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賳賵丕 賳賵丕 賷賵賲賷丕鬲 賴丕賷鬲賷
Impressions from two years in Tahiti. Compelling autobiographical fragment. 24 black-and-white illustrations.
Paul Gauguin fled what he called "filthy Europe" in 1891 to what he hoped would be an unspoiled paradise, Tahiti. He painted 66 magnificent can vases during the first two years he spent there and kept notes from which he later wrote Noa Noa 鈥� a journal recording his thoughts and impressions of that time.
Noa Noa 鈥� the most widely known of Gauguin's writings 鈥� is reproduced here from a rare early edition (1919), in a lucid translation capturing the artist's unpretentious style. Page after page reveals Gauguin's keen observations of Tahiti and its people, and his passionate struggle to achieve the inner harmony he expressed so profoundly on canvas. Gauguin's prose is as seductive as his paintings, filled with descriptions of warm seas, hidden lagoons, lush green forests, and beautiful Maori women.
The journal is captivating reading, offering a compelling autobiographical fragment of the soul of a genius and a rare glimpse of Oceanian culture. The brief periods of happiness Gauguin found among the Tahitians are eloquently expressed in his narrative. We understand the motives that drove him and gain a deeper appreciation of his art.
Today the manuscript provides unparalleled insight into Gauguin's thoughts as he strove to achieve spiritual peace, and into the wellsprings of a singular artistic style which changed the course of modern art. This wonderfully affordable edition 鈥� enhanced by 24 of Gauguin's South Seas drawings 鈥� makes a unique and passionate testament accessible to all art lovers.
Paul Gauguin fled what he called "filthy Europe" in 1891 to what he hoped would be an unspoiled paradise, Tahiti. He painted 66 magnificent can vases during the first two years he spent there and kept notes from which he later wrote Noa Noa 鈥� a journal recording his thoughts and impressions of that time.
Noa Noa 鈥� the most widely known of Gauguin's writings 鈥� is reproduced here from a rare early edition (1919), in a lucid translation capturing the artist's unpretentious style. Page after page reveals Gauguin's keen observations of Tahiti and its people, and his passionate struggle to achieve the inner harmony he expressed so profoundly on canvas. Gauguin's prose is as seductive as his paintings, filled with descriptions of warm seas, hidden lagoons, lush green forests, and beautiful Maori women.
The journal is captivating reading, offering a compelling autobiographical fragment of the soul of a genius and a rare glimpse of Oceanian culture. The brief periods of happiness Gauguin found among the Tahitians are eloquently expressed in his narrative. We understand the motives that drove him and gain a deeper appreciation of his art.
Today the manuscript provides unparalleled insight into Gauguin's thoughts as he strove to achieve spiritual peace, and into the wellsprings of a singular artistic style which changed the course of modern art. This wonderfully affordable edition 鈥� enhanced by 24 of Gauguin's South Seas drawings 鈥� makes a unique and passionate testament accessible to all art lovers.
Paperback
First published January 1, 1901
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About the author
Paul Gauguin
301听books50听followersGauguin was a financially successful stockbroker and self-taught amateur artist when he began collecting works by the impressionists in the 1870s. Inspired by their example, he took up the study of painting under Camille Pissarro. Pissarro and Edgar Degas arranged for him to show his early painting efforts in the fourth impressionist exhibition in 1879 (as well as the annual impressionist exhibitions held through 1882). In 1882, after a stock market crash and recession rendered him unemployed and broke, Gauguin decided to abandon the business world to pursue life as an artist full-time.
In 1886, Gauguin went to Pont-Aven in Brittany, a rugged land of fervently religious people far from the urban sophistication of Paris. There he forged a new style. He was at the center of a group of avant-garde artists who dedicated themselves to synth茅tisme, ordering and simplifying sensory data to its fundamentals. Gauguin's greatest innovation was his use of color, which he employed not for its ability to mimic nature but for its emotive qualities. He applied it in broad flat areas outlined with dark paint, which tended to flatten space and abstract form. This flattening of space and symbolic use of color would be important influences on early twentieth-century artists.
In Brittany, Gauguin had hoped to tap the expressive potential he believed rested in a more rural, even "primitive" culture. Over the next several years he traveled often between Paris and Brittany, spending time also in Panama and Martinique. In 1891 his rejection of European urban values led him to Tahiti, where he expected to find an unspoiled culture, exotic and sensual. Instead, he was confronted with a world already transformed by western missionaries and colonial rule. In large measure, Gauguin had to invent the world he sought, not only in paintings but with woodcarvings, graphics, and written works. As he struggled with ways to express the questions of life and death, knowledge and evil that preoccupied him, he interwove the images and mythology of island life with those of the west and other cultures. After a trip to France (1893 to 1895), Gauguin returned to spend his remaining years, marred by illness and depression, in the South Seas.
In 1886, Gauguin went to Pont-Aven in Brittany, a rugged land of fervently religious people far from the urban sophistication of Paris. There he forged a new style. He was at the center of a group of avant-garde artists who dedicated themselves to synth茅tisme, ordering and simplifying sensory data to its fundamentals. Gauguin's greatest innovation was his use of color, which he employed not for its ability to mimic nature but for its emotive qualities. He applied it in broad flat areas outlined with dark paint, which tended to flatten space and abstract form. This flattening of space and symbolic use of color would be important influences on early twentieth-century artists.
In Brittany, Gauguin had hoped to tap the expressive potential he believed rested in a more rural, even "primitive" culture. Over the next several years he traveled often between Paris and Brittany, spending time also in Panama and Martinique. In 1891 his rejection of European urban values led him to Tahiti, where he expected to find an unspoiled culture, exotic and sensual. Instead, he was confronted with a world already transformed by western missionaries and colonial rule. In large measure, Gauguin had to invent the world he sought, not only in paintings but with woodcarvings, graphics, and written works. As he struggled with ways to express the questions of life and death, knowledge and evil that preoccupied him, he interwove the images and mythology of island life with those of the west and other cultures. After a trip to France (1893 to 1895), Gauguin returned to spend his remaining years, marred by illness and depression, in the South Seas.
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September 11, 2020
賲匕賰乇丕鬲 乇丨賱丞 乇爻丕賲 丕賱丕賳胤亘丕毓賷丞 丕賱賮乇賳爻賷 丕賱卮賴賷乇 亘賵賱 睾賵睾丕賳 廿賱賶 鬲丕賴賷鬲賷貙 丕賱鬲賷 賯氐丿賴丕 - 賰賲丕 賷匕賰乇 - 亘睾乇囟 丕賱亘丨孬 毓賳 匕丕鬲賴 亘賷賳 兀丨囟丕賳 丕賱胤亘賷毓丞 丕賱亘賰乇 亘毓賷丿丕賸 毓賳 囟噩賷噩 丕賱丨囟丕乇丞 丕賱兀賵乇亘賷丞. 賵賯丿 鬲賲賾 賱賴 賲丕 兀鬲賶 賲賳 兀噩賱賴 亘毓丿 兀賳 賲賳丨鬲賴 鬲賱賰 丕賱亘賱丕丿 賵兀賴賱賴丕 兀賮囟賱 賲丕 賱丿賷賴賲 賲賳 丕賱丨亘 賵丕賱丕丨鬲賵丕亍 賵丕賱賰乇賲 丕賱賱丕賲鬲賳丕賴賷貙 廿賱丕 兀賳賴 - 亘乇兀賷賷 丕賱卮禺氐賷 - 賱賲 賷賰賳 毓賱賶 賳賮爻 丕賱賯丿乇 賲賳 丕賱賳亘丕賱丞.
" 鬲兀鬲賵賳貙 鬲毓賽丿賵賳 亘丕賱亘賯丕亍貙 賵丨賷賳 賳丨亘賰賲 鬲睾丕丿乇賵賳貙 鬲賯賵賱賵賳 亘兀賳賰賲 爻鬲毓賵丿賵賳貙 賵賱賰賳賰賲 賱丕 鬲毓賵丿賵賳 兀亘丿丕賸. "
" 鬲兀鬲賵賳貙 鬲毓賽丿賵賳 亘丕賱亘賯丕亍貙 賵丨賷賳 賳丨亘賰賲 鬲睾丕丿乇賵賳貙 鬲賯賵賱賵賳 亘兀賳賰賲 爻鬲毓賵丿賵賳貙 賵賱賰賳賰賲 賱丕 鬲毓賵丿賵賳 兀亘丿丕賸. "
March 7, 2010
This is a beautifully produced little edition of Gauguin's journal, a work of art in itself. I'm surprised I didn't comment on it when I read it a couple years ago. He describes moving to Tahiti, the friends he won over, the paintings he worked on, little bits of language he learns. He writes with an artists passion and even crosses over to the realm of complete fantasy.
August 31, 2018
乇丨賱丞 賮賳丕賳 丕賱賶 兀乇囟 鬲丕賴賷鬲賷 丕賱毓噩賷亘丞貙 賵賲匕賰乇丕鬲賴 毓賳 亘賱丕丿 賲賱賷卅丞 亘丕賱噩賲丕賱 賵爻丨乇 胤亘賷毓鬲賴丕 丕賱禺賱丕亘丞 賵睾乇丕亘丞 孬賯丕賮丞 丕賻賴賱賴丕 賵兀爻丕胤賷乇賴賲..
賷賳賯爻賲 丕賱賰鬲丕亘 賱賯爻賲賷賳貙 賮賷 丕賱賯爻賲 丕賱丕賵賱 賲賱丕丨馗丕鬲 亘賵賱 睾賵睾丕賳 毓賳 卮毓亘 鬲丕賴賷鬲賷 賵孬賯丕賮鬲賴賲 亘賳馗乇丞 丕賱賯丕丿賲 賲賳 兀賵乇賵亘丕 亘孬賯丕賮鬲賴 丕賱賲鬲毓丕賱賷丞 賵賳馗乇鬲賴 丕賱丿賵賳賷丞 賱賰賱 賲丕賴賵 睾賷乇 兀賵乇賵亘賷 賵賱賰賳 賮賷 丕賱賯爻賲 丕賱孬丕賳賷 賷賳睾賲爻 睾賵睾丕賳 賮賷 孬賯丕賮丞 賵兀爻丕胤賷乇 鬲丕賴賷鬲賷 賵賷賳毓賰爻 鬲丕孬乇 睾賵睾丕賳 亘賴匕賴 丕賱孬賯丕賮丞 賮賷 兀毓賲丕賱賴 丕賱賮賳賷丞 賵兀卮賴乇賴丕 賱賵丨丞 賲鬲賶 鬲鬲夭賵噩賷賳 賵賰丕賳鬲 亘丿丕賷丞 丕賱鬲賲乇丿 賲賳 睾賵睾丕賳 毓賱賶 鬲毓丕賱賷賲 丕賱兀賰丕丿賷賲賷丞 丕賱賮乇賳爻賷丞 賱賱賮賳賵賳 丕賱噩賲賷賱丞 賵賴賷 丕賱鬲賷 賰丕賳鬲 鬲賲賳毓 賵鬲丨乇賲 鬲氐賵賷乇 孬賯丕賮丕鬲 賲睾丕賷乇丞 賵丕賱鬲兀孬乇 亘丕賱胤亘賷毓丞..
鬲賲賳賷鬲 賱賵 兀賳 丕賱賰鬲丕亘 賰丕賳 兀賰亘乇 賵兀胤賵賱貙 賮賲賳 丕賱賳丕丿乇 兀賳 鬲賯乇丕 賲匕賰乇丕鬲 賵鬲兀賲賱丕鬲 賮賳丕賳 毓賳 孬賯丕賮丞 卮毓亘 賵噩賲丕賱 胤亘賷毓丞 賵賲睾夭賶 兀爻胤賵乇丞..
賰鬲丕亘 賯氐賷乇 賵賱賰賳賴 賲賱賷卅 賵賱匕賷匕!
賷賳賯爻賲 丕賱賰鬲丕亘 賱賯爻賲賷賳貙 賮賷 丕賱賯爻賲 丕賱丕賵賱 賲賱丕丨馗丕鬲 亘賵賱 睾賵睾丕賳 毓賳 卮毓亘 鬲丕賴賷鬲賷 賵孬賯丕賮鬲賴賲 亘賳馗乇丞 丕賱賯丕丿賲 賲賳 兀賵乇賵亘丕 亘孬賯丕賮鬲賴 丕賱賲鬲毓丕賱賷丞 賵賳馗乇鬲賴 丕賱丿賵賳賷丞 賱賰賱 賲丕賴賵 睾賷乇 兀賵乇賵亘賷 賵賱賰賳 賮賷 丕賱賯爻賲 丕賱孬丕賳賷 賷賳睾賲爻 睾賵睾丕賳 賮賷 孬賯丕賮丞 賵兀爻丕胤賷乇 鬲丕賴賷鬲賷 賵賷賳毓賰爻 鬲丕孬乇 睾賵睾丕賳 亘賴匕賴 丕賱孬賯丕賮丞 賮賷 兀毓賲丕賱賴 丕賱賮賳賷丞 賵兀卮賴乇賴丕 賱賵丨丞 賲鬲賶 鬲鬲夭賵噩賷賳 賵賰丕賳鬲 亘丿丕賷丞 丕賱鬲賲乇丿 賲賳 睾賵睾丕賳 毓賱賶 鬲毓丕賱賷賲 丕賱兀賰丕丿賷賲賷丞 丕賱賮乇賳爻賷丞 賱賱賮賳賵賳 丕賱噩賲賷賱丞 賵賴賷 丕賱鬲賷 賰丕賳鬲 鬲賲賳毓 賵鬲丨乇賲 鬲氐賵賷乇 孬賯丕賮丕鬲 賲睾丕賷乇丞 賵丕賱鬲兀孬乇 亘丕賱胤亘賷毓丞..
鬲賲賳賷鬲 賱賵 兀賳 丕賱賰鬲丕亘 賰丕賳 兀賰亘乇 賵兀胤賵賱貙 賮賲賳 丕賱賳丕丿乇 兀賳 鬲賯乇丕 賲匕賰乇丕鬲 賵鬲兀賲賱丕鬲 賮賳丕賳 毓賳 孬賯丕賮丞 卮毓亘 賵噩賲丕賱 胤亘賷毓丞 賵賲睾夭賶 兀爻胤賵乇丞..
