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韦慰 魏蠈魏魏喂谓慰 位慰蠀位慰蠉未喂
螣 萎蟻蠅伪蟼 蟿慰蠀 未喂畏纬萎渭伪蟿慰蟼 蟿慰蠀 螕魏维蟻蟽喂谓 魏位蔚委谓蔚蟿伪喂 蟽蔚 苇谓伪 蠄蠀蠂喂伪蟿蟻喂魏蠈 维蟽蠀位慰 魏伪喂 伪谓伪魏伪位蠉蟺蟿蔚喂 蟺蠅蟼 蟿慰 伪蟺蠈位蠀蟿慰 螝伪魏蠈 尾蟻委蟽魏蔚蟿伪喂 蔚魏蔚委 渭蔚 蟿畏 渭慰蟻蠁萎 蟿蟻喂蠋谓 魏伪蟿伪魏蠈魏魏喂谓蠅谓 位慰蠀位慰蠀未喂蠋谓 蟺慰蠀 苇蠂慰蠀谓 蠁蠀蟿蟻蠋蟽蔚喂 蟽蟿畏谓 维魏蟻畏 蟿慰蠀 魏萎蟺慰蠀 魏伪喂 渭慰喂维味慰蠀谓 渭蔚 蟺伪蟺伪蟻慰蠉谓蔚蟼. 螝喂 蔚魏蔚委谓慰蟼 未蔚谓 胃伪 蟽蟿伪渭伪蟿萎蟽蔚喂, 蔚委谓伪喂 未喂伪蟿蔚胃蔚喂渭苇谓慰蟼 谓伪 胃蠀蟽喂维蟽蔚喂 伪魏蠈渭畏 魏伪喂 蟿畏谓 委未喂伪 蟿慰蠀 蟿畏 味蠅萎 纬喂伪 谓伪 蟿伪 魏蠈蠄蔚喂 魏伪喂 谓伪 蟽魏慰蟿蠋蟽蔚喂, 苇蟿蟽喂, 蟿慰 螝伪魏蠈.
螠蔚 蟽蟺维谓喂伪蟼 苇谓蟿伪蟽畏蟼 位喂蟿蠈蟿畏蟿伪, 蟿慰 未喂萎纬畏渭伪 伪蠀蟿蠈 蟽蟿慰喂蠂蔚喂蠋谓蔚喂 蠈蟽慰蠀蟼 蟿慰 未喂伪尾维味慰蠀谓, 魏伪胃蠋蟼 蟺蟻慰蟽蔚纬纬委味蔚喂 渭蔚 渭慰谓伪未喂魏蠈 蟿蟻蠈蟺慰 蟿慰 渭蠀蟽蟿萎蟻喂慰 魏伪喂 蟿畏谓 慰渭慰蟻蠁喂维 蟿畏蟼 蟿蟻苇位伪蟼, 渭喂伪蟼 魏伪蟿维蟽蟿伪蟽畏蟼 蟿畏谓 慰蟺慰委伪 慰 蟽蠀纬纬蟻伪蠁苇伪蟼, 苇蠂慰谓蟿伪蟼 谓伪 蟺伪位苇蠄蔚喂 渭蔚 蟿慰蠀蟼 未伪委渭慰谓蔚蟼 蔚谓蠈蟼 蟿蟻慰渭蔚蟻慰蠉 魏蠈蟽渭慰蠀, 尾委蠅蟽蔚 蠅蟼 蟿伪 维魏蟻伪, 尾维味慰谓蟿伪蟼 蟿苇蟻渭伪 蟽蟿畏 味蠅萎 蟿慰蠀 蟽蟿伪 蟿蟻喂维谓蟿伪 蟿蟻委伪 蟿慰蠀 蠂蟻蠈谓喂伪.
螠慰蟻蠁萎 蔚蠀纬蔚谓喂魏萎 魏伪喂 尾伪蟽伪谓喂蟽渭苇谓畏 伪蟺蠈 蟿畏谓 蠄蠀蠂喂魏萎 伪蟽胃苇谓蔚喂伪 蟺慰蠀 魏位畏蟻慰谓蠈渭畏蟽蔚, 位慰纬慰蟿苇蠂谓畏蟼 伪尉喂蠋蟽蔚蠅谓 慰 慰蟺慰委慰蟼 未蔚谓 蟺蟻蠈位伪尾蔚 魏伪谓 谓伪 未喂伪谓蠉蟽蔚喂 苇谓伪 渭苇蟻慰蟼 蟿畏蟼 位伪渭蟺蟻萎蟼 未喂伪未蟻慰渭萎蟼 蟺慰蠀 蟿慰谓 蟺蔚蟻委渭蔚谓蔚, 苇谓胃蔚蟻渭慰蟼 蟺伪蟿蟻喂蠋蟿畏蟼 蟺慰蠀 蟿蟻伪蠀渭伪蟿委蟽蟿畏魏蔚 魏伪蟿维 蟿畏 未喂维蟻魏蔚喂伪 蟿慰蠀 蟺慰位苇渭慰蠀, 慰 螔蟽苇尾慰位慰谓蟿 螠喂蠂伪萎位慰尾喂蟿蟼 螕魏维蟻蟽喂谓 蔚委谓伪喂 渭喂伪 渭慰谓伪蠂喂魏萎, 尾伪蟽伪谓喂蟽渭苇谓畏 蠁喂纬慰蠉蟻伪 蟿畏蟼 蟻蠅蟽喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼 蟿慰蠀 19慰蠀 伪喂蠋谓伪 魏伪喂, 蔚喂未喂魏蠈蟿蔚蟻伪, 蟿畏蟼 蟺蔚蟻委蠁畏渭畏蟼 位慰纬慰蟿蔚蠂谓喂魏萎蟼 纬蔚谓喂维蟼 蟿畏蟼 未蔚魏伪蔚蟿委伪蟼 蟿慰蠀 1870.
螤伪蟻慰蠀蟽喂维蟽蟿畏魏蔚 谓苇慰蟼 蟽蟿伪 蟻蠅蟽喂魏维 纬蟻维渭渭伪蟿伪, 伪蠀蟿萎 蟿畏谓 伪蟺伪喂蟿畏蟿喂魏萎, 位蠈纬蠅 蟺伪蟻维未慰蟽畏蟼, 位慰纬慰蟿蔚蠂谓喂魏萎 魏慰谓委蟽蟿蟻伪, 魏伪喂 蟿蟻维尾畏尉蔚 伪渭苇蟽蠅蟼 蟿畏谓 蟺蟻慰蟽慰蠂萎 蟿蠅谓 蟽蠀纬蠂蟻蠈谓蠅谓 蟿慰蠀. 螠伪 畏 味蠅萎 蔚委蠂蔚 维位位伪 蟽蠂苇未喂伪 纬喂' 伪蠀蟿蠈谓. 螠蔚 蟿畏谓 蟺维蟻慰未慰 蟿慰蠀 蠂蟻蠈谓慰蠀 尾蠀胃喂味蠈蟿伪谓 慰位慰苇谓伪 魏伪喂 蟺喂慰 蟺慰位蠉 蟽蟿慰 蟺蠀魏谓蠈 蟽魏慰蟿维未喂 蟺慰蠀 蠁蠋位喂伪味蔚 蟽蟿畏谓 蠄蠀蠂萎 蟿慰蠀.
韦慰 "螝蠈魏魏喂谓慰 位慰蠀位慰蠉未喂" 蔚委谓伪喂 委蟽蠅蟼 蟿慰 蟺喂慰 伪谓蟿喂蟺蟻慰蟽蠅蟺蔚蠀蟿喂魏蠈 伪蟺蠈 蟿伪 未喂畏纬萎渭伪蟿维 蟿慰蠀. 螠喂位维 渭蔚 蟽蠀纬魏位慰谓喂蟽蟿喂魏蠈 蟿蟻蠈蟺慰 纬喂伪 蟿畏谓 蟿蟻苇位伪, 伪蠀蟿萎谓 蟺慰蠀 慰未萎纬畏蟽蔚 蟿慰谓 蟽蠀纬纬蟻伪蠁苇伪 蟿慰蠀 蟽蟿畏谓 伪蠀蟿慰魏蟿慰谓委伪.
