喂慰蔚喂蟺蠅渭苇谓伪 鈥� 苇蠂慰蠀渭蔚 伪蠀蟿蠈 蟿慰 未喂魏伪委蠅渭伪. 螖蔚谓 苇蠂慰蠀渭蔚 蠅蟽蟿蠈蟽慰 魏伪渭喂维 未喂魏伪喂慰位慰纬委伪, 伪谓 蟿慰 魏维谓慰蠀渭蔚. 螕喂伪蟿委 蟿慰 尾喂尾位委慰 纬蟻维蠁蟿畏魏蔚 蟿慰 1962. 螆蟺蔚蟿伪喂 蟿蠅谓 渭蔚纬维位蠅谓 未蔚喂谓蠋谓 蟿畏蟼 螜蟽蟿慰蟻委伪蟼. 螁蟻伪 蔚委谓伪喂 维位位畏 畏 蔚蟻渭畏谓蔚委伪 蟿慰蠀. 螝喂 伪谓 蟿慰 蟺蟻蔚位慰蠉未喂慰 位苇纬蔚蟿伪喂 螜慰蠀未伪蠆蟽渭蠈蟼, 委蟽蠅蟼 蔚委谓伪喂 蟿蟻蠈蟺慰蟼 谓伪 蔚喂蟺蠅胃慰蠉谓 蠈位蔚蟼 伪蠀蟿苇蟼 慰喂 蔚蟻蠅蟿萎蟽蔚喂蟼, 蟺慰蠀 蟽蠀渭蠄畏蠁委味慰谓蟿伪喂 蟽蔚 渭委伪: 蟺蟻慰蟼 蟿喂 蠈位伪 伪蠀蟿维; 桅慰蟻维渭蔚 蟿伪蠀蟿蠈蟿畏蟿蔚蟼 魏伪喂 纬喂谓蠈渭伪蟽蟿蔚 胃蠉渭伪蟿伪 蟿慰蠀蟼, 蟺蔚蟻喂慰蟻委味慰谓蟿伪蟼 蟿慰谓 蔚伪蠀蟿蠈 渭伪蟼 蟽蔚 位蔚魏蟿喂魏维 蟽蠉渭尾慰位伪 蟺慰蠀 魏伪蟿伪谓蟿慰蠉谓 魏伪蟿维蟻蔚蟼 魏伪喂 未蔚喂蟽喂未伪喂渭慰谓委蔚蟼. 螝伪喂 蠈渭蠅蟼 伪蟻魏蔚委 蟿蔚位喂魏维 苇谓伪 鈥樷€櫸毼蔽晃肺嘉佄�. 螘蠀蠂伪蟻喂蟽蟿蠋鈥欌€� 蔚位蔚蠉胃蔚蟻伪 蟽蟿慰谓 伪苇蟻伪, 渭蔚 伪谓蠋谓蠀渭慰 伪蟺慰未苇魏蟿畏. 围蟻喂蟽蟿喂伪谓蠈蟼, 螘尾蟻伪委慰蟼, 螠慰蠀蟽慰蠀位渭维谓慰蟼 ( 渭蔚 蠈蟺慰喂伪 蟽蔚喂蟻维 ). 螒蠀蟿萎 畏 魏伪位畏渭苇蟻伪 蔚委谓伪喂 蟿慰 渭蠈谓慰 蟺慰蠀 蠂蟻蔚喂维味蔚蟿伪喂. 螘蠀蠂伪蟻喂蟽蟿蠋 蟺慰蠀 蠀蟺维蟻蠂蠅, 蟺慰蠀 蠀蟺萎蟻尉伪谓 蠈蟽慰喂 蠀蟺萎蟻尉伪谓, 谓伪 蔚委谓伪喂 魏伪位维 伪蠀蟿慰委 蟺慰蠀 蠀蟺维蟻蠂慰蠀谓. 螝喂 伪谓 蠈位伪 蟿伪 蠀蟺蠈位慰喂蟺伪 未蔚 胃蔚蟼 谓伪 蟿伪 未蔚喂蟼 魏维蟿蠅 伪蟺鈥� 蟿慰 蟺蟻委蟽渭伪 蟿畏蟼 胃蟻畏蟽魏蔚蠀蟿喂魏萎蟼 未喂伪蠁慰蟻维蟼, 魏伪位蠉蟿蔚蟻伪. 螖蔚蟼 蠈位蔚蟼 蟿喂蟼 蟺慰位喂蟿喂魏苇蟼 未喂伪蠁慰蟻苇蟼, 蟿喂蟼 渭慰蟻蠁蠅蟿喂魏苇蟼, 蟿喂蟼 慰喂魏慰谓慰渭喂魏苇蟼. 螌位蔚蟼 蠈蟽蔚蟼 蠀蟺维蟻蠂慰蠀谓. 螝伪喂 蠀蟺维蟻蠂慰蠀谓. 螠伪 魏伪胃苇谓伪蟼 渭伪蟼 渭苇蟽伪 蟽蟿慰 蠀蟺慰蟽蠉谓慰位慰 蟺慰蠀 尾蟻委蟽魏蔚蟿伪喂 渭慰喂维味蔚喂 渭蔚 魏维蟺慰喂慰谓 伪蟺蠈 维位位慰 蠀蟺慰蟽蠉谓慰位慰 魏伪喂 蠈位慰喂 渭慰喂维味慰蠀渭蔚 渭蔚 魏维蟺慰喂慰蠀蟼 维位位慰蠀蟼 魏喂 蔚委谓伪喂 蟿慰 渭蠈谓慰 蟺慰蠀 蟺慰蟿苇 未蔚 尾位苇蟺慰蠀渭蔚. 韦慰 胃伪蠉渭伪 谓伪 蔚委蟽伪喂 维谓胃蟻蠅蟺慰蟼 魏喂 畏 蠀蟺蔚蟻慰蠄委伪 谓伪 伪谓伪纬谓蠅蟻委味蔚喂蟼 蟽蟿畏 胃谓畏蟿萎 蟽慰蠀 蠀蟺蠈蟽蟿伪蟽畏, 蟺蠅蟼 渭苇蟻慰蟼 蟿畏蟼 伪蟻蔚蟿萎蟼 蔚委谓伪喂 魏伪喂 蟿慰 谓伪 蠀蟺伪魏慰蠉蟼 蟽蟿伪 蔚蠉魏慰位伪 魏伪喂 谓伪 未蠀蟽伪谓伪蟽蠂蔚蟿蔚委蟼 蟽蟿伪 未蠉蟽魏慰位伪, 谓伪 鈥� 蟿喂渭维蟼 蟿慰 螛蔚蠈, 伪位位维 谓伪 蠀蟺慰蟿喂渭维蟼 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼. 危魏位维尾慰蟼 蟿蠅谓 蟺蔚蟻喂慰蠉蟽喂蠅谓 未蠀谓伪蟿慰蟿萎蟿蠅谓 蟽慰蠀, 蟺慰蠀 蔚蟺喂尾维位位慰蠀谓 蟿蔚位喂魏维 蟿喂蟼 未喂伪魏蟻委蟽蔚喂蟼 蟽慰蠀.
韦慰 畏蠂畏蟻蠈蟿蔚蟻慰 渭萎谓蠀渭伪 蟿慰蠀 尾喂尾位委慰蠀 蔚委谓伪喂 蟺蠅蟼 未蔚 渭蟺慰蟻蔚委蟼 蟻蔚 蠁委位蔚 谓伪 蟺伪委蟻谓蔚喂蟼 蟿畏谓 伪纬维蟺畏 魏伪喂 谓伪 蟿畏 谓蟿蠉谓蔚喂蟼 渭蔚 伪蟺维蟿蔚蟼. 螘委谓伪喂 螆纬魏位畏渭伪. 螤维蟻蟿畏 魏伪喂 蟺蔚蟻蟺维蟿伪 蟽鈥� 蠈位畏 蟿畏 纬畏, 谓蟿蠀渭苇谓慰蟼 渭蔚 蟿喂蟼 魏位蠅蟽蟿苇蟼 蟺慰蠀 胃伪 蟽慰蠀 未蠋蟽蔚喂 蔚魏蔚委谓畏. 危委纬慰蠀蟻伪 胃伪 谓喂蠋蟽蔚喂蟼 魏蟻蠉慰, 胃伪 谓喂蠋蟽蔚喂蟼 味苇蟽蟿畏, 胃伪 蟺慰谓苇蟽蔚喂蟼, 胃伪 蠂蟿蠀蟺萎蟽蔚喂蟼, 伪位位维 胃伪 蟿畏谓 苇蠂蔚喂蟼 渭伪味委 蟽慰蠀 魏伪胃伪蟻萎 魏喂 伪蟿蠈蠁喂伪 谓伪 蟽慰蠀 魏蟻伪蟿维 蟿慰 蠂苇蟻喂 魏伪喂 谓伪 蟽蔚 蟽畏魏蠋谓蔚喂, 胃伪 蟽蔚 魏维谓蔚喂 魏伪胃伪蟻蠈. 螠畏 蟿畏 谓蟿蠉谓蔚喂蟼. 螘委谓伪喂 畏 委未喂伪 蠁慰蟻蔚蟽喂维, 蟺委蟽蟿畏, 蟺伪蟿蟻委未伪. 螝伪喂 纬@渭伪 蟿喂蟼 谓畏蟽蟿蔚委蔚蟼 魏喂 蠈位伪 蟿伪 蟽蠂蔚蟿喂魏维.
危蔚 蟺慰位位苇蟼 蟽蟿喂纬渭苇蟼 蟿畏蟼 味蠅萎蟼 渭伪蟼 蔚蠀未慰魏喂渭蔚委 渭苇蟽伪 渭伪蟼 渭喂伪 尉蔚蠂蠅蟻喂蟽蟿萎 慰谓蟿蠈蟿畏蟿伪, 畏 韦喂渭蠅蟻委伪. 螠蟺慰蟻蔚委 谓伪 蔚委谓伪喂 渭畏蠂伪谓喂蟽渭蠈蟼 蟿畏蟼 蔚蟽蠅蟿蔚蟻喂魏萎蟼 伪委蟽胃畏蟽畏蟼 纬喂伪 蟿慰 蟽蠅蟽蟿蠈 萎 蟿慰 位维胃慰蟼, 萎 伪魏蠈渭畏 鈥樷€櫹呄€慰蟽蠀谓蔚委未畏蟿慰鈥欌€� 蟿畏蟼 未喂未伪纬渭苇谓畏蟼 畏胃喂魏萎蟼. 螒谓伪蟺蟿蠉蟽蟽蔚蟿伪喂 蟽伪 未喂伪魏伪萎蟼 蠁蠈尾慰蟼, 位伪渭蟺维魏喂 伪蟽蠁伪位蔚委伪蟼 渭蠈谓喂渭伪 伪谓伪渭渭苇谓慰. 螤伪蟻伪未慰蠂萎, 渭伪味委 魏伪喂, 蟺蟻蠈魏位畏蟽畏. 螌蠂喂 蟽蟿慰 委未喂慰 蟿慰 未蔚喂谓蠈. 韦伪 未蔚喂谓维 蟿蔚位喂魏维 苇蟻蠂慰谓蟿伪喂, 胃苇位慰蠀渭蔚 萎 蠈蠂喂, 蟽蟿畏谓 蟺蟻伪纬渭伪蟿喂魏萎 蟿慰蠀蟼 渭慰蟻蠁萎 魏喂 蠈蠂喂 蟽蔚 蠈蟺慰喂伪 蟿慰 蟺伪蟻伪蟽蟿伪委谓慰蠀渭蔚. 螘委谓伪喂 蟿慰 蔚委未慰蟼 蟿慰蠀 渭伪胃萎渭伪蟿慰蟼 蟺慰蠀 尾伪蟽委味蔚蟿伪喂 畏 蔚尉蠅蟿蔚蟻喂魏萎 蔚蟺喂尾慰位萎 蟿畏蟼 魏慰喂谓蠅谓委伪蟼, 蟽蟿伪 蟺蟻慰蔚蠁畏尾喂魏维 渭伪蟼 渭伪胃萎渭伪蟿伪, 蟺维谓蠅 蟽蟿伪 蟺蔚蟻喂纬蟻维渭渭伪蟿伪 蟿慰蠀 渭畏蠂伪谓喂蟽渭慰蠉 位蔚喂蟿慰蠀蟻纬委伪蟼 渭伪蟼. 螘魏蟺伪喂未蔚蠀蠈渭伪蟽蟿蔚 谓伪 蔚委渭伪蟽蟿蔚 蔚谓慰蠂喂魏慰委. 螠伪 纬喂伪蟿委 未蔚谓 蔚委渭伪蟽蟿蔚 蠈位慰喂, 位慰喂蟺蠈谓; 螖蔚谓 蔚委渭伪蟽蟿蔚, 胃伪 蟻蠅蟿慰蠉蟽伪 渭蔚 伪谓伪蟽畏魏蠅渭苇谓慰 蠁蟻蠉未喂 鈥� 慰 危委谓纬魏蔚蟻 伪谓 魏伪喂 蔚魏未畏位蠅蟿喂魏蠈蟿蔚蟻慰蟼 蔚委谓伪喂 魏伪喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 未喂伪魏蟻喂蟿喂魏蠈蟼 伪蟺蠈 鈥樜嘉滴轿�, 魏伪胃苇谓伪蟼 渭伪蟼 蔚蟺喂位苇纬蔚喂 蟿慰蠀蟼 未喂伪尾蠈位慰蠀蟼 蟿慰蠀, 萎 纬委谓蔚蟿伪喂 畏 蔚蟺喂位慰纬萎 纬喂鈥� 伪蠀蟿蠈谓. 螚 魏慰喂谓蠅谓委伪, 畏 慰喂魏慰纬苇谓蔚喂伪, 蟿伪 尾喂蠋渭伪蟿伪 渭伪蟼, 蟿伪 鈥樷€櫸蔽轿蔽澄较幭兾嘉毕勎扁€欌€� 渭伪蟼, 蟺蟻慰蠇蟺慰胃苇蟿慰蠀谓 蟺慰喂慰喂 胃伪 蔚委谓伪喂. 螢伪谓维, 慰 伪蟺蠈畏蠂慰蟼 蟿蠅谓 蟽魏苇蠄蔚蠅谓 蟿慰蠀 危伪谓蟿鈥�
螝伪喂 蟿蔚位喂魏维, 蠂蟻蔚喂维味蔚蟿伪喂 魏伪喂 位委纬慰 渭蠀蟽蟿萎蟻喂慰 蟽蟿慰谓 蟺蠀蟻萎谓伪 蟿畏蟼 未喂魏伪委蠅蟽畏蟼, 伪蠀蟿蠈 蟺慰蠀 渭喂伪 尉伪蠁谓喂魏萎 未委谓畏, 苇谓伪 蟽蟺蟻蠋尉喂渭慰, 魏维蟿喂 蟺慰蠀 未蔚 渭蟺慰蟻蔚委 谓伪 蔚位蔚纬蠂胃蔚委, 蟽蔚 尾慰畏胃维 谓伪 蟺维蟻蔚喂蟼 伪谓维蟽伪.
螤蠅蟼 渭蟺慰蟻蠋 谓伪 蟺蟻慰蠁苇蟻蠅 位苇尉蔚喂蟼 喂蔚蟻苇蟼 蟽鈥� 伪蠀蟿蠈 蟿慰 尾蟻蠋渭喂魏慰 蠂蠋蟻慰
危蟿畏 蟽蔚位委未伪 52 伪喂蟽胃维谓胃畏魏伪 蟺蟻伪纬渭伪蟿喂魏蠈 蟺蠈谓慰 伪蟺鈥� 蟿慰 魏伪魏蠈 蟺慰蠀 渭蟺慰蟻蔚委 谓伪 蟺蟻慰魏伪位苇蟽蔚喂 魏喂 畏 蟺伪蟻伪渭喂魏蟻萎 未蔚喂蟽喂未伪喂渭慰谓委伪, 蠈蟿伪谓 蟺伪委蟻谓慰蠀谓 慰喂 伪纬蔚位伪未维蟻畏未蔚蟼, 蟿慰谓 螜伪魏蠋尾 渭伪味委 蟿慰蠀蟼 蟽蟿慰 蟺伪谓畏纬蠉蟻喂. 危蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪, 畏 位苇尉畏 蟺蠈谓慰蟼 蔚委谓伪喂 蠀蟺蔚蟻尾慰位喂魏萎 魏喂 畏 位苇尉畏 未蠀蟽蠁慰蟻委伪, 位委纬畏. 螆渭慰喂伪味蔚 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 渭蔚 魏伪畏渭蠈 谓伪 尉畏位蠋蟽蠅 伪蠀蟿蠈 蟺慰蠀 未喂维尾伪蟽伪, 蟿畏谓 蔚喂魏蠈谓伪 蟺慰蠀 渭慰蠀 未畏渭喂慰蠉蟻纬畏蟽蔚 伪蟺蠈 渭苇蟽伪 渭慰蠀, 谓伪 蟿伪 尉蔚蠂维蟽蠅 蠈位伪.
螤伪蟻伪魏维蟿蠅 纬委谓蔚蟿伪喂 位蠈纬慰蟼 纬喂伪 鈥樜何滴刮轿� 蟿慰谓 苇蟻蠅蟿伪 蟺慰蠀 蟽蔚 伪蟺慰尉蔚谓蠋谓蔚喂 伪蟺鈥� 蟿慰谓 蔚伪蠀蟿蠈 蟽慰蠀. 螝慰喂蟿维蟼 渭苇蟽伪 魏伪喂 未蔚 渭蟺慰蟻蔚委蟼 谓伪 伪纬纬委尉蔚喂蟼 伪蠀蟿蠈谓 蟺慰蠀 蟽慰蠀 渭喂位慰蠉蟽蔚 蠅蟼 蠂蟿蔚蟼, 渭慰喂维味蔚喂 蟽伪 蠂伪位魏慰渭伪谓委伪 谓伪 魏蠈位位畏蟽蔚 蟺维谓蠅 蟽慰蠀 魏喂 慰 苇谓伪蟼 谓伪 渭畏谓 尉蔚蠂蠅蟻委味蔚喂 伪蟺鈥� 蟿慰谓 维位位慰 蔚伪蠀蟿蠈 魏喂 蠈渭蠅蟼 魏喂 慰喂 未蠀慰 谓伪 伪谓蟿喂位伪渭尾维谓慰谓蟿伪喂 蟿畏谓 伪蟺慰蠀蟽委伪 蟿慰蠀 维位位慰蠀. 螣 苇蟻蠅蟿伪蟼 蟽蔚 伪蟺慰尉蔚谓蠋谓蔚喂 伪蟺鈥� 蟿慰蠀蟼 维位位慰蠀蟼, 伪蠀蟿蠈蟼 锟斤拷渭蠅蟼 慰 苇蟻蠅蟿伪蟼 蟽蟿畏谓 伪蟺慰蠀蟽委伪 蟿慰蠀 维位位慰蠀 蟽蔚 魏维谓蔚喂 谓伪 伪喂蟽胃维谓蔚蟽伪喂 渭喂蟽蠈蟼, 蟽蟿畏谓 伪蟺慰渭维魏蟻蠀谓蟽畏 蟿慰蠀 蔚委蟽伪喂 魏蔚谓蠈蟼. 危蔚 苇谓伪 尾喂尾位委慰 蟺慰蠀 畏 位苇尉畏 苇蟻蠅蟿伪蟼, 未蔚谓 魏维谓蔚喂 蟺慰蠀胃蔚谓维 蟿畏谓 蔚渭蠁维谓喂蟽畏 蟿畏蟼鈥�
螣 蟿蟻蠈蟺慰蟼 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蔚委谓伪喂 蟺慰位蠉 蟺蟻慰蟽蠅蟺喂魏蠈蟼, 蠂蟻畏蟽喂渭慰蟺慰喂蔚委 蟿伪蠀蟿蠈蠂蟻慰谓伪 蟿畏谓 魏蠀蟻喂慰位蔚尉委伪 魏伪喂 蟿畏谓 伪位位畏纬慰蟻委伪 蟿畏 渭喂伪 蟽伪 渭苇蟽慰 纬喂伪 谓伪 魏伪蟿伪蟽蟺伪蟻维尉蔚喂 蟿畏谓 维位位畏, 伪蟺蔚蠀胃蠉谓蔚蟿伪喂 位蔚蟼 蟽蔚 鈥樝兾滴轿� 蟺蟻慰蟽蠅蟺喂魏维 蠂蠅蟻委蟼 谓伪 蟽鈥� 伪蠁萎谓蔚喂 谓伪 伪蟻维尉蔚喂蟼 蟽蟿慰谓 魏伪谓伪蟺苇 蟽慰蠀. 螝喂 蔚委谓伪喂 慰 蟿蟻蠈蟺慰蟼 蟿慰蠀 谓伪 蟽慰蠀 未蔚委尉蔚喂 蟺蠅蟼 蠀蟺维蟻蠂慰蠀谓 蟽蟿喂纬渭苇蟼 蟺慰蠀 魏伪蟿苇蠂蔚喂蟼 蟿伪 蟺维谓蟿伪, 未蔚谓 苇蠂蔚喂蟼 蠈渭蠅蟼 蟿委蟺慰蟿伪, 未蔚 纬蔚蠉蔚蟽伪喂 魏伪谓 魏喂 畏 渭蔚纬维位畏 蟽慰蠀 蔚蠀魏伪喂蟻委伪 蔚委谓伪喂 伪蠀蟿萎 蟺慰蠀 蠁慰尾维蟽伪喂 魏维蟺慰蠀 蟺苇蟻伪 渭伪魏蟻喂维 蟽蟿慰谓 慰蟻委味慰谓蟿伪, 蠈蟿伪谓 蠈位伪 蠂维谓慰谓蟿伪喂. 韦蠈蟿蔚 伪蟻蠂委味蔚喂蟼 蟺蟻伪纬渭伪蟿喂魏维 谓伪 蟿伪 苇蠂蔚喂蟼. 螝喂 伪谓 蟿蠉蠂蔚喂 魏伪喂 蟿伪 蟺位畏蟽喂维蟽蔚喂蟼 蟺维位喂, 苇蟻蠂蔚蟿伪喂 魏喂 畏 伪蠀蟿慰谓蠈畏蟿畏 蟽蠀谓蔚喂未畏蟿慰蟺慰委畏蟽畏 蠈蟽蠅谓 伪魏渭蠋谓 蟽蟿蟻慰纬纬蠉位蔚蠄蔚蟼 伪蟺鈥� 伪蠀蟿维 蟺慰蠀 魏伪蟿蔚委蠂蔚蟼 魏伪喂 苇蠂伪蟽蔚蟼 蟺蟻喂谓 蟺蟻慰位维尾蔚喂蟼 谓伪 魏伪蟿伪谓慰萎蟽蔚喂蟼, 渭伪 蟺慰蠀 苇纬喂谓伪谓 伪蟺蠅胃畏渭苇谓伪 纬喂伪 谓伪 蔚蟺伪谓伪蟺慰魏蟿畏胃慰蠉谓. 螌渭蠅蟼 蔚魏蔚委谓伪 蟺慰蠀 蟽蟿慰 蟽尾萎蟽喂渭慰 蟿慰蠀 纬委谓伪谓蔚 蟺蟻伪纬渭伪蟿喂魏维 未喂魏维 蟽慰蠀, 蟽蠀谓蔚蠂委味蔚喂蟼 谓伪 蟿伪 苇蠂蔚喂蟼 魏喂 蔚委谓伪喂 畏 尾伪胃喂维 慰蠀蟽委伪 蟿慰蠀蟼 蟺慰蠀 蟽慰蠀 伪谓萎魏蔚喂 魏伪喂 纬喂鈥� 伪蠀蟿蠈 蟺喂伪 渭蟺慰蟻蔚委蟼 谓伪 尾位苇蟺蔚喂蟼 蟿伪 蟺蔚蟻喂纬蟻维渭渭伪蟿伪 蟿慰蠀 魏蠈蟽渭慰蠀 伪魏蠈渭伪 魏喂 伪谓 未蔚谓 蔚谓蠋谓蔚喂蟼 蟿喂蟼 蟿蔚位蔚委蔚蟼, 蠈蠂喂 渭蔚 蟿慰谓 蟿蟻蠈蟺慰 蟺慰蠀 胃伪 蔚蟺苇蟿蟻蔚蟺蔚 渭喂伪 伪蟺慰蟽蟿慰渭蠅蟿喂魏萎 伪蟿维魏伪 蟺蟻喂谓 尾纬蔚喂蟼 伪蟺鈥� 蟿畏 蟽魏畏谓萎.
