What do you think?
Rate this book
賵賯鬲 賱賱丨亘 賵賵賯鬲 賱賱賲賵鬲
In de kou en omgeven door alle verschrikkingen van het oostfront verheugt Ernst Graeber zich op niets meer dan zijn verlof. Thuis, in Duitsland, zal het leven wel weer goed zijn.
Maar als de jonge soldaat terugkomt is zijn ouderlijk huis gebombardeerd en blijken zijn ouders vermist. Graeber gaat naar hen op zoek, terwijl op hetzelfde moment de Endsieg verkondigd wordt door de nazi鈥檚 鈥� en vooral door zijn schoolvriend Binding, inmiddels een belangrijk man bij de Gestapo en verantwoordelijk voor talloze arrestaties van 鈥榡oodse verraders鈥�. Verbijsterd ziet hij dat ook aan het 鈥榯huisfront鈥� wanhoop, overlevingsdrift en geweld het laatste restje medemenselijkheid aan het opvreten zijn. Op een avond komt hij tussen de puinhopen van de verwoeste en ontredderde stad Elisabeth tegen, de dochter van de huisarts. Samen beleven de soldaat en de jonge vrouw midden in de chaos een paar dagen geluk, en voor enkele momenten lukt het Graeber om de gedachte dat hij weer terug moet naar het front opzij te duwen.
Terug aan het front verzet hij zich voor het eerst en op zijn manier tegen het nazi-credo van de Untermenschen en laat enkele Russische gevangenen ontsnappen. Maar zij reageren daarop heel anders dan hij verwacht en gehoorzamen aan de logica van deze en iedere oorlog: oog om oog, tand om tand.
Maar als de jonge soldaat terugkomt is zijn ouderlijk huis gebombardeerd en blijken zijn ouders vermist. Graeber gaat naar hen op zoek, terwijl op hetzelfde moment de Endsieg verkondigd wordt door de nazi鈥檚 鈥� en vooral door zijn schoolvriend Binding, inmiddels een belangrijk man bij de Gestapo en verantwoordelijk voor talloze arrestaties van 鈥榡oodse verraders鈥�. Verbijsterd ziet hij dat ook aan het 鈥榯huisfront鈥� wanhoop, overlevingsdrift en geweld het laatste restje medemenselijkheid aan het opvreten zijn. Op een avond komt hij tussen de puinhopen van de verwoeste en ontredderde stad Elisabeth tegen, de dochter van de huisarts. Samen beleven de soldaat en de jonge vrouw midden in de chaos een paar dagen geluk, en voor enkele momenten lukt het Graeber om de gedachte dat hij weer terug moet naar het front opzij te duwen.
Terug aan het front verzet hij zich voor het eerst en op zijn manier tegen het nazi-credo van de Untermenschen en laat enkele Russische gevangenen ontsnappen. Maar zij reageren daarop heel anders dan hij verwacht en gehoorzamen aan de logica van deze en iedere oorlog: oog om oog, tand om tand.
406 pages, Paperback
First published September 1, 1954
511 people are currently reading
15.8k people want to read
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 720 reviews
August 30, 2022
鈥淒eath smelled different in Russia than in Africa. In Africa, under heavy English fire, the corpses between the lines had often lain unburied for a long time, too; but the sun had worked fast鈥� It was a dry death, in sand, sun, and wind. In Russia it was a greasy, stinking death.鈥�
I suspected going into this that it would be a grim and ultimately very depressing story. I also counted on it being marked with moments of beauty and deep reflections on humanity. I wasn鈥檛 wrong. I discovered Remarque鈥檚 gift for writing war stories when I read All Quiet on the Western Front. At that time I had said I didn鈥檛 know if another book existed that so effectively conveyed the meaninglessness of war. Well, there is another; and it just happens to be this one by the same author. What Remarque did with World War I in All Quiet he did here again using the backdrop of WWII instead. I鈥檝e become rather weary of some WWII novels. They鈥檝e saturated the book market and I often find them less effective as a result. I sometimes wonder if I鈥檝e become indifferent. But then I read something like this and I know for certain that鈥檚 not at all true. It all comes down to competent storytelling and the avoidance of sensationalism.
鈥淗e thought of the breakfast table at home. His mother had a blue and white checked tablecloth and there had been honey and rolls and coffee with hot milk. The canary had sung and in summer the sun had shone upon the rose geraniums in the window. At that time he had often rubbed the dark green leaves between his hands smelling the strong, foreign perfume and thinking of foreign lands. Since then he had seen plenty of foreign lands but not the way he had dreamed of at that time.鈥�
Ernst Graeber has finally been granted furlough and is on his way home to Germany from the Russian front. As Germany is clearly losing the war, Ernst begins to wonder what they are fighting for after all. He鈥檚 never understood it to begin with, but like thousands of others, he followed orders as the alternative was daunting to a young man with his whole life ahead of him. What he finds when he arrives home is that the path of war鈥檚 destruction isn鈥檛 isolated to the fronts alone. War finds its way into the nooks and crannies of people鈥檚 hometowns. It鈥檚 not just soldiers who lose their lives in battle. Women, children and the elderly are all at risk. Erich Remarque doesn鈥檛 shy away from illustrating gruesome death. We spend more time away from the front with Ernst, but the details are just as frightening as if we were plunked on the frontlines in Russia. Ernst鈥檚 crisis of morality escalates while home and it is here, in his head, that I found the most rewarding parts of the novel. He reacquaints himself with a former schoolmate named Elisabeth and in a short time the two learn that it is the little things that count most in life 鈥� a great reminder not just in wartime but anytime.
鈥淎fter his years close to death the wine was now not just wine, the silver not just silver, and the music that stole into the room from somewhere not just music 鈥� they were all symbols of that other life, the life without death and destruction, the life for life鈥檚 sake that had already become almost a myth and a hopeless dream.鈥�
鈥淚 wanted to have something to hold me. But I didn鈥檛 realize that makes one doubly vulnerable.鈥�
This book covers such a very small window of time during WWII. A brief time is spent at the front in Russia 鈥� just enough to illustrate the horrors there without overdoing it. It鈥檚 very realistically portrayed though. Remarque doesn鈥檛 gloss over a single thing. The rest of the novel is spent in Germany on Ernst鈥檚 three week furlough. It was a time of growth and contemplation and is remarkably well done. The ending鈥� well, no doubt he knows how to write the most fitting and potent conclusions! I don鈥檛 know if I can trust anyone else other than Remarque with this topic anymore. These might be 鈥渙ld鈥� stories, but they are classics for good reason. What one reads here can apply to any time of conflict and hostilities. If you haven鈥檛 picked up All Quiet on the Western Front or this one yet, please do! You鈥檒l be impressed by the truth in both the darkest and brightest pieces of our humanity.
鈥淔or the worms of Europe, Asia and Africa we have been the Golden Age. We have turned over to them armies of corpses. Not only soldiers鈥� flesh 鈥� women鈥檚 flesh, too, and children鈥檚 flesh and the soft bomb-torn flesh of the aged. Plenty of all. In the sagas of the worms we will be for generations the kindly gods of superfluity.鈥�
I suspected going into this that it would be a grim and ultimately very depressing story. I also counted on it being marked with moments of beauty and deep reflections on humanity. I wasn鈥檛 wrong. I discovered Remarque鈥檚 gift for writing war stories when I read All Quiet on the Western Front. At that time I had said I didn鈥檛 know if another book existed that so effectively conveyed the meaninglessness of war. Well, there is another; and it just happens to be this one by the same author. What Remarque did with World War I in All Quiet he did here again using the backdrop of WWII instead. I鈥檝e become rather weary of some WWII novels. They鈥檝e saturated the book market and I often find them less effective as a result. I sometimes wonder if I鈥檝e become indifferent. But then I read something like this and I know for certain that鈥檚 not at all true. It all comes down to competent storytelling and the avoidance of sensationalism.
鈥淗e thought of the breakfast table at home. His mother had a blue and white checked tablecloth and there had been honey and rolls and coffee with hot milk. The canary had sung and in summer the sun had shone upon the rose geraniums in the window. At that time he had often rubbed the dark green leaves between his hands smelling the strong, foreign perfume and thinking of foreign lands. Since then he had seen plenty of foreign lands but not the way he had dreamed of at that time.鈥�
Ernst Graeber has finally been granted furlough and is on his way home to Germany from the Russian front. As Germany is clearly losing the war, Ernst begins to wonder what they are fighting for after all. He鈥檚 never understood it to begin with, but like thousands of others, he followed orders as the alternative was daunting to a young man with his whole life ahead of him. What he finds when he arrives home is that the path of war鈥檚 destruction isn鈥檛 isolated to the fronts alone. War finds its way into the nooks and crannies of people鈥檚 hometowns. It鈥檚 not just soldiers who lose their lives in battle. Women, children and the elderly are all at risk. Erich Remarque doesn鈥檛 shy away from illustrating gruesome death. We spend more time away from the front with Ernst, but the details are just as frightening as if we were plunked on the frontlines in Russia. Ernst鈥檚 crisis of morality escalates while home and it is here, in his head, that I found the most rewarding parts of the novel. He reacquaints himself with a former schoolmate named Elisabeth and in a short time the two learn that it is the little things that count most in life 鈥� a great reminder not just in wartime but anytime.
鈥淎fter his years close to death the wine was now not just wine, the silver not just silver, and the music that stole into the room from somewhere not just music 鈥� they were all symbols of that other life, the life without death and destruction, the life for life鈥檚 sake that had already become almost a myth and a hopeless dream.鈥�
鈥淚 wanted to have something to hold me. But I didn鈥檛 realize that makes one doubly vulnerable.鈥�
This book covers such a very small window of time during WWII. A brief time is spent at the front in Russia 鈥� just enough to illustrate the horrors there without overdoing it. It鈥檚 very realistically portrayed though. Remarque doesn鈥檛 gloss over a single thing. The rest of the novel is spent in Germany on Ernst鈥檚 three week furlough. It was a time of growth and contemplation and is remarkably well done. The ending鈥� well, no doubt he knows how to write the most fitting and potent conclusions! I don鈥檛 know if I can trust anyone else other than Remarque with this topic anymore. These might be 鈥渙ld鈥� stories, but they are classics for good reason. What one reads here can apply to any time of conflict and hostilities. If you haven鈥檛 picked up All Quiet on the Western Front or this one yet, please do! You鈥檒l be impressed by the truth in both the darkest and brightest pieces of our humanity.
鈥淔or the worms of Europe, Asia and Africa we have been the Golden Age. We have turned over to them armies of corpses. Not only soldiers鈥� flesh 鈥� women鈥檚 flesh, too, and children鈥檚 flesh and the soft bomb-torn flesh of the aged. Plenty of all. In the sagas of the worms we will be for generations the kindly gods of superfluity.鈥�
April 14, 2024
You become a German soldier
鈾狅笍 The novel begins and ends on the Eastern Front. In-between, 75% of the story takes place on the Home Front in Germany. As the male protagonist says, There is no difference. Because of the air raids, Germany is being reduced to rubble. Germany looks like Russia.
The story flows strong and steady as a river from beginning to end. I devoured it in one sitting of several hours duration. While All Quiet was pathos and poetry in motion, this WW2 All Quiet adds substantially more realism into the mix. The raw descriptions of combat might have been written in the past ten years. The powerful similes remain, but there is more death and destruction.
馃尭 At the same time, in the midst of the horrors of mechanized warfare and ruthless air raids, we are given beautiful images of the ongoing and defiant beauty of nature and human hope.
Remarque is not going to give you a heroic or patriotic version of warfare. There is no flag waving here. You become a German soldier fighting a war you know is lost. It is frightening, it is grim, it is ugly. After I鈥檇 read the first 50 pages, I felt sick - how brutal war is, how terrifying, how disgusting and despicable. Yet, on leave in Germany, despite the savagery of bombing raids, I fall in love, I feel human again, I smell spring flowers, I see linden trees bursting into green leaf 馃崈
Like All Quiet and Three Comrades, this novel is a tragedy and Remarque is no more going to give you a happy ending than Thomas Hardy or Ernest Hemingway. Nevertheless, the story is important - it is strong and has as much beauty as it has death and despair. Unforgettable.
鈾狅笍 The novel begins and ends on the Eastern Front. In-between, 75% of the story takes place on the Home Front in Germany. As the male protagonist says, There is no difference. Because of the air raids, Germany is being reduced to rubble. Germany looks like Russia.
The story flows strong and steady as a river from beginning to end. I devoured it in one sitting of several hours duration. While All Quiet was pathos and poetry in motion, this WW2 All Quiet adds substantially more realism into the mix. The raw descriptions of combat might have been written in the past ten years. The powerful similes remain, but there is more death and destruction.
馃尭 At the same time, in the midst of the horrors of mechanized warfare and ruthless air raids, we are given beautiful images of the ongoing and defiant beauty of nature and human hope.
Remarque is not going to give you a heroic or patriotic version of warfare. There is no flag waving here. You become a German soldier fighting a war you know is lost. It is frightening, it is grim, it is ugly. After I鈥檇 read the first 50 pages, I felt sick - how brutal war is, how terrifying, how disgusting and despicable. Yet, on leave in Germany, despite the savagery of bombing raids, I fall in love, I feel human again, I smell spring flowers, I see linden trees bursting into green leaf 馃崈
Like All Quiet and Three Comrades, this novel is a tragedy and Remarque is no more going to give you a happy ending than Thomas Hardy or Ernest Hemingway. Nevertheless, the story is important - it is strong and has as much beauty as it has death and despair. Unforgettable.
This entire review has been hidden because of spoilers.
February 27, 2025
I remember my grandmother used to say that I am most afraid of war... after all, we have a few crazy people in the neighborhood, so let's appreciate those days when we can do nothing, when we don't hear the sounds of explosions, when we can read a book by the light of a lamp without fear of air raids.
May 10, 2024
The novel left me aching .. Remarque's characters never leave you indifferent and the young German soldier who can't find his parents while on a leave but finds love is not exception ... My second favourite novel by EMR I have read so far ..
August 6, 2023
This novel begins with shocking descriptions of corpses, much like in World War II. Gr盲ber, the main character, is a German soldier on the Russian front. He obtains permission to find his relatives in Germany. Arriving in his home village, he struggles to find his house through the rubble of the bombings and searches for his family. He will also find love, get married, and live "day to day" in this devastated village, disgusted by this war, the debacle in the face of the imminent defeat of Germany...
I enjoyed reading this very touching book. The characters are endearing and have a lot of "relief"; for example, Gr盲ber finds it challenging to choose himself in the face of a former comrade who has now become a "murderous" Nazi officer who offers him his hospitality with great sympathy. Gr盲ber's love reminds me of Hemingway's "For Whom the Bell Tolls," in which Robert Jordan decides to live a complete love story in three days.
However, this German character is very, even too "clean"; it almost resembles a soldier from an American film... But that in no way detracts from the beauty of this story and the experience that E.M. Remarque offers.
I enjoyed reading this very touching book. The characters are endearing and have a lot of "relief"; for example, Gr盲ber finds it challenging to choose himself in the face of a former comrade who has now become a "murderous" Nazi officer who offers him his hospitality with great sympathy. Gr盲ber's love reminds me of Hemingway's "For Whom the Bell Tolls," in which Robert Jordan decides to live a complete love story in three days.
However, this German character is very, even too "clean"; it almost resembles a soldier from an American film... But that in no way detracts from the beauty of this story and the experience that E.M. Remarque offers.
February 25, 2018
Teleportive WWII novel, top-notch dramatization of the complexity of humanity, formal and thematic excellence throughout. It's about a German soldier who leaves the Russian front during WWII as the tide is turning for the Nazis and goes on furlough to his home city for a few weeks. He can't find his parents in the bombed-out ruins and runs into an old classmate, a comely young woman, and falls in love as, every few days, air raid sirens sound and buildings rise into the air as all hell breaks loose. A completely absorbing reading experience, couldn't put it down, woke up early to read with coffee, that sort of book. Few reviews on here in English -- many in Arabic, Russian, and maybe Romanian. My third novel by this author and I have another coming tomorrow.
Super-conventional form perfectly done, always patiently pushing ahead, therefore it feels like an organic/natural/real (ie, not imposed by the author) plot, the procession of days as a solider's on leave for a few weeks "between death and death," the first bloom of love as everything around the lovers not so much withers as it explodes and incinerates; everything super-charged by the potential arrival of devastation from above, the inevitability of horror ("a howl arose, increasing until it became maddening and unbearable, as though a huge steel planet were plunging straight at the cellar") and gruesome scenes of, for example, a five-year-old girl impaled on a shattered staircase. Streaks of gnarly description, always utilitarian and accessible prose, never clipped or degraded or showy -- the tone is perfectly centrist, flowing, poetic at times, but best of all it disappears and yields to visions of this shattered German city, its inhabitants trying to survive, everyone living not so much under the thumb of the Nazis but more so under the rule of Luck. As with his famous WWI novel and every other WWII- and Holocaust-related novel or memoir I've read, survival always depends on luck.
But this earns the full five stars more so because it so naturally detonates Literature's primary payload: it dramatizes the complexity of humanity more clearly than most novels I've read. Not all Germans are anti-Semitic monsters intent on taking over the world and eradicating their racial inferiors. The novel depicts arch-evil types, superhuman thoughtless automaton murderers in the S.S., as well as devastated, philosophical citizens who hide Jews 鈥� and other well-characterized characters most concerned with self-preservation during the worst of times. Toward the end, it's impossible not to root for the hero Ernst even though he's fighting with the Nazis -- he's an absolutely 3D sympathetic free-thinking human being in an extraordinarily difficult situation trying to stay focused and survive even as the guts of a new recruit splatter all over him after catching a flung grenade in the stomach.
Everyone's read All Quiet on the Western Front but it seems like few have read the author's other novels, most of which were semi-recently re-published in attractive modern paperback form. The title of this one probably in part accounts for it being previously totally unknown to me -- it seems like an Ian Fleming/James Bond ripoff by way of The Byrds' appropriation of biblical verses. Alternate titles could have been "Switzerland" (not reduced to rubble and therefore often mentioned as an ideal place to escape to, although it seems impossible to get to), "An Eden in Hell" (good assonance, bad pun -- suggests a few of the spots where Ernst and Elisabeth take mental, spiritual, physical refuge and just live a normal life for a few moments), "Shelter from the Storm" (novel was published in 1957, pre-dates Dylan's song by almost two decades) -- the actual title seems a little too sentimental and monumental, a little too B-movie?
Here's a fantastic passage where our hero Ernst and his future wife Elisabeth are sitting on a hill in a wooded area where the trees are covered in strips of tin foil that fall before air raids to jam and distort radio transmissions: "The trees around the clearing were covered with strips that fluttered from their twigs, twisting and sparkling in the breeze. The sun broke through the mountainous clouds and transformed the woods into a glittering fairyland. What once had fluttered down in the midst of ravening death and the shrill noise of destruction now hung silent and shiny on the trees and had become silver and a shimmering and the memory of childhood stories and the great festival of peace."
"Oh man" I said as I finished it, but I don't want to spoil the end for anyone.
Super-conventional form perfectly done, always patiently pushing ahead, therefore it feels like an organic/natural/real (ie, not imposed by the author) plot, the procession of days as a solider's on leave for a few weeks "between death and death," the first bloom of love as everything around the lovers not so much withers as it explodes and incinerates; everything super-charged by the potential arrival of devastation from above, the inevitability of horror ("a howl arose, increasing until it became maddening and unbearable, as though a huge steel planet were plunging straight at the cellar") and gruesome scenes of, for example, a five-year-old girl impaled on a shattered staircase. Streaks of gnarly description, always utilitarian and accessible prose, never clipped or degraded or showy -- the tone is perfectly centrist, flowing, poetic at times, but best of all it disappears and yields to visions of this shattered German city, its inhabitants trying to survive, everyone living not so much under the thumb of the Nazis but more so under the rule of Luck. As with his famous WWI novel and every other WWII- and Holocaust-related novel or memoir I've read, survival always depends on luck.
But this earns the full five stars more so because it so naturally detonates Literature's primary payload: it dramatizes the complexity of humanity more clearly than most novels I've read. Not all Germans are anti-Semitic monsters intent on taking over the world and eradicating their racial inferiors. The novel depicts arch-evil types, superhuman thoughtless automaton murderers in the S.S., as well as devastated, philosophical citizens who hide Jews 鈥� and other well-characterized characters most concerned with self-preservation during the worst of times. Toward the end, it's impossible not to root for the hero Ernst even though he's fighting with the Nazis -- he's an absolutely 3D sympathetic free-thinking human being in an extraordinarily difficult situation trying to stay focused and survive even as the guts of a new recruit splatter all over him after catching a flung grenade in the stomach.
Everyone's read All Quiet on the Western Front but it seems like few have read the author's other novels, most of which were semi-recently re-published in attractive modern paperback form. The title of this one probably in part accounts for it being previously totally unknown to me -- it seems like an Ian Fleming/James Bond ripoff by way of The Byrds' appropriation of biblical verses. Alternate titles could have been "Switzerland" (not reduced to rubble and therefore often mentioned as an ideal place to escape to, although it seems impossible to get to), "An Eden in Hell" (good assonance, bad pun -- suggests a few of the spots where Ernst and Elisabeth take mental, spiritual, physical refuge and just live a normal life for a few moments), "Shelter from the Storm" (novel was published in 1957, pre-dates Dylan's song by almost two decades) -- the actual title seems a little too sentimental and monumental, a little too B-movie?
Here's a fantastic passage where our hero Ernst and his future wife Elisabeth are sitting on a hill in a wooded area where the trees are covered in strips of tin foil that fall before air raids to jam and distort radio transmissions: "The trees around the clearing were covered with strips that fluttered from their twigs, twisting and sparkling in the breeze. The sun broke through the mountainous clouds and transformed the woods into a glittering fairyland. What once had fluttered down in the midst of ravening death and the shrill noise of destruction now hung silent and shiny on the trees and had become silver and a shimmering and the memory of childhood stories and the great festival of peace."
"Oh man" I said as I finished it, but I don't want to spoil the end for anyone.
November 2, 2023
毓卮賯 丿乇 丨賵丕賱蹖 賲乇诏 :
卮丕蹖丿 丕诏乇 丕蹖賳诏賵賳賴 丿乇 乇禺賵鬲 賵 丕賮爻乇丿诏蹖 賴爻鬲蹖賲貙 亘禺丕胤乇 丕蹖賳 丕爻鬲 讴賴 丿乇 賴賲賴鈥屭嗃屫� 賲蹖丕賳鈥屬呚й屬� 賴爻鬲蹖賲. 賳賴 丕蹖賳 賳賴 丌賳. 賳賴 亘丕賱丕 賳賴 倬丕蹖蹖賳. 賳賴 丕夭 趩蹖夭蹖 丿賮丕毓 賲蹖鈥屭┵嗃屬� 賳賴 亘乇丕蹖 趩蹖夭蹖 賲蹖噩賳诏蹖賲. 卮丕蹖丿 亘禺丕胤乇 賴賲蹖賳 丕爻鬲 讴賴 夭賳丿诏蹖 亘蹖卮鬲乇 丿乇 丿賵 丨丕賱鬲 乇禺 賲蹖鈥屫囏�. 賳賲賵丿 倬蹖丿丕 賲蹖鈥屭┵嗀�. 夭賲丕賳蹖 讴賴 賴賲賴鈥屭嗃屫� 丿丕乇蹖丿 賵 夭賲丕賳蹖 讴賴 賴锟斤拷趩鈥屭嗃屫� 賳丿丕乇蹖丿. 卮丕蹖丿 賴賲蹖賳 毓亘丕乇鬲 丿賲 乇丕 睾賳蹖賲鬲 丿丕賳爻鬲賳 亘乇丕蹖 夭賲丕賳蹖 丕爻鬲 讴賴 丿蹖诏乇 趩蹖夭蹖 亘乇丕蹖 丕夭 丿爻鬲 丿丕丿賳 賳丿丕乇蹖賲.
