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賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲
In its first two years of production, Dario Fo's controversial farce, Accidental Death of an Anarchist, was seen by over half a million people. It has since been performed all over the world, and become a classic. A sharp and hilarious satire on political corruption, it concerns the case of an anarchist railway worker who, in 1969, 'fell' to his death from a police headquarters window. This version of the play was premiered at the Donmar Warehouse, London, in February 2003.
188 pages, Paperback
First published January 1, 1970
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About the author
Dario Fo
247听books272听followersDario Fo was an Italian satirist, playwright, theatre director, actor, and composer. He received the Nobel Prize for Literature in 1997. In 2007 he was ranked Joint Seventh with Stephen Hawking in The Telegraph's list of 100 greatest living geniuses. His dramatic work employed comedic methods of the ancient Italian commedia dell'arte, a theatrical style popular with the proletarian classes. He owned and operated a theatre company with his wife, the leading actress Franca Rame. Dario Fo died in Milan on October 13th 2016, at the age of 90.
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November 24, 2024
"廿賳賴賲 賷乇賷丿賵賳 孬賵乇丞貙爻賵賮 賳毓胤賷賴賲 丕賱賰孬賷乇 賲賳 丕賱廿氐賱丕丨丕鬲 兀賵 亘丕賱兀丨乇賷 爻賳睾乇賯賴賲 亘丕賱賵毓賵丿 亘丕賱廿氐賱丕丨丕鬲 賱廿賳賳丕 賱賳 賳賲賳丨賴賲 兀亘丿丕賸 廿氐賱丕丨丕鬲 丨賯賷賯賷丞貙兀亘丿丕賸.."
丨丕爻丞 廿賳 丕賱賰賱丕賲 丿丞 卮賵賮鬲賴 賯亘賱 賰丿丞貙賮賷賳貙賮賷賳..賲毓乇賮卮 亘賯賷貨)
賲賵鬲 賮賵囟賵賷 氐丿賮丞 ...賲爻乇丨賷丞 賱賱賲孬賱 賵丕賱賲禺乇噩 賵丕賱卮丕毓乇 丿丕乇賷賵 賮賵 賵賴賵 賲賳 兀賰孬乇 賰購鬲丕亘 丕賱賲爻乇丨 丕賱廿賷胤丕賱賷賷賳 卮毓亘賷丞 賵賳噩丕丨丕賸...賴賵 兀賷囟丕賸 亘丕丨孬 賵匕賵 賳卮丕胤 爻賷丕爻賷 賮毓丕賱 賵 丨氐賱 毓賱賷 噩丕卅夭丞 賳賵亘賱 賮賷 丕賱兀丿亘 毓丕賲 佟侃侃侑..
賰購鬲亘鬲 賴匕賴 丕賱賲爻乇丨賷丞 毓賱賷 禺賱賮賷丞 毓賲賱賷丞 廿乇賴丕亘賷丞 丨丿孬鬲 賮賷 賲賷賱丕賳賵 毓丕賲 佟侃佴侃 賵賰丕賳 賱賱丨丕丿孬 鬲兀孬賷乇 賰亘賷乇 賮賷 賰賱 兀乇噩丕亍 廿賷胤丕賱賷丕 賲賲丕 兀丿賷 賱賯賷丕賲 丕賱卮乇胤丞 亘丨賲賱丞 廿毓鬲賯丕賱丕鬲 賵丕爻毓丞 賲賳 囟賲賳賴賲 乇噩賱 鬲賲 廿爻鬲噩賵丕亘賴 賱賲丿丞 伲 兀賷丕賲 亘胤乇賷賯丞 賵丨卮賷丞 賵 賮賷 丕賱賳賴丕賷丞 兀賱賯賵丕 亘賴 賲賳 丕賱賳丕賮匕丞 賮賷 丕賱丿賵乇 丕賱乇丕亘毓 賵 兀毓賱賳 乇爻賲賷丕賸 廿賳 賲賵鬲賴 賰丕賳 廿賳鬲丨丕乇丕賸!!
丕賱賲爻乇丨賷丞 亘鬲鬲賳丕賵賱 賴匕賴 丕賱兀丨丿丕孬 亘胤乇賷賯丞 賰賵賲賷丿賷丞 亘爻 胤亘毓丕賸 賰賵賲賷丿賷丕亍 爻賵丿丕亍 賵 賲賰鬲賵亘丞 亘賲賳鬲賴賷 丕賱匕賰丕亍 賵賮賷賴丕 賳賯丿 賱丕匕毓 賱賱爻賱胤丞 賵 賱賱兀賵囟丕毓 丕賱爻賷丕爻賷丞 賮賷 丕賱亘賱丕丿...
丕賱廿爻賱賵亘 爻賱爻貙 丕賱丨賵丕乇 賲賲鬲毓..丕賱噩夭亍 丕賱兀賵賱 賰丕賳 賲賲賱 卮賵賷丞 賵 亘毓丿 賰丿丞 賰丕賳鬲 賮毓賱丕賸 賲賲鬲毓丞...
兀賷 丨丿 賲氐乇賷 毓丕卮 兀丨丿丕孬 孬賵乇丞 賷賳丕賷乇 賵 丨賷賯乇兀 賴匕賴 丕賱賲爻乇丨賷丞 丨賷卮賵賮 賯丿丕賲賴 氐賵乇丞 卮禺氐 賵丕丨丿 賮賯胤貙兀賳丕 毓賳 賳賮爻賷 卮賵賮鬲賴 賮賷 賰賱 丕賱氐賮丨丕鬲:(
爻賱丕賲丕賸 賱乇賵丨賴 賵 賱乇賵丨 賴匕丕 丕賱賰丕鬲亘 兀賷囟丕賸 丕賱匕賷 廿爻鬲胤丕毓 亘胤乇賷賯丞 賴夭賱賷丞 兀賳 賷毓亘乇 毓賳 廿賳鬲賴丕賰丕鬲 丕賱兀噩賴夭丞 丕賱兀賲賳賷丞 丕賱鬲賷 鬲丨丿孬 -賲卮 亘爻 賮賷 廿賷胤丕賱賷丕-賵賱賰賳 賮賷 賰賱 賲賰丕賳 賮賷 丕賱丿賳賷丕 丿賷!
丨丕爻丞 廿賳 丕賱賰賱丕賲 丿丞 卮賵賮鬲賴 賯亘賱 賰丿丞貙賮賷賳貙賮賷賳..賲毓乇賮卮 亘賯賷貨)
賲賵鬲 賮賵囟賵賷 氐丿賮丞 ...賲爻乇丨賷丞 賱賱賲孬賱 賵丕賱賲禺乇噩 賵丕賱卮丕毓乇 丿丕乇賷賵 賮賵 賵賴賵 賲賳 兀賰孬乇 賰購鬲丕亘 丕賱賲爻乇丨 丕賱廿賷胤丕賱賷賷賳 卮毓亘賷丞 賵賳噩丕丨丕賸...賴賵 兀賷囟丕賸 亘丕丨孬 賵匕賵 賳卮丕胤 爻賷丕爻賷 賮毓丕賱 賵 丨氐賱 毓賱賷 噩丕卅夭丞 賳賵亘賱 賮賷 丕賱兀丿亘 毓丕賲 佟侃侃侑..
賰購鬲亘鬲 賴匕賴 丕賱賲爻乇丨賷丞 毓賱賷 禺賱賮賷丞 毓賲賱賷丞 廿乇賴丕亘賷丞 丨丿孬鬲 賮賷 賲賷賱丕賳賵 毓丕賲 佟侃佴侃 賵賰丕賳 賱賱丨丕丿孬 鬲兀孬賷乇 賰亘賷乇 賮賷 賰賱 兀乇噩丕亍 廿賷胤丕賱賷丕 賲賲丕 兀丿賷 賱賯賷丕賲 丕賱卮乇胤丞 亘丨賲賱丞 廿毓鬲賯丕賱丕鬲 賵丕爻毓丞 賲賳 囟賲賳賴賲 乇噩賱 鬲賲 廿爻鬲噩賵丕亘賴 賱賲丿丞 伲 兀賷丕賲 亘胤乇賷賯丞 賵丨卮賷丞 賵 賮賷 丕賱賳賴丕賷丞 兀賱賯賵丕 亘賴 賲賳 丕賱賳丕賮匕丞 賮賷 丕賱丿賵乇 丕賱乇丕亘毓 賵 兀毓賱賳 乇爻賲賷丕賸 廿賳 賲賵鬲賴 賰丕賳 廿賳鬲丨丕乇丕賸!!
丕賱賲爻乇丨賷丞 亘鬲鬲賳丕賵賱 賴匕賴 丕賱兀丨丿丕孬 亘胤乇賷賯丞 賰賵賲賷丿賷丞 亘爻 胤亘毓丕賸 賰賵賲賷丿賷丕亍 爻賵丿丕亍 賵 賲賰鬲賵亘丞 亘賲賳鬲賴賷 丕賱匕賰丕亍 賵賮賷賴丕 賳賯丿 賱丕匕毓 賱賱爻賱胤丞 賵 賱賱兀賵囟丕毓 丕賱爻賷丕爻賷丞 賮賷 丕賱亘賱丕丿...
丕賱廿爻賱賵亘 爻賱爻貙 丕賱丨賵丕乇 賲賲鬲毓..丕賱噩夭亍 丕賱兀賵賱 賰丕賳 賲賲賱 卮賵賷丞 賵 亘毓丿 賰丿丞 賰丕賳鬲 賮毓賱丕賸 賲賲鬲毓丞...
兀賷 丨丿 賲氐乇賷 毓丕卮 兀丨丿丕孬 孬賵乇丞 賷賳丕賷乇 賵 丨賷賯乇兀 賴匕賴 丕賱賲爻乇丨賷丞 丨賷卮賵賮 賯丿丕賲賴 氐賵乇丞 卮禺氐 賵丕丨丿 賮賯胤貙兀賳丕 毓賳 賳賮爻賷 卮賵賮鬲賴 賮賷 賰賱 丕賱氐賮丨丕鬲:(
爻賱丕賲丕賸 賱乇賵丨賴 賵 賱乇賵丨 賴匕丕 丕賱賰丕鬲亘 兀賷囟丕賸 丕賱匕賷 廿爻鬲胤丕毓 亘胤乇賷賯丞 賴夭賱賷丞 兀賳 賷毓亘乇 毓賳 廿賳鬲賴丕賰丕鬲 丕賱兀噩賴夭丞 丕賱兀賲賳賷丞 丕賱鬲賷 鬲丨丿孬 -賲卮 亘爻 賮賷 廿賷胤丕賱賷丕-賵賱賰賳 賮賷 賰賱 賲賰丕賳 賮賷 丕賱丿賳賷丕 丿賷!
June 21, 2023
Dario Fo: a theatrical jester who made us laugh in the face of tragedy
-Michael Billington
What is satire? Perhaps we know the answer to it as we might have read it at various stages of our life. But why do we read satire? Experts would say that satire is created to raise awareness about certain issues, states of affairs, to put message across to the people using the elements of satire such as irony, humor, hyperbole, sarcasm, exaggeration and others. The idea is to create a universe which may seem to allude to the real-life situation without explicitly mentioning it. And what about its impact, is it any different than any straightaway commentary or reporting about the things which might be going haywire?
What about the artist who creates such satirical art? Why does he infuse his literary energy in the inception of a problem or situation to produce such art? Is it just limited to drawing people鈥檚 attention to the issue or raising awareness about it as if an artist has some moral responsibility to do? Aren鈥檛 the artists supposed to be free from any sort of moral obligations or political leanings but being human how they can be? Nonetheless, what could be the personal motive of an artist to produce satire? Perhaps, it has to do something with their artistic expression itself. Possibly, this artistic mode of expression gives them the breathing space which they may require when they feel a choking sensation rising up in their throats and feel an impulse to throw out because of things which are going on as they should not be. So, is it produced just out of artistic expression or moral responsibility or political leanings, or perhaps because of all, and probably that makes the artists humans and not gods.
link:
Accidental death of an anarchist satires about one such case from the history of mankind wherein a railway employee was made responsible of bombings before him losing himself to the death and later being absolved of the charges as well. Dario Fo has been able to create an atmosphere of dark humor wherein each revelation strikes like a dagger in your heart without giving you any respite from its momentum. The play revolves around Maniac, a seemingly out of the world character who can pull off many personas with ease. He tricks the policemen into oblong and self-contradictory discourses which finally made them to give in and blew away the cover involving the death of an anarchist.
The readers or the audiences of the play are treated with a dose of humor and irony throughout the play. It talks about the ability of the playwright to move the narrative forward scene by scene through regular bouts of sardonic humor. The revelations of the play are brought to the light gradually, layer by layer with undertones of dark and humor which sows the seeds of thought in the brain of audience to force it to contemplate about the actual situation and to act towards overturning it. The subtle but ironic humor surreptitiously gets under our skin and forces you to ponder upon our society, as to how the various constituents of a society are deceived and their images are used for the interest of those in power, and who ironically run the social engine. The play is a great reminder that political theatre is not unharmonious and desolate as it is often supposed to be. Dario Fo also sways away the notions typically associated with left-wing theatre and affirms with authority that it should not be necessarily a carping groan.
The play leaves you with multiple endings ranging from a reformist attitude, to solve the problems through laws and rules in vogue, to the radical actions which seem to be aligned with the other extreme end of the spectrum. The possible repercussions of those endings are also shown to the audience and thereby the onus is put on the audience, who is entrusted with the moral responsibility to decide and choose and thereby ruminate over the possible outcomes. There are obvious elements of metafiction infused in the play as you expect from Dario Fo making it all the more intriguing and in a way compelling the audience to take part in it and thereby becoming morally conscious and responsible of the outcomes.
Perhaps we can say now with authority that the satires help us to create a sort of defense mechanism to confront reality which otherwise may be unbearable. It helps us to counter the unpleasant reality and see the world naked in its stark actuality. The alternate reality created through the mode of satire seems to parody the intended reality in a way to send shock waves through our consciousness to sensitize ourselves of its vagaries and probably forcing us to think how it can be improved and how could we contribute towards it. And perhaps also to protect the artist from going insane by venting out his exasperating frustration and bitterness to sway his discontent and resentment through the artistic pen of liberation which acts as a savior in the universe of havoc and mayhem.
link:
-Michael Billington
What is satire? Perhaps we know the answer to it as we might have read it at various stages of our life. But why do we read satire? Experts would say that satire is created to raise awareness about certain issues, states of affairs, to put message across to the people using the elements of satire such as irony, humor, hyperbole, sarcasm, exaggeration and others. The idea is to create a universe which may seem to allude to the real-life situation without explicitly mentioning it. And what about its impact, is it any different than any straightaway commentary or reporting about the things which might be going haywire?
What about the artist who creates such satirical art? Why does he infuse his literary energy in the inception of a problem or situation to produce such art? Is it just limited to drawing people鈥檚 attention to the issue or raising awareness about it as if an artist has some moral responsibility to do? Aren鈥檛 the artists supposed to be free from any sort of moral obligations or political leanings but being human how they can be? Nonetheless, what could be the personal motive of an artist to produce satire? Perhaps, it has to do something with their artistic expression itself. Possibly, this artistic mode of expression gives them the breathing space which they may require when they feel a choking sensation rising up in their throats and feel an impulse to throw out because of things which are going on as they should not be. So, is it produced just out of artistic expression or moral responsibility or political leanings, or perhaps because of all, and probably that makes the artists humans and not gods.
link:
Accidental death of an anarchist satires about one such case from the history of mankind wherein a railway employee was made responsible of bombings before him losing himself to the death and later being absolved of the charges as well. Dario Fo has been able to create an atmosphere of dark humor wherein each revelation strikes like a dagger in your heart without giving you any respite from its momentum. The play revolves around Maniac, a seemingly out of the world character who can pull off many personas with ease. He tricks the policemen into oblong and self-contradictory discourses which finally made them to give in and blew away the cover involving the death of an anarchist.
The readers or the audiences of the play are treated with a dose of humor and irony throughout the play. It talks about the ability of the playwright to move the narrative forward scene by scene through regular bouts of sardonic humor. The revelations of the play are brought to the light gradually, layer by layer with undertones of dark and humor which sows the seeds of thought in the brain of audience to force it to contemplate about the actual situation and to act towards overturning it. The subtle but ironic humor surreptitiously gets under our skin and forces you to ponder upon our society, as to how the various constituents of a society are deceived and their images are used for the interest of those in power, and who ironically run the social engine. The play is a great reminder that political theatre is not unharmonious and desolate as it is often supposed to be. Dario Fo also sways away the notions typically associated with left-wing theatre and affirms with authority that it should not be necessarily a carping groan.
