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兀胤乇丕賮 丨丿賷孬 賮賷 氐賯賱賷丞

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"兀胤乇丕賮 丨丿賷孬 賮賶 氐賯賱賷丞" 賴賵 毓賳賵丕賳 乇賵丕賷丞 丕賱兀丿賷亘 丕賱廿賷胤丕賱賶 廿賱賷賵 賮賷鬲賵賷賳賶 貙 賵鬲毓丿 賲賳 毓賷賵賳 丕賱兀丿亘 丕賱廿賷胤丕賱賶 賮賶 丕賱賯乇賳 丕賱毓卮乇賷賳 貙 賵鬲鬲乇噩賲 賱兀賵賱 賲乇丞 廿賱賶 丕賱賱睾丞 丕賱毓乇亘賷丞 . 賵鬲賯賳賷丞 丕賱爻乇丿 丕賱鬲賶 賷爻鬲禺丿賲賴丕 賮賷鬲賵乇賷賳賶 卮丿賷丿丞 丕賱匕丕鬲賷丞貙 賱兀賳賴丕 鬲爻賲丨 亘禺賱賯 噩賵 睾丕賲囟 丨賵賱 丕賱賲卮賴丿 丕賱賲乇賵賶貙 賵賱丕鬲氐乇丨 亘賴 賲亘丕卮乇丞 貙 爻賵丕亍 賲毓 賲賮鬲丕丨 賵丕賯毓賷丞 丕賱丨賱賲 兀賵 乇賲夭賷丞 丕賱賲賯丕賵賲丞 .賰賲丕 兀賳 丕賱禺賷丕賱"丕賱匕賰賶" 賴賵 丕賱兀丿丕丞 丕賱賮賳賷丞 丕賱鬲賶 賷賳噩丨 亘賴丕 賮賷鬲賵乇賷賳賶 賮賶 賵囟毓 丕賱賳氐 丕賲丕賲 丕賱賯丕乇卅 賰賯氐賷丿丞 卮毓乇 賲鬲毓丿丿丞 丕賱賲爻鬲賵賷丕鬲 賮賶 丕賱賯乇丕亍丞 賵丕賱鬲賮爻賷乇 貙 賵賱毓賱 賴匕丕 賴賵 丕賱丿乇爻 丕賱匕賶 丕爻鬲賵毓亘賴 賮賷鬲賵乇賷賳賶 賲賳 卮丕毓乇賷丞 丕賱爻乇丿 賮賶 兀賱賮 賱賷賱丞 賵賱賷賱丞 貙 賵丕賱鬲賶 賳噩丿 賮賷賴丕 鬲賯賳賷丕鬲 丕賱丨賱賲 賵乇賲夭賷丞 丕賱賲賯丕賵賲丞

257 pages, Paperback

First published January 1, 1941

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About the author

Elio Vittorini

97books85followers
Elio Vittorini (July 23, 1908 - February 12, 1966) was an Italian writer and novelist. He was a contemporary of Cesare Pavese and an influential voice in the modernist school of novel writing. His best-known work is the anti-fascist novel Conversations in Sicily, for which he was jailed when it was published in 1941. The first U.S. edition of the novel, published in 1949, included an introduction from Ernest Hemingway, whose style influenced Vittorini and that novel in particular.

Vittorini was born in Syracuse, Sicily, and throughout his childhood moved around Sicily with his father, a railroad worker. Several times he ran away from home, culminating in his leaving Sicily for good in 1924. For a brief period, he found employment as a construction worker in the Julian March, after which he moved to Florence to work as a type corrector (a line of work he abandoned in 1934 due to lead poisoning). Around 1927 his work began to be published in literary journals. In many cases, separate editions of his novels and short stories from this period, such as The Red Carnation were not published until after World War II, due to fascist censorship. In 1937, he was expelled from the Fascist Party for writing in support of the Republican side in the Spanish Civil War.

In 1939 he moved once again, this time to Milan. An anthology of American literature which he edited was, once more, delayed by censorship. Remaining an outspoken critic of Mussolini's regime, Vittorini was arrested and jailed in 1942. He joined the Italian Communist Party and began taking an active role in the Resistance, which provided the basis for his 1945 novel Men and not Men. Also in 1945, he briefly became the editor of the Italian Communist daily L'Unit脿.

After the war, Vittorini chiefly concentrated on his work as editor, helping publish work by young Italians such as Calvino and Fenoglio. His last major published work of fiction during his lifetime was 1956's Erica and her Sisters. The news of the events of the Hungarian Uprising deeply shook his convictions in Communism and made him decide to largely abandon writing, leaving unfinished work which was to be published in unedited form posthumously. For the remainder of his life, Vittorini continued in his post as an editor. He also ran a candidate on a PSI list. He died in Milan in 1966.

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Displaying 1 - 30 of 241 reviews
Profile Image for Steven Godin.
2,749 reviews3,162 followers
January 5, 2025

I don't normally read forewords and introductions before starting a book but in this case I did. No reason why, just thought I would for once. And was pleased to learn that both Hemingway and Calvino highly praised this work. So that got the positive vibes going before actually cracking on with the novel itself. And for the most part, It didn't disappoint. Now it's clear why both thought Conversations in Sicily was the business, as not only is it a mighty reminder of the power of modernism, it also serves as a lesson that you don't need fancy show-off Intellectual style prose to pull off an effective novel. The balance of pacing and tone of voice have been so well rendered here that it's possible to not be aware of either.

Elio Vittorini was an Italian communist, and his novel is, within the constraints of the censorship of the period, explicitly political. But the political side is in this instance also a personal one, and the spinning of time brings in his ironies. Vittorini's narrator Silvestro decides on a whim to take a cheap weekend return ticket on the train down from Milan, where he lives and works, to revisit his native Sicily and the mother he has not seen for 15 years. He bumps into various characters on his trip, including two being called whiskers and without whiskers, others being a knife grinder, and a soldier, with each traveller reminding Silvestro in different ways about the character of the land he has left, its customs, and strong rooted beliefs. After travelling through the mountains, and arriving at his mother's village, he takes the walk up the steep steps to her home with a birthday card. And it's here, once the dialogue of mother and son kicks in, where Vittorini really shines. The return to a house unchanged since boyhood creates a dreamlike reality. A merging of his child and adult selves.

Here a conversation bounces back and forth similar to that of a play, and enlarges the present with the past and the past with the present, giving the reader an experience that is vividly new, yet familiar. The dialogue heavy scenes constitute the disaffected heart of the book, and it is very hard to give any adequate sense of their power, rendered in lucid, supple lines of almost Homeric simplicity by Vittorini. This is a novel of knowledge and experience, memory and place, dealing with the loss of the past, and the attempts to recover it through words. Oh, and then there is the wine, bread, oil, herrings, chicory, snails, and melons. It was all making me rather peckish.

Overall I found the narrative both moving and amusing, and picked up on a few little interesting details that I must have missed reading it the first time round.
Profile Image for Violet wells.
433 reviews4,208 followers
August 20, 2021
This was written and published during the fascist era and therefore had to get by the stringent punitive censorship of the time. The irony is the book owes its form and much of its beauty to the imperative of eluding censorship. It wouldn't have been written in this form if not for censorship. A rare case of censorship doing the artist a massive favour. Compelling him to innovate and mask meaning with artful subtlety.

Because of the hugely overshadowing Nazi death camps history has turned into little more than a footnote what Mussolini did in Abyssinia in 1935. When, among other Italian atrocities, the Italian air force sprayed native villages with mustard gas. This book's starting point is probably the deep shame and disgust any decent human being would feel at this cowardly act done in the name of his country. It begins with the line, "That winter I was in the grip of abstract furies. I won't be more specific."

The narrator, on the spur of the moment, decides to visit his mother in Sicily who he hasn't seen for fourteen years. Elio Vittorini has a musical ear and his prose is incantatory with its beautiful refined repetitive rhythms. The journey undertaken by the narrator is as much a journey back in time as through space. His conversations like a dialogue with the deepest part of his being as well as with the land of his birth.

