Sam Shepard was an American artist who worked as an award-winning playwright, writer and actor. His many written works are known for being frank and often absurd, as well as for having an authentic sense of the style and sensibility of the gritty modern American west. He was an actor of the stage and motion pictures; a director of stage and film; author of several books of short stories, essays, and memoirs; and a musician.
The God of Hell, Sam Shepard The God of Hell is a play by American playwright Sam Shepard. The play was written in part as a response to the events of September 11, 2001, and has been described by Shepard as "a take-off on Republican fascism." The plot concerns Wisconsin dairy farmer Frank and his wife Emma, and how their peaceful middle-American life is destroyed by Mr. Welch, a mysterious, ultra-patriotic government employee in pursuit of Frank's old friend, Haynes. 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 賴賮鬲賲 賲丕賴 丌诏賵爻鬲 爻丕賱 2014 賲蹖賱丕丿蹖 毓賳賵丕賳: 禺丿丕蹖 丿賵夭禺貨 賳賵蹖爻賳丿賴: 爻賲 卮倬丕乇丿貨 賲鬲乇噩賲: 賵丕夭乇蹖讴 丿乇爻丕賴丕讴蹖丕賳貨 鬲賴乇丕賳: 亘蹖丿诏賱鈥忊€� 1392貨 丿乇 92 氐貨 卮丕亘讴: 9786005193619貨 趩丕倬 丿賵賲 1394貨 賲賵囟賵毓: 賳賲丕蹖卮賳丕賲赖 賴丕蹖 賳賵蹖爻賳丿诏丕賳 丕賲乇蹖讴丕蹖蹖 - 爻丿賴 21 賲 毓鈥嗁堌з�: 禺丿丕蹖 噩賴賳賲貨 賳賵蹖爻賳丿賴: 爻賲 卮倬丕乇丿貨 賲鬲乇噩賲: 賲丨賲丿毓賱蹖 讴賮丕卮鈥屫藏ж囏� 鬲賴乇丕賳貙 丕賮乇丕夭貙 1396貨 丿乇 86 氐貨 卮丕亘讴: 9786003263321貨 卮倬丕乇丿 芦禺丿丕蹖 丿賵夭禺禄 乇丕 丿乇 賵丕讴賳卮 亘賴 爻蹖丕爻鬲鈥屬囏й� 丿爻鬲 乇丕爻鬲蹖 丿賵賱鬲 丌賲乇蹖讴丕貙 倬爻 丕夭 乇賵蹖丿丕丿賴丕蹖 蹖丕夭丿賴 爻倬鬲丕賲亘乇 爻丕賱 2001 賲蹖賱丕丿蹖貙 賳賵卮鬲 賵 禺賵丿卮 丌賳 乇丕 鬲賵 丿賴賳蹖鈥� 丕蹖 亘乇 賮丕卮蹖爻賲 丨夭亘 噩賲賴賵乇蹖鈥屫堌з囏� 鬲賵氐蹖賮 讴乇丿賴 丕爻鬲. 賳賲丕蹖卮鈥屬嗀з呝� 丿丕爻鬲丕賳 芦賮乇丕賳讴禄 賵 芦丕賲丕禄 丕爻鬲貙 讴賴 丿乇 丕蹖丕賱鬲 芦賵蹖爻讴丕賳爻蹖賳禄 賲夭乇毓賴 蹖 丿丕賲倬乇賵乇蹖 丿丕乇賳丿貙 賵 夭賳丿诏蹖 丌乇丕賲蹖 乇丕 賲蹖鈥屭柏必з嗁嗀� 賵賱蹖 亘丕 賵乇賵丿 蹖讴 賲丕賲賵乇 丿賵賱鬲貙 讴賴 丿乇 鬲毓賯蹖亘 蹖讴蹖 丕夭 丿賵爻鬲丕賳 賯丿蹖賲蹖 芦賮乇丕賳讴禄貙 亘賴 賲夭乇毓賴 丌賳賴丕 乇爻蹖丿賴 丕爻鬲貙 賴賲賴 趩蹖夭 亘賴 讴賱蹖 亘賴 賴賲 賲蹖鈥屫臂屫藏�. 丕. 卮乇亘蹖丕賳蹖
Oh, if only. If only this were the villainous climax. But no. What would this play look like if it were written before the 2016 election? Or the 2020 election? Who would be our dairy farmers then? And to think, Randy Quaid as Frank. How鈥檚 that for trajectory, eh?