The play leaves you with multiple endings ranging from a reformist attitude, to solve the problems through laws and rules in vogue, to the radical actions which seem to be aligned with the other extreme end of the spectrum. The possible repercussions of those endings are also shown to the audience and thereby the onus is put on the audience, who is entrusted with the moral responsibility to decide and choose and thereby ruminate over the possible outcomes. There are obvious elements of metafiction infused in the play as you expect from Dario Fo making it all the more intriguing and in a way compelling the audience to take part in it and thereby becoming morally conscious and responsible of the outcomes.
Perhaps we can say now with authority that the satires help us to create a sort of defense mechanism to confront reality which otherwise may be unbearable. It helps us to counter the unpleasant reality and see the world naked in its stark actuality. The alternate reality created through the mode of satire seems to parody the intended reality in a way to send shock waves through our consciousness to sensitize ourselves of its vagaries and probably forcing us to think how it can be improved and how could we contribute towards it. And perhaps also to protect the artist from going insane by venting out his exasperating frustration and bitterness to sway his discontent and resentment through the artistic pen of liberation which acts as a savior in the universe of havoc and mayhem.
link:
May 28, 2018
賱賷爻鬲 賲爻乇丨賷丞 亘賱 鬲丨賮丞 賮賳賷丞.
賮毓賱丕 賳丨賳 亘丨丕噩丞 丕賱賶 賲噩丕賳賷賳 賱賰卮賮 丕賱夭賷賮 賵丕賱賰匕亘 賮賷 賴匕丕 丕賱毓丕賱賲 賵丕賱匕賷 賷賯賵賲 亘賴 丕丨賰賲 毓賯賱丕卅賳丕.
丕賱賲爻乇丨賷丞 鬲丿賵乇 丨賵賱 賯氐丞 賲兀爻丕賵賷丞 丨丿孬鬲 賮賷 賲乇賰夭 卮乇胤丞. 賵賳馗丕賲 丕賱毓丿丕賱丞 丕賱匕賷 賷賯賵賲 毓賱賶 鬲睾胤賷丞 賴匕賴 丕賱兀禺胤丕亍 賲賳 乇丐爻丕亍 丕賱卮乇胤丞 賵氐賵賱丕 丕賱賶 丕賱賯囟丕丞 兀賳賮爻賴賲.
丕賱丨賵丕乇 乇丕卅毓 賵丕賱丕爻賱賵亘 噩賲賷賱 賱丕 鬲卮毓乇 亘丕賱賲賱賱 .
賮毓賱丕 賳丨賳 亘丨丕噩丞 丕賱賶 賲噩丕賳賷賳 賱賰卮賮 丕賱夭賷賮 賵丕賱賰匕亘 賮賷 賴匕丕 丕賱毓丕賱賲 賵丕賱匕賷 賷賯賵賲 亘賴 丕丨賰賲 毓賯賱丕卅賳丕.
丕賱賲爻乇丨賷丞 鬲丿賵乇 丨賵賱 賯氐丞 賲兀爻丕賵賷丞 丨丿孬鬲 賮賷 賲乇賰夭 卮乇胤丞. 賵賳馗丕賲 丕賱毓丿丕賱丞 丕賱匕賷 賷賯賵賲 毓賱賶 鬲睾胤賷丞 賴匕賴 丕賱兀禺胤丕亍 賲賳 乇丐爻丕亍 丕賱卮乇胤丞 賵氐賵賱丕 丕賱賶 丕賱賯囟丕丞 兀賳賮爻賴賲.
丕賱丨賵丕乇 乇丕卅毓 賵丕賱丕爻賱賵亘 噩賲賷賱 賱丕 鬲卮毓乇 亘丕賱賲賱賱 .
October 31, 2020
Deriving from the case of Giuseppe Pinelli, a Milanese railway employee, who in 1969 was picked up by the police, accused of a bombing, before plunging from a fourth-floor window to his death, (later he was finally absolved from any responsibility for the bombings), Italian Playwright and left-wing activist Dario Fo has turned dull political theatre into a lively Marx bothers style slap-stick farce. It plays out at a pacy dynamic speed, (reading in one go is probably wise), contains some hilarious dialogue, and in the 'Maniac' has a character I would have loved to see up on the stage, (Alfred Molina had apparently done a brilliant performance once upon a time). The play carries with it a deep underlying political message that is important to remember, even through the barrel of laughs.
A sensation on it's 1970 release, the heart of the play surrounds an imposter, the maniac, running verbal circles around everyone in his path, including the woolly-headed Inspector Bertozzo and other constables and superintendents at a police HQ in Milan. By using an absurdist and satirical approach towards the issues of power, its abuse, and political stations, Fo creates sense out of nonsensical characters and situations. The maniac, a pimpernel like character, leads the others pretty much round the bend with a head spinning array of questioning, surrounding the death of an anarchist from years before. Under mysterious circumstances the anarchist had thrown himself out the window whilst under a police investigation. But foul play is suspected, and in effect we see the maniac acting in an insane manner towards the accused. He is quick witted and clever, flaunts with admirable pride, causing mayhem and confusion.
You cannot help but love this crazy notion, served up with darkly comedic rewards by the end. You start to wonder just how these events effect your overall views. Your reminded of the reality of the crime, how it really took place, and yet they are forced to laugh at it and find disgust in that humor. It is this form of satire that provokes thoughts and action towards change, which is what Fo wanted. It is this subtle stealthiness of dark humor that creates the desired effect of political theatre: change, perhaps for the better, or in this case, for the playwrights cause. On A lighter note, the ever present window on the forth floor is the only realistic element to contend with, everyone else could have been plucked right out of an abundance of comic films, from The Pink Panther to Carry On.
As a play, it is better seen than read obviously, but the one advantage is you haven't got to worry about the audience shuffling around or heading off to the restroom thus blocking your path. Also drinks are a rip off at the theatre. I can mix my own Cocktails at home for half the price.
This play is a potent reminder that leftwing political theatre can be a rapturous joyful experience rather than a borefeast resulting in an induced coma. Thank you Mr Fo for brightening up my afternoon on this rather dreary looking day.
A sensation on it's 1970 release, the heart of the play surrounds an imposter, the maniac, running verbal circles around everyone in his path, including the woolly-headed Inspector Bertozzo and other constables and superintendents at a police HQ in Milan. By using an absurdist and satirical approach towards the issues of power, its abuse, and political stations, Fo creates sense out of nonsensical characters and situations. The maniac, a pimpernel like character, leads the others pretty much round the bend with a head spinning array of questioning, surrounding the death of an anarchist from years before. Under mysterious circumstances the anarchist had thrown himself out the window whilst under a police investigation. But foul play is suspected, and in effect we see the maniac acting in an insane manner towards the accused. He is quick witted and clever, flaunts with admirable pride, causing mayhem and confusion.
You cannot help but love this crazy notion, served up with darkly comedic rewards by the end. You start to wonder just how these events effect your overall views. Your reminded of the reality of the crime, how it really took place, and yet they are forced to laugh at it and find disgust in that humor. It is this form of satire that provokes thoughts and action towards change, which is what Fo wanted. It is this subtle stealthiness of dark humor that creates the desired effect of political theatre: change, perhaps for the better, or in this case, for the playwrights cause. On A lighter note, the ever present window on the forth floor is the only realistic element to contend with, everyone else could have been plucked right out of an abundance of comic films, from The Pink Panther to Carry On.
As a play, it is better seen than read obviously, but the one advantage is you haven't got to worry about the audience shuffling around or heading off to the restroom thus blocking your path. Also drinks are a rip off at the theatre. I can mix my own Cocktails at home for half the price.
This play is a potent reminder that leftwing political theatre can be a rapturous joyful experience rather than a borefeast resulting in an induced coma. Thank you Mr Fo for brightening up my afternoon on this rather dreary looking day.
June 14, 2021
丿丕乇蹖賵 賮賵 賵 賯丿乇鬲 賱賵丿诏蹖
丕賳爻丕賳蹖 讴賴 鬲賲丕賲 丨讴賵賲鬲鈥屬囏� 乇丕 賲蹖鈥屫必池з嗀�
禺賵丿卮 乇丕 丿賱賯讴蹖 賲蹖鈥屫з嗀池� 讴賴 賮賯胤 賴賲賴 趩蹖夭 乇丕 亘賴 爻禺乇賴 诏乇賮鬲賴 丕爻鬲!
卮丕蹖丿 亘诏賵蹖蹖丿: 賮賯胤 賴賲蹖賳!!!
丌乇蹖! 卮丕蹖丿 亘丕蹖丿 亘賴 蹖丕丿 亘蹖丕賵乇蹖賲 讴賴 賱賵丿诏蹖 夭賲丕賳蹖 噩乇賲 亘賵丿!
讴蹖爻鬲 讴賴 丕蹖賳 乇丕 賮乇丕賲賵卮 賳讴乇丿賴 亘丕卮丿!責
賳賵蹖爻賳丿賴 丕蹖 讴賴 氐丕丨亘 丿賵 賳賵亘賱 卮丿. 蹖讴 亘丕乇 丿乇 爻丕賱 1997 丌讴丕丿賲蹖 爻賵卅丿 丕賵 乇丕 亘禺丕胤乇 丌孬丕乇 丕乇夭卮賲賳丿 賵 夭賳丿诏蹖 卮噩丕毓丕賳賴 丕卮 亘乇丕蹖 丿乇蹖丕賮鬲 噩丕蹖夭賴 賳賵亘賱 丕丿亘蹖丕鬲 丕賳鬲禺丕亘 讴乇丿 賵 蹖讴亘丕乇 丿蹖诏乇 丿乇 爻丕賱 2016 賵賯鬲蹖 丕乇丿賵睾丕賳 丕噩乇丕蹖 賳賲丕蹖卮賳丕賲赖鈥屬囏й� 丕賵 乇丕 丿乇 鬲乇讴蹖賴 賲賲賳賵毓 讴乇丿貙 丿丕乇蹖賵 賮賵 丌賳乇丕 亘賴 賲丕賳賳丿 丿乇蹖丕賮鬲 丿賵賲蹖賳 噩丕蹖夭賴 賳賵亘賱 丕夭 爻賵蹖 禺賵丿卮 賯賱賲丿丕丿 讴乇丿.
亘丕蹖丿 亘禺賵丕賳蹖 鬲丕 亘賮賴賲蹖 趩乇丕 丕蹖賳 賴賲賴 鬲乇爻賳丕讴 丕爻鬲貨 賲乇丿蹖 讴賴 賱亘禺賳丿 丕夭 賱亘丕賳卮 丿賵乇 賳賲蹖鈥屫簇� 亘丕 賴賲賴 亘賱丕賴丕蹖 睾蹖乇胤亘蹖毓蹖 讴賴 亘乇 爻乇卮 丌賵乇丿賳丿...趩乇丕 讴賱蹖爻丕 亘丕 賳賵亘賱 丕賵賱卮 爻禺鬲 賲禺丕賱賮鬲 讴乇丿. 趩乇丕 丌賳 賴賲賴 亘賱丕 爻乇卮 丌賵乇丿賳丿. 趩乇丕 夭賳卮 乇丕 丿夭丿蹖丿賳丿 賵 亘賴卮 鬲噩丕賵夭 讴乇丿賳丿. 賵 丿賴卮鬲賳丕讴鈥屫必� 丕蹖賳讴賴 倬丕蹖 倬賱蹖爻 賴賲 丿乇 賲蹖丕賳 亘賵丿賴 丕爻鬲!!!
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賲乇丿賲 丕賳賯賱丕亘 賲蹖鈥屫堌з嗀� 賲丕 亘賴卮賵賳 丕氐賱丕丨丕鬲 賲蹖鈥屫屬�. 丕氐賱丕丨丕鬲賽 亘蹖鈥屫促呚ж�. 丕氐賱丕 鬲賵 丕氐賱丕丨丕鬲 睾乇賯卮賵賳 賲蹖鈥屭┵嗃屬�. 蹖丕 丿乇賵丕賯毓 丕賵賳丕 乇賵 鬲賵蹖 賵毓丿賴 賵 賵毓蹖丿 丕氐賱丕丨丕鬲 睾乇賯 賲蹖鈥屭┵嗃屬呚� 趩賵賳 丨鬲蹖 丕氐賱丕丨丕鬲 賵丕賯毓蹖 乇賵 賴賲 賴乇诏夭 亘賴 丕賵賳丕 賳賲蹖鈥屫屬�
July 25, 2020
Morte Accidentale di un Anarchico = Accidental Death of an Anarchist, Dario Fo
Accidental Death of an Anarchist is a play by Italian playwright and Nobel Prize for Literature winner Dario Fo. Considered a classic of 20th-century theater, it has been performed across the world in more than forty countries.
The play opens with Inspector Francesco Bertozzo interrogating a clever, quick-witted and mischievous fraudster, simply known as the Maniac, in Bertozzo's office on the third floor of the police headquarters in Milan.
The Maniac constantly outsmarts the dim-witted Bertozzo and, when Bertozzo leaves the room, intercepts a phone call from Inspector Pissani. Pissani reveals to the Maniac that a judge is due at the police station to investigate the interrogation and "accidental" death of the anarchist, whilst the Maniac pretends to be a colleague of Bertozzo's and telling Pissani that Bertozzo is "blowing a raspberry" at him.
The Maniac decides to impersonate the judge, Marco Malipiero, an opportunity he's been waiting awhile for, and to humiliate the policemen responsible for the "accidental" death.
After Bertozzo reenters his office, the Maniac is forced out of the office, taking Bertozzo's coat and hat to use in his disguise. Bertozzo chases him, running into Pissani, who punches him in retaliation for "blowing a raspberry" at him.
The Maniac, now impersonating Malipiero, finds Pissani and his lackey, the Constable, in the room where the anarchist was during his interrogation. Telling them that he is Malipiero, the Maniac asks for the Superintendent, who was involved with the interrogation with Pissani and the Constable.
The Maniac orders the three policemen to re-enact the events of the interrogation; in turn fabricating many of the events, such as changing beating the anarchist to making jokes with him, incorporating new lines into the transcript and even breaking out in song.
When the investigation reaches the matter of the fall, the Constable reveals he grabbed the anarchist's shoe, in an attempt to stop him from falling. However, the Maniac notes that witnesses reported that the anarchist had both shoes on.
When Pissani surmises that the anarchist was wearing a galosh, the Superintendent breaks into a rage, making Pissani accidentally reveal that the Superintendent pushed the anarchist out of the window. The two policemen then realise that the Maniac was listening. The phone in the office suddenly rings, which Pissani answers. He tells them that it is a journalist called Maria Feletti, who the Superintendent agreed to meet to clear rumors about the interrogation, wanting to come up to the office. ...
