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喈掂瘑喈｀瘝喈瘉喈班畾喁� #1
喈瘉喈む喁嵿畷喈┼喁�
喈畷喈距喈距喈む喁� 喈ㄠ喁� 喈喁嵿喈距疅喁嵿疅喈苦喁� 喈掄疅喁嵿疅喁佮喁娻喁嵿 喈瘖喈脆喈瘝喈喈苦喁� 喈庎喁嵿喁� 喈氞瘖喈侧瘝喈侧喈距喁�. 喈嗋畷喈掂瘒喈む喈┼瘝 喈囙喁� 喈愢喁嵿喈距喁嵿喁囙喈瘝 喈庎喁嵿喁� 喈瘉喈┼瘝喈┼瘚喈班喈侧瘝 喈氞瘖喈侧瘝喈侧喁嵿喈熰瘝喈熰喈班瘉喈曕瘝喈曕喈编喁�. 喈喈班喈む瘝喈む喈┼瘝 喈む瘖喈┼瘝喈瘓喈喈� 喈掂喈侧喈编瘝喈编喈┼瘝 喈瘉喈脆瘉喈掂疅喈苦喈瘝 喈畷喈距喈距喈む喁嵿喈苦喁� 喈夃喁嵿喈む瘉. 喈囙喁嵿喈苦喈瘝 喈喁嵿喈距疅喁� 喈夃喁佮喈距畷喈苦喈ㄠ瘝喈� 喈瘉喈脆瘉喈氞瘝喈氞喈む瘝喈む喈班喁佮喁� 喈呧喈苦喁� 喈夃喁嵿疅喁�. 喈喈班喈掂喁嵿喈瘝 喈庎喁嵿喁� 喈氞瘖喈侧瘝喈侧喁嵿喈熰瘉喈瘝 喈ㄠ喈侧喁嵿喈苦喁� 喈呧喁堗喁嵿喁佮喁嵿喈曕瘉喈む喈曕喁堗喁佮喁� 喈畷喈距喈距喈む喁� 喈氞喈む瘝喈む喈苦畷喁嵿畷喈苦喈む瘉. 喈呧喁堗喁嵿喁� 喈畷喁嵿畷喈赤瘓喈瘉喈瘝 喈掂喈掂喈苦畷喁嵿畷喈苦喈む瘉.
喈呧喁嵿喁佮疅喈┼瘝 喈庎喁嵿喁佮喁� 喈喈苦喈曕瘉喈侧喁� 喈庎喈苦喁嵿畷喁娻喁嵿喁佮喁� 喈呧疅喈苦喁嵿喈熰瘓喈喈� 喈呧喈曕瘝喈曕瘒喈赤瘝喈掂喈曕喁� 喈呧喁堗喁嵿喁堗喁佮喁� 喈呧喁� 喈嗋喈距喁嵿畷喈苦喈む瘉. 喈呧喈苦喈距 喈炧喈┼喁嵿喁� 喈呧喈编瘝喈编瘉喈曕瘝喈曕喈� 喈掂喈熰瘓喈曕喈距畷 喈呧喈苦畷喁嵿畷喈苦喈む瘉. 喈呧喁嵿 喈炧喈┼喁嵿喁� 喈ㄠ瘚喈曕瘝喈曕喈氞瘝喈氞瘑喈┼瘝喈� 喈喈喈苦喈班瘝喈曕喈苦喁� 喈夃喈班瘝喈氞瘝喈氞喈曕喁堗喁佮喁� 喈む瘒喈熰喁嵿畷喈赤瘓喈瘉喈瘝 喈瘚喈む喁嵿畷喈赤瘓喈瘉喈瘝 喈掂瘈喈脆瘝喈氞瘝喈氞喈曕喁堗喁佮喁� 喈瘈喈熰瘝喈瘉喈曕喁堗喁佮喁� 喈氞喈む瘝喈む喈苦畷喁嵿畷喈苦喈む瘉. 喈嗋畷喈掂瘒 喈掄喁� 喈炧喈┼喁傕喈距畷喈掂瘉喈瘝 喈瘒喈班喈侧畷喁嵿畷喈苦喈喈曕喁佮喁� 喈掄喁囙畾喈喈瘝 喈む喈曕喁嵿畷喈苦喈む瘉. 喈氞瘑喈┼瘝喈编畷喈距 喈掂喈侧喈编喈曕喁佮喁� 喈囙喁嵿喁堗 喈掂喈脆瘝喈曕瘝喈曕瘓喈喈曕喁佮喁� 喈夃喁嵿喈む瘉.
喈呧喁嵿喁佮疅喈┼瘝 喈庎喁嵿喁佮喁� 喈喈苦喈曕瘉喈侧喁� 喈庎喈苦喁嵿畷喁娻喁嵿喁佮喁� 喈呧疅喈苦喁嵿喈熰瘓喈喈� 喈呧喈曕瘝喈曕瘒喈赤瘝喈掂喈曕喁� 喈呧喁堗喁嵿喁堗喁佮喁� 喈呧喁� 喈嗋喈距喁嵿畷喈苦喈む瘉. 喈呧喈苦喈距 喈炧喈┼喁嵿喁� 喈呧喈编瘝喈编瘉喈曕瘝喈曕喈� 喈掂喈熰瘓喈曕喈距畷 喈呧喈苦畷喁嵿畷喈苦喈む瘉. 喈呧喁嵿 喈炧喈┼喁嵿喁� 喈ㄠ瘚喈曕瘝喈曕喈氞瘝喈氞瘑喈┼瘝喈� 喈喈喈苦喈班瘝喈曕喈苦喁� 喈夃喈班瘝喈氞瘝喈氞喈曕喁堗喁佮喁� 喈む瘒喈熰喁嵿畷喈赤瘓喈瘉喈瘝 喈瘚喈む喁嵿畷喈赤瘓喈瘉喈瘝 喈掂瘈喈脆瘝喈氞瘝喈氞喈曕喁堗喁佮喁� 喈瘈喈熰瘝喈瘉喈曕喁堗喁佮喁� 喈氞喈む瘝喈む喈苦畷喁嵿畷喈苦喈む瘉. 喈嗋畷喈掂瘒 喈掄喁� 喈炧喈┼喁傕喈距畷喈掂瘉喈瘝 喈瘒喈班喈侧畷喁嵿畷喈苦喈喈曕喁佮喁� 喈掄喁囙畾喈喈瘝 喈む喈曕喁嵿畷喈苦喈む瘉. 喈氞瘑喈┼瘝喈编畷喈距 喈掂喈侧喈编喈曕喁佮喁� 喈囙喁嵿喁堗 喈掂喈脆瘝喈曕瘝喈曕瘓喈喈曕喁佮喁� 喈夃喁嵿喈む瘉.
- GenresFiction
503 pages, Hardcover
First published January 1, 2014
85 people are currently reading
369 people want to read
About the author
Jeyamohan
199听books804听followersB. Jeyamohan (also credited as Jayamohan) is one of the most influential contemporary, Tamil and Malayalam writer and literary critic from Nagercoil in Kanyakumari District in the south Indian state of Tamil Nadu.
He entered the world of Tamil literature in the 1990s, Jeyamohan has had impacted the Tamil literary landscape as it emerged from the post-modern phase. His best-known and critically acclaimed work is Vishnupuram, a deeply layered fantasy set as a quest through various schools of Indian philosophy and mythology. His other well-known novels include Rubber, Pin Thodarum Nizhalin Kural, Kanyakumari, Kaadu, Pani Manithan, Eazhaam Ulagam, and Kotravai. His writing is heavily influenced by the works of humanitarian thinkers Leo Tolstoy and Mohandas Karamchand Gandhi. Drawing on the strength of his life experiences and extensive travel around India, Jeyamohan is able to re-examine and interpret the essence of India's rich literary and classical traditions.
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喈む喁嵿喁� 喈瘑喈喁� 喈庎喁�.喈喈曕瘉喈侧瘒喈喁� 喈喈赤瘝喈赤瘓. 喈む喈む瘝喈む 喈瘑喈喁� 喈掂喈曕瘝喈曕喁€喈熰瘝喈熰瘉 喈氞畽喁嵿畷喈班喁嵿喈苦喁嵿喁�. 喈瘋喈班瘝喈掂瘈喈� 喈娻喁� 喈曕瘉喈喈苦喈距喈熰瘝喈熰喁� 喈掂喈赤喈權瘝喈曕瘚喈熰瘉 喈掂疅喁嵿疅喈瘝, 喈む喈班瘉喈掂喈瘝喈瘉. 喈む喈む瘝喈む 喈呧疅喈苦喁佮喁� 喈嗋畾喈距喁�. 喈嗋畷喈掂瘒 喈氞畽喁嵿畷喁� 喈嗋畾喈距喁� 喈庎 喈呧喁堗畷喁嵿畷喈瘝喈疅喁嵿疅喈苦喁佮畷喁嵿畷喈苦喈距喁�. 喈呧喁嵿喈距喈苦喁� 喈呧喁嵿喈� 喈瘑喈喁� 喈侧疅喁嵿畾喁佮喈苦畷喁嵿畷喁佮疅喁嵿疅喈� 喈呧喁嵿喈�. 喈呧喈班喁� 喈氞瘖喈ㄠ瘝喈� 喈娻喁� 喈曕瘉喈喈苦喈距喈熰瘝喈熰喁� 喈掂喈赤喈權瘝喈曕瘚喈熰瘉 喈掂疅喁嵿疅喈瘝, 喈む喈班瘉喈掂疅喁嵿疅喈距喁�. 喈呧喁嵿喈距喁佮疅喈┼瘝 喈喈编喁嵿喈掂喁嵿畷喈赤瘝 喈囙喁佮喈班瘝. 喈む喁嵿喈� 喈庎喁�.喈氞瘉喈む喁嵿畾喈┼喁� 喈ㄠ喈喁� 喈む喈苦喈� 喈呧喈氞瘉喈む瘝喈む瘉喈编瘓喈喈侧瘝 喈掂疅喁嵿疅喈距 喈掂喈班瘝喈氞瘝喈氞 喈呧喁佮喈侧喈距畷 喈囙喁佮喁嵿喁� 喈撪喁嵿喁佮喁嗋喁嵿喁� 喈囙喁嵿喁嬥喁� 喈喁嵿喈ㄠ喈喁佮喈む瘝喈む喈侧瘝 喈掂畾喈苦畷喁嵿畷喈苦喈距喁�. 喈呧喁嵿喈距喈苦喁� 喈む畽喁嵿畷喁� 喈氞喁嬥疁喈苦喈� 喈呧喁嵿喈� 喈む喈班瘉喈掂疅喁嵿疅喈距喈苦喁� 喈嗋喈苦畷喁囙畾喈� 喈瘑喈班瘉喈喈赤瘝 喈嗋喈� 喈瘉喈曕喁嵿喈苦喁� 喈夃喁嵿 喈喈熰瘝喈熰喈喈┼瘝 喈瘋喈班瘝喈掂瘈喈曕喁€喈熰瘝喈熰喈侧瘒喈瘒 喈掂喈脆瘝喈曕喈编喈班瘝.
喈呧喁嵿喈� 喈瘉喈む喈苦喁� 喈掂喈權瘝喈曕喁� 喈む瘉喈编瘓喈喈侧瘝 喈掂瘒喈侧瘓喈喈班瘝喈む瘝喈む喈班瘝. 喈喈┼瘝 喈喁嵿喈苦喈瘝喈喈苦喁佮喁嵿喁佮喁堗喈苦喁� 喈庎喁佮喁嵿喈班喈� 喈掂瘒喈侧瘓喈喈班瘝喈む瘝喈む瘉 喈撪喁嵿喁� 喈瘑喈编瘝喈编喈班瘝. 喈呧喈班喁� 喈喈苦畷喁嵿畷喈距喈む瘝喈む喈侧瘝 喈瘑喈班瘉喈瘝喈畷喁佮喈� 喈呧喁佮喈┼瘓 喈喁嵿喈苦喈瘝喈喈苦喁� 喈呧喁佮喈侧畷喈む瘝喈む喈侧瘝 喈曕喈苦喁嵿喈む瘉. 1984喈侧瘝 喈む喁� 喈呧喁佮喈む瘝喈む 喈掄喁嵿喈距喁� 喈掂喈む喈侧瘝 喈む喁嵿畷喁娻喁� 喈氞瘑喈瘝喈む瘉喈曕瘖喈｀瘝喈熰喈班瘝.
喈呧喁嵿喈� 喈. 喈掂喈氞喈侧喈熰瘝喈氞 喈呧喁嵿喈�. 喈呧喈班喁� 喈呧喁嵿喈距喈苦喁� 喈氞瘖喈ㄠ瘝喈� 喈娻喁� 喈ㄠ疅喁嵿疅喈距喈瘝. 喈呧喈班瘝 喈瘑喈喁� 喈喈瘒喈膏瘝喈掂喈┼瘝 喈喈赤瘝喈赤瘓. 喈呧喁嵿喈距喈苦喁� 喈呧喁嵿喈� 喈瘑喈喁� 喈喁嵿喈距喈む 喈呧喁嵿喈�. 喈呧喈班喁� 喈氞瘖喈ㄠ瘝喈� 喈娻喁� 喈む喈班瘉喈掂喈む喈權瘝喈曕瘚喈熰瘉. 喈ㄠ疅喁嵿疅喈距喈瘝 喈曕瘚喈喈侧瘝 喈呧喁佮畷喁� 喈夃喁嵿 喈曕喈赤 喈掂喈距畷喈瘝 喈呧喁嵿喈距喈苦喁� 喈曕瘉喈熰瘉喈瘝喈� 喈掂瘈喈熰瘉. 喈呧喁嵿喈距喁佮畷喁嵿畷喁� 喈氞畷喁嬥喈班喁嵿畷喈赤瘝 喈ㄠ喈侧瘝喈掂喁�. 喈瘋喈む瘝喈� 喈呧喁嵿喈� 喈掂瘒喈侧喁嵿喈┼瘝 喈ㄠ喈喁�, 喈囙喈｀瘝喈熰喈喈班瘝 喈曕瘒喈氞喈喈赤瘝喈赤瘓. 喈瘋喈┼瘝喈编喈瘝 喈呧喁嵿喈� 喈喈む喈┼瘝 喈喈赤瘝喈赤瘓. 喈呧疅喁佮喁嵿喁� 喈喈班喈距畷喈班喁� 喈ㄠ喈喁�. 喈曕疅喁堗畾喈� 喈む喁嵿喈� 喈曕喈赤喈瘝喈喈赤瘝喈赤瘓. 喈呧喁嵿喈距喁佮畷喁嵿畷喁� 喈囙喁� 喈氞畷喁嬥喈班喈曕喁�. 喈呧畷喁嵿畷喈� 喈む喈熰瘝喈氞喈喈� 喈呧喁嵿喈� 喈囙喁嵿喁嬥喁� 喈ㄠ疅喁嵿疅喈距喈瘝 喈曕瘉喈熰瘉喈瘝喈� 喈掂瘈喈熰瘝喈熰喈侧瘝 喈掂畾喈苦畷喁嵿畷喈苦喈距喁�. 喈囙喁嵿喁娻喁� 喈呧畷喁嵿畷喈� 喈瘈喈┼喈熰瘝喈氞喈喁嵿喈� 喈曕瘒喈班 喈喈ㄠ喈侧喁� 喈嗋喈苦喈ㄠ喈熰瘝喈熰喈侧瘝 喈喈喈曕喈氞瘝喈氞瘑喈┼瘝喈编瘉 喈呧畽喁嵿畷喁� 喈掂喈脆瘝喈ㄠ瘝喈む瘉 喈囙喈ㄠ瘝喈む喈班瘝. 喈呧喁嵿喈� 1984喈侧瘝 喈む喁� 喈愢喁嵿喈む瘝喈む瘉 喈ㄠ喈侧喈瘝 喈掂喈む喈侧瘝 喈む喁嵿畷喁娻喁堗畾喁�
He entered the world of Tamil literature in the 1990s, Jeyamohan has had impacted the Tamil literary landscape as it emerged from the post-modern phase. His best-known and critically acclaimed work is Vishnupuram, a deeply layered fantasy set as a quest through various schools of Indian philosophy and mythology. His other well-known novels include Rubber, Pin Thodarum Nizhalin Kural, Kanyakumari, Kaadu, Pani Manithan, Eazhaam Ulagam, and Kotravai. His writing is heavily influenced by the works of humanitarian thinkers Leo Tolstoy and Mohandas Karamchand Gandhi. Drawing on the strength of his life experiences and extensive travel around India, Jeyamohan is able to re-examine and interpret the essence of India's rich literary and classical traditions.
