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袩芯械写懈薪芯泻
Her mourth was almost pressed against his, and her words were like quick, hurried kisses: "You must absolutely go through with the duel tomorrow."
This is an account of the final days of Czarist Russia. An absorbing saga about the brutalities of military life upon its own soldiers. Stranded at a distant outpost, young Romashov finds himself obliged to fight a duel 鈥� over something he realizes is meaningless. As the novel hurtles toward a startling conclusion, it reveals itself to be a luminous depiction of the end of an era.
This is an account of the final days of Czarist Russia. An absorbing saga about the brutalities of military life upon its own soldiers. Stranded at a distant outpost, young Romashov finds himself obliged to fight a duel 鈥� over something he realizes is meaningless. As the novel hurtles toward a startling conclusion, it reveals itself to be a luminous depiction of the end of an era.
285 pages, Kindle Edition
First published January 1, 1905
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773 people want to read
About the author
Aleksandr Kuprin
842听books151听followersAleksandr Kuprin (Russian: 袗谢械泻褋邪薪写褉 袠胁邪薪芯胁懈褔 袣褍锌褉懈薪; 7 September 1870 in the village of Narovchat in the Penza Oblast - August 25, 1938 in Leningrad) was a Russian writer, pilot, explorer and adventurer who is perhaps best known for his story The Duel (1905). Other well-known works include Moloch (1896), Olesya (1898), Junior Captain Rybnikov (1906), Emerald (1907), and The Garnet Bracelet (1911) (which was made into a 1965 movie). Vladimir Nabokov styled him the Russian Kipling for his stories about pathetic adventure-seekers, who are often "neurotic and vulnerable."
Kuprin was a son of Ivan Ivanovich Kuprin, a minor government official who died of cholera during 1871 at the age of thirty-seven years. His mother, Liubov' Alekseevna Kuprina, Tatar princess (of the Kulunchakovs), like many other nobles in Russia, had lost most of her wealth during the 19th century. Kuprin attended the Razumovsky boarding school during 1876, and during 1880 finished his education in the Second Moscow Military High School (Cadet Corps) and Alexander Military School, spending a total of ten years in these elite military institutions. His first short story, The Last Debut, was published during 1889 in a satirical periodical. "In February 1902, Kuprin and Maria Karlovna Davydova were married, their daughter Lidia born in 1903." Kuprin's mother died during 1910.
Kuprin ended military service during 1894, after which he tried many types of job, including provincial journalism, dental care, land surveying, acting, circus performer, church singer, doctor, hunter, fisher, etc. Reportedly, "all of these were subsequently reflected in his fiction." His first essays were published in Kiev in two collections. Reportedly, "although he lived in an age when writers were carried away by literary experiments, Kuprin did not seek innovation and wrote only about the things he himself had experienced and his heroes are the next generation after Chekhov's pessimists."
Although the 1896 short story Moloch first made his name known as a writer, it was his novel The Duel (1905) which made him famous. "Kuprin was highly praised by fellow writers including Anton Chekhov, Maxim Gorky, Leonid Andreyev, Nobel Prize-winning Ivan Bunin" and Leo Tolstoy who acclaimed him a true successor to Chekhov. After publication of The Duel he paid less and less interest to fancy literature and began to spend time in pubs and brothels. His sensationalist novel about the lurid life of prostitutes, The Pit (1915), was accused by Russian critics of excessive Naturalism.
Although not a conservative, he did not agree with Bolshevism. While working for a brief time with Maxim Gorky at the World Literature publishing company, he criticized the Soviet regime. During spring 1919, from Gatchina near Petrograd, Kuprin left the country for France. He lived in Paris for most of the next 17 years, succumbing to alcoholism. He wrote about this in much of his work. He eventually returned to Moscow on May 31, 1937, just a year before his death, at the height of the Great Purge. His return earned publication of his works within the Soviet Union.
Kuprin died during the spring of 1938 in Leningrad and is interred near his fellow writers at the Literaturskiye Mostki in the Volkovo Cemetery (Volkovskoye Memorial Cemetery) in Leningrad. A minor planet 3618 Kuprin, discovered by Soviet astronomer Nikolai Stepanovich Chernykh in 1979 is named after him.
Reportedly, "even today, Alexander Kuprin remains one of the widest read classics in Russian literature", with many films based on his works, "which are also read over the radio", partly due to "his vivid stories of the lives of ordinary people and unhappy love, his descriptions of the military and brothels, making him a writer for all times and places."
Kuprin was a son of Ivan Ivanovich Kuprin, a minor government official who died of cholera during 1871 at the age of thirty-seven years. His mother, Liubov' Alekseevna Kuprina, Tatar princess (of the Kulunchakovs), like many other nobles in Russia, had lost most of her wealth during the 19th century. Kuprin attended the Razumovsky boarding school during 1876, and during 1880 finished his education in the Second Moscow Military High School (Cadet Corps) and Alexander Military School, spending a total of ten years in these elite military institutions. His first short story, The Last Debut, was published during 1889 in a satirical periodical. "In February 1902, Kuprin and Maria Karlovna Davydova were married, their daughter Lidia born in 1903." Kuprin's mother died during 1910.
Kuprin ended military service during 1894, after which he tried many types of job, including provincial journalism, dental care, land surveying, acting, circus performer, church singer, doctor, hunter, fisher, etc. Reportedly, "all of these were subsequently reflected in his fiction." His first essays were published in Kiev in two collections. Reportedly, "although he lived in an age when writers were carried away by literary experiments, Kuprin did not seek innovation and wrote only about the things he himself had experienced and his heroes are the next generation after Chekhov's pessimists."
Although the 1896 short story Moloch first made his name known as a writer, it was his novel The Duel (1905) which made him famous. "Kuprin was highly praised by fellow writers including Anton Chekhov, Maxim Gorky, Leonid Andreyev, Nobel Prize-winning Ivan Bunin" and Leo Tolstoy who acclaimed him a true successor to Chekhov. After publication of The Duel he paid less and less interest to fancy literature and began to spend time in pubs and brothels. His sensationalist novel about the lurid life of prostitutes, The Pit (1915), was accused by Russian critics of excessive Naturalism.
Although not a conservative, he did not agree with Bolshevism. While working for a brief time with Maxim Gorky at the World Literature publishing company, he criticized the Soviet regime. During spring 1919, from Gatchina near Petrograd, Kuprin left the country for France. He lived in Paris for most of the next 17 years, succumbing to alcoholism. He wrote about this in much of his work. He eventually returned to Moscow on May 31, 1937, just a year before his death, at the height of the Great Purge. His return earned publication of his works within the Soviet Union.
Kuprin died during the spring of 1938 in Leningrad and is interred near his fellow writers at the Literaturskiye Mostki in the Volkovo Cemetery (Volkovskoye Memorial Cemetery) in Leningrad. A minor planet 3618 Kuprin, discovered by Soviet astronomer Nikolai Stepanovich Chernykh in 1979 is named after him.
Reportedly, "even today, Alexander Kuprin remains one of the widest read classics in Russian literature", with many films based on his works, "which are also read over the radio", partly due to "his vivid stories of the lives of ordinary people and unhappy love, his descriptions of the military and brothels, making him a writer for all times and places."
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Displaying 1 - 30 of 53 reviews
March 29, 2020
鈥淭he Duel鈥� was unquestionably a five-star novel at the time it was published in May 1905 when the Russo-Japanese War was still on-going. At a time, when the Tsarist Military forces were being humiliated, Kuprin鈥檚 novel offered a scathing critique of Russia鈥檚 army and Russian social mores.
Drawing on over ten years experience as a cadet and officer, Kuprin portrays the Russian army as being incompetent and having a foul culture. The training is oriented purely toward the parade ground. No practical combat skills are being taught. The officers beat their soldiers and are indifferent towards their duties living in self-inflicted poverty as their salaries are inadequate to sustain the lifestyle that they are expected to sustain (i.e. drinking, gambling and having a full-time servant to do their laundry.) Unfortunately for the protagonist, Romashov, the military way of life also seduction and duelling which will bring his life to a very early end.
鈥淭he Duel鈥� was very well received when it came out. Kuprin鈥檚 literary peers (including Chekhov, Tolstoy, Gorki, and Bunin) hailed it as a masterpiece. Sales were excellent. 鈥淭he Duel鈥� was popular because it was more than a brilliant parody of an army that was in the process of making a public spectacle of its ineptitude on battlefield. Kuprin also managed to show that the problems in the army were due to the basic ills of an autocratic political regime that stifled personal initiative and required from its citizens mindless adherence to outdated methods.
I read this book because it was mentioned by Nina Berbova in her remarkable book of memoirs "The Italics are Mine" / "C'est moi qui le souligne" Nina Berberova, considered Kuprin to be a realist in the school of Bunin and Chmeliov. I was surprised then to find that the style of "The Duel" was quite Gogolesque.
Kuprin might have had a successful career in the new communist regime. His friend of Gorki even introduced him to Lenin. Kuprin, however, was by nature too much of a non-conformist to ever fit into the Soviet mode. He fled to France in 1920 but always had regrets and returned shortly before his death in 1938.
鈥淭he Duel鈥� is a wonderful novel for someone who has already read a great number of Russian novels and historical works on the era. For those which only modest familiarity with the literary and political context, its charms may prove elusive.
Drawing on over ten years experience as a cadet and officer, Kuprin portrays the Russian army as being incompetent and having a foul culture. The training is oriented purely toward the parade ground. No practical combat skills are being taught. The officers beat their soldiers and are indifferent towards their duties living in self-inflicted poverty as their salaries are inadequate to sustain the lifestyle that they are expected to sustain (i.e. drinking, gambling and having a full-time servant to do their laundry.) Unfortunately for the protagonist, Romashov, the military way of life also seduction and duelling which will bring his life to a very early end.
鈥淭he Duel鈥� was very well received when it came out. Kuprin鈥檚 literary peers (including Chekhov, Tolstoy, Gorki, and Bunin) hailed it as a masterpiece. Sales were excellent. 鈥淭he Duel鈥� was popular because it was more than a brilliant parody of an army that was in the process of making a public spectacle of its ineptitude on battlefield. Kuprin also managed to show that the problems in the army were due to the basic ills of an autocratic political regime that stifled personal initiative and required from its citizens mindless adherence to outdated methods.
I read this book because it was mentioned by Nina Berbova in her remarkable book of memoirs "The Italics are Mine" / "C'est moi qui le souligne" Nina Berberova, considered Kuprin to be a realist in the school of Bunin and Chmeliov. I was surprised then to find that the style of "The Duel" was quite Gogolesque.
Kuprin might have had a successful career in the new communist regime. His friend of Gorki even introduced him to Lenin. Kuprin, however, was by nature too much of a non-conformist to ever fit into the Soviet mode. He fled to France in 1920 but always had regrets and returned shortly before his death in 1938.
鈥淭he Duel鈥� is a wonderful novel for someone who has already read a great number of Russian novels and historical works on the era. For those which only modest familiarity with the literary and political context, its charms may prove elusive.
June 24, 2013
Forgot to bring a book today when I had a very long wait in-between tasks in the morning and afternoon. So on to the library and went and picked up this title, apt for the occasion considering my outrage about my forgetting to bring a book, and delighted myself with this story, mainly a long soliloquy of a leader of thieves complaining about being implicated with some pogroms done against Jews in old Russia. A self-confessed leader of criminals extolling the virtues of their profession, painting all its virtues, in the face of a more major offense against humanity.
August 17, 2021
I really loved this book! Actually, it was one of the best Russian classic books I鈥檝e read this year! 鉂わ笍
September 12, 2018
Definitely a book ahead of its time.
The setting is very much of its time and place; a regiment of the Russian army in the late 1800s, a time without war when the military鈥檚 only mission was to drill and maintain a state of preparedness. And as the title suggests (or at least the imprecise often-used English translation 鈥淭he Duel鈥�), there鈥檚 a matter of old time honor at stake here.
But everything else reflects the future. Kuprin鈥檚 reverence for the glorious military pretty much matches what Heller dhows us in 鈥淐atch 22.鈥� The protagonist, an officer named Romashov, would fit quite comfortable as the leading character in a novel by Updike, Bellow or Roth with perhaps echoes of Holden Caulfield. As an incredibly in-his-head character he analyzes, perhaps overanalyzes, everything. But we鈥檙e not dealing here with the sort of grand philosopher type we see from Tolstoy or Dostoevsky. Romashov would be much more at home in a contemporary wellness retreat, or striding into a yoga class. Perhaps he reincarnates as Alex Portnoy.
It鈥檚 definitely an interesting take on Tsarist military life.
The setting is very much of its time and place; a regiment of the Russian army in the late 1800s, a time without war when the military鈥檚 only mission was to drill and maintain a state of preparedness. And as the title suggests (or at least the imprecise often-used English translation 鈥淭he Duel鈥�), there鈥檚 a matter of old time honor at stake here.
But everything else reflects the future. Kuprin鈥檚 reverence for the glorious military pretty much matches what Heller dhows us in 鈥淐atch 22.鈥� The protagonist, an officer named Romashov, would fit quite comfortable as the leading character in a novel by Updike, Bellow or Roth with perhaps echoes of Holden Caulfield. As an incredibly in-his-head character he analyzes, perhaps overanalyzes, everything. But we鈥檙e not dealing here with the sort of grand philosopher type we see from Tolstoy or Dostoevsky. Romashov would be much more at home in a contemporary wellness retreat, or striding into a yoga class. Perhaps he reincarnates as Alex Portnoy.
It鈥檚 definitely an interesting take on Tsarist military life.
