Yrsa Sigur冒ard贸ttir is an Icelandic writer, of both crime-novels and children's fiction. She has been writing since 1998. Her d茅but crime-novel "Last Rituals" published in the US in 2007, and the UK in January 2008 was translated into English by Bernard Scudder, and is book 1 of the Th贸ra Gudmundsd贸ttir series.
Yrsa Sigur冒ard贸ttir graduated from high-school in 1983, finished a B.Sc. in civil engineering from the University of Iceland in 1988 and M.Sc in the same field from Concordia University in Montreal in 1997.
Yrsa now works as a civil engineer for the company Fjarhitun, as well as being a writer.
In 2000 the Icelandic department of IBBY (International Board on Books for Young People) awarded Yrsa for her book Vi冒 viljum j贸lin 铆 j煤l铆 (We Want Christmas in July).
Yrsa lives in the Reykjav铆k suburb of Seltjarnarnes. She is married with two children.
A hideous barnacle covered doll is caught in a fishing net by young Rosa Thrastdottir and her mother Disa. Five years on bones are found on the sea bed in Faxafloi Bay and sex abuse allegations are made against children鈥檚 home manager Bergur Alvarsson. A random series of events - how do they connect? The investigations are led by Erla and Huldar.
The premise of the book is good and parts of the case are really interesting. The characterisation is good especially Hukdar and the Icelandic setting adds an appropriate atmosphere to the storytelling. However, the style is plodding as the case and the writing take a very meandering and at times laborious path to get to the relevant information. The 鈥榟orror鈥� element just isn鈥檛 and that side of the plot line never takes off. There are some fortuitous evidential finds and discoveries as we build to a rather convoluted end.
Overall, it鈥檚 not bad but nor is it that great either as you have to wait with patience for the nuggets of information to arrive. I鈥檓 disappointed as I鈥檝e read this author before but this isn鈥檛 one of her best in my opinion.
With thanks to NetGalley and Hodder and Stoughton for the arc in return for an honest review.
This is the first book I鈥檝e read by Yrsa, but having read some of the reviews of her other novels, it certainly won鈥檛 be the last!
The Doll starts with a hideous doll being uncovered from the sea during a fishing trip. However, things take a dark turn shortly afterwards. Years later some of those involved in the doll鈥檚 story are dragged together when a young boy accuses one of the people who cared for him of a crime. Huldar and Freyja work to try and unravel several mysterious cases.
One of my favourite things is when an author is able to wonderfully tie up all the loose ends at the end of the story. Yrsa managed to do that wonderfully with this book, repeatedly blowing me away with the various twists and turns that I encountered during the final chapters of this novel. I found myself on edge and just wanted to keep reading!
I鈥檝e never before read a book set in Iceland, but I love it when a book can help me travel to new countries. However, I had two slight issues with this book, that dampened my enjoyment. Firstly, I personally felt that some of Freyja鈥檚 thought processes were quite clearly the author鈥檚, it didn鈥檛 seem to fully fit with her professional and academic life. I am aiming to become a psychologist myself and I just struggled to believe some of these parts. Additionally, I was sold by the perception of this book being a horror. I admit that there were horror aspects at the very beginning and at the very end, but the majority of the book didn鈥檛 fit this genre, and I was left feeling a little disappointed. That being said, as a detective thriller novel, I really enjoyed it. I also really liked that the doll was inspired by an actual doll that was found, it added a creepy layer to the story!
I would recommend this to anyone who loves a noir detective novel with a satisfying end. I want to thank Netgalley, Hodder & Stoughton publishers and Yrsa Sigur冒ard贸ttir for allowing me to read this novel and give my personal thoughts.
