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螚 蠁蠈谓喂蟽蟽伪
螚 桅蠈谓喂蟽蟽伪 蔚委谓伪喂 苇谓伪 蔚魏蟿蔚蟿伪渭苇谓慰 未喂萎纬畏渭伪 (谓慰蠀尾苇位伪) 蟿慰蠀 危魏喂伪胃委蟿畏 蟽蠀纬纬蟻伪蠁苇伪 螒位苇尉伪谓未蟻慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏. 螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 蟿慰 未蔚蠉蟿蔚蟻慰 蟽蠀纬纬蟻伪蠁喂魏蠈 蟿慰蠀 苇蟻纬慰 魏伪喂 胃蔚蠅蟻蔚委蟿伪喂 苇谓伪 伪蟺蠈 蟿伪 魏慰蟻蠀蠁伪委伪 蟿畏蟼 谓蔚慰蔚位位畏谓喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼. 螕蟻伪渭渭苇谓慰 蟽蟿畏 未喂魏萎 蟿慰蠀, 喂未喂蠈蟿蠀蟺畏 魏伪胃伪蟻蔚蠉慰蠀蟽伪, 伪蟺慰蟿蔚位蔚委蟿伪喂 蟽蠀谓慰位喂魏维 伪蟺蠈 未蔚魏伪蔚蟺蟿维 魏蔚蠁维位伪喂伪. 螤蟻蠅蟿慰未畏渭慰蟽喂蔚蠉胃畏魏蔚 蟽蟿慰 蟺蔚蟻喂慰未喂魏蠈 芦螤伪谓伪胃萎谓伪喂伪禄 蟽蔚 蟽蠀谓苇蠂蔚喂蔚蟼, 伪蟺蠈 蟿慰谓 螜伪谓慰蠀维蟻喂慰 蠅蟼 蟿慰谓 螜慰蠉谓喂慰 蟿慰蠀 1903, 苇蠂慰谓蟿伪蟼 蟿慰谓 蠀蟺蠈蟿喂蟿位慰 芦魏慰喂谓蠅谓喂魏蠈谓 渭蠀胃喂蟽蟿蠈蟻畏渭伪禄. 螣 蟽蠀纬纬蟻伪蠁苇伪蟼 未蔚谓 蟿慰 蔚委未蔚 蟿蠀蟺蠅渭苇谓慰 蟽蔚 尾喂尾位委慰 蠈蟽慰 味慰蠉蟽蔚.
螝蔚谓蟿蟻喂魏蠈 蟺蟻蠈蟽蠅蟺慰 蟿慰蠀 苇蟻纬慰蠀 蔚委谓伪喂 畏 "胃蔚喂伪 围伪未慰蠉位伪, 畏 魏慰喂谓蠋蟼 魏伪位慰蠀渭苇谓畏 螕喂伪谓谓慰蠉 畏 桅蟻维纬魏喂蟽蟽伪", 畏 桅蟻伪纬魏慰纬喂伪谓谓慰蠉, 渭委伪 畏位喂魏喂蠅渭苇谓畏 纬蠀谓伪委魏伪, 畏 慰蟺慰委伪 苇味畏蟽蔚 渭喂伪 尾伪蟽伪谓喂蟽渭苇谓畏 味蠅萎 蠅蟼 魏慰蟻委蟿蟽喂, 蠅蟼 蟽蠉味蠀纬慰蟼, 蠅蟼 渭畏蟿苇蟻伪 魏伪喂 蠅蟼 纬喂伪纬喂维, 渭伪胃畏渭苇谓畏 蟺维谓蟿伪 谓伪 蠀蟺畏蟻蔚蟿蔚委 未委蠂蠅蟼 伪谓蟿喂蟻蟻萎蟽蔚喂蟼 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼 蟿慰蠀 蟺蔚蟻喂尾维位位慰谓蟿蠈蟼 蟿畏蟼. 螚 蟺蔚委蟻伪 蟿萎蟼 未委未伪尉蔚 蠈蟿喂 畏 味蠅萎 纬喂伪 渭喂伪 纬蠀谓伪委魏伪 蔚委谓伪喂 纬蔚渭维蟿畏 尾维蟽伪谓伪 魏伪喂 畏 胃蔚蠅蟻委伪 蟿畏蟼 萎蟿伪谓 蠈蟿喂 畏 纬苇谓谓畏蟽畏 蔚谓蠈蟼 魏慰蟻喂蟿蟽喂慰蠉 未蔚谓 蠁苇蟻谓蔚喂 蟺伪蟻维 未蠀蟽蟿蠀蠂委伪, 蠈蠂喂 渭蠈谓慰 蟽蟿慰 委未喂慰 蟿慰 蟺伪喂未委, 伪位位维 魏伪喂 蟽蟿畏谓 慰喂魏慰纬苇谓蔚喂维 蟿慰蠀, 喂未委蠅蟼 伪谓 蔚委谓伪喂 蠁蟿蠅蠂萎.
螕喂伪 蟿慰蠀蟼 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰蠀蟼 畏 桅蠈谓喂蟽蟽伪 胃蔚蠅蟻蔚委蟿伪喂 蟿慰 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏. 螆蟻纬慰 蟿畏蟼 蟺蟻慰蠂蠅蟻畏渭苇谓畏蟼 蟺喂伪 蠅蟻喂渭蠈蟿畏蟿维蟼 蟿慰蠀, 蟺蔚蟻喂魏位蔚委蔚喂 渭苇蟽伪 蟿慰蠀 蟿伪 蟺喂慰 纬蠈谓喂渭伪 蟽蟿慰喂蠂蔚委伪 蟿畏蟼 蟺苇谓伪蟼 蟿慰蠀. 韦蠈蟽慰 慰 渭蠉胃慰蟼, 蠈蟽慰 魏伪喂 畏 蟽蠉位位畏蠄畏, 畏 渭慰蟻蠁萎 魏伪喂 蟺蔚蟻喂蔚蠂蠈渭蔚谓蠈 蟿慰蠀, 蟽蠀谓胃苇蟿慰蠀谓 苇谓伪 伪蟺蠈 蟿伪 蟺喂慰 蟽畏渭伪谓蟿喂魏维 魏蔚委渭蔚谓伪 蟿畏蟼 谓蔚慰蔚位位畏谓喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼, 苇谓伪 苇蟻纬慰 蟿苇蠂谓畏蟼. 危蔚 伪蠀蟿蠈 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 伪谓伪蟽魏维蟺蟿蔚喂 蟿伪 尾维胃畏 蟿畏蟼 未喂魏萎蟼 蟿慰蠀 蠄蠀蠂萎蟼, 蟿慰 慰喂魏慰纬蔚谓蔚喂伪魏蠈 蟿慰蠀 蟺蔚蟻喂尾维位位慰谓, 蟿慰 魏慰喂谓蠅谓喂魏蠈 蟿慰蠀 谓畏蟽喂慰蠉 蟿慰蠀, 蟿畏 未蠀蟽蟿蠀蠂委伪 魏伪喂 蟿畏 蠁蟿蠋蠂喂伪 蟿蠅谓 伪谓胃蟻蠋蟺蠅谓 蟿慰蠀 位伪慰蠉. 螚 蔚谓蠈蟿畏蟿伪 蟿慰蠀 苇蟻纬慰蠀 蟺伪蟻伪渭苇谓蔚喂 伪未喂维蟽蟺伪蟽蟿畏, 蟺伪蟻维 蟿喂蟼 蟽蠀蠂谓苇蟼 伪谓伪未蟻慰渭苇蟼, 魏伪喂 畏 蟽蠉谓胃蔚蟽畏 蟿慰蠀 蔚委谓伪喂 伪蟻喂蟽蟿慰蟿蔚蠂谓喂魏萎. 螚 伪蠁萎纬畏蟽畏 纬慰蟻纬萎, 未蠀谓伪渭喂魏萎, 蟽蠀谓伪蟻蟺伪蟽蟿喂魏萎, 蟽蠀纬魏位慰谓喂蟽蟿喂魏萎. 韦慰 苇纬魏位畏渭伪 魏伪喂 蟿慰 蟺维胃慰蟼 蟿畏蟼 桅蟻伪纬魏慰纬喂伪谓谓慰蠉蟼 伪谓伪未蠉蔚蟿伪喂 尾慰蠀尾蠈 魏伪喂 蟽魏慰蟿蔚喂谓蠈 渭苇蟽伪 伪蟺蠈 蟿畏谓 蔚蟽蠅蟿蔚蟻喂魏萎 蠁蠅谓萎 渭喂伪蟼 伪渭蔚委位喂魏蟿畏蟼 螘蟻喂谓蠉伪蟼 蟺慰蠀 蟿畏谓 魏伪蟿伪未喂蠋魏蔚喂, 伪蟺蠈未蔚喂尉畏 蟿畏蟼 蔚尉伪委蟻蔚蟿畏蟼 蟿蔚蠂谓喂魏萎蟼 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏 蟺慰蠀 蠁蟿维谓蔚喂 蟺喂伪 蟽蟿畏谓 苇尉伪蟻蟽萎 蟿畏蟼. 危伪谓 苇谓伪 蟿蟻伪纬喂魏蠈 蟺蟻蠈蟽蠅蟺慰 伪蟻蠂伪喂慰蔚位位畏谓喂魏慰蠉 未蟻维渭伪蟿慰蟼, 畏 胃蔚喂伪 围伪未慰蠉位伪 伪谓蟿喂位伪渭尾维谓蔚蟿伪喂 魏伪喂 伪谓伪纬谓蠅蟻委味蔚喂 蟿喂蟼 蠁慰谓喂魏苇蟼 蟺蟻维尉蔚喂蟼 蟿畏蟼, 蠈渭蠅蟼 伪蠀蟿苇蟼 蔚尉伪谓胃蟻蠅蟺委味慰谓蟿伪喂 渭苇蟽伪 伪蟺蠈 蟿慰 未喂魏蠈 蟿畏蟼 伪谓胃蟻蠅蟺喂蟽蟿喂魏蠈 喂未蔚蠋未蔚蟼. 韦慰 未蟻维渭伪 位蠉蔚蟿伪喂 魏维蟺慰蠀 伪谓维渭蔚蟽伪 蟽蟿慰 胃蔚蠆魏蠈 魏伪喂 蟽蟿慰 伪谓胃蟻蠋蟺喂谓慰, 萎, 蠈蟺蠅蟼 未畏位蠋谓蔚喂 慰 蟺蔚喂蟽渭伪蟿喂魏维 伪渭蔚蟻蠈位畏蟺蟿慰蟼 伪蠁畏纬畏蟿萎蟼 蟿慰蠀, "渭蔚蟿伪尉蠉 蟿畏蟼 胃蔚委伪蟼 魏伪喂 蟿畏蟼 伪谓胃蟻蠅蟺委谓畏蟼 未喂魏伪喂慰蟽蠉谓畏蟼".
(螤伪蚁蝇谓蠉渭喂慰蟼)
螝蔚谓蟿蟻喂魏蠈 蟺蟻蠈蟽蠅蟺慰 蟿慰蠀 苇蟻纬慰蠀 蔚委谓伪喂 畏 "胃蔚喂伪 围伪未慰蠉位伪, 畏 魏慰喂谓蠋蟼 魏伪位慰蠀渭苇谓畏 螕喂伪谓谓慰蠉 畏 桅蟻维纬魏喂蟽蟽伪", 畏 桅蟻伪纬魏慰纬喂伪谓谓慰蠉, 渭委伪 畏位喂魏喂蠅渭苇谓畏 纬蠀谓伪委魏伪, 畏 慰蟺慰委伪 苇味畏蟽蔚 渭喂伪 尾伪蟽伪谓喂蟽渭苇谓畏 味蠅萎 蠅蟼 魏慰蟻委蟿蟽喂, 蠅蟼 蟽蠉味蠀纬慰蟼, 蠅蟼 渭畏蟿苇蟻伪 魏伪喂 蠅蟼 纬喂伪纬喂维, 渭伪胃畏渭苇谓畏 蟺维谓蟿伪 谓伪 蠀蟺畏蟻蔚蟿蔚委 未委蠂蠅蟼 伪谓蟿喂蟻蟻萎蟽蔚喂蟼 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼 蟿慰蠀 蟺蔚蟻喂尾维位位慰谓蟿蠈蟼 蟿畏蟼. 螚 蟺蔚委蟻伪 蟿萎蟼 未委未伪尉蔚 蠈蟿喂 畏 味蠅萎 纬喂伪 渭喂伪 纬蠀谓伪委魏伪 蔚委谓伪喂 纬蔚渭维蟿畏 尾维蟽伪谓伪 魏伪喂 畏 胃蔚蠅蟻委伪 蟿畏蟼 萎蟿伪谓 蠈蟿喂 畏 纬苇谓谓畏蟽畏 蔚谓蠈蟼 魏慰蟻喂蟿蟽喂慰蠉 未蔚谓 蠁苇蟻谓蔚喂 蟺伪蟻维 未蠀蟽蟿蠀蠂委伪, 蠈蠂喂 渭蠈谓慰 蟽蟿慰 委未喂慰 蟿慰 蟺伪喂未委, 伪位位维 魏伪喂 蟽蟿畏谓 慰喂魏慰纬苇谓蔚喂维 蟿慰蠀, 喂未委蠅蟼 伪谓 蔚委谓伪喂 蠁蟿蠅蠂萎.
螕喂伪 蟿慰蠀蟼 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰蠀蟼 畏 桅蠈谓喂蟽蟽伪 胃蔚蠅蟻蔚委蟿伪喂 蟿慰 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏. 螆蟻纬慰 蟿畏蟼 蟺蟻慰蠂蠅蟻畏渭苇谓畏蟼 蟺喂伪 蠅蟻喂渭蠈蟿畏蟿维蟼 蟿慰蠀, 蟺蔚蟻喂魏位蔚委蔚喂 渭苇蟽伪 蟿慰蠀 蟿伪 蟺喂慰 纬蠈谓喂渭伪 蟽蟿慰喂蠂蔚委伪 蟿畏蟼 蟺苇谓伪蟼 蟿慰蠀. 韦蠈蟽慰 慰 渭蠉胃慰蟼, 蠈蟽慰 魏伪喂 畏 蟽蠉位位畏蠄畏, 畏 渭慰蟻蠁萎 魏伪喂 蟺蔚蟻喂蔚蠂蠈渭蔚谓蠈 蟿慰蠀, 蟽蠀谓胃苇蟿慰蠀谓 苇谓伪 伪蟺蠈 蟿伪 蟺喂慰 蟽畏渭伪谓蟿喂魏维 魏蔚委渭蔚谓伪 蟿畏蟼 谓蔚慰蔚位位畏谓喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼, 苇谓伪 苇蟻纬慰 蟿苇蠂谓畏蟼. 危蔚 伪蠀蟿蠈 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 伪谓伪蟽魏维蟺蟿蔚喂 蟿伪 尾维胃畏 蟿畏蟼 未喂魏萎蟼 蟿慰蠀 蠄蠀蠂萎蟼, 蟿慰 慰喂魏慰纬蔚谓蔚喂伪魏蠈 蟿慰蠀 蟺蔚蟻喂尾维位位慰谓, 蟿慰 魏慰喂谓蠅谓喂魏蠈 蟿慰蠀 谓畏蟽喂慰蠉 蟿慰蠀, 蟿畏 未蠀蟽蟿蠀蠂委伪 魏伪喂 蟿畏 蠁蟿蠋蠂喂伪 蟿蠅谓 伪谓胃蟻蠋蟺蠅谓 蟿慰蠀 位伪慰蠉. 螚 蔚谓蠈蟿畏蟿伪 蟿慰蠀 苇蟻纬慰蠀 蟺伪蟻伪渭苇谓蔚喂 伪未喂维蟽蟺伪蟽蟿畏, 蟺伪蟻维 蟿喂蟼 蟽蠀蠂谓苇蟼 伪谓伪未蟻慰渭苇蟼, 魏伪喂 畏 蟽蠉谓胃蔚蟽畏 蟿慰蠀 蔚委谓伪喂 伪蟻喂蟽蟿慰蟿蔚蠂谓喂魏萎. 螚 伪蠁萎纬畏蟽畏 纬慰蟻纬萎, 未蠀谓伪渭喂魏萎, 蟽蠀谓伪蟻蟺伪蟽蟿喂魏萎, 蟽蠀纬魏位慰谓喂蟽蟿喂魏萎. 韦慰 苇纬魏位畏渭伪 魏伪喂 蟿慰 蟺维胃慰蟼 蟿畏蟼 桅蟻伪纬魏慰纬喂伪谓谓慰蠉蟼 伪谓伪未蠉蔚蟿伪喂 尾慰蠀尾蠈 魏伪喂 蟽魏慰蟿蔚喂谓蠈 渭苇蟽伪 伪蟺蠈 蟿畏谓 蔚蟽蠅蟿蔚蟻喂魏萎 蠁蠅谓萎 渭喂伪蟼 伪渭蔚委位喂魏蟿畏蟼 螘蟻喂谓蠉伪蟼 蟺慰蠀 蟿畏谓 魏伪蟿伪未喂蠋魏蔚喂, 伪蟺蠈未蔚喂尉畏 蟿畏蟼 蔚尉伪委蟻蔚蟿畏蟼 蟿蔚蠂谓喂魏萎蟼 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏 蟺慰蠀 蠁蟿维谓蔚喂 蟺喂伪 蟽蟿畏谓 苇尉伪蟻蟽萎 蟿畏蟼. 危伪谓 苇谓伪 蟿蟻伪纬喂魏蠈 蟺蟻蠈蟽蠅蟺慰 伪蟻蠂伪喂慰蔚位位畏谓喂魏慰蠉 未蟻维渭伪蟿慰蟼, 畏 胃蔚喂伪 围伪未慰蠉位伪 伪谓蟿喂位伪渭尾维谓蔚蟿伪喂 魏伪喂 伪谓伪纬谓蠅蟻委味蔚喂 蟿喂蟼 蠁慰谓喂魏苇蟼 蟺蟻维尉蔚喂蟼 蟿畏蟼, 蠈渭蠅蟼 伪蠀蟿苇蟼 蔚尉伪谓胃蟻蠅蟺委味慰谓蟿伪喂 渭苇蟽伪 伪蟺蠈 蟿慰 未喂魏蠈 蟿畏蟼 伪谓胃蟻蠅蟺喂蟽蟿喂魏蠈 喂未蔚蠋未蔚蟼. 韦慰 未蟻维渭伪 位蠉蔚蟿伪喂 魏维蟺慰蠀 伪谓维渭蔚蟽伪 蟽蟿慰 胃蔚蠆魏蠈 魏伪喂 蟽蟿慰 伪谓胃蟻蠋蟺喂谓慰, 萎, 蠈蟺蠅蟼 未畏位蠋谓蔚喂 慰 蟺蔚喂蟽渭伪蟿喂魏维 伪渭蔚蟻蠈位畏蟺蟿慰蟼 伪蠁畏纬畏蟿萎蟼 蟿慰蠀, "渭蔚蟿伪尉蠉 蟿畏蟼 胃蔚委伪蟼 魏伪喂 蟿畏蟼 伪谓胃蟻蠅蟺委谓畏蟼 未喂魏伪喂慰蟽蠉谓畏蟼".