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喈む喁嵿喁� 喈瘑喈喁� 喈庎喁�.喈喈曕瘉喈侧瘒喈喁� 喈喈赤瘝喈赤瘓. 喈む喈む瘝喈む 喈瘑喈喁� 喈掂喈曕瘝喈曕喁€喈熰瘝喈熰瘉 喈氞畽喁嵿畷喈班喁嵿喈苦喁嵿喁�. 喈瘋喈班瘝喈掂瘈喈� 喈娻喁� 喈曕瘉喈喈苦喈距喈熰瘝喈熰喁� 喈掂喈赤喈權瘝喈曕瘚喈熰瘉 喈掂疅喁嵿疅喈瘝, 喈む喈班瘉喈掂喈瘝喈瘉. 喈む喈む瘝喈む 喈呧疅喈苦喁佮喁� 喈嗋畾喈距喁�. 喈嗋畷喈掂瘒 喈氞畽喁嵿畷喁� 喈嗋畾喈距喁� 喈庎 喈呧喁堗畷喁嵿畷喈瘝喈疅喁嵿疅喈苦喁佮畷喁嵿畷喈苦喈距喁�. 喈呧喁嵿喈距喈苦喁� 喈呧喁嵿喈� 喈瘑喈喁� 喈侧疅喁嵿畾喁佮喈苦畷喁嵿畷喁佮疅喁嵿疅喈� 喈呧喁嵿喈�. 喈呧喈班喁� 喈氞瘖喈ㄠ瘝喈� 喈娻喁� 喈曕瘉喈喈苦喈距喈熰瘝喈熰喁� 喈掂喈赤喈權瘝喈曕瘚喈熰瘉 喈掂疅喁嵿疅喈瘝, 喈む喈班瘉喈掂疅喁嵿疅喈距喁�. 喈呧喁嵿喈距喁佮疅喈┼瘝 喈喈编喁嵿喈掂喁嵿畷喈赤瘝 喈囙喁佮喈班瘝. 喈む喁嵿喈� 喈庎喁�.喈氞瘉喈む喁嵿畾喈┼喁� 喈ㄠ喈喁� 喈む喈苦喈� 喈呧喈氞瘉喈む瘝喈む瘉喈编瘓喈喈侧瘝 喈掂疅喁嵿疅喈距 喈掂喈班瘝喈氞瘝喈氞 喈呧喁佮喈侧喈距畷 喈囙喁佮喁嵿喁� 喈撪喁嵿喁佮喁嗋喁嵿喁� 喈囙喁嵿喁嬥喁� 喈喁嵿喈ㄠ喈喁佮喈む瘝喈む喈侧瘝 喈掂畾喈苦畷喁嵿畷喈苦喈距喁�. 喈呧喁嵿喈距喈苦喁� 喈む畽喁嵿畷喁� 喈氞喁嬥疁喈苦喈� 喈呧喁嵿喈� 喈む喈班瘉喈掂疅喁嵿疅喈距喈苦喁� 喈嗋喈苦畷喁囙畾喈� 喈瘑喈班瘉喈喈赤瘝 喈嗋喈� 喈瘉喈曕喁嵿喈苦喁� 喈夃喁嵿 喈喈熰瘝喈熰喈喈┼瘝 喈瘋喈班瘝喈掂瘈喈曕喁€喈熰瘝喈熰喈侧瘒喈瘒 喈掂喈脆瘝喈曕喈编喈班瘝.
喈呧喁嵿喈� 喈瘉喈む喈苦喁� 喈掂喈權瘝喈曕喁� 喈む瘉喈编瘓喈喈侧瘝 喈掂瘒喈侧瘓喈喈班瘝喈む瘝喈む喈班瘝. 喈喈┼瘝 喈喁嵿喈苦喈瘝喈喈苦喁佮喁嵿喁佮喁堗喈苦喁� 喈庎喁佮喁嵿喈班喈� 喈掂瘒喈侧瘓喈喈班瘝喈む瘝喈む瘉 喈撪喁嵿喁� 喈瘑喈编瘝喈编喈班瘝. 喈呧喈班喁� 喈喈苦畷喁嵿畷喈距喈む瘝喈む喈侧瘝 喈瘑喈班瘉喈瘝喈畷喁佮喈� 喈呧喁佮喈┼瘓 喈喁嵿喈苦喈瘝喈喈苦喁� 喈呧喁佮喈侧畷喈む瘝喈む喈侧瘝 喈曕喈苦喁嵿喈む瘉. 1984喈侧瘝 喈む喁� 喈呧喁佮喈む瘝喈む 喈掄喁嵿喈距喁� 喈掂喈む喈侧瘝 喈む喁嵿畷喁娻喁� 喈氞瘑喈瘝喈む瘉喈曕瘖喈｀瘝喈熰喈班瘝.
喈呧喁嵿喈� 喈. 喈掂喈氞喈侧喈熰瘝喈氞 喈呧喁嵿喈�. 喈呧喈班喁� 喈呧喁嵿喈距喈苦喁� 喈氞瘖喈ㄠ瘝喈� 喈娻喁� 喈ㄠ疅喁嵿疅喈距喈瘝. 喈呧喈班瘝 喈瘑喈喁� 喈喈瘒喈膏瘝喈掂喈┼瘝 喈喈赤瘝喈赤瘓. 喈呧喁嵿喈距喈苦喁� 喈呧喁嵿喈� 喈瘑喈喁� 喈喁嵿喈距喈む 喈呧喁嵿喈�. 喈呧喈班喁� 喈氞瘖喈ㄠ瘝喈� 喈娻喁� 喈む喈班瘉喈掂喈む喈權瘝喈曕瘚喈熰瘉. 喈ㄠ疅喁嵿疅喈距喈瘝 喈曕瘚喈喈侧瘝 喈呧喁佮畷喁� 喈夃喁嵿 喈曕喈赤 喈掂喈距畷喈瘝 喈呧喁嵿喈距喈苦喁� 喈曕瘉喈熰瘉喈瘝喈� 喈掂瘈喈熰瘉. 喈呧喁嵿喈距喁佮畷喁嵿畷喁� 喈氞畷喁嬥喈班喁嵿畷喈赤瘝 喈ㄠ喈侧瘝喈掂喁�. 喈瘋喈む瘝喈� 喈呧喁嵿喈� 喈掂瘒喈侧喁嵿喈┼瘝 喈ㄠ喈喁�, 喈囙喈｀瘝喈熰喈喈班瘝 喈曕瘒喈氞喈喈赤瘝喈赤瘓. 喈瘋喈┼瘝喈编喈瘝 喈呧喁嵿喈� 喈喈む喈┼瘝 喈喈赤瘝喈赤瘓. 喈呧疅喁佮喁嵿喁� 喈喈班喈距畷喈班喁� 喈ㄠ喈喁�. 喈曕疅喁堗畾喈� 喈む喁嵿喈� 喈曕喈赤喈瘝喈喈赤瘝喈赤瘓. 喈呧喁嵿喈距喁佮畷喁嵿畷喁� 喈囙喁� 喈氞畷喁嬥喈班喈曕喁�. 喈呧畷喁嵿畷喈� 喈む喈熰瘝喈氞喈喈� 喈呧喁嵿喈� 喈囙喁嵿喁嬥喁� 喈ㄠ疅喁嵿疅喈距喈瘝 喈曕瘉喈熰瘉喈瘝喈� 喈掂瘈喈熰瘝喈熰喈侧瘝 喈掂畾喈苦畷喁嵿畷喈苦喈距喁�. 喈囙喁嵿喁娻喁� 喈呧畷喁嵿畷喈� 喈瘈喈┼喈熰瘝喈氞喈喁嵿喈� 喈曕瘒喈班 喈喈ㄠ喈侧喁� 喈嗋喈苦喈ㄠ喈熰瘝喈熰喈侧瘝 喈喈喈曕喈氞瘝喈氞瘑喈┼瘝喈编瘉 喈呧畽喁嵿畷喁� 喈掂喈脆瘝喈ㄠ瘝喈む瘉 喈囙喈ㄠ瘝喈む喈班瘝. 喈呧喁嵿喈� 1984喈侧瘝 喈む喁� 喈愢喁嵿喈む瘝喈む瘉 喈ㄠ喈侧喈瘝 喈掂喈む喈侧瘝 喈む喁嵿畷喁娻喁堗畾喁�
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April 12, 2021
It's hard to review this book without gushing over the author himself. Truly, Mr.Jeyamohan is one of the greatest writers not just of our times but of all time! To undertake a magnum opus like Venmurasu is no easy task, and he has done this seemingly effortlessly.
I have just finished 'Mudharkanal' - book 1. I am reasonably well versed in Mahabharata and this helped a lot in understanding the context. That being said, Venmurasu needs serious commitment from readers and is not for the casual reader.
The language is beautiful and lyrical. The storytelling and imagination is out of the world. A sample:
喈瘉喈┼瘝喈瘖喈班瘉喈曕喈侧喁嵿喈苦喁� 喈曕喈曕瘓 喈庎喁嵿喁佮喁� 喈瘖喈┼瘝喈┼喈� 喈ㄠ喈曕喁� 喈掄喁� 喈む喈脆瘓喈瘝喈瘉喈む喁佮畷喁嵿畷喁佮喁� 喈ㄠ瘋喈编瘉喈瘉喈熰瘝喈熰瘓喈曕喁� 喈囙疅喁嵿疅喈む瘉. 喈瘉喈熰瘝喈熰瘓喈曕喁� 喈囙疅喁嵿疅喁佮喈苦疅喁嵿疅喁� 喈瘉喈瘝喈瘉喈编瘓 喈喁嵿喁堗畷喁� 喈曕瘖喈む瘝喈む 喈瘋喈喈む瘒喈掂喈瘓 喈曕喈掂喁佮畷喁嵿畷喁� 喈ㄠ喈编瘉喈む瘝喈む喈掂喈熰瘝喈熰瘉 喈む喈班瘉喈瘝喈喈瘝喈喈班喈喁� 喈氞瘑喈侧瘝喈侧瘉喈瘝 喈掂喈曕瘝喈曕喁� 喈曕瘖喈｀瘝喈熰喁� 喈ㄠ喈曕畽喁嵿畷喈赤瘝. 喈氞瘋喈班喈� 喈掄喈苦喈苦喁� 喈呧喁嵿 喈瘉喈熰瘝喈熰瘓喈曕喁� 喈掂喈班喈ㄠ瘝喈む瘉 喈氞喈┼瘝喈┼疄喁嵿畾喈苦喁� 喈瘉喈脆瘉喈曕瘝喈曕喁堗喁嵿喁嬥喁嵿 喈ㄠ喈曕畷喁嵿畷喁佮喈ㄠ瘝喈む瘓喈曕喁� 喈掂瘑喈赤喈掂喁嵿喈�. 喈ㄠ喈曕畽喁嵿畷喈赤喈┼瘝 喈掂喈曕瘝喈曕喁嵿喈熰 喈呧喁� 喈掂喈氞喁堗喁� 喈夃喈班瘝喈ㄠ瘝喈む瘉, 喈ㄠ瘑喈赤喈ㄠ瘝喈む瘉 喈呧喁佮畷喁� 喈囙喁佮喁嵿 喈む喈脆瘓喈喈班瘝喈曕喈苦喁� 喈忇喈� 喈呧喈┼瘝 喈氞喈编畷喁佮畷喈赤喈┼瘝 喈ㄠ喁佮喈｀喁� 喈喈曕瘝喈� 喈掂瘑喈瘝喈瘓喈曕瘝喈曕瘉喈赤瘝 喈呧喈班瘝喈ㄠ瘝喈む瘉喈曕瘖喈｀瘝喈熰. 喈呧喈┼瘝喈喈┼瘝 喈呧喁嵿 喈喈班瘓喈瘒 喈呧喁� 喈呧喁嵿喁� 喈庎 喈夃喈班瘝喈ㄠ瘝喈む. 喈呧喁嵿喁� 喈む喁� 喈掂喈氞喁堗喈距喁� 喈掂喁嵿疅喁佮畷喈赤瘓 喈呧喁佮畷喁� 喈呧喁堗喁嵿喁� 喈呧畷喁嵿畷喁佮喈ㄠ瘝喈む瘓喈曕喁佮畷喁嵿畷喁� 喈夃喈掂瘋喈熰瘝喈熰喈┼喈赤瘝. 喈囙喈掂喈侧瘝 喈む喁� 喈囙喈曕瘉喈曕喁堗畷喁嵿畷喁娻喁嵿疅喁� 喈瘋喈熰 喈呧喈编瘝喈编瘓 喈喈む瘉喈曕喈む瘝喈む喈赤瘝. 喈呧喁� 喈む畽喁嵿畷喈赤瘝 喈掂喈苦畷喈赤瘓喈瘉喈瘝 喈む喁嵿喈む瘝喈む瘓喈瘉喈瘝 喈曕喁嵿疅喁佮畷喁娻喁嵿喁佮喁嵿喈班瘓 喈呧喈编瘝喈编瘓 喈呧喈赤瘒 喈瘒喈｀喈┼喈赤瘝. I was so mesmerized by many such stanzas I kept reading them again and again, savouring each word.
There are several observations that I made. For instance, in none of the other retellings of Mahabharata have I seen this much importance given to snakes and the snake world.
Most of the transportation seems to happen via water - including the abduction of the Kasi princesses by Bhishma. Typical Mahabharata retellings, we only see them travelling on ground, by chariots.
Some characters are slightly different in terms of their relation to the central characters - for instance I have always understood Shikandi to be Drupada's son/daughter. Here it seems he/she is his adopted cousin.
There are references to sage Agastya and Pandiya naadu. I was wondering if the author brought it up on his own because this is a Tamil novel. I was a little skeptical even. But I googled and found out there are indeed references to Pandiya kings in the Mahabharata (especially of their support to the Pandavas during the Kurukshetra war). This was totally new to me. Goes to show how much of all these have been glossed over in majority of the retellings. This also blurs the lines between mythology and history.
I cannot wait to start reading book#2.
I have just finished 'Mudharkanal' - book 1. I am reasonably well versed in Mahabharata and this helped a lot in understanding the context. That being said, Venmurasu needs serious commitment from readers and is not for the casual reader.