危蟿畏 螠蔚纬维位畏 螤蔚蟻喂蟺苇蟿蔚喂伪 蟿慰蠀 螢蔚谓蠈蟺慰蠀位慰蠀 苇蠂蔚喂蟼 苇谓伪 渭畏 螘尾蟻伪委慰 蟽蠀纬纬蟻伪蠁苇伪 蟺慰蠀 位苇蔚喂 蟺蠅蟼 慰喂 渭畏 螘尾蟻伪委慰喂 蠁蔚蟻胃萎魏伪渭蔚 蟽伪谓 魏蟿萎谓畏. 螝维蟿喂 蟺慰蠀 蟽蠀谓维未蔚喂 渭蔚 蟿畏谓 维蟺慰蠄畏 蟺慰位位蠋谓 螘尾蟻伪委蠅谓 魏伪喂 渭畏 蟽蠀纬纬蟻伪蠁苇蠅谓. 螘未蠋 蠈渭蠅蟼 苇蠂蔚喂蟼 蟿慰谓 蟺蟻蠋蟿慰 蟽蠀纬纬蟻伪蠁苇伪, 伪蟺鈥� 蠈蟽慰蠀蟼 苇蠂蠅 未喂伪尾维蟽蔚喂 蔚纬蠋, 蟺慰蠀 伪蟺伪谓蟿维蔚喂 蟽蠉渭蠁蠅谓伪 渭蔚 鈥樜何滴刮轿� 蟿慰 蟺伪位喂蠈 蟻蠋蟽喂魏慰 蟺伪蟻伪渭蠉胃喂 渭蔚 蟿慰 螕蔚蟻渭伪谓蠈 魏伪喂 蟿慰 巍蠋蟽慰 蟺慰蠀 尉苇蟺谓慰慰喂 伪蟺鈥� 蟿畏谓 伪喂蠋谓喂伪 伪蠄喂渭伪蠂委伪 蟿慰蠀蟼 魏慰喂渭慰蠉谓蟿伪喂 蟽蟿畏谓 伪魏蟻慰蟺慰蟿伪渭喂维 魏伪喂 渭蔚蟼 蟽蟿慰谓 蠉蟺谓慰 伪位位维味慰蠀谓 蟻慰蠉蠂伪 魏伪喂 蟿慰 蟺蟻蠅委 尾位苇蟺蔚喂 慰 苇谓伪蟼 蟽蟿慰谓 维位位慰 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀 纬喂伪 蟺蟻蠋蟿畏 蠁慰蟻维. 螝伪喂 蟽慰蠀 位苇蔚喂, 谓伪喂 魏喂 蔚渭蔚委蟼 慰喂 螘尾蟻伪委慰喂 蔚委渭伪蟽蟿蔚 蟿慰 委未喂慰 蔚蟺喂蟻蟻蔚蟺蔚委蟼 蟽蟿畏 渭伪蟿伪喂慰未慰尉委伪, 蟽蟿畏 位伪喂渭伪蟻纬委伪, 蟽蟿畏 蠂蔚喂蟻伪纬蠋纬畏蟽畏, 蠈蟺蠅蟼 魏维胃蔚 维位位慰蟼 位伪蠈蟼. 韦慰 尾喂尾位委慰 伪蠀蟿蠈 蔚委谓伪喂 苇谓伪 蟼 蟺伪蟿苇蟻伪蟼 蟽魏位畏蟻蠈蟼 蟺慰蠀 未蔚谓 蟺伪蠉蔚喂 谓伪 蔚委谓伪喂 未委魏伪喂慰蟼 魏伪喂 蟺慰蠀 渭蟺慰蟻蔚委 魏伪喂 谓伪 纬委谓蔚喂 蟺慰位蠉 蟿蟻蠀蠁蔚蟻蠈蟼.
螝伪喂 胃伪 渭蟺慰蟻慰蠉蟽蔚 魏维蟺慰喂慰蟼 谓伪 蠀蟺慰胃苇蟽蔚喂 蟺蠅蟼 苇谓伪 尾喂尾位委慰 蟽蟿慰 慰蟺慰委慰 纬委谓蔚蟿伪喂 未喂伪蟻魏苇蟼 渭蟺蟻伪谓蟿蔚蠁苇蟻 伪谓维渭蔚蟽伪 蟽蟿畏谓 蟺委蟽蟿畏 魏伪喂 蟿畏谓 伪渭蠁喂尾慰位委伪 蟽蟿慰 蟺蔚蟻喂尾维位位慰谓 蟿慰蠀 螜慰蠀未伪蠆蟽渭慰蠉 未蔚 渭伪蟼 伪蠁慰蟻维, 伪蠁慰蟻维 维位位慰蠀蟼. 螌蠂喂 伪蠁慰蟻维 蔚渭维蟼. 螣喂 维谓胃蟻蠅蟺慰喂 谓蟿蠀谓蠈渭伪蟽蟿蔚 未喂伪蠁慰蟻蔚蟿喂魏维 魏伪喂 魏维胃蔚 蔚蟺慰蠂萎 苇蠂蔚喂 蟿畏 未喂魏萎 蟿畏蟼 苇魏蠁蟻伪蟽畏, 蠈渭蠅蟼 蟺维谓蟿伪 慰喂 委未喂蔚蟼 蟽魏伪谓未维位蔚蟼 渭伪蟼 蠁慰尾委味慰蠀谓, 慰喂 委未喂蔚蟼 蔚尉维蟺蟿慰蠀谓 蟿畏谓 蟺蔚蟻喂苇蟻纬蔚喂伪 渭伪蟼, 萎 伪谓维尾慰蠀谓 蟿畏 蠁位蠈纬伪 蟿蠅谓 蠀蠄畏位蠋谓 喂未伪谓喂魏蠋谓 萎 蟿畏蟼 位伪纬谓蔚委伪蟼. 螝伪喂 渭蟺慰蟻慰蠉渭蔚 谓伪 伪蟺慰蟻蟻委蠄慰蠀渭蔚 蟿慰 尾喂尾位委慰 蟺蠅蟼 渭喂位维蔚喂 纬喂伪 蟺蟻维纬渭伪蟿伪 蟺伪位喂维 魏伪喂 蠂喂位喂慰蔚喂蟺蠅渭苇谓伪 鈥� 苇蠂慰蠀渭蔚 伪蠀蟿蠈 蟿慰 未喂魏伪委蠅渭伪. 螖蔚谓 苇蠂慰蠀渭蔚 蠅蟽蟿蠈蟽慰 魏伪渭喂维 未喂魏伪喂慰位慰纬委伪, 伪谓 蟿慰 魏维谓慰蠀渭蔚. 螕喂伪蟿委 蟿慰 尾喂尾位委慰 纬蟻维蠁蟿畏魏蔚 蟿慰 1962. 螆蟺蔚蟿伪喂 蟿蠅谓 渭蔚纬维位蠅谓 未蔚喂谓蠋谓 蟿畏蟼 螜蟽蟿慰蟻委伪蟼. 螁蟻伪 蔚委谓伪喂 维位位畏 畏 蔚蟻渭畏谓蔚委伪 蟿慰蠀. 螝喂 伪谓 蟿慰 蟺蟻蔚位慰蠉未喂慰 位苇纬蔚蟿伪喂 螜慰蠀未伪蠆蟽渭蠈蟼, 委蟽蠅蟼 蔚委谓伪喂 蟿蟻蠈蟺慰蟼 谓伪 蔚喂蟺蠅胃慰蠉谓 蠈位蔚蟼 伪蠀蟿苇蟼 慰喂 蔚蟻蠅蟿萎蟽蔚喂蟼, 蟺慰蠀 蟽蠀渭蠄畏蠁委味慰谓蟿伪喂 蟽蔚 渭委伪: 蟺蟻慰蟼 蟿喂 蠈位伪 伪蠀蟿维; 桅慰蟻维渭蔚 蟿伪蠀蟿蠈蟿畏蟿蔚蟼 魏伪喂 纬喂谓蠈渭伪蟽蟿蔚 胃蠉渭伪蟿伪 蟿慰蠀蟼, 蟺蔚蟻喂慰蟻委味慰谓蟿伪蟼 蟿慰谓 蔚伪蠀蟿蠈 渭伪蟼 蟽蔚 位蔚魏蟿喂魏维 蟽蠉渭尾慰位伪 蟺慰蠀 魏伪蟿伪谓蟿慰蠉谓 魏伪蟿维蟻蔚蟼 魏伪喂 未蔚喂蟽喂未伪喂渭慰谓委蔚蟼. 螝伪喂 蠈渭蠅蟼 伪蟻魏蔚委 蟿蔚位喂魏维 苇谓伪 鈥樷€櫸毼蔽晃肺嘉佄�. 螘蠀蠂伪蟻喂蟽蟿蠋鈥欌€� 蔚位蔚蠉胃蔚蟻伪 蟽蟿慰谓 伪苇蟻伪, 渭蔚 伪谓蠋谓蠀渭慰 伪蟺慰未苇魏蟿畏. 围蟻喂蟽蟿喂伪谓蠈蟼, 螘尾蟻伪委慰蟼, 螠慰蠀蟽慰蠀位渭维谓慰蟼 ( 渭蔚 蠈蟺慰喂伪 蟽蔚喂蟻维 ). 螒蠀蟿萎 畏 魏伪位畏渭苇蟻伪 蔚委谓伪喂 蟿慰 渭蠈谓慰 蟺慰蠀 蠂蟻蔚喂维味蔚蟿伪喂. 螘蠀蠂伪蟻喂蟽蟿蠋 蟺慰蠀 蠀蟺维蟻蠂蠅, 蟺慰蠀 蠀蟺萎蟻尉伪谓 蠈蟽慰喂 蠀蟺萎蟻尉伪谓, 谓伪 蔚委谓伪喂 魏伪位维 伪蠀蟿慰委 蟺慰蠀 蠀蟺维蟻蠂慰蠀谓. 螝喂 伪谓 蠈位伪 蟿伪 蠀蟺蠈位慰喂蟺伪 未蔚 胃蔚蟼 谓伪 蟿伪 未蔚喂蟼 魏维蟿蠅 伪蟺鈥� 蟿慰 蟺蟻委蟽渭伪 蟿畏蟼 胃蟻畏蟽魏蔚蠀蟿喂魏萎蟼 未喂伪蠁慰蟻维蟼, 魏伪位蠉蟿蔚蟻伪. 螖蔚蟼 蠈位蔚蟼 蟿喂蟼 蟺慰位喂蟿喂魏苇蟼 未喂伪蠁慰蟻苇蟼, 蟿喂蟼 渭慰蟻蠁蠅蟿喂魏苇蟼, 蟿喂蟼 慰喂魏慰谓慰渭喂魏苇蟼. 螌位蔚蟼 蠈蟽蔚蟼 蠀蟺维蟻蠂慰蠀谓. 螝伪喂 蠀蟺维蟻蠂慰蠀谓. 螠伪 魏伪胃苇谓伪蟼 渭伪蟼 渭苇蟽伪 蟽蟿慰 蠀蟺慰蟽蠉谓慰位慰 蟺慰蠀 尾蟻委蟽魏蔚蟿伪喂 渭慰喂维味蔚喂 渭蔚 魏维蟺慰喂慰谓 伪蟺蠈 维位位慰 蠀蟺慰蟽蠉谓慰位慰 魏伪喂 蠈位慰喂 渭慰喂维味慰蠀渭蔚 渭蔚 魏维蟺慰喂慰蠀蟼 维位位慰蠀蟼 魏喂 蔚委谓伪喂 蟿慰 渭蠈谓慰 蟺慰蠀 蟺慰蟿苇 未蔚 尾位苇蟺慰蠀渭蔚. 韦慰 胃伪蠉渭伪 谓伪 蔚委蟽伪喂 维谓胃蟻蠅蟺慰蟼 魏喂 畏 蠀蟺蔚蟻慰蠄委伪 谓伪 伪谓伪纬谓蠅蟻委味蔚喂蟼 蟽蟿畏 胃谓畏蟿萎 蟽慰蠀 蠀蟺蠈蟽蟿伪蟽畏, 蟺蠅蟼 渭苇蟻慰蟼 蟿畏蟼 伪蟻蔚蟿萎蟼 蔚委谓伪喂 魏伪喂 蟿慰 谓伪 蠀蟺伪魏慰蠉蟼 蟽蟿伪 蔚蠉魏慰位伪 魏伪喂 谓伪 未蠀蟽伪谓伪蟽蠂蔚蟿蔚委蟼 蟽蟿伪 未蠉蟽魏慰位伪, 谓伪 鈥� 蟿喂渭维蟼 蟿慰 螛蔚蠈, 伪位位维 谓伪 蠀蟺慰蟿喂渭维蟼 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼. 危魏位维尾慰蟼 蟿蠅谓 蟺蔚蟻喂慰蠉蟽喂蠅谓 未蠀谓伪蟿慰蟿萎蟿蠅谓 蟽慰蠀, 蟺慰蠀 蔚蟺喂尾维位位慰蠀谓 蟿蔚位喂魏维 蟿喂蟼 未喂伪魏蟻委蟽蔚喂蟼 蟽慰蠀.
韦慰 畏蠂畏蟻蠈蟿蔚蟻慰 渭萎谓蠀渭伪 蟿慰蠀 尾喂尾位委慰蠀 蔚委谓伪喂 蟺蠅蟼 未蔚 渭蟺慰蟻蔚委蟼 蟻蔚 蠁委位蔚 谓伪 蟺伪委蟻谓蔚喂蟼 蟿畏谓 伪纬维蟺畏 魏伪喂 谓伪 蟿畏 谓蟿蠉谓蔚喂蟼 渭蔚 伪蟺维蟿蔚蟼. 螘委谓伪喂 螆纬魏位畏渭伪. 螤维蟻蟿畏 魏伪喂 蟺蔚蟻蟺维蟿伪 蟽鈥� 蠈位畏 蟿畏 纬畏, 谓蟿蠀渭苇谓慰蟼 渭蔚 蟿喂蟼 魏位蠅蟽蟿苇蟼 蟺慰蠀 胃伪 蟽慰蠀 未蠋蟽蔚喂 蔚魏蔚委谓畏. 危委纬慰蠀蟻伪 胃伪 谓喂蠋蟽蔚喂蟼 魏蟻蠉慰, 胃伪 谓喂蠋蟽蔚喂蟼 味苇蟽蟿畏, 胃伪 蟺慰谓苇蟽蔚喂蟼, 胃伪 蠂蟿蠀蟺萎蟽蔚喂蟼, 伪位位维 胃伪 蟿畏谓 苇蠂蔚喂蟼 渭伪味委 蟽慰蠀 魏伪胃伪蟻萎 魏喂 伪蟿蠈蠁喂伪 谓伪 蟽慰蠀 魏蟻伪蟿维 蟿慰 蠂苇蟻喂 魏伪喂 谓伪 蟽蔚 蟽畏魏蠋谓蔚喂, 胃伪 蟽蔚 魏维谓蔚喂 魏伪胃伪蟻蠈. 螠畏 蟿畏 谓蟿蠉谓蔚喂蟼. 螘委谓伪喂 畏 委未喂伪 蠁慰蟻蔚蟽喂维, 蟺委蟽蟿畏, 蟺伪蟿蟻委未伪. 螝伪喂 纬@渭伪 蟿喂蟼 谓畏蟽蟿蔚委蔚蟼 魏喂 蠈位伪 蟿伪 蟽蠂蔚蟿喂魏维.
危蔚 蟺慰位位苇蟼 蟽蟿喂纬渭苇蟼 蟿畏蟼 味蠅萎蟼 渭伪蟼 蔚蠀未慰魏喂渭蔚委 渭苇蟽伪 渭伪蟼 渭喂伪 尉蔚蠂蠅蟻喂蟽蟿萎 慰谓蟿蠈蟿畏蟿伪, 畏 韦喂渭蠅蟻委伪. 螠蟺慰蟻蔚委 谓伪 蔚委谓伪喂 渭畏蠂伪谓喂蟽渭蠈蟼 蟿畏蟼 蔚蟽蠅蟿蔚蟻喂魏萎蟼 伪委蟽胃畏蟽畏蟼 纬喂伪 蟿慰 蟽蠅蟽蟿蠈 萎 蟿慰 位维胃慰蟼, 萎 伪魏蠈渭畏 鈥樷€櫹呄€慰蟽蠀谓蔚委未畏蟿慰鈥欌€� 蟿畏蟼 未喂未伪纬渭苇谓畏蟼 畏胃喂魏萎蟼. 螒谓伪蟺蟿蠉蟽蟽蔚蟿伪喂 蟽伪 未喂伪魏伪萎蟼 蠁蠈尾慰蟼, 位伪渭蟺维魏喂 伪蟽蠁伪位蔚委伪蟼 渭蠈谓喂渭伪 伪谓伪渭渭苇谓慰. 螤伪蟻伪未慰蠂萎, 渭伪味委 魏伪喂, 蟺蟻蠈魏位畏蟽畏. 螌蠂喂 蟽蟿慰 委未喂慰 蟿慰 未蔚喂谓蠈. 韦伪 未蔚喂谓维 蟿蔚位喂魏维 苇蟻蠂慰谓蟿伪喂, 胃苇位慰蠀渭蔚 萎 蠈蠂喂, 蟽蟿畏谓 蟺蟻伪纬渭伪蟿喂魏萎 蟿慰蠀蟼 渭慰蟻蠁萎 魏喂 蠈蠂喂 蟽蔚 蠈蟺慰喂伪 蟿慰 蟺伪蟻伪蟽蟿伪委谓慰蠀渭蔚. 螘委谓伪喂 蟿慰 蔚委未慰蟼 蟿慰蠀 渭伪胃萎渭伪蟿慰蟼 蟺慰蠀 尾伪蟽委味蔚蟿伪喂 畏 蔚尉蠅蟿蔚蟻喂魏萎 蔚蟺喂尾慰位萎 蟿畏蟼 魏慰喂谓蠅谓委伪蟼, 蟽蟿伪 蟺蟻慰蔚蠁畏尾喂魏维 渭伪蟼 渭伪胃萎渭伪蟿伪, 蟺维谓蠅 蟽蟿伪 蟺蔚蟻喂纬蟻维渭渭伪蟿伪 蟿慰蠀 渭畏蠂伪谓喂蟽渭慰蠉 位蔚喂蟿慰蠀蟻纬委伪蟼 渭伪蟼. 螘魏蟺伪喂未蔚蠀蠈渭伪蟽蟿蔚 谓伪 蔚委渭伪蟽蟿蔚 蔚谓慰蠂喂魏慰委. 螠伪 纬喂伪蟿委 未蔚谓 蔚委渭伪蟽蟿蔚 蠈位慰喂, 位慰喂蟺蠈谓; 螖蔚谓 蔚委渭伪蟽蟿蔚, 胃伪 蟻蠅蟿慰蠉蟽伪 渭蔚 伪谓伪蟽畏魏蠅渭苇谓慰 蠁蟻蠉未喂 鈥� 慰 危委谓纬魏蔚蟻 伪谓 魏伪喂 蔚魏未畏位蠅蟿喂魏蠈蟿蔚蟻慰蟼 蔚委谓伪喂 魏伪喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 未喂伪魏蟻喂蟿喂魏蠈蟼 伪蟺蠈 鈥樜嘉滴轿�, 魏伪胃苇谓伪蟼 渭伪蟼 蔚蟺喂位苇纬蔚喂 蟿慰蠀蟼 未喂伪尾蠈位慰蠀蟼 蟿慰蠀, 萎 纬委谓蔚蟿伪喂 畏 蔚蟺喂位慰纬萎 纬喂鈥� 伪蠀蟿蠈谓. 螚 魏慰喂谓蠅谓委伪, 畏 慰喂魏慰纬苇谓蔚喂伪, 蟿伪 尾喂蠋渭伪蟿伪 渭伪蟼, 蟿伪 鈥樷€櫸蔽轿蔽澄较幭兾嘉毕勎扁€欌€� 渭伪蟼, 蟺蟻慰蠇蟺慰胃苇蟿慰蠀谓 蟺慰喂慰喂 胃伪 蔚委谓伪喂. 螢伪谓维, 慰 伪蟺蠈畏蠂慰蟼 蟿蠅谓 蟽魏苇蠄蔚蠅谓 蟿慰蠀 危伪谓蟿鈥�
螝伪喂 蟿蔚位喂魏维, 蠂蟻蔚喂维味蔚蟿伪喂 魏伪喂 位委纬慰 渭蠀蟽蟿萎蟻喂慰 蟽蟿慰谓 蟺蠀蟻萎谓伪 蟿畏蟼 未喂魏伪委蠅蟽畏蟼, 伪蠀蟿蠈 蟺慰蠀 渭喂伪 尉伪蠁谓喂魏萎 未委谓畏, 苇谓伪 蟽蟺蟻蠋尉喂渭慰, 魏维蟿喂 蟺慰蠀 未蔚 渭蟺慰蟻蔚委 谓伪 蔚位蔚纬蠂胃蔚委, 蟽蔚 尾慰畏胃维 谓伪 蟺维蟻蔚喂蟼 伪谓维蟽伪.
螤蠅蟼 渭蟺慰蟻蠋 谓伪 蟺蟻慰蠁苇蟻蠅 位苇尉蔚喂蟼 喂蔚蟻苇蟼 蟽鈥� 伪蠀蟿蠈 蟿慰 尾蟻蠋渭喂魏慰 蠂蠋蟻慰
January 11, 2020
Pokajanjem grijeh mo啪e da se preobrati u pobo啪nost, a pravda u milosr膽e. I neko ogrije拧enje mo啪e, ponekad, da vodi ka dobru.
Strasno napisana ljubavna pri膷a koja svoju egzaltaciju dobija u mu膷enju i progonu. Poljska i masakr nad Jevrejima u 17. stolje膰u. Singer je izvukao Biblijske naratore, i sve ono 拧to oni nose sa sobom, sve mane i vrline utkao je u figuru po imenu Jakov. On 膰e padati u odre膽ena isku拧enja, pojedine izjave zvu膷a膰e kao jeres, ali Singer koristi tu knji啪evnu slobodu i mije拧a je sa nekim od na膷ela svojih svetih knjiga. Kod Singera je sve u nekoj simbolici, odre膽ene stvari mogu da se sa raznih strana sagledavaju i tuma膷e. 膶esto apostrofira i pravi religiozne digresije po pitanju dobra i zla. Njegove suptilne sentence o bogu i njegovom odricanju ili prihvatanju u najte啪im trenucima, promi拧ljanja o samoj vjeri te kako se i za拧to ona gubi, ispitivanje kauzalnosti jeste neka vrsta goriva koja pokre膰e ovaj roman. Likovi nisu u crno-bijeloj varijanti, njihov sa啪ivot je stvaran, barem oku na拧e svakodnevne stvarnosti, i ona je prikazana bez ukra拧avanja sa svom svojom svirepo拧膰u. Singer iako nije sklon patetici i nekoj tugaljivosti, nekako ima istan膷anost da sentiment prenese na 膷itaoca i ostavi neki gorko-slatki ukus. Sve u svemu, 鈥濺ob鈥� je jedna tragi膷na pri膷a, te膷na do samog kraja. Ona svoj pedigre nalazi u savremenom 膷ovjeku u ne拧to malo izmjenjenijim okolnostima spolja拧nje egzistencije.
