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Gyo #1-2
Gyo
Something is rotten in Okinawa...
The floating smell of death hangs over the island. What is it? A strange, legged fish appears on the scene... So begins Tadashi and Kaori's spiral into the horror and stench of the sea. Here is the creepiest masterpiece of horror manga ever from the creator of Uzumaki, Junji Ito. Hold your breath until all is revealed.
The floating smell of death hangs over the island. What is it? A strange, legged fish appears on the scene... So begins Tadashi and Kaori's spiral into the horror and stench of the sea. Here is the creepiest masterpiece of horror manga ever from the creator of Uzumaki, Junji Ito. Hold your breath until all is revealed.
398 pages, Hardcover
First published January 1, 2002
629 people are currently reading
19.2k people want to read
About the author
Junji Ito
260?books13.8k?followersJunji It¨ (Japanese: ÒÁÌÙÈó¶þ, Ito Junji) is a Japanese cartoonist and illustrator, best known for his horror manga.
Ito was born in Gifu Prefecture, Japan in 1963. He was inspired to make art from a young age by his older sister's drawing and Kazuo Umezu's horror comics. Until the early 1990s he worked as a dental technician, while making comics as a side job. By the time he turned into a full time mangaka, Ito was already an acclaimed horror artists.
His comics are celebrated for their finely depicted body horrors, while also retaining some elements of psychological horror and erotism.
Although he mostly produces short stories, Ito is best known for his longer comic series: Tomie (1987-2000), about a beautiful high school girl who inspires her admirers to commit atrocities; Uzumaki (1998-1999), set in a town cursed with spiral patterns; Gyo (2001-2002), featuring a horde of metal-legged undead fishes. Tomie and Uzumaki in particular have been adapted multiple times in live-action and animation.
Ito was born in Gifu Prefecture, Japan in 1963. He was inspired to make art from a young age by his older sister's drawing and Kazuo Umezu's horror comics. Until the early 1990s he worked as a dental technician, while making comics as a side job. By the time he turned into a full time mangaka, Ito was already an acclaimed horror artists.
His comics are celebrated for their finely depicted body horrors, while also retaining some elements of psychological horror and erotism.
Although he mostly produces short stories, Ito is best known for his longer comic series: Tomie (1987-2000), about a beautiful high school girl who inspires her admirers to commit atrocities; Uzumaki (1998-1999), set in a town cursed with spiral patterns; Gyo (2001-2002), featuring a horde of metal-legged undead fishes. Tomie and Uzumaki in particular have been adapted multiple times in live-action and animation.
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Displaying 1 - 30 of 3,607 reviews
November 9, 2019
This was the first book I've read by Junji Ito and all I can say is... his mIND.
November 17, 2021
Well that was disgusting and genuinely felt a bit nauseous so¡good job I guess?
October 21, 2024
Wow. So the thing about a nightmare is that it lasts a few minutes, you maybe wake up, have a glass of water, and go back to bed. With Ito, his nightmares last a really really long time and you just can't get out of them. And yes, you are IN his nightmare, 400 pages of nightmare. I have read Uzumaki and Museum of Terror (and Ito's cute Cat Diary memoir, but that you have to set aside for minute, since it has little to do what the scary stuff) and now this, thanks to Eisnein and Stewart Tame and maybe a couple others I am forgetting at the moment, forgive me, but I am little creeped out at the moment, too.
What is Ito's manga m.o.? I think it's about obsession, repetition, intensification to the point of spiraling out of control. He has an image in his little nightmare fantasy head, starts small in drawing what he sees in his head and then lets it build until you are. . . afraid. And you probably will be. Or at the very least disturbed. That's why you write and read horror, after all. To get that feeling.
In Uzumaki a town is taken over by spirals. Spirals, you say? What is scary about that? Look at an ear, that's a spiral, nothing scary about that. Clouds spiral sometimes. Dust in the wind can spiral. Cat fur can kind of spiral. Your hair can kind of spiral. But gradually, all you and the townspeople see are spirals and you and they are driven mad by spirals. Yes, that happens, it does, in Ito's masterpiece. And with spirals! Uzumaki! It is kind of a trick to make an abstract image scare the living bejeebus out of you. But an amazing artistic accomplishment, because you thought it could only happen with words ala Stephen King novels or Hitchcock movies, with music and images and dialogue. But this is manga, comics horror. Mostly images. And it works.
In Museum of Terror there is a femme fatale, Tomie, who draws boys in to become so attracted to her they are driven crazy enough to . . . murder her. And she comes back to life, every time, draws boys in again, and this goes on for something like 800 pages of every conceivable gruesome death. Not spirals, this time, but obsession, nevertheless, about a girl, leading boys to madness.
In Gyo, a single fish crawls on to the Okinawa shore. . . but it has legs, weird, and then more and more, 400 pages of obsessive nightmare fish, sharks with legs, crawling up and killing people and smashing things. Meticulously crafted nightmare images of fish with legs, which sounds sort of comic, like it can't work. But it does. It does! Two young people and the young man's father, a scientist, are the principal characters, and no, they are not all right.
And as Eisnein said, this one is the smelliest comic in the history of comics, because with the fish comes this stench of, what. . . corpses? Impending death. Everyone can smell it, all the time, eventually. Enough to make you mad! A manga horror masterpiece, that I admit kind of got to me, 400 pages of increasingly intense crazy Lovecraftian creatures and all the. . . stench. But you horror aficionados will have a greater stomach than me, I bet. It is pretty amazing, almost laughable how he pulls it off with. . . fish with legs!! Like out of one of his nightmares, and now it is yours. And the nightmare lasts and lasts! Too long, you ask? Maybe, but it is hard to argue against the sustaining of a vision to this extent. It's kind of obsessive!
What is Ito's manga m.o.? I think it's about obsession, repetition, intensification to the point of spiraling out of control. He has an image in his little nightmare fantasy head, starts small in drawing what he sees in his head and then lets it build until you are. . . afraid. And you probably will be. Or at the very least disturbed. That's why you write and read horror, after all. To get that feeling.
In Uzumaki a town is taken over by spirals. Spirals, you say? What is scary about that? Look at an ear, that's a spiral, nothing scary about that. Clouds spiral sometimes. Dust in the wind can spiral. Cat fur can kind of spiral. Your hair can kind of spiral. But gradually, all you and the townspeople see are spirals and you and they are driven mad by spirals. Yes, that happens, it does, in Ito's masterpiece. And with spirals! Uzumaki! It is kind of a trick to make an abstract image scare the living bejeebus out of you. But an amazing artistic accomplishment, because you thought it could only happen with words ala Stephen King novels or Hitchcock movies, with music and images and dialogue. But this is manga, comics horror. Mostly images. And it works.