The language is beautiful and lyrical. The storytelling and imagination is out of the world. A sample:
喈瘉喈┼瘝喈瘖喈班瘉喈曕喈侧喁嵿喈苦喁� 喈曕喈曕瘓 喈庎喁嵿喁佮喁� 喈瘖喈┼瘝喈┼喈� 喈ㄠ喈曕喁� 喈掄喁� 喈む喈脆瘓喈瘝喈瘉喈む喁佮畷喁嵿畷喁佮喁� 喈ㄠ瘋喈编瘉喈瘉喈熰瘝喈熰瘓喈曕喁� 喈囙疅喁嵿疅喈む瘉. 喈瘉喈熰瘝喈熰瘓喈曕喁� 喈囙疅喁嵿疅喁佮喈苦疅喁嵿疅喁� 喈瘉喈瘝喈瘉喈编瘓 喈喁嵿喁堗畷喁� 喈曕瘖喈む瘝喈む 喈瘋喈喈む瘒喈掂喈瘓 喈曕喈掂喁佮畷喁嵿畷喁� 喈ㄠ喈编瘉喈む瘝喈む喈掂喈熰瘝喈熰瘉 喈む喈班瘉喈瘝喈喈瘝喈喈班喈喁� 喈氞瘑喈侧瘝喈侧瘉喈瘝 喈掂喈曕瘝喈曕喁� 喈曕瘖喈｀瘝喈熰喁� 喈ㄠ喈曕畽喁嵿畷喈赤瘝. 喈氞瘋喈班喈� 喈掄喈苦喈苦喁� 喈呧喁嵿 喈瘉喈熰瘝喈熰瘓喈曕喁� 喈掂喈班喈ㄠ瘝喈む瘉 喈氞喈┼瘝喈┼疄喁嵿畾喈苦喁� 喈瘉喈脆瘉喈曕瘝喈曕喁堗喁嵿喁嬥喁嵿 喈ㄠ喈曕畷喁嵿畷喁佮喈ㄠ瘝喈む瘓喈曕喁� 喈掂瘑喈赤喈掂喁嵿喈�. 喈ㄠ喈曕畽喁嵿畷喈赤喈┼瘝 喈掂喈曕瘝喈曕喁嵿喈熰 喈呧喁� 喈掂喈氞喁堗喁� 喈夃喈班瘝喈ㄠ瘝喈む瘉, 喈ㄠ瘑喈赤喈ㄠ瘝喈む瘉 喈呧喁佮畷喁� 喈囙喁佮喁嵿 喈む喈脆瘓喈喈班瘝喈曕喈苦喁� 喈忇喈� 喈呧喈┼瘝 喈氞喈编畷喁佮畷喈赤喈┼瘝 喈ㄠ喁佮喈｀喁� 喈喈曕瘝喈� 喈掂瘑喈瘝喈瘓喈曕瘝喈曕瘉喈赤瘝 喈呧喈班瘝喈ㄠ瘝喈む瘉喈曕瘖喈｀瘝喈熰. 喈呧喈┼瘝喈喈┼瘝 喈呧喁嵿 喈喈班瘓喈瘒 喈呧喁� 喈呧喁嵿喁� 喈庎 喈夃喈班瘝喈ㄠ瘝喈む. 喈呧喁嵿喁� 喈む喁� 喈掂喈氞喁堗喈距喁� 喈掂喁嵿疅喁佮畷喈赤瘓 喈呧喁佮畷喁� 喈呧喁堗喁嵿喁� 喈呧畷喁嵿畷喁佮喈ㄠ瘝喈む瘓喈曕喁佮畷喁嵿畷喁� 喈夃喈掂瘋喈熰瘝喈熰喈┼喈赤瘝. 喈囙喈掂喈侧瘝 喈む喁� 喈囙喈曕瘉喈曕喁堗畷喁嵿畷喁娻喁嵿疅喁� 喈瘋喈熰 喈呧喈编瘝喈编瘓 喈喈む瘉喈曕喈む瘝喈む喈赤瘝. 喈呧喁� 喈む畽喁嵿畷喈赤瘝 喈掂喈苦畷喈赤瘓喈瘉喈瘝 喈む喁嵿喈む瘝喈む瘓喈瘉喈瘝 喈曕喁嵿疅喁佮畷喁娻喁嵿喁佮喁嵿喈班瘓 喈呧喈编瘝喈编瘓 喈呧喈赤瘒 喈瘒喈｀喈┼喈赤瘝. I was so mesmerized by many such stanzas I kept reading them again and again, savouring each word.
There are several observations that I made. For instance, in none of the other retellings of Mahabharata have I seen this much importance given to snakes and the snake world.
Most of the transportation seems to happen via water - including the abduction of the Kasi princesses by Bhishma. Typical Mahabharata retellings, we only see them travelling on ground, by chariots.
Some characters are slightly different in terms of their relation to the central characters - for instance I have always understood Shikandi to be Drupada's son/daughter. Here it seems he/she is his adopted cousin.
There are references to sage Agastya and Pandiya naadu. I was wondering if the author brought it up on his own because this is a Tamil novel. I was a little skeptical even. But I googled and found out there are indeed references to Pandiya kings in the Mahabharata (especially of their support to the Pandavas during the Kurukshetra war). This was totally new to me. Goes to show how much of all these have been glossed over in majority of the retellings. This also blurs the lines between mythology and history.
I cannot wait to start reading book#2.
February 25, 2014
Read it from venmurasu.in
All links as compilation available in below link also
All links as compilation available in below link also
February 15, 2016
Appreciations are in order for Jeyamohan on venturing into recreating one of the magnum opus of Indian ethical history, The Mahabaratha. First of all, people should be aware that this series of novel is his recreation and hence, even though it is loosely based upon Vyasa's epic, the author here exhibits a varied dimension of the whole story involving his imaginations and perception. So kindly refrain from comparing this work with the real epic.
That being said, the kind of light the author sheds on each of the primary characters of this first part of his epic is to be highly regarded. Each characters are sketched with mannerisms and dialogues which we will definitely believe would suit them and makes one think that these must have been the real words uttered by them in such situations.
The author also had tried to excavate the geographical attributes of ancient India which might seem tough to comprehend with. But, to our surprise, the culture of different tribes and their social customs have been registered and portrayed in an agreeable manner.
To all those who have read the real epic, please don't hesitate on trying this one too.
That being said, the kind of light the author sheds on each of the primary characters of this first part of his epic is to be highly regarded. Each characters are sketched with mannerisms and dialogues which we will definitely believe would suit them and makes one think that these must have been the real words uttered by them in such situations.
The author also had tried to excavate the geographical attributes of ancient India which might seem tough to comprehend with. But, to our surprise, the culture of different tribes and their social customs have been registered and portrayed in an agreeable manner.
To all those who have read the real epic, please don't hesitate on trying this one too.
February 22, 2022
喈囙喁嵿喁傕喁堗喁� 喈疅喈苦喁嵿喁� 喈瘉喈熰喈む瘝喈む瘉 喈掂喈熰瘝喈熰瘉 喈掂喈喁嵿喁佮疅喈┼瘝 喈呧喈班瘝喈ㄠ瘝喈む喈班瘉喈曕瘝喈曕喈编瘒喈┼瘝. 喈庎喁嵿喁佮喁� 喈曕喁� 喈喈ㄠ瘝喈む喁嵿畷喈赤瘝 (喈氞喁嵿喈苦喈掂喈�, 喈氞喁嵿喈┼瘉, 喈掂瘈喈氞瘉喈喁�/喈掂瘈喈熰瘝喈熰瘉喈喁�/Bhishmar, 喈呧喁嵿喁�, 喈掂喈氞喈む瘝喈む喈� 喈掂瘈喈班喈喁�, 喈呧喁嵿喈苦畷喁�, 喈掂喈喈氞喁�, 喈氞喈曕喁嵿疅喈�); 喈庎喁嵿喁佮喁� 喈囙疅喈權瘝喈曕喁� (喈喈侧瘓, 喈嗋喁�, 喈喁�, 喈喈む喈赤喁�, 喈氞喈 喈ㄠ喈熰瘉 (Pakistan), 喈む喈班瘉喈掂喈� 喈ㄠ喈熰瘉 (喈む喈班喈掂喈熰喁�); 喈庎喁嵿喁佮喁� 喈夃喁堗喈距疅喈侧瘝喈曕喁�; 喈囙喈编瘝喈曕瘓喈曕瘝 喈曕喈熰瘝喈氞 喈掂喈掂喈苦喁嵿喁佮畷喈赤瘝, 喈む喁嵿喁佮 喈掂喈赤畷喁嵿畷喈權瘝喈曕喁�. 喈疅喈苦喁嵿喁� 喈瘉喈熰喈曕瘝喈曕喁� 喈庎喈曕瘝喈曕瘉 喈囙喈｀瘝喈熰瘉 喈喈む畽喁嵿畷喈赤瘝 喈嗋畷喈苦喈苦喁佮畷喁嵿畷喈苦喁嵿喈� (喈瘑喈班瘉喈瘝喈喈侧瘉喈瘝 喈囙喈掂喈侧瘝 喈疅喈苦喁嵿喈む瘉). 喈囙喈┼瘓 喈庎喁佮 喈囙喈班瘉喈曕瘝喈曕瘉 喈庎喁嵿喈赤喁� 喈ㄠ瘒喈班喈距喈む瘚 !
喈囙喈编瘝喈曕瘓, 喈む喁嵿喁佮 喈掂喈赤畷喁嵿畷喈權瘝喈曕喁� 喈掂喈� 喈曕喁� 喈喈ㄠ瘝喈む喁嵿畷喈赤瘉喈曕瘝喈曕瘉 喈囙疅喁堗喈距 喈夃喁堗喈距疅喈侧瘝喈曕喁� 喈庎喁嵿喁� 喈呧喈苦畷喈瘝 喈堗喁嵿喁嵿喈�. 喈掂瘈喈熰瘝喈熰瘉喈喁�-喈呧喁嵿喁�, 喈掂瘈喈熰瘝喈熰瘉喈喁�-喈氞喁嵿喈苦喈掂喈�, 喈掂瘈喈熰瘝喈熰瘉喈喁� - 喈氞喈曕喁嵿疅喈� 喈庎喁嵿喁� 喈 喈夃喁堗喈距疅喈侧瘝喈曕喁佮喁� 喈掂瘈喈熰瘝喈熰瘉喈喁� 喈曕瘉喈编喈む瘝喈む瘒 喈囙喁佮喁嵿喈距喁佮喁�, 喈庎喁� (romantic) 喈喈む瘉喈曕瘝喈曕瘉喈瘝 喈喈熰喈む瘝喈む喈距畷 喈囙喁佮喁嵿喈む瘉 喈掂喈氞喈む瘝喈む喈班喁€喈班喈喁� - 喈呧喁嵿喈苦畷喁� 喈夃喁堗喈距疅喈侧瘝喈曕喁�.
喈氞喈编瘉喈掂喁嵿畷喈赤瘉喈曕瘝喈曕喈� 喈畷喈距喈距喈む喁� 喈囙喈｀瘝喈熰瘉 喈瘋喈┼瘝喈编瘉 喈む瘖喈曕瘉喈瘝喈瘉喈曕喁� 喈疅喈苦喁嵿喁� 喈囙喁佮畷喁嵿畷喈苦喁囙喁�. 喈囙喈距喈距喈｀喁嵿喁� 喈掂喈� 喈畷喈距喈距喈む喁嵿喁堗喁� 喈呧喈苦畷喈瘝 喈掂喈班瘉喈瘝喈 喈囙喁佮畷喁嵿畷喈苦喁囙喁�. 喈ㄠ瘋喈编瘉 喈瘉喈编瘓 喈曕瘒喈熰瘝喈�, 喈喈班瘝喈む瘝喈�, 喈疅喈苦喁嵿 喈曕喁堗喈距畷 喈囙喁佮喁嵿喈距喁佮喁�, 喈氞喈苦喁嵿喁� 喈む疅喁嵿疅喈距喈侧瘝 600+ 喈畷喁嵿畷喈權瘝喈曕喁堗喁佮喁� 喈疅喈苦畷喁嵿畷 喈瘉喈熰喈ㄠ瘝喈む喁�. 喈庎疅喁佮喁嵿喈距喁� 喈掂瘓喈曕瘝喈曕喁� 喈喈喈侧瘝喈侧瘓.
喈ㄠ喈编瘓喈� 喈呧喈曕喈� 喈む喈苦喁嵿畾喁嵿畾喁娻喁嵿畷喈赤瘓喈瘝 喈喈┼瘝喈疅喁佮喁嵿喈� 喈囙喁佮畷喁嵿畷喈苦喈距喁�. 喈ㄠ喈┼瘒 喈掄喁� 喈む喈班疅喁嵿疅喁� 喈む喈距喈苦喁嵿喁囙喁�. 喈嗋喈距喁� 喈ㄠ瘋喈侧喈┼瘝 喈瘉喈熰喈掂喈侧瘝 喈呧喈班瘒 喈瘖喈班瘉喈赤瘝喈曕瘖喈熰瘉喈む瘝喈む喈班瘉喈曕瘝喈曕喈编喈班瘝.
喈囙喁嵿喁傕喁� 喈囙疅喈む瘉喈氞喈班喈曕喁� 喈曕瘖喈｀瘝喈熰喈熰喈む喁� 喈忇喁� 喈庎喁嵿喁� 喈瘉喈班喈曕喈编喁�. 喈嗋喈距喁� 喈掂喈む瘉喈氞喈班喈曕喁佮喁� 喈忇喁� 喈曕瘖喈｀瘝喈熰喈熰喈苦喁嵿喁� 喈庎喁嵿喁� 喈撪喈赤喁� 喈瘉喈班喈ㄠ瘝喈む喁�. 喈氞喈む / 喈掂喁嵿 喈庎喈苦喁嵿喁嵿喁� 喈曕喁佮喁嵿喁佮畷喈赤瘝 喈掂喁佮畷喈苦喁嵿喈�. 喈曕喈｀瘝喈熰喈距畷, 喈ㄠ畷喁堗畾喁嵿畾喁佮喁堗喈距畷, 喈曕瘚喈喈距畷 喈庎喁嵿喁� 喈 喈夃喈班瘝喈掂瘉喈曕喁佮疅喈┼瘝. 喈曕喁堗疄喈班瘝 喈夃喈苦喁佮疅喈┼瘝 喈囙喁佮喁嵿喈苦喁佮喁嵿喈距喁� 喈曕喁嵿疅喈苦喁嵿喈距畷 喈喈班喈熰瘝喈熰 喈ㄠ喈侧瘉喈掂喈� 喈庎喁佮喈� 喈囙喁佮喁嵿喈距喁� 喈庎喁嵿喁� 喈疅喁嵿疅喈む瘉. 喈む喈苦喁嵿喈赤喁嵿畾喁嵿畾喈苦喁� 喈む瘉喈编瘓 喈喈班瘝喈む瘝喈む瘉 喈忇喁佮喁� 喈氞瘑喈瘝喈喈距喁�.
喈庎喁� 喈呧喈苦喁� 喈呧喈苦畷喈班喈曕瘝喈� 喈ㄠ喈┼瘝 FOSS 喈瘑喈┼瘝喈瘖喈班瘉喈熰瘝喈曕喁� 喈嗋畷喁嵿畷喁佮喁囙喁�. 喈呧喈苦喁� 喈ㄠ喈┼瘝 喈庎喁� 喈掂瘒喈侧瘓喈瘓 喈掂喈� 喈呧喈苦畷 喈嗋喁嵿喈喈� 喈夃喁堗喁嵿喁囙喁�. 喈囙喁嵿喁傕喁� 喈嗋畾喈苦喈苦喈班瘝 喈囙喈掂畾喈喈� 喈囙喁堗喈む瘝喈む喈侧瘝 喈掂瘑喈赤喈喈熰瘝喈熰喈侧瘉喈瘝, 喈呧畾喁佮喈む瘝喈む喈喈� 喈夃喁堗喁嵿喁� 喈囙喁佮畷喁嵿畷喈苦喈距喁�. 喈掄喁� 喈む喈苦喈┼喈む喈距喁� 喈庎喁嵿喈熰 喈囙喁嵿喈赤喁� 喈庎喁佮喈苦畷喁� 喈曕瘉喈掂喈曕瘝喈� 喈瘉喈熰喈ㄠ瘝喈む喁� 喈庎喁嵿喁� 喈掂喈喁嵿喈距畷 喈囙喁佮畷喁嵿畷喈苦喈む瘉. 喈む瘑喈班喈ㄠ瘝喈� 喈曕喁堗喈距喁� 喈庎喁嵿喈距喁佮喁� 喈嗋喁嵿喈瘝 喈曕瘉喈┼瘝喈编喈喁� 喈庎喁佮 喈掂瘒喈｀瘝喈熰瘉喈瘒.
喈掂喈侧瘓 喈曕瘖喈熰瘉喈む瘝喈む瘉 喈掂喈權瘝喈曕喈喈编瘝喈曕瘉 喈喈� 喈ㄠ喈编瘓喈掂喈� 喈ㄠ瘋喈侧瘝. 喈呧疅喁佮喁嵿 喈喈曕喁嵿喁� 喈掂喈班瘓喈掂喈侧瘝 喈嗋喈瘝喈喈曕瘝喈� 喈掂瘒喈｀瘝喈熰瘉喈瘝.
喈ㄠ瘋喈侧瘝 喈呧喈苦喁佮畷喈瘝 喈氞瘑喈瘝喈む瘉 喈掂瘓喈む瘝喈� 喈ㄠ喁嵿喈班瘝 喈ㄠ喁嵿喈距喁佮畷喁嵿畷喁� 喈ㄠ喁嵿喈�.
喈囙喈编瘝喈曕瘓, 喈む喁嵿喁佮 喈掂喈赤畷喁嵿畷喈權瘝喈曕喁� 喈掂喈� 喈曕喁� 喈喈ㄠ瘝喈む喁嵿畷喈赤瘉喈曕瘝喈曕瘉 喈囙疅喁堗喈距 喈夃喁堗喈距疅喈侧瘝喈曕喁� 喈庎喁嵿喁� 喈呧喈苦畷喈瘝 喈堗喁嵿喁嵿喈�. 喈掂瘈喈熰瘝喈熰瘉喈喁�-喈呧喁嵿喁�, 喈掂瘈喈熰瘝喈熰瘉喈喁�-喈氞喁嵿喈苦喈掂喈�, 喈掂瘈喈熰瘝喈熰瘉喈喁� - 喈氞喈曕喁嵿疅喈� 喈庎喁嵿喁� 喈 喈夃喁堗喈距疅喈侧瘝喈曕喁佮喁� 喈掂瘈喈熰瘝喈熰瘉喈喁� 喈曕瘉喈编喈む瘝喈む瘒 喈囙喁佮喁嵿喈距喁佮喁�, 喈庎喁� (romantic) 喈喈む瘉喈曕瘝喈曕瘉喈瘝 喈喈熰喈む瘝喈む喈距畷 喈囙喁佮喁嵿喈む瘉 喈掂喈氞喈む瘝喈む喈班喁€喈班喈喁� - 喈呧喁嵿喈苦畷喁� 喈夃喁堗喈距疅喈侧瘝喈曕喁�.