(螤伪蚁蝇谓蠉渭喂慰蟼)
141 pages, ebook
First published January 1, 1903
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About the author
Alexandros Papadiamantis
169听books189听followersAlexandros Papadiamantis (Greek: ) was an influential Greek novelist and short-story writer.
He was born in Greece, on the island of Skiathos, in the western part of the Aegean Sea. The island would figure prominently in his work. His father was a priest. He moved to Athens as a young man to complete his high school studies, and enrolled in the philosophy faculty of Athens University, but never completed his studies.
He returned to his native island in later life, and died there. He supported himself by writing throughout his adult life, anything from journalism and short stories to several serialized novels. From a certain point onwards he had become very popular, and newspapers and magazines vied for his writings, offering him substantial fees. Papadiamantis did not care for money, and would often ask for lower fees if he thought they were unfairly high; furthermore he spent his money carelessly and took no care of his clothing and appearance. He never married, and was known to be a recluse, whose only true cares were observing and writing about the life of the poor, and chanting at church: he was referred to as "kosmokalogeros" (魏慰蟽渭慰魏伪位蠈纬蔚蟻慰蟼, "a monk in the world"). He died of pneumonia.
He was born in Greece, on the island of Skiathos, in the western part of the Aegean Sea. The island would figure prominently in his work. His father was a priest. He moved to Athens as a young man to complete his high school studies, and enrolled in the philosophy faculty of Athens University, but never completed his studies.
He returned to his native island in later life, and died there. He supported himself by writing throughout his adult life, anything from journalism and short stories to several serialized novels. From a certain point onwards he had become very popular, and newspapers and magazines vied for his writings, offering him substantial fees. Papadiamantis did not care for money, and would often ask for lower fees if he thought they were unfairly high; furthermore he spent his money carelessly and took no care of his clothing and appearance. He never married, and was known to be a recluse, whose only true cares were observing and writing about the life of the poor, and chanting at church: he was referred to as "kosmokalogeros" (魏慰蟽渭慰魏伪位蠈纬蔚蟻慰蟼, "a monk in the world"). He died of pneumonia.
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October 4, 2018
螘维谓 萎蟿伪谓 魏维蟺慰喂慰 维位位慰 尾喂尾位委慰, 胃伪 苇蟺蟻蔚蟺蔚 谓伪 纬蟻维蠄蠅 Spoiler Alert! 螛蔚蠅蟻蠋 蠅蟽蟿蠈蟽慰, 蟺蠅蟼 蔚委蟽蟿蔚 蔚谓萎渭蔚蟻慰喂 蔚蟺委 蟿慰蠀 胃苇渭伪蟿慰蟼 魏伪喂 胃伪 蟽蠀谓蔚蠂委蟽蔚蟿蔚 伪魏维胃蔚魏蟿慰喂鈥� 螛伪 萎蟿伪谓 蟽伪谓 谓伪 蟺蟻慰蔚喂未慰蟺慰喂慰蠉蟽伪 纬喂伪 spoiler alert 蟽蟿慰 芦螖蟻维魏慰蠀位伪禄 蟿慰蠀 螠蟺蟻伪渭 危蟿蠈魏蔚蟻 萎 蟽蟿慰谓 芦桅蟻伪谓魏蔚蟽蟿维喂谓禄 蟿畏蟼 螠伪委蟻畏 危苇位蔚喂鈥�
芦螚 蠁蠈谓喂蟽蟽伪禄鈥� Serial killer 伪位维 蔚位位畏谓喂魏维鈥� 苇谓伪 伪蟺慰渭慰谓蠅渭苇谓慰 谓畏蟽委 (渭畏谓 魏慰喂蟿维蟿蔚 蟿蠋蟻伪 蟺慰蠀 畏 危魏喂维胃慰蟼 苇蠂蔚喂 魏伪喂 蟿伪 渭蟺喂蟿蟽蠈渭蟺伪蟻伪 魏伪喂 蟿慰谓 螡蟿维谓慰 魏伪喂 蟿伪 蠈位伪 蟿畏蟼鈥�), 魏伪魏慰蟿蟻维蠂伪位伪 尾慰蠀谓维 魏伪喂 位伪纬魏维未喂伪, 渭伪蠉蟻畏 蔚委谓伪喂 畏 渭慰委蟻伪 渭伪蟼 魏伪蟿伪蠁蟻慰谓蔚渭苇谓畏 魏伪喂 渭喂位慰蠉谓喂伪 胃畏位蠀魏维 蟺慰蠀 胃伪 胃苇位慰蠀谓 魏伪喂 蟺蟻慰委魏伪鈥�
螝喂 苇蟻蠂蔚蟿伪喂 慰 蟺维蟺伪蟼 蟿畏蟼 谓蔚慰蔚位位畏谓喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼, 慰 螤伪蟺伪未喂伪渭维谓蟿畏蟼, 魏伪喂 蟿伪 蟽蠀谓蟿伪喂蟻喂维味蔚喂 蠈位伪 渭伪味委 魏伪喂 渭伪蟼 未委谓蔚喂 蟿畏谓 围伪未慰蠉位伪, 蟿畏谓 桅蟻伪纬魏慰纬喂伪谓谓慰蠉鈥� 渭喂伪 纬蟻喂维 蟺慰蠀 尉蔚魏喂谓维蔚喂 谓伪 尉蔚魏位畏蟻委味蔚喂 蟿伪 胃畏位蠀魏维 纬喂伪 谓伪 渭畏谓 味萎蟽慰蠀谓 慰蠉蟿蔚 蟿伪 委未喂伪 渭伪蠉蟻畏 味蠅萎 伪位位维 魏伪喂 谓伪 渭畏谓 魏维谓慰蠀谓 渭伪蠉蟻畏 魏伪喂 蟿畏 味蠅萎 蟿蠅谓 维位位蠅谓鈥�
螘谓蟿维尉蔚喂 蔚委谓伪喂 喂蔚蟻慰蟽蠀位委伪 谓伪 渭喂位萎蟽蠅 纬喂伪 蟿慰谓 螤伪蟺伪未喂伪渭维谓蟿畏鈥� 慰 蟿蟻蠈蟺慰蟼 渭蔚 蟿慰谓 慰蟺慰委慰 蠁蟿喂维蠂谓蔚喂 蔚喂魏蠈谓蔚蟼, 蟺慰蠀 蠂蟿委味蔚喂 蟿畏谓 畏蟻蠅委未伪 蟿慰蠀 蟽魏伪位委 鈥� 蟽魏伪位委, 蟺蠅蟼 伪蟺蠈 蟿畏谓 蟽魏苇蠄畏 蟿慰蠀 蟺蟻蠋蟿慰蠀 蠁慰谓喂魏慰蠉 蠁蟿维谓蔚喂 谓伪 伪蟺慰味畏蟿维 蟿慰 鈥樜蔽嘉扁€� 伪胃蠋蠅谓 魏慰蟻伪蟽委未蠅谓 蔚委谓伪喂 渭慰谓伪未喂魏蠈蟼鈥�
螚胃慰纬蟻伪蠁委伪; 唯蠀蠂慰位慰纬喂魏蠈 胃蟻委位蔚蟻; 螝慰喂谓蠅谓喂慰位慰纬喂魏蠈 伪谓维纬谓蠅蟽渭伪; 螌位伪 渭伪味委 蟽蔚 苇谓伪 all time classic 伪谓维纬谓蠅蟽渭伪.
螒谓蟿喂位伪渭尾维谓慰渭伪喂 蟺蠅蟼 畏 纬位蠋蟽蟽伪 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏 蔚委谓伪喂 苇谓伪 handicap 纬喂伪 蟿喂蟼 谓苇蔚蟼 纬蔚谓喂苇蟼, 伪蟺蠈 蟿畏谓 维位位畏, 苇蠂蔚喂 魏伪喂 蟿伪 魏伪位维 蟿慰蠀 谓伪 蔚委蟽伪喂 渭委伪蟼 魏维蟺慰喂伪蟼 畏位喂魏委伪蟼 纬喂伪蟿委 伪蠀蟿蠈 蟿慰 蔚渭蟺蠈未喂慰 未蔚谓 萎蟿伪谓 蔚渭蟺蠈未喂慰 纬喂伪 蟿慰 畏位喂魏喂蠅渭苇谓慰 蟽魏慰蟻蠈蠁喂未慰, 蟿畏谓 伪蠁蔚谓蟿喂维 渭慰蠀. 螣 维谓胃蟻蠅蟺慰蟼 苇蠂蔚喂 蟿畏谓 伪蟺委蟽蟿蔚蠀蟿畏 喂魏伪谓蠈蟿畏蟿伪 谓伪 未畏渭喂慰蠀蟻纬蔚委 蔚喂魏蠈谓蔚蟼. 螙蠅谓蟿维谓蔚蠄蔚 畏 危魏喂维胃慰蟼 蟿慰蠀 蟿蠈蟿蔚, 蟿伪 蠂蠅蟻喂维 蟿畏蟼, 慰 蟿蟻蠈蟺慰蟼 蟺慰蠀 味慰蠉蟽伪谓蔚, 蟽伪谓 蟻蔚蟺慰蟻蟿维味 伪蟺蠈 蟿伪 蟺慰位蠉 魏伪位维鈥�
螖蔚谓 苇蠂蠅 喂未苇伪 伪谓 慰 螤伪蟺伪未喂伪渭维谓蟿畏蟼 苇纬蟻伪蠄蔚 苇谓伪 蟺蟻蠋喂渭慰 蠁蔚渭喂谓喂蟽蟿喂魏蠈 尾喂尾位委慰 (纬喂伪 蟿畏 未蠉蟽魏慰位畏 味蠅萎 蟿蠅谓 纬蠀谓伪喂魏蠋谓 魏伪喂 蟿畏谓 伪蟺蠈蠁伪蟽畏 渭喂伪蟼 纬蠀谓伪委魏伪蟼 谓伪 蟺维蟻蔚喂 蟿畏 味蠅萎 蟽蟿伪 蠂苇蟻喂伪 蟿畏蟼 鈥� 魏伪位维 未蔚谓 蟺伪委蟻谓蔚喂 蟿畏 未喂魏萎 蟿畏蟼 味蠅萎 蟿蠅谓 伪位位蠅谓蠋谓 蟺伪委蟻谓蔚喂 蟽蟿慰 位伪喂渭蠈 蟿畏蟼) 萎 苇谓伪 魏慰喂谓蠅谓喂魏蠈 位慰纬慰蟿蔚蠂谓喂魏蠈 渭伪谓喂蠁苇蟽蟿慰, 魏伪蟿伪蠁苇蟻谓蔚喂 蠅蟽蟿蠈蟽慰 谓伪 蟿伪蟻伪魏慰蠀谓萎蟽蔚喂 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏 魏伪喂 谓伪 蟿慰谓 魏维谓蔚喂 蠈蠂喂 蠁蠀蟽喂魏维 谓伪 蟽蠀渭蟺慰谓苇蟽蔚喂 伪位位维 谓伪 魏伪蟿伪谓慰萎蟽蔚喂 蟿伪 蟿伪 魏委谓畏蟿蟻伪 蟿畏蟼 桅蟻伪纬魏慰纬喂伪谓谓慰蠉蟼鈥�
韦慰 蟿苇位慰蟼 蔚蠀蠁蠀苇蟽蟿伪蟿慰. 螣 蟽蠀纬纬蟻伪蠁苇伪蟼 未委谓蔚喂 蟿畏谓 伪蟺伪蟻伪委蟿畏蟿畏 魏维胃伪蟻蟽畏 (伪谓 维蠁畏谓蔚 蟿畏谓 畏蟻蠅委未伪 蔚位蔚蠉胃蔚蟻畏, 畏 桅蟻伪纬魏慰纬喂伪谓谓慰蠉 未蔚谓 胃伪 维蠁畏谓蔚 胃畏位蠀魏萎 纬维蟿伪 味蠅谓蟿伪谓萎 蟽蟿慰 谓畏蟽委), 伪蠁萎谓慰谓蟿伪蟼 蟽蟿慰 螛蔚蠈, 蟺慰蠀 蟿蠈蟽慰 慰 委未喂慰蟼 伪纬伪蟺慰蠉蟽蔚, 蟿畏谓 蟿蔚位喂魏萎 魏蟻委蟽畏鈥�
违螕1: 螢苇蟻蠅 蟺蠅蟼 苇蠂蔚喂 魏蠀魏位慰蠁慰蟻萎蟽蔚喂 尾喂尾位委慰 鈥樜嘉迪勎毕喯佄毕兾嘉轿库€� 蟽蟿畏 谓苇伪 蔚位位畏谓喂魏萎. 螖蔚谓 蔚委渭伪喂 伪蟻谓畏蟿喂魏蠈 蟽蔚 蠈位慰 蟿慰 蔚纬蠂蔚委蟻畏渭伪 伪位位维 未蔚谓 渭蟺慰蟻蠋 谓伪 蠁伪谓蟿伪蟽蟿蠋 蟺蠈蟽畏 伪蟺蠈 蟿畏 渭慰蠀蟽喂魏蠈蟿畏蟿伪 蠂维谓蔚喂 蟿慰 魏蔚委渭蔚谓慰
违螕2 螁蟽蠂蔚蟿慰 伪位位维 胃伪 蟿慰 蟺蠅鈥� 螆蠂蠅 蟺伪蟻伪蟿畏蟻萎蟽蔚喂 蟺蠅蟼 蠈蟿伪谓 未喂伪尾维味蠅 螤伪蟺伪未喂伪渭维谓蟿畏 未蠀谓伪蟿维, 畏 纬位蠋蟽蟽伪 蟿慰蠀 苇蠂蔚喂 伪蟺委蟽蟿蔚蠀蟿畏 魏伪蟿伪蟺蟻伪蠇谓蟿喂魏萎 蔚蟺委未蟻伪蟽畏 蔚蟺维谓蠅 渭慰蠀 (蟿蠉蠁位伪 谓伪 鈥樝囄肯呂� 蟿伪 xanax), 伪魏蠈渭伪 魏喂 蠈蟿伪谓 未喂伪尾维味蠅 纬喂伪 蠁慰谓喂魏维
违螕3 螖蔚谓 尉苇蟻蠅 魏喂 蔚纬蠋 蟺蠈蟽蔚蟼 蠁慰蟻苇蟼 苇蠂蠅 未喂伪尾维蟽蔚喂 蟿慰 蟽蠀纬魏蔚魏蟻喂渭苇谓慰 尾喂尾位委慰. 螘委谓伪喂 蟿慰 蟿伪尉委未喂 蟺慰蠀 伪蟺慰位伪渭尾维谓蠅 魏伪喂 蟺慰蟽蠋蟼 渭蔚 蔚谓未喂伪蠁苇蟻蔚喂 慰 蟺蟻慰慰蟻喂蟽渭蠈蟼. 螣 尾维蟿蟻伪蠂慰蟼 蟿蠈位渭畏蟽蔚 魏伪喂 渭慰蠀 蔚委蟺蔚 芦渭伪 蟿慰 尉苇蟻蔚喂蟼 蟿慰 蟿苇位慰蟼, 蟿喂 蟿慰 未喂伪尾维味蔚喂蟼 蟺喂伪;禄 螠蔚蟿维 蔚纬蠋 蠁蟿伪委蠅 蟺慰蠀 蟿慰谓 苇魏伪谓伪 渭喂伪 蠂伪蠄喂维;
芦螚 蠁蠈谓喂蟽蟽伪禄鈥� Serial killer 伪位维 蔚位位畏谓喂魏维鈥� 苇谓伪 伪蟺慰渭慰谓蠅渭苇谓慰 谓畏蟽委 (渭畏谓 魏慰喂蟿维蟿蔚 蟿蠋蟻伪 蟺慰蠀 畏 危魏喂维胃慰蟼 苇蠂蔚喂 魏伪喂 蟿伪 渭蟺喂蟿蟽蠈渭蟺伪蟻伪 魏伪喂 蟿慰谓 螡蟿维谓慰 魏伪喂 蟿伪 蠈位伪 蟿畏蟼鈥�), 魏伪魏慰蟿蟻维蠂伪位伪 尾慰蠀谓维 魏伪喂 位伪纬魏维未喂伪, 渭伪蠉蟻畏 蔚委谓伪喂 畏 渭慰委蟻伪 渭伪蟼 魏伪蟿伪蠁蟻慰谓蔚渭苇谓畏 魏伪喂 渭喂位慰蠉谓喂伪 胃畏位蠀魏维 蟺慰蠀 胃伪 胃苇位慰蠀谓 魏伪喂 蟺蟻慰委魏伪鈥�
螝喂 苇蟻蠂蔚蟿伪喂 慰 蟺维蟺伪蟼 蟿畏蟼 谓蔚慰蔚位位畏谓喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼, 慰 螤伪蟺伪未喂伪渭维谓蟿畏蟼, 魏伪喂 蟿伪 蟽蠀谓蟿伪喂蟻喂维味蔚喂 蠈位伪 渭伪味委 魏伪喂 渭伪蟼 未委谓蔚喂 蟿畏谓 围伪未慰蠉位伪, 蟿畏谓 桅蟻伪纬魏慰纬喂伪谓谓慰蠉鈥� 渭喂伪 纬蟻喂维 蟺慰蠀 尉蔚魏喂谓维蔚喂 谓伪 尉蔚魏位畏蟻委味蔚喂 蟿伪 胃畏位蠀魏维 纬喂伪 谓伪 渭畏谓 味萎蟽慰蠀谓 慰蠉蟿蔚 蟿伪 委未喂伪 渭伪蠉蟻畏 味蠅萎 伪位位维 魏伪喂 谓伪 渭畏谓 魏维谓慰蠀谓 渭伪蠉蟻畏 魏伪喂 蟿畏 味蠅萎 蟿蠅谓 维位位蠅谓鈥�
螘谓蟿维尉蔚喂 蔚委谓伪喂 喂蔚蟻慰蟽蠀位委伪 谓伪 渭喂位萎蟽蠅 纬喂伪 蟿慰谓 螤伪蟺伪未喂伪渭维谓蟿畏鈥� 慰 蟿蟻蠈蟺慰蟼 渭蔚 蟿慰谓 慰蟺慰委慰 蠁蟿喂维蠂谓蔚喂 蔚喂魏蠈谓蔚蟼, 蟺慰蠀 蠂蟿委味蔚喂 蟿畏谓 畏蟻蠅委未伪 蟿慰蠀 蟽魏伪位委 鈥� 蟽魏伪位委, 蟺蠅蟼 伪蟺蠈 蟿畏谓 蟽魏苇蠄畏 蟿慰蠀 蟺蟻蠋蟿慰蠀 蠁慰谓喂魏慰蠉 蠁蟿维谓蔚喂 谓伪 伪蟺慰味畏蟿维 蟿慰 鈥樜蔽嘉扁€� 伪胃蠋蠅谓 魏慰蟻伪蟽委未蠅谓 蔚委谓伪喂 渭慰谓伪未喂魏蠈蟼鈥�
螚胃慰纬蟻伪蠁委伪; 唯蠀蠂慰位慰纬喂魏蠈 胃蟻委位蔚蟻; 螝慰喂谓蠅谓喂慰位慰纬喂魏蠈 伪谓维纬谓蠅蟽渭伪; 螌位伪 渭伪味委 蟽蔚 苇谓伪 all time classic 伪谓维纬谓蠅蟽渭伪.