爻乇亘丕夭 禺胤 賲賯丿賲貙 倬爻 丕夭 丿賵 爻丕賱 丌丿賲讴卮蹖 賵 丿賵乇蹖 丕夭 禺丕賳賴貙 賮乇氐鬲 蹖讴 賲乇禺氐蹖 丿賵 賴賮鬲賴鈥屫й� 乇丕 亘賴 丿爻鬲 賲蹖鈥屫①堌必� 鬲丕 亘賱讴賴 亘鬲賵丕賳丿 丿賵亘丕乇賴 倬丿乇 賵 賲丕丿乇卮 乇丕 亘亘蹖賳丿. 丿蹖丿賳 禺丕賳賴鈥屰� 亘賲亘丕乇丕賳 卮丿賴 賵 毓卮賯蹖 讴賴 丿乇 倬蹖 丌賳 賲蹖鈥屫③屫� 賵 鬲氐賲蹖賲 亘賴 夭賳丿诏蹖 蹖丕 毓夭丕丿丕乇蹖 丿乇 胤蹖 賴賲丕賳 丿賵 賴賮鬲賴鈥屫й� 讴賴 丿乇 噩賳诏 賳蹖爻鬲蹖貙 賲賵囟賵毓蹖 丕爻鬲 讴賴 乇賲丕乇讴 丌賳 乇丕 丿爻鬲賲丕蹖賴鈥屰� 丿丕爻鬲丕賳 禺賵丿 亘乇丕蹖 賳卮丕賳 丿丕丿賳 賵 亘賴 趩丕賱卮 讴卮蹖丿賳 丕丨爻丕爻丕鬲 丕賳爻丕賳蹖 賵 鬲亘毓丕鬲 噩賳诏 賵 賵蹖乇丕賳蹖 賯乇丕乇 丿丕丿賴 丕爻鬲. 賵 丕賱亘鬲賴 毓卮賯 讴賴 丨鬲蹖 丿乇 賵蹖乇丕賳賴鈥屬囏� 賳蹖夭 賲蹖鬲賵丕賳 乇丿蹖 丕夭 丌賳 蹖丕賮鬲.
亘乇禺賱丕賮 丿乇 睾乇亘 禺亘乇蹖 賳蹖爻鬲貙 亘賴 賵賯鬲 毓卮賯 賵 賲乇诏 毓賱蹖鈥屫必嘿� 倬丕蹖丕賳 鬲乇丕跇蹖讴卮 乇賲丕賳 丕賲蹖丿賵丕乇鬲乇蹖 丕爻鬲. 丕賱亘鬲賴 讴賴 乇賲丕乇讴 賴賲 禺賵丕賳賳丿賴鈥屰� 禺賵丿 乇丕 爻丕丿賴鈥屬勝堌� 賳賲蹖倬賳丿丕乇丿 賵 丿乇 倬爻 丕蹖賳 丿丕爻鬲丕賳 讴賲蹖 丕賲蹖丿亘禺卮貙 禺乇丿賴 丿丕爻鬲丕賳鈥屬囏й� 爻乇亘丕夭賴丕蹖 丿蹖诏乇 賵 禺丕賳賵丕丿賴鈥屫簇з� 乇丕 乇賵丕蹖鬲 賲蹖讴賳丿 賵 禺賵丕賳賳丿賴 賲蹖賮賴賲丿 賵 賲蹖丿丕賳丿 讴賴 賴賲賴 亘賴 蹖讴 丕賳丿丕夭賴 禺賵卮鈥屫簇з嗀� 賳蹖爻鬲賳丿.
噩丿丕蹖 丕夭 賴乇 亘丨孬 丿蹖诏乇蹖貙 亘丕蹖丿 丕夭 賵賴賲蹖 讴賴 丕蹖賳 讴鬲丕亘 亘賴 噩丕賳 賲禺丕胤亘卮 賲蹖鈥屫з嗀ж藏� 賴賲 爻禺賳 诏賮鬲. 鬲乇爻蹖 讴賴 亘賴 賲乇賵乇 噩丕蹖 禺賵丿 乇丕 亘賴 蹖讴 賴卮丿丕乇 賵 丿乇 丕丿丕賲賴 亘賴 丕賳丿蹖卮賴鈥屰� 讴丕乇丌賲丿 賲蹖鈥屫囏�. 鬲氐賵蹖乇 噩賳诏 丿乇 丕蹖賳 讴鬲丕亘 亘丿蹖賳 诏賵賳賴 丕爻鬲 讴賴 趩诏賵賳賴 賴賲賴鈥屭嗃屫� 丿乇 蹖讴 賱丨馗賴貙 丿乇 趩卮賲 亘賴 賴賲 夭丿賳蹖 賳丕亘賵丿 賲蹖卮賵丿. 亘丿賵賳 賲賯丿賲賴鈥屭嗃屬嗃� 賵 賴卮丿丕乇. 丕賲丕 亘賴 賲乇賵乇 亘賴 噩丕蹖 丌賳讴賴 賲禺丕胤亘 卮讴乇诏夭丕乇 賵囟毓蹖鬲 丕賱丕賳卮 亘丕卮丿 讴賴 丿乇 丿賵乇賴鈥屰� 噩賳诏 亘賴 爻乇 賳賲蹖鈥屫ㄘ必� 亘賴 丕蹖賳 賳鬲蹖噩賴 賲蹖鈥屫必池� 讴賴 趩诏賵賳賴 賲蹖鈥屫堌з� 丕夭 賴賲賴鈥屭嗃屫� 讴賳丿 賵 丿賲 乇丕 丿乇蹖丕賮鬲貙 鬲丕 賵賯鬲蹖 讴賴 賲乇诏 賲蹖鈥屫③屫� 趩蹖夭 夭蹖丕丿蹖 賳亘丕卮丿 讴賴 亘鬲賵丕賳丿 亘丕 禺賵丿 亘亘乇丿.
亘丕 丕蹖賳 賴賲賴 丿趩丕乇 卮毓丕乇 賵 诏賱鈥屫必簇� 賵 禺賵卮亘蹖賳蹖 丕亘賱賴丕賳賴 賳蹖爻鬲 賵 賴蹖趩鈥屭з� 丕夭 賵丕賯毓蹖鬲 賵 丕賳爻丕賳蹖鬲 丿賵乇 賳賲蹖鈥屫促堌�. 倬爻 賲蹖鬲賵丕賳 丌賳鈥屫必� 亘賴 乇睾賲 賲賵囟賵毓 丨爻丕爻卮 讴賴 賴賲賵丕乇賴 丿乇 賲毓乇囟 丿賲鈥屫池� 卮丿賳 賵 卮毓丕乇蹖 卮丿賳 賯乇丕乇 丿丕乇丿貙 賳賲賵賳賴鈥屰� 賲賵賮賯 賵 鬲丕孬蹖乇诏匕丕乇 丕丿亘蹖 丿丕賳爻鬲 讴賴 賴蹖趩賵賯鬲 丕夭 乇蹖鬲賲 賳丕蹖爻鬲丕丿.
倬.賳: 丨丿丕賯賱賽 丕賳鬲馗丕乇 賲禺丕胤亘蹖 讴賴 趩賳蹖賳 賲亘賱睾 亘丕賱丕蹖蹖 亘乇丕蹖 丕蹖賳 讴鬲丕亘 賲蹖鈥屬矩必ж藏� 鬲乇噩賲賴鈥屰� 禺賵亘 賵 賲鬲賳蹖 賵蹖乇丕爻鬲賴 丕爻鬲 讴賴 亘賳馗乇 賲賳 鬲乇噩賲賴鈥屫й� 賲鬲賵爻胤 賵 賵蹖乇丕爻鬲丕乇蹖 亘爻蹖丕乇 亘丿蹖 丿丕卮鬲. 丿蹖丕賱賵诏鈥屬囏� 賴賲爻丕賳 賳亘賵丿賳丿 賵 夭亘丕賳 賲鬲賳 诏丕賴蹖 丿趩丕乇 倬爻鬲蹖 賵 亘賱賳丿蹖 賲蹖卮丿. 亘丕 丕蹖賳賴賲賴 睾蹖乇賯丕亘賱 禺賵丕賳卮 賴賲 賳蹖爻鬲 丕诏乇 趩賳丿丕賳 丨爻丕爻蹖鬲 亘賴 禺乇噩 賳丿賴蹖丿.
卮丕蹖丿 丕诏乇 丕蹖賳诏賵賳賴 丿乇 乇禺賵鬲 賵 丕賮爻乇丿诏蹖 賴爻鬲蹖賲貙 亘禺丕胤乇 丕蹖賳 丕爻鬲 讴賴 丿乇 賴賲賴鈥屭嗃屫� 賲蹖丕賳鈥屬呚й屬� 賴爻鬲蹖賲. 賳賴 丕蹖賳 賳賴 丌賳. 賳賴 亘丕賱丕 賳賴 倬丕蹖蹖賳. 賳賴 丕夭 趩蹖夭蹖 丿賮丕毓 賲蹖鈥屭┵嗃屬� 賳賴 亘乇丕蹖 趩蹖夭蹖 賲蹖噩賳诏蹖賲. 卮丕蹖丿 亘禺丕胤乇 賴賲蹖賳 丕爻鬲 讴賴 夭賳丿诏蹖 亘蹖卮鬲乇 丿乇 丿賵 丨丕賱鬲 乇禺 賲蹖鈥屫囏�. 賳賲賵丿 倬蹖丿丕 賲蹖鈥屭┵嗀�. 夭賲丕賳蹖 讴賴 賴賲賴鈥屭嗃屫� 丿丕乇蹖丿 賵 夭賲丕賳蹖 讴賴 賴锟斤拷趩鈥屭嗃屫� 賳丿丕乇蹖丿. 卮丕蹖丿 賴賲蹖賳 毓亘丕乇鬲 丿賲 乇丕 睾賳蹖賲鬲 丿丕賳爻鬲賳 亘乇丕蹖 夭賲丕賳蹖 丕爻鬲 讴賴 丿蹖诏乇 趩蹖夭蹖 亘乇丕蹖 丕夭 丿爻鬲 丿丕丿賳 賳丿丕乇蹖賲.
爻乇亘丕夭 禺胤 賲賯丿賲貙 倬爻 丕夭 丿賵 爻丕賱 丌丿賲讴卮蹖 賵 丿賵乇蹖 丕夭 禺丕賳賴貙 賮乇氐鬲 蹖讴 賲乇禺氐蹖 丿賵 賴賮鬲賴鈥屫й� 乇丕 亘賴 丿爻鬲 賲蹖鈥屫①堌必� 鬲丕 亘賱讴賴 亘鬲賵丕賳丿 丿賵亘丕乇賴 倬丿乇 賵 賲丕丿乇卮 乇丕 亘亘蹖賳丿. 丿蹖丿賳 禺丕賳賴鈥屰� 亘賲亘丕乇丕賳 卮丿賴 賵 毓卮賯蹖 讴賴 丿乇 倬蹖 丌賳 賲蹖鈥屫③屫� 賵 鬲氐賲蹖賲 亘賴 夭賳丿诏蹖 蹖丕 毓夭丕丿丕乇蹖 丿乇 胤蹖 賴賲丕賳 丿賵 賴賮鬲賴鈥屫й� 讴賴 丿乇 噩賳诏 賳蹖爻鬲蹖貙 賲賵囟賵毓蹖 丕爻鬲 讴賴 乇賲丕乇讴 丌賳 乇丕 丿爻鬲賲丕蹖賴鈥屰� 丿丕爻鬲丕賳 禺賵丿 亘乇丕蹖 賳卮丕賳 丿丕丿賳 賵 亘賴 趩丕賱卮 讴卮蹖丿賳 丕丨爻丕爻丕鬲 丕賳爻丕賳蹖 賵 鬲亘毓丕鬲 噩賳诏 賵 賵蹖乇丕賳蹖 賯乇丕乇 丿丕丿賴 丕爻鬲. 賵 丕賱亘鬲賴 毓卮賯 讴賴 丨鬲蹖 丿乇 賵蹖乇丕賳賴鈥屬囏� 賳蹖夭 賲蹖鬲賵丕賳 乇丿蹖 丕夭 丌賳 蹖丕賮鬲.
亘乇禺賱丕賮 丿乇 睾乇亘 禺亘乇蹖 賳蹖爻鬲貙 亘賴 賵賯鬲 毓卮賯 賵 賲乇诏 毓賱蹖鈥屫必嘿� 倬丕蹖丕賳 鬲乇丕跇蹖讴卮 乇賲丕賳 丕賲蹖丿賵丕乇鬲乇蹖 丕爻鬲. 丕賱亘鬲賴 讴賴 乇賲丕乇讴 賴賲 禺賵丕賳賳丿賴鈥屰� 禺賵丿 乇丕 爻丕丿賴鈥屬勝堌� 賳賲蹖倬賳丿丕乇丿 賵 丿乇 倬爻 丕蹖賳 丿丕爻鬲丕賳 讴賲蹖 丕賲蹖丿亘禺卮貙 禺乇丿賴 丿丕爻鬲丕賳鈥屬囏й� 爻乇亘丕夭賴丕蹖 丿蹖诏乇 賵 禺丕賳賵丕丿賴鈥屫簇з� 乇丕 乇賵丕蹖鬲 賲蹖讴賳丿 賵 禺賵丕賳賳丿賴 賲蹖賮賴賲丿 賵 賲蹖丿丕賳丿 讴賴 賴賲賴 亘賴 蹖讴 丕賳丿丕夭賴 禺賵卮鈥屫簇з嗀� 賳蹖爻鬲賳丿.
噩丿丕蹖 丕夭 賴乇 亘丨孬 丿蹖诏乇蹖貙 亘丕蹖丿 丕夭 賵賴賲蹖 讴賴 丕蹖賳 讴鬲丕亘 亘賴 噩丕賳 賲禺丕胤亘卮 賲蹖鈥屫з嗀ж藏� 賴賲 爻禺賳 诏賮鬲. 鬲乇爻蹖 讴賴 亘賴 賲乇賵乇 噩丕蹖 禺賵丿 乇丕 亘賴 蹖讴 賴卮丿丕乇 賵 丿乇 丕丿丕賲賴 亘賴 丕賳丿蹖卮賴鈥屰� 讴丕乇丌賲丿 賲蹖鈥屫囏�. 鬲氐賵蹖乇 噩賳诏 丿乇 丕蹖賳 讴鬲丕亘 亘丿蹖賳 诏賵賳賴 丕爻鬲 讴賴 趩诏賵賳賴 賴賲賴鈥屭嗃屫� 丿乇 蹖讴 賱丨馗賴貙 丿乇 趩卮賲 亘賴 賴賲 夭丿賳蹖 賳丕亘賵丿 賲蹖卮賵丿. 亘丿賵賳 賲賯丿賲賴鈥屭嗃屬嗃� 賵 賴卮丿丕乇. 丕賲丕 亘賴 賲乇賵乇 亘賴 噩丕蹖 丌賳讴賴 賲禺丕胤亘 卮讴乇诏夭丕乇 賵囟毓蹖鬲 丕賱丕賳卮 亘丕卮丿 讴賴 丿乇 丿賵乇賴鈥屰� 噩賳诏 亘賴 爻乇 賳賲蹖鈥屫ㄘ必� 亘賴 丕蹖賳 賳鬲蹖噩賴 賲蹖鈥屫必池� 讴賴 趩诏賵賳賴 賲蹖鈥屫堌з� 丕夭 賴賲賴鈥屭嗃屫� 讴賳丿 賵 丿賲 乇丕 丿乇蹖丕賮鬲貙 鬲丕 賵賯鬲蹖 讴賴 賲乇诏 賲蹖鈥屫③屫� 趩蹖夭 夭蹖丕丿蹖 賳亘丕卮丿 讴賴 亘鬲賵丕賳丿 亘丕 禺賵丿 亘亘乇丿.
亘丕 丕蹖賳 賴賲賴 丿趩丕乇 卮毓丕乇 賵 诏賱鈥屫必簇� 賵 禺賵卮亘蹖賳蹖 丕亘賱賴丕賳賴 賳蹖爻鬲 賵 賴蹖趩鈥屭з� 丕夭 賵丕賯毓蹖鬲 賵 丕賳爻丕賳蹖鬲 丿賵乇 賳賲蹖鈥屫促堌�. 倬爻 賲蹖鬲賵丕賳 丌賳鈥屫必� 亘賴 乇睾賲 賲賵囟賵毓 丨爻丕爻卮 讴賴 賴賲賵丕乇賴 丿乇 賲毓乇囟 丿賲鈥屫池� 卮丿賳 賵 卮毓丕乇蹖 卮丿賳 賯乇丕乇 丿丕乇丿貙 賳賲賵賳賴鈥屰� 賲賵賮賯 賵 鬲丕孬蹖乇诏匕丕乇 丕丿亘蹖 丿丕賳爻鬲 讴賴 賴蹖趩賵賯鬲 丕夭 乇蹖鬲賲 賳丕蹖爻鬲丕丿.
倬.賳: 丨丿丕賯賱賽 丕賳鬲馗丕乇 賲禺丕胤亘蹖 讴賴 趩賳蹖賳 賲亘賱睾 亘丕賱丕蹖蹖 亘乇丕蹖 丕蹖賳 讴鬲丕亘 賲蹖鈥屬矩必ж藏� 鬲乇噩賲賴鈥屰� 禺賵亘 賵 賲鬲賳蹖 賵蹖乇丕爻鬲賴 丕爻鬲 讴賴 亘賳馗乇 賲賳 鬲乇噩賲賴鈥屫й� 賲鬲賵爻胤 賵 賵蹖乇丕爻鬲丕乇蹖 亘爻蹖丕乇 亘丿蹖 丿丕卮鬲. 丿蹖丕賱賵诏鈥屬囏� 賴賲爻丕賳 賳亘賵丿賳丿 賵 夭亘丕賳 賲鬲賳 诏丕賴蹖 丿趩丕乇 倬爻鬲蹖 賵 亘賱賳丿蹖 賲蹖卮丿. 亘丕 丕蹖賳賴賲賴 睾蹖乇賯丕亘賱 禺賵丕賳卮 賴賲 賳蹖爻鬲 丕诏乇 趩賳丿丕賳 丨爻丕爻蹖鬲 亘賴 禺乇噩 賳丿賴蹖丿.
March 9, 2024
Un roman ca acesta te face s膬 te 卯ntrebi ce e gre葯it la oameni. Scena de final mi s-a p膬rut cam for葲at膬, adic膬 dac膬 ar fi fost 卯n alte 卯mprejur膬ri ar fi avut mai mult膬 greutate. Oricum, romanul e o for葲膬.
March 6, 2016
鈥� J奴s 拧ypsot臈s, 鈥� tar臈 jis, 鈥� Ir esat toks ramus. Kod臈l ner臈kiate?
鈥� A拧 r臈kiu, 鈥� atsak臈 Greberis. 鈥� Tik j奴s negirdite.
鈥� A拧 r臈kiu, 鈥� atsak臈 Greberis. 鈥� Tik j奴s negirdite.
April 29, 2021
Voi continua s膬 afirm c膬 nimeni nu scrie despre r膬zboi a葯a cum o face E. M. Remarque. Volumul acesta se axeaz膬 mai mult pe via葲a omului de r芒nd, prins 卯n mrejile r膬zboiului 卯n spatele tran葯eilor, v膬zut膬 prin ochii unui soldat venit 卯n permisie. Soroc de via葲膬 葯i soroc de moarte arat膬 multitudinea de fe葲e pe care le poart膬 r膬zboiul 葯i eviden葲iaz膬 suferin葲a individual膬 卯ntr-o mare de suferin葲膬 colectiv膬.
De foarte mult timp nu am mai citit o carte care s膬 m膬 distrug膬 卯n totalitate - iar E. M. Remarque r膬m芒ne a fi unul dintre autorii mei prefera葲i din toate timpurile.
Recenzia, .
De foarte mult timp nu am mai citit o carte care s膬 m膬 distrug膬 卯n totalitate - iar E. M. Remarque r膬m芒ne a fi unul dintre autorii mei prefera葲i din toate timpurile.
Recenzia, .
April 23, 2022
Moving, heartfelt, thought provoking writing that grips you to the core鈥攖hat is what is delivered here in this book. If I had to pick one author as being my favorite, I think it might be !
A German soldier in the Second World War, returns home on a long awaited and many time postponed leave after two years of combat on the front in Africa and now most recently in Russia. Fearing that his leave would again be postponed, he has not informed his parents. He does not want to raise their hopes. On return he finds their house bombed and his parents gone. Chaos reigns. Difficulties arise in determining if his parents are dead or alive.
There is the gist of the story, but there is much, much more. It looks at human emotions, motivations and the choices we make. It throws off that which lies on the surface and goes to the core. It is a manifesto against war.
The writing is what makes for me the story special--alternately beautiful, honest and wise. It focuses upon the destruction, horror and pointlessness of war. Don鈥檛 expect easy reading. Sections are extremely difficult. The horror is lightened by a love affair and the importance, the value of what is often considered small and unimportant incidents. The wonder and beauty of the night sky, a simple vegetable soup, quiet and stillness and individuals, guided by strong morals who behave admirably but also unobtrusively and without fanfare鈥攖hese are the elements that keep the reader from drowning in despair. The prose, beautiful in all its simplicity, balances good and bad, ups and downs realistically.
I like viewing the war from the German soldiers鈥� side. In this way, the universality of human emotions comes to the fore.
The ending is as it should be. Beautiful but realistic at the same time.
There is a scene where the central character strides through a room of amputees. It makes you think, feel and experience each individual鈥檚 thoughts and emotions. It focuses your attention on what you might not normally think about.
Truths are revealed about human behavior, both the good and the bad. This is achieved through the prose. You read the lines, ponder and think about the author鈥檚 choice of words. The lines benefit from being read multiple times. Each reading gives you something new.
Here follow a few lines, so you can taste the prose:
After the war, we are now 鈥渙ld and cynical without the experience of age.鈥�
鈥淭o ask someone else means to evade a decision.鈥�
鈥淎n old soldier鈥檚 rule: When there is nothing you can do, don鈥檛 get excited.鈥�
鈥淚 wanted to have someone to hold me, but I didn鈥檛 realize that would make me doubly vulnerable.鈥�
鈥淚f you make no demands, everything is a gift.鈥�
The prose is simple and straightforward. There is wisdom and food for thought.
The audiobook is narrated by MacLeod Andrews. Both the writing and the narration are emotive. They do in this way fit each other. The narrator鈥檚 dramatization, particularly at the start, was too much for me. The lines themselves are sufficiently powerful, making further emphasis unnecessary. A listener is thrown between screaming and whispering. The volume is at times hard to set. I am not one who loves dramatization by readers of audiobooks. This is why I have reduced the rating of the narration to four stars. I listened at 90% speed, but I usually do. I want to savor every word. I want to have time to think. The point isn鈥檛 for me to get rapidly to a book鈥檚 end.
I highly recommend this book and the author鈥檚 other works.
*
* 5 stars
* 5 stars
* 5 stars
* 4 stars
* 4 stars
* TBR
* TBR
A German soldier in the Second World War, returns home on a long awaited and many time postponed leave after two years of combat on the front in Africa and now most recently in Russia. Fearing that his leave would again be postponed, he has not informed his parents. He does not want to raise their hopes. On return he finds their house bombed and his parents gone. Chaos reigns. Difficulties arise in determining if his parents are dead or alive.
There is the gist of the story, but there is much, much more. It looks at human emotions, motivations and the choices we make. It throws off that which lies on the surface and goes to the core. It is a manifesto against war.
The writing is what makes for me the story special--alternately beautiful, honest and wise. It focuses upon the destruction, horror and pointlessness of war. Don鈥檛 expect easy reading. Sections are extremely difficult. The horror is lightened by a love affair and the importance, the value of what is often considered small and unimportant incidents. The wonder and beauty of the night sky, a simple vegetable soup, quiet and stillness and individuals, guided by strong morals who behave admirably but also unobtrusively and without fanfare鈥攖hese are the elements that keep the reader from drowning in despair. The prose, beautiful in all its simplicity, balances good and bad, ups and downs realistically.