喈氞喈编瘉喈掂喁嵿畷喈赤瘉喈曕瘝喈曕喈� 喈畷喈距喈距喈む喁� 喈囙喈｀瘝喈熰瘉 喈瘋喈┼瘝喈编瘉 喈む瘖喈曕瘉喈瘝喈瘉喈曕喁� 喈疅喈苦喁嵿喁� 喈囙喁佮畷喁嵿畷喈苦喁囙喁�. 喈囙喈距喈距喈｀喁嵿喁� 喈掂喈� 喈畷喈距喈距喈む喁嵿喁堗喁� 喈呧喈苦畷喈瘝 喈掂喈班瘉喈瘝喈 喈囙喁佮畷喁嵿畷喈苦喁囙喁�. 喈ㄠ瘋喈编瘉 喈瘉喈编瘓 喈曕瘒喈熰瘝喈�, 喈喈班瘝喈む瘝喈�, 喈疅喈苦喁嵿 喈曕喁堗喈距畷 喈囙喁佮喁嵿喈距喁佮喁�, 喈氞喈苦喁嵿喁� 喈む疅喁嵿疅喈距喈侧瘝 600+ 喈畷喁嵿畷喈權瘝喈曕喁堗喁佮喁� 喈疅喈苦畷喁嵿畷 喈瘉喈熰喈ㄠ瘝喈む喁�. 喈庎疅喁佮喁嵿喈距喁� 喈掂瘓喈曕瘝喈曕喁� 喈喈喈侧瘝喈侧瘓.
喈ㄠ喈编瘓喈� 喈呧喈曕喈� 喈む喈苦喁嵿畾喁嵿畾喁娻喁嵿畷喈赤瘓喈瘝 喈喈┼瘝喈疅喁佮喁嵿喈� 喈囙喁佮畷喁嵿畷喈苦喈距喁�. 喈ㄠ喈┼瘒 喈掄喁� 喈む喈班疅喁嵿疅喁� 喈む喈距喈苦喁嵿喁囙喁�. 喈嗋喈距喁� 喈ㄠ瘋喈侧喈┼瘝 喈瘉喈熰喈掂喈侧瘝 喈呧喈班瘒 喈瘖喈班瘉喈赤瘝喈曕瘖喈熰瘉喈む瘝喈む喈班瘉喈曕瘝喈曕喈编喈班瘝.
喈囙喁嵿喁傕喁� 喈囙疅喈む瘉喈氞喈班喈曕喁� 喈曕瘖喈｀瘝喈熰喈熰喈む喁� 喈忇喁� 喈庎喁嵿喁� 喈瘉喈班喈曕喈编喁�. 喈嗋喈距喁� 喈掂喈む瘉喈氞喈班喈曕喁佮喁� 喈忇喁� 喈曕瘖喈｀瘝喈熰喈熰喈苦喁嵿喁� 喈庎喁嵿喁� 喈撪喈赤喁� 喈瘉喈班喈ㄠ瘝喈む喁�. 喈氞喈む / 喈掂喁嵿 喈庎喈苦喁嵿喁嵿喁� 喈曕喁佮喁嵿喁佮畷喈赤瘝 喈掂喁佮畷喈苦喁嵿喈�. 喈曕喈｀瘝喈熰喈距畷, 喈ㄠ畷喁堗畾喁嵿畾喁佮喁堗喈距畷, 喈曕瘚喈喈距畷 喈庎喁嵿喁� 喈 喈夃喈班瘝喈掂瘉喈曕喁佮疅喈┼瘝. 喈曕喁堗疄喈班瘝 喈夃喈苦喁佮疅喈┼瘝 喈囙喁佮喁嵿喈苦喁佮喁嵿喈距喁� 喈曕喁嵿疅喈苦喁嵿喈距畷 喈喈班喈熰瘝喈熰 喈ㄠ喈侧瘉喈掂喈� 喈庎喁佮喈� 喈囙喁佮喁嵿喈距喁� 喈庎喁嵿喁� 喈疅喁嵿疅喈む瘉. 喈む喈苦喁嵿喈赤喁嵿畾喁嵿畾喈苦喁� 喈む瘉喈编瘓 喈喈班瘝喈む瘝喈む瘉 喈忇喁佮喁� 喈氞瘑喈瘝喈喈距喁�.
喈庎喁� 喈呧喈苦喁� 喈呧喈苦畷喈班喈曕瘝喈� 喈ㄠ喈┼瘝 FOSS 喈瘑喈┼瘝喈瘖喈班瘉喈熰瘝喈曕喁� 喈嗋畷喁嵿畷喁佮喁囙喁�. 喈呧喈苦喁� 喈ㄠ喈┼瘝 喈庎喁� 喈掂瘒喈侧瘓喈瘓 喈掂喈� 喈呧喈苦畷 喈嗋喁嵿喈喈� 喈夃喁堗喁嵿喁囙喁�. 喈囙喁嵿喁傕喁� 喈嗋畾喈苦喈苦喈班瘝 喈囙喈掂畾喈喈� 喈囙喁堗喈む瘝喈む喈侧瘝 喈掂瘑喈赤喈喈熰瘝喈熰喈侧瘉喈瘝, 喈呧畾喁佮喈む瘝喈む喈喈� 喈夃喁堗喁嵿喁� 喈囙喁佮畷喁嵿畷喈苦喈距喁�. 喈掄喁� 喈む喈苦喈┼喈む喈距喁� 喈庎喁嵿喈熰 喈囙喁嵿喈赤喁� 喈庎喁佮喈苦畷喁� 喈曕瘉喈掂喈曕瘝喈� 喈瘉喈熰喈ㄠ瘝喈む喁� 喈庎喁嵿喁� 喈掂喈喁嵿喈距畷 喈囙喁佮畷喁嵿畷喈苦喈む瘉. 喈む瘑喈班喈ㄠ瘝喈� 喈曕喁堗喈距喁� 喈庎喁嵿喈距喁佮喁� 喈嗋喁嵿喈瘝 喈曕瘉喈┼瘝喈编喈喁� 喈庎喁佮 喈掂瘒喈｀瘝喈熰瘉喈瘒.
喈掂喈侧瘓 喈曕瘖喈熰瘉喈む瘝喈む瘉 喈掂喈權瘝喈曕喈喈编瘝喈曕瘉 喈喈� 喈ㄠ喈编瘓喈掂喈� 喈ㄠ瘋喈侧瘝. 喈呧疅喁佮喁嵿 喈喈曕喁嵿喁� 喈掂喈班瘓喈掂喈侧瘝 喈嗋喈瘝喈喈曕瘝喈� 喈掂瘒喈｀瘝喈熰瘉喈瘝.
喈ㄠ瘋喈侧瘝 喈呧喈苦喁佮畷喈瘝 喈氞瘑喈瘝喈む瘉 喈掂瘓喈む瘝喈� 喈ㄠ喁嵿喈班瘝 喈ㄠ喁嵿喈距喁佮畷喁嵿畷喁� 喈ㄠ喁嵿喈�.
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October 28, 2020喈喁佮喈距畾喈苦喁嵿喁� 喈氞瘑喈瘝喈� 喈掂瘒喈｀瘝喈熰瘉喈瘝, 喈喁嵿喁囙喁� 喈む喁嵿喁佮喈權瘝喈曕喁�, 喈瘚喈曕畽喁嵿畷喈赤瘝, 喈疅喈苦喈權瘝喈曕喁� 喈庎 喈庎喁� 喈掂喈氞喈瘝喈喈编瘝喈曕瘉 喈氞喈距喁� 喈掂喈熰瘉喈曕喈编喁�. 喈む瘖喈熰喁嵿畾喁嵿畾喈� 喈掂喈熰瘝喈熰瘉 喈掂喈熰畷喁嵿畷喁傕疅喈距喁� 喈庎喁嵿喈む喁嵿畷喈距畷 喈呧疅喁佮喁嵿喁� 喈喁堗喁嵿喈距疅喈侧瘝 喈掂喈氞喈曕瘝喈� 喈瘚喈曕喈编瘒喈┼瘝. Dated 14/10/2020.
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April 17, 2023喈瘉喈む瘝喈む畷喈瘝 : 喈掂瘑喈｀瘝喈瘉喈班畾喁� - 喈瘉喈む喁嵿畷喈┼喁�
喈嗋畾喈苦喈苦喈班瘝 : 喈溹瘑喈喁嬥畷喈┼瘝
喈掂喈氞喈む瘝喈む喁�: venmurasu.in
喈呧畾喁嵿畾喁佮喁� 喈喈苦喁嵿喁� 喈畷喁嵿畷喈權瘝喈曕喁� : 496
喈庎喁嵿喈熰喈む瘝 喈む瘖喈熰畽喁嵿畷喁佮喈む瘉? 喈庎喁嵿 喈庎喁佮喁佮喈む瘉 喈庎喁嵿喁� 喈呧喈苦喈距 喈掄喁� 喈喈ㄠ喈侧瘓 喈掂瘑喈｀瘝喈瘉喈班畾喁� 喈庎喁嵿 喈囙喁嵿 喈ㄠ瘑喈熰瘉喈權瘝喈曕喈掂喈喁嵿喈苦喁� 喈瘉喈む喁� 喈瘉喈む瘝喈む畷喈喈� 喈瘉喈む喁嵿畷喈┼喁� 喈掂喈氞喈む瘝喈む瘉 喈瘉喈熰喈む瘝喈� 喈喈┼瘝.
喈曕喁堗畷喈赤瘝 喈掂喈氞喈む瘝喈む喈班瘉喈曕瘝喈曕喈编瘒喈┼瘝. 喈曕喈苦喁堗畷喈赤瘝 喈掂喈氞喈む瘝喈む喈班瘉喈曕瘝喈曕喈编瘒喈┼瘝. 喈嗋喈距喁� 喈囙喁嵿喈┼瘓 喈曕喈苦喁� 喈ㄠ疅喁堗喈苦喁� 喈曕喁嵿喈┼瘓 喈氞瘖喈熰瘝喈熰畾喁� 喈氞瘖喈熰瘝喈� 喈夃喈瘓喈曕喁� 喈ㄠ喈编瘓喈� 喈曕瘖喈｀瘝喈熰瘉 喈庎喁佮喈瘝喈疅喁嵿疅 喈曕喁堗喁� 喈掂喈氞喈瘝喈喁� 喈囙喁佮喁� 喈瘉喈む喁� 喈瘉喈编瘓.
喈氞喈� 喈ㄠ瘒喈班畽喁嵿畷喈赤喈侧瘝 喈囙喁嵿喈┼瘓 喈掂喁嵿喈┼瘓 喈む瘒喈掂瘓 喈む喈┼? 喈囙喁嵿喈┼瘓 喈掂喈掂喈權瘝喈曕喁� 喈む瘒喈掂瘓 喈む喈┼ 喈庎喁嵿 喈庎喁嵿喈瘝 喈庎喁佮喁嵿喁嬥喁�, 喈呧喁� 喈庎喁佮喈苦 喈嗋畾喈苦喈苦喈班喈┼瘝 喈瘉喈喁嵿畾喈� 喈喈む喈侧瘝 喈む瘚喈┼瘝喈编 喈氞喈侧喈班瘝喈曕瘝喈� 喈掂瘓喈瘝喈喁嬥疅喁�, 喈畷喈距喈距喈む畷喁� 喈曕喁堗喈苦喁� 喈瘈喈む瘉喈赤瘝喈� 喈嗋喁嵿喈瘉喈瘝 喈曕喈ㄠ瘝喈む瘉 喈曕瘖喈｀瘝喈熰瘉 喈畷喁嵿畷喈權瘝喈曕喁� 喈掂瘒喈曕喈距畷 喈曕疅喈曕瘝喈曕畾喁� 喈氞瘑喈瘝喈曕喈编喁�.
喈掄喁� 喈瘉喈む瘝喈む畷喈む瘝喈む喈侧瘒 喈囙喁嵿喈┼瘓 喈曕喁堗畷喈赤瘝, 喈曕喁堗畷喁嵿畷喁佮喁� 喈曕喁� 喈庎 喈瘉喈熰喈掂喈侧喈喈� 喈ㄠ瘈喈｀瘝喈熰瘉 喈曕瘖喈｀瘝喈熰瘉 喈囙喁佮畷喁嵿畷, 喈囙喁嵿喁佮喁� 25 喈瘉喈む瘝喈む畷喈權瘝喈曕喁� 喈囙喁嵿 喈む瘖喈熰喈苦喁� 喈夃喁嵿喈む瘉 喈庎喁嵿喁� 喈庎喁嵿喁佮喁� 喈瘚喈む瘉 喈喈瘝 喈む喈曕瘓喈む瘝喈む瘉 喈瘈喈赤瘝喈曕喈编喁�. 26 喈瘉喈む瘝喈む畷喈權瘝喈曕喁�, 26,000 喈畷喁嵿畷喈權瘝喈曕喁� 喈庎喁佮喈苦 喈嗋畾喈苦喈苦喈班喈┼瘝 喈瘉喈喁嵿畾喈�, 喈庎喁佮喁嵿喁� 喈掂喁嵿喈瘓, 喈曕喁嵿喈┼瘓喈む瘝 喈む喈编喁� 喈喈班喈熰瘝喈熰喁佮喁�, 喈ㄠ瘑喈曕喈脆瘝喈ㄠ瘝喈む瘉 喈む喁� 喈掂喈權瘝喈曕锟斤拷锟洁喁� 喈掂瘓喈曕瘝喈曕喈编喁�.
喈ㄠ喈曕喁� 喈曕瘉喈侧喁嵿喈侧瘓喈掂喈喈� 喈喈┼畾喈距喁囙喈苦喈苦疅喈瘝 喈む瘖喈熰畽喁嵿畷喁佮喁� 喈曕喁堗喈苦喁� 喈曕喈侧瘝 喈囙喁嵿喈距 喈ㄠ喈曕畽喁嵿畷喈赤喈┼瘝 喈曕喈侧瘝喈む疅喈權瘝喈曕喁� 喈瘉喈む瘝喈む畷喈瘝 喈ㄠ瘑喈熰瘉喈�!! 喈曕喁� 喈瘉喈熰喈掂喁佮喁� 喈呧喈班喈熰喁�!
喈ㄠ喈瘝 喈呧喈苦喁嵿 喈畷喈距喈距喈む畷喁� 喈曕喁堗喈苦喁� 喈喈┼瘝喈┼喈侧瘝 喈む瘖喈熰畽喁嵿畷喈�, 喈瘉喈┼瘝喈┼瘚喈曕瘝喈曕 喈ㄠ畷喈班瘝喈曕喈编喁� 喈曕喁堗畷喁嵿畷喈赤喁�.
喈瘉喈む喁嵿畷喈┼喁� 喈呧喁嵿喁堗喈苦喈苦喁佮喁嵿喁� 喈む瘖喈熰畽喁嵿畷喁佮畷喈苦喈む瘉.
喈呧喈赤喈┼瘝 喈氞喈┼喁嵿喈苦喁� 喈掂喈班瘝喈曕喈编喁� 喈曕喈掂喈喁�.