Disa and her young daughter, Rosa, on a family fishing trip in Faxafloi Bay, catch nothing but a broken discarded doll that gets tangled in their net. Despite the long submerged doll being in a sorry and terrifying state, Rosa begs to keep it and her mother relents. Later that evening, Disa posts a picture of the doll on social media. By the next morning, she is dead and both Rosa and doll are missing. Thus begins the latest installment in the Children鈥檚 House series. It isn鈥檛 until five years later that the series鈥� protagonists, Detective Huldar and psychologist Freya become, almost accidentally involved in the case which involves the murder of a drug-addicted homeless man and a suspected case of child abuse at a foster home. The only person who can, seemingly, help solve the cases is the still missing Rosa. This is a series which has proven a little up and down for me. However, The Doll is possibly the best installment so far. A tale as dark and chilling as any Icelandic winter.
The Doll is the fifth instalment in the Freyja and Huldar series set in the remote Icelandic landscape and a superb addition to the Nordic Noir subgenre by the masterful Yrsa Sigurdardottir featuring police investigator Huldar and child psychologist Freyja. An old weathered doll is found caught in the net of a fishing boat. A doll ravaged by the wear and tear of the sea for several years and appears covered in barnacles and worms from its previously watery grave. A woman onboard still decides to take it home for her young daughter, 11-year-old Rosa, who has desperately wanted a doll for many years. This simple act of kindness sets into motion a series of fateful events, and five years later, skeletonized remains emerge from the ocean鈥檚 depths. Identifying the skeleton proves harder than initially thought: In a country where everyone knows their neighbour, an unknown missing person is an impossibility. As the mystery of the unidentified body deepens, Huldar dives into an investigation of a homeless drug addict鈥檚 murder, and Freyja investigates a suspected case of child abuse at a foster care home.
The cases are linked through a single, missing witness: the girl who requested and received the doll as a gift years ago. This is a riveting, enigmatic and compulsively readable work of Scandinavian Noir and a haunting tale that echoes down the years. There are ample murders and the mystery is a dark and unsettling one that gets under your skin. As always, Yrsa鈥檚 complex and impeccable plotting is on show throughout adding another alluring and nerve-wracking chapter to the series about the tenacious Huldar and Freyja. There is a subtlety and nuance that did not appear in the previous instalments and the multiple plot threads are woven together beautifully in a well thought out fashion. It is much more of a slow-burn type thriller that demands to be drunk in, with the frigid atmosphere and scenic landscape described in a way that is difficult to resist. The dynamic between Huldar and Freyja is that of a strong team, and I found myself absorbed and fully immersed in the wickedly twisty-turny narrative. An unsettling, multilayered and intricately plotted police procedural. Highly recommended.
Tudo come莽a com um passeio de barco e uma pescaria inocente que leva a um desfecho infeliz . Uma boneca de aspeto sinistro 茅 encontrada na rede de pesca e levada para a casa de Rosa ,na manh茫 seguinte a sua m茫e est谩 morta e a boneca desapareceu ! Anos mais tarde, Rosa est谩 desaparecida e v谩rios acontecimentos levam a que Huldar e Freyja se voltem a encontrar para trabalharem em conjunto .
Um livro muito bem escrito , mas as hist贸rias est茫o cada vez mais 鈥渟uaves鈥� 鈽猴笍 gostei da hist贸ria mas pensei que ia ver a boneca a aparecer em todo o lado (o que n茫o aconteceu) , a hist贸ria est谩 muito bem contada, sem pontas soltas , mas eu queria mais 馃き
Um livro que fala de drogas , abusos sexuais , crian莽as institucionalizadas e uma cobra 馃槼
This entire review has been hidden because of spoilers.
"... na vida e na morte, n茫o h谩 tecla que permita desfazer o que foi feito."
"A verdade 茅 que o amor raramente era correspondido em igual medida."
"Nunca ningu茅m conseguiu fugir 脿 dor. 脡 uma coisa que temos de olhar de frente."
A BONECA 茅 o 5掳 livro na s茅rie DNA ou Children's House (ainda n茫o percebi porque lhe chamam 2 coisas diferentes) da islandesa Yrsa Sigurdard贸ttir. Eu adoro ler estes livros, pelos vislumbres de um pa铆s onde eu n茫o ia gostar nada de viver ou sequer passar f茅rias no inverno馃ザ. Mas sou fascinada por qualquer pedacinho de informa莽茫o que retiro destes livros e dos personagens que l谩 vivem.