(螒蟺蠈 蟿慰谓 蟺蟻蠈位慰纬慰 蟿慰蠀 螖畏渭萎蟿蟻畏 螔. 韦蟻喂伪谓蟿伪蠁蠀位位委未畏)
螠蔚 蟽蟺维谓喂伪蟼 苇谓蟿伪蟽畏蟼 位喂蟿蠈蟿畏蟿伪, 蟿慰 未喂萎纬畏渭伪 伪蠀蟿蠈 蟽蟿慰喂蠂蔚喂蠋谓蔚喂 蠈蟽慰蠀蟼 蟿慰 未喂伪尾维味慰蠀谓, 魏伪胃蠋蟼 蟺蟻慰蟽蔚纬纬委味蔚喂 渭蔚 渭慰谓伪未喂魏蠈 蟿蟻蠈蟺慰 蟿慰 渭蠀蟽蟿萎蟻喂慰 魏伪喂 蟿畏谓 慰渭慰蟻蠁喂维 蟿畏蟼 蟿蟻苇位伪蟼, 渭喂伪蟼 魏伪蟿维蟽蟿伪蟽畏蟼 蟿畏谓 慰蟺慰委伪 慰 蟽蠀纬纬蟻伪蠁苇伪蟼, 苇蠂慰谓蟿伪蟼 谓伪 蟺伪位苇蠄蔚喂 渭蔚 蟿慰蠀蟼 未伪委渭慰谓蔚蟼 蔚谓蠈蟼 蟿蟻慰渭蔚蟻慰蠉 魏蠈蟽渭慰蠀, 尾委蠅蟽蔚 蠅蟼 蟿伪 维魏蟻伪, 尾维味慰谓蟿伪蟼 蟿苇蟻渭伪 蟽蟿畏 味蠅萎 蟿慰蠀 蟽蟿伪 蟿蟻喂维谓蟿伪 蟿蟻委伪 蟿慰蠀 蠂蟻蠈谓喂伪.
螠慰蟻蠁萎 蔚蠀纬蔚谓喂魏萎 魏伪喂 尾伪蟽伪谓喂蟽渭苇谓畏 伪蟺蠈 蟿畏谓 蠄蠀蠂喂魏萎 伪蟽胃苇谓蔚喂伪 蟺慰蠀 魏位畏蟻慰谓蠈渭畏蟽蔚, 位慰纬慰蟿苇蠂谓畏蟼 伪尉喂蠋蟽蔚蠅谓 慰 慰蟺慰委慰蟼 未蔚谓 蟺蟻蠈位伪尾蔚 魏伪谓 谓伪 未喂伪谓蠉蟽蔚喂 苇谓伪 渭苇蟻慰蟼 蟿畏蟼 位伪渭蟺蟻萎蟼 未喂伪未蟻慰渭萎蟼 蟺慰蠀 蟿慰谓 蟺蔚蟻委渭蔚谓蔚, 苇谓胃蔚蟻渭慰蟼 蟺伪蟿蟻喂蠋蟿畏蟼 蟺慰蠀 蟿蟻伪蠀渭伪蟿委蟽蟿畏魏蔚 魏伪蟿维 蟿畏 未喂维蟻魏蔚喂伪 蟿慰蠀 蟺慰位苇渭慰蠀, 慰 螔蟽苇尾慰位慰谓蟿 螠喂蠂伪萎位慰尾喂蟿蟼 螕魏维蟻蟽喂谓 蔚委谓伪喂 渭喂伪 渭慰谓伪蠂喂魏萎, 尾伪蟽伪谓喂蟽渭苇谓畏 蠁喂纬慰蠉蟻伪 蟿畏蟼 蟻蠅蟽喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼 蟿慰蠀 19慰蠀 伪喂蠋谓伪 魏伪喂, 蔚喂未喂魏蠈蟿蔚蟻伪, 蟿畏蟼 蟺蔚蟻委蠁畏渭畏蟼 位慰纬慰蟿蔚蠂谓喂魏萎蟼 纬蔚谓喂维蟼 蟿畏蟼 未蔚魏伪蔚蟿委伪蟼 蟿慰蠀 1870.
螤伪蟻慰蠀蟽喂维蟽蟿畏魏蔚 谓苇慰蟼 蟽蟿伪 蟻蠅蟽喂魏维 纬蟻维渭渭伪蟿伪, 伪蠀蟿萎 蟿畏谓 伪蟺伪喂蟿畏蟿喂魏萎, 位蠈纬蠅 蟺伪蟻维未慰蟽畏蟼, 位慰纬慰蟿蔚蠂谓喂魏萎 魏慰谓委蟽蟿蟻伪, 魏伪喂 蟿蟻维尾畏尉蔚 伪渭苇蟽蠅蟼 蟿畏谓 蟺蟻慰蟽慰蠂萎 蟿蠅谓 蟽蠀纬蠂蟻蠈谓蠅谓 蟿慰蠀. 螠伪 畏 味蠅萎 蔚委蠂蔚 维位位伪 蟽蠂苇未喂伪 纬喂' 伪蠀蟿蠈谓. 螠蔚 蟿畏谓 蟺维蟻慰未慰 蟿慰蠀 蠂蟻蠈谓慰蠀 尾蠀胃喂味蠈蟿伪谓 慰位慰苇谓伪 魏伪喂 蟺喂慰 蟺慰位蠉 蟽蟿慰 蟺蠀魏谓蠈 蟽魏慰蟿维未喂 蟺慰蠀 蠁蠋位喂伪味蔚 蟽蟿畏谓 蠄蠀蠂萎 蟿慰蠀.
韦慰 "螝蠈魏魏喂谓慰 位慰蠀位慰蠉未喂" 蔚委谓伪喂 委蟽蠅蟼 蟿慰 蟺喂慰 伪谓蟿喂蟺蟻慰蟽蠅蟺蔚蠀蟿喂魏蠈 伪蟺蠈 蟿伪 未喂畏纬萎渭伪蟿维 蟿慰蠀. 螠喂位维 渭蔚 蟽蠀纬魏位慰谓喂蟽蟿喂魏蠈 蟿蟻蠈蟺慰 纬喂伪 蟿畏谓 蟿蟻苇位伪, 伪蠀蟿萎谓 蟺慰蠀 慰未萎纬畏蟽蔚 蟿慰谓 蟽蠀纬纬蟻伪蠁苇伪 蟿慰蠀 蟽蟿畏谓 伪蠀蟿慰魏蟿慰谓委伪.
(螒蟺蠈 蟿慰谓 蟺蟻蠈位慰纬慰 蟿慰蠀 螖畏渭萎蟿蟻畏 螔. 韦蟻喂伪谓蟿伪蠁蠀位位委未畏)
70 pages, Paperback
First published January 1, 1883
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About the author
Vsevolod Garshin
138听books43听followersVsevolod Garshin (Russian: 袙褋械胁芯谢芯写 袦懈褏邪泄谢芯胁懈褔 袚邪褉褕懈薪) is considered one of Russia's masters of short fiction. The son of a wealthy army officer, he served in the last of the Russo-Turkish Wars (1877 to 1878) and wrote his first story, "Four Days" (1877), while recovering from battle wounds. His subsequent stories, which were praised by Ivan Turgenev and Anton Chekhov, often dealt with the subject of evil. Garshin suffered from recurring bouts of mental illness and his masterpiece, "The Scarlet Flower" (1883), was based on his confinement in an asylum. He committed suicide at 33. His collected works were translated into English as "The Signal and Other Stories" (1912).
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January 7, 2018
螖蔚谓 苇蠂蠅 未喂伪尾维蟽蔚喂 蟺喂慰 未蠀谓伪蟿蠈 未喂萎纬畏渭伪!
螖蔚谓 蔚委谓伪喂 蟿蠀蠂伪委慰 蠈蟿喂 蔚魏蟿委渭畏蟽伪谓 蟿慰 渭喂魏蟻萎蟼 苇魏蟿伪蟽畏蟼 苇蟻纬慰 蟿慰蠀 慰喂 Turgenev, Tolstoy. 螘蟺委蟽畏蟼 胃蔚蠅蟻蔚委蟿伪喂 蠈蟿喂 蟺蟻慰蔚蟿慰委渭伪蟽蔚 蟿慰 苇未伪蠁慰蟼 蟽蟿慰谓 Chekhov, 维位位蠅蟽蟿蔚 蔚委谓伪喂 蔚渭蠁伪谓苇蟽蟿伪蟿畏 畏 蔚蟺喂蟻蟻慰萎 蟿慰蠀 蟽蟿慰谓 螛维位伪渭慰 伪蟻. 6.
芦螣 维谓胃蟻蠅蟺慰蟼 蟺慰蠀 魏伪蟿维位伪尾蔚 蠈蟿喂 蟽蟿畏谓 蠄蠀蠂萎 蟿慰蠀 蠀蟺维蟻蠂蔚喂 渭喂伪 蟽蟺慰蠀未伪委伪 蟽魏苇蠄畏, 渭喂伪 魏慰喂谓萎 蟽魏苇蠄畏, 伪未喂伪蠁慰蟻蔚委 纬喂伪 蟿慰 蟺慰蠀 味蔚喂 魏伪喂 蟿喂 伪喂蟽胃维谓蔚蟿伪喂. 螒未喂伪蠁慰蟻蔚委 伪魏蠈渭伪 魏伪喂 纬喂伪 蟿慰 伪谓 味蔚喂 萎 未蔚谓 味蔚喂...禄
螖蔚谓 蔚委谓伪喂 蟿蠀蠂伪委慰 蠈蟿喂 蔚魏蟿委渭畏蟽伪谓 蟿慰 渭喂魏蟻萎蟼 苇魏蟿伪蟽畏蟼 苇蟻纬慰 蟿慰蠀 慰喂 Turgenev, Tolstoy. 螘蟺委蟽畏蟼 胃蔚蠅蟻蔚委蟿伪喂 蠈蟿喂 蟺蟻慰蔚蟿慰委渭伪蟽蔚 蟿慰 苇未伪蠁慰蟼 蟽蟿慰谓 Chekhov, 维位位蠅蟽蟿蔚 蔚委谓伪喂 蔚渭蠁伪谓苇蟽蟿伪蟿畏 畏 蔚蟺喂蟻蟻慰萎 蟿慰蠀 蟽蟿慰谓 螛维位伪渭慰 伪蟻. 6.