螒谓蟿喂位伪渭尾维谓慰渭伪喂 蟺蠅蟼 畏 纬位蠋蟽蟽伪 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏 蔚委谓伪喂 苇谓伪 handicap 纬喂伪 蟿喂蟼 谓苇蔚蟼 纬蔚谓喂苇蟼, 伪蟺蠈 蟿畏谓 维位位畏, 苇蠂蔚喂 魏伪喂 蟿伪 魏伪位维 蟿慰蠀 谓伪 蔚委蟽伪喂 渭委伪蟼 魏维蟺慰喂伪蟼 畏位喂魏委伪蟼 纬喂伪蟿委 伪蠀蟿蠈 蟿慰 蔚渭蟺蠈未喂慰 未蔚谓 萎蟿伪谓 蔚渭蟺蠈未喂慰 纬喂伪 蟿慰 畏位喂魏喂蠅渭苇谓慰 蟽魏慰蟻蠈蠁喂未慰, 蟿畏谓 伪蠁蔚谓蟿喂维 渭慰蠀. 螣 维谓胃蟻蠅蟺慰蟼 苇蠂蔚喂 蟿畏谓 伪蟺委蟽蟿蔚蠀蟿畏 喂魏伪谓蠈蟿畏蟿伪 谓伪 未畏渭喂慰蠀蟻纬蔚委 蔚喂魏蠈谓蔚蟼. 螙蠅谓蟿维谓蔚蠄蔚 畏 危魏喂维胃慰蟼 蟿慰蠀 蟿蠈蟿蔚, 蟿伪 蠂蠅蟻喂维 蟿畏蟼, 慰 蟿蟻蠈蟺慰蟼 蟺慰蠀 味慰蠉蟽伪谓蔚, 蟽伪谓 蟻蔚蟺慰蟻蟿维味 伪蟺蠈 蟿伪 蟺慰位蠉 魏伪位维鈥�
螖蔚谓 苇蠂蠅 喂未苇伪 伪谓 慰 螤伪蟺伪未喂伪渭维谓蟿畏蟼 苇纬蟻伪蠄蔚 苇谓伪 蟺蟻蠋喂渭慰 蠁蔚渭喂谓喂蟽蟿喂魏蠈 尾喂尾位委慰 (纬喂伪 蟿畏 未蠉蟽魏慰位畏 味蠅萎 蟿蠅谓 纬蠀谓伪喂魏蠋谓 魏伪喂 蟿畏谓 伪蟺蠈蠁伪蟽畏 渭喂伪蟼 纬蠀谓伪委魏伪蟼 谓伪 蟺维蟻蔚喂 蟿畏 味蠅萎 蟽蟿伪 蠂苇蟻喂伪 蟿畏蟼 鈥� 魏伪位维 未蔚谓 蟺伪委蟻谓蔚喂 蟿畏 未喂魏萎 蟿畏蟼 味蠅萎 蟿蠅谓 伪位位蠅谓蠋谓 蟺伪委蟻谓蔚喂 蟽蟿慰 位伪喂渭蠈 蟿畏蟼) 萎 苇谓伪 魏慰喂谓蠅谓喂魏蠈 位慰纬慰蟿蔚蠂谓喂魏蠈 渭伪谓喂蠁苇蟽蟿慰, 魏伪蟿伪蠁苇蟻谓蔚喂 蠅蟽蟿蠈蟽慰 谓伪 蟿伪蟻伪魏慰蠀谓萎蟽蔚喂 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏 魏伪喂 谓伪 蟿慰谓 魏维谓蔚喂 蠈蠂喂 蠁蠀蟽喂魏维 谓伪 蟽蠀渭蟺慰谓苇蟽蔚喂 伪位位维 谓伪 魏伪蟿伪谓慰萎蟽蔚喂 蟿伪 蟿伪 魏委谓畏蟿蟻伪 蟿畏蟼 桅蟻伪纬魏慰纬喂伪谓谓慰蠉蟼鈥�
韦慰 蟿苇位慰蟼 蔚蠀蠁蠀苇蟽蟿伪蟿慰. 螣 蟽蠀纬纬蟻伪蠁苇伪蟼 未委谓蔚喂 蟿畏谓 伪蟺伪蟻伪委蟿畏蟿畏 魏维胃伪蟻蟽畏 (伪谓 维蠁畏谓蔚 蟿畏谓 畏蟻蠅委未伪 蔚位蔚蠉胃蔚蟻畏, 畏 桅蟻伪纬魏慰纬喂伪谓谓慰蠉 未蔚谓 胃伪 维蠁畏谓蔚 胃畏位蠀魏萎 纬维蟿伪 味蠅谓蟿伪谓萎 蟽蟿慰 谓畏蟽委), 伪蠁萎谓慰谓蟿伪蟼 蟽蟿慰 螛蔚蠈, 蟺慰蠀 蟿蠈蟽慰 慰 委未喂慰蟼 伪纬伪蟺慰蠉蟽蔚, 蟿畏谓 蟿蔚位喂魏萎 魏蟻委蟽畏鈥�
违螕1: 螢苇蟻蠅 蟺蠅蟼 苇蠂蔚喂 魏蠀魏位慰蠁慰蟻萎蟽蔚喂 尾喂尾位委慰 鈥樜嘉迪勎毕喯佄毕兾嘉轿库€� 蟽蟿畏 谓苇伪 蔚位位畏谓喂魏萎. 螖蔚谓 蔚委渭伪喂 伪蟻谓畏蟿喂魏蠈 蟽蔚 蠈位慰 蟿慰 蔚纬蠂蔚委蟻畏渭伪 伪位位维 未蔚谓 渭蟺慰蟻蠋 谓伪 蠁伪谓蟿伪蟽蟿蠋 蟺蠈蟽畏 伪蟺蠈 蟿畏 渭慰蠀蟽喂魏蠈蟿畏蟿伪 蠂维谓蔚喂 蟿慰 魏蔚委渭蔚谓慰
违螕2 螁蟽蠂蔚蟿慰 伪位位维 胃伪 蟿慰 蟺蠅鈥� 螆蠂蠅 蟺伪蟻伪蟿畏蟻萎蟽蔚喂 蟺蠅蟼 蠈蟿伪谓 未喂伪尾维味蠅 螤伪蟺伪未喂伪渭维谓蟿畏 未蠀谓伪蟿维, 畏 纬位蠋蟽蟽伪 蟿慰蠀 苇蠂蔚喂 伪蟺委蟽蟿蔚蠀蟿畏 魏伪蟿伪蟺蟻伪蠇谓蟿喂魏萎 蔚蟺委未蟻伪蟽畏 蔚蟺维谓蠅 渭慰蠀 (蟿蠉蠁位伪 谓伪 鈥樝囄肯呂� 蟿伪 xanax), 伪魏蠈渭伪 魏喂 蠈蟿伪谓 未喂伪尾维味蠅 纬喂伪 蠁慰谓喂魏维
违螕3 螖蔚谓 尉苇蟻蠅 魏喂 蔚纬蠋 蟺蠈蟽蔚蟼 蠁慰蟻苇蟼 苇蠂蠅 未喂伪尾维蟽蔚喂 蟿慰 蟽蠀纬魏蔚魏蟻喂渭苇谓慰 尾喂尾位委慰. 螘委谓伪喂 蟿慰 蟿伪尉委未喂 蟺慰蠀 伪蟺慰位伪渭尾维谓蠅 魏伪喂 蟺慰蟽蠋蟼 渭蔚 蔚谓未喂伪蠁苇蟻蔚喂 慰 蟺蟻慰慰蟻喂蟽渭蠈蟼. 螣 尾维蟿蟻伪蠂慰蟼 蟿蠈位渭畏蟽蔚 魏伪喂 渭慰蠀 蔚委蟺蔚 芦渭伪 蟿慰 尉苇蟻蔚喂蟼 蟿慰 蟿苇位慰蟼, 蟿喂 蟿慰 未喂伪尾维味蔚喂蟼 蟺喂伪;禄 螠蔚蟿维 蔚纬蠋 蠁蟿伪委蠅 蟺慰蠀 蟿慰谓 苇魏伪谓伪 渭喂伪 蠂伪蠄喂维;
July 6, 2014
Few Introductory words:
India, my country, is notoriously known for many number of social evils among which the worst ones are meted out to women. The birth of a girl child is still considered to be a curse in many parts of India. The principal reason behind is the infamous dowry system. A girl when given in marriage has to be accompanied by lot of gifts - in gold, kind and money. If the dowry was not paid rightly, the bride might end up dead in the bridegrooms's house under doubtful circumstances. If one could not pay enough dowry the girl remains unmarried in the house of the parents and it is a bad curse for the family. To avoid future troubles, a girl child was/is killed as soon as it was born. (Just check in Google - Dowry deaths in India or Female infanticide in India and see the number of links that you get).
About the Novella:
........................THERE MAY BE SPOILERS....................................
It is set in Greece and the time frame is 1903. The practice of dowry was widely present in the then Greek society. The story is set in this context. We have a lady (widow) in her fifties who has three daughters and out of which she had managed to marry off only the first with enough dowry. The married daughter after marriage gives birth to two daughters and a boy. The old lady attending her daughter after the birth of the third child (a girl) keeps reflecting about her life and about the life of girls in general.
She asks within herself a question: What are girls for? This is the answer she gets: "She's there to be tortured and to torture us." What can be done to remedy the situation? She asks once again her own self the question and out of her reflection the answer stumbling out is: Kill them when they are young. The grief is short and the killed infants in their turn never grow up to bring forth many more girls.
This idea takes hold of her whole being and transforms her into an Angel of Death. She takes it as God's will to kill whenever and wherever possible the girl children that she could find. The narration is chilly at at times.
What happens to her? Is she haunted by guilt? Is her crime go unpunished? Where is human and divine justice in it? These questions are answered in a racy narration, that is filled with some Greek folk tales, regional proverbs and local beliefs.
The solution for the social evil is never offered. The greatness of Papadiamantis is in presenting the human solution (infanticide) and its consequences for the persons.
Final Note:
In Greece, by then infanticide was at least considered to be a crime and police were sent after the murderess. But in some parts of India, the family is fully involved in killing the new born girl child. The issue is thus suppressed.
India, my country, is notoriously known for many number of social evils among which the worst ones are meted out to women. The birth of a girl child is still considered to be a curse in many parts of India. The principal reason behind is the infamous dowry system. A girl when given in marriage has to be accompanied by lot of gifts - in gold, kind and money. If the dowry was not paid rightly, the bride might end up dead in the bridegrooms's house under doubtful circumstances. If one could not pay enough dowry the girl remains unmarried in the house of the parents and it is a bad curse for the family. To avoid future troubles, a girl child was/is killed as soon as it was born. (Just check in Google - Dowry deaths in India or Female infanticide in India and see the number of links that you get).
About the Novella:
........................THERE MAY BE SPOILERS....................................
It is set in Greece and the time frame is 1903. The practice of dowry was widely present in the then Greek society. The story is set in this context. We have a lady (widow) in her fifties who has three daughters and out of which she had managed to marry off only the first with enough dowry. The married daughter after marriage gives birth to two daughters and a boy. The old lady attending her daughter after the birth of the third child (a girl) keeps reflecting about her life and about the life of girls in general.
She asks within herself a question: What are girls for? This is the answer she gets: "She's there to be tortured and to torture us." What can be done to remedy the situation? She asks once again her own self the question and out of her reflection the answer stumbling out is: Kill them when they are young. The grief is short and the killed infants in their turn never grow up to bring forth many more girls.
This idea takes hold of her whole being and transforms her into an Angel of Death. She takes it as God's will to kill whenever and wherever possible the girl children that she could find. The narration is chilly at at times.
What happens to her? Is she haunted by guilt? Is her crime go unpunished? Where is human and divine justice in it? These questions are answered in a racy narration, that is filled with some Greek folk tales, regional proverbs and local beliefs.
The solution for the social evil is never offered. The greatness of Papadiamantis is in presenting the human solution (infanticide) and its consequences for the persons.
Final Note:
In Greece, by then infanticide was at least considered to be a crime and police were sent after the murderess. But in some parts of India, the family is fully involved in killing the new born girl child. The issue is thus suppressed.
April 22, 2022
We are NYRB Classics and we have perfect taste. For our supremely elegant distinctive and well-beloved book covers we take a gorgeous painting and we cut a big box out of the middle. That鈥檚 where the title and the author goes. Right in the middle.
You might say 鈥� Hey, NYRB, why don鈥檛 you put your box in a corner, so we can better appreciate the cool paintings and photos you have chosen with such lapidary care? But we say Faugh! Begone with your pettifogging cavilling, we are NYRB and we have perfect taste.
As to the book itself鈥�
A plunge into the brutal world of Greek peasants, early 20th century : a sharp cry of agony, a strange bitter style, a short, uneasy read.
December 23, 2023
Edit: Now that a new movie adaptation, has come out, I can see that 90% of the people who engaged with it, have zero media literacy. And, it's even funnier when they unironically label the movie as "feminazi propaganda" because, to their eyes, Papadiamantis' original work "takes place in a matriarchical society" or "barely makes mention of women being opressed" and the director, added a lot of "misandric" things to it.
I haven't watched the movie yet, but I am willing to bet that the people who think this way, didn't actually read the book. At most, they checked some of the cliff notes, when they had to study it for high school, but even that, is highly unlikely.
We can't let ignorance, incompetence and misogyny win, so, read this, look up how women lived during that time, ask people who lived during hard times how life was and pick up a history book.
This book's plot, revolves around a middle aged woman, called Hadoula, who lives in an isolated island of Greece in the late 1800's.
And what does this woman do? Well, if the title isn't any indicator, she kills children. Little girls to be more precise.
But this book's job isn't only to make the reader despise her.
Papadiamantis, uses his storytelling skills to craft a really fleshed out character and paint a well rounded portrait of an isolated society, where women are viewed as property and subjects of the men in their lives, which is 100% accurate of what Greece was like (and to some extent, still is).
As the story progresses, we keep on finding out more and more about her life.
About how her parents considered her a burden, how her husband was very gullible and if it wasn't for her, she and her family wouldn't even have a home and many other things.
We see her transition from stern mother/grandmother to a child killer, which in her mind is justified, because girls are actually a burden to their families.
She goes from feeling guilty, to thinking that she is actually helping the parents, to her not really being able to stop because it somewhat excites her.
And while the author doesn't only want us to hate her, he also doesn't try to turn her into the good guy.
Hadoula is an unlikeable character who, even though has gone through a lot, her actions aren't justified - Papadiamantis even mentions that after her first victim, her mind isn't as sane anymore.
But what comes after all those murders and all those changes her character goes through? Well, of course, it is time for Hadoula to pay for what she has done.
Her guiltiness is suspected by the police which chases her, and in another attempt to escape, she dies by accidentally drowning into the sea, which is ironically the way she was killing her victims as well (well, she was using both drowning and choking, but you get my point.)
Her death, brings the reader a sense of catharsis and closes the circle of violence.
If you enjoy a short crime story with a complicated protagonist, then you will probably enjoy this, even with Papadiamantis' use of katharevousa.
If you made it this far, congratulations!
'Til next time, take care :) :)
I haven't watched the movie yet, but I am willing to bet that the people who think this way, didn't actually read the book. At most, they checked some of the cliff notes, when they had to study it for high school, but even that, is highly unlikely.
We can't let ignorance, incompetence and misogyny win, so, read this, look up how women lived during that time, ask people who lived during hard times how life was and pick up a history book.
This book's plot, revolves around a middle aged woman, called Hadoula, who lives in an isolated island of Greece in the late 1800's.
And what does this woman do? Well, if the title isn't any indicator, she kills children. Little girls to be more precise.
But this book's job isn't only to make the reader despise her.
Papadiamantis, uses his storytelling skills to craft a really fleshed out character and paint a well rounded portrait of an isolated society, where women are viewed as property and subjects of the men in their lives, which is 100% accurate of what Greece was like (and to some extent, still is).
As the story progresses, we keep on finding out more and more about her life.
About how her parents considered her a burden, how her husband was very gullible and if it wasn't for her, she and her family wouldn't even have a home and many other things.
We see her transition from stern mother/grandmother to a child killer, which in her mind is justified, because girls are actually a burden to their families.
She goes from feeling guilty, to thinking that she is actually helping the parents, to her not really being able to stop because it somewhat excites her.
And while the author doesn't only want us to hate her, he also doesn't try to turn her into the good guy.
Hadoula is an unlikeable character who, even though has gone through a lot, her actions aren't justified - Papadiamantis even mentions that after her first victim, her mind isn't as sane anymore.
