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丕賱噩赖賱
賮賷 丕賱噩赖賱 賷賯丿賲 賱賳丕 賰賵賳丿賷乇丕 賳氐賸丕 賯賵賷賸丕 丨賵賱 丕賱賲賳賮賶 賵丕爻鬲丨丕賱丞 兀賷 毓賵丿丞 丨賯賷賯賷丞 廿賱賶 丕賱亘賱丿 丕賱匕賷 睾丕丿乇賳丕賴. 賵賷丨賰賷 亘兀爻賱賵亘 丨賲賷賲賷 賵兀丨賷丕賳賸丕 賮馗 廿夭丕亍 卮禺氐賷丕鬲賴, 毓賳 丕賱賲賳賮賶 賵丕賱丕賳爻賱丕禺 毓賳 丕賱噩匕賵乇, 賵亘丕賱賳鬲賷噩丞 毓賳 丕賱丨賳賷賳 賵丕賱毓賵丿丞 賵賵丨卮丞 丕賱毓賵丿丞 丕賱賲賵爻賵賲丞 亘丕賱禺賷亘丞.
丕賱卮禺氐賷鬲丕賳 賲丨賵乇 賴匕丕 丕賱賰鬲丕亘 賴賲丕 廿賷乇賷賳丕 賵噩賵夭賷賮 丕賱賱匕丕賳 賳賮丕賴賲丕 丕賱鬲丕乇賷禺 亘毓賷丿賸丕 毓賳 賵胤賳賴賲丕, 賵賷賯乇乇丕賳 丕賱毓賵丿丞 廿賱賶 亘賱丿賴賲丕 賮賷 廿噩丕夭丞 賯氐賷乇丞, 賷噩乇亘丕賳 丨丕賱丕鬲 賱賲賽賾 丕賱卮賲賱 賱賰賳 丕賱兀丨丿丕孬 賱丕 鬲噩乇賷 賰賲丕 賷鬲賵賯毓丕賳, 賵鬲兀鬲賷 丕賱賲卮丕毓乇 賵丕賱兀丨丕爻賷爻 丕賱賲鬲賳丕賯囟丞 賱鬲卮賵賷賴 丕賱氐賵乇丞 丕賱賲毓鬲丕丿丞 毓賳 丕賱毓賵丿丞 廿賱賶 丕賱亘賱丿.
卮禺氐賷丕鬲 賲賷賱丕賳 賰賵賳丿賷乇丕 鬲匕賴亘 賵鬲兀鬲賷 賵鬲爻毓賶 賱賱乇爻賵 賮賷 賲賰丕賳賺 賲丕. 鬲鬲賯丕胤毓 丕賱賲氐丕卅乇 賵鬲鬲氐丕丿賲 賵鬲禺賮賯. 賵毓賳丿卅匕 鬲賲鬲夭噩 丕賱賲卮丕毓乇 丕賱賲鬲賳丕賯囟丞 亘賷賳賲丕 賷亘賯賶 賵噩賴 丕賱噩赖賱 賲賵噩賵丿賸丕 賮賷 賰賱 賲賰丕賳, 賰賱賾賷 丕賱賵噩賵丿: 噩賴賱賹 亘丕賱亘賱丿, 噩賴賱賹 亘丕賱鬲胤賵乇丕鬲 賵丕賱鬲亘丿賱丕鬲, 賵兀賷囟賸丕 噩賴賱賹 亘丕賱兀卮禺丕氐 賮賷賲丕 賷鬲毓賱賯 亘鬲卮丕亘賴丕鬲賴賲, 亘賵丕爻胤丞 賱毓亘丞 鬲夭賷賷賮 丕賱匕丕賰乇丞 兀賵 賴卮丕卮丞 丕賱毓賱丕賯丕鬲.
賮賷 賳賴丕賷丞 丕賱賲胤丕賮, 鬲亘乇賴賳 丕賱噩赖賱 兀賳賴丕 乇賵丕賷丞 丌爻乇丞 賵兀賳 賰賵賳丿賷乇丕 賷氐賮毓賳丕 亘丨賯丕卅賯賴, 丕賱賲丨鬲賵賲丞 賵丕賱賲乇亘賰丞, 丕賱賲鬲卮丕卅賲丞 賵丕賱丨丕賱賲丞, 丨賵賱 丕賱卮賷賵毓賷丞 賵丕賱毓賱丕賯丕鬲 丕賱廿賳爻丕賳賷丞 賵丕賱毓賱丕賯丕鬲 丕賱夭賵噩賷丞 賵爻賵亍 丕賱賮賴賲 丕賱睾乇丕賲賷, 賵兀賲賵乇 兀禺乇賶 賰孬賷乇丞 噩丿賸丕.. 賱賰賳 賰賷賮 賷賲賰賳 賱賱賲乇亍 兀賳 賷賯丕乇亘 賴匕丕 丕賱毓丿丿 賲賳 丕賱賲賵囟賵毓丕鬲 賵亘賲賳鬲賴賶 丕賱丿賯丞, 賮賷 賴匕丕 丕賱毓丿丿 丕賱囟卅賷賱 賲賳 丕賱氐賮丨丕鬲責 賴匕丕 爻乇 賰賵賳丿賷乇丕.
丕賱卮禺氐賷鬲丕賳 賲丨賵乇 賴匕丕 丕賱賰鬲丕亘 賴賲丕 廿賷乇賷賳丕 賵噩賵夭賷賮 丕賱賱匕丕賳 賳賮丕賴賲丕 丕賱鬲丕乇賷禺 亘毓賷丿賸丕 毓賳 賵胤賳賴賲丕, 賵賷賯乇乇丕賳 丕賱毓賵丿丞 廿賱賶 亘賱丿賴賲丕 賮賷 廿噩丕夭丞 賯氐賷乇丞, 賷噩乇亘丕賳 丨丕賱丕鬲 賱賲賽賾 丕賱卮賲賱 賱賰賳 丕賱兀丨丿丕孬 賱丕 鬲噩乇賷 賰賲丕 賷鬲賵賯毓丕賳, 賵鬲兀鬲賷 丕賱賲卮丕毓乇 賵丕賱兀丨丕爻賷爻 丕賱賲鬲賳丕賯囟丞 賱鬲卮賵賷賴 丕賱氐賵乇丞 丕賱賲毓鬲丕丿丞 毓賳 丕賱毓賵丿丞 廿賱賶 丕賱亘賱丿.
卮禺氐賷丕鬲 賲賷賱丕賳 賰賵賳丿賷乇丕 鬲匕賴亘 賵鬲兀鬲賷 賵鬲爻毓賶 賱賱乇爻賵 賮賷 賲賰丕賳賺 賲丕. 鬲鬲賯丕胤毓 丕賱賲氐丕卅乇 賵鬲鬲氐丕丿賲 賵鬲禺賮賯. 賵毓賳丿卅匕 鬲賲鬲夭噩 丕賱賲卮丕毓乇 丕賱賲鬲賳丕賯囟丞 亘賷賳賲丕 賷亘賯賶 賵噩賴 丕賱噩赖賱 賲賵噩賵丿賸丕 賮賷 賰賱 賲賰丕賳, 賰賱賾賷 丕賱賵噩賵丿: 噩賴賱賹 亘丕賱亘賱丿, 噩賴賱賹 亘丕賱鬲胤賵乇丕鬲 賵丕賱鬲亘丿賱丕鬲, 賵兀賷囟賸丕 噩賴賱賹 亘丕賱兀卮禺丕氐 賮賷賲丕 賷鬲毓賱賯 亘鬲卮丕亘賴丕鬲賴賲, 亘賵丕爻胤丞 賱毓亘丞 鬲夭賷賷賮 丕賱匕丕賰乇丞 兀賵 賴卮丕卮丞 丕賱毓賱丕賯丕鬲.
賮賷 賳賴丕賷丞 丕賱賲胤丕賮, 鬲亘乇賴賳 丕賱噩赖賱 兀賳賴丕 乇賵丕賷丞 丌爻乇丞 賵兀賳 賰賵賳丿賷乇丕 賷氐賮毓賳丕 亘丨賯丕卅賯賴, 丕賱賲丨鬲賵賲丞 賵丕賱賲乇亘賰丞, 丕賱賲鬲卮丕卅賲丞 賵丕賱丨丕賱賲丞, 丨賵賱 丕賱卮賷賵毓賷丞 賵丕賱毓賱丕賯丕鬲 丕賱廿賳爻丕賳賷丞 賵丕賱毓賱丕賯丕鬲 丕賱夭賵噩賷丞 賵爻賵亍 丕賱賮賴賲 丕賱睾乇丕賲賷, 賵兀賲賵乇 兀禺乇賶 賰孬賷乇丞 噩丿賸丕.. 賱賰賳 賰賷賮 賷賲賰賳 賱賱賲乇亍 兀賳 賷賯丕乇亘 賴匕丕 丕賱毓丿丿 賲賳 丕賱賲賵囟賵毓丕鬲 賵亘賲賳鬲賴賶 丕賱丿賯丞, 賮賷 賴匕丕 丕賱毓丿丿 丕賱囟卅賷賱 賲賳 丕賱氐賮丨丕鬲責 賴匕丕 爻乇 賰賵賳丿賷乇丕.
158 pages, Unknown Binding
First published April 1, 2000
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19373 people want to read
About the author
Milan Kundera
225听books18.6k听followersMilan Kundera (1 April 1929 鈥� 11 July 2023) was a Czech and French novelist. He went into exile in France in 1975, acquiring citizenship in 1981. His Czechoslovak citizenship was revoked in 1979, but he was granted Czech citizenship in 2019.
Kundera wrote in Czech and French. He revises the French translations of all his books; people therefore consider these original works as not translations. He is best known for his novels, including The Joke (1967), The Book of Laughter and Forgetting (1979), and The Unbearable Lightness of Being (1984), all of which exhibit his extreme though often comical skepticism.
Kundera wrote in Czech and French. He revises the French translations of all his books; people therefore consider these original works as not translations. He is best known for his novels, including The Joke (1967), The Book of Laughter and Forgetting (1979), and The Unbearable Lightness of Being (1984), all of which exhibit his extreme though often comical skepticism.
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August 17, 2023
- 賮賷 鬲鬲丕亘毓 賵丕囟丨 賱禺胤 賮賱爻賮丞 "賲賷賱丕賳 賰賵賳丿賷乇丕" 鬲兀鬲賷 賴匕賴 丕賱乇賵丕賷丞貙 賰賲毓馗賲 乇賵丕賷丕鬲賴貙 賱鬲賳賯賱 賱賳丕 丕賮賰丕乇賴 丕賱賮賱爻賮賷丞 毓賳 胤乇賷賯 賯氐氐 睾丕賱亘丕賸 賲丕 鬲賰賵賳 亘爻賷胤丞 賵丨鬲賶 鬲丕賮賴丞 賮賷 亘毓囟 丕賱兀丨賷丕賳貙 賱賰賳賴 賷噩毓賱賴丕 丕爻丕爻丕賸 賱廿爻鬲胤乇丕丿丕鬲 卮鬲賾賶 賵賲丕丿丞 賷亘賳賷 毓賱賷賴丕 丕賮賰丕乇賴 賵乇爻丕卅賱賴.
- 丕賱賯氐丞 亘爻賷胤丞 噩丿丕賸 賵卮禺氐賷丕鬲賴丕 賰賱丕爻賷賰賷丞貙 "噩賵夭賷賮" 丕賱匕賷 胤賱亘 丕賱丨乇賷丞 賮賴丕噩乇貙 賵"廿乇賳丕" 丕賱鬲賷 丕噩亘乇鬲 毓賱賶 丕賱賴噩乇丞 賲毓 夭賵噩賴丕 賲丕乇鬲賳 (氐丿賷賯 賱兀賲賴丕) 丕賱匕賷 鬲賵賮賷 賱丕丨賯丕賸 賮鬲毓賱賯鬲 廿乇賳丕 亘 "睾賵爻鬲丕賮賵" 乇噩賱 丕賱兀毓賲丕賱 丕賱爻賵賷丿賷 丕賱匕賷 丕賮鬲鬲丨 賲賰鬲亘 賮賷 亘乇丕睾 賵毓噩賾賱 賲賳 毓賵丿丞 廿乇賳丕 丕賱賷賴丕. 廿乇賳丕 賰丕賳鬲 賲毓噩亘丞 亘噩賵夭賷賮 賵賴賷 賲乇丕賴賯丞貙 丕賱鬲賯賷丕 亘毓丿 毓卮乇賷賳 毓丕賲丕賸 賮賷 丕賱賲胤丕乇 氐丿賮丞賸 (賵賴匕丕 賳爻噩 賲賷賱丕賳 丕賱賰賱丕爻賷賰賷 賱賱氐丿賮)貙 鬲賵丕毓丿丕 孬賲 鬲囟丕噩毓丕 孬賲 鬲賮丕乇賯丕. 丕賱賯氐丞 賱賷爻鬲 亘胤賵賱賷丞 賵賱丕 禺丕乇賯丞 賱賱毓丕丿丞 亘賱 鬲丕賮賴丞 丨鬲賲丕賸 賱賰賳 賯丿乇丞 賲賷賱丕賳 賮賷 丕賱賳爻噩 丕賱賮賱爻賮賷 賵乇亘胤 賲賮賴賵賲 丕賱丨賳賷賳 亘丕賱噩赖賱 亘丕賱夭賲賳 賵丕賱匕丕賰乇丞貙 噩毓賱 賲賳 賴匕賴 丕賱賯胤毓丞 丕賱兀丿亘賷丞 丿乇爻丕賸 賮賷 丕賱賮賱爻賮丞 丕賱賵噩賵丿賷丞.
- 丕賱孬賳丕卅賷丕鬲 鬲丨囟乇 賮賷 賴匕賴 丕賱乇賵丕賷丞 丕賷囟丕賸 (賵賴匕丕 賲丕 丕毓鬲丿賳丕賴 賮賷 乇賵丕賷丕鬲 "賲賷賱丕賳" 丕賱賳爻噩 丕賱丿賷丕賱賰鬲賷賰賷): 丕賱賴噩乇丞 丕賱賯爻乇賷丞 / 丕賱賴噩乇丞 丕賱丕禺鬲賷丕乇賷丞 - 丕賱睾乇亘丞 / 丕賱賲賳賮賶 - 丕賱卮鬲丕鬲 / 丕賱丕賳鬲賲丕亍 - 丕賱丨賳賷賳 賱賱賵胤賳 / 丕賱丨賳賷賳 丕賱賲毓丕賰爻...
- 賷鬲毓賲賾賯 賲賷賱丕賳 賮賷 賳賮爻賷丞 丕賱賲睾鬲乇亘貙 鬲卮鬲鬲賴 亘賷賳 賵胤賳 賵賱丿 賮賷賴 賷丨賳 丕賱賷賴貙 賵亘賷賳 賵胤賳 毓丕卮 丨賷丕鬲賴 賵丨乇賷鬲賴 賮賷賴 賵丕氐亘丨 賲賳鬲賲賷丕賸 賱賴 亘丿乇噩丞 賰亘賷乇丞貙 亘賷賳 賵胤賳 丕丨賳賮馗鬲 匕丕賰乇鬲賳丕 亘賴 賵亘賷賳 賵胤賳 賰丕賳 賴賵 丕賱匕丕賰乇丞 亘毓賷賳賴丕貙 賲賲丕 賷賯賵丿賳丕 賱賮賰乇丞 "丕賱毓賵丿丞" 賵賴賳丕 賷噩爻賾丿 賲賷賱丕賳 丕賱氐乇丕毓丕鬲 丕賱禺丕乇噩賷丞 賵丕賱丿丕禺賱賷丞 賱賱賲睾鬲乇亘: 賴賱 丕賴賱賴 賷乇賷丿賵賳 毓賵丿鬲賴責 賴賱 賷賴賲賴賲 毓賵丿鬲賴責 賴賱 賴賵 亘賲賳兀賶 毓賳賴賲責 賲丕匕丕 爻賷丨賱 亘匕丕賰乇鬲賴 丕賱賲賰鬲爻亘丞 賮賷 丕賱賲賳賮賶責 賴賱 賴賵 賱丕 賷夭丕賱 賷賳鬲賲賷 賱賴匕賴 丕賱亘賷卅丞責 賱賴匕賴 丕賱毓賯賱賷丞責 兀爻卅賱丞 賰孬賷乇丞 賷氐賮毓賳丕 賲賷賱丕賳 亘賴丕 氐賮毓丕賸.
- 丕賱孬賯賱 賵丕賱禺賮丞 丨丕囟乇丕賳 丕賷囟丕賸 賮賷 賴匕賴 丕賱乇賵丕賷丞 (亘賳賶 乇賵丕賷丞 "賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴" 毓賱賶 賴匕丕 丕賱鬲囟丕丿)貙 賵夭賾毓 丕賱禺賮丞 賵丕賱孬賯賱 毓賱賶 丕賱匕丕賰乇丞 賵丕賱丨亘 賵丕賱毓賱丕賯丕鬲 丕賱噩賳爻賷丞 賵丕賱丨乇賷丞: 賮丕賱匕丕賰乇丞 鬲賳爻賶 丕賱丕丨丿丕孬 丕賱禺賮賷賮丞 丕賱鬲賷 賯丿 鬲賰賵賳 孬賯賷賱丞 毓賳丿 丕賱丌禺乇 賵賱丕 賷賳爻丕賴丕 (噩賵夭賷賮 囟丕噩毓 廿乇賳丕 丿賵賳賲丕 丕賳 賷毓乇賮 丕爻賲賴丕 丨鬲賶貙 亘賷賳賲丕 賴賷 賰丕賳鬲 賱丕 鬲夭丕賱 鬲匕賰乇賴 賵鬲丨鬲賮馗 亘鬲匕賰丕乇 賲賳賴)貙 丕賱丨亘: 孬賯賱 丕賱丨亘 毓賱賶 廿乇賳丕 賲賳 賲丕乇鬲賳 賵睾賵爻鬲丕賮 賵卮毓賵乇賴丕 亘丕賱禺賮丞 賲毓 噩賵夭賷賮 賵丕賱丨乇賷丞 賮賷 賴匕賴 丕賱毓賱丕賯丞貙 賵鬲禺胤丕賴丕 "賲賷賱丕賳" 賱賱毓賱丕賯丕鬲 丕賱噩賳爻賷丞 賲賳 丿賵賳 丕賷 丕賱鬲夭丕賲 (賲丕 賷毓乇賮 亘丕賱氐丿丕賯丕鬲 丕賱噩賳爻賷丞 丨賷賳賴丕 賵丕賱賷賵賲) (睾賵爻鬲丕賮 賵丕賲 廿乇賳丕).
- 丕賱噩賵 丕賱爻賷丕爻賷 賷毓亘賯 賮賷 賴匕賴 丕賱乇賵丕賷丞 丕賷囟丕賸貙 "乇賷賷毓 丕賱鬲卮賷賰"貙 賰乇賴 丕賱卮賷賵毓賷丞貙 丕賱賯賲毓貙 丕賱卮賲賵賱賷丞...
- 鬲乇賰 賰賵賳丿賷乇丕 賱賳丕 丕賱賰孬賷乇 賲賳 丕賱兀爻卅賱丞 賵丕賱賮乇丕睾丕鬲 賱賳賲賱兀賴丕 亘兀賳賮爻賳丕貙 賵賴匕丕 丕賷囟丕賸 賲賯氐賵丿 賱兀賳賴 睾丕賱亘丕賸 賲丕 賷卮乇賰 丕賱賯丕乇卅 賮賷 乇賵丕賷丕鬲賴.
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亘毓囟 丕賱廿賯鬲亘丕爻丕鬲 丕賱噩賲賷賱丞:
- 氐13"丨賱賲 丕賱賴噩乇丞: 廿丨丿賶 丕睾乇亘 馗賵丕賴乇 丕賱賳氐賮 丕賱孬丕賳賷 賲賳 丕賱賯乇賳 丕賱毓卮乇賷賳" 賵賱丕 夭丕賱
- 氐24" 丕賱匕丕賰乇丞 鬲丨鬲丕噩貙 賰賷 鬲毓賲賱 噩賷丿丕賸貙 賱鬲賲乇賷賳 賱丕 賷賳賯胤毓"
- 氐35" 賲賳 賷賯乇乇 丕賳 賷賴噩乇 亘賱丿賴 毓賱賷賴 丕賳 賷爻鬲爻賱賲 丕賱賶 丕賳賴 賱賳 賷乇賶 丕爻乇鬲賴 賲賳 噩丿賷丿"
- 氐44" 丕賳 丕賱匕賷賳 賷毓鬲亘乇賵賳 丨賷丕鬲賴賲 賰丨丕賱丞 睾乇賷賯 賷禺乇噩賵賳 賱廿氐胤賷丕丿 丕賱賲匕賳亘賷賳"
- 氐48" 丕賱噩賳爻 丿賵賳 賲卮丕毓乇 賷賲鬲賾丿 賲孬賱 氐丨乇丕亍 賷賲賵鬲 賮賷賴丕 丕賱賲乇亍 丕賰鬲卅丕亘丕賸"
- 氐83" 丕賱賲丕囟賷 丕賱匕賷 賷鬲匕賰乇賴 丕賱賲乇亍 賱賷爻 賱賴 夭賲賳"
- 氐87" 賲賳 賷禺爻乇 賵丿丕毓賴 (丕賷 賵丿丕毓賴 賱賳賮爻賴) 賱丕 賷賲賰賳 丕賳 賷賳鬲馗乇 賲賳 丕賱賱賯丕卅丕鬲 丕賱賱丕丨賯丞 廿賱丕 丕賱賯賱賷賱"
- 氐92" 廿賳 賰賳丕 賱丕 賳毓乇賮 丕賱賶 丕賷 賲爻鬲賯亘賱 賷賯賵丿賳丕 丕賱丨丕囟乇貙 賮賰賷賮 賳爻鬲胤賷毓 丕賳 賳賯賵賱 丕賳 賴匕丕 丕賱丨丕囟乇 噩賷丿 丕賵 爻賷卅"
- 丕賱賯氐丞 亘爻賷胤丞 噩丿丕賸 賵卮禺氐賷丕鬲賴丕 賰賱丕爻賷賰賷丞貙 "噩賵夭賷賮" 丕賱匕賷 胤賱亘 丕賱丨乇賷丞 賮賴丕噩乇貙 賵"廿乇賳丕" 丕賱鬲賷 丕噩亘乇鬲 毓賱賶 丕賱賴噩乇丞 賲毓 夭賵噩賴丕 賲丕乇鬲賳 (氐丿賷賯 賱兀賲賴丕) 丕賱匕賷 鬲賵賮賷 賱丕丨賯丕賸 賮鬲毓賱賯鬲 廿乇賳丕 亘 "睾賵爻鬲丕賮賵" 乇噩賱 丕賱兀毓賲丕賱 丕賱爻賵賷丿賷 丕賱匕賷 丕賮鬲鬲丨 賲賰鬲亘 賮賷 亘乇丕睾 賵毓噩賾賱 賲賳 毓賵丿丞 廿乇賳丕 丕賱賷賴丕. 廿乇賳丕 賰丕賳鬲 賲毓噩亘丞 亘噩賵夭賷賮 賵賴賷 賲乇丕賴賯丞貙 丕賱鬲賯賷丕 亘毓丿 毓卮乇賷賳 毓丕賲丕賸 賮賷 丕賱賲胤丕乇 氐丿賮丞賸 (賵賴匕丕 賳爻噩 賲賷賱丕賳 丕賱賰賱丕爻賷賰賷 賱賱氐丿賮)貙 鬲賵丕毓丿丕 孬賲 鬲囟丕噩毓丕 孬賲 鬲賮丕乇賯丕. 丕賱賯氐丞 賱賷爻鬲 亘胤賵賱賷丞 賵賱丕 禺丕乇賯丞 賱賱毓丕丿丞 亘賱 鬲丕賮賴丞 丨鬲賲丕賸 賱賰賳 賯丿乇丞 賲賷賱丕賳 賮賷 丕賱賳爻噩 丕賱賮賱爻賮賷 賵乇亘胤 賲賮賴賵賲 丕賱丨賳賷賳 亘丕賱噩赖賱 亘丕賱夭賲賳 賵丕賱匕丕賰乇丞貙 噩毓賱 賲賳 賴匕賴 丕賱賯胤毓丞 丕賱兀丿亘賷丞 丿乇爻丕賸 賮賷 丕賱賮賱爻賮丞 丕賱賵噩賵丿賷丞.