September 12, 2023
After reading this, I have a clear understanding of why the Tsarist army would've looked at Communism and said: "That sounds great!"
November 17, 2013
This was a tough read for me, taking me several weeks to read as I would easily put it down and ended up making myself read something from it every day to complete it. It's not that I didn't receive any enjoyment from the story but rather that I couldn't connect with it on any level. For the most part it is the story of a young love-sick soldier in the Russian Tsarist Army. He visits and pines for a married woman who strings him along and his overdramatic moonings and swoonings are so over the top my eyes hurt from rolling so much. Secondary to this is the description of how tough, miserable and unfeeling life in the army was for both the soldiers and the officers, though mostly the soldiers at the hands of the officers. Our main character is an officer and though he is careless and prideful he isn't mean and sees the cruelty that goes on often trying to stop verbal and physical assaults in an unobtrusive way. The author really was in the army himself and we can see this as a reflection of what it may have actually been like to be in the Tsar's Army, and while it was terrible indeed it didn't strike me as any different than stories of other late 19th century army life. I enjoyed the army story much, much more than the "love" story. The ending though I found quite chilling in realizing that this was a book written in the year of the first Russian Revolution. One character suddenly starts waxing eloquently for several pages on how a glorious change is about to come and like a madman he describes what to him is a Utopia. To me, it was very chilling indeed, frighteningly so, as he describes how men will become "individualistic", "gods unto themselves", living in peace and me knowing in hindsight the utter slaughter and unequalled killings of their own people Communism brought to Russia. This "speech" totally turned my stomach but from an historical perspective is certainly an eye-opener!
September 14, 2018
Fortunately I got my used copy of the Melville house edition of Alexander Kuprin鈥檚, The Duel at a time when the asking price was very reasonable. It would seem that some copies are valued at many times the price I paid. There also seems to be a number of the best authors who have written The Duel, Kuprin鈥檚 is recommended.
Writing at the end of the Russian Empire in the style known as Russian critical realism he was also writing about being a junior officer in the Imperial Russian Army. Alexander Kuprin had been just such an officer.
It is frequently pointed out that life in garrison duty, in remote backwater locations is dull. Kuprin鈥檚 Duel takes place in just such a remote soul stifling place. Here we meet Sub Lieutenant 鈥淕eorgie鈥� Romashov, a tragic version of Walter Mitty. He tends to dream of himself in 3rd person achieving greatness and doing heroic deeds. It is perhaps too clear that he will be one of the principles in some unlikely duel of honor.
That there can be honor in this regiment is an irony to itself. Kuprin quickly innumerate the ways petty and grand that the officers are cheating each other and their men. Virtually every person we meet in engages in peculiar hobbies, desperate measures to meet expenses, drunkenness and cheating. The wives are either engaged in serial love affairs or too bland and domestic to be of even passing interest.
As the book progresses it become ever harder to imagine who has stuffiest honor that it can be insulted to the point of a life or death duel. As for Romashov he does begin to mature and show glimpses of becoming a mature person, maybe even a good officer. Given the boring life of duty, the absence of even minimal big city culture and a society of disappointing people, the slow and uneven development of our protagonist into what could become maturity is the only reason to see the 300 page novel to its completion.
Kuprin it at his best making it clear Army life is petty and dull .For the enlisted it is also arbitrary and brutal. This is about 2/3 of the book and makes one has to wonder at the author鈥檚 ability to recreate dull and have the reader see it through. Imagine yourself reading and thinking 鈥淲ow this is a boring soul killing place! I can鈥檛 wait to read more!鈥� Incidentally one gets the impression that Imperial Russia, far from the court was a place that might benefit from a revolution.
For all this I can recommend The Duel. The beginning can be hard going, but in this it is like a lot of Russian Novels. Kuprin may not be among the best known of the Russian novelists but he is worth reading.
Writing at the end of the Russian Empire in the style known as Russian critical realism he was also writing about being a junior officer in the Imperial Russian Army. Alexander Kuprin had been just such an officer.
It is frequently pointed out that life in garrison duty, in remote backwater locations is dull. Kuprin鈥檚 Duel takes place in just such a remote soul stifling place. Here we meet Sub Lieutenant 鈥淕eorgie鈥� Romashov, a tragic version of Walter Mitty. He tends to dream of himself in 3rd person achieving greatness and doing heroic deeds. It is perhaps too clear that he will be one of the principles in some unlikely duel of honor.
That there can be honor in this regiment is an irony to itself. Kuprin quickly innumerate the ways petty and grand that the officers are cheating each other and their men. Virtually every person we meet in engages in peculiar hobbies, desperate measures to meet expenses, drunkenness and cheating. The wives are either engaged in serial love affairs or too bland and domestic to be of even passing interest.
As the book progresses it become ever harder to imagine who has stuffiest honor that it can be insulted to the point of a life or death duel. As for Romashov he does begin to mature and show glimpses of becoming a mature person, maybe even a good officer. Given the boring life of duty, the absence of even minimal big city culture and a society of disappointing people, the slow and uneven development of our protagonist into what could become maturity is the only reason to see the 300 page novel to its completion.
Kuprin it at his best making it clear Army life is petty and dull .For the enlisted it is also arbitrary and brutal. This is about 2/3 of the book and makes one has to wonder at the author鈥檚 ability to recreate dull and have the reader see it through. Imagine yourself reading and thinking 鈥淲ow this is a boring soul killing place! I can鈥檛 wait to read more!鈥� Incidentally one gets the impression that Imperial Russia, far from the court was a place that might benefit from a revolution.
For all this I can recommend The Duel. The beginning can be hard going, but in this it is like a lot of Russian Novels. Kuprin may not be among the best known of the Russian novelists but he is worth reading.
September 16, 2021
This is a realist novel about the life of a junior officer in czarist Russian. Romashov (21) has colleagues, commanders and love interests. The tale centres on the relationship with Nikoloaev and his somewhat loose wife Shirochka.
Although the title is 'the duel' the vast majority of the novel (278 pages of 306) is his life and the military setting - not a huge amount actually happens. Although arguably everything could be said to be leading up to the duel, in fact I'd say the opposite and the duel was almost intentionally 'trivial' to the narrative. At the end we are presented with a good argument against the duel and an emotional reason for it.
I've read quite a few novels where duels have occurred and this is the first novel, and I won't say anything more, in the mode by which the duel is instigated and seems so odd and unique - how weird (can this really be true?)
Overall a good naturalistic, existential novel but lacked emotion for me.
Also for me this was yet again another difficult translation where keeping with all the Russian naming conventions for the same individual was confusing - I do wish modern translations would pick/stick to a first name, last name (and perhaps nick name).
Although the title is 'the duel' the vast majority of the novel (278 pages of 306) is his life and the military setting - not a huge amount actually happens. Although arguably everything could be said to be leading up to the duel, in fact I'd say the opposite and the duel was almost intentionally 'trivial' to the narrative. At the end we are presented with a good argument against the duel and an emotional reason for it.
I've read quite a few novels where duels have occurred and this is the first novel, and I won't say anything more, in the mode by which the duel is instigated and seems so odd and unique - how weird (can this really be true?)
Overall a good naturalistic, existential novel but lacked emotion for me.
Also for me this was yet again another difficult translation where keeping with all the Russian naming conventions for the same individual was confusing - I do wish modern translations would pick/stick to a first name, last name (and perhaps nick name).
April 22, 2024
Finished THE DUEL (1905) by Alexander Kuprin (1870-1938), about a sensitive young officer, Romashov, trying without much success to survive life on a lonely military outpost. He falls in love with the wife of one of his fellow officers, eventually leading to, of course, the Duel. The focus of most of the novel, however, is the degrading life of those trapped in military careers of late 19th-century Russia. Like the character Romashov, Kuprin himself served in the Russian army as a sublieutenant from 1890 to 1894. His addiction to alcohol ended a promising literary career.
This entire review has been hidden because of spoilers.
September 28, 2012
Young Werther in the Russian army. A lot of romantic olfactory activity, senseless army training every other chapter, iconically, and love in a traditional dichotomy: dirty vs. lofty.
Two stars go to the language.
Two stars go to the language.
March 5, 2018
袦薪械 芯褔械薪褜 锌芯薪褉邪胁懈谢芯褋褜, 褟 褌芯谢褜泻芯 褔懈褌邪谢 褉邪薪褜褕械 携屑邪, 懈 褝褌芯 褌芯卸械 褏芯褉芯褕懈泄. 袣薪懈谐邪 谐芯胁芯褉懈褌 芯 袪芯屑邪褕芯胁, 褋芯谢写邪褌, 薪芯 芯薪 薪械 褌芯褔薪芯 蟹薪邪械褌 褔褌芯 褌邪屑 写械谢邪械褌, 械褋褌褜 谢懈 泻邪泻懈械 褌芯 褋屑褘褋谢邪 胁褋械 锟斤拷褌芯 邪褉屑懈褟? 袥械谐泻芯 褔懈褌邪械褌褋褟, 懈 胁械褋械谢芯!
Want to read
December 22, 2015extra copy; if someone in the US wants it, it's yours. Free. I pay postage. (Melville House Art of the Novella series).
January 12, 2018
小谢褢蟹褘 胁芯褋褌芯褉谐邪. Je suis Romashov.
September 13, 2016
Una nota prima di cominciare. Ho provato a non spoilerare troppo o a nascondere le parti pi霉 dettagliate, ma ho sicuramente fallito e devo avvisare chiunque abbia intenzione di leggerle il romanzo che qui sotto potrebbero esserci spoiler in vista.
Forse il nome di Kuprin non dir脿 molto, 猫 uno dei tanti autori stranieri di cui si sente parlare quasi per caso e di cui si scoprono traduzioni qua e l脿 non sempre facili da trovare perch茅 non pi霉 in stampa (dommage). Non star貌 qui a riportare vita, morte e miracoli, mi limito a dire che 猫 vissuto a cavallo tra Ottocento e Novecento e che, dopo una breve parentesi nell'esercito, si 猫 dedicato alla scrittura, 猫 stato lodato dai suoi contemporanei (Tolstoj e Gorkij, per citare due nomi) e alle stampe ha dato racconti e romanzi, tra cui Jama (La fossa, in cui viene toccato il tema della prostituzione) e Il duello. Quest'ultimo viene pubblicato nel 1905 e ci porta in un mondo in cui Kuprin stesso si 猫 mosso, quello militare. Protagonista della storia 猫 Jurij Alekseevi膷 Roma拧ov, un giovane sottotenente dall'animo romantico, scontento della vita che 猫 quasi costretto a seguire per necessit脿 e innamorato di una donna che non potr脿 mai avere, la sua 艩uro膷ka, ovvero l'ambiziosa Aleksandra Petrovna Nikolaeva, a sua volta bloccata in un matrimonio senza amore ma sul quale ha riversato tutte le sue speranze di una vita migliore, fatta di agi e privilegi. Il lettore segue i pensieri e i tormenti di Roma拧ov, stanco, annoiato e anche disgustato dalla vita militare, che da Kuprin viene descritta con toni che non possono essere definiti positivi (il romanzo, pubblicato a ridosso del confitto russo-giapponese da cui la Russia 猫 uscita sconfitta, pare sia stato visto come una critica impegnata dell'autore) e mostrata nei suoi aspetti negativi. Forse Kuprin ha riversato parte della sua visione e della sua esperienza nei pensieri di Roma拧ov, che ha aspirazioni letterarie e non si sente pi霉 il fascino della vita da soldato, magari vista un tempo con ammirazione romantica, ma che ora gli si 猫 rivelata come un insieme di marce e parate tediose in cui conta pi霉 la forma, di superiori che ricorrono con estrema facilit脿 alla violenza verbale e fisica, di uomini che non reggono i ritmi e finiscono per sperperare tutto il loro denaro e darsi alla bottiglia, un insieme in cui l'io non esiste pi霉 e viene soffocato da un opprimente noi. Viene da s茅 che uno spirito romantico e sentimentale come quello di Roma拧ov, che sogna spesso ad occhi aperti e descrive se stesso e gli altri in terza persona, come se stesse mentalmente scrivendo il romanzo della sua vita, 猫 tutto fuorch茅 tagliato per questo tipo di esistenza. I suoi turbamenti e il suo profondo e angosciante malaise, accompagnati spesso e volentieri da poetiche descrizioni dell'ambiente naturale circostante, me lo hanno fatto apparire come un personaggio che si muove nell'epoca sbagliata o che comunque non trover脿 mai risposte e tranquillit脿 con una divisa addosso e una baionetta in mano, anche perch茅 il tipo di vita che ha scelto e che lo tiene mortalmente legato lo ha anche immobilizzato (in poche parole, 猫 quel tipo di personaggio che non sa stare al mondo e non sa come vivere per cui ho di solito un debole, warts and all). Roma拧ov vorrebbe andare via, ma non ha mai il coraggio di prendere una decisione definitiva, di mollare tutto e cercare la sua vera strada nel modo e questa sua immobilit脿 porta, infine, anche al tragico epilogo
Come tutti gli spiriti romantici e tormentati che si rispettino, Roma拧ov ama profondamente una donna che non pu貌 avere e a cui, per貌, non vuole rinunciare. Aleksandra Petrovna, la sua tanto amata 艩uro膷ka, ricambia in parte questo sentimento, ma la sua esistenza 猫 consacrata ad altro, ovvero all'ambizioso desiderio di avanzare in societ脿, di lasciare la vita tediosa del reggimento stanziato lontano dal cuore pulsante dell'impero e tutto ci貌 che brama viene riversato su un marito che non ama, ma che 猫 la sua unica ancora di salvezza e la sua sola speranza. Gi脿 in passato era stata sinceramente amata da un uomo, un altro soldato, ma avendo visto in lui un debole che non avrebbe mai potuto darle ci貌 che voleva, aveva frenato i suoi sentimenti. Roma拧ov conosce bene questa persona e la sua storia, 猫 forse l'unico collega (un altro amareggiato e scontento dalla vita militare, arrivato alla bottiglia) che apprezza e con cui ha in comune l鈥檃nimo sognatore e idealista, eppure non pu貌 fare a meno di amare 艩uro膷ka (che gli ha apertamente detto come stanno le cose pi霉 di una volta) con tutto se stesso e, accecato da questo amore irrequieto, finisce per pagare un prezzo molto alto.