In Museum of Terror there is a femme fatale, Tomie, who draws boys in to become so attracted to her they are driven crazy enough to . . . murder her. And she comes back to life, every time, draws boys in again, and this goes on for something like 800 pages of every conceivable gruesome death. Not spirals, this time, but obsession, nevertheless, about a girl, leading boys to madness.
In Gyo, a single fish crawls on to the Okinawa shore. . . but it has legs, weird, and then more and more, 400 pages of obsessive nightmare fish, sharks with legs, crawling up and killing people and smashing things. Meticulously crafted nightmare images of fish with legs, which sounds sort of comic, like it can't work. But it does. It does! Two young people and the young man's father, a scientist, are the principal characters, and no, they are not all right.
And as Eisnein said, this one is the smelliest comic in the history of comics, because with the fish comes this stench of, what. . . corpses? Impending death. Everyone can smell it, all the time, eventually. Enough to make you mad! A manga horror masterpiece, that I admit kind of got to me, 400 pages of increasingly intense crazy Lovecraftian creatures and all the. . . stench. But you horror aficionados will have a greater stomach than me, I bet. It is pretty amazing, almost laughable how he pulls it off with. . . fish with legs!! Like out of one of his nightmares, and now it is yours. And the nightmare lasts and lasts! Too long, you ask? Maybe, but it is hard to argue against the sustaining of a vision to this extent. It's kind of obsessive!
April 10, 2018
Japanese scientists in WW2 plugged up some animals¡¯ mouths and anuses and attached them to mechanical legs which operated on the creatures¡¯ built-up gases. Years later, fish have become fused with this tech and have invaded the mainland.
Yes. That is actually the actual story of this actual book. SO many questions. How did tech from WW2 survive in working order at the bottom of the sea for so long? Who fused them to fish? Why have the legged fish chosen to invade now? What¡¯s their goal ¨C why invade land, why target humans? If the hosts are dead, who¡¯s steering them? How does this outdated tech know how to do sophisticated things like hide behind/steer around obstacles?
SO few answers! And that¡¯s because Junji Ito is the manga equivalent of Ed Wood. To say that this dude can¡¯t write is a massive understatement ¨C he¡¯s beyond incompetent. Basically he just wanted to draw fish with mechanical legs terrorising humans and damn making any kind of sense ¨C it¡¯s that contrived!
But, like Ed Wood, the B-movie-type schlock Ito produces is entertaining in its sheer lunacy. Don¡¯t let anyone tell you this is a horror comic because it¡¯s not ¨C if it exists, the genre would be comedy pseudo-horror. But, for me anyway, it was just plain comedy ¨C I was howling with laughter through most of this absurd madness! It just got dumber and dumber and dumber as it went on. Suddenly sharks were getting butt-plugged, then whales, then humans, all of them propelled by farts; there were living fart spirits ¨C who could take this seriously as genuine horror when it¡¯s so, so, so silly?! Oh and the bonkers fart circus who perform their weird gassy show purely for the benefit of our protagonist ¨C I dare you to keep a straight face during that scene!
That said, I think Ito is aware of how retarded his story is. About the only question he anticipates, or at least acknowledges, is how could literally billions of these mechanical legs have been built and who would have made them? He throws in one ridiculous panel towards the end, mumbling something about evolution and bacteria¡ Yeah, he knows this is trash!
Despite his significant failings as a writer, he does have a strong understanding of sequential storytelling so Gyo, like all of his comics, is a quick and easy read. And his art style is accomplished, visually arresting and somewhat creepy, though he can¡¯t make someone fart/belch ¡°menacingly¡± ¨C it always looks utterly mental!
Also included is an excellent short story called The Enigma of Amigara Fault where human-sized holes appear on the side of a mountain, drawing people to the site who believe the silhouettes are themselves and the holes are calling them in. A very imaginative and actually disturbing story.
It makes sense that HP Lovecraft is a major influence of Ito¡¯s as he too was a horror writer who told stories of remarkable vision but wrote them amateurishly. As shaky as the writing and story construction is in Gyo, it¡¯s balanced out with eye-catching art and smooth visual storytelling. Mostly though, Gyo is an absolute hoot and worth it for the laughs alone!
Yes. That is actually the actual story of this actual book. SO many questions. How did tech from WW2 survive in working order at the bottom of the sea for so long? Who fused them to fish? Why have the legged fish chosen to invade now? What¡¯s their goal ¨C why invade land, why target humans? If the hosts are dead, who¡¯s steering them? How does this outdated tech know how to do sophisticated things like hide behind/steer around obstacles?
SO few answers! And that¡¯s because Junji Ito is the manga equivalent of Ed Wood. To say that this dude can¡¯t write is a massive understatement ¨C he¡¯s beyond incompetent. Basically he just wanted to draw fish with mechanical legs terrorising humans and damn making any kind of sense ¨C it¡¯s that contrived!
But, like Ed Wood, the B-movie-type schlock Ito produces is entertaining in its sheer lunacy. Don¡¯t let anyone tell you this is a horror comic because it¡¯s not ¨C if it exists, the genre would be comedy pseudo-horror. But, for me anyway, it was just plain comedy ¨C I was howling with laughter through most of this absurd madness! It just got dumber and dumber and dumber as it went on. Suddenly sharks were getting butt-plugged, then whales, then humans, all of them propelled by farts; there were living fart spirits ¨C who could take this seriously as genuine horror when it¡¯s so, so, so silly?! Oh and the bonkers fart circus who perform their weird gassy show purely for the benefit of our protagonist ¨C I dare you to keep a straight face during that scene!
That said, I think Ito is aware of how retarded his story is. About the only question he anticipates, or at least acknowledges, is how could literally billions of these mechanical legs have been built and who would have made them? He throws in one ridiculous panel towards the end, mumbling something about evolution and bacteria¡ Yeah, he knows this is trash!
Despite his significant failings as a writer, he does have a strong understanding of sequential storytelling so Gyo, like all of his comics, is a quick and easy read. And his art style is accomplished, visually arresting and somewhat creepy, though he can¡¯t make someone fart/belch ¡°menacingly¡± ¨C it always looks utterly mental!