芦螣 维谓胃蟻蠅蟺慰蟼 蟺慰蠀 魏伪蟿维位伪尾蔚 蠈蟿喂 蟽蟿畏谓 蠄蠀蠂萎 蟿慰蠀 蠀蟺维蟻蠂蔚喂 渭喂伪 蟽蟺慰蠀未伪委伪 蟽魏苇蠄畏, 渭喂伪 魏慰喂谓萎 蟽魏苇蠄畏, 伪未喂伪蠁慰蟻蔚委 纬喂伪 蟿慰 蟺慰蠀 味蔚喂 魏伪喂 蟿喂 伪喂蟽胃维谓蔚蟿伪喂. 螒未喂伪蠁慰蟻蔚委 伪魏蠈渭伪 魏伪喂 纬喂伪 蟿慰 伪谓 味蔚喂 萎 未蔚谓 味蔚喂...禄
March 20, 2016
This russian short story is by all means perfect! Wreathed in allegory, it explores the mind of a madman and his obsessions in an insane asylum. I don't think it could be done more masterfully and brilliantly. Not much can be said about it. Not much should be said about it. You can download it and read it for free and, by all means, do!
February 8, 2020
Exceptional. Nightmarish. Unique. Garshin.
July 27, 2016
螤蟻慰蟽蟺伪胃蠋 谓伪 蟽魏蔚蠁蟿蠋 蟿喂 渭慰蠀 维蟻蔚蟽蔚 蟿蠈蟽慰 蟽蔚 伪蠀蟿苇蟼 蟿喂蟼 蟽蔚位委未蔚蟼 蟿慰蠀 尾喂尾位委慰蠀! 螖蔚谓 尉苇蟻蠅 伪谓 慰 螕魏维蟻蟽喂谓 蔚委蠂蔚 魏维蟺慰喂慰 蟽蠀渭尾慰位喂蟽渭蠈 蟽蟿慰 渭蠀伪位蠈 蟿慰蠀 渭蔚 蟿慰 位慰蠀位慰蠉未喂 魏伪喂 蟿慰 魏伪魏蠈...未喂伪尾维味慰谓蟿维蟼 蟿慰 蠅蟽蟿蠈蟽慰 蟽魏苇蠁蟿畏魏伪 蟺蠅蟼 蟿慰 魏伪魏蠈 蟽蟺蔚委蟻蔚蟿伪喂 魏伪喂 魏伪位位喂蔚蟻纬蔚委蟿伪喂, 魏 蟺蠋蟼 蟺维谓蟿伪 蠀蟺维蟻蠂蔚喂 魏维蟺慰喂慰蟼 蟺慰蠀 胃伪 蟺蟻慰蟽蟺伪胃萎蟽蔚喂 谓伪 蟿慰 魏蠈蠄蔚喂/ 谓伪 蟿慰 蟺蔚蟻喂慰蟻委蟽蔚喂!
October 16, 2017
螜蟽蠅蟼 渭喂伪 蟻蔚伪位喂蟽蟿喂魏畏 伪蟺蔚喂魏慰谓喂蟽畏 蟿蠅谓 蟽魏蔚蠄蔚蠅谓 魏 伪谓蟿喂未蟻伪蟽蔚蠅谓 蔚谓慰蟼 渭蠀伪位慰蠀 蟺慰蠀 蔚蠂蔚喂 伪蟺慰未蟻伪蟽蔚喂 蟽蟿畏谓 伪尾蠀蟽蟽慰 蟿畏蟼 蟿蟻蔚位伪蟼 魏 蟿慰蠀 蟺伪蟻伪位慰纬慰蠀.
April 28, 2024
诇住拽讬专讛 诪驻讜专讟转 讘注讘专讬转, 拽讬砖讜专 诇讘诇讜讙 砖诇讬 -
February 5, 2014
A wonderful short story by the great Russian writer Vsevolod Grarshin that is a dense, artistic and dramatic work, full of symbolism! It鈥檚 the story of an asylum patient who is fascinated with the liberation of mankind from the evil, which according to him resides in three poppies in the hospital鈥檚 garden. The story includes metaphysical dimension (liberation and rebirth of mankind), coupled with the conflict between darkness and light (the opposite forces). The patient perceives himself as the redeemer of mankind, the warrior, who is going to help humanity from the universal evil that lies in the three flowers, and at the end of the story he dies along with the last flower (both are united). There are very sad scenes, and the depiction of the patient鈥檚 mental world, his obsessions and hallucination, and the life in the hospital shows the mastery of Garshin at writing great stories. What I appreciated in particular is the subjective experience and semi-autobiographical element in the story, and how Garshin, who himself suffered from many mental bouts and spent few month in a mental institution- he even experienced being taken their straightjacketed- could invest his painful personal experience in writing is touching story.
December 14, 2018
螆谓伪 蔚魏蟺位畏魏蟿喂魏蠈 伪位位畏纬慰蟻喂魏蠈 魏位伪蟽喂魏蠈 未喂萎纬畏渭伪 蔚谓蠈蟼 蟽蠀纬纬蟻伪蠁苇伪 蟺慰蠀 未蔚谓 纬谓蠋蟻喂味伪. 螒蟼 蔚委谓伪喂 魏伪位维 畏 未畏渭慰蟿喂魏萎 渭伪蟼 尾喂尾位喂慰胃萎魏畏 蟺慰蠀 蟿伪魏蟿喂魏维 蟺蟻慰蟿蔚委谓蔚喂 魏维蟺慰喂伪 尾喂尾位委伪 蟽蟿喂蟼 蟺蟻慰胃萎魏蔚蟼 蟿畏蟼!!! 螘尉伪喂蟻蔚蟿喂魏蠈 魏伪喂 蟽蠀纬魏位慰谓喂蟽蟿喂魏蠈!
螤蟻慰蟿蔚委谓蔚蟿伪喂 伪谓蔚蟺喂蠁蠉位伪魏蟿伪!!!
螤蟻慰蟿蔚委谓蔚蟿伪喂 伪谓蔚蟺喂蠁蠉位伪魏蟿伪!!!
April 4, 2015
趩賯丿乇 丿賵爻鬲 丿丕乇賲 賳賲丕蹖卮 乇丕丿蹖賵蹖蹖卮賵 亘卮賳賵賲 ...
February 27, 2020
Extra帽o e inquietante relato donde el protagonista tiene alterada su mente y crea una atm贸sfera cada vez m谩s oscura hasta el inevitable desenlace.
Recomendable lectura, con toques de poes铆a y magn铆ficas ilustraciones.
Recomendable lectura, con toques de poes铆a y magn铆ficas ilustraciones.
May 20, 2018
M矛nh lu么n y锚u th铆ch nh峄痭g nh脿 v膬n Nga, 膽岷穋 bi峄噒 l脿 nh峄痭g nh脿 v膬n chuy锚n vi岷縯 truy峄噉 ng岷痭. 膼岷縩 v峄沬 cu峄憂 s谩ch n脿y, m矛nh l岷 bi岷縯 th锚m 膽瓢峄 m峄檛 t锚n tu峄昳 l峄沶 c峄 n峄乶 v膬n h峄峜 Nga n峄痑: V. M. Garshin. 脭ng 膽瓢峄 m峄噉h danh l脿 b岷璫 th岷 truy峄噉 ng岷痭 Nga, l脿 ng瓢峄漣 ti锚n phong trong ti岷縩 tr矛nh ph谩t tri峄僴 truy峄噉 ng岷痭 Nga, th岷璵 ch铆 tr瓢峄沜 c岷� m峄檛 b岷璫 th岷 kh谩c l脿 A. P. Chekhov. 峄� l岷 膽峄峜 膽岷 ti锚n, ti岷縞 l脿 c贸 l岷� m矛nh ch瓢a 膽峄� tr瓢峄焠g th脿nh 膽峄� c贸 th峄� c岷 nh岷璶 膽瓢峄 c谩i t铆nh b岷璫 th岷 trong nh峄痭g truy峄噉 ng岷痭 c峄 Gershin. V脿 v矛 th岷�, m矛nh r岷 m峄玭g khi b岷 th芒n 膽茫 cho cu峄憂 s谩ch n脿y m峄檛 c啤 h峄檌 n峄痑, m峄檛 l岷 膽峄峜 n峄痑 膽峄� ki峄僲 膽峄媙h l岷 c岷 nh岷璶 c峄 m矛nh. V脿 th峄眂 s峄�, 峄� l岷 膽峄峜 th峄� hai, m矛nh th岷 cu峄憂 s谩ch hay v么 c霉ng.