賰鬲丕亘 賯氐賷乇 賵賱賰賳賴 賲賱賷卅 賵賱匕賷匕!
February 23, 2020
鈥徛囏� 兀賳匕丕 乇噩賱 丕賱丨囟丕乇丞 賵丕賱賲丿賷賳丞 兀卮毓乇 亘丿賵賳賷鬲賷 鬲噩丕賴 毓丕賱賲 丕賱賲鬲賵丨卮賷賳 賴匕丕貙 賵兀賳賷 兀丨爻丿賴賲貙 兀賳馗乇 廿賱賶 丨賷丕鬲賴賲 丕賱爻毓賷丿丞 丕賱丌賲賳丞 賵賴賲 賱丕 賷亘匕賱賵賳 兀賷 噩賴丿 賲爻鬲賮賷囟 賱鬲兀賲賷賳 丕丨鬲賷丕噩丕鬲賴賲 丕賱賷賵賲賷丞貙 賵賱丕 賷賴鬲賲賵賳 毓賱賶 丕賱廿胤賱丕賯 亘卮卅 丕爻賲賴 丕賱賳賯賵丿貙 賱賲賳 賷亘賷毓賵賳 爻賱毓賴賲 賲丕 丿丕賲鬲 丕賱胤亘賷毓丞 亘賲鬲賳丕賵賱 丕賱噩賲賷毓責禄
June 22, 2017
In 1894, Paul Gauguin left France for Tahiti to get away from the decadence of Europe. What he found was beautiful islands, tropical warmth, and most importantly-unspoiled, undecadent, unEuropean and extremely beautiful people. This book was the journal he kept. It is quite a lovely book with his art work. His thoughts and his writing are quite lyrical. He also discovered that Europeans had already tried to change these beautiful people with their religion and customs. He lived there for two years and did some of his best work on the islands. 3.5 stars.
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August 28, 2021賷賲囟賷 亘賵賱 睾賵睾丕賳 賲丕 賷賯丕乇亘 丕賱爻賳鬲賷賳 賮賷 鬲丕賴賷鬲賷 賵匕賱賰 亘毓丿 兀賳 賷賴乇亘 賲丕 賷氐賮賴丕 亘丕賱亘賱丕丿 丕賱賮丕爻丿丞 賯丕氐丿賸丕 亘匕賱賰 兀賵乇賵亘丕.
賷賳胤賱賯 亘乇丨賱丞 睾賳賷丞 亘丕賱丨賷丕丞 賵爻胤 卮毓亘 賵亘賷卅丞 賱丕 鬲夭丕賱 睾囟賾丞 賵禺氐亘丞 賵賱賲 鬲鬲賱賵孬 賵賲乇丨亘丞 亘丕賱廿賳爻丕賳 賵乇賵丨賴貙 禺賱丕賱 乇丨賱鬲賴 賴匕賴 賷賳噩夭 睾賵睾丕賳 賲丕 賷賯丕乇亘 丕賱爻鬲賷賳 賱賵丨丞貙 賵賷毓亘乇 毓賳 匕賱賰 亘兀賳 賴丐賱丕亍 丕賱賳丕爻 丕賱噩賴賱丞 丕賱亘丿丕卅賷賷賳 賯丿 賯丕賲賵丕 亘鬲毓賱賷賲 賴匕丕 丕賱乇噩賱 丕賱毓氐乇賷 丿乇賵爻賸丕 孬賲賷賳丞 賱賳 賷噩丿賴丕 賮賷 兀賷 賲賰丕賳.
賷賳鬲賯丿 睾賵睾丕賳 亘卮賰賱 賵丕囟丨丞 賵兀賵乇賵亘丕 賵丕賱賲爻賷丨賷丞 賵賲丕 鬲丨丕賵賱 賮毓賱賴 賮賷 賴匕賴 丕賱兀乇丕囟賷 丕賱毓匕乇丕亍 賲賳 賳卮乇賺 賱賱賲爻賷丨賷丞 賵賲丨丕賵賱丞 賱胤賲爻 丕賱賴賵賷丕鬲 賵丕賱兀丿賷丕賳 丕賱兀氐賱賷丞 賱兀氐丨丕亘賴丕.
賮賷 丕賱氐賮丨丕鬲 丕賱兀禺賷乇丞 賷賮乇丿 睾賵睾丕賳 毓丿丿賸丕 賱丕 亘兀爻 賲賳賴 賲賳 丕賱氐賮丨丕鬲 賲鬲丨丿孬賸丕 毓賳 兀爻丕胤賷乇 丕賱鬲丕賴賷鬲賷賷賳 兀賵 丕賱賲丕賵賵乇賷賷賳 賵丌賱賴丕鬲賴賲 丕賱賲禺鬲賱賮丞.
- 賰鬲丕亘 毓匕亘 兀賳氐丨 亘賴 賱鬲賴匕賷亘 丕賱乇賵丨 賵鬲賴丿卅鬲賴丕貙 賱睾丞 丕賱賲鬲乇噩賲丞 賰丕賳鬲 賲賮賴賵賲丞 賵賴丕丿卅丞.
賷賳胤賱賯 亘乇丨賱丞 睾賳賷丞 亘丕賱丨賷丕丞 賵爻胤 卮毓亘 賵亘賷卅丞 賱丕 鬲夭丕賱 睾囟賾丞 賵禺氐亘丞 賵賱賲 鬲鬲賱賵孬 賵賲乇丨亘丞 亘丕賱廿賳爻丕賳 賵乇賵丨賴貙 禺賱丕賱 乇丨賱鬲賴 賴匕賴 賷賳噩夭 睾賵睾丕賳 賲丕 賷賯丕乇亘 丕賱爻鬲賷賳 賱賵丨丞貙 賵賷毓亘乇 毓賳 匕賱賰 亘兀賳 賴丐賱丕亍 丕賱賳丕爻 丕賱噩賴賱丞 丕賱亘丿丕卅賷賷賳 賯丿 賯丕賲賵丕 亘鬲毓賱賷賲 賴匕丕 丕賱乇噩賱 丕賱毓氐乇賷 丿乇賵爻賸丕 孬賲賷賳丞 賱賳 賷噩丿賴丕 賮賷 兀賷 賲賰丕賳.
賷賳鬲賯丿 睾賵睾丕賳 亘卮賰賱 賵丕囟丨丞 賵兀賵乇賵亘丕 賵丕賱賲爻賷丨賷丞 賵賲丕 鬲丨丕賵賱 賮毓賱賴 賮賷 賴匕賴 丕賱兀乇丕囟賷 丕賱毓匕乇丕亍 賲賳 賳卮乇賺 賱賱賲爻賷丨賷丞 賵賲丨丕賵賱丞 賱胤賲爻 丕賱賴賵賷丕鬲 賵丕賱兀丿賷丕賳 丕賱兀氐賱賷丞 賱兀氐丨丕亘賴丕.
賮賷 丕賱氐賮丨丕鬲 丕賱兀禺賷乇丞 賷賮乇丿 睾賵睾丕賳 毓丿丿賸丕 賱丕 亘兀爻 賲賳賴 賲賳 丕賱氐賮丨丕鬲 賲鬲丨丿孬賸丕 毓賳 兀爻丕胤賷乇 丕賱鬲丕賴賷鬲賷賷賳 兀賵 丕賱賲丕賵賵乇賷賷賳 賵丌賱賴丕鬲賴賲 丕賱賲禺鬲賱賮丞.
- 賰鬲丕亘 毓匕亘 兀賳氐丨 亘賴 賱鬲賴匕賷亘 丕賱乇賵丨 賵鬲賴丿卅鬲賴丕貙 賱睾丞 丕賱賲鬲乇噩賲丞 賰丕賳鬲 賲賮賴賵賲丞 賵賴丕丿卅丞.
June 27, 2019
(42)
賵賷丨丿孬 兀賳 鬲賲賱賾 丨賷丕鬲賰 賰賱賴丕貙 賮鬲賮囟賾賱 丕賱毓賷卮 賮賷 賲賰丕賳 噩丿賷丿 兀賯賱賾 鬲賲丿賾賳丕賸 賵兀賰孬乇 "賵丨卮賷丞! " 賰賲丕 毓亘賾乇 亘賵賱 睾賵睾丕賳 賮賷 賲匕賰賾乇丕鬲賴 賴匕賴. 賴匕丕 丕賱賰鬲丕亘 賴賵 賳鬲丕噩 爻賳鬲賷賳 賲賳 丕賱毓賷卮 賮賷 鬲丕賴賷鬲賷: 丨賷丕丞 兀噩賲賱 賵兀賰孬乇 亘爻丕胤丞 賲賳 丕賱丨賷丕丞 丕賱賲鬲賲丿賳丞貙 鬲爻鬲胤賷毓 賮賷賴丕 丕賰鬲卮丕賮 匕丕鬲賰 丕賱丨賯賷賯賷賾丞 賵丕賱丕亘鬲毓丕丿 毓賳 鬲賱賰 丕賱賲夭賷賮丞 丕賱賲丿賳賾爻丞 亘禺胤丕賷丕 丕賱爻賳賷賳 丕賱賲鬲乇丕賰賲丞. 兀丨亘亘鬲 賵氐賮 丕賱胤亘賷毓丞 賵丕賱爻賰賾丕賳 賵鬲丕乇賷禺 丕賱噩夭賷乇丞 賮丕賱胤亘賷毓丞 丕賱賴丕丿卅丞 丕賱噩賲賷賱丞 丨賷孬 丕賱賲賷丕賴 賵丕賱兀卮噩丕乇 丕賱賰孬賷賮丞 賵丕賱睾丕亘丕鬲 賴賷 兀賮囟賱 賲賰丕賳 賱賱丨賷丕丞馃槏 亘賵賱 睾賵睾丕賳 丨丕賵賱 兀賳 賷孬亘鬲 賱賳賮爻賴 賵賱賱丌禺乇賷賳 兀賳賴 賱賷爻 賰丕賱兀卮禺丕氐 丕賱兀賵乇賵亘賷賷賳 毓丿賷賲賷 丕賱賲卮丕毓乇 賱賰賳賾賴 賮卮賱 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 賵賴噩乇 丨亘賷亘鬲賴 賵噩賷乇丕賳賴 賵丕賱兀氐丿賯丕亍 毓丕卅丿丕賸 廿賱賶 賮乇賳爻丕 賱鬲購毓鬲亘乇 乇丨賱鬲賴 賴匕賴 賲噩乇丿 丕爻鬲乇丕丨丞 賱乇爻賲 丕賱賰孬賷乇 賲賳 丕賱賱賵丨丕鬲 賲鬲噩乇丿丞賸 賲賳 兀賷 賲卮丕毓乇 丨亘賾 賵丕乇鬲亘丕胤!
*鬲賲賾鬲*27/06/2019
賵賷丨丿孬 兀賳 鬲賲賱賾 丨賷丕鬲賰 賰賱賴丕貙 賮鬲賮囟賾賱 丕賱毓賷卮 賮賷 賲賰丕賳 噩丿賷丿 兀賯賱賾 鬲賲丿賾賳丕賸 賵兀賰孬乇 "賵丨卮賷丞! " 賰賲丕 毓亘賾乇 亘賵賱 睾賵睾丕賳 賮賷 賲匕賰賾乇丕鬲賴 賴匕賴. 賴匕丕 丕賱賰鬲丕亘 賴賵 賳鬲丕噩 爻賳鬲賷賳 賲賳 丕賱毓賷卮 賮賷 鬲丕賴賷鬲賷: 丨賷丕丞 兀噩賲賱 賵兀賰孬乇 亘爻丕胤丞 賲賳 丕賱丨賷丕丞 丕賱賲鬲賲丿賳丞貙 鬲爻鬲胤賷毓 賮賷賴丕 丕賰鬲卮丕賮 匕丕鬲賰 丕賱丨賯賷賯賷賾丞 賵丕賱丕亘鬲毓丕丿 毓賳 鬲賱賰 丕賱賲夭賷賮丞 丕賱賲丿賳賾爻丞 亘禺胤丕賷丕 丕賱爻賳賷賳 丕賱賲鬲乇丕賰賲丞. 兀丨亘亘鬲 賵氐賮 丕賱胤亘賷毓丞 賵丕賱爻賰賾丕賳 賵鬲丕乇賷禺 丕賱噩夭賷乇丞 賮丕賱胤亘賷毓丞 丕賱賴丕丿卅丞 丕賱噩賲賷賱丞 丨賷孬 丕賱賲賷丕賴 賵丕賱兀卮噩丕乇 丕賱賰孬賷賮丞 賵丕賱睾丕亘丕鬲 賴賷 兀賮囟賱 賲賰丕賳 賱賱丨賷丕丞馃槏 亘賵賱 睾賵睾丕賳 丨丕賵賱 兀賳 賷孬亘鬲 賱賳賮爻賴 賵賱賱丌禺乇賷賳 兀賳賴 賱賷爻 賰丕賱兀卮禺丕氐 丕賱兀賵乇賵亘賷賷賳 毓丿賷賲賷 丕賱賲卮丕毓乇 賱賰賳賾賴 賮卮賱 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 賵賴噩乇 丨亘賷亘鬲賴 賵噩賷乇丕賳賴 賵丕賱兀氐丿賯丕亍 毓丕卅丿丕賸 廿賱賶 賮乇賳爻丕 賱鬲購毓鬲亘乇 乇丨賱鬲賴 賴匕賴 賲噩乇丿 丕爻鬲乇丕丨丞 賱乇爻賲 丕賱賰孬賷乇 賲賳 丕賱賱賵丨丕鬲 賲鬲噩乇丿丞賸 賲賳 兀賷 賲卮丕毓乇 丨亘賾 賵丕乇鬲亘丕胤!
*鬲賲賾鬲*27/06/2019
October 21, 2016
The European invasion and monotheism have destroyed these vestiges of civilization which had its own grandeur. In contact with us, they have become "savages", in the sense which the Latin occident has given this word. (p.47)
More than anything else I enjoyed these remarks about the 19th century Tahitians made by Gauguin and his report on their intricate, lost Religion, all in the third half of his notebook. A great mind, as I have suspected.
More than anything else I enjoyed these remarks about the 19th century Tahitians made by Gauguin and his report on their intricate, lost Religion, all in the third half of his notebook. A great mind, as I have suspected.