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 倬賳噩賲 賲丕賴 噩賵賱丕蹖 爻丕賱 2003 賲蹖賱丕丿蹖
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賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲貙 賳賲丕蹖卮賳丕賲赖 丕蹖 丕蹖鬲丕賱蹖丕蹖蹖 爻鬲貙 讴賴 鬲賵爻胤 芦丿丕乇蹖賵 賮賵禄 亘乇賳丿賴 蹖 噩丕蹖夭賴 蹖 賳賵亘賱 丕丿亘蹖丕鬲 丿乇 爻丕賱 1970賲蹖賱丕丿蹖貙 賳诏丕卮鬲賴 卮丿賴鈥� 丕爻鬲貨 丕蹖賳 丕孬乇 蹖讴蹖 丕夭 丌卮賳丕鬲乇蹖賳 賳诏丕乇賴 賴丕蹖 丕蹖賳 賳賵蹖爻賳丿賴 丕爻鬲貨 芦賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲禄 丿乇 夭賲爻鬲丕賳 爻丕賱 1392賴噩乇蹖 禺賵乇卮蹖丿蹖貙 丿乇 爻丕賱賳 芦爻丕蹖賴 鬲卅丕鬲乇 卮賴乇 鬲賴乇丕賳禄 亘丕 讴丕乇诏乇丿丕賳蹖 芦賲氐胤賮蹖 毓亘丿丕賱賱賴蹖禄貙 亘賴 乇賵蹖 氐丨賳賴 乇賮鬲貨 丕蹖賳 丕噩乇丕 亘賴 亘賴鬲乇蹖賳 丕孬乇 爻丕賱貙 丕夭 賳诏丕賴 鬲賲丕卮丕诏乇丕賳貙 賵 賴賲趩賳蹖賳 倬乇 賮乇賵卮鬲乇蹖賳 賳賲丕蹖卮 賴賲丕賳 爻丕賱貙 賳丕賲 诏乇賮鬲貨 丿乇 丌賳 丕噩乇丕 噩賳丕亘丕賳 芦賲蹖讴丕蹖蹖賱 卮賴乇爻鬲丕賳蹖禄貙 芦丕賲蹖乇 毓亘丕爻 鬲賵賮蹖賯蹖禄貙 賵 芦賲賴丿蹖 夭賲蹖賳 倬乇丿丕夭禄貙 賳賯卮 丌賮乇蹖賳蹖 讴乇丿賳丿貨
賳賲丕蹖卮 芦賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲禄貙 丿乇 爻丕賱 1395賴噩乇蹖 禺賵乇卮蹖丿蹖 丿乇 卮蹖乇丕夭 賳蹖夭貙 鬲賵爻胤 诏乇賵賴 鬲卅丕鬲乇 芦倬賵蹖丕禄貙 亘賴 讴丕乇诏乇丿丕賳蹖 芦賳賵蹖丿 噩毓賮乇蹖禄貙 亘賴 乇賵蹖 氐丨賳賴 乇賮鬲貙 賵 蹖讴蹖 丕夭 倬乇 亘蹖賳賳丿賴鈥� 鬲乇蹖賳 賳賲丕蹖卮鈥屬囏й� 爻丕賱 卮丿貨
賳賲丕蹖卮 芦賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲禄貙 賴噩賵蹖賴 丕蹖 诏夭賳丿賴貙 賵 亘爻蹖丕乇 禺賳丿賴 丿丕乇貙 丕夭 賮爻丕丿 爻蹖丕爻蹖 爻鬲貙 賵 亘賴 倬乇賵賳丿賴 蹖 蹖讴 讴丕乇诏乇 丌賳丕乇卮蹖爻鬲 禺胤 丌賴賳 賲蹖倬乇丿丕夭丿貙 讴賴 丿乇 爻丕賱 1969賲蹖賱丕丿蹖貙 丕夭 倬賳噩乇賴 蹖 爻丕禺鬲賲丕賳 賲乇讴夭 賮乇賲丕賳丿賴蹖 倬賱蹖爻貙 亘賴 倬丕蹖蹖賳 倬乇鬲 賲蹖卮賵丿貙 賵 噩丕賳卮 乇丕 丕夭 丿爻鬲 賲蹖丿賴丿貨 丕蹖賳 丕孬乇 噩賳噩丕賱 亘乇丕賳诏蹖夭貙 丕夭 賳诏丕乇賳丿賴 芦丿丕乇蹖賵 賮賵禄貙 丿乇 丿賵 爻丕賱 賳禺爻鬲蹖賳 丕噩乇丕賴丕蹖卮貙 亘蹖卮 丕夭 賳蹖賲 賲蹖賱蹖賵賳 亘蹖賳賳丿賴 乇丕 亘賴 爻丕賱賳賴丕蹖 鬲卅丕鬲乇 讴卮丕賳丿貙 賵 賳丕賲 賳賲丕蹖卮賳丕賲赖 乇丕 亘賴 毓賳賵丕賳 蹖讴蹖 丕夭 亘乇鬲乇蹖賳 丌孬丕乇 賳賲丕蹖卮蹖 丿賵乇丕賳貙 賲胤乇丨 讴乇丿
賳賯賱 賳賲賵賳賴 賲鬲賳: 芦丿蹖賵丕賳賴: 賮乇賵蹖丿 賴賲 诏賮鬲賴 讴賴 賵蹖夭蹖鬲 夭蹖丕丿貙 賲賵孬乇鬲乇蹖賳 丿乇賲丕賳賴. 賴賲 亘乇丕蹖 倬夭卮讴 賴賲 亘乇丕蹖 亘蹖賲丕乇!禄貨 芦丿蹖賵丕賳賴: 蹖毓賳蹖 丌蹖丕 丕賵賳 讴丕乇诏乇 乇丕賴 丌賴賳貙 蹖毓賳蹖 丕賵賳 賯乇亘丕賳蹖 禺賵丿讴卮蹖貙 爻賴 鬲丕 倬丕 丿丕卮鬲責 丿乇 丕蹖賳 氐賵乇鬲 賲賳胤賯蹖賴 讴賴 爻賴 鬲丕 讴賮卮 倬賵卮蹖丿賴 亘丕卮賴. 乇卅蹖爻: (毓氐亘丕賳蹖) 賳禺蹖乇貙 爻賴 倬丕蹖蹖 賳亘賵丿! 丿蹖賵丕賳賴: 禺賵丕賴卮 賲蹖讴賳賲. 毓氐亘丕賳蹖 賳卮蹖賳. 丕夭 蹖賴 丌賳丕乇卮蹖爻鬲 賲蹖卮賴 丕賳鬲馗丕乇 亘丿鬲乇 丕夭 丕蹖賳 乇賵 賴賲 丿丕卮鬲.禄貨 芦丿蹖賵丕賳賴: 乇爻賵丕蹖蹖 亘乇丕蹖 丿賲賵讴乇丕爻蹖 睾乇亘蹖貙 丨讴賲 讴賵丿 卮蹖賲蹖丕蹖蹖 乇賵 丿丕乇賴. 亘匕丕乇蹖賳 丕夭 丕蹖賳賲 賮乇丕鬲乇 亘乇賲. 乇爻賵丕蹖蹖貙 倬丕丿夭賴乇蹖 亘乇丕蹖 夭賴乇賴丕蹖 賲賴賱讴賴: 蹖毓賳蹖 賲乇丿賲 丌诏丕賴蹖 爻蹖丕爻蹖 倬蹖丿丕 賲蹖讴賳賳. 丕诏賴 賲乇丿賲 禺蹖賱蹖 丌诏丕賴 亘卮賳貙 讴丕乇 賲丕 爻丕禺鬲賴 丕爻.禄貨 倬丕蹖丕賳 賳賯賱
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 03/05/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Accidental Death of an Anarchist is a play by Italian playwright and Nobel Prize for Literature winner Dario Fo. Considered a classic of 20th-century theater, it has been performed across the world in more than forty countries.
The play opens with Inspector Francesco Bertozzo interrogating a clever, quick-witted and mischievous fraudster, simply known as the Maniac, in Bertozzo's office on the third floor of the police headquarters in Milan.
The Maniac constantly outsmarts the dim-witted Bertozzo and, when Bertozzo leaves the room, intercepts a phone call from Inspector Pissani. Pissani reveals to the Maniac that a judge is due at the police station to investigate the interrogation and "accidental" death of the anarchist, whilst the Maniac pretends to be a colleague of Bertozzo's and telling Pissani that Bertozzo is "blowing a raspberry" at him.
The Maniac decides to impersonate the judge, Marco Malipiero, an opportunity he's been waiting awhile for, and to humiliate the policemen responsible for the "accidental" death.
After Bertozzo reenters his office, the Maniac is forced out of the office, taking Bertozzo's coat and hat to use in his disguise. Bertozzo chases him, running into Pissani, who punches him in retaliation for "blowing a raspberry" at him.
The Maniac, now impersonating Malipiero, finds Pissani and his lackey, the Constable, in the room where the anarchist was during his interrogation. Telling them that he is Malipiero, the Maniac asks for the Superintendent, who was involved with the interrogation with Pissani and the Constable.
The Maniac orders the three policemen to re-enact the events of the interrogation; in turn fabricating many of the events, such as changing beating the anarchist to making jokes with him, incorporating new lines into the transcript and even breaking out in song.
When the investigation reaches the matter of the fall, the Constable reveals he grabbed the anarchist's shoe, in an attempt to stop him from falling. However, the Maniac notes that witnesses reported that the anarchist had both shoes on.
When Pissani surmises that the anarchist was wearing a galosh, the Superintendent breaks into a rage, making Pissani accidentally reveal that the Superintendent pushed the anarchist out of the window. The two policemen then realise that the Maniac was listening. The phone in the office suddenly rings, which Pissani answers. He tells them that it is a journalist called Maria Feletti, who the Superintendent agreed to meet to clear rumors about the interrogation, wanting to come up to the office. ...
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 倬賳噩賲 賲丕賴 噩賵賱丕蹖 爻丕賱 2003 賲蹖賱丕丿蹖
毓賳賵丕賳: 賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲貨 賳賵蹖爻賳丿賴: 丿丕乇蹖賵 賮賵貨 賲鬲乇噩賲: 乇囟賵丕賳 氐丿賯蹖鈥屬嗂権ж� 诏賱賲賴乇貙 1381貙 丿乇 191氐貨 卮丕亘讴 964743801貨 賲賵囟賵毓 賳賲丕蹖卮賳丕賲赖 賴丕蹖 賳賵蹖爻賳丿诏丕賳 丕蹖鬲丕賱蹖丕卅蹖 - 爻丿賴 20賲
毓賳賵丕賳: 賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲貨 賳賵蹖爻賳丿賴: 丿丕乇蹖賵 賮賵貨 賲鬲乇噩賲: 蹖丿丕賱賱賴 丌賯丕毓亘丕爻蹖貨 賵 毓賱蹖 丕氐睾乇 賲賯氐賵丿蹖貨 鬲賴乇丕賳貙 賳卮乇 賯胤乇賴貙 1384貙 丿乇 110氐貨 卮丕亘讴 9643414000貨 趩丕倬 丿賵賲 1395貨 卮丕亘讴 9789643414009貨
毓賳賵丕賳: 賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲貨 賳賵蹖爻賳丿賴: 丿丕乇蹖賵 賮賵貨 賲鬲乇噩賲: 噩賲卮蹖丿 讴丕賵蹖丕賳蹖貙 讴蹖丕賳 丕賮乇丕夭貙 趩丕倬 丿賵賲 1396貙 卮丕亘讴 9786009722228貨
賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲貙 賳賲丕蹖卮賳丕賲赖 丕蹖 丕蹖鬲丕賱蹖丕蹖蹖 爻鬲貙 讴賴 鬲賵爻胤 芦丿丕乇蹖賵 賮賵禄 亘乇賳丿賴 蹖 噩丕蹖夭賴 蹖 賳賵亘賱 丕丿亘蹖丕鬲 丿乇 爻丕賱 1970賲蹖賱丕丿蹖貙 賳诏丕卮鬲賴 卮丿賴鈥� 丕爻鬲貨 丕蹖賳 丕孬乇 蹖讴蹖 丕夭 丌卮賳丕鬲乇蹖賳 賳诏丕乇賴 賴丕蹖 丕蹖賳 賳賵蹖爻賳丿賴 丕爻鬲貨 芦賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲禄 丿乇 夭賲爻鬲丕賳 爻丕賱 1392賴噩乇蹖 禺賵乇卮蹖丿蹖貙 丿乇 爻丕賱賳 芦爻丕蹖賴 鬲卅丕鬲乇 卮賴乇 鬲賴乇丕賳禄 亘丕 讴丕乇诏乇丿丕賳蹖 芦賲氐胤賮蹖 毓亘丿丕賱賱賴蹖禄貙 亘賴 乇賵蹖 氐丨賳賴 乇賮鬲貨 丕蹖賳 丕噩乇丕 亘賴 亘賴鬲乇蹖賳 丕孬乇 爻丕賱貙 丕夭 賳诏丕賴 鬲賲丕卮丕诏乇丕賳貙 賵 賴賲趩賳蹖賳 倬乇 賮乇賵卮鬲乇蹖賳 賳賲丕蹖卮 賴賲丕賳 爻丕賱貙 賳丕賲 诏乇賮鬲貨 丿乇 丌賳 丕噩乇丕 噩賳丕亘丕賳 芦賲蹖讴丕蹖蹖賱 卮賴乇爻鬲丕賳蹖禄貙 芦丕賲蹖乇 毓亘丕爻 鬲賵賮蹖賯蹖禄貙 賵 芦賲賴丿蹖 夭賲蹖賳 倬乇丿丕夭禄貙 賳賯卮 丌賮乇蹖賳蹖 讴乇丿賳丿貨
賳賲丕蹖卮 芦賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲禄貙 丿乇 爻丕賱 1395賴噩乇蹖 禺賵乇卮蹖丿蹖 丿乇 卮蹖乇丕夭 賳蹖夭貙 鬲賵爻胤 诏乇賵賴 鬲卅丕鬲乇 芦倬賵蹖丕禄貙 亘賴 讴丕乇诏乇丿丕賳蹖 芦賳賵蹖丿 噩毓賮乇蹖禄貙 亘賴 乇賵蹖 氐丨賳賴 乇賮鬲貙 賵 蹖讴蹖 丕夭 倬乇 亘蹖賳賳丿賴鈥� 鬲乇蹖賳 賳賲丕蹖卮鈥屬囏й� 爻丕賱 卮丿貨
賳賲丕蹖卮 芦賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲禄貙 賴噩賵蹖賴 丕蹖 诏夭賳丿賴貙 賵 亘爻蹖丕乇 禺賳丿賴 丿丕乇貙 丕夭 賮爻丕丿 爻蹖丕爻蹖 爻鬲貙 賵 亘賴 倬乇賵賳丿賴 蹖 蹖讴 讴丕乇诏乇 丌賳丕乇卮蹖爻鬲 禺胤 丌賴賳 賲蹖倬乇丿丕夭丿貙 讴賴 丿乇 爻丕賱 1969賲蹖賱丕丿蹖貙 丕夭 倬賳噩乇賴 蹖 爻丕禺鬲賲丕賳 賲乇讴夭 賮乇賲丕賳丿賴蹖 倬賱蹖爻貙 亘賴 倬丕蹖蹖賳 倬乇鬲 賲蹖卮賵丿貙 賵 噩丕賳卮 乇丕 丕夭 丿爻鬲 賲蹖丿賴丿貨 丕蹖賳 丕孬乇 噩賳噩丕賱 亘乇丕賳诏蹖夭貙 丕夭 賳诏丕乇賳丿賴 芦丿丕乇蹖賵 賮賵禄貙 丿乇 丿賵 爻丕賱 賳禺爻鬲蹖賳 丕噩乇丕賴丕蹖卮貙 亘蹖卮 丕夭 賳蹖賲 賲蹖賱蹖賵賳 亘蹖賳賳丿賴 乇丕 亘賴 爻丕賱賳賴丕蹖 鬲卅丕鬲乇 讴卮丕賳丿貙 賵 賳丕賲 賳賲丕蹖卮賳丕賲赖 乇丕 亘賴 毓賳賵丕賳 蹖讴蹖 丕夭 亘乇鬲乇蹖賳 丌孬丕乇 賳賲丕蹖卮蹖 丿賵乇丕賳貙 賲胤乇丨 讴乇丿
賳賯賱 賳賲賵賳賴 賲鬲賳: 芦丿蹖賵丕賳賴: 賮乇賵蹖丿 賴賲 诏賮鬲賴 讴賴 賵蹖夭蹖鬲 夭蹖丕丿貙 賲賵孬乇鬲乇蹖賳 丿乇賲丕賳賴. 賴賲 亘乇丕蹖 倬夭卮讴 賴賲 亘乇丕蹖 亘蹖賲丕乇!禄貨 芦丿蹖賵丕賳賴: 蹖毓賳蹖 丌蹖丕 丕賵賳 讴丕乇诏乇 乇丕賴 丌賴賳貙 蹖毓賳蹖 丕賵賳 賯乇亘丕賳蹖 禺賵丿讴卮蹖貙 爻賴 鬲丕 倬丕 丿丕卮鬲責 丿乇 丕蹖賳 氐賵乇鬲 賲賳胤賯蹖賴 讴賴 爻賴 鬲丕 讴賮卮 倬賵卮蹖丿賴 亘丕卮賴. 乇卅蹖爻: (毓氐亘丕賳蹖) 賳禺蹖乇貙 爻賴 倬丕蹖蹖 賳亘賵丿! 丿蹖賵丕賳賴: 禺賵丕賴卮 賲蹖讴賳賲. 毓氐亘丕賳蹖 賳卮蹖賳. 丕夭 蹖賴 丌賳丕乇卮蹖爻鬲 賲蹖卮賴 丕賳鬲馗丕乇 亘丿鬲乇 丕夭 丕蹖賳 乇賵 賴賲 丿丕卮鬲.禄貨 芦丿蹖賵丕賳賴: 乇爻賵丕蹖蹖 亘乇丕蹖 丿賲賵讴乇丕爻蹖 睾乇亘蹖貙 丨讴賲 讴賵丿 卮蹖賲蹖丕蹖蹖 乇賵 丿丕乇賴. 亘匕丕乇蹖賳 丕夭 丕蹖賳賲 賮乇丕鬲乇 亘乇賲. 乇爻賵丕蹖蹖貙 倬丕丿夭賴乇蹖 亘乇丕蹖 夭賴乇賴丕蹖 賲賴賱讴賴: 蹖毓賳蹖 賲乇丿賲 丌诏丕賴蹖 爻蹖丕爻蹖 倬蹖丿丕 賲蹖讴賳賳. 丕诏賴 賲乇丿賲 禺蹖賱蹖 丌诏丕賴 亘卮賳貙 讴丕乇 賲丕 爻丕禺鬲賴 丕爻.禄貨 倬丕蹖丕賳 賳賯賱
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 03/05/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
March 20, 2019
賲爻乇丨賷丞 兀賰孬乇 賲賳 乇丕卅毓丞 鬲賯賵賲 毓賱賶 兀丨丿丕孬 丨賯賷賯賷丞
丿丕乇賷賵 賮賵 賷賰鬲亘 毓賳 賯囟丕賷丕 賮賷 睾丕賷丞 丕賱兀賴賲賷丞 賵丕賱噩丿賷丞 亘兀爻賱賵亘 爻丕禺乇 噩丿丕丕丕
丿丕乇賷賵 賮賵 賷賰鬲亘 毓賳 賯囟丕賷丕 賮賷 睾丕賷丞 丕賱兀賴賲賷丞 賵丕賱噩丿賷丞 亘兀爻賱賵亘 爻丕禺乇 噩丿丕丕丕
November 6, 2022
This is very much theatre of the absurd. It is a chilling comedy of true events and makes me wonder if Dario Fo was friends with . Both of them have a highly developed sense of cynical, sardonic humour and cruelty.