June 23, 2024
Kako 膷ovek da se oporavi posle ove knjige?
Vanvremenska pri膷a i o膷aravaju膰e pripovedanje.
Vanvremenska pri膷a i o膷aravaju膰e pripovedanje.
April 2, 2025
Questo romanzo, scritto da Isaac Bashevis Singer [1903-1991], nel 1962 e ambientato nella Polonia del XVII secolo, ha per protagonista Jacob, un ebreo che 猫 riuscito a sfuggire a un pogrom del suo villaggio a prezzo della perdita della giovane moglie, dei figlioletti e del poco che aveva di suo e infine anche della libert脿, perch茅 all鈥檌nizio del romanzo lo conosciamo gi脿 schiavo da tempo di una famiglia polacca a cui 猫 stato venduto: egli conduce in montagna una vita grama e solitaria confinato in una stalla, si occupa della cura dei bovini dei padroni, i giovinastri della zona a volte lo prendono in giro, ma pur ossessionato dai ricordi e da sogni di improbabile libert脿, non d脿 eccessivo credito nemmeno alla giovane Wanda, l鈥檜nica della famiglia dei padroni a trattarlo con umanit脿, addirittura con amore finch茅 non gli si apre una inattesa opportunit脿 che gli permetterebbe di cominciare una nuova vita lontano, daccapo uomo libero stimato e rispettato e amato鈥a c鈥櫭� davvero per l鈥檜manit脿 una seconda possibilit脿?
Romanzo indimenticabile a tinte forti, colorato dal sangue di vittime innocenti, dagli incendi appiccati da anni di intolleranza, dall鈥檕dio di razza e di religione, in un tempo apparentemente lontano dal nostro eppure cos矛 vicino, cos矛 simile all鈥檕ggi, teso a farci comprendere che l鈥檜omo con i suoi sentimenti peggiori non cambier脿 mai.
Romanzo indimenticabile a tinte forti, colorato dal sangue di vittime innocenti, dagli incendi appiccati da anni di intolleranza, dall鈥檕dio di razza e di religione, in un tempo apparentemente lontano dal nostro eppure cos矛 vicino, cos矛 simile all鈥檕ggi, teso a farci comprendere che l鈥檜omo con i suoi sentimenti peggiori non cambier脿 mai.
January 16, 2019
Fra i suoi diciotto romanzi, 鈥淟o schiavo鈥� 猫 sicuramente uno di quelli da non farsi sfuggire; pubblicato nel 鈥�62 partecipa con peso specifico alla prolifica stagione creativa che, dal primo romanzo 鈥淪atana a Goraj鈥�, porta l鈥檃utore, passando per il successo di critica e di pubblico de 鈥淟a famiglia Moskat鈥�, al premio Nobel del 鈥�78.
脠 una storia ambientata nel 1600, in una Polonia sferzata da venti gelidi e cosacchi a cavallo, piegata inoltre da una miriade di credenze superstiziose che si vorrebbero derivate dalle grandi religioni monoteiste, senza derivazione alcuna in realt脿. La gente 猫 povera, subisce la prepotenza di pochi che la governano, l 鈥榚breo, in questo contesto, patisce ancor di pi霉 per i ripetuti pogrom e la superstizione aiuta gli animi a sopportare le violenze e le sopraffazioni.
Simbolo della condizione ebraica, racchiusa in un ampio raggio che va dalla sottomissione a Dio, alla ritualit脿 passando per l鈥檌ntrinseca condizione di esule senza patria, 猫 Jacob, un giovane uomo al quale i cosacchi sterminano la famiglia, moglie e figli, e che in seguito viene venduto a cristiani che, in qualit脿 di schiavo, lo sfruttano per il lavoro nei campi e con gli animali, mentre la comunit脿 del villaggio ospitante ne fa il capro espiatorio di ataviche paure.
Pende su Jacob una condizione di eterna precariet脿, potrebbe essere ammazzato per nulla, mentre rassegnato coltiva, per quanto possibile, la sua fede in Dio, mantenendo o recuperando il patrimonio di conoscenze e di riti che la sua precedente condizione di benestante gli aveva assicurato. Ora 猫 un povero schiavo e solo la fede lo consola; l鈥檌ncontro con Wanda e il successivo legame amoroso-al quale si opporr脿 con tutte le sue forze perch茅 猫 vietato per un ebreo legarsi con una gentile- lo porteranno a vivere gioie e dolori, a scontrarsi con le ipocrisie delle due comunit脿 religiose e a sperimentare una nuova condizione servile, rimpiangendo in lui e negli altri la possibilit脿 di godere di piena libert脿.
Rimarr脿 sempre un uomo giusto trascendendo le prescrizioni imposte dalla legge religiosa, seguendo una morale e un鈥檈tica che, pare dire Singer, appartiene prima all鈥檌ndividuo poi alla fede. Il romanzo contempla tutta la sua esistenza mentre l鈥檈pilogo, bellissimo, ne consegna il suo profondo significato.
Magistrale rappresentazione realistica di un mondo crudele: si fa in fretta a opporlo al nostro, progredito e civile e a distanziarlo cos矛 tanto da chiedersi se in fondo in questo nostro mondo, immutato nelle intolleranze religiose, incapace ancora di perseguire il bene, specchio di una finitezza umana misera e votata all鈥檕dio, ci siano poi degli uomini giusti che possano farci da guida.
脠 una storia ambientata nel 1600, in una Polonia sferzata da venti gelidi e cosacchi a cavallo, piegata inoltre da una miriade di credenze superstiziose che si vorrebbero derivate dalle grandi religioni monoteiste, senza derivazione alcuna in realt脿. La gente 猫 povera, subisce la prepotenza di pochi che la governano, l 鈥榚breo, in questo contesto, patisce ancor di pi霉 per i ripetuti pogrom e la superstizione aiuta gli animi a sopportare le violenze e le sopraffazioni.
Simbolo della condizione ebraica, racchiusa in un ampio raggio che va dalla sottomissione a Dio, alla ritualit脿 passando per l鈥檌ntrinseca condizione di esule senza patria, 猫 Jacob, un giovane uomo al quale i cosacchi sterminano la famiglia, moglie e figli, e che in seguito viene venduto a cristiani che, in qualit脿 di schiavo, lo sfruttano per il lavoro nei campi e con gli animali, mentre la comunit脿 del villaggio ospitante ne fa il capro espiatorio di ataviche paure.
Pende su Jacob una condizione di eterna precariet脿, potrebbe essere ammazzato per nulla, mentre rassegnato coltiva, per quanto possibile, la sua fede in Dio, mantenendo o recuperando il patrimonio di conoscenze e di riti che la sua precedente condizione di benestante gli aveva assicurato. Ora 猫 un povero schiavo e solo la fede lo consola; l鈥檌ncontro con Wanda e il successivo legame amoroso-al quale si opporr脿 con tutte le sue forze perch茅 猫 vietato per un ebreo legarsi con una gentile- lo porteranno a vivere gioie e dolori, a scontrarsi con le ipocrisie delle due comunit脿 religiose e a sperimentare una nuova condizione servile, rimpiangendo in lui e negli altri la possibilit脿 di godere di piena libert脿.
Rimarr脿 sempre un uomo giusto trascendendo le prescrizioni imposte dalla legge religiosa, seguendo una morale e un鈥檈tica che, pare dire Singer, appartiene prima all鈥檌ndividuo poi alla fede. Il romanzo contempla tutta la sua esistenza mentre l鈥檈pilogo, bellissimo, ne consegna il suo profondo significato.
Magistrale rappresentazione realistica di un mondo crudele: si fa in fretta a opporlo al nostro, progredito e civile e a distanziarlo cos矛 tanto da chiedersi se in fondo in questo nostro mondo, immutato nelle intolleranze religiose, incapace ancora di perseguire il bene, specchio di una finitezza umana misera e votata all鈥檕dio, ci siano poi degli uomini giusti che possano farci da guida.
January 16, 2018
Jako dobar stil pripovijedanja, to me odu拧evilo iako se, tu i tamo, ponavlja. Odli膷an prikaz 膷ovjeka koji je cijeli 啪ivot bio robom - svoga gospodara, ljubavi prema 啪eni i kona膷no vlastite vjere.
Autor je tako fino iskritizirao sukob religija - mr啪nju i netrpeljivost prema pripadnicima druge vjere. Bog je samo jedan (samo ga razli膷ito imenujemo) i ne vjerujem da nas mrzi i ka啪njava zbog svake na拧e pogre拧ke. Tako to izgleda kada mi sami interpretiramo bo啪ju rije膷 i pitam se: za拧to bi sve trebalo biti negativno. Za拧to ne vidimo samo ljubav i svjetlost? Bilo bi nam lak拧e.
Naravno, sve to ako vjerujete.
Autor je tako fino iskritizirao sukob religija - mr啪nju i netrpeljivost prema pripadnicima druge vjere. Bog je samo jedan (samo ga razli膷ito imenujemo) i ne vjerujem da nas mrzi i ka啪njava zbog svake na拧e pogre拧ke. Tako to izgleda kada mi sami interpretiramo bo啪ju rije膷 i pitam se: za拧to bi sve trebalo biti negativno. Za拧to ne vidimo samo ljubav i svjetlost? Bilo bi nam lak拧e.
Naravno, sve to ako vjerujete.
March 15, 2018
螚 喂蟽蟿慰蟻委伪 蟿慰蠀 螜伪魏蠋尾 魏伪喂 蟿畏蟼 螔维谓蟿伪蟼 蔚委谓伪喂 渭喂伪 渭喂魏蟻慰纬蟻伪蠁委伪 蟿畏蟼 蔚尾蟻伪蠆魏萎蟼 喂蟽蟿慰蟻委伪蟼, 伪蟺蠈 蟿畏谓 螆尉慰未慰 魏伪喂 蟿畏谓 蟺蔚蟻喂蟺位维谓畏蟽畏 蟽蟿畏谓 苇蟻畏渭慰 蟿慰蠀 危喂谓维, 渭苇蠂蟻喂 蟿喂蟼 蟽蠁伪纬苇蟼 蟿慰蠀 围渭喂蔚位谓委蟽魏蠀 魏伪喂 蟿慰 蟽蠉纬蠂蟻慰谓慰 慰位慰魏伪蠉蟿蠅渭伪 伪蟺蠈 蟿慰蠀蟼 螡伪味委, 渭喂伪 喂蟽蟿慰蟻委伪 纬蔚渭维蟿畏 未喂蠅纬渭慰蠉蟼 魏伪喂 蔚纬魏位萎渭伪蟿伪 蔚喂蟼 尾维蟻慰蟼 蟿慰蠀 位伪慰蠉 蟿慰蠀 螜蟽蟻伪萎位...
螖蠀蟽蟿蠀蠂蠋蟼 蟽蟿喂蟼 渭苇蟻蔚蟼 渭伪蟼 苇蠂慰蠀谓 伪谓蟿喂蟽蟿蟻伪蠁蔚委 慰喂 蟻蠈位慰喂 蟿慰蠀 螖伪尾委未 渭蔚 蟿慰谓 螕慰位喂维胃...
螖蠀蟽蟿蠀蠂蠋蟼 蟽蟿喂蟼 渭苇蟻蔚蟼 渭伪蟼 苇蠂慰蠀谓 伪谓蟿喂蟽蟿蟻伪蠁蔚委 慰喂 蟻蠈位慰喂 蟿慰蠀 螖伪尾委未 渭蔚 蟿慰谓 螕慰位喂维胃...
June 11, 2021
Premda mu je radnja sme拧tena u Poljskoj u 17.veku, roman "Rob" Isaka Singera podse膰a na biblijsku fabulu, protkanu motivima svetih knjiga ali prisnijeg narativa, 膷ime ljubavna pri膷a dobija na neposrednosti. Potla膷enik Jakov i udovica Vanda i ose膰anja koja kuljaju izme膽u njih uprkos svim preprekama, samo su jedna od tema ovog slojevitog romana, 膷iji me je autor, ve膰 u prvim stranicama, kupio svojim bravuroznim ume膰em pripovedanja. Singer 膰e svojim junacima prirediti svakakva isku拧enja, a nama nepredvidiv narativ, pri膷u pune simbolike, teolo拧kih diskursa, hri拧膰anske mitologije, ali i poljskog folklora, jazi膷estva, magijskih rituala i totemizma. Ali, kada se u obzir uzmu okolnosti vremena koja se na ovaj ili onaj na膷in odra啪avaju na bistvovanje protagonista, njihova unutra拧nja kolebanja nalaze univerzalnu primenu i u savremenom dobu. Pisac je uspeo u nameri da ih nam pribli啪i, savladav拧i vremenski hijatus od 膷etiri veka izme膽u doba u kojem 啪ive neprikosnoveni, savesni i hrabri Singerovi junaci, Jakov i Vanda i nas koji u啪ivamo ili 膰emo tek u啪ivati u njihovoj pri膷i.
5*
July 24, 2022
3,5猸愶笍
韦慰 尾伪蟽喂魏蠈 蟽蟿慰喂蠂蔚委慰 蟿慰蠀 尾喂尾位委慰蠀 蔚蟺喂蟽畏渭伪委谓蔚喂 蟿畏谓 伪蟺慰未慰蠂萎 蟿慰蠀 未喂伪蠁慰蟻蔚蟿喂魏慰蠉,. 蟿慰蠀 螁位位慰蠀 , 伪蟺蠈 维位位蔚蟼 蔚胃谓喂魏蠈蟿畏蟿蔚蟼 魏伪喂 蠁蠀位苇蟼 伪蟺蠈 维位位蔚蟼 魏慰蠀位蟿慰蠉蟻蔚蟼. 螌位慰喂 渭伪蟼 苇蠂慰蠀渭蔚 魏维蟺慰喂伪 蠂伪渭苇谓畏 蠁蠀位萎 魏维蟺慰喂慰 魏蟻蠀渭渭苇谓慰 DNA. 危蔚 蟽蟺蟻蠋蠂谓蔚喂 蟽蟿慰 蟽蟿慰蠂伪蟽渭蠈 魏伪喂 蟿畏谓 蔚谓未蠈渭蠀蠂畏 纬苇谓谓畏蟽畏 蟿畏蟼 伪位位畏位蔚纬纬蠉畏蟼.
螠蔚 蟿畏谓 伪喂渭维蟿喂谓畏 蟽蠁蟻伪纬委未伪 蟿蠅谓 蟽蠁伪纬蠋谓 蟿慰蠀 Chmielnicki 蟿慰 1648, 蠂喂位喂维未蔚蟼 螘尾蟻伪委慰喂 苇蠂伪蟽伪谓 蟿畏 味蠅萎 蟿慰蠀蟼, 伪谓维渭蔚蟽维 蟿慰蠀蟼 萎蟿伪谓 魏伪喂 畏 慰喂魏慰纬苇谓蔚喂伪 蟿慰蠀 螜伪魏蠋尾, 慰 慰蟺慰委慰蟼 渭蔚蟿伪蠁苇蟻胃畏魏蔚 蠅蟼 蟽魏位维尾慰蟼 伪蟻纬蠈蟿蔚蟻伪 纬喂伪 谓伪 蟺慰蠀位畏胃蔚委 蟽蔚 螤慰位蠅谓慰蠉蟼 伪纬蟻蠈蟿蔚蟼. 危蔚 苇谓伪 蟺蔚蟻喂尾维位位慰谓 伪蟻蟻蠅蟽蟿畏渭苇谓慰 魏伪喂 蟽维蟺喂慰 蟽蔚 蠄蠀蠂苇蟼 魏伪喂 渭蟺维蟽蟿伪蟻未伪 魏慰蟻渭喂维.
螘魏蔚委 蠄畏位维, 蟽蟿伪 尾慰蠀谓维,蟽蔚 伪谓蟿委尉慰蔚蟼 魏伪喂 伪蟺维谓胃蟻蠅蟺蔚蟼 蟽蠀谓胃萎魏蔚蟼 未喂伪尾委蠅蟽畏蟼 伪谓蟿喂渭蔚蟿蠅蟺委味蔚蟿伪喂 伪蟺蠈 蠈位慰蠀蟼 蠅蟼 蠀蟺维谓胃蟻蠅蟺慰蟼, 蔚魏蟿蠈蟼 伪蟺蠈 渭喂伪 螤慰位蠅谓萎 伪纬蟻蠈蟿喂蟽蟽伪 蟿畏谓 螔维谓蟿伪. 螌蟺蠅蟼 蔚委谓伪喂 蠁蠀蟽喂魏蠈, 蔚蟻蠅蟿蔚蠉慰谓蟿伪喂. 螤伪蟻维谓慰渭伪 魏伪喂 蟺伪胃喂伪蟽渭苇谓伪.
螝伪喂 蔚未蠋 伪蟻蠂委味蔚喂 畏 未蟻伪渭伪蟿慰蠀蟻纬委伪 蟿畏蟼 蟿蟻伪纬蠅未委伪蟼. 螤慰位蠉 未蠀谓伪蟿萎 喂蟽蟿慰蟻委伪 纬喂伪 渭喂伪 蟽蠂苇蟽畏 渭蔚蟿伪尉蠉 未蠉慰 伪谓胃蟻蠋蟺蠅谓 伪蟺蠈 未喂伪蠁慰蟻蔚蟿喂魏苇蟼 魏慰蠀位蟿慰蠉蟻蔚蟼 魏伪喂 胃蟻畏蟽魏蔚委蔚蟼 蟽蔚 渭喂伪 蔚蟺慰蠂萎 蟺慰蠀 未蔚谓 蠀蟺萎蟻蠂蔚 伪谓慰蠂萎 纬喂伪 蟿慰谓 维位位慰谓.
螘委谓伪喂 蔚蟺委蟽畏蟼 渭喂伪 尾伪胃喂维 蔚尉苇蟿伪蟽畏 蟿慰蠀 魏伪位慰蠉 魏伪喂 蟿慰蠀 魏伪魏慰蠉 蟿畏蟼 胃蟻畏蟽魏蔚委伪蟼.
桅蠀蟽喂魏维 蟿慰 尾喂尾位委慰 尾蟻委胃蔚喂 胃蟻畏蟽魏蔚蠀蟿喂魏蠋谓 慰蟻喂蟽渭蠋谓 未慰纬渭伪蟿喂蟽渭慰蠉, 渭蔚纬维位畏 魏伪喂 蔚魏蟿蔚谓苇蟽蟿伪蟿畏 伪谓伪蠁慰蟻维 蟽蟿喂蟼 纬蟻伪蠁苇蟼 蟿蠈蟽慰 蟿蠅谓 蔚尾蟻伪蠆魏蠋谓 喂未蔚蠅未蠋谓 蠈蟽慰- 伪谓 魏伪喂 魏维蟺蠅蟼 位喂纬蠈蟿蔚蟻慰- 蟽蔚 维位位蔚蟼 胃蟻畏蟽魏蔚委蔚蟼 渭蔚 蟿慰谓
委未喂慰 胃蔚蠈 胃蔚伪蟿萎 蟽蟿伪 蔚纬魏位萎渭伪蟿伪 蟺慰蠀 位维尾伪喂谓伪谓 渭苇蟻慰蟼 蠅蟼 胃蠀蟽委蔚蟼 蟺蟻慰蟼 蟿畏谓 螒纬委伪 胃蔚喂伪 围维蟻喂蟼 蟿慰蠀.
螤慰位位慰委 谓蔚魏蟻慰委 渭伪 魏伪渭委伪 蟽蠀纬蠂蠋蟻蔚蟽畏, 魏伪渭委伪 蟺伪蟻苇渭尾伪蟽畏 伪蟺蠈 蟿慰 维纬喂慰 蟺谓蔚蠉渭伪 蟺慰蠀 蠁蠅蟿委味蔚喂 蟿慰蠀蟼 胃蟻畏蟽魏蔚蠀蟿喂魏慰蠉蟼 慰蟺伪未慰蠉蟼 魏维胃蔚 蟺委蟽蟿畏蟼 魏伪喂 蟺喂蟽蟿萎蟼 慰渭维未伪蟼.
螖喂伪未蟻伪渭伪蟿委味蔚蟿伪喂 蟿慰谓 16慰 伪喂蠋谓伪 蟽蟿畏谓 螤慰位蠅谓委伪, 蔚谓 渭苇蟽蠅 维纬谓慰喂伪蟼, 尾委伪蟼 魏伪喂 渭喂伪蟼 螤慰位蠅谓委伪蟼 蟺慰蠀 渭蔚蟿伪尾伪委谓蔚喂 尾喂伪委蠅蟼 伪蟺蠈 蟿畏 渭蔚蟽伪喂蠅谓喂魏萎 谓慰慰蟿蟻慰蟺委伪. 韦慰 胃维蟻蟻慰蟼 魏伪喂 畏 未蠉谓伪渭畏 蟿蠅谓 魏蠉蟻喂蠅谓 蠂伪蟻伪魏蟿萎蟻蠅谓, 蟿慰蠀 蟽魏位维尾慰蠀, 蔚尾蟻伪委慰蠀 螜伪魏蠋尾
魏伪喂 蟿畏蟼 芦蔚胃谓喂魏萎蟼禄 蠂蠅蟻喂伪蟿慰蟺慰蠉位伪蟼,
螔维谓蟿伪蟼 - 危维蟻伪蟼, 蟺慰蠀 蟺蟻慰蟽畏位蠀蟿委蟽蟿畏魏蔚 伪蟺蠈 蟺维胃慰蟼 魏伪喂 蟺蠈胃慰 蟽蟿畏谓 蔚尾蟻伪蠆魏萎 蟺委蟽蟿畏, 蔚委谓伪喂 伪位畏胃喂谓维 蔚渭蟺谓蔚蠀蟽渭苇谓伪 魏伪喂 伪蟺伪蟻维渭喂位位伪 蔚谓蟿蠀蟺蠅蟽喂伪魏维 蟽伪谓 纬蟻伪蠁萎 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿慰蟼
螚 伪纬维蟺畏 魏伪喂 畏 伪蠁慰蟽委蠅蟽萎 蟿慰蠀蟼 蔚委谓伪喂 伪蟺蟿萎 魏伪喂 蟿慰 喂蟽蟿慰蟻喂魏蠈 蟺位伪委蟽喂慰 蔚委谓伪喂 伪蟺慰位蠉蟿蠅蟼 蟽蠀谓伪蟻蟺伪蟽蟿喂魏蠈, 慰 蟽魏位维尾慰蟼 蟽蔚 蟽魏位伪尾蠋谓蔚喂
螖蔚谓 蔚谓胃慰蠀蟽喂维蟽蟿畏魏伪 喂未喂伪委蟿蔚蟻伪 渭蔚 蟿畏谓 蟺位慰魏萎 魏伪喂 蟿畏谓 蔚尉苇位喂尉畏 伪位位维 渭慰蠀 维蟻蔚蟽蔚 蟿慰 未喂伪蠂蟻慰谓喂魏蠈 蔚蟻蠋蟿畏渭伪 蟽蠂蔚蟿喂魏维
渭蔚 蟿慰谓 胃蟻畏蟽魏蔚蠀蟿喂魏蠈 蟽蠀渭尾喂尾伪蟽渭蠈, 蟿畏谓 畏胃喂魏萎 伪蟽维蠁蔚喂伪,蟿慰 蟽蠀谓蔚喂未畏蟽喂伪魏蠈 伪谓维蟽蟿畏渭伪, 蟿喂蟼 蟽蠂苇蟽蔚喂蟼 渭蔚 蟿慰谓 芦螁位位慰禄, 蟿畏谓 伪尉喂慰位蠈纬畏蟽畏 蟿畏蟼 魏伪位慰蟽蠉谓畏蟼, 蟿伪 蔚委未畏 蟽魏位伪尾喂维蟼 蟽蔚 蟽蠂苇蟽畏 渭蔚 蟿畏谓 伪谓胃蟻蠅蟺喂维 魏伪喂 蟿喂蟼 伪蟺伪谓蟿萎蟽蔚喂蟼 蟽蟿慰谓 伪谓蟿喂蟽畏渭喂蟿喂蟽渭蠈. ( 螒谓 蠀蟺维蟻蠂慰蠀谓).