May 18, 2015
3.75/5
March 27, 2021
袣褉邪褌泻邪褟 懈褋褌芯褉懈褟 孝邪懈褌懈, 泻邪泻 褎懈谢懈邪谢邪 褎褉邪薪褑褍蟹褋泻芯谐芯 锌褍斜谢懈褔薪芯谐芯 写芯屑邪) 懈 械褖褢 薪械屑薪芯谐芯 芯 蟹胁械蟹写邪褏 懈 褌褍薪褑邪褏
January 10, 2016
Paul Gauguin is one of my favorite painters. (Actually, as I write this, there is a print of his painting Mahana No Atua hanging next to me on my bedroom wall.) So, during my winter break, I decided to read his Tahitian journal, Noa Noa.
Noa Noa is a travelogue written by Gauguin, first published in 1901. Although, Gauguin billed the book as his genuine experiences, it seems pretty clear to me and other critics that it's mostly fictional or exaggerated. That being said, I found the book to be very interesting.
From a narrative perspective, Noa Noa is a bit dull. Gauguin's writing style has a tendency to be wordy and pedantic. However, from an ideological perspective it's quite interesting. To my mind, Gauguin is an excellent example of Romanticism and Romantic thought.
If you don't know, Romanticism was an artistic and ideological movement that reacted against the Enlightenment. Romantics believed that the world could not be understood purely though the lens of science and rational thought. Instead, the focused on emotion, individualism, the wonders of the national world, and the past.
Gauguin is famous for his disgust for European society, which he believed had become corrupted by industrialization and modernization. He journeyed to the island of Tahiti in search of a more authentic way of life which would connect him to nature and genuine human experience. As Gauguin says in Noa Noa:
All the joys -- animal and human -- of a free life are mine. I have escaped everything that is artificial, conventional, customary. I am entering into truth, into nature. Having the certitude of a succession of days like this present one, equally free and beautiful, peace descends on me. I develop normally and no longer occupy myself with useless vanities.
In some ways, this is lovely sentiment -- and it translates into lovely art. Gauguin's paintings are alluring and colorful, depicting a world that is a mixture of fantastical imaginings and sunlight. Romantic artists attempt to depict the world not as it is seen by the eye but how it is perceived by the human mind and soul. In large part, it is an effective rejoinder to the Neoclassical movement and resulted in the priceless works of artists like Caspar David Friedrich and Th茅odore G茅ricault (who, incidentally, are both on my list of favorite artists).
However, it is very easy to look at Gauguin's paintings, say they are beautiful and otherworldly, and forget that they were modeled on real people and real cultures. Noa Noa, besides being a perfect example of the the Romantic ideology, is also a problematic text. While reading, I winced more than once when Gauguin made an off hand remark about the inferiority or primitiveness of the Tahitian people. While he clearly admires their culture, there are also clear undertones of racism. He repeatedly refers to them as savages and notes that they are childlike.
In some ways, Gauguin's paintings rob their subjects of their humanity, making them stand-ins for his ideological quest instead of real people. One can make the argument that many artists use their subjects in similar ways, however Gauguin's paintings are particularly problematic in that they further stereotype and dehumanize a group of people who were already stereotyped and dehumanized. Perhaps the best example of this is Gauguin's description of a walk through the forest that he takes with a Tahitian friend:
With the suppleness of an animal and the graceful litheness of an androgyne he walked a few paces in advance of me...Was it really a human being walking there ahead of me? Was it the naive friend by whose combined simplicity and complexity I had been so attracted? Was it not rather the forest itself, the living Forest, without sex -- and yet alluring?
While his ideas have a sort of poetic resonance, they are extremely problematic when you consider that he is reducing a real person to vegetation. This makes Noa Noa a difficult text. Should one look at it as a reminder of a past dominated by racism and colonialism? Or, is it more helpful to set Gauguin's artistic achievements aside from his shortcomings as an individual? Whichever answer comes to mind, Noa Noa is certainly a text worth reading.
Noa Noa is a travelogue written by Gauguin, first published in 1901. Although, Gauguin billed the book as his genuine experiences, it seems pretty clear to me and other critics that it's mostly fictional or exaggerated. That being said, I found the book to be very interesting.
From a narrative perspective, Noa Noa is a bit dull. Gauguin's writing style has a tendency to be wordy and pedantic. However, from an ideological perspective it's quite interesting. To my mind, Gauguin is an excellent example of Romanticism and Romantic thought.
If you don't know, Romanticism was an artistic and ideological movement that reacted against the Enlightenment. Romantics believed that the world could not be understood purely though the lens of science and rational thought. Instead, the focused on emotion, individualism, the wonders of the national world, and the past.
Gauguin is famous for his disgust for European society, which he believed had become corrupted by industrialization and modernization. He journeyed to the island of Tahiti in search of a more authentic way of life which would connect him to nature and genuine human experience. As Gauguin says in Noa Noa:
All the joys -- animal and human -- of a free life are mine. I have escaped everything that is artificial, conventional, customary. I am entering into truth, into nature. Having the certitude of a succession of days like this present one, equally free and beautiful, peace descends on me. I develop normally and no longer occupy myself with useless vanities.
In some ways, this is lovely sentiment -- and it translates into lovely art. Gauguin's paintings are alluring and colorful, depicting a world that is a mixture of fantastical imaginings and sunlight. Romantic artists attempt to depict the world not as it is seen by the eye but how it is perceived by the human mind and soul. In large part, it is an effective rejoinder to the Neoclassical movement and resulted in the priceless works of artists like Caspar David Friedrich and Th茅odore G茅ricault (who, incidentally, are both on my list of favorite artists).
However, it is very easy to look at Gauguin's paintings, say they are beautiful and otherworldly, and forget that they were modeled on real people and real cultures. Noa Noa, besides being a perfect example of the the Romantic ideology, is also a problematic text. While reading, I winced more than once when Gauguin made an off hand remark about the inferiority or primitiveness of the Tahitian people. While he clearly admires their culture, there are also clear undertones of racism. He repeatedly refers to them as savages and notes that they are childlike.
In some ways, Gauguin's paintings rob their subjects of their humanity, making them stand-ins for his ideological quest instead of real people. One can make the argument that many artists use their subjects in similar ways, however Gauguin's paintings are particularly problematic in that they further stereotype and dehumanize a group of people who were already stereotyped and dehumanized. Perhaps the best example of this is Gauguin's description of a walk through the forest that he takes with a Tahitian friend:
With the suppleness of an animal and the graceful litheness of an androgyne he walked a few paces in advance of me...Was it really a human being walking there ahead of me? Was it the naive friend by whose combined simplicity and complexity I had been so attracted? Was it not rather the forest itself, the living Forest, without sex -- and yet alluring?
While his ideas have a sort of poetic resonance, they are extremely problematic when you consider that he is reducing a real person to vegetation. This makes Noa Noa a difficult text. Should one look at it as a reminder of a past dominated by racism and colonialism? Or, is it more helpful to set Gauguin's artistic achievements aside from his shortcomings as an individual? Whichever answer comes to mind, Noa Noa is certainly a text worth reading.
January 23, 2019
It was an artistic mission
Feverish expectancy
The place retains its original character of solitude and isolation
Orange sails on the blue sea, and often the line of reefs shown in a sudden silvery gleam under the sun
(Queen) dispersed grace everywhere about her, made everything she touched a work of art
Depleting primitive beauty
(Her Arms were like) two columns of temple, simple straight
Horizontal lines of shoulder
Black dress, with bare feet, and a fragrant flower behind the ear
For a long time I was caressed by the memory
The dream brutally disappointed by the actuality
To find the traces of past if any such traces remained?
Too violent contact with the waves and the rocks. To the left was the wilderness with its perspective of great forests
Mysterious sacred writing of the ancient Orient
I am learning to know the silence of a Tahitian night
These regular intervals of light suggest a musical instrument to me
At night by the grace of the moon calls forth in the memory of the dreamer well-loved melodies
A Maori hut does not separate man from life, from space, from the infinite
(Nature) is rich, she is generous, she refuses to no one who will ask his share of her treasures of which she has inexhaustible reserves in the trees, in the mountains
The landscape with it violent, pure colors, dazzled and blinded me
Single mobile line a mingling of all joy and all suffering
These large eyes --- fear and the desire for the unknown, the melancholy of bitter experience which lies at the root of all pleasures
Civilization (and its absurdities) are falling from me little by little
Clandestine and sadistic colors of love
Dense curtain of trees
Divine brutality
Through her dress of almost transparent rose-colored muslin one could see the golden skin of her shoulders and arms
Laughter and melancholy
Happiness and work rose up together with the sun, radiant like it
I enter into mysteries which hitherto remained inaccessible to me
A phosphorescent light was streaming from her staring eyes
Two opposite beings, infinitely varied, were mingled in one
Tehura is nothing but a black point in a circle of light:
Vague memories
Feverish expectancy
The place retains its original character of solitude and isolation
Orange sails on the blue sea, and often the line of reefs shown in a sudden silvery gleam under the sun
(Queen) dispersed grace everywhere about her, made everything she touched a work of art
Depleting primitive beauty
(Her Arms were like) two columns of temple, simple straight
Horizontal lines of shoulder
Black dress, with bare feet, and a fragrant flower behind the ear
For a long time I was caressed by the memory
The dream brutally disappointed by the actuality
To find the traces of past if any such traces remained?
Too violent contact with the waves and the rocks. To the left was the wilderness with its perspective of great forests
Mysterious sacred writing of the ancient Orient
I am learning to know the silence of a Tahitian night
These regular intervals of light suggest a musical instrument to me
At night by the grace of the moon calls forth in the memory of the dreamer well-loved melodies
A Maori hut does not separate man from life, from space, from the infinite
(Nature) is rich, she is generous, she refuses to no one who will ask his share of her treasures of which she has inexhaustible reserves in the trees, in the mountains
The landscape with it violent, pure colors, dazzled and blinded me
Single mobile line a mingling of all joy and all suffering
These large eyes --- fear and the desire for the unknown, the melancholy of bitter experience which lies at the root of all pleasures
Civilization (and its absurdities) are falling from me little by little
Clandestine and sadistic colors of love
Dense curtain of trees
Divine brutality
Through her dress of almost transparent rose-colored muslin one could see the golden skin of her shoulders and arms
Laughter and melancholy
Happiness and work rose up together with the sun, radiant like it
I enter into mysteries which hitherto remained inaccessible to me
A phosphorescent light was streaming from her staring eyes
Two opposite beings, infinitely varied, were mingled in one
Tehura is nothing but a black point in a circle of light:
Vague memories
October 25, 2009
Paul Gauguin's journal of his time in Tahiti, living with a native girl in an attempt to better understand the native Tahitian culture, and make himself a more free and natural artist by getting himself outside of the stifling Euorpean society he comes from. The journal provides a glimpse of Tahiti in the late 19th century and a glimpse into some of Gauguin's artisitc motivations and inspirations, but it also allows the reader to examine some interesting contradictions in Gauguin: he wants to become part of the Tahitian community he adopts as his home, and has a much better understanding and admiration of their customs than some other Europeans, but still is encumbered by his European background and sees things through a European filter even when attempting to leave European ideas behind. He finds love and happiness with the young native girl (the difference in their ages and the fact that he has left his wife in Europe is probably a barrier to complete sympathy with Gauguin for most readers), but suddenly leaves her and his adopted Tahitian community at the end of the journal to return home to Europe. In a way, despite his quest and his deepening understanding, he continues the European history of seeing Tahiti as a place to arrive at, conquer or use for his own purposes, and abandon when convenient.
This entire review has been hidden because of spoilers.
June 17, 2016
Dated, sexist, racist and problematic for a modern reader - but also a beautifully written masterpiece of literature and a pleasure to read. The only part of this travelogue that I found dull was the transcripts of Tahitian religion, which were boring and apparently (according to the preface in my edition) not very reliable.
March 28, 2021
賴賱 爻亘賯 賵兀賳 丕爻鬲賴賵鬲賰 孬賯丕賮丞 賲丕 賱丨丿 乇睾亘鬲賰 賮賷 丕賱毓賷卮 賵爻胤賴丕責 兀卮毓乇 兀賳 丕賱賰丕鬲亘 賷賲乇 亘賴匕丕 丕賱卮毓賵乇 鬲噩丕賴 丕賱賲丕賵賵乇賷丞貙 賰鬲丕亘 賮賷 賲噩賲賱賴 噩賲賷賱
June 25, 2019
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賷丨丿孬 兀賳 鬲睾丕丿乇 毓丕賱賲賰 賱毓丕賱賲 賲睾丕賷乇 鬲賮鬲卮 賮賷賴
毓賳 匕丕鬲賰 丕賱鬲賷 賱賲 鬲毓乇賮賴丕 賯胤 貙 賵賷丨丿孬 兀賳 賷卮丿賰
毓丕賱賲賰 丕賱賯丿賷賲 廿賱賷賴 賮鬲毓賵丿 賱鬲賴賷賰 丕賱匕賷 丕毓鬲丿鬲 毓賱賷賴 .
亘賷賳 兀賷丿賷賳丕 賲匕賰乇丕鬲 丕賱乇爻丕賲 丕賱賮乇賳爻賷 睾賵睾丕賳 禺賱丕賱 丕賱鬲賷
丿賵賳賴丕 禺賱丕賱 廿賯丕賲鬲賴 賮賷 鬲丕賴賷鬲賷 鬲毓乇賮 亘賴丕 毓賱賶 毓丕丿丕鬲 丕賱卮毓亘
丕賱兀氐賱賷丞 丕賱鬲賷 賰丕賳鬲 鬲賱賮馗 兀賳賮丕爻賴丕 丕賱兀禺賷乇丞 兀賲丕賲 鬲兀孬乇 丕賱夭丨賮
丕賱兀賵乇賵亘賷 貙 貙 睾賵睾丕賳 賰丕賳 賮賷 丨丕賱丞 賲賳 丕賱賲賯丕乇賳丞 丕賱丿丕卅賲丞 亘賷賳
賲丕 賴賵 兀鬲賷 賲賳賴 賵賲丕賷卮丕賴丿賴 貙 丨丕賱 賲賳 丕賱鬲兀乇噩丨 亘賷賳 賲丿賳賷丞
賷毓乇賮賴丕 賰賱 丕賱賲毓乇賮丞 賵 卮毓亘 賲鬲賵丨卮 賲賳 賵噩賴丞 賳馗乇 兀亘賳丕亍
毓丕賱賲賴 .!