- 丕賱孬賳丕卅賷丕鬲 鬲丨囟乇 賮賷 賴匕賴 丕賱乇賵丕賷丞 丕賷囟丕賸 (賵賴匕丕 賲丕 丕毓鬲丿賳丕賴 賮賷 乇賵丕賷丕鬲 "賲賷賱丕賳" 丕賱賳爻噩 丕賱丿賷丕賱賰鬲賷賰賷): 丕賱賴噩乇丞 丕賱賯爻乇賷丞 / 丕賱賴噩乇丞 丕賱丕禺鬲賷丕乇賷丞 - 丕賱睾乇亘丞 / 丕賱賲賳賮賶 - 丕賱卮鬲丕鬲 / 丕賱丕賳鬲賲丕亍 - 丕賱丨賳賷賳 賱賱賵胤賳 / 丕賱丨賳賷賳 丕賱賲毓丕賰爻...
- 賷鬲毓賲賾賯 賲賷賱丕賳 賮賷 賳賮爻賷丞 丕賱賲睾鬲乇亘貙 鬲卮鬲鬲賴 亘賷賳 賵胤賳 賵賱丿 賮賷賴 賷丨賳 丕賱賷賴貙 賵亘賷賳 賵胤賳 毓丕卮 丨賷丕鬲賴 賵丨乇賷鬲賴 賮賷賴 賵丕氐亘丨 賲賳鬲賲賷丕賸 賱賴 亘丿乇噩丞 賰亘賷乇丞貙 亘賷賳 賵胤賳 丕丨賳賮馗鬲 匕丕賰乇鬲賳丕 亘賴 賵亘賷賳 賵胤賳 賰丕賳 賴賵 丕賱匕丕賰乇丞 亘毓賷賳賴丕貙 賲賲丕 賷賯賵丿賳丕 賱賮賰乇丞 "丕賱毓賵丿丞" 賵賴賳丕 賷噩爻賾丿 賲賷賱丕賳 丕賱氐乇丕毓丕鬲 丕賱禺丕乇噩賷丞 賵丕賱丿丕禺賱賷丞 賱賱賲睾鬲乇亘: 賴賱 丕賴賱賴 賷乇賷丿賵賳 毓賵丿鬲賴責 賴賱 賷賴賲賴賲 毓賵丿鬲賴責 賴賱 賴賵 亘賲賳兀賶 毓賳賴賲責 賲丕匕丕 爻賷丨賱 亘匕丕賰乇鬲賴 丕賱賲賰鬲爻亘丞 賮賷 丕賱賲賳賮賶責 賴賱 賴賵 賱丕 賷夭丕賱 賷賳鬲賲賷 賱賴匕賴 丕賱亘賷卅丞責 賱賴匕賴 丕賱毓賯賱賷丞責 兀爻卅賱丞 賰孬賷乇丞 賷氐賮毓賳丕 賲賷賱丕賳 亘賴丕 氐賮毓丕賸.
- 丕賱孬賯賱 賵丕賱禺賮丞 丨丕囟乇丕賳 丕賷囟丕賸 賮賷 賴匕賴 丕賱乇賵丕賷丞 (亘賳賶 乇賵丕賷丞 "賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴" 毓賱賶 賴匕丕 丕賱鬲囟丕丿)貙 賵夭賾毓 丕賱禺賮丞 賵丕賱孬賯賱 毓賱賶 丕賱匕丕賰乇丞 賵丕賱丨亘 賵丕賱毓賱丕賯丕鬲 丕賱噩賳爻賷丞 賵丕賱丨乇賷丞: 賮丕賱匕丕賰乇丞 鬲賳爻賶 丕賱丕丨丿丕孬 丕賱禺賮賷賮丞 丕賱鬲賷 賯丿 鬲賰賵賳 孬賯賷賱丞 毓賳丿 丕賱丌禺乇 賵賱丕 賷賳爻丕賴丕 (噩賵夭賷賮 囟丕噩毓 廿乇賳丕 丿賵賳賲丕 丕賳 賷毓乇賮 丕爻賲賴丕 丨鬲賶貙 亘賷賳賲丕 賴賷 賰丕賳鬲 賱丕 鬲夭丕賱 鬲匕賰乇賴 賵鬲丨鬲賮馗 亘鬲匕賰丕乇 賲賳賴)貙 丕賱丨亘: 孬賯賱 丕賱丨亘 毓賱賶 廿乇賳丕 賲賳 賲丕乇鬲賳 賵睾賵爻鬲丕賮 賵卮毓賵乇賴丕 亘丕賱禺賮丞 賲毓 噩賵夭賷賮 賵丕賱丨乇賷丞 賮賷 賴匕賴 丕賱毓賱丕賯丞貙 賵鬲禺胤丕賴丕 "賲賷賱丕賳" 賱賱毓賱丕賯丕鬲 丕賱噩賳爻賷丞 賲賳 丿賵賳 丕賷 丕賱鬲夭丕賲 (賲丕 賷毓乇賮 亘丕賱氐丿丕賯丕鬲 丕賱噩賳爻賷丞 丨賷賳賴丕 賵丕賱賷賵賲) (睾賵爻鬲丕賮 賵丕賲 廿乇賳丕).
- 丕賱噩賵 丕賱爻賷丕爻賷 賷毓亘賯 賮賷 賴匕賴 丕賱乇賵丕賷丞 丕賷囟丕賸貙 "乇賷賷毓 丕賱鬲卮賷賰"貙 賰乇賴 丕賱卮賷賵毓賷丞貙 丕賱賯賲毓貙 丕賱卮賲賵賱賷丞...
- 鬲乇賰 賰賵賳丿賷乇丕 賱賳丕 丕賱賰孬賷乇 賲賳 丕賱兀爻卅賱丞 賵丕賱賮乇丕睾丕鬲 賱賳賲賱兀賴丕 亘兀賳賮爻賳丕貙 賵賴匕丕 丕賷囟丕賸 賲賯氐賵丿 賱兀賳賴 睾丕賱亘丕賸 賲丕 賷卮乇賰 丕賱賯丕乇卅 賮賷 乇賵丕賷丕鬲賴.
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亘毓囟 丕賱廿賯鬲亘丕爻丕鬲 丕賱噩賲賷賱丞:
- 氐13"丨賱賲 丕賱賴噩乇丞: 廿丨丿賶 丕睾乇亘 馗賵丕賴乇 丕賱賳氐賮 丕賱孬丕賳賷 賲賳 丕賱賯乇賳 丕賱毓卮乇賷賳" 賵賱丕 夭丕賱
- 氐24" 丕賱匕丕賰乇丞 鬲丨鬲丕噩貙 賰賷 鬲毓賲賱 噩賷丿丕賸貙 賱鬲賲乇賷賳 賱丕 賷賳賯胤毓"
- 氐35" 賲賳 賷賯乇乇 丕賳 賷賴噩乇 亘賱丿賴 毓賱賷賴 丕賳 賷爻鬲爻賱賲 丕賱賶 丕賳賴 賱賳 賷乇賶 丕爻乇鬲賴 賲賳 噩丿賷丿"
- 氐44" 丕賳 丕賱匕賷賳 賷毓鬲亘乇賵賳 丨賷丕鬲賴賲 賰丨丕賱丞 睾乇賷賯 賷禺乇噩賵賳 賱廿氐胤賷丕丿 丕賱賲匕賳亘賷賳"
- 氐48" 丕賱噩賳爻 丿賵賳 賲卮丕毓乇 賷賲鬲賾丿 賲孬賱 氐丨乇丕亍 賷賲賵鬲 賮賷賴丕 丕賱賲乇亍 丕賰鬲卅丕亘丕賸"
- 氐83" 丕賱賲丕囟賷 丕賱匕賷 賷鬲匕賰乇賴 丕賱賲乇亍 賱賷爻 賱賴 夭賲賳"
- 氐87" 賲賳 賷禺爻乇 賵丿丕毓賴 (丕賷 賵丿丕毓賴 賱賳賮爻賴) 賱丕 賷賲賰賳 丕賳 賷賳鬲馗乇 賲賳 丕賱賱賯丕卅丕鬲 丕賱賱丕丨賯丞 廿賱丕 丕賱賯賱賷賱"
- 氐92" 廿賳 賰賳丕 賱丕 賳毓乇賮 丕賱賶 丕賷 賲爻鬲賯亘賱 賷賯賵丿賳丕 丕賱丨丕囟乇貙 賮賰賷賮 賳爻鬲胤賷毓 丕賳 賳賯賵賱 丕賳 賴匕丕 丕賱丨丕囟乇 噩賷丿 丕賵 爻賷卅"
April 27, 2023
Milan Kundera's writing just seems to strike a right note with me, ever since the first time I read his works on a public commute as a wide-eyed college sophomore, getting hooked on the philosophical ramblings that are so essential to college years.
And that fascination apparently has withstood the test of time for me - maybe because deep down inside me a college philosopher still survives.
As with other Kundera's books that I've read, the background is, of course, Czech Republic, the Prague Spring of 1968 and the events it sprang in motion. The surface of the plot in Ignorance is a story of two 茅migr茅s, Irena and Josef, who have chosen to leave Czechoslovakia after the infamous end of the Prague Spring, and who have returned to visit their motherland 20 years later, after the regime that had driven them out collapsed.
And it does not come as a surprise to either one of them that they do not fit the mold of an 茅migr茅 as the world labels such as them; that the land they left behind has irrevocably ceased being their home; that new lives have been started elsewhere and there is no easy way of shrugging those new memories in order to fit back into the mold from which they have sprang decades ago.
To both Irena and Josef it seems that their lives outside of their - now former - home do not really matter to those whom they once left behind. And they cannot reconcile the memories of the old and the memories of the new; they cannot reconcile who they have become and who people think they should be; the past and the present.
And, an 茅migr茅 myself - by choice and happily, unlike Irena and Josef - I can feel their unease and uncertainties resonating within me; having visited the place I'm from after living abroad for many years and realizing that past has moved on and that new home has been made, in another country, with me changed by the new place that I have adopted as much as it has adopted me, with me never again able to return to being who I was before leaving the homeland - because new memories have been made and internalized, and home has moved with me.
Why does this happen? Tricks of memory, perhaps? The fickleness and selectiveness and shortsightedness of it; an ally on which we cannot truly rely. Memory is what we are so tempted to think we share with the others - but maybe it's just the illusion, like most other things in our lives. Because memory is what we make it, infusing it with meanings and significances that reflect more on ourselves than what actually happened.
4.5 stars.
And that fascination apparently has withstood the test of time for me - maybe because deep down inside me a college philosopher still survives.
"Both of them are pidgeonholed, labeled, and they will be judged by how true they are to their labels (of course, that and that alone is what's emphatically called "being true to oneself")."There's something about his books that makes them feel like narrative sketches, filled with author's musings in long, heavily punctuated sentences; ruminations about particular world experiences that finally, tangentially connect to the characters - and the characters themselves serving as just a canvas for Kundera's introspective reflections.
As with other Kundera's books that I've read, the background is, of course, Czech Republic, the Prague Spring of 1968 and the events it sprang in motion. The surface of the plot in Ignorance is a story of two 茅migr茅s, Irena and Josef, who have chosen to leave Czechoslovakia after the infamous end of the Prague Spring, and who have returned to visit their motherland 20 years later, after the regime that had driven them out collapsed.
"They had really done a lot for me. They saw me as the embodiment of an 茅migr茅's suffering. Then the time came for me to confirm that suffering by my joyous return to the homeland. And that confirmation didn't happen. They felt duped. And so did 'i, because up till then I'd thought they loved me not for my suffering but for my self."
And it does not come as a surprise to either one of them that they do not fit the mold of an 茅migr茅 as the world labels such as them; that the land they left behind has irrevocably ceased being their home; that new lives have been started elsewhere and there is no easy way of shrugging those new memories in order to fit back into the mold from which they have sprang decades ago.
"She had always taken it as a given that emigrating was a misfortune. But, now she wonders, wasn't it instead an illusion of misfortune, an illusion suggested by the way people perceive an 茅migr茅?"The motif Kundera relies on is the story of Odysseus, of his single-minded journey back to where he was from, to Ithaca, to his old life, where he - supposedly - belonged, where he was one of them, where his life outside of the boundaries of the island was little but an interruption in the regular chain of events. But what about the two decades of his life he spent elsewhere? Do they matter? And how is he supposed to reconcile them with the life to which he made his "great return"?
"For twenty years he [Odysseus] had thought about nothing but his return. But once he was back, he was amazed to realize that his life, the very essence of his life, its center, its treasure, lay outside Ithaca, in the twenty years of his wanderings. And this treasure he had lost, and could retrieve only by talking about it. [...] But in Ithaca he was not a stranger, he was one of their own, so it never occurred to anyone to say, "Tell us!"
To both Irena and Josef it seems that their lives outside of their - now former - home do not really matter to those whom they once left behind. And they cannot reconcile the memories of the old and the memories of the new; they cannot reconcile who they have become and who people think they should be; the past and the present.
And, an 茅migr茅 myself - by choice and happily, unlike Irena and Josef - I can feel their unease and uncertainties resonating within me; having visited the place I'm from after living abroad for many years and realizing that past has moved on and that new home has been made, in another country, with me changed by the new place that I have adopted as much as it has adopted me, with me never again able to return to being who I was before leaving the homeland - because new memories have been made and internalized, and home has moved with me.
"It was a very strange conversation: I'd forgotten who they had been; they weren't interested in who I'd become. Can you believe that not one person here has ever asked me a single question about my life abroad? Not one single question! Never! I keep having the sense that they want to amputate twenty years of my life from me. Really, it does feel like an amputation. I feel shortened, diminished, like a dwarf."
Why does this happen? Tricks of memory, perhaps? The fickleness and selectiveness and shortsightedness of it; an ally on which we cannot truly rely. Memory is what we are so tempted to think we share with the others - but maybe it's just the illusion, like most other things in our lives. Because memory is what we make it, infusing it with meanings and significances that reflect more on ourselves than what actually happened.
"I imagine the feelings of two people meeting again after many years. In the past they spent some time together, and therefore they think they are linked by the same experience, the same recollections. The same recollections? That's where the misunderstanding starts: they don't have the same recollections; each of them retains two or three small scenes from the past, but each has his own; their recollections are not similar; they don't intersect' and even in terms of quantity they are not comparable: one person remembers the other more than he is remembered; first because memory capacity varies among individuals (an explanation that each of them would at least find acceptable), but also (and this is more painful to admit) because they don't hold the same importance for each other."Kundera's writing still has the magic in its wistful philosophizing, exploration of nostalgia and memory, and I highly recommend this book. It leaves behind a vague feeling of dissatisfaction - not the irritated one of something not living up to the expectations, but the disappointment and dissatisfaction in the very expectations you hold, and somehow I find this feeling resonating and captivating.
4.5 stars.
July 27, 2015
禺賵卮丨丕賱 亘賵丿賲 丕孬乇賷 丿賷诏乇 丕夭 賲賷賱丕賳 賰賵賳丿乇丕 禺賵丕賳丿賴 丕賲 賵賱賷 賵賯鬲賷 亘毓丿 丕鬲賲丕賲 讴鬲丕亘 賵賯鬲蹖 賲賯丿賲賴 乇賵 禺賵丕賳丿賲貙 丿乇丌禺乇賷賳 禺胤 丌賯丕賷 賮乇賴丕丿 賰丕卮丕賳賷 賰亘賷乇 賳賵卮鬲賴 亘賵丿賳丿
賲鬲丕爻賮丕賳賴 亘賴 毓匕乇 賴丕賷 丕禺賱丕賯賷 賮乇丕賵丕賳 亘賴 噩丕 賵 賳丕 亘賴 噩丕 貙 賰賵賳丿乇丕賷賷 賰賴 賮丕乇爻賷 夭亘丕賳丕賳 丕夭 胤乇賷賯 鬲乇噩賲賴 賴丕 賲賷 卮賳丕爻賳丿 貙 趩賷夭賷 賰丕賲賱丕 賲鬲賮丕賵鬲 丕夭 賰賵賳丿乇丕賷 丕氐賱賷 丕爻鬲
賴賲趩賵 賲乇丿賷 賰賴 亘賷 噩賴鬲 賰鬲賰 禺賵乇丿賴貙丨賷乇丕賳 亘賵丿賲 賰賴 趩乇丕 亘丕賷丿 亘丕 丌孬丕乇 賲賷賱丕賳 賰賵賳丿乇丕 趩賳賷賳 賰丕乇賷 丕賳噩丕賲 亘丿賴賳丿 賵 丕噩丕夭賴 賳丿賴賳丿 丕夭 賲毓賳丕 賵 夭蹖亘丕蹖蹖 丿丕爻鬲丕賳 賱匕鬲 亘亘乇賲
賵 賲賳賽 禺賵丕賳賳丿賴 亘丕 丕蹖賳 鬲乇噩賲賴 賳丕賯氐 亘賴 丕蹖賳 賳鬲蹖噩賴 亘乇爻賲 讴賴 丕蹖賳 讴鬲丕亘 噩夭賵 丌孬丕乇 賲鬲賵爻胤 讴賵賳丿乇丕 丕爻鬲!!責責
賵丕賯毓丕 丿賲 丌賯丕蹖 讴丕卮丕賳蹖 诏乇賲 讴賴 賲賳賵 丕夭 丕卮鬲亘丕賴 丿乇 丌賵乇丿
賲胤賲卅賳丕 賴乇賰鬲丕亘賷 诏乇賵賴 爻賳賷 禺賵丿卮 乇丕 丿丕乇丿 賵 丕賷賳賰賴 亘賷丕賷賷賲 亘賴 噩丕賷 乇丿賴 亘賳丿賷 爻賳賷 賰鬲丕亘 亘賴 丨匕賮 毓亘丕乇丕鬲 賵 诏丕賴賷 鬲睾賷賷乇 賲毓賳賷 亘倬乇丿丕夭賷賲 賰丕乇 丿乇爻鬲賷 賳賷爻鬲
丿乇 爻丕賷鬲 賴丕賷賷 丿賷丿賲 賰賴 诏賮鬲賴 卮丿賴 亘賵丿 丕夭 賰鬲丕亘 卮賵禺賷 賰賵賳丿乇丕 賷賰 賮氐賱卮 乇丕 亘賴 胤賵乇 賰丕賲賱 丨匕賮 賰乇丿賴 丕賳丿
丿賷诏乇 賳賲賷 丿丕賳賲 趩賴 亘诏賵賷賲責責責責責責責責責責
賮賯胤 丕夭 丕賷賳 賳丕乇丕丨鬲賲 賰賴 賮賰 賲賷賰乇丿賲 賰賵賳丿乇丕 乇丕 鬲丕 丨丿賵丿賷 卮賳丕禺鬲賴 丕賲
賵賱賷 丨丕賱丕 亘丕 噩乇丕鬲 賲賷 诏賵賷賲 賴賷趩 丕夭 賲賷賱丕賳 賰賵賳丿乇丕 賳賲賷 丿丕賳賲
趩賵賳 賷賰 禺胤 丕夭 賰鬲丕亘 賴丕賷 賳賵賷爻賳丿賴 丕賷 丨匕賮 賰賳賷貙 賰賱 乇賵丨 賰鬲丕亘 乇丕 丿爻鬲禺賵卮 鬲睾賷賷乇 丿丕丿賴 丕賷 賵 丕賷賳 禺賷丕賳鬲 亘賴 賳賵賷爻賳丿賴 丕爻鬲
賲鬲丕爻賮丕賳賴 亘賴 毓匕乇 賴丕賷 丕禺賱丕賯賷 賮乇丕賵丕賳 亘賴 噩丕 賵 賳丕 亘賴 噩丕 貙 賰賵賳丿乇丕賷賷 賰賴 賮丕乇爻賷 夭亘丕賳丕賳 丕夭 胤乇賷賯 鬲乇噩賲賴 賴丕 賲賷 卮賳丕爻賳丿 貙 趩賷夭賷 賰丕賲賱丕 賲鬲賮丕賵鬲 丕夭 賰賵賳丿乇丕賷 丕氐賱賷 丕爻鬲
賴賲趩賵 賲乇丿賷 賰賴 亘賷 噩賴鬲 賰鬲賰 禺賵乇丿賴貙丨賷乇丕賳 亘賵丿賲 賰賴 趩乇丕 亘丕賷丿 亘丕 丌孬丕乇 賲賷賱丕賳 賰賵賳丿乇丕 趩賳賷賳 賰丕乇賷 丕賳噩丕賲 亘丿賴賳丿 賵 丕噩丕夭賴 賳丿賴賳丿 丕夭 賲毓賳丕 賵 夭蹖亘丕蹖蹖 丿丕爻鬲丕賳 賱匕鬲 亘亘乇賲
賵 賲賳賽 禺賵丕賳賳丿賴 亘丕 丕蹖賳 鬲乇噩賲賴 賳丕賯氐 亘賴 丕蹖賳 賳鬲蹖噩賴 亘乇爻賲 讴賴 丕蹖賳 讴鬲丕亘 噩夭賵 丌孬丕乇 賲鬲賵爻胤 讴賵賳丿乇丕 丕爻鬲!!責責
賵丕賯毓丕 丿賲 丌賯丕蹖 讴丕卮丕賳蹖 诏乇賲 讴賴 賲賳賵 丕夭 丕卮鬲亘丕賴 丿乇 丌賵乇丿
賲胤賲卅賳丕 賴乇賰鬲丕亘賷 诏乇賵賴 爻賳賷 禺賵丿卮 乇丕 丿丕乇丿 賵 丕賷賳賰賴 亘賷丕賷賷賲 亘賴 噩丕賷 乇丿賴 亘賳丿賷 爻賳賷 賰鬲丕亘 亘賴 丨匕賮 毓亘丕乇丕鬲 賵 诏丕賴賷 鬲睾賷賷乇 賲毓賳賷 亘倬乇丿丕夭賷賲 賰丕乇 丿乇爻鬲賷 賳賷爻鬲
丿乇 爻丕賷鬲 賴丕賷賷 丿賷丿賲 賰賴 诏賮鬲賴 卮丿賴 亘賵丿 丕夭 賰鬲丕亘 卮賵禺賷 賰賵賳丿乇丕 賷賰 賮氐賱卮 乇丕 亘賴 胤賵乇 賰丕賲賱 丨匕賮 賰乇丿賴 丕賳丿
丿賷诏乇 賳賲賷 丿丕賳賲 趩賴 亘诏賵賷賲責責責責責責責責責責
賮賯胤 丕夭 丕賷賳 賳丕乇丕丨鬲賲 賰賴 賮賰 賲賷賰乇丿賲 賰賵賳丿乇丕 乇丕 鬲丕 丨丿賵丿賷 卮賳丕禺鬲賴 丕賲
賵賱賷 丨丕賱丕 亘丕 噩乇丕鬲 賲賷 诏賵賷賲 賴賷趩 丕夭 賲賷賱丕賳 賰賵賳丿乇丕 賳賲賷 丿丕賳賲
趩賵賳 賷賰 禺胤 丕夭 賰鬲丕亘 賴丕賷 賳賵賷爻賳丿賴 丕賷 丨匕賮 賰賳賷貙 賰賱 乇賵丨 賰鬲丕亘 乇丕 丿爻鬲禺賵卮 鬲睾賷賷乇 丿丕丿賴 丕賷 賵 丕賷賳 禺賷丕賳鬲 亘賴 賳賵賷爻賳丿賴 丕爻鬲
March 3, 2023
丕賱睾乇賷亘 毓賳丿賲丕 賷鬲禺匕 賯乇丕乇 丕賱睾乇亘丞. 賵 兀賷丕 賰丕賳鬲 兀爻亘丕亘賴 賮賯丿 丨賰賲 毓賱賶 賳賮爻賴 亘丕賱睾乇亘丞 丕賱兀亘丿賷丞 丨鬲賶 賵 廿賳 毓丕丿.