Em A Boneca, apesar de ser pleno ver茫o em agosto, chove praticamente todos os dias e as pessoas t锚m de andar vestidas com roupa de inverno馃槺. Que horror!
Adorei acompanhar Freija e Huldar em uma nova investiga莽茫o. No entanto, este caso policial n茫o me provocou a adrenalina do livro anterior, por exemplo. Nem nada que se pare莽a. E o desenlace de tudo n茫o foi convincente; as liga莽玫es entre os personagens (v铆timas e criminosos), tudo me soou muito for莽ado.
The Doll by Yrsa Sigurdardottir. (2018 in Icelandic, 2021 in English). (Children鈥檚 House/Freyja & Huldar #5)
A mother and daughter are on a fishing trip with a friend. They catch nothing except a broken doll which looks terrifying. The daughter wants to keep it and that evening the mother posts a picture on Facebook. By morning, the mother is dead and the doll gone. Several years later and Detective Huldar is trying to identify a skeleton located on the seabed which is proving difficult, and he speaks to psychologist Freyja about it. As the mystery deepens, he is also drawn into an investigation of a homeless drug addict's murder, while Freyja tracks a foster care home case involving child abuse. It becomes clear the cases are all linked though a single, missing, vulnerable witness: the girl who wanted the doll years ago...
This book is part of one of my favourite crime thriller series, which you can absolutely read all the books as standalones as well. I always find Detective Huldar and psychologist Freyja a good mix of lead characters with their complementary careers and a background light sexual tension of will they or won't they hook up. This story features an extremely creepy sounding doll and several seemingly unrelated cases until there is a clear connection between all, being a young girl who is currently missing. It's a tension filled journey as Huldar tries to crack all the cases. The storyline is clever with many twists and mysteries around every corner (or over the page in this case haha), and yet all of the threads tie together nicely in the end. Overall: highly recommend this suspense filled thriller for any crime fan.
In a word...terrible. I expected so much from Yrsa Sigurdardottir having read and enjoyed The Legacy and, in so doing, meeting good characters (with the ability to grow as the series progressed) namely Detective Huldar and child psychologist Freyja. For reasons best known only to the author she introduces a horror element; a bedraggled doll and it would appear that anyone who encounters the doll will meet a rather violent death. The discovery of bones at sea, sexual abuse at the care home, the murder of a homeless man did little to rescue a dismal attempt at horror, and a poorly constructed deeply confusing crime story The last part of the novel (I use the term lightly) includes a long and rambling expose, unveiling of the perpetrators and thankfully, and it could not come sooner鈥�.the end. Thank you to netgalley for a gratis copy in exchange for an honest review鈥�..and that is what I will always deliver.
I expect more of Yrsa鈥檚 books. I loved the plot, the characters, and the mood. But how disappointing to suddenly solve and explain the murders in one long conversation between Huldar and Freyja as a fait accompli. It felt as if she was working to a deadline and ran out of time.
The Doll is the fifth story in the Icelandic Freyja and Huldar series. The cover instantly had me at hello. I am a huge fan of the creepy and intriguing and that cover came from the horror gods. The Doll is discovered after being trawled by a fishing net in Faxafloi Bay by Rosa Thrastdottir. Five years later bones have been discovered in the same place as the Doll, is it a coincidence or is this more to this story than meets the eye? Also, serious sex abuse allegations have been made against Bergur Alvarsson. Three different stories and timelines but just how do they knit together?
The premise of the story is intriguing but it didn鈥檛 quite hit the mark for me, unfortunately. I鈥檓 unsure if it was because I came into it mid-series or if it just was too slow for me. I usually love stories set in Iceland and in Scandinavia, the atmosphere and the landscape were fantastic but I struggled to find myself amid the story. There is so much happening in the story, I felt the author had a lot of balls to juggle that I did find myself losing focus with the events occurring.