鈥�
丕賱睾乇賷亘 兀賳 睾賵睾丕賳 亘毓丿 賰賱 鬲賱賰 丕賱賲賯丕乇賳丕鬲 賵丕賱廿丨爻丕爻 亘賲丿賶
亘卮丕毓丞 丕賱氐賵乇丞 丕賱鬲賷 兀禺匕賴丕 兀亘賳丕亍 卮毓亘賴 毓賳 卮毓亘 鬲丕賴賷鬲賷
賱賲 賷賰賳 鬲氐乇賮賴 賮賷 兀禺乇 丕賱乇賵丕賷丞 廿賱丕 賳爻禺丞 胤亘賯 丕賱兀氐賱 賲賳
鬲氐乇賮丕鬲 兀亘賳丕亍 噩賱丿賴 貙 賵賰兀賳賴 兀乇丕丿 兀賳 賷丐賰丿 兀賳 賱丕賯賷賲丞 賱賱毓丕胤賮丞
賵兀賳 丕賱丨亘 賮賷 賲孬賱 丨丕賱鬲賴 鬲賱賰 賱丕 賷購毓賵賾賱 毓賱賷賴 兀亘丿丕賸.
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鈥�
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卮賰乇丕賸 賱賱胤丕卅乇 丕賱賱胤賷賮 毓賱賶 賴匕丕 丕賱廿賴丿丕亍 ~馃尭馃摎
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#鬲賲鬲
#兀亘噩丿賷丞_賮乇丨 3/5
#賳賵丕_賳賵丕_賲匕賰乇丕鬲_鬲丕賴賷鬲賷 賱賱賰丕鬲亘 #亘賵賱_睾賵睾丕賳
氐丕丿乇丞 毓賳 #丿丕乇_丕賱賲丿賶 ~馃尭
賲賯丕賱 兀賳氐丨 亘丕賱廿胤賱丕毓 毓賱賷賴 :
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賷丨丿孬 兀賳 鬲睾丕丿乇 毓丕賱賲賰 賱毓丕賱賲 賲睾丕賷乇 鬲賮鬲卮 賮賷賴
毓賳 匕丕鬲賰 丕賱鬲賷 賱賲 鬲毓乇賮賴丕 賯胤 貙 賵賷丨丿孬 兀賳 賷卮丿賰
毓丕賱賲賰 丕賱賯丿賷賲 廿賱賷賴 賮鬲毓賵丿 賱鬲賴賷賰 丕賱匕賷 丕毓鬲丿鬲 毓賱賷賴 .
亘賷賳 兀賷丿賷賳丕 賲匕賰乇丕鬲 丕賱乇爻丕賲 丕賱賮乇賳爻賷 睾賵睾丕賳 禺賱丕賱 丕賱鬲賷
丿賵賳賴丕 禺賱丕賱 廿賯丕賲鬲賴 賮賷 鬲丕賴賷鬲賷 鬲毓乇賮 亘賴丕 毓賱賶 毓丕丿丕鬲 丕賱卮毓亘
丕賱兀氐賱賷丞 丕賱鬲賷 賰丕賳鬲 鬲賱賮馗 兀賳賮丕爻賴丕 丕賱兀禺賷乇丞 兀賲丕賲 鬲兀孬乇 丕賱夭丨賮
丕賱兀賵乇賵亘賷 貙 貙 睾賵睾丕賳 賰丕賳 賮賷 丨丕賱丞 賲賳 丕賱賲賯丕乇賳丞 丕賱丿丕卅賲丞 亘賷賳
賲丕 賴賵 兀鬲賷 賲賳賴 賵賲丕賷卮丕賴丿賴 貙 丨丕賱 賲賳 丕賱鬲兀乇噩丨 亘賷賳 賲丿賳賷丞
賷毓乇賮賴丕 賰賱 丕賱賲毓乇賮丞 賵 卮毓亘 賲鬲賵丨卮 賲賳 賵噩賴丞 賳馗乇 兀亘賳丕亍
毓丕賱賲賴 .!
鈥�
丕賱睾乇賷亘 兀賳 睾賵睾丕賳 亘毓丿 賰賱 鬲賱賰 丕賱賲賯丕乇賳丕鬲 賵丕賱廿丨爻丕爻 亘賲丿賶
亘卮丕毓丞 丕賱氐賵乇丞 丕賱鬲賷 兀禺匕賴丕 兀亘賳丕亍 卮毓亘賴 毓賳 卮毓亘 鬲丕賴賷鬲賷
賱賲 賷賰賳 鬲氐乇賮賴 賮賷 兀禺乇 丕賱乇賵丕賷丞 廿賱丕 賳爻禺丞 胤亘賯 丕賱兀氐賱 賲賳
鬲氐乇賮丕鬲 兀亘賳丕亍 噩賱丿賴 貙 賵賰兀賳賴 兀乇丕丿 兀賳 賷丐賰丿 兀賳 賱丕賯賷賲丞 賱賱毓丕胤賮丞
賵兀賳 丕賱丨亘 賮賷 賲孬賱 丨丕賱鬲賴 鬲賱賰 賱丕 賷購毓賵賾賱 毓賱賷賴 兀亘丿丕賸.
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鈥�
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卮賰乇丕賸 賱賱胤丕卅乇 丕賱賱胤賷賮 毓賱賶 賴匕丕 丕賱廿賴丿丕亍 ~馃尭馃摎
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#鬲賲鬲
#兀亘噩丿賷丞_賮乇丨 3/5
#賳賵丕_賳賵丕_賲匕賰乇丕鬲_鬲丕賴賷鬲賷 賱賱賰丕鬲亘 #亘賵賱_睾賵睾丕賳
氐丕丿乇丞 毓賳 #丿丕乇_丕賱賲丿賶 ~馃尭
賲賯丕賱 兀賳氐丨 亘丕賱廿胤賱丕毓 毓賱賷賴 :
September 19, 2013
This book is Gauguin complaining about how you can tell the French have colonized Tahiti while he is personally on a government mission, benefitting from government contacts, and sleeping with a 13 year-old Tahitian girl. It's curiously only tangentially about painting.
April 6, 2020
丕賱賲匕賰乇丕鬲 賰丕賳鬲 毓亘丕乇丞 毓賳 乇丨賱丞 廿賱賶 鬲丕乇賷禺 丨囟丕乇賷 賱爻賰丕賳 噩夭賷乇丞 鬲丕賴賷鬲賷 丕賱兀氐賱賷賷賳 丕賱賱匕賷賳 卮購賵賽賾賴賵鬲 卮禺氐賷鬲賴賲 丕賱賲鬲兀氐賱丞 亘丕賱胤亘賷毓丞 亘丕賱丕噩鬲賷丕丨 丕賱賲丿賳賷 賵 丕賱丕廿爻鬲毓賲丕乇 丕賱丕賵乇賵亘賷 丨鬲賶 亘丕鬲賵丕 賰賲丕 賷氐賮賴賲 丕賱賰丕鬲亘 亘賭"丕賱賲鬲賵丨卮賵賳" 丕賱賱匕賷賳 睾丕亘鬲 兀乇賵丕丨賴賲 丕賱胤賷亘丞 丕賱爻毓賷丿丞 賮賷 睾賷丕賴亘 賰賴賵賮 丕賱鬲賲丿賾賳.
賷購爻賴亘 丕賱賰丕鬲亘 賮賷 丕賱丨丿賷孬 毓賳 鬲賮丕氐賷賱 丕賱丿賷丕賳丞 丕賱鬲丕賴賷鬲賷賾丞 賵 丕賱鬲毓乇賷賮 亘丌賱賴丕鬲賴賲 賵 丕賱兀爻丕胤賷乇 丕賱賲鬲毓賱賯丞 亘胤賯賵爻賴賲.
丕賱廿賳睾賲丕爻 賮賷 丨囟丕丕乇丞 噩丿賷丿丞 賲賲鬲毓 噩丿賸丕, 丕賱爻乇丿 賵 丕賱賵氐賮 噩賲賷賱.
賷購爻賴亘 丕賱賰丕鬲亘 賮賷 丕賱丨丿賷孬 毓賳 鬲賮丕氐賷賱 丕賱丿賷丕賳丞 丕賱鬲丕賴賷鬲賷賾丞 賵 丕賱鬲毓乇賷賮 亘丌賱賴丕鬲賴賲 賵 丕賱兀爻丕胤賷乇 丕賱賲鬲毓賱賯丞 亘胤賯賵爻賴賲.
丕賱廿賳睾賲丕爻 賮賷 丨囟丕丕乇丞 噩丿賷丿丞 賲賲鬲毓 噩丿賸丕, 丕賱爻乇丿 賵 丕賱賵氐賮 噩賲賷賱.
July 21, 2018
賯氐丞 賷丨賰賷 賮賷賴丕 亘賵賱 睾賵睾丕賳 毓賳 丨賷丕鬲賴 賮賷 鬲丕賴賷鬲賷貙 賮賷氐賮 胤亘賷毓鬲賴丕 丕賱禺賱丕亘丞貙 賵卮毓亘賴丕貙 賵丨囟丕乇鬲賴丕 亘毓賷賳 丕賱賮賳丕賳 丕賱孬丕賯亘丞. 鬲賯爻賲 丕賱賯氐丞 賮毓賱賷丕 廿賱賶 噩夭兀賷賳 丕賱兀賵賱 賵氐賮 賱賱丨賷丕丞 賮賷 鬲丕賴賷鬲賷 賮賷 鬲賱賰 丕賱賮鬲乇丞 賵賱毓丕丿丕鬲 爻賰丕賳賴丕貙 賵廿丿丕賳丞 賱賱爻賱賵賰 丕賱睾乇亘賷 賵丕賱賳馗乇丞 丕賱睾乇亘賷丞 丕賱丿夭賳賷丞 賱賴匕賴 丕賱丨囟丕乇丞 丕賱毓乇賷賯丞. 賷卮賲賱 丕賱賰鬲丕亘 賮賷 賯爻賲賴 丕賱兀禺賷乇 毓乇囟丕賸 賲毓
亘毓囟 丕賱鬲丨賱賷賱 丕賱賮賱爻賮賷 賱賱兀爻丕胤賷乇 賵丕賱賲毓鬲賯丿丕鬲 丕賱爻丕卅丿丞 賱丿賶 丕賱賲丕賵賵乇賷賷賳
亘毓囟 丕賱鬲丨賱賷賱 丕賱賮賱爻賮賷 賱賱兀爻丕胤賷乇 賵丕賱賲毓鬲賯丿丕鬲 丕賱爻丕卅丿丞 賱丿賶 丕賱賲丕賵賵乇賷賷賳
January 1, 2019
賲賰鬲賵亘丞 亘賱睾丞 卮丕毓乇賷丞 賲乇賴賮丞 賱丕 賲孬賷賱 賱賴丕.
"...賵 兀賴賲 賲賳 賰賱 卮賷亍 毓賱賲賵賳賷 兀賳 兀毓乇賮 賳賮爻賷 亘卮賰賱 兀賮囟賱貙 鬲毓賱賲鬲 丕賱丨賯賷賯丞 丕賱毓賲賷賯丞 賲賳賴賲貙 賴賱 賰丕賳 賴匕丕 爻乇賰 兀賷賴丕 丕賱毓丕賱賲 丕賱睾丕賲囟責".
"...賵 兀賴賲 賲賳 賰賱 卮賷亍 毓賱賲賵賳賷 兀賳 兀毓乇賮 賳賮爻賷 亘卮賰賱 兀賮囟賱貙 鬲毓賱賲鬲 丕賱丨賯賷賯丞 丕賱毓賲賷賯丞 賲賳賴賲貙 賴賱 賰丕賳 賴匕丕 爻乇賰 兀賷賴丕 丕賱毓丕賱賲 丕賱睾丕賲囟責".
May 3, 2021
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賱賵 兀賵丿 兀禺鬲氐乇 賴匕賴 丕賱賲匕賰乇丕鬲 : 賲賯鬲 丕賱丨囟丕乇丞 丕賱兀賵乇賵亘賷丞 賵 丨亘 丕賱丨囟丕乇丞 賵 丕賱胤亘賷毓丞 丕賱鬲丕賴賷鬲賷丞 賵 丕賱毓乇賯 丕賱賲丕賵賵乇賷.
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賱賵 兀賵丿 兀禺鬲氐乇 賴匕賴 丕賱賲匕賰乇丕鬲 : 賲賯鬲 丕賱丨囟丕乇丞 丕賱兀賵乇賵亘賷丞 賵 丨亘 丕賱丨囟丕乇丞 賵 丕賱胤亘賷毓丞 丕賱鬲丕賴賷鬲賷丞 賵 丕賱毓乇賯 丕賱賲丕賵賵乇賷.
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May 10, 2018
亘丿兀鬲 丕賱毓賲賱 賮賵乇丕賸貙丿賵賳 鬲乇丿丿貙亘丨乇丕乇丞 賵丨賲丕爻丞 卮丿賷丿賷賳貙賰賳鬲 賲丿乇賰丕賸 亘兀賳 爻賷胤乇鬲賴 毓賱賷賴丕 賰賲賵丿賷賱 鬲毓鬲賲丿 毓賱賶 賲賴丕乇丕鬲賷 賰賲氐賵乇貙鬲賲丕賲丕賸賵兀賱丕 賰賳鬲 賲丿乇賰丕賸 亘兀賳 丕賱賲賵囟賵毓 亘丕賱賳爻亘丞 廿賱賷賴丕 賴賵 亘賲孬丕亘丞 丿毓賵丞 賲睾乇賷丞 賱丕鬲賯丕賵賲.
賱賲 鬲賰賳 丨爻賳丕亍 丨爻亘 賲賮丕賴賷賲賳丕 丕賱噩賲丕賱賷丞 丕賱鬲賯賱賷丿賷丞.
賵賱賰賳賴丕 賰丕賳鬲 噩賲賷賱丞 賱賱睾丕賷丞.