匕賴亘鬲 賲賳 賴賳丕賰 賵 賴賷 賲丕 鬲夭丕賱 賮鬲丕丞 亘乇賷卅丞 賵 鬲毓賵丿 丕賱丕賳 賵 賯丿 氐丕乇鬲 丕賲乇兀丞 賳丕囟噩丞 賵 禺賱賮賴丕 丨賷丕丞. 丨賷丕丞 氐毓亘丞 鬲卮毓乇 亘丕賱丕賮鬲禺丕乇 亘賴丕. 鬲乇賷丿 兀賳 鬲賮毓賱 兀賷 卮賷亍 賰賷 賷賯亘賱賳賴丕 亘鬲噩丕乇亘賴丕 丕賱鬲賷 毓丕卮鬲賴丕 賮賷 丕賱爻賳賵丕鬲 丕賱兀禺賷乇丞. 亘賯賳丕毓丕鬲賴丕. 賵 兀賮賰丕乇賴丕. 賴賷 賲爻兀賱丞: 禺匕賵賴丕 兀賵 丕鬲乇賰賵賴丕. 廿賲丕 兀賳 鬲鬲賲賰賳 賲賳 丕賱亘賯丕亍 賲毓賴賳 賰賲丕 賴賷 丕賱兀賳 兀賵 兀賳賴丕 賱賳 鬲亘賯賶.
丕賱毓丕賱賲 賰賱賴 賷毓鬲賯丿 兀賳賳丕 賳乇丨賱 賱賱鬲賲鬲毓 亘丨賷丕丞 爻賴賱丞. 賱丕 賷毓乇賮賵賳 賰賲 賲賳 丕賱氐毓亘 兀賳 鬲卮賯賷 胤乇賷賯賰 賮賷 毓丕賱賲 睾乇賷亘. 兀賱丕 鬲賱丕丨馗賷賳責 鬲睾丕丿乇賷賳 亘賱丿賰 賵 賲毓賰 胤賮賱 賮賷 丕賱賲賴丿 賵 丌禺乇 賮賷 丕賱亘胤賳. 鬲賮賯丿賷賳 夭賵噩賰. 鬲乇亘賷賳 丕亘賳鬲賷賰 賮賷 丕賱亘丐爻..賮賷 丕賱睾乇亘丞 賷鬲睾賷乇 賰賱 卮賷亍 丨鬲賶 兀賳 丕賱卮禺氐 丕賱毓丕卅丿 賱賷爻 賴賵 賳賮爻賴 丕賱卮禺氐 丕賱匕賷 匕賴亘 賲賳匕 爻賳賵丕鬲 兀賵 毓賯賵丿 賵 毓賳丿賲丕 賷毓賵丿 賵 賷噩丿 賲丕 賰丕賳 賱賴 賯丿 兀氐亘丨 賱睾賷乇賴 賮賴賵 賱丕 賷丨賲賱 囟睾賷賳丞 亘賯丿乇 賲丕 賷丨賲賱 兀賱賲丕 賵 賲乇丕乇丞 賵 賷丨爻亘 兀賳賴 賷卮丕賴丿 丕賱丿賳賷丕 賲賳 賲賯毓丿 丕賱賲鬲賮乇噩 賱丕 賲賳 禺卮亘丞 丕賱賲爻乇丨 丕賱匕賷 賰丕賳 賷賯賵賲 亘丿賵乇 丕賱亘胤賵賱丞 毓賱賷賴丕 賲賳 賯亘賱.
賲毓 匕賱賰 賮廿賳 乇丐賷鬲賴 賱爻丕毓鬲賴 賮賷 賲毓氐賲 丌禺乇 睾丕乇 亘賴 賮賷 丨丕賱丞 賲賳 丕賱賯賱賯 毓賲賷賯丞. 鬲賵賱丿 毓賳丿賴 丕賳胤亘丕毓 亘兀賳賴 賷賱鬲賯賷 亘丕賱毓丕賱賲 賰賲丕 賷賱鬲賯賷 亘賴 賲賷鬲 賷禺乇噩 亘毓丿 毓卮乇賷賳 毓丕賲丕 賲賳 賯亘乇賴. 賷賱丕賲爻 丕賱兀乇囟 亘禺胤賵 賲賳 賮賯丿 毓丕丿丞 丕賱賲卮賷. 賱丕 賷賰丕丿 賷鬲毓乇賮 毓賱賶 丕賱毓丕賱賲 丕賱匕賷 毓丕卮 賮賷賴. 賱賰賳賴 賷鬲毓孬乇 亘丕爻鬲賲乇丕乇 亘亘賯丕賷丕 丨賷丕鬲賴. 賷乇賶 亘賳胤賱賵賳賴. 乇亘胤丞 毓賳賯賴. 毓賱賶 兀噩爻丕丿 丕賱亘丕賯賷賳 兀丨賷丕亍. 丕賱匕賷賳 鬲賵夭毓賵賴丕 亘賰賱 胤亘賷毓賷丞. 賷乇賶 賰賱 卮賷亍 賵 賱丕 賷胤丕賱亘 亘卮賷亍. 賮丕賱賲賵鬲賶 毓丕丿丞 賲丕 賷賰賵賳賵賳 禺噩賵賱賷賳.賲毓 匕賱賰 賮廿賳 丕賱睾乇賷亘 賷賳鬲丕亘賴 丕賱丨賳賷賳 賰賱 丨賷賳 賵 賱賰賳 丕賱氐賵鬲 賷賰賵賳 兀毓賱賶 賮賷 丕賱亘丿丕賷丞 孬賲 賱丕 賷賱亘孬 兀賳 賷禺賮鬲 乇賵賷丿丕 乇賵賷丿丕 丨鬲賶 賱丕 賷購爻賲毓 廿賱丕 賴賲爻丕 賵 賲毓 匕賱賰 賮廿賳賴 賷馗賱 賮賷 丕賱賵噩丿丕賳 賵 鬲亘賯賶 丕賱匕賰乇賷丕鬲 丨賷丞 賳丕亘囟丞 丨鬲賶 丕賳 鬲丿丕禺賱鬲 氐賵乇賴丕 賵 鬲亘丕毓丿鬲 鬲賮丕氐賷賱賴丕.
賰賱賲丕 賰丕賳 丕賱夭賲賳 丕賱匕賷 賳禺賱賮賴 賵乇丕亍賳丕 兀賰亘乇 賰賱賲丕 兀氐亘丨 丕賱氐賵鬲 丕賱匕賷 賷丨孬賳丕 毓賱賶 丕賱毓賵丿丞 賱丕 賷賯丕賵賲. 賷亘丿賵 賴匕丕 丕賱丨賰賲 賲亘丿亍丕 毓丕賲丕. 賱賰賳賴 賲夭賷賮. 賮丕賱賰丕卅賳 丕賱亘卮乇賷 賷卮賷禺 賵 丕賱賳賴丕賷丞 鬲賯鬲乇亘. 賮鬲氐亘丨 賰賱 賱丨馗丞 孬賲賷賳丞. 賵 賱丕 賷毓賵丿 賴賳丕賰 賵賯鬲 賳囟賷毓賴 毓賱賶 丕賱匕賰乇賷丕鬲. 賷噩亘 賮賴賲 丕賱鬲賳丕賯囟 丕賱乇賷丕囟賷 丕賱馗丕賴乇賷 賱賱丨賳賷賳. 賷馗賴乇 賴匕丕 亘賯賵丞 兀賰亘乇 賮賷 賲乇丨賱丞 丕賱卮亘丕亘 丕賱兀賵賱賶. 丨賷賳 賷賰賵賳 丨噩賲 丕賱丨賷丕丞 丕賱賲丕囟賷丞 夭賴賷丿丕.賲賳 賴賳丕 賰丕賳鬲 丕賱毓賵丿丞 賱賱賵胤賳 亘毓丿 胤賵賱 丕賱睾賷丕亘 賴賷 睾乇亘丞 孬丕賳賷丞 賵 兀亘丿賷丞 賵 賱賰賳賴丕 賴匕賴 丕賱賲乇丞 丿丕禺賱 丕賱賵胤賳 賳賮爻賴.
賲乇丕賴賯丞 賲賳 兀爻乇丞 賮賯賷乇丞. 鬲毓卮賯 賮鬲賶 賲賳 兀爻乇丞 睾賳賷丞. 賵 丕賱賮鬲丕丞 丕賱鬲賷 鬲亘丨孬 賮賷 丕賱卮賷賵毓賷丞 毓賳 賲毓賳賶 賱丨賷丕鬲賴丕. 鬲鬲丨賵賱 亘毓丿 丕賱毓丕賲 1968 廿賱賶 丕賲乇兀丞 鬲鬲夭賵噩 賲賳 賲賳卮賯 賵 鬲賰鬲卮賮 賲毓賴 賮噩兀丞 毓丕賱賲丕 兀賰孬乇 乇丨丕亘丞. 賮賴賷 賱丕 鬲鬲毓乇賮 賮賯胤 毓賱賶 卮賷賵毓賷賷賳 鬲賲乇丿賵丕 毓賱賶 丕賱丨夭亘. 亘賱 毓賱賶 乇賴亘丕賳 賵 爻噩賳丕亍 爻賷丕爻賷賷賳 賯丿賲丕亍 賵 亘乇噩賵丕夭賷賷賳 賰亘丕乇 賮賯丿賵丕 胤亘賯鬲賴賲 兀賷囟丕. 孬賲 賵 賮賷 丕賱毓丕賲 1989 鬲毓賵丿. 賰賲丕 賱賵 兀賳賴丕 禺丕乇噩丞 賲賳 丨賱賲. 賱鬲氐亘丨 賲丕 賰丕賳鬲 毓賱賷賴. 丕亘賳丞 兀爻乇丞 賮賯賷乇丞 賳丕噩丨丞.賴賱 鬲乇賷丿 賯氐丞. 賴匕丕 賴賵 賲賱禺氐 丕賱賯氐丞 賵 賱賰賳賳丕 賱丕 賳賯乇兀 丕賱賯氐氐 賴賳丕 亘賱 賳賯乇兀 賰賵賳丿賷乇丕 賳賮爻賴 賰賲丕 鬲毓賵丿賳丕 賮賷 亘丕賯賷 乇賵丕賷丕鬲賴
March 14, 2025
After being somewhat disappointed recently with Identity, Ignorance marked a return to form for Kundera, and although this was a really good effort, at this point of his career I still think he was past his peak brilliance. There is no doubt when he got it right, his gift of mingling politics, love, sex, history, and an exploration of subjectivity, really hits the spot, delivering a unique and captivating reading experience. Ignorance sees Kundera tackling a humanly richer theme than in Identity, and I felt closer to his characters as a result of that. It is written with a nostalgia for ones homeland, and in irony tells of the Odyssean homecoming, but its deeper concerns lie with memory and forgetting. The set up is quite straightforward - Two exiles and widows, Irena and Josef, settled in Paris and Copenhagen respectively, take a trip back to post-Communist Prague to rediscover their old lives, but it is far from being easy as twenty years of political isolation and emotional absence mean no one really counts them among the living anymore. Not even family.
At Paris airport the pair meet by chance, and shared a brief encounter in Prague many years before, but only she remembers having met him. He has no idea who she is. Kundera homes in on with meticulous skill the alienation of the returning 茅migr茅. Trying on a dress, Irena is momentarily imprisoned in the life she might have led had she stayed, and believes any sort of future can only exist in France. For Josef, seeing his old watch on his brother's wrist threw him into a strange unease, and he attempts going though an old teenage diary but the obscure memory of his first love seems to punishes him. Both struggle to pick up the past or even claim a future. And it's this alienation that inexorably brings Irena and Josef together in the end. But their attraction is based on an unjust inequality, and in a regrettable manner is exposed as a delusion in an inevitable sex scene towards it's climax.
This Kundera book, more so than the others I have read, carried with it a deeper sadness and trauma. It was less fun to read, but still resonated like a loud siren with what it had to say. And although it can be looked at as a novel, we have to remember this is Kundera we're talking about, so it is, but then again it isn't. Ignorance could also be seen as an essay on the theme of homecoming and the idea of return.
August 21, 2020
鈥淭he Greek word for "return" is nostos. Algos means "suffering." So nostalgia is the suffering caused by an unappeased yearning to return.鈥�
Ignorance is Kundera's tribute to the 茅migr茅. The story revolves around a woman called Irena, a Czech expatriate living in France, and her return to her homeland. On returning she meets Josef, a fellow 茅migr茅 whom she knew from the past as a lover.
The novel examines the feelings of returning to an unfamiliar homeland after a long time, drawing parallels with Homer's Odyssey to prove its point. The novel explores love and its many forms of manifestations and the use of differing perspectives to prove a comical portrayal of selective memory leading to ignorance. The novel explains willful ignorance as a form of avoidance of unpleasant realities and also illustrates a picture of involuntary ignorance as denial of the past or feigning ignorance of the truth.
鈥淒uring the twenty years of Odesseus' absence, the people of Ithaca retained many recollections of him but never felt nostalgia for him. Whereas Odysseus did suffer nostalgia, and remembered almost nothing."
鈥淎nd there lies the horror: the past we remember is devoid of time. Impossible to reexperience a love the way we reread a book or resee a film.鈥�
One of my favorite passages from the book include the story of and the fate of his remains.
".....nobody much cares where a dead person's bones wind up."
An enjoyable read.
Ignorance is Kundera's tribute to the 茅migr茅. The story revolves around a woman called Irena, a Czech expatriate living in France, and her return to her homeland. On returning she meets Josef, a fellow 茅migr茅 whom she knew from the past as a lover.
The novel examines the feelings of returning to an unfamiliar homeland after a long time, drawing parallels with Homer's Odyssey to prove its point. The novel explores love and its many forms of manifestations and the use of differing perspectives to prove a comical portrayal of selective memory leading to ignorance. The novel explains willful ignorance as a form of avoidance of unpleasant realities and also illustrates a picture of involuntary ignorance as denial of the past or feigning ignorance of the truth.
鈥淒uring the twenty years of Odesseus' absence, the people of Ithaca retained many recollections of him but never felt nostalgia for him. Whereas Odysseus did suffer nostalgia, and remembered almost nothing."
鈥淎nd there lies the horror: the past we remember is devoid of time. Impossible to reexperience a love the way we reread a book or resee a film.鈥�
One of my favorite passages from the book include the story of and the fate of his remains.
".....nobody much cares where a dead person's bones wind up."
An enjoyable read.
March 22, 2012
Someone needs to give Milan Kundera a chill pill. He's that dark brooding guy that sits at the back of a cafe staring moodily into his black coffee, the boyfriend you try for months to make love you but who at critical moments, suddenly declared it's all too base and animal, and you know, what is love anyway? Just a social construct. Etc etc. Sometimes Ignorance reads beautifully. I particularly enjoyed a lot of the musings on language and derivation of words, and their deviations between cultures.
But no one in a Kundera novel is ever happy. Hell, not even content. It makes it a tiresome read sometimes, and by the end you just want them to get the inevitable physical actions over and done with, so they can go back to staring meaningfully at strangers with potential. Every action has a series of overwrought outcomes, and to be honest, I'm not really sure what the point is. A musing on the emigrant experience? Perhaps? Diary of a guy who thinks too much? For sure. Chill out, Milan. You write well. You just dwell too much.
But no one in a Kundera novel is ever happy. Hell, not even content. It makes it a tiresome read sometimes, and by the end you just want them to get the inevitable physical actions over and done with, so they can go back to staring meaningfully at strangers with potential. Every action has a series of overwrought outcomes, and to be honest, I'm not really sure what the point is. A musing on the emigrant experience? Perhaps? Diary of a guy who thinks too much? For sure. Chill out, Milan. You write well. You just dwell too much.
April 9, 2015
賮賶 丕賱亘丿丕賷丞 賰丕賳 "丕賱噩赖賱"貙 賵賰賰賱 賲乇丞 賰丕賳 賲禺鬲賱賮賸丕 ..
賱賴匕賴 丕賱賲氐胤賱丨丕鬲 丕賱賵噩賵丿賷丞 毓賳丿 賰賵賳丿賷乇丕 賲毓賳賶賸 丌禺賭乇 睾賷乇 丕賱匕賶 賳鬲丿丕賵賱賴 ..
賱賷爻 丕賱噩赖賱 賴賳丕 賴賵 毓丿賲 丕賱賲毓乇賮丞貙 賵廿賳賲丕 賴賵 "丕賱氐丿賲丞" ..
氐丿賲丞 丕賱毓丕卅丿賷賳 廿賱賶 兀賵胤丕賳賴賲貙 氐丿賲丞 丕賱匕賰乇賷丕鬲 丕賱賲亘鬲賵乇丞 賵丕賱氐賵乇 丕賱賲賲夭賯丞貙 氐丿賲丞 丕賱爻賳賷賳 丕賱囟丕卅毓丞 賵丕賱亘賱丿丕賳 丕賱賲賴噩賵乇丞..
氐丿賲丞 "廿賷乇賷賳丕" 賵 "噩賵夭賷賮" 丕賱毓丕卅丿賷賿賳 廿賱賶 亘賱丿丕賳賴賲 亘毓丿 "丕賱賴噩乇" ..
賱賮馗鬲賴賲 兀賵胤丕賳賴賲 賵鬲亘乇賾兀鬲 賲賳賴賲 匕賰乇賷丕鬲賴賲貙 賵賵噩丿賵丕 兀賳賮爻賴賲 毓賱賶 丨丕賮丞 丕賱賳爻賷丕賳..
賲丕匕丕 賷丨丿孬 亘毓丿 毓卮乇丕鬲 丕賱爻賳賷賳 賲賳 "丕賱賴噩乇" 責
賲丕匕丕 賱賵 賯乇乇賵丕 丕賱毓賵丿丞 賲乇丞 兀禺乇賶責
賴賱 鬲賯丕亘賱賴賲 兀賵胤丕賳賴賲 亘兀賷丕丿賺 賲賮鬲賵丨丞 兀賲 鬲賱賮馗賴賲 賰賲丕 賱賮馗鬲賴賲 賲賳 賯亘賱 責
賷噩賷亘 賰賵賳丿賷賭乇丕 毓賳 丕賱爻賭丐丕賱 ..
賷噩賷亘貙 賵賴賵 兀賮囟賱 賲賳 賷噩賷亘 毓賳 鬲爻丕丐賱賺 賰賴匕丕 ..
胤購乇賽丿 賲賳 亘賱丿賴 賱賲賳丕賴囟鬲賴 賱賱卮賷賵毓賷丞貙 賵丕賱鬲噩兀 亘賮乇賳爻丕 賵賰鬲亘 亘賱睾鬲賴丕貙 賵亘賴匕丕 賮賯丿 毓丕賷卮 賰賱 賲丕 賷氐賮貙 賵乇亘賲丕 賰丕賳 賷鬲丨丿孬 毓賳 賳賮爻賴 賴賳賭丕 ..
賷丐胤賾乇 賰賵賳丿賷乇丕 乇賵丕賷鬲賴 亘廿胤丕乇 賲賳 丕賱毓賱丕賯丕鬲 丕賱廿賳爻丕賳賷丞 賵禺賷亘丕鬲 丕賱丨亘 賵丌賲丕賱 丕賱睾丿 賵丌賱丕賲 丕賱賲丕囟賶貙 賵賷氐賳毓 禺賱賮賷丞 鬲丕乇賷禺賷丞 賵噩睾乇丕賮賷丞 賲賳 "丕賱賮爻賷賮爻丕亍" 丕賱兀丿亘賶貙 丕賱匕賶 鬲鬲賮賵賾賯 兀丨賷丕賳賸丕 毓賱賶 丕賱兀丨丿丕孬 丕賱兀爻丕爻賷丞 賮賶 丕賱乇賵丕賷丞..
賵賯賮鬲 丨丕卅乇賸丕 兀賲丕賲 亘毓囟 丕賱賮賯乇丕鬲貙 賵兀毓丿鬲購 賯乇丕亍鬲賴丕 賲乇丕鬲 毓丿丞貙 賵賮賶 賰賱 賲乇丞 兀鬲爻丕亍賱 : 賲賳 兀賶 毓丕賱賲 噩丕亍鬲 鬲賱賰 丕賱賰賱賲丕鬲 責
丕賱賱賯丕亍 丕賱爻丕亘毓 賲毓 賰賵賳丿賷乇丕貙 賵賷爻鬲賲賭乇 丕賱丕賳亘賴賭丕乇 ..
賱賴匕賴 丕賱賲氐胤賱丨丕鬲 丕賱賵噩賵丿賷丞 毓賳丿 賰賵賳丿賷乇丕 賲毓賳賶賸 丌禺賭乇 睾賷乇 丕賱匕賶 賳鬲丿丕賵賱賴 ..
賱賷爻 丕賱噩赖賱 賴賳丕 賴賵 毓丿賲 丕賱賲毓乇賮丞貙 賵廿賳賲丕 賴賵 "丕賱氐丿賲丞" ..
氐丿賲丞 丕賱毓丕卅丿賷賳 廿賱賶 兀賵胤丕賳賴賲貙 氐丿賲丞 丕賱匕賰乇賷丕鬲 丕賱賲亘鬲賵乇丞 賵丕賱氐賵乇 丕賱賲賲夭賯丞貙 氐丿賲丞 丕賱爻賳賷賳 丕賱囟丕卅毓丞 賵丕賱亘賱丿丕賳 丕賱賲賴噩賵乇丞..
氐丿賲丞 "廿賷乇賷賳丕" 賵 "噩賵夭賷賮" 丕賱毓丕卅丿賷賿賳 廿賱賶 亘賱丿丕賳賴賲 亘毓丿 "丕賱賴噩乇" ..
賱賮馗鬲賴賲 兀賵胤丕賳賴賲 賵鬲亘乇賾兀鬲 賲賳賴賲 匕賰乇賷丕鬲賴賲貙 賵賵噩丿賵丕 兀賳賮爻賴賲 毓賱賶 丨丕賮丞 丕賱賳爻賷丕賳..