Unfortunately for me the beautiful mysterious spell it was casting fizzled out a bit in the last third when the narrator gets drunk and overly maudlin and then has a conversation with his dead brother. Nevertheless, a magical innovative book which artfully not only overcomes the obstacle of censorship but uses censorship as a kind of forge in which to craft the work.
Profile Image for William2.
819 reviews3,836 followers
January 18, 2019
Sicily was once like Papua New Guinea in this sense: Until the early part of the last century there existed鈥攎ay still exist鈥攚ithin its mountainous interior, an enigmatic ancient culture. This Sicilian culture is rife with superstition, fear of the Evil Eye, and penetrated only superficially by Catholicism. In this sense it reminds me of the primitive villages written about by Carlo Levi in his , but the eerie sense of diconnection from the rest of the world goes even further here. This is one of the most transporting books I have ever read. Every ten pages or so resolve themselves in little narrative paradoxes reminiscent of Zen koans. It's not hard to see why , who contributes a brief introduction, was attracted to its bleak, almost magical economy. Moreover, it has filled out the Sicilian landscape for me that I was already in part familiar with from the work of and . One of the great books of life.
Profile Image for Sawsan.
1,000 reviews
September 19, 2021
賲爻丕乇 賷毓賵丿 賮賷賴 丕賱乇丕賵賷 廿賱賶 亘賱丿鬲賴 賮賷 氐賯賱賷丞 亘毓丿 15 毓丕賲 賲賳 丕賱乇丨賷賱
兀丨丕丿賷孬 賵匕賰乇賷丕鬲 賵賲卮丕賴丿丕鬲 禺賱丕賱 丕賱乇丨賱丞 丕賱鬲賷 丕爻鬲睾乇賯鬲 3 兀賷丕賲
兀胤乇丕賮 丕賱丨丿賷孬 賲禺鬲賱賮丞 賵賮賷賴 賲賱丕賲丨 毓賳 丕賱丨丕賱 丕賱毓丕賲 賮賷 氐賯賱賷丞 賮鬲乇丞 丕賱孬賱丕孬賷賳賷丕鬲
丕賱爻乇丿 亘胤卅 賵賱噩兀 賮賷賴 賮賷鬲賵乇賷賳賷 賱賱乇賲夭 賲賳 禺賱丕賱 亘毓囟 丕賱卮禺氐賷丕鬲
丕賱鬲乇噩賲丞 睾賷乇 爻賱爻丞 賮賷 丕賱丨賵丕乇丕鬲
Profile Image for Maziyar Yf.
736 reviews522 followers
April 27, 2022
丕賱蹖賵 賵蹖鬲賵乇蹖賳蹖 賳賵蹖爻賳丿賴 丕蹖鬲丕賱蹖丕蹖蹖 亘賵丿賴 讴賴 丿乇 夭賲丕賳 丕爻鬲亘丿丕丿 賵 丕禺鬲賳丕賯 賮丕卮蹖爻鬲 賴丕 丿乇 丕蹖鬲丕賱蹖丕 賲蹖 夭蹖爻鬲賴 貙 讴鬲丕亘 诏賮鬲 賵 诏賵 丿乇 爻蹖爻蹖賱 乇丕 亘賴 毓賳賵丕賳 賲卮賴賵乇鬲乇蹖賳 丕孬乇 丕賵 賵 丕賱亘鬲賴 蹖讴 賳賵卮鬲賴 囟丿 賮丕卮蹖爻鬲蹖 賲蹖 卮賳丕爻賳丿 .
讴鬲丕亘 丕賵 丿乇 賲賵乇丿 爻蹖賱賵爻鬲乇 貙 噩賵丕賳蹖 丕蹖爻鬲 讴賴 鬲氐賲蹖賲 诏乇賮鬲賴 鬲丕 倬爻 丕夭 15 爻丕賱 貙 亘賴 夭丕丿诏丕賴 賴 禺賵丿 乇賵爻鬲丕蹖蹖 丿乇 爻蹖爻蹖賱 乇賮鬲賴 賵 賲丕丿乇 禺賵丿 乇丕 亘亘蹖賳丿 貙 爻賮乇 讴賵鬲丕賴 丕賵 賵 诏賮鬲 賵 诏賵賴丕蹖 毓噩蹖亘 爻蹖賱賵爻鬲乇 亘丕 賲爻丕賮乇丕賳 賯胤丕乇 貙 賳賲丕蹖蹖 讴賱蹖 丕夭 丕蹖鬲丕賱蹖丕蹖蹖 賴丕蹖 亘蹖 丌乇夭賵 賵 丕賮爻乇丿賴 乇丕 賳卮丕賳 賲蹖 丿賴丿 .
丕賯丕賲鬲 讴賵鬲丕賴 丕賵 亘丕 诏賮鬲 賵 诏賵 亘丕 賲丕丿乇 賵 诏卮鬲 賵 诏匕丕乇 丿乇 乇賵爻鬲丕 賵 丿蹖丿賳 賮賯乇 賵 賮賱丕讴鬲 乇賵爻鬲丕蹖蹖丕賳 賵 丨鬲蹖 氐丨亘鬲 亘丕 乇賵丨 亘乇丕丿乇 亘賴 倬丕蹖丕賳 乇爻蹖丿賴 賵 丕賵 毓丕夭賲 賲蹖賱丕賳 賲蹖 卮賵丿 .
诏賮鬲 賵 诏賵 丿乇 爻蹖爻蹖賱 亘丕蹖丿 爻乇卮丕乇 丕夭 賳賲丕丿賴 賴丕 亘賵丿賴 亘丕卮丿 貙 賲丕賳賳丿 诏賮鬲 賵 诏賵蹖 爻蹖賱賵爻鬲乇 亘丕 趩丕賯賵 鬲蹖夭 讴賳 貙 蹖丕 亘丕 丕賮乇丕丿蹖 丿乇 賯胤丕乇 貙 丕賲丕 丕蹖賳 賳賲丕丿賴丕 賵 賲毓丕賳蹖 丌賳 貙 丕賮夭賵賳 亘乇 丿乇 賱賮丕賮賴 賵 爻乇亘爻鬲賴 亘賵丿賳 丕賳鬲賯丕丿賴丕 丕夭 乇跇蹖賲 賮丕卮蹖爻鬲蹖 讴鬲丕亘 乇丕 亘賴 丕孬乇蹖 诏購賳诏 鬲亘丿蹖賱 讴乇丿賴 丕爻鬲 .
Profile Image for Ivana Books Are Magic.
523 reviews275 followers
November 30, 2019
This lyrical modernist novel is a beautifully written tale of a man trying to find sense among the dire reality of war. Its dreamy prose comes with a strong anti-war sentiment. Narrated by a man who upon realizing that he is unable to feel anything decides to travel back home i.e. Sicily to reconnect with his roots, this book feels authentic. As the ancient nun from the film The Great Beauty (La Grande Bellezza) points out, roots are indeed important. ( Her lines if I remember well: ...'Do you know why I eat only roots? Because roots are important.')

Author's note says: "I warn the reader that, just as the protagonist of these Conversations is not the author, so the Sicily in which this story takes place is Sicily only by chance." Still, the novel manages to portray some of the tastes and smells of the southern Italy. That is what I meant when I say that it is surreal, in one moment it is realistic and in the other it is not.

One moment you have a feeling you're in Sicily and the other you feel you're lost in the narrator's thoughts. I spent 4 months of my life working and living in Sicily. I turned twenty there and officially left the teenage years behind me. Even if this book isn't specifically about Sicily, one can feel a touch of Sicily in it, a reflection of that magical and mysterious island where so many cultures left their trace. In one way it is Sicily and in another it isn't- it could be any place that is isolated just as narrator could be any man that is isolated, that cannot find answers or consolation, that goes numb from the horrors of the world surrounding him. For this is perhaps first and foremost a work of anti-war prose.

Indeed, this modernist novel is not too focused on Sicily. It is a part of the story, but not its main point. Set in Sicily but perhaps more in the head of its narrator, this book takes us through an odyssey of sorts. With whom the narrator converses in Sicily? With a number of people, but mostly with himself. This books speaks to its reader in a dreamy language. If you're a fan of a straightforward lineal narrative, well this might not be the best book for you.

This is not a typical novel, but then most antiwar prose is not typical, at least the one that is any good. It is not driven by plot. If it can be said to be philosophical then it is philosophical in a mild or indirect way. If I had to compare it with a work of literature, it would be Camino Real by Tennessee Williams. That play is not antiwar writing as far as I remember it, but for some reason that play of Tennessee Williams is the first thing that comes to my mind.


Italo Calvino said this is "the book- Guernica". I can see why he said it, like the famous Guernica this novel is fragmented, full of pain and inspired by horrors of war. However, personally I would opt for one of Dali's painting if I had to make a comparison. Conversation in Sicily has that unusual, uncanny, surreal and dreamy quality od Dali's art.

This is one of those books I wish I had the time to reread some time soon, but I think a reread will have to wait. Not that I have any problems recalling the events in this book and the dreamy quality of writing. When I reread it, I will do it for the pleasure of reading, not because I have forgotten what this book was about. What it was about? As all great works of literature, it is about a great many things. About isolation, about what it means to be human, to search for meaning amidst the horrors of war.

...Thus those who suffered personal misfortune and those who suffered the pain of the wronged world were together in the nude tomb of wine, and could be like spirits, finally parted from this world of suffering and wrongs.鈥�

The novel opens like this: ..." That winter I was in a grip of abstract furies. I won't be more specific, that's not what I've set out to relate. But I have to say that they were abstract, not heroic, not living; in some way they were furies for all doomed humanity." What was he out to relate besides the obvious (the opposition against war)? Without wanting to speculate in too much detail or give any definite answer, I can say that whatever it was I liked it. I liked this dreamy and lyrical novel. I remember it fondly. I long for a reread.
Profile Image for Arwen56.
1,218 reviews318 followers
March 15, 2015
Conversazione in Sicilia non 猫 un libro semplice da leggere, bench茅 estremamente scarno. Il registro narrativo 猫 molto spiazzante. C鈥櫭� un mix di situazioni realistiche e oniriche al contempo. E鈥� una specie di 鈥淔ellini 8 e mezzo鈥� letterario, se vogliamo.
Come vi immaginerete, dunque, di interpretazioni ne sono state date tante. Ma ciascuno deve trovare la propria, senza dar retta a quelle altrui.
Io mi sono innamorata del piccolo e soave siciliano che porge disperato le arance a sua moglie. Mi sono innamorata del Gran Lombardo che aveva tre belle figlie femmine e che pensava ci fossero altri e pi霉 degni doveri da compiere. Mi sono innamorata del vecchio miele che ancora pu貌 essere smosso nella madre del narratore. Mi sono innamorata dell鈥檃rrotino che potrebbe, se lo volessi, rendere pi霉 aguzzi i miei denti e le mie unghie.
Ma 猫 stato un percorso del tutto personale. Come lo sar脿 il vostro, se deciderete di leggerlo.
Profile Image for Paul Bryant.
2,362 reviews11.9k followers
March 25, 2024
Absolutely no idea what this one was all about. It wandered from amiable comedic whimsy into poetical landscapery (perfectly nice) and then into manic repetition (perfectly irritating) :

P143 :

It鈥檚 a shame to wrong the world

What are you, a worldly person or one who wrongs the world?

Aren鈥檛 you someone who wrongs the world?

Sometimes we confuse the petty things of the world with wrongs to the world.


(Then for a whole page, nothing about wronging the world. But then )

P145

Earth not yet contaminated by the world鈥檚 wrongs, the wrongs that take place on the earth

Yes, my friend, the world has been wronged


P146

The world has been wronged

He鈥檚 suffering the pain of the wronged world


P147

And he鈥檚 suffering the pain of the wronged world

The world has been badly wronged


(Building up to the final crescendo)

P148

Our friend knows that we鈥檙e suffering the pain of the wronged world

The world is big and beautiful but it has been badly wronged

Everyone suffers each for himself, but not for the world that has been wronged

I am writing down the pains of the wronged world


It doesn鈥檛 stop there, but I will spare you the wronged worlds on page 149 (three times) and 150 (twice). There is clearly something going on here which went whizzing over my head. This novel is supposed to be in one sense a cryptic covert criticism of Mussolini鈥檚 Fascist regime, but I did not get any of that, and I did not get what all this strange repetition was for. So I am thinking that I am not the right reader of this oddball novel. But it is in 1001 Books you Should Read Because We Say So
Profile Image for Carlo Mascellani.
Author听15 books288 followers
January 19, 2023
Scoprirsi tornando alle proprie origini, riportando indietro il tempo sino a riappropriarsi del passato e trovarvi ci貌 che le distrazioni del presente spesso hanno sbiadito. Cogliere una visione diversa degli eventi, ampliare gli orizzonti, rivedere, perch茅 no, molti dei pregressi giudizi, in bene o in male. Credo sia questo il tema portante della storia. Ottimi i dialoghi, molto buone le caratterizzazioni dei personaggi. Si respirano gli odori, si sentono i suoni, si entra in un mondo di materia viva e sapida. Eppure non 猫 un romanzo che mi abbia particolarmente catturato. De gustibus...
Profile Image for Laura Gotti.
541 reviews628 followers
June 14, 2022
Da anni nella mia lista, riesco finalmente a leggerlo e a trascinarmi in questo mondo lontano e perduto, raccontato con gli occhi di un figlio e di una madre che si ritrovano dopo anni di lontananza. Ma, forse, non si ritrova solo la madre ma un mondo che non si riconosce pi霉 eppure profondamente radicato dentro di s茅. 脠 la storia di chi si allontana da casa e poi torna, dei fantasmi che si ritrovano, degli odori di paese, del viaggio fitto di pensieri, di cimiteri e di androni perduti, di profumi e di odori, di cibi e di mancanze.