Nh峄痭g truy峄噉 ng岷痭 c峄 Garshin c贸 c峄憈 truy峄噉 惫脿 c岷 tr煤c gi岷 d峄�, nh瓢ng 岷﹏ ch峄゛ trong n贸 l脿 s峄� ph峄ヽ t岷 c峄 c岷 x煤c nh芒n v岷璽. T谩c gi岷� 膽茫 ph岷� 惫脿o nh峄痭g c芒u chuy峄噉 c峄 m矛nh c谩i tr膬n tr峄� r岷 膽峄漣, r岷 ng瓢峄漣, t峄� n峄梚 s峄� 惫脿 gh锚 t峄焟 chi岷縩 tranh nh瓢ng kh么ng th峄� n脿o tr谩nh ph岷 tham chi岷縩 v矛 t峄� qu峄慶; t峄� s峄� t脿n nh岷玭 c峄 x茫 h峄檌 膽岷 膽峄ヽ gi岷� 惫脿 s峄� t脿n b岷 c峄 膽谩m 膽么ng; t峄� tham v峄峮g 惫脿 l峄慽 suy ngh末 铆ch k峄�, "h煤t m谩u" 膽峄搉g lo岷 膽峄� l脿m gi脿u cho b岷 th芒n m矛nh kh么ng kh谩c g矛 lo脿i c岷 th煤; cho 膽岷縩 s峄� m芒u thu岷玭 mu么n 膽峄漣 gi峄痑 ngh峄� thu岷璽 v峄� ngh峄� thu岷璽 惫脿 ngh峄� thu岷璽 v峄� nh芒n sinh.
Garshin mu峄憂, th么ng qua nh峄痭g truy峄噉 ng岷痭 c峄 m矛nh, nh峄痭g nh芒n v岷璽 c峄 m矛nh, th谩o g峄� nh峄痭g v岷 膽峄� ph峄ヽ t岷 c峄 cu峄檆 s峄憂g. Nh瓢ng b岷 th芒n con ng瓢峄漣 么ng, m峄檛 nh脿 v膬n v峄沬 t芒m th岷 b岷 峄昻, tr岷g th谩i tinh th岷 b峄噉h t岷璽, tr岷 c岷 惫脿 t铆nh c谩ch c农ng kh贸 d貌 kh么ng k茅m, 膽茫 kh么ng th峄� gi煤p nh峄痭g nh芒n v岷璽 c峄 m矛nh tho谩t kh峄廼 s峄� tuy峄噒 v峄峮g m脿 t矛nh c岷h s峄憂g c峄 h峄� g芒y n锚n. V脿 ti岷縞 nu峄慽 h啤n c岷�, t谩c gi岷� c农ng 膽茫 kh么ng th峄� tho谩t kh峄廼 s峄� tuy峄噒 v峄峮g c峄 ch铆nh m矛nh; 么ng 膽茫 nh岷 l岷 t峄� t峄� khi ch峄� m峄沬 33 tu峄昳...
Nh峄痭g truy峄噉 ng岷痭 m矛nh th铆ch nh岷 惫脿 c岷 th岷 hay nh岷 trong tuy峄僴 t岷璸 n脿y bao g峄搈: "S峄� c峄�", "M峄檛 cu峄檆 g岷穚 g峄�", "K岷� h猫n nh谩t" 惫脿 "Nh峄痭g ng瓢峄漣 h峄峚 s末".
Nh峄痭g truy峄噉 ng岷痭 c峄 Garshin c贸 c峄憈 truy峄噉 惫脿 c岷 tr煤c gi岷 d峄�, nh瓢ng 岷﹏ ch峄゛ trong n贸 l脿 s峄� ph峄ヽ t岷 c峄 c岷 x煤c nh芒n v岷璽. T谩c gi岷� 膽茫 ph岷� 惫脿o nh峄痭g c芒u chuy峄噉 c峄 m矛nh c谩i tr膬n tr峄� r岷 膽峄漣, r岷 ng瓢峄漣, t峄� n峄梚 s峄� 惫脿 gh锚 t峄焟 chi岷縩 tranh nh瓢ng kh么ng th峄� n脿o tr谩nh ph岷 tham chi岷縩 v矛 t峄� qu峄慶; t峄� s峄� t脿n nh岷玭 c峄 x茫 h峄檌 膽岷 膽峄ヽ gi岷� 惫脿 s峄� t脿n b岷 c峄 膽谩m 膽么ng; t峄� tham v峄峮g 惫脿 l峄慽 suy ngh末 铆ch k峄�, "h煤t m谩u" 膽峄搉g lo岷 膽峄� l脿m gi脿u cho b岷 th芒n m矛nh kh么ng kh谩c g矛 lo脿i c岷 th煤; cho 膽岷縩 s峄� m芒u thu岷玭 mu么n 膽峄漣 gi峄痑 ngh峄� thu岷璽 v峄� ngh峄� thu岷璽 惫脿 ngh峄� thu岷璽 v峄� nh芒n sinh.
Garshin mu峄憂, th么ng qua nh峄痭g truy峄噉 ng岷痭 c峄 m矛nh, nh峄痭g nh芒n v岷璽 c峄 m矛nh, th谩o g峄� nh峄痭g v岷 膽峄� ph峄ヽ t岷 c峄 cu峄檆 s峄憂g. Nh瓢ng b岷 th芒n con ng瓢峄漣 么ng, m峄檛 nh脿 v膬n v峄沬 t芒m th岷 b岷 峄昻, tr岷g th谩i tinh th岷 b峄噉h t岷璽, tr岷 c岷 惫脿 t铆nh c谩ch c农ng kh贸 d貌 kh么ng k茅m, 膽茫 kh么ng th峄� gi煤p nh峄痭g nh芒n v岷璽 c峄 m矛nh tho谩t kh峄廼 s峄� tuy峄噒 v峄峮g m脿 t矛nh c岷h s峄憂g c峄 h峄� g芒y n锚n. V脿 ti岷縞 nu峄慽 h啤n c岷�, t谩c gi岷� c农ng 膽茫 kh么ng th峄� tho谩t kh峄廼 s峄� tuy峄噒 v峄峮g c峄 ch铆nh m矛nh; 么ng 膽茫 nh岷 l岷 t峄� t峄� khi ch峄� m峄沬 33 tu峄昳...
Nh峄痭g truy峄噉 ng岷痭 m矛nh th铆ch nh岷 惫脿 c岷 th岷 hay nh岷 trong tuy峄僴 t岷璸 n脿y bao g峄搈: "S峄� c峄�", "M峄檛 cu峄檆 g岷穚 g峄�", "K岷� h猫n nh谩t" 惫脿 "Nh峄痭g ng瓢峄漣 h峄峚 s末".
April 30, 2018
Si tratta di un brevissimo racconto in cui un folle vuole redimere l'umanit脿 dal Male. Chiuso in un manicomio 猫 convinto che tutto il male del mondo sia racchiuso in tre papaveri rossi che crescono nel giardino della casa di cura. Ogni papavero estirpato indebolisce il folle che si convince che in questa lotta tra il Bene e il Male solo uno dei due possa sopravvivere. La malattia peggiora, deliri e allucinazioni aumentano, gli inserviente non si allontanano un attimo, eppure non perde le speranze e riesce a sradicare anche l'ultimo fiore per morire sereno.
Il racconto 猫 tragico e lo si percepisce sin dalle prime parole; le descrizioni sono dettagliate e intense nonostante la brevit脿 della storia. La tragicit脿 non sta soltanto in questa lotta inutile e nella descrizione del manicomio, ma anche nella disperazione morale del folle che pensa di essere l'unico a poter salvare l'umanit脿.
Disponibile online:
Il racconto 猫 tragico e lo si percepisce sin dalle prime parole; le descrizioni sono dettagliate e intense nonostante la brevit脿 della storia. La tragicit脿 non sta soltanto in questa lotta inutile e nella descrizione del manicomio, ma anche nella disperazione morale del folle che pensa di essere l'unico a poter salvare l'umanit脿.
Disponibile online:
June 12, 2015
丕賳诏丕乇 丿賳蹖丕 丿乇 賳蹖賲賴 蹖 丿賵賲 賯乇賳 賳賵夭丿賴 倬乇 丕夭 賳賵蹖爻賳丿賴 賵 賴賳乇賲賳丿 丿蹖賵丕賳賴 亘賵丿賴 貙 賴賲蹖賳 賲賵賯賴 賴丕爻 讴賴 賳蹖趩賴 賴賲 丕夭 丿蹖丿賳 卮賱丕賯 禺賵乇丿鬲 蹖賴 丕爻亘 丿趩丕乇 丕賵賳 胤睾蹖丕賳 乇賵丨蹖 賲蹖卮賴 . 亘蹖 丿賱蹖賱 賳蹖爻鬲 讴賴 亘蹖卮鬲乇蹖賳 倬蹖卮乇賮鬲 賴丕蹖 乇賵丕賳卮賳丕爻蹖 賮賯胤 趩賳丿 爻丕賱 亘毓丿 鬲賵蹖 爻丿賴 蹖 亘蹖爻鬲賲 亘賴 丿爻鬲 賲蹖丕丿 . 賴賲蹖卮賴 丕蹖賳 鬲卅賵乇蹖 賲睾夭賲賵 賯賱賯賱讴 丿丕丿賴 讴賴 丨鬲賲丕 亘丕蹖丿 賳蹖丕夭 亘乇丕蹖 趩蹖夭蹖 鬲丕 爻乇 丨丿 賲乇诏 蹖丕 噩賳賵賳 ! 亘賴 賵噩賵丿 亘蹖丕丿 鬲丕 亘卮乇 乇丕賴蹖 亘乇丕卮 倬蹖丿丕 讴賳賴 !
