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韦伪 韦苇蟽蟽蔚蟻伪 螝慰蟻喂蟿蟽维魏喂伪
"Regarde, j'avais rempli cette coupe d'eau, j'ai retir茅 le verre et l'eau est rest茅e 脿 sa place sans qu'une goutte mouille mes mains. Maintenant j'ai bris茅 le verre et je ne sais pas o霉 mettre cette eau."Dans cette pi猫ce en six actes, quatre petites filles se trouvent plac茅es comme par enchantement au beau milieu d'un jardin potager. Elles s'y racontent la vie, l'amour et la mort 脿 coups de chansons, de dictons, parfois sans continuit茅. Cependant, pour qui prend la peine de s'approcher plus encore, c'est tout un monde de magie et d'angoisse qui appara卯t. Serait-ce une image de l'adolescence ? La divagation d'un Picasso sauvage et malicieux ? Peut-锚tre simplement une porte vers cette 茅trange po茅sie des mots.
- GenresPlays
108 pages, Paperback
First published August 13, 1948
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48 people want to read
About the author
Pablo Picasso
897听books957听followersPablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.
Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art.
Picasso's output, especially in his early career, is often periodized. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901鈥�1904), the Rose Period (1904鈥�1906), the African-influenced Period (1907鈥�1909), Analytic Cubism (1909鈥�1912), and Synthetic Cubism (1912鈥�1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles.
Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art.
Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art.
Picasso's output, especially in his early career, is often periodized. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901鈥�1904), the Rose Period (1904鈥�1906), the African-influenced Period (1907鈥�1909), Analytic Cubism (1909鈥�1912), and Synthetic Cubism (1912鈥�1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles.
Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art.
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Displaying 1 - 4 of 4 reviews
November 22, 2020
危慰蠀蟻蔚伪位喂蟽蟿喂魏蠈-尾伪胃喂维 蟺蔚喂蟻伪渭伪蟿喂魏蠈 慰蟺蟿喂魏慰-畏蠂畏蟿喂魏蠈 蟺慰委畏渭伪-维蟽魏畏蟽畏 蠉蠁慰蠀蟼.
March 10, 2016
丿丕爻鬲丕賳 賳丿丕乇賴. 賮賯丿 鬲賵氐蹖賮 賵 亘丕夭蹖 亘丕 讴賱賲丕鬲賴 賵 丕賳诏丕乇 賳賵毓蹖 賳丕禺賵丿丕诏丕賴 賳賵蹖爻蹖 賳賯丕卮丕賳賴鈥屫�.
February 10, 2019
螡蟿伪尉鈥�. 韦慰蠀 蟺伪蟻伪位慰纬喂蟽渭慰蠉. 螖蔚谓 尉苇蟻蠅 伪谓 蔚委蠂蔚 尾伪胃蠉蟿蔚蟻慰 谓蠈畏渭伪 伪蠀蟿蠈 蟿慰 蟺伪蟻伪位萎蟻畏渭伪, 蔚纬蠋 蟺维谓蟿蠅蟼 未蔚谓 蟺萎蟻伪 蠂伪渭蟺维蟻喂 蟿委蟺慰蟿伪.
October 24, 2024
Very colourful and incredibly absurd. Disjointed nebulous text with flashing images, which in first reading leaves you confused.
It is one of those books that become much more interesting upon analysis:
It was written towards the end of the war, and in the years he had his first children. In the text he captures a reality where trauma seamlessly and indiscriminately leaks into play.
Anything one would expect from cubist post-war writing
It is one of those books that become much more interesting upon analysis:
It was written towards the end of the war, and in the years he had his first children. In the text he captures a reality where trauma seamlessly and indiscriminately leaks into play.
Anything one would expect from cubist post-war writing
Displaying 1 - 4 of 4 reviews
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