Also included is an excellent short story called The Enigma of Amigara Fault where human-sized holes appear on the side of a mountain, drawing people to the site who believe the silhouettes are themselves and the holes are calling them in. A very imaginative and actually disturbing story.
It makes sense that HP Lovecraft is a major influence of Ito¡¯s as he too was a horror writer who told stories of remarkable vision but wrote them amateurishly. As shaky as the writing and story construction is in Gyo, it¡¯s balanced out with eye-catching art and smooth visual storytelling. Mostly though, Gyo is an absolute hoot and worth it for the laughs alone!
This entire review has been hidden because of spoilers.
December 26, 2018
Blame my daughter, now back from university with her degree and her mountain of manga. I idly picked up this volume and rapidly found my brain to be dislocated from normal thought processes ¨C you may know (but I didn¡¯t) that you have to read manga back to front, but more than that, right to left, which means, that if there are two speech bubbles in a panel you read the one on the right first ¨C it takes a while to get fluent with that ¨C whilst at the same time having to cope with a dreadful smell of rotting corpses caused by a gas exuded by millions of fish that have started walking, yes that¡¯s right, on little mechanical legs, out of the oceans around Japan, on some undetermined mission that they are not in a position to be able to communicate as they are all dead, even though they are walking walking walking.
Soon it¡¯s not just little fishies, it¡¯s sharks
I like that he says ¡°Don¡¯t worry, it¡¯ll go away¡±. That¡¯s exactly what I would say to my girlfriend if I saw a shark walking past the window.
That reminds me ¨C this same guy has a poor sense of urgency. He frequently comes across people who¡¯ve been impaled by fish legs and who are convulsing or actually dead and he bawls at them
ARE YOU ALL RIGHT?
They¡¯re in no position to be able to say ¡°No, actually, I have a fish leg right through me and I am dying in agony, that¡¯s why I am twitching uncontrollably¡± or ¡°No, actually, I died some time ago.¡±
One thing I liked is the sound effects ¨C the one above is used throughout ¨C
GASHUNK!! GASHUNK!!
So, things go from bad to worse and soon the guy¡¯s girlfriend has contracted a germ from the walking fish and this affects her really badly :
STAGE ONE
STAGE TWO
What with the dreadful death stench, the walking fish and the perpetual GASHUNK GASHUNK I guess our guy can be forgiven for shouting
ARE YOU ALL RIGHT?
to his girlfriend. But seriously. You can see she¡¯s not all right. I mean anyone can see that.
Soon it¡¯s not just little fishies, it¡¯s sharks
I like that he says ¡°Don¡¯t worry, it¡¯ll go away¡±. That¡¯s exactly what I would say to my girlfriend if I saw a shark walking past the window.
That reminds me ¨C this same guy has a poor sense of urgency. He frequently comes across people who¡¯ve been impaled by fish legs and who are convulsing or actually dead and he bawls at them
ARE YOU ALL RIGHT?
They¡¯re in no position to be able to say ¡°No, actually, I have a fish leg right through me and I am dying in agony, that¡¯s why I am twitching uncontrollably¡± or ¡°No, actually, I died some time ago.¡±
One thing I liked is the sound effects ¨C the one above is used throughout ¨C
GASHUNK!! GASHUNK!!
So, things go from bad to worse and soon the guy¡¯s girlfriend has contracted a germ from the walking fish and this affects her really badly :
STAGE ONE
STAGE TWO
What with the dreadful death stench, the walking fish and the perpetual GASHUNK GASHUNK I guess our guy can be forgiven for shouting
ARE YOU ALL RIGHT?
to his girlfriend. But seriously. You can see she¡¯s not all right. I mean anyone can see that.
February 7, 2020
Possibly the original Sharknado, with legs and flatulence. My favorite part was a short bonus story, "The Enigma of Amigara Fault."
January 10, 2017
" . . . the only thing we have to fear is fear itself . . . "
Franklin D. Roosevelt
"We have nothing to fear but fear itself, and deep sea denizens that sprout legs and come ashore in a frenzied feeding rampage."
Me
It's both B-movie madness and an ichthyologist's wet dream when walking fish roam the streets looking for hapless humans.
And, no - they're not into "catch and release."
Candygram!
This is probably the most disgusting graphic novel I've ever read. It was gross, repulsive, and I tore through over 350 pages in no time.
Land sharks! Aren't they the worst?
Franklin D. Roosevelt
"We have nothing to fear but fear itself, and deep sea denizens that sprout legs and come ashore in a frenzied feeding rampage."
Me
It's both B-movie madness and an ichthyologist's wet dream when walking fish roam the streets looking for hapless humans.
And, no - they're not into "catch and release."
Candygram!
This is probably the most disgusting graphic novel I've ever read. It was gross, repulsive, and I tore through over 350 pages in no time.
Land sharks! Aren't they the worst?
April 5, 2019
[There may be some vague spoilage, but it's still perfectly edible. Edifying. Whatever.]
Undoubtedly the smelliest comic ever published, especially for any readers with a touch of synaesthesia. But don't let that scare you off. Light some scented candles or smoke some pot, you'll be fine.
So... a young couple are attacked by a dead fish skittering around on an automated spider-like prosthesis. The stench is almost as horrifying as the sight of it, symptomatic of a deadly and highly communicable virus. Even worse, it's not a freak occurrence... well, it IS a truly freakish occurrence, but it's not isolated. More of the plague-fish are crawling from the ocean, everything from Halibut to Manta-Rays, from Squids to Great White Sharks, moving with a frightening speed, rotting and bloated and spreading the intolerable death-stench with them inland. The virus soon becomes an epidemic, moving from the fish to humans with great efficiency... and so do the mysterious, apparently self-replicating machines.
There's plenty of wutdafuq weirdness here, because Ito's a black-belt in wutdafuq; Uzumaki fans will recognize immediately wutdafuq I'm babbling about, and probably won't find it surprising that the profound oddness goes far beyond the zombie-fish-robots. As grotesque as it can be, Ito never tests his reader's patience, maintaining a ballistic pace that partly explains the universal popularity of such defiantly unconventional subject matter. Ito's got some serious narrative talents, and his story-telling is always remarkably accessible, even though it's coming at you from some very odd angles. I won't risk busting my taped-together brain trying to explain and ruin it for newbs, even though ruination is a hobby of mine...