Pensavo di leggere un'altra storia, invece mi sono trovata in questa conversazione cos矛 lontana e cos矛 vicina.
Profile Image for 氐丕賳.
428 reviews398 followers
July 22, 2019
讴鬲丕亘 毓噩蹖亘蹖 亘賵丿. 賳賵蹖爻賳丿賴 亘賴 噩夭卅蹖丕鬲 丨爻鈥屬囏й� 亘丿賳蹖 夭蹖丕丿 鬲賵噩賴 賲蹖鈥屭┴必�. 賱賲爻鈥屬囏� 賵 亘賵鈥屬囏� 賵 賲夭賴鈥屬囏� 賵 賱丨馗賴鈥屬囏й� 禺賵乇丿賳. 鬲賵卮 鬲丕讴蹖丿賴丕蹖蹖 乇賵蹖 趩蹖夭賴丕蹖蹖 毓丕丿蹖 賲蹖鈥屫柏ж簇�. 丕鬲賲爻賮乇爻丕夭蹖賽 讴鬲丕亘 賴賲 禺蹖賱蹖 毓丕賱蹖 亘賵丿. 讴賵賴爻鬲丕賳 賵 氐丿丕賴丕卮 賵 禺丕賳賴鈥屬囏й� 乇賵蹖 賴賲 爻丕禺鬲賴 卮丿賴鈥屰� 爻蹖爻蹖賱. 丿乇 讴賳丕乇 丕蹖賳鈥屬囏� 蹖賴 丨丕賱 賵 賴賵丕蹖 噩丕丿賵蹖蹖 賴賲 丿丕卮鬲貙 丌丿賲鈥屬囏й� 讴丕乇蹖讴丕鬲賵乇蹖貙 卮亘蹖賴 讴丕乇丕讴鬲乇賴丕蹖 賳賲丕蹖卮鈥屬囏й� 讴賲丿蹖丕 丿賱 丌乇鬲賴. 賲囟賲賵賳 讴鬲丕亘 趩蹖夭蹖 卮亘蹖賴 倬蹖丿丕 讴乇丿賳 丕鬲賮丕賯蹖 亘乇丕蹖 卮讴爻鬲賳 夭賳丿诏蹖 乇賵夭賲乇賴 亘賵丿. 丌丿賲賽 丕蹖賳 讴鬲丕亘 丿賳亘丕賱 賴賲趩蹖賳 趩蹖夭蹖 亘賵丿. 賲爻丕賱賴 丕賲乇 乇賵夭賲乇賴 賵 丕賲乇 賯賴乇賲丕賳蹖. 丕賲乇 賯賴乇賲丕賳蹖 賴賲 趩蹖夭蹖賴 讴賴 毓丕丿鬲 乇賵 賲蹖鈥屫蹿┵堎嗁�. 趩蹖夭蹖 賮乇丕鬲乇 丕夭 賲爻卅賵賱蹖鬲鈥屬囏й� 乇賵夭賲乇賴 丌丿賲鈥屬囏�. 賵 卮禺氐蹖鬲 丕賳诏丕乇 丿賳亘丕賱 賴賲趩蹖賳 趩蹖夭蹖 亘賵丿 賵 鬲賵 爻賮乇 亘丕 丕亘毓丕丿 賲鬲賮丕賵鬲 丕蹖賳 賲爻丕賱賴 乇賵亘乇賵 賲蹖鈥屫簇�.

讴鬲丕亘 賲鬲賮丕賵鬲蹖 亘賵丿!
Profile Image for Marcello S.
618 reviews275 followers
April 12, 2021
Silvestro abita al nord, 猫 smarrito e si rende conto di non sentire pi霉 nulla. Decide di tornare a casa dopo 15 anni, in Sicilia, per ritrovare la madre e riconnettersi alle sue radici. Scopre una societ脿 frenata, senza speranza, arrabbiata e confusa, ma dotata di una saggezza ancestrale.

Romanzo politico, onirico, enigmatico.
Prosa accessibile, colma di ripetizioni e paradossi narrativi, dove ogni frase allude a qualcos鈥檃ltro.
I vari personaggi (Calogero, Ezechiele, Porfirio, Colombo鈥�) rappresentano diverse tipologie di pensiero, in bilico tra materialismo, idealismo, cattolicesimo e regime.
Estremamente simbolico, in certi frangenti inafferrabile.
Incipit portentoso.

[74/100]


Io ero, quell鈥檌nverno, in preda ad astratti furori. Non dir貌 quali, non di questo mi son messo a raccontare. Ma bisogna dica ch鈥檈rano astratti, non eroici, non vivi; furori, in qualche modo, per il genere umano perduto. Da molto tempo questo, ed ero col capo chino. Vedevo manifesti di giornali squillanti e chinavo il capo; vedevo amici, per un鈥檕ra, due ore, e stavo con loro senza dire una parola, chinavo il capo; e avevo una ragazza o moglie che mi aspettava ma neanche con lei dicevo una parola, anche con lei chinavo il capo. Pioveva intanto e passavano i giorni, i mesi, e io avevo le scarpe rotte, l鈥檃cqua che mi entrava nelle scarpe, e non vi era pi霉 altro che questo: pioggia, massacri sui manifesti dei giornali, e acqua nelle mie scarpe rotte, muti amici, la vita in me come un sordo sogno, e non speranza, quiete.

Era una piccola Sicilia ammonticchiata, di nespoli e tegole, di buchi nella roccia, di terra nera, di capre, con musica di zampogne che si allontanava dietro a noi, e diventava nuvola o neve, in alto.

L鈥檜omo Ezechiele si mise a riepilogare: - Il mondo 猫 grande ed 猫 bello, ma 猫 molto offeso. Tutti soffrono ognuno per se stesso, ma non soffrono per il mondo che 猫 offeso e cos矛 il mondo continua ad essere offeso.

Eravamo immersi nella notte, ormai, e le voci si abbassarono, nessuno pi霉 avrebbe potuto udirci parlare. Stavamo vicini, con le teste vicine, e l鈥檜omo Porfirio era come un enorme cane nero di San Bernardo che tenesse raccolti tutti e se stesso nel calore del suo pelo. A lungo egli parl貌 dell鈥檃cqua viva; e parl貌 l鈥檜omo Ezechiele, parl貌 l鈥檃rrotino; e le parole furono notte nella notte e noi fummo ombre, io credevo di essere entrato in un conciliabolo di spiriti.

Ad evitare equivoci o fraintendimenti avverto che, come il protagonista di questa Conversazione non 猫 autobiografico, cos矛 la Sicilia che lo inquadra e accompagna 猫 solo per avventura Sicilia; solo perch茅 il nome Sicilia mi suona meglio del nome Persia o Venezuela. Del resto immagino che tutti i manoscritti vengano trovati in una bottiglia.
Profile Image for Ffiamma.
1,319 reviews148 followers
May 15, 2013
"io ero, quell'inverno, in preda ad astratti furori. non dir貌 quali, non di questo mi son messo a raccontare. ma bisogna dica ch'erano astratti, non eroici, non vivi; furori, in qualche modo, per il genere umano perduto..."
(come si fa a non amare un libro con un incipit simile?)
Profile Image for youmnaa teleb.
187 reviews104 followers
March 27, 2024
"丕賱毓丕賱賲 賰亘賷乇 賵噩賲賷賱貙 賵賱賰賳賴 賲賴丕賳 噩丿賸丕. 丕賱噩賲賷毓 賷毓丕賳賵賳貙 賰賱 賱丨丕賱賴貙 賵賱賰賳賴賲 賱丕 賷毓丕賳賵賳 賲賳 兀噩賱 丕賱毓丕賱賲 丕賱賲賴丕賳貙 賵賴賰匕丕 賷馗賱 丕賱毓丕賱賲 賲賴丕賳丕"

噩賲賱丞 鬲購賱禺氐 賮賰乇丞 丕賱乇賵丕賷丞.. 鬲丿賵乇 兀丨丿丕孬 丕賱乇賵丕賷丞 丨賵賱 "爻賷賱賮爻鬲乇賵" 丕賱匕賷 賷鬲賱賯賶 乇爻丕賱丞 賲賳 兀亘賷賴 賷胤賱亘 賲賳賴 丕賳 賷夭賵乇 兀賲賴 "賰賵賳卮鬲爻賷賵賳賷" 賱鬲賴賳卅鬲賴丕貨 賱賷賯乇乇 爻賷賱賮爻鬲乇賵 - 亘毓丿 毓賳丕亍 賲賳 丕賱鬲賮賰賷乇 賵丕賱丨賷乇丞- 丕賱匕賴丕亘 賱兀賲賴 賵賷賯囟賷 伲 兀賷丕賲 賮賷 丕賱賲丿賷賳丞.

丕爻鬲禺丿賲 丕賱賰丕鬲亘 丕賱乇賲夭賷丞 賮賷 亘毓囟 丕賱賲賵丕賯賮 賰賲丕 兀賳賴 賷毓鬲賲丿 毓賱賶 賲丕 賷乇丕賴 賮賷 賴賱賵爻丕鬲賴 賵兀丨賱丕賲賴 賮賷 丕賱丨賵丕乇 賲毓 丕賱卮禺氐賷丕鬲 兀賵 丨鬲賶 賲毓 賳賮爻賴 亘胤乇賷賯丞 賲購丿賴卮丞 亘丕賱賳爻亘丞 賱賷..
(丕賷賴 鬲賯賳賷丞 丕賱爻乇丿 丕賱乇賴賷亘丞 丿賷 丕賱賱賷 賴賷 賲賮賴賵賲丞 賵賲卮 賲賮賴賵賲丞 賮賷 賳賮爻 丕賱賵賯鬲!)