賲丕匕丕 賷丨丿孬 亘毓丿 毓卮乇丕鬲 丕賱爻賳賷賳 賲賳 "丕賱賴噩乇" 責
賲丕匕丕 賱賵 賯乇乇賵丕 丕賱毓賵丿丞 賲乇丞 兀禺乇賶責
賴賱 鬲賯丕亘賱賴賲 兀賵胤丕賳賴賲 亘兀賷丕丿賺 賲賮鬲賵丨丞 兀賲 鬲賱賮馗賴賲 賰賲丕 賱賮馗鬲賴賲 賲賳 賯亘賱 責
賷噩賷亘 賰賵賳丿賷賭乇丕 毓賳 丕賱爻賭丐丕賱 ..
賷噩賷亘貙 賵賴賵 兀賮囟賱 賲賳 賷噩賷亘 毓賳 鬲爻丕丐賱賺 賰賴匕丕 ..
胤購乇賽丿 賲賳 亘賱丿賴 賱賲賳丕賴囟鬲賴 賱賱卮賷賵毓賷丞貙 賵丕賱鬲噩兀 亘賮乇賳爻丕 賵賰鬲亘 亘賱睾鬲賴丕貙 賵亘賴匕丕 賮賯丿 毓丕賷卮 賰賱 賲丕 賷氐賮貙 賵乇亘賲丕 賰丕賳 賷鬲丨丿孬 毓賳 賳賮爻賴 賴賳賭丕 ..
賷丐胤賾乇 賰賵賳丿賷乇丕 乇賵丕賷鬲賴 亘廿胤丕乇 賲賳 丕賱毓賱丕賯丕鬲 丕賱廿賳爻丕賳賷丞 賵禺賷亘丕鬲 丕賱丨亘 賵丌賲丕賱 丕賱睾丿 賵丌賱丕賲 丕賱賲丕囟賶貙 賵賷氐賳毓 禺賱賮賷丞 鬲丕乇賷禺賷丞 賵噩睾乇丕賮賷丞 賲賳 "丕賱賮爻賷賮爻丕亍" 丕賱兀丿亘賶貙 丕賱匕賶 鬲鬲賮賵賾賯 兀丨賷丕賳賸丕 毓賱賶 丕賱兀丨丿丕孬 丕賱兀爻丕爻賷丞 賮賶 丕賱乇賵丕賷丞..
賵賯賮鬲 丨丕卅乇賸丕 兀賲丕賲 亘毓囟 丕賱賮賯乇丕鬲貙 賵兀毓丿鬲購 賯乇丕亍鬲賴丕 賲乇丕鬲 毓丿丞貙 賵賮賶 賰賱 賲乇丞 兀鬲爻丕亍賱 : 賲賳 兀賶 毓丕賱賲 噩丕亍鬲 鬲賱賰 丕賱賰賱賲丕鬲 責
丕賱賱賯丕亍 丕賱爻丕亘毓 賲毓 賰賵賳丿賷乇丕貙 賵賷爻鬲賲賭乇 丕賱丕賳亘賴賭丕乇 ..
September 27, 2018
I lost my review- no idea how while copying it from my notes it could completely vanish. No backup - nothin!!
I won鈥檛 even consider writing another one. Or typing out the excerpt I wanted to include. ( again)...
I鈥檓 too mad!
So...a couple of quick tip of the tongue thoughts:
The reading is more cerebral than experiential.
Thoughts about memory - forgetting- illusion & nostalgia are running themes ...
There is sadness in coming home... returning home after twenty years away.
We follow two lovers who each have loss spouses and are haunted by their past.
Kundera is a complex- interesting author to read. Some of the writing is absolutely gorgeous. Some is a bit over-the-top pretentious.
And... I like Kundera enough to want to read his other books. ( I own a few more)... so in due time!
3.7 rating
I won鈥檛 even consider writing another one. Or typing out the excerpt I wanted to include. ( again)...
I鈥檓 too mad!
So...a couple of quick tip of the tongue thoughts:
The reading is more cerebral than experiential.
Thoughts about memory - forgetting- illusion & nostalgia are running themes ...
There is sadness in coming home... returning home after twenty years away.
We follow two lovers who each have loss spouses and are haunted by their past.
Kundera is a complex- interesting author to read. Some of the writing is absolutely gorgeous. Some is a bit over-the-top pretentious.
And... I like Kundera enough to want to read his other books. ( I own a few more)... so in due time!
3.7 rating
February 17, 2024
"賷亘丿賵 丕賱丨賳賷賳 賰兀賳賴 賲賰丕亘丿丞 丕賱噩赖賱. 兀賳鬲 亘毓賷丿 賵賱丕 兀毓乇賮 賰賷賮 兀氐亘丨鬲. 亘賱丿賷 亘毓賷丿 賵賱丕 兀毓乇賮 賲丕 賷丨丿孬 賮賷賴 "
丨賷賳 鬲鬲乇賰 亘賱丿賰 賵鬲賴丕噩乇 賱亘賱丿 丌禺乇 賴乇賵亘丕 賲賳 賲卮丕賰賱 賵賳馗丕賲 亘賱丕丿賰 賵爻賷丕爻鬲賴丕 . 鬲亘丿兀 丨賷丕鬲賰 賮賷 亘賱丿 丌禺乇 賵鬲丨賷丕 亘賴 賱爻賳賵丕鬲 賵鬲氐亘丨 賱賰 亘賴 丨賷丕丞 賯丿 鬲卮毓乇 丕賳賰 賮賷 賲賳賮賶 賱賰賳 賯丿 鬲氐亘丨 丨賷丕鬲賰 噩賷丿丞 賮賱丕 鬲卮毓乇 亘丕賱丨賳賷賳 賱賱毓賵丿丞 . 賱賰賳 賲丕匕丕 爻賷丨丿孬 丨賷賳 鬲禺鬲賱賮 丕賱兀賵囟丕毓 賵鬲噩丿 丕賱噩賲賷毓 賷賳馗乇 賱賰 亘廿爻鬲睾乇丕亘 賲賳 毓丿賲 爻乇毓丞 毓賵丿鬲賰 賱亘賱丕丿賰 .
賱賰賳 賴賱 丕賱毓賵丿丞 爻賴賱丞 賮毓賱丕責
"賴賱 賲丕 夭丕賱鬲 丕賱兀賵丿賷爻丞 賲毓賯賵賱丞 丕賱賷賵賲 責 賴賱 賲丕 夭丕賱鬲 賲賱丨賲丞 丕賱毓賵丿丞 鬲賳鬲賲賷 廿賱賶 毓氐乇賳丕 責 "
亘毓丿 賲乇賵乇 佗贍 毓丕賲丕 鬲睾賷乇鬲 禺賱丕賱賴丕 丕賱丨賷丕丞 賮賷 丕賱鬲卮賷賰 賵丕賱兀賵囟丕毓 鬲噩丿 丕賷乇賷賳丕 賵賰匕賱賰 賲賳 賲賰丕賳 丌禺乇 噩賵夭賷賮 賲賳 丨賵賱賴賲 賷鬲賵賯毓賵賳 毓賵丿鬲賴賲 丕賱爻乇賷毓丞 賱賰賳 賰賱丕賴賲丕 賱賲 鬲賰賳 賱丿賷賴 乇睾亘丞 亘丕賱毓賵丿丞 .
"賰賱賲丕 丕賲鬲丿 丕賱夭賲賳 丕賱匕賷 賳鬲乇賰賴 賵乇丕亍賳丕貙 賰賱賲丕 兀氐亘丨 丕賱氐賵鬲 丕賱匕賷 賷丿毓賵賳丕 賱賱毓賵丿丞 賱丕 賷賯丕賵賲 . 賷亘丿賵 賴匕丕 丕賱丨賰賲 賵丕囟丨丕賸 貙 賵賱賰賳賴 賲夭賷賮 . 丕賱廿賳爻丕賳 賷卮賷禺 賵丕賱賳賴丕賷丞 鬲賯鬲乇亘 貙 賵鬲氐亘丨 賰賱 賱丨馗丞 兀孬賲賳 賵賱丕 賷毓賵丿 賷賵噩丿 夭賲賳 賱鬲囟賷賷毓賴 毓賱賶 丕賱匕賰乇賷丕鬲. 賷噩亘 賮賴賲 丕賱鬲賳丕賯囟 丕賱乇賷丕囟賷 丕賱馗丕賴乇賷 賱賱丨賳賷賳: 廿賳賴 兀賯賵賶 賮賷 亘丿丕賷丞 丕賱卮亘丕亘 毓賳丿賲丕 賷賰賵賳 丨噩賲 丕賱丨賷丕丞 丕賱賲丕囟賷丞 囟卅賷賱丕賸 噩丿丕賸."
賷氐丨亘賳丕 賰賵賳丿賷乇丕 亘亘爻丕胤丞 賮賳鬲丕亘毓 賲丕 賷丨丿孬 賲毓 賰賱丕賴賲丕 丨賷賳 毓賵丿鬲賴賲丕 賵賲卮丕毓乇賴賲丕 賵丕賮賰丕乇賴賲丕 賵賲毓丕賲賱丞 丕賱丌禺乇賷賳 賱賴賲 賵卮毓賵乇賴賲 鬲噩丕賴 賴匕賴 丕賱賲毓丕賲賱丞 .
丕賱乇賵丕賷丞 賰兀爻賱賵亘 賵賰胤乇賷賯丞 毓乇囟 丕賱賲賵囟賵毓 丨賱賵丞 賵毓乇囟 賮賱爻賮鬲賴 亘卮賰賱 賲卮 賲毓賯丿 賵亘兀爻賱賵亘 爻賱爻 賲賳 禺賱丕賱 卮禺氐賷丕鬲賴 .
毓噩亘鬲賳賶 賮賷 丕賱賲噩賲賱 賵賲丨爻賷鬲卮 亘賲賱賱 丕賵 氐毓賵亘丞 賵丕賳丕 亘賯乇丕賴丕 . 賱賲丕 賵氐賱鬲 賱賱賳賴丕賷丞 丨爻賷鬲 賮賷 丨丕噩丞 賳丕賯氐丞 賲卮 賯丕丿乇丞 丕丨丿丿賴丕 . 賵丨爻賷鬲 亘丕賱睾乇亘丞 賵丕賳賶 鬲丕賷賴丞 貙 鬲賯乇賷亘丕 鬲賯賲爻鬲 賲卮丕毓乇 丕賱卮禺氐賷丕鬲 馃槀
佟伽 / 佴 / 佗贍佗伲
丨賷賳 鬲鬲乇賰 亘賱丿賰 賵鬲賴丕噩乇 賱亘賱丿 丌禺乇 賴乇賵亘丕 賲賳 賲卮丕賰賱 賵賳馗丕賲 亘賱丕丿賰 賵爻賷丕爻鬲賴丕 . 鬲亘丿兀 丨賷丕鬲賰 賮賷 亘賱丿 丌禺乇 賵鬲丨賷丕 亘賴 賱爻賳賵丕鬲 賵鬲氐亘丨 賱賰 亘賴 丨賷丕丞 賯丿 鬲卮毓乇 丕賳賰 賮賷 賲賳賮賶 賱賰賳 賯丿 鬲氐亘丨 丨賷丕鬲賰 噩賷丿丞 賮賱丕 鬲卮毓乇 亘丕賱丨賳賷賳 賱賱毓賵丿丞 . 賱賰賳 賲丕匕丕 爻賷丨丿孬 丨賷賳 鬲禺鬲賱賮 丕賱兀賵囟丕毓 賵鬲噩丿 丕賱噩賲賷毓 賷賳馗乇 賱賰 亘廿爻鬲睾乇丕亘 賲賳 毓丿賲 爻乇毓丞 毓賵丿鬲賰 賱亘賱丕丿賰 .
賱賰賳 賴賱 丕賱毓賵丿丞 爻賴賱丞 賮毓賱丕責
"賴賱 賲丕 夭丕賱鬲 丕賱兀賵丿賷爻丞 賲毓賯賵賱丞 丕賱賷賵賲 責 賴賱 賲丕 夭丕賱鬲 賲賱丨賲丞 丕賱毓賵丿丞 鬲賳鬲賲賷 廿賱賶 毓氐乇賳丕 責 "
亘毓丿 賲乇賵乇 佗贍 毓丕賲丕 鬲睾賷乇鬲 禺賱丕賱賴丕 丕賱丨賷丕丞 賮賷 丕賱鬲卮賷賰 賵丕賱兀賵囟丕毓 鬲噩丿 丕賷乇賷賳丕 賵賰匕賱賰 賲賳 賲賰丕賳 丌禺乇 噩賵夭賷賮 賲賳 丨賵賱賴賲 賷鬲賵賯毓賵賳 毓賵丿鬲賴賲 丕賱爻乇賷毓丞 賱賰賳 賰賱丕賴賲丕 賱賲 鬲賰賳 賱丿賷賴 乇睾亘丞 亘丕賱毓賵丿丞 .
"賰賱賲丕 丕賲鬲丿 丕賱夭賲賳 丕賱匕賷 賳鬲乇賰賴 賵乇丕亍賳丕貙 賰賱賲丕 兀氐亘丨 丕賱氐賵鬲 丕賱匕賷 賷丿毓賵賳丕 賱賱毓賵丿丞 賱丕 賷賯丕賵賲 . 賷亘丿賵 賴匕丕 丕賱丨賰賲 賵丕囟丨丕賸 貙 賵賱賰賳賴 賲夭賷賮 . 丕賱廿賳爻丕賳 賷卮賷禺 賵丕賱賳賴丕賷丞 鬲賯鬲乇亘 貙 賵鬲氐亘丨 賰賱 賱丨馗丞 兀孬賲賳 賵賱丕 賷毓賵丿 賷賵噩丿 夭賲賳 賱鬲囟賷賷毓賴 毓賱賶 丕賱匕賰乇賷丕鬲. 賷噩亘 賮賴賲 丕賱鬲賳丕賯囟 丕賱乇賷丕囟賷 丕賱馗丕賴乇賷 賱賱丨賳賷賳: 廿賳賴 兀賯賵賶 賮賷 亘丿丕賷丞 丕賱卮亘丕亘 毓賳丿賲丕 賷賰賵賳 丨噩賲 丕賱丨賷丕丞 丕賱賲丕囟賷丞 囟卅賷賱丕賸 噩丿丕賸."
賷氐丨亘賳丕 賰賵賳丿賷乇丕 亘亘爻丕胤丞 賮賳鬲丕亘毓 賲丕 賷丨丿孬 賲毓 賰賱丕賴賲丕 丨賷賳 毓賵丿鬲賴賲丕 賵賲卮丕毓乇賴賲丕 賵丕賮賰丕乇賴賲丕 賵賲毓丕賲賱丞 丕賱丌禺乇賷賳 賱賴賲 賵卮毓賵乇賴賲 鬲噩丕賴 賴匕賴 丕賱賲毓丕賲賱丞 .
丕賱乇賵丕賷丞 賰兀爻賱賵亘 賵賰胤乇賷賯丞 毓乇囟 丕賱賲賵囟賵毓 丨賱賵丞 賵毓乇囟 賮賱爻賮鬲賴 亘卮賰賱 賲卮 賲毓賯丿 賵亘兀爻賱賵亘 爻賱爻 賲賳 禺賱丕賱 卮禺氐賷丕鬲賴 .
毓噩亘鬲賳賶 賮賷 丕賱賲噩賲賱 賵賲丨爻賷鬲卮 亘賲賱賱 丕賵 氐毓賵亘丞 賵丕賳丕 亘賯乇丕賴丕 . 賱賲丕 賵氐賱鬲 賱賱賳賴丕賷丞 丨爻賷鬲 賮賷 丨丕噩丞 賳丕賯氐丞 賲卮 賯丕丿乇丞 丕丨丿丿賴丕 . 賵丨爻賷鬲 亘丕賱睾乇亘丞 賵丕賳賶 鬲丕賷賴丞 貙 鬲賯乇賷亘丕 鬲賯賲爻鬲 賲卮丕毓乇 丕賱卮禺氐賷丕鬲 馃槀
佟伽 / 佴 / 佗贍佗伲
June 16, 2020
Mi primer libro de Kundera y debo decir que me ha agradado mucho su prosa. En ciertos pasajes me record贸 a otros autores como J.M. Coetzee, Peter Ackroyd o Patrick S眉skind. Con esto no estoy queriendo decir que sus narrativas son similares, sino que me provocan un agradable bienestar cuando los leo.
Otra caracter铆stica que me gusta de Kundera es que es checo, y por ser de los pagos de Kafka me pone contento leer m煤ltiples referencias que hace sobre Praga, ciudad que tuve el inmenso placer de conocer. Cuando Irena, Gustav o Josef, tres de los personajes principales de la novela caminan las calles de Praga, pude reconocer algunos de esos sectores y me sent铆 muy a gusto. Era como seguir huellas en forma rec铆proca.
Es muy amena la manera en la que Kundera crea los lazos afectivos entre Irena y los dem谩s personajes y para ello se vale tambi茅n de ciertos contextos hist贸ricos sucedidos en la vieja Checoslovaquia a partir de veintenios, ya que se da la invasi贸n nazi de 1938, la ocupaci贸n rusa que tendr铆a su liberaci贸n en 1968, y luego la ca铆da del comunismo que manten铆a atado al pa铆s a partir de 1989, algo que el autor se encarga de explicar en el cap铆tulo 3, as铆 tambi茅n como la conexi贸n de lo que sucede en la novela con la Odisea de Homero y del retorno de Ulises a 脥taca, ya que en esta historia, se nos narra el regreso del personaje principal, Irena, luego de veinte a帽os de exilio en Par铆s y de todo lo que ese andamiaje emocional genera en ella.
Remarco esto puesto que el t铆tulo del libro me desconcertaba, pero que r谩pidamente Kundera se encarga de aclararlo, en un cap铆tulo clave donde comienza a conectar t茅rminos como "ignorancia", "regreso", y especialmente "nostalgia" (del griego "Nostos", regreso y "Algos", sufrimiento).
Creo que en la palabra "Nostalgia" est谩 encerrado el verdadero sentido de la novela y se relaciona directamente con los sentimientos de Irena, ya que es a partir de las relaciones de constante vaiv茅n que vive con Gustav o Josef, en donde se pone a prueba su temple y es lo que vamos experimentando durante la lectura eso que llamamos las complicadas "relaciones humanas".
Seguramente seguir茅 leyendo a Kundera. Tengo agendados "La insoportable levedad del ser" y "La inmortalidad" para este 2019. Con "La ignorancia" he quedado muy satisfecho.
Otra caracter铆stica que me gusta de Kundera es que es checo, y por ser de los pagos de Kafka me pone contento leer m煤ltiples referencias que hace sobre Praga, ciudad que tuve el inmenso placer de conocer. Cuando Irena, Gustav o Josef, tres de los personajes principales de la novela caminan las calles de Praga, pude reconocer algunos de esos sectores y me sent铆 muy a gusto. Era como seguir huellas en forma rec铆proca.
Es muy amena la manera en la que Kundera crea los lazos afectivos entre Irena y los dem谩s personajes y para ello se vale tambi茅n de ciertos contextos hist贸ricos sucedidos en la vieja Checoslovaquia a partir de veintenios, ya que se da la invasi贸n nazi de 1938, la ocupaci贸n rusa que tendr铆a su liberaci贸n en 1968, y luego la ca铆da del comunismo que manten铆a atado al pa铆s a partir de 1989, algo que el autor se encarga de explicar en el cap铆tulo 3, as铆 tambi茅n como la conexi贸n de lo que sucede en la novela con la Odisea de Homero y del retorno de Ulises a 脥taca, ya que en esta historia, se nos narra el regreso del personaje principal, Irena, luego de veinte a帽os de exilio en Par铆s y de todo lo que ese andamiaje emocional genera en ella.
Remarco esto puesto que el t铆tulo del libro me desconcertaba, pero que r谩pidamente Kundera se encarga de aclararlo, en un cap铆tulo clave donde comienza a conectar t茅rminos como "ignorancia", "regreso", y especialmente "nostalgia" (del griego "Nostos", regreso y "Algos", sufrimiento).
Creo que en la palabra "Nostalgia" est谩 encerrado el verdadero sentido de la novela y se relaciona directamente con los sentimientos de Irena, ya que es a partir de las relaciones de constante vaiv茅n que vive con Gustav o Josef, en donde se pone a prueba su temple y es lo que vamos experimentando durante la lectura eso que llamamos las complicadas "relaciones humanas".
Seguramente seguir茅 leyendo a Kundera. Tengo agendados "La insoportable levedad del ser" y "La inmortalidad" para este 2019. Con "La ignorancia" he quedado muy satisfecho.
December 16, 2024
Two Czech people who vamoosed to the West in 1969 return to their country in 1989 now that the Communists have gone. They bitterly, sorrowfully, painfully, mournfully, regretfully, ruefully mull, ruminate, ponder, consider, reflect upon, contemplate, chew over, weigh up, meditate, muse, debate, question, cogitate, analyze, review, deliberate, wrestle with, pore over, reminisce, opine about, fixate on, fret, brood and obsess about their lives. If that sounds like your kind of thing, there鈥檚 200 pages of it right here.