Junji Ito's greatest work thus far is usually considered Uzumaki, and I won't disagree with that assessment. But I've got a soft spot for this wondrous little scribbled-scrapbook of craziness. Ito has a habit of jamming his narrative steering wheel into the most misshapen, strangely constructed stories you're likely to find, and somehow coaxing an amazingly fast and smooth ride out of them. His razor-sharp line-work - a stylistic confection in which the main ingredient is indubitably Katsuhiro Otomo, spiced & gently poisoned by horror maestros Kazuo 'The Drifting Classroom' Umezu, Hideshi 'Hellbaby' Hino, & Suehiro 'Ultra-Gash Inferno' Maruo - makes all the rotting and bloating and stinking so much worse (by which I mean better). That hellish death-stench somehow defies the single-sense limitations of the comics medium, to survive & transcend translations. This two-volume work wraps up with a surprisingly brisk <500 page-count; so even if manga has scared you off in the past with its brevity-spurning tendencies - even the flimsiest of stories make themselves comfortable by decompressing across 20-fucking-volumes, & gorging on precious shelf-space - for horror fans, 'GYO' is thoroughly recommended. Sushi fans, not so much.
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Undoubtedly the smelliest comic ever published, especially for any readers with a touch of synaesthesia. But don't let that scare you off. Light some scented candles or smoke some pot, you'll be fine.
So... a young couple are attacked by a dead fish skittering around on an automated spider-like prosthesis. The stench is almost as horrifying as the sight of it, symptomatic of a deadly and highly communicable virus. Even worse, it's not a freak occurrence... well, it IS a truly freakish occurrence, but it's not isolated. More of the plague-fish are crawling from the ocean, everything from Halibut to Manta-Rays, from Squids to Great White Sharks, moving with a frightening speed, rotting and bloated and spreading the intolerable death-stench with them inland. The virus soon becomes an epidemic, moving from the fish to humans with great efficiency... and so do the mysterious, apparently self-replicating machines.
There's plenty of wutdafuq weirdness here, because Ito's a black-belt in wutdafuq; Uzumaki fans will recognize immediately wutdafuq I'm babbling about, and probably won't find it surprising that the profound oddness goes far beyond the zombie-fish-robots. As grotesque as it can be, Ito never tests his reader's patience, maintaining a ballistic pace that partly explains the universal popularity of such defiantly unconventional subject matter. Ito's got some serious narrative talents, and his story-telling is always remarkably accessible, even though it's coming at you from some very odd angles. I won't risk busting my taped-together brain trying to explain and ruin it for newbs, even though ruination is a hobby of mine...
Junji Ito's greatest work thus far is usually considered Uzumaki, and I won't disagree with that assessment. But I've got a soft spot for this wondrous little scribbled-scrapbook of craziness. Ito has a habit of jamming his narrative steering wheel into the most misshapen, strangely constructed stories you're likely to find, and somehow coaxing an amazingly fast and smooth ride out of them. His razor-sharp line-work - a stylistic confection in which the main ingredient is indubitably Katsuhiro Otomo, spiced & gently poisoned by horror maestros Kazuo 'The Drifting Classroom' Umezu, Hideshi 'Hellbaby' Hino, & Suehiro 'Ultra-Gash Inferno' Maruo - makes all the rotting and bloating and stinking so much worse (by which I mean better). That hellish death-stench somehow defies the single-sense limitations of the comics medium, to survive & transcend translations. This two-volume work wraps up with a surprisingly brisk <500 page-count; so even if manga has scared you off in the past with its brevity-spurning tendencies - even the flimsiest of stories make themselves comfortable by decompressing across 20-fucking-volumes, & gorging on precious shelf-space - for horror fans, 'GYO' is thoroughly recommended. Sushi fans, not so much.
More Art-book Reviews
More Comic-book Reviews
More Novel Reviews
June 29, 2024
This was amazing! I was so invested right from the beginning and it did not disappoint. It was a super interesting story and concept of horror I haven¡¯t really read about yet. I couldn¡¯t put it down.
February 15, 2023
this is literally nightmare fuel and i love it
March 3, 2021
¡°don¡¯t worry¡ it¡¯ll go away.¡±
if you¡¯ve ever read anything by ito, you know that the above quote is a boldfaced lie.
there is something bleak and unending underlying most of his stories; cycles that are meant to repeat again and again until the end of time. there is no respite; there is no escape. think of the violence-inspiring woes of the immortal tomie or the repetitive, destructive nature of the spiral in ito¡¯s most well-known series, uzumaki.
the same goes for gyo, appropriately subtitled: the death-stench creeps.
slightly dysfunctional young couple tadashi and kaori are on a beach vacation in okinawa. kaori, someone who¡¯s easily overwhelmed by any type of peculiar smell, soon starts complaining about a certain stench hanging around their holiday home. and it¡¯s not going away no matter how often she showers.
tadashi thinks it¡¯s nothing major¡ until fish on legs start rising from the sea.
yes, you read that right. dead fish on a set of razor-sharp metal legs, forming a scuttering biomechanical terror that spreads the most horrendous smell you¡¯d ever have imagined.
though it appears to be a freak incident at first, a remnant of a biological weapon of mass destruction from the world war two era, the fish soon start gashunking their way into more places than just okinawa beach -- and the world falls into a hellscape of a dystopia with the bacteria from the fish causing horrendous infections and general calamity.
i will always admire ito¡¯s ability to turn the most outlandish ideas into plausible terror.
no matter how weird the premise, no matter how laughable the thing that¡¯s supposed to give you nightmares, no matter how giggle-inducing the sound effects -- somehow you always end up immersed and genuinely considering the fallout of our world getting overrun by smelly sentient bacteria looking to enslave the human race.
he always includes just enough substance to have you dig for themes and even come up with some if you¡¯re able to tear your eyes away from his art.
however, i found gyo lacking the gravitas of uzumaki. character work has never been ito¡¯s strongest suit, but main chars kaori and tadashi truly are complete blank slates here. their only defining character traits are (1) hates weird smells and (2) feels guilty over downplaying his girlfriend¡¯s hate of weird smells after Shit Goes Down.
their conflicts consist mostly of nagging each other and petty jealousy, which makes it difficult to empathize with them as fully-rounded characters rather than fodder for whatever horror ito has in mind. the same goes for the other characters, who never really grow beyond their trope (mad scientist, assistant, creepy circus baron, etc).
the plot is also kind of all over the place, lacking steady development and occasionally having absolutely bonkers detours -- such as the circus chapter, which seemed to make no sense whatsoever.
that created a reading experience during which i felt as if ito was merely looking for excuses to portray the Absolute Worst he had to offer. and i know; saying that makes me sound like a hypocrite, because his horrifically grotesque art is one of the main reasons why everybody (including me!) reads his work.
it just felt¡ a tad overboard in gyo, if that makes sense.
so would i recommend this? yes and no.
don¡¯t go into it expecting the length, story, and theme of uzumaki. read it because you¡¯re simply looking to get horrified by fish-on-legs and some genuinely vulgar and disgusting body horror; nothing more, nothing less.
or you could read it because it includes the enigma of amigara fault, which is one of ito¡¯s best short stories of all time :)
? 3.0 stars.