丕賱乇賵丕賷丞 乇丕卅毓丞 賷購毓賷亘賴丕 胤乇賷賯丞 丕賱丨賵丕乇 亘賷賳 丕賱卮禺氐賷丕鬲
丕賱鬲乇噩賲丞 賰賵賷爻丞
Profile Image for 厂漏补笔.
407 reviews72 followers
March 1, 2013
Diffido sempre di certe... esegesi, a meno che non si tratti di poesia, di un testo antico, ricco di arcaismi, oppure - con le debite cautele - di un testo sacro. Retaggi dell'insegnamento ricevuto, tutt'ora buono, nonch茅 primi rudimenti di reale democrazia. La Comunicazione 猫, e resta, un sistema a due vie; altrimenti 猫 altro.
Difficile, quindi, digerire le prime 135 pagine di questo libro. Saggi, spiegazioni, tutorial e, soprattutto, esegesi. Di un moderno romanzo in prosa. Che peso!
Terminare la lettura del romanzo 猫 stata un'altra impresa, proprio per gli sforzi, moltiplicati, di lasciare fuori tutto ci貌 che non fosse un sano stream of conscious reading; o un dialogo intellettuale diretto con lo scrittore, con la sua storia scritta. E ci貌 proprio a causa delle prefazioni
Un vero peccato. Perch茅 il testo vale. E' intenso, struggente. Dipinge un cammino intimo alla ricerca di cardini, di valori, o radici da cui ripartire, abbinandolo a un vero quanto improvvisato "viaggio a ritroso". E' ricco di momenti di poesia narrativa; tecnicamente interessante (l'ipnosi generata dalle iterazioni; l'effondersi di atmosfere non descritte, percepite solo attraverso certe titubanze del monologo interiore; le parole pesate al grammo, scelte per suonare...) C'猫 molto, considerata l'epoca in cui fu scritto. Compresa una certa audacia; sulle caratteristiche della quale - per貌 -, sia letterarie che sociali, andrebbe aperto un simposio. Aggiungo che la valenza politica di queste pagine risulterebbe, ancora oggi, assai pi霉 efficace, naturale e dignitosa, se non fosse preceduta e accompagnata sempre dalla pletora di teorizzazioni stucchevoli, ridondanti spiegazioni per adepti e non addetti, e da un flusso di accrediti, che in qualche modo la smitizzano.
La celebrazione inutile 猫 un limite di cui gran parte del nostro tessuto sociale non si liberer脿 mai.
Profile Image for Ivana.
241 reviews129 followers
October 23, 2012
Italo Calvino said this is "the book- Guernica". I can see why he said it, like the famous Guernica this novel is fragmented, full of pain and inspired by horrors of war. However, personally I would opt for one of Dali's painting if I had to make a comparison. Conversation in Sicily has that unusual, uncanny, surreal and dreamy quality od Dali's art.


This is not a typical novel, but then most antiwar prose is not typical, at least the one that is any good. It is not driven by plot. If it can be said to be philosophical then it is philosophical in a mild or indirect way. If I had to compare it with a work of literature, it would be Camino Real. That play is not antiwar writing as far as I remember it, but for some reason that play of Tennessee Williams is the first thing that comes to my mind.


Author's note says: " I warn the reader that, just as the protagonist of these Conversations is not the author, so the Sicily in which this story takes place is Sicily only by chance."
Still, the novel manages to portray some of the tastes and smells of the southern Italy. That is what I meant when I say that it is surreal, in one moment it is realistic and in the other it is not. In one way it is Sicily and in another it isn't- it could be any place that is isolated just as narrator could be any man that is isolated, that cannot find answers or consolation, that goes numb from the horrors of the world surrounding him.

The novel opens like this: " That winter I was in a grip of abstract furies. I won't be more specific, that's not what I've set out to relate. But I have to say that they were abstract, not heroic, not living; in some way they were furies for all doomed humanity." What was he out to relate? Without wanting to speculate or give any definite answer, I can say that whatever it was I liked it.


Profile Image for Tyrone_Slothrop (ex-MB).
804 reviews106 followers
April 4, 2019
Viaggio onirico in Trinacria

Ancora fondamentale e validissimo questa celebre opera di Vittorini: se (forse) la materia sociale e politica mostra gli anni passati, lo stile di scrittura e la struttura del romanzo lo mantengono ancora stimolante e stratificato anche per il lettore contemporaneo.
Mi ha ricordato (mutatis mutandis) un altro importante viaggio onirico della letteratura, quel che rimane pietra miliare della cultura sudamericana.
La lenta ascensione da una dimensione terrestre e terragna 猫 realizzata prima di tutto con lo stile, in cui le continue ripetizioni di parole e frasi (spesso particolari e strane nel contesto) danno un senso di ridondante litania, in una sorta di barocco sonoro (appropriatamente, arrivando in Sicilia).
Su questa colonna sonora si dipanano gli incontri del protagonista che appaiono dapprima realistici ed episodici, ma finiscono per assumere un carattere allegorico sempre pi霉 forte, in particolare nella quarta parte dove i "conversatori" divengono simboli della Patria, del Partito, della Chiesa.
Ma questa struttura teorica non nuoce particolarmente al romanzo che in effetti rappresenta tutte le pulsioni sentimentali e i pensieri socio-politici che scuotono il protagonista.
I moltissimi rimandi culturali (a partire da Shakespeare fino alla drammaturgia greca fino alla conclusione del libro centrata sulla figura del fratello morto) rendono questo libro estremamente denso, nonostante la scrittura apparentemente semplice.
Profile Image for Jeanette.
3,892 reviews813 followers
August 21, 2015
The first 8 or 9 pages I audibly sighed. Not my style, I thought. So arrogant, so self-centered, so male "all about me" with most others not given names, just basic descriptive categories. Women, wives, girlfriends basically in the "them" category of mere landscape mention.

But no, it was fabulous. I almost gave it a 5. He hits the very essence of Sicilian perceptions and self-identity. And the exact kinds of communication and sensibilities that result.

In the rock, in the prickly pear, in the Mother's life- every aspect- this author is Sicily. And a Sicilian looking at the world of the "Big Lombard" that is away- he knows.

Enjoyable and fabulous read. There are quotes worth rereading on every other page that relate to human nature, trust- so much of the essence of being alive- when you "understand" the Sicilian conversations.
Profile Image for Seth.
111 reviews
February 9, 2013
This relatively obscure (and difficult-to-find) short novel is not at all what I expected. I learned about it from reading 鈥淭he Age of Doubt,鈥� #14 in Andrea Camilleri鈥檚 Inspector Montalbano series. Camilleri indicated that 鈥淐onversations in Sicily鈥� offered a critique of the rise of fascism in Italy. No doubt, but the short novel is so subtle and allegorical that the point is never made explicitly. There are only allusions, including to Shakespeare鈥檚 Macbeth, and flights of magical realism. Perhaps one should consider, as a review in the Guardian suggests, that Vittorini, who for a period was communist, very likely could have published such a critique only on a very abstract plane:

Although I was somewhat disappointed by Vittorini's indirectness, I still found this mysterious novel oddly compelling. The protagonist, an alienated and marginally employed man from northern Italy, visits his ancestral Sicily after an absence of 15 years. In his casual contacts and cryptic conversations with ordinary Sicilians, he encounters the despair of common people crushed by desperate poverty鈥攁n orange vendor who bitterly eats his own oranges--his and his ailing wife鈥檚 only sustenance--because he cannot find any buyers and a knife grinder who similarly cannot find enough customers with tools to sharpen. He discovers a Sicilian society held back by a primitive agrarian economy鈥攚oefully underdeveloped in contrast to the industrial north. Even more profoundly, this wretched society was adrift, hopeless, angry, and confused.

The protagonist鈥檚 mother has a third-grade education, but the wisdom of a peasant. As the reviewer notes, from the author鈥檚 perspective she embodies realism. Despite repeated probing conversations, the son (Silvestro) is unable to overcome the chasm that has opened up between him and his mother (Concezione), between his present and his past. This same realism causes her to cast doubt on her son鈥檚 claim that she should be honored and envied for having lost another son in war.

Concezione: 鈥淗is death honors me?鈥�
Silvestro: 鈥淒ying he brought honor to himself鈥︹€�
Concezione: 鈥淎nd that鈥檚 why I鈥檓 fortunate?鈥�
Silvestro: 鈥淭he honor reflects back on you. You gave birth to him.鈥�
Concezione: 鈥淏ut I鈥檝e lost him, now. I should call myself unfortunate.鈥�
Silvestro: 鈥淣ot at all. Losing him you鈥檝e gained him. You are fortunate.鈥�

Concezione resists Silvestro鈥檚 attempt to comfort her by comparing her sacrifice to the pride that Cornelia Scipionis Africana, a Roman noblewoman, had in her sons. Cornelia famously replied to a question about her modest attire by pointing to her sons: 鈥淭hese are my jewels.鈥� Ever the stubborn skeptic, Concezione looks up Cornelia in a children鈥檚 book and determines that in fact her sons did not die on the battlefield. 鈥淏y the way, you got me confused with that Cornelia,鈥� she tells her son.

The underlying question is: why sacrifice oneself for a dubious patriotic honor? Once again, literature speaks to us across centuries and continents. Perhaps 鈥淐onversations in Italy鈥� can best be appreciated for its timeless anti-war message.
Profile Image for Robert.
Author听13 books8 followers
December 6, 2017
Elio Vittorini鈥檚 CONVERSATIONS IN SICILY is a quiet novel It was written a lifetime ago, at the end of the 1930s, in Northern Italy, although the story takes place in Sicily鈥攖akes place on a ferry crossing, a train ride, and then up to and around a hill town above Syracuse. It also takes place almost entirely in the mind of the narrator, Silvestro Ferrauto.

This is not to say there are no actual conversations. Silvestro shares a few words with people he encounters on his journey, a pitiful old man from whom he buys an orange he doesn鈥檛 want. He brushes against others including a pair who may be secret police or a vaudeville act. Home, he speaks with and also interrogates his mother Concezione. The formidable Concezione, who, after a 15-year separation greets her son by asking, 鈥淏ut what the devil brought you here?鈥�

Later, he will converse with a knife sharpener, a saddle maker, a cloth merchant all of whom he follows into a bar. Together they form a comic if solemn confraternity who drink to the 鈥渨rongs of the world.鈥� It is not a trivial concern. Who has not wronged the world and who has not been wronged?

These scenes are among the saddest in the book. Leaving the bar, Silvano finds himself in the village graveyard where he is engaged in another conversation, one with ghost who is no stranger. The scene at the bar could be read as an absurdist aside within the story; Silvestro鈥檚 companions would not seem out of character if they were wearing grease paint, but I think that would be a mistake. Vittorini seems to argue, one can run but one can鈥檛 hide.

Silvestro, like Vittorini, was first a runaway and then an exile. In the book鈥檚 telling, Silvestro who left home at 15 returns only after receiving a letter from his father who urges him to see his mother on her name day. A father who is no paterfamilias and so a man with no authority. A father who himself left home but whom we catch a glimpse of at the book鈥檚 end.