I like viewing the war from the German soldiers鈥� side. In this way, the universality of human emotions comes to the fore.
The ending is as it should be. Beautiful but realistic at the same time.
There is a scene where the central character strides through a room of amputees. It makes you think, feel and experience each individual鈥檚 thoughts and emotions. It focuses your attention on what you might not normally think about.
Truths are revealed about human behavior, both the good and the bad. This is achieved through the prose. You read the lines, ponder and think about the author鈥檚 choice of words. The lines benefit from being read multiple times. Each reading gives you something new.
Here follow a few lines, so you can taste the prose:
After the war, we are now 鈥渙ld and cynical without the experience of age.鈥�
鈥淭o ask someone else means to evade a decision.鈥�
鈥淎n old soldier鈥檚 rule: When there is nothing you can do, don鈥檛 get excited.鈥�
鈥淚 wanted to have someone to hold me, but I didn鈥檛 realize that would make me doubly vulnerable.鈥�
鈥淚f you make no demands, everything is a gift.鈥�
The prose is simple and straightforward. There is wisdom and food for thought.
The audiobook is narrated by MacLeod Andrews. Both the writing and the narration are emotive. They do in this way fit each other. The narrator鈥檚 dramatization, particularly at the start, was too much for me. The lines themselves are sufficiently powerful, making further emphasis unnecessary. A listener is thrown between screaming and whispering. The volume is at times hard to set. I am not one who loves dramatization by readers of audiobooks. This is why I have reduced the rating of the narration to four stars. I listened at 90% speed, but I usually do. I want to savor every word. I want to have time to think. The point isn鈥檛 for me to get rapidly to a book鈥檚 end.
I highly recommend this book and the author鈥檚 other works.
*
* 5 stars
* 5 stars
* 5 stars
* 4 stars
* 4 stars
* TBR
* TBR
March 25, 2016
賱賱丨亘 賵賯鬲 賵賱賱賲賵鬲 賵賯鬲 鈥� 廿乇賷卮 賲丕乇賷丕 乇賷賲丕乇賰
賴賷 爻丕亘毓 乇賵丕賷丞 賱乇賷賲丕乇賰 賵賯丿 氐丿乇鬲 毓丕賲 1954 賵賴賷 孬丕賳賷 乇賵丕賷丞 兀賯乇兀賴丕 賱賴 亘毓丿 "賰賱 卮賷亍 賴丕丿賷亍 賮賷 丕賱噩亘賴丞 丕賱睾乇亘賷丞" 賵賱賲 鬲禺乇噩 賴匕賴 毓賳 賲賵囟賵毓 鬲賱賰: "丕賱丨乇亘 賵兀賴賵丕賱賴丕" 賱賰賳賴丕 丕禺鬲賱賮鬲 賮賷 丕賱馗乇賵賮 賵丕賱兀丨丿丕孬 乇睾賲 兀賳賴丕 鬲丨賲賱 乇爻丕賱丞 賲卮丕亘賴丞.
鬲鬲丨丿孬 賴匕賴 丕賱乇賵丕賷丞 毓賳 丕賱噩賳丿賷 噩乇賷亘乇 賵賴賵 噩賳丿賷 兀賱賲丕賳賷 賷丨丕乇亘 毓賱賶 丕賱噩亘賴丞 丕賱卮乇賯賷丞 賮賷 乇賵爻賷丕 賮賷 丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱孬丕賳賷丞 賵賷亘丿賵 兀賳 丕賱夭賲賳 賴賵 賲丕 亘賷賳 1943-1944 丨賷孬 亘丿兀鬲 鬲鬲賵丕賱賶 丕賱賴夭丕卅賲 丕賱兀賱賲丕賳賷丞 毓賱賶 噩賲賷毓 丕賱噩亘賴丕鬲.
賱賲 賷禺鬲賱賮 丕賱兀爻賱賵亘 毓賲丕 賰丕賳 毓賱賷賴 賮賷 "賰賱 卮賷亍 賴丕丿賷亍 賮賷 丕賱噩亘賴丞 丕賱卮乇賯賷丞" 賵馗賱 匕賱賰 丕賱丨爻 丕賱廿賳爻丕賳賷 賴賵 賲丕 賷賯賵丿 賷丿 乇賷賲丕乇賰 賮賷 丕賱爻乇丿 賲毓 賰賱 賰賱賲丞. 丨賷孬 賳噩丿 賮賷 賳賴丕賷丞 丕賱兀賲乇 賲丿賶 毓亘孬賷丞 丕賱丨乇亘 賵丕賱丨賷丕丞 毓賲賵賲丕賸 賮賷 馗賱 丕賱丨乇亘.
丕爻鬲賱賴賲 乇賷賲丕乇賰 丕賱毓賳賵丕賳 賲賳 賵氐丕賷丕 爻賱賷賲丕賳 丕賱丨賰賷賲 賮賷 爻賮乇 丕賱噩丕賲毓丞 賲賳 丕賱毓賴丿 丕賱賯丿賷賲 丨賷孬 噩丕亍 賮賷賴: 賱賰賱 卮賷亍 夭賲丕賳貙 賵賱賰賱 兀賲乇 鬲丨鬲 丕賱爻賲丕賵丕鬲 賵賯鬲: 賱賱賵賱丕丿丞 賵賯鬲 賵賱賱賲賵鬲 賵賯鬲貙 賱賱睾乇爻 賵賯鬲 賵賱賱賯賱毓 賵賯鬲. 賱賱賯鬲賱 賵賯鬲貙 賵賱賱卮賮丕亍 賵賯鬲. 賱賱賴丿賲 賵賯鬲貙 賵賱賱亘賳丕亍 賵賯鬲. 賱賱亘賰丕亍 賵賯鬲貙 賵賱賱囟丨賰 賵賯鬲. 賱賱賳賵丨 賵賯鬲貙 賵賱賱乇賯氐 賵賯鬲. 賱賱賰爻亘 賵賯鬲貙 賵賱賱禺爻丕乇丞 賵賯鬲. 賱賱爻賰賵鬲 賵賯鬲貙 賵賱賱鬲賰賱賲 賵賯鬲. 賱賱丨亘 賵賯鬲貙 賵賱賱亘睾囟 賵賯鬲. 賱賱丨乇亘 賵賯鬲貙 賵賱賱氐賱丨 賵賯鬲. 賮兀賷 賲賳賮毓丞 賱賲賳 賷鬲毓亘 賲賲丕 賷鬲毓亘 亘賴 責
賵賳賱丕丨馗 賲賲丕 噩丕亍 賮賷 丕賱廿氐丨丕丨 丕賱賲賯鬲亘爻貨 兀賳 賰賱 毓亘丕乇丞 賰丕賳鬲 鬲噩賲毓 亘賷賳 賳賯賷囟賷賳. 亘賷賳賲丕 噩丕亍 丕賱毓賳賵丕賳 賱賷爻 賰廿賯鬲亘丕爻 丨乇賮賷 賲賳賴. 亘賱 噩丕亍: 賱賱丨亘 賵賯鬲貙 賵賱賱賲賵鬲 賵賯鬲. 賲賲丕 賷賵丨賷 廿賳 乇噩毓賳丕 賱賯賷丕爻 丕賱兀賲乇 毓賱賶 賲丕 噩丕亍 賮賷 丕賱廿氐丨丕丨 亘兀賳 丕賱丨亘 賴賵 賳賯賷囟 丕賱賲賵鬲. 賵賲賳 丕賱爻賷丕賯 丕賱賲賵噩賵丿 賮賷 丕賱乇賵丕賷丞 賱丕 賷賲賰賳賳丕 兀賳 賳乇賶 卮賷卅丕購 丌禺乇 賮賷 丕賱丨乇亘 毓丿丕 丕賱賲賵鬲. 賵毓賳丿賴丕 賷氐亘丨 噩賱賷丕賸 賱賳丕 兀賳 丕賱丨亘 賴賷 亘卮賰賱 賲丕 賳賯賷囟 丕賱丨乇亘 賰匕賱賰.
噩丕亍 丕賱乇賵丕賷丞 賮賷 孬賱丕孬丞 兀賯爻丕賲 鬲賯乇賷亘丕賸 賯爻賲鬲 毓賱賶 29 賮氐賱丕賸. 噩丕亍 丕賱賯爻賲 丕賱兀賵賱 賮賷 丕賱噩亘賴丞 賵賰丕賳鬲 丕賱亘丿丕賷丞 賮賷 廿賰鬲卮丕賮 噩孬丞 噩賳丿賷 兀賱賲丕賳賷丞 賰丕賳鬲 賲丿賮賵賳丞 鬲丨鬲 丕賱孬賱噩 賵馗賴乇鬲 賱賱毓賷丕賳 亘毓丿 兀賳 亘丿兀 丕賱孬賱噩 賮賷 丕賱匕賵亘丕賳. 賵賷賲鬲丿 賴匕丕 丕賱賯爻賲 廿賱賶 兀賳 丨氐賱 噩乇賷亘乇 毓賱賶 丕賱廿噩丕夭丞 丕賱鬲賷 噩丕亍 毓賱賶 匕賰乇賴丕 賮賷 爻賷丕賯 丕賱賯爻賲. 孬賲 賰丕賳 丕賱賯爻賲 丕賱孬丕賳賷 賮賷 乇丨賱丞 丕賱毓賵丿丞 賱賱賵胤賳 賵丕賱丨賷丕丞 賴賳丕賰. 丨賷孬 乇噩毓 噩乇賷亘乇 廿賱賶 賲丿賷賳丞 賮賷乇丿賷賳 丕賱賲賵噩賵丿丞 賮賷 卮賲丕賱 賵爻胤 兀賱賲丕賳賷丕 賵賯乇賷亘丕賸 賲賳 亘乇賷賲賳. 賵賴賷 亘毓賷丿丞 噩丿丕賸 毓賳 丕賱噩亘賴丞 賵鬲噩鬲丕噩 丕賱乇丨賱丞 廿賱賶 賷賵賲賷賳. 賵賴賳丕賰 賰丕賳 賲鬲賵賯毓丕賸 兀賳 賷噩丿 賵丕賱丿賷賴 廿賱丕 兀賳賴 乇噩毓 賵賮賵噩賷亍 亘兀賳 丕賱賵胤賳 賱賲 賷毓丿 丌賲賳丕賸 毓賱賶 丕賱廿胤賱丕賯. 賮賴賵 賷鬲毓乇囟 廿賱賶 睾丕乇丕鬲 噩賵賷丞 毓賳賷賮丞 賰賱 賷賵賲賷賳 鬲賯乇賷亘丕賸 賵賯丿 丿賲乇 亘賷鬲 賵丕賱丿賷賴 賵賱賲 賷噩丿賴賲丕 賮賷 兀賷 賲賰丕賳. 孬賲 賷兀鬲賷 丕賱丨丿賷孬 毓賳 賱賯丕卅賴 亘廿賱賷夭丕亘賷孬貨 丕亘賳丞 胤亘賷亘 賰丕賳 賷毓乇賮賴 賵匕賴亘 廿賱賶 亘賷鬲賴 賱賱爻丐丕賱 毓賳 匕賵賷賴. 賵賲賳 丕賱賲賮丕乇賯丕鬲 丕賱賱胤賷賮丞 兀賳 噩乇賷亘乇 賱賲 賷賰賳 賷丨亘 廿賱賷夭丕亘賷孬 毓賳丿賲丕 賰丕賳丕 胤賮賱賷賳. 亘賷賳賲丕 丕賱丌賳貙 賵亘毓丿 賰賱 丕賱兀賴賵丕賱 丕賱鬲賷 賷乇丕賴丕 丕賱廿孬賳丕賳 賮賷 丕賱丨乇亘 賷亘丿賵 兀賲乇丕賸 丨鬲賲賷丕賸 兀賳 賷丨亘丕 亘毓囟賴賲丕 孬賲 賷鬲夭賵噩丕 賮賷 廿噩丕夭鬲賴 丕賱賯氐賷乇丞 噩丿丕賸 賵丕賱鬲賷 賱賲 鬲鬲噩丕賵夭 孬賱丕孬丞 兀爻丕亘賷毓. 賵賯丿 兀賲囟賶 賲賳賴丕 丕賱兀爻亘賵毓 丕賱兀賵賱 賮賷 丕賱亘丨孬 毓賳 匕賵賷賴. 兀賷 兀賳賴 賱賲 賷賯囟 賲毓賴丕 爻賵賶 兀爻亘賵毓賷賳 賮賯胤貨 兀丨亘賴丕 賵鬲夭賵噩賴丕 賮賷賴丕 ! 兀禺賷乇丕賸 賷兀鬲賷 丕賱賯锟斤拷賲 丕賱孬丕賱孬貙 丨賷孬 賷毓賵丿 噩乇賷亘乇 賱賱丨乇亘 賵賰兀賳賴 賱賲 賷睾丕丿乇賴丕. 賱賷噩丿 丕賱噩亘賴丞 賯丿 鬲賯賴賯乇鬲 兀賰孬乇 賲賳 200 賰賷賱賵賲鬲乇 賲賳匕 兀賳 賰丕賳 賮賷賴丕 丌禺乇 賲乇丞. 賵賲賳 丕賱賲賱丕丨馗 兀賳 賵氐賮 丕賱賲毓丕乇賰 賮賷 賴匕丕 丕賱賯爻賲 丕賱兀禺賷乇 賰丕賳 乇賴賷亘丕賸.
賱丕 賷賲賰賳賳賷 賴賳丕 兀賳 兀鬲噩丕賴賱 丕賱鬲毓賱賷賯 毓賱賶 亘毓囟 丕賱賳賯丕胤:
賲賴賲丕 賰丕賳鬲 賲毓乇賮鬲賳丕 賰賲丿賳賷賷賳 亘丕賱丨乇亘貙 賱丕 賷賲賰賳賳丕 兀賳 賳鬲禺賷賱 兀賴賵丕賱賴丕. 賵賲賴賲丕 禺丕囟 噩賳丿賷 丨乇亘丕賸 賲丕 賮廿賳賴 賱賲 賷毓乇賮 兀賴賵丕賱 丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱孬丕賳賷丞 賵亘丕賱兀禺氐貙 丕賱噩亘賴丞 丕賱卮乇賯賷丞. 賵賯丿 賰丕賳 乇賷賲丕乇賰 賲匕賴賱丕賸 賮賷 賵氐賮 賲丕 賰丕賳 賴賳丕賰. 賴匕丕 丕賱賰賲 丕賱賴丕卅賱 賲賳 噩孬孬 丕賱噩賳賵丿 賵丕賱賲丿賳賷賷賳. 賮丨鬲賶 兀賱賲丕賳賷丕 賵廿賳 賱賲 鬲賰賳 丕賱噩賷賵卮 丕賱亘乇賷丞 賯丿 賵氐賱鬲賴丕 亘毓丿 賮廿賳賴丕 賱賲 鬲爻賱賲 賲賳 丕賱丿賲丕乇.. 賵賱賲 賷爻賱賲 賲賳 賳丕乇賴丕 丕賱賲丿賳賷賵賳 丨鬲賶 丕賱兀胤賮丕賱. 賵賷丨囟乇賳賷 賲卮賴丿 丕賱胤賮賱丞 丕賱鬲賷 賲乇 廿賱賶 噩賵丕乇賴丕 噩乇賷亘乇 賵賴賷 鬲丨賲賱 兀禺鬲賴丕 丕賱乇囟賷毓丞 亘賷賳賲丕 鬲賯毓 賮賷乇丿賷賳 鬲丨鬲 乇丨賲丞 睾丕乇丞 噩賵賷丞. 賵賱賲 賷賱亘孬 噩乇賷亘乇 兀賳 卮丕賴丿賴丕 亘毓丿 兀賳 乇賲丕賴 廿賳賮噩丕乇 賯匕賷賮丞 賯乇賷亘丞 兀賲鬲丕乇丕賸 毓賳 丕賱賲賰丕賳 賵賯丿 鬲锟斤拷賱賯鬲 賮賷 噩丿丕乇 賲賴丿賵賲 卮亘賴 賲氐賱賵亘丞 賲賲丕 賷卮賷乇 廿賱賶 賲賮丕乇賯丞 氐賱亘 丕賱賲爻賷丨.. 賵賯丿 丕禺鬲乇賯賴丕 丕賱丨丿賷丿 賲賳 亘胤賳賴丕 賵賷噩毓賱賴丕 賲孬亘鬲丞 賮賷 丕賱噩丿丕乇. 賴匕賴 丕賱胤賮賱丞 丕賱亘乇賷卅丞 丕賱賲氐賱賵亘丞 賴賷 乇賲夭 氐賱亘 丕賱亘乇丕亍丞 賵丕賱乇丨賲丞 賵賰賱 卮賷亍 噩賲賷賱 賲賳 賯亘賱 丕賱丨乇亘 丕賱賲噩賳賵賳丞 丕賱鬲賷 賱丕 鬲賲賷夭 兀丨丿丕賸 毓賳 兀丨丿.
兀孬賳丕亍 丨乇亘 賲噩賳賵賳丞貙 鬲禺鬲賱賮 賲毓丕賷賷乇 丕賱丨賷丕丞. 賮賱賷爻 賲賴賲丕賸 賳賵毓賷丞 丕賱丨賷丕丞 丕賱鬲賷 鬲毓賷卮賴丕. 亘賱 賷賰賮賷賰 兀賳 鬲亘賯賶 丨賷丕賸. 賵兀賷 乇賲夭 賱賱丨賷丕丞 賯丿 賷賰賵賳 兀賰孬乇 賯賷賲丞 賲賳 丕賱胤毓丕賲 兀賵 兀賳 賷賰賵賳 丕賱噩賳丿賷 賲毓 廿賲乇兀丞 ! 丨賯賷賯丞賸貙 賱賲 賷賰賳 賲賲賰賳丕賸 賱賷 兀賳 兀賮賴賲 賴匕丕 丕賱卮賷亍 賯亘賱 賯乇丕亍鬲賷 賱賴匕賴 丕賱乇賵丕賷丞. 賮賱賲 鬲賰賳 毓賱丕賯丞 噩乇賷亘乇 亘廿賱賷夭丕亘賷孬 丨亘丕賸 亘丕賱賲賮賴賵賲 丕賱匕賷 賳毓乇賮賴. 亘賱 賰丕賳鬲 囟乇賵乇丞 丨鬲賲賷丞 賱賴賲丕 賰乇賲夭 賱賰賵賳賴賲丕 兀丨賷丕亍. 賵賷丨囟乇賳賷 賴賳丕 卮禺氐賷丞 亘賵鬲卮乇 丕賱匕賷 馗賱 胤賵丕賱 廿噩丕夭鬲賴 賷亘丨孬 毓賳 夭賵噩鬲賴 "丕賱賲乇亘賵毓丞" 賵丕賱鬲賷 賰丕賳 賷賯賵賱 毓賳賴丕 丕賳賴丕 鬲賲鬲賱賰 賲丐禺乇丞 賰賲丐禺乇丞 "丕賱丨氐丕賳" 賵賯丿 毓亘乇 氐乇丕丨丞 兀賳 賴匕丕 賴賵 賲丕 賷毓噩亘賴 賮賷賴丕. 賵兀賳 丕賱毓丕賴乇丕鬲 丕賱賲鬲賵賮乇丕鬲 賱丕 賷孬乇賳賴 亘賲孬賱 賴匕賴 丕賱賳丨賵賱丞 丕賱賲賳賮乇丞 鈥撡堎囐� 鬲亘丿賵 賲賳賮乇丞 賱賴 賮賯胤貙 賵賱賲 賷卮鬲賰賽 兀丨丿 爻賵丕賴 賲賳 匕賱賰- 賵賯丿 賯丕丿賴 匕賱賰 亘兀賳 兀賯丕賲 毓賱丕賯丞 賲毓 氐丕丨亘丞 丕賱丨丕賳丞 丕賱鬲賷 賰丕賳鬲 賲乇亘賵毓丞 兀賷囟丕賸 賵丕賱賲賮丕噩兀丞 賴賳丕 兀賳賴 毓賳丿賲丕 賵噩丿 兀禺賷乇丕賸 夭賵噩鬲賴 鬲禺乇噩 賲賳 賲毓爻賰乇 廿毓鬲賯丕賱 賯乇賷亘 賰丕賳鬲 賮賷賴. 賵賰丕賳鬲 賳丨賷賱丞 賱賱睾丕賷丞 賱賲 賷鬲毓乇賮 廿賱賷賴丕 兀賵賱丕賸 孬賲 賳賮乇 賱賴匕丕 丕賱鬲睾賷乇 丕賱賲賮丕噩賷亍 賮賷 卮賰賱賴丕. 賵兀毓乇亘 賱夭賲賱丕卅賴 丕賱噩賳賵丿 毓賳 禺賷亘鬲賴 丕賱卮丿賷丿丞 賲賲丕 丨丿孬 賲毓 夭賵噩鬲賴 賵兀賳賴 賲囟胤乇 賱賱廿亘賯丕亍 毓賱賶 毓賱丕賯鬲賴 亘氐丕丨亘丞 丕賱丨丕賳丞 丕賱賲乇亘賵毓丞 亘賱 廿賳賴 賯丕賲 亘賴噩乇 夭賵噩鬲賴 丿賵賳 兀賳 賷賯賵賱 卮賷卅丕賸 賮賯胤 賱兀賳賴丕 賮賯丿鬲 賵夭賳賴丕 賵亘丕賱鬲丕賱賷 賲丐禺乇鬲賴丕 丕賱鬲賷 鬲卮亘賴 賲丐禺乇丞 丕賱丨氐丕賳 ! 賯丿 鬲亘丿賵 賲孬賱 賴匕賴 丕賱兀賲賵乇 賱賳丕 爻胤丨賷丞 賵爻禺賷賮丞 賱賱睾丕賷丞. 賱賰賳賴丕 賱賷爻鬲 賰匕賱賰 毓賱賶 丕賱廿胤賱丕賯 亘丕賱賳爻亘丞 廿賱賷賴.
賵賷丨囟乇賳賷 兀賷囟丕賸貙 卮禺賵氐 丕賱賲鬲毓氐亘賷賳 賱賱丨夭亘 賰丕賱鬲賷 丕爻鬲兀噩乇鬲 賮賷 亘賷鬲 廿賱賷夭丕亘賷孬 亘丕賱賯賵丞 孬賲 賰鬲亘鬲 鬲賯乇賷乇丕賸 賮賷 兀亘賷賴丕 丕賱胤亘賷亘 賱賷鬲賲 兀禺匕賴 賱賲毓爻賰乇丕鬲 丕賱廿毓鬲賯丕賱 賵賷鬲賲 鬲爻賱賷賲 乇賲丕丿 噩孬鬲賴 賱噩乇賷亘乇 賮賷賲丕 亘毓丿. 賵兀毓噩亘鬲賳賷 鬲賱賰 丕賱賲賮丕乇賯丞 丕賱賱胤賷賮丞 毓賳 禺丕丿賲賷 丕賱賰賳賷爻丞 丨賷孬 賷賰賵賳 丕賱毓噩賵夭 卮禺氐丕賸 乇丨賷賲丕賸 賰賲丕 賷鬲胤賱亘 毓賲賱賴 賮賷 丕賱賰賳賷爻丞 兀賳 賷賰賵賳 亘賷賳賲丕 賰丕賳 丕賱禺丕丿賲 丕賱卮丕亘 賲鬲毓氐亘丕賸 賮賷 禺丿賲丞 丕賱乇亘.. 賮賷賲丕 賱丕 賷卮賰賱 賮乇賯丕賸 賰亘賷乇丕賸 毓賳 鬲賱賰 丕賱噩丕乇丞 賵兀賲孬丕賱賴丕. 賵鬲賵噩丿 賰匕賱賰 卮禺氐賷丞 亘賵賱賲丕賳 丕賱賲丿乇爻 丕賱賲賳亘賵匕 丕賱賲孬賯賮 丕賱匕賷 賷毓賷 鬲賲丕賲丕賸 丕賱賲氐賷亘丞 丕賱鬲賷 鬲丨賱 賮賷 亘賱丕丿賴 丿賵賳 兀賳 賷賲賱賰 兀賳 賷賮毓賱 卮賷卅丕賸 爻賵賶 廿賳賯丕匕 賷賴賵丿賷 賲賳 丕賱賲賵鬲.. 賵賷鬲賲 廿毓鬲賯丕賱 亘賵賱賲丕賳 賮賷賲丕 亘毓丿. 丨鬲賶 噩乇賷亘乇 賷毓賷 鬲賲丕賲丕賸 鬲賱賰 丕賱賲氐賷亘丞 賵賴賵 賷毓賷 兀賷囟丕賸 兀賳賴 賷丨丕乇亘 賮賷 丨乇亘 禺丕爻乇丞 賱丕 賲丨丕賱丞.. 賵賰賱 賲丕 賷賲賱賰 兀賳 賷賮毓賱賴 賴賵 丕賱乇噩賵毓 賱賱噩亘賴丞 賱賱賯鬲丕賱 賰賷 賷賰爻亘 賴丐賱丕亍 丕賱賲鬲毓氐亘賵賳 丕賱賲夭賷丿 賲賳 丕賱賵賯鬲 賮賷 丕賱丨賰賲.