Il duello che d脿 il titolo al romanzo si materializza verso la fine, ma rimane pi霉 un'ombra che qualcosa di concreto, e vista la conclusione e la decisione di Kuprin di
non posso dire di non essere rimasta un po' delusa. Il finale tragico era nell'aria gi脿 dalla prima riga, sapevo che sarebbe andata cos矛 perch茅, appunto, un personaggio cos矛 alienato dall'ambiente in cui si muove ed 猫 costretto a muoversi non pu貌 finire bene (o comunque non sempre), per貌 speravo in una risoluzione meno "sbrigativa" che mi avrebbe portato di nuovo nella testa di Roma拧ov e fatto vivere i suoi pensieri nel momento fatale. O forse, non so, il titolo vuole essere anche simbolico, il duello di cui il romanzo dovrebbe parlare non 猫 solamente quello tra due uomini che si sfidano gridando all'onore infangato o all'insulto, ma anche lo scontro tra l'ideale e il reale che caratterizza l'esperienza di Roma拧ov.
Alla fine della fiera, insomma, non riesco a dare pi霉 di tre stelle, perch茅 s矛, 猫 un buon romanzo, Kuprin meriterebbe di essere tradotto o ristampato e se non avessi dovuto leggere la traduzione inglese dell鈥檃nteguerra avrei apprezzato di pi霉 (ho un problema con i russi tradotti in inglese, mi sembrano sempre sottotono e tediosi, cosa che in realt脿 non sono), per貌 mi 猫 mancato qualcosa, soprattutto sul finale. Da un romanzo che mi aveva promesso tanto e tanto aveva avuto da dire in ogni capitolo mi sarei aspettata uno sforzo in pi霉.
Forse il nome di Kuprin non dir脿 molto, 猫 uno dei tanti autori stranieri di cui si sente parlare quasi per caso e di cui si scoprono traduzioni qua e l脿 non sempre facili da trovare perch茅 non pi霉 in stampa (dommage). Non star貌 qui a riportare vita, morte e miracoli, mi limito a dire che 猫 vissuto a cavallo tra Ottocento e Novecento e che, dopo una breve parentesi nell'esercito, si 猫 dedicato alla scrittura, 猫 stato lodato dai suoi contemporanei (Tolstoj e Gorkij, per citare due nomi) e alle stampe ha dato racconti e romanzi, tra cui Jama (La fossa, in cui viene toccato il tema della prostituzione) e Il duello. Quest'ultimo viene pubblicato nel 1905 e ci porta in un mondo in cui Kuprin stesso si 猫 mosso, quello militare. Protagonista della storia 猫 Jurij Alekseevi膷 Roma拧ov, un giovane sottotenente dall'animo romantico, scontento della vita che 猫 quasi costretto a seguire per necessit脿 e innamorato di una donna che non potr脿 mai avere, la sua 艩uro膷ka, ovvero l'ambiziosa Aleksandra Petrovna Nikolaeva, a sua volta bloccata in un matrimonio senza amore ma sul quale ha riversato tutte le sue speranze di una vita migliore, fatta di agi e privilegi. Il lettore segue i pensieri e i tormenti di Roma拧ov, stanco, annoiato e anche disgustato dalla vita militare, che da Kuprin viene descritta con toni che non possono essere definiti positivi (il romanzo, pubblicato a ridosso del confitto russo-giapponese da cui la Russia 猫 uscita sconfitta, pare sia stato visto come una critica impegnata dell'autore) e mostrata nei suoi aspetti negativi. Forse Kuprin ha riversato parte della sua visione e della sua esperienza nei pensieri di Roma拧ov, che ha aspirazioni letterarie e non si sente pi霉 il fascino della vita da soldato, magari vista un tempo con ammirazione romantica, ma che ora gli si 猫 rivelata come un insieme di marce e parate tediose in cui conta pi霉 la forma, di superiori che ricorrono con estrema facilit脿 alla violenza verbale e fisica, di uomini che non reggono i ritmi e finiscono per sperperare tutto il loro denaro e darsi alla bottiglia, un insieme in cui l'io non esiste pi霉 e viene soffocato da un opprimente noi. Viene da s茅 che uno spirito romantico e sentimentale come quello di Roma拧ov, che sogna spesso ad occhi aperti e descrive se stesso e gli altri in terza persona, come se stesse mentalmente scrivendo il romanzo della sua vita, 猫 tutto fuorch茅 tagliato per questo tipo di esistenza. I suoi turbamenti e il suo profondo e angosciante malaise, accompagnati spesso e volentieri da poetiche descrizioni dell'ambiente naturale circostante, me lo hanno fatto apparire come un personaggio che si muove nell'epoca sbagliata o che comunque non trover脿 mai risposte e tranquillit脿 con una divisa addosso e una baionetta in mano, anche perch茅 il tipo di vita che ha scelto e che lo tiene mortalmente legato lo ha anche immobilizzato (in poche parole, 猫 quel tipo di personaggio che non sa stare al mondo e non sa come vivere per cui ho di solito un debole, warts and all). Roma拧ov vorrebbe andare via, ma non ha mai il coraggio di prendere una decisione definitiva, di mollare tutto e cercare la sua vera strada nel modo e questa sua immobilit脿 porta, infine, anche al tragico epilogo
Come tutti gli spiriti romantici e tormentati che si rispettino, Roma拧ov ama profondamente una donna che non pu貌 avere e a cui, per貌, non vuole rinunciare. Aleksandra Petrovna, la sua tanto amata 艩uro膷ka, ricambia in parte questo sentimento, ma la sua esistenza 猫 consacrata ad altro, ovvero all'ambizioso desiderio di avanzare in societ脿, di lasciare la vita tediosa del reggimento stanziato lontano dal cuore pulsante dell'impero e tutto ci貌 che brama viene riversato su un marito che non ama, ma che 猫 la sua unica ancora di salvezza e la sua sola speranza. Gi脿 in passato era stata sinceramente amata da un uomo, un altro soldato, ma avendo visto in lui un debole che non avrebbe mai potuto darle ci貌 che voleva, aveva frenato i suoi sentimenti. Roma拧ov conosce bene questa persona e la sua storia, 猫 forse l'unico collega (un altro amareggiato e scontento dalla vita militare, arrivato alla bottiglia) che apprezza e con cui ha in comune l鈥檃nimo sognatore e idealista, eppure non pu貌 fare a meno di amare 艩uro膷ka (che gli ha apertamente detto come stanno le cose pi霉 di una volta) con tutto se stesso e, accecato da questo amore irrequieto, finisce per pagare un prezzo molto alto.
Il duello che d脿 il titolo al romanzo si materializza verso la fine, ma rimane pi霉 un'ombra che qualcosa di concreto, e vista la conclusione e la decisione di Kuprin di
non posso dire di non essere rimasta un po' delusa. Il finale tragico era nell'aria gi脿 dalla prima riga, sapevo che sarebbe andata cos矛 perch茅, appunto, un personaggio cos矛 alienato dall'ambiente in cui si muove ed 猫 costretto a muoversi non pu貌 finire bene (o comunque non sempre), per貌 speravo in una risoluzione meno "sbrigativa" che mi avrebbe portato di nuovo nella testa di Roma拧ov e fatto vivere i suoi pensieri nel momento fatale. O forse, non so, il titolo vuole essere anche simbolico, il duello di cui il romanzo dovrebbe parlare non 猫 solamente quello tra due uomini che si sfidano gridando all'onore infangato o all'insulto, ma anche lo scontro tra l'ideale e il reale che caratterizza l'esperienza di Roma拧ov.
Alla fine della fiera, insomma, non riesco a dare pi霉 di tre stelle, perch茅 s矛, 猫 un buon romanzo, Kuprin meriterebbe di essere tradotto o ristampato e se non avessi dovuto leggere la traduzione inglese dell鈥檃nteguerra avrei apprezzato di pi霉 (ho un problema con i russi tradotti in inglese, mi sembrano sempre sottotono e tediosi, cosa che in realt脿 non sono), per貌 mi 猫 mancato qualcosa, soprattutto sul finale. Da un romanzo che mi aveva promesso tanto e tanto aveva avuto da dire in ogni capitolo mi sarei aspettata uno sforzo in pi霉.
March 18, 2020
La novela narra las peripecias del subteniente Rom谩shov, su vida en el ej茅rcito imperial ruso y sus relaciones con la alta sociedad, especialmente con su amada Sh煤rochka, la esposa del teniente Nikol谩iev, con quien acaba bati茅ndose a duelo al final de la novela.
El duelo tiene todo lo que me gusta de la gran literatura rusa de finales del siglo XIX: pomposidad, ambientes cl谩sicos, 蝉辞颈谤茅别蝉, intrigas amorosas... pero la novela no consigui贸 engancharme (tambi茅n tuvo algo que ver el dichoso virus) y por momentos se hace pesado. Tambi茅n hay otros momentos 谩lgidos, como la conversaci贸n al final y antes del duelo con su amigo Nazanski, que le insta a olvidarse de duelos y disfrutar de la vida.
El final tambi茅n queda abierto. Su amada Sh煤rochka le revela que el duelo est谩 ama帽ado y que no quiere heridos. Ella no ama a su marido, pero tiene inter茅s en seguir con 茅l pues le da acceso a todos los privilegios y no quiere que un est煤pido duelo entre borrachos amargue sus planes que tiene dise帽ados. Una misteriosa carta final informa del duelo y de la muerte de Rom谩shov, pero no se puede saber si es una cortina de humo o si, en verdad, Nikol谩iev mat贸 a Rom谩shov.
El duelo tiene todo lo que me gusta de la gran literatura rusa de finales del siglo XIX: pomposidad, ambientes cl谩sicos, 蝉辞颈谤茅别蝉, intrigas amorosas... pero la novela no consigui贸 engancharme (tambi茅n tuvo algo que ver el dichoso virus) y por momentos se hace pesado. Tambi茅n hay otros momentos 谩lgidos, como la conversaci贸n al final y antes del duelo con su amigo Nazanski, que le insta a olvidarse de duelos y disfrutar de la vida.
El final tambi茅n queda abierto. Su amada Sh煤rochka le revela que el duelo est谩 ama帽ado y que no quiere heridos. Ella no ama a su marido, pero tiene inter茅s en seguir con 茅l pues le da acceso a todos los privilegios y no quiere que un est煤pido duelo entre borrachos amargue sus planes que tiene dise帽ados. Una misteriosa carta final informa del duelo y de la muerte de Rom谩shov, pero no se puede saber si es una cortina de humo o si, en verdad, Nikol谩iev mat贸 a Rom谩shov.
This entire review has been hidden because of spoilers.
October 28, 2020
袣褍锌褉懈薪 - 屑邪褋褌械褉 锌褋懈褏芯谢芯谐懈褔械褋泻芯谐芯 锌芯褉褌褉械褌邪 斜谢邪谐芯写邪褉褟 薪械 褌芯谢褜泻芯 芯锌懈褋邪薪懈褟屑 胁薪械褕薪芯褋褌懈 懈 胁薪褍褌褉械薪薪懈懈褏 屑芯薪芯谢芯谐芯胁. 袙 斜芯谢褜褕械泄 褋褌械锌械薪懈 懈屑械薪薪芯 写械泄褋褌胁懈褟 谐械褉芯械胁 锌芯泻邪蟹褘胁邪褞褌 薪邪屑 懈褏 褏邪褉邪泻褌械褉 懈 褉邪褋泻褉褘胁邪褞褌 胁褋褞 锌邪谢懈褌褉褍 锌褉懈薪褑懈锌芯胁 懈 褔褍胁褋褌胁 锌械褉褋芯薪邪卸械泄. 袟邪褔邪褋褌褍褞 褌邪泻懈褏, 芯 泻芯褌芯褉褘褏 懈 褋邪屑懈 谐械褉芯懈 薪械 写芯谐邪写褘胁邪谢懈褋褜. 袠 褌械屑 斜谢懈蟹泻懈 薪邪屑 锌褉芯懈蟹胁械写械薪懈褟 袣褍锌褉懈薪邪. 袠斜芯 胁 泻邪卸写芯屑 懈蟹 薪邪褋 械褋褌褜 褔褌芯-褌芯 锌褉邪胁懈谢褜薪芯械, 屑械褉懈谢芯 锌褉械泻褉邪褋薪芯谐芯 懈 斜谢邪谐芯褉芯写薪芯谐芯, 褔褍胁褋褌胁芯 褌芯谐芯, 褔褌芯 薪械胁芯蟹屑芯卸薪芯 芯斜屑邪薪褍褌褜 薪懈泻邪泻懈屑懈 邪褉谐褍屑械薪褌邪屑懈 懈 褍胁械褖械胁邪薪懈褟屑懈.