Before the Silvestro begins his journey his anomie is conspicuous. He is detached from his work, girlfriend and from the events of the day. The visit home is not suggested as an antidote to anything, nor is it an obligation, but rather an inevitability. Home is both the beginning and the end.

In CONVERSATIONS, Vittorini鈥檚 political views are, of necessity, disguised. If the reader is of a mind he or she can locate antifascist commentary. I suggest Vittorini鈥檚 politics are of no consequence. The story of the boy/man returning home is as old as Homer or the parable of the Prodigal Son. As for anomie, it is simply a condition of modernity.

Silvestro is not Every Man, he is No Man. His ability to turn this way or that is less evidence of volition than being on edge and off balance. Silvestro鈥檚 sudden departure is merely a fact, like the price of a train ticket. The man is only another traveler "with no direction home."
Profile Image for Stas.
175 reviews27 followers
June 29, 2012

Quote 1.

And the knife grinder: "Pepperoni, milk, goats, pigs and cows...Mice."
And I: "Bears, wolves."
And the knife grinder: "Birds. Trees and smoke, snow..."
And I: "Sickness, healing. I know, I know. Death, immortality, and resurrection."
"Ah!" the knife grinder shouted.
"What?" I asked.
"It's amazing," the knife grinder said. "Ah! and Oh! Uh! Eh!"
And I: "I suppose."

Quote 2.

"I thought of my father and myself, all men, with our need for soft hands touching us, and I thought I understood something of our uneasiness with women; of our readiness to desert them, our women with their rough, almost masculine hands, their tough hands in bed at night; and of how like slaves we would submit to calling a woman a queen who was a woman, an odalisque, when she touched us. This is why, I thought, we loved the idea of people living in luxury, the idea of the whole civil-military society and of the hierarchies, the dynasties, and the princes and kings in the fables-because of the idea of the woman who cultivated her hands for tenderness...and this is why we took our eyes off the women and children who were our equals and continued to play the field, looking for other women-myself, my father, all men, looking for something else in those other women without ever knowing that we were looking to be touched by tender hands"
Profile Image for Tijana.
866 reviews273 followers
January 2, 2016
Repriza posle jedanaest godina. Jo拧 je bolje nego 拧to sam upamtila. Najbolja komunisti膷ka knjiga koja nikad nije bila u lektiri! (budimo iskreni: svrstavanje u lektiru tako stra拧no sni啪ava koeficijent voljenosti neke knjige, jadan Tihi Don i jadni mi 拧to smo ga na silu 膷itali kad nije trebalo)

A sad ozbiljno: Razgovor na Siciliji je tako retka i neobi膷na knjiga da mora vatreno da se voli, ali uop拧te ne mo啪e primereno da se hvali.
Profile Image for Frabe.
1,166 reviews52 followers
August 22, 2017
La spinta a soffrire, oltre che per se stessi, "per il mondo che 猫 offeso"; l'urgenza di "altri doveri", di "nuovi doveri": da un mare per il resto alquanto ermetico, sono messaggi in bottiglia sufficientemente chiari, spiaggiati nel 1941.
Profile Image for Ferda Nihat Koksoy.
499 reviews24 followers
August 22, 2018
S陌C陌LYA KONU艦MALARI
***Yazar谋n 15 ya艧谋na kadarki 莽ocuklu臒u I.D眉nya Sava艧谋 s谋ras谋nda Sicilya'da ge莽mi艧tir. Kitab谋 yazd谋臒谋 30'lu ya艧lar谋n谋n ba艧谋nda ise II.D眉nya Sava艧谋 s眉rmektedir ve yazar gen莽li臒inin ba艧谋nda terk etti臒i Sicilya'ya 15 y谋l sonra ilk kez d枚nmektedir***

Akl谋mdan 莽谋karamad谋臒谋m 脰LEN 陌NSAN YI臑INLARI ve YOK OLUP G陌TMEKTE OLAN 陌NSANLIKLA ilgili 枚fke n枚betleri ya艧amaktayd谋m; 脟ocuklu臒umda da, y谋l谋n g眉nleri, 365 kapkara, bi莽imsiz fare gibiydi. Anlams谋z bir d眉艧, sessiz bir umutsuzluktu ya艧amak benim i莽in. 陌艧in en korkun莽 yan谋 da buydu: UMUTSUZLU臑UN SESS陌ZL陌臑陌; insanl谋臒谋n yok olmaya yarg谋l谋 oldu臒una inanmak, ama onu kurtarmak i莽in hi莽bir istek duymamak, bunun yerine onunla birlikte yok olmay谋 枚zlemek.

(Sefaletin h眉k眉m s眉rd眉臒眉 Sicilya'da) PORTAKAL satabilmek 莽ok g眉莽 bir i艧; (her taraf portakal bah莽esi) patronlar para yerine portakal veriyor i艧莽ilerine, kimse portakal sat谋n alm谋yor, zehirli gibiler sanki.

Sicilya'da herkes her 艧eyin k枚t眉 yan谋n谋 g枚rmeye haz谋rd谋r; biz Sicilyal谋lar i莽i H脺Z脺N dolu insanlar谋z.

Leonforte'de geni艧 topraklar谋 olan bir adam, at谋yla topraklar谋nda dola艧谋rken, kendini oralar谋n KRALI san谋rm谋艧, 莽眉nk眉 o kadar kurumlu ve iri bir atm谋艧 bu. Ama ATINDAN 陌N陌NCE krall谋臒谋n谋 devam ettirecek bir neden bulam谋yormu艧.

Art谋k 枚devlerimizi yerine getirmek bizi tatmin etmiyor. Onlar谋 yerine getirmek bir 莽e艧it duygusuzlu臒a yol a莽makta, 枚devler yerine getirildikten sonra i莽imizde bir rahatlama olmuyor. Sebebi de bu 脰DEVLER陌N ARTIK 脟OK ESK陌M陌艦 艦EYLER, 莽ok eski ve KOLAYLA艦MI艦 SORUMLULUKLAR olmas谋. Bunlar ger莽ek vicdan谋n ihtiya莽lar谋 de臒il art谋k...

Sicilyal谋 kad谋nlar; elleri geceleri yumu艧akl谋ktan yoksun, belki de zaman zaman bu y眉zden mutsuz, k谋skan莽, hatta vah艧i; bir odal谋臒谋n kalbine ve y眉z眉ne sahip olup, erkeklerini kendilerine ba臒layacak YUMU艦ACIK ELLER陌 OLMAYAN KADINLAR.
Kad谋nlarla olan huzursuzlu臒umuzu biraz anlar gibi oldum, sert ve kemikli, neredeyse erkeksi elleriyle kad谋nlar谋m谋z谋 ne kadar 莽abuk b谋rakmaya haz谋r oldu臒umuzu d眉艧眉nd眉m. Bolluk i莽inde yeti艧en insanlar谋 莽ekici yapan 艧eyin bu oldu臒unu d眉艧眉nd眉m.

Annem, bir ku艧 gibi 艧ak谋yor, m谋r谋ldan谋yor, 谋sl谋k 莽al谋yor, arada bir de sesini tizle艧tirip bir 艧eyler s枚yl眉yordu. Ellerinin ve ayaklar谋n谋n hi莽 枚nemi yoktu, ka莽 ya艧谋nda oldu臒u bile 枚nemli de臒ildi. 脰nemli olan o 艧ark谋lar谋 s枚ylemesiydi, bir ku艧 gibi, havada u莽an bir ana ku艧tu, yumurtalar谋n谋n aras谋nda, p谋r谋l p谋r谋l, 谋艧谋k sa莽an bir ana ku艧tu.
Babam谋n ba艧ka kad谋nlara duydu臒u iste臒in sadece hesab谋n谋 tutmaktan peri艧an olmu艧 ZAVALLI B陌R KADIN OLMASINI 脰NLEYECEK ZENG陌NL陌KTE B陌R ANALIK DUYGUSU. 脟aresiz bir insan olamayacak kadar doluydu O ESK陌 BALLA.

BELK陌 DE HER 陌NSAN 陌NSAN DE臑锟斤拷LD陌R; b眉t眉n insanl谋k insan olmaktan uzakt谋r. Ya臒murlu bir g眉nde, insan谋n ayakkab谋lar谋 delik de艧ikse ve su al谋yorsa; g枚nl眉n眉 birine kapt谋rmam谋艧sa, ya艧ayaca臒谋 bir hayat谋 yoksa; ne ba艧ard谋臒谋, ne de ba艧araca臒谋 bir 艧ey yoksa; ne korkaca臒谋, ne yitirece臒i bir 艧ey kalm谋艧sa, ve 莽evresinde d眉nyadaki k谋r谋m谋 g枚r眉yorsa, insan谋n i莽ine i艧te b枚yle bir ku艧ku d眉艧ebilir.

Her insan insan de臒ildir. Biri cana k谋y谋yor, 枚b眉r眉n眉n can谋na k谋y谋l谋yor; b眉t眉n insanl谋k de臒il, ancak CANLARINA KIYILANLAR 陌NSANDIR. Hasta olan, a莽 olan da daha insand谋r, a莽lar谋n meydana getirdi臒i insanl谋k da DAHA 陌NSANd谋r.

Bana kal谋rsa, yoksul bir gezgin Sicilyal谋 de臒il de 脟inliyse, bir kad谋n谋n ona verece臒i pek bir 艧ey olmaz. YOKSUL B陌R 脟陌NL陌, 脰B脺R YOKSULLARDAN DAHA DA YOKSULDUR.

"SEN HASTALI臑I 陌Y陌 ET, HER 艦EY D脺ZEL陌R" dedi annem.

HATIRLAYACAK B陌R 艦EYLER陌 OLANLARA NE MUTLU !

脟ocukken kitap okumak 莽ok iyidir; insan okuduklar谋n谋 sanki onlar谋 ya艧am谋艧 gibi hat谋rlar, 莽ocukluk an谋lar谋yla birlikte insanl谋臒谋n ve d眉nyan谋n tarihini de i莽inde ta艧谋r.

Bir 莽ocu臒un b眉t眉n istedi臒i ka臒谋t, r眉zgar ve U脟URTMASINI u莽urmakt谋r. Gidip u莽urtmas谋n谋 havaland谋r谋r, uzun ve g枚r眉nmeyen iple oradan oraya g枚t眉r眉r, b枚ylece inanc谋 y眉celir ve edindi臒i ger莽eklikle beslenir. Ama bu ger莽ekli臒i ne yapacakt谋r sonra? Sonra d眉nyaya y枚neltilen k眉f眉rleri, sayg谋s谋zl谋臒谋, k枚leli臒i, insanlar aras谋ndaki haks谋zl谋臒谋, 枚ld眉rmeleri 枚臒renecektir. Bu durumda, o ger莽ekli臒i korusa bile, ne yapabilir? Ben ne yapabilirdim?