賱賮鬲鬲賳賷 丨賰丕賷丞 丕賱噩賳丿賷 丕賱匕賷 賰丕賳 賲毓 噩乇賷亘乇 賮賷 賯胤丕乇 丕賱毓賵丿丞 廿賱賶 兀賱賲丕賳賷丕 賲賳 兀噩賱 丕賱廿噩丕夭丞 賵丕賱匕賷 賰丕賳 賷卮賰賵 賱夭賲賱丕卅賴 賲賳 禺賷丕賳丞 夭賵噩鬲賴 賱賴 賵兀賳賴丕 兀賳噩亘鬲 胤賮賱丕賸 兀孬賳丕亍 睾賷丕亘賴. 賵兀賳 兀賲賴 鬲卮賰 兀賳 賴匕丕 丕賱胤賮賱 賴賵 丕亘賳 兀丨丿 丕賱兀爻乇賶 丕賱乇賵爻 賮賷 兀賱賲丕賳賷丕. 賵賰賷賮 賰丕賳 鬲毓賱賷賯 夭賲賱丕卅賴 毓賱賶 丕賱賲賵囟賵毓貨 丨賷孬 賯丕賱 亘毓囟賴賲 兀賳 賴賰匕丕 賷丨丿孬 丿賵賲丕賸 賮亘毓囟 丕賱夭賵噩丕鬲 鬲賳鬲馗乇貙 賵亘毓囟賴賳 賱丕 賷賳鬲馗乇. 鬲爻鬲賯賷賲 賴匕賴 丕賱賲賮丕乇賯丞 賲毓 爻賷丕賯 丕賱乇賵丕賷丞 賰賰賱. 賵賷馗賱 禺賷丕乇 丕賱噩賳丿賷 賲胤乇賵丨丕賸: 賴賱 爻賷賯亘賱 亘賴匕丕 丕賱胤賮賱 丕賱乇賵爻賷 賰丕亘賳 賱賴 賵賷乇亘賷賴 責 兀賲 爻賷乇賮囟賴 賵賷乇賮囟 兀賲賴 責
賵兀禺賷乇丕賸貙 賴賳丕賰 丕賱噩賳丿賷 丕賱兀賱賲丕賳賷 卮鬲丕賷賳 亘乇賳乇 賵賴賵 乇賲夭 賱賱噩賳丿賷 丕賱兀賱賲丕賳賷 丕賱賲鬲毓氐亘. 乇賲夭 賱賱賳丕夭賷 毓賱賶 丕賱噩亘賴丞. 丕賱匕賷 賱丕 賷鬲賵丕賳賶 毓賳 丕睾鬲氐丕亘 丕賱乇賵爻賷丕鬲 賵廿毓丿丕賲 丕賱賲丿賳賷賷賳 丿賵賳 兀賷 鬲兀賳賷亘 賱賱囟賲賷乇. 賵賷亘乇夭 賮賷 兀賵丕禺乇 丕賱乇賵丕賷丞 匕賱賰 丕賱氐丿丕賲 亘賷賳 噩乇賷亘乇 賵亘賷賳 賴匕丕 丕賱噩賳丿賷. 孬賲 鬲亘乇夭 兀禺賷乇丕賸 丕賱毓亘孬賷丞 賱鬲胤賱 亘乇兀爻賴丕 丕賱孬賯賷賱 丨賷賳 賷賯賵賲 丕賱乇賵爻 丕賱匕賷賳 丕毓鬲賯丿 噩乇賷亘乇 兀賳賴賲 賲丿賳賷賵賳 賵丕氐胤丿賲 亘卮鬲丕賷賳 亘乇賳乇 賲賳 兀噩賱賴賲 賱賷賯鬲賱賵賴 賮賷 賳賴丕賷丞 丕賱兀賲乇. 賴賵 賲卮賴丿 爻乇賷丕賱賷 爻丕禺乇 亘丕賲鬲賷丕夭.
賷丨爻亘 賱乇賷賲丕乇賰 兀賳賴 賱賲 賷卮毓乇賳丕 兀賳賴 賲賳丨丕夭 賱兀賷丿賷賵賱賵噩賷丕 賲毓賷賳丞.. 賵賰丕賳 鬲賵噩賴賴 廿賳爻丕賳賷丕賸 丨鬲賶 丌禺乇 賰賱賲丞.
賲賳 丕賱氐毓亘 毓賱賶 丕賱賲乇亍 兀賳 賷鬲賮賴賲 賰賱 賴匕賴 丕賱賲鬲賳丕賯囟丕鬲 丕賱賲賵噩賵丿丞 賮賷 丕賱乇賵丕賷丞貙 賱賯丿 賳噩丨 乇賷賲丕乇賰 鬲賲丕賲丕賸 賮賷 鬲賯丿賷賲 賲卮賴丿 賲乇賵毓 毓賳 丕賱丨乇亘 賵賱乇亘賲丕 丕賱丨賷丕丞 賮賷 亘毓囟 兀卮賰丕賱賴丕. 賵賱丕 賷爻毓賳賷 兀賳 兀賯賵賱 賴賳丕 爻賵賶 兀賳賴丕 賲卮賴丿 爻賷馗賱 毓丕賱賯丕賸 胤賵賷賱丕賸 賮賷 匕丕賰乇鬲賷.
賴賷 爻丕亘毓 乇賵丕賷丞 賱乇賷賲丕乇賰 賵賯丿 氐丿乇鬲 毓丕賲 1954 賵賴賷 孬丕賳賷 乇賵丕賷丞 兀賯乇兀賴丕 賱賴 亘毓丿 "賰賱 卮賷亍 賴丕丿賷亍 賮賷 丕賱噩亘賴丞 丕賱睾乇亘賷丞" 賵賱賲 鬲禺乇噩 賴匕賴 毓賳 賲賵囟賵毓 鬲賱賰: "丕賱丨乇亘 賵兀賴賵丕賱賴丕" 賱賰賳賴丕 丕禺鬲賱賮鬲 賮賷 丕賱馗乇賵賮 賵丕賱兀丨丿丕孬 乇睾賲 兀賳賴丕 鬲丨賲賱 乇爻丕賱丞 賲卮丕亘賴丞.
鬲鬲丨丿孬 賴匕賴 丕賱乇賵丕賷丞 毓賳 丕賱噩賳丿賷 噩乇賷亘乇 賵賴賵 噩賳丿賷 兀賱賲丕賳賷 賷丨丕乇亘 毓賱賶 丕賱噩亘賴丞 丕賱卮乇賯賷丞 賮賷 乇賵爻賷丕 賮賷 丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱孬丕賳賷丞 賵賷亘丿賵 兀賳 丕賱夭賲賳 賴賵 賲丕 亘賷賳 1943-1944 丨賷孬 亘丿兀鬲 鬲鬲賵丕賱賶 丕賱賴夭丕卅賲 丕賱兀賱賲丕賳賷丞 毓賱賶 噩賲賷毓 丕賱噩亘賴丕鬲.
賱賲 賷禺鬲賱賮 丕賱兀爻賱賵亘 毓賲丕 賰丕賳 毓賱賷賴 賮賷 "賰賱 卮賷亍 賴丕丿賷亍 賮賷 丕賱噩亘賴丞 丕賱卮乇賯賷丞" 賵馗賱 匕賱賰 丕賱丨爻 丕賱廿賳爻丕賳賷 賴賵 賲丕 賷賯賵丿 賷丿 乇賷賲丕乇賰 賮賷 丕賱爻乇丿 賲毓 賰賱 賰賱賲丞. 丨賷孬 賳噩丿 賮賷 賳賴丕賷丞 丕賱兀賲乇 賲丿賶 毓亘孬賷丞 丕賱丨乇亘 賵丕賱丨賷丕丞 毓賲賵賲丕賸 賮賷 馗賱 丕賱丨乇亘.
丕爻鬲賱賴賲 乇賷賲丕乇賰 丕賱毓賳賵丕賳 賲賳 賵氐丕賷丕 爻賱賷賲丕賳 丕賱丨賰賷賲 賮賷 爻賮乇 丕賱噩丕賲毓丞 賲賳 丕賱毓賴丿 丕賱賯丿賷賲 丨賷孬 噩丕亍 賮賷賴: 賱賰賱 卮賷亍 夭賲丕賳貙 賵賱賰賱 兀賲乇 鬲丨鬲 丕賱爻賲丕賵丕鬲 賵賯鬲: 賱賱賵賱丕丿丞 賵賯鬲 賵賱賱賲賵鬲 賵賯鬲貙 賱賱睾乇爻 賵賯鬲 賵賱賱賯賱毓 賵賯鬲. 賱賱賯鬲賱 賵賯鬲貙 賵賱賱卮賮丕亍 賵賯鬲. 賱賱賴丿賲 賵賯鬲貙 賵賱賱亘賳丕亍 賵賯鬲. 賱賱亘賰丕亍 賵賯鬲貙 賵賱賱囟丨賰 賵賯鬲. 賱賱賳賵丨 賵賯鬲貙 賵賱賱乇賯氐 賵賯鬲. 賱賱賰爻亘 賵賯鬲貙 賵賱賱禺爻丕乇丞 賵賯鬲. 賱賱爻賰賵鬲 賵賯鬲貙 賵賱賱鬲賰賱賲 賵賯鬲. 賱賱丨亘 賵賯鬲貙 賵賱賱亘睾囟 賵賯鬲. 賱賱丨乇亘 賵賯鬲貙 賵賱賱氐賱丨 賵賯鬲. 賮兀賷 賲賳賮毓丞 賱賲賳 賷鬲毓亘 賲賲丕 賷鬲毓亘 亘賴 責
賵賳賱丕丨馗 賲賲丕 噩丕亍 賮賷 丕賱廿氐丨丕丨 丕賱賲賯鬲亘爻貨 兀賳 賰賱 毓亘丕乇丞 賰丕賳鬲 鬲噩賲毓 亘賷賳 賳賯賷囟賷賳. 亘賷賳賲丕 噩丕亍 丕賱毓賳賵丕賳 賱賷爻 賰廿賯鬲亘丕爻 丨乇賮賷 賲賳賴. 亘賱 噩丕亍: 賱賱丨亘 賵賯鬲貙 賵賱賱賲賵鬲 賵賯鬲. 賲賲丕 賷賵丨賷 廿賳 乇噩毓賳丕 賱賯賷丕爻 丕賱兀賲乇 毓賱賶 賲丕 噩丕亍 賮賷 丕賱廿氐丨丕丨 亘兀賳 丕賱丨亘 賴賵 賳賯賷囟 丕賱賲賵鬲. 賵賲賳 丕賱爻賷丕賯 丕賱賲賵噩賵丿 賮賷 丕賱乇賵丕賷丞 賱丕 賷賲賰賳賳丕 兀賳 賳乇賶 卮賷卅丕購 丌禺乇 賮賷 丕賱丨乇亘 毓丿丕 丕賱賲賵鬲. 賵毓賳丿賴丕 賷氐亘丨 噩賱賷丕賸 賱賳丕 兀賳 丕賱丨亘 賴賷 亘卮賰賱 賲丕 賳賯賷囟 丕賱丨乇亘 賰匕賱賰.
噩丕亍 丕賱乇賵丕賷丞 賮賷 孬賱丕孬丞 兀賯爻丕賲 鬲賯乇賷亘丕賸 賯爻賲鬲 毓賱賶 29 賮氐賱丕賸. 噩丕亍 丕賱賯爻賲 丕賱兀賵賱 賮賷 丕賱噩亘賴丞 賵賰丕賳鬲 丕賱亘丿丕賷丞 賮賷 廿賰鬲卮丕賮 噩孬丞 噩賳丿賷 兀賱賲丕賳賷丞 賰丕賳鬲 賲丿賮賵賳丞 鬲丨鬲 丕賱孬賱噩 賵馗賴乇鬲 賱賱毓賷丕賳 亘毓丿 兀賳 亘丿兀 丕賱孬賱噩 賮賷 丕賱匕賵亘丕賳. 賵賷賲鬲丿 賴匕丕 丕賱賯爻賲 廿賱賶 兀賳 丨氐賱 噩乇賷亘乇 毓賱賶 丕賱廿噩丕夭丞 丕賱鬲賷 噩丕亍 毓賱賶 匕賰乇賴丕 賮賷 爻賷丕賯 丕賱賯爻賲. 孬賲 賰丕賳 丕賱賯爻賲 丕賱孬丕賳賷 賮賷 乇丨賱丞 丕賱毓賵丿丞 賱賱賵胤賳 賵丕賱丨賷丕丞 賴賳丕賰. 丨賷孬 乇噩毓 噩乇賷亘乇 廿賱賶 賲丿賷賳丞 賮賷乇丿賷賳 丕賱賲賵噩賵丿丞 賮賷 卮賲丕賱 賵爻胤 兀賱賲丕賳賷丕 賵賯乇賷亘丕賸 賲賳 亘乇賷賲賳. 賵賴賷 亘毓賷丿丞 噩丿丕賸 毓賳 丕賱噩亘賴丞 賵鬲噩鬲丕噩 丕賱乇丨賱丞 廿賱賶 賷賵賲賷賳. 賵賴賳丕賰 賰丕賳 賲鬲賵賯毓丕賸 兀賳 賷噩丿 賵丕賱丿賷賴 廿賱丕 兀賳賴 乇噩毓 賵賮賵噩賷亍 亘兀賳 丕賱賵胤賳 賱賲 賷毓丿 丌賲賳丕賸 毓賱賶 丕賱廿胤賱丕賯. 賮賴賵 賷鬲毓乇囟 廿賱賶 睾丕乇丕鬲 噩賵賷丞 毓賳賷賮丞 賰賱 賷賵賲賷賳 鬲賯乇賷亘丕賸 賵賯丿 丿賲乇 亘賷鬲 賵丕賱丿賷賴 賵賱賲 賷噩丿賴賲丕 賮賷 兀賷 賲賰丕賳. 孬賲 賷兀鬲賷 丕賱丨丿賷孬 毓賳 賱賯丕卅賴 亘廿賱賷夭丕亘賷孬貨 丕亘賳丞 胤亘賷亘 賰丕賳 賷毓乇賮賴 賵匕賴亘 廿賱賶 亘賷鬲賴 賱賱爻丐丕賱 毓賳 匕賵賷賴. 賵賲賳 丕賱賲賮丕乇賯丕鬲 丕賱賱胤賷賮丞 兀賳 噩乇賷亘乇 賱賲 賷賰賳 賷丨亘 廿賱賷夭丕亘賷孬 毓賳丿賲丕 賰丕賳丕 胤賮賱賷賳. 亘賷賳賲丕 丕賱丌賳貙 賵亘毓丿 賰賱 丕賱兀賴賵丕賱 丕賱鬲賷 賷乇丕賴丕 丕賱廿孬賳丕賳 賮賷 丕賱丨乇亘 賷亘丿賵 兀賲乇丕賸 丨鬲賲賷丕賸 兀賳 賷丨亘丕 亘毓囟賴賲丕 孬賲 賷鬲夭賵噩丕 賮賷 廿噩丕夭鬲賴 丕賱賯氐賷乇丞 噩丿丕賸 賵丕賱鬲賷 賱賲 鬲鬲噩丕賵夭 孬賱丕孬丞 兀爻丕亘賷毓. 賵賯丿 兀賲囟賶 賲賳賴丕 丕賱兀爻亘賵毓 丕賱兀賵賱 賮賷 丕賱亘丨孬 毓賳 匕賵賷賴. 兀賷 兀賳賴 賱賲 賷賯囟 賲毓賴丕 爻賵賶 兀爻亘賵毓賷賳 賮賯胤貨 兀丨亘賴丕 賵鬲夭賵噩賴丕 賮賷賴丕 ! 兀禺賷乇丕賸 賷兀鬲賷 丕賱賯锟斤拷賲 丕賱孬丕賱孬貙 丨賷孬 賷毓賵丿 噩乇賷亘乇 賱賱丨乇亘 賵賰兀賳賴 賱賲 賷睾丕丿乇賴丕. 賱賷噩丿 丕賱噩亘賴丞 賯丿 鬲賯賴賯乇鬲 兀賰孬乇 賲賳 200 賰賷賱賵賲鬲乇 賲賳匕 兀賳 賰丕賳 賮賷賴丕 丌禺乇 賲乇丞. 賵賲賳 丕賱賲賱丕丨馗 兀賳 賵氐賮 丕賱賲毓丕乇賰 賮賷 賴匕丕 丕賱賯爻賲 丕賱兀禺賷乇 賰丕賳 乇賴賷亘丕賸.
賱丕 賷賲賰賳賳賷 賴賳丕 兀賳 兀鬲噩丕賴賱 丕賱鬲毓賱賷賯 毓賱賶 亘毓囟 丕賱賳賯丕胤:
賲賴賲丕 賰丕賳鬲 賲毓乇賮鬲賳丕 賰賲丿賳賷賷賳 亘丕賱丨乇亘貙 賱丕 賷賲賰賳賳丕 兀賳 賳鬲禺賷賱 兀賴賵丕賱賴丕. 賵賲賴賲丕 禺丕囟 噩賳丿賷 丨乇亘丕賸 賲丕 賮廿賳賴 賱賲 賷毓乇賮 兀賴賵丕賱 丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱孬丕賳賷丞 賵亘丕賱兀禺氐貙 丕賱噩亘賴丞 丕賱卮乇賯賷丞. 賵賯丿 賰丕賳 乇賷賲丕乇賰 賲匕賴賱丕賸 賮賷 賵氐賮 賲丕 賰丕賳 賴賳丕賰. 賴匕丕 丕賱賰賲 丕賱賴丕卅賱 賲賳 噩孬孬 丕賱噩賳賵丿 賵丕賱賲丿賳賷賷賳. 賮丨鬲賶 兀賱賲丕賳賷丕 賵廿賳 賱賲 鬲賰賳 丕賱噩賷賵卮 丕賱亘乇賷丞 賯丿 賵氐賱鬲賴丕 亘毓丿 賮廿賳賴丕 賱賲 鬲爻賱賲 賲賳 丕賱丿賲丕乇.. 賵賱賲 賷爻賱賲 賲賳 賳丕乇賴丕 丕賱賲丿賳賷賵賳 丨鬲賶 丕賱兀胤賮丕賱. 賵賷丨囟乇賳賷 賲卮賴丿 丕賱胤賮賱丞 丕賱鬲賷 賲乇 廿賱賶 噩賵丕乇賴丕 噩乇賷亘乇 賵賴賷 鬲丨賲賱 兀禺鬲賴丕 丕賱乇囟賷毓丞 亘賷賳賲丕 鬲賯毓 賮賷乇丿賷賳 鬲丨鬲 乇丨賲丞 睾丕乇丞 噩賵賷丞. 賵賱賲 賷賱亘孬 噩乇賷亘乇 兀賳 卮丕賴丿賴丕 亘毓丿 兀賳 乇賲丕賴 廿賳賮噩丕乇 賯匕賷賮丞 賯乇賷亘丞 兀賲鬲丕乇丕賸 毓賳 丕賱賲賰丕賳 賵賯丿 鬲锟斤拷賱賯鬲 賮賷 噩丿丕乇 賲賴丿賵賲 卮亘賴 賲氐賱賵亘丞 賲賲丕 賷卮賷乇 廿賱賶 賲賮丕乇賯丞 氐賱亘 丕賱賲爻賷丨.. 賵賯丿 丕禺鬲乇賯賴丕 丕賱丨丿賷丿 賲賳 亘胤賳賴丕 賵賷噩毓賱賴丕 賲孬亘鬲丞 賮賷 丕賱噩丿丕乇. 賴匕賴 丕賱胤賮賱丞 丕賱亘乇賷卅丞 丕賱賲氐賱賵亘丞 賴賷 乇賲夭 氐賱亘 丕賱亘乇丕亍丞 賵丕賱乇丨賲丞 賵賰賱 卮賷亍 噩賲賷賱 賲賳 賯亘賱 丕賱丨乇亘 丕賱賲噩賳賵賳丞 丕賱鬲賷 賱丕 鬲賲賷夭 兀丨丿丕賸 毓賳 兀丨丿.