亘賴 賴乇 丨丕賱 讴丕乇 禺蹖賱蹖 禺賵亘蹖賴 亘丕 鬲乇噩賲賴 蹖 乇賵賵賳 丿賵賱鬲 丌亘丕丿蹖 貙 蹖賴 噩丕賴丕蹖蹖 丕爻鬲丿賱丕賱蹖 亘賵丿賳 丿蹖丕賱賵诏 賴丕 賲賳賵 蹖丕丿 賳诏丕乇卮 丿丕爻鬲丕蹖賵爻讴蹖 丕賳丿丕禺鬲 賵 賴賲賵賳胤賵乇 賴賲 讴賴 丿乇 賲賯丿賲賴 讴丕乇 蹖丕丿 丌賵乇 卮丿賴 丿賵賱鬲 丌亘丕丿蹖 貙 卮亘丕賴鬲 爻丕禺鬲丕乇蹖 讴丕乇 亘丕 丕鬲丕賯 卮賲丕乇賴 蹖 卮卮 趩禺賵賮 . 賵丕賯毓丕 丨蹖賮 卮丿 讴賴 乇賵爻 賴丕 丿蹖诏賴 賳賵蹖爻賳丿賴 丕蹖 丿乇 丨丿 丕蹖賳 丌丿賲丕 鬲丨賵蹖賱 賳丿丕丿賳 . 亘賴 氐賵乇鬲 賲爻禺乇賴 丕蹖 賮讴 賲蹖讴賳賲 讴賴 丕蹖賳 賴賲賴 賳亘賵睾 丿乇 賳賵卮鬲賳 亘蹖賳 乇賵爻 賴丕 賳丕卮蹖 丕夭 爻乇賲丕蹖 夭蹖丕丿 賵 賴賲蹖賳胤賵乇 賳馗丕賲 丕乇亘丕亘 賵 亘乇丿賴 丕蹖 賵 亘賴 鬲亘毓 丕賵賳 馗賱賲 賵 爻鬲賲 丿蹖丿賳 夭蹖丕丿 賲乇丿賲 亘賵丿賴 !
亘賴 賴乇 丨丕賱 讴丕乇 禺蹖賱蹖 禺賵亘蹖賴 亘丕 鬲乇噩賲賴 蹖 乇賵賵賳 丿賵賱鬲 丌亘丕丿蹖 貙 蹖賴 噩丕賴丕蹖蹖 丕爻鬲丿賱丕賱蹖 亘賵丿賳 丿蹖丕賱賵诏 賴丕 賲賳賵 蹖丕丿 賳诏丕乇卮 丿丕爻鬲丕蹖賵爻讴蹖 丕賳丿丕禺鬲 賵 賴賲賵賳胤賵乇 賴賲 讴賴 丿乇 賲賯丿賲賴 讴丕乇 蹖丕丿 丌賵乇 卮丿賴 丿賵賱鬲 丌亘丕丿蹖 貙 卮亘丕賴鬲 爻丕禺鬲丕乇蹖 讴丕乇 亘丕 丕鬲丕賯 卮賲丕乇賴 蹖 卮卮 趩禺賵賮 . 賵丕賯毓丕 丨蹖賮 卮丿 讴賴 乇賵爻 賴丕 丿蹖诏賴 賳賵蹖爻賳丿賴 丕蹖 丿乇 丨丿 丕蹖賳 丌丿賲丕 鬲丨賵蹖賱 賳丿丕丿賳 . 亘賴 氐賵乇鬲 賲爻禺乇賴 丕蹖 賮讴 賲蹖讴賳賲 讴賴 丕蹖賳 賴賲賴 賳亘賵睾 丿乇 賳賵卮鬲賳 亘蹖賳 乇賵爻 賴丕 賳丕卮蹖 丕夭 爻乇賲丕蹖 夭蹖丕丿 賵 賴賲蹖賳胤賵乇 賳馗丕賲 丕乇亘丕亘 賵 亘乇丿賴 丕蹖 賵 亘賴 鬲亘毓 丕賵賳 馗賱賲 賵 爻鬲賲 丿蹖丿賳 夭蹖丕丿 賲乇丿賲 亘賵丿賴 !
February 7, 2017
Maravilloso relato g贸tico acompa帽ado de exquisitas y deliciosas ilustraciones.
Gran alimento para mi hambrienta alma g贸tica.
Gran alimento para mi hambrienta alma g贸tica.
April 24, 2019
丿丕爻鬲丕賳賴丕蹖 趩賴丕乇 乇賵夭貙 賵丕賯毓賴貙 賳賯丕卮賴丕貙 卮亘 賵 亘賴 胤賵乇 禺丕氐 丿丕爻鬲丕賳 诏賱 賯乇賲夭 丿丕爻鬲丕賳賴丕蹖蹖 禺賵丕賳丿賳蹖 丕夭 丕蹖賳 讴鬲丕亘 賴爻鬲賳丿. 賲賴賲鬲乇蹖賳 賵蹖跇诏蹖 诏丕乇卮蹖賳 丿乇 蹖丕賮鬲賳 賴賵卮賲賳丿丕賳賴 蹖 爻賵跇賴 賴丕蹖卮 丕爻鬲. 賲賯丕賱賴 蹖 賲蹖禺丕蹖賱賵爻讴蹖 丿乇亘丕乇賴 诏丕乇卮蹖賳 丿乇 丕賳鬲賴丕蹖 讴鬲丕亘 亘爻蹖丕乇 禺賵丕賳丿賳蹖 丕爻鬲. 丕诏乇趩賴 賲賳 亘丕 鬲賲丕賲 賳馗乇丕鬲 賲蹖禺丕蹖賱賵爻讴蹖 丿乇亘丕乇賴 诏丕乇卮蹖賳 賲賵丕賮賯 賳蹖爻鬲賲 賵賱蹖 丕蹖賳 亘禺卮卮 丿乇 賲賵乇丿 诏丕乇卮蹖賳 亘賴 賳馗乇賲 丨丕卅夭 丕賴賲蹖鬲 丕爻鬲: 芦丕蹖賳 賮讴乇 鬲賳賴丕 亘賵丿賳 丿乇 賲蹖丕賳 噩賲毓 賵 賵爻蹖賱賴 亘賵丿賳 丿乇 丿爻鬲 蹖讴 讴賱 亘夭乇诏 賵 倬蹖趩蹖丿賴 賲丿丕賲 诏丕乇卮蹖賳 乇丕 鬲毓賯蹖亘 賲蹖 讴賳丿 賵 亘蹖 卮讴 賲賳亘毓 亘丿亘蹖賳蹖 丕賵 賴賲蹖賳 丕爻鬲. 睾賲 賵 亘丿亘禺鬲蹖 賯賴乇賲丕賳丕賳 丕賵 丕夭 丕蹖賳 賲蹖 丌蹖丿 讴賴 賴賲賴 卮丕賳 丿賳亘丕賱 蹖讴 丿賵爻鬲 賲蹖 诏乇丿賳丿貙 鬲卮賳賴 蹖 賲丨亘鬲 丕賳丿貙 亘賴 丿賳亘丕賱 卮讴賱蹖 丕夭 賲毓丕卮乇鬲 亘丕 賲乇丿賲 賲蹖 诏乇丿賳丿 讴賴 亘鬲賵丕賳賳丿 亘丕 鬲賲丕賲 賵噩賵丿貙 亘丕 賴賲賴 蹖 丿賱 賵 噩丕賳 亘賴 丌賳 亘趩爻亘賳丿貙 賳賴 賮賯胤 亘丕 蹖讴 亘禺卮 丕夭 乇賵丨卮丕賳 賲孬賱 蹖讴 丕孬乇 賴賳乇蹖貙 亘賱讴賴 亘丕 鬲賲丕賲 噩丕賳 賵 丕蹖賳 蹖毓賳蹖 賳賴 亘賴 賵爻蹖賱賴 蹖丕 爻賱丕丨蹖 禺丕氐貙 亘賱讴賴 丿乇 讴爻賵鬲 丕賳爻丕賳貙 亘丕 丨賮馗 鬲賲丕賲蹖 卮卅賵賳丕鬲 丕賳爻丕賳蹖.禄鬲賲丕賲
December 16, 2014
I was totally absorbed by this short little book. The symbolism seems to me to be representative of a saviour figure. The troubled soul felt it his obligation to redeem the world from evil. The third flower was essential. It is difficult not to draw parallels with Christ's redemption on behalf of the world. The three flowers echo for me the triune God: Father, son and Holy Spirit: a treasure of a find.