October 26, 2019
MUAHAHAHAHAHAHA!
Junji Ito is a MASTER of B-level gross-out horror. Of course, this is manga, and extremely simple in characterization, but that DOES NOT MATTER AT ALL.
We go from a fish -- with legs -- and a horrible stink freaking out a young couple... all the way to THE END OF THE WORLD.
Yep. Two volumes. Gross-out-horror. Over-the-top. FREAKISHLY delightful.
You remember those classic B-Movie horrors from the fifties? Do you wish you could forget them? Or how about if you could kick all the censors out the door and take any particular nasty idea and run with it, leaving no perversity unexplored, until all you have is a farting, walking mass of the undead controlled by *spoiler* *spoiler* *spoiler*.
MUAHAHAHAHAHAHA
A perfect halloween gross-out read.
Junji Ito is a MASTER of B-level gross-out horror. Of course, this is manga, and extremely simple in characterization, but that DOES NOT MATTER AT ALL.
We go from a fish -- with legs -- and a horrible stink freaking out a young couple... all the way to THE END OF THE WORLD.
Yep. Two volumes. Gross-out-horror. Over-the-top. FREAKISHLY delightful.
You remember those classic B-Movie horrors from the fifties? Do you wish you could forget them? Or how about if you could kick all the censors out the door and take any particular nasty idea and run with it, leaving no perversity unexplored, until all you have is a farting, walking mass of the undead controlled by *spoiler* *spoiler* *spoiler*.
MUAHAHAHAHAHAHA
A perfect halloween gross-out read.
Read
September 4, 2022i have no idea how to rate this, so i¡¯m not going to! this book is gory, disgusting, and horrifying, but it¡¯s ultimately so addicting that it¡¯s almost impossible to put down until you¡¯ve devoured the whole thing. did i like it? did i hate it? who knows. this is definitely a thing that i read that i¡¯ll probably never forget. i¡¯m just glad i don¡¯t eat seafood or this would¡¯ve been a completely different experience
September 20, 2019
I like weird. I truly do. But I'm not a big fan of trying-so-hard-to-be-scary-that-it's-silly. Nor am I a big fan of stretching credulity to the complete breaking point. The number of far-fetched "coincidences" in Junji Ito's Gyo- that the main character's uncle is so tied in with this worldwide threat, that the "stench" follows the female second (Kaori) across islands and it's only her, at first, and no one else, who can detect the coming disaster. I didn't buy it. The art was incredible, the story too long and drawn out and just plain dumb. I enjoyed the weird flourishes, especially the circus, which came out of nowhere, had almost nothing to do with the rest of the story, and still seemed like the strongest section of the entire book.
At the end of this are two shorts. The second, "The Enigma of Amigara Fault," was outstanding: a creepy, existentialism-soaked story of inevitability and cosmic dread that really got me thinking and really did cause me fear, unlike the rest of the book. Had all the main body been as startlingly good as "The Enigma of Amigara Fault," I would be giving this book my highest rating.
Alas . . .
At the end of this are two shorts. The second, "The Enigma of Amigara Fault," was outstanding: a creepy, existentialism-soaked story of inevitability and cosmic dread that really got me thinking and really did cause me fear, unlike the rest of the book. Had all the main body been as startlingly good as "The Enigma of Amigara Fault," I would be giving this book my highest rating.
Alas . . .
January 15, 2019
Repulsi¨®n total y admiraci¨®n profunda por Junji Ito, eso sent¨ª al leer GYO. Leerlo fue nauseabundo, salido de una pesadilla, tal como lo esperaba. Tanto la historia como las ilustraciones son grotescas y desesperantes a un nivel alarmante. Veredicto: una gran e inmunda obra de terror que recomiendo a todos, menos a quienes tengan un est¨®mago sensible.
En tanto a las historias adicionales, creo que son excelentes. Originales por completo, repletas de horrores inimaginables que tan solo el buen Junji pudo plasmar con su arte. Bravo.
En tanto a las historias adicionales, creo que son excelentes. Originales por completo, repletas de horrores inimaginables que tan solo el buen Junji pudo plasmar con su arte. Bravo.
March 10, 2023
Again the story is ridiculous, but it¡¯s just so entertaining I can¡¯t get enough ?
October 19, 2022
Gross-out horror at its best. A couple on vacation come across a fish walking on legs. The smell is beyond awful. The next thing you know, there's a shark with legs attacking. It's terrifying in its simplicity. The story is beyond bizarre with a ton of body horror as the fish with legs begin to take over Japan. People start becoming infected and swell up with gases, becoming farting machines as they die. It sounds ridiculous but it works extremely well. Ito really is the Japanese master of horror.
September 2, 2021
3.5 stars
Well that was disturbing. I'm never eating fish again.
And that's all I have to say.
Well that was disturbing. I'm never eating fish again.
And that's all I have to say.
October 19, 2023
Otro manga de Junji Ito que rebosa escenas truculentas y un dibujo exquisito.
Te impregna cada olor, te sacude de puro asco cada vi?eta.
Se suceden innumerables situaciones dantescas, muy bizarras y desagradables. Tendr¨¢s que ir con la mente muy abierta para disfrutar al m¨¢ximo de cada p¨¢gina.
Por algo no creo que sea un manga apto para todo tipo de p¨²blico, pero los asiduos al estilo e historias de Junji Ito ya tenemos el est¨®mago preparado para ello ? y es que cuando crees que ya lo has visto todo pasas la p¨¢gina y te vuelves a quedar con la boca abierta.
As¨ª es Junji Ito.
Enganche puro.