But what comes after all those murders and all those changes her character goes through? Well, of course, it is time for Hadoula to pay for what she has done.
Her guiltiness is suspected by the police which chases her, and in another attempt to escape, she dies by accidentally drowning into the sea, which is ironically the way she was killing her victims as well (well, she was using both drowning and choking, but you get my point.)
Her death, brings the reader a sense of catharsis and closes the circle of violence.
If you enjoy a short crime story with a complicated protagonist, then you will probably enjoy this, even with Papadiamantis' use of katharevousa.
If you made it this far, congratulations!
'Til next time, take care :) :)
February 12, 2017
螘委渭伪喂 蟽委纬慰蠀蟻畏 蠈蟿喂 纬喂伪 蠈位慰蠀蟼 蟿伪 3 伪蟽蟿苇蟻喂伪 蟺慰蠀 尾维味蠅 蟽蔚 伪蠀蟿蠈 蟿慰 尾喂尾位委慰 渭蟺慰蟻蔚委 谓伪 胃蔚蠅蟻畏胃蔚委 喂蔚蟻慰蟽蠀位委伪....
螕喂伪 渭苇谓伪 蟿伪 3 伪蟽蟿苇蟻喂伪 蔚委谓伪喂 蠀蟺蔚蟻 伪蟻魏蔚蟿维 纬喂伪 苇谓伪 蟿苇蟿慰喂慰 苇蟻纬慰, 纬喂伪 苇谓伪 蟿苇蟿慰喂慰 胃苇渭伪.
韦慰 慰蟺慰委慰 渭蔚 蔚尉蠈蟻纬喂蟽蔚. 螠蔚 蔚尉蠈蟻纬喂蟽蔚 魏伪喂 畏 "桅蠈谓喂蟽蟽伪" 魏伪喂 蟿伪 魏委谓畏蟿蟻伪 蟿畏蟼 魏伪喂 蟿慰 胃苇渭伪 魏伪喂 畏 蔚蟺慰蠂萎...
危蟿畏谓 慰蠀蟽委伪 蟿伪 3 伪蟽蟿苇蟻喂伪 纬喂伪 伪蠀蟿蠈 蟿慰 位蠈纬慰 蟿伪 尾维味蠅... 螘委谓伪喂 3 蔚尉慰蟻纬喂蟽渭苇谓伪 伪蟽蟿苇蟻喂伪.
韦慰 尉苇蟻蠅 蠈蟿喂 蟽蟿畏谓 蔚蟺慰蠂萎 蟺慰蠀 纬蟻维蠁蟿畏魏蔚 伪蠀蟿萎 萎蟿伪谓 渭喂伪 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪 纬喂伪 蟿伪 魏慰蟻委蟿蟽喂伪. 螡伪 位苇渭蔚 蟺维位喂 魏伪位维 蟺慰蠀 蟽蟿慰 蟿苇位慰蟼 伪蟺慰蠁维蟽喂蟽伪谓 谓伪 蟿畏谓 魏蠀谓畏纬萎蟽慰蠀谓 纬喂伪 蟿慰 蠁蠈谓慰 蔚谓蠈蟼 魏慰蟻喂蟿蟽喂慰蠉. 螒蟺位维 渭蔚 魏维谓蔚喂 谓伪 伪谓伪蟻蠅蟿喂苇渭伪喂 蠈蟿伪谓 蔚魏未蠈胃畏魏蔚 伪蠀蟿蠈 蟿慰 尾喂尾位委慰... 蟺蟻慰魏维位蔚蟽蔚 蟿伪 委未喂伪 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 蟺慰蠀 胃伪 蟺蟻慰魏伪位慰蠉蟽蔚 渭喂伪 蟺伪蟻蠈渭慰喂伪 喂蟽蟿慰蟻委伪 蟽萎渭蔚蟻伪? 螇 伪蟺位蠋蟼 胃伪 渭苇谓伪谓蔚 蟽蟿慰 蠀蟺苇蟻慰蠂慰 蟿蟻蠈蟺慰 纬蟻伪蠁萎蟼 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏 魏伪喂 委蟽蠅蟼 蟽蟿畏谓 维渭慰喂蟻畏 渭慰委蟻伪 蟿蠅谓 胃蠀渭维蟿蠅谓 蟿慰蠀 魏伪喂 蟿委蟺慰蟿伪 维位位慰?
螕喂伪 渭苇谓伪 蟿伪 3 伪蟽蟿苇蟻喂伪 蔚委谓伪喂 蠀蟺蔚蟻 伪蟻魏蔚蟿维 纬喂伪 苇谓伪 蟿苇蟿慰喂慰 苇蟻纬慰, 纬喂伪 苇谓伪 蟿苇蟿慰喂慰 胃苇渭伪.
韦慰 慰蟺慰委慰 渭蔚 蔚尉蠈蟻纬喂蟽蔚. 螠蔚 蔚尉蠈蟻纬喂蟽蔚 魏伪喂 畏 "桅蠈谓喂蟽蟽伪" 魏伪喂 蟿伪 魏委谓畏蟿蟻伪 蟿畏蟼 魏伪喂 蟿慰 胃苇渭伪 魏伪喂 畏 蔚蟺慰蠂萎...
危蟿畏谓 慰蠀蟽委伪 蟿伪 3 伪蟽蟿苇蟻喂伪 纬喂伪 伪蠀蟿蠈 蟿慰 位蠈纬慰 蟿伪 尾维味蠅... 螘委谓伪喂 3 蔚尉慰蟻纬喂蟽渭苇谓伪 伪蟽蟿苇蟻喂伪.
韦慰 尉苇蟻蠅 蠈蟿喂 蟽蟿畏谓 蔚蟺慰蠂萎 蟺慰蠀 纬蟻维蠁蟿畏魏蔚 伪蠀蟿萎 萎蟿伪谓 渭喂伪 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪 纬喂伪 蟿伪 魏慰蟻委蟿蟽喂伪. 螡伪 位苇渭蔚 蟺维位喂 魏伪位维 蟺慰蠀 蟽蟿慰 蟿苇位慰蟼 伪蟺慰蠁维蟽喂蟽伪谓 谓伪 蟿畏谓 魏蠀谓畏纬萎蟽慰蠀谓 纬喂伪 蟿慰 蠁蠈谓慰 蔚谓蠈蟼 魏慰蟻喂蟿蟽喂慰蠉. 螒蟺位维 渭蔚 魏维谓蔚喂 谓伪 伪谓伪蟻蠅蟿喂苇渭伪喂 蠈蟿伪谓 蔚魏未蠈胃畏魏蔚 伪蠀蟿蠈 蟿慰 尾喂尾位委慰... 蟺蟻慰魏维位蔚蟽蔚 蟿伪 委未喂伪 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 蟺慰蠀 胃伪 蟺蟻慰魏伪位慰蠉蟽蔚 渭喂伪 蟺伪蟻蠈渭慰喂伪 喂蟽蟿慰蟻委伪 蟽萎渭蔚蟻伪? 螇 伪蟺位蠋蟼 胃伪 渭苇谓伪谓蔚 蟽蟿慰 蠀蟺苇蟻慰蠂慰 蟿蟻蠈蟺慰 纬蟻伪蠁萎蟼 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏 魏伪喂 委蟽蠅蟼 蟽蟿畏谓 维渭慰喂蟻畏 渭慰委蟻伪 蟿蠅谓 胃蠀渭维蟿蠅谓 蟿慰蠀 魏伪喂 蟿委蟺慰蟿伪 维位位慰?
August 31, 2016
螚 蠁蠈谓喂蟽蟽伪 渭慰蠀 蟺蟻慰魏维位蔚蟽蔚 伪蟻谓畏蟿喂魏维 蟽蠀谓伪喂蟽胃萎渭伪蟿伪,伪蟺慰蟽蟿蟻慰蠁萎 伪位位维 魏伪喂 未蠀蟽伪蟻苇蟽魏蔚喂伪 纬喂伪 蟿畏 胃蟻畏蟽魏慰位畏蠄委伪 蟿畏蟼 蔚蟺慰蠂萎蟼.
螒魏蠈渭伪 蠈渭蠅蟼 未蔚谓 苇蠂蠅 魏伪蟿伪位萎尉蔚喂 伪谓 伪谓蟿喂蟺伪胃蠋 萎 伪谓 位蠀蟺维渭伪喂 蟿畏谓 桅蟻伪纬魏慰纬喂伪谓谓慰蠉. 螒蟺蠈 蟿畏谓 渭委伪 未蔚谓 未喂蟽蟿维味蔚喂 谓伪 未慰位慰蠁慰谓萎蟽蔚喂 蟿伪 渭喂魏蟻维 魏慰蟻委蟿蟽喂伪, 伪蟺蠈 蟿畏谓 维位位畏 蠈渭蠅蟼 畏 蟽蠀渭蟺蔚蟻喂蠁慰蟻维 蟿畏蟼 魏维谓蔚喂 蔚渭蠁伪谓萎 蟿畏谓 魏伪蟿伪蟺委蔚蟽畏 蟺慰蠀 未苇蠂胃畏魏蔚 蠅蟼 纬蠀谓伪委魏伪 蟿畏蟼 蟿蠈蟿蔚 魏慰喂谓蠅谓委伪蟼. 螣 螤伪蟺伪未喂伪渭维谓蟿畏蟼 渭伪蟼 未委谓蔚喂 蟿伪 纬蔚纬慰谓蠈蟿伪 蟿畏蟼 喂蟽蟿慰蟻委伪蟼 蠂蠅蟻委蟼 谓伪 魏蟻委谓蔚喂 蟿喂蟼 蟺蟻维尉蔚喂蟼 蟿畏蟼 蠁蠈谓喂蟽蟽伪蟼, 伪位位维 魏伪喂 蠂蠅蟻委蟼 谓伪 蟿畏谓 蠀蟺慰蟽蟿畏蟻委味蔚喂. 螒蠁萎谓蔚喂 蟿慰蠀蟼 伪谓伪纬谓蠋蟽蟿蔚蟼 蔚位蔚蠉胃蔚蟻慰蠀蟼 谓伪 伪蟺慰蠁伪蟽委蟽慰蠀谓 伪谓 胃伪 魏伪蟿伪未喂魏维蟽慰蠀谓 蟿畏谓 畏蟻蠅委未伪 萎 伪谓 胃伪 伪谓伪魏伪位蠉蠄慰蠀谓 位蠈纬慰蠀蟼 纬喂伪 谓伪 未喂魏伪喂慰位慰纬萎蟽慰蠀谓 蟿伪 蔚纬魏位萎渭伪蟿维 蟿畏蟼.螤伪蟻维位位畏位伪 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 魏维谓蔚喂 蔚渭蠁伪谓萎 蟿伪 魏慰喂谓蠅谓喂魏维 蟺蟻慰尾位萎渭伪蟿伪 蟿畏蟼 蔚蟺慰蠂萎蟼 蟺慰蠀 胃苇位蔚喂 蟿畏 纬蠀谓伪委魏伪 蟽蟿慰 蟽蟺委蟿喂 渭蔚 魏蠉蟻喂伪 伪蟺伪蟽蠂蠈位畏蟽畏 蟿畏 蠁蟻慰谓蟿委未伪 蟿慰蠀 蟽蟺喂蟿喂慰蠉 未委蠂蠅蟼 喂未喂伪委蟿蔚蟻蔚蟼 蔚位蔚蠀胃蔚蟻委蔚蟼 魏伪喂 尾慰蠉位畏蟽畏.
螤蟻慰蟽蠅蟺喂魏维 蔚渭苇谓伪 未蔚谓 渭蔚 维纬纬喂尉蔚 畏 谓畏蟽喂蠋蟿喂魏畏-魏伪胃伪蟻蔚蠀慰蠀蟽喂维谓喂魏畏 纬慰畏蟿蔚委伪, 委蟽伪 委蟽伪 魏慰蠀蟻维蟽蟿畏魏伪 谓伪 蟿慰 慰位慰魏位畏蟻蠋蟽蠅 蟺伪蟻蠈位慰 蟺慰蠀 蔚委谓伪喂 渭喂魏蟻蠈 蟽蔚 苇魏蟿伪蟽畏.螖蔚谓 尉苇蟻蠅 伪谓 伪蠀蟿蠈蟼 蔚委谓伪喂 慰 位蠈纬慰蟼 蟺慰蠀 未蔚谓 渭蔚 蟽蠀纬魏位蠈谓喂蟽蔚 蟿慰 尾喂尾位委慰.
螒魏蠈渭伪 蠈渭蠅蟼 未蔚谓 苇蠂蠅 魏伪蟿伪位萎尉蔚喂 伪谓 伪谓蟿喂蟺伪胃蠋 萎 伪谓 位蠀蟺维渭伪喂 蟿畏谓 桅蟻伪纬魏慰纬喂伪谓谓慰蠉. 螒蟺蠈 蟿畏谓 渭委伪 未蔚谓 未喂蟽蟿维味蔚喂 谓伪 未慰位慰蠁慰谓萎蟽蔚喂 蟿伪 渭喂魏蟻维 魏慰蟻委蟿蟽喂伪, 伪蟺蠈 蟿畏谓 维位位畏 蠈渭蠅蟼 畏 蟽蠀渭蟺蔚蟻喂蠁慰蟻维 蟿畏蟼 魏维谓蔚喂 蔚渭蠁伪谓萎 蟿畏谓 魏伪蟿伪蟺委蔚蟽畏 蟺慰蠀 未苇蠂胃畏魏蔚 蠅蟼 纬蠀谓伪委魏伪 蟿畏蟼 蟿蠈蟿蔚 魏慰喂谓蠅谓委伪蟼. 螣 螤伪蟺伪未喂伪渭维谓蟿畏蟼 渭伪蟼 未委谓蔚喂 蟿伪 纬蔚纬慰谓蠈蟿伪 蟿畏蟼 喂蟽蟿慰蟻委伪蟼 蠂蠅蟻委蟼 谓伪 魏蟻委谓蔚喂 蟿喂蟼 蟺蟻维尉蔚喂蟼 蟿畏蟼 蠁蠈谓喂蟽蟽伪蟼, 伪位位维 魏伪喂 蠂蠅蟻委蟼 谓伪 蟿畏谓 蠀蟺慰蟽蟿畏蟻委味蔚喂. 螒蠁萎谓蔚喂 蟿慰蠀蟼 伪谓伪纬谓蠋蟽蟿蔚蟼 蔚位蔚蠉胃蔚蟻慰蠀蟼 谓伪 伪蟺慰蠁伪蟽委蟽慰蠀谓 伪谓 胃伪 魏伪蟿伪未喂魏维蟽慰蠀谓 蟿畏谓 畏蟻蠅委未伪 萎 伪谓 胃伪 伪谓伪魏伪位蠉蠄慰蠀谓 位蠈纬慰蠀蟼 纬喂伪 谓伪 未喂魏伪喂慰位慰纬萎蟽慰蠀谓 蟿伪 蔚纬魏位萎渭伪蟿维 蟿畏蟼.螤伪蟻维位位畏位伪 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 魏维谓蔚喂 蔚渭蠁伪谓萎 蟿伪 魏慰喂谓蠅谓喂魏维 蟺蟻慰尾位萎渭伪蟿伪 蟿畏蟼 蔚蟺慰蠂萎蟼 蟺慰蠀 胃苇位蔚喂 蟿畏 纬蠀谓伪委魏伪 蟽蟿慰 蟽蟺委蟿喂 渭蔚 魏蠉蟻喂伪 伪蟺伪蟽蠂蠈位畏蟽畏 蟿畏 蠁蟻慰谓蟿委未伪 蟿慰蠀 蟽蟺喂蟿喂慰蠉 未委蠂蠅蟼 喂未喂伪委蟿蔚蟻蔚蟼 蔚位蔚蠀胃蔚蟻委蔚蟼 魏伪喂 尾慰蠉位畏蟽畏.
螤蟻慰蟽蠅蟺喂魏维 蔚渭苇谓伪 未蔚谓 渭蔚 维纬纬喂尉蔚 畏 谓畏蟽喂蠋蟿喂魏畏-魏伪胃伪蟻蔚蠀慰蠀蟽喂维谓喂魏畏 纬慰畏蟿蔚委伪, 委蟽伪 委蟽伪 魏慰蠀蟻维蟽蟿畏魏伪 谓伪 蟿慰 慰位慰魏位畏蟻蠋蟽蠅 蟺伪蟻蠈位慰 蟺慰蠀 蔚委谓伪喂 渭喂魏蟻蠈 蟽蔚 苇魏蟿伪蟽畏.螖蔚谓 尉苇蟻蠅 伪谓 伪蠀蟿蠈蟼 蔚委谓伪喂 慰 位蠈纬慰蟼 蟺慰蠀 未蔚谓 渭蔚 蟽蠀纬魏位蠈谓喂蟽蔚 蟿慰 尾喂尾位委慰.
November 3, 2023
螝伪胃畏位蠅蟿喂魏蠈, 蟽蟺维谓喂慰 魏伪喂 蔚蟺喂魏蠈.
Read
September 18, 2014When I learned that C.P. Cavafy and Odysseus Elytis both admired the prose of Alexandros Papadiamantis (1851-1911), I knew I had to read some of his work. Advised that his shorter pieces are much better than his novels, I read the collection Tales From a Greek Island and then the novella The Murderess, held to be his best work.
In light of Elytis' leftist leanings, I was more than a little surprised to find that Papadiamantis was a religious reactionary, who objected to the emancipation of women and bewailed democracy and other European habits as unsuitable for the Greeks. In one of his stories he appears to regret that Greek women no longer wore veils, which they had been obliged to do under the Ottoman occupation. Nonetheless, he was no misogynist; he was well aware of the complete lack of freedom of women in 19th century Greece, and he portrayed this fact in many of his stories with complete sympathy for the women, who quite often are the main characters.(*) And he was no elitist - his stories are generally set in the lowest economic strata.
Since he was so conservative, it was not surprising to find that he wrote much of his work in the antiquarian katharevousa Greek, which harkens back to the Greek spoken in Athens in the 4th century BCE, though apparently he leavened it with his own idiosyncratic diction. In his dialogues, however, he used contemporary colloquial speech, even dialect when appropriate. The translator, Elizabeth Constantinides, of Tales From a Greek Island assures us that his diction is completely unique and that a page of his prose can be immediately identified. Unfortunately, there is nothing linguistically notable about her translations, just a very few half-hearted gestures towards slang in some of the dialogue. Nonetheless, something else does come through - a combination of empathy, watchfulness, and relaxed patience - which I have not encountered before.