December 14, 2014
Read it for free here:
October 5, 2022
讝讛讜 拽讜讘抓 讛住讬驻讜专讬诐 讛专讗砖讜谉 砖诇 讜住讘讜诇讜讚 讙专砖讬谉, 住讜驻专 砖诪注讜诇诐 诇讗 砖诪注转讬 注诇讬讜 注讚 砖讛讜爪讗转 转砖注 谞砖诪讜转 讙讗诇讛 讗讜转讜 诪讗诇诪讜谞讬讜转讜 诇驻讞讜转, 讻讱 讗谞讬 诪讗诪讬谉, 讗爪诇 专讜讘 爪讬讘讜专 讛拽讜专讗讬诐 讛讬砖专讗诇讬讬诐.
讙专砖讬谉 讻转讘 注讚 诇讛转讗讘讚讜转讜 20 住讬驻讜专讬诐 讜讛讛讜爪讗讛 诪讘讟讬讞讛 砖讛讬讗 诪转讻讜讜谞转 诇转专讙诐 讗转 讻讜诇诐 讜诇讛讜爪讬讗诐 诇讗讜专.
讛住讬驻讜专讬诐 讘讗谞转讜诇讜讙讬讛 讛讝讜 谞讻转讘讜 讘讬谉 讛砖谞讬诐 1877-1887 讜讛诐 诪讘讜住住讬诐 注诇 驻专拽讬诐 诪讞讬讬讜 砖诇 讛住讜驻专 讗讜 诇讻诇 讛驻讞讜转 讘讛砖专讗转 诪拽讜诪讜转 讘讛诐 砖讛讛 讜讞讜讜讬讜转 讗讜转谉 讞讜讜讛. 诪住转讘专 砖讙专砖讬谉 讛讬讛 驻讜驻讜诇专讬 诪讗讚 讘诪讬讜讞讚 讘专讜住讬讛 讜讘爪专驻转.
讛讗谞转讜诇讜讙讬讛 讛讝讜 讻讜诇诇转 4 住讬驻讜专讬诐 拽爪专讬诐 讜诪注讜诇讬诐, 讘转专讙讜诐 诪爪讜讬谉 砖诇 讟讬谞讜 诪讜砖拽讜讘讬抓.
讛住讬驻讜专 讛诪专砖讬诐 诪讻讜诇诐 讛讜讗 住讬驻讜专 讛谞讜砖讗 "讛驻专讞 讛讗讚讜诐" 讛讻讜诇诇 诪住' 讬诪讬诐 讘讞讬讬讜 砖诇 讞讜诇讛 谞驻砖 讛诪讗讜砖驻讝 讘讻驻讬讬讛 讘讘讬转 讞讜诇讬诐 诇讞讜诇讬 谞驻砖. 注讜讚 住讬驻讜专 砖讛专砖讬诐 讗讜转讬 诪讗讚 讛讜讗 "讗专讘注讛 讬诪讬诐" 砖讻砖诪讜 诪转讗专 讗专讘注讛 讬诪讬诐 砖注讜讘专讬诐 注诇 讞讬讬诇 砖讛转谞讚讘 诇讛讬诇讞诐 谞讙讚 讛讟讜专拽讬诐 讜诪讜爪讗 注爪诪讜 诇讘讚 讘砖讚讛 讻砖讛讜讗 驻爪讜注 讜诇讬讚讜 讙讜驻转 讛讞讬讬诇 讛讟讜专拽讬 讗讜转讜 讛专讙 诇驻谞讬 砖谞驻讙注 讘注爪诪讜. 讞讜讜讬讬转 讛讛讬砖专讚讜转 讛讝讜, 诇讬讚 讙讜驻转讜 讛诪爪讞讬谞讛 砖诇 讛讞讬讬诇 讗讜转讜 讻讗诪讜专 讛专讙, 讻驻讬 砖讛讬讗 诪住讜驻专转 注"讬 讗讜转讜 讞讬讬诇, 诪诪砖 诪专砖讬诪讛. 讘讻诇诇, 讙专砖讬谉 讛爪诇讬讞 诇讝拽拽 讗转 讞讜讜讬讜转讬讜 讛拽砖讜转 讘讗驻谉 诪专砖讬诐 讜讻讗砖专 诪讚讜讘专 讘住讬驻讜专讬诐 拽爪专讬诐 讝讛 讛讬砖讙 砖讗讬谞谞讜 诪讜讘谉 诪讗诇讬讜.
讛拽专讬讗讛 讘住驻专 注讜专专讛 讘讬 住拽专谞讜转 专讘讛 讘讗砖专 诇砖讗专 讛住讬驻讜专讬诐 砖讻转讘 讙专砖讬谉 讜讗讬谉 诇讬 住驻拽 砖讗砖诪讞 诇专讻讜砖 讻讗砖专 讬讛讬讜 讝诪讬谞讬诐.
讻讘专 讻转讘转讬 讘注讘专 砖讗谞讬 诇讗 讞讜讘讘 讙讚讜诇 砖诇 讛讛讜爪讗讛 讛讝讜 讗讘诇 诇注讬转讬诐 讬砖 讘讛 讙诐 驻谞讬谞讬诐 讻诪讜 讛住驻专 讛讝讛.
讗专讘注讛 讻讜讻讘讬诐 诪谞爪谞爪讬诐
讙专砖讬谉 讻转讘 注讚 诇讛转讗讘讚讜转讜 20 住讬驻讜专讬诐 讜讛讛讜爪讗讛 诪讘讟讬讞讛 砖讛讬讗 诪转讻讜讜谞转 诇转专讙诐 讗转 讻讜诇诐 讜诇讛讜爪讬讗诐 诇讗讜专.
讛住讬驻讜专讬诐 讘讗谞转讜诇讜讙讬讛 讛讝讜 谞讻转讘讜 讘讬谉 讛砖谞讬诐 1877-1887 讜讛诐 诪讘讜住住讬诐 注诇 驻专拽讬诐 诪讞讬讬讜 砖诇 讛住讜驻专 讗讜 诇讻诇 讛驻讞讜转 讘讛砖专讗转 诪拽讜诪讜转 讘讛诐 砖讛讛 讜讞讜讜讬讜转 讗讜转谉 讞讜讜讛. 诪住转讘专 砖讙专砖讬谉 讛讬讛 驻讜驻讜诇专讬 诪讗讚 讘诪讬讜讞讚 讘专讜住讬讛 讜讘爪专驻转.
讛讗谞转讜诇讜讙讬讛 讛讝讜 讻讜诇诇转 4 住讬驻讜专讬诐 拽爪专讬诐 讜诪注讜诇讬诐, 讘转专讙讜诐 诪爪讜讬谉 砖诇 讟讬谞讜 诪讜砖拽讜讘讬抓.
讛住讬驻讜专 讛诪专砖讬诐 诪讻讜诇诐 讛讜讗 住讬驻讜专 讛谞讜砖讗 "讛驻专讞 讛讗讚讜诐" 讛讻讜诇诇 诪住' 讬诪讬诐 讘讞讬讬讜 砖诇 讞讜诇讛 谞驻砖 讛诪讗讜砖驻讝 讘讻驻讬讬讛 讘讘讬转 讞讜诇讬诐 诇讞讜诇讬 谞驻砖. 注讜讚 住讬驻讜专 砖讛专砖讬诐 讗讜转讬 诪讗讚 讛讜讗 "讗专讘注讛 讬诪讬诐" 砖讻砖诪讜 诪转讗专 讗专讘注讛 讬诪讬诐 砖注讜讘专讬诐 注诇 讞讬讬诇 砖讛转谞讚讘 诇讛讬诇讞诐 谞讙讚 讛讟讜专拽讬诐 讜诪讜爪讗 注爪诪讜 诇讘讚 讘砖讚讛 讻砖讛讜讗 驻爪讜注 讜诇讬讚讜 讙讜驻转 讛讞讬讬诇 讛讟讜专拽讬 讗讜转讜 讛专讙 诇驻谞讬 砖谞驻讙注 讘注爪诪讜. 讞讜讜讬讬转 讛讛讬砖专讚讜转 讛讝讜, 诇讬讚 讙讜驻转讜 讛诪爪讞讬谞讛 砖诇 讛讞讬讬诇 讗讜转讜 讻讗诪讜专 讛专讙, 讻驻讬 砖讛讬讗 诪住讜驻专转 注"讬 讗讜转讜 讞讬讬诇, 诪诪砖 诪专砖讬诪讛. 讘讻诇诇, 讙专砖讬谉 讛爪诇讬讞 诇讝拽拽 讗转 讞讜讜讬讜转讬讜 讛拽砖讜转 讘讗驻谉 诪专砖讬诐 讜讻讗砖专 诪讚讜讘专 讘住讬驻讜专讬诐 拽爪专讬诐 讝讛 讛讬砖讙 砖讗讬谞谞讜 诪讜讘谉 诪讗诇讬讜.
讛拽专讬讗讛 讘住驻专 注讜专专讛 讘讬 住拽专谞讜转 专讘讛 讘讗砖专 诇砖讗专 讛住讬驻讜专讬诐 砖讻转讘 讙专砖讬谉 讜讗讬谉 诇讬 住驻拽 砖讗砖诪讞 诇专讻讜砖 讻讗砖专 讬讛讬讜 讝诪讬谞讬诐.