Todo empieza con la joven pareja Kaori y Tadashi pasando unos d¨ªas de descanso en la isla de Okinawa. En una de sus incursiones marinas haciendo submarinismo, Tadashi se encuentra con un tibur¨®n y cree peligrar su vida, pero no es solo eso lo que le ha dejado al borde de un ataque de nervios. Algo ha pasado a velocidad de rel¨¢mpago por su lado mientras exploraba los fondos marinos.
A ra¨ªz de este hecho, Kaori empieza a notar un hedor insoportable all¨¢ donde vaya.
Si quieres saber de qu¨¦ se trataba y como desembocar¨¢ esta historia, no te quedar¨¢ otra opci¨®n que leer este absorbente manga porque yo no pienso desvelar m¨¢s de la trama ?
A pesar de su extensi¨®n (unas 360 p¨¢ginas sin contar los dos relatos finales), es una historia que se lee con mucha soltura con las inc¨®gnitas que nos va planteando a cada p¨¢gina, incluso es llegar al cierre y quedarte con ganas de m¨¢s, podr¨ªa parecer un final brusco porque te quedas con mil preguntas rondando por tu cabeza a¨²n habiendo finalizado su lectura, pero por suerte en la presente edici¨®n nos regalan dos relatos finales; "La tragedia del pilar principal" y "El misterio de la falla de Amigara", el primero es muy breve y con moraleja final, el segundo es m¨¢s elaborado y de m¨¢s calidad, un relato que te afectar¨¢ aunque no seas claustrof¨®bico. Ambos son muy buenos y terminan de complementar a la perfecci¨®n una historia impactante como lo es "Gyo".
?Ya saben, est¨¢n avisados. Preparen sus est¨®magos antes si realmente quieren adentrarse en esta peculiar historia.
??
Te impregna cada olor, te sacude de puro asco cada vi?eta.
Se suceden innumerables situaciones dantescas, muy bizarras y desagradables. Tendr¨¢s que ir con la mente muy abierta para disfrutar al m¨¢ximo de cada p¨¢gina.
Por algo no creo que sea un manga apto para todo tipo de p¨²blico, pero los asiduos al estilo e historias de Junji Ito ya tenemos el est¨®mago preparado para ello ? y es que cuando crees que ya lo has visto todo pasas la p¨¢gina y te vuelves a quedar con la boca abierta.
As¨ª es Junji Ito.
Enganche puro.
Todo empieza con la joven pareja Kaori y Tadashi pasando unos d¨ªas de descanso en la isla de Okinawa. En una de sus incursiones marinas haciendo submarinismo, Tadashi se encuentra con un tibur¨®n y cree peligrar su vida, pero no es solo eso lo que le ha dejado al borde de un ataque de nervios. Algo ha pasado a velocidad de rel¨¢mpago por su lado mientras exploraba los fondos marinos.
A ra¨ªz de este hecho, Kaori empieza a notar un hedor insoportable all¨¢ donde vaya.
Si quieres saber de qu¨¦ se trataba y como desembocar¨¢ esta historia, no te quedar¨¢ otra opci¨®n que leer este absorbente manga porque yo no pienso desvelar m¨¢s de la trama ?
A pesar de su extensi¨®n (unas 360 p¨¢ginas sin contar los dos relatos finales), es una historia que se lee con mucha soltura con las inc¨®gnitas que nos va planteando a cada p¨¢gina, incluso es llegar al cierre y quedarte con ganas de m¨¢s, podr¨ªa parecer un final brusco porque te quedas con mil preguntas rondando por tu cabeza a¨²n habiendo finalizado su lectura, pero por suerte en la presente edici¨®n nos regalan dos relatos finales; "La tragedia del pilar principal" y "El misterio de la falla de Amigara", el primero es muy breve y con moraleja final, el segundo es m¨¢s elaborado y de m¨¢s calidad, un relato que te afectar¨¢ aunque no seas claustrof¨®bico. Ambos son muy buenos y terminan de complementar a la perfecci¨®n una historia impactante como lo es "Gyo".
?Ya saben, est¨¢n avisados. Preparen sus est¨®magos antes si realmente quieren adentrarse en esta peculiar historia.
??
January 26, 2025
Only Junji Ito could craft a powerful horror novel based on the premise of being haunted by a bad smell. This book tells the story of a Japan that is plagued by a ¡°death stench.¡± It¡¯s definitely one of his grosser works, so I wouldn¡¯t recommend it to the squeamish. But this book was absolutely a good time!
August 10, 2019
4.5 stars. I almost threw up several times. Highly recommend.
March 24, 2018
2018 short edit: I appreciated Gyo even more, Junji Ito really has the talent to create horror out of obsession. I'm giving this another star.
Original review: There are quite a few misses in Gyo plot-wise but it manages to deliver a genuine horror experience in the graphic novel medium. Junjo Ito, in his eerie drawing style captivated me in many of Gyo's pages. I have to stop reading the speech bubbles and just look at the grotesque magnificence of his illustrations.
In Gyo, parasitic WWII-era spider-like mechanisms have invaded inhabitants of the sea. Things go out of hand once these critters crawled inland and started to infest humans. By the way, they feed on human barfs and farts (yes, you read them right).
The main element of Gyo is the rotten death stench that has engulfed, first just a city and the whole of Japan. Crazy, but you know, Japan. I live near a seaside city and I know the stench of fish and the putrid smell of rotten ones. Gyo gives me exactly that olfactory feeling of smelling such as I read through it. Props to Junji Ito for that.
Perhaps my biggest complain is that Gyo ended abruptly as if the author just gave up. The resolution happened so fast from a hopeless aftermath to a sort of happy ending.
There are bonus chapters in the end and I must say that the faultline chapter really, really gives me the creeps.
Original review: There are quite a few misses in Gyo plot-wise but it manages to deliver a genuine horror experience in the graphic novel medium. Junjo Ito, in his eerie drawing style captivated me in many of Gyo's pages. I have to stop reading the speech bubbles and just look at the grotesque magnificence of his illustrations.
In Gyo, parasitic WWII-era spider-like mechanisms have invaded inhabitants of the sea. Things go out of hand once these critters crawled inland and started to infest humans. By the way, they feed on human barfs and farts (yes, you read them right).
The main element of Gyo is the rotten death stench that has engulfed, first just a city and the whole of Japan. Crazy, but you know, Japan. I live near a seaside city and I know the stench of fish and the putrid smell of rotten ones. Gyo gives me exactly that olfactory feeling of smelling such as I read through it. Props to Junji Ito for that.