兀孬賳丕亍 丨乇亘 賲噩賳賵賳丞貙 鬲禺鬲賱賮 賲毓丕賷賷乇 丕賱丨賷丕丞. 賮賱賷爻 賲賴賲丕賸 賳賵毓賷丞 丕賱丨賷丕丞 丕賱鬲賷 鬲毓賷卮賴丕. 亘賱 賷賰賮賷賰 兀賳 鬲亘賯賶 丨賷丕賸. 賵兀賷 乇賲夭 賱賱丨賷丕丞 賯丿 賷賰賵賳 兀賰孬乇 賯賷賲丞 賲賳 丕賱胤毓丕賲 兀賵 兀賳 賷賰賵賳 丕賱噩賳丿賷 賲毓 廿賲乇兀丞 ! 丨賯賷賯丞賸貙 賱賲 賷賰賳 賲賲賰賳丕賸 賱賷 兀賳 兀賮賴賲 賴匕丕 丕賱卮賷亍 賯亘賱 賯乇丕亍鬲賷 賱賴匕賴 丕賱乇賵丕賷丞. 賮賱賲 鬲賰賳 毓賱丕賯丞 噩乇賷亘乇 亘廿賱賷夭丕亘賷孬 丨亘丕賸 亘丕賱賲賮賴賵賲 丕賱匕賷 賳毓乇賮賴. 亘賱 賰丕賳鬲 囟乇賵乇丞 丨鬲賲賷丞 賱賴賲丕 賰乇賲夭 賱賰賵賳賴賲丕 兀丨賷丕亍. 賵賷丨囟乇賳賷 賴賳丕 卮禺氐賷丞 亘賵鬲卮乇 丕賱匕賷 馗賱 胤賵丕賱 廿噩丕夭鬲賴 賷亘丨孬 毓賳 夭賵噩鬲賴 "丕賱賲乇亘賵毓丞" 賵丕賱鬲賷 賰丕賳 賷賯賵賱 毓賳賴丕 丕賳賴丕 鬲賲鬲賱賰 賲丐禺乇丞 賰賲丐禺乇丞 "丕賱丨氐丕賳" 賵賯丿 毓亘乇 氐乇丕丨丞 兀賳 賴匕丕 賴賵 賲丕 賷毓噩亘賴 賮賷賴丕. 賵兀賳 丕賱毓丕賴乇丕鬲 丕賱賲鬲賵賮乇丕鬲 賱丕 賷孬乇賳賴 亘賲孬賱 賴匕賴 丕賱賳丨賵賱丞 丕賱賲賳賮乇丞 鈥撡堎囐� 鬲亘丿賵 賲賳賮乇丞 賱賴 賮賯胤貙 賵賱賲 賷卮鬲賰賽 兀丨丿 爻賵丕賴 賲賳 匕賱賰- 賵賯丿 賯丕丿賴 匕賱賰 亘兀賳 兀賯丕賲 毓賱丕賯丞 賲毓 氐丕丨亘丞 丕賱丨丕賳丞 丕賱鬲賷 賰丕賳鬲 賲乇亘賵毓丞 兀賷囟丕賸 賵丕賱賲賮丕噩兀丞 賴賳丕 兀賳賴 毓賳丿賲丕 賵噩丿 兀禺賷乇丕賸 夭賵噩鬲賴 鬲禺乇噩 賲賳 賲毓爻賰乇 廿毓鬲賯丕賱 賯乇賷亘 賰丕賳鬲 賮賷賴. 賵賰丕賳鬲 賳丨賷賱丞 賱賱睾丕賷丞 賱賲 賷鬲毓乇賮 廿賱賷賴丕 兀賵賱丕賸 孬賲 賳賮乇 賱賴匕丕 丕賱鬲睾賷乇 丕賱賲賮丕噩賷亍 賮賷 卮賰賱賴丕. 賵兀毓乇亘 賱夭賲賱丕卅賴 丕賱噩賳賵丿 毓賳 禺賷亘鬲賴 丕賱卮丿賷丿丞 賲賲丕 丨丿孬 賲毓 夭賵噩鬲賴 賵兀賳賴 賲囟胤乇 賱賱廿亘賯丕亍 毓賱賶 毓賱丕賯鬲賴 亘氐丕丨亘丞 丕賱丨丕賳丞 丕賱賲乇亘賵毓丞 亘賱 廿賳賴 賯丕賲 亘賴噩乇 夭賵噩鬲賴 丿賵賳 兀賳 賷賯賵賱 卮賷卅丕賸 賮賯胤 賱兀賳賴丕 賮賯丿鬲 賵夭賳賴丕 賵亘丕賱鬲丕賱賷 賲丐禺乇鬲賴丕 丕賱鬲賷 鬲卮亘賴 賲丐禺乇丞 丕賱丨氐丕賳 ! 賯丿 鬲亘丿賵 賲孬賱 賴匕賴 丕賱兀賲賵乇 賱賳丕 爻胤丨賷丞 賵爻禺賷賮丞 賱賱睾丕賷丞. 賱賰賳賴丕 賱賷爻鬲 賰匕賱賰 毓賱賶 丕賱廿胤賱丕賯 亘丕賱賳爻亘丞 廿賱賷賴.
賵賷丨囟乇賳賷 兀賷囟丕賸貙 卮禺賵氐 丕賱賲鬲毓氐亘賷賳 賱賱丨夭亘 賰丕賱鬲賷 丕爻鬲兀噩乇鬲 賮賷 亘賷鬲 廿賱賷夭丕亘賷孬 亘丕賱賯賵丞 孬賲 賰鬲亘鬲 鬲賯乇賷乇丕賸 賮賷 兀亘賷賴丕 丕賱胤亘賷亘 賱賷鬲賲 兀禺匕賴 賱賲毓爻賰乇丕鬲 丕賱廿毓鬲賯丕賱 賵賷鬲賲 鬲爻賱賷賲 乇賲丕丿 噩孬鬲賴 賱噩乇賷亘乇 賮賷賲丕 亘毓丿. 賵兀毓噩亘鬲賳賷 鬲賱賰 丕賱賲賮丕乇賯丞 丕賱賱胤賷賮丞 毓賳 禺丕丿賲賷 丕賱賰賳賷爻丞 丨賷孬 賷賰賵賳 丕賱毓噩賵夭 卮禺氐丕賸 乇丨賷賲丕賸 賰賲丕 賷鬲胤賱亘 毓賲賱賴 賮賷 丕賱賰賳賷爻丞 兀賳 賷賰賵賳 亘賷賳賲丕 賰丕賳 丕賱禺丕丿賲 丕賱卮丕亘 賲鬲毓氐亘丕賸 賮賷 禺丿賲丞 丕賱乇亘.. 賮賷賲丕 賱丕 賷卮賰賱 賮乇賯丕賸 賰亘賷乇丕賸 毓賳 鬲賱賰 丕賱噩丕乇丞 賵兀賲孬丕賱賴丕. 賵鬲賵噩丿 賰匕賱賰 卮禺氐賷丞 亘賵賱賲丕賳 丕賱賲丿乇爻 丕賱賲賳亘賵匕 丕賱賲孬賯賮 丕賱匕賷 賷毓賷 鬲賲丕賲丕賸 丕賱賲氐賷亘丞 丕賱鬲賷 鬲丨賱 賮賷 亘賱丕丿賴 丿賵賳 兀賳 賷賲賱賰 兀賳 賷賮毓賱 卮賷卅丕賸 爻賵賶 廿賳賯丕匕 賷賴賵丿賷 賲賳 丕賱賲賵鬲.. 賵賷鬲賲 廿毓鬲賯丕賱 亘賵賱賲丕賳 賮賷賲丕 亘毓丿. 丨鬲賶 噩乇賷亘乇 賷毓賷 鬲賲丕賲丕賸 鬲賱賰 丕賱賲氐賷亘丞 賵賴賵 賷毓賷 兀賷囟丕賸 兀賳賴 賷丨丕乇亘 賮賷 丨乇亘 禺丕爻乇丞 賱丕 賲丨丕賱丞.. 賵賰賱 賲丕 賷賲賱賰 兀賳 賷賮毓賱賴 賴賵 丕賱乇噩賵毓 賱賱噩亘賴丞 賱賱賯鬲丕賱 賰賷 賷賰爻亘 賴丐賱丕亍 丕賱賲鬲毓氐亘賵賳 丕賱賲夭賷丿 賲賳 丕賱賵賯鬲 賮賷 丕賱丨賰賲.
賱賮鬲鬲賳賷 丨賰丕賷丞 丕賱噩賳丿賷 丕賱匕賷 賰丕賳 賲毓 噩乇賷亘乇 賮賷 賯胤丕乇 丕賱毓賵丿丞 廿賱賶 兀賱賲丕賳賷丕 賲賳 兀噩賱 丕賱廿噩丕夭丞 賵丕賱匕賷 賰丕賳 賷卮賰賵 賱夭賲賱丕卅賴 賲賳 禺賷丕賳丞 夭賵噩鬲賴 賱賴 賵兀賳賴丕 兀賳噩亘鬲 胤賮賱丕賸 兀孬賳丕亍 睾賷丕亘賴. 賵兀賳 兀賲賴 鬲卮賰 兀賳 賴匕丕 丕賱胤賮賱 賴賵 丕亘賳 兀丨丿 丕賱兀爻乇賶 丕賱乇賵爻 賮賷 兀賱賲丕賳賷丕. 賵賰賷賮 賰丕賳 鬲毓賱賷賯 夭賲賱丕卅賴 毓賱賶 丕賱賲賵囟賵毓貨 丨賷孬 賯丕賱 亘毓囟賴賲 兀賳 賴賰匕丕 賷丨丿孬 丿賵賲丕賸 賮亘毓囟 丕賱夭賵噩丕鬲 鬲賳鬲馗乇貙 賵亘毓囟賴賳 賱丕 賷賳鬲馗乇. 鬲爻鬲賯賷賲 賴匕賴 丕賱賲賮丕乇賯丞 賲毓 爻賷丕賯 丕賱乇賵丕賷丞 賰賰賱. 賵賷馗賱 禺賷丕乇 丕賱噩賳丿賷 賲胤乇賵丨丕賸: 賴賱 爻賷賯亘賱 亘賴匕丕 丕賱胤賮賱 丕賱乇賵爻賷 賰丕亘賳 賱賴 賵賷乇亘賷賴 責 兀賲 爻賷乇賮囟賴 賵賷乇賮囟 兀賲賴 責
賵兀禺賷乇丕賸貙 賴賳丕賰 丕賱噩賳丿賷 丕賱兀賱賲丕賳賷 卮鬲丕賷賳 亘乇賳乇 賵賴賵 乇賲夭 賱賱噩賳丿賷 丕賱兀賱賲丕賳賷 丕賱賲鬲毓氐亘. 乇賲夭 賱賱賳丕夭賷 毓賱賶 丕賱噩亘賴丞. 丕賱匕賷 賱丕 賷鬲賵丕賳賶 毓賳 丕睾鬲氐丕亘 丕賱乇賵爻賷丕鬲 賵廿毓丿丕賲 丕賱賲丿賳賷賷賳 丿賵賳 兀賷 鬲兀賳賷亘 賱賱囟賲賷乇. 賵賷亘乇夭 賮賷 兀賵丕禺乇 丕賱乇賵丕賷丞 匕賱賰 丕賱氐丿丕賲 亘賷賳 噩乇賷亘乇 賵亘賷賳 賴匕丕 丕賱噩賳丿賷. 孬賲 鬲亘乇夭 兀禺賷乇丕賸 丕賱毓亘孬賷丞 賱鬲胤賱 亘乇兀爻賴丕 丕賱孬賯賷賱 丨賷賳 賷賯賵賲 丕賱乇賵爻 丕賱匕賷賳 丕毓鬲賯丿 噩乇賷亘乇 兀賳賴賲 賲丿賳賷賵賳 賵丕氐胤丿賲 亘卮鬲丕賷賳 亘乇賳乇 賲賳 兀噩賱賴賲 賱賷賯鬲賱賵賴 賮賷 賳賴丕賷丞 丕賱兀賲乇. 賴賵 賲卮賴丿 爻乇賷丕賱賷 爻丕禺乇 亘丕賲鬲賷丕夭.
賷丨爻亘 賱乇賷賲丕乇賰 兀賳賴 賱賲 賷卮毓乇賳丕 兀賳賴 賲賳丨丕夭 賱兀賷丿賷賵賱賵噩賷丕 賲毓賷賳丞.. 賵賰丕賳 鬲賵噩賴賴 廿賳爻丕賳賷丕賸 丨鬲賶 丌禺乇 賰賱賲丞.
賲賳 丕賱氐毓亘 毓賱賶 丕賱賲乇亍 兀賳 賷鬲賮賴賲 賰賱 賴匕賴 丕賱賲鬲賳丕賯囟丕鬲 丕賱賲賵噩賵丿丞 賮賷 丕賱乇賵丕賷丞貙 賱賯丿 賳噩丨 乇賷賲丕乇賰 鬲賲丕賲丕賸 賮賷 鬲賯丿賷賲 賲卮賴丿 賲乇賵毓 毓賳 丕賱丨乇亘 賵賱乇亘賲丕 丕賱丨賷丕丞 賮賷 亘毓囟 兀卮賰丕賱賴丕. 賵賱丕 賷爻毓賳賷 兀賳 兀賯賵賱 賴賳丕 爻賵賶 兀賳賴丕 賲卮賴丿 爻賷馗賱 毓丕賱賯丕賸 胤賵賷賱丕賸 賮賷 匕丕賰乇鬲賷.
January 7, 2025
袛芯泻邪褌芯 褔械褌褟褏, 屑懈褋谢械褏 蟹邪褖芯 锌芯 械写薪芯 胁褉械屑械 褌邪蟹懈 泻薪懈谐邪 薪械 屑懈 褏邪褉械褋胁邪 褌芯谢泻芯胁邪, 泻芯谢泻芯褌芯 芯褋褌邪薪邪谢懈褌械 薪邪 袪械屑邪褉泻. 袗屑邪 褏褍斜邪胁芯 锌芯屑懈褋谢懈褏 - ,,袦邪薪褋邪褉写邪褌邪 薪邪 斜谢褟薪芯胁械褌械" 蟹邪 屑械薪 斜械褕械 蟹邪 屑械褔褌邪褌械谢懈; 褋谢械写 ,,袧邪 蟹邪锌邪写薪懈褟 褎褉芯薪褌 薪懈褖芯 薪芯胁芯" 屑懈褋谢懈褏 泻邪褌芯 屑邪泄泻邪 懈 褋褗锌褉褍谐邪 - 锌褉芯褋褌芯 薪邪懈褋褌懈薪邪 薪褟屑邪屑械 锌褉械写褋褌邪胁邪 泻芯谢泻芯 褌褉褟斜胁邪 写邪 褋械 褉邪写胁邪屑械 胁 泻邪泻胁芯 胁褉械屑械 卸懈胁械械屑 - 懈屑邪屑械 屑褗卸械, 懈屑邪屑械 写械褑邪 懈 懈屑邪屑械 芯谐褉芯屑薪芯褌芯 褖邪褋褌懈械 写邪 谐懈 锌褉械谐褗褉薪械屑 胁械褔械褉, 蟹邪褌褉褍锌邪薪懈 褋屑械 芯褌 褌械褏薪懈泻邪 懈 屑芯卸械屑 锌芯 胁褋褟泻邪泻褗胁 薪邪褔懈薪 写邪 芯斜褖褍胁邪屑械 褋 薪邪泄-斜谢懈蟹泻懈褌械 褋懈 褋褗褖械褋褌胁邪; 褋谢械写 ,,效械褉薪懈褟褌 芯斜械谢懈褋泻" 屑懈褋谢懈褏 泻邪褌芯 褔芯胁械泻 - 褌邪屑 写薪懈 薪邪褉械写 褋械 蟹邪薪懈屑邪胁邪褏 褋 胁邪卸薪懈 卸懈褌械泄褋泻懈 褌械屑懈 - 锌褉懈泻邪蟹胁邪褏 褋懈 褋邪屑邪, 芯锌芯薪懈褉邪褏 褋懈, 薪邪屑懈褉邪褏 ,,懈 褌邪泻芯, 懈 胁邪泻芯" 薪邪 薪械褖邪褌邪, 泻懈屑邪褏, 褋褗谐谢邪褋褟胁邪褏 褋械...; 褋谢械写 ,,袞懈胁芯褌 薪邪蟹邪械屑" 屑懈褋谢懈褏 泻芯谢泻芯 泻褉邪褌褗泻 械 卸懈胁芯褌褗褌 懈 写邪谢懈 胁褗芯斜褖械 薪邪屑懈褉邪屑械 胁褉械屑械 写邪 屑懈褋谢懈屑 锌芯 褌芯蟹懈 胁褗锌褉芯褋; 褋谢械写 ,,袠褋泻褉懈褑邪 卸懈胁芯褌" 褋械 锌芯褉邪蟹褉芯胁懈褏 胁 褍褔械斜薪懈褑懈褌械 锌芯 懈褋褌芯褉懈褟 懈 懈蟹谐谢械写邪褏 薪褟泻芯谢泻芯 褎懈谢屑邪 蟹邪 薪邪褑懈褋褌懈褌械, 褋锌芯屑薪懈褏 褋懈 懈 蟹邪 胁褋懈褔泻懈 屑芯懈 锌芯蟹薪邪褌懈, 泻芯懈褌芯 褋褗屑 褔褍胁邪谢邪 写邪 泻邪蟹胁邪褌: ,,孝芯泄, 啸懈褌谢械褉, 写邪 斜械褕械 卸懈胁..." 懈 褋械 锌芯褌褉懈褋邪褏.
,,孝褉懈屑邪 写褉褍谐邪褉懈" 斜械褕械 屑邪泄 褋褉邪胁薪懈褌械谢薪芯 薪械卸薪邪, 薪芯 锌邪泻 薪褟泻邪泻 薪邪褋懈褌械薪邪 褋 泻芯褉邪胁邪褌邪 褔邪褋褌 薪邪 卸懈胁芯褌邪, 邪 ,,袧芯褖 胁 袥懈褋邪斜芯薪" 械 泻薪懈谐邪褌邪, 泻芯褟褌芯 屑械 褏胁邪薪邪 蟹邪 褉褗褔懈褔泻邪 懈 屑械 锌芯胁械写械 胁 褑褟谢邪褌邪 褌邪蟹懈 芯写懈褋械褟.
袠 褋谢械写 泻邪褌芯 褋械 蟹邪屑懈褋谢懈褏 蟹邪 胁褋懈褔泻芯 褌芯胁邪, 褉邪蟹斜褉邪褏 蟹邪褖芯 懈屑邪褕械 屑芯屑械薪褌, 胁 泻芯泄褌芯 褌邪蟹懈 泻薪懈谐邪 褍卸 薪械 屑懈 褏邪褉械褋邪 - 蟹邪褖芯褌芯 褋械 芯泻邪蟹邪 屑薪芯谐芯 谢械写械薪邪. 袟邪褖芯褌芯 褌褍泻 谢褞斜芯胁褌邪 械 锌褉芯褋褌邪, 褌褍泻 谢褞斜芯胁褌邪 懈蟹芯斜褖芯 薪械 械 泻邪锌褉懈蟹薪邪, 薪械 械 胁褗谢薪芯芯斜褉邪蟹薪邪, 薪械 械 锌褗褋褌褉邪, 薪械 械 写芯褉懈 褋褌褉邪褋褌薪邪. 孝褍泻 锌褉芯褋褌芯 械 谢褞斜芯胁, 泻邪泻胁邪褌芯 薪懈械 褌褉褍写薪芯 屑芯卸械屑 写邪 芯褑械薪懈屑, 邪 胁芯泄薪邪褌邪 械 褋褍褉芯胁邪. 袦薪芯谐芯 褋褍褉芯胁邪. 袩芯-褋褍褉芯胁邪 械 芯褌 ,,袧邪 蟹邪锌邪写薪懈褟 褎褉芯薪褌", 锌芯-褑胁械褌薪邪 械 薪褟泻邪泻 褋懈 懈 褋褗褖械胁褉械屑械薪薪芯 芯褖械 胁 薪邪褔邪谢芯褌芯 褌械 泻邪褉邪 写邪 褋褌懈褋薪械褕 蟹褗斜懈, 蟹邪褖芯褌芯 蟹薪邪械褕 泻褗写械 屑芯卸械 写邪 褌械 芯褌胁械写械 褌胁芯褉褔械褋褌胁芯褌芯 薪邪 袪械屑邪褉泻.
小锌芯屑薪懈褏 褋懈 蟹邪 械写薪懈 谢械泻褑懈懈 锌芯 锌褋懈褏芯谢芯谐懈褟, 胁 泻芯懈褌芯 械写懈薪 写芯泻褌芯褉 泻邪蟹邪: ,,袙褋懈褔泻懈 褖械 褍屑褉械屑, 屑薪芯谐芯 褟褋薪芯, 薪褟屑邪 写邪 卸懈胁械械屑 褋 芯褉谢懈褌械, 薪芯 薪械 屑芯卸械 写邪 褋械写薪械屑 械泄 褌褗泄 薪邪 械写懈薪 褋褌芯谢 懈 写邪 褔邪泻邪屑械". 袗屑邪 薪褟泻芯懈 芯褌 薪邪褋 谐芯 锌芯褉褟蟹邪褏邪, 褔械 屑芯卸械, 薪芯 褋邪屑芯 邪泻芯 锌褉械写 褋褌芯谢邪 懈屑邪 屑邪褋邪 褋 褟写械薪械 懈 锌懈械薪械. :D
袧褟屑邪 谢芯褕邪 泻薪懈谐邪 薪邪 袪械屑邪褉泻, 懈屑邪 褉邪蟹谢懈褔薪邪. 孝邪蟹懈 械 褉邪蟹谢懈褔薪邪. 袛芯褉懈 薪械 械 懈 褌褗卸薪邪, 锌褉芯褋褌芯 械 褋褌褍写械薪邪.
袩褉芯写褗谢卸邪胁邪屑 褋褗褋 ,,小械薪泻懈 胁 褉邪褟".
,,孝褉懈屑邪 写褉褍谐邪褉懈" 斜械褕械 屑邪泄 褋褉邪胁薪懈褌械谢薪芯 薪械卸薪邪, 薪芯 锌邪泻 薪褟泻邪泻 薪邪褋懈褌械薪邪 褋 泻芯褉邪胁邪褌邪 褔邪褋褌 薪邪 卸懈胁芯褌邪, 邪 ,,袧芯褖 胁 袥懈褋邪斜芯薪" 械 泻薪懈谐邪褌邪, 泻芯褟褌芯 屑械 褏胁邪薪邪 蟹邪 褉褗褔懈褔泻邪 懈 屑械 锌芯胁械写械 胁 褑褟谢邪褌邪 褌邪蟹懈 芯写懈褋械褟.
袠 褋谢械写 泻邪褌芯 褋械 蟹邪屑懈褋谢懈褏 蟹邪 胁褋懈褔泻芯 褌芯胁邪, 褉邪蟹斜褉邪褏 蟹邪褖芯 懈屑邪褕械 屑芯屑械薪褌, 胁 泻芯泄褌芯 褌邪蟹懈 泻薪懈谐邪 褍卸 薪械 屑懈 褏邪褉械褋邪 - 蟹邪褖芯褌芯 褋械 芯泻邪蟹邪 屑薪芯谐芯 谢械写械薪邪. 袟邪褖芯褌芯 褌褍泻 谢褞斜芯胁褌邪 械 锌褉芯褋褌邪, 褌褍泻 谢褞斜芯胁褌邪 懈蟹芯斜褖芯 薪械 械 泻邪锌褉懈蟹薪邪, 薪械 械 胁褗谢薪芯芯斜褉邪蟹薪邪, 薪械 械 锌褗褋褌褉邪, 薪械 械 写芯褉懈 褋褌褉邪褋褌薪邪. 孝褍泻 锌褉芯褋褌芯 械 谢褞斜芯胁, 泻邪泻胁邪褌芯 薪懈械 褌褉褍写薪芯 屑芯卸械屑 写邪 芯褑械薪懈屑, 邪 胁芯泄薪邪褌邪 械 褋褍褉芯胁邪. 袦薪芯谐芯 褋褍褉芯胁邪. 袩芯-褋褍褉芯胁邪 械 芯褌 ,,袧邪 蟹邪锌邪写薪懈褟 褎褉芯薪褌", 锌芯-褑胁械褌薪邪 械 薪褟泻邪泻 褋懈 懈 褋褗褖械胁褉械屑械薪薪芯 芯褖械 胁 薪邪褔邪谢芯褌芯 褌械 泻邪褉邪 写邪 褋褌懈褋薪械褕 蟹褗斜懈, 蟹邪褖芯褌芯 蟹薪邪械褕 泻褗写械 屑芯卸械 写邪 褌械 芯褌胁械写械 褌胁芯褉褔械褋褌胁芯褌芯 薪邪 袪械屑邪褉泻.
小锌芯屑薪懈褏 褋懈 蟹邪 械写薪懈 谢械泻褑懈懈 锌芯 锌褋懈褏芯谢芯谐懈褟, 胁 泻芯懈褌芯 械写懈薪 写芯泻褌芯褉 泻邪蟹邪: ,,袙褋懈褔泻懈 褖械 褍屑褉械屑, 屑薪芯谐芯 褟褋薪芯, 薪褟屑邪 写邪 卸懈胁械械屑 褋 芯褉谢懈褌械, 薪芯 薪械 屑芯卸械 写邪 褋械写薪械屑 械泄 褌褗泄 薪邪 械写懈薪 褋褌芯谢 懈 写邪 褔邪泻邪屑械". 袗屑邪 薪褟泻芯懈 芯褌 薪邪褋 谐芯 锌芯褉褟蟹邪褏邪, 褔械 屑芯卸械, 薪芯 褋邪屑芯 邪泻芯 锌褉械写 褋褌芯谢邪 懈屑邪 屑邪褋邪 褋 褟写械薪械 懈 锌懈械薪械. :D
袧褟屑邪 谢芯褕邪 泻薪懈谐邪 薪邪 袪械屑邪褉泻, 懈屑邪 褉邪蟹谢懈褔薪邪. 孝邪蟹懈 械 褉邪蟹谢懈褔薪邪. 袛芯褉懈 薪械 械 懈 褌褗卸薪邪, 锌褉芯褋褌芯 械 褋褌褍写械薪邪.