Definitely a 5 star read.
Definitely a 5 star read.
July 24, 2017
The play is based on the real life event - the death of an anarchist, (never named in play) who committed suicide by jumping, or fell or was thrown from a police station's window after being accused of bombing a bank. He was later cleared of the charge.
The imagined events of Fo's play occur sometime after that. The protagonist, simply called Maniac is one of the funniest characters in all plays I have read - he is a bit like Jack Sparrow, in that until the end there is no way to know whose side he is on or even if he has a real take on the issue. He repeatedly fakes identities and outsmarts police officers - a job made easy by their corruption and hypocrisy. The big final revelation is that the anarchist was a victim of Italian government who was pursuing something called .
The play faced a lot of challenged within Italy including threats of bombing the theater but it didn't affect its popularity. There is a moment when a police officer says that they have spies in audience itself and some voices are heard from among viewers - while this two-way fourth wall breaking is clever in itself, what the officer adds - that they are only fake spies and actual ones are stil sitting silently, might be pointing to the truth given the times it was first performed.
The theme is something universal. In fact, all the time I was reading I was thinking that it might have been written for India or anywhere where people enjoy a good satire (technically it is a farce, not satire) on corrupt government officials - and it has been performed here after making changes to make settings Indian. What's more, India is only one of 40+ other countries where it has been performed
The imagined events of Fo's play occur sometime after that. The protagonist, simply called Maniac is one of the funniest characters in all plays I have read - he is a bit like Jack Sparrow, in that until the end there is no way to know whose side he is on or even if he has a real take on the issue. He repeatedly fakes identities and outsmarts police officers - a job made easy by their corruption and hypocrisy. The big final revelation is that the anarchist was a victim of Italian government who was pursuing something called .
The play faced a lot of challenged within Italy including threats of bombing the theater but it didn't affect its popularity. There is a moment when a police officer says that they have spies in audience itself and some voices are heard from among viewers - while this two-way fourth wall breaking is clever in itself, what the officer adds - that they are only fake spies and actual ones are stil sitting silently, might be pointing to the truth given the times it was first performed.
The theme is something universal. In fact, all the time I was reading I was thinking that it might have been written for India or anywhere where people enjoy a good satire (technically it is a farce, not satire) on corrupt government officials - and it has been performed here after making changes to make settings Indian. What's more, India is only one of 40+ other countries where it has been performed
May 9, 2024
賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲 蹖丕 鬲亘賱賵乇 賳亘賵睾 丿乇 匕賴賳 蹖讴 丿賱賯讴
禺賵賳丿賳 丕蹖賳 賳賲丕蹖卮賳丕賲赖 乇賵 亘賴 賴賲賴 倬蹖卮賳賴丕丿 賲蹖讴賳賲貙 亘禺氐賵氐 讴爻丕賳蹖 讴賴 鬲噩乇亘賴 夭賳丿诏蹖 丿乇 丨讴賵賲鬲 賴丕蹖 鬲賵鬲丕賱蹖鬲乇 乇賵 丿丕乇賳.
賴卮丿丕乇: 胤乇丨 丕蹖賳 賳賲丕蹖卮賳丕賲赖 亘乇丕爻丕爻 丨賵丕丿孬 賵丕賯毓賷 丕爻鬲貨 賵 賴乇乇賵夭 鬲讴乇丕乇 賲蹖鈥屫促堌�.
禺賵賳丿賳 丕蹖賳 賳賲丕蹖卮賳丕賲赖 乇賵 亘賴 賴賲賴 倬蹖卮賳賴丕丿 賲蹖讴賳賲貙 亘禺氐賵氐 讴爻丕賳蹖 讴賴 鬲噩乇亘賴 夭賳丿诏蹖 丿乇 丨讴賵賲鬲 賴丕蹖 鬲賵鬲丕賱蹖鬲乇 乇賵 丿丕乇賳.
賴卮丿丕乇: 胤乇丨 丕蹖賳 賳賲丕蹖卮賳丕賲赖 亘乇丕爻丕爻 丨賵丕丿孬 賵丕賯毓賷 丕爻鬲貨 賵 賴乇乇賵夭 鬲讴乇丕乇 賲蹖鈥屫促堌�.
March 20, 2019
亘毓丿 丕夭 丕蹖賳讴賴 鬲賲賵賲 卮丿 蹖賴 賳诏丕賴 亘賴 禺賵丿賲 讴乇丿賲貙鬲賮 讴乇丿賲 亘賴 禺賵丿賲 讴賴 亘丕夭蹖诏乇 鬲卅丕鬲乇 賴爻鬲賲 賵 亘賴 賴賲賴 爻賱亘乇蹖鬲蹖 賴丕蹖 讴卮賵乇賲.
賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲 鬲氐丕丿賮蹖 賳亘賵丿貙! 倬蹖賳賱蹖 噩賵丕賳蹖 亘賵丿 讴賴 丿乇 禺蹖丕亘丕賳 诏乇賮鬲賴 卮丿 賵 讴卮鬲賴 卮丿...賲蹖禺賵丕爻鬲 賲丕爻鬲 賲丕賱蹖卮 讴賳賳 讴賴 亘毓囟蹖丕 賳夭丕卮鬲賳 丕夭 噩賲賱賴 丕賵賳丕 丿丕乇蹖賵 賮賵 賵 鬲卅丕鬲乇 賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲 亘賵丿賳...
賮賵 丿賱賯讴蹖 讴賴 亘賳馗乇賲 丕诏乇 賳賵亘賱 乇賵 賴賲 賳賲蹖诏乇賮鬲 丿乇 賯賱亘 賲賱蹖賵賳 賴丕 賳賮乇 賳賵亘賱 乇賵 賲蹖诏乇賮鬲...
丿丕乇蹖賵 賮賵 丕诏乇 趩賴 胤賳夭 賳賵卮鬲賴 丕賲丕 賯賵賱 賲蹖丿賲 賴乇讴爻蹖 丕蹖賳 賳賲丕蹖卮 賳丕賲賴 乇賵 亘禺賵賳賴 賲蹖賮賴賲賴 丕蹖賳 賳賲丕蹖卮賳丕賲赖 趩賯丿乇 禺胤乇 賳丕讴賴...
鬲賱禺 丕蹖賳賴 讴賴 趩乇丕 鬲賵 讴卮賵乇 賲丕 賮賵蹖蹖 亘賱賳丿 賳賲蹖卮賴 賲诏賴 賲丕 讴賲 倬蹖賳賱蹖 丿丕卮鬲蹖賲貙蹖丕 丿丕乇蹖賲...
爻賱亘乇蹖鬲蹖 賴丕蹖 賲丕 丿丕乇賳 趩賴 睾賱胤蹖 賲蹖讴賳賳 貙鬲毓賴丿 亘爻鬲賳 丌蹖丕貙丕賲丕賳 丕夭 丕蹖賳 亘蹖爻賵丕丿丕賳 賵 賴賳乇亘賳丿丕賳貙讴丕卮 賮賵 鬲賵蹖 丕蹖乇丕賳 亘賴 丿賳蹖丕 賲蹖賵賲丿 丕賵賳賵賯鬲 亘丕乇 賴丕 賳賵亘賱 賲蹖诏乇賮鬲 氐丿 賴丕 亘丕乇貙亘乇丕蹖 爻鬲丕乇 亘賴卮鬲蹖貙亘乇丕蹖 賳丿丕貙賵 丕賱丕賳 賴賲 亘乇丕蹖 賳爻乇蹖賳 爻鬲賵丿賴
賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲 鬲氐丕丿賮蹖 賳亘賵丿貙! 倬蹖賳賱蹖 噩賵丕賳蹖 亘賵丿 讴賴 丿乇 禺蹖丕亘丕賳 诏乇賮鬲賴 卮丿 賵 讴卮鬲賴 卮丿...賲蹖禺賵丕爻鬲 賲丕爻鬲 賲丕賱蹖卮 讴賳賳 讴賴 亘毓囟蹖丕 賳夭丕卮鬲賳 丕夭 噩賲賱賴 丕賵賳丕 丿丕乇蹖賵 賮賵 賵 鬲卅丕鬲乇 賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲 亘賵丿賳...
賮賵 丿賱賯讴蹖 讴賴 亘賳馗乇賲 丕诏乇 賳賵亘賱 乇賵 賴賲 賳賲蹖诏乇賮鬲 丿乇 賯賱亘 賲賱蹖賵賳 賴丕 賳賮乇 賳賵亘賱 乇賵 賲蹖诏乇賮鬲...
丿丕乇蹖賵 賮賵 丕诏乇 趩賴 胤賳夭 賳賵卮鬲賴 丕賲丕 賯賵賱 賲蹖丿賲 賴乇讴爻蹖 丕蹖賳 賳賲丕蹖卮 賳丕賲賴 乇賵 亘禺賵賳賴 賲蹖賮賴賲賴 丕蹖賳 賳賲丕蹖卮賳丕賲赖 趩賯丿乇 禺胤乇 賳丕讴賴...
鬲賱禺 丕蹖賳賴 讴賴 趩乇丕 鬲賵 讴卮賵乇 賲丕 賮賵蹖蹖 亘賱賳丿 賳賲蹖卮賴 賲诏賴 賲丕 讴賲 倬蹖賳賱蹖 丿丕卮鬲蹖賲貙蹖丕 丿丕乇蹖賲...
爻賱亘乇蹖鬲蹖 賴丕蹖 賲丕 丿丕乇賳 趩賴 睾賱胤蹖 賲蹖讴賳賳 貙鬲毓賴丿 亘爻鬲賳 丌蹖丕貙丕賲丕賳 丕夭 丕蹖賳 亘蹖爻賵丕丿丕賳 賵 賴賳乇亘賳丿丕賳貙讴丕卮 賮賵 鬲賵蹖 丕蹖乇丕賳 亘賴 丿賳蹖丕 賲蹖賵賲丿 丕賵賳賵賯鬲 亘丕乇 賴丕 賳賵亘賱 賲蹖诏乇賮鬲 氐丿 賴丕 亘丕乇貙亘乇丕蹖 爻鬲丕乇 亘賴卮鬲蹖貙亘乇丕蹖 賳丿丕貙賵 丕賱丕賳 賴賲 亘乇丕蹖 賳爻乇蹖賳 爻鬲賵丿賴
February 9, 2013
Dario Fo, the Nobel prize winner in 1997, is something of a phenomenon: the brilliant, absurdist, ultra-leftist, anti-fascist Italian playwright, known (along with his wife, Franca Rame, who was kidnapped and raped by Neofascist thugs associated with the carabinieri, police, in 1973) for farce, absurdist comedy, and for wild slapstick one-man improvisational shows.
This Methuen edition is quite good. It contains a detailed biographical chronology, a long scholarly essay on Fo鈥檚 use of farce (and how it differs, as genre, from comedy), his reliance on the old oral traditional storytellers (the fabulatori) of Northern Italy, and contains a thorough discussion of the strange political situation in the 1970鈥檚 鈥淚taly of the mysteries鈥�, the years of PD2 and Operation Gladio, in which CIA-funded Italian Neofascists vied with Red terrorists to undermine democratic (actually, Christian Democratic) governments in Rome. Finally, there are a set of contextual notes to the English translation, and a bibliography. All round, an excellent reader鈥檚 edition.
One thing that is interesting is that Fo did not consider himself avant-garde (like Ionescu or Beckett), but sought instead to connect himself with the popular culture of the Italian countryside 鈥� a culture of rude comedic farce, puppet shows, impersonations, fabulatori, etc., which he then connected with powerful and uncompromising political broadsides. In this way, he sought to rehabilitate the non-elitist culture of the 鈥榩eople鈥� in a Gramscian way.
Anyway 鈥� interesting material.
This Methuen edition is quite good. It contains a detailed biographical chronology, a long scholarly essay on Fo鈥檚 use of farce (and how it differs, as genre, from comedy), his reliance on the old oral traditional storytellers (the fabulatori) of Northern Italy, and contains a thorough discussion of the strange political situation in the 1970鈥檚 鈥淚taly of the mysteries鈥�, the years of PD2 and Operation Gladio, in which CIA-funded Italian Neofascists vied with Red terrorists to undermine democratic (actually, Christian Democratic) governments in Rome. Finally, there are a set of contextual notes to the English translation, and a bibliography. All round, an excellent reader鈥檚 edition.
One thing that is interesting is that Fo did not consider himself avant-garde (like Ionescu or Beckett), but sought instead to connect himself with the popular culture of the Italian countryside 鈥� a culture of rude comedic farce, puppet shows, impersonations, fabulatori, etc., which he then connected with powerful and uncompromising political broadsides. In this way, he sought to rehabilitate the non-elitist culture of the 鈥榩eople鈥� in a Gramscian way.
Anyway 鈥� interesting material.
September 14, 2017
賳胤賯 丿丕乇蹖賵 賮賵 亘毓丿 丕夭 丿乇蹖丕賮鬲 噩丕蹖夭賴鈥屰� 賳賵亘賱貙亘賴鬲乇蹖賳 乇蹖賵蹖賵 亘乇丕蹖 丕蹖賳 賳賲丕蹖卮賳丕賲赖鈥屫池� 讴賴 丕賳鬲賴丕蹖 丕蹖賳 賳爻禺賴 丕夭 丕蹖賳 讴鬲丕亘 賳賵卮鬲賴鈥屫簇� 賵 倬蹖卮賳賴丕丿 賲蹖鈥屭┵嗁� 丨鬲蹖 丕诏賴 賳賲丕蹖卮賳丕賲赖 乇賵 賳賲蹖鈥屫堎嗃屫屬嗀焚� 賳賵蹖爻賳丿賴 乇賵 亘禺賵賳蹖丿.
倬蹖丕賲 丕氐賱蹖 賳賲丕蹖卮賳丕賲赖: 乇爻賵丕蹖蹖貙丿丕乇賵蹖蹖 丌乇丕賲鈥屫ㄘ� 丕爻鬲 讴賴 丨讴賵賲鬲 亘乇丕蹖 丌乇丕賲鈥屭┴必� 鬲賵丿賴鈥屬囏ж屬呝堌必ж池佖ж� 賯乇丕乇賲蹖鈥屫囏�
賲賳 亘丕亘 乇爻賵丕蹖蹖(丕夭 賲鬲賳 讴鬲丕亘):
... 丕夭 賲丨賵 讴丕賲賱 夭丿 賵 亘賳丿賴丕蹖 讴孬蹖賮 爻蹖丕爻蹖貙趩蹖夭蹖 毓丕蹖丿 蹖賴 卮賴乇賵賳丿 賲毓賲賵賱蹖 賳賲蹖鈥屫促�.丕賵賳 賴賲蹖賳鈥屬傌� 讴賴 亘丿賵賳賴 丕蹖賳鈥屫堌� 丌丿賲丕 賲丨讴賵賲 賲蹖鈥屫促� 蹖丕 倬乇丿賴 丕夭 乇賵蹖 乇爻賵丕蹖蹖 丕賵賳丕 亘乇丿丕卮鬲賴鈥屬呟屫促� 賵 賲乇丿賲 賲蹖鈥屫堎嗁� 丿乇亘丕乇賴鈥屫� 丨乇賮鈥屫ㄘ操嗁嗀屫必ж钝� 賲蹖卮賴. 亘賴 鬲毓亘蹖乇 丕賵賳貙賴賲蹖賳 趩蹖夭賴丕 丌夭丕丿蹖賽 賲胤賱賯賴 賵 丿蹖诏賴 丿賳蹖丕 亘賴卮鬲 锟斤拷乇蹖賳 卮丿賴貙禺丿丕乇賵卮讴乇!