讻讘专 讻转讘转讬 讘注讘专 砖讗谞讬 诇讗 讞讜讘讘 讙讚讜诇 砖诇 讛讛讜爪讗讛 讛讝讜 讗讘诇 诇注讬转讬诐 讬砖 讘讛 讙诐 驻谞讬谞讬诐 讻诪讜 讛住驻专 讛讝讛.
讗专讘注讛 讻讜讻讘讬诐 诪谞爪谞爪讬诐
June 29, 2020
鈥極nun su莽u ne?
Onu 枚ld眉rm眉艧 olsam da benim su莽um ne?
Su莽um ne?鈥�
.
1877-1878 Osmanl谋- Rus Sava艧谋, daha 莽ok bildi臒imiz ad谋yla 93 Harbi. 脟etin bir sava艧 ve Osmanl谋鈥檔谋n hezimete u臒ramas谋.
Tuna鈥檔谋n kar艧谋s谋ndan dinliyoruz bu sava艧谋. Gar艧in anlat谋yor.
Ve 艧枚yle diyor asl谋nda: 鈥樏秎d眉rd眉臒眉m眉z kimdi? 脰ld眉rd眉klerimizi neden 枚ld眉rd眉k鈥� ve yukar谋daki dizelerle somutla艧谋yor hisleri.
陌艧lenen su莽 ve bunun tonlarca a臒谋rl谋臒谋 alt谋nda kalmak.
鈥極lmas谋 gereken oldu鈥� deyip s谋yr谋labilir miyiz i艧in i莽inden? Ya艧and谋 ve bitti, iki taraf da 鈥榓c谋鈥� kay谋plar verdi, sanki 鈥榯atl谋鈥� bir kay谋p varm谋艧 gibi.
.
脟ehov鈥檜n 枚nc眉l眉 olarak g枚r眉nen, erken ya艧ta bu d眉nyaya veda eden Vsevolod Mihaylovi莽 Gar艧in ile tan谋艧mam olduk莽a kanl谋 oldu (ki Gar艧in annesine bir mektubunda kandan nefret etti臒ini ancak her yerin kanla kapl谋 oldu臒unu s枚yl眉yordu). Kendisi pasifizme inan谋rken bir yandan da sava艧谋n i莽inde buluyor kendini. Tan谋k olduklar谋n谋 da kalemine bo艧alt谋yor. Bu kitaptaki dokuz 枚yk眉 de sava艧谋n ayr谋 bir yan谋n谋 y眉z眉m眉ze vuruyor. Dokuz 枚yk眉 direkt olmasa da birbirine de ba臒l谋..
En 莽ok etkilendi臒im ise D枚rt G眉n oluyor.. Vurulan bir asker d眉艧眉n眉n, ormanda yaln谋z ba艧谋na kal谋yor, biraz 枚tesinde 枚ld眉rd眉臒眉 T眉rk asker yat谋yor. Zaman a臒谋r a臒谋r ak谋yor, 枚nce 枚lmek istemiyor 鈥� 莽abal谋yor, sonra sava艧t谋klar谋yla y眉zle艧mekten korkuyor ve son nokta: 枚l眉m眉 arzuluyor. O d枚rt g眉n 枚yle duru anlat谋l谋rken nas谋l bu kadar can yak谋c谋 olabilir? Sava艧mam谋艧, bug眉ne kadar yara almam谋艧 olan ben, neden g枚zlerimin dolmas谋na engel olam谋yorum?
Ac谋 dedi臒imizin dili yok 莽眉nk眉. Birbirini tan谋mayan 莽ocuklar谋n birbirini 枚ld眉rmesinin manas谋 olmad谋臒谋 gibi鈥�
Zweig鈥櫮眓 Mecburiyet鈥檌nde de bunu duyumsam谋艧t谋m. Frantz filminin o siyah beyazl谋臒谋nda da..
Kimleri 枚ld眉r眉yoruz? Neden 枚l眉yoruz? Geride kalanlar, gelecekten 莽al谋nanlar ne olacak?
Velhas谋l sadece 93 Harbi鈥檔i de臒il, t眉m ge莽mi艧 sava艧lar谋 ve olas谋 sava艧lar谋 sorgulatan 枚yk眉ler bunlar.
Silahlar谋 de臒il- stratejileri ve co臒rafyan谋n kaderini de臒il; bizzat sava艧an bedenleri d眉艧眉nd眉ren 枚yk眉ler..
.
Kitaptaki 枚yk眉ler kadar kapak resmi de etkiledi beni. 陌lya Repin鈥檌n Gar艧in portresi. Gar艧in鈥檌n bak谋艧lar谋ndaki yorgunluk, kitaplar谋 aras谋nda masadan g眉莽 almaya 莽al谋艧谋rcas谋na duru艧u.. 脰yk眉leriyle bile 艧ekillendirebilirdim bu y眉z眉.. (akl谋ma The Pianist鈥檛eki Adrien Brody performans谋n谋 getirdi ayr谋ca..)
Esra Ar谋鈥檔谋n ak谋c谋 莽evirisiyle.. Ve Gar艧in鈥檌 dilimizle bulu艧turan i莽in Ketebe鈥檔in 枚zenli 莽al谋艧mas谋yla..
Onu 枚ld眉rm眉艧 olsam da benim su莽um ne?
Su莽um ne?鈥�
.
1877-1878 Osmanl谋- Rus Sava艧谋, daha 莽ok bildi臒imiz ad谋yla 93 Harbi. 脟etin bir sava艧 ve Osmanl谋鈥檔谋n hezimete u臒ramas谋.
Tuna鈥檔谋n kar艧谋s谋ndan dinliyoruz bu sava艧谋. Gar艧in anlat谋yor.
Ve 艧枚yle diyor asl谋nda: 鈥樏秎d眉rd眉臒眉m眉z kimdi? 脰ld眉rd眉klerimizi neden 枚ld眉rd眉k鈥� ve yukar谋daki dizelerle somutla艧谋yor hisleri.
陌艧lenen su莽 ve bunun tonlarca a臒谋rl谋臒谋 alt谋nda kalmak.
鈥極lmas谋 gereken oldu鈥� deyip s谋yr谋labilir miyiz i艧in i莽inden? Ya艧and谋 ve bitti, iki taraf da 鈥榓c谋鈥� kay谋plar verdi, sanki 鈥榯atl谋鈥� bir kay谋p varm谋艧 gibi.
.
脟ehov鈥檜n 枚nc眉l眉 olarak g枚r眉nen, erken ya艧ta bu d眉nyaya veda eden Vsevolod Mihaylovi莽 Gar艧in ile tan谋艧mam olduk莽a kanl谋 oldu (ki Gar艧in annesine bir mektubunda kandan nefret etti臒ini ancak her yerin kanla kapl谋 oldu臒unu s枚yl眉yordu). Kendisi pasifizme inan谋rken bir yandan da sava艧谋n i莽inde buluyor kendini. Tan谋k olduklar谋n谋 da kalemine bo艧alt谋yor. Bu kitaptaki dokuz 枚yk眉 de sava艧谋n ayr谋 bir yan谋n谋 y眉z眉m眉ze vuruyor. Dokuz 枚yk眉 direkt olmasa da birbirine de ba臒l谋..
En 莽ok etkilendi臒im ise D枚rt G眉n oluyor.. Vurulan bir asker d眉艧眉n眉n, ormanda yaln谋z ba艧谋na kal谋yor, biraz 枚tesinde 枚ld眉rd眉臒眉 T眉rk asker yat谋yor. Zaman a臒谋r a臒谋r ak谋yor, 枚nce 枚lmek istemiyor 鈥� 莽abal谋yor, sonra sava艧t谋klar谋yla y眉zle艧mekten korkuyor ve son nokta: 枚l眉m眉 arzuluyor. O d枚rt g眉n 枚yle duru anlat谋l谋rken nas谋l bu kadar can yak谋c谋 olabilir? Sava艧mam谋艧, bug眉ne kadar yara almam谋艧 olan ben, neden g枚zlerimin dolmas谋na engel olam谋yorum?
Ac谋 dedi臒imizin dili yok 莽眉nk眉. Birbirini tan谋mayan 莽ocuklar谋n birbirini 枚ld眉rmesinin manas谋 olmad谋臒谋 gibi鈥�
Zweig鈥櫮眓 Mecburiyet鈥檌nde de bunu duyumsam谋艧t谋m. Frantz filminin o siyah beyazl谋臒谋nda da..
Kimleri 枚ld眉r眉yoruz? Neden 枚l眉yoruz? Geride kalanlar, gelecekten 莽al谋nanlar ne olacak?
Velhas谋l sadece 93 Harbi鈥檔i de臒il, t眉m ge莽mi艧 sava艧lar谋 ve olas谋 sava艧lar谋 sorgulatan 枚yk眉ler bunlar.
Silahlar谋 de臒il- stratejileri ve co臒rafyan谋n kaderini de臒il; bizzat sava艧an bedenleri d眉艧眉nd眉ren 枚yk眉ler..