袣芯褉芯褔械, 褉邪褋褋泻邪蟹 谐械薪懈邪谢械薪. 袩芯锌褉芯斜褍泄褌械 薪邪褔械褉褌懈褌褜 褋懈薪褍褋芯懈写褍 薪邪褋褌褉芯械薪懈褟 谐谢邪胁薪芯谐芯 谐械褉芯褟 薪邪 锌褉芯褌褟卸械薪懈懈 锌芯胁械褋褌胁芯胁邪薪懈褟 懈 芯褌屑械褌懈褌褜 褌芯褔泻邪屑懈 褋芯斜褘褌懈褟 械谐芯 卸懈蟹薪懈. 袩芯写锌懈褕懈褌械 褋芯斜褘褌懈褟 褍 褌芯褔械泻. 袩褉械泻褉邪褋薪邪褟 褋褏械屑邪, 薪械 褌邪泻 谢懈?!
袣芯褉芯褔械, 褉邪褋褋泻邪蟹 谐械薪懈邪谢械薪. 袩芯锌褉芯斜褍泄褌械 薪邪褔械褉褌懈褌褜 褋懈薪褍褋芯懈写褍 薪邪褋褌褉芯械薪懈褟 谐谢邪胁薪芯谐芯 谐械褉芯褟 薪邪 锌褉芯褌褟卸械薪懈懈 锌芯胁械褋褌胁芯胁邪薪懈褟 懈 芯褌屑械褌懈褌褜 褌芯褔泻邪屑懈 褋芯斜褘褌懈褟 械谐芯 卸懈蟹薪懈. 袩芯写锌懈褕懈褌械 褋芯斜褘褌懈褟 褍 褌芯褔械泻. 袩褉械泻褉邪褋薪邪褟 褋褏械屑邪, 薪械 褌邪泻 谢懈?!
April 23, 2007
bacheha kesi in ketabo khoondeh?chapesh gahdimie va nemidoonam alan hast ya na.yadame avaiele karam bood (saale 76)reyisam engahdr karamo zood anjam midadam va ba'desh sholoogh mikaradam o nemizashtam baghie kar konan,bargasht goft"engar ye ketab hamrat bood,bizahmat beshin hamoono bekhoon!)oon ketab hamin ketab bood;)
December 5, 2018
I have arranged my takeaway thoughts on this short story into a haiku:
"Just like all artists,
Thieves crave renown, but they'll take,
At least, their good name."
"Just like all artists,
Thieves crave renown, but they'll take,
At least, their good name."
May 16, 2023
芦袨褎褨褑械褉懈, 芯褎褨褑械褉懈...禄, 芦袨褎褨褑械褉懈 袪邪褋褨褩, 胁褋褟 薪邪写褨褟 薪邪 袙邪褋...禄
芦袩芯褉褍褔懈泻 袚邪谢褨褑懈薪, 锌芯写邪泄褌械 斜芯泻邪谢懈
袣芯褉薪械褌 袨斜芯谢褦薪褋褜泻懈泄, 薪邪谢懈泄褌械 胁懈薪邪...禄 薪褍 褨 褌邪泻 写邪谢褨 芦袪芯蟹写邪泄褌械 锌邪褌褉芯薪懈, 锌芯褉褍褔懈泻 袚邪谢褨褑懈薪... 薪邪 斜褨泄 薪邪写懈褏邪褦 袪邪褋褨褟-褋褌褉邪薪邪...禄
些械 蟹 褉邪写褟薪褋褜泻芯谐芯 写懈褌懈薪褋褌胁邪, 锌褨写 胁锌谢懈胁芯屑 锌芯写褨斜薪懈褏 锌褨褋械薪褜 褨 褎褨谢褜屑褨胁 锌褉芯 褌褨 褔邪褋懈 褍 屑械薪械 褋泻谢邪写邪谢芯褋褟 褟泻械褋褜 褉芯屑邪薪褌懈褔薪械 胁褉邪卸械薪薪褟 锌褉芯 芯褎褨褑械褉褋褌胁芯, 谐邪褉写械屑邪褉懈薪懈, 褔械褋褌褜 褨 芯斜芯胁'褟蟹芯泻. 袧械蟹胁邪卸邪褞褔懈 薪邪 锌械褉械屑芯谐褍 褉械胁芯谢褞褑褨褩 泻芯屑褍薪褨褋褌褨胁, 褉邪写褟薪褋褜泻邪 胁谢邪写邪 薪邪屑邪谐邪谢邪褋褟 谐械褉芯褩蟹褍胁邪褌懈 薪邪胁褨褌褜 褑邪褉褋褜泻械 屑懈薪褍谢械, 锌械褉械屑芯谐邪 薪邪写 褟泻懈屑 褌邪泻 蟹胁械谢懈褔褍胁邪谢邪褋褟 蟹 褨薪褕芯谐芯 斜芯泻褍. 袨褋褜 褌邪泻邪 写褍邪谢褨褋褌懈褔薪邪 褦写薪褨褋褌褜 锌褉芯褌懈谢械卸薪芯褋褌械泄 褌邪 褎邪泻褌懈褔薪邪 薪邪褋褌褍锌薪褨褋褌褜 褉械卸懈屑褨胁, 薪械蟹胁邪卸邪褞褔懈 薪邪 胁褨写屑芯胁褍 锌芯胁械褉褌邪褌懈 斜芯褉谐懈. 孝胁褨褉 卸械 袣褍锌褉褨薪邪 褉芯蟹泻褉懈胁邪褦 薪邪屑 褉械邪谢褜薪褨褋褌褜 蟹 褨薪褕芯谐芯 斜芯泻褍, 芯褔懈屑邪 谢褞写懈薪懈-褋褍褔邪褋薪懈泻邪, 褟泻邪 斜邪褔懈谢邪 褉械邪谢褜薪褨褋褌褜 蟹褋械褉械写懈薪懈 褨 锌褉懈褋胁褟褌懈谢邪 褋谢褍卸斜褨 泻褨谢褜泻邪 褉芯泻褨胁 褋胁芯褦褩 屑芯谢芯写芯褋褌褨. 些芯 屑械薪褨 锌芯写芯斜邪褦褌褜褋褟 胁 邪胁褌芯褉褨, 胁褨薪 薪械 薪邪屑邪谐邪褦褌褜褋褟 褖芯褋褜 褨写械邪谢褨蟹褍胁邪褌懈 褔懈 胁懈泻芯褉懈褋褌芯胁褍胁邪褌懈 锌褉懈泄芯屑 蟹邪谢褍褔械薪薪褟 薪邪谐褉邪薪芯谐芯 褉芯屑邪薪褌懈褔薪芯谐芯 芯褉械芯谢褍. 袧邪胁锌邪泻懈 袣褍锌褉褨薪 薪邪屑邪谐邪褦褌褜褋褟 锌芯泻邪蟹褍胁邪褌懈 卸懈褌褌褟 褌邪 泄芯谐芯 锌褉芯褟胁懈 褟泻 胁芯薪芯 褦: 褋褍胁芯褉邪 斜褍写械薪薪褨褋褌褜 褌邪 褋褨褉褨褋褌褜. 袧邪 褋褌芯褉褨薪泻邪褏 褌胁芯褉褍 薪械屑邪褦 屑褨褋褑褟 褉芯屑邪薪褌懈褑褨 褋谢褍卸斜懈, 薪邪谐褉邪薪芯屑褍 谐械褉芯褩蟹屑褍, 褦写薪邪薪薪褞 蟹 芦胁械谢懈泻芯褞 屑械褌芯褞 褋褌邪薪芯胁谢械薪薪褟 袪芯褋褨泄褋褜泻芯褩 褨屑锌械褉褨褩禄, 蟹邪褌械 褌褍褌 褦 锌懈褟褑褌胁芯, 褔胁邪泻邪褞褔懈泄 斜褉褍写 锌褨写 薪芯谐邪屑懈, 谢邪泄泻邪 褨 锌芯斜芯褩 芯褎褨褑械褉邪屑懈 褋芯谢写邪褌褨胁, 褉芯蟹谐褍谢褜薪械 褨 蟹邪谐褍谢褜薪械 卸懈褌褌褟 芯褎褨褑械褉褨胁 褌邪 褩褏薪褨褏 写褉褍卸懈薪, 褌褍锌褨褋褌褜 褨 褋谢褨锌械 褋谢褨写褍胁邪薪薪褟 褋褌邪褌褍褌褍. 袧褨, 蟹胁懈褔邪泄薪芯, 薪械 胁褋械 褌邪泻 锌芯褏屑褍褉芯 褨 褦 写械褟泻褨 锌芯蟹懈褌懈胁薪褨 锌褉芯褟胁懈, 邪谢械 胁 褑褨谢芯屑褍 卸芯写薪芯谐芯 锌芯蟹懈褌懈胁薪芯谐芯 谐械褉芯褟 褌褍褌 薪械屑邪褦. 小褌邪褦 褑褨泻邪胁芯, 褟泻 屑邪谢懈 褉械邪谐褍胁邪褌懈 褋褍褔邪褋薪懈泻懈 邪胁褌芯褉邪 薪邪 褑械泄 褌胁褨褉, 芯褋芯斜谢懈胁芯 邪褉屑褨褟, 芯褎褨褑械褉懈, 蟹芯泻褉械屑邪 泄 褌褨 蟹 泻懈屑 胁褨薪 褋谢褍卸懈胁 褍 芯写薪芯屑褍 蟹 褌邪泻懈褏 屑褨褋褌械褔芯泻?
袧邪 褑褜芯屑褍 袣褍锌褉褨薪 薪械 蟹褍锌懈薪褟褦褌褜褋褟 褨 胁 泄芯谐芯 褌胁芯褉褨 谐褉邪褞褌褜 薪邪胁褨褌褜 薪芯褌泻懈 褌褉邪薪褋褑械薪写械薪褌邪谢褜薪芯谐芯 (斜褨谢褜褕械 锌芯褌褨屑 蟹邪蟹胁褍褔邪谢懈, 薪邪锌褉懈泻谢邪写, 褍 袩褦谢褦胁褨薪邪): 芦携 - 褑械 胁褋械褉械写懈薪褨, - 写褍屑邪胁 袪芯屑邪褕芯胁, - 邪 胁褋械 褨薪褕械 - 褑械 褋褌芯褉芯薪薪褦, 褑械 - 薪械 携. 袨褋褜 褑褟 泻褨屑薪邪褌邪 , 胁褍谢懈褑褟, 写械褉械胁邪, 薪械斜芯, 锌芯谢泻芯胁懈泄 泻芯屑邪薪写懈褉, 锌芯褉褍褔懈泻 袗薪写褉褍褋械胁懈褔, 褋谢褍卸斜邪, 锌褉邪锌芯褉, 褋芯谢写邪褌懈 鈥� 胁褋械 褑械 薪械 携. 袧褨, 薪褨, 褑械 薪械 携... 携 斜邪褔褍 褉褍泻褍, 锌褨写薪褨屑邪褞 褩褩 胁谐芯褉褍 鈥� 褑械 携. 孝械, 褖芯 褟 褌械锌械褉 写褍屑邪褞, 褑械 褌械卸 携. 袉 褟泻褖芯 褟 蟹邪褏芯褔褍 锌褨褌懈, 褑械 携. 袉 芯褋褜 褟 蟹褍锌懈薪懈胁褋褟 - 褑械 携. 袨, 褟泻 褑械 写懈胁薪芯, 褟泻 锌褉芯褋褌芯 褨 褟泻 写懈胁芯胁懈卸薪芯. 袦芯卸谢懈胁芯, 褍 胁褋褨褏 褦 褑械 携? 袗 屑芯卸械, 薪械 胁 褍褋褨褏? 袦芯卸械, 薪褨 胁 泻芯谐芯, 泻褉褨屑 屑械薪械?...