August 31, 2012
賴匕賴 丕賱乇賵丕賷丞 鬲丨賰賷 毓賳 丕賱丨賳賷賳貙 毓賳 丕賱毓賵丿丞. 毓丿鬲購貙 亘丨賳賷賳貙 賱賯乇丕亍丞 賰賵賳丿賷乇丕 亘毓丿 爻賳鬲賷賳 兀賵 賷夭賷丿 賲賳 賱賯丕卅賷 丕賱兀賵賾賱 亘賴 賮賷 乇賵丕賷鬲賴 "丕賱賲夭丨丞". 丕賱孬賷賲丞 丕賱乇卅賷爻賷賾丞 賮賷 乇賵丕賷丞 賰賵賳丿賷乇丕 賴賷 賯丿乇鬲賴丕 丕賱睾乇丕卅亘賷賾丞 毓賱賶 "鬲禺賱賷氐" 丕賱賳丕爻 賲賳 賷賯賷賳賴賲貙 賵丿賮毓賴賲 丕賱丿丐賵亘貙 賵亘賴丿賵亍貙 廿賱賶 廿毓丕丿丞 丕賱鬲賮賰賷乇 賮賷 賲爻賱賾賲丕鬲 馗賳賾賵丕 兀賳賾賴賲 丕爻鬲乇丕丨賵丕 賱賴丕 鬲賲丕賲丕. 賵賴賰匕丕 賮賷 "丕賱噩赖賱"貙 賷丿賵乇 丕賱賷賯賷賳 丨賵賱 賮賰乇丞 丕賱丨賳賷賳貙 賵賴賷 賮賰乇丞 賲賱丕夭賲丞 賱賱卮毓賵乇 丕賱廿賳爻丕賳賷 丌禺匕丞 賲賰丕賳丕 賯氐賷賾丕 賮賷 丕賱乇賵丨貙 賱賰賳賾 賰賵賳丿賷乇丕 賷噩賴丿 賮賷 鬲禺賱賷氐 卮禺賵氐 丕賱乇賵丕賷丞 賲賳 毓亘卅賴丕 毓亘乇 丕賱丨賮乇 賮賷 賲丕賴賷賾丞 丕賱匕丕賰乇丞貙 賮賷 鬲兀賰賷丿賴 毓賱賶 賴卮丕卮鬲賴丕 賵丕賳鬲賯丕卅賷賾鬲賴丕貙 賱賷賵丕噩賴 丕賱丨賳賷賳 賴賳丕 賲購毓囟賱丞 丕賱鬲爻丕丐賱 毓賳 賯賵賾鬲賴 賵兀賱賯賴 丕賱兀賵賾賱賷賳. 賵賲孬賱 睾丕賱亘賷賾丞 乇賵丕賷丕鬲 賰賵賳丿賷乇丕貙 賱賷爻 賴賳丕賰 丨丿孬 賲購丐爻賾爻 賵賲乇賰夭賷 賮賷 丕賱爻賷丕賯 丕賱爻乇丿賷. 鬲賳亘賳賷 乇賵丕賷丕鬲賴 毓賱賶 "丕賱氐丿賮丞" 鈥撠Ｙ勝娯池� 丕賱賲夭丨丞貙 亘卮賰賱 兀賵 亘丌禺乇貙 賵噩賴丕 賲賳 賵噩賵賴 丕賱賲氐丕丿賮丞 丕賱囟丕丨賰丞責!- 賵毓賳丿 賴匕賴 丕賱氐丿賮丞 鬲鬲賯丕胤毓 丕賱卮禺氐賷賾丕鬲貙 丕賱賴卮賾丞 賮賷 睾丕賱亘賷賾鬲賴丕貙 賱鬲氐賳毓 乇賵丕賷丞貙 賷丐賴賱賴丕 賮毓賱 丕賱賲購氐丕丿賮丞 賮賷賴丕 賱兀賳 鬲亘賯賶 禺賮賷賮丞 賵賯丕丿乇丞 毓賱賶 丕爻鬲賷毓丕亘 賲賱賴丕丞 兀賵 賲兀爻丕丞 卮禺賵氐賴丕 亘丿兀亘貙 丿賵賳 兀賳 賷購禺賱賾 匕賱賰 亘丕賱鬲賵丕夭賳 丕賱賯賱賯 賱毓丕賱賲 乇賵丕賷丞 賰賵賳丿賷乇丕. 鬲亘賯賶 丕賱爻賷丕爻丞 丿丕卅賲丕 賮賷 禺賱賮賷賾丞 丕賱賲卮賴丿貙 囟丕亘胤 丕賱廿賷賯丕毓貙 兀賵 "賵丨賷 丕賱丨丿孬" 賮賷 乇賵丕賷丞 賰賵賳丿賷乇丕. 賲賳 賲爻丕乇賴丕 丕賱毓丕賲 鈥撠з勜必� 丕賱亘丕乇丿丞 賵賲賵賯毓 丕賱鬲卮賷賰貙 亘賱丿賴貙 賮賷賴丕- 賷賱鬲賯胤 賰賵賳丿賷乇丕 丕賱賲爻丕乇丕鬲 丕賱卮禺氐賷賾丞 賵丕賱賮乇丿賷賾丞 噩丿丕 賱賷賯乇兀賴丕貙 兀賵 賷賰鬲亘賴丕 賮賷 囟賵亍 丕賱賲爻丕乇 丕賱毓丕賲 賵鬲兀孬賷乇賴 丕賱匕賷 賲孬賱 爻丨丕亘丞 禺賮賷賮丞 毓賱賶 乇賵丕賷鬲賴. 毓賱賶 賴匕丕 丕賱兀爻丕爻貙 賷氐亘丨 睾夭賵 丕賱噩賷卮 丕賱爻賵賮賷丕鬲賷 賱亘乇丕睾 毓丕賲 68 賮丕鬲丨丞 賱丨賰丕賷丕鬲 賲鬲賮乇賾丿丞 賱賲賴丕噩乇賷賳 鬲乇賰賵丕 丕賱鬲卮賷賰 賱毓賯丿賷賳貙 賵賮賵噩卅賵丕貙 賵賴賳丕 鬲賰賲賳 賲賮丕乇賯丞 賰賵賳丿賷乇丕 賮賷 "鬲賮鬲賷鬲 丕賱賷賯賷賳"貙 亘毓丿 毓賵丿鬲賴賲 賮賷 毓丕賲 丕賳賴賷丕乇 噩丿丕乇 亘乇賱賷賳貙 亘兀賳 匕丕賰乇鬲賴賲 賱丕 鬲購爻毓賮賴賲 毓賱賶 廿毓丕丿丞 鬲賵胤賷賳 兀賳賮爻賴賲 賮賷 亘賱丿賴賲 丕賱兀賲貙 賵兀賳 "匕丕賰乇丞 丕賱賵胤賳"貙 兀賵 匕丕賰乇丞 卮毓亘賴賲貙 賯丿 賵囟毓鬲賴賲 毓賱賶 乇賮賵賮賴丕 丕賱賲睾亘乇賾丞 丕賱賲購賴賲賱丞貙 鬲丕乇賰丞 廿賷賾丕賴賲 賮賷 丿賵丕賲丞 丕賱賯賱賯 丕賱丿丕卅賲 亘賷賳 丨賳賷賳賴賲 丕賱賲購賯賷賲 賵鬲丕乇賷禺賴賲 丕賱賲賵夭賾毓 賮賷 賲丨丕賵賱丞 丕賱廿噩丕亘丞 毓賳 爻丐丕賱: 兀賳丨賳 賴賳丕 兀賲 賴賳丕賰責
May 11, 2015
"The more vast the amount of time we've left behind us, the more irresistible is the voice calling us to return to it."In this poignant recount of two people, forced to bid goodbye to their native country, in the diminished, yet flickering hope of finding a brighter tomorrow in an alien land, almost 20 years ago from the present, unravels a story replete with more questions than answers. Irena and Josef have found comfortable refuge in their respective abodes at Paris and Copenhagen and have led a fairly decent life, battling through tags of 茅migr茅s and periods of insuperable doubts. Irena has outlived her husband, Martin, reared her two daughters dutifully and seems comfortably living her life with her partner, Gustaf , many years her senior. Josef, after leading a few years of blissful matrimony with his Danish wife, had to surrender her to death which clutched the hands of a severe disease to bring down the curtains.
While it is not clear whether it was the insistence of Irena鈥檚 friend and the last request of Josef鈥檚 dying wife or the unbearable curse of her life鈥檚 banality and the inescapable ache of his loneliness that triggered the home coming, but when both took their flights to Prague, they were like two light, aimless clouds, who felt justified in being swayed adrift, since their hearts were a flutter of what they wished it to be and any likelihood of bathing in a sunnier sky was worthwhile the suspension in thin air.
But upon their arrivals, they get arrested in stifled laughs, hushed accusations, hesitant embraces and above all, a terrible wave of intermittent nostalgia.
Josef reads from the diary of a teen Josef, which he accidentally finds in the discarded little box handed over to him at his brother鈥檚 place, about his young love interest - "The desire to feel compassion for her and the desire to make her suffer are one and the same desire.鈥�
He walks the city to spot novel changes which prick his eyes with their shiny bodies and he eloquently feels that
鈥渄uring his absence, an invisible broom had swept across the landscape of his childhood, wiping away everything familiar; the encounter he had expected never took place.鈥�Irena, on her part, falls into the very trap she had tried so valiantly to flee twenty years ago; her garrulous mother鈥檚 circle of influence. She thinks she can escape her tyranny by escaping the brick house but the roads too seem mercilessly hostile. She wears a local dress, she finds in a city shop, to look (and feel) one of them but when she looks herself in the mirror, the dress itself seemed to have disowned her, accusing her of a traitor who could not live through the pain of this country; a coward who did not have the courage to bear her individual struggle in the interest of her nation.
Both Irena and Josef keep trudging into a world they felt was theirs all along but upon touching which emptied into the deepest throes of their comprehension, from where they could not retrieve it, despite determined measures. The familiar images seem breathing behind a veil of forgotten identity, rendering the entire image a nebulous element. Their families, friends and well-wishers were like distant dreams which look beautiful to think of and can be an aid of comfort for passing time but hold no consequence if chased.
The story culminates with Irena and Josef bumping into each other, which suddenly looks like the only worthwhile event of their home coming, for its in this chance meeting, that they find redemption of their individualities, their choices and their fates.
Kundera handles the nuances of human mind with an expert eye, which catches every skipped beat, which arrests every fleeting thought. Living in prolonged pain turns it a friend. Then the only image vitality conjures is that of an adversary.
The ideas of forgotten and nostalgia find utter beauty in his nuanced hands. Recreating and drawing startling parallels between the protagonists was a class piece of emotional legerdemain. And his laced language had a subtle undertone of poetry which was marvelous to encounter at various bends of this book. I will sign off with this beautiful metaphorical gift:
鈥淪he makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdnesses in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears.鈥�
June 27, 2022
鈥淕眉nd眉z, terk edilen 眉lkenin g眉zelli臒iyle ayd谋nlan谋yordu, geceyse oraya d枚n眉艧眉n deh艧etiyle. G眉nd眉z ona kaybetti臒i cenneti g枚steriyordu, geceyse ka莽t谋臒谋 cehennemi.鈥�
Bilmemek benim i莽in ki艧isel y枚nlerden -son b枚l眉m眉 kitaptan ayr谋 tutulursa- favori kitaplar谋mdan birisi olarak kalacak. Pandeminin de araya girmesiyle uzun s眉re evde kald谋ktan sonra, bu s眉recin 眉zerimde yaratt谋臒谋 de臒i艧im ile yeniden g枚莽men oldu臒um zaman okudum.
Kitap 20 y谋l 枚nce g枚莽 etmi艧 iki farkl谋 insan谋n, devrim sonras谋 眉lkeye d枚n眉艧 s眉reci 眉zerinden ilerliyor. S谋臒谋nd谋klar谋 眉lkelerde 枚n yarg谋yla kar艧谋la艧谋yorlar, kimlikleri ki艧ilikleri tamamen silinip tek bir kal谋b谋n i莽ine tektiple艧tirilip yarg谋lan谋yorlar. Y谋llar sonra 眉lkelerine d枚nd眉klerinde ise bu kez de, kendi 眉lkelerinde de asl谋nda bir kimliklerinin kalmad谋臒谋n谋, 眉lkeden ka莽m谋艧, ya艧ad谋klar谋 g枚rmezden gelinmi艧 ve hi莽 ac谋 莽ekmemi艧 olarak etiketleniyorlar. Vatan, yurt, yurtsuzluk, k枚ks眉zl眉k ve kimlik kavramlar谋 莽ok yal谋n bir dille birden fazla a莽谋dan inceleniyor.
陌nsanlar bir noktadan sonra nostaljiye kap谋ld谋klar谋 i莽in evlerine geri d枚nerler. Peki her giden ayn谋 nostaljiyi hisseder mi? Ya da bu nostaljinin kar艧谋l谋臒谋n谋 alma imkan谋n谋z var m谋d谋r? B谋rak谋p gitti臒iniz bir 眉lkeyi, evi ya da aileyi y谋llar sonra b谋rakt谋臒谋n谋z gibi bulabilir misiniz? Biraz da bunlar谋n cevab谋n谋 veriyor. 脟眉nk眉 baz谋 durumlarda nostalji sadece ac谋, aidiyet kayb谋 ve ileti艧imin -dilin- kaybolmas谋 anlam谋na gelebilir. G枚莽meli臒in 枚zelinde hissettirdiklerini cevaplarken bir yandan da genele gidip asl谋nda g枚莽 ile ilgili t眉m sorunlara de臒iniyor. Dil bunlar谋n en temeli mesela, sonras谋nda dil ile gelen k枚ks眉zl眉k, yabanc谋la艧ma, ka莽谋r谋lan ailevi ya da milli tarih. Bir noktadan sonra art谋k nereye ait oldu臒unu bilememe ve evin neresi oldu臒u sorusuna ula艧谋yor. Tabii kitaptaki g枚莽menlik g枚n眉ll眉 bir g枚莽ten ziyade zorunlu bir s眉rg眉n. O y眉zden de bireysel bir tarih ile d眉nya tarihinin kesi艧imi 莽ok g眉zel bir 艧ekilde birle艧iyor. Ama b眉t眉n bu g眉zelliklerine ra臒men kitab谋n karakterleri ile ilgili hissiyat谋m谋n ayn谋 oldu臒unu s枚yleyemeyece臒im. 脰zellikle son b枚l眉me do臒ru karakterlerin hikayesi adeta tepetaklak olup bir 莽谋臒 gibi kontrols眉zce gidiyor. Buna ra臒men kitab谋n anlatt谋klar谋 o karakterleri de kabul etmeye yetiyor bence. Kundera ile tan谋艧mak i莽in de gayet mant谋kl谋 bir se莽im. E臒er siz de benim gibi ge莽 kalanlardansan谋z mutlaka okuyun, tavsiyedir.
Bilmemek benim i莽in ki艧isel y枚nlerden -son b枚l眉m眉 kitaptan ayr谋 tutulursa- favori kitaplar谋mdan birisi olarak kalacak. Pandeminin de araya girmesiyle uzun s眉re evde kald谋ktan sonra, bu s眉recin 眉zerimde yaratt谋臒谋 de臒i艧im ile yeniden g枚莽men oldu臒um zaman okudum.
Kitap 20 y谋l 枚nce g枚莽 etmi艧 iki farkl谋 insan谋n, devrim sonras谋 眉lkeye d枚n眉艧 s眉reci 眉zerinden ilerliyor. S谋臒谋nd谋klar谋 眉lkelerde 枚n yarg谋yla kar艧谋la艧谋yorlar, kimlikleri ki艧ilikleri tamamen silinip tek bir kal谋b谋n i莽ine tektiple艧tirilip yarg谋lan谋yorlar. Y谋llar sonra 眉lkelerine d枚nd眉klerinde ise bu kez de, kendi 眉lkelerinde de asl谋nda bir kimliklerinin kalmad谋臒谋n谋, 眉lkeden ka莽m谋艧, ya艧ad谋klar谋 g枚rmezden gelinmi艧 ve hi莽 ac谋 莽ekmemi艧 olarak etiketleniyorlar. Vatan, yurt, yurtsuzluk, k枚ks眉zl眉k ve kimlik kavramlar谋 莽ok yal谋n bir dille birden fazla a莽谋dan inceleniyor.
陌nsanlar bir noktadan sonra nostaljiye kap谋ld谋klar谋 i莽in evlerine geri d枚nerler. Peki her giden ayn谋 nostaljiyi hisseder mi? Ya da bu nostaljinin kar艧谋l谋臒谋n谋 alma imkan谋n谋z var m谋d谋r? B谋rak谋p gitti臒iniz bir 眉lkeyi, evi ya da aileyi y谋llar sonra b谋rakt谋臒谋n谋z gibi bulabilir misiniz? Biraz da bunlar谋n cevab谋n谋 veriyor. 脟眉nk眉 baz谋 durumlarda nostalji sadece ac谋, aidiyet kayb谋 ve ileti艧imin -dilin- kaybolmas谋 anlam谋na gelebilir. G枚莽meli臒in 枚zelinde hissettirdiklerini cevaplarken bir yandan da genele gidip asl谋nda g枚莽 ile ilgili t眉m sorunlara de臒iniyor. Dil bunlar谋n en temeli mesela, sonras谋nda dil ile gelen k枚ks眉zl眉k, yabanc谋la艧ma, ka莽谋r谋lan ailevi ya da milli tarih. Bir noktadan sonra art谋k nereye ait oldu臒unu bilememe ve evin neresi oldu臒u sorusuna ula艧谋yor. Tabii kitaptaki g枚莽menlik g枚n眉ll眉 bir g枚莽ten ziyade zorunlu bir s眉rg眉n. O y眉zden de bireysel bir tarih ile d眉nya tarihinin kesi艧imi 莽ok g眉zel bir 艧ekilde birle艧iyor. Ama b眉t眉n bu g眉zelliklerine ra臒men kitab谋n karakterleri ile ilgili hissiyat谋m谋n ayn谋 oldu臒unu s枚yleyemeyece臒im. 脰zellikle son b枚l眉me do臒ru karakterlerin hikayesi adeta tepetaklak olup bir 莽谋臒 gibi kontrols眉zce gidiyor. Buna ra臒men kitab谋n anlatt谋klar谋 o karakterleri de kabul etmeye yetiyor bence. Kundera ile tan谋艧mak i莽in de gayet mant谋kl谋 bir se莽im. E臒er siz de benim gibi ge莽 kalanlardansan谋z mutlaka okuyun, tavsiyedir.
May 20, 2022
驴Qu茅 pasar谩 cuando el exiliado vuelve a su patria despu茅s de permanecer muchos a帽os en el extranjero? 驴Qu茅 significa para 茅l el reencuentro con su ciudad natal y con la gente que conoc铆a y amaba antes de exiliarse? Estas son las cuestiones planteadas por Milan Kundera en "La Ignorancia".
La novela es la historia sobre la p茅rdida de la patria. Narra sobre los sentimientos de una mujer y un hombre checos que hab铆an emigrado de la Checoslovaquia comunista y que visitan su patria despu茅s de que 茅sta recuperara la libertad.
Al pasar varios d铆as en Praga, los dos ven que aunque hablan el mismo idioma que los praguenses, ya no los entienden, no comparten su estilo de vida, sus opiniones y su modo de pensar. El exilio ha erigido entre los exiliados y la poblaci贸n checa un muro de ignorancia y desarraigo.
Los protagonistas llegan a la conclusi贸n de que para ellos su patria de origen ha dejado de existir y regresan a los pa铆ses que les acogieron y donde iniciaron una nueva vida.
Kundera, decidi贸 publicar la novela primero en espa帽ol y catal谩n, y no en franc茅s, idioma en el que public贸 sus libros anteriores. La traductora al castellano de "La Ignorancia", Beatriz de Moura, explica que el escritor checo se sinti贸 atra铆do por los refugiados espanoles de la Guerra Civil desatada en 1936. Por ello opt贸 por estrenar su 煤ltima novela en un "pa铆s de emigraci贸n", tal como se refiri贸 a Espa帽a.
La novela es la historia sobre la p茅rdida de la patria. Narra sobre los sentimientos de una mujer y un hombre checos que hab铆an emigrado de la Checoslovaquia comunista y que visitan su patria despu茅s de que 茅sta recuperara la libertad.
Al pasar varios d铆as en Praga, los dos ven que aunque hablan el mismo idioma que los praguenses, ya no los entienden, no comparten su estilo de vida, sus opiniones y su modo de pensar. El exilio ha erigido entre los exiliados y la poblaci贸n checa un muro de ignorancia y desarraigo.
Los protagonistas llegan a la conclusi贸n de que para ellos su patria de origen ha dejado de existir y regresan a los pa铆ses que les acogieron y donde iniciaron una nueva vida.
Kundera, decidi贸 publicar la novela primero en espa帽ol y catal谩n, y no en franc茅s, idioma en el que public贸 sus libros anteriores. La traductora al castellano de "La Ignorancia", Beatriz de Moura, explica que el escritor checo se sinti贸 atra铆do por los refugiados espanoles de la Guerra Civil desatada en 1936. Por ello opt贸 por estrenar su 煤ltima novela en un "pa铆s de emigraci贸n", tal como se refiri贸 a Espa帽a.
July 7, 2019
危蔚 伪蠀蟿萎 蟿畏 蠁维蟽畏, 未蔚 谓慰渭委味蠅 蠈蟿喂 蠀蟺维蟻蠂蔚喂 魏维蟺慰喂慰 尾喂尾位委慰 蟿慰蠀 螝慰蠉谓蟿蔚蟻伪 蟺慰蠀 谓伪 渭蟺慰蟻蔚委 谓伪 渭蔚 伪蟺慰纬慰畏蟿蔚蠉蟽蔚喂. 韦慰谓 苇蠂蠅 蟺喂伪 伪纬伪蟺萎蟽蔚喂 渭苇蟽伪 伪蟺蠈 蟿伪 尾喂尾位委伪 蟺慰蠀 苇蠂蠅 未喂伪尾维蟽蔚喂 魏伪喂 渭蟺慰蟻蠋 谓伪 蟽蠀谓伪喂蟽胃伪谓胃蠅 蟿伪 蠈蟽伪 位苇蔚喂. 危蟿伪 尾喂尾位委伪 蟿慰蠀 螝慰蠉谓蟿蔚蟻伪 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 伪蟺慰位伪渭尾维谓蠅 蟿喂蟼 喂未苇蔚蟼, 蟿畏 蠁喂位慰蟽慰蠁委伪 蟿慰蠀, 蟿慰 蟺慰位喂蟿喂魏蠈 蟽蠂蠈位喂慰 蟿慰蠀 魏伪喂 蠁蠀蟽喂魏维 蟿喂蟼 蔚喂魏蠈谓蔚蟼 伪蟺蠈 蟿畏谓 蟺慰位蠀伪纬伪蟺畏渭蔚谓畏 螤蟻维纬伪, 畏 慰蟺慰委伪 蔚委谓伪喂 蟺维谓蟿伪 畏 尾维蟽畏 蟿蠅谓 尾喂尾位委蠅谓 蟿慰蠀, 蟺伪蟻维 蟿慰 慰蟺慰喂慰 蟽蟿蠈蟻喂 魏伪喂 蟿慰蠀蟼 慰蟺慰喂慰蠀蟼 "蟺蟻蠅蟿伪纬蠅谓喂蟽蟿蔚蟼", 慰喂 慰蟺慰委慰喂 蟿喂蟼 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻蔚蟼 蠁慰蟻苇蟼 未蔚委蠂谓慰蠀谓 谓伪 尾蟻委蟽魏慰谓蟿伪喂 蔚魏蔚委 蟽蠂蔚未蠈谓 "蟺伪蟻蔚渭蟺喂蟺蟿蠈谓蟿蠅蟼" 纬喂伪 谓伪 未蠋蟽慰蠀谓 伪蟺位维 苇谓伪 蟺伪蟻维未蔚喂纬渭伪 蟿蠅谓 蠈蟽蠅谓 蠀蟺慰蟽蟿畏蟻委味蔚喂 渭蔚 蟿畏 蠁喂位慰蟽慰蠁委伪 蟿慰蠀 慰 螝慰蠉谓蟿蔚蟻伪. 螆蟿蟽喂 魏喂 蔚未蠋, 蟿慰 蟽蟿蠈蟻喂 蟿蠅谓 2 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿蠅谓 蟺慰蠀 尉伪谓伪尾蟻喂蟽魏慰谓蟿伪喂 蠉蟽蟿蔚蟻伪 伪蟺蠈 蟿畏谓 蟺蟻蠋蟿畏 纬谓蠅蟻喂渭委伪 蟿慰蠀蟼 蟺慰位位维 蠂蟻蠈谓喂伪 蟺蟻喂谓, 魏伪胃蠋蟼 蔚蟺喂蟽蟿蟻苇蠁慰蠀谓 蟽蟿畏谓 蟺伪蟿蟻委未伪 蟿慰蠀蟼 20 蠂蟻蠈谓喂伪 渭蔚蟿维 蟿畏谓 伪蠀蟿慰蔚尉慰蟻喂伪 蟿慰蠀蟼, 蟿蔚位喂魏维 位喂纬蠈蟿蔚蟻畏 蟽畏渭伪蟽委伪 蔚委蠂蔚 纬喂伪 渭苇谓伪. 螤蔚蟻喂蟽蟽蠈蟿蔚蟻慰 渭蔚 魏苇蟻未喂蟽伪谓 慰喂 喂未苇蔚蟼 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 纬喂伪 蟿畏 渭谓萎渭畏 魏伪喂 蟿慰 蟺蠅蟼 伪蠀蟿萎 蔚蟺畏蟻蔚维味蔚喂 蟿畏 味蠅萎 渭伪蟼. 韦慰 蟺慰蟽慰 未喂伪蠁慰蟻蔚蟿喂魏维 渭伪蟼 未喂伪渭慰蟻蠁蠋谓慰蠀谓 慰喂 伪谓伪渭谓萎蟽蔚喂蟼 渭伪蟼. 螤蠅蟼 渭喂伪 蟽蟿喂纬渭萎 渭蟺慰蟻蔚委 谓伪 蟺蔚蟻维蟽蔚喂 蟽蟿畏 渭谓萎渭畏 魏维蟺慰喂慰蠀 蟿蠈蟽慰 苇谓蟿慰谓伪 蠋蟽蟿蔚 谓伪 魏伪胃慰蟻委蟽蔚喂 蠈位畏 蟿畏 味蠅萎 蟿慰蠀 魏伪喂 畏 委未喂伪 蟽蟿喂纬渭萎 谓伪 尉蔚蠂伪蟽蟿蔚委 纬喂伪 蟺维谓蟿伪 伪蟺蠈 魏维蟺慰喂慰谓 维位位慰谓. 螆谓伪 蟺蟻伪纬渭伪蟿喂魏维 伪蟺慰位伪蠀蟽蟿喂魏蠈 尾喂尾位委慰 蟺慰蠀 胃苇蟿蔚喂 蟺慰位位维 胃苇渭伪蟿伪 魏伪喂 蟺蟻慰尾位畏渭伪蟿喂蟽渭慰蠉蟼 纬喂伪 蟿畏谓 伪谓胃蟻蠋蟺喂谓畏 蠁蠉蟽畏.