螉蟽蠅蟼 魏伪喂 蟽蔚 魏维胃蔚 渭慰蟻蠁萎 蟿蠀蟺慰位伪蟿蟻喂魏萎蟼 苇魏蠁伪谓蟽畏蟼 蟻伪蟿蟽喂蟽渭慰蠉.
螝伪位萎 伪谓维纬谓蠅蟽畏
螤慰位位慰蠉蟼 魏伪喂 蟽蔚渭谓慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
韦慰 尾伪蟽喂魏蠈 蟽蟿慰喂蠂蔚委慰 蟿慰蠀 尾喂尾位委慰蠀 蔚蟺喂蟽畏渭伪委谓蔚喂 蟿畏谓 伪蟺慰未慰蠂萎 蟿慰蠀 未喂伪蠁慰蟻蔚蟿喂魏慰蠉,. 蟿慰蠀 螁位位慰蠀 , 伪蟺蠈 维位位蔚蟼 蔚胃谓喂魏蠈蟿畏蟿蔚蟼 魏伪喂 蠁蠀位苇蟼 伪蟺蠈 维位位蔚蟼 魏慰蠀位蟿慰蠉蟻蔚蟼. 螌位慰喂 渭伪蟼 苇蠂慰蠀渭蔚 魏维蟺慰喂伪 蠂伪渭苇谓畏 蠁蠀位萎 魏维蟺慰喂慰 魏蟻蠀渭渭苇谓慰 DNA. 危蔚 蟽蟺蟻蠋蠂谓蔚喂 蟽蟿慰 蟽蟿慰蠂伪蟽渭蠈 魏伪喂 蟿畏谓 蔚谓未蠈渭蠀蠂畏 纬苇谓谓畏蟽畏 蟿畏蟼 伪位位畏位蔚纬纬蠉畏蟼.
螠蔚 蟿畏谓 伪喂渭维蟿喂谓畏 蟽蠁蟻伪纬委未伪 蟿蠅谓 蟽蠁伪纬蠋谓 蟿慰蠀 Chmielnicki 蟿慰 1648, 蠂喂位喂维未蔚蟼 螘尾蟻伪委慰喂 苇蠂伪蟽伪谓 蟿畏 味蠅萎 蟿慰蠀蟼, 伪谓维渭蔚蟽维 蟿慰蠀蟼 萎蟿伪谓 魏伪喂 畏 慰喂魏慰纬苇谓蔚喂伪 蟿慰蠀 螜伪魏蠋尾, 慰 慰蟺慰委慰蟼 渭蔚蟿伪蠁苇蟻胃畏魏蔚 蠅蟼 蟽魏位维尾慰蟼 伪蟻纬蠈蟿蔚蟻伪 纬喂伪 谓伪 蟺慰蠀位畏胃蔚委 蟽蔚 螤慰位蠅谓慰蠉蟼 伪纬蟻蠈蟿蔚蟼. 危蔚 苇谓伪 蟺蔚蟻喂尾维位位慰谓 伪蟻蟻蠅蟽蟿畏渭苇谓慰 魏伪喂 蟽维蟺喂慰 蟽蔚 蠄蠀蠂苇蟼 魏伪喂 渭蟺维蟽蟿伪蟻未伪 魏慰蟻渭喂维.
螘魏蔚委 蠄畏位维, 蟽蟿伪 尾慰蠀谓维,蟽蔚 伪谓蟿委尉慰蔚蟼 魏伪喂 伪蟺维谓胃蟻蠅蟺蔚蟼 蟽蠀谓胃萎魏蔚蟼 未喂伪尾委蠅蟽畏蟼 伪谓蟿喂渭蔚蟿蠅蟺委味蔚蟿伪喂 伪蟺蠈 蠈位慰蠀蟼 蠅蟼 蠀蟺维谓胃蟻蠅蟺慰蟼, 蔚魏蟿蠈蟼 伪蟺蠈 渭喂伪 螤慰位蠅谓萎 伪纬蟻蠈蟿喂蟽蟽伪 蟿畏谓 螔维谓蟿伪. 螌蟺蠅蟼 蔚委谓伪喂 蠁蠀蟽喂魏蠈, 蔚蟻蠅蟿蔚蠉慰谓蟿伪喂. 螤伪蟻维谓慰渭伪 魏伪喂 蟺伪胃喂伪蟽渭苇谓伪.
螝伪喂 蔚未蠋 伪蟻蠂委味蔚喂 畏 未蟻伪渭伪蟿慰蠀蟻纬委伪 蟿畏蟼 蟿蟻伪纬蠅未委伪蟼. 螤慰位蠉 未蠀谓伪蟿萎 喂蟽蟿慰蟻委伪 纬喂伪 渭喂伪 蟽蠂苇蟽畏 渭蔚蟿伪尉蠉 未蠉慰 伪谓胃蟻蠋蟺蠅谓 伪蟺蠈 未喂伪蠁慰蟻蔚蟿喂魏苇蟼 魏慰蠀位蟿慰蠉蟻蔚蟼 魏伪喂 胃蟻畏蟽魏蔚委蔚蟼 蟽蔚 渭喂伪 蔚蟺慰蠂萎 蟺慰蠀 未蔚谓 蠀蟺萎蟻蠂蔚 伪谓慰蠂萎 纬喂伪 蟿慰谓 维位位慰谓.
螘委谓伪喂 蔚蟺委蟽畏蟼 渭喂伪 尾伪胃喂维 蔚尉苇蟿伪蟽畏 蟿慰蠀 魏伪位慰蠉 魏伪喂 蟿慰蠀 魏伪魏慰蠉 蟿畏蟼 胃蟻畏蟽魏蔚委伪蟼.
桅蠀蟽喂魏维 蟿慰 尾喂尾位委慰 尾蟻委胃蔚喂 胃蟻畏蟽魏蔚蠀蟿喂魏蠋谓 慰蟻喂蟽渭蠋谓 未慰纬渭伪蟿喂蟽渭慰蠉, 渭蔚纬维位畏 魏伪喂 蔚魏蟿蔚谓苇蟽蟿伪蟿畏 伪谓伪蠁慰蟻维 蟽蟿喂蟼 纬蟻伪蠁苇蟼 蟿蠈蟽慰 蟿蠅谓 蔚尾蟻伪蠆魏蠋谓 喂未蔚蠅未蠋谓 蠈蟽慰- 伪谓 魏伪喂 魏维蟺蠅蟼 位喂纬蠈蟿蔚蟻慰- 蟽蔚 维位位蔚蟼 胃蟻畏蟽魏蔚委蔚蟼 渭蔚 蟿慰谓
委未喂慰 胃蔚蠈 胃蔚伪蟿萎 蟽蟿伪 蔚纬魏位萎渭伪蟿伪 蟺慰蠀 位维尾伪喂谓伪谓 渭苇蟻慰蟼 蠅蟼 胃蠀蟽委蔚蟼 蟺蟻慰蟼 蟿畏谓 螒纬委伪 胃蔚喂伪 围维蟻喂蟼 蟿慰蠀.
螤慰位位慰委 谓蔚魏蟻慰委 渭伪 魏伪渭委伪 蟽蠀纬蠂蠋蟻蔚蟽畏, 魏伪渭委伪 蟺伪蟻苇渭尾伪蟽畏 伪蟺蠈 蟿慰 维纬喂慰 蟺谓蔚蠉渭伪 蟺慰蠀 蠁蠅蟿委味蔚喂 蟿慰蠀蟼 胃蟻畏蟽魏蔚蠀蟿喂魏慰蠉蟼 慰蟺伪未慰蠉蟼 魏维胃蔚 蟺委蟽蟿畏蟼 魏伪喂 蟺喂蟽蟿萎蟼 慰渭维未伪蟼.
螖喂伪未蟻伪渭伪蟿委味蔚蟿伪喂 蟿慰谓 16慰 伪喂蠋谓伪 蟽蟿畏谓 螤慰位蠅谓委伪, 蔚谓 渭苇蟽蠅 维纬谓慰喂伪蟼, 尾委伪蟼 魏伪喂 渭喂伪蟼 螤慰位蠅谓委伪蟼 蟺慰蠀 渭蔚蟿伪尾伪委谓蔚喂 尾喂伪委蠅蟼 伪蟺蠈 蟿畏 渭蔚蟽伪喂蠅谓喂魏萎 谓慰慰蟿蟻慰蟺委伪. 韦慰 胃维蟻蟻慰蟼 魏伪喂 畏 未蠉谓伪渭畏 蟿蠅谓 魏蠉蟻喂蠅谓 蠂伪蟻伪魏蟿萎蟻蠅谓, 蟿慰蠀 蟽魏位维尾慰蠀, 蔚尾蟻伪委慰蠀 螜伪魏蠋尾
魏伪喂 蟿畏蟼 芦蔚胃谓喂魏萎蟼禄 蠂蠅蟻喂伪蟿慰蟺慰蠉位伪蟼,
螔维谓蟿伪蟼 - 危维蟻伪蟼, 蟺慰蠀 蟺蟻慰蟽畏位蠀蟿委蟽蟿畏魏蔚 伪蟺蠈 蟺维胃慰蟼 魏伪喂 蟺蠈胃慰 蟽蟿畏谓 蔚尾蟻伪蠆魏萎 蟺委蟽蟿畏, 蔚委谓伪喂 伪位畏胃喂谓维 蔚渭蟺谓蔚蠀蟽渭苇谓伪 魏伪喂 伪蟺伪蟻维渭喂位位伪 蔚谓蟿蠀蟺蠅蟽喂伪魏维 蟽伪谓 纬蟻伪蠁萎 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿慰蟼
螚 伪纬维蟺畏 魏伪喂 畏 伪蠁慰蟽委蠅蟽萎 蟿慰蠀蟼 蔚委谓伪喂 伪蟺蟿萎 魏伪喂 蟿慰 喂蟽蟿慰蟻喂魏蠈 蟺位伪委蟽喂慰 蔚委谓伪喂 伪蟺慰位蠉蟿蠅蟼 蟽蠀谓伪蟻蟺伪蟽蟿喂魏蠈, 慰 蟽魏位维尾慰蟼 蟽蔚 蟽魏位伪尾蠋谓蔚喂
螖蔚谓 蔚谓胃慰蠀蟽喂维蟽蟿畏魏伪 喂未喂伪委蟿蔚蟻伪 渭蔚 蟿畏谓 蟺位慰魏萎 魏伪喂 蟿畏谓 蔚尉苇位喂尉畏 伪位位维 渭慰蠀 维蟻蔚蟽蔚 蟿慰 未喂伪蠂蟻慰谓喂魏蠈 蔚蟻蠋蟿畏渭伪 蟽蠂蔚蟿喂魏维
渭蔚 蟿慰谓 胃蟻畏蟽魏蔚蠀蟿喂魏蠈 蟽蠀渭尾喂尾伪蟽渭蠈, 蟿畏谓 畏胃喂魏萎 伪蟽维蠁蔚喂伪,蟿慰 蟽蠀谓蔚喂未畏蟽喂伪魏蠈 伪谓维蟽蟿畏渭伪, 蟿喂蟼 蟽蠂苇蟽蔚喂蟼 渭蔚 蟿慰谓 芦螁位位慰禄, 蟿畏谓 伪尉喂慰位蠈纬畏蟽畏 蟿畏蟼 魏伪位慰蟽蠉谓畏蟼, 蟿伪 蔚委未畏 蟽魏位伪尾喂维蟼 蟽蔚 蟽蠂苇蟽畏 渭蔚 蟿畏谓 伪谓胃蟻蠅蟺喂维 魏伪喂 蟿喂蟼 伪蟺伪谓蟿萎蟽蔚喂蟼 蟽蟿慰谓 伪谓蟿喂蟽畏渭喂蟿喂蟽渭蠈. ( 螒谓 蠀蟺维蟻蠂慰蠀谓).
螉蟽蠅蟼 魏伪喂 蟽蔚 魏维胃蔚 渭慰蟻蠁萎 蟿蠀蟺慰位伪蟿蟻喂魏萎蟼 苇魏蠁伪谓蟽畏蟼 蟻伪蟿蟽喂蟽渭慰蠉.
螝伪位萎 伪谓维纬谓蠅蟽畏
螤慰位位慰蠉蟼 魏伪喂 蟽蔚渭谓慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
March 28, 2021
"Ya艧am谋m boyunca bir 艧ey 枚臒rendim: hi莽bir 艧eye ba臒lanmayacaks谋n."
(s.235)
Sular ak谋yor 艧谋r谋l 艧谋r谋l seyrek a臒a莽l谋 tepelerden... G眉ne艧in 谋艧谋臒谋 莽iseliyor sabaha kar艧谋. Vist眉l Nehri 枚yle k枚t眉 kokuyor ki s眉r眉kledi臒i cesetlerden 枚t眉r眉... Bogdan Chmielnicki, (ismi yerin dibine bats谋n) boydan boya ku艧atm谋艧t谋 k枚t眉l眉臒眉yle Ukrayna'y谋 ve 枚ld眉rm眉艧t眉 say谋s谋z Yahudiyi, s谋rf Yahudi olduklar谋 i莽in.
脰yle bir d眉nya ki, olanca g眉zelli臒ine kar艧谋n, masmavi g枚臒眉ne, p谋r谋l p谋r谋l renklerine kar艧谋n; i莽inde bitmek bilmez kini, 枚fkeyi, h谋rs谋 ta艧谋yan ve ufuksuz cehaletiyle insansoyu taraf谋ndan say谋s谋z k枚t眉l眉臒眉n i艧lenmesine sahne olmu艧. Bir insan nedir ki? K谋sac谋k 枚mr眉yle nedir bir insan? Nedir ya艧am? 脰l眉m眉 bile anlayamad谋k hen眉z. 脰l眉m眉n anlam谋n谋... Ya艧am谋n anlam谋n谋 anlayabilelim.
"Ya艧am nedir ki? Beklersin, g眉nler ge莽er, 枚l眉m gelir ve hepsi sona erer." (s.192)
Elimde tuttu臒um bask谋, bu kitab谋n ilk ve son bask谋s谋 olan 1979 Alt谋n Kitaplar bask谋s谋. 艦枚mizli sert kapak, diki艧siz yap谋艧t谋rma cilt. 脟evirisini de, baz谋 yerlerde mesela so臒an yerine "sovan" diye 莽eviren ilgin莽 diliyle verimli 莽evirmen Mehmet Harmanc谋 yapm谋艧. Daha 枚nce onun 莽evirilerinden birka莽 kitap daha okumu艧tum. Kitab谋n 艧枚mizinin kapa臒谋nda bir nehir var Vist眉l oldu臒unu tahmin ediyorum. 艦枚mizin alt谋ndaki sert kapa臒谋 ise suni deri mukavva. S谋rt谋nda da yanaklar谋nda da hi莽bir yaz谋 yok. Bask谋 kalitesi idare eder ama elimdeki bu bask谋n谋n 40 ya艧谋nda oldu臒unu d眉艧眉n眉rsek olduk莽a iyi dayanm谋艧 bunca y谋la. Diki艧siz oldu臒u i莽in de cildi biraz ayr谋lm谋艧 sadece.
Bu kitab谋n 1962'de yay谋nland谋臒谋n谋 d眉艧眉n眉rsek, 1965 y谋l谋nda yaz谋lan 'a baz谋 y枚nlerden ilham vermesi olas谋. Konular farkl谋 olsa dahi, ya艧ananlar谋 anlat谋m tarz谋 ve bu ya艧anan olaylardaki trajik unsurlar benzer. Boyal谋 Ku艧'ta da haf谋zam beni yan谋ltm谋yorsa Kazaklar bir sahnede 莽谋k谋yordu kar艧谋m谋za. Bu kitap elbette 17. y眉zy谋ldaki Bogdan Chmielnicki'nin katliamlar谋n谋 merkeze ald谋ysa da 莽izdi臒i toplum resimleri ortak.
Bu kitaptaki 颈苍蝉补苍肠谋办濒补谤谋苍 ya艧ad谋klar谋 d眉nya "b眉t眉n眉yle inan莽lar" 眉zerine in艧a edilecek olas谋 bir d眉nyan谋n ne olaca臒谋 hakk谋nda 莽ok iyi bir ipucu veriyor. Zira bir zamanlar her 艧ey zaten b枚yleydi. Bu kitapta da g枚rd眉臒眉m眉z gibi, insanlar her 艧eyi; hemen her 艧eyi dini kurallar 眉zerine in艧a etmeye 莽al谋艧谋yorlar, onlar谋n yetersiz oldu臒u noktalarda bat谋l inan莽lar, pagan inan莽lar谋, 莽e艧itli dini objeler (relics) ve kanaat 枚nderlerinin d眉艧眉nceleri belirliyor hayat谋n her 艧eyini. Ger莽ek d眉nyan谋n b眉t眉n fizik olaylar谋 bu insanlar i莽in cinlerin, perilerin, b眉y眉lerin eseri. Anlayamad谋klar谋 her 艧eyden korkuyla uydurma metafizik alemine s谋臒谋n谋yorlar.
Ger莽ek d眉nya, zaten yeterince 莽etrefilli iken, bir de ikinci bir d眉nyayla m眉cadele etmek ne kadar fazla bir y眉k, insan i莽in.
Bu kitaptan 莽ok 艧ey 枚臒rendim. 陌nsanlar谋n bilim olmayan bir d眉nyada nas谋l ya艧ayaca臒谋n谋 g枚rd眉m. Bir defa daha ya艧ad谋臒谋m hayata 艧眉k眉rler ettim. Ya艧ad谋臒谋m zamana, sahip oldu臒umuz bilime, bug眉ne kadar d眉nyay谋 daha iyi bir yer yapmak i莽in durmak bilmeden 莽al谋艧an ve bizleri bu "b眉y眉lerle, cinlerle, perilerle" dolu d眉nyadan kurtaran bilim insanlar谋na o kadar 莽ok 艧ey bor莽luyuz ki! Onlar olmasayd谋 e臒er bizler de bu kitaptaki gibi bat谋l inan莽lara, cehalete 办枚濒别 olurduk.
K枚le, bir metafor. Ger莽e臒in de 枚tesinde, insan谋n kulluk etti臒i her 艧eyin metaforu. 陌nanma, kand谋rma, kand谋r谋lma, ba臒lanma mecburiyeti, bedeni ihtiya莽lar, 艧ehevi arzular... Asl谋nda, insan her zaman 办枚濒别dir.
Yeni ke艧fetti臒im bir kahve sayesinde geceleri biraz daha 莽ok 莽alabiliyorum uykudan. Ah evet, 办枚濒别si oldu臒umuz uykudan. Belki daha 莽ok okumal谋. Daha 莽ok anlamal谋.
'den sonra bu y谋l谋n Nobel 枚d眉ll眉 yazar谋 olan ikinci eser oldu bu okuma.
Boyal谋 Ku艧'u ve bu kitab谋 birlikte okuyun derim!
M.B.
Mersin
22.09.2019
碍颈迟补辫濒补谤谋苍补 办枚濒别. (Daha iyisi olabilir mi?)
Sular ak谋yor 艧谋r谋l 艧谋r谋l seyrek a臒a莽l谋 tepelerden... G眉ne艧in 谋艧谋臒谋 莽iseliyor sabaha kar艧谋. Vist眉l Nehri 枚yle k枚t眉 kokuyor ki s眉r眉kledi臒i cesetlerden 枚t眉r眉... Bogdan Chmielnicki, (ismi yerin dibine bats谋n) boydan boya ku艧atm谋艧t谋 k枚t眉l眉臒眉yle Ukrayna'y谋 ve 枚ld眉rm眉艧t眉 say谋s谋z Yahudiyi, s谋rf Yahudi olduklar谋 i莽in.
脰yle bir d眉nya ki, olanca g眉zelli臒ine kar艧谋n, masmavi g枚臒眉ne, p谋r谋l p谋r谋l renklerine kar艧谋n; i莽inde bitmek bilmez kini, 枚fkeyi, h谋rs谋 ta艧谋yan ve ufuksuz cehaletiyle insansoyu taraf谋ndan say谋s谋z k枚t眉l眉臒眉n i艧lenmesine sahne olmu艧. Bir insan nedir ki? K谋sac谋k 枚mr眉yle nedir bir insan? Nedir ya艧am? 脰l眉m眉 bile anlayamad谋k hen眉z. 脰l眉m眉n anlam谋n谋... Ya艧am谋n anlam谋n谋 anlayabilelim.
"Ya艧am nedir ki? Beklersin, g眉nler ge莽er, 枚l眉m gelir ve hepsi sona erer." (s.192)
Elimde tuttu臒um bask谋, bu kitab谋n ilk ve son bask谋s谋 olan 1979 Alt谋n Kitaplar bask谋s谋. 艦枚mizli sert kapak, diki艧siz yap谋艧t谋rma cilt. 脟evirisini de, baz谋 yerlerde mesela so臒an yerine "sovan" diye 莽eviren ilgin莽 diliyle verimli 莽evirmen Mehmet Harmanc谋 yapm谋艧. Daha 枚nce onun 莽evirilerinden birka莽 kitap daha okumu艧tum. Kitab谋n 艧枚mizinin kapa臒谋nda bir nehir var Vist眉l oldu臒unu tahmin ediyorum. 艦枚mizin alt谋ndaki sert kapa臒谋 ise suni deri mukavva. S谋rt谋nda da yanaklar谋nda da hi莽bir yaz谋 yok. Bask谋 kalitesi idare eder ama elimdeki bu bask谋n谋n 40 ya艧谋nda oldu臒unu d眉艧眉n眉rsek olduk莽a iyi dayanm谋艧 bunca y谋la. Diki艧siz oldu臒u i莽in de cildi biraz ayr谋lm谋艧 sadece.
Bu kitab谋n 1962'de yay谋nland谋臒谋n谋 d眉艧眉n眉rsek, 1965 y谋l谋nda yaz谋lan 'a baz谋 y枚nlerden ilham vermesi olas谋. Konular farkl谋 olsa dahi, ya艧ananlar谋 anlat谋m tarz谋 ve bu ya艧anan olaylardaki trajik unsurlar benzer. Boyal谋 Ku艧'ta da haf谋zam beni yan谋ltm谋yorsa Kazaklar bir sahnede 莽谋k谋yordu kar艧谋m谋za. Bu kitap elbette 17. y眉zy谋ldaki Bogdan Chmielnicki'nin katliamlar谋n谋 merkeze ald谋ysa da 莽izdi臒i toplum resimleri ortak.