鬲賲鬲夭噩 禺胤賵鬲賴丕 賵丕賳丨賳丕亍丕鬲賴丕 亘丕賳爻噩丕賲 乇賮丕卅賷賱賷貙賮賲賴丕 氐賳毓賴 賳丨丕鬲 賲丕賴乇 毓乇賮 賰賷賮 賷乇爻賲賴 賮賷 禺胤 賵丕丨丿 賲鬲丨乇賰 賷禺鬲賱胤 賮賷丞 丕賱賮乇丨 賰賱賴 賲毓 丕賱毓匕丕亘 賰賱賴.
毓賲賱鬲 亘爻乇毓丞 賵賴賵爻 賮賯丿 賰賳鬲 賲丿乇賰丕賸 亘兀賳 廿匕毓丕賳賴丕 賱賲. 賷賰賳 賰賱賷丕賸貙丕乇鬲毓卮鬲 賵兀賳丕 兀賯乇兀 賮賷 鬲賱賰 丕賱毓賷賳賷賳 丕賱賵丕爻毓鬲賷賳 丕賱禺賵賮 賵丕賱乇睾亘丞 賮賷 丕賱賲毓乇賮丞 丕賱賲噩賴賵賱貙丨夭賳 丕賱鬲噩乇亘丞 丕賱賲乇賾丞 丕賱匕賷 賷賰賲賳 賮賷 噩匕賵乇 賰賱 賲鬲毓丞貙丕賱卮毓賵乇 丕賱毓賮賵賷 丕賱賲賰鬲賲賱 亘賰賵賳賴丕 爻賷丿丞 賳賮爻賴丕貙賲孬賱 賴匕丞 丕賱賲禺賱賵賯丕鬲 鬲賵賴賲賳丕 亘兀賳賴丕 鬲禺囟毓 賱賳丕 丨賷賳 鬲賲賳丨 賳賮爻賴丕貙賵賱賰賳賴丕 賮賷 丕賱賵丕賯毓 鬲禺囟毓 賱賳賮爻賴丕 賮賯胤 貙鬲賰賲賳 賮賷賴丕 賯賵丞 鬲賮賵賯 賯賵丞 丕賱亘卮乇 丕賱毓丕丿賷丞 賮賷賴丕 卮賷 丨賷賵丕賳賷 賲賯丿爻.
賱賲 鬲賰賳 丨爻賳丕亍 丨爻亘 賲賮丕賴賷賲賳丕 丕賱噩賲丕賱賷丞 丕賱鬲賯賱賷丿賷丞.
賵賱賰賳賴丕 賰丕賳鬲 噩賲賷賱丞 賱賱睾丕賷丞.
鬲賲鬲夭噩 禺胤賵鬲賴丕 賵丕賳丨賳丕亍丕鬲賴丕 亘丕賳爻噩丕賲 乇賮丕卅賷賱賷貙賮賲賴丕 氐賳毓賴 賳丨丕鬲 賲丕賴乇 毓乇賮 賰賷賮 賷乇爻賲賴 賮賷 禺胤 賵丕丨丿 賲鬲丨乇賰 賷禺鬲賱胤 賮賷丞 丕賱賮乇丨 賰賱賴 賲毓 丕賱毓匕丕亘 賰賱賴.
毓賲賱鬲 亘爻乇毓丞 賵賴賵爻 賮賯丿 賰賳鬲 賲丿乇賰丕賸 亘兀賳 廿匕毓丕賳賴丕 賱賲. 賷賰賳 賰賱賷丕賸貙丕乇鬲毓卮鬲 賵兀賳丕 兀賯乇兀 賮賷 鬲賱賰 丕賱毓賷賳賷賳 丕賱賵丕爻毓鬲賷賳 丕賱禺賵賮 賵丕賱乇睾亘丞 賮賷 丕賱賲毓乇賮丞 丕賱賲噩賴賵賱貙丨夭賳 丕賱鬲噩乇亘丞 丕賱賲乇賾丞 丕賱匕賷 賷賰賲賳 賮賷 噩匕賵乇 賰賱 賲鬲毓丞貙丕賱卮毓賵乇 丕賱毓賮賵賷 丕賱賲賰鬲賲賱 亘賰賵賳賴丕 爻賷丿丞 賳賮爻賴丕貙賲孬賱 賴匕丞 丕賱賲禺賱賵賯丕鬲 鬲賵賴賲賳丕 亘兀賳賴丕 鬲禺囟毓 賱賳丕 丨賷賳 鬲賲賳丨 賳賮爻賴丕貙賵賱賰賳賴丕 賮賷 丕賱賵丕賯毓 鬲禺囟毓 賱賳賮爻賴丕 賮賯胤 貙鬲賰賲賳 賮賷賴丕 賯賵丞 鬲賮賵賯 賯賵丞 丕賱亘卮乇 丕賱毓丕丿賷丞 賮賷賴丕 卮賷 丨賷賵丕賳賷 賲賯丿爻.
December 18, 2021
毓賳丿賲丕 賷賰鬲亘 乇爻丕賲 賮廿賳賴 賷購亘丿毓. 賵賲賳 賷賰賵賳 賴匕丕 丕賱乇爻丕賲 爻賵賶 亘賵賱 睾賵睾丕賳 丕賱賮賳丕賳 丕賱丕賳胤亘丕毓賷 丕賱睾賳賷 毓賳 丕賱鬲毓乇賷賮貙 賮賱賵丨丕鬲賴 卮賰賱鬲 丕賱廿爻鬲孬賳丕亍 賵鬲噩爻丿鬲 賮賷 " 賳賵丕 賳賵丕 賷賵賲賷丕鬲 鬲丕賴賷鬲賷"貙 賵賮賷 丕賱賲賯丕亘賱 卮賰賱鬲 鬲丕賴賷鬲賷 賲賵囟賵毓 賱賵丨丕鬲賴 丕賱噩賲賷賱丞 噩丿丕貙 丕賱鬲賷 鬲賲乇丿 賮賷賴丕 毓賳 賯賵丕毓丿 丕賱兀賰丕丿賷賲賷丞 丕賱賮乇賳爻賷丞 賱賱賮賳賵賳 丕賱噩賲賷賱丞. 賵丕賱噩丿賷乇 亘丕賱匕賰乇 兀賳賴 乇睾賲 丕賱丕禺鬲賱丕賮 丕賱賮賳賷 亘賷賳賴 賵亘賷賳 氐丿賷賯賴 賮丕賳 睾賵睾 丕賱匕賷 毓丕卮 賲毓賴 賮鬲乇丞 賵噩賷夭丞 貙 廿賱丕 兀賳 鬲兀孬乇 賰賱 賵丕丨丿 賲賳賴賲丕 亘丕賱丌禺乇 丨賯賷賯丞 賱丕 賲賳丕氐 賲賳賴丕.
鬲丕賴賷鬲賷 賵賲丕 兀丿乇丕賰 賲丕 鬲丕賴賷鬲賷! 賰賱賲丕 賯乇丕鬲 毓賳賴丕 夭丕丿 丕賮鬲賳丕賳賷 亘賴丕. 賷睾賵氐 亘賰賲 亘賵賱 睾賵睾丕賳 賮賷 丨囟丕乇丞 鬲丕賴賷鬲賷 丕賱毓賲賷賯丞 賲丕亘賷賳 丕賱丨丕囟乇 賵 丕賱賲丕囟賷貙 賵 賲丕亘賷賳 丕賱鬲卮亘孬 亘丕賱鬲賯丕賱賷丿 賵丕賱毓丕丿丕鬲 賵 賲丨丕賵賱丕鬲 丕賱亘毓孬丕鬲 丕賱賲爻鬲賲賷鬲丞 賱丕胤賮丕亍 賮鬲賷賱賴丕 亘卮鬲賶 丕賱胤乇賯貙 賵 賲丕亘賷賳 丕賱噩賲丕賱 丕賱胤亘賷毓賷 賵 丕賱鬲賲丿賳貙 賵賲丕亘賷賳 丕爻鬲賯乇丕乇 丨賲賷賲 賵 丕爻鬲毓賲丕乇 賵丨卮賷貙 賵賲丕亘賷賳 賵亘賷賳 賷丨賰賷 亘賵賱 睾賵睾丕賳 亘兀爻賱賵亘 亘爻賷胤 賵卮賷賯 賱賷睾賵氐 賮噩丕丞 賮賷 氐賮丨丕鬲 賮賷 丕賱賲賷孬賵賱賵噩賷丕 丕賱鬲丕賴賷鬲賷丞貙 賱丕 丕毓乇賮 賱賵賴賱丞 馗賳賳鬲 丕賳賷 兀賯乇兀 賱賰賱 賲賳 賮乇丕爻 丕賱爻賵丕丨 丕賵 禺夭毓賱 丕賱賲丕噩丿賷 . 賱賳 鬲毓乇賮 賱賴丕 鬲氐賳賷賮丕 賮鬲丕乇丞 鬲鬲乇丕亍賶 賰乇賵丕賷丞 賵鬲丕乇丞 賰賲匕賰乇丕鬲 賵鬲丕乇丞 丕禺乇賶 賰兀丨丿 賰鬲亘 兀丿亘 丕賱乇丨賱丕鬲貨 賴賷 丕賱賰賱 賮賷 丕賱賰賱 乇睾賲 毓丿丿 氐賮丨丕鬲賴丕 丕賱賯賱賷賱. 賵鬲賲賳賷鬲 賱賵 兀胤丕賱 亘賵賱 睾賵睾丕賳 丕賱丨賰賷 賵丕賱丨賰賷 賵丕賱丨賰賷.
鬲丕賴賷鬲賷 賵賲丕 兀丿乇丕賰 賲丕 鬲丕賴賷鬲賷! 賰賱賲丕 賯乇丕鬲 毓賳賴丕 夭丕丿 丕賮鬲賳丕賳賷 亘賴丕. 賷睾賵氐 亘賰賲 亘賵賱 睾賵睾丕賳 賮賷 丨囟丕乇丞 鬲丕賴賷鬲賷 丕賱毓賲賷賯丞 賲丕亘賷賳 丕賱丨丕囟乇 賵 丕賱賲丕囟賷貙 賵 賲丕亘賷賳 丕賱鬲卮亘孬 亘丕賱鬲賯丕賱賷丿 賵丕賱毓丕丿丕鬲 賵 賲丨丕賵賱丕鬲 丕賱亘毓孬丕鬲 丕賱賲爻鬲賲賷鬲丞 賱丕胤賮丕亍 賮鬲賷賱賴丕 亘卮鬲賶 丕賱胤乇賯貙 賵 賲丕亘賷賳 丕賱噩賲丕賱 丕賱胤亘賷毓賷 賵 丕賱鬲賲丿賳貙 賵賲丕亘賷賳 丕爻鬲賯乇丕乇 丨賲賷賲 賵 丕爻鬲毓賲丕乇 賵丨卮賷貙 賵賲丕亘賷賳 賵亘賷賳 賷丨賰賷 亘賵賱 睾賵睾丕賳 亘兀爻賱賵亘 亘爻賷胤 賵卮賷賯 賱賷睾賵氐 賮噩丕丞 賮賷 氐賮丨丕鬲 賮賷 丕賱賲賷孬賵賱賵噩賷丕 丕賱鬲丕賴賷鬲賷丞貙 賱丕 丕毓乇賮 賱賵賴賱丞 馗賳賳鬲 丕賳賷 兀賯乇兀 賱賰賱 賲賳 賮乇丕爻 丕賱爻賵丕丨 丕賵 禺夭毓賱 丕賱賲丕噩丿賷 . 賱賳 鬲毓乇賮 賱賴丕 鬲氐賳賷賮丕 賮鬲丕乇丞 鬲鬲乇丕亍賶 賰乇賵丕賷丞 賵鬲丕乇丞 賰賲匕賰乇丕鬲 賵鬲丕乇丞 丕禺乇賶 賰兀丨丿 賰鬲亘 兀丿亘 丕賱乇丨賱丕鬲貨 賴賷 丕賱賰賱 賮賷 丕賱賰賱 乇睾賲 毓丿丿 氐賮丨丕鬲賴丕 丕賱賯賱賷賱. 賵鬲賲賳賷鬲 賱賵 兀胤丕賱 亘賵賱 睾賵睾丕賳 丕賱丨賰賷 賵丕賱丨賰賷 賵丕賱丨賰賷.
December 8, 2019
賷乇賵賷 丕賱賰鬲丕亘 乇丨賱丞 丕賱賰丕鬲亘 亘賵賱 睾賵睾丕賳 廿賱賶 鬲丕賴賷鬲賷 賲賳 禺賱丕賱 丕賱賰鬲丕亘 賷爻鬲卮賮 丕賱賯丕乇卅 丕賱賳馗乇丞 丕賱兀賵乇亘賷丞 廿賱賶 賯亘丕卅賱 丕賱鬲丕賴賷鬲賷 .. 賮賳乇賶 丕賱賰丕鬲亘 賷氐賮 丕賱卮毓亘 丕賱賲丕賵賵乇賷 賲乇丕鬲 毓丿賷丿丞 亘丕賱賵丨卮賷丞 賵丕賱亘丿丕卅賷丞.. 賵賮賷 丕賱賵賯鬲 匕丕鬲賴 賷爻賷胤乇 爻丨乇 胤亘賷毓丞 鬲丕賴賷鬲賷 毓賱賶 丕賱賯丕乇卅 .. 賵賷丨賰賷 丕賱賰丕鬲亘 毓賳 毓丕丿丕鬲 丕賱卮毓亘 丕賱賲丕賵賵乇賷 毓賳 兀爻丕胤賷乇賴賲 賵 廿乇鬲亘丕胤賴賲 亘丌賱賴鬲賴賲 ..