.
Kitaptaki 枚yk眉ler kadar kapak resmi de etkiledi beni. 陌lya Repin鈥檌n Gar艧in portresi. Gar艧in鈥檌n bak谋艧lar谋ndaki yorgunluk, kitaplar谋 aras谋nda masadan g眉莽 almaya 莽al谋艧谋rcas谋na duru艧u.. 脰yk眉leriyle bile 艧ekillendirebilirdim bu y眉z眉.. (akl谋ma The Pianist鈥檛eki Adrien Brody performans谋n谋 getirdi ayr谋ca..)
Esra Ar谋鈥檔谋n ak谋c谋 莽evirisiyle.. Ve Gar艧in鈥檌 dilimizle bulu艧turan i莽in Ketebe鈥檔in 枚zenli 莽al谋艧mas谋yla..
December 22, 2014
This is a short story of a madman in an asylum. He has many halluciations and obsesses over the evil of mankind. This story is filled with haunting imagery of the insane asylum and symbolism of the poppy (for corruption and evil) that is hard to get out if your head.
Overall a very compelling tale by Garshin.
Overall a very compelling tale by Garshin.
March 12, 2015
Another great psychological short story. A real feast for the fans of Russian short fiction. Its amazing how these authors use objects to symbolize the soul of their stories. Here it was this insignificant red flower, nobody cares about it except the protagonist , who sees all the evil in this world through it. Really enjoyable story.
October 9, 2021
This is a short masterpiece about a Patient in a mental hospital and his attempts to defeat the evil of the world. It's based on Garshin's personal experience in a mental hospital (as he suffered from a mental disorder throughout his life).
Recommended.
Recommended.
December 18, 2014
For its length, the story is well thought out and incredibly detailed. I especially enjoyed Garshin's imagery and the almost reeling feeling one gets while reading. I'm not sure that I would read this style in a longer form, but its concise format works well.
January 20, 2024
Escritor ucraniano del que no ten铆a ninguna referencia; ni de 茅l, ni de su obra y que me ha fascinado no solo por su prosa, sino por todo lo que llega a trasmitir en tan pocas p谩ginas听
Con un trasfondo social y humano, la historia trata el tema de las obsesiones y la angustia a partir de un enfermo mental que llega a un psiqui谩trico y lo 煤nico que motiva su existencia es acabar con tres flores rojas que crecen en una planta en los jardines del hospital y que para 茅l significan los males de la humanidad听
La grandeza de la mente y su poder, nos convence y nos motiva a vivir por un ideal, a luchar por lo que creemos hasta el punto de dirigir nuestras acciones y no importarnos morir por ellas aunque esa sea una realidad distorsionada听
Llama la atenci贸n las descripciones, la ambientaci贸n, lo as茅ptico y lo oscuro del lugar, las personas que lo habitan y trabajan en el, una gama de grises desde el blanco de las batas m茅dicas hasta lo negro del pozo donde se oculta la raz贸n; el 煤nico punto de color es "la flor roja"
Con un trasfondo social y humano, la historia trata el tema de las obsesiones y la angustia a partir de un enfermo mental que llega a un psiqui谩trico y lo 煤nico que motiva su existencia es acabar con tres flores rojas que crecen en una planta en los jardines del hospital y que para 茅l significan los males de la humanidad听
La grandeza de la mente y su poder, nos convence y nos motiva a vivir por un ideal, a luchar por lo que creemos hasta el punto de dirigir nuestras acciones y no importarnos morir por ellas aunque esa sea una realidad distorsionada听
Llama la atenci贸n las descripciones, la ambientaci贸n, lo as茅ptico y lo oscuro del lugar, las personas que lo habitan y trabajan en el, una gama de grises desde el blanco de las batas m茅dicas hasta lo negro del pozo donde se oculta la raz贸n; el 煤nico punto de color es "la flor roja"
March 15, 2021
丕蹖賳賲 丕夭 丕禺乇蹖賳 讴鬲丕亘蹖 讴賴 丕賲爻丕賱 禺賵賳丿賲 :(((
丕诏賴 丕蹖賳 讴鬲丕亘 丿爻鬲鬲賵賳 丕賵賲丿 丿丕爻鬲丕賳 诏賱 賯乇賲夭 乇賵 亘禺賵賳蹖丿
丕诏賴 丕蹖賳 讴鬲丕亘 丿爻鬲鬲賵賳 丕賵賲丿 丿丕爻鬲丕賳 诏賱 賯乇賲夭 乇賵 亘禺賵賳蹖丿
January 1, 2017
Dans cette nouvelle de 1885, et d猫s la premi猫re ligne, Garchine nous plonge dans la folie d'un homme, un sujet qu'il conna卯t bien en ayant 茅t茅 lui-m锚me la victime.
Son 茅criture lyrique et pr茅cise, haletante, donne un attrait inqui茅tant 脿 son texte sans qu'aucune des actions ne le justifie r茅ellement, lui conf茅rant ainsi une puissance incroyable qui captive le lecteur.
Le fou d茅borde d'humanit茅, il est attachant dans ses questions existentielles, dans la destin茅e qu'il se cr茅e pour donner un sens 脿 sa pr茅sence en ce lieu. Il se voit comme un 茅lu, l'homme qui doit sauver le monde du Mal absolu repr茅sent茅 par trois petites fleurs dans le jardin de l'h么pital. Mais sa mission, primordiale, est toujours entrav茅e par les m茅decins, au c艙ur dur, qui apportent une certaine violence 脿 ce texte.
Ainsi, trois points de vue sont mis en valeur dans ces 50 pages : le regard du fou, 茅mouvant, celui des m茅decins, froid et distant, et celui du narrateur, cynique, ce qui conf猫re 脿 cet h么pital une atmosph猫re 茅trange et inqui茅tante qui est d'autant plus visible que ce lieu contraste avec la beaut茅 de ces trois fleurs qui exacerbent la folie du personnage.
Finalement, Garchine nous pousse 脿 r茅fl茅chir sur la folie, l'isolement, la fa莽on dont ces personnes sont per莽ues et trait茅es par la soci茅t茅.
Une oeuvre sombre et sensible.
Son 茅criture lyrique et pr茅cise, haletante, donne un attrait inqui茅tant 脿 son texte sans qu'aucune des actions ne le justifie r茅ellement, lui conf茅rant ainsi une puissance incroyable qui captive le lecteur.
Le fou d茅borde d'humanit茅, il est attachant dans ses questions existentielles, dans la destin茅e qu'il se cr茅e pour donner un sens 脿 sa pr茅sence en ce lieu. Il se voit comme un 茅lu, l'homme qui doit sauver le monde du Mal absolu repr茅sent茅 par trois petites fleurs dans le jardin de l'h么pital. Mais sa mission, primordiale, est toujours entrav茅e par les m茅decins, au c艙ur dur, qui apportent une certaine violence 脿 ce texte.
Ainsi, trois points de vue sont mis en valeur dans ces 50 pages : le regard du fou, 茅mouvant, celui des m茅decins, froid et distant, et celui du narrateur, cynique, ce qui conf猫re 脿 cet h么pital une atmosph猫re 茅trange et inqui茅tante qui est d'autant plus visible que ce lieu contraste avec la beaut茅 de ces trois fleurs qui exacerbent la folie du personnage.
Finalement, Garchine nous pousse 脿 r茅fl茅chir sur la folie, l'isolement, la fa莽on dont ces personnes sont per莽ues et trait茅es par la soci茅t茅.
Une oeuvre sombre et sensible.
April 29, 2015
I came across this very short story while reading where the girl, the main character, was reading Garshin's 'A Red Flower'. And she liked the protagonist so much that she would have liked to read more about him and his twisted world in a Russian asylum.
To write much more about is to spoil it, as the story itself is just over 40 pages. But I have to say that Garshin's writing is so beautiful and flowing that I too, would have liked to read more about 'the madman' or 'our patient' as Garshin wants us to know him as.
The Scarlett Flower or A Red Flower (1883) was based on his own confinement in asylum.>He committed suicide at the age of 33.
To write much more about is to spoil it, as the story itself is just over 40 pages. But I have to say that Garshin's writing is so beautiful and flowing that I too, would have liked to read more about 'the madman' or 'our patient' as Garshin wants us to know him as.
The Scarlett Flower or A Red Flower (1883) was based on his own confinement in asylum.>He committed suicide at the age of 33.
December 16, 2014
I enjoyed this quick read despite its sad tone; "A red flower" tells of the tribulations of a madman incarcerated in a mental asylum in the year 18--. Aside from the beautiful descriptions, both of the mans condition and of the asylum itself, Garshin layers the work with plenty of symbolism. The patient convinces himself that it is he who must save mankind, absorbing, as it were...the poison from a red flower, found in the garden of the hospital.
Like I said, quick but enjoyable.
Like I said, quick but enjoyable.
December 21, 2014
Beautifully written, such an eloquent description of mental illness in the pre- medication era.
The author has poured both his own fears and his own empathy into this tale.
A truly human look at mental illness.
The author has poured both his own fears and his own empathy into this tale.
A truly human look at mental illness.
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