...丕蹖賳鈥屫焚堌� 亘賴鈥屬嗀肛� 賲蹖乇爻賴 讴賴 丨鬲蹖 賵賯鬲蹖 丕氐賱丕 賴蹖趩 乇爻賵丕蹖蹖 賴賲 賵噩賵丿 賳丿丕乇賴貙丕蹖噩丕丿 丕賵賳 囟乇賵乇蹖賴.趩賵賳 卮蹖賵賴鈥屰� 禺丕乇賯鈥屫з勜关ж団€屫й� 亘乇丕蹖 丨賮馗 賯丿乇鬲 丕夭 胤乇蹖賯 丕蹖噩丕丿 丕胤賲蹖賳丕賳 亘乇丕蹖 匕賴賳蹖鬲 丌夭乇丿賴鈥屫簇団€屫� 鬲賵丿賴鈥屬囏ж池�
賲賳 亘丕亘 丕氐賱丕丨丕鬲(亘禺卮賽 賲賵乇丿毓賱丕賯賴鈥屬�):
...丕賵賳丕 丕賳賯賱丕亘 賲蹖鈥屫堌з嗀屬呚� 亘賴卮賵賳 丕氐賱丕丨丕鬲 賲蹖鈥屫屬�.丕氐賱丕丨丕鬲賽 亘蹖鈥屫促呚ж�.丕氐賱丕 鬲賵 丕氐賱丕丨丕鬲 睾乇賯卮賵賳 賲蹖鈥屭┵嗃屬�. 蹖丕 丿乇賵丕賯毓 丕賵賳丕 乇賵 鬲賵蹖 賵毓丿賴 賵 賵毓蹖丿 丕氐賱丕丨丕鬲 睾乇賯 賲蹖鈥屭┵嗃屬呚屭嗁堎� 丨鬲蹖 丕氐賱丕丨丕鬲 賵丕賯毓蹖 乇賵 賴賲 賴乇诏夭 亘賴 丕賵賳丕 賳賲蹖鈥屫屬�
賲賳 亘丕亘 丿賲賵讴乇丕爻蹖:
+诏乇賵賴鈥屬囏й� 丕胤賱丕毓丕鬲蹖 賵 丌诏丕賴蹖貙爻鬲賵賳 丕氐賱蹖 賴乇 賲賱鬲 賲鬲賲丿賳蹖 賴爻鬲賳
-賵 丨鬲蹖 亘毓囟蹖 丕夭 賲賱賱 睾蹖乇賲鬲賲丿賳
+亘丿賵賳 賵噩賵丿 爻蹖爻鬲賲 丕胤賱丕毓丕鬲蹖 丿賯蹖賯貙蹖賴 賲賱鬲 丌夭丕丿 賲賲讴賳賴 亘賴 賵乇胤賴鈥屰� 毓賳丕氐乇 賲丨乇讴 蹖丕 賴乇賳賵毓 噩賳亘卮 丕賮乇丕胤蹖 爻賯賵胤 讴賳賴
-蹖丕 亘賴 賵乇胤賴鈥屰� 賴乇 丕賳鬲禺丕亘丕鬲蹖
倬蹖丕賲 丕氐賱蹖 賳賲丕蹖卮賳丕賲赖: 乇爻賵丕蹖蹖貙丿丕乇賵蹖蹖 丌乇丕賲鈥屫ㄘ� 丕爻鬲 讴賴 丨讴賵賲鬲 亘乇丕蹖 丌乇丕賲鈥屭┴必� 鬲賵丿賴鈥屬囏ж屬呝堌必ж池佖ж� 賯乇丕乇賲蹖鈥屫囏�
賲賳 亘丕亘 乇爻賵丕蹖蹖(丕夭 賲鬲賳 讴鬲丕亘):
... 丕夭 賲丨賵 讴丕賲賱 夭丿 賵 亘賳丿賴丕蹖 讴孬蹖賮 爻蹖丕爻蹖貙趩蹖夭蹖 毓丕蹖丿 蹖賴 卮賴乇賵賳丿 賲毓賲賵賱蹖 賳賲蹖鈥屫促�.丕賵賳 賴賲蹖賳鈥屬傌� 讴賴 亘丿賵賳賴 丕蹖賳鈥屫堌� 丌丿賲丕 賲丨讴賵賲 賲蹖鈥屫促� 蹖丕 倬乇丿賴 丕夭 乇賵蹖 乇爻賵丕蹖蹖 丕賵賳丕 亘乇丿丕卮鬲賴鈥屬呟屫促� 賵 賲乇丿賲 賲蹖鈥屫堎嗁� 丿乇亘丕乇賴鈥屫� 丨乇賮鈥屫ㄘ操嗁嗀屫必ж钝� 賲蹖卮賴. 亘賴 鬲毓亘蹖乇 丕賵賳貙賴賲蹖賳 趩蹖夭賴丕 丌夭丕丿蹖賽 賲胤賱賯賴 賵 丿蹖诏賴 丿賳蹖丕 亘賴卮鬲 锟斤拷乇蹖賳 卮丿賴貙禺丿丕乇賵卮讴乇!
...丕蹖賳鈥屫焚堌� 亘賴鈥屬嗀肛� 賲蹖乇爻賴 讴賴 丨鬲蹖 賵賯鬲蹖 丕氐賱丕 賴蹖趩 乇爻賵丕蹖蹖 賴賲 賵噩賵丿 賳丿丕乇賴貙丕蹖噩丕丿 丕賵賳 囟乇賵乇蹖賴.趩賵賳 卮蹖賵賴鈥屰� 禺丕乇賯鈥屫з勜关ж団€屫й� 亘乇丕蹖 丨賮馗 賯丿乇鬲 丕夭 胤乇蹖賯 丕蹖噩丕丿 丕胤賲蹖賳丕賳 亘乇丕蹖 匕賴賳蹖鬲 丌夭乇丿賴鈥屫簇団€屫� 鬲賵丿賴鈥屬囏ж池�
賲賳 亘丕亘 丕氐賱丕丨丕鬲(亘禺卮賽 賲賵乇丿毓賱丕賯賴鈥屬�):
...丕賵賳丕 丕賳賯賱丕亘 賲蹖鈥屫堌з嗀屬呚� 亘賴卮賵賳 丕氐賱丕丨丕鬲 賲蹖鈥屫屬�.丕氐賱丕丨丕鬲賽 亘蹖鈥屫促呚ж�.丕氐賱丕 鬲賵 丕氐賱丕丨丕鬲 睾乇賯卮賵賳 賲蹖鈥屭┵嗃屬�. 蹖丕 丿乇賵丕賯毓 丕賵賳丕 乇賵 鬲賵蹖 賵毓丿賴 賵 賵毓蹖丿 丕氐賱丕丨丕鬲 睾乇賯 賲蹖鈥屭┵嗃屬呚屭嗁堎� 丨鬲蹖 丕氐賱丕丨丕鬲 賵丕賯毓蹖 乇賵 賴賲 賴乇诏夭 亘賴 丕賵賳丕 賳賲蹖鈥屫屬�
賲賳 亘丕亘 丿賲賵讴乇丕爻蹖:
+诏乇賵賴鈥屬囏й� 丕胤賱丕毓丕鬲蹖 賵 丌诏丕賴蹖貙爻鬲賵賳 丕氐賱蹖 賴乇 賲賱鬲 賲鬲賲丿賳蹖 賴爻鬲賳
-賵 丨鬲蹖 亘毓囟蹖 丕夭 賲賱賱 睾蹖乇賲鬲賲丿賳
+亘丿賵賳 賵噩賵丿 爻蹖爻鬲賲 丕胤賱丕毓丕鬲蹖 丿賯蹖賯貙蹖賴 賲賱鬲 丌夭丕丿 賲賲讴賳賴 亘賴 賵乇胤賴鈥屰� 毓賳丕氐乇 賲丨乇讴 蹖丕 賴乇賳賵毓 噩賳亘卮 丕賮乇丕胤蹖 爻賯賵胤 讴賳賴
-蹖丕 亘賴 賵乇胤賴鈥屰� 賴乇 丕賳鬲禺丕亘丕鬲蹖
November 24, 2020
賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲貙 賳賲丕蹖卮賳丕賲赖鈥屫й� 爻蹖丕爻蹖鈥�-鈥屸€屫ж呚ж观� 賵 丿乇 賯丕賱亘 胤賳夭 丕爻鬲 讴賴 丿丕乇蹖賵 賮賵 丌賳 乇丕 丿乇 倬蹖 賲乇诏 倬蹖賳賵 倬蹖賳賱蹖 賳賵卮鬲貙 丌賳丕乇卮蹖爻鬲蹖 讴賴 丿乇 亘丕夭丿丕卮鬲 倬賱蹖爻 賵 胤蹖 亘丕夭噩賵蹖蹖鈥屬囏й� 丿乇亘丕乇賴鈥屰� 亘賲亘 诏匕丕乇蹖 讴賴 丿乇 丌賳 賴蹖趩 賳賯卮蹖 賳丿丕卮鬲貙 噩丕賳卮 乇丕 丕夭 丿爻鬲 丿丕丿.
亘禺卮鈥屬囏й屰� 丕夭 讴鬲丕亘:
鈻笍 讴賲蹖爻乇 賵乇夭卮蹖: 毓噩亘 亘丿匕丕鬲 賵 賱毓賳鬲蹖賴 丕蹖賳 丿賳蹖丕!
丿蹖賵丕賳賴: 丿賳蹖丕 賳賴貙 丨讴賵賲鬲.
鈻笍 賲蹖鈥屫堌й� 丨讴賲 亘賴 賳賮毓 鬲賵 氐丕丿乇 卮賴 亘丕蹖丿 倬賵賱 禺乇噩 讴賳蹖. 丕賵賳賵賯鬲 賴賲賴 趩蹖 亘賴 賳賮毓 鬲賵 鬲賲賵賲 賲蹖卮賴. 丨丕賱丕 賲蹖鈥屫堌й� 亘賴 丨賯蹖賯鬲 爻賵诏賳丿 亘禺賵乇蹖 蹖丕 賳禺賵乇蹖.
鈻笍 丕賵賳鈥屬囏� 禺賵丕賴丕賳 丕賳賯賱丕亘賳丿 賵 賲丕 亘賴卮賵賳 丕氐賱丕丨丕鬲 鬲丨賵蹖賱 賲蹖丿蹖賲. 丕賵賳 賯丿乇 賴賲 鬲丨賵蹖賱卮賵賳 賲蹖丿蹖賲 讴賴 丕賳賯賱丕亘 乇賵 賮乇丕賲賵卮 讴賳賳. 丿乇 丕氐賱丕丨丕鬲 睾乇賯卮賵賳 賲蹖鈥屭┵嗃屬�. 蹖丕 亘賴鬲乇 亘诏賲 讴賴 睾乇賯卮賵賳 賲蹖鈥屭┵嗃屬� 丿乇 賵毓丿賴鈥屬囏й� 丕氐賱丕丨丕鬲. 趩賵賳 丨鬲蹖 丕賵賳 趩蹖夭蹖 乇賵 賴賲 讴賴 賲蹖鈥屭屬� 賴蹖趩 賵賯鬲 亘賴卮賵賳 賳賲蹖鈥屫屬�.
鈻笍 賲丕 丿乇 丕蹖賳噩丕 丿乇 賲蹖丕賳 賮爻丕丿 卮賳丕 賲蹖鈥屭┵嗃屬� 賵 賴乇丕夭诏丕賴蹖 丕夭 丌亘蹖 讴賴 鬲賵卮 卮賳丕賵乇蹖賲貙 賲蹖鈥屫堌臂屬� 賵 賴蹖趩 讴爻 賴賲 賳賲蹖丕丿 賵丕爻賴 賲丕 鬲毓乇蹖賮 讴賳賴 讴賴 丕蹖賳 丌亘 趩賴 賲夭賴鈥屫й� 丿丕乇賴! 賲爻丕賱賴鈥屰� 賲丕 丕蹖賳賴 讴賴 讴爻蹖 鬲賵噩賾賴 賳賲蹖鈥屭┵嗁�.
倬.賳: 丿丕乇蹖賵 賮賵 丿乇 爻丕賱 郾酃酃鄯 亘乇賳丿賴鈥屰� 噩丕蹖夭賴鈥屰� 賳賵亘賱 丕丿亘蹖丕鬲 卮丿.
酃酃/鄯/鄄鄱
亘禺卮鈥屬囏й屰� 丕夭 讴鬲丕亘:
鈻笍 讴賲蹖爻乇 賵乇夭卮蹖: 毓噩亘 亘丿匕丕鬲 賵 賱毓賳鬲蹖賴 丕蹖賳 丿賳蹖丕!
丿蹖賵丕賳賴: 丿賳蹖丕 賳賴貙 丨讴賵賲鬲.
鈻笍 賲蹖鈥屫堌й� 丨讴賲 亘賴 賳賮毓 鬲賵 氐丕丿乇 卮賴 亘丕蹖丿 倬賵賱 禺乇噩 讴賳蹖. 丕賵賳賵賯鬲 賴賲賴 趩蹖 亘賴 賳賮毓 鬲賵 鬲賲賵賲 賲蹖卮賴. 丨丕賱丕 賲蹖鈥屫堌й� 亘賴 丨賯蹖賯鬲 爻賵诏賳丿 亘禺賵乇蹖 蹖丕 賳禺賵乇蹖.
鈻笍 丕賵賳鈥屬囏� 禺賵丕賴丕賳 丕賳賯賱丕亘賳丿 賵 賲丕 亘賴卮賵賳 丕氐賱丕丨丕鬲 鬲丨賵蹖賱 賲蹖丿蹖賲. 丕賵賳 賯丿乇 賴賲 鬲丨賵蹖賱卮賵賳 賲蹖丿蹖賲 讴賴 丕賳賯賱丕亘 乇賵 賮乇丕賲賵卮 讴賳賳. 丿乇 丕氐賱丕丨丕鬲 睾乇賯卮賵賳 賲蹖鈥屭┵嗃屬�. 蹖丕 亘賴鬲乇 亘诏賲 讴賴 睾乇賯卮賵賳 賲蹖鈥屭┵嗃屬� 丿乇 賵毓丿賴鈥屬囏й� 丕氐賱丕丨丕鬲. 趩賵賳 丨鬲蹖 丕賵賳 趩蹖夭蹖 乇賵 賴賲 讴賴 賲蹖鈥屭屬� 賴蹖趩 賵賯鬲 亘賴卮賵賳 賳賲蹖鈥屫屬�.
鈻笍 賲丕 丿乇 丕蹖賳噩丕 丿乇 賲蹖丕賳 賮爻丕丿 卮賳丕 賲蹖鈥屭┵嗃屬� 賵 賴乇丕夭诏丕賴蹖 丕夭 丌亘蹖 讴賴 鬲賵卮 卮賳丕賵乇蹖賲貙 賲蹖鈥屫堌臂屬� 賵 賴蹖趩 讴爻 賴賲 賳賲蹖丕丿 賵丕爻賴 賲丕 鬲毓乇蹖賮 讴賳賴 讴賴 丕蹖賳 丌亘 趩賴 賲夭賴鈥屫й� 丿丕乇賴! 賲爻丕賱賴鈥屰� 賲丕 丕蹖賳賴 讴賴 讴爻蹖 鬲賵噩賾賴 賳賲蹖鈥屭┵嗁�.
倬.賳: 丿丕乇蹖賵 賮賵 丿乇 爻丕賱 郾酃酃鄯 亘乇賳丿賴鈥屰� 噩丕蹖夭賴鈥屰� 賳賵亘賱 丕丿亘蹖丕鬲 卮丿.
酃酃/鄯/鄄鄱
February 9, 2020
賲丨賮賱 讴鬲丕亘趩蹖 賴丕:爻賵賲蹖賳 噩賱爻賴
賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲:
丿丕爻鬲丕賳蹖 讴賴 乇丕蹖丨賴 夭卮鬲 丌卮賳丕蹖蹖 丿丕乇丿..