November 8, 2018
袩褉芯薪懈泻薪芯胁械薪懈械! 鈽€锔� 馃晩锔�
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March 5, 2025For lesson planning
November 15, 2019
袙懈薪邪谐懈 褋褗屑 褏邪褉械褋胁邪谢邪 蟹邪谐邪写褗褔薪懈褌械 蟹邪谐谢邪胁懈褟 薪邪 泻薪懈谐懈 - 蟹邪谐谢邪胁懈褟, 胁泻谢褞褔胁邪褖懈 写褍屑懈 薪邪 褋褗褖械褋褌胁褍胁邪褖懈 懈谢懈 薪械褋褗褖械褋褌胁褍胁邪褖懈 械蟹懈褑懈, 写邪谢械褔薪懈, 薪芯 泻褉邪褋懈胁懈. 袟邪谐谢邪胁懈褟, 泻芯懈褌芯 薪械 褉邪蟹斜懈褉邪屑 写芯泻邪褌芯 薪械 褉邪蟹谢懈褋褌褟 泻薪懈谐邪褌邪, 薪芯 泻芯懈褌芯 芯锌褉械写械谢械薪芯 褏胁邪褖邪褌 芯泻芯褌芯 懈 谐邪谢褟褌 褋谢褍褏邪. 袩褉懈 褌械蟹懈 泻薪懈谐懈 褉邪蟹谐邪写邪胁邪薪械褌芯 薪邪 褋屑懈褋褗谢邪 薪邪 蟹邪谐谢邪胁懈械褌芯 褋械 锌褉械胁褉褗褖邪 胁 懈褋褌懈薪褋泻芯 锌褉懈泻谢褞褔薪懈械, 芯褋芯斜械薪芯 邪泻芯 邪胁褌芯褉褗褌 薪邪懈褋褌懈薪邪 锌褉懈褌械卸邪胁邪 锌懈褋邪褌械谢褋泻懈 褍屑械薪懈褟. "袧芯邪 薪芯邪" 械 械写薪邪 芯褌 褌械蟹懈 泻薪懈谐懈 褋褗褋 蟹邪谐邪写褗褔薪懈, 薪芯 泻褉邪褋懈胁懈 蟹邪谐谢邪胁懈褟. 袧邪锌懈褋邪薪邪 芯褌 薪械斜械蟹懈蟹胁械褋褌薪懈褟 褎褉械薪褋泻懈 褏褍写芯卸薪懈泻 袩芯谢 袚芯谐械薪, 褌褟 械 写芯泻邪蟹邪褌械谢褋褌胁芯, 褔械 褌芯泄 械 蟹薪邪械谢 薪械 褋邪屑芯 泻邪泻 写邪 褋懈 褋谢褍卸懈 褋 褔械褌泻邪褌邪, 薪芯 懈 褋 锌械褉芯褌芯. 袣芯谐邪褌芯 褉邪蟹斜褉邪褏 蟹邪 懈蟹谢懈蟹邪薪械褌芯 薪邪 "袧芯邪 薪芯邪" 蟹薪邪械褏, 褔械 褖械 屑械 胁锌械褔邪褌谢懈 - 泻芯屑斜懈薪邪褑懈褟褌邪 屑械卸写褍 锌褗褌械锌懈褋, 锌芯械蟹懈褟 懈 屑邪谢泻邪 褔邪褋褌 褏褍写芯卸械褋褌胁械薪芯褋褌 薪褟屑邪 泻邪泻 写邪 薪械 屑懈 写芯锌邪写薪械. 袨斜懈褔邪屑 泻薪懈谐懈, 泻芯懈褌芯 屑芯谐邪褌 写邪 锌芯斜械褉邪褌 锌芯胁械褔械 芯褌 械写薪邪 褎芯褉屑邪 胁 褋械斜械 褋懈, 芯褋芯斜械薪芯 褌械蟹懈, 泻芯懈褌芯 褋邪 薪邪谐谢械写 泻褉邪褌泻懈 懈 屑邪谢泻懈 锌芯 芯斜械屑, 薪芯 褋褗写褗褉卸邪褌 胁 褋械斜械 褋懈 褑褟谢邪褌邪 褋褌懈褏懈泄薪芯褋褌 薪邪 卸懈胁芯褌邪 懈 谢懈褌械褉邪褌褍褉邪褌邪.
袙 "袧芯邪 薪芯邪" 袩芯谢 袚芯谐械薪 芯锌懈褋胁邪 谐芯谢褟屑邪 褔邪褋褌 芯褌 锌褉械卸懈胁褟胁邪薪懈褟褌邪 褋懈 胁 孝邪懈褌懈, 泻褗写械褌芯 锌褉械泻邪褉胁邪 写胁械 谐芯写懈薪懈 芯褌 卸懈胁芯褌邪 褋懈 (芯褌 1891-1893 谐.). 小谢械写 69-写薪械胁薪芯 锌褗褌褍胁邪薪械 褋 泻芯褉邪斜 袚芯谐械薪 锌褉懈褋褌懈谐邪 胁 孝邪懈褌懈 - 屑褟褋褌芯褌芯, 泻芯械褌芯 懈蟹斜懈褉邪 褋 薪邪写械卸写邪褌邪 写邪 懈蟹斜褟谐邪 芯褌 褑懈胁懈谢懈蟹邪褑懈褟褌邪 懈 写邪 薪邪屑械褉懈 锌芯薪械 屑邪谢泻芯 褍褞褌 懈 褋锌芯泻芯泄褋褌胁懈械 (泻邪泻褌芯 懈 屑邪谢泻芯 褍褌械褏邪 褋谢械写 锌褉芯斜谢械屑懈褌械, 懈蟹薪懈泻薪邪谢懈 械写懈薪 褋谢械写 写褉褍谐 胁 卸懈胁芯褌邪 屑褍). 袦芯卸械 写邪 褋械 泻邪卸械, 褔械 褍褋锌褟胁邪 写邪 薪邪屑械褉懈 褌芯胁邪, 泻芯械褌芯 褌褗褉褋懈 - 芯锌懈褋邪薪懈褟褌邪, 泻芯懈褌芯 褌芯泄 锌褉邪胁懈 薪邪 卸懈胁芯褌邪 薪邪 屑械褋褌薪懈褌械 卸懈褌械谢懈 薪邪 芯褋褌褉芯胁邪 懈 械褎械泻褌邪, 泻芯泄褌芯 褌械 芯泻邪蟹胁邪褌 胁褗褉褏褍 薪械谐芯, 褋邪 泻褉邪褋懈胁芯 锌褉械写邪写械薪懈 锌芯 褋褌褉邪薪懈褑懈褌械 薪邪 "袧芯邪 薪芯邪". 袣芯谐邪褌芯 褔械褌械, 褔芯胁械泻 褍褋械褖邪 锌芯谢褗褏邪 薪邪 胁褟褌褗褉邪, 屑褍蟹懈泻邪褌邪 薪邪 褌邪懈褌褟薪褋泻芯褌芯 胁懈胁芯, 蟹胁褍褑懈褌械, 懈蟹写邪胁邪薪懈 芯褌 锌褌懈褑懈褌械, 薪芯 褋褗褖芯 褌邪泻邪 褍褋械褖邪 懈 屑褉邪泻邪 懈 褌懈褕懈薪邪褌邪, 泻褉邪褋芯褌邪褌邪 懈 褍褟蟹胁懈屑芯褋褌褌邪. 小谢械写 胁褉褗褖邪薪械褌芯 褋懈 胁 袩邪褉懈卸 袚芯谐械薪 锌褉械褋褗蟹写邪胁邪 胁褋懈褔泻芯, 泻芯械褌芯 锌褉械卸懈胁褟胁邪 薪邪 芯褋褌褉芯胁邪, 胁 褋胁芯懈褌械 泻邪褉褌懈薪懈 - 褌邪懈褌褟薪褋泻芯褌芯 褌胁芯褉褔械褋褌胁芯 褋械 锌褉械胁褉褗褖邪 胁 屑芯卸械 斜懈 薪邪泄-械屑斜谢械屑邪褌懈褔薪邪褌邪 屑褍 褋械褉懈褟 芯褌 褌胁芯褉斜懈. 孝胁芯褉斜邪褌邪, 泻褉邪褋褟褖邪 锌褉械泻褉邪褋薪邪褌邪 泻芯褉懈褑邪 薪邪 褌芯胁邪 懈蟹写邪薪懈械, 械 褔邪褋褌 芯褌 褌邪蟹懈 褋械褉懈褟. Manau tupapau ("袛褍褏褗褌 薪邪 屑褗褉褌胁懈褌械 胁懈 薪邪斜谢褞写邪胁邪") 懈蟹芯斜褉邪蟹褟胁邪 孝械褍褉邪 - 卸械薪邪褌邪, 泻芯褟褌芯 袚芯谐械薪 褋褉械褖邪 胁 孝邪懈褌懈 懈 褋 泻芯褟褌芯 蟹邪卸懈胁褟胁邪. 袙褋褗褖薪芯褋褌 写芯泻芯谢泻芯褌芯 褉邪蟹斜懈褉邪屑 胁褋械 芯褖械 褋械 褋锌芯褉懈 写邪谢懈 薪邪懈褋褌懈薪邪 褌芯泄 械 懈屑邪谢 芯褌薪芯褕械薪懈褟 褋 薪械褟 懈 写芯泻芯谢泻芯 屑芯褉邪谢薪邪 斜懈 斜懈谢邪 械写薪邪 胁褉褗蟹泻邪 屑械卸写褍 褌褟褏 锌芯褉邪写懈 褉邪蟹谢懈泻邪褌邪 胁褗胁 胁褗蟹褉邪褋褌褌邪 懈屑. 袣邪泻胁邪褌芯 懈 写邪 械 懈褋褌懈薪邪褌邪, 褌褟 薪械 屑芯卸械 写邪 芯斜芯褉懈 褎邪泻褌邪, 褔械 泻邪褉褌懈薪邪褌邪 械 懈蟹褟褖薪芯 泻褉邪褋懈胁邪 懈 褋褌褉邪褕薪芯 锌芯写褏芯写褟褖邪 蟹邪 泻芯褉懈褑邪 - 泻邪泻褌芯 褋械 褉邪蟹斜懈褉邪 屑械卸写褍 褋褌褉邪薪懈褑懈褌械, 卸械薪邪褌邪 懈 谢褞斜芯胁褌邪 屑械卸写褍 卸械薪邪褌邪 懈 屑褗卸邪, 屑械卸写褍 胁邪懈薪械 懈 薪械泄薪懈褟 褌邪薪械, 械 薪邪泄-谐芯谢褟屑芯褌芯 胁写褗褏薪芯胁械薪懈械 薪邪 袚芯谐械薪 泻邪泻褌芯 蟹邪 泻邪褉褌懈薪懈褌械 芯褌 褋械褉懈褟褌邪, 褌邪泻邪 懈 蟹邪 "袧芯邪 薪芯邪".
袟邪谐谢邪胁懈械褌芯 斜懈胁邪 "褉邪蟹斜褍谢械薪芯" 胁 械写薪邪 芯褌 谐谢邪胁懈褌械, 泻芯谐邪褌芯 袚芯谐械薪 芯锌懈褋胁邪 泻褉邪褋芯褌邪褌邪 薪邪 屑械褋褌薪懈褌械 卸械薪懈 - 褌械 褋邪 锌褗褉胁芯斜懈褌薪懈, 薪芯 懈蟹褟褖薪懈, 褋 械写薪邪 褋懈谢薪邪, 薪械锌芯写锌褉邪胁械薪邪 卸械薪褋褌胁械薪芯褋褌, 卸械薪懈, 芯褌 泻芯懈褌芯 褋褌褉褍懈 卸懈胁芯褌 懈 卸懈蟹薪械薪芯褋褌. 袗褉芯屑邪褌褗褌 薪邪 泻芯卸邪褌邪 懈屑 褋械 褋屑械褋胁邪 褋 褌芯蟹懈 薪邪 褑胁械褌褟褌邪 懈 懈屑 锌褉懈写邪胁邪 芯褖械 锌芯-卸械薪褋褌胁械薪 胁懈写. 效芯胁械褕泻芯褌芯 褌褟谢芯 懈 锌褉懈褉芯写邪褌邪 褋屑械褋胁邪褌 褋胁芯褟 邪褉芯屑邪褌 懈 谐芯 锌褉械胁褉褗褖邪褌 胁 薪械褖芯, 泻芯械褌芯 褌褉褍写薪芯 褋械 芯锌懈褋胁邪, 薪芯 胁褗锌褉械泻懈 褌芯胁邪 袚芯谐械薪 褍褋锌褟胁邪 写邪 锌褉械写邪写械 泻褉邪褋芯褌邪褌邪 胁 褑褟谢邪褌邪 泻邪褉褌懈薪邪:
袨褌 褌褟褏 褋械 褉邪蟹薪邪褋褟褕械 褋屑械褋械薪邪 卸懈胁芯褌懈薪褋泻邪 懈 褉邪褋褌懈褌械谢薪邪 屑懈褉懈蟹屑邪, 锌邪褉褎褞屑褗褌 薪邪 泻褉褗胁褌邪 懈屑 懈 褌芯蟹懈 薪邪 谐邪褉写械薪懈懈褌械, 泻芯懈褌芯 薪芯褋械褏邪, 褋锌谢械褌械薪懈 薪邪 胁械薪褔械 胁 泻芯褋懈褌械 懈屑.
孝械懈薪械 屑械褉邪懈 薪芯邪 薪芯邪 (褋械谐邪 屑薪芯谐芯 邪褉芯屑邪褌薪懈), 泻邪蟹胁邪褏邪 褌械...