袩褉芯写褗谢卸邪胁邪屑 褋褗褋 ,,小械薪泻懈 胁 褉邪褟".
December 11, 2022
Kiedy艣 powiedzia艂am, 偶e Remarque ma talent do pisania smutnie pi臋knych ksi膮偶ek i nadal tak uwa偶am.
May 10, 2017
Why is this not as popular as All Quiet on the Western Front? Like All Quiet, it's about a young German soldier in WWII, but this one has a great love story and was three times more pleasurable for me. *note* Don't read this if you're a recovering alcoholic because on every page, someone is drinking something.
update: Oops, I mean WWI.
update: Oops, I mean WWI.
August 2, 2023
There was nothing that one could rely on; nothing that offered warmth.
*
The past. There's nothing we can do with it. It simply weighs us down. Even what was good in it. We must begin again. The past is bankrupt. We can't go back.
*
The realization that they would have to part had struck in front of him like a dark meteor. He had known it all the time, the way one knows many things鈥攚ithout actually realizing them or completely feeling them. There had always been so much in between. Now all at once it was there by itself, big and full of a chill horror,听and it was radiating a pale, penetrating, skeletonizing light 鈥攍ike X-rays that pierce through the charm and magic of life, leaving nothing but the bare residue and the inevitable.
*
At night one is what he was intended to be; not what he has become.
*
Nothing was there but the clear pain of loss. It was a loss forever. Nowhere was there a bridge. He had had it and it was lost. He listened inward. Somewhere there must still be a voice; an echo of hope must still linger somewhere. But he found nothing. There were only emptiness and nameless pain.
*
Suddenly everything seemed very strange and all connections dissolved. Graeber knew the feeling; he had often had it when he woke up at night not knowing where he was. It was as if he had fallen out of the world and floated in complete loneliness in the dark. It never lasted long. One always found one's way back; but each time a strange small feeling persisted that some day one would not find the way back.
*
He felt Elisabeth's letters in his pocket. Warmth was in them, tenderness and the sweet excitement of love. But they were no quiet lamp to light a well-ordered house; they were will-o'-the-wisps above a swamp, and the farther he tried to听follow them the more treacherous the swamp seemed to become. He had wanted to put up a light in order to find his way back, but he had put it up before the house was built. He had placed it in a ruin; it did not adorn it, it only made it more desolate. Back there he had not known. He had followed the light without question, wanting to believe that to follow it was enough. It was not enough.
He had fought against this realization as long as he could. It had not been easy to see that what he had hoped would hold him and support him had only isolated him. It could not extend far enough. It touched his heart but it did not hold him. It was swallowed up; it was a small, private happiness that could not support itself in the limitless morass of general misery and despair. He took out Elisabeth's letters and read them, and the red afterglow of sunset lay on the pages. He knew them by heart; he read them once more, and again they made him more lonesome than before. It had been too short and the other was too long. It had been a furlough; but a soldier's life is reckoned by his time at the front and not by furloughs.
*
The past. There's nothing we can do with it. It simply weighs us down. Even what was good in it. We must begin again. The past is bankrupt. We can't go back.
*
The realization that they would have to part had struck in front of him like a dark meteor. He had known it all the time, the way one knows many things鈥攚ithout actually realizing them or completely feeling them. There had always been so much in between. Now all at once it was there by itself, big and full of a chill horror,听and it was radiating a pale, penetrating, skeletonizing light 鈥攍ike X-rays that pierce through the charm and magic of life, leaving nothing but the bare residue and the inevitable.
*
At night one is what he was intended to be; not what he has become.
*
Nothing was there but the clear pain of loss. It was a loss forever. Nowhere was there a bridge. He had had it and it was lost. He listened inward. Somewhere there must still be a voice; an echo of hope must still linger somewhere. But he found nothing. There were only emptiness and nameless pain.
*
Suddenly everything seemed very strange and all connections dissolved. Graeber knew the feeling; he had often had it when he woke up at night not knowing where he was. It was as if he had fallen out of the world and floated in complete loneliness in the dark. It never lasted long. One always found one's way back; but each time a strange small feeling persisted that some day one would not find the way back.
*
He felt Elisabeth's letters in his pocket. Warmth was in them, tenderness and the sweet excitement of love. But they were no quiet lamp to light a well-ordered house; they were will-o'-the-wisps above a swamp, and the farther he tried to听follow them the more treacherous the swamp seemed to become. He had wanted to put up a light in order to find his way back, but he had put it up before the house was built. He had placed it in a ruin; it did not adorn it, it only made it more desolate. Back there he had not known. He had followed the light without question, wanting to believe that to follow it was enough. It was not enough.
He had fought against this realization as long as he could. It had not been easy to see that what he had hoped would hold him and support him had only isolated him. It could not extend far enough. It touched his heart but it did not hold him. It was swallowed up; it was a small, private happiness that could not support itself in the limitless morass of general misery and despair. He took out Elisabeth's letters and read them, and the red afterglow of sunset lay on the pages. He knew them by heart; he read them once more, and again they made him more lonesome than before. It had been too short and the other was too long. It had been a furlough; but a soldier's life is reckoned by his time at the front and not by furloughs.
March 27, 2013
袩芯褋谢械写薪邪褌邪 泻薪懈谐邪, 泻芯褟褌芯 袪械屑邪褉泻 锌懈褕械. 孝械屑邪褌邪 鈥� 锌芯蟹薪邪褌邪 写芯 斜芯谢泻邪 懈 薪械谐芯胁邪 谢褞斜懈屑邪. 袙芯泄薪邪, 卸懈胁芯褌 懈蟹胁褗薪 褉邪褑懈芯薪邪谢薪芯褌芯, 泻芯锌薪械卸 锌芯 芯斜懈泻薪芯胁械薪芯褌芯 懈 屑芯屑械薪褌薪邪褌邪 褋褉械褖邪 薪邪 写胁邪屑邪 写褍褕懈 胁 褋褉械写邪褌邪 薪邪 褉邪蟹褉褍褏邪褌邪.
肖邪泻褌 械, 褔械 褋褌懈谢褗褌 薪邪 袪械屑邪褉泻 薪械 褋械 芯褌谢懈褔邪胁邪 褋 谢械泻芯褌邪. 袛褍屑懈褌械 谢械卸邪褌 褋泻芯胁邪薪芯, 写褗褉胁械薪芯 胁褗褉褏褍 谢懈褋褌邪, 芯斜邪褔械 锌芯写 谐褉褍斜邪褌邪 褉邪屑泻邪 懈屑邪 褍卸邪褋薪芯 屑薪芯谐芯 薪械卸薪芯褋褌, 泻芯褟褌芯 写邪 褋械 胁蟹械屑械. 袠 薪械卸薪芯褋褌, 懈 褉邪薪懈, 懈 斜芯谢泻邪, 懈 芯锌褌懈屑懈蟹褗屑. 袣褉邪褟褌 械 锌褉械写胁懈写懈屑, 薪芯 懈 写褉褍谐 薪械 斜懈 斜懈谢 胁褗蟹屑芯卸械薪.
袩褉芯褋褌懈褔泻懈褌械 芯锌懈褋邪薪懈褟 薪邪 薪械褖芯 褌芯谢泻芯胁邪 薪械褉邪蟹斜懈褉邪械屑芯 蟹邪 薪邪褋, 褉邪蟹谐谢械蟹械薪懈褌械 写械褑邪 薪邪 褋锌芯泻芯泄褋褌胁懈械褌芯, 泻邪褌芯 胁芯泄薪邪褌邪, 斜芯屑斜邪褉写懈褉芯胁泻懈褌械, 卸懈胁芯褌褗褌 胁褗胁 胁械褔械薪 褋褌褉邪褏, 卸懈锟斤拷芯褌褗褌 泻邪褌芯 斜芯褉斜邪 懈 卸懈胁芯褌褗褌 泻邪褌芯 泻芯锌薪械卸 锌芯 褌懈褏芯褌芯 械卸械写薪械胁懈械, 斜褉褗泻胁邪褌 写褗谢斜芯泻芯 胁 褋褗蟹薪邪薪懈械褌芯.
袙褋褗褖薪芯褋褌, 褋褌褉褍胁邪 屑懈 褋械, 褔械 写褍褏褗褌 薪邪 泻薪懈谐邪褌邪 懈 薪邪 芯锌懈褋胁邪薪芯褌芯 胁 薪械褟, 褋械 褋褗写褗褉卸邪 胁 褋谢械写薪懈褟 屑褗薪懈褔褗泻, 薪械蟹邪斜械谢械卸懈屑 褑懈褌邪褌: 鈥炐⑿拘残� 斜械褕械 械写薪邪 薪械胁械褉芯褟褌薪邪 薪芯褖, 锌褉械写褉邪蟹锌芯谢邪谐邪褖邪 泻褗屑 屑械褔褌懈 懈 锌芯写褏芯写褟褖邪 蟹邪 胁褗蟹写褍褕薪芯 薪邪锌邪写邪薪懈械鈥�. 小褗斜懈褉邪薪械 薪邪 薪械褋褗斜懈褉邪械屑芯褌芯. 袩芯屑懈褉褟胁邪薪械 薪邪 薪械锌褉懈屑懈褉懈屑芯褌芯. 袦械褔褌懈 懈 褉邪蟹褉褍褏邪, 薪械芯褌写械谢懈屑懈.
袠 芯褖械 写胁械 懈蟹胁邪写泻懈 (芯褌 写械褋械褌泻懈褌械, 泻芯懈褌芯 褋懈 锌芯写褔械褉褌邪褏):
鈥� 鈥� 小械谐邪 胁械褔械 懈屑邪屑械 胁褋懈褔泻芯 鈥� 泻邪蟹邪 袝谢懈蟹邪斜械褌. 鈥� 袥褍薪邪, 谐褉邪写懈薪邪, 械写薪邪 褏褍斜邪胁邪 胁械褔械褉褟 蟹邪写 薪邪褋 懈 褑褟谢邪褌邪 胁械褔械褉 锌褉械写 薪邪褋. 孝芯谢泻芯胁邪 械 褏褍斜邪胁芯, 褔械 械 锌芯褔褌懈 薪械锌芯薪芯褋懈屑芯.
- 孝邪泻邪 褋邪 卸懈胁械谢懈 褏芯褉邪褌邪 锌褉械写懈. 袠 薪械 褋邪 薪邪屑懈褉邪谢懈 薪懈褖芯 芯褋芯斜械薪芯 胁 褌芯胁邪.鈥�
鈥炐⑿拘� 褉邪蟹斜褉邪, 褔械 胁褋懈褔泻芯 械 胁褋褗褖薪芯褋褌 械写薪邪泻胁芯 鈥� 蟹邪屑懈薪邪胁邪薪械褌芯 懈 胁褉褗褖邪薪械褌芯, 锌褉懈褋褗褋褌胁懈械褌芯 懈 芯褌褋褗褋褌胁懈械褌芯, 卸懈胁芯褌褗褌 懈 褋屑褗褉褌褌邪, 屑懈薪邪谢芯褌芯 懈 斜褗写械褖械褌芯, 懈 褔械 胁懈薪邪谐懈 懈 薪邪胁褋褟泻褗写械 泻邪屑械薪薪芯褌芯 谢懈褑械 薪邪 胁械褔薪芯褋褌褌邪 褖械 斜褗写械 褌褍泻 懈 褔械 褋 薪懈褖芯 薪械 屑芯卸械 写邪 斜褗写械 锌褉械屑邪褏薪邪褌芯 (鈥�)鈥�
袩.袩. 袨斜邪褔械 薪邪褉械写 褋 谐芯谢械屑懈褌械 褌械屑懈, 袪械屑邪褉泻 芯锌褉械写械谢械薪芯 懈屑邪 芯褋芯斜械薪邪褌邪 褋谢邪斜芯褋褌 写邪 芯锌懈褋胁邪 泻邪泻 谐械褉芯懈褌械 屑褍 薪械锌褉械褋褌邪薪薪芯 褋懈 锌懈泄胁邪褌 薪械褖芯. 袧邪 胁褋械泻懈 写胁械 褋褌褉邪薪懈褑懈 懈蟹薪懈泻胁邪 锌芯 薪褟泻芯褟 斜褍褌懈谢泻邪 胁芯写泻邪, 胁懈薪芯 懈谢懈 斜懈褉邪, 邪 袚褉械斜械褉 懈 袝谢懈蟹邪斜械褌 褌邪泻邪 褋谢邪写泻芯 褟 褋锌芯写械谢褟褌, 褔械 写芯褉懈 薪邪 屑械薪, 褉褟写泻芯 锌懈械褖邪褌邪 邪谢泻芯褏芯谢, 屑懈 褋械 懈褋泻邪褕械 写邪 褋懈 薪邪谢械褟 褔邪褕邪 褔械褉胁械薪芯 胁懈薪芯 锌褉械泻邪谢械薪芯 褔械褋褌芯, 写芯泻邪褌芯 褔械褌褟褏.
肖邪泻褌 械, 褔械 褋褌懈谢褗褌 薪邪 袪械屑邪褉泻 薪械 褋械 芯褌谢懈褔邪胁邪 褋 谢械泻芯褌邪. 袛褍屑懈褌械 谢械卸邪褌 褋泻芯胁邪薪芯, 写褗褉胁械薪芯 胁褗褉褏褍 谢懈褋褌邪, 芯斜邪褔械 锌芯写 谐褉褍斜邪褌邪 褉邪屑泻邪 懈屑邪 褍卸邪褋薪芯 屑薪芯谐芯 薪械卸薪芯褋褌, 泻芯褟褌芯 写邪 褋械 胁蟹械屑械. 袠 薪械卸薪芯褋褌, 懈 褉邪薪懈, 懈 斜芯谢泻邪, 懈 芯锌褌懈屑懈蟹褗屑. 袣褉邪褟褌 械 锌褉械写胁懈写懈屑, 薪芯 懈 写褉褍谐 薪械 斜懈 斜懈谢 胁褗蟹屑芯卸械薪.
袩褉芯褋褌懈褔泻懈褌械 芯锌懈褋邪薪懈褟 薪邪 薪械褖芯 褌芯谢泻芯胁邪 薪械褉邪蟹斜懈褉邪械屑芯 蟹邪 薪邪褋, 褉邪蟹谐谢械蟹械薪懈褌械 写械褑邪 薪邪 褋锌芯泻芯泄褋褌胁懈械褌芯, 泻邪褌芯 胁芯泄薪邪褌邪, 斜芯屑斜邪褉写懈褉芯胁泻懈褌械, 卸懈胁芯褌褗褌 胁褗胁 胁械褔械薪 褋褌褉邪褏, 卸懈锟斤拷芯褌褗褌 泻邪褌芯 斜芯褉斜邪 懈 卸懈胁芯褌褗褌 泻邪褌芯 泻芯锌薪械卸 锌芯 褌懈褏芯褌芯 械卸械写薪械胁懈械, 斜褉褗泻胁邪褌 写褗谢斜芯泻芯 胁 褋褗蟹薪邪薪懈械褌芯.
袙褋褗褖薪芯褋褌, 褋褌褉褍胁邪 屑懈 褋械, 褔械 写褍褏褗褌 薪邪 泻薪懈谐邪褌邪 懈 薪邪 芯锌懈褋胁邪薪芯褌芯 胁 薪械褟, 褋械 褋褗写褗褉卸邪 胁 褋谢械写薪懈褟 屑褗薪懈褔褗泻, 薪械蟹邪斜械谢械卸懈屑 褑懈褌邪褌: 鈥炐⑿拘残� 斜械褕械 械写薪邪 薪械胁械褉芯褟褌薪邪 薪芯褖, 锌褉械写褉邪蟹锌芯谢邪谐邪褖邪 泻褗屑 屑械褔褌懈 懈 锌芯写褏芯写褟褖邪 蟹邪 胁褗蟹写褍褕薪芯 薪邪锌邪写邪薪懈械鈥�. 小褗斜懈褉邪薪械 薪邪 薪械褋褗斜懈褉邪械屑芯褌芯. 袩芯屑懈褉褟胁邪薪械 薪邪 薪械锌褉懈屑懈褉懈屑芯褌芯. 袦械褔褌懈 懈 褉邪蟹褉褍褏邪, 薪械芯褌写械谢懈屑懈.
袠 芯褖械 写胁械 懈蟹胁邪写泻懈 (芯褌 写械褋械褌泻懈褌械, 泻芯懈褌芯 褋懈 锌芯写褔械褉褌邪褏):
鈥� 鈥� 小械谐邪 胁械褔械 懈屑邪屑械 胁褋懈褔泻芯 鈥� 泻邪蟹邪 袝谢懈蟹邪斜械褌. 鈥� 袥褍薪邪, 谐褉邪写懈薪邪, 械写薪邪 褏褍斜邪胁邪 胁械褔械褉褟 蟹邪写 薪邪褋 懈 褑褟谢邪褌邪 胁械褔械褉 锌褉械写 薪邪褋. 孝芯谢泻芯胁邪 械 褏褍斜邪胁芯, 褔械 械 锌芯褔褌懈 薪械锌芯薪芯褋懈屑芯.
- 孝邪泻邪 褋邪 卸懈胁械谢懈 褏芯褉邪褌邪 锌褉械写懈. 袠 薪械 褋邪 薪邪屑懈褉邪谢懈 薪懈褖芯 芯褋芯斜械薪芯 胁 褌芯胁邪.鈥�
鈥炐⑿拘� 褉邪蟹斜褉邪, 褔械 胁褋懈褔泻芯 械 胁褋褗褖薪芯褋褌 械写薪邪泻胁芯 鈥� 蟹邪屑懈薪邪胁邪薪械褌芯 懈 胁褉褗褖邪薪械褌芯, 锌褉懈褋褗褋褌胁懈械褌芯 懈 芯褌褋褗褋褌胁懈械褌芯, 卸懈胁芯褌褗褌 懈 褋屑褗褉褌褌邪, 屑懈薪邪谢芯褌芯 懈 斜褗写械褖械褌芯, 懈 褔械 胁懈薪邪谐懈 懈 薪邪胁褋褟泻褗写械 泻邪屑械薪薪芯褌芯 谢懈褑械 薪邪 胁械褔薪芯褋褌褌邪 褖械 斜褗写械 褌褍泻 懈 褔械 褋 薪懈褖芯 薪械 屑芯卸械 写邪 斜褗写械 锌褉械屑邪褏薪邪褌芯 (鈥�)鈥�
袩.袩. 袨斜邪褔械 薪邪褉械写 褋 谐芯谢械屑懈褌械 褌械屑懈, 袪械屑邪褉泻 芯锌褉械写械谢械薪芯 懈屑邪 芯褋芯斜械薪邪褌邪 褋谢邪斜芯褋褌 写邪 芯锌懈褋胁邪 泻邪泻 谐械褉芯懈褌械 屑褍 薪械锌褉械褋褌邪薪薪芯 褋懈 锌懈泄胁邪褌 薪械褖芯. 袧邪 胁褋械泻懈 写胁械 褋褌褉邪薪懈褑懈 懈蟹薪懈泻胁邪 锌芯 薪褟泻芯褟 斜褍褌懈谢泻邪 胁芯写泻邪, 胁懈薪芯 懈谢懈 斜懈褉邪, 邪 袚褉械斜械褉 懈 袝谢懈蟹邪斜械褌 褌邪泻邪 褋谢邪写泻芯 褟 褋锌芯写械谢褟褌, 褔械 写芯褉懈 薪邪 屑械薪, 褉褟写泻芯 锌懈械褖邪褌邪 邪谢泻芯褏芯谢, 屑懈 褋械 懈褋泻邪褕械 写邪 褋懈 薪邪谢械褟 褔邪褕邪 褔械褉胁械薪芯 胁懈薪芯 锌褉械泻邪谢械薪芯 褔械褋褌芯, 写芯泻邪褌芯 褔械褌褟褏.
January 2, 2008
This book was quite amazing. It is from the viewpoint of a Nazi soldier who gets to go home from war. He finds out that things home are terrible, everything is turned upside down. He falls in love and among the chaos there are moments of peace and beauty. There is amazing social commentary on concepts such as collective guilt, our responsibility to standing up to evil and war. The ending of the book is quite haunting and i cant wait to read more of his books
May 28, 2023
Am v膬zut 卯n acest volum mai multe lucruri: un roman al soldatului de pe front care nu g膬se葯te niciun sens 卯n r膬zboi, un roman al r膬zboiului din spatele frontului, 葯i un roman de dragoste 卯n vreme de r膬zboi. Aceste trei romane se ivesc treptat, unul dup膬 cel膬lalt, ca s膬 se 卯ntrep膬trund膬 mai apoi. La urma urmei, este vorba despre acela葯i r膬zboi care le cuprinde pe toate, demonstr芒nd c膬 r膬zboiul are mult mai multe fe葲e dec芒t putem crede.
脦n iarna/prim膬vara lui 1944, Ernst Graeber e undeva pe frontul de est, 卯n permanent膬 retragere. C芒t e iarn膬, cadavrele, pe mai multe straturi, 卯n dependen葲膬 de b膬t膬liile care s-au dat, sunt acoperite de z膬pad膬. La venirea prim膬verii, om膬tul se tope葯te, iar cadavrele, fie c膬 sunt ale nem葲ilor, fie ale ru葯ilor trebuie 卯ngropate, altfel put. Azi se ive葯te o m芒n膬, m芒ine un picior, poim芒ine 卯ntreg cadavrul. Zilele trec a葯tept芒nd noi ordine 葯i s膬p芒nd gropi. Uneori, c芒nd cei cu s膬patul au noroc, mai prind ni葯te partizani, care sunt pu葯i s膬 sape gropi, inclusiv pe-ale lor.
Graeber prime葯te, dup膬 doi ani 葯i aproape nesperat, o permisie. Se gr膬be葯te s膬 plece, 卯nainte s膬 se schimbe ordinele. C膬l膬tore葯te c芒teva zile cu g芒ndul la m芒ncare f膬cut膬 de maic膬-sa, la tot felul de bun膬t膬葲i pe care nici nu a 卯ndr膬znit s膬 le viseze de c芒nd a plecat la r膬zboi, lupt芒nd pe mai multe fronturi, ajung芒nd din de葯erturile Africii p芒n膬 卯n stepele 卯nghe葲ate ale Rusiei. Ajuns acas膬 descoper膬 frontul din spatele frontului. Ora葯ul s膬u este bombardat constant. Oamenii 卯葯i duc existen葲a inventariind ad膬posturi, 卯ndep膬rt芒nd ruine pentru a ajunge la cadavre, c膬ut芒nd un loc unde s膬 doarm膬 sau o mas膬 pe cartel膬. Casa lui p膬rinteasc膬 nu mai exist膬. P膬rin葲ii lui sunt de neg膬sit. 脦ncearc膬 s膬 dea de ei, pe la cuno葯tin葲e, spitale, eviden葲a popula葲iei, cimitire, dar f膬r膬 succes. To葲i sunt paranoici.
脦n timpul c膬ut膬rilor, d膬 peste Elisabeth, fiica doctorului de familie, disp膬rut 葯i el, 卯ntr-un lag膬r. La o a doua 卯nt芒lnire cu ea, 卯ncepe s膬 observe c芒t e de frumoas膬. Cei doi se 卯ndr膬gostesc 葯i tr膬iesc, timp de dou膬 s膬pt膬m芒ni, o adev膬rat膬 poveste de iubire, la viteza corespunz膬toare realit膬葲ii c膬 nu au prea mult timp la dispozi葲ie.