袚屑... 邪 褌懈 蟹邪斜褍胁? 袘邪褌褜泻褨胁褖懈薪邪? 袣芯谢懈褋泻邪? 袩褉邪褏 斜邪褌褜泻褨胁? 袙褨胁褌邪褉褨?.. 袗 胁褨泄褋褜泻芯胁邪 褔械褋褌褜 褌邪 写懈褋褑懈锌谢褨薪邪? 啸褌芯 蟹邪褏懈褖邪褌懈屑械 褌胁芯褞 斜邪褌褜泻褨胁褖懈薪褍, 褟泻褖芯 胁 薪械褩 胁褌芯褉谐薪褍褌褜褋褟 褨薪芯蟹械屑薪褨 胁芯褉芯谐懈?.. 孝邪泻, 邪谢械 褟 锌芯屑褉褍, 褨 薪械 斜褍写械 斜褨谢褜褕械 薪褨 斜邪褌褜泻褨胁褖懈薪懈, 薪褨 胁芯褉芯谐褨胁, 薪褨 褔械褋褌褨. 袙芯薪懈 卸懈胁褍褌褜, 锌芯泻懈 卸懈胁械 屑芯褟 褋胁褨写芯屑褨褋褌褜. 袗谢械 蟹薪懈泻薪懈 斜邪褌褜泻褨胁褖懈薪邪, 褨 褔械褋褌褜, 褨 屑褍薪写懈褉, 褨 胁褋褨 胁械谢懈泻褨 褋谢芯胁邪, 屑芯褦 携 蟹邪谢懈褕懈褌褜褋褟 薪械写芯褌芯褉泻邪薪薪懈屑. 袨褌卸械, 胁褋械-褌邪泻懈 屑芯褦 携 胁邪卸谢懈胁褨褕械 蟹邪 胁褋褨 褑褨 锌芯薪褟褌褌褟 锌褉芯 芯斜芯胁'褟蟹芯泻, 锌褉芯 褔械褋褌褜, 锌褉芯 谢褞斜芯胁? 袨褋褜 褟 褋谢褍卸褍... 袗 褉邪锌褌芯屑 屑芯褦 携 褋泻邪卸械: 薪械 褏芯褔褍!...禄
携 胁蟹褟胁 薪邪 褋械斜械 褋屑褨谢懈胁褨褋褌褜 锌械褉械泻谢邪褋褌懈 褑褞 褑懈褌邪褌褍, 斜芯 蟹 薪械写邪胁薪褨褏 锌褨褉 屑械薪械 胁械褉薪械 胁褨写 胁褋褜芯谐芯 泻邪褑邪锌褋褜泻芯谐芯, 胁 褌芯屑褍 褔懈褋谢褨 褨 胁褨写 胁泻褉邪锌谢械薪薪褟 褩褏薪褜芯褩 屑芯胁懈 褍 屑芯褦屑褍 胁褨写谐褍泻褍. 袧械 蟹薪邪褞 褟泻 锌芯胁褨胁 斜懈 褋械斜械 袣褍锌褉褨薪, 褟泻斜懈 卸懈胁 褍 薪邪褕 褔邪褋, 褟褋薪芯 芯写薪械 褔械褋褌褨 褍 薪懈褏 薪械 斜褍谢芯 褟泻 褌芯写褨, 褌邪泻 褨 褌械锌械褉, 邪 褌械锌械褉褨褕薪褦 褩褏薪褦 屑'褟褋芯 (褑械 胁卸械 褋褌邪谢芯 褋懈薪芯薪褨屑芯屑-蟹邪屑褨薪薪懈泻芯屑, 锌芯薪褟褌褌褟, 泻芯谢懈 泄写械褌褜褋褟 锌褉芯 褩褏薪褨泄 薪邪褉芯写) 薪褨泻芯谢懈 薪械 褔懈褌邪谢芯 褑懈褏 褉褟写泻褨胁. 袟邪褌芯 芦邪谢褌邪褉褨禄... 胁懈写薪芯 芦褋泻褉褦锌懈禄 褖械 蟹 褌懈褏 锌褨褉..., 褌懈屑 褨 褑褨泻邪胁芯 锌芯褔懈褌邪褌懈 泻谢邪褋懈泻褨胁, 褖芯斜懈 褌褉芯褏懈 蟹胁褨谢褜薪懈褌懈褋褟 胁褨写 褕芯褉 褨 锌芯谐谢褟写褨胁 薪邪胁褨褟薪懈褏 锌褉芯锌邪谐邪薪写芯褞. 袣褍锌褉褨薪 胁懈写薪芯 褔械褉锌邪褦 褋胁芯褦 薪邪褌褏薪械薪薪褟 胁 褨薪褕懈褏 泻谢邪褋懈泻褨胁 薪邪 泻褕褌邪谢褌 袛芯褋褌芯褦胁褋褜泻芯谐芯, 效械褏芯胁邪, ..., 薪邪屑邪谐邪褞褔懈褋褜 写芯泻芯锌邪褌懈褋褟 写芯 褋褍褌褨 褉械褔械泄, 褉芯蟹泻褉懈褌懈 胁褋褞 锌褋懈褏芯谢芯谐褨褞 褌邪 锌褨写褋锌褨写芯泻 屑芯褌懈胁褨胁 褌邪 胁褔懈薪泻褨胁. 袩芯写褨斜薪芯 写芯 袛芯褋褌芯褦胁褋褜泻芯谐芯 锌褉械锌邪褉褍褞褔芯谐芯 屑芯褌懈胁懈 褨 胁褔懈薪泻懈 褋褌褍写械薪褌邪 袪邪褋泻芯谢褜薪懈泻芯胁邪, 邪斜芯 卸 锌芯写褨斜薪芯 写芯 褌芯谐芯, 褟泻 褋邪屑 邪胁褌芯褉 胁 芦携屑褨禄 写芯褋谢褨写卸褍胁邪胁 褋锌褨写薪褦 锌褍斜谢褨褔薪芯谐芯 写芯屑褍, 胁 芦袩芯褦写懈薪泻褍禄 袣褍锌褉褨薪 锌褉械锌邪褉褍褦 胁懈胁芯褉褨褌 芯褎褨褑械褉褋褜泻械 卸懈褌褌褟 胁 芯褋芯斜褨 屑芯谢芯写芯谐芯 褋褍斜邪谢褌械褉薪-芯褎褨褑械褉邪 袪芯屑邪褕芯胁邪. 袡芯谐芯 谐械褉芯泄 芯斜褌褟卸褍褦褌褜褋褟 褋胁芯褩屑 卸邪谢褞谐褨写薪懈屑 卸懈褌褌褟屑, 蟹褨褌褏邪褦 锌褉芯 写褉褍卸懈薪褍 芯写薪芯谐芯 蟹褨 褋胁芯褩褏 泻芯谢械谐 芯褎褨褑械褉褨胁 褨 斜谢褍写懈褌褜 蟹 写褉褍卸懈薪芯褞 褨薪褕芯谐芯, 褏芯写懈褌褜 薪邪 斜械蟹谐谢褍蟹写褨 锌褉芯胁褨薪褑褨泄薪褨 芯褎褨褑械褉褋褜泻褨 芦斜邪谢懈禄 褨 斜械褉械 褍褔邪褋褌褜 褍 锌懈褟褌懈泻邪褏. 袟邪褌械 泄芯谐芯 褋械褉褑械 薪械 褔褍卸械 褋锌褨胁褔褍褌褌褞 写芯 褨薪褕懈褏 褨 胁褨薪 薪械 锌褉懈泄屑邪褦 谢邪泄泻懈 褌邪 褉褍泻芯锌褉懈泻谢邪写褋褌胁邪 写芯 褉褟写芯胁懈褏 褋芯谢写邪褌褨胁. (袛芯 褉械褔褨, 薪邪锌褉懈泻褨薪褑褨 褌胁芯褉褍 褦 褋褑械薪邪 斜褍写懈薪泻褍 褉芯蟹锌褍褋褌懈, 褟泻邪 锌褉褟屑芯 蟹褨泄褕谢邪 蟹 写械泻芯褉邪褑褨泄 锌芯写褨泄, 褖芯 胁褨写斜褍胁邪褞褌褜褋褟 胁 芦携屑褨禄.)
袨褌卸械, 2/3 锌褉懈褋胁褟褌懈胁褕懈 褉芯蟹薪芯褋褍 锌芯薪褟褌褜 褔械褋褌褨, 芯斜芯胁'褟蟹泻褍, 褋谢褍卸斜懈 斜邪褌褜泻褨胁褖懈薪褨, 褋谢褨写 褉芯蟹褍屑褨褌懈 褍 褌芯屑褍 胁懈谐谢褟写褨, 褍 褟泻芯屑褍 屑芯谢芯写懈泄 袣褍锌褉褨薪 胁褨写褔褍胁 褩褏 褍 褉芯泻懈 褋胁芯褦褩 褋谢褍卸斜懈, 锌懈褋褜屑械薪薪懈泻 蟹邪泻褨薪褔褍褦 锌褉懈泻谢邪写芯屑 卸褨薪芯褔芯谐芯 锌褨写褋褌褍锌褍 褨 写褉邪屑邪褌懈褔薪芯褞 褉芯蟹胁'褟蟹泻芯褞.
笑褨泻邪胁芯, 褟泻褖芯 胁写褍屑邪褌懈褋褟, 褖芯 褩褏薪褨, 邪 泻芯谢懈褋褜 褨 薪邪褕褨, 袟袦袉 薪械褋谢懈 锌械胁薪褍 芦斜芯谐芯芯斜褉邪薪褨褋褌褜禄 褉芯褋褨褩, 褉芯褋褨褩 薪邪 胁邪褉褌褨 褋锌褉邪胁卸薪褜芯谐芯 锌褉邪胁芯褋谢邪胁'褟, 芯褋褌邪薪薪褨泄 芯锌谢芯褌 褍 斜芯褉芯褌褜斜褨 蟹褨 胁褋械谢械薪褋褜泻懈屑 蟹谢芯屑, 锌褉懈褔芯屑褍 薪械 褌褨谢褜泻懈 薪邪 褋褍褔邪褋薪芯屑褍 褨褋褌芯褉懈褔薪芯屑褍 褉褍斜械卸褨, 邪谢械 泄 泻褉邪褩薪懈, 褟泻邪 蟹 写邪胁薪褨褏-写邪胁械薪 褕邪薪褍褦 褋胁芯褩 芦写褍褏芯胁薪褨 褋泻褉褨锌懈禄. 啸芯褔邪, 褟泻褖芯 胁写褍屑邪褌懈褋褟, 胁 褌褍 褋褨褉褨褋褌褜 褨 斜械蟹胁懈褏褨写褜, 褟泻褍 袣褍锌褉褨薪 芯锌懈褋褍褦 写邪谢械泻芯 薪械 褌褨谢褜泻懈 胁 写邪薪芯屑褍 褉芯屑邪薪褨, 胁 褌褍 械锌芯褏褍 褋褌芯 褉芯泻褨胁 褨 斜褨谢褜褕械 褌芯屑褍 褨 褍褟胁懈褌懈, 褖芯 谢褞写懈 斜褍谢懈 斜 褋锌褉邪胁写褨 写褍褏芯胁薪懈屑懈 褨 斜芯谐芯斜芯褟蟹谢懈胁懈屑懈, 褌芯 薪械 斜褍谢芯 斜 薪褨 褌褉邪谐械写褨褩 袚褉邪薪邪褌芯胁芯谐芯 斜褉邪褋谢械褌邪, 薪褨 卸邪褏褍 携屑懈 薪褨 写褉邪屑懈 写邪薪芯谐芯 褉芯屑邪薪褍, 薪褨 褌械锌械褉褨褕薪褜芯褩 胁褨泄薪懈 鈥� 斜褉械褏邪谢懈 褨 斜褉械褕褍褌褜. 袘褉械褏薪褟 - 褌芯 褔懈 薪械 褑械薪褌褉芯胁邪 褨 写邪胁薪褟 褩褏薪褟 褋泻褉械锌邪, 邪 褖械 褉邪斜褋褌胁芯 褨 褉芯蟹斜褨泄. 笑械 写邪胁薪褨泄 胁褨写谐褍泻, 褌褉芯褏懈 芯褋褍褔邪褋薪械薪懈泄, 褌械锌械褉 褟 胁 芯褔褨泻褍胁邪薪薪褨, 泻芯谢懈 薪邪褉械褕褌褨 薪邪泻褉懈褦褌褜褋褟 褉芯蟹斜懈褌懈屑 泻芯褉懈褌芯屑 褩褏薪褟 薪械写芯褋褌褉邪薪邪.
April 1, 2023
#泻薪懈卸薪褘泄芯褌蟹褘胁 | 袗谢械泻褋邪薪写褉 袠胁邪薪芯胁懈褔 袣褍锌褉懈薪 芦袩芯械写懈薪芯泻禄, 1905
芦鈥� 袘懈褌褜 褋芯谢写邪褌邪 斜械褋褔械褋褌薪芯... 袧械谢褜蟹褟 斜懈褌褜 褔械谢芯胁械泻邪, 泻芯褌芯褉褘泄 薪械 褌芯谢褜泻芯 薪械 屑芯卸械褌 褌械斜械 芯褌胁械褌懈褌褜, 薪芯 写邪卸械 薪械 懈屑械械褌 锌褉邪胁邪 锌芯写薪褟褌褜 褉褍泻褍 泻 谢懈褑褍, 褔褌芯斜褘 蟹邪褖懈褌懈褌褜褋褟 芯褌 褍写邪褉邪. 袧械 褋屑械械褌 写邪卸械 芯褌泻谢芯薪懈褌褜 谐芯谢芯胁褘. 协褌芯 褋褌褘写薪芯!禄
袙 薪械斜芯谢褜褕芯屑 褍械蟹写薪芯屑 谐芯褉芯写械 斜谢懈卸械 泻 褞谐褍 袪芯褋褋懈懈 褉邪褋锌芯谢邪谐邪械褌褋褟 锌芯谢泻. 袙 薪械屑 褔懈褋谢褟褌褋褟 懈 褋芯谢写邪褌褘-褉械泻褉褍褌褘, 懈 芯褎懈褑械褉褘. 袧邪写 泻邪卸写褘屑 胁懈褋懈褌 芯锌邪褋薪芯褋褌褜 蟹邪褋褌褉褟褌褜 薪邪 胁褋褞 卸懈蟹薪褜 胁 薪懈蟹泻芯屑 褔懈薪械, 屑褘泻邪褌褜褋褟 薪邪 薪械斜芯谢褜褕芯械 卸邪谢芯胁邪薪懈械, 褌械褉锌械褌褜 褉褍泻芯锌褉懈泻谢邪写褋褌胁芯. 挟薪褘械 芯褎懈褑械褉褘 胁懈写褟褌, 褔褌芯 懈褏 卸写械褌 斜械褋泻芯薪械褔薪芯械 锌褉芯蟹褟斜邪薪懈械 胁 薪械 褋邪屑芯屑 锌褉懈褟褌薪芯屑 芯斜褖械褋褌胁械 (械褋谢懈 褋胁芯懈 卸械 薪邪褔邪谢褜薪懈泻懈 薪械 薪邪褔薪褍褌 谢褍锌懈褌褜), 锌芯褝褌芯屑褍 懈 褋邪屑芯褍斜懈泄褋褌胁邪 胁 锌芯谢泻褍 薪械 褉械写泻懈.