喈む喈班瘜喈喈苦喈苦喁� 喈氞喈班喈瘝喈瘉喈む喈┼瘝 喈喈班喈瘝喈瘚喈班喈┼瘝 喈曕喈班喈瘝 喈庎喁嵿喁� 喈庎畽喁嵿畷喈赤瘝 喈娻喈苦喁� 喈曕喁堗畷喈赤喈侧瘝 喈氞瘖喈侧瘝喈侧畷喁� 喈曕瘒喈熰瘝喈熰喁佮喁嵿疅喁�. 喈ㄠ喈┼瘚,喈囙喁嵿喁� 喈呧喁� 喈呧喈赤喈┼瘝 喈曕喁嵿喁€喈班喈侧瘝 喈ㄠ喈曕喁嵿喁嵿 喈瘚喈班瘝 喈庎喁嵿喁� 喈庎喁嵿喁佮喈む瘉喈｀瘝喈熰瘉. 喈嗋喈距喁� 喈夃喁嵿喁堗喈苦喁� 喈呧喈┼瘝 喈瘋喈侧喁� 喈呧喁嵿喁堗喈苦喁� 喈氞喈┼喁�!! 喈ㄠ喈班喈曕喈苦喁嵿喁� 喈む喁嵿 喈忇喈距喁嵿喈瘝, 喈喈苦喈距畽喁嵿畷喁佮喁� 喈夃喈班瘝喈掂喈� 喈喈编喈� 喈瘈喈粪瘝喈喁� 喈瘈喈む瘉喈赤瘝喈� 喈曕喈む喁嵿喈距喁� 喈庎喁嵿喁� 喈囙喁嵿喁嬥喁� 喈む瘚喈┼瘝喈编瘉喈曕喈编喁�.
喈囙喁佮喈班瘓 喈畷喈距喈距喈む畷喁� 喈曕喁堗喈苦喁� 喈瘑喈喁� 喈疅喁嵿疅喁佮喁� 喈曕瘒喈赤瘝喈掂喈瘝喈疅喁嵿疅 喈氞喈编瘉喈氞喈编瘉 喈曕喈距喁嵿喈距喁嵿喈苦喈權瘝喈曕喈苦喁� 喈瘉喈脆瘉喈曕瘝喈曕喁堗喁佮喁�,喈曕瘒喈赤瘝喈掂喈瘝喈疅喈距 喈 喈曕喈赤瘓喈曕瘝喈曕喁堗畷喈赤瘓喈瘉喈瘝 喈掂喈氞喈曕瘝喈� 喈曕喈熰瘓喈曕瘝喈曕瘉喈瘝 喈庎喁嵿喁� 喈ㄠ喈┼瘝 喈囙喈编瘝喈曕瘉 喈瘉喈┼瘝 喈ㄠ喈┼瘓喈む瘝喈む喈苦喁嵿喁�. 喈呧喁� 喈氞喈む瘝喈む喈喁嵿喈熰瘉喈む瘝喈む喈� 喈嗋畾喈苦喈苦喈班瘝 喈溹瘑喈喁嬥畷喈┼瘝 喈呧喈班瘝喈曕喁佮畷喁嵿畷喁� 喈庎喁� 喈喈喈班瘝喈ㄠ瘝喈� 喈ㄠ喁嵿喈�.
喈嗋畾喈苦喈苦喈班喈┼瘝 喈掂喈班瘝喈む瘝喈む瘓喈曕喁� 喈曕喁嵿喁佮喁� 喈夃喈苦喁嬥喈苦喈喈� 喈掂喈班喈ㄠ瘝喈む喈班瘉喈曕瘝喈曕喈编喁� 喈庎喁嵿喁� 喈庎喁嵿喁佮喁� 喈瘚喈む瘉, 喈呧喁� 喈ㄠ喈┼瘝 喈瘒喈侧瘉喈瘝 喈掂喁嵿喈瘋喈熰瘝喈熰瘉喈曕喈编瘒喈┼瘝 喈庎 喈撪喈苦喈班瘝 喈粪喁嵿喁佮畷喈掂瘒喈侧喈┼瘝 喈撪喈苦喈權瘝喈曕喁� 喈曕喁堗畷喁嵿畷喁佮喁� 喈ㄠ喁� 喈曕喁嵿喈┼瘓喈曕瘝喈曕瘉喈瘝 喈掂喁嵿喈瘋喈熰瘝喈熰瘉喈曕喈┼瘝喈编喁�.
喈瘉喈む喁嵿畷喈┼喈苦喁� 喈掂瘑喈瘝喈瘓 喈ㄠ瘈喈權瘝喈曕 喈喁堗喁嵿喈距疅喈侧喈侧瘝 喈ㄠ喁堗喈瘝 喈瘚喈曕喈编瘒喈┼瘝.
#venmurasu #jeyamohan #mudrakanal#mahabharatham #legendaryfiction#longestseries
喈嗋畾喈苦喈苦喈班瘝 : 喈溹瘑喈喁嬥畷喈┼瘝
喈掂喈氞喈む瘝喈む喁�: venmurasu.in
喈呧畾喁嵿畾喁佮喁� 喈喈苦喁嵿喁� 喈畷喁嵿畷喈權瘝喈曕喁� : 496
喈庎喁嵿喈熰喈む瘝 喈む瘖喈熰畽喁嵿畷喁佮喈む瘉? 喈庎喁嵿 喈庎喁佮喁佮喈む瘉 喈庎喁嵿喁� 喈呧喈苦喈距 喈掄喁� 喈喈ㄠ喈侧瘓 喈掂瘑喈｀瘝喈瘉喈班畾喁� 喈庎喁嵿 喈囙喁嵿 喈ㄠ瘑喈熰瘉喈權瘝喈曕喈掂喈喁嵿喈苦喁� 喈瘉喈む喁� 喈瘉喈む瘝喈む畷喈喈� 喈瘉喈む喁嵿畷喈┼喁� 喈掂喈氞喈む瘝喈む瘉 喈瘉喈熰喈む瘝喈� 喈喈┼瘝.
喈曕喁堗畷喈赤瘝 喈掂喈氞喈む瘝喈む喈班瘉喈曕瘝喈曕喈编瘒喈┼瘝. 喈曕喈苦喁堗畷喈赤瘝 喈掂喈氞喈む瘝喈む喈班瘉喈曕瘝喈曕喈编瘒喈┼瘝. 喈嗋喈距喁� 喈囙喁嵿喈┼瘓 喈曕喈苦喁� 喈ㄠ疅喁堗喈苦喁� 喈曕喁嵿喈┼瘓 喈氞瘖喈熰瘝喈熰畾喁� 喈氞瘖喈熰瘝喈� 喈夃喈瘓喈曕喁� 喈ㄠ喈编瘓喈� 喈曕瘖喈｀瘝喈熰瘉 喈庎喁佮喈瘝喈疅喁嵿疅 喈曕喁堗喁� 喈掂喈氞喈瘝喈喁� 喈囙喁佮喁� 喈瘉喈む喁� 喈瘉喈编瘓.
喈氞喈� 喈ㄠ瘒喈班畽喁嵿畷喈赤喈侧瘝 喈囙喁嵿喈┼瘓 喈掂喁嵿喈┼瘓 喈む瘒喈掂瘓 喈む喈┼? 喈囙喁嵿喈┼瘓 喈掂喈掂喈權瘝喈曕喁� 喈む瘒喈掂瘓 喈む喈┼ 喈庎喁嵿 喈庎喁嵿喈瘝 喈庎喁佮喁嵿喁嬥喁�, 喈呧喁� 喈庎喁佮喈苦 喈嗋畾喈苦喈苦喈班喈┼瘝 喈瘉喈喁嵿畾喈� 喈喈む喈侧瘝 喈む瘚喈┼瘝喈编 喈氞喈侧喈班瘝喈曕瘝喈� 喈掂瘓喈瘝喈喁嬥疅喁�, 喈畷喈距喈距喈む畷喁� 喈曕喁堗喈苦喁� 喈瘈喈む瘉喈赤瘝喈� 喈嗋喁嵿喈瘉喈瘝 喈曕喈ㄠ瘝喈む瘉 喈曕瘖喈｀瘝喈熰瘉 喈畷喁嵿畷喈權瘝喈曕喁� 喈掂瘒喈曕喈距畷 喈曕疅喈曕瘝喈曕畾喁� 喈氞瘑喈瘝喈曕喈编喁�.
喈掄喁� 喈瘉喈む瘝喈む畷喈む瘝喈む喈侧瘒 喈囙喁嵿喈┼瘓 喈曕喁堗畷喈赤瘝, 喈曕喁堗畷喁嵿畷喁佮喁� 喈曕喁� 喈庎 喈瘉喈熰喈掂喈侧喈喈� 喈ㄠ瘈喈｀瘝喈熰瘉 喈曕瘖喈｀瘝喈熰瘉 喈囙喁佮畷喁嵿畷, 喈囙喁嵿喁佮喁� 25 喈瘉喈む瘝喈む畷喈權瘝喈曕喁� 喈囙喁嵿 喈む瘖喈熰喈苦喁� 喈夃喁嵿喈む瘉 喈庎喁嵿喁� 喈庎喁嵿喁佮喁� 喈瘚喈む瘉 喈喈瘝 喈む喈曕瘓喈む瘝喈む瘉 喈瘈喈赤瘝喈曕喈编喁�. 26 喈瘉喈む瘝喈む畷喈權瘝喈曕喁�, 26,000 喈畷喁嵿畷喈權瘝喈曕喁� 喈庎喁佮喈苦 喈嗋畾喈苦喈苦喈班喈┼瘝 喈瘉喈喁嵿畾喈�, 喈庎喁佮喁嵿喁� 喈掂喁嵿喈瘓, 喈曕喁嵿喈┼瘓喈む瘝 喈む喈编喁� 喈喈班喈熰瘝喈熰喁佮喁�, 喈ㄠ瘑喈曕喈脆瘝喈ㄠ瘝喈む瘉 喈む喁� 喈掂喈權瘝喈曕锟斤拷锟洁喁� 喈掂瘓喈曕瘝喈曕喈编喁�.
喈ㄠ喈曕喁� 喈曕瘉喈侧喁嵿喈侧瘓喈掂喈喈� 喈喈┼畾喈距喁囙喈苦喈苦疅喈瘝 喈む瘖喈熰畽喁嵿畷喁佮喁� 喈曕喁堗喈苦喁� 喈曕喈侧瘝 喈囙喁嵿喈距 喈ㄠ喈曕畽喁嵿畷喈赤喈┼瘝 喈曕喈侧瘝喈む疅喈權瘝喈曕喁� 喈瘉喈む瘝喈む畷喈瘝 喈ㄠ瘑喈熰瘉喈�!! 喈曕喁� 喈瘉喈熰喈掂喁佮喁� 喈呧喈班喈熰喁�!
喈ㄠ喈瘝 喈呧喈苦喁嵿 喈畷喈距喈距喈む畷喁� 喈曕喁堗喈苦喁� 喈喈┼瘝喈┼喈侧瘝 喈む瘖喈熰畽喁嵿畷喈�, 喈瘉喈┼瘝喈┼瘚喈曕瘝喈曕 喈ㄠ畷喈班瘝喈曕喈编喁� 喈曕喁堗畷喁嵿畷喈赤喁�.
喈瘉喈む喁嵿畷喈┼喁� 喈呧喁嵿喁堗喈苦喈苦喁佮喁嵿喁� 喈む瘖喈熰畽喁嵿畷喁佮畷喈苦喈む瘉.
喈呧喈赤喈┼瘝 喈氞喈┼喁嵿喈苦喁� 喈掂喈班瘝喈曕喈编喁� 喈曕喈掂喈喁�.
喈む喈班瘜喈喈苦喈苦喁� 喈氞喈班喈瘝喈瘉喈む喈┼瘝 喈喈班喈瘝喈瘚喈班喈┼瘝 喈曕喈班喈瘝 喈庎喁嵿喁� 喈庎畽喁嵿畷喈赤瘝 喈娻喈苦喁� 喈曕喁堗畷喈赤喈侧瘝 喈氞瘖喈侧瘝喈侧畷喁� 喈曕瘒喈熰瘝喈熰喁佮喁嵿疅喁�. 喈ㄠ喈┼瘚,喈囙喁嵿喁� 喈呧喁� 喈呧喈赤喈┼瘝 喈曕喁嵿喁€喈班喈侧瘝 喈ㄠ喈曕喁嵿喁嵿 喈瘚喈班瘝 喈庎喁嵿喁� 喈庎喁嵿喁佮喈む瘉喈｀瘝喈熰瘉. 喈嗋喈距喁� 喈夃喁嵿喁堗喈苦喁� 喈呧喈┼瘝 喈瘋喈侧喁� 喈呧喁嵿喁堗喈苦喁� 喈氞喈┼喁�!! 喈ㄠ喈班喈曕喈苦喁嵿喁� 喈む喁嵿 喈忇喈距喁嵿喈瘝, 喈喈苦喈距畽喁嵿畷喁佮喁� 喈夃喈班瘝喈掂喈� 喈喈编喈� 喈瘈喈粪瘝喈喁� 喈瘈喈む瘉喈赤瘝喈� 喈曕喈む喁嵿喈距喁� 喈庎喁嵿喁� 喈囙喁嵿喁嬥喁� 喈む瘚喈┼瘝喈编瘉喈曕喈编喁�.
喈囙喁佮喈班瘓 喈畷喈距喈距喈む畷喁� 喈曕喁堗喈苦喁� 喈瘑喈喁� 喈疅喁嵿疅喁佮喁� 喈曕瘒喈赤瘝喈掂喈瘝喈疅喁嵿疅 喈氞喈编瘉喈氞喈编瘉 喈曕喈距喁嵿喈距喁嵿喈苦喈權瘝喈曕喈苦喁� 喈瘉喈脆瘉喈曕瘝喈曕喁堗喁佮喁�,喈曕瘒喈赤瘝喈掂喈瘝喈疅喈距 喈 喈曕喈赤瘓喈曕瘝喈曕喁堗畷喈赤瘓喈瘉喈瘝 喈掂喈氞喈曕瘝喈� 喈曕喈熰瘓喈曕瘝喈曕瘉喈瘝 喈庎喁嵿喁� 喈ㄠ喈┼瘝 喈囙喈编瘝喈曕瘉 喈瘉喈┼瘝 喈ㄠ喈┼瘓喈む瘝喈む喈苦喁嵿喁�. 喈呧喁� 喈氞喈む瘝喈む喈喁嵿喈熰瘉喈む瘝喈む喈� 喈嗋畾喈苦喈苦喈班瘝 喈溹瘑喈喁嬥畷喈┼瘝 喈呧喈班瘝喈曕喁佮畷喁嵿畷喁� 喈庎喁� 喈喈喈班瘝喈ㄠ瘝喈� 喈ㄠ喁嵿喈�.
喈嗋畾喈苦喈苦喈班喈┼瘝 喈掂喈班瘝喈む瘝喈む瘓喈曕喁� 喈曕喁嵿喁佮喁� 喈夃喈苦喁嬥喈苦喈喈� 喈掂喈班喈ㄠ瘝喈む喈班瘉喈曕瘝喈曕喈编喁� 喈庎喁嵿喁� 喈庎喁嵿喁佮喁� 喈瘚喈む瘉, 喈呧喁� 喈ㄠ喈┼瘝 喈瘒喈侧瘉喈瘝 喈掂喁嵿喈瘋喈熰瘝喈熰瘉喈曕喈编瘒喈┼瘝 喈庎 喈撪喈苦喈班瘝 喈粪喁嵿喁佮畷喈掂瘒喈侧喈┼瘝 喈撪喈苦喈權瘝喈曕喁� 喈曕喁堗畷喁嵿畷喁佮喁� 喈ㄠ喁� 喈曕喁嵿喈┼瘓喈曕瘝喈曕瘉喈瘝 喈掂喁嵿喈瘋喈熰瘝喈熰瘉喈曕喈┼瘝喈编喁�.
喈瘉喈む喁嵿畷喈┼喈苦喁� 喈掂瘑喈瘝喈瘓 喈ㄠ瘈喈權瘝喈曕 喈喁堗喁嵿喈距疅喈侧喈侧瘝 喈ㄠ喁堗喈瘝 喈瘚喈曕喈编瘒喈┼瘝.
#venmurasu #jeyamohan #mudrakanal#mahabharatham #legendaryfiction#longestseries
November 7, 2018
A detailed insight into story telling of Mahabharata from a different perspective.