The short stories in Tales are set on the island of Skiathos, where Papadiamantis was born and raised, and with empathetic, if sometimes sardonic humor provide a rather grim picture of 19th century Greek island life. Though Papadiamantis never married, nearly all of these stories revolve around marriage, one way or another.(**) If not about marriage in the offing - the dream of a marriage - or about a marriage being lived, then about the onerous dowries families needed to pay to marry off their daughters(***) and the extremes to which this custom forced them to go, such as marrying their daughters to extremely unsuitable men in order to reduce the dowry, or waiting 20 years for a son to return from America with enough money to allow his younger sister to marry. Just two of many.
Inevitable consequences of this custom are the regret and resentment parents experienced when a daughter was born. Needless to say, in some parents this found rather extreme expression - murder; or, if not murder, then murder just barely averted, stayed in the last moment, as evidenced in this collection.
But in The Murderess (1903), one strides directly to multiple murder. With such a title I am hardly spoiling the story if I reveal that a grandmother, a herbalist and healer by trade, again on the isle of Skiathos, reviews her harsh life and the prospects of her daughter and newly born, sickly granddaughter and decides that girls would be better off dead.(****) Remarkably, Papadiamantis is able to make this most unappealing premise into a powerful little book by combining Raskolnikovian self-laceration with a touch of Medean madness in the idyllic setting of an Aegean island and using finely judged flashbacks to fill in background and change the pace and mood. Very nicely done all around.
I share now Cavafy's and Elytis' admiration for Papadiamantis' work, but it is high time to leave behind the sad and claustrophobic society of 19th century Skiathos. A蟺慰蠂伪喂蟻蔚蟿喂蟽蟿萎蟻喂慰蟼 !
(*) In The Murderess all the main characters are women, while the men are jokes or monsters.
(**) At this time, in this place - a small island where everyone knew everybody's business - marriage was the only possibility for a man and woman to ease their passion. With all of the narrow minded busybodies poring over other people's lives, even the innocent were in trouble...
(***) In one story the parents of the bride signed over to the groom their house and furnishings and paid cash! In another, the family signed over half their property and mortgaged the rest to provide cash.
(****) Her parents solved the dowry problem by marrying her off to a simpleton who was satisfied with a perfectly worthless dowry...
Rating
In light of Elytis' leftist leanings, I was more than a little surprised to find that Papadiamantis was a religious reactionary, who objected to the emancipation of women and bewailed democracy and other European habits as unsuitable for the Greeks. In one of his stories he appears to regret that Greek women no longer wore veils, which they had been obliged to do under the Ottoman occupation. Nonetheless, he was no misogynist; he was well aware of the complete lack of freedom of women in 19th century Greece, and he portrayed this fact in many of his stories with complete sympathy for the women, who quite often are the main characters.(*) And he was no elitist - his stories are generally set in the lowest economic strata.
Since he was so conservative, it was not surprising to find that he wrote much of his work in the antiquarian katharevousa Greek, which harkens back to the Greek spoken in Athens in the 4th century BCE, though apparently he leavened it with his own idiosyncratic diction. In his dialogues, however, he used contemporary colloquial speech, even dialect when appropriate. The translator, Elizabeth Constantinides, of Tales From a Greek Island assures us that his diction is completely unique and that a page of his prose can be immediately identified. Unfortunately, there is nothing linguistically notable about her translations, just a very few half-hearted gestures towards slang in some of the dialogue. Nonetheless, something else does come through - a combination of empathy, watchfulness, and relaxed patience - which I have not encountered before.
The short stories in Tales are set on the island of Skiathos, where Papadiamantis was born and raised, and with empathetic, if sometimes sardonic humor provide a rather grim picture of 19th century Greek island life. Though Papadiamantis never married, nearly all of these stories revolve around marriage, one way or another.(**) If not about marriage in the offing - the dream of a marriage - or about a marriage being lived, then about the onerous dowries families needed to pay to marry off their daughters(***) and the extremes to which this custom forced them to go, such as marrying their daughters to extremely unsuitable men in order to reduce the dowry, or waiting 20 years for a son to return from America with enough money to allow his younger sister to marry. Just two of many.
Inevitable consequences of this custom are the regret and resentment parents experienced when a daughter was born. Needless to say, in some parents this found rather extreme expression - murder; or, if not murder, then murder just barely averted, stayed in the last moment, as evidenced in this collection.
But in The Murderess (1903), one strides directly to multiple murder. With such a title I am hardly spoiling the story if I reveal that a grandmother, a herbalist and healer by trade, again on the isle of Skiathos, reviews her harsh life and the prospects of her daughter and newly born, sickly granddaughter and decides that girls would be better off dead.(****) Remarkably, Papadiamantis is able to make this most unappealing premise into a powerful little book by combining Raskolnikovian self-laceration with a touch of Medean madness in the idyllic setting of an Aegean island and using finely judged flashbacks to fill in background and change the pace and mood. Very nicely done all around.
I share now Cavafy's and Elytis' admiration for Papadiamantis' work, but it is high time to leave behind the sad and claustrophobic society of 19th century Skiathos. A蟺慰蠂伪喂蟻蔚蟿喂蟽蟿萎蟻喂慰蟼 !
(*) In The Murderess all the main characters are women, while the men are jokes or monsters.
(**) At this time, in this place - a small island where everyone knew everybody's business - marriage was the only possibility for a man and woman to ease their passion. With all of the narrow minded busybodies poring over other people's lives, even the innocent were in trouble...
(***) In one story the parents of the bride signed over to the groom their house and furnishings and paid cash! In another, the family signed over half their property and mortgaged the rest to provide cash.
(****) Her parents solved the dowry problem by marrying her off to a simpleton who was satisfied with a perfectly worthless dowry...
Rating
July 15, 2018
危蟿慰 魏伪胃慰位喂魏萎蟼 伪谓伪纬谓蠋蟻喂蟽畏蟼 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏, 蟿慰 魏蔚谓蟿蟻喂魏蠈 渭伪蟼 蟺蟻蠈蟽蠅蟺慰 畏 围伪未慰蠉位伪, 畏 桅蟻伪纬魏慰纬喂伪谓谓慰蠉 萎 蟺喂慰 伪蟺位维 畏 桅蠈谓喂蟽蟽伪 蔚委谓伪喂 苇谓伪 蟺蟻蠈蟽蠅蟺慰 蟺慰蠀 未蔚谓 尉苇蟻蠅 伪谓 蟺蟻苇蟺蔚喂 谓伪 位蠀蟺畏胃蠋 萎 谓伪 蟿畏蟼 蟽蟺维蟽蠅 蟿伪 渭慰蠉蟿蟻伪. 螆蟿蟽喂 魏喂 伪位位喂蠋蟼 畏 蟺慰蟻蔚委伪 魏伪喂 魏蠀蟻委蠅蟼 蟿慰 蟿苇位慰蟼 蟿畏蟼 魏喂谓萎胃畏魏蔚 芦渭蔚蟿伪尉蠉 胃蔚委伪蟼 魏伪喂 伪谓胃蟻蠋蟺喂谓畏蟼 未喂魏伪喂慰蟽蠉谓畏蟼禄. 韦慰 渭蠈谓慰 蟽委纬慰蠀蟻慰 蔚委谓伪喂 蠈蟿喂 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 苇谓伪 尾喂尾位委慰 蟺慰蠀 慰蠁蔚委位蔚喂 谓伪 未喂伪尾伪蟽蟿蔚委 伪蟺慰 维蟺伪谓蟿蔚蟼. 螤伪蟻蠈位伪 蟿伪 芦魏蟻委渭伪蟿伪禄 萎 蟿伪 芦蟺维胃喂伪禄 蟿畏蟼 畏蟻蠅委未伪蟼 蟿慰蠀, 慰 螤伪蟺伪未喂伪渭维谓蟿畏蟼 蔚魏蠁苇蟻蔚喂 苇蟿蟽喂 蟿慰谓 位蠈纬慰 蟿慰蠀 蠋蟽蟿蔚 谓伪 渭畏 蟿畏谓 魏伪蟿畏纬慰蟻蔚委 萎 谓伪 蟿畏谓 未喂魏伪喂慰位慰纬蔚委.
螤苇蟻伪谓 蠅蟽蟿蠈蟽慰 蟿畏蟼 喂蟽蟿慰蟻委伪蟼 渭伪蟼, 蟿伪蠀蟿蠈蠂蟻慰谓伪 慰 螤伪蟺伪未喂伪渭维谓蟿畏蟼 渭伪蟼 伪蟺慰魏伪位蠉蟺蟿蔚喂 (萎 伪蟺位蠋蟼 渭伪蟼 蔚蟺喂尾蔚尾伪喂蠋谓蔚喂) 蟿伪 魏慰喂谓蠅谓喂魏维, 畏胃喂魏维 魏伪喂 蠈蠂喂 渭蠈谓慰 未蔚未慰渭苇谓伪 魏维谓慰谓蟿伪蟼 喂未喂伪委蟿蔚蟻畏 魏伪喂 苇渭渭蔚蟽畏 伪谓伪蠁慰蟻维 蟽蟿畏 胃苇蟽畏 蟿畏蟼 纬蠀谓伪委魏伪蟼 蔚魏蔚委谓畏 蟿畏谓 蔚蟺慰蠂萎. 唯蠀蠂慰纬蟻伪蠁蠋谓蟿伪蟼 维蟻喂蟽蟿伪 蟿慰 魏蔚谓蟿蟻喂魏蠈 蟿慰蠀 蟺蟻蠈蟽蠅蟺慰 渭伪蟼 蟺蟻慰蟽蠁苇蟻蔚喂 苇谓伪 蔚尉委蟽慰蠀 维蟻喂蟽蟿慰 畏胃慰纬蟻维蠁畏渭伪 渭蔚 渭喂伪 蟺喂谓蔚位喂维 蟿畏蟼 蟿慰蟺喂魏萎蟼 未喂伪位苇魏蟿慰蠀.
桅蠀蟽喂魏维 未蔚谓 胃伪 喂蟽蠂蠀蟻喂蟽蟿蠋 蠈蟿喂 蠁苇蟻蠅 蟿慰谓 蟿委蟿位慰 蟿畏蟼 位蠈纬喂伪蟼 蟺慰蠀 未蔚谓 蟿畏谓 未蠀蟽魏蠈位蔚蠄蔚 畏 魏伪胃伪蟻蔚蠉慰蠀蟽伪 萎 蟿慰 蟺慰位蠀蟿慰谓喂魏蠈. 螝维蟺慰喂伪 蟽蟿喂纬渭萎 蟿慰 渭维蟿喂 蟽蠀谓蟿慰谓委味蔚蟿伪喂 渭蔚 蟿慰 渭蠀伪位蠈 魏伪喂 蟿慰 蟽蠀谓畏胃委味蔚喂蟼. 螘魏蔚委谓慰 蟺慰蠀 尉苇蟻蠅, 蔚委谓伪喂 蟺蠅蟼 伪谓伪纬谓蠅蟻委味蔚喂蟼 蟿畏谓 伪尉委伪 魏维蟺慰喂蠅谓 苇蟻纬蠅谓 未喂伪尾维味慰谓蟿维蟼 蟿伪 蟽蟿畏谓 纬位蠋蟽蟽伪 蟽蟿畏谓 慰蟺慰委伪 伪蟻蠂喂魏维 纬蟻维蠁蟿畏魏伪谓.
螤苇蟻伪谓 蠅蟽蟿蠈蟽慰 蟿畏蟼 喂蟽蟿慰蟻委伪蟼 渭伪蟼, 蟿伪蠀蟿蠈蠂蟻慰谓伪 慰 螤伪蟺伪未喂伪渭维谓蟿畏蟼 渭伪蟼 伪蟺慰魏伪位蠉蟺蟿蔚喂 (萎 伪蟺位蠋蟼 渭伪蟼 蔚蟺喂尾蔚尾伪喂蠋谓蔚喂) 蟿伪 魏慰喂谓蠅谓喂魏维, 畏胃喂魏维 魏伪喂 蠈蠂喂 渭蠈谓慰 未蔚未慰渭苇谓伪 魏维谓慰谓蟿伪蟼 喂未喂伪委蟿蔚蟻畏 魏伪喂 苇渭渭蔚蟽畏 伪谓伪蠁慰蟻维 蟽蟿畏 胃苇蟽畏 蟿畏蟼 纬蠀谓伪委魏伪蟼 蔚魏蔚委谓畏 蟿畏谓 蔚蟺慰蠂萎. 唯蠀蠂慰纬蟻伪蠁蠋谓蟿伪蟼 维蟻喂蟽蟿伪 蟿慰 魏蔚谓蟿蟻喂魏蠈 蟿慰蠀 蟺蟻蠈蟽蠅蟺慰 渭伪蟼 蟺蟻慰蟽蠁苇蟻蔚喂 苇谓伪 蔚尉委蟽慰蠀 维蟻喂蟽蟿慰 畏胃慰纬蟻维蠁畏渭伪 渭蔚 渭喂伪 蟺喂谓蔚位喂维 蟿畏蟼 蟿慰蟺喂魏萎蟼 未喂伪位苇魏蟿慰蠀.
桅蠀蟽喂魏维 未蔚谓 胃伪 喂蟽蠂蠀蟻喂蟽蟿蠋 蠈蟿喂 蠁苇蟻蠅 蟿慰谓 蟿委蟿位慰 蟿畏蟼 位蠈纬喂伪蟼 蟺慰蠀 未蔚谓 蟿畏谓 未蠀蟽魏蠈位蔚蠄蔚 畏 魏伪胃伪蟻蔚蠉慰蠀蟽伪 萎 蟿慰 蟺慰位蠀蟿慰谓喂魏蠈. 螝维蟺慰喂伪 蟽蟿喂纬渭萎 蟿慰 渭维蟿喂 蟽蠀谓蟿慰谓委味蔚蟿伪喂 渭蔚 蟿慰 渭蠀伪位蠈 魏伪喂 蟿慰 蟽蠀谓畏胃委味蔚喂蟼. 螘魏蔚委谓慰 蟺慰蠀 尉苇蟻蠅, 蔚委谓伪喂 蟺蠅蟼 伪谓伪纬谓蠅蟻委味蔚喂蟼 蟿畏谓 伪尉委伪 魏维蟺慰喂蠅谓 苇蟻纬蠅谓 未喂伪尾维味慰谓蟿维蟼 蟿伪 蟽蟿畏谓 纬位蠋蟽蟽伪 蟽蟿畏谓 慰蟺慰委伪 伪蟻蠂喂魏维 纬蟻维蠁蟿畏魏伪谓.
May 10, 2016
危魏慰蟿蔚喂谓蠈 苇蟻纬慰, 蟺蟻伪纬渭伪蟿喂魏蠈 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪.
February 23, 2019
螝维蟿喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 谓喂蠋胃蠅 谓伪 萎胃蔚位伪 伪蟺蠈 蟿慰 蟿苇位慰蟼, 伪位位维 魏伪喂 伪蠀蟿蠈 渭慰蠉 魏维谓蔚喂. 螝伪蟿伪位伪尾伪委谓蠅 蟿慰谓 蠂伪蟻伪魏蟿萎蟻伪 蟿慰蠀 尾喂尾位委慰蠀, 蟿畏谓 蔚蟺慰蠂萎 蟺慰蠀 纬蟻维蠁蟿畏魏蔚 魏伪喂 蟿喂 渭萎谓蠀渭伪 萎胃蔚位蔚 谓伪 蟺蔚蟻维蟽蔚喂.
螕喂' 伪蠀蟿蠈 魏伪喂 蔚委谓伪喂 苇谓伪 尾喂尾位委慰, 渭蔚 蠀蟺苇蟻慰蠂畏 纬位蠋蟽蟽伪, 蟺慰蠀 蠈位慰喂 蟺蟻苇蟺蔚喂 谓伪 未喂伪尾维蟽慰蠀谓.
螕喂' 伪蠀蟿蠈 魏伪喂 蔚委谓伪喂 苇谓伪 尾喂尾位委慰, 渭蔚 蠀蟺苇蟻慰蠂畏 纬位蠋蟽蟽伪, 蟺慰蠀 蠈位慰喂 蟺蟻苇蟺蔚喂 谓伪 未喂伪尾维蟽慰蠀谓.
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March 16, 2021螖蔚谓 蔚委谓伪喂 蟿慰 蟺蟻蠋蟿慰 尾喂尾位委慰 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏 蟺慰蠀 未喂伪尾维味蠅 蟽蟿畏谓 魏伪胃伪蟻蔚蠉慰蠀蟽伪 伪位位维 萎蟿伪谓 蟽委纬慰蠀蟻伪 蟿慰 蟺喂慰 未蠉蟽魏慰位慰. 螣 螤伪蟺伪未喂伪渭维谓蟿畏蟼 蔚委谓伪喂 纬谓蠅蟽蟿蠈 蠈蟿喂 未蔚谓 蠀蟺维魏慰蠀蔚 蟽蔚 魏伪谓蠈谓蔚蟼 蟽蟿慰 蟿蟻蠈蟺慰 纬蟻伪蠁萎蟼 蟿慰蠀, 蠀蟺慰蟽蟿萎蟻喂味蔚 蠈蟿喂 畏 纬位蠋蟽蟽伪 蔚委谓伪喂 蔚位蔚蠉胃蔚蟻畏 谓伪 伪位位维味蔚喂 魏伪喂 谓伪 蔚尉蔚位委蟽蟽蔚蟿伪喂 伪谓维位慰纬伪 渭蔚 蟿喂蟼 伪谓维纬魏蔚蟼 蟿蠅谓 伪谓胃蟻蠋蟺蠅谓. 螖蔚谓 蔚委渭伪喂 蟽委纬慰蠀蟻慰蟼 伪谓 蠈谓蟿蠅蟼 萎蟿伪谓 未蠀蟽魏慰位蠈蟿蔚蟻慰 萎 畏 谓慰蟽畏蟻蠈蟿畏蟿伪 蟿畏蟼 蠀蟺蠈胃蔚蟽畏蟼 渭慰蠀 苇魏伪谓蔚 未蠀蟽魏慰位蠈蟿蔚蟻畏 蟿畏谓 伪谓维纬谓蠅蟽畏. 螒谓 未畏位伪未萎 萎蟿伪谓 魏伪胃伪蟻维 蟺蟻慰蟽蠅蟺喂魏萎 畏 未蠀蟽魏慰位委伪. 螛伪 萎胃蔚位伪 谓伪 渭慰蠀 魏伪蟿伪胃苇蟽慰蠀谓 蟿畏 纬谓蠋渭畏 蟿慰蠀蟼 蔚未蠋 慰喂 蠁委位慰喂 蟿慰蠀 欧宝娱乐.
