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British poet and painter Dante Gabriel Rossetti, brother of Christina Georgina Rossetti, founded the Pre-Raphaelite brotherhood, a society, in England in 1848 to advance the style and spirit of Italian painting before Raphael (Raffaelo Sanzio); his known portraits and his vividly detailed, mystic poems, include "The Blessed Damozel" (1850).
This illustrator and translator with William Holman Hunt and John Everett Millais later mainly inspired and influenced a second generation of artists and writers, most notably William Morris and Edward Burne-Jones. His work also influenced the Symbolists, a group of chiefly French writers and artists, who of the late 1800s rejected realism and used symbols to evoke ideas and emotions. He served as a major precursor of Aestheticism, an artistic and intellectual movement or the doctrine, originating in Britain in the late 19th century, that from beauty, the basic principle, derives all other, especially moral, principles.
I have to admit, I'm not a big fan of poetry. But having said that, this collection of sonnets from Dante Gabriel Rosetti was an enjoyable read. Poems range from the very innocent to the incredibly intimate in content, but what I liked the most was the language used. It's easy to get lost in these words, and that's not a wholly unpleasant experience.
Rossetti's paintings are out of this world. In his poetry he goes even further by describing intimate relationships. The sensuality was beautiful and it's easy to understand why the poems were controversial (a couple falls asleep after sex etc.), but in the end the purpleness and the excessive praise for love and beauty proved to be too much. Even in small doses.
"Ti amo, cara: e come potrai tu mai capire / quanto ti amo?" "In pari grado io ti amo, / ecco come lo so." "Cara, non puoi sapere / quanto tu sia bella." "Se bella tanto da guadagnare / il tuo amore, il mio amore null'altro chiede." / "Il mio amore cresce a ogni ora, cara." "E anche il mio, / pur se da tempo gi脿 mi sembrava colmo!" / Cos矛 gli amanti, finch茅 arrivi il turno dei baci.
O felici, quelli cui parole come queste / Furono linguaggio, in giovent霉, tutto il giorno, / ora dopo ora, via dalla ressa del mondo, / da lavoro, lotte, gloria, dai mille assalli del vivere, / mentre amore alitava, in sospiri e silenzi, / attraverso due anime unite, un estatico controcanto.
The best quality of Dante Gabriel Rossett鈥檚 sonnet sequence 鈥淭he House of Life鈥� isn鈥檛 its philosophical orientation but rather the musicality of its language. Like the paintings reproduced in the Cotswold Willow edition, the poems are driven by their own lush aesthetic, and while I tend to prefer the paintings, the verses are lovely in their way, and that鈥檚 enough for me.
I would caution anyone seeking an edition of 'The House of Life' not to buy from this company. Typographical errors abound in the paperback edition, and I find it hard to believe a text could have gone to print so littered with misplaced punctuation, bizarre spelling errors and a constant misuse of 'ruth' for truth' after even a glance from a proofreader.
I saw Corpse Bride right after I read this sonnet sequence, so Burton's film is entangled with Rossetti's dead lady imagery in my mind. Also, this book inspired a couple sonnets of my own--helped me grow as a poet.