Surely u ll get goosebumps in beeshmar's intro
Surely u ll get goosebumps in beeshmar's intro
April 24, 2025
喈む瘑喈班喈ㄠ瘝喈� 喈曕喁堗喁� 喈瘉喈编瘝喈编喈侧瘉喈瘝 喈瘉喈む瘉 Point of View 喈夃疅喈┼瘝 喈む喁佮喈む瘑喈┼瘝喈喁� 喈庎喈苦喈距 喈曕喈班喈喈侧瘝喈�. 喈呧喁佮喁佮喁� 喈畷喈距喈距喈む喁� 喈瘚喈┼瘝喈� 喈掄喁� 喈囙喈苦畷喈距畾喈む瘝喈む瘓. 喈囙喁嵿 喈瘉喈む喁嵿喈距畷喈瘝 喈嗋喁嵿喈苦畷喈┼瘝 喈庎喁嵿 喈ㄠ喈曕喁佮喈苦喈苦喈苦喁佮喁嵿喁� 喈嗋喈瘝喈喈む瘝喈む喈侧瘉喈瘝 喈瘈喈粪瘝喈喁� 喈氞瘉喈编瘝喈编喈瘒 喈喈┼瘝喈┼喁嵿喈熰瘝喈熰喈班瘉喈曕瘝喈曕喈┼瘝喈编. 喈呧喈编瘝喈曕瘉喈赤瘝 喈庎喁嵿喈编瘝喈� 喈曕喈赤瘓喈曕瘝喈曕喁堗畷喈赤瘝. 喈嗋喈瘝喈喁嵿喈苦喁� 喈掄喁� 喈ㄠ瘒喈班瘝喈曕瘚喈熰瘝喈熰瘉 喈曕喁堗畾喁娻喁嵿喈侧瘓 喈曕瘉喈脆喁嵿喈苦喈苦喁佮喁嵿喈距喁佮喁� 喈ㄠ喈む喈┼喈距 喈掂喈氞喈瘝喈瘉 喈呧畷喁嵿畷喈む瘓喈曕喁� 喈瘉喈曕瘝喈曕喈喁嵿喁� 喈夃喈班畾喁嵿畾喁嗋喁嵿喁佮喁�. 喈囙喁嵿 喈瘉喈む瘝喈む畷喈む瘝喈む瘓 喈掄喁嵿喁娻喁� 喈む喈苦喈喁� 喈曕喈距喈距喁嵿喈苦喈權瘝喈曕喈苦喁� 喈夃喈班瘝喈氞瘝喈氞喈曕喈苦喁� 喈曕瘖喈ㄠ瘝喈む喈苦喁嵿喁� 喈嗋畷喁佮喁�.
History Repeats Itself. But, Men Never Learn from It 喈庎喁嵿喁娻喁� 喈掂喈氞畷喈瘝 喈夃喁嵿疅喁�. 喈呧喈编瘝喈曕喁堗 喈瘈喈粪瘝喈喁� 喈庎喁嵿喈掂喁� 喈む喁嵿喁� 喈喈距喈� 喈庎喁嵿喈掂喈苦喁� 喈嗋疅喈� 喈掂喈瘝喈喈距畷 喈曕喁佮喁佮畷喈苦喈距喁�. 喈喈侧瘝喈曕喈曕喁� 喈庎喁嵿喁佮喁� 喈氞喈ㄠ瘝喈む喁佮喈苦喁� 喈氞畷喁嬥喈班喁� 喈瘈喈粪瘝喈喁� 喈む喁� 喈嗋疅喈� 喈掂喈瘝喈喈距畷 喈曕喁佮喁佮畷喈苦喈距喁�. 喈呧喁� 喈瘚喈侧瘝, 喈氞喈曕喁嵿疅喈� 喈瘈喈粪瘝喈喈苦喁� 喈ㄠ喈脆喁� 喈む喈┼瘝 喈ㄠ喈┼瘝 喈庎 喈夃喈班瘝喈曕喈编喈┼瘝. 喈囙喈编瘝喈曕瘑喈侧瘝喈侧喈瘝 喈庎喁嵿 喈呧喁嵿喁嵿喈瘝 喈庎喁嵿喈距喁� 喈掄喁佮喈班瘝 喈掂喈脆瘝喈掂喈侧瘝 喈氞瘑喈瘝喈む喁堗喁� 喈む喈┼瘝 喈喁嵿喈掂喁佮喁� 喈氞瘑喈瘝喈曕喈编喈班瘝. 喈呧喈距喈む瘉 喈囙喁嵿喁娻喁佮喈班喈┼瘝 喈氞瘉喈瘓喈瘓 喈む瘚喈赤喈侧瘝 喈む瘋喈曕瘝喈曕 喈氞瘉喈畷喁嵿畷喈苦喁嵿喈┼喁�. 喈囙喁� 喈囙喁嵿喁娻喁� 喈曕喁嵿喁嬥疅喁嵿疅喈む瘝喈む喈侧瘝 喈氞瘖喈侧瘝喈侧喁嵿喁嬥喈距喁� 喈掄喁佮喈班瘝 喈む喈む瘉 喈夃喁嵿喁堗喈距 喈瘉喈曕喁嵿喁� 喈ㄠ瘚喈曕瘝喈曕 喈喈｀喁嵿喈熰瘝喈熰瘉 喈む喁嵿喁� 喈呧喈苦喁嵿喁� 喈曕瘖喈赤瘝喈赤喁� 喈囙喁嵿 喈ㄠ喈掂喁�.
喈囙喁� 喈囙喁嵿 喈ㄠ喈侧瘝喈掂喁佮疅喈┼瘉喈瘝 喈ㄠ喈┼瘝喈编瘉喈掂喈熰喈喁�, 喈呧喁嵿喁�, 喈氞喁嵿喈苦喈掂喈�, 喈掂喈氞喈む瘝喈む喈班喁€喈班喈喁�, 喈掂喈喈氞喁� 喈庎 喈呧喁堗喁嵿喁� 喈曕喈距喈距喁嵿喈苦喈權瘝喈曕喁� 喈娻疅喁� 喈夃喈班瘝喈ㄠ瘝喈む瘉喈曕瘖喈赤瘝喈� 喈曕瘋喈熰喈喈距畷 喈夃喁嵿喈む瘉. 喈掄喁嵿喁娻喁� 喈曕喈距喈距喁嵿喈苦喈む瘝喈む喈┼瘝 喈夃喈班瘝喈氞瘝喈氞 喈ㄠ喈侧瘓喈瘓 喈む瘑喈赤喈掂喈� 喈曕喈熰瘝喈熰喁� 喈氞喈� 喈掂瘒喈赤瘓喈曕喈苦喁� 喈氞喈� 喈畷喁佮喈苦畷喈赤瘝 喈氞瘈喈班喈� 喈ㄠ瘒喈班瘝喈曕瘚喈熰瘝喈熰瘉 喈曕喁� 喈氞瘖喈侧瘝喈侧喁� 喈掂喈熰瘝喈熰瘉 喈掂喈侧畷喈� 喈ㄠ喈编瘝喈曕喈┼瘝喈编.
喈囙喁嵿 喈瘉喈む瘝喈む畷喈む瘝喈む瘓 喈畷喈距喈距喈む喁嵿喈苦喁� / 喈掂瘑喈｀瘝喈瘉喈班畾喈苦喁� 喈掄喁� 喈畷喁佮喈� 喈庎喁嵿喁� 喈氞瘖喈侧瘝喈掂喁� 喈掂喈� 喈囙喁� 喈掄喁� 喈む喈� 喈瘉喈む瘝喈む畷喈喈曕喁� 喈曕喁佮喈侧喈瘝. 喈喁嵿喈距喈苦喈瘝 喈曕喈赤瘓喈曕瘝喈曕喁堗畷喈赤瘓喈瘉喈瘝 喈曕喁嵿喈喈瘝喈喁� 喈曕喁堗畷喈赤瘓喈瘉喈瘝 喈夃喁佮喈距畷喁嵿畷喈苦 喈囙喁嵿 喈畷喈距喈距喈む瘝喈む瘓 喈呧喈┼瘝 喈曕喈赤瘓喈曕瘝喈曕喁堗畷喈赤瘉喈熰喁佮喁� 喈曕喁嵿喈喈瘝喈喁� 喈曕喁堗畷喈赤瘉喈熰喁佮喁� 喈囙喁堗喁嵿喁� 喈掄喁� 喈瘉喈む喈� 喈曕喁嵿喁嬥疅喁嵿疅喈む瘝喈む喈侧瘝 喈む喁佮喈む瘑喈┼瘝喈喁� 喈氞喈む喈班喈喈� 喈掄喁� 喈掂喈熰喈喁嵿. 喈瘖喈む瘝喈む喁嵿喈苦喁�, 喈嗋喈喈曕喁佮喁� 喈瘖喈编瘉喈瘓喈瘉喈熰喁佮喁� 喈掂喈氞喈曕瘝喈曕喁囙喁嵿疅喈苦 喈掄喁� 喈ㄠ喈掂喁� 喈囙喁�. 喈ㄠ喈氞瘝喈氞喈喈� 喈瘈喈赤瘝-喈掂喈氞喈瘝喈喈侧瘉喈瘝 喈掄喁� 喈瘉喈む喈� 喈呧喁佮喈掂喁嵿喁� 喈む喈曕瘝喈曕瘋喈熰喈� 喈ㄠ喈掂喈距畷 喈囙喁佮畷喁嵿畷喁佮喁� 喈庎喁嵿喈む喈侧瘝 喈庎喁嵿喈苦 喈氞喁嵿喁囙畷喈瘉喈瘝 喈囙喁嵿喁�.
History Repeats Itself. But, Men Never Learn from It 喈庎喁嵿喁娻喁� 喈掂喈氞畷喈瘝 喈夃喁嵿疅喁�. 喈呧喈编瘝喈曕喁堗 喈瘈喈粪瘝喈喁� 喈庎喁嵿喈掂喁� 喈む喁嵿喁� 喈喈距喈� 喈庎喁嵿喈掂喈苦喁� 喈嗋疅喈� 喈掂喈瘝喈喈距畷 喈曕喁佮喁佮畷喈苦喈距喁�. 喈喈侧瘝喈曕喈曕喁� 喈庎喁嵿喁佮喁� 喈氞喈ㄠ瘝喈む喁佮喈苦喁� 喈氞畷喁嬥喈班喁� 喈瘈喈粪瘝喈喁� 喈む喁� 喈嗋疅喈� 喈掂喈瘝喈喈距畷 喈曕喁佮喁佮畷喈苦喈距喁�. 喈呧喁� 喈瘚喈侧瘝, 喈氞喈曕喁嵿疅喈� 喈瘈喈粪瘝喈喈苦喁� 喈ㄠ喈脆喁� 喈む喈┼瘝 喈ㄠ喈┼瘝 喈庎 喈夃喈班瘝喈曕喈编喈┼瘝. 喈囙喈编瘝喈曕瘑喈侧瘝喈侧喈瘝 喈庎喁嵿 喈呧喁嵿喁嵿喈瘝 喈庎喁嵿喈距喁� 喈掄喁佮喈班瘝 喈掂喈脆瘝喈掂喈侧瘝 喈氞瘑喈瘝喈む喁堗喁� 喈む喈┼瘝 喈喁嵿喈掂喁佮喁� 喈氞瘑喈瘝喈曕喈编喈班瘝. 喈呧喈距喈む瘉 喈囙喁嵿喁娻喁佮喈班喈┼瘝 喈氞瘉喈瘓喈瘓 喈む瘚喈赤喈侧瘝 喈む瘋喈曕瘝喈曕 喈氞瘉喈畷喁嵿畷喈苦喁嵿喈┼喁�. 喈囙喁� 喈囙喁嵿喁娻喁� 喈曕喁嵿喁嬥疅喁嵿疅喈む瘝喈む喈侧瘝 喈氞瘖喈侧瘝喈侧喁嵿喁嬥喈距喁� 喈掄喁佮喈班瘝 喈む喈む瘉 喈夃喁嵿喁堗喈距 喈瘉喈曕喁嵿喁� 喈ㄠ瘚喈曕瘝喈曕 喈喈｀喁嵿喈熰瘝喈熰瘉 喈む喁嵿喁� 喈呧喈苦喁嵿喁� 喈曕瘖喈赤瘝喈赤喁� 喈囙喁嵿 喈ㄠ喈掂喁�.
喈囙喁� 喈囙喁嵿 喈ㄠ喈侧瘝喈掂喁佮疅喈┼瘉喈瘝 喈ㄠ喈┼瘝喈编瘉喈掂喈熰喈喁�, 喈呧喁嵿喁�, 喈氞喁嵿喈苦喈掂喈�, 喈掂喈氞喈む瘝喈む喈班喁€喈班喈喁�, 喈掂喈喈氞喁� 喈庎 喈呧喁堗喁嵿喁� 喈曕喈距喈距喁嵿喈苦喈權瘝喈曕喁� 喈娻疅喁� 喈夃喈班瘝喈ㄠ瘝喈む瘉喈曕瘖喈赤瘝喈� 喈曕瘋喈熰喈喈距畷 喈夃喁嵿喈む瘉. 喈掄喁嵿喁娻喁� 喈曕喈距喈距喁嵿喈苦喈む瘝喈む喈┼瘝 喈夃喈班瘝喈氞瘝喈氞 喈ㄠ喈侧瘓喈瘓 喈む瘑喈赤喈掂喈� 喈曕喈熰瘝喈熰喁� 喈氞喈� 喈掂瘒喈赤瘓喈曕喈苦喁� 喈氞喈� 喈畷喁佮喈苦畷喈赤瘝 喈氞瘈喈班喈� 喈ㄠ瘒喈班瘝喈曕瘚喈熰瘝喈熰瘉 喈曕喁� 喈氞瘖喈侧瘝喈侧喁� 喈掂喈熰瘝喈熰瘉 喈掂喈侧畷喈� 喈ㄠ喈编瘝喈曕喈┼瘝喈编.
喈囙喁嵿 喈瘉喈む瘝喈む畷喈む瘝喈む瘓 喈畷喈距喈距喈む喁嵿喈苦喁� / 喈掂瘑喈｀瘝喈瘉喈班畾喈苦喁� 喈掄喁� 喈畷喁佮喈� 喈庎喁嵿喁� 喈氞瘖喈侧瘝喈掂喁� 喈掂喈� 喈囙喁� 喈掄喁� 喈む喈� 喈瘉喈む瘝喈む畷喈喈曕喁� 喈曕喁佮喈侧喈瘝. 喈喁嵿喈距喈苦喈瘝 喈曕喈赤瘓喈曕瘝喈曕喁堗畷喈赤瘓喈瘉喈瘝 喈曕喁嵿喈喈瘝喈喁� 喈曕喁堗畷喈赤瘓喈瘉喈瘝 喈夃喁佮喈距畷喁嵿畷喈苦 喈囙喁嵿 喈畷喈距喈距喈む瘝喈む瘓 喈呧喈┼瘝 喈曕喈赤瘓喈曕瘝喈曕喁堗畷喈赤瘉喈熰喁佮喁� 喈曕喁嵿喈喈瘝喈喁� 喈曕喁堗畷喈赤瘉喈熰喁佮喁� 喈囙喁堗喁嵿喁� 喈掄喁� 喈瘉喈む喈� 喈曕喁嵿喁嬥疅喁嵿疅喈む瘝喈む喈侧瘝 喈む喁佮喈む瘑喈┼瘝喈喁� 喈氞喈む喈班喈喈� 喈掄喁� 喈掂喈熰喈喁嵿. 喈瘖喈む瘝喈む喁嵿喈苦喁�, 喈嗋喈喈曕喁佮喁� 喈瘖喈编瘉喈瘓喈瘉喈熰喁佮喁� 喈掂喈氞喈曕瘝喈曕喁囙喁嵿疅喈苦 喈掄喁� 喈ㄠ喈掂喁� 喈囙喁�. 喈ㄠ喈氞瘝喈氞喈喈� 喈瘈喈赤瘝-喈掂喈氞喈瘝喈喈侧瘉喈瘝 喈掄喁� 喈瘉喈む喈� 喈呧喁佮喈掂喁嵿喁� 喈む喈曕瘝喈曕瘋喈熰喈� 喈ㄠ喈掂喈距畷 喈囙喁佮畷喁嵿畷喁佮喁� 喈庎喁嵿喈む喈侧瘝 喈庎喁嵿喈苦 喈氞喁嵿喁囙畷喈瘉喈瘝 喈囙喁嵿喁�.
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March 8, 2024
#喈掂瘑喈｀瘝喈瘉喈班畾喁乢喈曕瘉喈脆瘉喈掂喈氞喈瘝喈瘉
喈囙喁嵿 喈曕瘉喈脆瘉喈掂喈氞喈瘝喈喈侧瘝 喈囙喁堗喁嵿喈む喁嵿畷喁� 喈瘉喈む喁� 喈曕喈班喈瘝, 喈掄喁佮喁囙喁� 喈囙喁� 喈曕瘉喈脆瘉喈掂喈� 喈掂喈氞喈曕瘝喈曕喈苦喁嵿喁� 喈庎喁嵿喈距喁� 喈囙喁嵿 喈瘑喈班瘉喈瘝 喈ㄠ喈掂喁� 喈掂喈脆瘝喈掂喈侧瘝 喈掂喈氞喈曕瘝喈曕喁� 喈喈熰瘝喈熰瘒喈┼瘚 喈庎喁嵿 喈喈┼瘝 喈む喈┼瘝.