Pretty weird. Pretty funny. I liked it a lot. Perhaps my favorite couplet:
Haynes: What鈥檚 that dripping sound?
Emma: The plants. I overwater them. I can鈥檛 help myself.
Love Shepard, but his new work doesn't have the emotional impact of his earlier work. The characters in this felt too flat even as the absurd conflict became more intense. Also, his political message was too obvious here. It definitely hurt the dramatic action of the play.
An un-subtle take on an un-subtle situation, The God of Hell is Shepard's response to the so-called War on Terror. Set in rural Wisconsin, chosen most likely because of the links with Joe McCarthy, the play hammers the erosion of American freedom in lock-step with Abu Gharib and Guantanemo. There's next to no humor and the politics are sledge-hammer. A long long way from Shepard's best, but when it was produced in 2005, it was making points that needed to be made. I would have liked to have seen Randy Quaid in one of the lead roles.
I've never sat down to read a play for pleasure before. I liked it. It reminded me of a graphic novel where the stage directions are the illustrations. Although I had to excercise my imagination a little more because, well, there's no illustrations :) I picked this one up because the Editorial staff at Booklist magazine shared what they had read for fun that year. With all they read for reviews, they don't have much time for pleasure reading. At 98 pages with lots of white space, I was able to read half of this one before I even left the library. It's about a couple living in rural Wisconsin. He takes care of the cows, she takes care of the house. Their hosting one of his friends from college days when a salesmen knocks on their door trying to sell American flag paraphenilia
鈥滷ew American playwrights have exerted as much influence on the contemporary stage as Sam Shepard. His plays are performed on and off Broadway and in all the major regional American theatres. They are also widely performed and studied in Europe, finding both a popular and a scholarly audience鈥� (short biography of Sam Shepard)
This little one-act isn't about Watergate, and it wouldn't get you into Rushmore Academy, not if I was in charge. I just didn't really like it. That's all.
Really great writing - would have loved to see a production of this too. Wonderful tension and a nice link between America's recent problems and the fear around McCarthyism.
While Shepard's aim here is laudable, I think it's pretty clear he falls a bit short of the mark. The menacing Welch is one of his greatest creations, but the means by which he tortures and bedevils a rural couple and their "houseguest" are thoroughly unimaginative and under-cooked. Much like "States of Shock" (although this is FAR better than that misbegotten farce), there's also a fixation on male anatomy that's by turns obnoxious and dispiritingly obvious.
With that said, I'd probably lean towards 3.5 for this overall. It makes for a brisk read, and I think his emphasis on producing this before the 2004 election was wise. Nowadays, it's hard to imagine anyone getting the point or taking it seriously, media literacy having been under assault now for decades, but I find it heartening (as if there were ever any doubt) that Shepard was so staunchly opposed to the actions of the Bush administration at the time.
The Abu Ghraib imagery here in particular (hell, he even has the character who gets tortured call himself *Graig* throughout) feels clumsy, but what the hell else can you do with something like that? I think this works best when it functions as an expression of otherwise-ineffable rage and sorrow. The clumsiness is somewhat forgivable in that sense.
I suspect that this late Shepard play is more entertaining to watch than it is to read. Reminiscent of "Geography of a Horse Dreamer" and "Curse of the Starving Class" in different ways, "The God of Hell" is also Shepard at his most satirical; the play is quite the nasty critique of our government as a network of sadistic ecoterrorists out to destroy the very American Dream which they claim to protect and promote. Can a Wisconsin couple take on g-men when they raid the heifer farm? Hell, no.
A play from 2005. Stimulated by what occurred in the USA following 9/11. Although not overtly political in nature, it is provocative in going to the logical conclusion of inner warfare of America in the extreme. Not his prime, as his prime was pretty damn high, but a pleasure nonetheless. And with this, I do believe I have read everything Sam has/had written.