May 17, 2025
Kundera's "Ignorance" draws us into the emotional wilderness of exile through the intertwined stories of Irena and Josef, Czech emigrants returning to their homeland after twenty years abroad. As they converge in Prague after the Velvet Revolution, their anticipated "Grand Return" transforms into a disorienting collision with their past selves.
"The Greek word for 'return' is 'nostos,'" Kundera explains. "Algos means 'suffering.' Nostalgia is therefore the suffering caused by an unappeased yearning to return." This etymological exploration establishes the book's central tension 鈥� can one truly go home again?
When Josef encounters a woman who claims they were once lovers, though he has absolutely zero recollection of her, we witness memory's fickle nature. Irena's bittersweet reunion with old friends at a dinner party throws her into existential crisis when conversation turns exclusively to trivial matters from the communist era: "They were talking about things she knew nothing about and that bored her... She suddenly realized: nobody was asking her anything about her life in Paris."
Kundera, himself a Czech exile who emigrated to France in 1975, infuses autobiographical understanding into every page, wielding his characteristic philosophical digressions about identity, belonging, and the tyranny of forgetting with wickedly sharp humor.
The book swirls through time, examining how emigration creates peculiar time capsules wherein homeland becomes fossilized in memory while evolving without the emigrant's participation. "Whereas 'nostalgia' represents the longing for a place, 'ignorance' etymologically means a state of lacking knowledge," Kundera writes, playing with language to illustrate how exiles become doubly alienated 鈥� strangers both abroad and at home.
When Irena discovers that her mother has discarded her deceased husband Gustaf's ashes without ceremony, we glimpse the casual cruelty of those who stayed behind toward the emotional attachments of those who fled. Josef's discovery of his old diary, filled with juvenile political opinions he can barely recognize as his own, showcases the radical discontinuity between past and present selves: "He had the odd impression of reading notes by an unknown person." The Czech myth of Odysseus threads throughout, subverted and reexamined as Kundera asks whether Homer's hero truly wanted to return home or simply fulfilled societal expectations.
During their brief, passionate encounter in a hotel room, Irena and Josef cling to each other as fellow exiles while simultaneously misremembering and misunderstanding their shared past. When Josef learns his old schoolmate's wife has kept dozens of his letters for decades, interpreting them as profound philosophical treatises rather than the juvenile ramblings they were, the absurdity of memory's persistence where it should fade, and its absence where it should remain, becomes painfully clear.
Kundera's examination of emigration transmutes personal displacement into universal insight about human connections. As Irena wanders Prague's streets, unable to feel the emotional resonance she expects, Kundera observes, "The more vast the amount of time we've left behind us, the more irresistible is the voice calling us to return to it." Yet this call proves deceptive 鈥� when Josef visits his childhood home, emotion fails to materialize despite his expectations. Instead, he finds himself making love to Irena while thinking of another woman entirely, embodying the book's tragic comedy of missed connections.
A pivotal scene occurs when Irena's daughter, having never left the homeland, dismisses her mother's 茅migr茅 experience with casual cruelty: "You've always had a good life. So why complain?" The daughter cannot fathom the exile's paradox 鈥� geographic distance creates emotional distance that cannot be bridged by physical return.
Kundera's ability to transform philosophical abstractions into deeply personal confrontations is nothing short of genius; when Josef deliberately abandons his diary before departing Prague again, choosing forgetting over remembrance, we understand exile as an active state rather than passive circumstance.
Published in 2000 after Kundera had spent decades writing in French rather than his native Czech, "Ignorance" speaks with eerie prescience to our current world of mass migrations and displaced peoples, asking whether technology's promise of constant connection actually prevents the clean breaks necessary for emotional survival.
Reading this book will change how you understand belonging itself 鈥� neither fully Czech nor French, Kundera writes from the fertile borderlands of cultural identity, where wisdom grows precisely because roots have been severed.
"The Greek word for 'return' is 'nostos,'" Kundera explains. "Algos means 'suffering.' Nostalgia is therefore the suffering caused by an unappeased yearning to return." This etymological exploration establishes the book's central tension 鈥� can one truly go home again?
When Josef encounters a woman who claims they were once lovers, though he has absolutely zero recollection of her, we witness memory's fickle nature. Irena's bittersweet reunion with old friends at a dinner party throws her into existential crisis when conversation turns exclusively to trivial matters from the communist era: "They were talking about things she knew nothing about and that bored her... She suddenly realized: nobody was asking her anything about her life in Paris."
Kundera, himself a Czech exile who emigrated to France in 1975, infuses autobiographical understanding into every page, wielding his characteristic philosophical digressions about identity, belonging, and the tyranny of forgetting with wickedly sharp humor.
The book swirls through time, examining how emigration creates peculiar time capsules wherein homeland becomes fossilized in memory while evolving without the emigrant's participation. "Whereas 'nostalgia' represents the longing for a place, 'ignorance' etymologically means a state of lacking knowledge," Kundera writes, playing with language to illustrate how exiles become doubly alienated 鈥� strangers both abroad and at home.
When Irena discovers that her mother has discarded her deceased husband Gustaf's ashes without ceremony, we glimpse the casual cruelty of those who stayed behind toward the emotional attachments of those who fled. Josef's discovery of his old diary, filled with juvenile political opinions he can barely recognize as his own, showcases the radical discontinuity between past and present selves: "He had the odd impression of reading notes by an unknown person." The Czech myth of Odysseus threads throughout, subverted and reexamined as Kundera asks whether Homer's hero truly wanted to return home or simply fulfilled societal expectations.
During their brief, passionate encounter in a hotel room, Irena and Josef cling to each other as fellow exiles while simultaneously misremembering and misunderstanding their shared past. When Josef learns his old schoolmate's wife has kept dozens of his letters for decades, interpreting them as profound philosophical treatises rather than the juvenile ramblings they were, the absurdity of memory's persistence where it should fade, and its absence where it should remain, becomes painfully clear.
Kundera's examination of emigration transmutes personal displacement into universal insight about human connections. As Irena wanders Prague's streets, unable to feel the emotional resonance she expects, Kundera observes, "The more vast the amount of time we've left behind us, the more irresistible is the voice calling us to return to it." Yet this call proves deceptive 鈥� when Josef visits his childhood home, emotion fails to materialize despite his expectations. Instead, he finds himself making love to Irena while thinking of another woman entirely, embodying the book's tragic comedy of missed connections.
A pivotal scene occurs when Irena's daughter, having never left the homeland, dismisses her mother's 茅migr茅 experience with casual cruelty: "You've always had a good life. So why complain?" The daughter cannot fathom the exile's paradox 鈥� geographic distance creates emotional distance that cannot be bridged by physical return.
Kundera's ability to transform philosophical abstractions into deeply personal confrontations is nothing short of genius; when Josef deliberately abandons his diary before departing Prague again, choosing forgetting over remembrance, we understand exile as an active state rather than passive circumstance.
Published in 2000 after Kundera had spent decades writing in French rather than his native Czech, "Ignorance" speaks with eerie prescience to our current world of mass migrations and displaced peoples, asking whether technology's promise of constant connection actually prevents the clean breaks necessary for emotional survival.
Reading this book will change how you understand belonging itself 鈥� neither fully Czech nor French, Kundera writes from the fertile borderlands of cultural identity, where wisdom grows precisely because roots have been severed.
October 24, 2021
Ya艧as谋n biz onlar谋 bulduk san谋rken asl谋nda bizi bulmu艧 olan kitaplar!
Sahafta 2002 bask谋s谋n谋 g枚r眉p, arka kapaktaki tan谋t谋m yaz谋s谋 ho艧uma gitti臒i i莽in alm谋艧t谋m Bilmemek'i. 脟erezlik bir okuma beklentisiyle ba艧lay谋p, s眉r眉kledi臒i duygular aras谋nda bir s枚rf tahtas谋 k谋vam谋nda bitirdim, kitab谋n sayfalar谋 boyunca nem izleri olmas谋 da bu bak谋mdan manidar oldu.
"Slavlar谋n ac谋 莽ekme yeteneklerini hafife almay谋n" der Dervi艧 Zaim, ben edebiyatta da bu yeteneklerini olduk莽a incelikli bir 艧ekilde g枚sterdiklerini d眉艧眉n眉yorum, hele de 19. Y眉zy谋l谋n ortalar谋ndan bug眉ne, nispeten 莽a臒da艧 diyebilece臒imiz Slavlar谋n. Sebebi, g枚rece k谋sa s眉reler i莽inde imparatorluk 莽at谋s谋 alt谋nda toplanmalar, ba臒谋ms谋zl谋k, zoraki birle艧meler, kanl谋 ayr谋l谋klar, sosyalizm ve kapitalizm gibi bir s眉r眉 farkl谋 deneyimin i莽inde bulunmu艧 olmalar谋 bence.
Rusya'n谋n 脟ekoslovakya'y谋 i艧galiyle kurulan diktadan (asl谋nda kendilerinden, hik芒yelerinden) ka莽谋p Fransa ve Danimarka'ya iltica etmi艧 iki g枚莽menin, 陌rena ve Josef'in 枚yk眉s眉 anlat谋lan. Ama Kundera 132 sayfal谋k kitaba neler s谋臒d谋rmam谋艧 ki: G枚莽menlerin ya艧ad谋臒谋 ontolojik kriz, ana dille ve hissedilen zamanla ili艧kinin de臒i艧imleri, kapitalizmin kentleri s眉r眉kledi臒i 谋艧谋k oyunlar谋, Slavlar ve Rusya'n谋n onlar 眉zerindeki, topraklar谋 misali b眉y眉k etkisi, elbette a艧k, toksik anne-k谋z ili艧kisi, nostalji. T眉m bu konular -sayamad谋klar谋mla birlikte- kurguya 枚ylesine ustaca yedirilmi艧 ki, kitab谋n hen眉z ba艧lar谋nda iken tekrar tekrar okuyaca臒谋m谋 biliyordum.
Milan Kundera'y谋 lisede iken okumaya kalk谋艧m谋艧, isminin cazibesine kap谋l谋p Varolman谋n Dayan谋lmaz Hafifli臒i'ni haftalarca elimde s眉r眉klemi艧, sonunda pes etmi艧tim. Severek okuyaca臒谋m vakitler yeni gelmi艧 anla艧谋lan. Di臒er kitaplar谋n谋 da ilk f谋rsatta okumay谋 umuyorum. Kitaptan, 莽ok sevdi臒im bir k谋sm谋 al谋nt谋layarak bitirece臒im:
"脟ekler, vatanlar谋n谋 parlak zaferleri oldu臒u i莽in de臒il, tan谋nmad谋臒谋 i莽in seviyorlard谋; b眉y眉k oldu臒u i莽in de臒il, k眉莽眉k ve s眉rekli tehlikede oldu臒u i莽in. Onlar谋n yurtseverli臒i 眉lkelerine kar艧谋 sonsuz bir merhamet duymakt谋. Danimarkal谋lar i莽in de 枚yle. Josef'in s谋臒谋nmak i莽in k眉莽眉k bir 眉lkeyi se莽mesi rastlant谋 de臒il."
Sahafta 2002 bask谋s谋n谋 g枚r眉p, arka kapaktaki tan谋t谋m yaz谋s谋 ho艧uma gitti臒i i莽in alm谋艧t谋m Bilmemek'i. 脟erezlik bir okuma beklentisiyle ba艧lay谋p, s眉r眉kledi臒i duygular aras谋nda bir s枚rf tahtas谋 k谋vam谋nda bitirdim, kitab谋n sayfalar谋 boyunca nem izleri olmas谋 da bu bak谋mdan manidar oldu.
"Slavlar谋n ac谋 莽ekme yeteneklerini hafife almay谋n" der Dervi艧 Zaim, ben edebiyatta da bu yeteneklerini olduk莽a incelikli bir 艧ekilde g枚sterdiklerini d眉艧眉n眉yorum, hele de 19. Y眉zy谋l谋n ortalar谋ndan bug眉ne, nispeten 莽a臒da艧 diyebilece臒imiz Slavlar谋n. Sebebi, g枚rece k谋sa s眉reler i莽inde imparatorluk 莽at谋s谋 alt谋nda toplanmalar, ba臒谋ms谋zl谋k, zoraki birle艧meler, kanl谋 ayr谋l谋klar, sosyalizm ve kapitalizm gibi bir s眉r眉 farkl谋 deneyimin i莽inde bulunmu艧 olmalar谋 bence.
Rusya'n谋n 脟ekoslovakya'y谋 i艧galiyle kurulan diktadan (asl谋nda kendilerinden, hik芒yelerinden) ka莽谋p Fransa ve Danimarka'ya iltica etmi艧 iki g枚莽menin, 陌rena ve Josef'in 枚yk眉s眉 anlat谋lan. Ama Kundera 132 sayfal谋k kitaba neler s谋臒d谋rmam谋艧 ki: G枚莽menlerin ya艧ad谋臒谋 ontolojik kriz, ana dille ve hissedilen zamanla ili艧kinin de臒i艧imleri, kapitalizmin kentleri s眉r眉kledi臒i 谋艧谋k oyunlar谋, Slavlar ve Rusya'n谋n onlar 眉zerindeki, topraklar谋 misali b眉y眉k etkisi, elbette a艧k, toksik anne-k谋z ili艧kisi, nostalji. T眉m bu konular -sayamad谋klar谋mla birlikte- kurguya 枚ylesine ustaca yedirilmi艧 ki, kitab谋n hen眉z ba艧lar谋nda iken tekrar tekrar okuyaca臒谋m谋 biliyordum.
Milan Kundera'y谋 lisede iken okumaya kalk谋艧m谋艧, isminin cazibesine kap谋l谋p Varolman谋n Dayan谋lmaz Hafifli臒i'ni haftalarca elimde s眉r眉klemi艧, sonunda pes etmi艧tim. Severek okuyaca臒谋m vakitler yeni gelmi艧 anla艧谋lan. Di臒er kitaplar谋n谋 da ilk f谋rsatta okumay谋 umuyorum. Kitaptan, 莽ok sevdi臒im bir k谋sm谋 al谋nt谋layarak bitirece臒im:
"脟ekler, vatanlar谋n谋 parlak zaferleri oldu臒u i莽in de臒il, tan谋nmad谋臒谋 i莽in seviyorlard谋; b眉y眉k oldu臒u i莽in de臒il, k眉莽眉k ve s眉rekli tehlikede oldu臒u i莽in. Onlar谋n yurtseverli臒i 眉lkelerine kar艧谋 sonsuz bir merhamet duymakt谋. Danimarkal谋lar i莽in de 枚yle. Josef'in s谋臒谋nmak i莽in k眉莽眉k bir 眉lkeyi se莽mesi rastlant谋 de臒il."
November 23, 2024
鈥炐澬敌沸叫靶叫感笛傂锯€� 械 锌褉械泻褉邪褋械薪 褎懈谢芯褋芯褎褋泻懈 褉芯屑邪薪! 袝屑懈谐褉邪薪褌褋泻懈褌械 懈 谢褞斜芯胁薪懈 懈褋褌芯褉懈懈 胁 薪械谐芯 褋邪 谢褞斜芯锌懈褌薪懈 懈 胁褗谢薪褍胁邪褖懈, 芯斜邪褔械 蟹邪写褗谢斜芯褔械薪懈褌械 褉邪蟹褋褗卸写械薪懈褟 薪邪 袣褍薪写械褉邪 屑械 胁锌械褔邪褌谢懈褏邪 屑薪芯谐芯 锌芯-褋懈谢薪芯. 袩懈褋邪褌械谢褟褌 屑邪泄褋褌芯褉褋泻懈 械 褉邪蟹谐谢械写邪谢 褋褗褖薪芯褋褌褌邪 薪邪 薪芯褋褌邪谢谐懈褟褌邪, 褋邪屑芯褌邪褌邪, 褋谢芯卸薪懈褌械 褔芯胁械褕泻懈 胁蟹邪懈屑芯芯褌薪芯褕械薪懈褟 懈 写褉褍谐懈 胁邪卸薪懈 褌械屑懈 蟹邪 褉邪蟹屑懈褋褗谢. 袣薪懈谐邪褌邪 薪械褋褗屑薪械薪芯 械 屑褉邪褔薪芯 锌芯写薪械褋械薪邪 懈 薪芯褋懈 褌褗卸薪芯 薪邪褋褌褉芯械薪懈械, 薪芯 斜械蟹 写邪 械 薪芯褋褌邪谢谐懈褔薪芯...
鈥炐⊙娧壭秆徰� 褌芯蟹懈 泻懈薪械屑邪褌芯谐褉邪褎 薪邪 薪械褋褗蟹薪邪胁邪薪芯褌芯, 泻芯泄褌芯 锌褉械蟹 写械薪褟 褲 懈蟹锌褉邪褖邪褕械 泻褗褋褔械褌邪 芯褌 褉芯写薪懈褟 锌械泄蟹邪卸 泻邪褌芯 芯斜褉邪蟹懈 薪邪 褖邪褋褌懈械褌芯, 锌褉械蟹 薪芯褖褌邪 泄 褍褋褌褉芯泄胁邪褕械 褍卸邪褋褟胁邪褖懈 蟹邪胁褉褗褖邪薪懈褟 胁 褋褗褖邪褌邪 褌邪蟹懈 褋褌褉邪薪邪. 袛械薪褟褌 斜械 芯蟹邪褉褟胁邪薪 芯褌 泻褉邪褋芯褌邪褌邪 薪邪 薪邪锌褍褋薪邪褌邪褌邪 褋褌褉邪薪邪, 薪芯褖褌邪 鈥� 芯褌 褍卸邪褋邪 薪邪 蟹邪胁褉褗褖邪薪械褌芯 胁 薪械褟. 袛械薪褟褌 褲 锌芯泻邪蟹胁邪褕械 褉邪褟, 泻芯泄褌芯 斜械 懈蟹谐褍斜懈谢邪, 薪芯褖褌邪 鈥� 褍卸邪褋邪, 芯褌 泻芯泄褌芯 斜械 懈蟹斜褟谐邪谢邪.鈥�
鈥炐捫笛€薪懈 薪邪 褌褉邪写懈褑懈褟褌邪 薪邪 肖褉械薪褋泻邪褌邪 褉械胁芯谢褞褑懈褟, 泻芯屑褍薪懈褋褌懈褔械褋泻懈褌械 写褗褉卸邪胁懈 邪薪邪褌械屑芯褋邪褏邪 械屑懈谐褉邪褑懈褟褌邪, 褋屑褟褌邪薪邪 蟹邪 薪邪泄-芯褌胁褉邪褌懈褌械谢薪芯褌芯 芯褌 锌褉械写邪褌械谢褋褌胁邪褌邪.鈥�
鈥炐澬� 芯薪械蟹懈, 泻芯懈褌芯 薪械 芯斜褖褍胁邪褌 褋褗褋 褋褗芯褌械褔械褋褌胁械薪懈褑懈褌械 褋懈, 泻邪褌芯 袠褉械薪邪 懈谢懈 袨写懈褋械泄, 薪械屑懈薪褍械屑芯 斜懈胁邪褌 褋锌芯谢械褌械薪懈 芯褌 邪屑薪械蟹懈褟. 袣芯谢泻芯褌芯 锌芯-褋懈谢薪邪 械 薪芯褋褌邪谢谐懈褟褌邪 懈屑, 褌芯谢泻芯胁邪 锌芯胁械褔械 褋械 懈蟹锌褉邪蟹胁邪 芯褌 褋锌芯屑械薪懈. 袣芯谢泻芯褌芯 锌芯胁械褔械 泻芯锌薪械械 袨写懈褋械泄, 褌芯谢泻芯胁邪 锌芯胁械褔械 蟹邪斜褉邪胁褟. 孝褗泄 泻邪褌芯 薪芯褋褌邪谢谐懈褟褌邪 薪械 褍褋懈谢胁邪 写械泄薪芯褋褌褌邪 薪邪 锌邪屑械褌褌邪, 薪械 褋褗斜褍卸写邪 褋锌芯屑械薪懈, 褌褟 褋懈 械 写芯褋褌邪褌褗褔薪邪 褋邪屑邪 蟹邪 褋械斜械 褋懈, 蟹邪 褋芯斜褋褌胁械薪芯褌芯 褋懈 胁褗谢薪械薪懈械, 斜懈写械泄泻懈 懈蟹褑褟谢芯 锌芯谐褗谢薪邪褌邪 械写懈薪褋褌胁械薪芯 芯褌 褋胁芯械褌芯 褋褌褉邪写邪薪懈械.鈥�
鈥炐毿拘� 谐芯 懈蟹锌褗谢薪褟胁邪 写薪械褋, 胁 泻褉邪褟 薪邪 胁械泻邪? 袣芯泄 褋械 锌芯蟹芯胁邪胁邪 薪邪 薪械谐芯? 袧械, 薪械 卸械谢邪褟 写邪 褋械 薪邪写褋屑懈胁邪屑 谐谢褍锌邪胁芯 薪邪写 薪械谐芯胁邪褌邪 褋邪屑芯薪邪写械褟薪芯褋褌 懈 写邪 褌胁褗褉写褟, 褔械 褋械 械 薪邪写褑械薪褟胁邪谢. 啸懈谢褟写懈 锌褗褌懈 薪械! 楔褜芯薪斜械褉谐 薪械 薪邪写褑械薪褟胁邪褕械 褋械斜械 褋懈. 袧邪写褑械薪褟胁邪褕械 斜褗写械褖械褌芯.鈥�
鈥炐澬� 胁褗锌褉械泻懈 胁褋懈褔泻懈褌械 褋懈 谐谢邪胁芯蟹邪屑邪泄胁邪褖懈 褉邪泻械褌懈 褔芯胁械泻褗褌 薪懈泻芯谐邪 薪褟屑邪 写邪 褋褌懈谐薪械 写邪谢械褔 胁褗胁 胁褋械谢械薪邪褌邪. 袣褉邪褌泻芯褋褌褌邪 薪邪 卸懈胁芯褌邪 锌褉械胁褉褗褖邪 薪械斜械褌芯 胁 褔械褉械薪 锌芯褏谢褍锌邪泻, 胁 泻芯泄褌芯 褌芯泄 胁懈薪邪谐懈 褖械 褋懈 褌褉芯褕懈 谐谢邪胁邪褌邪, 锌芯褋谢械 芯褌薪芯胁芯 褖械 锌邪写邪 薪邪 蟹械屑褟褌邪, 泻褗写械褌芯 胁褋懈褔泻芯 卸懈胁芯 褟写械 懈 屑芯卸械 写邪 斜褗写械 懈蟹褟写械薪芯.