丿丕乇蹖賵 賮賵 亘丕 胤賳夭蹖 讴賵亘賳丿賴 丿乇賵賳 爻蹖爻鬲賲 丨讴賵賲鬲 賴丕蹖蹖 賲爻鬲亘丿 乇丕 亘賴 賲丕 賳卮丕賳 賲蹖 丿賴丿,匕賴賳 賵 賵丕賯毓蹖鬲 丕賮乇丕丿 丿乇賵賳 丕蹖賳 爻蹖爻鬲賲 賴丕..賵 賴賲賵丕乇賴 賱亘禺賳丿蹖 鬲賱禺 丕讴賳丿賴 丕夭 丕诏丕賴蹖 亘乇 賱亘 禺賵丕賳賳丿賴 賮乇賵丿 賲蹖 丕賵乇丿..
賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲:
丿丕爻鬲丕賳蹖 讴賴 乇丕蹖丨賴 夭卮鬲 丌卮賳丕蹖蹖 丿丕乇丿..
丿丕乇蹖賵 賮賵 亘丕 胤賳夭蹖 讴賵亘賳丿賴 丿乇賵賳 爻蹖爻鬲賲 丨讴賵賲鬲 賴丕蹖蹖 賲爻鬲亘丿 乇丕 亘賴 賲丕 賳卮丕賳 賲蹖 丿賴丿,匕賴賳 賵 賵丕賯毓蹖鬲 丕賮乇丕丿 丿乇賵賳 丕蹖賳 爻蹖爻鬲賲 賴丕..賵 賴賲賵丕乇賴 賱亘禺賳丿蹖 鬲賱禺 丕讴賳丿賴 丕夭 丕诏丕賴蹖 亘乇 賱亘 禺賵丕賳賳丿賴 賮乇賵丿 賲蹖 丕賵乇丿..
January 5, 2022
賲爻乇丨賷丞 賲賲鬲毓丞 鬲鬲賲賷夭 亘丕賱丨賵丕乇丕鬲 丕賱爻賯乇丕胤賷丞 賵丕賱爻禺乇賷丞 丕賱賱丕匕毓丞 賵鬲爻賷乇 毓賱賶 賲亘丿兀 丕爻鬲賯丕亍 丕賱丨賰賲丞 賲賳 兀賮賵丕賴 丕賱賲噩丕賳賷賳.
丕賱賲噩賳賵賳 丕賱賲丕賰乇 賷賰卮賮 賱賳丕 賮爻丕丿 乇噩丕賱 丕賱賯丕賳賵賳 賵丕賱爻賷丕爻丞. 賷亘丿兀 丕賱賳賯丿 毓賱賶 賳胤丕賯 囟賷賯 亘賮囟丨 賮乇丿 賵丕孬賳賷賳 孬賲 賷鬲爻毓 賱賷卮賲賱 丕賱賲賳馗賵賲丞 丕賱爻賷丕爻賷丞 亘兀賰賲賱賴丕. 丕賱賮爻丕丿 賯丿 賷胤丕賱 丕賱噩賲賷毓 亘賲丕 賮賷 匕賱賰 兀賯賱丕賲 丕賱氐丨丕賮丞貙 賵賱賰賱 毓匕乇賴. 賮賴匕丕 賷賮爻丿 賱鬲丨賯賷賯 賲賰丕爻亘 賵賴匕丕 賱丨賲丕賷丞 賳賮爻賴 賵匕賱賰 賱廿乇囟丕亍 丕賱毓丕賲丞...廿賱禺.
毓賱賶 丕賱乇睾賲 賲賳 兀賳 丕賱乇賵丕賷丞 鬲爻鬲禺丿賲 兀爻賱賵亘 丕賱賰賵賲賷丿賷丕 丕賱賲亘丕卮乇丞 賮賷 亘毓囟 丕賱賲賯丕胤毓貙 乇亘賲丕 廿賱賶 丿乇噩丞 丕賱賴夭賱貙 廿賱丕 兀賳 丕賱賲賵囟賵毓 賮賷 睾丕賷丞 丕賱噩丿賷丞 賵丕賱賲兀爻丕賵賷丞. 賮賲賳 爻賷丿丕賮毓 毓賳 丨賯 丕賱囟丨賷丞 丕賱囟毓賷賮丞 毓賳丿賲丕 鬲氐賲鬲 丕賱兀賮賵丕賴責 乇亘賲丕 爻賳丨鬲丕噩 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 廿賱賶 賲噩丕賳賷賳 賱賷爻 賱丿賷賴賲 賲丕 賷禺爻乇賵賳賴.
賴匕賴 丕賱賲爻乇丨賷丞貙 毓賱賶 兀賳賴丕 賰賱丕爻賷賰賷丞貙 廿賱丕 兀賳賴丕 賲賳 兀丨丿孬 丕賱賲爻乇丨賷丕鬲 丕賱鬲賷 賯乇兀鬲. 兀賰賵賳 卮丕賰乇丕賸 賱賲賳 賷乇卮丨 賱賷 賲爻乇丨賷丕鬲 賲毓丕氐乇丞 鬲爻鬲丨賯 丕賱賯乇丕亍丞.
丕賱賲噩賳賵賳 丕賱賲丕賰乇 賷賰卮賮 賱賳丕 賮爻丕丿 乇噩丕賱 丕賱賯丕賳賵賳 賵丕賱爻賷丕爻丞. 賷亘丿兀 丕賱賳賯丿 毓賱賶 賳胤丕賯 囟賷賯 亘賮囟丨 賮乇丿 賵丕孬賳賷賳 孬賲 賷鬲爻毓 賱賷卮賲賱 丕賱賲賳馗賵賲丞 丕賱爻賷丕爻賷丞 亘兀賰賲賱賴丕. 丕賱賮爻丕丿 賯丿 賷胤丕賱 丕賱噩賲賷毓 亘賲丕 賮賷 匕賱賰 兀賯賱丕賲 丕賱氐丨丕賮丞貙 賵賱賰賱 毓匕乇賴. 賮賴匕丕 賷賮爻丿 賱鬲丨賯賷賯 賲賰丕爻亘 賵賴匕丕 賱丨賲丕賷丞 賳賮爻賴 賵匕賱賰 賱廿乇囟丕亍 丕賱毓丕賲丞...廿賱禺.
毓賱賶 丕賱乇睾賲 賲賳 兀賳 丕賱乇賵丕賷丞 鬲爻鬲禺丿賲 兀爻賱賵亘 丕賱賰賵賲賷丿賷丕 丕賱賲亘丕卮乇丞 賮賷 亘毓囟 丕賱賲賯丕胤毓貙 乇亘賲丕 廿賱賶 丿乇噩丞 丕賱賴夭賱貙 廿賱丕 兀賳 丕賱賲賵囟賵毓 賮賷 睾丕賷丞 丕賱噩丿賷丞 賵丕賱賲兀爻丕賵賷丞. 賮賲賳 爻賷丿丕賮毓 毓賳 丨賯 丕賱囟丨賷丞 丕賱囟毓賷賮丞 毓賳丿賲丕 鬲氐賲鬲 丕賱兀賮賵丕賴責 乇亘賲丕 爻賳丨鬲丕噩 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 廿賱賶 賲噩丕賳賷賳 賱賷爻 賱丿賷賴賲 賲丕 賷禺爻乇賵賳賴.
賴匕賴 丕賱賲爻乇丨賷丞貙 毓賱賶 兀賳賴丕 賰賱丕爻賷賰賷丞貙 廿賱丕 兀賳賴丕 賲賳 兀丨丿孬 丕賱賲爻乇丨賷丕鬲 丕賱鬲賷 賯乇兀鬲. 兀賰賵賳 卮丕賰乇丕賸 賱賲賳 賷乇卮丨 賱賷 賲爻乇丨賷丕鬲 賲毓丕氐乇丞 鬲爻鬲丨賯 丕賱賯乇丕亍丞.
December 13, 2017
丕爻鬲丨囟乇鬲賳賷 賲賯賵賱丞 賲賲丿賵丨 毓丿賵丕賳 毓賳丿 賯乇丕亍鬲賷 賱賱賲爻乇丨賷丞
"賳丨賳 賮賷 丨丕噩丞 廿賱賶 丕賱噩賳賵賳 賱賰卮賮 夭賷賮 丕賱鬲毓賯賱 賵丕賱噩亘賳 賵丕賱賱丕賲亘丕賱丕丞"
賵鬲賳胤亘賯 賴匕賴 丕賱賲賯賵賱丞 毓賱賶 卮禺氐賷丞 ( 丕賱兀亘賱賴 ) 賵毓賱賶 丕賱賰丕鬲亘 丕賱匕賷 丕亘鬲賰乇賴丕
賲賵鬲 賮賵囟賵賷 氐丿賮丞..賲爻乇丨賷丞 鬲噩賲毓 賲丕 亘賷賳 丕賱鬲乇丕噩賷丿賷丕 賵丕賱賰賵賲賷丿賷丕 ..賲亘賳賷丞
毓賱賶 丕丨丿丕孬 丨賯賷賯賷丞 賵賯毓鬲 賮賷 丕賷胤丕賱賷丕 1969 ..孬賵乇賷丞 亘丕賲鬲賷丕夭
丕賱卮禺氐賷丞 丕賱乇卅賷爻賷丞 賮賷 丕賱毓賲賱 卮禺氐賷丞 ( 丕賱兀亘賱賴 ) 丕賱賲鬲毓丿丿 丕賱賲賵丕賴亘 賵丕賱卮禺氐賷丕鬲
賲賳 丕馗乇賮 丕賱卮禺氐賷丕鬲 丕賱鬲賷 賯丕亘賱鬲賴丕 亘毓丕賱賲 丕賱賯乇丕亍丞 賵兀賰孬乇賴丕 噩賳賵賳丕 賵丨賰賲丞
賲爻乇丨賷丞 兀賯賱 賲丕 賷賯丕賱 毓賳賴丕 兀賳賴丕 毓亘賯乇賷丞
"賳丨賳 賮賷 丨丕噩丞 廿賱賶 丕賱噩賳賵賳 賱賰卮賮 夭賷賮 丕賱鬲毓賯賱 賵丕賱噩亘賳 賵丕賱賱丕賲亘丕賱丕丞"
賵鬲賳胤亘賯 賴匕賴 丕賱賲賯賵賱丞 毓賱賶 卮禺氐賷丞 ( 丕賱兀亘賱賴 ) 賵毓賱賶 丕賱賰丕鬲亘 丕賱匕賷 丕亘鬲賰乇賴丕
賲賵鬲 賮賵囟賵賷 氐丿賮丞..賲爻乇丨賷丞 鬲噩賲毓 賲丕 亘賷賳 丕賱鬲乇丕噩賷丿賷丕 賵丕賱賰賵賲賷丿賷丕 ..賲亘賳賷丞
毓賱賶 丕丨丿丕孬 丨賯賷賯賷丞 賵賯毓鬲 賮賷 丕賷胤丕賱賷丕 1969 ..孬賵乇賷丞 亘丕賲鬲賷丕夭
丕賱卮禺氐賷丞 丕賱乇卅賷爻賷丞 賮賷 丕賱毓賲賱 卮禺氐賷丞 ( 丕賱兀亘賱賴 ) 丕賱賲鬲毓丿丿 丕賱賲賵丕賴亘 賵丕賱卮禺氐賷丕鬲
賲賳 丕馗乇賮 丕賱卮禺氐賷丕鬲 丕賱鬲賷 賯丕亘賱鬲賴丕 亘毓丕賱賲 丕賱賯乇丕亍丞 賵兀賰孬乇賴丕 噩賳賵賳丕 賵丨賰賲丞
賲爻乇丨賷丞 兀賯賱 賲丕 賷賯丕賱 毓賳賴丕 兀賳賴丕 毓亘賯乇賷丞
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December 27, 2019賮賵賯 丕賱毓丕丿賴 禺賵亘 亘賵丿 丕賷賳 賳賲丕賷卮賳丕賲賴
丕賳賯丿乇 賱匕鬲 亘禺卮 賵 禺賵亘 賴爻鬲卮 賰賴 丕氐賱丕 賲鬲賵噩賴 诏匕乇 夭賲丕賳 賳賲賷卮賷丿 賲賵賯毓 禺賵賳丿賳卮...
毓丕丕賱賷 亘賵丿 ...
丕賳賯丿乇 賱匕鬲 亘禺卮 賵 禺賵亘 賴爻鬲卮 賰賴 丕氐賱丕 賲鬲賵噩賴 诏匕乇 夭賲丕賳 賳賲賷卮賷丿 賲賵賯毓 禺賵賳丿賳卮...
毓丕丕賱賷 亘賵丿 ...
September 20, 2021
蹖讴 胤賳夭賽 爻蹖丕爻蹖賽 丨丕賱 亘賴賲 夭賳賽 賴賵卮蹖丕乇.
趩賴 賵囟毓 丕爻賮亘丕乇 丌卮賳丕蹖蹖 乇丕 丕蹖賳 丿賱賯讴 賳賵亘賱蹖爻鬲 亘賴 鬲氐賵蹖乇 讴卮蹖丿.
郾鄞郯郯/郯鄱/鄄鄹
趩賴 賵囟毓 丕爻賮亘丕乇 丌卮賳丕蹖蹖 乇丕 丕蹖賳 丿賱賯讴 賳賵亘賱蹖爻鬲 亘賴 鬲氐賵蹖乇 讴卮蹖丿.
郾鄞郯郯/郯鄱/鄄鄹
March 22, 2019
廿賳 賰丕賳鬲 賴匕賴 丕賱賲爻乇丨賷丞 鬲賲丕賴賷 丨丕丿孬丞 丨賯賷賯賷丞 賵鬲丨丕賰賷賴丕 貙 賮賯丿 噩丕亍鬲 毓亘賯乇賷丞貙 氐丕丿賲丞 賵賲囟丨賰丞 毓賱賶 賳丨賵 賲兀爻丕賵賷 ..!!!!!...
December 4, 2017
亘賱丕 兀丿賳賷 卮賰 賴匕賴 丕賱賲爻乇丨賷丞 丕賲鬲毓 賰鬲丕亘 賯乇兀鬲賴 賴匕丕 丕賱毓丕賲 ....
丕賱賯氐丞 貙 丕賱丨亘賰丞 貙 丕賱丨賵丕乇 .. 賱賲 丕卮毓乇 亘丕賱賲賱賱 賱丨馗丞 賵丕丨丿丞 ..
賰賳鬲 丕賳鬲馗乇 賱丨馗丕鬲 丕賱賴丿賵亍 賵丕賱賮乇丕睾 亘賮丕乇睾 賱賱氐亘乇 賱兀毓賵丿 丕賱賷賴丕 ..
賱賵 賰賳鬲 丕毓賱賲 賴匕丕 賲丕 賰賳鬲 鬲兀禺乇鬲 賮賷 賯乇丕亍鬲賴丕 賰賱 賴匕賴 丕賱賲丿丞 .. 毓賱賷 丕賷丞 丨丕賱 噩賲賷賱 丕賳 鬲賳鬲賴賷 丕賱爻賳丞 亘賯乇丕亍丞 噩賲賷賱丞 賲孬賱 賴匕賴
賴匕丕 賰賱 賲丕 賱丿賷 .. 賱丕賳賴 賲賳 丕賱氐毓亘 賱賱睾丕賷丞 丕賳 丕賰鬲亘 乇賷賮賷賵 賷氐賮 賰賱 賴匕賴 丕賱乇賵毓丞 ... 賮賯胤 丕賯賵賱 丕賳賳賷 丕丨亘亘鬲 卮禺氐賷丞 丕賱賲噩賳賵賳 噩丿丕丕丕丕丕丕 ..
氐乇丕丨丞 賱賲 丕賰賳 丕乇賷丿賴 丕賳 賷氐賲鬲 (:
丕賱賯氐丞 貙 丕賱丨亘賰丞 貙 丕賱丨賵丕乇 .. 賱賲 丕卮毓乇 亘丕賱賲賱賱 賱丨馗丞 賵丕丨丿丞 ..
賰賳鬲 丕賳鬲馗乇 賱丨馗丕鬲 丕賱賴丿賵亍 賵丕賱賮乇丕睾 亘賮丕乇睾 賱賱氐亘乇 賱兀毓賵丿 丕賱賷賴丕 ..