D脺NYA b眉y眉k, d眉nya g眉zel, ama 莽ok can谋na okunmu艧. Herkes ac谋 莽ekiyor, ama her insan kendisi i莽in, can谋na okunan d眉nya i莽in de臒il. Bu y眉zden de d眉nyan谋n can谋na okuyanlar谋n sonu gelmiyor; sonra da yapt谋klar谋na da ars谋z y眉zlerle g眉l眉yorlar.

陌nsanlar Tanr谋lar谋n, s谋radan insanlarda nefret ettikleri 艧eyleri krallarda ho艧 g枚rd眉klerini san谋rlar.

Meyhanenin mahzeninde y谋llanm谋艧 莽谋plak 艧araptan ve 莽a臒lar boyunca KEND陌 脟IPLAKLIKLARI 艦ARABIN 脟IPLAKLI臑INA KARI艦MI艦 陌NSANLARIN HAYALETLER陌NDEN ba艧ka bir 艧ey yoktu. 艦ARABIN OLDU臑U YERDE D脺NYANIN K脺脟脺K HESAPLARININ 陌Z陌NE RASTLANMAYA臑INI ileri s眉rd眉 meyhanedekilerden biri.

D眉艧眉nd眉m de, her yan谋m谋 saran bu u莽suz bucaks谋z gece art arda geceler gibi geldi bana. A艧a臒谋lardaki ve tepelerdeki o 谋艧谋klar, o dondurucu karanl谋k, g枚kteki o donuk y谋ld谋z, bir tek gece de臒il de, SONSUZ SAYIDA GECELERdi; dedemin gecelerini, babam谋n gecelerini, Nuh'un gecelerini, i莽kinin 莽谋plakl谋臒谋 i莽inde ve savunmas谋z, a艧a臒谋lanm谋艧 bir 莽ocuktan ya da bir cesetten 莽ok daha az insan olan insanl谋臒谋n gecelerini d眉艧眉nd眉m.

SHAKESPEARE yada onun oyunlar谋n谋 oynayan babam, insanlara boyun e臒dirir, i莽lerine girer, onlar谋 o pisli臒in i莽inden kurtar谋r, onlara d眉艧ler kurdurur; g眉nahlar谋n谋 itiraf ettirir, insanl谋k i莽in ac谋 莽ektirir, a臒lat谋r, yalvart谋r, onlar谋 insan 枚zg眉rl眉臒眉n眉n simgeleri olmaya zorlard谋.

脰te yandan Shakespeare s谋radan insanlar谋 dizelerine koymad谋臒谋, yenilenlerin 枚莽lerini almamaya ve yenenleri ba臒谋艧lamaya karar verdi臒inden beri, MEZARLIKLARDAK陌 HAYALETLER KEND陌 OYUNLARINI OYNAMAKTALAR HER GECE.
October 7, 2024
螣喂 芦危喂魏蔚位喂魏慰委 未喂维位慰纬慰喂禄, 蟿慰 纬谓蠅蟽蟿蠈蟿蔚蟻慰 尾喂尾位委慰 蟿慰蠀 渭慰谓蟿蔚蟻谓喂蟽蟿萎 喂蟿伪位慰蠉 位慰纬慰蟿苇蠂谓畏 螆位喂慰 螔喂蟿蟿慰蟻委谓喂, 蔚委谓伪喂 苇谓伪 蟺蟻伪纬渭伪蟿喂魏维 胃伪蠀渭维蟽喂慰 尾喂尾位委慰. 螤慰喂畏蟿喂魏蠈, 蟽蠀渭尾慰位喂魏蠈, 渭蔚 味蠅纬蟻伪蠁喂魏苇蟼 伪蟺蔚喂魏慰谓委蟽蔚喂蟼, 蟺蟻慰蠆蠈谓 蟺伪蟻伪蟺维谓蠅 蔚蟺蔚尉蔚蟻纬伪蟽委伪蟼 纬喂伪 谓伪 伪蟺慰蠁蠉纬蔚喂 蟿畏谓 蠁伪蟽喂蟽蟿喂魏萎 位慰纬慰魏蟻喂蟽委伪 (纬蟻维蠁蟿畏魏蔚 渭蔚蟿伪尉蠉 蟿慰蠀 '35 魏伪喂 蟿慰蠀 '36).

螝蔚谓蟿蟻喂魏蠈 胃苇渭伪 蔚委谓伪喂 畏 味蠅萎 蟽蟿畏 蟽喂魏蔚位喂魏萎 蠉蟺伪喂胃蟻慰 蟿畏 未蔚魏伪蔚蟿委伪 蟿慰蠀 '30. 螘委谓伪喂 渭喂伪 味蠅萎 渭苇蟽伪 蟽蟿畏 蠁蟿蠋蠂蔚喂伪, 蟽蟿喂蟼 未蔚喂蟽喂未伪喂渭慰谓委蔚蟼, 蟽蟿畏谓 伪蟺慰渭蠈谓蠅蟽畏, 蟽蟿畏谓 蔚纬魏伪蟿维位蔚喂蠄畏. 螣 蟺蟻蠅蟿慰蟺蟻蠈蟽蠅蟺慰蟼 伪蠁畏纬畏蟿萎蟼, 苇谓伪蟼 危喂位尾苇蟽蟿蟻慰 桅蔚蟻蟻维慰蠀蟿慰, 苇谓伪蟼 蟿蟻喂伪谓蟿维蠂蟻慰谓慰蟼 蟽喂魏蔚位蠈蟼 蟺慰蠀 味蔚喂 蟿伪 蟿蔚位蔚蠀蟿伪委伪 未蔚魏伪蟺苇谓蟿蔚 蠂蟻蠈谓喂伪 蟽蟿慰 螠喂位维谓慰, 伪蟺慰蠁伪蟽委味蔚喂 谓伪 蔚蟺喂蟽魏蔚蠁蟿蔚委 蟿慰 蟺伪蟿蟻喂魏蠈 蟿慰蠀 魏伪喂 谓伪 蔚蠀蠂畏胃蔚委 伪蠀蟿慰蟺蟻慰蟽蠋蟺蠅蟼 蟽蟿畏谓 渭维谓伪 蟿慰蠀 纬喂伪 蟿畏 纬喂慰蟻蟿萎 蟿畏蟼. 螘魏蔚委谓畏, 畏 螝慰谓蟿蟽蔚蟽喂蠈谓蔚 桅蔚蟻蟻维慰蠀蟿慰 味蔚喂 渭蠈谓畏 蟿畏蟼 蟽蟿慰 蠂蠅蟻喂蠈 -渭蔚蟿维 蟿畏 蠁蠀纬萎 蟿慰蠀 蟺伪蟿苇蟻伪 纬喂伪 谓伪 尉伪谓伪蟺伪谓蟿蟻蔚蠀蟿蔚委- 蠂蠅蟻委蟼 魏伪渭委伪 蔚蟺伪蠁萎 慰蠉蟿蔚 渭蔚 蟿伪 蟺伪喂未喂维 蟿畏蟼 蟺慰蠀 苇蠂慰蠀谓 蟽魏慰蟻蟺委蟽蔚喂 (蠈蟺蠅蟼 苇谓蟿慰谓伪 蟽蠀谓苇尾畏 蟽蟿慰谓 喂蟿伪位喂魏蠈 谓蠈蟿慰 魏伪胃蠈位畏 蟿畏 未喂维蟻魏蔚喂伪 蟿蠅谓 蟺蟻蠋蟿蠅谓 未蔚魏伪蔚蟿喂蠋谓 蟿慰蠀 20慰蠀 伪喂蠋谓伪). 螣 伪蠁畏纬畏蟿萎蟼, 伪位位慰蟿蟻喂蠅渭苇谓慰蟼 蟽蟿慰谓 喂蟿伪位喂魏蠈 尾慰蟻蟻维, 伪蟺慰蠁伪蟽委味蔚喂 渭喂伪 尾慰蠀蟿喂维 蟽蟿慰 蟺伪蟻蔚位胃蠈谓 魏伪喂 蟽' 苇谓伪 魏维蟺慰蟿蔚 蔚谓伪位位伪魏蟿喂魏蠈 蟺伪蟻蠈谓. 螤维蔚喂 纬喂伪 谓伪 纬谓蠅蟻委蟽蔚喂 蟿慰 蟺伪蟻蔚位胃蠈谓 蟿慰蠀, 蠈渭蠅蟼 蟿慰 蟿伪尉委未喂, 畏 尉伪蠁谓喂魏萎 伪蟺蠈蠁伪蟽畏 纬喂' 伪蠀蟿蠈, 魏蟻蠉尾蔚喂 维位位伪 蠄蠀蠂慰位慰纬喂魏维 魏委谓畏蟿蟻伪 蟺慰位蠉 蟽蠀谓胃蔚蟿蠈蟿蔚蟻伪: 蟺维蔚喂 谓伪 魏伪蟿伪未蠀胃蔚委 蟽蔚 蟺蟿蠀蠂苇蟼 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻维蟼, 蔚魏蔚委 伪魏蟻喂尾蠋蟼 蟺慰蠀 伪蠀蟿萎 蟺伪蟻慰蠀蟽喂维味蔚蟿伪喂 蟽蟿畏谓 伪蠀胃蔚谓蟿喂魏蠈蟿蔚蟻畏 魏伪喂 伪蠀胃蠈蟻渭畏蟿畏 渭慰蟻蠁萎 蟿畏蟼: 蟽蟿慰 蠂蠅蟻喂蠈 (蟿慰蠀).