Child Psychologist, Freyja, and Detective Huldar are investigating just how all three events connect. The only constant they have is a girl called Rosa. After discovering the barnacled doll they took it home, her mother took a picture of it and posted it on Facebook. Her mother was found dead the next morning and no sign of the doll or the picture posted on Facebook. Rosa is connected to the boy making accusations of sex abuse but she is now missing. Could she have all the answers to make the events make sense?
You might think that this book is a horror from the front cover but it is not. The Doll isn鈥檛 a supernatural element to the story, it鈥檚 more a side note or coincidence. The writing was brilliant and the landscape was atmospheric, I just think that some things didn鈥檛 click for me, it certainly won鈥檛 stop me from reading future books written by Yrsa.
Extremely complicated. Lots of characters. (Write down their names, what they do, how they relate to other characters.) When writing this book, the author had a tremendous amount of detail to keep track of. I can imagine two-three bulletin boards with cue cards on them and string connecting this one to that and so on and so on...
Set in Iceland, the story starts with two murders, or kidnappings, or something. The reader won't get to figure this one out for a long while. Then there's a murder, bones and a doll found on the sea floor, and several characters which I continually got mixed up. (Similar names, or IMO they were.) The police investigators all have long back stories and have been or are involved with each other in all sorts of ways. (Who likes whom and who gets along with whom - take notes.) There's a runaway, drug smuggling, possible child abuse and lots of addicts. Plus interrogations, witness statements and lots of 'legal stuff' involving the police and child protective services.
Not to mention keeping track of the MC's and their lives, a snake, a dog, possible love interests. This book has it ALL. Lots of weighty paragraphs - interspersed with moments of action and dialogue. Lots of city detail, the environment - it's all there.
Well, firstly, this didn't read like a horror. I am fairly new to the genre, so was a little wary. But, as I read this felt more like a thriller/ police procedural novel. I hadn't realised this was part of a series, but I didn't feel my following of the story was hampered in any way, although I probably missed some of the full character development. It was another slow burn, but my following of the story was more hampered by the fact the events seemed to be very confusing and irrelevant, which in turn got me rather frustrated. The Doll doesn't really take centre stage through a lot of the book, and that really irks me when that is literally the title!
The Doll is the 5th installment in Yrsa Sigur冒ard贸ttir鈥檚 Children鈥檚 House series featuring Detective Huldar and child psychologist Freya. To be honest, I鈥檓 finding the series becoming a little tedious and this story hasn鈥檛 changed my opinion. I was hoping for so much more as the series started out quite strongly back with book 1 - The Legacy. I find the two main characters fairly uninteresting on the whole and if anything I鈥檓 finding that they are becoming more like supporting actors as opposed to primary protagonists. Can鈥檛 do more than three stars sadly.
This is the first book I have read by Yrsa so I went into this read with no knowledge of their writing style.
I normally don't go for book with a creepy doll on the front but I thought I would give this a go as the blurb sounded right up my street. This book features Detective Huldar looking into the mystery revolving around a human skeleton that was discovered. How does the creepy doll that a little girl found years ago link up to all this?
I found this a very intriguing read, with plenty of aspects that will keep you guessing as to what could happen. I definitely wouldn't class this as a horror story which it seems to come under , that was the only part that let me down .
I will definitely look to read more books by Yrsa in the future , can't wait to see what else is to come!
Thank you to Netgalley for the chance to read this book for free
En l盲skig docka fiskas upp ur vattnet av en mamma och hennes dotter. N盲sta morgon 盲r mamman d枚d och dottern h盲vdar att allt 盲r dockans fel. Ingen tar henne p氓 allvar och fallet l盲ggs ner. N氓gra 氓r senare blir flickan aktuell i en rad andra fall som p氓 ytan inte tycks ha n氓gon koppling. Men n盲r Huldar och Freyja b枚rjar rota i fallen inser de att de trots allt nog h盲nger ihop鈥� och att Dockan 盲r en viktig l盲nk emellan dem.