脦ntre timp, Ernst d膬 葯i de un fost coleg, ajuns un fel de 葯ef 卯n ierarhia nazist膬 local膬, care tr膬ie葯te extrem de bine, de parc膬 Germania nu s-ar afla 卯n vreun r膬zboi, profit芒nd pe deplin de autoritatea 葯i puterea pe care le are. De la acest coleg, Ernst se aprovizioneaz膬 cu b膬utur膬 葯i m芒ncare, f膬r膬 vreun fel de ru葯ine, pentru c膬 pe front m芒nca numai sup膬 chioar膬 de varz膬. Se mai vede 葯i cu un fost profesor, dat afar膬 de la 葯coal膬, urm膬rit de Gestapo. Cu el discut膬 de c芒teva ori despre r膬zboi 卯n termeni critici 鈥� pagini chiar foarte interesante care arat膬 dilema celor r膬ma葯i acas膬, p膬rerea de r膬u c膬 au stat 葯i acceptat 葯i c膬 nu mai pot face nimic acum.
Dup膬 cele trei s膬pt膬m芒ni de permisie, dintre care dou膬 de dragoste, Graeber trebuie s膬 plece. Se 卯ntoarce pe front unde zi de zi, 卯n a葯teptarea p膬cii sau a capitul膬rii iminente, mor 卯n noroi mii 葯i mii de tineri, cei mai mul葲i dintre ei abia veni葲i pentru a-i 卯nlocui pe cei dinainte, mor葲i. Romanele lui Remarque nu au niciodat膬 final fericit.
A fost o lectur膬 frumoas膬 葯i frustrant膬. Nu prea am citit literatur膬 despre r膬zboi din perspectiva german膬. Am descoperit aici, de葯i 卯mi era clar 葯i 卯nainte, c膬 r膬zboiul e aproape la fel pentru to葲i. Mor 葯i de o parte 葯i de alta. De ambele p膬r葲i, atunci c芒nd se n膬ruiesc iluzii sau victoria promis膬 nu mai vine, apar vocile critice. Solda葲ii descoper膬 primii c膬 r膬zboiul nu are vreun sens. Ei sunt primii care-葯i pierd speran葲a 葯i primii care nu mai v膬d rostul s膬 continue. O fac, 卯ns膬, pentru c膬 nu 葯tiu altceva. Dac膬 nu o fac, 卯i a葯teapt膬 SS-ul 葯i batalioanele disciplinare din spate.
Remarque, chiar dac膬 scrie despre moarte, o face foarte viu. Scrisul lui e plin de via葲膬. Astfel, tot ce scrie e u葯or de recunoscut 葯i de 卯n葲eles. E u葯or s膬 empatizezi cu personajele pentru c膬 卯葲i dai seama c膬 sunt oameni la fel ca tine 葯i toate fricile lor sunt sau ar putea fi fricile tale.
4,5/5
Mai trebuie s膬 spun c膬 romanul are un paragraf de 卯nceput extraordinar.
脦n iarna/prim膬vara lui 1944, Ernst Graeber e undeva pe frontul de est, 卯n permanent膬 retragere. C芒t e iarn膬, cadavrele, pe mai multe straturi, 卯n dependen葲膬 de b膬t膬liile care s-au dat, sunt acoperite de z膬pad膬. La venirea prim膬verii, om膬tul se tope葯te, iar cadavrele, fie c膬 sunt ale nem葲ilor, fie ale ru葯ilor trebuie 卯ngropate, altfel put. Azi se ive葯te o m芒n膬, m芒ine un picior, poim芒ine 卯ntreg cadavrul. Zilele trec a葯tept芒nd noi ordine 葯i s膬p芒nd gropi. Uneori, c芒nd cei cu s膬patul au noroc, mai prind ni葯te partizani, care sunt pu葯i s膬 sape gropi, inclusiv pe-ale lor.
Graeber prime葯te, dup膬 doi ani 葯i aproape nesperat, o permisie. Se gr膬be葯te s膬 plece, 卯nainte s膬 se schimbe ordinele. C膬l膬tore葯te c芒teva zile cu g芒ndul la m芒ncare f膬cut膬 de maic膬-sa, la tot felul de bun膬t膬葲i pe care nici nu a 卯ndr膬znit s膬 le viseze de c芒nd a plecat la r膬zboi, lupt芒nd pe mai multe fronturi, ajung芒nd din de葯erturile Africii p芒n膬 卯n stepele 卯nghe葲ate ale Rusiei. Ajuns acas膬 descoper膬 frontul din spatele frontului. Ora葯ul s膬u este bombardat constant. Oamenii 卯葯i duc existen葲a inventariind ad膬posturi, 卯ndep膬rt芒nd ruine pentru a ajunge la cadavre, c膬ut芒nd un loc unde s膬 doarm膬 sau o mas膬 pe cartel膬. Casa lui p膬rinteasc膬 nu mai exist膬. P膬rin葲ii lui sunt de neg膬sit. 脦ncearc膬 s膬 dea de ei, pe la cuno葯tin葲e, spitale, eviden葲a popula葲iei, cimitire, dar f膬r膬 succes. To葲i sunt paranoici.
脦n timpul c膬ut膬rilor, d膬 peste Elisabeth, fiica doctorului de familie, disp膬rut 葯i el, 卯ntr-un lag膬r. La o a doua 卯nt芒lnire cu ea, 卯ncepe s膬 observe c芒t e de frumoas膬. Cei doi se 卯ndr膬gostesc 葯i tr膬iesc, timp de dou膬 s膬pt膬m芒ni, o adev膬rat膬 poveste de iubire, la viteza corespunz膬toare realit膬葲ii c膬 nu au prea mult timp la dispozi葲ie.
脦ntre timp, Ernst d膬 葯i de un fost coleg, ajuns un fel de 葯ef 卯n ierarhia nazist膬 local膬, care tr膬ie葯te extrem de bine, de parc膬 Germania nu s-ar afla 卯n vreun r膬zboi, profit芒nd pe deplin de autoritatea 葯i puterea pe care le are. De la acest coleg, Ernst se aprovizioneaz膬 cu b膬utur膬 葯i m芒ncare, f膬r膬 vreun fel de ru葯ine, pentru c膬 pe front m芒nca numai sup膬 chioar膬 de varz膬. Se mai vede 葯i cu un fost profesor, dat afar膬 de la 葯coal膬, urm膬rit de Gestapo. Cu el discut膬 de c芒teva ori despre r膬zboi 卯n termeni critici 鈥� pagini chiar foarte interesante care arat膬 dilema celor r膬ma葯i acas膬, p膬rerea de r膬u c膬 au stat 葯i acceptat 葯i c膬 nu mai pot face nimic acum.
Dup膬 cele trei s膬pt膬m芒ni de permisie, dintre care dou膬 de dragoste, Graeber trebuie s膬 plece. Se 卯ntoarce pe front unde zi de zi, 卯n a葯teptarea p膬cii sau a capitul膬rii iminente, mor 卯n noroi mii 葯i mii de tineri, cei mai mul葲i dintre ei abia veni葲i pentru a-i 卯nlocui pe cei dinainte, mor葲i. Romanele lui Remarque nu au niciodat膬 final fericit.
A fost o lectur膬 frumoas膬 葯i frustrant膬. Nu prea am citit literatur膬 despre r膬zboi din perspectiva german膬. Am descoperit aici, de葯i 卯mi era clar 葯i 卯nainte, c膬 r膬zboiul e aproape la fel pentru to葲i. Mor 葯i de o parte 葯i de alta. De ambele p膬r葲i, atunci c芒nd se n膬ruiesc iluzii sau victoria promis膬 nu mai vine, apar vocile critice. Solda葲ii descoper膬 primii c膬 r膬zboiul nu are vreun sens. Ei sunt primii care-葯i pierd speran葲a 葯i primii care nu mai v膬d rostul s膬 continue. O fac, 卯ns膬, pentru c膬 nu 葯tiu altceva. Dac膬 nu o fac, 卯i a葯teapt膬 SS-ul 葯i batalioanele disciplinare din spate.
Remarque, chiar dac膬 scrie despre moarte, o face foarte viu. Scrisul lui e plin de via葲膬. Astfel, tot ce scrie e u葯or de recunoscut 葯i de 卯n葲eles. E u葯or s膬 empatizezi cu personajele pentru c膬 卯葲i dai seama c膬 sunt oameni la fel ca tine 葯i toate fricile lor sunt sau ar putea fi fricile tale.
鈥� M芒ncarea se distribuie 卯n baraca num膬rul trei, gl膬sui 卯n cele din urm膬 jandarmul cel mai 卯n v芒rst膬. 葮i mai da葲i jos jegul de pe voi. Ar膬ta葲i ca ni葯te porci. 脦n halul 膬sta vre葲i s膬 v膬 face葲i intrarea 卯n patrie?
Grupul se 卯ndrept膬 spre baraca num膬rul trei.
鈥� Copoi 卯mpu葲i葲i! scr芒葯ni un soldat negricios, cu fa葲a numai tuleie. Gur膬 mare, dar la c膬lduric膬, departe de front! 葮i se dau la ni de parc膬 am fi t芒lhari!
鈥� La Stalingrad au 卯mpu葯cat zeci de in葯i, lu芒nd drept dezertori ni葯te oameni care doar se pierduser膬 de regimentele lor, zise altul.
鈥� Ai fost la Stalingrad?
鈥� Dac膬 a葯 fi fost, nu mai eram acum aici. Din 卯ncercuirea de acolo n-a sc膬pat nimeni.
鈥� Ascult膬, b膬ie葲a葯, i-o t膬ie un subofi葲er mai 卯n v芒rst膬. Pe front e葯ti liber s膬 spui ce pofte葯ti. Aici e 卯ns膬 altceva. A葯a c膬, de acum 卯ncolo, ai face mai bine s膬-葲i strune葯ti meli葲a, dac膬 葲ii la pielea ta, 卯n葲eles?
鈥� Ru葯ii nu sunt arieni! s膬ri deodat膬 unul 葯obol膬nos, cu fa葲a 葲uguiat膬 葯i cu gura mic膬 葯i care p芒n膬 atunci t膬cuse.
To葲i se uitar膬 la el.
鈥� Ba te 卯n葯eli, ripost膬 chelbosul. Ru葯ii sunt arieni. La un moment dat au fost chiar alia葲i cu noi.
鈥� Sunt fiin葲e inferioare; bol葯evicii sunt de ras膬 inferioar膬. Nicidecum arieni. A葯a sun膬 dispozi葲iile.
鈥� Gre葯e葯ti. Polonezii, cehii 葯i francezii sunt de ras膬 inferioar膬. Pe ru葯i 卯i dezrobim de sub jugul comuni葯tilor. Sunt arieni puri. Cu excep葲ia comuni葯tilor, bine卯n葲eles. Poate c膬 nu sunt arieni de ras膬 superioar膬, ca noi, dar nu-i st芒rpim.
鈥炄榦bolanul鈥� r膬mase buimac.
鈥� Ru葯ii au fost totdeauna oameni de ras膬 inferioar膬, articul膬 el. O 葯tiu bine. Oameni de cea mai categoric膬 ras膬 inferioar膬.
鈥� Asta s-a schimbat de mult. Ca 葯i cu japonezii. De c芒nd s-au aliat cu noi 卯n r膬zboi, sunt 葯i ei arieni. Arieni de culoare galben膬.
鈥� V膬 卯n葯ela葲i am芒ndoi, se amestec膬 unul cu voce de bas 葯i cu corpul teribil de p膬ros. Ru葯ii n-au fost de ras膬 inferioar膬 c芒t膬 vreme erau alia葲ii no葯tri, dar acum sunt. A葯a stau lucrurile.
鈥� Noi nu suntem martiri. Iar eu vreau s膬 葯tiu: unde 卯ncepe complicitatea? replic膬 Graeber. Vreau s膬 葯tiu: c芒nd devine crim膬 ceea ce se cheam膬 altfel eroism? Atunci c芒nd nu mai credem substratul eroismului 鈥� sau 卯n finalitatea lui? Unde e hotarul?
鈥� Un copil? Ar cre葯te tocmai bine pentru un viitor r膬zboi, a葯a cum am crescut noi pentru r膬zboiul 膬sta. G芒nde葯te-te numai la mizeria ce-l a葯teapt膬 dup膬 ce se va na葯te!
4,5/5
Mai trebuie s膬 spun c膬 romanul are un paragraf de 卯nceput extraordinar.
January 4, 2022
賵賯鬲蹖 讴鬲丕亘 乇賵 丿蹖丿賲貙 亘蹖鈥屬嗁囏й屫� 丕夭 丕爻賲卮 禺賵卮賲 丕賵賲丿. 丿賱賲 賲蹖鈥屫堌ж池� 讴賴 讴鬲丕亘 夭蹖亘丕蹖蹖 亘丕卮賴.
亘賴鬲乇 丕夭 丕賳鬲馗丕乇賲 亘賵丿. 亘毓丿 丕夭 賲丿鬲鈥屬囏� 丿丕爻鬲丕賳蹖 禺賵賳丿賲 讴賴 鬲賵賳爻鬲賲 丿乇賵賳卮 睾乇賯 亘卮賲.
丕賲丕 鬲乇噩賲賴鈥屫� 囟毓蹖賮 亘賵丿. 賵 賳丕丕賲蹖丿讴賳賳丿賴鈥屫臂屬� 賵蹖乇丕爻鬲丕乇蹖賽 噩賴丕賳 乇賵 丿丕卮鬲.
亘賴鬲乇 丕夭 丕賳鬲馗丕乇賲 亘賵丿. 亘毓丿 丕夭 賲丿鬲鈥屬囏� 丿丕爻鬲丕賳蹖 禺賵賳丿賲 讴賴 鬲賵賳爻鬲賲 丿乇賵賳卮 睾乇賯 亘卮賲.
丕賲丕 鬲乇噩賲賴鈥屫� 囟毓蹖賮 亘賵丿. 賵 賳丕丕賲蹖丿讴賳賳丿賴鈥屫臂屬� 賵蹖乇丕爻鬲丕乇蹖賽 噩賴丕賳 乇賵 丿丕卮鬲.
October 15, 2020
I loved his 鈥淎ll quiet on western front鈥�. But it was written by a younger Erich, pacifist and sad but also boyish. This is older Remarque鈥檚 writing, the writer who lived in exile and whose sister was beheaded by Nazis because they could not get to him, it has such an all-encompassing feeling of melancholy that punches me in the gut. This is such a beautiful but also quiet book filled with desperation, desire to live and a beautiful love story.
鈥淪ometimes when you see how we are destroying Russia you could get scared. What do you think they would do to us if they got across our border? Have you ever thought about that?鈥�
***
鈥淲hat else might happen to you?鈥� 鈥淣othing much. At most a couple of weeks鈥� arrest. That would be a couple of weeks of rest. Almost like a furlough. When you have to be back at the front in about two weeks there鈥檚 not much that can scare you.鈥�
***
You were young and they poisoned you with lies before you had learned to judge. But we鈥攚e saw it and let it happen! What caused it? Hardness of heart? Indifference? Poverty? Egoism? Despair? And how could it become such a plague? Do you suppose that I don鈥檛 think about it every day?鈥�
***
Pohlmann smiled. 鈥淵ou are right. But there has never been a tyranny that lasted. Humanity has not advanced in an even course. It has always been only by thrusts, jerks, relapses, and spasms.
鈥淪ometimes when you see how we are destroying Russia you could get scared. What do you think they would do to us if they got across our border? Have you ever thought about that?鈥�
***
鈥淲hat else might happen to you?鈥� 鈥淣othing much. At most a couple of weeks鈥� arrest. That would be a couple of weeks of rest. Almost like a furlough. When you have to be back at the front in about two weeks there鈥檚 not much that can scare you.鈥�
***
You were young and they poisoned you with lies before you had learned to judge. But we鈥攚e saw it and let it happen! What caused it? Hardness of heart? Indifference? Poverty? Egoism? Despair? And how could it become such a plague? Do you suppose that I don鈥檛 think about it every day?鈥�
***
Pohlmann smiled. 鈥淵ou are right. But there has never been a tyranny that lasted. Humanity has not advanced in an even course. It has always been only by thrusts, jerks, relapses, and spasms.
March 5, 2021
3.5|5
This wasn鈥檛 bad at all, just a little too long. Definitely worth the read.
This wasn鈥檛 bad at all, just a little too long. Definitely worth the read.
December 31, 2023
Are you responsible for the evil in the world? Is it enough to reject wrongdoing in your heart or should you act to stop it?
Is redemption possible?
Is redemption possible?
February 17, 2022
Qualcosa di nuovo sul fronte orientale
25 anni separano la pubblicazione di 鈥淣iente di nuovo sul fronte occidentale鈥� (1929), l鈥檕pera pi霉 famosa di Eric Maria Remarque, da 鈥淭empo di vivere tempo di morire鈥� (1954), accomunato al predecessore quanto meno per il semplice ed ovvio motivo dell鈥檈ssere imperniati ambedue sul tema della guerra.
Ma tanto il primo libro si concentra sul massacro della trincea cos矛 da rappresentare il manifesto pi霉 esplicito, essenziale e definitivo dell鈥檃ssurdit脿 di ogni conflitto e quindi candidarsi come uno dei capolavori del pacifismo, cos矛 nelle pagine (quasi il doppio鈥�) di questo romanzo Remarque nutre l鈥檃mbizione di spaziare in tutti gli aspetti del tempo di guerra e, attraverso la tormentata e rivelatrice licenza del soldato Graeber, mostrare le catastrofiche ripercussioni materiali, morali e psicologiche nelle retrovie e sulla popolazione civile delle citt脿 tedesche, non dissimili dalle conseguenze sulle cittadine di ogni nazione europea.
Si percepisce facilmente la maggiore libert脿 di espressione dell鈥檃utore, che invece nel 1929, nel clima di fervore patriottico sul punto di sfociare nel nazionalsocialismo, mantenne un atteggiamento accorato ma non ancora improntato ad una esplicita denuncia, omissione che tuttavia non gli risparmi貌 la messa al bando e la censura del primo libro giacch茅 la pura verit脿 dei fatti produceva di per s茅 un effetto dirompente sul lettore tedesco (o italiano) assediato dalla propaganda nazifascista.
In 鈥淭empo di vivere, tempo di morire鈥� invece si respira ovunque un鈥檃tmosfera di rassegnata disillusione, i soldati al fronte, salvo qualche isolato fanatico, sono ormai consapevoli della rovinosa ritirata sul fronte russo, dell鈥檃pprossimarsi della sconfitta, critici nei confronti dei privilegi che le SS e gli altri organi dell鈥檃pparato continuano a mantenere in contrasto con gli stenti e le privazioni cui sono sottoposti i fanti in prima fila decimati dall鈥檃rtiglieria nemica e prendono coscienza di essere lo strumento di una folle distruzione che sta per ritorcersi su di essi e sul loro popolo.
Fra le due parentesi del prologo e dell鈥檈pilogo, che rimandano alle scene drammatiche di 鈥淣iente di nuovo sul fronte occidentale鈥�, sta il nucleo principale ed originale del racconto: nell鈥檃gognata licenza del soldato Graeber, un temporaneo rientro alla cittadina nat矛a che si rivela una progressiva rivelazione dell鈥檈norme divario, morale e materiale, fra la Germania narrata dagli ufficiali al fronte e il territorio reale devastato dai bombardamenti aerei e pervaso da corruzione, miseria e desolazione, dove tuttavia il protagonista riuscir脿 a ritagliarsi una breve bench猫 effimera parentesi d鈥檃more e di speranza.
Pagine di intensa emozione descrivono il lento percorso del treno dal fronte russo alla Germania, con la crescente percezione da parte di Graeber della confusione e della distruzione che avvolgono la sua terra e i luoghi resi ormai irriconoscibili. 鈥淭empo di vivere, tempo di morire鈥� rappresenta la perfetta e necessaria conclusione della testimonianza espressa in 鈥淣iente di nuovo sul fronte occidentale鈥�, ne approfondisce i temi e le riflessioni, la coscienza e il verdetto sull鈥檕rrore assoluto e ingiustificabile della guerra.
25 anni separano la pubblicazione di 鈥淣iente di nuovo sul fronte occidentale鈥� (1929), l鈥檕pera pi霉 famosa di Eric Maria Remarque, da 鈥淭empo di vivere tempo di morire鈥� (1954), accomunato al predecessore quanto meno per il semplice ed ovvio motivo dell鈥檈ssere imperniati ambedue sul tema della guerra.
Ma tanto il primo libro si concentra sul massacro della trincea cos矛 da rappresentare il manifesto pi霉 esplicito, essenziale e definitivo dell鈥檃ssurdit脿 di ogni conflitto e quindi candidarsi come uno dei capolavori del pacifismo, cos矛 nelle pagine (quasi il doppio鈥�) di questo romanzo Remarque nutre l鈥檃mbizione di spaziare in tutti gli aspetti del tempo di guerra e, attraverso la tormentata e rivelatrice licenza del soldato Graeber, mostrare le catastrofiche ripercussioni materiali, morali e psicologiche nelle retrovie e sulla popolazione civile delle citt脿 tedesche, non dissimili dalle conseguenze sulle cittadine di ogni nazione europea.
Si percepisce facilmente la maggiore libert脿 di espressione dell鈥檃utore, che invece nel 1929, nel clima di fervore patriottico sul punto di sfociare nel nazionalsocialismo, mantenne un atteggiamento accorato ma non ancora improntato ad una esplicita denuncia, omissione che tuttavia non gli risparmi貌 la messa al bando e la censura del primo libro giacch茅 la pura verit脿 dei fatti produceva di per s茅 un effetto dirompente sul lettore tedesco (o italiano) assediato dalla propaganda nazifascista.
In 鈥淭empo di vivere, tempo di morire鈥� invece si respira ovunque un鈥檃tmosfera di rassegnata disillusione, i soldati al fronte, salvo qualche isolato fanatico, sono ormai consapevoli della rovinosa ritirata sul fronte russo, dell鈥檃pprossimarsi della sconfitta, critici nei confronti dei privilegi che le SS e gli altri organi dell鈥檃pparato continuano a mantenere in contrasto con gli stenti e le privazioni cui sono sottoposti i fanti in prima fila decimati dall鈥檃rtiglieria nemica e prendono coscienza di essere lo strumento di una folle distruzione che sta per ritorcersi su di essi e sul loro popolo.
Fra le due parentesi del prologo e dell鈥檈pilogo, che rimandano alle scene drammatiche di 鈥淣iente di nuovo sul fronte occidentale鈥�, sta il nucleo principale ed originale del racconto: nell鈥檃gognata licenza del soldato Graeber, un temporaneo rientro alla cittadina nat矛a che si rivela una progressiva rivelazione dell鈥檈norme divario, morale e materiale, fra la Germania narrata dagli ufficiali al fronte e il territorio reale devastato dai bombardamenti aerei e pervaso da corruzione, miseria e desolazione, dove tuttavia il protagonista riuscir脿 a ritagliarsi una breve bench猫 effimera parentesi d鈥檃more e di speranza.
Pagine di intensa emozione descrivono il lento percorso del treno dal fronte russo alla Germania, con la crescente percezione da parte di Graeber della confusione e della distruzione che avvolgono la sua terra e i luoghi resi ormai irriconoscibili. 鈥淭empo di vivere, tempo di morire鈥� rappresenta la perfetta e necessaria conclusione della testimonianza espressa in 鈥淣iente di nuovo sul fronte occidentale鈥�, ne approfondisce i temi e le riflessioni, la coscienza e il verdetto sull鈥檕rrore assoluto e ingiustificabile della guerra.
April 22, 2018
Fr眉hjahr 1945: Ernst Graeber kehrt f眉r drei Wochen von der russischen Front in seine Heimatstadt zur眉ck. Das Wohnhaus seiner Eltern findet er von Bomben zerst枚rt, w盲hrend von ihnen jede Spur fehlt. Auf der Suche nach ihrem Schicksal trifft er alte Bekannte aus seiner Schulzeit wieder, darunter auch Elisabeth, deren Vater denunziert wurde und im Konzentrationslager gefangen gehalten wird. Zwischen Ernst und Elisabeth entspinnt sich eine Liebe von zwei jungen Menschen, durch den Krieg zu schnell erwachsen geworden und auf der Suche nach Sinn und etwas Leben.