螝维胃蔚 渭喂魏蟻蠈 魏蔚蠁维位伪喂慰 蟿慰蠀 尾喂尾位委慰蠀 蔚委谓伪喂 苇谓伪蟼 未喂维位慰纬慰蟼, 蟿慰谓 慰蟺慰委慰谓 蔚喂蟽维纬慰蠀谓 蔚喂魏蠈谓蔚蟼 魏伪喂 蟿慰谓 未喂伪未苇蠂慰谓蟿伪喂 维位位慰喂 未喂维位慰纬慰喂 蟽蔚 蟽蠀谓苇蠂蔚喂伪 蟿蠅谓 蟺蟻慰畏纬慰蠉渭蔚谓蠅谓. 螘委谓伪喂 苇谓伪 蔚谓喂伪委慰 魏蔚委渭蔚谓慰, 蟽蟺伪蟽渭苇谓慰 蟽蔚 渭喂魏蟻维 蔚蟺蔚喂蟽蠈未喂伪 蟺慰蠀 慰渭伪未慰蟺慰喂慰蠉谓蟿伪喂 蟽蔚 蟿苇蟽蟽蔚蟻伪 渭苇蟻畏:

韦慰 蟺蟻蠋蟿慰 渭苇蟻慰蟼 蔚委谓伪喂 蟿慰 蟿 伪 尉 委 未 喂 渭苇蠂蟻喂 蟿畏 危喂魏蔚位委伪 魏伪喂 慰喂 未喂维位慰纬慰喂 渭蔚 伪谓胃蟻蠋蟺慰蠀蟼 蟺慰蠀 纬谓蠅蟻委味蔚喂 魏伪蟿维 蟿畏 未喂维蟻魏蔚喂维 蟿慰蠀 (蟿慰谓 螠苇纬伪 螞慰渭尾伪蟻未蠈, 蟿慰谓 围蠅蟻委蟼 螠慰蠀蟽蟿维魏喂, 蟿慰谓 螠蔚 螠慰蠀蟽蟿维魏喂 魏位蟺). 螣喂 未喂维位慰纬慰喂 蔚委谓伪喂 蟽慰蠀蟻蔚伪位喂蟽蟿喂魏慰委, 伪蟺慰蟺蟻慰蟽伪谓伪蟿慰位喂蟽蟿喂魏慰委, 未畏渭喂慰蠀蟻纬慰蠉谓 蟽蠉纬蠂蠀蟽畏.

韦慰 未蔚蠉蟿蔚蟻慰 渭苇蟻慰蟼 蔚委谓伪喂 慰喂 纬 蠀 谓 伪 委 魏 蔚 蟼. 螚 渭维谓伪 蟿慰蠀 蟺慰蠀 蟿慰谓 蟺伪委蟻谓蔚喂 渭伪味委 蟿畏蟼 谓伪 蟿畏 蟽蠀谓蟿蟻慰蠁蔚蠉蔚喂 蠈蟽慰 魏维谓蔚喂 蔚谓苇蟽蔚喂蟼 蟽蔚 维位位蔚蟼 纬蠀谓伪委魏蔚蟼 蟺慰蠀 苇蠂慰蠀谓 蔚委蟿蔚 蠂蟿喂魏喂蠈 蔚委蟿蔚 蔚位慰谓慰蟽委伪. 螘委谓伪喂 蔚尉伪喂蟻蔚蟿喂魏慰委 慰喂 未喂维位慰纬慰喂 渭蔚蟿伪尉蠉 蟿慰蠀蟼, 蠈蟺慰蠀 尾位苇蟺慰蠀渭蔚 蠈蟿喂 慰 苇谓伪蟼 伪谓伪魏伪位蠉蟺蟿蔚喂 蟿慰谓 维位位慰谓, 伪位位维 魏蠀蟻委蠅蟼 伪蟺慰魏伪位蠉蟺蟿蔚蟿伪喂 畏 渭喂味苇蟻喂伪 蟽蟿慰 蠂蠅蟻喂蠈, 畏 伪谓畏渭蟺慰蟻喂维 蟿慰蠀 蔚纬魏伪蟿伪位蔚位蔚喂渭渭苇谓慰蠀 蟽蠀谓蠈位慰蠀 蠈蟺慰蠀 渭蠈谓畏 伪谓伪魏慰蠉蠁喂蟽畏 蔚委谓伪喂 畏 伪位位畏位慰尾慰萎胃蔚喂伪. 螣 危喂位尾苇蟽蟿蟻慰 蟿伪蠀蟿蠈蠂蟻慰谓伪 蟺蟻慰尾维位蔚喂 维渭蠀谓伪 蟽蔚 蠈蟽伪 位苇蔚喂 畏 渭维谓伪 蟿慰蠀 纬喂伪 蟿慰谓 蟺伪蟿苇蟻伪 蟿慰蠀, 未蔚谓 蔚蟺喂蟿蟻苇蟺蔚喂 谓伪 蟿慰蠀 魏伪蟿蔚未伪蠁委蟽蔚喂 蟿畏谓 蟺伪蟿蟻喂魏萎 蠁喂纬慰蠉蟻伪, 纬喂伪 蟿慰谓 慰蟺慰委慰谓 未喂伪蟿畏蟻蔚委 蟿畏谓 伪谓维渭谓畏蟽畏 蟿慰蠀 蔚蠀伪委蟽胃畏蟿慰蠀 伪谓胃蟻蠋蟺慰蠀. 螘魏蔚委谓畏 蟿慰 委未喂慰 蟺蟻维纬渭伪 蟿慰 胃蔚蠅蟻蔚委 渭蔚喂慰谓苇魏蟿畏渭伪 魏伪喂 未喂伪蟻魏蠋蟼 蟿慰谓 伪谓蟿喂蟺伪蟻伪尾维位位蔚喂 渭蔚 蟿慰谓 蟺伪蟿苇蟻伪 蟿畏蟼, 蟿慰谓 纬位蔚谓蟿味苇, 蟿慰谓 位蔚尾苇谓蟿畏, 蟿慰谓 蟽慰蟽喂伪位喂蟽蟿萎. 螣 危喂位尾苇蟽蟿蟻慰 未蔚谓 蟽蠀纬魏蟻慰蠉蔚蟿伪喂鈥� 魏伪蟿伪谓慰蔚委.

韦慰 蟿蟻委蟿慰 渭苇蟻慰蟼 蔚委谓伪喂 慰喂 维 谓 蟿 蟻 蔚 蟼 蟺慰蠀 纬谓蠅蟻委味蔚喂 蠈蟿伪谓 蟽蔚 魏维蟺慰喂伪 蔚蟺委蟽魏蔚蠄畏 蟿畏蟼 渭维谓伪蟼 渭苇谓蔚喂 -伪蠀蟿萎 蟿畏 蠁慰蟻维- 伪蟺苇尉蠅 伪蟺蠈 蟿慰 蟽蟺委蟿喂 蟿畏蟼 伪蟽胃蔚谓慰蠉蟼 (蟺慰蠀 蟺维谓蟿伪 蟺蟻蠈胃蠀渭伪 尉蔚纬蠀渭谓蠋谓慰谓蟿伪喂 渭蟺蟻慰蟽蟿维 蟽蟿慰谓 谓蔚伪蟻蠈 纬喂伪 谓伪 未蔚蠂蟿慰蠉谓 蟿畏谓 苇谓蔚蟽畏- 蟽伪蟻伪谓蟿维蠂蟻慰谓蔚蟼 蠂萎蟻蔚蟼 慰喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻蔚蟼). 螣 螒魏慰谓喂蟽蟿萎蟼 蟺慰蠀 伪魏慰谓委味蔚喂 渭伪蠂伪委蟻喂伪 蟿慰蠉 蟺喂维谓蔚喂 魏慰蠀尾苇谓蟿伪 魏伪喂 蟿慰谓 蔚喂蟽维纬蔚喂 蟽蟿慰谓 魏蠈蟽渭慰 蟿蠅谓 伪谓蟿蟻蠋谓 蟿慰蠀 蠂蠅蟻喂慰蠉, 蟽蟿慰谓 螜蔚味蔚魏喂萎位, 蟽蟿慰谓 蟿伪尾蔚蟻谓喂维蟻畏 螝慰位蠈渭蟺慰, 蟽蟿慰谓 蠀蠁伪蟽渭伪蟿维 魏.伪. 韦慰 蟿蟻蔚蠂慰蠉渭蔚谓慰 谓蔚蟻蠈, 慰 魏蠈蟽渭慰蟼 蟺慰蠀 蠀蟺慰蠁苇蟻蔚喂, 蟿慰 魏蟻伪蟽委 蟺慰蠀 魏伪蟿蔚蠀谓维味蔚喂 蔚委谓伪喂 蟿慰 未喂伪蟻魏苇蟼 渭慰蟿委尾慰 蟿蠅谓 蠈蟽蠅谓 蟽蠀味畏蟿维谓蔚 萎 蟽蠅蟽蟿蠈蟿蔚蟻伪 蠈蟽伪 伪谓伪蠁苇蟻慰蠀谓, 蠂蠅蟻委蟼 蟺伪蟻伪蟺维谓蠅 位苇尉蔚喂蟼, 伪谓伪位蠉蟽蔚喂蟼 魏喂 蔚尉畏纬萎蟽蔚喂蟼, 尉伪谓维 魏伪喂 尉伪谓维. 螛伪蟻蟻蔚委蟼 蟺蠅蟼 蠈位慰喂 渭喂位维谓蔚 -魏慰蠁蟿维 魏伪喂 位伪魏蠅谓喂魏维- 伪蟺位维 纬喂伪 谓伪 渭喂位萎蟽慰蠀谓. 螢蔚蠂蠅蟻喂蟽蟿维 位慰喂蟺蠈谓 慰喂 维谓蟿蟻蔚蟼 伪蟺' 蟿喂蟼 纬蠀谓伪委魏蔚蟼 蠂蠅蟻委蟼 谓伪 蔚委谓伪喂 蟿蔚位喂魏维 蟽伪蠁苇蟼 蟺慰喂慰蟼 蔚委谓伪喂 蠂蟻畏蟽喂渭蠈蟿蔚蟻慰蟼. 螚 委未喂伪 畏 渭维谓伪 蟿慰蠀 危喂位尾苇蟽蟿蟻慰, 伪谓 魏维谓蔚喂 苇谓蔚蟽畏 蟽蔚 维谓蟿蟻伪, 位苇蔚喂 蟺蠅蟼 伪谓 伪蟻蟻蠅蟽蟿萎蟽蔚喂 慰 维谓蟿蟻伪蟼 未喂伪位蠉蔚蟿伪喂 蟿慰 蟽蟺喂蟿喂魏蠈 魏伪喂 蟿慰 伪谓蟿委胃蔚蟿慰 伪谓 魏维谓蔚喂 苇谓蔚蟽畏 蟽蔚 纬蠀谓伪委魏伪.

韦慰 蟿苇蟿伪蟻蟿慰 渭苇蟻慰蟼 蔚委谓伪喂 慰 伪 蟺 慰 蠂 伪 喂 蟻 蔚 蟿 喂 蟽 渭 蠈 蟼. 螠慰蠀 胃蠀渭委味蔚喂 苇谓蟿慰谓伪 蟿慰 蟿苇位慰蟼 蟺慰蠀 苇未蠅蟽蔚 蟺蔚谓萎谓蟿伪 蠂蟻蠈谓喂伪 渭蔚蟿维 慰 螣蠉纬魏慰 螤蟻维蟿蟿 蟽蟿畏谓 蟺蔚蟻喂蟺苇蟿蔚喂伪 蟿慰蠀 螝蠈蟻蟿慰 螠伪位蟿苇味蔚 芦La rosa alchemica禄, 蠈蟺慰蠀 蠈位慰喂 蠈蟽慰喂 蟽蠀谓维谓蟿畏蟽蔚 蟽蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪 萎 蟽蟿畏 蠁伪谓蟿伪蟽委伪 蟿慰蠀 慰 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎蟼 蔚渭蠁伪谓委味慰谓蟿伪喂 谓伪 蟿慰蠀 蟺慰蠀谓 魏维蟿喂.