喈掂瘑喈｀瘝喈瘉喈班畾喁� - 喈曕瘉喈脆喁嵿喁� 喈喁佮喈む瘝喈む喈侧瘝 喈畷喈距喈距喈� 喈曕喁堗畷喈赤瘓 喈曕瘒喈熰瘝喈熰喁佮喁嵿疅喁� 喈呧喈┼瘝 喈喈┼瘝 喈忇喁� 喈畷喈距喈距喈む喁嵿喁� 喈掂喈氞喈曕瘝喈曕喈苦喁嵿喁� 喈瘉喈脆瘉 喈曕喁堗畷喈赤瘓喈瘉喈瘝 喈炧喈畷喈瘝喈疅喁佮喁嵿喈苦畷喁� 喈曕瘖喈赤瘝喈赤喈距喁� 喈庎喁嵿 喈嗋畾喁堗喈苦喁� 喈掂瘑喈｀瘝喈瘉喈班畾喁� 喈嗋喈瘝喈喈む瘝喈む瘒喈┼瘝.
喈ㄠ喈┼瘝 喈曕瘒喈熰瘝喈� 喈呧喁嵿 喈曕喁堗畷喈赤瘝 喈瘚喈侧瘝 喈囙喁� 喈嗋喈瘝喈喈曕瘝喈曕喈苦喁嵿喁�. 喈囙喈班瘝 喈囙喁嵿 喈瘉喈脆瘉 喈曕喁堗喁� 喈掂瘒喈编瘉 喈掄喁� 喈喈苦喈距喈む瘝喈む喈侧瘝 喈氞瘖喈侧瘝喈曕喈编喈班瘝.
喈喈瘝喈喈侧喈班瘉喈ㄠ瘝喈む瘉 喈夃喈曕喁� 喈む瘖喈熰畽喁嵿畷喈苦喈む瘉 喈庎喁嵿喁� 喈疅喈苦喁嵿 喈夃疅喈┼瘒 喈ㄠ喈┼瘝 喈掂瘒喈编瘖喈班瘉 喈夃喈曕喈编瘝喈曕瘉 喈む喈距喈距畷喈� 喈掂喈熰瘝喈熰瘒喈┼瘝.
喈囙喈苦喁� 喈呧喁佮畷喈苦喈苦喁佮畷喁嵿畷喁佮喁� 喈曕喈距喈距喁嵿喈苦 喈瘉喈编瘓喈瘉喈瘝 喈曕喈赤瘓 喈曕喁堗畷喈赤瘉喈瘝 喈掂喈喁嵿喈苦喁嵿畷喁佮喈苦喈掂瘓.
喈嗋喈距喁� 喈忇喁� 喈囙喈苦喁� 喈掂喁佮喁� 喈呧喁嵿喈┼瘓 喈瘑喈喁嵿畷喈赤瘓喈瘉喈瘝 喈庎喁嵿喈距喁� 喈炧喈畷喈瘝 喈掂瘓喈む瘝喈む瘉喈曕瘝 喈曕瘖喈赤瘝喈� 喈瘉喈熰喈喈苦喁嵿喁�. 喈忇喁嵿畷喈┼喁� 喈曕瘒喈熰瘝喈熰喈班瘉喈ㄠ瘝喈� 喈瘑喈喁嵿畷喈赤瘝 喈疅喁嵿疅喁佮喁� 喈喈む喈侧瘝 喈掄疅喁嵿疅喈苦畷喁� 喈曕瘖喈赤瘝喈曕喈编喁�.
喈喁嵿喁� 喈瘑喈班瘉喈瘝 喈ㄠ喈曕喁嵿喁佮畷喈赤喈� 喈囙喁嵿 喈瘉喈む喁嵿畷喈┼喁� 喈庎喁佮喈瘝喈疅喁嵿疅喈苦喁佮畷喁嵿畷喈苦喈む瘉.
喈瘈喈粪瘝喈喈苦喁� 喈瘈喈む瘉 喈庎喁嵿喈赤喁� 喈曕喈む喁� 喈曕瘖喈赤瘝喈曕喈编瘚喈瘚 喈呧喁� 喈呧喈掂瘉 喈氞喈曕喁嵿疅喈� 喈瘈喈む瘉喈瘝 喈曕喈む喈苦喁� 喈掂喈� 喈掂瘓喈曕瘝喈曕喈编喈班瘝.
喈瘈喈粪瘝喈喈苦喁� 喈瘖喈编瘉喈瘓喈瘉喈瘝, 喈呧喁嵿喁堗喈苦喁� 喈曕喈む喁佮喁�, 喈掂喈氞喈む瘝喈む喈� 喈掂瘈喈班喈苦喁� 喈掂喈脆瘝喈曕瘝喈曕瘓 喈瘉喈班喈む喁佮喁�, 喈氞喈曕喁嵿疅喈苦喈苦喁� 喈 喈掂喈苦喁堗喁佮喁� 喈嗋畾喁嵿畾喈班喈喁�.
喈氞喈曕喁嵿疅喈� 喈呧喁嵿喁堗喈苦喁� 喈曕瘋喈编瘝喈编瘉喈曕瘝喈曕喈｀畽喁嵿畷 喈瘈喈粪瘝喈喁� 喈曕瘖喈侧瘝喈� 喈氞瘑喈侧瘝喈侧瘉喈む喁佮喁�, 喈呧喈班喈熰喁� 喈喈｀喈┼喈� 喈曕喁嵿喁佮喈� 喈ㄠ喈侧瘓喈疅喁佮喈む瘉喈瘝 喈曕喁堗喈苦喁� 喈夃畾喁嵿畾喈瘝.
喈呧疅喁佮喁嵿 喈喁堗喁� 喈喈熰喁�...
喈囙喁嵿 喈曕瘉喈脆瘉喈掂喈氞喈瘝喈喈侧瘝 喈囙喁堗喁嵿喈む喁嵿畷喁� 喈瘉喈む喁� 喈曕喈班喈瘝, 喈掄喁佮喁囙喁� 喈囙喁� 喈曕瘉喈脆瘉喈掂喈� 喈掂喈氞喈曕瘝喈曕喈苦喁嵿喁� 喈庎喁嵿喈距喁� 喈囙喁嵿 喈瘑喈班瘉喈瘝 喈ㄠ喈掂喁� 喈掂喈脆瘝喈掂喈侧瘝 喈掂喈氞喈曕瘝喈曕喁� 喈喈熰瘝喈熰瘒喈┼瘚 喈庎喁嵿 喈喈┼瘝 喈む喈┼瘝.
喈掂瘑喈｀瘝喈瘉喈班畾喁� - 喈曕瘉喈脆喁嵿喁� 喈喁佮喈む瘝喈む喈侧瘝 喈畷喈距喈距喈� 喈曕喁堗畷喈赤瘓 喈曕瘒喈熰瘝喈熰喁佮喁嵿疅喁� 喈呧喈┼瘝 喈喈┼瘝 喈忇喁� 喈畷喈距喈距喈む喁嵿喁� 喈掂喈氞喈曕瘝喈曕喈苦喁嵿喁� 喈瘉喈脆瘉 喈曕喁堗畷喈赤瘓喈瘉喈瘝 喈炧喈畷喈瘝喈疅喁佮喁嵿喈苦畷喁� 喈曕瘖喈赤瘝喈赤喈距喁� 喈庎喁嵿 喈嗋畾喁堗喈苦喁� 喈掂瘑喈｀瘝喈瘉喈班畾喁� 喈嗋喈瘝喈喈む瘝喈む瘒喈┼瘝.
喈ㄠ喈┼瘝 喈曕瘒喈熰瘝喈� 喈呧喁嵿 喈曕喁堗畷喈赤瘝 喈瘚喈侧瘝 喈囙喁� 喈嗋喈瘝喈喈曕瘝喈曕喈苦喁嵿喁�. 喈囙喈班瘝 喈囙喁嵿 喈瘉喈脆瘉 喈曕喁堗喁� 喈掂瘒喈编瘉 喈掄喁� 喈喈苦喈距喈む瘝喈む喈侧瘝 喈氞瘖喈侧瘝喈曕喈编喈班瘝.
喈喈瘝喈喈侧喈班瘉喈ㄠ瘝喈む瘉 喈夃喈曕喁� 喈む瘖喈熰畽喁嵿畷喈苦喈む瘉 喈庎喁嵿喁� 喈疅喈苦喁嵿 喈夃疅喈┼瘒 喈ㄠ喈┼瘝 喈掂瘒喈编瘖喈班瘉 喈夃喈曕喈编瘝喈曕瘉 喈む喈距喈距畷喈� 喈掂喈熰瘝喈熰瘒喈┼瘝.
喈囙喈苦喁� 喈呧喁佮畷喈苦喈苦喁佮畷喁嵿畷喁佮喁� 喈曕喈距喈距喁嵿喈苦 喈瘉喈编瘓喈瘉喈瘝 喈曕喈赤瘓 喈曕喁堗畷喈赤瘉喈瘝 喈掂喈喁嵿喈苦喁嵿畷喁佮喈苦喈掂瘓.
喈嗋喈距喁� 喈忇喁� 喈囙喈苦喁� 喈掂喁佮喁� 喈呧喁嵿喈┼瘓 喈瘑喈喁嵿畷喈赤瘓喈瘉喈瘝 喈庎喁嵿喈距喁� 喈炧喈畷喈瘝 喈掂瘓喈む瘝喈む瘉喈曕瘝 喈曕瘖喈赤瘝喈� 喈瘉喈熰喈喈苦喁嵿喁�. 喈忇喁嵿畷喈┼喁� 喈曕瘒喈熰瘝喈熰喈班瘉喈ㄠ瘝喈� 喈瘑喈喁嵿畷喈赤瘝 喈疅喁嵿疅喁佮喁� 喈喈む喈侧瘝 喈掄疅喁嵿疅喈苦畷喁� 喈曕瘖喈赤瘝喈曕喈编喁�.
喈喁嵿喁� 喈瘑喈班瘉喈瘝 喈ㄠ喈曕喁嵿喁佮畷喈赤喈� 喈囙喁嵿 喈瘉喈む喁嵿畷喈┼喁� 喈庎喁佮喈瘝喈疅喁嵿疅喈苦喁佮畷喁嵿畷喈苦喈む瘉.
喈瘈喈粪瘝喈喈苦喁� 喈瘈喈む瘉 喈庎喁嵿喈赤喁� 喈曕喈む喁� 喈曕瘖喈赤瘝喈曕喈编瘚喈瘚 喈呧喁� 喈呧喈掂瘉 喈氞喈曕喁嵿疅喈� 喈瘈喈む瘉喈瘝 喈曕喈む喈苦喁� 喈掂喈� 喈掂瘓喈曕瘝喈曕喈编喈班瘝.
喈瘈喈粪瘝喈喈苦喁� 喈瘖喈编瘉喈瘓喈瘉喈瘝, 喈呧喁嵿喁堗喈苦喁� 喈曕喈む喁佮喁�, 喈掂喈氞喈む瘝喈む喈� 喈掂瘈喈班喈苦喁� 喈掂喈脆瘝喈曕瘝喈曕瘓 喈瘉喈班喈む喁佮喁�, 喈氞喈曕喁嵿疅喈苦喈苦喁� 喈 喈掂喈苦喁堗喁佮喁� 喈嗋畾喁嵿畾喈班喈喁�.
喈氞喈曕喁嵿疅喈� 喈呧喁嵿喁堗喈苦喁� 喈曕瘋喈编瘝喈编瘉喈曕瘝喈曕喈｀畽喁嵿畷 喈瘈喈粪瘝喈喁� 喈曕瘖喈侧瘝喈� 喈氞瘑喈侧瘝喈侧瘉喈む喁佮喁�, 喈呧喈班喈熰喁� 喈喈｀喈┼喈� 喈曕喁嵿喁佮喈� 喈ㄠ喈侧瘓喈疅喁佮喈む瘉喈瘝 喈曕喁堗喈苦喁� 喈夃畾喁嵿畾喈瘝.
喈呧疅喁佮喁嵿 喈喁堗喁� 喈喈熰喁�...
This entire review has been hidden because of spoilers.
April 19, 2014
There will be a day , when this work will be acknowledged as the 21st century gift of India to the world. I'm glad to have lived in the period of such a great writer .
This entire review has been hidden because of spoilers.
January 1, 2022
喈庎喁嵿喁佮疅喁堗 喈掂瘑喈｀瘝喈瘉喈班畾喁� 喈瘑喈班瘉喈瘝喈喈｀喁� 喈囙喈苦喁� 喈む瘖喈熰畽喁嵿畷喈苦喈む瘉.
September 10, 2020
喈瘉喈む喁嵿畷喈┼喁�... 喈掄喁� 喈瘑喈班瘉喈權瘝喈曕喈掂喈喁嵿喈苦喁� 喈瘉喈む喁嵿畷喈┼喁�... 喈掄喁� 喈瘑喈班瘉喈ㄠ喈曕喁嵿喈苦喁� 喈瘉喈む喁嵿畷喈┼喁�.... 喈掄喁� 喈瘑喈班瘉喈瘝喈疅喁堗喁嵿喈苦喁� 喈瘉喈む喁嵿畷喈┼喁�...
喈曕喈侧喁� 喈曕喈侧喈距畷 喈囙喁嵿喈苦 喈喁嵿喈距疅喁嵿疅喁� 喈喈喈侧瘝 喈氞瘖喈侧瘝喈侧喁嵿喈熰瘝喈熰瘉 喈掂喁佮喁� 喈曕喈掂喈喁� 喈畷喈距喈距喈む喁�.. 喈曕喁堗喈距喁嵿喈班瘝喈曕喈苦喁� 喈夃喈掂喈喁� 喈氞喈� 喈瘉喈┼瘓喈掂瘉喈曕喁嬥疅喁� 喈曕瘋喈熰 喈氞喈编喁嵿喈距畷 喈曕瘖喈｀喁嵿喁嵿喁� 喈囙喁佮畷喁嵿畷喁佮喁� 喈疅喁堗喁嵿喁�... 喈掂瘑喈｀瘝喈瘉喈班畾喁�... 喈呧喈┼瘝 喈瘉喈む喁� 喈瘉喈む瘝喈む畷喈瘝 "喈瘉喈む喁嵿畷喈┼喁�"....
喈瘖喈む瘉喈掂瘑喈赤喈喈侧瘝 喈ㄠ喁€喈� 喈曕喈侧畷喈熰瘝喈熰喁嵿喈苦喁� 喈氞喈┼瘝喈┼喁嵿喈苦喁堗喈苦喁� 喈曕喁嵿疅喁� 喈曕喈苦喁嵿喁� 喈畷喈距喈距喈む喁� 喈瘒喈瘝喈瘚喈曕瘝喈曕喈� 喈曕喁� 喈掂疅喈苦喈む瘝喈む瘓 喈疅喁嵿疅喁佮喁� 喈ㄠ喈曕瘝喈曕瘉 喈呧喈苦喁嵿喁� 喈掂喁嵿喈む瘉. 喈掄喁� 喈瘒喈班喈侧畷喁嵿畷喈苦喈む瘝喈む瘓 喈呧喁佮畷 喈掂瘒喈｀瘝喈熰喈� 喈瘉喈编瘓喈瘓 喈ㄠ喈曕瘝喈曕瘉 喈囙喁嵿 喈疅喁堗喁嵿喈苦喁� 喈掂喈喈侧喈� 喈嗋畾喈苦喈苦喈班瘝 喈掂瘒喈编瘉 喈喈苦喈距喈む瘝喈む瘓 喈曕喁� 喈瘉喈┼瘝 喈ㄠ喈编瘉喈む瘝喈む瘉喈曕喈编喈班瘝.. 喈囙喁嵿喈熰瘓喈瘝喈瘓 喈掂喈氞喈曕瘝喈曕瘓喈喈侧瘝 喈囙喁嵿 喈掂畷喁� 喈掂喈氞喈瘝喈瘉喈瘝 喈氞喈む瘝喈む喈喁� 喈む喈┼瘚 喈庎 喈ㄠ喁� 喈喈む喈侧瘝 喈曕瘒喈赤瘝喈掂喈曕喁� 喈庎喁佮畷喈苦喁嵿喈�.