袩褉械泻褉邪褋薪懈褌械 写褍屑懈 薪邪 袚芯谐械薪 芯褌 胁褉械屑械 薪邪 胁褉械屑械 斜懈胁邪褌 锌褉械泻褗褋薪邪褌懈 芯褌 褋褗褖芯 褌芯谢泻芯胁邪 锌褉械泻褉邪褋薪懈褌械 锌芯械屑懈 薪邪 楔邪褉谢 袦芯褉懈褋 - 褎褉械薪褋泻懈 锌芯械褌, 锌褉懈褟褌械谢 薪邪 袚芯谐械薪, 泻芯泄褌芯 褋械 褋写芯斜懈胁邪 褋 褉褗泻芯锌懈褋邪 薪邪 "袧芯邪 薪芯邪" 懈 褋械 芯锌懈褌胁邪 写邪 谐芯 锌褉芯写邪写械, 褌褗泄 泻邪褌芯 懈蟹锌邪写邪 胁 写褗谢谐芯胁械. "袧芯邪 薪芯邪" 懈蟹屑懈薪邪胁邪 写褗谢褗谐 懈 褌褉褍写械薪 锌褗褌 锌褉械写懈 写邪 斜褗写械 锌褍斜谢懈泻褍胁邪薪邪, 薪芯 胁 械写懈薪 屑芯屑械薪褌 褌芯胁邪 褋械 褋谢褍褔邪胁邪 懈 褌邪泻邪 谢褞斜懈褌械谢懈褌械 薪邪 懈蟹泻褍褋褌胁芯褌芯, 邪 懈 褏芯褉邪褌邪, 泻芯懈褌芯 锌褉芯褋褌芯 芯斜懈褔邪褌 写邪 褔械褌邪褌 锌褗褌械锌懈褋懈 懈 懈褋褌芯褉懈懈 蟹邪 锌褉懈泻谢褞褔械薪懈褟 胁 写邪谢械褔薪懈 懈 薪械锌芯蟹薪邪褌懈 蟹械屑懈, 锌芯谢褍褔邪胁邪褌 褕邪薪褋邪 写邪 褋械 锌芯褌芯锌褟褌 胁 邪褌屑芯褋褎械褉邪褌邪 薪邪 孝邪懈褌懈 锌褉械蟹 芯褔懈褌械 薪邪 袩芯谢 袚芯谐械薪. 袟邪 屑械薪 谢懈褔薪芯 斜械褕械 芯褋芯斜械薪芯 懈薪褌械褉械褋薪芯 写邪 胁懈写褟 薪械褖邪褌邪 锌褉械蟹 芯褔懈褌械 薪邪 褏褍写芯卸薪懈泻 懈 褋谢械写 褌芯胁邪 胁锌谢懈褌邪薪械褌芯 懈屑 褋 锌芯械屑懈, 泻芯懈褌芯 锌褉械泻褉邪褋薪芯 写芯锌褗谢胁邪褌 褉邪蟹泻邪蟹邪 薪邪 褏褍写芯卸薪懈泻邪. 孝邪蟹懈 泻芯屑斜懈薪邪褑懈褟 锌褉械泻褉邪褋薪芯 锌褉械写邪胁邪 械屑芯褑懈懈褌械, 泻芯懈褌芯 褔芯胁械泻 懈蟹锌懈褌胁邪, 写芯泻邪褌芯 褔械褌械 - 褋屑懈褉械薪懈械 懈 褍写懈胁谢械薪懈械 锌褉械写 泻褉邪褋芯褌邪褌邪 薪邪 锌褉懈褉芯写邪褌邪 懈 褔芯胁械泻邪, 薪芯 褋褗褖芯 褌邪泻邪 懈 械泻褋褌邪蟹, 胁褗谢薪械薪懈械 懈 邪写褉械薪邪谢懈薪, 薪械锌褉械泻褗褋薪邪褌邪 械屑芯褑懈褟, 泻芯褟褌芯 褉邪蟹褌褍锌褌褟胁邪 褋褗褉褑械褌芯 懈 褉邪蟹褌褗褉褋胁邪 褋褗蟹薪邪薪懈械褌芯. 小锌芯泻芯泄褋褌胁懈械 懈 斜褍褉褟 胁 械写薪芯 - 褌芯褔薪芯 褌芯胁邪 薪懈 写邪胁邪 褌邪蟹懈 屑邪谢泻邪, 薪芯 泻褉邪褋懈胁邪 泻薪懈卸泻邪. 袠蟹泻褍褋褌胁芯 懈 锌芯械蟹懈褟 褋械 胁锌谢懈褌邪褌 锌芯 锌褉械泻褉邪褋械薪 薪邪褔懈薪 懈 褉械蟹褍谢褌邪褌褗褌 械 械写薪芯 薪械胁械褉芯褟褌薪芯 锌褗褌械褕械褋褌胁懈械 薪邪 写褍褕邪褌邪 懈 褋褗褉褑械褌芯.
袙 "袧芯邪 薪芯邪" 袩芯谢 袚芯谐械薪 芯锌懈褋胁邪 谐芯谢褟屑邪 褔邪褋褌 芯褌 锌褉械卸懈胁褟胁邪薪懈褟褌邪 褋懈 胁 孝邪懈褌懈, 泻褗写械褌芯 锌褉械泻邪褉胁邪 写胁械 谐芯写懈薪懈 芯褌 卸懈胁芯褌邪 褋懈 (芯褌 1891-1893 谐.). 小谢械写 69-写薪械胁薪芯 锌褗褌褍胁邪薪械 褋 泻芯褉邪斜 袚芯谐械薪 锌褉懈褋褌懈谐邪 胁 孝邪懈褌懈 - 屑褟褋褌芯褌芯, 泻芯械褌芯 懈蟹斜懈褉邪 褋 薪邪写械卸写邪褌邪 写邪 懈蟹斜褟谐邪 芯褌 褑懈胁懈谢懈蟹邪褑懈褟褌邪 懈 写邪 薪邪屑械褉懈 锌芯薪械 屑邪谢泻芯 褍褞褌 懈 褋锌芯泻芯泄褋褌胁懈械 (泻邪泻褌芯 懈 屑邪谢泻芯 褍褌械褏邪 褋谢械写 锌褉芯斜谢械屑懈褌械, 懈蟹薪懈泻薪邪谢懈 械写懈薪 褋谢械写 写褉褍谐 胁 卸懈胁芯褌邪 屑褍). 袦芯卸械 写邪 褋械 泻邪卸械, 褔械 褍褋锌褟胁邪 写邪 薪邪屑械褉懈 褌芯胁邪, 泻芯械褌芯 褌褗褉褋懈 - 芯锌懈褋邪薪懈褟褌邪, 泻芯懈褌芯 褌芯泄 锌褉邪胁懈 薪邪 卸懈胁芯褌邪 薪邪 屑械褋褌薪懈褌械 卸懈褌械谢懈 薪邪 芯褋褌褉芯胁邪 懈 械褎械泻褌邪, 泻芯泄褌芯 褌械 芯泻邪蟹胁邪褌 胁褗褉褏褍 薪械谐芯, 褋邪 泻褉邪褋懈胁芯 锌褉械写邪写械薪懈 锌芯 褋褌褉邪薪懈褑懈褌械 薪邪 "袧芯邪 薪芯邪". 袣芯谐邪褌芯 褔械褌械, 褔芯胁械泻 褍褋械褖邪 锌芯谢褗褏邪 薪邪 胁褟褌褗褉邪, 屑褍蟹懈泻邪褌邪 薪邪 褌邪懈褌褟薪褋泻芯褌芯 胁懈胁芯, 蟹胁褍褑懈褌械, 懈蟹写邪胁邪薪懈 芯褌 锌褌懈褑懈褌械, 薪芯 褋褗褖芯 褌邪泻邪 褍褋械褖邪 懈 屑褉邪泻邪 懈 褌懈褕懈薪邪褌邪, 泻褉邪褋芯褌邪褌邪 懈 褍褟蟹胁懈屑芯褋褌褌邪. 小谢械写 胁褉褗褖邪薪械褌芯 褋懈 胁 袩邪褉懈卸 袚芯谐械薪 锌褉械褋褗蟹写邪胁邪 胁褋懈褔泻芯, 泻芯械褌芯 锌褉械卸懈胁褟胁邪 薪邪 芯褋褌褉芯胁邪, 胁 褋胁芯懈褌械 泻邪褉褌懈薪懈 - 褌邪懈褌褟薪褋泻芯褌芯 褌胁芯褉褔械褋褌胁芯 褋械 锌褉械胁褉褗褖邪 胁 屑芯卸械 斜懈 薪邪泄-械屑斜谢械屑邪褌懈褔薪邪褌邪 屑褍 褋械褉懈褟 芯褌 褌胁芯褉斜懈. 孝胁芯褉斜邪褌邪, 泻褉邪褋褟褖邪 锌褉械泻褉邪褋薪邪褌邪 泻芯褉懈褑邪 薪邪 褌芯胁邪 懈蟹写邪薪懈械, 械 褔邪褋褌 芯褌 褌邪蟹懈 褋械褉懈褟. Manau tupapau ("袛褍褏褗褌 薪邪 屑褗褉褌胁懈褌械 胁懈 薪邪斜谢褞写邪胁邪") 懈蟹芯斜褉邪蟹褟胁邪 孝械褍褉邪 - 卸械薪邪褌邪, 泻芯褟褌芯 袚芯谐械薪 褋褉械褖邪 胁 孝邪懈褌懈 懈 褋 泻芯褟褌芯 蟹邪卸懈胁褟胁邪. 袙褋褗褖薪芯褋褌 写芯泻芯谢泻芯褌芯 褉邪蟹斜懈褉邪屑 胁褋械 芯褖械 褋械 褋锌芯褉懈 写邪谢懈 薪邪懈褋褌懈薪邪 褌芯泄 械 懈屑邪谢 芯褌薪芯褕械薪懈褟 褋 薪械褟 懈 写芯泻芯谢泻芯 屑芯褉邪谢薪邪 斜懈 斜懈谢邪 械写薪邪 胁褉褗蟹泻邪 屑械卸写褍 褌褟褏 锌芯褉邪写懈 褉邪蟹谢懈泻邪褌邪 胁褗胁 胁褗蟹褉邪褋褌褌邪 懈屑. 袣邪泻胁邪褌芯 懈 写邪 械 懈褋褌懈薪邪褌邪, 褌褟 薪械 屑芯卸械 写邪 芯斜芯褉懈 褎邪泻褌邪, 褔械 泻邪褉褌懈薪邪褌邪 械 懈蟹褟褖薪芯 泻褉邪褋懈胁邪 懈 褋褌褉邪褕薪芯 锌芯写褏芯写褟褖邪 蟹邪 泻芯褉懈褑邪 - 泻邪泻褌芯 褋械 褉邪蟹斜懈褉邪 屑械卸写褍 褋褌褉邪薪懈褑懈褌械, 卸械薪邪褌邪 懈 谢褞斜芯胁褌邪 屑械卸写褍 卸械薪邪褌邪 懈 屑褗卸邪, 屑械卸写褍 胁邪懈薪械 懈 薪械泄薪懈褟 褌邪薪械, 械 薪邪泄-谐芯谢褟屑芯褌芯 胁写褗褏薪芯胁械薪懈械 薪邪 袚芯谐械薪 泻邪泻褌芯 蟹邪 泻邪褉褌懈薪懈褌械 芯褌 褋械褉懈褟褌邪, 褌邪泻邪 懈 蟹邪 "袧芯邪 薪芯邪".
袟邪谐谢邪胁懈械褌芯 斜懈胁邪 "褉邪蟹斜褍谢械薪芯" 胁 械写薪邪 芯褌 谐谢邪胁懈褌械, 泻芯谐邪褌芯 袚芯谐械薪 芯锌懈褋胁邪 泻褉邪褋芯褌邪褌邪 薪邪 屑械褋褌薪懈褌械 卸械薪懈 - 褌械 褋邪 锌褗褉胁芯斜懈褌薪懈, 薪芯 懈蟹褟褖薪懈, 褋 械写薪邪 褋懈谢薪邪, 薪械锌芯写锌褉邪胁械薪邪 卸械薪褋褌胁械薪芯褋褌, 卸械薪懈, 芯褌 泻芯懈褌芯 褋褌褉褍懈 卸懈胁芯褌 懈 卸懈蟹薪械薪芯褋褌. 袗褉芯屑邪褌褗褌 薪邪 泻芯卸邪褌邪 懈屑 褋械 褋屑械褋胁邪 褋 褌芯蟹懈 薪邪 褑胁械褌褟褌邪 懈 懈屑 锌褉懈写邪胁邪 芯褖械 锌芯-卸械薪褋褌胁械薪 胁懈写. 效芯胁械褕泻芯褌芯 褌褟谢芯 懈 锌褉懈褉芯写邪褌邪 褋屑械褋胁邪褌 褋胁芯褟 邪褉芯屑邪褌 懈 谐芯 锌褉械胁褉褗褖邪褌 胁 薪械褖芯, 泻芯械褌芯 褌褉褍写薪芯 褋械 芯锌懈褋胁邪, 薪芯 胁褗锌褉械泻懈 褌芯胁邪 袚芯谐械薪 褍褋锌褟胁邪 写邪 锌褉械写邪写械 泻褉邪褋芯褌邪褌邪 胁 褑褟谢邪褌邪 泻邪褉褌懈薪邪:
袨褌 褌褟褏 褋械 褉邪蟹薪邪褋褟褕械 褋屑械褋械薪邪 卸懈胁芯褌懈薪褋泻邪 懈 褉邪褋褌懈褌械谢薪邪 屑懈褉懈蟹屑邪, 锌邪褉褎褞屑褗褌 薪邪 泻褉褗胁褌邪 懈屑 懈 褌芯蟹懈 薪邪 谐邪褉写械薪懈懈褌械, 泻芯懈褌芯 薪芯褋械褏邪, 褋锌谢械褌械薪懈 薪邪 胁械薪褔械 胁 泻芯褋懈褌械 懈屑.
孝械懈薪械 屑械褉邪懈 薪芯邪 薪芯邪 (褋械谐邪 屑薪芯谐芯 邪褉芯屑邪褌薪懈), 泻邪蟹胁邪褏邪 褌械...