螘未蠋 位慰喂蟺蠈谓 苇蠂慰蠀渭蔚 谓伪 魏维谓慰蠀渭蔚 渭蔚 蟺喂胃伪谓蠈蟿伪蟿伪, 渭喂伪 伪蟺蠈 蟿慰蠀蟼 蟺蟻蠋蟿慰蠀蟼 serial killers 蟺慰蠀 蔚渭蠁伪谓委蟽蟿畏魏伪谓 蟽蟿畏 位慰纬慰蟿蔚蠂谓委伪. 螝伪胃慰未畏纬慰蠉渭蔚谓畏 伪蟺蠈 渭喂伪 位伪谓胃维谓慰蠀蟽伪 伪谓蟿委位畏蠄畏 蟿慰蠀 魏伪位慰蠉 魏伪喂 蟿畏蟼 螛蔚委伪蟼 胃苇位畏蟽畏蟼 畏 桅蟻伪纬魏慰纬喂伪谓谓慰蠉 尾维味蔚喂 渭蔚 蔚蠀魏慰位委伪 蟿伪 蠂苇蟻喂伪 蟿畏蟼 蟽蟿慰 位伪喂渭蠈 尾蟻蔚蠁蠋谓 魏伪喂 谓畏蟺委蠅谓. 螛畏位蠀魏蠋谓 伪蟺慰魏位蔚喂蟽蟿喂魏维. 螖蔚委纬渭伪 蟿畏蟼 魏慰喂谓蠅谓喂魏萎蟼 蠀蟺蠈蟽蟿伪蟽畏蟼 蟺慰蠀 蔚委蠂伪谓 蔚魏蔚委谓畏 蟿畏谓 蔚蟺慰蠂萎 慰喂 维谓蟿蟻蔚蟼 魏伪喂 慰喂 纬蠀谓伪委魏蔚蟼. ( 螛蠀渭维渭伪喂 蟿慰谓 蟺伪蟺蟺慰蠉 渭慰蠀 谓伪 位苇蔚喂 " 纬苇谓谓畏蟽蔚 蟺伪喂未喂" 萎 "纬苇谓谓畏蟽蔚 魏慰蟺苇位伪" ).
螚 蟽魏畏谓萎 蟿慰蠀 蟿苇位慰蠀蟼 渭蔚蟿伪尉蠉 " 蟿畏蟼 胃蔚喂伪蟼 魏伪喂 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 未喂魏伪喂慰蟽蠉谓畏蟼 " 蔚委谓伪喂 委蟽蠅蟼 伪蟺蠈 蟿喂蟼 魏慰蟻蠀蠁伪委蔚蟼 蟽蟿喂纬渭苇蟼 蟿慰蠀 尾喂尾位委慰蠀 魏伪喂 蟿畏蟼 螤伪蟺伪未喂伪渭伪谓蟿喂魏畏蟼 蟺伪蟻伪魏伪蟿伪胃萎魏畏蟼.
螘未蠋 位慰喂蟺蠈谓 苇蠂慰蠀渭蔚 谓伪 魏维谓慰蠀渭蔚 渭蔚 蟺喂胃伪谓蠈蟿伪蟿伪, 渭喂伪 伪蟺蠈 蟿慰蠀蟼 蟺蟻蠋蟿慰蠀蟼 serial killers 蟺慰蠀 蔚渭蠁伪谓委蟽蟿畏魏伪谓 蟽蟿畏 位慰纬慰蟿蔚蠂谓委伪. 螝伪胃慰未畏纬慰蠉渭蔚谓畏 伪蟺蠈 渭喂伪 位伪谓胃维谓慰蠀蟽伪 伪谓蟿委位畏蠄畏 蟿慰蠀 魏伪位慰蠉 魏伪喂 蟿畏蟼 螛蔚委伪蟼 胃苇位畏蟽畏蟼 畏 桅蟻伪纬魏慰纬喂伪谓谓慰蠉 尾维味蔚喂 渭蔚 蔚蠀魏慰位委伪 蟿伪 蠂苇蟻喂伪 蟿畏蟼 蟽蟿慰 位伪喂渭蠈 尾蟻蔚蠁蠋谓 魏伪喂 谓畏蟺委蠅谓. 螛畏位蠀魏蠋谓 伪蟺慰魏位蔚喂蟽蟿喂魏维. 螖蔚委纬渭伪 蟿畏蟼 魏慰喂谓蠅谓喂魏萎蟼 蠀蟺蠈蟽蟿伪蟽畏蟼 蟺慰蠀 蔚委蠂伪谓 蔚魏蔚委谓畏 蟿畏谓 蔚蟺慰蠂萎 慰喂 维谓蟿蟻蔚蟼 魏伪喂 慰喂 纬蠀谓伪委魏蔚蟼. ( 螛蠀渭维渭伪喂 蟿慰谓 蟺伪蟺蟺慰蠉 渭慰蠀 谓伪 位苇蔚喂 " 纬苇谓谓畏蟽蔚 蟺伪喂未喂" 萎 "纬苇谓谓畏蟽蔚 魏慰蟺苇位伪" ).
螚 蟽魏畏谓萎 蟿慰蠀 蟿苇位慰蠀蟼 渭蔚蟿伪尉蠉 " 蟿畏蟼 胃蔚喂伪蟼 魏伪喂 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 未喂魏伪喂慰蟽蠉谓畏蟼 " 蔚委谓伪喂 委蟽蠅蟼 伪蟺蠈 蟿喂蟼 魏慰蟻蠀蠁伪委蔚蟼 蟽蟿喂纬渭苇蟼 蟿慰蠀 尾喂尾位委慰蠀 魏伪喂 蟿畏蟼 螤伪蟺伪未喂伪渭伪谓蟿喂魏畏蟼 蟺伪蟻伪魏伪蟿伪胃萎魏畏蟼.
August 14, 2020
螆谓伪 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪 蟿畏蟼 螘位位畏谓喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼...
螚 蟺蟻蠋蟿畏 委蟽蠅蟼 螘位位畏谓委未伪 serial killer, 蟺慰蠀 蟺维谓蠅 蟽蟿畏谓 伪蟺蔚位蟺喂蟽委伪 蟿畏蟼 蟺蔚蟻谓维蔚喂 蟿畏谓 位蔚蟺蟿萎 纬蟻伪渭渭萎 伪谓维渭蔚蟽伪 蟽蟿慰 位慰纬喂魏蠈 魏伪喂 蟿慰 蟺伪蟻维位慰纬慰 魏伪喂 维谓蔚蟿伪 渭蟺慰蟻蔚委 谓伪 魏伪蟿苇蠂蔚喂 蔚尉苇蠂慰蠀蟽伪 胃苇蟽畏 蟽蟿慰 "Deadly women".
危蟿蔚谓伪蠂蠅蟻慰 蟿慰 胃苇渭伪 伪谓 伪谓伪位慰纬喂蟽蟿蔚委蟼 蠈蟿喂 渭蔚 伪蠀蟿蠈谓 蟿慰谓 蟿蟻蠈蟺慰 伪谓蟿喂渭蔚蟿蠅蟺委味慰谓蟿伪谓 慰喂 "魏慰蟻伪蟽委未蔚蟼" 蔚魏蔚委谓畏 蟿畏谓 蔚蟺慰蠂萎, 蟺位畏谓 蠈渭蠅蟼 蟿蟻慰蠁萎 纬喂伪 蟽魏苇蠄畏...
螘蟺喂魏蠈 蟿苇位慰蟼 魏伪喂 蠈蟺蠅蟼 蔚委蟺蔚 魏维蟺慰喂慰蟼 "畏 蟺喂慰 蟽蠀纬魏位慰谓喂蟽蟿喂魏畏 蟿蔚位蔚蠀蟿伪委伪 蠁蟻维蟽畏 蟽蔚 渭蠀胃喂蟽蟿蠈蟻畏渭伪..."
螚 蟺蟻蠋蟿畏 委蟽蠅蟼 螘位位畏谓委未伪 serial killer, 蟺慰蠀 蟺维谓蠅 蟽蟿畏谓 伪蟺蔚位蟺喂蟽委伪 蟿畏蟼 蟺蔚蟻谓维蔚喂 蟿畏谓 位蔚蟺蟿萎 纬蟻伪渭渭萎 伪谓维渭蔚蟽伪 蟽蟿慰 位慰纬喂魏蠈 魏伪喂 蟿慰 蟺伪蟻维位慰纬慰 魏伪喂 维谓蔚蟿伪 渭蟺慰蟻蔚委 谓伪 魏伪蟿苇蠂蔚喂 蔚尉苇蠂慰蠀蟽伪 胃苇蟽畏 蟽蟿慰 "Deadly women".
危蟿蔚谓伪蠂蠅蟻慰 蟿慰 胃苇渭伪 伪谓 伪谓伪位慰纬喂蟽蟿蔚委蟼 蠈蟿喂 渭蔚 伪蠀蟿蠈谓 蟿慰谓 蟿蟻蠈蟺慰 伪谓蟿喂渭蔚蟿蠅蟺委味慰谓蟿伪谓 慰喂 "魏慰蟻伪蟽委未蔚蟼" 蔚魏蔚委谓畏 蟿畏谓 蔚蟺慰蠂萎, 蟺位畏谓 蠈渭蠅蟼 蟿蟻慰蠁萎 纬喂伪 蟽魏苇蠄畏...
螘蟺喂魏蠈 蟿苇位慰蟼 魏伪喂 蠈蟺蠅蟼 蔚委蟺蔚 魏维蟺慰喂慰蟼 "畏 蟺喂慰 蟽蠀纬魏位慰谓喂蟽蟿喂魏畏 蟿蔚位蔚蠀蟿伪委伪 蠁蟻维蟽畏 蟽蔚 渭蠀胃喂蟽蟿蠈蟻畏渭伪..."
November 7, 2015
I was introduced to Papadiamantis by my Greek Professor, who called him "the Dostoevsky of Greece." Though a lot of his earlier work is more influenced by French Romanticism, his later work (like The Murderess) is clearly more of a Russian-influenced animal.
The Murderess is like a mini version of Crime and Punishment, but rural-Greek style from a woman's perspective. Substitute Raskolnikov with a 60+ year-old Greek grandmother and you'll be close to having an impression of this little novella.
The Murderess is like a mini version of Crime and Punishment, but rural-Greek style from a woman's perspective. Substitute Raskolnikov with a 60+ year-old Greek grandmother and you'll be close to having an impression of this little novella.
August 26, 2014
This is a charming little tale of a mother smothering and drowning babies, a mad brother stabbing his sister, and Harrison Ford-style adventures on Greek cliff-faces looking onto crashing death-waves below. Mr. Papadiamantis serves us a moral fable with oodles of suspense and terror, weaving a folky classical Greek yarn around a desperate on-the-run action narrative, told slowly and elegantly, with vitality and astonishment. Sublime little 19thC novella.
February 10, 2023
螣位慰魏位畏蟻蠅谓慰谓蟿伪蟼 蟿慰 蟿蔚位蔚蠀蟿伪委慰 魏蔚蠁维位伪喂慰 蟿慰蠀 尾喂尾位委慰锟斤拷, 渭蠈谓慰 渭喂伪 位苇尉畏 苇蠂蠅: 伪谓伪蟿蟻喂蠂委位伪!!
July 6, 2016
Kitap hen眉z bitti ve ben Yunanistan'谋n Dostoyevski'si olarak adland谋r谋lan Papadiamantis'in 1903 y谋l谋nda, Katharevusa leh莽esiyle (Yunan halk dilini "temizlemek" amac谋yla 18., 19. ve 20. y眉z y谋llarda daha 莽ok yazarlar, gazeteler ve resmi makamlar taraf谋ndan resmi dil olarak kullan谋lan leh莽e) kaleme ald谋臒谋 bu harikulade k谋sa roman谋n谋 T眉rk莽e okuyabilmek i莽in 112 (yaz谋yla: y眉z on iki) y谋l ge莽mesi gerekti臒i ger莽e臒ine inanam谋yorum! (陌lk bask谋 ve 莽eviri 艦ubat 2015)
Bu 艧oku atlat谋rsam belki daha sonra size Papadiamantis'in d枚nemin -ve asl谋nda t眉m zamanlar谋n- cinsiyet rolleri ve toplum normlar谋 hakk谋nda ne kadar g眉zel tespitler yapt谋臒谋ndan, ilk kitab谋 Muhacir'i 1878'de 陌stanbul'da 莽谋kan Neologos'ta yay谋nlam谋艧 olmas谋 ironisinden, insanl谋k su莽lar谋 ve insan谋n i莽 hesapla艧mas谋n谋 ada k眉lt眉r眉yle ve Yunan mitolojisiyle nas谋l da g眉zel harmanlad谋臒谋ndan, sonra da 莽evirinin inan谋lmaz g眉zelli臒inden, kitab谋n 枚n s枚z眉nde okudu臒um m眉thi艧 detaylardan, bu 莽eviriye verilen emekten falan bahsedebilirim, belki, dedi臒im gibi, 艧oku atlatabilirsem!
Bu 艧oku atlat谋rsam belki daha sonra size Papadiamantis'in d枚nemin -ve asl谋nda t眉m zamanlar谋n- cinsiyet rolleri ve toplum normlar谋 hakk谋nda ne kadar g眉zel tespitler yapt谋臒谋ndan, ilk kitab谋 Muhacir'i 1878'de 陌stanbul'da 莽谋kan Neologos'ta yay谋nlam谋艧 olmas谋 ironisinden, insanl谋k su莽lar谋 ve insan谋n i莽 hesapla艧mas谋n谋 ada k眉lt眉r眉yle ve Yunan mitolojisiyle nas谋l da g眉zel harmanlad谋臒谋ndan, sonra da 莽evirinin inan谋lmaz g眉zelli臒inden, kitab谋n 枚n s枚z眉nde okudu臒um m眉thi艧 detaylardan, bu 莽eviriye verilen emekten falan bahsedebilirim, belki, dedi臒im gibi, 艧oku atlatabilirsem!
February 5, 2025
螖蔚谓 苇蠂蠅 位蠈纬喂伪 纬喂伪 伪蠀蟿蠈 蟿慰 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪. 螠蔚 蟿蟻蠈渭伪尉蔚 渭蔚 蟿畏谓 伪渭蔚蟽蠈蟿畏蟿伪 魏伪喂 蟿喂蟼 蟺蔚蟻喂纬蟻伪蠁苇蟼 蟿慰蠀 蟺慰蠀 渭伪蟼 蔚委谓伪喂 蟿蠈蟽慰 慰喂魏蔚委蔚蟼 蟽蟿喂蟼 伪谓伪渭谓萎蟽蔚喂蟼 魏伪喂 蟿畏 味蠅萎 渭伪蟼. 螆蟺慰蟼 蟿畏蟼 螘位位畏谓喂魏萎蟼 螞慰纬慰蟿蔚蠂谓委伪蟼!
June 2, 2020
螆谓伪 蔚尉伪喂蟻蔚蟿喂魏蠈 尾喂尾位委慰 伪蟺蠈 苇谓伪谓 魏伪蟿伪蟺位畏魏蟿喂魏蠈 蟽蠀纬纬蟻伪蠁苇伪. 螚 蠀蟺蠈胃蔚蟽畏 (纬谓蠅蟽蟿萎 蟽蔚 蠈位慰蠀蟼, 谓慰渭委味蠅) 伪蠁慰蟻维 蟽蟿畏谓 围伪未慰蠉位伪, 渭喂伪 畏位喂魏喂蠅渭苇谓畏 纬蠀谓伪委魏伪 蟺慰蠀 蟺伪蟻伪蟽蠉蟻蔚蟿伪喂 蟽蔚 蠁蠈谓慰蠀蟼 渭喂魏蟻蠋谓 魏慰蟻喂蟿蟽喂蠋谓, 蟺蟻慰蟽蟺伪胃蠋谓蟿伪蟼 谓伪 尾纬维位蔚喂 蟿伪 委未喂伪 魏伪喂 蟿喂蟼 慰喂魏慰纬苇谓蔚喂苇蟼 蟿慰蠀蟼 伪蟺蠈 蟿畏 渭喂味苇蟻喂伪. 危蟿畏谓 蟺慰蟻蔚委伪 蟿慰蠀 尾喂尾位委慰蠀 伪谓伪魏伪位蠉蟺蟿慰蠀渭蔚 魏伪喂 纬蔚纬慰谓蠈蟿伪 蟿畏蟼 味蠅萎蟼 蟿畏蟼 围伪未慰蠉位伪蟼 魏伪喂 蟺蠋蟼 苇蠁蟿伪蟽蔚 蟽蟿慰 蟽畏渭蔚委慰 谓伪 未喂伪蟺蟻维尉蔚喂 蟿慰蠀蟼 伪蟺慰蟿蟻蠈蟺伪喂慰蠀蟼 蠁蠈谓慰蠀蟼 蟿畏蟼. 螚 纬位蠋蟽蟽伪 魏伪喂 蟿慰 蠉蠁慰蟼 未畏渭喂慰蠀蟻纬慰蠉谓 渭喂伪 蟽魏慰蟿蔚喂谓萎 伪蟿渭蠈蟽蠁伪喂蟻伪 蟺慰蠀 伪蠀蟿蠈渭伪蟿伪 渭蔚蟿伪蠁苇蟻慰蠀谓 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏 蟽蟿畏 危魏喂维胃慰 蟿慰蠀 19慰蠀 伪喂蠋谓伪 魏伪喂 蟺伪蟻维位位畏位伪 蟿慰谓 蠀蟺慰尾维位位慰蠀谓 蠋蟽蟿蔚 谓伪 伪谓伪位慰纬喂蟽蟿蔚委 魏伪喂 谓伪 蟺蟻慰尾位畏渭伪蟿喂蟽蟿蔚委. 螆谓伪 魏位伪蟽喂魏蠈 尾喂尾位委慰 未喂伪蠂蟻慰谓喂魏萎蟼 伪尉委伪蟼..