Perhaps my biggest complain is that Gyo ended abruptly as if the author just gave up. The resolution happened so fast from a hopeless aftermath to a sort of happy ending.
There are bonus chapters in the end and I must say that the faultline chapter really, really gives me the creeps.
November 12, 2021
While on vacation in Okinawa, Tadashi and Kaori encounter a bizarre fish with legs accompanied by a horrific stench. Soon, the legged fish are everywhere but where did they come from and what do they want?
Not long after I read Uzumaki, one of my guys on twitter made me a good deal on a stack of Junji Ito hardcovers. Best $40 bucks I've spent in a while.
Much like Uzumaki, this is a visual body horror story. One legged fish isn't a huge deal, no matter how big of a deal Kaori makes of the smell. However, a legged shark chasing Tadashi and legged fish overrunning the land, now you're getting somewhere. I haven't mentioned why I called this a body horror story yet. I'll let whomever choses to read that experience it for themselves.
Also much like Uzumaki, this is some crazy, crazy shit. It's generally unsettling even before humans get infected. I wolfed it down in two long sittings. There is a lot of grotesque imagery that is burned into my retinas.
Junji Ito's art perfectly fits the disturbing tone of the story. I didn't exactly gag during some of the more grotesque parts but there was a strong urge. Does this deserve a five? Fuck, I don't know at this point. I liked it as much as Uzumaki so there's that.
Gyo: The Death-Stench Creeps. Five stars. Go buy the son of a bitch.
Not long after I read Uzumaki, one of my guys on twitter made me a good deal on a stack of Junji Ito hardcovers. Best $40 bucks I've spent in a while.
Much like Uzumaki, this is a visual body horror story. One legged fish isn't a huge deal, no matter how big of a deal Kaori makes of the smell. However, a legged shark chasing Tadashi and legged fish overrunning the land, now you're getting somewhere. I haven't mentioned why I called this a body horror story yet. I'll let whomever choses to read that experience it for themselves.
Also much like Uzumaki, this is some crazy, crazy shit. It's generally unsettling even before humans get infected. I wolfed it down in two long sittings. There is a lot of grotesque imagery that is burned into my retinas.
Junji Ito's art perfectly fits the disturbing tone of the story. I didn't exactly gag during some of the more grotesque parts but there was a strong urge. Does this deserve a five? Fuck, I don't know at this point. I liked it as much as Uzumaki so there's that.
Gyo: The Death-Stench Creeps. Five stars. Go buy the son of a bitch.
June 3, 2016
"El manga de las sardinas Zombi"
Por si alguien le interesa el OVA de GYO y su manga son bastante diferentes:
Para empezar en el OVA la protagonista sera Kaori mientras que en el manga el protagonista sera Tadashi, en ambos los 2 son pareja, la escena del pulpo esa tan gratuita nunca pasa en el manga, y muchos de los personajes como la amiga ninfomana ("hey chicos nos hacemos un trio?())" y la amiga gorda de Kaori no aparecen en el manga, tambi¨¦n el OVA se centrara mucho mas en las persecuciones de las sardinas zombies, muchas veces representadas por los tiburones zombies y calamares zombies, mientras que el manga se centrara mas en el tema del terror psicol¨®gico.
Manga de terror psicol¨®gico, pero sin llegar a ser Gore.
La trama va b¨¢sicamente que del mar salen unos peces zombis con la ayuda de unas patas mec¨¢nicas, el manga es bastante corto 19 cap¨ªtulos = 2 tomos = 1 recopilaci¨®n y existe un OVA que adapta la historia para que la chica no parezca tan idiota y con una amiga que hace tr¨ªos que no pinta nada.
Personalmente es un manga que no recomendar¨ªa a menos que no se¨¢is fan¨¢ticos del genero manga, zombie o terror psicol¨®gico y/o no teng¨¢is nada mejor que leer, porque mas all¨¢ de la originalidad de las sardinas zombies, apestosos y montados en cosas mec¨¢nicas no aportara nada nuevo.
Nota 7 (3,5 estrellas)
------------------------------------------------
Tambi¨¦n en este tomo vienen 2 Bonus stories:
La primera "the sad tale of the principal post" no se como traducir el titulo ya que es importante el doble sentido para la historia, es b¨¢sicamente el padre de familia que acaba debajo del pilar principal de su casa de una manera que no se nos explicara.
Esta historia ocupa unas 6 paginas
Nota: 2 (1 estrella)
------------------------------------------------
"The enigma of Amigara Fault"(/book/show/1...)
Han aparecido unos agujeros con forma de persona, y cuando alguien detecta "su hoyo" tiene una necesidad imperiosa por entrar en el.
Esta historia ocupa unas 25 paginas.
Nota: 9 (4,5 stars)
------------------------------------------------
Mas reviews en /review/list... dar a like si te a sido ¨²til esta informaci¨®n, tambi¨¦n puedes seguirme si tienes inter¨¦s en ver mas rese?as como esta y si ten¨¦is cualquier duda, quer¨¦is debatir algo, avisarme de alg¨²n error o cualquier otra cosa lo pod¨¦is hacer en los comentarios. ^^
August 17, 2022
The rancid stench of death hangs over the island of Okinawa. Something fishy (literally) is causing the unbearable stench to spread at an alarming rate, and that's when a legion of rotting fish with robotic legs emerge from the ocean and devour everything in sight. It's a very scary concept, what if sharks, whales, squids and other unsightly sea creatures suddenly gained the ability to walk on land and feast on whatever they pleased?
The story was wacky but also very imaginative. As someone with a deep fear of the ocean, the thought of it sends shivers down my spine. Junji Ito's art never fails to be disturbing and impressive. In terms of horror and story structure, I honestly think this is one of his weaker works. Uzumaki is a masterpiece of horror and many of his short story collections are phenomenal, this one feels somewhat shallow in comparison do to the lack of build-up, unmemorable characters and sloppy pacing. Nonetheless, the imagery of massive sea creatures emerging from the ocean and wreaking havoc on land was definitely something from my worst nightmares.