Bu kitaptaki 颈苍蝉补苍肠谋办濒补谤谋苍 ya艧ad谋klar谋 d眉nya "b眉t眉n眉yle inan莽lar" 眉zerine in艧a edilecek olas谋 bir d眉nyan谋n ne olaca臒谋 hakk谋nda 莽ok iyi bir ipucu veriyor. Zira bir zamanlar her 艧ey zaten b枚yleydi. Bu kitapta da g枚rd眉臒眉m眉z gibi, insanlar her 艧eyi; hemen her 艧eyi dini kurallar 眉zerine in艧a etmeye 莽al谋艧谋yorlar, onlar谋n yetersiz oldu臒u noktalarda bat谋l inan莽lar, pagan inan莽lar谋, 莽e艧itli dini objeler (relics) ve kanaat 枚nderlerinin d眉艧眉nceleri belirliyor hayat谋n her 艧eyini. Ger莽ek d眉nyan谋n b眉t眉n fizik olaylar谋 bu insanlar i莽in cinlerin, perilerin, b眉y眉lerin eseri. Anlayamad谋klar谋 her 艧eyden korkuyla uydurma metafizik alemine s谋臒谋n谋yorlar.
Ger莽ek d眉nya, zaten yeterince 莽etrefilli iken, bir de ikinci bir d眉nyayla m眉cadele etmek ne kadar fazla bir y眉k, insan i莽in.
Bu kitaptan 莽ok 艧ey 枚臒rendim. 陌nsanlar谋n bilim olmayan bir d眉nyada nas谋l ya艧ayaca臒谋n谋 g枚rd眉m. Bir defa daha ya艧ad谋臒谋m hayata 艧眉k眉rler ettim. Ya艧ad谋臒谋m zamana, sahip oldu臒umuz bilime, bug眉ne kadar d眉nyay谋 daha iyi bir yer yapmak i莽in durmak bilmeden 莽al谋艧an ve bizleri bu "b眉y眉lerle, cinlerle, perilerle" dolu d眉nyadan kurtaran bilim insanlar谋na o kadar 莽ok 艧ey bor莽luyuz ki! Onlar olmasayd谋 e臒er bizler de bu kitaptaki gibi bat谋l inan莽lara, cehalete 办枚濒别 olurduk.
K枚le, bir metafor. Ger莽e臒in de 枚tesinde, insan谋n kulluk etti臒i her 艧eyin metaforu. 陌nanma, kand谋rma, kand谋r谋lma, ba臒lanma mecburiyeti, bedeni ihtiya莽lar, 艧ehevi arzular... Asl谋nda, insan her zaman 办枚濒别dir.
Yeni ke艧fetti臒im bir kahve sayesinde geceleri biraz daha 莽ok 莽alabiliyorum uykudan. Ah evet, 办枚濒别si oldu臒umuz uykudan. Belki daha 莽ok okumal谋. Daha 莽ok anlamal谋.
'den sonra bu y谋l谋n Nobel 枚d眉ll眉 yazar谋 olan ikinci eser oldu bu okuma.
Boyal谋 Ku艧'u ve bu kitab谋 birlikte okuyun derim!
M.B.
Mersin
22.09.2019
碍颈迟补辫濒补谤谋苍补 办枚濒别. (Daha iyisi olabilir mi?)
February 20, 2011
I realize that this is a love story. What I found charming about this particular love story is that I couldn't understand why it was called one. That is, until the end. The end is beautiful. I've read so many endings; endings that end with a sigh, with a cry, or with a laugh. But this one was perfect. I must admit I was sleepy when I read that last sentence, but I don't think I could've reacted to the finish of this book anyways. It was perfect.
Like I said, for me, this was mostly a ...moreI realize that this is a love story. What I found charming about this particular love story is that I couldn't understand why it was called one. That is, until the end. The end is beautiful. I've read so many endings; endings that end with a sigh, with a cry, or with a laugh. But this one was perfect. I must admit I was sleepy when I read that last sentence, but I don't think I could've reacted to the finish of this book anyways. It was perfect.
Like I said, for me, this was mostly a story on humanity. On how complex and hideous humanity can be, but how sometimes God and good shine through and how misunderstood that can be. Jacob never thought of himself as good; he lived with the assurance that he would go to hell because he had married Wanda, or Sarah, and thus he was resigned. Having determined that he would go to hell, he could have been as evil and corrupt as he wanted. But he was so good, so perfectly good that it becomes unbelievable, laughably novel-like. (This is, by the way, the only fault I can find in the book.) And the beauty of the main character's disposition gives the whole tale so much bitter-sweetness. The love story is opaqued.
Also, Isaac Bashevis Singer is a genius. This is the first novel of his I have read; I had read short stories before, such as "In my Father's Court." I don't know if it's the brilliance of the translation, but I think that there were some passages that one truly had to re-read, because the language used was heart-wrenching, the landscapes painted fairy-like. How rare and beautiful that is.
All in all, this was a book that, although smeared with tragedy, was beautiful. I think I may have to reread it.
Like I said, for me, this was mostly a ...moreI realize that this is a love story. What I found charming about this particular love story is that I couldn't understand why it was called one. That is, until the end. The end is beautiful. I've read so many endings; endings that end with a sigh, with a cry, or with a laugh. But this one was perfect. I must admit I was sleepy when I read that last sentence, but I don't think I could've reacted to the finish of this book anyways. It was perfect.
Like I said, for me, this was mostly a story on humanity. On how complex and hideous humanity can be, but how sometimes God and good shine through and how misunderstood that can be. Jacob never thought of himself as good; he lived with the assurance that he would go to hell because he had married Wanda, or Sarah, and thus he was resigned. Having determined that he would go to hell, he could have been as evil and corrupt as he wanted. But he was so good, so perfectly good that it becomes unbelievable, laughably novel-like. (This is, by the way, the only fault I can find in the book.) And the beauty of the main character's disposition gives the whole tale so much bitter-sweetness. The love story is opaqued.
Also, Isaac Bashevis Singer is a genius. This is the first novel of his I have read; I had read short stories before, such as "In my Father's Court." I don't know if it's the brilliance of the translation, but I think that there were some passages that one truly had to re-read, because the language used was heart-wrenching, the landscapes painted fairy-like. How rare and beautiful that is.
All in all, this was a book that, although smeared with tragedy, was beautiful. I think I may have to reread it.
August 15, 2013
艩to napisati o romanu koji me je odu拧evio ? 膶itaju膰i ga sa 17 godina, duboko sam pro啪ivljavala sve 拧to je u djelu napisano, sve 拧to su pro啪ivljavali glavni likovi, a i sporedni ), sve 拧to je re膷eno bilo mi je za膷u膽uju膰e dobro. I onda se odlu膷ih pro拧le godine ponovo ga 膷itati. Nisam ni拧ta o膷ekivala. Zapravo sam mislila da me se ne膰e tako dojmiti kao prije, jer sam dosta skepti膷na kada neko djelo 膷itam drugi put. Rijetko koje mi ponovo 鈥瀕egne鈥� Ovaj put sam se prevarila, jer za膷udo, nije bilo tako.
Ve膰 na po膷etku romana osjetila sam opet onu staru privla膷nost, koja vas ve啪e za neko djelo dok ga 膷itate, neku nevidljivu nit, koja vas spaja i koja koja vas prosto dr啪i da roman ne ispustite iz ruku. Drugim rije膷ima 鈥� Rob鈥� mi se zalijepio za prste i nije me pustio do samog kraja.
Za one koji ne znaju 鈥濺ob鈥� je predivno ispisana pri膷a o ljubavi i o 啪rtvi iz ljubavi i zbog ljubavi. I ne samo to. U sredi拧tu romana je seoska djevojka Vanda, kr拧膰anka i rob Jakov 沤idov, koji se bezuvjetno zaljubljuje u nju. I upravo ve膰 na po膷etku romana imate dojam da ova ljubavna pri膷a ne膰e zavr拧iti sretno.Jakov je rob ne samo kod Vandinog oca, ve膰 je rob ljubavi i moralnih na膷ela s jedne strane i svetog na膷ina razmi拧ljanja s druge. Vanda je djevojka koja ga prihva膰a i voli, te pristaje po膰i s njim u njegovu 啪idovsku zajednicu. Tu se ona 啪rtvuje u ime ljubavi i zbog ljubavi, glume膰i gluhonijemu 啪enu samo zato da je drugi 沤idovi ne bi prozreli, jer nije znala njihov jezik. Sam 啪ivot u 啪idovskoj komuni nije za Vandu ni malo lak, tako da ona u poodmakloj trudno膰i radi sve poslove zbog sigurnosti, te trpi razna vrije膽anja koje joj druge 啪ene govore, a ona ih 膷uje ).
Cijelo vrijeme dok sam 膷itala roman, prepoznavala sam da su Jakov i Vanda netipi膷ni junaci koji su u stalnom sukobu sa svojim moralnim na膷elima, pa i bogom.Jakov se kroz cijelo djelo preispituje 拧to je dobro, a 拧to ne , smatraju膰ei da je upravo ljubav prema Vandi grijeh koje treba okajati i iskupiti, te se ka啪njava nekim zemaljskim , obi膷nim 啪rtvama., kao 拧to je spavanje na kamenu, strogi post, 啪ivot po strogim 啪idovskim pravilima i religiji.
Za拧to me se roman po drugi puta dojmio?
Singerove re膷enice pune su personifikacija, opisi krajolika su za膷u膽uju膰e uvjerljivi tako da prosto pred svojim o膷ima stvarate pejza啪e i slike , a tako i ljude i doga膽aje. 膶itaju膰i ga nau膷it 膰ete puno o 啪idovskoj kulturi i obi膷ajima, ali i o ljubavi kao glavnom pokreta膷u kroz roman. Nau膷it 膰ete da je ljubav 啪rtva koja je u stvarnom 啪ivotu jako potrebna , ljubav koja pokre膰e lavinu doga膽aja. Ali isto tako da ljubav ne mora uvijek zavr拧iti sretno da bi se definirala kao prava ljubav.
Ovo je roman koji vas ne mo啪e ostaviti ravnodu拧nim. Ili ga volite ili ne. Nema izme膽u.
Ja vam savjetujem da ga pro膷itate ako do sada niste, ali ako od njega o膷ekujete 膷istu ljubavnu pri膷u, sladunjavu i jednostavnu, odmah odustanite. Jer 鈥濺ob鈥� to zasigurno nije.
Ve膰 na po膷etku romana osjetila sam opet onu staru privla膷nost, koja vas ve啪e za neko djelo dok ga 膷itate, neku nevidljivu nit, koja vas spaja i koja koja vas prosto dr啪i da roman ne ispustite iz ruku. Drugim rije膷ima 鈥� Rob鈥� mi se zalijepio za prste i nije me pustio do samog kraja.
Za one koji ne znaju 鈥濺ob鈥� je predivno ispisana pri膷a o ljubavi i o 啪rtvi iz ljubavi i zbog ljubavi. I ne samo to. U sredi拧tu romana je seoska djevojka Vanda, kr拧膰anka i rob Jakov 沤idov, koji se bezuvjetno zaljubljuje u nju. I upravo ve膰 na po膷etku romana imate dojam da ova ljubavna pri膷a ne膰e zavr拧iti sretno.Jakov je rob ne samo kod Vandinog oca, ve膰 je rob ljubavi i moralnih na膷ela s jedne strane i svetog na膷ina razmi拧ljanja s druge. Vanda je djevojka koja ga prihva膰a i voli, te pristaje po膰i s njim u njegovu 啪idovsku zajednicu. Tu se ona 啪rtvuje u ime ljubavi i zbog ljubavi, glume膰i gluhonijemu 啪enu samo zato da je drugi 沤idovi ne bi prozreli, jer nije znala njihov jezik. Sam 啪ivot u 啪idovskoj komuni nije za Vandu ni malo lak, tako da ona u poodmakloj trudno膰i radi sve poslove zbog sigurnosti, te trpi razna vrije膽anja koje joj druge 啪ene govore, a ona ih 膷uje ).
Cijelo vrijeme dok sam 膷itala roman, prepoznavala sam da su Jakov i Vanda netipi膷ni junaci koji su u stalnom sukobu sa svojim moralnim na膷elima, pa i bogom.Jakov se kroz cijelo djelo preispituje 拧to je dobro, a 拧to ne , smatraju膰ei da je upravo ljubav prema Vandi grijeh koje treba okajati i iskupiti, te se ka啪njava nekim zemaljskim , obi膷nim 啪rtvama., kao 拧to je spavanje na kamenu, strogi post, 啪ivot po strogim 啪idovskim pravilima i religiji.
Za拧to me se roman po drugi puta dojmio?
Singerove re膷enice pune su personifikacija, opisi krajolika su za膷u膽uju膰e uvjerljivi tako da prosto pred svojim o膷ima stvarate pejza啪e i slike , a tako i ljude i doga膽aje. 膶itaju膰i ga nau膷it 膰ete puno o 啪idovskoj kulturi i obi膷ajima, ali i o ljubavi kao glavnom pokreta膷u kroz roman. Nau膷it 膰ete da je ljubav 啪rtva koja je u stvarnom 啪ivotu jako potrebna , ljubav koja pokre膰e lavinu doga膽aja. Ali isto tako da ljubav ne mora uvijek zavr拧iti sretno da bi se definirala kao prava ljubav.
Ovo je roman koji vas ne mo啪e ostaviti ravnodu拧nim. Ili ga volite ili ne. Nema izme膽u.
Ja vam savjetujem da ga pro膷itate ako do sada niste, ali ako od njega o膷ekujete 膷istu ljubavnu pri膷u, sladunjavu i jednostavnu, odmah odustanite. Jer 鈥濺ob鈥� to zasigurno nije.
August 1, 2023
I started this book feeling slightly mad about all the religious righteousness; by the end, my heart was shattered. I think it is going to take a while to recover. Highly recommend! Please break your hearts like I did.
July 21, 2022
袪芯写懈谢懈褟褌 褋械 褔芯胁械泻 械 褉芯写懈谢 褋械 褉芯斜. 袠 芯斜懈泻薪芯胁械薪芯 褍屑懈褉邪 泻邪褌芯 褉芯斜, 锌芯-褉褟写泻芯 - 泻邪褌芯 褔芯胁械泻.
袗泻芯 邪胁褌芯褉褗褌 斜械褕械 械泻蟹邪谢褌懈褉邪薪 泻邪褌芯谢懈泻, 屑懈褋褌懈褔械薪 懈蟹褌芯褔薪芯锌褉邪胁芯褋谢邪胁械薪 懈谢懈 懈蟹锌邪写薪邪谢 胁 褍薪械褋 褋褍褎懈 薪懈泻邪泻 薪褟屑邪褕械 写邪 褋械 褍褔褍写褟, 斜懈 屑褍 锌芯写褏芯卸写邪谢芯. 袧芯 写邪 械 泻邪褕械褉械薪 械胁褉械懈薪 屑褍 锌芯写褏芯卸写邪 薪械 锌芯-屑邪谢泻芯. 袗 薪械谐芯胁邪褌邪 褉芯斜褋泻邪 懈褋褌芯褉懈褟 懈屑邪 褍写懈胁懈褌械谢薪懈 写褍褏芯胁薪懈 锌褉懈谢懈泻懈 褋 鈥澬浶靶惭娧赌" 薪邪 袝胁谐械薪懈泄 袙芯写芯谢邪蟹泻懈薪 - 褋褏芯写褋褌胁芯 胁 屑懈褉芯谐谢械写邪, 薪懈褖芯 锌芯胁械褔械.
袩芯谢褕邪 芯褌 褋褉械写邪褌邪 薪邪 17-褌懈 胁械泻 械 屑褗褔械薪邪 芯褌 邪谢褔薪懈 锌邪薪芯胁械 懈 褕谢褟褏褌懈褔懈, 斜械写薪芯褋褌, 薪械胁械卸械褋褌胁芯, 褕胁械写褋泻懈 薪邪锌邪写械薪懈褟 懈 斜邪薪写懈褌褋泻懈 褉械泄写芯胁械 芯褌 薪邪屑懈褉邪褖懈褌械 褋械 薪邪 懈蟹褌芯泻 泻邪蟹邪褑懈 (写薪械褕薪邪 校泻褉邪泄薪邪). 袣邪蟹邪褑懈褌械, 蟹邪 褉邪蟹谢懈泻邪 芯褌 褕胁械写懈褌械, 芯斜懈褔邪褌 写邪 懈蟹斜懈胁邪褌 懈 械胁褉械懈, 蟹邪谢懈褔邪胁邪泄泻懈 褑械谢懈 褋械谢懈褖邪. 袛邪, 褌芯胁邪 械 懈褋褌芯褉懈褔械褋泻懈 褎邪泻褌, 懈蟹锌芯谢蟹胁邪薪 写胁邪 胁械泻邪 锌芯-泻褗褋薪芯, 泻芯谐邪褌芯 褋褗褖懈褌械 褌械蟹懈 褏褉邪斜褉懈 泻邪蟹邪褑懈 懈蟹胁褗褉褕胁邪褌 屑邪褋芯胁懈 锌芯谐褉芯屑懈 薪邪写 械胁褉械懈 锌芯 胁懈褋芯褔邪泄褕邪 蟹邪锌芯胁械写 薪邪 褉褍褋泻懈褟 懈屑锌械褉邪褌芯褉. 袧芯 写芯褌芯谐邪胁邪 懈屑邪 芯褖械 写芯褋褌邪 胁褉械屑械, 褌邪 胁芯谢薪懈褌械 泻邪蟹邪褑懈 褋懈 谐褉芯屑褟褌 薪邪褉械写.
携泻芯胁 械 褋懈薪 薪邪 写褗谢谐邪 谢懈薪懈褟 锌芯谢褋泻懈 褉邪胁懈薪懈 懈 褍褔械薪懈. 袣邪蟹邪褕泻芯 薪邪锌邪写械薪懈械 蟹邪谢懈褔邪胁邪 褋褗褋 蟹胁械褉褋泻邪 卸械褋褌芯泻芯褋褌 褋械屑械泄褋褌胁芯褌芯, 写械褑邪褌邪 屑褍 懈 谐褉邪写褔械褌芯 屑褍, 邪 薪械谐芯 褋邪屑懈褟 锌褉械胁褉褗褖邪 械 褉芯斜 薪邪 薪械谐褉邪屑芯褌械薪 锌芯谢褋泻懈 褋械谢褟薪懈薪 胁 锌谢邪薪懈薪褋泻芯 褋械谢褑械.
袙 写褗谢斜芯泻懈褌械 褋械谢褋泻懈 写械斜褉懈 械蟹懈褔械褋褌胁芯褌芯 芯褖械 卸懈胁械械, 蟹邪械写薪芯 褋 屑芯褉邪 芯褌 卸械褋褌芯泻懈褌械 锌邪薪芯胁械-谐芯褋锌芯写邪褉懈, 泻芯懈褌芯 褋懈 锌褉懈斜懈褉邪褌 胁褋褟泻芯 蟹褉褗薪褑械, 邪 褋械谢褟薪懈薪褗褌 写邪 屑褉械. 袧懈褖芯 褔褍写薪芯, 褔械 褏芯褉邪褌邪 锌芯 褌械蟹懈 屑械褋褌邪 锌芯薪褟泻芯谐邪 褋邪 锌褉械胁褗褉薪邪褌懈 胁 褔褍写芯胁懈褖邪 芯褌 薪械胁械卸械褋褌胁芯, 邪谢褔薪芯褋褌, 蟹谢芯斜邪 懈 斜械蟹褋懈谢懈械. 携泻芯胁 芯斜邪褔械 懈屑邪 褋胁芯褟 袟邪泻芯薪. 袠屑邪 褋胁芯褟褌邪 孝芯褉邪, 褋胁芯褟褌邪 胁褟褉邪 懈 褋胁芯褟 袘芯谐. 袠屑邪 褋胁芯褟褌邪 褋褗蟹械褉褑邪褌械谢薪芯褋褌 懈 褋锌邪褋械薪懈械 胁 屑懈褋褗谢褌邪. 袠 芯褑械谢褟胁邪 写褍褏芯胁薪芯 懈 褎懈蟹懈褔械褋泻懈. 袟邪褌芯胁邪 锌褗泻 胁谢褞斜胁邪薪械褌芯 屑褍 胁 写褗褖械褉褟褌邪 薪邪 谐芯褋锌芯写邪褉褟 屑褍 - 袙邪薪写邪 - 锌褉械写褋褌邪胁谢褟胁邪 锌褉械写邪褌械谢褋褌胁芯 褋锌褉褟屑芯 胁褋懈褔泻懈 薪械谐芯胁懈 锌褉邪胁懈谢邪. 孝械蟹懈 锌褉邪胁懈谢邪 胁懈薪邪谐懈 褋邪 薪械谐芯胁懈 谐芯褋锌芯写邪褉懈, 邪 褌芯泄 - 褌械褏械薪 褉芯斜, 泻邪泻褌芯 薪懈褌芯 械写懈薪 卸懈胁 褔芯胁械泻 薪械 褍褋锌褟胁邪 写邪 谐芯 锌芯写褔懈薪懈. 袟邪褖芯褌芯 褌械蟹懈 锌褉邪胁懈谢邪 懈 褌械褏薪懈褟褌 斜褍泻胁邪谢懈蟹褗屑 谐芯 锌褉械胁褉褗褖邪褌 薪邪 屑芯屑械薪褌懈 胁 械谐芯懈褋褌 懈 褋褌褉邪褏谢懈胁械褑, 胁械褔薪芯 泻邪械褖 褋械 锌褉械写 褋胁芯褟 袘芯谐 蟹邪 薪械褋褗褖械褋褌胁褍胁邪褖懈 懈谢懈 屑邪谢芯胁邪卸薪懈 谐褉械褏芯胁械, 胁械褔薪芯 芯锌褉邪胁写邪胁邪褖 褋械, 胁械褔薪芯 薪械褍胁械褉械薪芯 褌褗褉褋械褖 泻芯械 械 锌褉械写薪邪褔械褉褌邪薪芯褌芯. 小胁芯斜芯写薪邪 胁芯谢褟 蟹邪 携泻芯胁 薪械 褋褗褖械褋褌胁褍胁邪, 芯褋胁械薪 械写懈薪褋褌胁械薪芯 胁 薪械芯褏芯褌薪邪褌邪 屑褍 胁褉褗蟹泻邪 褋 袙邪薪写邪. 袟邪 泻芯褟褌芯 褌芯泄 褋械 褋邪屑芯斜懈褔褍胁邪 芯褌薪邪褔邪谢芯 写芯泻褉邪泄, 蟹邪械褌 懈蟹泻谢褞褔懈褌械谢薪芯 褋褗褋 褋械斜械 褋懈, 斜械蟹 写邪 褋械 褋械褌懈 写邪 锌芯屑懈褋谢懈 泻芯泄 蟹薪邪械 泻芯谢泻芯 蟹邪 卸械薪邪褌邪 写芯 薪械谐芯.