September 4, 2019
"hapisten ka莽t谋臒谋n谋 d眉艧眉n眉yor, ama asl谋nda hapishaneyi ve cehennemi i莽inde ya艧谋yordu."
猸�
Yaz谋ld谋臒谋 d枚neme g枚re toplumsal normlar谋 莽ok iyi ele艧tirmi艧.
Jaguar'谋n bu eseri ge莽 de olsa dilimize 莽evirmi艧 olmas谋 莽ok g眉zel...
Modern Yunan Edebiyat谋 merak谋m daha da artt谋...
馃挌
猸�
Yaz谋ld谋臒谋 d枚neme g枚re toplumsal normlar谋 莽ok iyi ele艧tirmi艧.
Jaguar'谋n bu eseri ge莽 de olsa dilimize 莽evirmi艧 olmas谋 莽ok g眉zel...
Modern Yunan Edebiyat谋 merak谋m daha da artt谋...
馃挌
December 2, 2014
螌蟺慰喂慰蟼 渭蟺慰蟻蔚委 谓伪 蟺蟻慰蟽蟺蔚蟻维蟽蔚喂 蟿慰谓 蟽魏蠈蟺蔚位慰 蟿畏蟼 魏伪胃伪蟻蔚蠉慰蠀蟽伪蟼 胃伪 尾蟻蔚喂 渭喂伪 伪渭蔚委位喂魏蟿畏 喂蟽蟿慰蟻委伪 蟽蔚 苇谓伪 伪蟺蠈 蟿伪 蟺喂慰 蠈渭慰蟻蠁伪 苇蟻纬伪 蟿畏蟼 蔚位位畏谓喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼.
May 21, 2020
螖蔚 胃伪 蟺蟻慰蟽蟺伪胃萎蟽蠅 魏伪谓 谓伪 魏维谓蠅 魏蟻喂蟿喂魏萎 纬喂 伪蠀蟿蠈 蟿慰 尾喂尾位委慰, 胃伪 蟿慰位渭萎蟽蠅 渭蠈谓慰 谓伪 蟺蠅 蠈蟿喂 蔚委谓伪喂 尾伪胃喂维 蠁蔚渭喂谓喂蟽蟿喂魏蠈. 螒蠀蟿蠈 渭蠈谓慰.
November 18, 2020
Kitab谋n hemen ba艧谋nda 鈥楬adula hasta k眉莽眉k torununun be艧i臒inin dibinde uykusundan feragat ediyordu.鈥� c眉mlesine tak谋l谋 kald谋m ve bu kitab谋 uyan谋k bir 艧ekilde okumam gerekti臒ini fark ettim.
Ana karakterimiz bir katil. 陌lk cinayetinden itibaren, bir莽ok hareket noktas谋 bunu do臒ruluyor. Ayn谋 zamanda da yaln谋z, ya艧l谋 bir kad谋n. Tek yapt谋臒谋 temizlik yapmak, torunlar谋na bakmak ve dua etmek. Damad谋 s眉rekli i莽iyor, o臒ullar谋 bir gemide i艧 bulup onu terk ediyor ve asla Yunanistan鈥檃 ayak basm谋yorlar. B眉t眉n bunlar谋n sonucunda i莽erisinde bir k枚t眉l眉k ruhu olu艧tu臒unu benimsiyor yazar. Asl谋nda cinayetleri i艧lerken kendinde de臒ilmi艧 gibi i艧liyor, sonradan pi艧man oluyor ve bu su莽luluk duygusu ile sahile ula艧ana kadar ka莽谋yor. Finaliyle de bir taraftan kendini ba臒谋艧latmak, Tanr谋 taraf谋ndan da ba臒谋艧lanmak istiyor.
Okurken Dostoyevski havas谋 ald谋m biraz. Kahraman谋 ne yaparsa yaps谋n onunla s眉rekli empati kurmaya 莽al谋艧谋yor. 陌nan谋lmaz bir kurgu. 陌yi ki dilimize 莽evrilmi艧!
Ana karakterimiz bir katil. 陌lk cinayetinden itibaren, bir莽ok hareket noktas谋 bunu do臒ruluyor. Ayn谋 zamanda da yaln谋z, ya艧l谋 bir kad谋n. Tek yapt谋臒谋 temizlik yapmak, torunlar谋na bakmak ve dua etmek. Damad谋 s眉rekli i莽iyor, o臒ullar谋 bir gemide i艧 bulup onu terk ediyor ve asla Yunanistan鈥檃 ayak basm谋yorlar. B眉t眉n bunlar谋n sonucunda i莽erisinde bir k枚t眉l眉k ruhu olu艧tu臒unu benimsiyor yazar. Asl谋nda cinayetleri i艧lerken kendinde de臒ilmi艧 gibi i艧liyor, sonradan pi艧man oluyor ve bu su莽luluk duygusu ile sahile ula艧ana kadar ka莽谋yor. Finaliyle de bir taraftan kendini ba臒谋艧latmak, Tanr谋 taraf谋ndan da ba臒谋艧lanmak istiyor.
Okurken Dostoyevski havas谋 ald谋m biraz. Kahraman谋 ne yaparsa yaps谋n onunla s眉rekli empati kurmaya 莽al谋艧谋yor. 陌nan谋lmaz bir kurgu. 陌yi ki dilimize 莽evrilmi艧!
May 25, 2020
螇渭慰蠀谓 位委纬慰 蟺蟻慰魏伪蟿蔚喂位畏渭渭苇谓慰蟼 渭蔚 蟿畏谓 魏伪胃伪蟻蔚蠉慰蠀蟽伪 苇蠂慰谓蟿伪蟼 未喂伪尾维蟽蔚喂 蟺蟻蠈蟽蠁伪蟿伪 螔喂味蠀畏谓蠈, 渭伪, 蟺蠈蟽慰 蟺喂慰 page turner 萎蟿伪谓 伪蠀蟿萎 畏 谓慰蠀尾苇位伪 伪蟺蠈 蠈位伪 蟿伪 未喂畏纬萎渭伪蟿伪 蟿慰蠀 螔喂味蠀畏谓慰蠉!
螢蔚魏委谓畏蟽蔚 位委纬慰 谓蠅胃蟻维, 伪位位维 渭蠈谓慰 纬喂伪 谓伪 蠂蟿委蟽蔚喂 蟿畏谓 苇谓蟿伪蟽畏 魏伪喂 蟿畏谓 伪纬蠅谓委伪 蟿畏蟼 蟽蠀谓苇蠂蔚喂伪蟼. 韦蔚位喂魏维, 魏伪蟿苇位畏尉伪 蟿慰位渭蠋 谓伪 蟺蠅 谓伪 未喂伪尾维味蠅 苇谓伪 伪蟽蟿蠀谓慰渭喂魏蠈 胃蟻委位蔚蟻! 螝维蟿喂 蟺慰蠀, 蠁伪谓蟿维味慰渭伪喂, 蔚魏蔚委谓畏 蟿畏谓 蔚蟺慰蠂萎 蟺慰蠀 纬蟻维蠁蟿畏魏蔚 胃伪 萎蟿伪谓 蟺慰位蠉 蟺蟻蠅蟿慰蟺慰蟻喂伪魏蠈.
螤伪蟻维位位畏位伪, 伪谓伪位蠉蔚蟿伪喂 畏胃慰纬蟻伪蠁喂魏维 畏 味蠅萎 蟿畏蟼 蠀蟺伪委胃蟻慰蠀 蟽蟿伪 蟿苇位畏 蟿慰蠀 19慰蠀 伪喂蠋谓伪, 渭蔚 蟿慰蠀蟼 蠂蠅蟻慰蠁蠉位伪魏蔚蟼, 蟿慰蠀蟼 蟿蔚位蠅谓慰蠁蠉位伪魏蔚蟼, 蟿慰蠀蟼 蟺蟻慰魏蟻委蟿慰蠀蟼, 蟿畏 味蠅萎 蟽蟿慰 蟽蟺委蟿喂 魏伪喂 蟿喂蟼 蠀蟺慰蠂蟻蔚蠋蟽蔚喂蟼 纬蠀谓伪喂魏蠋谓 魏伪喂 伪谓未蟻蠋谓, 伪位位维 魏伪喂 蟺慰位位维 伪魏蠈渭畏, 蟺慰位蠉 蔚谓未喂伪蠁苇蟻慰谓蟿伪.
螔慰萎胃畏蟽蔚 蟺慰位蠉 蟽蟿慰 谓伪 蔚谓蟿蠀蟺蠅蟽喂伪蟽蟿蠋 渭蔚 蟿畏谓 蟺位慰魏萎, 蟿慰 纬蔚纬慰谓蠈蟼 蠈蟿喂 未蔚谓 蔚委蠂伪 未喂伪尾维蟽蔚喂 蟿委蟺慰蟿伪 纬喂伪 蟿慰 尾喂尾位委慰 蟺蟻喂谓.
螡伪 蟺蠅 蔚蟺委蟽畏蟼 蠈蟿喂 渭慰蠀 胃蠉渭畏蟽蔚 伪蟻魏蔚蟿维 蟽蟿慰谓 蟿蟻蠈蟺慰 纬蟻伪蠁萎蟼 魏伪喂 蟿慰谓 螙畏蟿喂维谓慰 蟿慰蠀 螝伪蟻魏伪尾委蟿蟽伪 蟺慰蠀 未喂维尾伪蟽伪 蟺蟻蠈蟽蠁伪蟿伪, 蟺慰蠀 蠈渭蠅蟼 渭慰蠀 维蟻蔚蟽蔚 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰.
螢蔚魏委谓畏蟽蔚 位委纬慰 谓蠅胃蟻维, 伪位位维 渭蠈谓慰 纬喂伪 谓伪 蠂蟿委蟽蔚喂 蟿畏谓 苇谓蟿伪蟽畏 魏伪喂 蟿畏谓 伪纬蠅谓委伪 蟿畏蟼 蟽蠀谓苇蠂蔚喂伪蟼. 韦蔚位喂魏维, 魏伪蟿苇位畏尉伪 蟿慰位渭蠋 谓伪 蟺蠅 谓伪 未喂伪尾维味蠅 苇谓伪 伪蟽蟿蠀谓慰渭喂魏蠈 胃蟻委位蔚蟻! 螝维蟿喂 蟺慰蠀, 蠁伪谓蟿维味慰渭伪喂, 蔚魏蔚委谓畏 蟿畏谓 蔚蟺慰蠂萎 蟺慰蠀 纬蟻维蠁蟿畏魏蔚 胃伪 萎蟿伪谓 蟺慰位蠉 蟺蟻蠅蟿慰蟺慰蟻喂伪魏蠈.
螤伪蟻维位位畏位伪, 伪谓伪位蠉蔚蟿伪喂 畏胃慰纬蟻伪蠁喂魏维 畏 味蠅萎 蟿畏蟼 蠀蟺伪委胃蟻慰蠀 蟽蟿伪 蟿苇位畏 蟿慰蠀 19慰蠀 伪喂蠋谓伪, 渭蔚 蟿慰蠀蟼 蠂蠅蟻慰蠁蠉位伪魏蔚蟼, 蟿慰蠀蟼 蟿蔚位蠅谓慰蠁蠉位伪魏蔚蟼, 蟿慰蠀蟼 蟺蟻慰魏蟻委蟿慰蠀蟼, 蟿畏 味蠅萎 蟽蟿慰 蟽蟺委蟿喂 魏伪喂 蟿喂蟼 蠀蟺慰蠂蟻蔚蠋蟽蔚喂蟼 纬蠀谓伪喂魏蠋谓 魏伪喂 伪谓未蟻蠋谓, 伪位位维 魏伪喂 蟺慰位位维 伪魏蠈渭畏, 蟺慰位蠉 蔚谓未喂伪蠁苇蟻慰谓蟿伪.
螔慰萎胃畏蟽蔚 蟺慰位蠉 蟽蟿慰 谓伪 蔚谓蟿蠀蟺蠅蟽喂伪蟽蟿蠋 渭蔚 蟿畏谓 蟺位慰魏萎, 蟿慰 纬蔚纬慰谓蠈蟼 蠈蟿喂 未蔚谓 蔚委蠂伪 未喂伪尾维蟽蔚喂 蟿委蟺慰蟿伪 纬喂伪 蟿慰 尾喂尾位委慰 蟺蟻喂谓.
螡伪 蟺蠅 蔚蟺委蟽畏蟼 蠈蟿喂 渭慰蠀 胃蠉渭畏蟽蔚 伪蟻魏蔚蟿维 蟽蟿慰谓 蟿蟻蠈蟺慰 纬蟻伪蠁萎蟼 魏伪喂 蟿慰谓 螙畏蟿喂维谓慰 蟿慰蠀 螝伪蟻魏伪尾委蟿蟽伪 蟺慰蠀 未喂维尾伪蟽伪 蟺蟻蠈蟽蠁伪蟿伪, 蟺慰蠀 蠈渭蠅蟼 渭慰蠀 维蟻蔚蟽蔚 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰.
May 7, 2020
谓伪喂喂喂 慰魏魏魏... 位慰喂蟺蠈谓 蟿慰 蟺伪蟻伪魏维蟿蠅 胃伪 蔚委谓伪喂 魏蠀蟻委蠅蟼 慰 蟺蠈谓慰蟼 渭慰蠀 魏伪喂 蠈蠂喂 渭喂伪 魏蟻喂蟿喂魏萎 蟿慰蠀 尾喂尾位委慰蠀. 螌位慰喂 蟿慰 苇蠂慰蠀渭蔚 未喂伪尾维蟽蔚喂, 未蔚谓 蟺蔚蟻喂渭苇谓伪蟿蔚 蔚渭苇谓伪.
螣 位蠈纬慰蟼 蟺慰蠀 蟿慰 伪纬蠈蟻伪蟽伪 蔚委谓伪喂 蔚蟺蔚喂未萎 蠈蟿伪谓 蟿慰 魏维谓伪渭蔚 蟽蟿慰 蟽蠂慰位蔚委慰 蟿慰 蟽喂蠂维胃畏魏伪 伪位位维 蟿蠈蟽伪 蠂蟻蠈谓喂伪 伪魏慰蠉蠅 渭蠈谓慰 胃蔚蟿喂魏维 纬喂伪 蟿慰 尾喂尾位委慰 慰蟺蠈蟿蔚 伪蟺慰蠁维蟽喂蟽伪 谓伪 蟿慰 未喂伪尾维蟽蠅 慰位蠈魏位畏蟻慰 纬喂伪 谓伪 未蠅 渭蟺伪蟼 魏伪喂 伪蟺位维 蟺维蟽蠂蠅 伪蟺蠈 渭伪位维魏蠀谓蟽畏. 螝伪蟿苇位畏尉伪 蟽蟿慰 纬蔚纬慰谓蠈蟼 蠈蟿喂 伪蟺位维 尾伪蟻喂苇渭伪喂 蟿慰谓 螤伪蟺伪未喂伪渭维谓蟿畏.
螠慰蠀 蟺萎蟻蔚 5 渭苇蟻蔚蟼 谓伪 蟿蔚位蔚喂蠋蟽蠅 苇谓伪 尾喂尾位委慰 120 蟽蔚位委未蠅谓... 魏伪喂 谓伪喂 蟽蔚 伪蠀蟿蠈 苇尾伪位伪 2 魏伪喂 蟽蟿畏谓 螠蔚蟿伪谓维蟽蟿畏蟼 3. 螠蟺慰蟻蔚委 谓伪 渭蔚 蔚蟺畏蟻苇伪蟽蔚 畏 伪纬维蟺畏 蟺慰蠀 苇蟿蟻蔚蠁伪 蔚未蠋 魏伪喂 蠂蟻蠈谓喂伪 纬喂伪 蟿畏谓 桅蠈谓喂蟽蟽伪.
螤维谓蟿蠅蟼 渭慰蠀 伪蟻苇蟽蔚喂 蟿慰 vibe 蟺慰蠀 苇蠂蔚喂. Murder me queen.
螣 位蠈纬慰蟼 蟺慰蠀 蟿慰 伪纬蠈蟻伪蟽伪 蔚委谓伪喂 蔚蟺蔚喂未萎 蠈蟿伪谓 蟿慰 魏维谓伪渭蔚 蟽蟿慰 蟽蠂慰位蔚委慰 蟿慰 蟽喂蠂维胃畏魏伪 伪位位维 蟿蠈蟽伪 蠂蟻蠈谓喂伪 伪魏慰蠉蠅 渭蠈谓慰 胃蔚蟿喂魏维 纬喂伪 蟿慰 尾喂尾位委慰 慰蟺蠈蟿蔚 伪蟺慰蠁维蟽喂蟽伪 谓伪 蟿慰 未喂伪尾维蟽蠅 慰位蠈魏位畏蟻慰 纬喂伪 谓伪 未蠅 渭蟺伪蟼 魏伪喂 伪蟺位维 蟺维蟽蠂蠅 伪蟺蠈 渭伪位维魏蠀谓蟽畏. 螝伪蟿苇位畏尉伪 蟽蟿慰 纬蔚纬慰谓蠈蟼 蠈蟿喂 伪蟺位维 尾伪蟻喂苇渭伪喂 蟿慰谓 螤伪蟺伪未喂伪渭维谓蟿畏.
螠慰蠀 蟺萎蟻蔚 5 渭苇蟻蔚蟼 谓伪 蟿蔚位蔚喂蠋蟽蠅 苇谓伪 尾喂尾位委慰 120 蟽蔚位委未蠅谓... 魏伪喂 谓伪喂 蟽蔚 伪蠀蟿蠈 苇尾伪位伪 2 魏伪喂 蟽蟿畏谓 螠蔚蟿伪谓维蟽蟿畏蟼 3. 螠蟺慰蟻蔚委 谓伪 渭蔚 蔚蟺畏蟻苇伪蟽蔚 畏 伪纬维蟺畏 蟺慰蠀 苇蟿蟻蔚蠁伪 蔚未蠋 魏伪喂 蠂蟻蠈谓喂伪 纬喂伪 蟿畏谓 桅蠈谓喂蟽蟽伪.
螤维谓蟿蠅蟼 渭慰蠀 伪蟻苇蟽蔚喂 蟿慰 vibe 蟺慰蠀 苇蠂蔚喂. Murder me queen.
July 3, 2018
The quintessence of Greek Literature!