賱賵 賰賳鬲 丕毓賱賲 賴匕丕 賲丕 賰賳鬲 鬲兀禺乇鬲 賮賷 賯乇丕亍鬲賴丕 賰賱 賴匕賴 丕賱賲丿丞 .. 毓賱賷 丕賷丞 丨丕賱 噩賲賷賱 丕賳 鬲賳鬲賴賷 丕賱爻賳丞 亘賯乇丕亍丞 噩賲賷賱丞 賲孬賱 賴匕賴
賴匕丕 賰賱 賲丕 賱丿賷 .. 賱丕賳賴 賲賳 丕賱氐毓亘 賱賱睾丕賷丞 丕賳 丕賰鬲亘 乇賷賮賷賵 賷氐賮 賰賱 賴匕賴 丕賱乇賵毓丞 ... 賮賯胤 丕賯賵賱 丕賳賳賷 丕丨亘亘鬲 卮禺氐賷丞 丕賱賲噩賳賵賳 噩丿丕丕丕丕丕丕 ..
氐乇丕丨丞 賱賲 丕賰賳 丕乇賷丿賴 丕賳 賷氐賲鬲 (:
February 3, 2018
賲丕 賴匕丕 丕賱噩賳賵賳 丕賱匕賷 賯乇兀鬲賴 賱鬲賵賷 責責責
賲爻乇丨賷丞 賲賳 兀睾乇亘 賲丕 賯乇兀鬲 , 丿丕乇賷賵 賮賵 丕賱賲囟丨賰 丕賱賲亘賰賷, 丕賱賲噩賳賵賳 , 丕賱爻丕禺乇,丕賱亘匕賷亍, 丕賱毓噩賷亘 賮賷 兀囟丨丕賰賰 賲賳 丿賵賳 鬲賵賯賮 胤賵丕賱 賮鬲乇丞 丕賱賲爻乇丨賷丞..
賲賳 賯氐丞 丨賯賷賯賷丞 賵丕賱鬲賷 賰丕賳鬲 賲賵鬲 兀丨丿 丕賱賮賵囟賵賷賳 毓賳 胤乇賷賯 兀爻鬲噩賵丕亘 丕賱卮乇胤丞, 兀爻鬲胤丕毓 賮賵 兀賳 賷賳爻噩 賴匕賴 丕賱賲爻乇丨賷丞 丕賱毓噩賷亘丞 , 兀賳 賷賲乇乇 賮賰乇鬲賴 丕賱爻賷丕爻賷丞 亘賲爻乇丨賷丞 孬乇賷丞 噩丿丕賸 賵賲卮賵賯丞 鬲鬲囟賲賳 乇爻丕卅賱 廿賳爻丕賳賷丞 , 賵鬲毓乇賷 廿噩乇丕賲 丕賱兀噩賴夭丞 丕賱兀賲賳賷丞 賲賳 禺賱丕賱 丕賱爻禺乇賷丞 賵丕賱鬲毓亘賷乇 毓賳 賲丿賶 賮丿丕丨丞 兀噩賴夭丞 丕賱賯賲毓 賴匕賴 賮賷 廿乇賴丕亘 丕賱賲賵丕胤賳賷賳 賵丕賱鬲兀孬賷乇 毓賱賶 丨乇賷丕鬲賴賲 賵丌乇丕卅賴賲 丕賱爻賷丕爻賷丞..
賵丕賱卮賰乇 賱賱兀禺鬲 "賳丕賴丿" 毓賱賶 鬲毓乇賷賮賷 亘賴匕賴 丕賱賲爻乇丨賷丞 丕賱賲噩賳賵賳丞 賲賳 禺賱丕賱 賯乇丕卅鬲賷 賱賭 賲乇丕噩毓鬲賴丕 丕賱乇丕賯賷丞 ..
賵賴匕丕 賴賵 乇丕亘胤 丕賱賲乇丕噩毓丞 :
/review/show...
賲爻乇丨賷丞 賲賳 兀睾乇亘 賲丕 賯乇兀鬲 , 丿丕乇賷賵 賮賵 丕賱賲囟丨賰 丕賱賲亘賰賷, 丕賱賲噩賳賵賳 , 丕賱爻丕禺乇,丕賱亘匕賷亍, 丕賱毓噩賷亘 賮賷 兀囟丨丕賰賰 賲賳 丿賵賳 鬲賵賯賮 胤賵丕賱 賮鬲乇丞 丕賱賲爻乇丨賷丞..
賲賳 賯氐丞 丨賯賷賯賷丞 賵丕賱鬲賷 賰丕賳鬲 賲賵鬲 兀丨丿 丕賱賮賵囟賵賷賳 毓賳 胤乇賷賯 兀爻鬲噩賵丕亘 丕賱卮乇胤丞, 兀爻鬲胤丕毓 賮賵 兀賳 賷賳爻噩 賴匕賴 丕賱賲爻乇丨賷丞 丕賱毓噩賷亘丞 , 兀賳 賷賲乇乇 賮賰乇鬲賴 丕賱爻賷丕爻賷丞 亘賲爻乇丨賷丞 孬乇賷丞 噩丿丕賸 賵賲卮賵賯丞 鬲鬲囟賲賳 乇爻丕卅賱 廿賳爻丕賳賷丞 , 賵鬲毓乇賷 廿噩乇丕賲 丕賱兀噩賴夭丞 丕賱兀賲賳賷丞 賲賳 禺賱丕賱 丕賱爻禺乇賷丞 賵丕賱鬲毓亘賷乇 毓賳 賲丿賶 賮丿丕丨丞 兀噩賴夭丞 丕賱賯賲毓 賴匕賴 賮賷 廿乇賴丕亘 丕賱賲賵丕胤賳賷賳 賵丕賱鬲兀孬賷乇 毓賱賶 丨乇賷丕鬲賴賲 賵丌乇丕卅賴賲 丕賱爻賷丕爻賷丞..
賵丕賱卮賰乇 賱賱兀禺鬲 "賳丕賴丿" 毓賱賶 鬲毓乇賷賮賷 亘賴匕賴 丕賱賲爻乇丨賷丞 丕賱賲噩賳賵賳丞 賲賳 禺賱丕賱 賯乇丕卅鬲賷 賱賭 賲乇丕噩毓鬲賴丕 丕賱乇丕賯賷丞 ..
賵賴匕丕 賴賵 乇丕亘胤 丕賱賲乇丕噩毓丞 :
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May 4, 2019
兀毓鬲賯丿 兀賳 賮囟賷丨丞 賲孬賱 賴匕賴 賴賵 賲丕 賳丨鬲丕噩賴 賱賷卮毓乇 丕賱賲賵丕胤賳 兀賳賴 賷毓賷卮 賮賶 丿賵賱丞 兀賮囟賱 貙 賮賶 馗賱 毓丿丕賱丞 兀賯賱 馗賱賲丕賸 貙 胤亘毓丕賸 爻賷賰賵賳 賴匕丕 賰丕賮賷丕賸 賵兀賰孬乇 賲賳 賰丕賮
丕賱噩賲賴賵乇 賷胤丕賱亘 亘毓丿丕賱丞 丨賯賷賯賷丞 責 丨爻賳 毓賱賷賳丕 廿匕賳 兀賳 賳丿亘乇 兀賲乇賳丕 亘丨賷孬 賷賯鬲賳毓 亘毓丿丕賱丞 兀賯賱 馗賱賲兀 亘賯賱賷賱 貙 丕賱毓賲丕賱 賷氐賷丨賵賳 兀賵賯賮賵丕 丕賱丕爻鬲睾賱丕賱 丕賱賲賴賷賳 貙 賱匕賱賰 賳丿亘乇 兀賲乇賳丕 亘丨賷孬 賷賰賵賳 丕賱丕爻鬲睾賱丕賱 兀賯賱 囟乇丕賵丞 賯賱賷賱丕賸 賵賳丨乇氐 亘氐賮丞 禺丕氐丞 毓賱賶 丕賳 賷賰賮賵丕 毓賳 丕賱丕丨爻丕爻 亘丕賱賲賴丕賳丞 貙 丿賵賳 兀賳 賷鬲賵賯賮 丕爻鬲睾賱丕賱賴賲 貙 賴賲 賷乇賷丿賵賳 兀賱丕 賷賲賵鬲賵丕 賮賶 丕賱賲氐丕賳毓 ...賳夭賷丿 廿匕賳 亘毓囟 鬲丿丕亘賷乇 丕賱兀賲賳 賵賳賲賳丨 亘毓囟 丕賱毓賱丕賵丕鬲 賱賱兀乇丕賲賱 貙 賴賲 賷乇賷丿賵賳 廿賱睾丕亍 賳馗丕賲 丕賱胤亘賯丕鬲 貙 爻賳鬲丨乇賷 丕匕賳 丕賱鬲賯賱賷賱 賲賳 丕賱賮賵丕乇賯 兀賵 賳噩毓賱賴丕 兀賯賱 馗賴賵乇丕賸 賵賴賵 丕賱兀賮囟賱
賴賲 賷乇賷丿賵賳 孬賵乇丞 責 廿匕賳 賳賲賳丨賴賲 廿氐賱丕丨丕鬲 丕賱賰孬賷乇 賲賳 丕賱廿氐賱丕丨丕鬲 賳睾乇賯賴賲 賮賶 丕賱廿氐賱丕丨丕鬲 丕賵 丕賱兀賮囟賱 賲賳 匕賱賰 賳睾乇賯賴賲 賮賶 賵毓賵丿 丕賱廿氐賱丕丨 貙 丕賲丕 丕賱廿氐賱丕丨丕鬲 匕丕鬲賴丕 賮賱丕 賳丨賯賯賴丕 兀亘丿丕賸 ,,丕賱賲賵丕胤賳 丕賱毓丕丿賷 賱丕 賷賴賲賴 兀賳 鬲禺鬲賮賷 丕賱賯丕匕賵乇丕鬲 ..賱丕 賱丕...賷賰賮賶 兀賳 賷賰賵賳 賴賳丕賰 賲賳 賷賳丿丿 亘賴丕 賵兀賳 鬲丨丿孬 賮囟賷丨丞 賵兀賳 賷賲賰賳賴 丕賱鬲丨丿孬 亘賴丕 貙 賴匕賴 毓賳丿賴 丕賱丨乇賷丞 丕賱丨賯賷賯丞 賵賴匕丕 賴賵 禺賷乇 毓丕賱賲.. 賴丕賱賱賵賱賷丕
賲爻乇丨賷丞 爻丕禺乇丞 兀賰孬乇 賲賳 乇丕卅毓丞 賱賱賰丕鬲亘 丿丕乇賷賵 賮賵 鬲鬲丨丿孬 毓賳 賲賯鬲賱 賮賵囟賵賷 馗賱賲丕賸 賮賶 丕賷胤丕賱賷丕 賲丿毓賷賳 丕賳賴 兀賱賯賷 賳賮爻賴 賲賳 丕賱賳丕賮匕丞 賲賳鬲丨乇丕賸 丕孬賳丕亍 丕賱鬲丨賯賷賯
鬲賯賷賷賲賷 4.5
丕賱噩賲賴賵乇 賷胤丕賱亘 亘毓丿丕賱丞 丨賯賷賯賷丞 責 丨爻賳 毓賱賷賳丕 廿匕賳 兀賳 賳丿亘乇 兀賲乇賳丕 亘丨賷孬 賷賯鬲賳毓 亘毓丿丕賱丞 兀賯賱 馗賱賲兀 亘賯賱賷賱 貙 丕賱毓賲丕賱 賷氐賷丨賵賳 兀賵賯賮賵丕 丕賱丕爻鬲睾賱丕賱 丕賱賲賴賷賳 貙 賱匕賱賰 賳丿亘乇 兀賲乇賳丕 亘丨賷孬 賷賰賵賳 丕賱丕爻鬲睾賱丕賱 兀賯賱 囟乇丕賵丞 賯賱賷賱丕賸 賵賳丨乇氐 亘氐賮丞 禺丕氐丞 毓賱賶 丕賳 賷賰賮賵丕 毓賳 丕賱丕丨爻丕爻 亘丕賱賲賴丕賳丞 貙 丿賵賳 兀賳 賷鬲賵賯賮 丕爻鬲睾賱丕賱賴賲 貙 賴賲 賷乇賷丿賵賳 兀賱丕 賷賲賵鬲賵丕 賮賶 丕賱賲氐丕賳毓 ...賳夭賷丿 廿匕賳 亘毓囟 鬲丿丕亘賷乇 丕賱兀賲賳 賵賳賲賳丨 亘毓囟 丕賱毓賱丕賵丕鬲 賱賱兀乇丕賲賱 貙 賴賲 賷乇賷丿賵賳 廿賱睾丕亍 賳馗丕賲 丕賱胤亘賯丕鬲 貙 爻賳鬲丨乇賷 丕匕賳 丕賱鬲賯賱賷賱 賲賳 丕賱賮賵丕乇賯 兀賵 賳噩毓賱賴丕 兀賯賱 馗賴賵乇丕賸 賵賴賵 丕賱兀賮囟賱
賴賲 賷乇賷丿賵賳 孬賵乇丞 責 廿匕賳 賳賲賳丨賴賲 廿氐賱丕丨丕鬲 丕賱賰孬賷乇 賲賳 丕賱廿氐賱丕丨丕鬲 賳睾乇賯賴賲 賮賶 丕賱廿氐賱丕丨丕鬲 丕賵 丕賱兀賮囟賱 賲賳 匕賱賰 賳睾乇賯賴賲 賮賶 賵毓賵丿 丕賱廿氐賱丕丨 貙 丕賲丕 丕賱廿氐賱丕丨丕鬲 匕丕鬲賴丕 賮賱丕 賳丨賯賯賴丕 兀亘丿丕賸 ,,丕賱賲賵丕胤賳 丕賱毓丕丿賷 賱丕 賷賴賲賴 兀賳 鬲禺鬲賮賷 丕賱賯丕匕賵乇丕鬲 ..賱丕 賱丕...賷賰賮賶 兀賳 賷賰賵賳 賴賳丕賰 賲賳 賷賳丿丿 亘賴丕 賵兀賳 鬲丨丿孬 賮囟賷丨丞 賵兀賳 賷賲賰賳賴 丕賱鬲丨丿孬 亘賴丕 貙 賴匕賴 毓賳丿賴 丕賱丨乇賷丞 丕賱丨賯賷賯丞 賵賴匕丕 賴賵 禺賷乇 毓丕賱賲.. 賴丕賱賱賵賱賷丕
賲爻乇丨賷丞 爻丕禺乇丞 兀賰孬乇 賲賳 乇丕卅毓丞 賱賱賰丕鬲亘 丿丕乇賷賵 賮賵 鬲鬲丨丿孬 毓賳 賲賯鬲賱 賮賵囟賵賷 馗賱賲丕賸 賮賶 丕賷胤丕賱賷丕 賲丿毓賷賳 丕賳賴 兀賱賯賷 賳賮爻賴 賲賳 丕賱賳丕賮匕丞 賲賳鬲丨乇丕賸 丕孬賳丕亍 丕賱鬲丨賯賷賯
鬲賯賷賷賲賷 4.5
October 31, 2019
Ho due confessioni da fare. La prima 猫 che ammetto la mia ignoranza sul caso Pinelli. Quando successe non ero ancora nata e nonostante nella mia citt脿 ci sia un piccolo teatro d鈥檃vanguardia a lui dedicato, non ho mai pensato di documentarmi. La seconda 猫 che con Dario Fo partivo molto prevenuta, per quell鈥檌dea di personaggio bislacco che lo accompagna e che mai mi 猫 piaciuto.
Detto questo devo dire che sono rimasta piacevolmente colpita dallo scritto. Un dramma ironico in cui un matto sembra smascherare le malefatte e gli occultamenti effettuati dalla polizia nel caso della morte di Pinelli ( precipitato 鈥� accidentalmente鈥� da una finestra della questura di Milano il 15 dicembre del 1969).
Forse il matto 猫 quello che meglio vede la verit脿 in un mondo di savi con gli occhi bendati.
Detto questo devo dire che sono rimasta piacevolmente colpita dallo scritto. Un dramma ironico in cui un matto sembra smascherare le malefatte e gli occultamenti effettuati dalla polizia nel caso della morte di Pinelli ( precipitato 鈥� accidentalmente鈥� da una finestra della questura di Milano il 15 dicembre del 1969).
Forse il matto 猫 quello che meglio vede la verit脿 in un mondo di savi con gli occhi bendati.