Det h盲r var en bok som varken skrek tjoho eller n盲he. Som varken var f枚r mycket eller f枚r lite. Den underh枚ll och den var sp盲nnande men den var ocks氓 l氓ng och seg och avstannad emellan氓t. Fallet var helt om枚jligt att lista ut svaret p氓 men det var heller ingen himlastormande twist n盲r det v盲l l枚stes. Dockan fick inte den plats som baksidestexten indikerade - det gjorde mig lite besviken, den skr盲ck盲lskare som jag 盲r.
Boken bjuder p氓 ett g盲ng stav- och slarvfel: p氓 bara tv氓 sidor (101 och 102) stavas huvudkarakt盲rens namn p氓 tre olika s盲tt: Huldar (som han heter), Haldur (som han inte heter) och Hudar (som han heller inte heter). Vissa meningar har omkastad ordf枚ljd vilket f氓r resultatet att man i huvudet l盲ser dem p氓 bruten svenska. Jag f枚rst氓r s氓klart vad det st氓r men blir lite irriterad n盲r det ju 盲r en bok som kontrollerats och g氓tt hela v盲gen till tryck utan att n氓gon reagerat!
Den passar dig som 盲r ute efter en deckare d盲r vi f枚ljer b氓de poliser och civila, och jag som f枚redrar det f枚rra 盲r glad att stor del kretsar kring just Huldar (som han heter). Freyjas del hade kunnat vara mer intressant (barnpsykologi l氓ter oerh枚rt sp盲nnande!) men jag tycker hennes kapitel n盲stan kunnat skippas helt. Hon 盲r en ganska ointressant bikarakt盲r som mest fyller den uttjatade rollen som the Love Interest till Haldur (som han ju inte heter).
Ju偶 podczas lektury powie艣ci grozy Yrsy Sigur冒ard贸ttir zauwa偶y艂am, 偶e to ten rodzaj autorki, kt贸ra donik膮d si臋 nie spieszy. Z uwag膮, pieczo艂owicie rozrysowuje intryg臋, buduje sw贸j 艣wiat, kreuje nastr贸j鈥� Czytelnik mo偶e na w艂asnej sk贸rze poczu膰 fale pod stopami, wilgotn膮 bryz臋 we w艂osach, smr贸d wyci膮ganego po艂owu, ze zniszczon膮 lalk膮 na czele. Obraz sytuacji pojawia si臋 powoli, nawet zbrodnia ma niespieszne tempo, 偶ycie w ksi膮偶kach Sigur冒ard贸ttir rz膮dzi si臋 swoimi prawami, 艣mier膰 tak偶e. Zreszt膮, autorka jest tutaj niczym w艂adczyni marionetek 鈥� obudzi艂a wielu bohater贸w i powi膮za艂a ich ze sob膮 w przesz艂o艣ci, w tera藕niejszo艣ci, tworz膮c zawi艂膮 intryg臋, w kt贸rej nie mo偶na wcale tak 艂atwo si臋 po艂apa膰. Wszystko jednak wi膮偶e si臋 ze sob膮 i nawet najmniejszy szczeg贸艂 ma tutaj znaczenie.
Kluczem do rozwi膮zania zawi艂o艣ci fabularnych jest tutaj tytu艂owa Diabelska Lalka 鈥� wy艂owiony z morskich otch艂ani koszmarek, kt贸ry chcia艂a pokocha膰 ma艂a dziewczynka, a kt贸ry przyni贸s艂 jej jedynie rozpacz i zniszczone, zaprzepaszczone dzieci艅stwo. Wydawa膰 by si臋 mog艂o, 偶e to jaka艣 kl膮twa, jaki艣 potw贸r ukryty za pustym oczodo艂em, horror, kt贸ry prowadzi w ramiona nadprzyrodzonego. U Yrsy Sigur冒ard贸ttir potworami jednak okazuj膮 si臋 ci najzwyklejsi ludzie i ich najwi臋ksze s艂abo艣ci. Duch贸w nie ma, a przynajmniej nie s膮 do dos艂owne zjawy, raczej widma z艂amanych pragnie艅 oraz uzale偶nienia, kt贸re prowadzi cz艂owieka w obj臋cia najgorszego. Autorka zdaje si臋 pyta膰, do czego zdolny jest cz艂owiek, a odpowied藕 okazuje si臋 przera偶aj膮ca.