螣蠁蔚委位蔚喂 谓伪 蟽畏渭蔚喂蠋蟽蔚喂 魏伪谓蔚委蟼 蟿畏谓 蔚尉伪喂蟻蔚蟿喂魏萎 位喂蟿蠈蟿畏蟿伪 魏喂 伪蟺位蠈蟿畏蟿伪 蟿蠅谓 未喂伪位蠈纬蠅谓, 渭喂伪 蠁蠈蟻渭伪 蟺慰蠀 蠈蟿伪谓 魏蠀蟻喂伪蟻蠂蔚委 蟽蠀谓蟿蟻喂蟺蟿喂魏维 蟽' 苇谓伪 尾喂尾位委慰 魏伪蟿维 魏伪谓蠈谓伪 魏慰蠀蟻维味蔚喂. 螘未蠋 蟽蠀渭尾伪委谓蔚喂 伪魏蟻喂尾蠋蟼 蟿慰 伪谓蟿委胃蔚蟿慰. 螣 危喂位尾苇蟽蟿蟻慰 蟺喂胃伪谓蠈蟿伪蟿伪 蔚委谓伪喂 位委纬慰 螔喂蟿蟿慰蟻委谓喂 魏喂 蠈蠂喂 桅蔚蟻蟻维慰蠀蟿慰. 螤慰位位维 蟽畏渭蔚委伪 蟿畏蟼 蠅蟼 蟿蠈蟿蔚 尾喂慰纬蟻伪蠁委伪蟼 蟿慰蠀 伪蟺伪谓蟿喂慰蠉谓蟿伪喂 蟽蟿慰 尾喂尾位委慰.
Profile Image for Massimiliano.
373 reviews81 followers
October 18, 2021
Letto ovviamente in concomitanza di un viaggio in Sicilia, non posso dirmi di essermici ritrovato (si svolge durante il ventennio fascista), ma alcuni luoghi e descrizioni di personaggi mi sono sembrati molto attuali.

Non 猫 immediata la scrittura di Vittorini in questo libro, alcuni passaggi sono rimasti oscuri per me, per貌 una volta entrati nel linguaggio ci si rende conto di come questa sia una grande opera italiana; non solo per la qualit脿 dello scritto, ma anche per ci貌 che racconta.
Una denuncia non troppo velata verso i mali del regime, la condizione di miseria dei siciliani e la mentalit脿 delle persone, che non le porta davvero ad opporsi alla dittatura con convinzione.

Un piccolo libro di grande spessore.
Profile Image for Roger Wijgergans.
5 reviews
December 9, 2024
The only thing that is stopping me from giving it 5 stars, is the fact that I didn鈥檛 understand 30% of it. I will definitely reread once my Italian is better.
Profile Image for Federica Rampi.
669 reviews223 followers
August 23, 2019
Silvestro, figlio di un ex ferroviere, attore dilettante, fa un viaggio nella terra natia, la Sicilia. Un giorno, suo padre Costantino, gli spedisce una lettera, nella quale gli comunica l鈥檌ntenzione di lasciare la moglie per vivere accanto ad un鈥檃ltra donna: questo il motivo che spinge il protagonista a partire e, insieme con questo, c鈥櫭� la voglia di rivedere sua madre, che non vede da 15 anni. Durante il viaggio in treno, Silvestro conosce alcuni personaggi che, in qualche modo, gli fanno ricordare il vero spirito della sua terra.

Arrivato a casa, cerca subito la madre, la quale, dopo tanto tempo, lo accoglie con stupore, perfettamente comprensibile dopo tanti anni di lontananza. La donna, che si chiamava Concezione, aveva come occupazione, quella di fare iniezioni alla gente del posto e poco le importava se non tutti la pagavano sempre. Anche nel giorno dell鈥檃rrivo di suo figlio, la donna non aveva smesso il suo lavoro, mentre Silvestro aveva fatto amicizia con qualche abitante come l鈥檃rrotino di passaggio e altri ancora, tutti accomunati da un unico sentimento, il dolore del mondo offeso che soffre. Il protagonista, in qualche modo affascinato da queste persone, trascorre la sera con loro in un鈥檕steria, ubriacandosi. Tornato a casa, sogna suo fratello, morto in guerra e, non appena sveglio, si preoccupa di interpretare ma quella specie di visione: esce, fa un giro per il paese, e poi ritorna senza una risposta. Il giorno della sua partenza, Silvestro rivede il padre, il quale ha improvvisamente deciso di tornare accanto alla moglie. Il libro 猫 molto espressivo, soprattutto per le descrizioni dei luoghi e della gente della Sicilia: la forma 猫 identica a quella di Uomini e no, che prevede ripetizioni continue, tipiche del modo di scrivere di Vittorini.
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Profile Image for Mahmoud Zaki.
114 reviews6 followers
March 28, 2016
丕賱賰鬲丕亘丞 貙 丕賱鬲賲孬賷賱 貙 丕賱賲爻乇丨 貙 卮鬲賷 兀賳賵丕毓 丕賱孬賯丕賮丞 賵丕賱賮賳 賵丕賱兀丿亘 貙 賴賷 爻賱丕丨 賲賳 賳賵毓賸丕 賲丕 貙 賴賷 賲賯丕賵賲丞 鬲禺乇噩 賮賷 兀氐毓亘 賵兀丨賱賰 丕賱賱丨馗丕鬲 貙 賴賷 賲賷丕賴 鬲爻乇賷 賮賷 賰賱 丕賱丕賲丕賰賳 賱丕 賷賲賳毓賴丕 賲丕賳毓 賵賱丕賷爻丿賴丕 爻丿 ..

" 兀胤乇丕賮 丨丿賷孬 賮賷 氐賯賱賷丞 " 賴賷 乇賵丕賷丞 丕賱賵丕賯毓賷丞 丕賱噩丿賷丿丞 賷賲賰賳 賯乇丕亍鬲賴丕 毓賱賷 胤乇賷賯鬲賷賳 ..
兀賵賱賴賲丕 胤乇賷賯丞 賵丕賯毓賷丞 丕賱丨賱賲 賵賴賳锟斤拷 賷毓鬲賲丿 廿賱賷賵 毓賱賷 賲丕 賷乇丕賴 賮賷 兀丨賱丕賲賴 賵賴賱賵爻丕鬲賴 兀賵 胤乇賷賯丞 丕賱丨賵丕乇 丕賱鬲賷 鬲丿賵乇 亘賷賳賴 賵亘賷賳 丕氐丿丕賯丕亍賴 賵亘賷賳賴 賵亘賷賳 賳賮爻賴 貙 賮鬲噩丿 賳賮爻賰 丨丕卅乇賸丕 賱毓丿賲 賵噩賵丿 丨亘賰丞 賰丕賲賱丞 兀賵 禺賷胤 乇賵丕卅賷 賷噩賲毓 亘賷賳 賰賱 賴匕丕 賮鬲卮毓乇 廿賳賰 兀賲丕賲 爻賷乇丞 匕丕鬲賷丞 .

兀賲丕 丕賱胤乇賷賯丞 丕賱孬丕賳賷丞 賮鬲毓鬲賲丿 毓賱賷 賲匕賴亘 丕賱乇賲夭賷丞 貙 賵兀賳丕 兀賲賷賱 丕賱賷 賴匕丕 貙 賮丕賱賲毓乇賵賮 兀賳 丕賱賷賵 賮賷鬲賵乇賷賳賷 賰丕賲 卮賷賵毓賷賸丕 賲毓丕丿賷 賱賱賳馗丕賲 丕賱賮丕卮賷 兀賳匕丕賰 貙 賵賰丕賳 丕賱賳馗丕賲 賷毓丕乇囟 賵賯鬲賴丕 兀賷 毓賲賱 賷爻賷卅 賱賱賳馗丕賲 賵丕賱爻賱胤丞 賮賰丕賳 賱丕亘丿 兀賳 鬲兀鬲賷 丕賱乇賵丕賷丞 乇賲夭賷丞 貙 賮賮賷 丕賱賮氐賱 丕賱乇丕亘毓 鬲丨丿賷丿賸丕 廿噩鬲賲毓 兀乇亘毓 兀氐丿賯丕亍 毓賱賷 兀賳 丕賱毓丕賱賲 賲賴丕賳 賵丕賱廿賳爻丕賳賷丞 賵丕賱亘卮乇 賮賷 廿賳丨丿丕乇 貙 賮乇賲夭 賱賴匕丕 廿賱賷賵 丕賱賷 賮卅丕鬲 丕賱賲噩鬲賲毓 賮賲賳賴丕 丕賱孬賵乇賷 ( 丕賱爻賳丕賳 ) 貙 賵賲賳賴丕 丕賱賰丕孬賵賱賷賰賷 ( 亘賵乇 賮賷乇賷賵 ) 賵丕賱兀禺賷乇 丕賱匕賷 賷賲孬賱 賲匕賴亘 丕賱賮賱爻賮丞 賮賷 丕賱賲噩鬲賲毓 ( 丨夭賯賷丕賱) 賮噩賲賷毓賴賲 卮賰賾賱賵丕 丕賱賲賯丕賵賲丞 賵賱賰賳 丕賱賲噩鬲賲毓 賱丕 賷爻賲毓 賱賴賲 ..

丕賱爻乇丿 亘賴 卮卅 睾乇賷亘 貙 鬲卮毓乇 賰兀賳賴 賷睾賱賮 卮卅 賮賷 亘丕胤賳賴 .. 賵丕賱乇賵丕賷丞 亘兀賰賲賱賴丕 廿賷胤丕賱賷丞 禺丕賱氐丞 亘噩睾乇丕賮賷鬲賴丕 賵兀爻賲丕卅賴丕 賵兀丨丿丕孬賴丕 貙 賵亘賴丕 卮卅 毓賳 丕賱毓乇亘 賲氐賵乇 賮賷 丨丿賷孬賴 毓賳 丕賱賮 賱賷賱丞 賵賱賷賱丞 貙 賵亘毓囟 丕賱丕爻賲丕亍 丕賱毓乇亘賷丞 賮賷 氐賯賱賷丞 ..
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