February 4, 2016
螛蔚伪蟿蟻喂魏蠈 锟斤拷蟻纬慰, 蟺慰蠀 纬蟻维蠁蟿畏魏蔚 渭蔚 伪蠁慰蟻渭萎 蟿畏谓 "伪蠀蟿慰魏蟿慰谓委伪" 蟿慰蠀 伪谓伪蟻蠂喂魏慰蠉 蟽喂未畏蟻慰未蟻慰渭喂魏慰蠉 蠀蟺伪位位萎位慰蠀 韦味喂慰蠀味苇蟺蔚 螤喂谓苇位喂, 慰 慰蟺慰委慰蟼 蔚魏蟺伪蟻伪胃蠀蟻蠋胃畏魏蔚 伪蟺蠈 蟿慰谓 蟿苇蟿伪蟻蟿慰 蠈蟻慰蠁慰 蔚谓蠈蟼 伪蟽蟿蠀谓慰渭喂魏慰蠉 蟿渭萎渭伪蟿慰蟼, 渭蔚蟿维 蟿畏谓 蟽蠉位位畏蠄畏 蟿慰蠀 纬喂伪 蟿畏谓 伪喂渭伪蟿畏蟻萎 蟿蟻慰渭慰魏蟻伪蟿喂魏萎 蔚蟺委胃蔚蟽畏 蟽蟿畏谓 螤喂维蟿蟽伪 桅慰谓蟿维谓伪, 蟿慰谓 螖蔚魏苇渭尾蟻喂慰 蟿慰蠀 1969. 螣 螡蟿维蟻喂慰 桅慰 尾蟻委蟽魏蔚喂 蟿畏谓 蔚蠀魏伪喂蟻委伪 谓伪 蟽伪蟿喂蟻委蟽蔚喂 蟿畏谓 蟺慰位喂蟿喂魏萎, 伪蟽蟿蠀谓慰渭喂魏萎 魏伪喂 未喂魏伪蟽蟿喂魏萎 未喂伪蠁胃慰蟻维, 纬蟻维蠁慰谓蟿伪蟼 苇谓伪 伪蟻魏蔚蟿维 蟿蟻蔚位蠈 魏伪喂 喂未喂伪委蟿蔚蟻伪 魏蠅渭喂魏蠈 胃蔚伪蟿蟻喂魏蠈 苇蟻纬慰. 桅蠀蟽喂魏维 蟿慰 胃苇渭伪 渭蔚 蟿慰 慰蟺慰委慰 伪蟽蠂慰位蔚委蟿伪喂 慰 桅慰 渭蠈谓慰 伪蟽蟿蔚委慰 未蔚谓 蔚委谓伪喂, 蠈渭蠅蟼 渭蔚 伪蠀蟿蠈 蟿慰 苇蟻纬慰 魏伪蟿伪蠁苇蟻谓蔚喂 谓伪 蔚位伪蠁蟻蠉谓蔚喂 蟿畏谓 魏伪蟿维蟽蟿伪蟽畏 魏伪喂 蟺伪蟻维位位畏位伪 谓伪 蟺蔚蟿维尉蔚喂 蟿喂蟼 渭蟺畏蠂蟿苇蟼 蟿慰蠀 纬喂伪 蟿慰 未喂蔚蠁胃伪蟻渭苇谓慰 蟽蠉蟽蟿畏渭伪 蟿畏蟼 蔚蟺慰蠂萎蟼. 螤蟻慰蟿蔚委谓蔚蟿伪喂.
September 20, 2020
韦蟻蔚位蠈蟼 5 鈾ワ笍
螡蟿维蟻喂慰 桅慰 5*
螡蟿维蟻喂慰 桅慰 5*
May 13, 2019
芦丕賵賳賴丕 禺賵丕賴丕賳 丕賳賯賱丕亘賳丿 賵 賲丕 亘賴卮賵賳 丕氐賱丕丨丕鬲 鬲丨賵蹖賱 賲蹖丿蹖賲.丕賵賳賯丿乇 鬲丨賵蹖賱卮賵賳 賲蹖丿蹖賲 讴賴 丕賳賯賱丕亘蹖 乇賵 賮乇丕賲賵卮 讴賳賳.丿乇 丕氐賱丕丨丕鬲 睾乇賯卮賵賳 賲蹖讴賳蹖賲.蹖丕 亘賴鬲乇 亘诏賲 讴賴 睾乇賯卮賵賳 賲蹖讴賳蹖賲 丿乇 賵毓丿賴 賴丕蹖 丕氐賱丕丨丕鬲.趩賵賳 丨鬲蹖 丕賵賳 趩蹖夭蹖 乇賵 賴賲 讴賴 賲蹖诏蹖賲 賴蹖趩賵賯鬲 亘賴卮賵賳 賳賲蹖丿蹖賲禄
賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲貙蹖讴 丕鬲賮丕賯 賵丕賯毓蹖爻鬲 讴賴 丿乇 丕蹖鬲丕賱蹖丕 乇禺 丿丕丿.
丕夭 丕蹖賳 乇賵 丿丕乇蹖賵 賮賵貙 亘丕 丕蹖賳 賳賲丕蹖卮賳丕賲赖 胤賳夭 爻蹖丕爻蹖-丕噩鬲賲丕毓蹖 讴賴 卮丕賴讴丕乇 丕賵 賲丨爻賵亘 賲蹖卮賵丿貙趩卮賲丕賳 賲丕 乇丕 亘丕 丕蹖賳 胤賳夭 亘賴 丕蹖賳 亘蹖 毓丿丕賱鬲蹖 賵 賮爻丕丿 丿爻鬲诏丕賴 賴丕 亘丕夭 賲蹖讴賳丿.
賲鬲賳 丕氐賱蹖 亘丕乇賴丕 鬲賵爻胤 禺賵丿 "賮賵" 亘丕夭賳賵蹖爻蹖 卮丿 賵 丌禺乇蹖賳 亘丕夭賳賵蹖爻蹖賻卮 丿乇 爻丕賱 2002 亘賵丿賴.
丕賱亘鬲賴 賲賳 丕蹖賳 讴鬲丕亘 乇丕 亘丕 鬲乇噩賲賴 "噩賲卮蹖丿 讴丕賵蹖丕賳蹖" 賵 亘丕 蹖丕丿丿丕卮鬲蹖 丕夭 倬爻乇 賳賵蹖爻賳丿賴 "蹖丕讴賵倬賵.賮賵" 丿乇 丕讴鬲亘乇 爻丕賱 2017 禺賵丕賳丿賴 丕賲.
讴賴 丕賱亘鬲賴 鬲乇噩賲賴 禺賵亘 賵 乇賵丕賳蹖 亘賵丿.
丿丕乇蹖賵 賮賵 亘乇丕蹖 丕蹖賳 卮丕賴讴丕乇 丿乇 爻丕賱 1997貙 噩丕蹖夭賴 賳賵亘賱 丕丿亘蹖丕鬲 乇丕 丕夭 丌賳賽 禺賵丿 讴乇丿.
The noble prize in 1997/Dario Fo/Accidental death of an Anarchist
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賲乇诏 鬲氐丕丿賮蹖 蹖讴 丌賳丕乇卮蹖爻鬲貙蹖讴 丕鬲賮丕賯 賵丕賯毓蹖爻鬲 讴賴 丿乇 丕蹖鬲丕賱蹖丕 乇禺 丿丕丿.
丕夭 丕蹖賳 乇賵 丿丕乇蹖賵 賮賵貙 亘丕 丕蹖賳 賳賲丕蹖卮賳丕賲赖 胤賳夭 爻蹖丕爻蹖-丕噩鬲賲丕毓蹖 讴賴 卮丕賴讴丕乇 丕賵 賲丨爻賵亘 賲蹖卮賵丿貙趩卮賲丕賳 賲丕 乇丕 亘丕 丕蹖賳 胤賳夭 亘賴 丕蹖賳 亘蹖 毓丿丕賱鬲蹖 賵 賮爻丕丿 丿爻鬲诏丕賴 賴丕 亘丕夭 賲蹖讴賳丿.
賲鬲賳 丕氐賱蹖 亘丕乇賴丕 鬲賵爻胤 禺賵丿 "賮賵" 亘丕夭賳賵蹖爻蹖 卮丿 賵 丌禺乇蹖賳 亘丕夭賳賵蹖爻蹖賻卮 丿乇 爻丕賱 2002 亘賵丿賴.
丕賱亘鬲賴 賲賳 丕蹖賳 讴鬲丕亘 乇丕 亘丕 鬲乇噩賲賴 "噩賲卮蹖丿 讴丕賵蹖丕賳蹖" 賵 亘丕 蹖丕丿丿丕卮鬲蹖 丕夭 倬爻乇 賳賵蹖爻賳丿賴 "蹖丕讴賵倬賵.賮賵" 丿乇 丕讴鬲亘乇 爻丕賱 2017 禺賵丕賳丿賴 丕賲.
讴賴 丕賱亘鬲賴 鬲乇噩賲賴 禺賵亘 賵 乇賵丕賳蹖 亘賵丿.
丿丕乇蹖賵 賮賵 亘乇丕蹖 丕蹖賳 卮丕賴讴丕乇 丿乇 爻丕賱 1997貙 噩丕蹖夭賴 賳賵亘賱 丕丿亘蹖丕鬲 乇丕 丕夭 丌賳賽 禺賵丿 讴乇丿.
The noble prize in 1997/Dario Fo/Accidental death of an Anarchist
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August 31, 2022
4.5
There is no greater equalizer than the stupidity of men- especially when those men have power.
Accidental Death of an Anarchist is an absurdist play in two acts, scrutinizing censorship, cover-ups, fascism, corruption of the authorities and political intrigues and machinations.
There is no greater equalizer than the stupidity of men- especially when those men have power.
Accidental Death of an Anarchist is an absurdist play in two acts, scrutinizing censorship, cover-ups, fascism, corruption of the authorities and political intrigues and machinations.
January 26, 2024
IL 鈥淢ALORE ATTIVO鈥�
鈥淢orte accidentale di un anarchico鈥� 猫 una celebre commedia di Dario Fo, rappresentata per la prima volta nel 1970. La trama si basa sulla morte sospetta dell'anarchico Giuseppe Pinelli avvenuta durante un interrogatorio in questura nel 1969, inizialmente classificata come 鈥渕alore attivo鈥�.
Fo e il suo gruppo teatrale affrontarono oltre quaranta processi in Italia a causa dello spettacolo. Per evitare ulteriori problemi, Fo ambient貌 la storia negli Stati Uniti, ispirandosi a un caso simile accaduto a New York negli anni '20.
La commedia si basa su materiali come verbali di processi, articoli e interviste, evolvendo attraverso tre stesure dal 1970 al 1973 a seguito di nuove informazioni sul caso Pinelli. Questi materiali eterogenei tra loro vengono sfruttati in modo eccezionale in un continuum di colpi di scena e battute geniali inscenate, con la tecnica del teatro nel teatro, dal personaggio del Matto: il quale continua a travestirsi e imbrogliare chiunque abbia davanti.
Fo utilizza la storia di Pinelli come punto di partenza per esporre e criticare le ingiustizie, le manipolazioni e le contraddizioni presenti nella societ脿 e nelle istituzioni. La morte di Pinelli diventa quindi una metafora per esplorare temi pi霉 ampi legati al potere, alla corruzione, alla censura e alla repressione politica.
鈥淢orte accidentale di un anarchico鈥� 猫 una celebre commedia di Dario Fo, rappresentata per la prima volta nel 1970. La trama si basa sulla morte sospetta dell'anarchico Giuseppe Pinelli avvenuta durante un interrogatorio in questura nel 1969, inizialmente classificata come 鈥渕alore attivo鈥�.
Fo e il suo gruppo teatrale affrontarono oltre quaranta processi in Italia a causa dello spettacolo. Per evitare ulteriori problemi, Fo ambient貌 la storia negli Stati Uniti, ispirandosi a un caso simile accaduto a New York negli anni '20.
La commedia si basa su materiali come verbali di processi, articoli e interviste, evolvendo attraverso tre stesure dal 1970 al 1973 a seguito di nuove informazioni sul caso Pinelli. Questi materiali eterogenei tra loro vengono sfruttati in modo eccezionale in un continuum di colpi di scena e battute geniali inscenate, con la tecnica del teatro nel teatro, dal personaggio del Matto: il quale continua a travestirsi e imbrogliare chiunque abbia davanti.
Fo utilizza la storia di Pinelli come punto di partenza per esporre e criticare le ingiustizie, le manipolazioni e le contraddizioni presenti nella societ脿 e nelle istituzioni. La morte di Pinelli diventa quindi una metafora per esplorare temi pi霉 ampi legati al potere, alla corruzione, alla censura e alla repressione politica.
December 7, 2024
A satirical play that skewers political corruption and police misconduct in 1960s Italy. Staged in a Milan police station, where an anarchist suspect has mysteriously taken a nosedive out of a window during an interrogation. Inspector Bertozzi questions the Maniac, a chameleon of chaos, who infiltrates the station by donning various official guises. Through his antics, he exposes the laughable inconsistencies and outright fabrications in the police's account of the anarchist's untimely demise, laying bare the systemic rot and bungling within the force.
The Maniac's relentless impersonations and razor-sharp repartee propel the plot, as he compels the bumbling inspectors, constables and policemen to reenact the fateful events. His incisive humor and biting satire lay bare the farcical nature of the police's cover-up attempts. The play crescendos in a riotous and darkly comedic showdown, where the Maniac leaves the audience grappling with a moral conundrum, questioning the essence of justice and the legitimacy of authority in a corrupt society.
Fo blends elements of commedia dell'arte with contemporary political satire and some killer lines, keeping Accidental Death of an Anarchist potent and relevant and challenging us to reflect on the integrity of those in power and the mechanisms of justice.
"BERTOZZO: I ought to warn you that the author of this sick little play, Dario Fo, has the traditional, irrational hatred of the police common to all narrow-minded left-wingers and so I shall, no doubt, be the unwilling butt of endless anti-authoritarian jibes.
CONSTABLE encounters a mouse trap hidden in the filing cabinet and he yells.
BERTOZZO: Please bear with me.
INSPECTOR BERTOZZO picks up a visiting card and studies it, looking up at the MANIAC.
BERTOZZO: This isn鈥檛 the first time that you鈥檝e been up for impersonation is it? In all you have been arrested... let me see...
He leafs through the papers in front of him.
BERTOZZO: Twice as a surgeon, three times as a bishop, army captain, tennis umpire...
MANIAC: Eleven arrests altogether, but I鈥檇 like to point out that I have never actually been convicted, Inspector.
BERTOZZO: I don鈥檛 know how the hell you have been getting away with it, but this time we鈥檒l have you. That鈥檚 a promise.
MANIAC: Mouthwatering, isn鈥檛 it? A nice clean record like mine just begging to be defiled.
BERTOZZO: The charges state that you falsely assumed the identity of a professor of psychiatry and former don of the University of Padua. That鈥檚 fraud.
MANIAC: Fraud when committed by a sane man, yes indeed, but I am a lunatic. A certified psychotic! There鈥檚 my medical report."
The Maniac's relentless impersonations and razor-sharp repartee propel the plot, as he compels the bumbling inspectors, constables and policemen to reenact the fateful events. His incisive humor and biting satire lay bare the farcical nature of the police's cover-up attempts. The play crescendos in a riotous and darkly comedic showdown, where the Maniac leaves the audience grappling with a moral conundrum, questioning the essence of justice and the legitimacy of authority in a corrupt society.
Fo blends elements of commedia dell'arte with contemporary political satire and some killer lines, keeping Accidental Death of an Anarchist potent and relevant and challenging us to reflect on the integrity of those in power and the mechanisms of justice.
"BERTOZZO: I ought to warn you that the author of this sick little play, Dario Fo, has the traditional, irrational hatred of the police common to all narrow-minded left-wingers and so I shall, no doubt, be the unwilling butt of endless anti-authoritarian jibes.
CONSTABLE encounters a mouse trap hidden in the filing cabinet and he yells.
BERTOZZO: Please bear with me.
INSPECTOR BERTOZZO picks up a visiting card and studies it, looking up at the MANIAC.
BERTOZZO: This isn鈥檛 the first time that you鈥檝e been up for impersonation is it? In all you have been arrested... let me see...
He leafs through the papers in front of him.
BERTOZZO: Twice as a surgeon, three times as a bishop, army captain, tennis umpire...
MANIAC: Eleven arrests altogether, but I鈥檇 like to point out that I have never actually been convicted, Inspector.
BERTOZZO: I don鈥檛 know how the hell you have been getting away with it, but this time we鈥檒l have you. That鈥檚 a promise.
MANIAC: Mouthwatering, isn鈥檛 it? A nice clean record like mine just begging to be defiled.
BERTOZZO: The charges state that you falsely assumed the identity of a professor of psychiatry and former don of the University of Padua. That鈥檚 fraud.
MANIAC: Fraud when committed by a sane man, yes indeed, but I am a lunatic. A certified psychotic! There鈥檚 my medical report."
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