袧懈褖械褌邪 懈 胁懈褋芯泻芯屑械褉懈械. 鈥炐捬娦费佇敌葱叫靶恍� 卸褉械斜械褑 鈥� 锌邪褍薪褗褌 懈 褋屑褗褉褌褌邪.鈥� 孝褟 褋褌芯械褕械 写芯 锌褉芯蟹芯褉械褑邪 懈 谐谢械写邪褕械 薪械斜械褌芯. 袧械斜械 斜械蟹 蟹胁械蟹写懈, 褔械褉械薪 锌芯褏谢褍锌邪泻.鈥�
鈥炐⊙娧壭秆徰� 褌芯蟹懈 泻懈薪械屑邪褌芯谐褉邪褎 薪邪 薪械褋褗蟹薪邪胁邪薪芯褌芯, 泻芯泄褌芯 锌褉械蟹 写械薪褟 褲 懈蟹锌褉邪褖邪褕械 泻褗褋褔械褌邪 芯褌 褉芯写薪懈褟 锌械泄蟹邪卸 泻邪褌芯 芯斜褉邪蟹懈 薪邪 褖邪褋褌懈械褌芯, 锌褉械蟹 薪芯褖褌邪 泄 褍褋褌褉芯泄胁邪褕械 褍卸邪褋褟胁邪褖懈 蟹邪胁褉褗褖邪薪懈褟 胁 褋褗褖邪褌邪 褌邪蟹懈 褋褌褉邪薪邪. 袛械薪褟褌 斜械 芯蟹邪褉褟胁邪薪 芯褌 泻褉邪褋芯褌邪褌邪 薪邪 薪邪锌褍褋薪邪褌邪褌邪 褋褌褉邪薪邪, 薪芯褖褌邪 鈥� 芯褌 褍卸邪褋邪 薪邪 蟹邪胁褉褗褖邪薪械褌芯 胁 薪械褟. 袛械薪褟褌 褲 锌芯泻邪蟹胁邪褕械 褉邪褟, 泻芯泄褌芯 斜械 懈蟹谐褍斜懈谢邪, 薪芯褖褌邪 鈥� 褍卸邪褋邪, 芯褌 泻芯泄褌芯 斜械 懈蟹斜褟谐邪谢邪.鈥�
鈥炐捫笛€薪懈 薪邪 褌褉邪写懈褑懈褟褌邪 薪邪 肖褉械薪褋泻邪褌邪 褉械胁芯谢褞褑懈褟, 泻芯屑褍薪懈褋褌懈褔械褋泻懈褌械 写褗褉卸邪胁懈 邪薪邪褌械屑芯褋邪褏邪 械屑懈谐褉邪褑懈褟褌邪, 褋屑褟褌邪薪邪 蟹邪 薪邪泄-芯褌胁褉邪褌懈褌械谢薪芯褌芯 芯褌 锌褉械写邪褌械谢褋褌胁邪褌邪.鈥�
鈥炐澬� 芯薪械蟹懈, 泻芯懈褌芯 薪械 芯斜褖褍胁邪褌 褋褗褋 褋褗芯褌械褔械褋褌胁械薪懈褑懈褌械 褋懈, 泻邪褌芯 袠褉械薪邪 懈谢懈 袨写懈褋械泄, 薪械屑懈薪褍械屑芯 斜懈胁邪褌 褋锌芯谢械褌械薪懈 芯褌 邪屑薪械蟹懈褟. 袣芯谢泻芯褌芯 锌芯-褋懈谢薪邪 械 薪芯褋褌邪谢谐懈褟褌邪 懈屑, 褌芯谢泻芯胁邪 锌芯胁械褔械 褋械 懈蟹锌褉邪蟹胁邪 芯褌 褋锌芯屑械薪懈. 袣芯谢泻芯褌芯 锌芯胁械褔械 泻芯锌薪械械 袨写懈褋械泄, 褌芯谢泻芯胁邪 锌芯胁械褔械 蟹邪斜褉邪胁褟. 孝褗泄 泻邪褌芯 薪芯褋褌邪谢谐懈褟褌邪 薪械 褍褋懈谢胁邪 写械泄薪芯褋褌褌邪 薪邪 锌邪屑械褌褌邪, 薪械 褋褗斜褍卸写邪 褋锌芯屑械薪懈, 褌褟 褋懈 械 写芯褋褌邪褌褗褔薪邪 褋邪屑邪 蟹邪 褋械斜械 褋懈, 蟹邪 褋芯斜褋褌胁械薪芯褌芯 褋懈 胁褗谢薪械薪懈械, 斜懈写械泄泻懈 懈蟹褑褟谢芯 锌芯谐褗谢薪邪褌邪 械写懈薪褋褌胁械薪芯 芯褌 褋胁芯械褌芯 褋褌褉邪写邪薪懈械.鈥�
鈥炐毿拘� 谐芯 懈蟹锌褗谢薪褟胁邪 写薪械褋, 胁 泻褉邪褟 薪邪 胁械泻邪? 袣芯泄 褋械 锌芯蟹芯胁邪胁邪 薪邪 薪械谐芯? 袧械, 薪械 卸械谢邪褟 写邪 褋械 薪邪写褋屑懈胁邪屑 谐谢褍锌邪胁芯 薪邪写 薪械谐芯胁邪褌邪 褋邪屑芯薪邪写械褟薪芯褋褌 懈 写邪 褌胁褗褉写褟, 褔械 褋械 械 薪邪写褑械薪褟胁邪谢. 啸懈谢褟写懈 锌褗褌懈 薪械! 楔褜芯薪斜械褉谐 薪械 薪邪写褑械薪褟胁邪褕械 褋械斜械 褋懈. 袧邪写褑械薪褟胁邪褕械 斜褗写械褖械褌芯.鈥�
鈥炐澬� 胁褗锌褉械泻懈 胁褋懈褔泻懈褌械 褋懈 谐谢邪胁芯蟹邪屑邪泄胁邪褖懈 褉邪泻械褌懈 褔芯胁械泻褗褌 薪懈泻芯谐邪 薪褟屑邪 写邪 褋褌懈谐薪械 写邪谢械褔 胁褗胁 胁褋械谢械薪邪褌邪. 袣褉邪褌泻芯褋褌褌邪 薪邪 卸懈胁芯褌邪 锌褉械胁褉褗褖邪 薪械斜械褌芯 胁 褔械褉械薪 锌芯褏谢褍锌邪泻, 胁 泻芯泄褌芯 褌芯泄 胁懈薪邪谐懈 褖械 褋懈 褌褉芯褕懈 谐谢邪胁邪褌邪, 锌芯褋谢械 芯褌薪芯胁芯 褖械 锌邪写邪 薪邪 蟹械屑褟褌邪, 泻褗写械褌芯 胁褋懈褔泻芯 卸懈胁芯 褟写械 懈 屑芯卸械 写邪 斜褗写械 懈蟹褟写械薪芯.
袧懈褖械褌邪 懈 胁懈褋芯泻芯屑械褉懈械. 鈥炐捬娦费佇敌葱叫靶恍� 卸褉械斜械褑 鈥� 锌邪褍薪褗褌 懈 褋屑褗褉褌褌邪.鈥� 孝褟 褋褌芯械褕械 写芯 锌褉芯蟹芯褉械褑邪 懈 谐谢械写邪褕械 薪械斜械褌芯. 袧械斜械 斜械蟹 蟹胁械蟹写懈, 褔械褉械薪 锌芯褏谢褍锌邪泻.鈥�
August 19, 2015
賮賷 丕賱兀賵賱 丕爻鬲睾乇亘鬲 鬲爻賲賷鬲賴丕 亘丕賱噩赖賱貙 賵亘毓丿賷賳 賮賷 丕賱賮氐賱 丕賱兀賵賱 鬲匕賰乇鬲 兀賳賴 毓乇賮 丕賱丨賳賷賳 亘兀賳賴 兀賱賲 丕賱噩赖賱貙 賮兀賳鬲 賲賴丕噩乇 賱丕 鬲毓乇賮 卮賷卅賸丕 毓賳 亘賱丿賰 賵賴賵 賱丕 賷毓賱賲 卮賷卅賸丕 毓賳賰. 亘鬲丿賵乇 丕賱乇賵丕賷丞 亘卮賰賱 兀爻丕爻賷 賮賷 丕賱鬲卮賷賰 丕賱賱賷 毓丕賳鬲 賲賳 丕賱卮賷賵毓賷丞 賵丕賱丕丨鬲賱丕賱 丕賱乇賵爻賷 賵睾賷乇賴丕 賲賳 丕賱賲丌爻賷.
亘鬲丿賵乇 毓賱賶 賰匕丕 禺胤貙 禺胤 亘賷鬲鬲亘毓 兀亘胤丕賱 丕賱乇賵丕賷丞 丕賱兀爻丕爻賷賷賳貙 賵禺胤 鬲丕賳賷 亘賷鬲丕亘毓 丕賱廿賳賯賱丕亘丕鬲 賵丕賱鬲胤賵乇丕鬲 丕賱爻賷丕爻賷丞 賮賷 丕賱鬲卮賷賰 賵兀賵乇賵亘丕 賵鬲兀孬賷乇賴丕 毓賱賶 賲賳 賴丕噩乇賵丕 賵賲賳 丕禺鬲丕乇賵丕 丕賱亘賯丕亍. 賲賳 囟賲賳 丕賱賲賴丕噩乇賷賳貙 噩賵夭賷賮 賵廿乇賳丕 賲賴丕噩乇賷賳 賲賳 丕賱鬲卮賷賰貙 賴乇亘 兀丨丿賴賲 賱賮乇賳爻丕 賵丕賱丌禺乇 賱賱丿賳賲丕乇賰貙 睾賵爻鬲丕賮 賴丕乇亘賸丕 賲賳 丕賱爻賵賷丿 賱賮乇賳爻丕 賰匕賱賰貙 賵賲賷賱丕丿丕 丕賱鬲賷 賱賲 鬲鬲乇賰 亘乇丕睾 賵賱賰賳賴丕 丕禺鬲丕乇鬲 丕賱賴噩乇丞 丿丕禺賱 賳賮爻賴丕.
賮賷 丨賷丕丞 丕賱卮禺氐賷丕鬲 賰賱賴丕 亘賳賱丕賯賷 賳賮賵乇 賵賱賵賲 亘賷鬲賱賯丕賴 丕賱賲賴丕噩乇 賲賳 毓丕卅賱鬲賴貙 賵丿賴 賮賰乇賳賷 亘賯氐氐 賰賵乇賷丞 賰鬲賷乇丞 賯乇兀鬲賴丕 毓賳 賴乇亘 丕賱賳丕爻 賲賳 賰賵乇賷丕 丕賱卮賲丕賱賷丞 廿賱賶 丕賱噩賳賵亘賷丞 兀賵 丕賱毓賰爻貙 賵廿夭丕賷 兀賳 毓丕卅賱丞 丕賱賴丕乇亘 兀賵 丕賱賲賴丕噩乇 賴賷 丕賱賱賷 亘鬲鬲丨賲賱 丕賱賱賵賲 賵丕賱丨賷丕丞 丕賱氐毓亘丞 丕賱賱賷 亘鬲亘賯賶 賳鬲賷噩丞 丕賱賯乇丕乇 丿賴.
鬲乇賰賷亘丞 丕賱乇賵丕賷丞 睾乇賷亘丞 賳賵毓賸丕 賲丕貙 賮賴賷 卮亘賴 乇賵丕賷丞貙 卮亘賴 鬲丨賱賷賱 賱賱匕丕賰乇丞 丕賱亘卮乇賷丞 賲賳 丨賷孬 賲丕 賷禺鬲丕乇 丕賱丕賳爻丕賳 鬲匕賰乇賴 賵賲丕 賷禺鬲丕乇 賳爻賷丕賳賴貙 亘丕賱廿囟丕賮丞 賱鬲丨賱賷賱 丿賵丕賮毓 丕賱賴噩乇丞 丕賱賲禺鬲賱賮丞 賵丌孬丕乇 丕賱毓賵丿丞 賱賱賵胤賳 丕賱鬲賷 鬲禺鬲賱賮 賲賳 卮禺氐 賱丌禺乇.
丿賷 鬲噩乇亘鬲賷 丕賱兀賵賱賶 賱賱賯乇丕亍丞 賱賰賵賳丿賷乇丕貙 賵兀毓鬲賯丿 兀賳賴丕 賰丕賳鬲 噩賷丿丞貙 賯乇兀鬲 丕賱賰孬賷乇 毓賳 丕賱賲賴丕噩乇賷賳 賵兀孬乇 丕賱賴噩乇丞 毓賱賷賴賲貙 賱賰賳 賴匕賴 丕賱乇賵丕賷丞 賰丕賳鬲 噩賷丿丞 賱兀賳賴丕 鬲睾賵氐 賮賷 賳賮爻 丕賱賲賴丕噩乇 兀賰孬乇 賲賳 丕賴鬲賲丕賲賴丕 亘賲丕 賷丿賵乇 賮賷 毓賯賵賱 賲賳 丨賵賱賴.
亘鬲丿賵乇 毓賱賶 賰匕丕 禺胤貙 禺胤 亘賷鬲鬲亘毓 兀亘胤丕賱 丕賱乇賵丕賷丞 丕賱兀爻丕爻賷賷賳貙 賵禺胤 鬲丕賳賷 亘賷鬲丕亘毓 丕賱廿賳賯賱丕亘丕鬲 賵丕賱鬲胤賵乇丕鬲 丕賱爻賷丕爻賷丞 賮賷 丕賱鬲卮賷賰 賵兀賵乇賵亘丕 賵鬲兀孬賷乇賴丕 毓賱賶 賲賳 賴丕噩乇賵丕 賵賲賳 丕禺鬲丕乇賵丕 丕賱亘賯丕亍. 賲賳 囟賲賳 丕賱賲賴丕噩乇賷賳貙 噩賵夭賷賮 賵廿乇賳丕 賲賴丕噩乇賷賳 賲賳 丕賱鬲卮賷賰貙 賴乇亘 兀丨丿賴賲 賱賮乇賳爻丕 賵丕賱丌禺乇 賱賱丿賳賲丕乇賰貙 睾賵爻鬲丕賮 賴丕乇亘賸丕 賲賳 丕賱爻賵賷丿 賱賮乇賳爻丕 賰匕賱賰貙 賵賲賷賱丕丿丕 丕賱鬲賷 賱賲 鬲鬲乇賰 亘乇丕睾 賵賱賰賳賴丕 丕禺鬲丕乇鬲 丕賱賴噩乇丞 丿丕禺賱 賳賮爻賴丕.
賮賷 丨賷丕丞 丕賱卮禺氐賷丕鬲 賰賱賴丕 亘賳賱丕賯賷 賳賮賵乇 賵賱賵賲 亘賷鬲賱賯丕賴 丕賱賲賴丕噩乇 賲賳 毓丕卅賱鬲賴貙 賵丿賴 賮賰乇賳賷 亘賯氐氐 賰賵乇賷丞 賰鬲賷乇丞 賯乇兀鬲賴丕 毓賳 賴乇亘 丕賱賳丕爻 賲賳 賰賵乇賷丕 丕賱卮賲丕賱賷丞 廿賱賶 丕賱噩賳賵亘賷丞 兀賵 丕賱毓賰爻貙 賵廿夭丕賷 兀賳 毓丕卅賱丞 丕賱賴丕乇亘 兀賵 丕賱賲賴丕噩乇 賴賷 丕賱賱賷 亘鬲鬲丨賲賱 丕賱賱賵賲 賵丕賱丨賷丕丞 丕賱氐毓亘丞 丕賱賱賷 亘鬲亘賯賶 賳鬲賷噩丞 丕賱賯乇丕乇 丿賴.
鬲乇賰賷亘丞 丕賱乇賵丕賷丞 睾乇賷亘丞 賳賵毓賸丕 賲丕貙 賮賴賷 卮亘賴 乇賵丕賷丞貙 卮亘賴 鬲丨賱賷賱 賱賱匕丕賰乇丞 丕賱亘卮乇賷丞 賲賳 丨賷孬 賲丕 賷禺鬲丕乇 丕賱丕賳爻丕賳 鬲匕賰乇賴 賵賲丕 賷禺鬲丕乇 賳爻賷丕賳賴貙 亘丕賱廿囟丕賮丞 賱鬲丨賱賷賱 丿賵丕賮毓 丕賱賴噩乇丞 丕賱賲禺鬲賱賮丞 賵丌孬丕乇 丕賱毓賵丿丞 賱賱賵胤賳 丕賱鬲賷 鬲禺鬲賱賮 賲賳 卮禺氐 賱丌禺乇.
丿賷 鬲噩乇亘鬲賷 丕賱兀賵賱賶 賱賱賯乇丕亍丞 賱賰賵賳丿賷乇丕貙 賵兀毓鬲賯丿 兀賳賴丕 賰丕賳鬲 噩賷丿丞貙 賯乇兀鬲 丕賱賰孬賷乇 毓賳 丕賱賲賴丕噩乇賷賳 賵兀孬乇 丕賱賴噩乇丞 毓賱賷賴賲貙 賱賰賳 賴匕賴 丕賱乇賵丕賷丞 賰丕賳鬲 噩賷丿丞 賱兀賳賴丕 鬲睾賵氐 賮賷 賳賮爻 丕賱賲賴丕噩乇 兀賰孬乇 賲賳 丕賴鬲賲丕賲賴丕 亘賲丕 賷丿賵乇 賮賷 毓賯賵賱 賲賳 丨賵賱賴.
July 3, 2017
倬賳噩 爻鬲丕乇賴 賵丕賯毓蹖!
讴賵賳丿乇丕 禺賵亘 亘賱丿賴 讴賴 丿爻鬲 亘匕丕乇賴 乇賵蹖 丕丨爻丕爻丕鬲 诏賳诏 丕賳爻丕賳蹖 賵 丕賳賯丿乇 禺賵亘 丕夭 鬲賲丕賲 夭賵丕蹖丕 讴賳丿賵讴丕賵卮 讴賳賴 讴賴 賵賯鬲蹖 賲蹖鈥屫堎嗃� 亘丕 鬲讴鈥屫� 噩丕賴丕卮 亘鬲賵賳蹖 丕乇鬲亘丕胤 鈥屫ㄘ辟傌必ж� 讴賳蹖. 丕丨爻丕爻丕鬲蹖 讴賴 賴賲賴 鬲噩乇亘賴 讴乇丿賳. 丕蹖賳 讴鬲丕亘 丿乇亘丕乇賴 丿賱鬲賳诏蹖 賵 賳賵爻鬲丕賱跇蹖 賵 丿賵乇蹖賴. 丿乇賵丕賯毓 鬲乇噩賲賴 卮丿賴 亘蹖鈥屫ㄘ臂�. 讴賴 讴賱賲賴 丕氐賱蹖卮
Ignorance
赖爻鬲.
亘乇禺賵乇丿 丌丿賲丕蹖 賲禺鬲賱賮 丿丕爻鬲丕賳 亘丕 丕賳賵丕毓 丿賱鬲賳诏蹖 賵 丿賵乇蹖 賵 睾乇亘鬲!
讴賵賳丿乇丕 禺賵亘 亘賱丿賴 讴賴 丿爻鬲 亘匕丕乇賴 乇賵蹖 丕丨爻丕爻丕鬲 诏賳诏 丕賳爻丕賳蹖 賵 丕賳賯丿乇 禺賵亘 丕夭 鬲賲丕賲 夭賵丕蹖丕 讴賳丿賵讴丕賵卮 讴賳賴 讴賴 賵賯鬲蹖 賲蹖鈥屫堎嗃� 亘丕 鬲讴鈥屫� 噩丕賴丕卮 亘鬲賵賳蹖 丕乇鬲亘丕胤 鈥屫ㄘ辟傌必ж� 讴賳蹖. 丕丨爻丕爻丕鬲蹖 讴賴 賴賲賴 鬲噩乇亘賴 讴乇丿賳. 丕蹖賳 讴鬲丕亘 丿乇亘丕乇賴 丿賱鬲賳诏蹖 賵 賳賵爻鬲丕賱跇蹖 賵 丿賵乇蹖賴. 丿乇賵丕賯毓 鬲乇噩賲賴 卮丿賴 亘蹖鈥屫ㄘ臂�. 讴賴 讴賱賲賴 丕氐賱蹖卮
Ignorance
赖爻鬲.
亘乇禺賵乇丿 丌丿賲丕蹖 賲禺鬲賱賮 丿丕爻鬲丕賳 亘丕 丕賳賵丕毓 丿賱鬲賳诏蹖 賵 丿賵乇蹖 賵 睾乇亘鬲!
September 28, 2017
"危蟿伪 伪蟻蠂伪委伪 蔚位位畏谓喂魏维 畏 蔚蟺喂蟽蟿蟻慰蠁萎 位苇纬蔚蟿伪喂 谓蠈蟽蟿慰蟼. 螁位纬慰蟼 蟽畏渭伪委谓蔚喂 蟺蠈谓慰蟼. 螡慰蟽蟿伪位纬委伪 蔚委谓伪喂 位慰喂蟺蠈谓 慰 蟺蠈谓慰蟼 蟺慰蠀 蟺蟻慰魏伪位蔚委 蟽蔚 魏维蟺慰喂慰谓 畏 伪谓喂魏伪谓慰蟺慰委畏蟿畏 位伪蠂蟿维蟻伪 蟿畏蟼 蔚蟺喂蟽蟿蟻慰蠁萎蟼." 螖蔚谓 蟽慰蠀 位苇蔚喂 魏维蟿喂 蟺慰蠀 未蔚谓 尉苇蟻蔚喂蟼. 危蟿慰 位苇蔚喂 蠈渭蠅蟼 蟿蠈蟽慰 蠈渭慰蟻蠁伪.
May 30, 2014
I really don't think Milan Kundera is an author for me. His characters are all so petty and cruel, so atomized and self-centered. I can deal with pettiness and cruelty being a theme of the book - but everyone? All the time?
Note: The rest of this review has been withdrawn due to the changes in 欧宝娱乐 policy and enforcement. You can read why I came to this decision here.
In the meantime, you can read the entire review at
Note: The rest of this review has been withdrawn due to the changes in 欧宝娱乐 policy and enforcement. You can read why I came to this decision here.