***
If you're looking for dark ambient music that's perfect for reading horror, thrillers, dark fantasy and other books like this one, then be sure to check out my YouTube Channel called Nightmarish Compositions:
The story was wacky but also very imaginative. As someone with a deep fear of the ocean, the thought of it sends shivers down my spine. Junji Ito's art never fails to be disturbing and impressive. In terms of horror and story structure, I honestly think this is one of his weaker works. Uzumaki is a masterpiece of horror and many of his short story collections are phenomenal, this one feels somewhat shallow in comparison do to the lack of build-up, unmemorable characters and sloppy pacing. Nonetheless, the imagery of massive sea creatures emerging from the ocean and wreaking havoc on land was definitely something from my worst nightmares.
***
If you're looking for dark ambient music that's perfect for reading horror, thrillers, dark fantasy and other books like this one, then be sure to check out my YouTube Channel called Nightmarish Compositions:
January 28, 2020
4.2 stars.
Junji ito's imagery is always something to behold...
Always so SO delightfully disgusting, and incredibly disturbing.
Yet somehow I can never tear my eyes away from it.
-As for the story; it follows our protagonist and his neurotic girlfriend, on their trip, while staying at a house by the beach.
But things soon take a turn for the strange... when a fish with legs, is found outside the home.
The story only gets stranger from there,
And I actually really enjoyed the INSANE concept of "fish" coming up above water to terrorize people.
Only, it turns out to be so much more; and I completely went along for the ride!
In short: I loved the art, the outlandish (and seemingly ridiculous story) ... And the ending- that while ambiguous, still managed to be pretty satisfying. (In my opinion).
Junji ito's imagery is always something to behold...
Always so SO delightfully disgusting, and incredibly disturbing.
Yet somehow I can never tear my eyes away from it.
-As for the story; it follows our protagonist and his neurotic girlfriend, on their trip, while staying at a house by the beach.
But things soon take a turn for the strange... when a fish with legs, is found outside the home.
The story only gets stranger from there,
And I actually really enjoyed the INSANE concept of "fish" coming up above water to terrorize people.
Only, it turns out to be so much more; and I completely went along for the ride!
In short: I loved the art, the outlandish (and seemingly ridiculous story) ... And the ending- that while ambiguous, still managed to be pretty satisfying. (In my opinion).
This entire review has been hidden because of spoilers.
December 29, 2020
Desde luego que Junji Ito no es un mangaka apto para todos los est¨®magos, pero pocos tan original como ¨¦l. En Gyo vamos a conocer a Kaori y Tadashi, una pareja que est¨¢ pasando unos d¨ªas en Okinawa de vacaciones aprovechando el buen tiempo. Una noche un hedor horrible parece rodear la casa donde se hospedan. De pronto descubrir¨¢n una extra?a criatura que parece ser un pez, pero tiene unas patas mec¨¢nicas como de ara?a. La pesadilla comenzar¨¢ cuando se den cuenta de que no solo hay una de estas extra?as criaturas.
La mente de Junji me perturba siempre. Me perturba, pero tambi¨¦n me maravilla. Como su mente es capaz de imaginar las peores pesadillas y las m¨¢s grotescas im¨¢genes, es toda una inc¨®gnita para m¨ª. Pero lo hace y lo hace muy bien. Cuando le¨ª Uzumaki me traumatic¨¦ con las espirales por su culpa y las ve¨ªa en todas partes. Ahora me va a pasar con los animales marinos, no los volver¨¦ a ver igual seguro jajaja.
Es curioso como sus im¨¢genes me espantan pero tambi¨¦n me atraen. Y cuanto m¨¢s mal rollo dan, m¨¢s disfruto de sus historias. Para los amantes del terror es un autor indispensable. Necesito leer toda la obra de este se?or. Ojal¨¢ estuviera completa publicada en espa?ol o ingl¨¦s.
La mente de Junji me perturba siempre. Me perturba, pero tambi¨¦n me maravilla. Como su mente es capaz de imaginar las peores pesadillas y las m¨¢s grotescas im¨¢genes, es toda una inc¨®gnita para m¨ª. Pero lo hace y lo hace muy bien. Cuando le¨ª Uzumaki me traumatic¨¦ con las espirales por su culpa y las ve¨ªa en todas partes. Ahora me va a pasar con los animales marinos, no los volver¨¦ a ver igual seguro jajaja.
Es curioso como sus im¨¢genes me espantan pero tambi¨¦n me atraen. Y cuanto m¨¢s mal rollo dan, m¨¢s disfruto de sus historias. Para los amantes del terror es un autor indispensable. Necesito leer toda la obra de este se?or. Ojal¨¢ estuviera completa publicada en espa?ol o ingl¨¦s.
February 4, 2022
this got under my skin, no pun intended!!
i started this a few months back and set it aside because it was making me feel a lil too queasy, but in the intervening time the image of the walking fish hasn't really left my mind. though i didn't enjoy this as much as the uzumaki series, it was nonetheless entertaining¡ªwith an ending that reminded me of kirie and shuichi from uzumaki.
hats off to you, mr. ito, once again! (and thank you to my good friend jade for recommending this my way.)
i started this a few months back and set it aside because it was making me feel a lil too queasy, but in the intervening time the image of the walking fish hasn't really left my mind. though i didn't enjoy this as much as the uzumaki series, it was nonetheless entertaining¡ªwith an ending that reminded me of kirie and shuichi from uzumaki.
hats off to you, mr. ito, once again! (and thank you to my good friend jade for recommending this my way.)
April 13, 2019
4.0 Stars
Mixing together creature horror with body horror, this manga hit on so many of my bookish buzzwords. Junji Ito is quickly becoming a favourite author of mine. He has the ability to take a simple concept and make it feel fresh and absolutely disturbing. As always, his artwork is bizarre, gruesome and utterly gut wrenching. Admittedly, the concept behind this manga was very far fetched, but once I suspended my disbelief, I was sucked into the gripping narrative and couldn¡¯t put it down. I highly recommend this one to fans of horror graphic work.
(The bonus short stories at the end of the book were also amazing.)
Mixing together creature horror with body horror, this manga hit on so many of my bookish buzzwords. Junji Ito is quickly becoming a favourite author of mine. He has the ability to take a simple concept and make it feel fresh and absolutely disturbing. As always, his artwork is bizarre, gruesome and utterly gut wrenching. Admittedly, the concept behind this manga was very far fetched, but once I suspended my disbelief, I was sucked into the gripping narrative and couldn¡¯t put it down. I highly recommend this one to fans of horror graphic work.
(The bonus short stories at the end of the book were also amazing.)
October 9, 2020
Bizarro horror manga. Not my favorite one of his, but still uniquely creepy.
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