A w tle 鈥濪iabelskiej lalki鈥� wyrasta przed oczami czytelnika Islandia, kraina zaskakuj膮ca pod ka偶dym wzgl臋dem. To nie tylko ksi臋偶ycowe krajobrazy, niezwyk艂e pomniki natury, nieujarzmiona, niespotykana przyroda, ale te偶 portret spo艂eczno-obyczajowy miejscowej spo艂eczno艣ci w ca艂ej swojej krasie. Yrsa Sigur冒ard贸ttir nie owija w bawe艂n臋 鈥� pokazuje ludzi, kt贸rzy maj膮 swoje problemy, kt贸rzy potrafi膮 pogr膮偶y膰 si臋 w prawdziwej ciemno艣ci鈥�
Przed czytelnikiem krymina艂 niespieszny, opowie艣膰 ku przestrodze, miejscami przygn臋biaj膮ca, miejscami przera偶aj膮ca, historia zbrodni, kt贸rej konsekwencje ci膮gn膮 si臋 ca艂ymi latami. Rasowe islandzkie krymi.
An old doll covered in barnacles, but with a locket around her neck is pulled from the sea with unintended consequences. The director of an echo-friendly home is accused of a serious crime. An expert is found murdered. And tourists disappear without trace.
Freyja is a child psychologist and Huldar is a Detective. When Disa and her daughter Rosa decide to take the old fishing boat out onto the lake, they didn't think they'd catch anything. All they caught was an old doll. Rosa decided to keep it.
This is a dark, cleverly crafted and twisted tale. It starts of being quite a chilling read and continues into a well thought out crime story. This is a character driven story that's set in Iceland. The doll is the key to unlocking a series of mysteries that someone was determined to keep hidden. The plot The plot involves a few past tragic events and unsolved crime cases linked to some recent mysteries. I did feel half of the book was just full of information. It also jumps between different characters and scenes that don't seem connected. It's also a bit of a slow burner. I haven't read any o the other books in this series but it can be read as a standalone.
I would like to thank #NetGalley #HodderStoughton and the author #YrsaSigurdardottir for my ARC of #TheDoll in exchange for an honest review.
Como todos os thrillers n贸rdicos, o efeito foi agarrar-me ali nas 10 primeiras p谩ginas e n茫o conseguir parar mais. Daqueles que quem me incomoda corre risco de vida porque eu quero 茅 ler e ler.
Freyja e Huldar est茫o de volta, n茫o um para o outro (aindaaaa) mas para se meterem em campo.
Freyja v锚-se a colaborar com a policia ap贸s uma den煤ncia de abusos sexuais de uma das casas de acolhimento do centro de prote莽茫o de crian莽as. Agora com outras fun莽玫es 茅 a ela que cabe a investiga莽茫o. E n茫o 茅 que essa sua investiga莽茫o vai colidir com a investiga莽茫o de Huldar e Erla, que ap贸s marearem conseguem resgatar os restos mortais de dois brit芒nicos. Quem s茫o os brit芒nicos?? E o que fazem na Isl芒ndia? Pois 鈥� t锚m que descobrir!
Uma boneca pescada e uma crian莽a, Rosa, que quer ficar com a boneca. Uma m茫e morta no ch茫o da casa de banho no dia seguinte 脿 pescaria e a boneca que volta a desaparecer.