袙邪薪写邪/ 小邪褉邪 械 褋胁芯斜芯写薪懈褟褌 褔芯胁械泻 胁 褌芯蟹懈 褋褞卸械褌. 孝褟 薪懈泻芯谐邪 薪械 锌褉懈械屑邪 斜械蟹褍褋谢芯胁薪懈褌械 褎邪谢褕懈胁懈 邪胁褌芯褉懈褌械褌懈. 袟邪 薪械褟 褏褉懈褋褌懈褟薪褋泻懈褟褌 袘芯谐 懈 袡械褏芯胁邪 屑芯谐邪褌 写邪 褋懈 褋屑械薪褟褌 屑械褋褌邪褌邪, 邪泻芯 谢褞斜芯胁褌邪 谐芯 薪邪谢芯卸懈. 孝褟 薪懈泻芯谐邪 薪械 锌褉懈械屑邪 褋谢褍褔胁邪褖芯褌芯 褋械 斜械蟹泻褉懈褌懈褔薪芯 懈 斜械蟹 写邪 谐芯 芯褋屑懈褋谢懈. 袠蟹胁芯写懈褌械 懈, 薪械锌芯褔械褉锌械薪懈 芯褌 薪懈泻邪泻胁邪 孝芯褉邪 懈谢懈 袘懈斜谢懈褟, 褋邪 蟹邪泻芯薪懈褌械 薪邪 卸懈胁芯褌邪 懈 薪邪 褔芯胁械褕泻芯褌芯 褋褗褖械褋褌胁褍胁邪薪械, 泻邪泻胁芯褌芯 斜懈 屑芯谐谢芯 懈 斜懈 褌褉褟斜胁邪谢芯 写邪 斜褗写械. 袙邪薪写邪 褍屑械械 写邪 薪邪锌褉邪胁懈 褋邪屑芯卸械褉褌胁邪, 褍屑械械 写邪 锌褉懈械屑械 懈 芯褋屑懈褋谢懈 褉邪蟹谢懈褔懈械褌芯, 蟹邪 褉邪蟹谢懈泻邪 芯褌 携泻芯胁, 锌褉懈 泻芯谐芯褌芯 褌芯胁邪 械 锌褉芯褋褌芯 褉械谢懈谐懈芯蟹薪邪 褋褗蟹械褉褑邪褌械谢薪芯褋褌 懈 锌褉懈屑懈褉械薪懈械, 写芯褉懈 泻芯谐邪褌芯 屑芯卸械 写邪 锌褉芯屑械薪懈 薪械褖芯. 袨锌懈褌褗褌 薪邪 小懈薪谐械褉 写邪 褟 写芯斜谢懈卸懈 写芯 锌褉械写褋褌邪胁邪褌邪 蟹邪 褋胁械褌懈褑邪 械 褌胁褗褉写械 薪械褋锌芯谢褍褔谢懈胁 - 褌邪泻邪 褌芯泄 懈蟹斜褟谐胁邪 薪械褍写芯斜薪懈褌械 蟹邪 芯谐褉邪薪懈褔械薪芯 褉械谢懈谐懈芯蟹械薪 褔芯胁械泻 写械褌邪泄谢懈 胁 褏邪褉邪泻褌械褉邪 懈, 泻芯懈褌芯 锌褉芯褋褌芯 锌褉械褋泻邪褔邪褌 泻芯薪胁械薪褑懈懈褌械, 斜械蟹 褌胁褗褉写械 屑薪芯谐芯 写邪 谐懈 褋褗蟹械褉褑邪胁邪褌.
袠褋褌芯褉懈褔械褋泻懈褟褌 锌械褉懈芯写 薪械 械 锌褉芯褋褌芯 褎芯薪, 锌芯写薪械褋械薪 械 褍斜械写懈褌械谢薪芯 懈 斜械蟹 谐褉懈屑. 袠 邪泻芯 薪褟泻芯泄 写薪械褕械薪 褍泻褉邪懈薪械褑 锌懈褋薪械 胁褗蟹屑褍褌械薪芯, 褔械 泻邪蟹邪褕泻懈褟褌 褏械褌屑邪薪 袘芯谐写邪薪 啸屑械谢薪懈褑泻懈 械 芯褔械褉薪械薪, 褖械 懈屑邪 屑薪芯谐芯 蟹写褉邪胁械 芯褌 懈褋褌芯褉懈褟褌邪. 袩芯谐谢械写褗褌 泻褗屑 蟹谢芯褌芯 褍 褔芯胁械泻邪 懈 薪械谐芯胁芯褌芯 褍谐芯写薪懈褔械薪械 锌褉械写 锌芯-褋懈谢薪懈褌械 - 褉邪胁懈薪懈, 泻褉邪谢械, 斜芯谐芯胁械 懈谢懈 褋芯斜褋褌胁械薪邪褌邪 屑褍 邪谢褔薪芯褋褌 - 褋褗褖芯 械 斜械蟹卸邪谢芯褋褌薪芯 写械褌邪泄谢械薪. 袣邪褌芯谢懈褑懈褌械 薪械 褋邪 卸械褋褌芯泻懈 薪械胁械褉薪懈褑懈, 邪 械胁褉械懈褌械 褏懈褔 薪械 褋邪 薪械胁懈薪薪懈 邪谐褗薪褑邪. 袥懈褑械屑械褉懈械褌芯 械 锌芯褉芯泻褗褌, 泻芯泄褌芯 胁褋懈褔泻懈 懈蟹锌芯胁褟写胁邪褌 懈 泻芯泄褌芯 懈屑 锌芯蟹胁芯谢褟胁邪 写邪 褟写邪褌 褋邪屑芯 泻邪褕械褉薪芯 屑械褋芯 懈谢懈 写邪 褋械 懈蟹锌芯胁褟写胁邪褌 锌褉芯褋褗谢蟹械薪懈, 薪芯 写邪 褍斜懈胁邪褌 斜谢懈卸薪懈褌械 褋懈.
小懈薪谐械褉 械 芯屑邪谐褜芯褋胁邪褖 褉邪蟹泻邪蟹胁邪褔. 孝芯泄 芯斜邪褔械 械 芯褌褉械写懈谢 屑褟褋褌芯 蟹邪 斜芯褉斜邪 蟹邪 褖邪褋褌懈械 械写胁邪 胁 芯褌胁褗写薪芯褌芯, 写芯褋邪屑懈 锌褉械写 斜芯卸懈褟 锌褉械褋褌芯谢. 袧械谐芯胁懈褟褌 携泻芯胁 薪邪屑懈褉邪 械泻蟹邪谢褌邪褑懈褟, 薪芯 薪懈泻芯谐邪 - 懈褋褌懈薪褋泻芯 锌褉芯蟹褉械薪懈械. 袩褉芯褋褌芯 小懈薪谐械褉 懈褋泻褉械薪芯 斜褗褉泻邪 械写薪芯褌芯 褋 写褉褍谐芯褌芯. 小褌褉邪薪薪芯褌芯 械, 褔械 褋芯斜褋褌胁械薪懈褟褌 屑褍 褉邪蟹泻邪蟹 谐芯 芯锌褉芯胁械褉谐邪胁邪, 薪芯 邪胁褌芯褉褗褌 褔懈褋褌芯褋褗褉写械褔薪芯 邪锌械谢懈褉邪 泻邪泻 芯卸懈胁械薪懈褟褌 胁褗褌褉械褕薪芯-褋褗蟹械褉褑邪褌械谢械薪 卸懈胁芯褌, 谐褍斜械褖 芯褌 锌芯谐谢械写 褏芯褉邪褌邪 写芯 薪邪褋 懈 锌邪褉邪谢懈蟹懈褉邪褖 胁褋褟泻芯 邪泻褌懈胁薪芯 写械泄褋褌胁懈械 蟹邪 锌褉芯屑褟薪邪 懈谢懈 褋褗锌褉芯褌懈胁邪, 胁 泻褉邪泄薪邪 褋屑械褌泻邪 械 锌褗褌褟褌 . 袧械褖芯 泻邪褌芯 写邪 褌械 蟹邪泻芯谢褟褌 褋 锌褉懈褟褌薪邪 褍锌芯泄泻邪. 袧芯 胁褋械 锌邪泻 褌邪泻邪 谐芯 褉邪蟹斜懈褉邪褌 屑薪芯谐芯 褋胁械褌褑懈 芯褌 褉邪蟹谢懈褔薪懈褌械 褉械谢懈谐懈懈. 袠 写芯褋褌邪 褉械谢懈谐懈芯蟹薪懈 谢褞写械. 袣芯泄 蟹薪邪械, 蟹邪 褋械斜械 褋懈 屑芯卸械 懈 写邪 褋邪 锌褉邪胁懈鈥� 袧芯 泻邪泻胁芯 褋邪 锌褉芯屑械薪懈谢懈 褌械?
3,5猸愶笍
袠谢懈 4 蟹胁械蟹写懈, 薪芯 褋械 褍褋械褖邪褌 泻邪褌芯 3 馃槅
鈥斺赌�
袨褌谢懈褔械薪 锌褉械胁芯写 懈 芯褎芯褉屑谢械薪懈械 薪邪 懈蟹写邪褌械谢褋褌胁芯褌芯. 袛芯 锌芯褋谢械写薪芯 屑懈褋谢械褏 写邪 写邪屑 锌芯胁械褔械 蟹胁械蟹写懈, 薪芯 泻褉邪褟褌 锌褉芯褋褌芯 屑械 胁斜械褋懈 褋 锌芯褋谢邪薪懈械褌芯 褋懈鈥�
袗泻芯 邪胁褌芯褉褗褌 斜械褕械 械泻蟹邪谢褌懈褉邪薪 泻邪褌芯谢懈泻, 屑懈褋褌懈褔械薪 懈蟹褌芯褔薪芯锌褉邪胁芯褋谢邪胁械薪 懈谢懈 懈蟹锌邪写薪邪谢 胁 褍薪械褋 褋褍褎懈 薪懈泻邪泻 薪褟屑邪褕械 写邪 褋械 褍褔褍写褟, 斜懈 屑褍 锌芯写褏芯卸写邪谢芯. 袧芯 写邪 械 泻邪褕械褉械薪 械胁褉械懈薪 屑褍 锌芯写褏芯卸写邪 薪械 锌芯-屑邪谢泻芯. 袗 薪械谐芯胁邪褌邪 褉芯斜褋泻邪 懈褋褌芯褉懈褟 懈屑邪 褍写懈胁懈褌械谢薪懈 写褍褏芯胁薪懈 锌褉懈谢懈泻懈 褋 鈥澬浶靶惭娧赌" 薪邪 袝胁谐械薪懈泄 袙芯写芯谢邪蟹泻懈薪 - 褋褏芯写褋褌胁芯 胁 屑懈褉芯谐谢械写邪, 薪懈褖芯 锌芯胁械褔械.
袩芯谢褕邪 芯褌 褋褉械写邪褌邪 薪邪 17-褌懈 胁械泻 械 屑褗褔械薪邪 芯褌 邪谢褔薪懈 锌邪薪芯胁械 懈 褕谢褟褏褌懈褔懈, 斜械写薪芯褋褌, 薪械胁械卸械褋褌胁芯, 褕胁械写褋泻懈 薪邪锌邪写械薪懈褟 懈 斜邪薪写懈褌褋泻懈 褉械泄写芯胁械 芯褌 薪邪屑懈褉邪褖懈褌械 褋械 薪邪 懈蟹褌芯泻 泻邪蟹邪褑懈 (写薪械褕薪邪 校泻褉邪泄薪邪). 袣邪蟹邪褑懈褌械, 蟹邪 褉邪蟹谢懈泻邪 芯褌 褕胁械写懈褌械, 芯斜懈褔邪褌 写邪 懈蟹斜懈胁邪褌 懈 械胁褉械懈, 蟹邪谢懈褔邪胁邪泄泻懈 褑械谢懈 褋械谢懈褖邪. 袛邪, 褌芯胁邪 械 懈褋褌芯褉懈褔械褋泻懈 褎邪泻褌, 懈蟹锌芯谢蟹胁邪薪 写胁邪 胁械泻邪 锌芯-泻褗褋薪芯, 泻芯谐邪褌芯 褋褗褖懈褌械 褌械蟹懈 褏褉邪斜褉懈 泻邪蟹邪褑懈 懈蟹胁褗褉褕胁邪褌 屑邪褋芯胁懈 锌芯谐褉芯屑懈 薪邪写 械胁褉械懈 锌芯 胁懈褋芯褔邪泄褕邪 蟹邪锌芯胁械写 薪邪 褉褍褋泻懈褟 懈屑锌械褉邪褌芯褉. 袧芯 写芯褌芯谐邪胁邪 懈屑邪 芯褖械 写芯褋褌邪 胁褉械屑械, 褌邪 胁芯谢薪懈褌械 泻邪蟹邪褑懈 褋懈 谐褉芯屑褟褌 薪邪褉械写.
携泻芯胁 械 褋懈薪 薪邪 写褗谢谐邪 谢懈薪懈褟 锌芯谢褋泻懈 褉邪胁懈薪懈 懈 褍褔械薪懈. 袣邪蟹邪褕泻芯 薪邪锌邪写械薪懈械 蟹邪谢懈褔邪胁邪 褋褗褋 蟹胁械褉褋泻邪 卸械褋褌芯泻芯褋褌 褋械屑械泄褋褌胁芯褌芯, 写械褑邪褌邪 屑褍 懈 谐褉邪写褔械褌芯 屑褍, 邪 薪械谐芯 褋邪屑懈褟 锌褉械胁褉褗褖邪 械 褉芯斜 薪邪 薪械谐褉邪屑芯褌械薪 锌芯谢褋泻懈 褋械谢褟薪懈薪 胁 锌谢邪薪懈薪褋泻芯 褋械谢褑械.
袙 写褗谢斜芯泻懈褌械 褋械谢褋泻懈 写械斜褉懈 械蟹懈褔械褋褌胁芯褌芯 芯褖械 卸懈胁械械, 蟹邪械写薪芯 褋 屑芯褉邪 芯褌 卸械褋褌芯泻懈褌械 锌邪薪芯胁械-谐芯褋锌芯写邪褉懈, 泻芯懈褌芯 褋懈 锌褉懈斜懈褉邪褌 胁褋褟泻芯 蟹褉褗薪褑械, 邪 褋械谢褟薪懈薪褗褌 写邪 屑褉械. 袧懈褖芯 褔褍写薪芯, 褔械 褏芯褉邪褌邪 锌芯 褌械蟹懈 屑械褋褌邪 锌芯薪褟泻芯谐邪 褋邪 锌褉械胁褗褉薪邪褌懈 胁 褔褍写芯胁懈褖邪 芯褌 薪械胁械卸械褋褌胁芯, 邪谢褔薪芯褋褌, 蟹谢芯斜邪 懈 斜械蟹褋懈谢懈械. 携泻芯胁 芯斜邪褔械 懈屑邪 褋胁芯褟 袟邪泻芯薪. 袠屑邪 褋胁芯褟褌邪 孝芯褉邪, 褋胁芯褟褌邪 胁褟褉邪 懈 褋胁芯褟 袘芯谐. 袠屑邪 褋胁芯褟褌邪 褋褗蟹械褉褑邪褌械谢薪芯褋褌 懈 褋锌邪褋械薪懈械 胁 屑懈褋褗谢褌邪. 袠 芯褑械谢褟胁邪 写褍褏芯胁薪芯 懈 褎懈蟹懈褔械褋泻懈. 袟邪褌芯胁邪 锌褗泻 胁谢褞斜胁邪薪械褌芯 屑褍 胁 写褗褖械褉褟褌邪 薪邪 谐芯褋锌芯写邪褉褟 屑褍 - 袙邪薪写邪 - 锌褉械写褋褌邪胁谢褟胁邪 锌褉械写邪褌械谢褋褌胁芯 褋锌褉褟屑芯 胁褋懈褔泻懈 薪械谐芯胁懈 锌褉邪胁懈谢邪. 孝械蟹懈 锌褉邪胁懈谢邪 胁懈薪邪谐懈 褋邪 薪械谐芯胁懈 谐芯褋锌芯写邪褉懈, 邪 褌芯泄 - 褌械褏械薪 褉芯斜, 泻邪泻褌芯 薪懈褌芯 械写懈薪 卸懈胁 褔芯胁械泻 薪械 褍褋锌褟胁邪 写邪 谐芯 锌芯写褔懈薪懈. 袟邪褖芯褌芯 褌械蟹懈 锌褉邪胁懈谢邪 懈 褌械褏薪懈褟褌 斜褍泻胁邪谢懈蟹褗屑 谐芯 锌褉械胁褉褗褖邪褌 薪邪 屑芯屑械薪褌懈 胁 械谐芯懈褋褌 懈 褋褌褉邪褏谢懈胁械褑, 胁械褔薪芯 泻邪械褖 褋械 锌褉械写 褋胁芯褟 袘芯谐 蟹邪 薪械褋褗褖械褋褌胁褍胁邪褖懈 懈谢懈 屑邪谢芯胁邪卸薪懈 谐褉械褏芯胁械, 胁械褔薪芯 芯锌褉邪胁写邪胁邪褖 褋械, 胁械褔薪芯 薪械褍胁械褉械薪芯 褌褗褉褋械褖 泻芯械 械 锌褉械写薪邪褔械褉褌邪薪芯褌芯. 小胁芯斜芯写薪邪 胁芯谢褟 蟹邪 携泻芯胁 薪械 褋褗褖械褋褌胁褍胁邪, 芯褋胁械薪 械写懈薪褋褌胁械薪芯 胁 薪械芯褏芯褌薪邪褌邪 屑褍 胁褉褗蟹泻邪 褋 袙邪薪写邪. 袟邪 泻芯褟褌芯 褌芯泄 褋械 褋邪屑芯斜懈褔褍胁邪 芯褌薪邪褔邪谢芯 写芯泻褉邪泄, 蟹邪械褌 懈蟹泻谢褞褔懈褌械谢薪芯 褋褗褋 褋械斜械 褋懈, 斜械蟹 写邪 褋械 褋械褌懈 写邪 锌芯屑懈褋谢懈 泻芯泄 蟹薪邪械 泻芯谢泻芯 蟹邪 卸械薪邪褌邪 写芯 薪械谐芯.
袙邪薪写邪/ 小邪褉邪 械 褋胁芯斜芯写薪懈褟褌 褔芯胁械泻 胁 褌芯蟹懈 褋褞卸械褌. 孝褟 薪懈泻芯谐邪 薪械 锌褉懈械屑邪 斜械蟹褍褋谢芯胁薪懈褌械 褎邪谢褕懈胁懈 邪胁褌芯褉懈褌械褌懈. 袟邪 薪械褟 褏褉懈褋褌懈褟薪褋泻懈褟褌 袘芯谐 懈 袡械褏芯胁邪 屑芯谐邪褌 写邪 褋懈 褋屑械薪褟褌 屑械褋褌邪褌邪, 邪泻芯 谢褞斜芯胁褌邪 谐芯 薪邪谢芯卸懈. 孝褟 薪懈泻芯谐邪 薪械 锌褉懈械屑邪 褋谢褍褔胁邪褖芯褌芯 褋械 斜械蟹泻褉懈褌懈褔薪芯 懈 斜械蟹 写邪 谐芯 芯褋屑懈褋谢懈. 袠蟹胁芯写懈褌械 懈, 薪械锌芯褔械褉锌械薪懈 芯褌 薪懈泻邪泻胁邪 孝芯褉邪 懈谢懈 袘懈斜谢懈褟, 褋邪 蟹邪泻芯薪懈褌械 薪邪 卸懈胁芯褌邪 懈 薪邪 褔芯胁械褕泻芯褌芯 褋褗褖械褋褌胁褍胁邪薪械, 泻邪泻胁芯褌芯 斜懈 屑芯谐谢芯 懈 斜懈 褌褉褟斜胁邪谢芯 写邪 斜褗写械. 袙邪薪写邪 褍屑械械 写邪 薪邪锌褉邪胁懈 褋邪屑芯卸械褉褌胁邪, 褍屑械械 写邪 锌褉懈械屑械 懈 芯褋屑懈褋谢懈 褉邪蟹谢懈褔懈械褌芯, 蟹邪 褉邪蟹谢懈泻邪 芯褌 携泻芯胁, 锌褉懈 泻芯谐芯褌芯 褌芯胁邪 械 锌褉芯褋褌芯 褉械谢懈谐懈芯蟹薪邪 褋褗蟹械褉褑邪褌械谢薪芯褋褌 懈 锌褉懈屑懈褉械薪懈械, 写芯褉懈 泻芯谐邪褌芯 屑芯卸械 写邪 锌褉芯屑械薪懈 薪械褖芯. 袨锌懈褌褗褌 薪邪 小懈薪谐械褉 写邪 褟 写芯斜谢懈卸懈 写芯 锌褉械写褋褌邪胁邪褌邪 蟹邪 褋胁械褌懈褑邪 械 褌胁褗褉写械 薪械褋锌芯谢褍褔谢懈胁 - 褌邪泻邪 褌芯泄 懈蟹斜褟谐胁邪 薪械褍写芯斜薪懈褌械 蟹邪 芯谐褉邪薪懈褔械薪芯 褉械谢懈谐懈芯蟹械薪 褔芯胁械泻 写械褌邪泄谢懈 胁 褏邪褉邪泻褌械褉邪 懈, 泻芯懈褌芯 锌褉芯褋褌芯 锌褉械褋泻邪褔邪褌 泻芯薪胁械薪褑懈懈褌械, 斜械蟹 褌胁褗褉写械 屑薪芯谐芯 写邪 谐懈 褋褗蟹械褉褑邪胁邪褌.
袠褋褌芯褉懈褔械褋泻懈褟褌 锌械褉懈芯写 薪械 械 锌褉芯褋褌芯 褎芯薪, 锌芯写薪械褋械薪 械 褍斜械写懈褌械谢薪芯 懈 斜械蟹 谐褉懈屑. 袠 邪泻芯 薪褟泻芯泄 写薪械褕械薪 褍泻褉邪懈薪械褑 锌懈褋薪械 胁褗蟹屑褍褌械薪芯, 褔械 泻邪蟹邪褕泻懈褟褌 褏械褌屑邪薪 袘芯谐写邪薪 啸屑械谢薪懈褑泻懈 械 芯褔械褉薪械薪, 褖械 懈屑邪 屑薪芯谐芯 蟹写褉邪胁械 芯褌 懈褋褌芯褉懈褟褌邪. 袩芯谐谢械写褗褌 泻褗屑 蟹谢芯褌芯 褍 褔芯胁械泻邪 懈 薪械谐芯胁芯褌芯 褍谐芯写薪懈褔械薪械 锌褉械写 锌芯-褋懈谢薪懈褌械 - 褉邪胁懈薪懈, 泻褉邪谢械, 斜芯谐芯胁械 懈谢懈 褋芯斜褋褌胁械薪邪褌邪 屑褍 邪谢褔薪芯褋褌 - 褋褗褖芯 械 斜械蟹卸邪谢芯褋褌薪芯 写械褌邪泄谢械薪. 袣邪褌芯谢懈褑懈褌械 薪械 褋邪 卸械褋褌芯泻懈 薪械胁械褉薪懈褑懈, 邪 械胁褉械懈褌械 褏懈褔 薪械 褋邪 薪械胁懈薪薪懈 邪谐褗薪褑邪. 袥懈褑械屑械褉懈械褌芯 械 锌芯褉芯泻褗褌, 泻芯泄褌芯 胁褋懈褔泻懈 懈蟹锌芯胁褟写胁邪褌 懈 泻芯泄褌芯 懈屑 锌芯蟹胁芯谢褟胁邪 写邪 褟写邪褌 褋邪屑芯 泻邪褕械褉薪芯 屑械褋芯 懈谢懈 写邪 褋械 懈蟹锌芯胁褟写胁邪褌 锌褉芯褋褗谢蟹械薪懈, 薪芯 写邪 褍斜懈胁邪褌 斜谢懈卸薪懈褌械 褋懈.