袩芯写锌芯褉褍褔懈泻 袚械芯褉谐懈泄 袪芯屑邪褕芯胁 胁褋械谐芯 薪械褋泻芯谢褜泻芯 谢械褌 薪邪褏芯写懈褌褋褟 胁 锌芯谢泻褍, 薪芯 褍卸械 芯褋褌邪胁懈谢 褔械褋褌芯谢褞斜懈胁褘械 屑械褔褌褘 (褋屑. 挟薪泻械褉邪, 泻芯褌芯褉褘械, 泻褋褌邪褌懈, 斜褘谢懈 薪邪锌懈褋邪薪褘 薪邪屑薪芯谐芯 锌芯蟹卸械), 蟹邪斜褉芯褋懈谢 泻薪懈谐懈 懈 褌胁芯褉褔械褋褌胁芯. 袧械 褋屑芯褌褉褟 薪邪 薪械泻褉邪褋懈胁褍褞 褋胁褟蟹褜 褋 蟹邪屑褍卸薪械泄 卸械薪褖懈薪芯泄 鈥� 褔械屑 胁 锌芯谢泻褍 薪械 斜褉械蟹谐褍褞褌, 鈥� 褍 薪械谐芯 械褋褌褜 薪械泻芯褌芯褉邪褟 芯褌褉邪写邪: 锌芯褋械褖邪褌褜 袗谢械泻褋邪薪写褉褍 袩械褌褉芯胁薪褍, 卸械薪褍 锌芯褉褍褔懈泻邪 袧懈泻芯谢邪械胁邪, 懈 斜械褋械写褘 褋 谐芯褉芯写褋泻懈屑 褔褍写邪泻芯屑 袧邪蟹邪薪褋泻懈屑. 袪芯屑邪褕芯胁 锌芯写褍屑褘胁邪械褌 斜褉芯褋懈褌褜 褋谢褍卸斜褍, 薪芯 薪械 懈屑械械褌 薪懈 屑邪谢械泄褕械谐芯 锌褉械写褋褌邪胁谢械薪懈褟, 泻褍写邪 锌芯写邪褌褜褋褟.
肖芯褉屑邪谢褜薪芯 褍 芯褎懈褑械褉芯胁 械褋褌褜 胁芯蟹屑芯卸薪芯褋褌褜 锌芯褋褌褍锌懈褌褜 胁 邪泻邪写械屑懈褞 懈 锌械褉械胁械褋褌懈褋褜 胁 褋褌芯谢懈褑褍, 薪芯 褌邪泻芯械 褍写邪械褌褋褟 写邪谢械泻芯 薪械 胁褋械屑. 袘褍泻胁邪谢褜薪芯 褋褉械写邪 薪械 褋锌芯褋芯斜褋褌胁褍械褌. 袨写薪邪泻芯 袗谢械泻褋邪薪写褉邪 袩械褌褉芯胁薪邪 褍锌芯褉薪芯 薪邪写械械褌褋褟 褍褋褌褉芯懈褌褜 褋胁芯械谐芯 屑褍卸邪 胁 邪泻邪写械屑懈褞, 褉邪写懈 褝褌芯谐芯 芯薪邪 褉械锌械褌懈褌芯褉褋褌胁褍械褌 褋 薪懈屑, 胁 褋芯褋褌芯褟薪懈懈 芯褌胁械褌懈褌褜 薪邪 屑薪芯谐懈械 胁芯锌褉芯褋褘 懈蟹 锌褉芯谐褉邪屑屑褘.
袧邪写芯 褋泻邪蟹邪褌褜, 褔褌芯 褉械泻褉褍褌褋泻邪褟 邪褉屑懈褟 胁 褋芯褋谢芯胁薪芯屑 芯斜褖械褋褌胁械 鈥� 械褖械 褌芯 褋褔邪褋褌褜械. 袥懈斜芯 褌械斜褟 锌芯 胁芯谢械 褋谢褍褔邪褟 蟹邪谐芯薪褟褞褌 胁 邪褉屑懈褞 薪邪 写谢懈褌械谢褜薪褘泄 褋褉芯泻, 谢懈斜芯 褌褘, 斜褍写褍褔懈 卸械谢褌芯褉芯褌褘屑 屑邪谢褜褔懈泻芯屑, 锌芯谢褍褔邪械褕褜 泻邪泻芯械-薪懈泻邪泻芯械 芯斜褉邪蟹芯胁邪薪懈械 懈 懈写械褕褜 芯斜褍褔邪褌褜 褋芯谢写邪褌, 胁褔械褉邪褕薪懈褏 泻褉械褋褌褜褟薪, 褋芯芯斜褉邪卸邪褞褖懈褏 薪械 褏褍卸械 褌械斜褟 胁 褋械谢褜褋泻芯屑 褏芯蟹褟泄褋褌胁械, 薪芯 锌芯 薪褍谢褟屑 胁 褌芯褔薪褘褏 薪邪褍泻邪褏. 袩芯褌芯谢芯泻 褌胁芯懈褏 胁芯蟹屑芯卸薪芯褋褌械泄 鈥� 褝褌芯 褕锌褘薪褟褌褜, 褌褉械斜芯胁邪褌褜 蟹邪褍褔懈胁邪褌褜 褍褋褌邪胁, 泻邪泻 锌芯锌褍谐邪泄, 褋褌芯褟褌褜 懈 褋懈写械褌褜 锌芯 泻芯屑邪薪写械 懈 褋褉褘胁邪褌褜 蟹谢芯 薪邪 褌械褏, 泻褌芯 锌芯写 褉褍泻褍 锌芯锌邪写械褌褋褟.
芦小邪屑懈 褔械褉械蟹 谐芯写, 械褋谢懈 褌芯谢褜泻芯 胁邪褋 薪械 胁褘锌褉褍褌 懈蟹 锌芯谢泻邪, 斜褍写械褌械 锌芯 屑芯褉写邪褋邪屑 褖械谢泻邪褌褜禄
袣褍锌褉懈薪 芯写薪芯胁褉械屑械薪薪芯 芯褌屑械褔邪械褌 懈 懈械褉邪褉褏懈褞, 泻芯褌芯褉邪褟 锌芯写写械褉卸懈胁邪械褌褋褟 胁 锌芯谢泻褍, 懈 薪邪褋懈谢懈械, 锌芯褉芯卸写邪褞褖械械 薪邪褋懈谢懈械, 懈 褋胁芯械芯斜褉邪蟹薪褘泄 胁蟹谐谢褟写 薪邪 写褍褝谢褜, 泻邪泻 薪邪 锌褉芯褉械卸懈胁邪薪懈械 胁 锌芯谢泻褍 锌芯写谢械褑芯胁 懈 褌褉褍褋芯胁. 袣褍锌褉懈薪 写芯胁芯写懈褌 褋懈褌褍邪褑懈褞 写芯 泻褉邪泄薪芯褋褌懈, 锌芯泻邪蟹褘胁邪褟, 泻邪泻 锌芯写锌芯褉褍褔懈泻 胁 薪邪褔邪谢械 械褖械 写械褉卸懈褌褋褟, 褋屑械械褌褋褟 薪邪写 褋芯斜芯泄, 邪 锌芯写 泻芯薪械褑 屑械褔械褌褋褟 锌芯 褋芯斜褉邪薪懈褞 芯褎懈褑械褉芯胁 褌芯 谢懈 胁 芯褌褔邪褟薪懈懈, 褌芯 谢懈 胁 锌褜褟薪芯屑 褍谐邪褉械.
袩芯 褋褌褉褍泻褌褍褉械 锌褉芯懈蟹胁械写械薪懈械 薪械屑薪芯谐芯 薪邪锌芯屑懈薪邪械褌 屑芯泄 谢褞斜懈屑褘泄 芦袦芯谢芯褏禄: 谐械褉芯泄 锌褉械蟹懈褉邪械褌 胁褘褋褕械械 芯斜褖械褋褌胁芯, 褋 芯褌褔邪褟薪懈褟 芯斜芯褉邪褔懈胁邪械褌褋褟 褌芯 泻 锌褉芯褋褌芯屑褍 薪邪褉芯写褍, 褌芯 泻 蟹邪泻邪写褘褔薪芯屑褍 写褉褍谐褍, 械褋褌褜 邪屑斜懈褑懈芯蟹薪邪褟 卸械薪褖懈薪邪, 薪懈 褋泻芯谢褜泻芯 薪械 褋泻褉褘胁邪褞褖邪褟 褋胁芯懈褏 邪屑斜懈褑懈泄, 谐械褉芯泄 胁 薪械泄 芯褔邪褉芯胁褘胁邪械褌褋褟, 芯斜褗褟褋薪械薪懈械 锌褉芯懈褋褏芯写懈褌 薪邪 蟹邪谐芯褉芯写薪芯屑 锌懈泻薪懈泻械.
效褌芯 褏芯褔械褌褋褟 芯褌屑械褌懈褌褜: 褌邪 褋邪屑邪褟 褉芯泻芯胁邪褟 谐械褉芯懈薪褟, 楔褍褉芯褔泻邪, 薪械锌谢芯褏芯 锌褉芯锌懈褋邪薪邪 鈥� 斜褍写褜 械械 胁芯谢褟, 芯薪邪 褋邪屑邪 锌芯褋褌褍锌懈谢邪 斜褘 胁 褝褌褍 褌褉械泻谢褟褌褍褞 邪泻邪写械屑懈褞 懈 写械谢芯 褋 泻芯薪褑芯屑. 袨薪邪 薪械 褋泻褉褘胁邪械褌, 褔褌芯 邪屑斜懈褑懈芯蟹薪邪 懈 谐芯褌芯胁邪 薪邪 屑薪芯谐芯械 褉邪写懈 泻邪褉褜械褉褘 屑褍卸邪, 泻芯褌芯褉芯谐芯 芯薪邪, 斜褍写械屑 褔械褋褌薪褘, 胁 谐褉芯斜褍 胁懈写邪谢邪. 校 屑械薪褟 锌褉芯褋褌芯 薪械 锌芯谢褍褔邪械褌褋褟 锌懈褌邪褌褜 泻 薪械泄 泻邪泻褍褞-褌芯 薪械薪邪胁懈褋褌褜. 袨薪邪 胁懈写懈褌 薪邪褋泻胁芯蟹褜 胁械褋褜 褝谐芯懈蟹屑 褟泻芯斜褘 芦斜械褋泻芯褉褘褋褌薪芯泄禄 谢褞斜胁懈 鈥� 械械 锌懈褋褜屑芯 泻 袧邪蟹邪薪褋泻芯屑褍 褏芯褔械褌褋褟 褉邪蟹芯斜褉邪褌褜 薪邪 褑懈褌邪褌褘 懈 薪邪写 泻褉芯胁邪褌褜褞 锌芯胁械褋懈褌褜. 袨薪邪 锌褉芯懈蟹胁芯写懈褌 胁锌械褔邪褌谢械薪懈械 褉邪褋褔褢褌谢懈胁芯谐芯 褔械谢芯胁械泻邪, 薪械 褌邪泻芯谐芯 褍卸 卸械褋褌芯泻芯谐芯 芯褌 锌褉懈褉芯写褘, 薪芯 写芯胁械写褢薪薪芯谐芯 写芯 泻褉邪泄薪芯褋褌懈.
芦袧械褍卸械谢懈 褟 褍卸 褌邪泻 薪械懈薪褌械褉械褋薪邪 泻邪泻 褔械谢芯胁械泻 懈 薪械泻褉邪褋懈胁邪 泻邪泻 卸械薪褖懈薪邪, 褔褌芯斜褘 屑薪械 胁褋褞 卸懈蟹薪褜 泻懈褋薪褍褌褜 胁 褝褌芯泄 褌褉褍褖芯斜械, 胁 褝褌芯屑 谐邪写泻芯屑 屑械褋褌械褔泻械; 泻芯褌芯褉芯谐芯 薪械褌 薪懈 薪邪 芯写薪芯泄 谐械芯谐褉邪褎懈褔械褋泻芯泄 泻邪褉褌械!禄
袨写薪邪泻芯, 胁 褋械褉懈邪谢械 芦袣褍锌褉懈薪禄, 泻芯褌芯褉褘泄 褟 薪械写邪胁薪芯 锌芯褋屑芯褌褉械谢邪, 械械 锌褉芯锌懈褋邪谢懈 褌邪泻, 斜褍写褌芯 芯薪邪 谐芯褌芯胁邪 芯褌锌褉邪胁懈褌褜 褔械谢芯胁械泻邪 薪邪 褋屑械褉褌褜 蟹邪 锌械褌械褉斜褍褉谐褋泻懈泄 斜邪谢 懈 斜懈褉褞谢褜泻懈.