Rosa n茫o se convence e quer descobrir o que aconteceu 脿 m茫e e quem levou a boneca. Quando come莽a a desvendar tamb茅m algo lhe acontece.
Contei com pelo menos 6 mortos, todos eles se interligam uns com os outros鈥�. E n茫o posso dizer mais nada!
No final tudo se vai desencadeando, todos os homic铆dios e acidentes s茫o desvendados. O surpreendente 茅 o twist final, nunca esperei numa volta destas. E tudo se encaixa em torno de uma boneca 鈥� leiam leiam!
Outlandish,and it takes forever to get to the supposedly meaty part.Contrived "coincidences",pages and pages of nothing happening.A pity;this series started very well,good plots,good characters,but this one is awful.As for Freyja and Huldar, they might as well not be there at all,they play little or no part in the plot.
Yrsa stendur alltaf undir s铆nu og hver b贸k 谩 eftir annarri ver冒ur bara betri og betri! 脼essi ser铆a um Barnah煤s 镁ykir m茅r einstaklega g贸冒, 镁贸 茅g hafi bara lesi冒 1,2 og n煤na 5. B忙kurnar standa s茅r 谩 b谩ti en s枚mu a冒alpers贸nunnar standa vaktina 铆 hverri b贸k.
B忙kurnar hj谩 Yrsu eru alltaf me冒 skemmtilegum twistum og eru b忙冒i skemmtilegar og spennandi, sagan heldur 谩fram alveg 镁anga冒 til i s铆冒ustu setningu og er yfirleitt st贸r slaufa alveg 铆 bl谩lokin sem ma冒ur bj贸st alls ekki vi冒. Hinga冒 til hefur 镁etta ekki klikka冒.
Eitt sem 茅g ver冒 a冒 nefna en get ekki dregi冒 einkunnina ni冒ur fyrir, 茅g hlusta冒i 谩 镁etta dem hlj贸冒b贸k og f贸r 镁a冒 einstaklega miki冒 铆 taugarnar 谩 m茅r 镁egar utana冒komandi hlj贸冒 fl忙ktust inn i s枚guna, andadr谩ttur, brak og alls konar hlj贸冒.
Uma hist贸ria com muitos intervenientes e muitas situa莽玫es distintas em simult芒neo que n茫o parecem ter rela莽茫o aparente. No final as pontas soltas unem-se. Para alguns leitores poder谩 parecer um exagero, para mim demonstra a mestria da autora.
No entanto, existem alguns pontos menos positivos: n茫o esperem um livro de terror; o final pareceu abrupto e enfadonho, quase um debitar de informa莽茫o. J谩 a revela莽茫o final foi bem conseguida! Fica um sentimento agridoce.
Yrsa Sigurdardorttir is one of my all-time favorite authors and her work introduced me to a whole new landscape, that of Iceland's, as well as compelled me to search and learn more about the country's history and cultural heritage. I sincerely hope that someday I will be able to write an elegy for the living queen of Icelandic crime fiction who broadened my horizons enough to consider Icelandic literature and culture as one of my most prominent influences. Her sublime skills as a writer include the creation of gripping plotlines that balance masterfully between crime and horror fiction, the brilliant characterization that shined both in the Th贸ra Gudmundsd贸ttir series and the "Chlidren's House" saga, and the impeccable descriptions of the harsh, unwelcoming Icelandic wilderness that both attracts and terrifies the reader. Nevertheless, her best work, until today, was the standalone novel, I Remember You, a heart-pounding ghost story told by different perspectives which has been adapted into a motion picture, directed by 脫skar 脼贸r Axelsson and starring J贸hannes Haukur J贸hannesson as Freyr, a psychiatrist who tragically lost his son and is drawn to an investigation into an apparent suicide when an elderly woman is found hanged in a church. Both the novel and the film have been well-received by the readership and the audiences respectively, thus Yrsa became one of the most prominent representatives of contemporary Icelandic crime fiction and it should be mentioned that she began her writing career as a children's fiction author nearly 25 years ago.