小懈薪谐械褉 械 芯屑邪谐褜芯褋胁邪褖 褉邪蟹泻邪蟹胁邪褔. 孝芯泄 芯斜邪褔械 械 芯褌褉械写懈谢 屑褟褋褌芯 蟹邪 斜芯褉斜邪 蟹邪 褖邪褋褌懈械 械写胁邪 胁 芯褌胁褗写薪芯褌芯, 写芯褋邪屑懈 锌褉械写 斜芯卸懈褟 锌褉械褋褌芯谢. 袧械谐芯胁懈褟褌 携泻芯胁 薪邪屑懈褉邪 械泻蟹邪谢褌邪褑懈褟, 薪芯 薪懈泻芯谐邪 - 懈褋褌懈薪褋泻芯 锌褉芯蟹褉械薪懈械. 袩褉芯褋褌芯 小懈薪谐械褉 懈褋泻褉械薪芯 斜褗褉泻邪 械写薪芯褌芯 褋 写褉褍谐芯褌芯. 小褌褉邪薪薪芯褌芯 械, 褔械 褋芯斜褋褌胁械薪懈褟褌 屑褍 褉邪蟹泻邪蟹 谐芯 芯锌褉芯胁械褉谐邪胁邪, 薪芯 邪胁褌芯褉褗褌 褔懈褋褌芯褋褗褉写械褔薪芯 邪锌械谢懈褉邪 泻邪泻 芯卸懈胁械薪懈褟褌 胁褗褌褉械褕薪芯-褋褗蟹械褉褑邪褌械谢械薪 卸懈胁芯褌, 谐褍斜械褖 芯褌 锌芯谐谢械写 褏芯褉邪褌邪 写芯 薪邪褋 懈 锌邪褉邪谢懈蟹懈褉邪褖 胁褋褟泻芯 邪泻褌懈胁薪芯 写械泄褋褌胁懈械 蟹邪 锌褉芯屑褟薪邪 懈谢懈 褋褗锌褉芯褌懈胁邪, 胁 泻褉邪泄薪邪 褋屑械褌泻邪 械 锌褗褌褟褌 . 袧械褖芯 泻邪褌芯 写邪 褌械 蟹邪泻芯谢褟褌 褋 锌褉懈褟褌薪邪 褍锌芯泄泻邪. 袧芯 胁褋械 锌邪泻 褌邪泻邪 谐芯 褉邪蟹斜懈褉邪褌 屑薪芯谐芯 褋胁械褌褑懈 芯褌 褉邪蟹谢懈褔薪懈褌械 褉械谢懈谐懈懈. 袠 写芯褋褌邪 褉械谢懈谐懈芯蟹薪懈 谢褞写械. 袣芯泄 蟹薪邪械, 蟹邪 褋械斜械 褋懈 屑芯卸械 懈 写邪 褋邪 锌褉邪胁懈鈥� 袧芯 泻邪泻胁芯 褋邪 锌褉芯屑械薪懈谢懈 褌械?
3,5猸愶笍
袠谢懈 4 蟹胁械蟹写懈, 薪芯 褋械 褍褋械褖邪褌 泻邪褌芯 3 馃槅
鈥斺赌�
袨褌谢懈褔械薪 锌褉械胁芯写 懈 芯褎芯褉屑谢械薪懈械 薪邪 懈蟹写邪褌械谢褋褌胁芯褌芯. 袛芯 锌芯褋谢械写薪芯 屑懈褋谢械褏 写邪 写邪屑 锌芯胁械褔械 蟹胁械蟹写懈, 薪芯 泻褉邪褟褌 锌褉芯褋褌芯 屑械 胁斜械褋懈 褋 锌芯褋谢邪薪懈械褌芯 褋懈鈥�
December 18, 2021
Wanda/Sarah
Le due parti che, prima di un breve ma importante epilogo, compongono questo gran romanzo di Isaac Singer sono significativamente intitolate ai due nomi femminili che scopriremo identificare la medesima donna, l鈥檃ppassionata amante e poi moglie di Jacob. Infatti Lo Schiavo 猫 anche (e forse soprattutto) una storia d鈥檃more, oltre che romanzo storico e drammatica cronistoria di un鈥檈sistenza che attraversa decenni fra conflitti di religione, pogrom, superstizioni, riti di stampo quasi tribale.
E鈥� un romanzo storico nell鈥檃ccezione pi霉 estesa del termine, poich茅 sa ritrarre fino a renderla palpabile l鈥檃tmosfera di un luogo (la lontana provincia polacca quasi al confine con le steppe russe) in un periodo, il 鈥�600, caratterizzato in quelle lande da scorrerie dei cosacchi, miseria e intolleranza religiosa. E la religione 猫 a sua volta un altro punto cardinale del racconto, sia per l鈥檌nsistenza e l鈥檌nvadenza dei rituali e delle privazioni cui lo stesso protagonista si sottopone costantemente, sia per le riflessioni che anche la gente pi霉 umile elabora sui temi della divinit脿, della persistenza del male, della colpa e dell鈥檈spiazione.
In parallelo con i contrasti religiosi, soprattutto fra cristiani ed ebrei e non senza una persistenza tenace del paganesimo, prospera la superstizione, al punto che tutto il paese e soprattutto la natura circostante sembra pullulare, nell鈥檌mmaginazione popolare, di spettri, entit脿 maligne, spiriti ancestrali che incombono sulla miserabile esistenza della povera gente.
Va da s茅 che un simile contesto costituisce una persistente minaccia per la precaria esistenza dell鈥檈breo Jacob, un uomo mite e colto sfuggito al pogrom che ne ha sterminato la famiglia, venduto poi come schiavo, sfruttato come mandriano e lacerato da un conflitto interiore fra la rigidit脿 dei dogmi e dei testi sacri cui si impone di obbedire e le pulsioni affettive e sessuali verso Wanda, l鈥檜nica persona che lo assiste nel suo forzato isolamento nella capanna fra i pascoli sulla montagna.
Per la coppia che l鈥檌pocrisia della comunit脿 giudica dannata ed eretica, in quanto lui ebreo e lei cristiana, la fuga alla ricerca di una nuova identit脿 costituisce l鈥檜nica speranza di futuro ma non permetter脿 di sfuggire al destino avverso.
Il racconto, descritto dall鈥檃utore con lucida coerenza ed uno stile impeccabile, si intreccia a tante altre storie in un mondo tragico e ostile dove l鈥檜manit脿 si aggrappa alla religione o alla superstizione come surrogati di un鈥檈sistenza tranquilla e serena che sembra irraggiungibile: solo dopo la morte Jacob riuscir脿 a ricongiungersi con la persona amata in un epilogo imprevedibile e commovente.
Le due parti che, prima di un breve ma importante epilogo, compongono questo gran romanzo di Isaac Singer sono significativamente intitolate ai due nomi femminili che scopriremo identificare la medesima donna, l鈥檃ppassionata amante e poi moglie di Jacob. Infatti Lo Schiavo 猫 anche (e forse soprattutto) una storia d鈥檃more, oltre che romanzo storico e drammatica cronistoria di un鈥檈sistenza che attraversa decenni fra conflitti di religione, pogrom, superstizioni, riti di stampo quasi tribale.
E鈥� un romanzo storico nell鈥檃ccezione pi霉 estesa del termine, poich茅 sa ritrarre fino a renderla palpabile l鈥檃tmosfera di un luogo (la lontana provincia polacca quasi al confine con le steppe russe) in un periodo, il 鈥�600, caratterizzato in quelle lande da scorrerie dei cosacchi, miseria e intolleranza religiosa. E la religione 猫 a sua volta un altro punto cardinale del racconto, sia per l鈥檌nsistenza e l鈥檌nvadenza dei rituali e delle privazioni cui lo stesso protagonista si sottopone costantemente, sia per le riflessioni che anche la gente pi霉 umile elabora sui temi della divinit脿, della persistenza del male, della colpa e dell鈥檈spiazione.
In parallelo con i contrasti religiosi, soprattutto fra cristiani ed ebrei e non senza una persistenza tenace del paganesimo, prospera la superstizione, al punto che tutto il paese e soprattutto la natura circostante sembra pullulare, nell鈥檌mmaginazione popolare, di spettri, entit脿 maligne, spiriti ancestrali che incombono sulla miserabile esistenza della povera gente.
Va da s茅 che un simile contesto costituisce una persistente minaccia per la precaria esistenza dell鈥檈breo Jacob, un uomo mite e colto sfuggito al pogrom che ne ha sterminato la famiglia, venduto poi come schiavo, sfruttato come mandriano e lacerato da un conflitto interiore fra la rigidit脿 dei dogmi e dei testi sacri cui si impone di obbedire e le pulsioni affettive e sessuali verso Wanda, l鈥檜nica persona che lo assiste nel suo forzato isolamento nella capanna fra i pascoli sulla montagna.
Per la coppia che l鈥檌pocrisia della comunit脿 giudica dannata ed eretica, in quanto lui ebreo e lei cristiana, la fuga alla ricerca di una nuova identit脿 costituisce l鈥檜nica speranza di futuro ma non permetter脿 di sfuggire al destino avverso.
Il racconto, descritto dall鈥檃utore con lucida coerenza ed uno stile impeccabile, si intreccia a tante altre storie in un mondo tragico e ostile dove l鈥檜manit脿 si aggrappa alla religione o alla superstizione come surrogati di un鈥檈sistenza tranquilla e serena che sembra irraggiungibile: solo dopo la morte Jacob riuscir脿 a ricongiungersi con la persona amata in un epilogo imprevedibile e commovente.
September 11, 2020
Labai gera knyga, kurios vienu pris臈dimu niekaip neb奴膷iau perskai膷iusi. Nes joje man per daug to, ko pati so膷iai turiu - u啪sispyrimo (kent臈ti, kankintis, mokytis, tik臈ti, myl臈ti ir gyvent savaip). Tod臈l reik臈davo pertraukos, bet trumpos, nes ir v臈l nor臈davosi gr寞啪ti. Ir nors nebuvo lengva, buvo tikrai 寞domu ir vietomis netgi labai pikta, kad negalima ka啪kaip papras膷iau to gyvenimo sud臈lioti.
November 26, 2016
I have not yet read anything by I B Singer I did not love. The Slave is no exception. Singer was awarded the Nobel Prize for Literature in 1978 and always wrote in Yiddish until his death in 1991, in Surfside, FL.
After all my reading this year about slavery in America, I come to this reminder that slavery is as old an institution as prostitution. Both seem to be inherent in the human story.
The Slave is an epic in 311 pages. Jacob was a learned and pious Jew, son of wealthy parents, who found himself a slave to a farmer in a remote mountain village. His birthplace, Josefov, was a Polish town that lay in the path of Ukrainian Cossacks in the 17th century. The ensuing massacres had cleared the town of Jews. Jacob fled, thinking his parents, wife and children dead, then fell into the hands of robbers who sold him into slavery.
Though he desperately strove to stay true to his faith, Jacob began to love the farmer's daughter. Wanda was a step above her environment, a practically prehistoric milieu of pagan superstition, tooth and claw existence, and rural poverty. But she was a Gentile and therefore forbidden. Her passion for him finally overcame his religious scruples and they planned to escape.
Of course, that plan fell through on the first attempt. Jacob's life from then on is one of perils and his search for redemption, taking him all the way to Israel as part of the early Zionist movement, at last reuniting with Wanda, and on to his final days where he finds peace and wisdom.
Besides being a beautiful love story, the novel is also a contemplation of the place of religion in human society including the contradiction that it condemns believers who do not follow its commandments while it honors the phenomenon that spirituality can lift us above our animal nature. The result is a timeless tale.
How interesting that Singer published a novel called The Slave just as the Civil Rights Movement was catching fire in America, his adopted country since 1935.
After all my reading this year about slavery in America, I come to this reminder that slavery is as old an institution as prostitution. Both seem to be inherent in the human story.
The Slave is an epic in 311 pages. Jacob was a learned and pious Jew, son of wealthy parents, who found himself a slave to a farmer in a remote mountain village. His birthplace, Josefov, was a Polish town that lay in the path of Ukrainian Cossacks in the 17th century. The ensuing massacres had cleared the town of Jews. Jacob fled, thinking his parents, wife and children dead, then fell into the hands of robbers who sold him into slavery.
Though he desperately strove to stay true to his faith, Jacob began to love the farmer's daughter. Wanda was a step above her environment, a practically prehistoric milieu of pagan superstition, tooth and claw existence, and rural poverty. But she was a Gentile and therefore forbidden. Her passion for him finally overcame his religious scruples and they planned to escape.
Of course, that plan fell through on the first attempt. Jacob's life from then on is one of perils and his search for redemption, taking him all the way to Israel as part of the early Zionist movement, at last reuniting with Wanda, and on to his final days where he finds peace and wisdom.
Besides being a beautiful love story, the novel is also a contemplation of the place of religion in human society including the contradiction that it condemns believers who do not follow its commandments while it honors the phenomenon that spirituality can lift us above our animal nature. The result is a timeless tale.
How interesting that Singer published a novel called The Slave just as the Civil Rights Movement was catching fire in America, his adopted country since 1935.
April 28, 2022
"廿賳賷 兀噩丿 兀丨賷丕賳丕 兀賳賴 賲賳 丕賱賲爻鬲丨賷賱 兀賳 兀氐丿賯
兀賳 丕賱毓丕賱賲 爻賵賮 賷爻鬲賲乇 亘毓丿 乇丨賷賱賷貙 賵 兀賳 丕賱卮賲爻
爻賵賮 鬲卮乇賯貙 賵 兀賳 丕賱兀卮噩丕乇 爻賵賮 鬲夭賴乇貙 賵兀賳賷 賱賳
兀賰賵賳 賲賵噩賵丿丞 賮賷賴貙 賰賱丕 廿賳 賴匕丕 賲賲丕 賱丕賷鬲禺賷賱."
丕賱賯乇丕亍丞 丕賱孬丕賳賷丞 賱廿爻丨賯 爻賳噩乇貙 亘毓丿 乇賵丕賷鬲賴 丕賱賲賴賲丞 丕賱兀禺乇賶
"卮賵卮丕"
兀氐亘丨 廿爻丨賯 爻賳噩乇 賲賳 丕賱賰鬲丕亘 丕賱賲賴賲賷賳 毓賳丿賷貙 賮乇賵丕賷丕鬲賴
毓乇賮鬲賳賷 賵 賯乇亘鬲賳賷 賲賳 丕賱賲噩鬲賲毓 丕賱賷賴賵丿賷 賵 毓丕丿丕鬲賴 賵 鬲賯丕賱賷丿賴
賵賱丿賷賴 賳賮爻 毓馗賷賲 賮賷 丕賱爻乇丿貙 賵 兀賷囟丕 賷毓噩亘賳賷 賰賲賷丞 丕賱兀爻卅賱丞
丕賱鬲賷 賷胤乇丨賴丕 賮賷 乇賵丕賷丕鬲賴貙 賵 丕賱卮禺氐賷丕鬲 丕賱鬲賷 賷禺賱賯賴丕 賱丕鬲賳爻賶.
:兀賲乇 兀禺賷乇 賱丕亘丿 匕賰乇賴貙 賰丕賳 賲賳睾氐丕 毓賱賷 兀孬賳丕亍 丕賱賯乇丕亍丞
丕賱賰賲賷丞 丕賱賰亘賷乇丞 賲賳 丕賱兀禺胤丕亍 丕賱賲胤亘毓賷丞 丕賱鬲賷 鬲睾氐 亘賴丕 氐賮丨丕鬲
丕賱乇賵丕賷丞貙 賵 賰丕賳鬲 賰賮賷賱丞 亘賰賮賷 毓賳 丕賱賯乇丕亍丞.
兀賳 丕賱毓丕賱賲 爻賵賮 賷爻鬲賲乇 亘毓丿 乇丨賷賱賷貙 賵 兀賳 丕賱卮賲爻
爻賵賮 鬲卮乇賯貙 賵 兀賳 丕賱兀卮噩丕乇 爻賵賮 鬲夭賴乇貙 賵兀賳賷 賱賳
兀賰賵賳 賲賵噩賵丿丞 賮賷賴貙 賰賱丕 廿賳 賴匕丕 賲賲丕 賱丕賷鬲禺賷賱."
丕賱賯乇丕亍丞 丕賱孬丕賳賷丞 賱廿爻丨賯 爻賳噩乇貙 亘毓丿 乇賵丕賷鬲賴 丕賱賲賴賲丞 丕賱兀禺乇賶
"卮賵卮丕"
兀氐亘丨 廿爻丨賯 爻賳噩乇 賲賳 丕賱賰鬲丕亘 丕賱賲賴賲賷賳 毓賳丿賷貙 賮乇賵丕賷丕鬲賴
毓乇賮鬲賳賷 賵 賯乇亘鬲賳賷 賲賳 丕賱賲噩鬲賲毓 丕賱賷賴賵丿賷 賵 毓丕丿丕鬲賴 賵 鬲賯丕賱賷丿賴
賵賱丿賷賴 賳賮爻 毓馗賷賲 賮賷 丕賱爻乇丿貙 賵 兀賷囟丕 賷毓噩亘賳賷 賰賲賷丞 丕賱兀爻卅賱丞
丕賱鬲賷 賷胤乇丨賴丕 賮賷 乇賵丕賷丕鬲賴貙 賵 丕賱卮禺氐賷丕鬲 丕賱鬲賷 賷禺賱賯賴丕 賱丕鬲賳爻賶.
:兀賲乇 兀禺賷乇 賱丕亘丿 匕賰乇賴貙 賰丕賳 賲賳睾氐丕 毓賱賷 兀孬賳丕亍 丕賱賯乇丕亍丞
丕賱賰賲賷丞 丕賱賰亘賷乇丞 賲賳 丕賱兀禺胤丕亍 丕賱賲胤亘毓賷丞 丕賱鬲賷 鬲睾氐 亘賴丕 氐賮丨丕鬲
丕賱乇賵丕賷丞貙 賵 賰丕賳鬲 賰賮賷賱丞 亘賰賮賷 毓賳 丕賱賯乇丕亍丞.
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November 16, 2018袞懈谢邪-斜褍谢邪 泄 锌械褉械泻谢邪谢邪 (写谢褟 鈥溞斞冄呇� 褨 谢褨褌械褉懈鈥�).
1650-褌褨, 褖芯泄薪芯 胁褨写谐褉懈屑褨谢懈 泻芯蟹邪褑褜泻褨 锌芯谐褉芯屑懈 (芯写褉邪蟹褍 锌芯锌械褉械写卸邪褞 褌懈褏, 褏褌芯 薪械蟹薪邪泄芯屑懈泄 褨蟹 褑懈屑 褨褋褌芯褉懈褔薪懈屑 褋褞卸械褌芯屑, 邪 写芯 泻芯蟹邪泻褨胁 褋褌邪胁懈褌褜褋褟 褌褉械锌械褌薪芯: 褌邪泻, 啸屑械谢褜薪懈褑褜泻懈泄 褌褉懈褋褌邪 褉芯泻褨胁 谢懈褕邪胁褋褟 谐芯谢芯胁薪懈屑 薪械谐邪褌懈胁薪懈屑 锌械褉褋芯薪邪卸械屑 褍 褦胁褉械泄褋褜泻褨泄 褨褋褌芯褉懈褔薪褨泄 锌邪屑鈥櫻徰傃�, 邪 泻芯蟹邪褑褜泻褨 锌芯谐褉芯屑懈 胁 写邪胁薪褜芯屑褍 褨褋褌芯褉褨芯锌懈褋邪薪薪褨 胁斜褉邪薪褨 胁 褍褋褨 褌褉芯锌懈 褨蟹 锌褉芯褉芯褔懈褏 泻薪懈谐 鈥� 写懈胁. 鈥溞撔恍感毙拘盒感� 屑褍谢鈥� 袧邪褌邪薪邪 袚邪薪芯胁械褉邪).
袨褌卸械, 1650-褌褨, 褞写械泄 携泻褨胁 褋褌芯褩褌褜 薪邪 谐芯褉褨 写械褋褜 褍 锌芯谢褜褋褜泻懈褏 袣邪褉锌邪褌邪褏, 褋褍屑薪懈泄 褌邪 薪械胁械褋械谢懈泄: 泄芯谐芯 锌褨写 褔邪褋 锌芯谐褉芯屑褨胁 胁懈泻褉邪谢懈 褨 锌芯谐薪邪谢懈 褌褍写懈 胁 褉邪斜褋褌胁芯, 褌械锌械褉 胁褨薪 谐谢褟写懈褌褜 褏褍写芯斜褍 薪邪 锌芯谢芯薪懈薪褨 泄 锌芯胁芯谢褨 蟹邪斜褍胁邪褦 卸懈褌褌褟 写芯 泻邪褌邪褋褌褉芯褎懈, 邪谢械 褑械 薪械 薪邪泄薪邪谐邪谢褜薪褨褕邪 泄芯谐芯 锌褉芯斜谢械屑邪. 袧邪谐邪谢褜薪褨褕邪 锌褉芯斜谢械屑邪 胁懈谐谢褟写邪褦 褌邪泻: 胁褨薪 褕邪谢械薪芯 蟹邪泻芯褏邪胁褋褟 胁 写芯薪褜泻褍 褋胁芯谐芯 谐芯褋锌芯写邪褉褟, 袙邪薪写褍, 邪谢械 薪褨褔芯谐芯 蟹 褌芯谐芯 薪械 胁懈泄写械, 斜芯 (邪) 胁芯薪邪 褏褉懈褋褌懈褟薪泻邪, 芯褌卸械, 泄芯屑褍 蟹邪 褉械谢褨谐褨泄薪懈屑懈 蟹邪泻芯薪邪屑懈 蟹邪斜芯褉芯薪械薪芯 蟹邪胁芯写懈褌懈 蟹 薪械褞 褋褌芯褋褍薪泻懈; (斜) 胁褨薪 褍蟹邪谐邪谢褨 薪械 蟹薪邪褦, 褔懈 卸懈胁邪 泄芯谐芯 锌械褉褕邪 写褉褍卸懈薪邪 鈥� 邪 褉邪锌褌芯屑 胁芯薪邪 薪械 蟹邪谐懈薪褍谢邪 胁 锌芯谐褉芯屑褨? (胁) 袙邪薪写邪 薪械 屑芯卸械 锌褉懈泄薪褟褌懈 褞写邪褩蟹屑, 斜芯, 锌芯-锌械褉褕械, 胁 袪械褔褨 袩芯褋锌芯谢懈褌褨泄 蟹邪 褑械 褋锌邪谢褞褞褌褜, 邪 锌芯-写褉褍谐械, 褞写邪褩蟹屑 写芯蟹胁芯谢械薪芯 锌褉懈泄屑邪褌懈 褌褨谢褜泻懈 蟹 谢褞斜芯胁褨 写芯 袘芯谐邪, 邪 薪械 蟹 谢褞斜芯胁褨 写芯 褔芯谢芯胁褨泻邪. 袨褌邪泻邪 芯褌, 蟹邪谐邪谢芯屑, 蟹邪泻芯胁懈泻邪.