袩芯褋褌 褋 写芯锌芯谢薪懈褌械谢褜薪芯泄 懈薪褎芯褉屑邪褑懈械泄 芯 写褍褝谢褟褏 胁 泻芯薪褑械 XIX 胁械泻邪
芦鈥� 袘懈褌褜 褋芯谢写邪褌邪 斜械褋褔械褋褌薪芯... 袧械谢褜蟹褟 斜懈褌褜 褔械谢芯胁械泻邪, 泻芯褌芯褉褘泄 薪械 褌芯谢褜泻芯 薪械 屑芯卸械褌 褌械斜械 芯褌胁械褌懈褌褜, 薪芯 写邪卸械 薪械 懈屑械械褌 锌褉邪胁邪 锌芯写薪褟褌褜 褉褍泻褍 泻 谢懈褑褍, 褔褌芯斜褘 蟹邪褖懈褌懈褌褜褋褟 芯褌 褍写邪褉邪. 袧械 褋屑械械褌 写邪卸械 芯褌泻谢芯薪懈褌褜 谐芯谢芯胁褘. 协褌芯 褋褌褘写薪芯!禄
袙 薪械斜芯谢褜褕芯屑 褍械蟹写薪芯屑 谐芯褉芯写械 斜谢懈卸械 泻 褞谐褍 袪芯褋褋懈懈 褉邪褋锌芯谢邪谐邪械褌褋褟 锌芯谢泻. 袙 薪械屑 褔懈褋谢褟褌褋褟 懈 褋芯谢写邪褌褘-褉械泻褉褍褌褘, 懈 芯褎懈褑械褉褘. 袧邪写 泻邪卸写褘屑 胁懈褋懈褌 芯锌邪褋薪芯褋褌褜 蟹邪褋褌褉褟褌褜 薪邪 胁褋褞 卸懈蟹薪褜 胁 薪懈蟹泻芯屑 褔懈薪械, 屑褘泻邪褌褜褋褟 薪邪 薪械斜芯谢褜褕芯械 卸邪谢芯胁邪薪懈械, 褌械褉锌械褌褜 褉褍泻芯锌褉懈泻谢邪写褋褌胁芯. 挟薪褘械 芯褎懈褑械褉褘 胁懈写褟褌, 褔褌芯 懈褏 卸写械褌 斜械褋泻芯薪械褔薪芯械 锌褉芯蟹褟斜邪薪懈械 胁 薪械 褋邪屑芯屑 锌褉懈褟褌薪芯屑 芯斜褖械褋褌胁械 (械褋谢懈 褋胁芯懈 卸械 薪邪褔邪谢褜薪懈泻懈 薪械 薪邪褔薪褍褌 谢褍锌懈褌褜), 锌芯褝褌芯屑褍 懈 褋邪屑芯褍斜懈泄褋褌胁邪 胁 锌芯谢泻褍 薪械 褉械写泻懈.
袩芯写锌芯褉褍褔懈泻 袚械芯褉谐懈泄 袪芯屑邪褕芯胁 胁褋械谐芯 薪械褋泻芯谢褜泻芯 谢械褌 薪邪褏芯写懈褌褋褟 胁 锌芯谢泻褍, 薪芯 褍卸械 芯褋褌邪胁懈谢 褔械褋褌芯谢褞斜懈胁褘械 屑械褔褌褘 (褋屑. 挟薪泻械褉邪, 泻芯褌芯褉褘械, 泻褋褌邪褌懈, 斜褘谢懈 薪邪锌懈褋邪薪褘 薪邪屑薪芯谐芯 锌芯蟹卸械), 蟹邪斜褉芯褋懈谢 泻薪懈谐懈 懈 褌胁芯褉褔械褋褌胁芯. 袧械 褋屑芯褌褉褟 薪邪 薪械泻褉邪褋懈胁褍褞 褋胁褟蟹褜 褋 蟹邪屑褍卸薪械泄 卸械薪褖懈薪芯泄 鈥� 褔械屑 胁 锌芯谢泻褍 薪械 斜褉械蟹谐褍褞褌, 鈥� 褍 薪械谐芯 械褋褌褜 薪械泻芯褌芯褉邪褟 芯褌褉邪写邪: 锌芯褋械褖邪褌褜 袗谢械泻褋邪薪写褉褍 袩械褌褉芯胁薪褍, 卸械薪褍 锌芯褉褍褔懈泻邪 袧懈泻芯谢邪械胁邪, 懈 斜械褋械写褘 褋 谐芯褉芯写褋泻懈屑 褔褍写邪泻芯屑 袧邪蟹邪薪褋泻懈屑. 袪芯屑邪褕芯胁 锌芯写褍屑褘胁邪械褌 斜褉芯褋懈褌褜 褋谢褍卸斜褍, 薪芯 薪械 懈屑械械褌 薪懈 屑邪谢械泄褕械谐芯 锌褉械写褋褌邪胁谢械薪懈褟, 泻褍写邪 锌芯写邪褌褜褋褟.
肖芯褉屑邪谢褜薪芯 褍 芯褎懈褑械褉芯胁 械褋褌褜 胁芯蟹屑芯卸薪芯褋褌褜 锌芯褋褌褍锌懈褌褜 胁 邪泻邪写械屑懈褞 懈 锌械褉械胁械褋褌懈褋褜 胁 褋褌芯谢懈褑褍, 薪芯 褌邪泻芯械 褍写邪械褌褋褟 写邪谢械泻芯 薪械 胁褋械屑. 袘褍泻胁邪谢褜薪芯 褋褉械写邪 薪械 褋锌芯褋芯斜褋褌胁褍械褌. 袨写薪邪泻芯 袗谢械泻褋邪薪写褉邪 袩械褌褉芯胁薪邪 褍锌芯褉薪芯 薪邪写械械褌褋褟 褍褋褌褉芯懈褌褜 褋胁芯械谐芯 屑褍卸邪 胁 邪泻邪写械屑懈褞, 褉邪写懈 褝褌芯谐芯 芯薪邪 褉械锌械褌懈褌芯褉褋褌胁褍械褌 褋 薪懈屑, 胁 褋芯褋褌芯褟薪懈懈 芯褌胁械褌懈褌褜 薪邪 屑薪芯谐懈械 胁芯锌褉芯褋褘 懈蟹 锌褉芯谐褉邪屑屑褘.
袧邪写芯 褋泻邪蟹邪褌褜, 褔褌芯 褉械泻褉褍褌褋泻邪褟 邪褉屑懈褟 胁 褋芯褋谢芯胁薪芯屑 芯斜褖械褋褌胁械 鈥� 械褖械 褌芯 褋褔邪褋褌褜械. 袥懈斜芯 褌械斜褟 锌芯 胁芯谢械 褋谢褍褔邪褟 蟹邪谐芯薪褟褞褌 胁 邪褉屑懈褞 薪邪 写谢懈褌械谢褜薪褘泄 褋褉芯泻, 谢懈斜芯 褌褘, 斜褍写褍褔懈 卸械谢褌芯褉芯褌褘屑 屑邪谢褜褔懈泻芯屑, 锌芯谢褍褔邪械褕褜 泻邪泻芯械-薪懈泻邪泻芯械 芯斜褉邪蟹芯胁邪薪懈械 懈 懈写械褕褜 芯斜褍褔邪褌褜 褋芯谢写邪褌, 胁褔械褉邪褕薪懈褏 泻褉械褋褌褜褟薪, 褋芯芯斜褉邪卸邪褞褖懈褏 薪械 褏褍卸械 褌械斜褟 胁 褋械谢褜褋泻芯屑 褏芯蟹褟泄褋褌胁械, 薪芯 锌芯 薪褍谢褟屑 胁 褌芯褔薪褘褏 薪邪褍泻邪褏. 袩芯褌芯谢芯泻 褌胁芯懈褏 胁芯蟹屑芯卸薪芯褋褌械泄 鈥� 褝褌芯 褕锌褘薪褟褌褜, 褌褉械斜芯胁邪褌褜 蟹邪褍褔懈胁邪褌褜 褍褋褌邪胁, 泻邪泻 锌芯锌褍谐邪泄, 褋褌芯褟褌褜 懈 褋懈写械褌褜 锌芯 泻芯屑邪薪写械 懈 褋褉褘胁邪褌褜 蟹谢芯 薪邪 褌械褏, 泻褌芯 锌芯写 褉褍泻褍 锌芯锌邪写械褌褋褟.
芦小邪屑懈 褔械褉械蟹 谐芯写, 械褋谢懈 褌芯谢褜泻芯 胁邪褋 薪械 胁褘锌褉褍褌 懈蟹 锌芯谢泻邪, 斜褍写械褌械 锌芯 屑芯褉写邪褋邪屑 褖械谢泻邪褌褜禄
袣褍锌褉懈薪 芯写薪芯胁褉械屑械薪薪芯 芯褌屑械褔邪械褌 懈 懈械褉邪褉褏懈褞, 泻芯褌芯褉邪褟 锌芯写写械褉卸懈胁邪械褌褋褟 胁 锌芯谢泻褍, 懈 薪邪褋懈谢懈械, 锌芯褉芯卸写邪褞褖械械 薪邪褋懈谢懈械, 懈 褋胁芯械芯斜褉邪蟹薪褘泄 胁蟹谐谢褟写 薪邪 写褍褝谢褜, 泻邪泻 薪邪 锌褉芯褉械卸懈胁邪薪懈械 胁 锌芯谢泻褍 锌芯写谢械褑芯胁 懈 褌褉褍褋芯胁. 袣褍锌褉懈薪 写芯胁芯写懈褌 褋懈褌褍邪褑懈褞 写芯 泻褉邪泄薪芯褋褌懈, 锌芯泻邪蟹褘胁邪褟, 泻邪泻 锌芯写锌芯褉褍褔懈泻 胁 薪邪褔邪谢械 械褖械 写械褉卸懈褌褋褟, 褋屑械械褌褋褟 薪邪写 褋芯斜芯泄, 邪 锌芯写 泻芯薪械褑 屑械褔械褌褋褟 锌芯 褋芯斜褉邪薪懈褞 芯褎懈褑械褉芯胁 褌芯 谢懈 胁 芯褌褔邪褟薪懈懈, 褌芯 谢懈 胁 锌褜褟薪芯屑 褍谐邪褉械.
袩芯 褋褌褉褍泻褌褍褉械 锌褉芯懈蟹胁械写械薪懈械 薪械屑薪芯谐芯 薪邪锌芯屑懈薪邪械褌 屑芯泄 谢褞斜懈屑褘泄 芦袦芯谢芯褏禄: 谐械褉芯泄 锌褉械蟹懈褉邪械褌 胁褘褋褕械械 芯斜褖械褋褌胁芯, 褋 芯褌褔邪褟薪懈褟 芯斜芯褉邪褔懈胁邪械褌褋褟 褌芯 泻 锌褉芯褋褌芯屑褍 薪邪褉芯写褍, 褌芯 泻 蟹邪泻邪写褘褔薪芯屑褍 写褉褍谐褍, 械褋褌褜 邪屑斜懈褑懈芯蟹薪邪褟 卸械薪褖懈薪邪, 薪懈 褋泻芯谢褜泻芯 薪械 褋泻褉褘胁邪褞褖邪褟 褋胁芯懈褏 邪屑斜懈褑懈泄, 谐械褉芯泄 胁 薪械泄 芯褔邪褉芯胁褘胁邪械褌褋褟, 芯斜褗褟褋薪械薪懈械 锌褉芯懈褋褏芯写懈褌 薪邪 蟹邪谐芯褉芯写薪芯屑 锌懈泻薪懈泻械.
效褌芯 褏芯褔械褌褋褟 芯褌屑械褌懈褌褜: 褌邪 褋邪屑邪褟 褉芯泻芯胁邪褟 谐械褉芯懈薪褟, 楔褍褉芯褔泻邪, 薪械锌谢芯褏芯 锌褉芯锌懈褋邪薪邪 鈥� 斜褍写褜 械械 胁芯谢褟, 芯薪邪 褋邪屑邪 锌芯褋褌褍锌懈谢邪 斜褘 胁 褝褌褍 褌褉械泻谢褟褌褍褞 邪泻邪写械屑懈褞 懈 写械谢芯 褋 泻芯薪褑芯屑. 袨薪邪 薪械 褋泻褉褘胁邪械褌, 褔褌芯 邪屑斜懈褑懈芯蟹薪邪 懈 谐芯褌芯胁邪 薪邪 屑薪芯谐芯械 褉邪写懈 泻邪褉褜械褉褘 屑褍卸邪, 泻芯褌芯褉芯谐芯 芯薪邪, 斜褍写械屑 褔械褋褌薪褘, 胁 谐褉芯斜褍 胁懈写邪谢邪. 校 屑械薪褟 锌褉芯褋褌芯 薪械 锌芯谢褍褔邪械褌褋褟 锌懈褌邪褌褜 泻 薪械泄 泻邪泻褍褞-褌芯 薪械薪邪胁懈褋褌褜. 袨薪邪 胁懈写懈褌 薪邪褋泻胁芯蟹褜 胁械褋褜 褝谐芯懈蟹屑 褟泻芯斜褘 芦斜械褋泻芯褉褘褋褌薪芯泄禄 谢褞斜胁懈 鈥� 械械 锌懈褋褜屑芯 泻 袧邪蟹邪薪褋泻芯屑褍 褏芯褔械褌褋褟 褉邪蟹芯斜褉邪褌褜 薪邪 褑懈褌邪褌褘 懈 薪邪写 泻褉芯胁邪褌褜褞 锌芯胁械褋懈褌褜. 袨薪邪 锌褉芯懈蟹胁芯写懈褌 胁锌械褔邪褌谢械薪懈械 褉邪褋褔褢褌谢懈胁芯谐芯 褔械谢芯胁械泻邪, 薪械 褌邪泻芯谐芯 褍卸 卸械褋褌芯泻芯谐芯 芯褌 锌褉懈褉芯写褘, 薪芯 写芯胁械写褢薪薪芯谐芯 写芯 泻褉邪泄薪芯褋褌懈.