In the meantime, you can read the entire review at
March 30, 2007
讴賵賳丿乇丕 乇丕 亘賴 丕蹖賳 丿賱蹖賱 亘爻蹖丕乇 丿賵爻鬲 丿丕乇賲 讴賴 賲乇丕 丿乇 趩賴丕乇趩賵亘 亘爻鬲賴 蹖 蹖讴 乇賵丕蹖鬲 夭賳丿丕賳蹖 賳賲蹖 讴賳丿. 禺賵丕賳丿賳 讴賵賳乇丕 賲孬賱 丕蹖賳 丕爻鬲 讴賴 丿賵爻鬲蹖 乇丕 倬爻 丕夭 爻丕賱 賴丕 丿乇 蹖讴 讴丕賮賴 賲賱丕賯丕鬲 讴賳蹖丿 賵 丿乇 丨丕賱蹖 讴賴 亘賴 賯氐賴 蹖 乇賵夭诏丕乇 乇賮鬲賴 蹖 丕賵 诏賵卮 賲蹖 丿賴蹖丿貙 賯賴賵賴 鬲丕賳 乇丕 賲蹖 賳賵卮蹖丿貙 亘賴 賲賵爻蹖賯蹖 讴賴 丕夭 亘賱賳丿诏賵蹖 讴丕賮賴 倬禺卮 賲蹖 卮賵丿貙 诏賵卮 賲蹖 讴賳蹖丿貙 诏賴诏丕賴 賲鬲賵噩賴 蹖 氐丨亘鬲 賴丕 賵 禺賳丿賴 賴丕蹖蹖 丕夭 賲蹖夭賴丕蹖 讴賳丕乇蹖 賲蹖 卮賵蹖丿貙 氐丿丕蹖 毓亘賵乇 賵 賲乇賵乇 禺蹖丕亘丕賳 丿乇 倬爻 倬卮鬲 丕蹖賳 賴賲賴 噩丕乇蹖 爻鬲貙 丿賵乇賴 诏乇丿蹖 趩蹖夭蹖 賲蹖 賮乇賵卮丿貙 毓亘賵乇 鬲乇丕賲賵丕蹖貙 賵 賴賲賴 趩蹖夭貙 丿乇爻鬲 賲孬賱 禺賵丿 夭賳丿诏蹖貙 ...
I like Kundra because he doesn鈥檛 imprison me in a fastened frame of a classic narration. Reading Kundra seems as if you meet an old friend in a cafe shop after ages, and while she/he relates her / his life story, you zip your coffee, listen to the cafe music, hear some chats and laughs at nabouring tables, look at the peddlers at side walk, or a passing tramvay, 鈥� as life is flowing around, 鈥�.
I like Kundra because he doesn鈥檛 imprison me in a fastened frame of a classic narration. Reading Kundra seems as if you meet an old friend in a cafe shop after ages, and while she/he relates her / his life story, you zip your coffee, listen to the cafe music, hear some chats and laughs at nabouring tables, look at the peddlers at side walk, or a passing tramvay, 鈥� as life is flowing around, 鈥�.
February 12, 2023
噩賴丕賱鬲 蹖丕 亘蹖鈥屫ㄘ臂� 丿丕爻鬲丕賳蹖賴 丿乇 賲賵乇丿 亘丕夭诏卮鬲! 丨丕賱丕 丕蹖賳 賲賵囟賵毓 亘丕 丿賵 賲賵乇丿 賵胤賳 賵 毓卮賯 丿乇 賴賲 鬲賳蹖丿賴 卮丿賴 賵 亘丕毓孬 噩匕丕亘蹖鬲 丿丕爻鬲丕賳 卮丿賴. 丿乇 鬲賲丕賲 胤賵賱 讴鬲丕亘 丕胤賱丕毓丕鬲 卮禺氐蹖鬲鈥屬囏� 賯胤乇賴 趩讴丕賳蹖 丿丕丿賴 賲蹖卮賴 賵 讴賲鈥屭┵� 丕蹖賳 丕胤賱丕毓丕鬲 亘丕毓孬 乇賵卮賳 卮丿賳 賯囟丕蹖丕 賲蹖卮賴. 丕亘鬲丿丕蹖 讴鬲丕亘 亘丕 氐丨亘鬲鈥屬囏й� 丿賵 夭賳 卮乇賵毓 賲蹖卮賴 讴賴 蹖讴蹖 丿丕乇賴 亘賴 丿蹖诏乇蹖 賲蹖诏賴 丨丕賱丕 讴賴 讴卮賵乇鬲 丕夭 趩賳诏 讴賲賵賳蹖爻賲 丌夭丕丿 卮丿賴 亘賴鬲乇賴 亘賴 讴卮賵乇鬲 亘乇诏乇丿蹖 賵 丕爻賲卮 乇賵 亘丕夭诏卮鬲 亘夭乇诏 賲蹖鈥屫柏ж辟�. 丨丕賱丕 丕夭 噩夭卅蹖丕鬲 亘诏匕乇蹖賲 胤蹖 丕鬲賮丕賯丕鬲蹖 夭賳 丕夭 倬丕乇蹖爻 亘賴 倬乇丕诏 賲蹖鈥屫辟� 賵 丿乇 賮乇賵丿诏丕賴 亘丕 卮禺氐 丿賵賲 乇賲丕賳 丌卮賳丕 賲蹖卮蹖賲貙 賲乇丿蹖 讴賴 丕賵賳 賴賲 賲孬賱 卮禺氐鬲 丕賵賱 爻丕賱賴丕 倬蹖卮 丕夭 倬乇丕诏 亘賴 丿丕賳賲丕乇讴 賲賴丕噩乇鬲 讴乇丿賴. 夭賳 賲乇丿 乇賵 賲蹖亘蹖賳賴貙 蹖丕丿卮 賲蹖丕丿 丿乇 噩賵丕賳蹖 毓丕卮賯卮 亘賵丿賴 賵 丕丨鬲賲丕賱丕 丿乇 爻乇卮 賮讴乇 亘乇诏卮鬲 亘賴 毓卮賯 爻丕亘賯 乇賵 倬乇賵乇卮 賲蹖丿賴 賵 丕丿丕賲賴鈥屰� 丿丕爻鬲丕賳...賴
噩丿丕蹖 丕夭 丿丕爻鬲丕賳 噩匕丕亘蹖 讴賴 丿丕乇賴貙 乇賵丕蹖鬲鈥屬囏й� 噩丿丕诏丕賳賴 丕夭 丕丿蹖爻賴貙 蹖賴 爻乇蹖 賳賯賱 賯賵賱鈥屬囏� 賵 丕鬲賮丕賯丕鬲蹖 讴賴 丿乇 亘丕夭诏卮鬲 卮禺氐蹖鬲鈥屬囏� 賲蹖鈥屫з佖� 賵 爻禺鬲蹖 亘丕夭诏卮鬲 乇賵 賳卮賵賳 賲蹖丿賴 賴賲 噩丕賱亘賴.賴
賲丕 丕賳爻丕賳鈥屬囏� 丿乇 亘蹖鈥屫ㄘ臂� 賵 鬲賳賴丕蹖蹖 賴賲蹖卮诏蹖 禺賵丕賴蹖賲 亘賵丿...賴
噩丿丕蹖 丕夭 丿丕爻鬲丕賳 噩匕丕亘蹖 讴賴 丿丕乇賴貙 乇賵丕蹖鬲鈥屬囏й� 噩丿丕诏丕賳賴 丕夭 丕丿蹖爻賴貙 蹖賴 爻乇蹖 賳賯賱 賯賵賱鈥屬囏� 賵 丕鬲賮丕賯丕鬲蹖 讴賴 丿乇 亘丕夭诏卮鬲 卮禺氐蹖鬲鈥屬囏� 賲蹖鈥屫з佖� 賵 爻禺鬲蹖 亘丕夭诏卮鬲 乇賵 賳卮賵賳 賲蹖丿賴 賴賲 噩丕賱亘賴.賴
賲丕 丕賳爻丕賳鈥屬囏� 丿乇 亘蹖鈥屫ㄘ臂� 賵 鬲賳賴丕蹖蹖 賴賲蹖卮诏蹖 禺賵丕賴蹖賲 亘賵丿...賴
August 5, 2017
丕賱乇賵丕賷丞 賮賰乇鬲賴丕 毓噩亘鬲賳賷 噩丿丕 賵賴賶 賮賰乇丞 丕賱賴噩乇丞 賲賳 丕賱亘賱丿 賱賱賴乇賵亘 賲賳 丨賰賲 丕賱賮丕卮賷丞 賵丕賱胤睾丕丞 .. 賲睾鬲乇亘丕 賮賶 亘賱丿 兀禺乇 賱丕 鬲毓賱賲 毓賳 卮毓亘賴丕 賵賱丕 賱睾鬲賴丕 卮卅 賵亘丿賵賳 毓賲賱 賵賰賱 卅賱賰 賲賳 兀噩賱 丕賳 鬲毓賷卮 亘丿賵賳 賯賴乇 .
兀亘胤丕賱 丕賱乇賵丕賷丞 賴丕噩乇賵丕 賲賳 丕賱鬲卮賷賰 賵亘毓丿 丕賳賴賷丕乇 丕賱丕鬲丨丕丿 丕賱爻賵賮賷鬲賷 賵亘毓丿 毓卮乇賵賳 毓丕賲丕賸 毓丕丿賵丕 丕賱賶 亘賱丿賴賲 .. 賵賱賰賳 賰賱 卮卅 丕禺鬲賱賮 .. 噩賴賱 亘賲丕 丨丿孬 賱丕氐丿賯丕卅賴賲 賵噩賴賱 丕氐丿賯丕卅賴賲 賱賲丕 丨丿孬 賱賴賲 賮賶 丕賱睾乇亘丞 .. 噩賴賱 亘賰賱 卮卅 .. 賱丕 賷毓賱賲 兀賶 賲賳賴賲 亘賲毓丕賳丕丞 丕賱丕禺乇 賮賶 丕賱鬲卮賷賰 丕賵 賮賶 亘賱丿 丕賱賴噩乇丞 .
丕賱賮賰乇丞 賲賳 丕賱賲賲賰賳 賰丕賳鬲 鬲禺賱賯 乇賵丕賷丞 丕賮囟賱 賲賳 賰丿丕 亘賰鬲賷乇 , 丕賱賳賴丕賷丞 賲鬲賵賯毓丞 賵胤亘賷毓賷丞 丕賱乇噩賵毓 賲乇丞 兀禺乇賷.. 賮賴匕丕 丕賱亘賱丿 丕氐亘丨 亘賱丿 丕禺乇 賵兀氐亘丨 賲賰丕賳賴賲 賮賶 亘賱丿賴賲 丕賱孬丕賳賶 賵丕賱睾乇亘丞 丕氐亘丨鬲 賮賶 亘賱丿賴賲 丕賱丕氐賱賷丞 丕賱鬲卮賷賰 ..
賵賱賰賳 賯亘賱 丕賱賳賴丕賷丞 丕賱乇賵丕賷丞 賲毓噩亘鬲賳賷卮 賵賲賰賳鬲卮 賯賵賷丞 夭賷 亘丿丕賷鬲賴丕 賵亘丿兀鬲 丕丨爻 亘丕賱賲賱賱 .
兀賵賱 賲乇丞 兀賯乇兀 賱賰賵賳丿賷乇丕 賵賲卮 賴鬲賰賵賳 丕賱丕禺賷乇丞
July 17, 2021
bir kere bekledi臒imden 莽ok daha ak谋c谋 bir dili varm谋艧, ho艧uma gitti. genelde ak谋c谋l谋k ve kolay okunma edebi de臒erden g枚t眉r眉r (sebep-sonu莽 ili艧kisi yoksa da y眉ksek bir korelasyon var) ama burada 枚yle de olmad谋. bahsetti臒i 艧eylerin a臒谋rl谋臒谋ndan ve bahsetme 艧eklinin adeta kelebek gibi u莽up ar谋 gibi sokmas谋ndan olabilir. :)
velhas谋l ilk 眉莽te ikisi muazzam. ama son 眉莽te birle nedense anla艧amad谋m. kitapla el ele tutu艧up h谋zlanarak d枚nm眉艧眉z ve aniden ellerimizi b谋rakm谋艧谋z gibi oldu adeta. daha y眉zeysel bir anlat谋ma ge莽ti臒i i莽in mi? bilemiyorum. 眉zerine bol bol d眉艧眉nece臒im ama, oras谋 kesin.
yine de g枚莽menlik, aidiyet, 枚zlemek, ve en 枚nemlisi dil ile ilgili s枚yledikleri 莽ok k谋ymetli. hem bir jenerasyon 枚ncesine kadar ya艧am谋艧 anadilini bilmeyen, hem de dil 枚臒renmeye ve dil yap谋lar谋na 莽ok ilgi duyan biri olarak b枚yle 艧eylere 莽ok kafa yoruyorum. kundera鈥檔谋n bak谋艧 a莽谋lar谋 da bu a莽谋dan 莽ok ho艧uma gitti.
velhas谋l ilk 眉莽te ikisi muazzam. ama son 眉莽te birle nedense anla艧amad谋m. kitapla el ele tutu艧up h谋zlanarak d枚nm眉艧眉z ve aniden ellerimizi b谋rakm谋艧谋z gibi oldu adeta. daha y眉zeysel bir anlat谋ma ge莽ti臒i i莽in mi? bilemiyorum. 眉zerine bol bol d眉艧眉nece臒im ama, oras谋 kesin.
yine de g枚莽menlik, aidiyet, 枚zlemek, ve en 枚nemlisi dil ile ilgili s枚yledikleri 莽ok k谋ymetli. hem bir jenerasyon 枚ncesine kadar ya艧am谋艧 anadilini bilmeyen, hem de dil 枚臒renmeye ve dil yap谋lar谋na 莽ok ilgi duyan biri olarak b枚yle 艧eylere 莽ok kafa yoruyorum. kundera鈥檔谋n bak谋艧 a莽谋lar谋 da bu a莽谋dan 莽ok ho艧uma gitti.
October 9, 2018
丕賱噩赖賱 兀賵 丕賱丨賳賷賳貙 丕賱噩赖賱 亘丕賱賲爻賯亘賱 賵丕賱賲丕囟賷 賵丕賱丨丕囟乇貙 兀賵 丕賱丨賳賷賳 賱賱賲爻鬲賯亘賱 賵丕賱賲丕囟賷 賵丕賱丨丕囟乇.
丕賱噩赖賱 賵丕賱丨賳賷賳貙 賲賮乇丿鬲賷賳 賲賰賲賱鬲賷賳 賱亘毓囟賴賲丕 賮賷 賴匕賴 丕賱乇賵丕賷丞. 賷鬲賳丕賵賱 賰賵賳丿賷乇丕 亘毓囟 賲卮丕賰賱 丕賱毓氐乇 丕賱丨丿賷孬貙 賵亘毓囟 丕賱賲卮丕賰賱 丕賱廿賳爻丕賳賷丞貙 賴賷 匕丕鬲 丕賱賲卮丕賰賱 丕賱兀孬賷乇丞 賱丿賶 賰賵賳丿賷乇丕貙 賲卮賰賱丞 丕賱丨亘 賵丕賱噩賳爻貙 丕賱廿禺賱丕氐貙 丕賱禺賷丕賳丞貙 丕賱賴賵賷丞.. 賴匕賴 丕賱賲卮丕賰賱 丕賱匕賷 賷毓賷丿 賰賵賳丿賷乇丕 賯賱亘賴丕 賵氐賷丕睾鬲賴丕 亘賲丕 賷鬲賳丕爻亘 賲毓 胤亘賷毓丞 丕賱廿賳爻丕賳 丕賱丨賯賷賯賷丞 亘毓賷丿賸丕 毓賳 丕賱賳賮丕賯 丕賱賳丕鬲噩 毓賳 廿丿毓丕亍 丕賱賮囟賷賱丞 丕賱賲賱丕夭賲 賱賱亘卮乇 賮賷 賴匕丕 丕賱毓氐乇.
賰賲丕 賷禺賵囟 賮賷 賲賵囟賵毓賴 丕賱賲賮囟賱 丕賱丌禺乇 賵賴賵 丕賱丨丕賱 賮賷 馗賱 爻賷丕丿丞 丕賱卮賷賵毓賷丞 賵賲丕 丨丿孬 亘毓丿 爻賯賵胤賴丕 賮賷 亘乇丕睾.
賵賲賵囟賵毓 丕賳丨丿丕乇 丕賱賲賵爻賷賯賶 丕賱賳丕鬲噩 毓賳 丕賳丨丿丕乇 丕賱賮賳 賵孬賯丕賮丞 丕賱毓氐乇 亘爻亘亘 鬲胤賵乇 丕賱鬲賰賳賵賱賵噩賷丕貙 賵賯丿 氐賵乇 賴匕賴 丕賱賳賯胤丞 賮賷 丨丿賷孬賴 毓賳 卮賵賷賳亘乇睾.
賮賷 賴匕賴 丕賱乇賵丕賷丞 賷孬亘鬲 賰賵賳丿賷乇丕 賯丿乇鬲賴 毓賱賶 鬲賰孬賷賮 丕賱賲賵丕囟賷毓 賮賷 賯氐丞 亘爻賷胤丞 丿賵賳 鬲毓賯賷丿貙 睾賷乇 丕賱賲毓鬲丕丿 毓賱賷賴 賯丿 賷卮毓乇 亘鬲賮丕賴丞 賴匕賴 丕賱乇賵丕賷丞 賱賰賳賴丕 亘丕賱毓賰爻 賲賳 兀毓賲丕賱賴 丕賱賲賴賲丞.
丕賱噩赖賱 賵丕賱丨賳賷賳貙 賲賮乇丿鬲賷賳 賲賰賲賱鬲賷賳 賱亘毓囟賴賲丕 賮賷 賴匕賴 丕賱乇賵丕賷丞. 賷鬲賳丕賵賱 賰賵賳丿賷乇丕 亘毓囟 賲卮丕賰賱 丕賱毓氐乇 丕賱丨丿賷孬貙 賵亘毓囟 丕賱賲卮丕賰賱 丕賱廿賳爻丕賳賷丞貙 賴賷 匕丕鬲 丕賱賲卮丕賰賱 丕賱兀孬賷乇丞 賱丿賶 賰賵賳丿賷乇丕貙 賲卮賰賱丞 丕賱丨亘 賵丕賱噩賳爻貙 丕賱廿禺賱丕氐貙 丕賱禺賷丕賳丞貙 丕賱賴賵賷丞.. 賴匕賴 丕賱賲卮丕賰賱 丕賱匕賷 賷毓賷丿 賰賵賳丿賷乇丕 賯賱亘賴丕 賵氐賷丕睾鬲賴丕 亘賲丕 賷鬲賳丕爻亘 賲毓 胤亘賷毓丞 丕賱廿賳爻丕賳 丕賱丨賯賷賯賷丞 亘毓賷丿賸丕 毓賳 丕賱賳賮丕賯 丕賱賳丕鬲噩 毓賳 廿丿毓丕亍 丕賱賮囟賷賱丞 丕賱賲賱丕夭賲 賱賱亘卮乇 賮賷 賴匕丕 丕賱毓氐乇.
賰賲丕 賷禺賵囟 賮賷 賲賵囟賵毓賴 丕賱賲賮囟賱 丕賱丌禺乇 賵賴賵 丕賱丨丕賱 賮賷 馗賱 爻賷丕丿丞 丕賱卮賷賵毓賷丞 賵賲丕 丨丿孬 亘毓丿 爻賯賵胤賴丕 賮賷 亘乇丕睾.
賵賲賵囟賵毓 丕賳丨丿丕乇 丕賱賲賵爻賷賯賶 丕賱賳丕鬲噩 毓賳 丕賳丨丿丕乇 丕賱賮賳 賵孬賯丕賮丞 丕賱毓氐乇 亘爻亘亘 鬲胤賵乇 丕賱鬲賰賳賵賱賵噩賷丕貙 賵賯丿 氐賵乇 賴匕賴 丕賱賳賯胤丞 賮賷 丨丿賷孬賴 毓賳 卮賵賷賳亘乇睾.
賮賷 賴匕賴 丕賱乇賵丕賷丞 賷孬亘鬲 賰賵賳丿賷乇丕 賯丿乇鬲賴 毓賱賶 鬲賰孬賷賮 丕賱賲賵丕囟賷毓 賮賷 賯氐丞 亘爻賷胤丞 丿賵賳 鬲毓賯賷丿貙 睾賷乇 丕賱賲毓鬲丕丿 毓賱賷賴 賯丿 賷卮毓乇 亘鬲賮丕賴丞 賴匕賴 丕賱乇賵丕賷丞 賱賰賳賴丕 亘丕賱毓賰爻 賲賳 兀毓賲丕賱賴 丕賱賲賴賲丞.
November 11, 2020
螛伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 蟺蔚喂 魏伪谓蔚委蟼 蠈蟿喂 畏 芦螁纬谓慰喂伪禄 蔚委谓伪喂 苇谓伪 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟺慰蠀 尉蔚魏喂谓维 渭喂位蠋谓蟿伪蟼 纬喂伪 蟿畏 谓慰蟽蟿伪位纬委伪, 纬喂伪 谓伪 渭喂位萎蟽蔚喂 蟿蔚位喂魏维 纬喂伪 蟿畏谓 苇位位蔚喂蠄萎 蟿畏蟼, 纬喂伪 蟿畏 未喂维蠄蔚蠀蟽畏 蟿蠅谓 蟺蟻慰蟽未慰魏喂蠋谓 蟿畏蟼 萎 纬喂伪 未喂伪蠁慰蟻蔚蟿喂魏维 蔚委未畏 蟿畏蟼. 螘委谓伪喂 苇谓伪 尾喂尾位委慰 蟺慰蠀 未喂蔚蟻蔚蠀谓维 蟿喂蟼 畏位喂魏委蔚蟼 蟿畏蟼 维纬谓慰喂伪蟼, 伪位位维 魏伪喂 伪蠀蟿维 蟺慰蠀 未蔚谓 纬谓蠅蟻委味慰蠀渭蔚 魏维胃蔚 蠁慰蟻维 魏伪喂 渭伪蟼 魏伪胃慰蟻委味慰蠀谓, 蟽蠀蠂谓维 渭蔚 渭畏 伪谓伪蟽蟿蟻苇蠄喂渭慰 蟿蟻蠈蟺慰. 螆谓伪 魏蔚委渭蔚谓慰 纬喂伪 蟿慰 蟿蠀蠂伪委慰 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 魏伪蟿维蟽蟿伪蟽畏蟼, 纬喂伪 蟿慰谓 蟻蠈位慰 蟿慰蠀 苇蟻蠅蟿伪 蟽蟿畏 味蠅萎 魏伪喂 纬喂伪 蠂委位喂伪 未蠀慰 维位位伪, 未慰蟽渭苇谓伪 蠈位伪 渭蔚 伪蟺位蠈蟿畏蟿伪 魏伪喂 蟿伪蠀蟿蠈蠂蟻慰谓伪 渭蔚 渭伪蔚蟽蟿蟻委伪, 蠂蠅蟻委蟼 慰蠉蟿蔚 渭委伪 蟺蔚蟻喂蟿蟿萎 位苇尉畏.
螣 螝慰蠉谓蟿蔚蟻伪 蟽蟿伪 魏伪位蠉蟿蔚蟻伪 魏伪喂 蠅蟻喂渭蠈蟿蔚蟻伪 蟿慰蠀.
螣 螝慰蠉谓蟿蔚蟻伪 蟽蟿伪 魏伪位蠉蟿蔚蟻伪 魏伪喂 蠅蟻喂渭蠈蟿蔚蟻伪 蟿慰蠀.
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