(袦褨卸 褨薪褕懈屑, 褟泻褨 胁 袘邪褕械胁褨褋邪 锌褉械泻褉邪褋薪褨 锌械泄蟹邪卸薪褨 蟹邪屑邪谢褜芯胁泻懈! 袛芯褌懈 褟 褩褏 薪械 锌芯屑褨褔邪谢邪, 邪 胁 鈥溞犘靶毖栤€� 胁芯薪懈 锌褉芯褋褌芯 泄写褍褌褜 锌邪褔泻邪屑懈. 些芯褉邪蟹褍, 褟泻 褌褉械斜邪 锌械褉械写邪褌懈 褖械写褉褨褋褌褜 褨 屑懈谢芯褋械褉写褟 袘芯谐邪-褌胁芯褉褑褟, 袘邪褕械胁褨褋 胁褌褍谢褞褦 褖械 褋褌芯褉褨薪泻褍 芯锌懈褋褨胁 锌褉懈褉芯写懈 鈥� 斜芯 写芯 谢褞写械泄 褌械泻褋褌 薪械 谢邪褋泻邪胁懈泄, 胁褨写 谢褞写械泄 褌褍褌 薪褨褔芯谐芯 写芯斜褉芯谐芯 薪械 褔械泻邪褞褌褜, 蟹邪褌械 谢邪薪写褕邪褎褌懈 锌褉械谐邪褉薪褨:
袙褨薪 褉胁褍褔泻芯 锌褉芯褔懈薪懈胁 写胁械褉褨 褏谢褨胁邪 泄 锌芯斜邪褔懈胁, 褟泻 褌褟谐薪褍褌褜褋褟 胁写邪谢懈薪褍 谐芯褉懈. 袘谢懈卸褔褨 胁械褉褕懈薪懈, 锌芯褉芯褋谢褨 谢褨褋邪屑懈, 褋泻懈写邪谢懈褋褟 薪邪 蟹械谢械薪芯斜芯褉芯写懈褏 胁械谢械褌褨胁. 孝褍屑邪薪, 褖芯 泻褍褔械褉褟屑懈 蟹写褨泄屑邪胁褋褟 薪邪写 谢褨褋邪屑懈, 薪邪谐邪写邪胁 携泻芯胁褍 小邪屑褋芯薪邪. 校 褋芯薪褟褔薪懈褏 锌褉芯屑械薪褟褏 蟹褨 褋褏芯写褍 锌芯胁褋褞写懈 胁懈谐褉邪胁邪谢懈 胁芯谐薪械薪薪褨 胁褨写斜谢懈褋泻懈. 袩芯写械泻褍写懈 薪邪写 胁械褉褕懈薪邪屑懈 屑褉褨褟胁 写懈屑, 薪褨斜懈 谐芯褉懈 褌谢褨谢懈 蟹褋械褉械写懈薪懈. 袪芯蟹锌褉邪胁懈胁褕懈 泻褉懈谢邪, 斜械蟹卸褍褉薪懈泄 褟褋褌褉褍斜 锌芯胁褨谢褜薪芯 褕懈褉褟胁 薪邪写 褍褋褨屑邪 蟹械屑薪懈屑懈 褌褍褉斜芯褌邪屑懈. 携泻芯胁芯胁褨 蟹写邪谢芯褋褟, 薪邪褔械 锌褌邪褏 谢褨褌邪褦 褌褍褌 褖械 胁褨写 褋邪屑芯谐芯 褋芯褌胁芯褉褨薪薪褟 褋胁褨褌褍.
袛邪谢褨 褋懈薪褨谢懈 褨薪褕褨 谐褨褉褋褜泻褨 褏褉械斜褌懈, 邪 薪邪泄写邪谢褜褕褨 胁械褉褕懈薪懈 斜褍谢芯 谢械写胁械 胁懈写薪芯, 胁芯薪懈 胁懈褋芯褔褨谢懈, 薪褨斜懈 斜械蟹锌谢芯褌薪褨 锌褉懈胁懈写懈. 孝邪屑 蟹邪胁卸写懈 褋褌芯褟谢懈 褋褍褌褨薪泻懈. 袧邪 谐芯谢芯胁邪褏 褑懈褏 薪械蟹械屑薪懈褏 褌懈褌邪薪褨胁, 屑械褕泻邪薪褑褨胁 泻褉邪褞 褋胁褨褌褍, 写械 谢褞写懈 薪械 褏芯写褟褌褜 褨 屑邪褉卸懈薪邪 薪械 锌邪褋械褌褜褋褟, 谢械卸邪谢懈 褕邪锌泻懈 褏屑邪褉. 袙邪薪写邪, 携薪邪 袘蟹褨泻邪 写芯薪褜泻邪, 泻邪蟹邪谢邪, 褖芯 褌邪屑 卸懈胁械 袘邪斜邪 携谐邪 鈥� 胁褨写褜屑邪, 褖芯 谢褨褌邪褦 褍 褋褌褍锌褨, 褋褌械褉薪褍褞褔懈 褌芯胁泻邪褔械屑. 袦褨褌谢邪 胁 袘邪斜懈 携谐懈 斜褍谢邪 写芯胁褕邪 蟹邪 薪邪泄胁懈褖褨 褋屑械褉械泻懈, 褨 褑械 胁芯薪邪 蟹屑褨褌邪谢邪 褋胁褨褌谢芯 褋胁褨褌褍.)
袣芯褉芯褌褕械, 褉芯屑邪薪 锌芯褔懈薪邪褦褌褜褋褟, 薪褨斜懈 胁褨薪 锌褉芯 谢褞斜芯胁, 邪谢械 写褍卸械 褋泻芯褉芯 胁懈褟胁谢褟褦褌褜褋褟, 褖芯 薪邪褋锌褉邪胁写褨 胁褨薪 锌褉芯 褌械芯写褨褑械褞 鈥� 褟泻 胁懈锌褉邪胁写邪褌懈 褔懈 斜芯写邪泄 锌芯褟褋薪懈褌懈 褨褋薪褍胁邪薪薪褟 袘芯谐邪, 褟泻褖芯 胁褨薪 写芯蟹胁芯谢褟褦 褍 褋胁褨褌褨 褋褌褨谢褜泻懈 蟹谢邪? 袗 褌邪泻芯卸 褟泻 卸懈褌懈 蟹 褋褍褑褨谢褜薪懈屑懈 褌褉邪胁屑邪屑懈 蟹邪屑褨褋褌褜 芯褋芯斜懈褋褌芯褩 泄 褨褋褌芯褉懈褔薪芯褩 锌邪屑鈥櫻徰傃�, 蟹 褑懈泻谢褨褔薪褨褋褌褞 泻邪褌邪褋褌褉芯褎, 泻芯谢懈 屑邪泄卸械 胁褋褨褏 褉械谐褍谢褟褉薪芯 胁懈褉褨蟹邪褞褌褜 谢械写胁械 薪械 写芯 薪芯谐懈? 些芯 薪械写芯斜懈褌泻懈 屑芯卸褍褌褜 锌芯褌褨屑 蟹斜褍写褍胁邪褌懈 薪邪 褑褜芯屑褍 泻褉懈胁邪胁芯屑褍 锌芯锌械谢懈褖褨? 鈥溞犘靶扁€� 胁懈泄褕芯胁 写褉褍泻芯屑 褍 1962 褉., 锌芯 写褍卸械 褋胁褨卸懈褏 褋谢褨写邪褏 袚芯谢芯泻芯褋褌褍, 胁懈写薪芯, 褟泻 袘邪褕械胁褨褋 斜芯褉械褌褜褋褟 蟹 褑懈屑懈 锌懈褌邪薪薪褟屑懈 褋邪屑.
袘邪褕械胁褨褋 胁懈褋谢芯胁谢褞褦 褋胁芯褩 褋褌邪薪写邪褉褌薪褨 褉械褑械锌褌懈 胁懈卸懈胁邪薪薪褟 胁 褌邪泻芯屑褍 褨褋褌芯褉懈褔薪芯屑褍 谢邪薪写褕邪褎褌褨. 袧邪屑邪谐邪褌懈褋褟 薪械 泻褉懈胁写懈褌懈 褨薪褕懈褏: 蟹邪锌芯胁褨写褨 锌褉芯 褋褌芯褋褍薪泻懈 蟹 谢褞写褜屑懈 胁邪卸谢懈胁褨褕褨, 薪褨卸 蟹邪锌芯胁褨写褨 锌褉芯 褋褌芯褋褍薪泻懈 蟹 袘芯谐芯屑, 袘芯谐褍 谢褞写褋褜泻邪 谢邪褋泻邪 屑械薪褕 锌芯褌褉褨斜薪邪, 薪褨卸 褨薪褕懈屑 谢褞写褟屑. 小褌邪褌懈 胁械谐邪薪芯屑, 褖芯斜 薪械 褔懈薪懈褌懈 蟹 褨薪褕懈屑懈 卸懈胁懈屑懈 褨褋褌芯褌邪屑懈 褌邪泻, 褟泻 锌芯谐褉芯屑薪懈泻懈 褔懈薪褟褌褜 褨蟹 泄芯谐芯 薪邪褉芯写芯屑. 效懈褌邪褌懈 褋褌邪褉褨 褌械泻褋褌懈 褨 蟹薪邪褏芯写懈褌懈 胁 薪懈褏 胁褌褨褏褍:
(写邪谢褨 褑懈褌邪褌邪-褋锌芯泄谢械褉 褎褨薪邪谢褍 褉芯屑邪薪褍)
1650-褌褨, 褖芯泄薪芯 胁褨写谐褉懈屑褨谢懈 泻芯蟹邪褑褜泻褨 锌芯谐褉芯屑懈 (芯写褉邪蟹褍 锌芯锌械褉械写卸邪褞 褌懈褏, 褏褌芯 薪械蟹薪邪泄芯屑懈泄 褨蟹 褑懈屑 褨褋褌芯褉懈褔薪懈屑 褋褞卸械褌芯屑, 邪 写芯 泻芯蟹邪泻褨胁 褋褌邪胁懈褌褜褋褟 褌褉械锌械褌薪芯: 褌邪泻, 啸屑械谢褜薪懈褑褜泻懈泄 褌褉懈褋褌邪 褉芯泻褨胁 谢懈褕邪胁褋褟 谐芯谢芯胁薪懈屑 薪械谐邪褌懈胁薪懈屑 锌械褉褋芯薪邪卸械屑 褍 褦胁褉械泄褋褜泻褨泄 褨褋褌芯褉懈褔薪褨泄 锌邪屑鈥櫻徰傃�, 邪 泻芯蟹邪褑褜泻褨 锌芯谐褉芯屑懈 胁 写邪胁薪褜芯屑褍 褨褋褌芯褉褨芯锌懈褋邪薪薪褨 胁斜褉邪薪褨 胁 褍褋褨 褌褉芯锌懈 褨蟹 锌褉芯褉芯褔懈褏 泻薪懈谐 鈥� 写懈胁. 鈥溞撔恍感毙拘盒感� 屑褍谢鈥� 袧邪褌邪薪邪 袚邪薪芯胁械褉邪).
袨褌卸械, 1650-褌褨, 褞写械泄 携泻褨胁 褋褌芯褩褌褜 薪邪 谐芯褉褨 写械褋褜 褍 锌芯谢褜褋褜泻懈褏 袣邪褉锌邪褌邪褏, 褋褍屑薪懈泄 褌邪 薪械胁械褋械谢懈泄: 泄芯谐芯 锌褨写 褔邪褋 锌芯谐褉芯屑褨胁 胁懈泻褉邪谢懈 褨 锌芯谐薪邪谢懈 褌褍写懈 胁 褉邪斜褋褌胁芯, 褌械锌械褉 胁褨薪 谐谢褟写懈褌褜 褏褍写芯斜褍 薪邪 锌芯谢芯薪懈薪褨 泄 锌芯胁芯谢褨 蟹邪斜褍胁邪褦 卸懈褌褌褟 写芯 泻邪褌邪褋褌褉芯褎懈, 邪谢械 褑械 薪械 薪邪泄薪邪谐邪谢褜薪褨褕邪 泄芯谐芯 锌褉芯斜谢械屑邪. 袧邪谐邪谢褜薪褨褕邪 锌褉芯斜谢械屑邪 胁懈谐谢褟写邪褦 褌邪泻: 胁褨薪 褕邪谢械薪芯 蟹邪泻芯褏邪胁褋褟 胁 写芯薪褜泻褍 褋胁芯谐芯 谐芯褋锌芯写邪褉褟, 袙邪薪写褍, 邪谢械 薪褨褔芯谐芯 蟹 褌芯谐芯 薪械 胁懈泄写械, 斜芯 (邪) 胁芯薪邪 褏褉懈褋褌懈褟薪泻邪, 芯褌卸械, 泄芯屑褍 蟹邪 褉械谢褨谐褨泄薪懈屑懈 蟹邪泻芯薪邪屑懈 蟹邪斜芯褉芯薪械薪芯 蟹邪胁芯写懈褌懈 蟹 薪械褞 褋褌芯褋褍薪泻懈; (斜) 胁褨薪 褍蟹邪谐邪谢褨 薪械 蟹薪邪褦, 褔懈 卸懈胁邪 泄芯谐芯 锌械褉褕邪 写褉褍卸懈薪邪 鈥� 邪 褉邪锌褌芯屑 胁芯薪邪 薪械 蟹邪谐懈薪褍谢邪 胁 锌芯谐褉芯屑褨? (胁) 袙邪薪写邪 薪械 屑芯卸械 锌褉懈泄薪褟褌懈 褞写邪褩蟹屑, 斜芯, 锌芯-锌械褉褕械, 胁 袪械褔褨 袩芯褋锌芯谢懈褌褨泄 蟹邪 褑械 褋锌邪谢褞褞褌褜, 邪 锌芯-写褉褍谐械, 褞写邪褩蟹屑 写芯蟹胁芯谢械薪芯 锌褉懈泄屑邪褌懈 褌褨谢褜泻懈 蟹 谢褞斜芯胁褨 写芯 袘芯谐邪, 邪 薪械 蟹 谢褞斜芯胁褨 写芯 褔芯谢芯胁褨泻邪. 袨褌邪泻邪 芯褌, 蟹邪谐邪谢芯屑, 蟹邪泻芯胁懈泻邪.
(袦褨卸 褨薪褕懈屑, 褟泻褨 胁 袘邪褕械胁褨褋邪 锌褉械泻褉邪褋薪褨 锌械泄蟹邪卸薪褨 蟹邪屑邪谢褜芯胁泻懈! 袛芯褌懈 褟 褩褏 薪械 锌芯屑褨褔邪谢邪, 邪 胁 鈥溞犘靶毖栤€� 胁芯薪懈 锌褉芯褋褌芯 泄写褍褌褜 锌邪褔泻邪屑懈. 些芯褉邪蟹褍, 褟泻 褌褉械斜邪 锌械褉械写邪褌懈 褖械写褉褨褋褌褜 褨 屑懈谢芯褋械褉写褟 袘芯谐邪-褌胁芯褉褑褟, 袘邪褕械胁褨褋 胁褌褍谢褞褦 褖械 褋褌芯褉褨薪泻褍 芯锌懈褋褨胁 锌褉懈褉芯写懈 鈥� 斜芯 写芯 谢褞写械泄 褌械泻褋褌 薪械 谢邪褋泻邪胁懈泄, 胁褨写 谢褞写械泄 褌褍褌 薪褨褔芯谐芯 写芯斜褉芯谐芯 薪械 褔械泻邪褞褌褜, 蟹邪褌械 谢邪薪写褕邪褎褌懈 锌褉械谐邪褉薪褨:
袙褨薪 褉胁褍褔泻芯 锌褉芯褔懈薪懈胁 写胁械褉褨 褏谢褨胁邪 泄 锌芯斜邪褔懈胁, 褟泻 褌褟谐薪褍褌褜褋褟 胁写邪谢懈薪褍 谐芯褉懈. 袘谢懈卸褔褨 胁械褉褕懈薪懈, 锌芯褉芯褋谢褨 谢褨褋邪屑懈, 褋泻懈写邪谢懈褋褟 薪邪 蟹械谢械薪芯斜芯褉芯写懈褏 胁械谢械褌褨胁. 孝褍屑邪薪, 褖芯 泻褍褔械褉褟屑懈 蟹写褨泄屑邪胁褋褟 薪邪写 谢褨褋邪屑懈, 薪邪谐邪写邪胁 携泻芯胁褍 小邪屑褋芯薪邪. 校 褋芯薪褟褔薪懈褏 锌褉芯屑械薪褟褏 蟹褨 褋褏芯写褍 锌芯胁褋褞写懈 胁懈谐褉邪胁邪谢懈 胁芯谐薪械薪薪褨 胁褨写斜谢懈褋泻懈. 袩芯写械泻褍写懈 薪邪写 胁械褉褕懈薪邪屑懈 屑褉褨褟胁 写懈屑, 薪褨斜懈 谐芯褉懈 褌谢褨谢懈 蟹褋械褉械写懈薪懈. 袪芯蟹锌褉邪胁懈胁褕懈 泻褉懈谢邪, 斜械蟹卸褍褉薪懈泄 褟褋褌褉褍斜 锌芯胁褨谢褜薪芯 褕懈褉褟胁 薪邪写 褍褋褨屑邪 蟹械屑薪懈屑懈 褌褍褉斜芯褌邪屑懈. 携泻芯胁芯胁褨 蟹写邪谢芯褋褟, 薪邪褔械 锌褌邪褏 谢褨褌邪褦 褌褍褌 褖械 胁褨写 褋邪屑芯谐芯 褋芯褌胁芯褉褨薪薪褟 褋胁褨褌褍.
袛邪谢褨 褋懈薪褨谢懈 褨薪褕褨 谐褨褉褋褜泻褨 褏褉械斜褌懈, 邪 薪邪泄写邪谢褜褕褨 胁械褉褕懈薪懈 斜褍谢芯 谢械写胁械 胁懈写薪芯, 胁芯薪懈 胁懈褋芯褔褨谢懈, 薪褨斜懈 斜械蟹锌谢芯褌薪褨 锌褉懈胁懈写懈. 孝邪屑 蟹邪胁卸写懈 褋褌芯褟谢懈 褋褍褌褨薪泻懈. 袧邪 谐芯谢芯胁邪褏 褑懈褏 薪械蟹械屑薪懈褏 褌懈褌邪薪褨胁, 屑械褕泻邪薪褑褨胁 泻褉邪褞 褋胁褨褌褍, 写械 谢褞写懈 薪械 褏芯写褟褌褜 褨 屑邪褉卸懈薪邪 薪械 锌邪褋械褌褜褋褟, 谢械卸邪谢懈 褕邪锌泻懈 褏屑邪褉. 袙邪薪写邪, 携薪邪 袘蟹褨泻邪 写芯薪褜泻邪, 泻邪蟹邪谢邪, 褖芯 褌邪屑 卸懈胁械 袘邪斜邪 携谐邪 鈥� 胁褨写褜屑邪, 褖芯 谢褨褌邪褦 褍 褋褌褍锌褨, 褋褌械褉薪褍褞褔懈 褌芯胁泻邪褔械屑. 袦褨褌谢邪 胁 袘邪斜懈 携谐懈 斜褍谢邪 写芯胁褕邪 蟹邪 薪邪泄胁懈褖褨 褋屑械褉械泻懈, 褨 褑械 胁芯薪邪 蟹屑褨褌邪谢邪 褋胁褨褌谢芯 褋胁褨褌褍.)
袣芯褉芯褌褕械, 褉芯屑邪薪 锌芯褔懈薪邪褦褌褜褋褟, 薪褨斜懈 胁褨薪 锌褉芯 谢褞斜芯胁, 邪谢械 写褍卸械 褋泻芯褉芯 胁懈褟胁谢褟褦褌褜褋褟, 褖芯 薪邪褋锌褉邪胁写褨 胁褨薪 锌褉芯 褌械芯写褨褑械褞 鈥� 褟泻 胁懈锌褉邪胁写邪褌懈 褔懈 斜芯写邪泄 锌芯褟褋薪懈褌懈 褨褋薪褍胁邪薪薪褟 袘芯谐邪, 褟泻褖芯 胁褨薪 写芯蟹胁芯谢褟褦 褍 褋胁褨褌褨 褋褌褨谢褜泻懈 蟹谢邪? 袗 褌邪泻芯卸 褟泻 卸懈褌懈 蟹 褋褍褑褨谢褜薪懈屑懈 褌褉邪胁屑邪屑懈 蟹邪屑褨褋褌褜 芯褋芯斜懈褋褌芯褩 泄 褨褋褌芯褉懈褔薪芯褩 锌邪屑鈥櫻徰傃�, 蟹 褑懈泻谢褨褔薪褨褋褌褞 泻邪褌邪褋褌褉芯褎, 泻芯谢懈 屑邪泄卸械 胁褋褨褏 褉械谐褍谢褟褉薪芯 胁懈褉褨蟹邪褞褌褜 谢械写胁械 薪械 写芯 薪芯谐懈? 些芯 薪械写芯斜懈褌泻懈 屑芯卸褍褌褜 锌芯褌褨屑 蟹斜褍写褍胁邪褌懈 薪邪 褑褜芯屑褍 泻褉懈胁邪胁芯屑褍 锌芯锌械谢懈褖褨? 鈥溞犘靶扁€� 胁懈泄褕芯胁 写褉褍泻芯屑 褍 1962 褉., 锌芯 写褍卸械 褋胁褨卸懈褏 褋谢褨写邪褏 袚芯谢芯泻芯褋褌褍, 胁懈写薪芯, 褟泻 袘邪褕械胁褨褋 斜芯褉械褌褜褋褟 蟹 褑懈屑懈 锌懈褌邪薪薪褟屑懈 褋邪屑.
袘邪褕械胁褨褋 胁懈褋谢芯胁谢褞褦 褋胁芯褩 褋褌邪薪写邪褉褌薪褨 褉械褑械锌褌懈 胁懈卸懈胁邪薪薪褟 胁 褌邪泻芯屑褍 褨褋褌芯褉懈褔薪芯屑褍 谢邪薪写褕邪褎褌褨. 袧邪屑邪谐邪褌懈褋褟 薪械 泻褉懈胁写懈褌懈 褨薪褕懈褏: 蟹邪锌芯胁褨写褨 锌褉芯 褋褌芯褋褍薪泻懈 蟹 谢褞写褜屑懈 胁邪卸谢懈胁褨褕褨, 薪褨卸 蟹邪锌芯胁褨写褨 锌褉芯 褋褌芯褋褍薪泻懈 蟹 袘芯谐芯屑, 袘芯谐褍 谢褞写褋褜泻邪 谢邪褋泻邪 屑械薪褕 锌芯褌褉褨斜薪邪, 薪褨卸 褨薪褕懈屑 谢褞写褟屑. 小褌邪褌懈 胁械谐邪薪芯屑, 褖芯斜 薪械 褔懈薪懈褌懈 蟹 褨薪褕懈屑懈 卸懈胁懈屑懈 褨褋褌芯褌邪屑懈 褌邪泻, 褟泻 锌芯谐褉芯屑薪懈泻懈 褔懈薪褟褌褜 褨蟹 泄芯谐芯 薪邪褉芯写芯屑. 效懈褌邪褌懈 褋褌邪褉褨 褌械泻褋褌懈 褨 蟹薪邪褏芯写懈褌懈 胁 薪懈褏 胁褌褨褏褍:
(写邪谢褨 褑懈褌邪褌邪-褋锌芯泄谢械褉 褎褨薪邪谢褍 褉芯屑邪薪褍)
April 9, 2020
韦蔚位喂魏维 慰喂 维谓胃蟻蠅蟺慰喂 萎 慰喂 胃蟻畏蟽魏蔚委蔚蟼 尾蔚尾畏位蠋谓慰蠀谓, 蟿喂蟼 伪谓胃蟻蠋蟺喂谓蔚蟼 蟽蠂苇蟽蔚喂蟼;
螤伪蟻维 蟿畏谓 蟺蔚蟻委蔚蟻纬畏 胃蔚渭伪蟿慰位慰纬委伪 魏伪喂 蟺位慰魏萎, 畏 喂蟽蟿慰蟻委伪 苇蟻蔚蔚 伪尾委伪蟽蟿伪.
螤伪蟻维 蟿畏谓 蟺蔚蟻委蔚蟻纬畏 胃蔚渭伪蟿慰位慰纬委伪 魏伪喂 蟺位慰魏萎, 畏 喂蟽蟿慰蟻委伪 苇蟻蔚蔚 伪尾委伪蟽蟿伪.
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