喈溹瘑喈喁嬥畷喈┼喈┼瘝 喈掂喈班瘝喈む瘝喈む瘓 喈喈班喁嬥畷喈權瘝喈曕喁�, 喈氞喈� 喈氞喈喁� 喈ㄠ喁嵿喁� 喈掄喁嵿 喈掂瘓喈む瘝喈む瘉, 喈曕喁� 喈ㄠ喈曕喁佮喁� 喈囙疅喈わ拷锟斤拷喈む喈编瘝喈曕瘒 喈囙疅喁嵿疅喁佮畾喁嵿畾喁嗋喁嵿畷喈苦喁嵿喈�. 喈瘑喈班瘉喈喈侧瘝喈喈瘝喈瘓喈瘉喈瘝, 喈呧疅喈班瘝喈曕喈┼畷喈權瘝喈曕喁堗喁佮喁�, 喈瘒喈班喈班瘓喈氞瘝喈氞喁� 喈曕瘖喈｀瘝喈熰喈距畷喈掂瘉喈瘝 喈呧喁囙畾喈喈瘝 喈瘑喈班瘉喈呧喁堗喈� 喈曕瘖喈｀瘝喈熰喈距畷喈掂瘉喈瘝 喈喈班喈距畷喈瘝 喈庎疅喁佮畷喁嵿畷喁佮喁� 喈曕畽喁嵿畷喁�, 喈喁佮喁� 喈ㄠ喈苦畷喈赤瘝 喈庎 喈囙喈编瘝喈曕瘓 喈呧喁嵿喁� 喈呧喈苦喁嵿 喈呧喁佮疅喁嵿畷喁娻疅喁堗畷喈赤瘝 喈呧喁堗喁嵿喁堗喁佮喁� 喈呧喁嵿喈ㄠ瘝喈� 喈囙疅喈權瘝喈曕喁佮畷喁嵿畷喁� 喈氞瘑喈侧瘝喈侧瘉喈瘝 喈瘚喈む瘉 喈夃喈班瘉喈瘝 喈夃喈班瘝喈掂喈┼瘓 喈庎喁佮喁嵿喈苦喁� 喈掂喈喈侧喈曕喁� 喈氞喈む喈瘝喈喈苦喁�, 喈嗋畾喈苦喈苦喈班瘝 喈夃喁嵿喁堗喈苦喁囙喁� 喈庎喁佮喁嵿喁� 喈嗋喁佮喁� 喈庎喁佮喁嵿喈距喈班喈� 喈ㄠ喈班瘋喈喈瘝 喈嗋畷喈苦喈距喁�...
喈 喈喈｀畽喁嵿畷喈赤瘝, 喈喈掂畷喁� 喈掂喈氞喈瘝喈瘉喈曕喁�, 喈喈曕疅喁嵿疅 喈嗋喈距喁嵿畾喁嵿畾喈� 喈庎 喈呧喁堗喁嵿喈苦喁� 喈曕瘋喈熰瘝喈熰瘉喈瘝喈喈┼喈� 喈囙喁嵿 喈疅喁堗喁嵿喁� 喈掂喁嵿喁佮喁嵿喈む瘉. 喈掄喁嵿喁娻喁� 喈呧喁嵿喈苦喈距喈む瘝喈む喈侧瘉喈瘝 喈囙疅喈瘝 喈瘑喈编瘝喈编瘉喈赤瘝喈� 喈撪喈苦喈權瘝喈曕喁佮喁� 喈疅喁堗喁嵿喁嬥疅喁� 喈ㄠ喁嵿喁� 喈ㄠ瘑喈班瘉喈權瘝喈� 喈氞瘑喈瘝喈掂喈苦喁� 喈呧喈瘝喈喈苦 喈畽喁嵿畷喁� 喈掂畷喈苦畷喁嵿畷喈苦喈む瘉.
喈 喈む喁嵿喁佮喈距喁嵿喁嵿 喈夃喁堗喈距疅喈侧瘝喈曕喁�, 喈氞喈� 喈瘉喈班喈ㄠ瘝喈む瘉喈瘝 喈 喈瘉喈班喈喈喁佮喁� 喈夃喁嵿喈�. 喈喁佮喈距畾喈苦喁嵿喈苦喁� 喈掂喈苦喁� 喈呧喈编瘝喈编瘓 喈曕喁嵿疅喈熰瘓喈� 喈掂喈苦喈曕瘓 喈夃喁嵿疅喁� 喈庎 喈曕喁佮喈� 喈呧疅喁佮喁嵿 喈む瘖喈曕瘉喈瘝喈喈编瘝喈曕瘉 喈氞瘑喈侧瘝喈曕喈编瘒喈┼瘝. 喈喁佮喈距畾喈苦喁嵿喈苦喁嵿畷喈距畷 喈庎疅喁佮喁嵿喁� 喈掂瘓喈曕瘝喈曕喈苦喁嵿喁�, 喈掂瘑喈｀瘝喈瘉喈班畾喁� 喈掂喈氞喈瘝喈瘉 喈む瘖喈熰喁� 喈ㄠ喈曕喁嵿喈距畷 喈呧喁堗喁佮喁� 喈庎喁嵿 喈ㄠ喁嵿喈苦畷喁嵿畷喁� 喈呧疅喈苦喈┼喈苦喁� 喈夃喁嵿喈む瘉.
喈囙喁嵿 喈瘉喈む喁嵿畷喈┼喁� 喈庎喁� 喈喈む喈侧瘝 喈掂瘑喈｀瘝喈瘉喈班畾喁� 喈庎喁佮喁� 喈喈班喈距喁嵿疅 喈疅喁堗喁嵿喁� 喈呧喁佮畷 喈掄喁� 喈瘉喈む喁嵿畷喈┼喈距喁� 喈呧喁堗喁嵿喁佮喁嵿喈む瘉.
喈曕喈侧喁� 喈曕喈侧喈距畷 喈囙喁嵿喈苦 喈喁嵿喈距疅喁嵿疅喁� 喈喈喈侧瘝 喈氞瘖喈侧瘝喈侧喁嵿喈熰瘝喈熰瘉 喈掂喁佮喁� 喈曕喈掂喈喁� 喈畷喈距喈距喈む喁�.. 喈曕喁堗喈距喁嵿喈班瘝喈曕喈苦喁� 喈夃喈掂喈喁� 喈氞喈� 喈瘉喈┼瘓喈掂瘉喈曕喁嬥疅喁� 喈曕瘋喈熰 喈氞喈编喁嵿喈距畷 喈曕瘖喈｀喁嵿喁嵿喁� 喈囙喁佮畷喁嵿畷喁佮喁� 喈疅喁堗喁嵿喁�... 喈掂瘑喈｀瘝喈瘉喈班畾喁�... 喈呧喈┼瘝 喈瘉喈む喁� 喈瘉喈む瘝喈む畷喈瘝 "喈瘉喈む喁嵿畷喈┼喁�"....
喈瘖喈む瘉喈掂瘑喈赤喈喈侧瘝 喈ㄠ喁€喈� 喈曕喈侧畷喈熰瘝喈熰喁嵿喈苦喁� 喈氞喈┼瘝喈┼喁嵿喈苦喁堗喈苦喁� 喈曕喁嵿疅喁� 喈曕喈苦喁嵿喁� 喈畷喈距喈距喈む喁� 喈瘒喈瘝喈瘚喈曕瘝喈曕喈� 喈曕喁� 喈掂疅喈苦喈む瘝喈む瘓 喈疅喁嵿疅喁佮喁� 喈ㄠ喈曕瘝喈曕瘉 喈呧喈苦喁嵿喁� 喈掂喁嵿喈む瘉. 喈掄喁� 喈瘒喈班喈侧畷喁嵿畷喈苦喈む瘝喈む瘓 喈呧喁佮畷 喈掂瘒喈｀瘝喈熰喈� 喈瘉喈编瘓喈瘓 喈ㄠ喈曕瘝喈曕瘉 喈囙喁嵿 喈疅喁堗喁嵿喈苦喁� 喈掂喈喈侧喈� 喈嗋畾喈苦喈苦喈班瘝 喈掂瘒喈编瘉 喈喈苦喈距喈む瘝喈む瘓 喈曕喁� 喈瘉喈┼瘝 喈ㄠ喈编瘉喈む瘝喈む瘉喈曕喈编喈班瘝.. 喈囙喁嵿喈熰瘓喈瘝喈瘓 喈掂喈氞喈曕瘝喈曕瘓喈喈侧瘝 喈囙喁嵿 喈掂畷喁� 喈掂喈氞喈瘝喈瘉喈瘝 喈氞喈む瘝喈む喈喁� 喈む喈┼瘚 喈庎 喈ㄠ喁� 喈喈む喈侧瘝 喈曕瘒喈赤瘝喈掂喈曕喁� 喈庎喁佮畷喈苦喁嵿喈�.
喈溹瘑喈喁嬥畷喈┼喈┼瘝 喈掂喈班瘝喈む瘝喈む瘓 喈喈班喁嬥畷喈權瘝喈曕喁�, 喈氞喈� 喈氞喈喁� 喈ㄠ喁嵿喁� 喈掄喁嵿 喈掂瘓喈む瘝喈む瘉, 喈曕喁� 喈ㄠ喈曕喁佮喁� 喈囙疅喈わ拷锟斤拷喈む喈编瘝喈曕瘒 喈囙疅喁嵿疅喁佮畾喁嵿畾喁嗋喁嵿畷喈苦喁嵿喈�. 喈瘑喈班瘉喈喈侧瘝喈喈瘝喈瘓喈瘉喈瘝, 喈呧疅喈班瘝喈曕喈┼畷喈權瘝喈曕喁堗喁佮喁�, 喈瘒喈班喈班瘓喈氞瘝喈氞喁� 喈曕瘖喈｀瘝喈熰喈距畷喈掂瘉喈瘝 喈呧喁囙畾喈喈瘝 喈瘑喈班瘉喈呧喁堗喈� 喈曕瘖喈｀瘝喈熰喈距畷喈掂瘉喈瘝 喈喈班喈距畷喈瘝 喈庎疅喁佮畷喁嵿畷喁佮喁� 喈曕畽喁嵿畷喁�, 喈喁佮喁� 喈ㄠ喈苦畷喈赤瘝 喈庎 喈囙喈编瘝喈曕瘓 喈呧喁嵿喁� 喈呧喈苦喁嵿 喈呧喁佮疅喁嵿畷喁娻疅喁堗畷喈赤瘝 喈呧喁堗喁嵿喁堗喁佮喁� 喈呧喁嵿喈ㄠ瘝喈� 喈囙疅喈權瘝喈曕喁佮畷喁嵿畷喁� 喈氞瘑喈侧瘝喈侧瘉喈瘝 喈瘚喈む瘉 喈夃喈班瘉喈瘝 喈夃喈班瘝喈掂喈┼瘓 喈庎喁佮喁嵿喈苦喁� 喈掂喈喈侧喈曕喁� 喈氞喈む喈瘝喈喈苦喁�, 喈嗋畾喈苦喈苦喈班瘝 喈夃喁嵿喁堗喈苦喁囙喁� 喈庎喁佮喁嵿喁� 喈嗋喁佮喁� 喈庎喁佮喁嵿喈距喈班喈� 喈ㄠ喈班瘋喈喈瘝 喈嗋畷喈苦喈距喁�...
喈 喈喈｀畽喁嵿畷喈赤瘝, 喈喈掂畷喁� 喈掂喈氞喈瘝喈瘉喈曕喁�, 喈喈曕疅喁嵿疅 喈嗋喈距喁嵿畾喁嵿畾喈� 喈庎 喈呧喁堗喁嵿喈苦喁� 喈曕瘋喈熰瘝喈熰瘉喈瘝喈喈┼喈� 喈囙喁嵿 喈疅喁堗喁嵿喁� 喈掂喁嵿喁佮喁嵿喈む瘉. 喈掄喁嵿喁娻喁� 喈呧喁嵿喈苦喈距喈む瘝喈む喈侧瘉喈瘝 喈囙疅喈瘝 喈瘑喈编瘝喈编瘉喈赤瘝喈� 喈撪喈苦喈權瘝喈曕喁佮喁� 喈疅喁堗喁嵿喁嬥疅喁� 喈ㄠ喁嵿喁� 喈ㄠ瘑喈班瘉喈權瘝喈� 喈氞瘑喈瘝喈掂喈苦喁� 喈呧喈瘝喈喈苦 喈畽喁嵿畷喁� 喈掂畷喈苦畷喁嵿畷喈苦喈む瘉.
喈 喈む喁嵿喁佮喈距喁嵿喁嵿 喈夃喁堗喈距疅喈侧瘝喈曕喁�, 喈氞喈� 喈瘉喈班喈ㄠ瘝喈む瘉喈瘝 喈 喈瘉喈班喈喈喁佮喁� 喈夃喁嵿喈�. 喈喁佮喈距畾喈苦喁嵿喈苦喁� 喈掂喈苦喁� 喈呧喈编瘝喈编瘓 喈曕喁嵿疅喈熰瘓喈� 喈掂喈苦喈曕瘓 喈夃喁嵿疅喁� 喈庎 喈曕喁佮喈� 喈呧疅喁佮喁嵿 喈む瘖喈曕瘉喈瘝喈喈编瘝喈曕瘉 喈氞瘑喈侧瘝喈曕喈编瘒喈┼瘝. 喈喁佮喈距畾喈苦喁嵿喈苦喁嵿畷喈距畷 喈庎疅喁佮喁嵿喁� 喈掂瘓喈曕瘝喈曕喈苦喁嵿喁�, 喈掂瘑喈｀瘝喈瘉喈班畾喁� 喈掂喈氞喈瘝喈瘉 喈む瘖喈熰喁� 喈ㄠ喈曕喁嵿喈距畷 喈呧喁堗喁佮喁� 喈庎喁嵿 喈ㄠ喁嵿喈苦畷喁嵿畷喁� 喈呧疅喈苦喈┼喈苦喁� 喈夃喁嵿喈む瘉.
喈囙喁嵿 喈瘉喈む喁嵿畷喈┼喁� 喈庎喁� 喈喈む喈侧瘝 喈掂瘑喈｀瘝喈瘉喈班畾喁� 喈庎喁佮喁� 喈喈班喈距喁嵿疅 喈疅喁堗喁嵿喁� 喈呧喁佮畷 喈掄喁� 喈瘉喈む喁嵿畷喈┼喈距喁� 喈呧喁堗喁嵿喁佮喁嵿喈む瘉.
June 28, 2022
Wonderful version of Mahabharata from the view of Mr Jeyamohan with rich language. Have reread twice for better understanding. I love the way he wrote Shikandi character. The fire in her to revenge Pithamagan Bhishmar. I鈥檓 fan of his way of writing about women. Must read book for every Tamil readers. Just bought malaipaadal both kindle and hard copy. Going to start read for continuity.
March 14, 2018
Hell hath no fury like a woman scorned.
October 7, 2019
The density of Jayamohan's words takes some time to be digested, but once its done, its elixir
April 21, 2020
A great start to the great epic. Everyone should read. A pride to the Tamil language.
November 15, 2020
A treasure to preserve
This is a good effort by Tniru Jayamohan to bring in a simple language for our generation to learn all the event of Mahabharata has it happened.
This is a good effort by Tniru Jayamohan to bring in a simple language for our generation to learn all the event of Mahabharata has it happened.
May 30, 2021
喈瘑喈班瘉喈權瘝喈曕喈掂喈┼瘝 喈喈｀喁� 喈囙喈苦喁� 喈む瘖喈熰畽喁嵿畷喈苦喈む瘉...
September 28, 2021
A very good interpretation in Tamil finally.
January 4, 2022
26 喈喈曕畽喁嵿畷喈赤瘝, 26000 喈畷喁嵿畷喈權瘝喈曕喁�!!!!
Magnum opus by jeyamohan.
Magnum opus by jeyamohan.
May 23, 2023
All must try this book .
Want to read
December 20, 2015Its my dream... i wish to read this book for last one year
September 2, 2016
Was an awesome experience!
Read
January 10, 2019First book of Venmurasu series. Asthikan manasa devi,
May 7, 2015
Hearing Mahabharatam in the most detailed and a very near to feel way..
July 2, 2015
Beginning of an epic....
Read
January 10, 2019First book of venmurasu
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