袩褉械泻褉邪褋薪懈褌械 写褍屑懈 薪邪 袚芯谐械薪 芯褌 胁褉械屑械 薪邪 胁褉械屑械 斜懈胁邪褌 锌褉械泻褗褋薪邪褌懈 芯褌 褋褗褖芯 褌芯谢泻芯胁邪 锌褉械泻褉邪褋薪懈褌械 锌芯械屑懈 薪邪 楔邪褉谢 袦芯褉懈褋 - 褎褉械薪褋泻懈 锌芯械褌, 锌褉懈褟褌械谢 薪邪 袚芯谐械薪, 泻芯泄褌芯 褋械 褋写芯斜懈胁邪 褋 褉褗泻芯锌懈褋邪 薪邪 "袧芯邪 薪芯邪" 懈 褋械 芯锌懈褌胁邪 写邪 谐芯 锌褉芯写邪写械, 褌褗泄 泻邪褌芯 懈蟹锌邪写邪 胁 写褗谢谐芯胁械. "袧芯邪 薪芯邪" 懈蟹屑懈薪邪胁邪 写褗谢褗谐 懈 褌褉褍写械薪 锌褗褌 锌褉械写懈 写邪 斜褗写械 锌褍斜谢懈泻褍胁邪薪邪, 薪芯 胁 械写懈薪 屑芯屑械薪褌 褌芯胁邪 褋械 褋谢褍褔邪胁邪 懈 褌邪泻邪 谢褞斜懈褌械谢懈褌械 薪邪 懈蟹泻褍褋褌胁芯褌芯, 邪 懈 褏芯褉邪褌邪, 泻芯懈褌芯 锌褉芯褋褌芯 芯斜懈褔邪褌 写邪 褔械褌邪褌 锌褗褌械锌懈褋懈 懈 懈褋褌芯褉懈懈 蟹邪 锌褉懈泻谢褞褔械薪懈褟 胁 写邪谢械褔薪懈 懈 薪械锌芯蟹薪邪褌懈 蟹械屑懈, 锌芯谢褍褔邪胁邪褌 褕邪薪褋邪 写邪 褋械 锌芯褌芯锌褟褌 胁 邪褌屑芯褋褎械褉邪褌邪 薪邪 孝邪懈褌懈 锌褉械蟹 芯褔懈褌械 薪邪 袩芯谢 袚芯谐械薪. 袟邪 屑械薪 谢懈褔薪芯 斜械褕械 芯褋芯斜械薪芯 懈薪褌械褉械褋薪芯 写邪 胁懈写褟 薪械褖邪褌邪 锌褉械蟹 芯褔懈褌械 薪邪 褏褍写芯卸薪懈泻 懈 褋谢械写 褌芯胁邪 胁锌谢懈褌邪薪械褌芯 懈屑 褋 锌芯械屑懈, 泻芯懈褌芯 锌褉械泻褉邪褋薪芯 写芯锌褗谢胁邪褌 褉邪蟹泻邪蟹邪 薪邪 褏褍写芯卸薪懈泻邪. 孝邪蟹懈 泻芯屑斜懈薪邪褑懈褟 锌褉械泻褉邪褋薪芯 锌褉械写邪胁邪 械屑芯褑懈懈褌械, 泻芯懈褌芯 褔芯胁械泻 懈蟹锌懈褌胁邪, 写芯泻邪褌芯 褔械褌械 - 褋屑懈褉械薪懈械 懈 褍写懈胁谢械薪懈械 锌褉械写 泻褉邪褋芯褌邪褌邪 薪邪 锌褉懈褉芯写邪褌邪 懈 褔芯胁械泻邪, 薪芯 褋褗褖芯 褌邪泻邪 懈 械泻褋褌邪蟹, 胁褗谢薪械薪懈械 懈 邪写褉械薪邪谢懈薪, 薪械锌褉械泻褗褋薪邪褌邪 械屑芯褑懈褟, 泻芯褟褌芯 褉邪蟹褌褍锌褌褟胁邪 褋褗褉褑械褌芯 懈 褉邪蟹褌褗褉褋胁邪 褋褗蟹薪邪薪懈械褌芯. 小锌芯泻芯泄褋褌胁懈械 懈 斜褍褉褟 胁 械写薪芯 - 褌芯褔薪芯 褌芯胁邪 薪懈 写邪胁邪 褌邪蟹懈 屑邪谢泻邪, 薪芯 泻褉邪褋懈胁邪 泻薪懈卸泻邪. 袠蟹泻褍褋褌胁芯 懈 锌芯械蟹懈褟 褋械 胁锌谢懈褌邪褌 锌芯 锌褉械泻褉邪褋械薪 薪邪褔懈薪 懈 褉械蟹褍谢褌邪褌褗褌 械 械写薪芯 薪械胁械褉芯褟褌薪芯 锌褗褌械褕械褋褌胁懈械 薪邪 写褍褕邪褌邪 懈 褋褗褉褑械褌芯.
November 24, 2019
"Noa Noa e altri racconti" sembra un diario, anche se non ha la struttura tipica di questa forma letteraria, ma permette di entrare ancora di pi霉 nel mondo di Gauguin e della sua arte. Un diario-documento diviso in ben tre fasi che testimoniano i pensieri e le emozioni del pittore in una fase delicata e importante della sua vita.
Un diario che, dopo anni, in Europa, lo porta a Tahiti tra il popolo di promitivi, ma anche in mezzo a tonalit脿 e colori lussureggianti di quel luogo che diventa fondamentale nella sua arte. Sono colori che diventano parte di lui e del suo mondo unico.
Continua poi con l'epistolario indirizzato da Daniel De Monfreid, pittore francese che diventa il suo confidente al quale Gauguin esprime dubbi, perplessit脿 e paure, in generale. La terza e ultima parte culmina con i Frammenti che sono i pensieri di Gauguin, compresa la sua amicizia con Van Gogh.
Un diario che racconta il pittore, l'uomo e la sua arte, ma anche un periodo importante che terminer脿 con alcuni dei suoi quadri pi霉 celebri come "Le donne di Tahiti" in cui l'espressione del colore 猫 pi霉 vivida che mai.
Un diario che, dopo anni, in Europa, lo porta a Tahiti tra il popolo di promitivi, ma anche in mezzo a tonalit脿 e colori lussureggianti di quel luogo che diventa fondamentale nella sua arte. Sono colori che diventano parte di lui e del suo mondo unico.
Continua poi con l'epistolario indirizzato da Daniel De Monfreid, pittore francese che diventa il suo confidente al quale Gauguin esprime dubbi, perplessit脿 e paure, in generale. La terza e ultima parte culmina con i Frammenti che sono i pensieri di Gauguin, compresa la sua amicizia con Van Gogh.
Un diario che racconta il pittore, l'uomo e la sua arte, ma anche un periodo importante che terminer脿 con alcuni dei suoi quadri pi霉 celebri come "Le donne di Tahiti" in cui l'espressione del colore 猫 pi霉 vivida che mai.
June 14, 2018
3.75 stars - I enjoyed the way Gauguin painted this view of Tahiti and his diligence in recording all of the gods and goddesses of that place. I found some parts to be beautifully written and others dull. I particularly enjoyed the last section about the double-hauled canoe with the phosphorescent trail sailing in the night back to shore after a day of fishing and legends.
His child bride, while a disturbing concept, was my favorite character. In his words and his view of her, she had a mesmerizing combination of wisdom and immaturity. I loved the sorrowful, playful depth of her character in the book. I am going to look up photos or paintings of her now to put a face with her beautiful name.
The end left me wishing for a sequel, I wanted to know what became of Tehura's life after Gauguin leaves her on the rock and if they met again when Gauguin returns from France for the last years of his life (although I hope she found a lover who could truly provide for her emotionally and culturally).
His child bride, while a disturbing concept, was my favorite character. In his words and his view of her, she had a mesmerizing combination of wisdom and immaturity. I loved the sorrowful, playful depth of her character in the book. I am going to look up photos or paintings of her now to put a face with her beautiful name.
The end left me wishing for a sequel, I wanted to know what became of Tehura's life after Gauguin leaves her on the rock and if they met again when Gauguin returns from France for the last years of his life (although I hope she found a lover who could truly provide for her emotionally and culturally).
This entire review has been hidden because of spoilers.
June 26, 2020
丕爻賲 丕賱賰鬲丕亘: #賲匕賰乇丕鬲_鬲丕賴賷鬲賷
毓丿丿 丕賱氐賮丨丕鬲: 100
丕賱鬲氐賳賷賮: #賲匕賰乇丕鬲
賳亘匕丞 毓賳 丕賱賰鬲丕亘:"
賲匕賰乇丕鬲 丕賱賮賳丕賳 丕賱卮賴賷乇 亘賵賱 睾賵睾丕賳 廿賱賶 "鬲丕賴賷鬲賷"
丕賱兀乇囟 丕賱賲囟賷丕賮丞 貙 兀乇囟 丕賱賲鬲毓丞 貙 賲賳夭賱 丕賱噩賲丕賱 賵丕賱丨乇賷丞 丕賱鬲賷 賯氐丿賴丕 亘睾乇囟 丕賱丕亘鬲毓丕丿 毓賳 囟噩賷噩 丕賱丨囟丕乇丞 丕賱兀賵乇賵亘賷丞 賱賷亘丿兀 乇丨賱丞 丕賱亘丨孬 毓賳 匕丕鬲賴.
乇兀賷賷 丕賱卮禺氐賷:
賲賳 丕賱賳丕丿乇 兀賳 賳賯乇兀 賲匕賰乇丕鬲 毓賳 鬲兀賲賱丕鬲 賮賳丕賳 兀賵 賰丕鬲亘 丨賵賱 兀乇囟賺 禺賱丕亘丞 賰鬲賱賰 貙 賲賱賷卅丞 亘丕賱胤亘賷毓丞 丕賱爻丕丨乇丞
賲囟賲賳賸丕 亘賷賳 丕賱兀爻胤乇 兀賲鬲毓 丕賱兀丨丕丿賷孬 毓賳 丕爻丕胤賷乇賴賲 賵賲毓鬲賯丿丕鬲賴賲
鬲賲賳賷鬲 丨賯賸丕 賱賵 賰丕賳 丕賱賰鬲丕亘 兀胤賵賱
賲毓 匕賱賰 賮賯丿 鬲毓噩亘鬲 賲賳 睾賵睾丕賳 賱賯丿 賰丕賳 賮賷 丨丕賱丞 丿丕卅賲丞 賲賳 丕賱賲賯丕乇賳丞 亘賷賳 賲丕 丕鬲賶 賲賳賴 賵丕賱賲賰丕賳 丕賱匕賷 賴賵 賮賷賴貙 亘丿丕 賵賰兀賳賴 賷丨丕賵賱 兀賳 賷購孬亘鬲 兀賳賴 賲睾丕賷乇 毓賳 丕亘賳丕亍 噩賱丿鬲賴 丕賱兀賵乇賵亘賷賷賳 鬲賲丕賲賸丕 !
賱賰賳賴 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 兀孬亘鬲 兀賳賴 賱丕 賷禺鬲賱賮 毓賳賴賲 亘賱 賴賵 兀爻賵兀 賮賯丿 賴噩乇 夭賵噩鬲賴 賵噩賷乇丕賳賴 賵噩賲賷毓 丕賱丕氐丿賯丕亍
賲購睾丕丿乇賸丕 兀乇囟 丕賱胤亘賷毓丞 丕賱禺賱丕賾亘丞 貙 毓丕卅丿賸丕 賲乇丞 兀禺乇賶 賱賳賯胤丞 丕賱亘丿丕賷丞 "賮乇賳爻丕" 賵賰兀賳 賴匕賴 丕賱乇丨賱丞 賲噩乇丿 賵賯鬲 賱賱鬲爻賱賷丞 賵乇爻賲 丕賱賱賵丨丕鬲.!
鬲賯賷賷賲賷: 5/4 睾賷丿丕亍 .
毓丿丿 丕賱氐賮丨丕鬲: 100
丕賱鬲氐賳賷賮: #賲匕賰乇丕鬲
賳亘匕丞 毓賳 丕賱賰鬲丕亘:"
賲匕賰乇丕鬲 丕賱賮賳丕賳 丕賱卮賴賷乇 亘賵賱 睾賵睾丕賳 廿賱賶 "鬲丕賴賷鬲賷"
丕賱兀乇囟 丕賱賲囟賷丕賮丞 貙 兀乇囟 丕賱賲鬲毓丞 貙 賲賳夭賱 丕賱噩賲丕賱 賵丕賱丨乇賷丞 丕賱鬲賷 賯氐丿賴丕 亘睾乇囟 丕賱丕亘鬲毓丕丿 毓賳 囟噩賷噩 丕賱丨囟丕乇丞 丕賱兀賵乇賵亘賷丞 賱賷亘丿兀 乇丨賱丞 丕賱亘丨孬 毓賳 匕丕鬲賴.
乇兀賷賷 丕賱卮禺氐賷:
賲賳 丕賱賳丕丿乇 兀賳 賳賯乇兀 賲匕賰乇丕鬲 毓賳 鬲兀賲賱丕鬲 賮賳丕賳 兀賵 賰丕鬲亘 丨賵賱 兀乇囟賺 禺賱丕亘丞 賰鬲賱賰 貙 賲賱賷卅丞 亘丕賱胤亘賷毓丞 丕賱爻丕丨乇丞
賲囟賲賳賸丕 亘賷賳 丕賱兀爻胤乇 兀賲鬲毓 丕賱兀丨丕丿賷孬 毓賳 丕爻丕胤賷乇賴賲 賵賲毓鬲賯丿丕鬲賴賲
鬲賲賳賷鬲 丨賯賸丕 賱賵 賰丕賳 丕賱賰鬲丕亘 兀胤賵賱
賲毓 匕賱賰 賮賯丿 鬲毓噩亘鬲 賲賳 睾賵睾丕賳 賱賯丿 賰丕賳 賮賷 丨丕賱丞 丿丕卅賲丞 賲賳 丕賱賲賯丕乇賳丞 亘賷賳 賲丕 丕鬲賶 賲賳賴 賵丕賱賲賰丕賳 丕賱匕賷 賴賵 賮賷賴貙 亘丿丕 賵賰兀賳賴 賷丨丕賵賱 兀賳 賷購孬亘鬲 兀賳賴 賲睾丕賷乇 毓賳 丕亘賳丕亍 噩賱丿鬲賴 丕賱兀賵乇賵亘賷賷賳 鬲賲丕賲賸丕 !
賱賰賳賴 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 兀孬亘鬲 兀賳賴 賱丕 賷禺鬲賱賮 毓賳賴賲 亘賱 賴賵 兀爻賵兀 賮賯丿 賴噩乇 夭賵噩鬲賴 賵噩賷乇丕賳賴 賵噩賲賷毓 丕賱丕氐丿賯丕亍
賲購睾丕丿乇賸丕 兀乇囟 丕賱胤亘賷毓丞 丕賱禺賱丕賾亘丞 貙 毓丕卅丿賸丕 賲乇丞 兀禺乇賶 賱賳賯胤丞 丕賱亘丿丕賷丞 "賮乇賳爻丕" 賵賰兀賳 賴匕賴 丕賱乇丨賱丞 賲噩乇丿 賵賯鬲 賱賱鬲爻賱賷丞 賵乇爻賲 丕賱賱賵丨丕鬲.!
鬲賯賷賷賲賷: 5/4 睾賷丿丕亍 .
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