I love this book. I always will. I can't remember how many times I've read it. Though it's been a while.... It was a great companion throughout my schoolyears.
Set on the Aegian island of Skiathos, The 螠urderess tells the spine-chilling and sad tale of an old woman who commits an unforgivable crime. The worst of all. Through Papadiamandis' impeccable narration we get a glance at a dark patriarchal society where being born a female was a curse.
I love this book. I always will. I can't remember how many times I've read it. Though it's been a while.... It was a great companion throughout my schoolyears.
Set on the Aegian island of Skiathos, The 螠urderess tells the spine-chilling and sad tale of an old woman who commits an unforgivable crime. The worst of all. Through Papadiamandis' impeccable narration we get a glance at a dark patriarchal society where being born a female was a curse.
January 15, 2024
桅蠀蟽喂魏维 魏伪喂 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪. 螒蟻魏蔚委 谓伪 蟿慰 未喂伪尾维蟽蔚喂蟼 蟽蟿慰 蟺蟻蠅蟿蠈蟿蠀蟺慰 魏喂 蠈蠂喂 ... 渭蔚蟿伪蠁蟻伪蟽渭苇谓慰 蟽蟿畏谓 魏伪胃慰渭喂位慰蠀渭苇谓畏...
April 22, 2015
G眉zel bir fikirle yola 莽谋km谋艧, devam谋 g眉zel getirilememi艧 bir kitap maalesef. Giri艧i insana umut vadediyor ancak ilerleyen sayfalarda olay 枚rg眉s眉 hep ayn谋 ikilem etraf谋nda d枚n眉p duruyor. B枚yle olunca da karakteri anlamak ve ona sempati beslemek olanaks谋z oluyor. Kitab谋n sonundaki hesapla艧ma g眉zellik katsa da b眉t眉n眉 kurtarmaya yetmiyor. Belki arka fonda 莽alan g眉zel bir mandolin gibi okuma zevkini artt谋r谋c谋 fakt枚rlerle beslenirse daha g眉zel bir okuma olabilir ancak iddia edildi臒i gibi Papadiamantis bir Dostoyevski olamad谋臒谋 gibi Hadula da bir Raskolnikov olam谋yor ve o duyguyu okuyucuya ge莽iremiyor.
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April 22, 2020螘委蠂伪 蠂蟻蠈谓喂伪 谓伪 未喂伪尾维蟽蠅 蟿畏 桅蠈谓喂蟽蟽伪 蟿慰蠀 螤伪蟺伪未喂伪渭维谓蟿畏. 螒蟺蠈 魏伪喂蟻蠈 蟽蔚 魏伪喂蟻蠈 蠈位慰 魏伪喂 魏维蟺慰喂慰 未喂萎纬畏渭维 蟿慰蠀 尉伪谓伪蟺苇蠁蟿蔚喂 蟽蟿伪 蠂苇蟻喂伪 渭慰蠀 魏维蟿喂 尾蟻维未喂伪 蟺慰蠀 蟽魏伪位委味蠅 蟿畏 尾喂尾位喂慰胃萎魏畏, 伪位位维 畏 桅蠈谓喂蟽蟽伪 苇渭慰喂伪味蔚 蟺维谓蟿伪 蟺慰位蠉 渭蔚纬维位畏 魏伪喂 蟺慰位蠉 慰喂魏蔚委伪. 螆魏伪谓伪 位维胃慰蟼. 螛蠀渭蠈渭慰蠀谓伪 尾苇尾伪喂伪 蟿慰 魏蟻委渭伪 蟿畏蟼 桅蟻伪纬魏慰纬喂伪谓谓慰蠉蟼, 未蔚谓 胃蠀渭蠈渭慰蠀谓 蠈渭蠅蟼 蟿畏谓 蠀蟺蠈位慰喂蟺畏 喂蟽蟿慰蟻委伪 魏伪位维, 蟿伪 维位位伪 蠁慰谓喂魏维, 蟿畏 蠁蠀纬萎 蟿畏蟼 蟽蟿慰 尾慰蠀谓蠈. 螆渭慰喂伪味蔚 蟽蟿慰 渭蠀伪位蠈 渭慰蠀 蟽伪谓 谓伪 蟿伪 蠁伪谓蟿维蟽蟿畏魏伪 魏喂 蠈蠂喂 谓伪 蟿伪 蔚委蠂伪 魏维蟺慰蟿蔚 未喂伪尾维蟽蔚喂.
螚 桅蟻伪纬魏慰纬喂伪谓谓慰蠉 蟽魏慰蟿蠋谓蔚喂 蟿伪 胃畏位蠀魏维 纬喂伪蟿委 未蔚谓 伪谓蟿苇蠂蔚喂 谓伪 苇蠂蔚喂 谓伪 苇蠂蔚喂 维位位伪 胃畏位蠀魏维 蟺慰蠀 蟺蟻苇蟺蔚喂 谓伪 蟿伪 蟺蟻慰喂魏委蟽蔚喂 魏伪喂 谓伪 蟿伪 蟺伪谓蟿蟻苇蠄蔚喂, 魏伪喂 谓伪 伪谓蔚蠂蟿蔚委 谓伪 味萎蟽慰蠀谓 渭喂伪 蟿蠈蟽慰 尾伪蟽伪谓喂蟽渭苇谓畏 味蠅萎 蠈蟺蠅蟼 苇味畏蟽蔚 蔚魏蔚委谓畏. 螌渭蠅蟼 蟽魏慰蟿蠋谓蔚喂 蟿伪 渭蠅蟻维 魏伪喂 蟿伪 谓萎蟺喂伪, 畏 委未喂伪 未蔚谓 伪蠀蟿慰魏蟿慰谓蔚委. 螒谓蟿喂胃苇蟿蠅蟼 蟿蟻苇蠂蔚喂 纬喂伪 蟿畏 味蠅萎 蟿畏蟼, 蟺喂维谓蔚蟿伪喂 伪蟺蠈 蟿慰 蟺伪蟻伪渭喂魏蟻蠈 蠂蠈蟻蟿慰 魏伪喂 蟿慰 蟺伪蟻伪渭喂魏蟻蠈 蟺委蟿慰蠀蟻慰 纬喂伪 谓伪 蟺伪蟻伪渭蔚委谓蔚喂 味蠅谓蟿伪谓萎, 蟽魏伪蟻蠁伪位蠋谓蔚喂 尾蟻维蠂慰蠀蟼 魏伪喂 蟺畏未维 纬魏蟻蔚渭慰蠉蟼. 螕委谓蔚蟿伪喂 渭维位喂蟽蟿伪 伪蠀蟿萎 畏 蟺蔚蟻喂蟺苇蟿蔚喂伪 委蟽蠅蟼 蟿慰 渭蠈谓慰 蟺蟻伪纬渭伪蟿喂魏蠈 蟺蟻维纬渭伪 蟺慰蠀 魏维谓蔚喂 畏 委未喂伪 纬喂伪 蟿慰谓 蔚伪蠀蟿蠈 蟿畏蟼, 伪蠀蟿萎 蟺慰蠀 苇味畏蟽蔚 渭喂伪 味蠅萎 蠀蟺畏蟻蔚蟿蠋谓蟿伪蟼 蠈位慰蠀蟼 蟿慰蠀蟼 维位位慰蠀蟼, 蠂蠅蟻委蟼 伪纬维蟺畏 鈥斘蔽合屛嘉� 魏喂 畏 渭维谓伪 蟿畏蟼 蟿畏谓 苇位蔚纬蔚 危蟿蟻喂纬纬位委蟿蟽伪 魏伪喂 蟿畏谓 伪未委魏畏蟽蔚 蟽蟿畏谓 蟺蟻慰委魏伪.
螠苇蟽伪 蟽蟿慰 未喂萎纬畏渭伪 尾位苇蟺慰蠀渭蔚 蠈位慰蠀蟼 蟿慰蠀蟼 魏伪畏渭慰蠉蟼 蟿畏蟼 蠁蟿蠋蠂蔚喂伪蟼 伪位位维 魏伪喂 蟿蠅谓 纬蠀谓伪喂魏蠋谓, 纬蔚谓谓喂慰蠉谓蟿伪喂 魏喂 蔚委谓伪喂 伪谓蔚蟺喂胃蠉渭畏蟿蔚蟼, 蠀蟺畏蟻蔚蟿慰蠉谓 蟿慰蠀蟼 纬慰谓蔚委蟼 蟺蟻蠋蟿伪 魏喂 苇蟺蔚喂蟿伪 苇谓伪谓 维谓蟿蟻伪 伪蠁苇谓蟿畏 蟺慰蠀 未蔚谓 蟿慰 胃苇位慰蠀谓. 螠蔚蟿维 苇蟻蠂慰谓蟿伪喂 蟿伪 蟺伪喂未喂维. 螝伪喂 渭蔚蟿维 蠁蔚蠉纬慰蠀谓, 伪蠂维蟻喂蟽蟿伪. 螝伪喂 渭苇谓慰蠀谓 蟿伪 魏慰蟻委蟿蟽喂伪 魏伪喂 纬蔚谓谓慰尾慰位维谓蔚 蟺维位喂 伪蟺蠈 蟿畏谓 伪蟻蠂萎, 魏喂 伪蟻蠂喂谓维蔚喂 慰 魏蠉魏位慰蟼. 螘谓未喂维渭蔚蟽伪, 伪谓 委蟽蠅蟼 位伪蠂蟿伪蟻萎蟽慰蠀谓 谓伪 蟺维谓蔚 渭蔚 魏维蟺慰喂慰谓 维位位慰谓, 蔚魏蔚委谓蔚蟼 蟺蟻苇蟺蔚喂 谓伪 尾蟻慰蠉谓蔚 蟿蟻蠈蟺慰 谓伪 蟿慰 蟻委尉慰蠀谓. 螒谓蟿委胃蔚蟿伪 蟿伪 伪蟻蟽蔚谓喂魏维 蠂维谓慰谓蟿伪喂, 魏维谓慰蠀谓 蠈,蟿喂 胃苇位慰蠀谓, 渭蟺慰蟻慰蠉谓 谓伪 蔚委谓伪喂 维尾慰蠀位慰喂, 魏伪位慰委, 蔚蟻纬伪蟿喂魏慰委, 伪魏蠈渭伪 魏伪喂 伪蟺委蟽蟿蔚蠀蟿伪 尾委伪喂慰喂 蠈蟺蠅蟼 慰 纬喂慰蟼 蟿畏蟼 慰 螠慰蠉蟻蟿慰蟼, 魏喂 蠈位伪 蟿慰蠀蟼 蟿伪 未喂魏伪喂慰位慰纬慰蠉谓, 蠈位伪 蔚委谓伪喂 伪谓蔚魏蟿维.
螕喂伪 蟺慰喂慰谓 蟽魏慰蟿蠋谓蔚喂 畏 桅蟻伪纬魏慰纬喂伪谓谓慰蠉; 螕喂伪 蟿慰谓 蔚伪蠀蟿蠈 蟿畏蟼; 螕喂伪 谓伪 蟽蠋蟽蔚喂 蟿伪 魏慰蟻喂蟿蟽维魏喂伪; 螕喂伪 谓伪 蟽蠋蟽蔚喂 蟿喂蟼 渭伪谓维未蔚蟼 蟿慰蠀蟼; 螣喂 蔚蠉魏慰位蔚蟼 伪蟻蠂喂魏苇蟼 伪蟺伪谓蟿萎蟽蔚喂蟼, 蠂维谓慰谓蟿伪喂 蠈蟽慰 蟽蠀谓蔚蠂委味蔚喂 畏 谓慰蠀尾苇位伪. 危蟿畏谓 伪蟻蠂萎 蔚委蟽伪喂 蟽委纬慰蠀蟻慰蟼 蟺蠅蟼 尉苇蟻蔚喂蟼 纬喂伪蟿委. 螌渭蠅蟼 蟿慰 蟺蟻维纬渭伪 尾伪胃伪委谓蔚喂, 蠂维谓蔚喂 蟿畏谓 蔚蟺喂蠁伪谓蔚喂伪魏萎 蟿慰蠀 伪委蟽胃畏蟽畏 蠈蟽慰 畏 桅蟻伪纬魏慰纬喂伪谓谓慰蠉 未蔚谓 谓喂蠋胃蔚喂 蟺伪蟻维 蔚位维蠂喂蟽蟿蔚蟼 蟿蠉蠄蔚喂蟼. 螝维蟺慰蠀 魏维蟺慰蠀 蔚渭蠁伪谓委味慰谓蟿伪喂 蟿伪 魏慰蟻喂蟿蟽维魏喂伪 蟽伪谓 螘蟻喂谓蠉蔚蟼, 伪位位维 未蔚谓 蟿畏谓 魏伪蟿伪蟿蟻蠉蠂慰蠀谓 纬喂伪 蟺慰位蠉. 螣蠉蟿蔚 魏伪谓 畏 喂未苇伪 谓伪 蔚尉慰渭慰位慰纬畏胃蔚委 魏伪喂 谓伪 渭蔚蟿伪渭蔚位畏胃蔚委 蔚委谓伪喂 未喂魏萎 蟿畏蟼. 危魏慰蟿蠋谓慰谓蟿伪蟼 蟿畏谓 蔚纬纬慰谓慰蠉位伪 蟿畏蟼, 蟿慰 渭蠅蟻蠈 渭蔚 蟿慰 委未喂慰 蠈谓慰渭伪, 畏 桅蟻伪纬魏慰纬喂伪谓谓慰蠉 蔚位蔚蠀胃苇蟻蠅蟽蔚 蟿慰谓 蔚伪蠀蟿蠈 蟿畏蟼 魏伪喂 魏伪谓苇谓伪谓 维位位慰谓. 韦慰谓 蔚位蔚蠀胃苇蟻蠅蟽蔚 伪蟺蠈 蟿畏 蟽蠉渭尾伪蟽畏, 蠈蟽慰 尾苇尾畏位慰 魏喂 伪谓 伪魏慰蠉纬蔚蟿伪喂 伪蠀蟿蠈. 韦慰谓 蔚位蔚蠀胃苇蟻蠅蟽蔚 伪蟺蠈 蟿伪 伪喂蠋谓喂伪 纬蠀谓伪喂魏蔚委伪 未蔚蟽渭维.
螣 螤伪蟺伪未喂伪渭维谓蟿畏蟼, 蟺慰蠀 慰渭慰位慰纬慰蠀渭苇谓蠅蟼 渭蔚蟿维 蟿慰谓 螔喂味蠀畏谓蠈, 纬喂伪 渭苇谓伪 渭慰喂维味蔚喂 蟽伪谓 谓伪 蔚委谓伪喂 慰 渭蟺伪渭蟺维蟼 渭伪蟼, 蔚委谓伪喂 蔚尉伪喂蟻蔚蟿喂魏维 未喂蔚喂蟽未蠀蟿喂魏蠈蟼 蠅蟼 蟺蟻慰蟼 蟿畏谓 伪谓胃蟻蠋蟺喂谓畏 蠁蠉蟽畏. 螡伪喂, 畏胃慰纬蟻伪蠁蔚委, 未委谓蔚喂 位蔚蟺蟿慰渭苇蟻蔚喂蔚蟼 蠂伪蟻伪魏蟿萎蟻蠅谓 魏伪喂 蟿蠈蟺蠅谓, 魏伪喂 蔚蟺慰蠂萎蟼. 螌渭蠅蟼 伪蟺蠈 蟿畏谓 维位位畏, 蠄蠀蠂慰纬蟻伪蠁蔚委 蔚尉委蟽慰蠀. 螠蔚 味慰蠁蔚蟻苇蟼 位蔚蟺蟿慰渭苇蟻蔚喂蔚蟼, 渭蔚 渭喂伪 渭维位位慰谓 谓伪蟿慰蠀蟻伪位喂蟽蟿喂魏萎 蟿维蟽畏, 蠄维蠂谓蔚喂 蟿畏谓 伪谓胃蟻蠋蟺喂谓畏 蠁蠉蟽畏 魏伪喂 蟿畏谓 尉蔚蟽魏蔚蟺维味蔚喂鈭� 未蔚谓 蔚委谓伪喂 伪蠀蟿蠈 蟺慰蠀 谓慰渭委味慰蠀渭蔚. 螖蔚谓 胃伪 渭喂位萎蟽蠅 纬喂伪 蟿畏谓 纬位蠋蟽蟽伪 蟿慰蠀, 纬喂伪蟿委 未蔚谓 蟺喂蟽蟿蔚蠉蠅 蟺蠅蟼 苇蠂蔚喂 谓蠈畏渭伪. 螌蟺慰喂慰蟼 苇蠂蔚喂 未喂伪尾维蟽蔚喂 苇蟽蟿蠅 魏喂 苇谓伪 未喂萎纬畏渭伪 纬谓蠅蟻委味蔚喂 蟿畏谓 芦螤伪蟺伪未喂伪渭伪谓蟿喂魏萎谓禄. 螠蟺慰蟻蔚委 谓伪 纬慰畏蟿蔚蠉蔚蟿伪喂 伪蟺蠈 伪蠀蟿萎谓, 渭蟺慰蟻蔚委 谓伪 蟿慰谓 伪蟺蠅胃蔚委. 螘委谓伪喂 伪蠀蟿萎 蟺慰蠀 蔚委谓伪喂, 蔚委谓伪喂 慰 蟿蟻蠈蟺慰蟼 蟺慰蠀 苇纬蟻伪蠄蔚 魏伪喂 未蔚谓 蠀蟺维蟻蠂蔚喂 维位位慰蟼. 螘纬蠋, 蟿畏谓 伪纬伪蟺蠋. 螖蔚谓 苇蠂蠅 未喂伪尾维蟽蔚喂 蟿伪 未蠉慰 渭蔚纬维位伪 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿伪 蟿慰蠀. 螉蟽蠅蟼 蟿蠋蟻伪 谓伪 萎蟻胃蔚 慰 魏伪喂蟻蠈蟼 蟺慰蠀 渭蟺萎魏伪 蟺维位喂 蟽蔚 蟻蠀胃渭蠈.
July 14, 2007
This is the beauty of Greek-Cypriot public schools: they make you read a book about a psycho lady in an island who flips out and starts murdering young girls (including her own grandaughters!) while you are trying to finish your last hellish trimester in high school, prepare for eniaies, prepare for proeisagwgikes, and figure what to do with the rest of your life. NIIIICEEEEE!!!!
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