Es wird wieder seine Zeit dauern, auch diesen Remarque zu verdauen. Sagenhaft und typisch, wie er den Leser zur眉ck in den Krieg zieht und ihn bis zum Schluss nicht entkommen l盲sst, sondern ihn zum Bleiben zwingt.
Seine schn枚rkelfreie Erz盲hlweise packt wie gewohnt. Sofort ist die Beziehung zu seinem Protagonisten und seiner Gedankenwelt da. Er analysiert (den) Krieg, stellt Fragen, findet Antworten und warnt die nachkommenden Generationen. Ein weiteres gro脽es und wichtiges Buch aus seiner Feder!!!
Es wird wieder seine Zeit dauern, auch diesen Remarque zu verdauen. Sagenhaft und typisch, wie er den Leser zur眉ck in den Krieg zieht und ihn bis zum Schluss nicht entkommen l盲sst, sondern ihn zum Bleiben zwingt.
Seine schn枚rkelfreie Erz盲hlweise packt wie gewohnt. Sofort ist die Beziehung zu seinem Protagonisten und seiner Gedankenwelt da. Er analysiert (den) Krieg, stellt Fragen, findet Antworten und warnt die nachkommenden Generationen. Ein weiteres gro脽es und wichtiges Buch aus seiner Feder!!!
March 7, 2024
蹖讴 倬賳噩賽 讴賱賴鈥屭嗀�
丕賲鬲蹖丕夭蹖 亘賴 丿乇丿 賵 夭禺賲
趩蹖夭蹖鈥屭┵� 丿乇 讴賱 乇賲丕賳貙 亘賴鈥屫� 氐賮丨丕鬲蹖 賲毓丿賵丿 亘丕賴丕卮 乇賵亘乇賵 賲蹖鈥屫篡屫� 丨囟賵乇賽 芦賳賵乇賽禄. 鬲賵氐蹖賮 賵 丕丨囟丕乇 賳賵乇 丿乇 乇賵丕蹖鬲 亘賴 丕賻卮讴丕賱賽 賲鬲賮丕賵鬲. 诏丕賴蹖 禺賵丿 賳賵乇貙 诏丕賴蹖 卮賲賴鈥屫й� 丕夭 賳賵乇貙 诏丕賴蹖 丕賳毓讴丕爻 蹖讴 賲賳賵乇貙 诏丕賴蹖 丌鬲卮蹖 乇賵 亘賴 亘丕賱丕 (賲賳 丕蹖賳噩丕 亘賴 蹖丕丿 讴鬲丕亘 乇賵丕賳讴丕賵蹖 丌鬲卮 丕夭 诏丕爻鬲賵賳 亘丕卮賱丕乇 丕賮鬲丕丿賲) 賵 丕爻鬲毓賱丕 讴賴 丨讴丕蹖鬲 丕夭 丕賳賮噩丕乇蹖 丿乇丿賳丕讴 賲蹖丿賴 賵 亘乇丕蹖 睾賱亘賴 亘乇 鬲丕乇蹖讴蹖 丿丕乇賴 噩賵賳 賲蹖鈥屭┵庂嗁�.
亘賴 賴乇 乇賵蹖 丕蹖賳 丕爻鬲賮丕丿賴鈥屰� 賲讴乇乇 蹖讴 賳诏丕賴 倬丿蹖丿丕乇卮賳丕禺鬲蹖 亘賴 賲禺丕胤亘 賲蹖鈥屫� 讴賴 睾丕蹖鬲 鬲丕乇蹖讴蹖 乇賵 丿乇 倬爻 夭賲蹖賳賴 賴乇诏夭 丕夭 蹖丕丿 賳亘乇賴貙 蹖讴 丕賽賱賽賲丕賳賽 乇丕 丕丨囟丕乇 賲蹖鈥屭┵嗃屬� 鬲丕 丨囟賵乇 賲賲鬲丿賽 賲鬲囟丕丿 丕賵賳 乇賵 亘賴 賲禺丕胤亘 賳卮賵賳 亘丿蹖賲.
賴賲賴 賲蹖丿賵賳蹖賲 讴賴 賳賵乇 丿乇 鬲丕乇蹖讴蹖鈥屫池� 賳賴 亘乇 丌賳! 蹖毓賳蹖 鬲丕乇蹖讴蹖 賲丨丕胤 亘乇 賳賵乇 丕爻鬲. 賵 賳賵蹖爻賳丿賴 丿乇 賮囟丕蹖 噩賳诏 賵 匕賴賳 賯賴乇賲丕賳貙 賲乇鬲亘 丿乇 倬蹖 蹖丕丿丌賵乇蹖 賳丕賲丨爻賵爻 賵 賲丨爻賵爻 丕蹖賳 賵丕賯毓蹖鬲 丕爻鬲.
倬蹖鈥屬嗁堌簇�: 丕诏乇 亘賴 鬲乇噩賲賴鈥屰� 禺賵亘 賲鬲乇噩賲 丕卮丕乇賴 賳讴賳賲 噩賮丕 讴乇丿賲 丿乇 丨賯 丕蹖卮賵賳.
馃挘
丕賲鬲蹖丕夭蹖 亘賴 丿乇丿 賵 夭禺賲
趩蹖夭蹖鈥屭┵� 丿乇 讴賱 乇賲丕賳貙 亘賴鈥屫� 氐賮丨丕鬲蹖 賲毓丿賵丿 亘丕賴丕卮 乇賵亘乇賵 賲蹖鈥屫篡屫� 丨囟賵乇賽 芦賳賵乇賽禄. 鬲賵氐蹖賮 賵 丕丨囟丕乇 賳賵乇 丿乇 乇賵丕蹖鬲 亘賴 丕賻卮讴丕賱賽 賲鬲賮丕賵鬲. 诏丕賴蹖 禺賵丿 賳賵乇貙 诏丕賴蹖 卮賲賴鈥屫й� 丕夭 賳賵乇貙 诏丕賴蹖 丕賳毓讴丕爻 蹖讴 賲賳賵乇貙 诏丕賴蹖 丌鬲卮蹖 乇賵 亘賴 亘丕賱丕 (賲賳 丕蹖賳噩丕 亘賴 蹖丕丿 讴鬲丕亘 乇賵丕賳讴丕賵蹖 丌鬲卮 丕夭 诏丕爻鬲賵賳 亘丕卮賱丕乇 丕賮鬲丕丿賲) 賵 丕爻鬲毓賱丕 讴賴 丨讴丕蹖鬲 丕夭 丕賳賮噩丕乇蹖 丿乇丿賳丕讴 賲蹖丿賴 賵 亘乇丕蹖 睾賱亘賴 亘乇 鬲丕乇蹖讴蹖 丿丕乇賴 噩賵賳 賲蹖鈥屭┵庂嗁�.
亘賴 賴乇 乇賵蹖 丕蹖賳 丕爻鬲賮丕丿賴鈥屰� 賲讴乇乇 蹖讴 賳诏丕賴 倬丿蹖丿丕乇卮賳丕禺鬲蹖 亘賴 賲禺丕胤亘 賲蹖鈥屫� 讴賴 睾丕蹖鬲 鬲丕乇蹖讴蹖 乇賵 丿乇 倬爻 夭賲蹖賳賴 賴乇诏夭 丕夭 蹖丕丿 賳亘乇賴貙 蹖讴 丕賽賱賽賲丕賳賽 乇丕 丕丨囟丕乇 賲蹖鈥屭┵嗃屬� 鬲丕 丨囟賵乇 賲賲鬲丿賽 賲鬲囟丕丿 丕賵賳 乇賵 亘賴 賲禺丕胤亘 賳卮賵賳 亘丿蹖賲.
賴賲賴 賲蹖丿賵賳蹖賲 讴賴 賳賵乇 丿乇 鬲丕乇蹖讴蹖鈥屫池� 賳賴 亘乇 丌賳! 蹖毓賳蹖 鬲丕乇蹖讴蹖 賲丨丕胤 亘乇 賳賵乇 丕爻鬲. 賵 賳賵蹖爻賳丿賴 丿乇 賮囟丕蹖 噩賳诏 賵 匕賴賳 賯賴乇賲丕賳貙 賲乇鬲亘 丿乇 倬蹖 蹖丕丿丌賵乇蹖 賳丕賲丨爻賵爻 賵 賲丨爻賵爻 丕蹖賳 賵丕賯毓蹖鬲 丕爻鬲.
倬蹖鈥屬嗁堌簇�: 丕诏乇 亘賴 鬲乇噩賲賴鈥屰� 禺賵亘 賲鬲乇噩賲 丕卮丕乇賴 賳讴賳賲 噩賮丕 讴乇丿賲 丿乇 丨賯 丕蹖卮賵賳.
馃挘
January 16, 2020
"Hi膿na arvien ir hi膿na. Cilv膿kam ir vair膩k vari膩ciju." Vai cilv膿ciskumam un labai sirdij ir vieta kar膩? Gr膩mata ri艈姆o gan ap 拧o jaut膩jumu, gan ap citiem l墨dz墨giem: par sirdsapzi艈u (cik elast墨ga t膩 var b奴t/k募奴t), vainu, atbild墨bu, izgroz墨拧anos, uztic膿拧anos, ja t膩da kara laikos visp膩r iesp膿jama. Sp膿c墨ga gr膩mata, kur膩 kara ne啪膿l墨bai pa vidu 鈥� karav墨ra atva募in膩jum膩 鈥� plaukst j奴tas, atst膩jot visu p膩r膿jo fon膩, bet 鈥� j膩, uz cik ilgu laiku? Autora darbs "膾nas parad墨z膿" man patika par mazumi艈u vair膩k, t膩p膿c 4 zvaigznes, bet viennoz墨m墨gi sp膿c墨gs darbs.
February 13, 2023
唳氞Σ唳涏 唳︵唳唳む唳 唳唳多唳Ο唰佮Ζ唰嵿Η啷� 唳溹唳班唳唳� 唳唳灌唳ㄠ唳� 唳唳涏 唳灌唳距Π 唳唳侧 唳忇Μ唳距Π啷� 唳о唳班 唳о唳� 唳忇唳苦Ο唳监 唳唳氞唳涏 唳む唳佮Π唳� 唳Π唳距唳唰囙Π 唳︵唳曕, 唳む唳佮Ζ唰囙Π 唳呧Θ唰嵿Δ唳苦Ξ 唳Π唳苦Θ唳む唳� 唳︵唳曕啷�
唳椸唳班唳唳� 唳呧Μ唳苦Χ唰嵿Μ唳距Ω唰嵿Ο唳唳 唳涏唳熰 唳唳唰囙唰�, 唳唳︵唳о唳� 唳忇 唳Π唳苦Ω唰嵿Ε唳苦Δ唳苦Δ唰� 唳涏唳熰唳熰 唳唳� 唳呧Θ唰囙唳熰 唳膏唳Κ唰嵿Θ唰囙Π 唳Δ唰嬥イ 唳Θ唰� 唳灌Ο唳� 唳忇唳ㄠ 唳樴唳� 唳唳權唳椸 唳唳, 唳涏唳熰 唳唳撪Ο唳监唳� 唳Η唰佮Π 唳呧Θ唰佮Ν唰傕Δ唳苦 唳唳侧唳唰� 唳唳 唳唳︵唳о唳� 唳班唰嵿Δ唳距唰嵿Δ 唳膏Μ 唳膏唳唳む唳� 唳曕唳侧唳灌Σ唰囙イ
唳呧Μ唳苦Χ唰嵿Μ唳距Ω唰嵿Ο 唳Η唰佮Π 唳膏唳Κ唰嵿Θ 唳ㄠ唳唰� 唳涏唳熰唳む 唳唳氞唳涏 唳椸唳班唳唳班イ 唳唳班 唳忇Ω唰囙唰� 唳ㄠ唳� 唳溹Θ唰嵿Ξ唳唳 唳溹唳班唳唳ㄠ唳む啷� 唳忇Δ唳︵唳� 唳ㄠ唳溹唳班 唳唳︵唳о唳� 唳Ο唳监Ζ唳距Θ唰� 唳多唳� 唳ム唳曕 唳多唳班 唳 唳む唳ㄠ唳∴Μ唳侧唳侧 唳︵唳栢唳唰囙唰� 唳溹唳班唳唳� 唳唳灌唳ㄠ唳� 唳灌Ο唳监啷� 唳膏唳膏Μ 唳唳唳膏Δ唳� 唳唳� 唳︵唳唳椸唳� 唳灌Ο唳监 唳唳班 唳忇Ω唰囙唰� 唳ㄠ唳溹唳︵唳� 唳夃Κ唳�, 唳ㄠ唳溹唳︵唳� 唳唳む唳唳唳� 唳夃Κ唳班イ 唳唳︵唳о唳� 唳ㄠ唳班唳Ξ唳む 唳唳� 唳ㄠΔ唰佮Θ唳唳 唳夃Κ唳侧Μ唰嵿Η唳� 唳曕Π唳涏 唳椸唳班唳唳班イ 唳唳� 唳唳� 唳忇唳� 唳唳班Χ唰嵿Θ 唳Θ唰� 唳夃唳曕 唳︵唳氞唳涏啷� 唳� 唳唳︵唳� 唳曕唳� 唳溹Θ唰嵿Ο, 唳曕唳�?
唳むΜ唰佮 唳唳ㄠ唳� 唳唳︵唳о 唳溹Α唳监唳啷� 唳唳ㄠ唳粪唳� 唳Θ唰囙Π 唳嗋Ζ唳苦Ξ 唳灌唳傕Ω唰嵿Π唳む唳� 唳氞唳灌唳� 唳班唳栢 唳唳 唳膏Ν唰嵿Ο唳む唳� 唳椸唳唰囙イ 唳唳ㄠ唳粪唳� 唳嗋Μ唳距Ω唳唳 唳Π唳苦Θ唳� 唳灌Ο唳� 唳多唳Χ唳距Θ唰囙イ 唳о唳唳膏唳� 唳唳澿唳� 唳呧Κ唳距Π唰嵿Ε唳苦Μ 唳溹唳唰庎Ω唰嵿Θ唳� 唳ㄠ唳, 唳Ω唳ㄠ唳� 唳忇Ω唰� 唳唳班 唳唳 唳む唳� 唳ㄠ唳溹Ω唰嵿Μ 唳ㄠ唳唳啷� 唳唳ㄠ唳粪唳� 唳膏唳Κ唰嵿Θ 唳椸唳侧 唳∴唳侧Κ唳距Σ唳� 唳唳侧 唳ㄠΔ唰佮Θ 唳膏唳Κ唰嵿Θ唰囙Π 唳溹Θ唰嵿Ξ 唳︵唳啷� 唳唳侧唳唳膏 唳唳∴唰�-唳曕Ξ唰�, 唳灌唳班唳 唳嗋Μ唳距Π 唳ㄠΔ唰佮Θ 唳唳侧唳唳膏唳� 唳栢唳佮 唳唳啷� 唳曕Δ唳多Δ 唳Π唳苦Μ唳班唳むΘ, 唳夃Κ唳侧Μ唰嵿Η唳� 唳灌Ο唳� 唳唳ㄠ唳粪唳�, 唳膏Ν唰嵿Ο唳む唳班イ 唳曕唳ㄠ唳む 唳むΜ唰佮 唳唳︵唳о唳� 唳ㄠ唳 唳唳唳膏Δ唳距Π, 唳呧Ξ唳距Θ唳唳曕Δ唳距Π 唳多唳� 唳灌Ο唳监Θ唳� 唳曕唳�?
唳唳熰 唳ㄠ唳唰� 唳曕 唳侧唳栢Μ 唳 唳曕唳唳 唳侧唳栢Μ 唳唳澿Δ唰� 唳唳班唳苦Θ唳距イ 唳む唳� 唳夃Κ唳班唳� 唳侧唳栢唳熰 唳呧Θ唰囙唳熰 唳栢唳唳距Α唳监 唳灌Ο唳监 唳椸唳侧啷� 唳灌唳�, 唳む唳む 唳嗋Ξ唳� 唳唳氞Σ唳苦Δ 唳ㄠ啷� 唳忇 唳 唳ㄠ唳唰� 唳椸唳涏唳唰� 唳侧唳栢唳� 唳膏唳Π唰嵿Ε唰嵿Ο 唳嗋Ξ唳距Π 唳ㄠ唳囙イ 唳忇Ξ唳� 唳呧Θ唳Ζ唰嵿Ο, 唳呧Ω唳距Η唳距Π唳� 唳忇 唳 唳Α唳监唳� 唳膏唳唳椸唳� 唳嗋Ξ唳距Π 唳灌Ο唳监唳涏 唳忇Δ唰囙 唳嗋Ξ唳� 唳栢唳多啷� 唳嗋Ξ唳距Π 唳忇 唳嗋Θ唳ㄠ唳� 唳唳︵Θ唳距Π 唳夃Κ唳侧Μ唰嵿Η唳� 唳唳班唳距Χ 唳灌唳膏唳, 唳栢唳唳距Α唳监 唳忇 唳侧唳栢唳熰唳� 唳ム唳曕唳曕イ
唳椸唳班唳唳� 唳呧Μ唳苦Χ唰嵿Μ唳距Ω唰嵿Ο唳唳 唳涏唳熰 唳唳唰囙唰�, 唳唳︵唳о唳� 唳忇 唳Π唳苦Ω唰嵿Ε唳苦Δ唳苦Δ唰� 唳涏唳熰唳熰 唳唳� 唳呧Θ唰囙唳熰 唳膏唳Κ唰嵿Θ唰囙Π 唳Δ唰嬥イ 唳Θ唰� 唳灌Ο唳� 唳忇唳ㄠ 唳樴唳� 唳唳權唳椸 唳唳, 唳涏唳熰 唳唳撪Ο唳监唳� 唳Η唰佮Π 唳呧Θ唰佮Ν唰傕Δ唳苦 唳唳侧唳唰� 唳唳 唳唳︵唳о唳� 唳班唰嵿Δ唳距唰嵿Δ 唳膏Μ 唳膏唳唳む唳� 唳曕唳侧唳灌Σ唰囙イ
唳呧Μ唳苦Χ唰嵿Μ唳距Ω唰嵿Ο 唳Η唰佮Π 唳膏唳Κ唰嵿Θ 唳ㄠ唳唰� 唳涏唳熰唳む 唳唳氞唳涏 唳椸唳班唳唳班イ 唳唳班 唳忇Ω唰囙唰� 唳ㄠ唳� 唳溹Θ唰嵿Ξ唳唳 唳溹唳班唳唳ㄠ唳む啷� 唳忇Δ唳︵唳� 唳ㄠ唳溹唳班 唳唳︵唳о唳� 唳Ο唳监Ζ唳距Θ唰� 唳多唳� 唳ム唳曕 唳多唳班 唳 唳む唳ㄠ唳∴Μ唳侧唳侧 唳︵唳栢唳唰囙唰� 唳溹唳班唳唳� 唳唳灌唳ㄠ唳� 唳灌Ο唳监啷� 唳膏唳膏Μ 唳唳唳膏Δ唳� 唳唳� 唳︵唳唳椸唳� 唳灌Ο唳监 唳唳班 唳忇Ω唰囙唰� 唳ㄠ唳溹唳︵唳� 唳夃Κ唳�, 唳ㄠ唳溹唳︵唳� 唳唳む唳唳唳� 唳夃Κ唳班イ 唳唳︵唳о唳� 唳ㄠ唳班唳Ξ唳む 唳唳� 唳ㄠΔ唰佮Θ唳唳 唳夃Κ唳侧Μ唰嵿Η唳� 唳曕Π唳涏 唳椸唳班唳唳班イ 唳唳� 唳唳� 唳忇唳� 唳唳班Χ唰嵿Θ 唳Θ唰� 唳夃唳曕 唳︵唳氞唳涏啷� 唳� 唳唳︵唳� 唳曕唳� 唳溹Θ唰嵿Ο, 唳曕唳�?
唳むΜ唰佮 唳唳ㄠ唳� 唳唳︵唳о 唳溹Α唳监唳啷� 唳唳ㄠ唳粪唳� 唳Θ唰囙Π 唳嗋Ζ唳苦Ξ 唳灌唳傕Ω唰嵿Π唳む唳� 唳氞唳灌唳� 唳班唳栢 唳唳 唳膏Ν唰嵿Ο唳む唳� 唳椸唳唰囙イ 唳唳ㄠ唳粪唳� 唳嗋Μ唳距Ω唳唳 唳Π唳苦Θ唳� 唳灌Ο唳� 唳多唳Χ唳距Θ唰囙イ 唳о唳唳膏唳� 唳唳澿唳� 唳呧Κ唳距Π唰嵿Ε唳苦Μ 唳溹唳唰庎Ω唰嵿Θ唳� 唳ㄠ唳, 唳Ω唳ㄠ唳� 唳忇Ω唰� 唳唳班 唳唳 唳む唳� 唳ㄠ唳溹Ω唰嵿Μ 唳ㄠ唳唳啷� 唳唳ㄠ唳粪唳� 唳膏唳Κ唰嵿Θ 唳椸唳侧 唳∴唳侧Κ唳距Σ唳� 唳唳侧 唳ㄠΔ唰佮Θ 唳膏唳Κ唰嵿Θ唰囙Π 唳溹Θ唰嵿Ξ 唳︵唳啷� 唳唳侧唳唳膏 唳唳∴唰�-唳曕Ξ唰�, 唳灌唳班唳 唳嗋Μ唳距Π 唳ㄠΔ唰佮Θ 唳唳侧唳唳膏唳� 唳栢唳佮 唳唳啷� 唳曕Δ唳多Δ 唳Π唳苦Μ唳班唳むΘ, 唳夃Κ唳侧Μ唰嵿Η唳� 唳灌Ο唳� 唳唳ㄠ唳粪唳�, 唳膏Ν唰嵿Ο唳む唳班イ 唳曕唳ㄠ唳む 唳むΜ唰佮 唳唳︵唳о唳� 唳ㄠ唳 唳唳唳膏Δ唳距Π, 唳呧Ξ唳距Θ唳唳曕Δ唳距Π 唳多唳� 唳灌Ο唳监Θ唳� 唳曕唳�?
唳唳熰 唳ㄠ唳唰� 唳曕 唳侧唳栢Μ 唳 唳曕唳唳 唳侧唳栢Μ 唳唳澿Δ唰� 唳唳班唳苦Θ唳距イ 唳む唳� 唳夃Κ唳班唳� 唳侧唳栢唳熰 唳呧Θ唰囙唳熰 唳栢唳唳距Α唳监 唳灌Ο唳监 唳椸唳侧啷� 唳灌唳�, 唳む唳む 唳嗋Ξ唳� 唳唳氞Σ唳苦Δ 唳ㄠ啷� 唳忇 唳 唳ㄠ唳唰� 唳椸唳涏唳唰� 唳侧唳栢唳� 唳膏唳Π唰嵿Ε唰嵿Ο 唳嗋Ξ唳距Π 唳ㄠ唳囙イ 唳忇Ξ唳� 唳呧Θ唳Ζ唰嵿Ο, 唳呧Ω唳距Η唳距Π唳� 唳忇 唳 唳Α唳监唳� 唳膏唳唳椸唳� 唳嗋Ξ唳距Π 唳灌Ο唳监唳涏 唳忇Δ唰囙 唳嗋Ξ唳� 唳栢唳多啷� 唳嗋Ξ唳距Π 唳忇 唳嗋Θ唳ㄠ唳� 唳唳︵Θ唳距Π 唳夃Κ唳侧Μ唰嵿Η唳� 唳唳班唳距Χ 唳灌唳膏唳, 唳栢唳唳距Α唳监 唳忇 唳侧唳栢唳熰唳� 唳ム唳曕唳曕イ
September 1, 2023
Pi臋kne, smutne i autentyczne.
March 14, 2017
Foarte bine scris! Pentru asta cinci stele! Subiectul -e drept!- nu e tocmai genul meu, desi in fata judecatii istorice are un cuvant de spus...
Displaying 1 - 30 of 720 reviews
Can't find what you're looking for?
Get help and learn more about the design.