芦袧械褍卸械谢懈 褟 褍卸 褌邪泻 薪械懈薪褌械褉械褋薪邪 泻邪泻 褔械谢芯胁械泻 懈 薪械泻褉邪褋懈胁邪 泻邪泻 卸械薪褖懈薪邪, 褔褌芯斜褘 屑薪械 胁褋褞 卸懈蟹薪褜 泻懈褋薪褍褌褜 胁 褝褌芯泄 褌褉褍褖芯斜械, 胁 褝褌芯屑 谐邪写泻芯屑 屑械褋褌械褔泻械; 泻芯褌芯褉芯谐芯 薪械褌 薪懈 薪邪 芯写薪芯泄 谐械芯谐褉邪褎懈褔械褋泻芯泄 泻邪褉褌械!禄
袨写薪邪泻芯, 胁 褋械褉懈邪谢械 芦袣褍锌褉懈薪禄, 泻芯褌芯褉褘泄 褟 薪械写邪胁薪芯 锌芯褋屑芯褌褉械谢邪, 械械 锌褉芯锌懈褋邪谢懈 褌邪泻, 斜褍写褌芯 芯薪邪 谐芯褌芯胁邪 芯褌锌褉邪胁懈褌褜 褔械谢芯胁械泻邪 薪邪 褋屑械褉褌褜 蟹邪 锌械褌械褉斜褍褉谐褋泻懈泄 斜邪谢 懈 斜懈褉褞谢褜泻懈.
袩芯褋褌 褋 写芯锌芯谢薪懈褌械谢褜薪芯泄 懈薪褎芯褉屑邪褑懈械泄 芯 写褍褝谢褟褏 胁 泻芯薪褑械 XIX 胁械泻邪
January 20, 2023
袙褋械 芯褌 写褍褉芯褋褌懈.
效褌芯 卸械 褟 褌邪泻芯械 锌褉芯褔懈褌邪谢邪? 袧褍, 胁芯-锌械褉胁褘褏, 泻邪泻 锌谢芯褏邪 邪褉屑懈褟... 袧械 褍写懈胁懈谢懈. 袧褍, 褌芯 械褋褌褜 褍写懈胁懈谢懈 卸械褋褌芯泻芯褋褌褜褞 懈 褑懈薪懈蟹屑芯屑 - 褝褌芯 写邪, 薪芯 褌褍褌 褟 写褍屑邪褞 薪械 褋褌芯谢褜泻芯 邪褉屑懈褟 泻邪泻 褌邪泻芯胁邪褟 胁懈薪芯胁邪褌邪, 褋泻芯谢褜泻芯 褋邪屑芯 胁褉械屑褟 褋 褌械屑 褔褌芯 写芯锌褍褋泻邪谢芯褋褜, 锌芯芯褖褉褟谢芯褋褜, 斜褘谢芯 屑芯写薪芯. 袗 褌邪泻 - 褝褌芯 胁械写褜 胁褋械 褋邪屑懈 谢褞写懈褕泻懈 芯斜谢懈褔械薪薪褘械 胁谢邪褋褌褜褞, 泻褍写邪 懈褏 薪械 褋褍薪褜, 芯薪懈 胁褋械 褉邪胁薪芯 斜褍写褍褌 蟹邪 褔褍卸芯泄 褋褔械褌 锌芯胁褘褕邪褌褜 褋胁芯褞 褋邪屑芯芯褑械薪泻褍 懈 褍薪懈卸邪褌褜 褌械褏, 泻褌芯 薪械 屑芯卸械褌 芯褌胁械褌懈褌褜. 袩褉芯 褝褌芯 写邪卸械 写械褌褋泻邪褟 泻薪懈卸泻邪 械褋褌褜 懈 屑褍谢褜褌懈泻. 孝邪屑 斜芯谢械械 褔械屑 胁薪褟褌薪芯 芯锌懈褋邪薪邪 写邪薪薪邪褟 褋懈褌褍邪褑懈褟. 袠 械褋谢懈 谐芯胁芯褉懈褌褜 芯 褋芯胁褉械屑械薪薪芯褋褌懈 - 褌芯 写械写芯胁褖懈薪褍 写芯 褋懈褏 锌芯褉 懈褋泻芯褉械薪懈褌褜 薪械 屑芯谐褍褌. 袠 褝褌芯 薪械 邪褉屑懈褟 胁懈薪芯胁邪褌邪 - 邪褉屑懈褟 - 褝褌芯 谢褞写懈. 袙褋械 褔褌芯 褌邪屑 薪械 锌褉芯懈褋褏芯写懈褌, 锌褉芯懈褋褏芯写懈褌 懈蟹-蟹邪 泻芯薪泻褉械褌薪褘褏 谢褞写械泄, 邪 薪械 懈蟹-蟹邪 邪斜褋褌褉邪泻褌薪芯泄 邪褉屑懈懈.
袙芯-胁褌芯褉褘褏, 泻邪泻 褋泻褍褔薪芯 谢褞写褟屑 卸懈褌褜. 袨褋芯斜械薪薪芯 褋泻褍褔薪芯, 泻芯谐写邪 芯薪懈 薪械 薪邪 褋胁芯械屑 屑械褋褌械. 袧褍, 芯锌褟褌褜 卸械 褝褌芯 锌褉芯斜谢械屑邪 胁褋械谐芯 褔械谢芯胁械褔械褋褌胁邪 懈 胁 谢褞斜芯泄 锌械褉懈芯写 胁褉械屑械薪懈. 袠 泻芯谐写邪 懈屑 褋泻褍褔薪芯... 泻芯谐写邪 泻芯褌褍 褋泻褍褔薪芯, 芯薪 褟泄褑邪 谢懈卸械褌. 携 斜褘 褋泻邪蟹邪谢邪 - 懈 褝褌芯 胁褋械 芯 薪懈褏.
袗谢械泻褋邪薪写褉 袣褍锌褉懈薪 胁褋械 卸械 褏芯褉芯褕懈泄 锌褋懈褏芯谢芯谐 斜褘谢. 袙褋械 褔褌芯 锌褉芯懈褋褏芯写懈褌 褋 谢褞写褜屑懈 锌芯薪褟褌薪芯. 袩芯薪褟褌薪芯 芯褌泻褍写邪 斜械褉褍褌褋褟 懈褏 锌芯褋褌褍锌泻懈, 褋谢芯胁邪, 写械泄褋褌胁懈褟. 袩芯薪褟褌薪芯 泻邪泻 胁 泻邪泻芯泄-褌芯 屑芯屑械薪褌, 胁褋械 锌褉械胁褉邪褖邪械褌褋褟 胁 泻邪褕褍 懈 胁褘锌谢械褋泻懈胁邪械褌褋褟 薪邪褉褍卸褍. 袠 胁褋械 褝褌芯 褉邪蟹薪褘械 谢褞写懈 懈 谢褞写懈褕泻懈, 褋芯 褋胁芯懈屑懈 薪懈蟹屑械薪薪褘屑懈 懈薪褌械褉械褋邪屑懈. 校胁褘, 胁褘褋芯泻懈褏 懈薪褌械褉械褋芯胁 胁 写邪薪薪芯泄 懈褋褌芯褉懈懈 薪械 斜褘谢芯.
锟斤拷-褌褉械褌褜懈褏 - 袨 卸械薪褖懈薪褘, 胁邪屑 懈屑褟 胁械褉芯谢芯屑褋褌胁芯!
袩褉芯 褝褌芯 褌芯卸械 胁 写邪薪薪芯屑 锌褉芯懈蟹胁械写械薪懈懈 械褋褌褜. 袠 薪邪褋, 屑械卸写褍 锌褉芯褔懈屑 邪胁褌芯褉 褔械褉械蟹 袧邪蟹邪薪褋泻芯谐芯 芯 褌邪泻芯屑 锌芯胁芯褉芯褌械 锌褉械写褍锌褉械卸写邪械褌. 袦芯谢 胁褘 泻邪泻 褏芯褌懈褌械, 薪芯 斜谢邪谐芯褉芯写薪褘褏 写邪屑 褋 胁褘褋芯泻懈屑懈 褑械谢褟屑懈 懈 懈薪褌械褉械褋邪屑懈 薪械 写谢褟 褋械斜褟, 邪 写谢褟 袘芯谐邪 懈 袨褌械褔械褋褌胁邪, 蟹写械褋褜 薪械 斜褍写械褌. 袟写械褋褜 斜褍写褍褌 写邪屑芯褔泻懈, 泻芯褌芯褉褘械 褏芯褌褟褌 斜褘褌褜 斜谢邪谐芯褉芯写薪褘屑懈, 泻褉邪褋懈胁褘屑懈, 谢褞斜懈屑褘屑懈, 泻芯褌芯褉褘械 胁褉褍褌 写褉褍谐懈屑 懈 褋械斜械. 袣芯褌芯褉褘械 锌褉懈泻褉褘胁邪褞褌褋褟 斜谢邪谐芯褉芯写褋褌胁芯屑, 邪 薪邪 褋邪屑芯屑 写械谢械... 袗 薪邪 褋邪屑芯屑 写械谢械 - 褔懈褌邪泄 褉邪锌芯褉褌 胁 泻芯薪褑械 泻薪懈谐懈, 胁芯褌 芯薪芯 懈褏 斜谢邪谐芯褉芯写褋褌胁芯.
袣芯薪械褔薪芯, 屑芯卸薪芯 褋泻邪蟹邪褌褜, 褔褌芯 胁褋械 褝褌芯 薪械 卸械薪褋泻懈褏 褉褍泻 写械谢芯, 邪 芯褔械薪褜 写邪卸械 屑褍卸褋泻懈褏, 薪芯 泻薪懈卸泻褍-褌芯 屑褘 褔懈褌邪谢懈 褋 褋邪屑芯谐芯 薪邪褔邪谢邪, 胁褋械 褔褌芯 褋泻褉褘胁邪谢芯褋褜 蟹邪 蟹邪泻褉褘褌褘屑懈 写胁械褉褜屑懈 屑褘 蟹薪邪械屑.
袣芯薪械褔薪芯, 械褋谢懈 斜褘 褍 屑褍卸褔懈薪褘 斜褘谢芯 "孝袨" 斜谢邪谐芯褉芯写褋褌胁芯, 泻芯褌芯褉芯械 薪邪屑 褌邪泻 薪褉邪胁懈褌褋褟, 褌邪泻 谢褞斜褟褌 芯锌懈褋褘胁邪褌褜 锌芯褉芯泄 锌芯褝褌褘, 褌芯 懈 褉邪锌芯褉褌 斜褘谢 写褉褍谐懈屑 懈 胁芯芯斜褖械 屑薪芯谐芯 褔械谐芯 薪械 锌褉芯懈蟹芯褕谢芯 斜褘, 薪芯 屑褘 卸械 锌芯屑薪懈屑: "袠 胁褋械 褝褌芯 褉邪蟹薪褘械 谢褞写懈 懈 谢褞写懈褕泻懈, 褋芯 褋胁芯懈屑懈 薪懈蟹屑械薪薪褘屑懈 懈薪褌械褉械褋邪屑懈. 校胁褘, 胁褘褋芯泻懈褏 懈薪褌械褉械褋芯胁 胁 写邪薪薪芯泄 懈褋褌芯褉懈懈 薪械 斜褘谢芯. "
袨卸懈写邪械屑褘泄 褎懈薪邪谢. 啸芯褌械谢芯褋褜 斜褘 懈薪邪褔械? 袛邪, 褏芯褌械谢芯褋褜 斜褘, 薪芯 懈薪邪褔械 胁 褌邪泻芯屑 谐邪写褞褕薪懈泻械 锌褉芯褋褌芯 薪械 胁褘褕谢芯 斜褘.
袗 械褖械, 褝褌芯 薪邪胁械褉薪芯械, 胁-褔械褌胁械褉褌褘褏, 斜褘谢邪 胁 泻薪懈谐械 锌褉械泻褉邪褋薪邪褟 胁械褖褜, 泻芯褌芯褉邪褟 谐芯胁芯褉懈谢邪 芯 褌芯屑, 褔褌芯 泻邪泻 斜褘 锌谢芯褏芯 薪械 斜褘谢芯, 斜褘谢懈 褏芯褉芯褕懈械 懈薪懈褑懈邪褌懈胁褘, 薪邪屑 斜褘 褋械泄褔邪褋 褌邪泻. 袧械 褌邪泻 褔褌芯斜褘 蟹谢芯械斜褍褔懈泄 褋胁褟褖械薪懈泻 胁褋械褏 芯泻褉芯锌懈谢 薪械 谐谢褟写褟 薪邪 胁械褉褍, 邪 褔褌芯斜褘 泻邪卸写邪褟 胁械褉邪 锌褉懈褋褟谐薪褍胁褕械谐芯 胁褋械 卸械 斜褘谢邪 褍褔褌械薪邪.
袣邪卸写芯屑褍 褋胁芯械, 褔褌芯斜褘 泻邪卸写褘泄 褔褍胁褋褌胁芯胁邪谢 褋械斜褟 褔械谢芯胁械泻芯屑. 孝芯谢褜泻芯 薪邪褕械屑褍 褋械谐芯写薪褟褕薪械屑褍 谐芯褋褍写邪褉褋褌胁褍, 褝褌芯 锌芯褏芯卸械 薪械 薪邪写芯...
袨泄, 懈 泻邪泻 薪械 褋泻邪蟹邪褌褜 芯 褌芯屑, 褔褌芯 褟 谢褞斜谢褞 褋褌懈谢褜 泻谢邪褋褋懈褔械褋泻芯泄 谢懈褌械褉邪褌褍褉褘. 袨薪 芯斜褗械屑械薪, 褋谢芯胁邪 芯泻褉褍谐谢褘. 袩芯褋褌褉芯械薪懈械 锌褉械写谢芯卸械薪懈泄 褉邪蟹屑邪褕懈褋褌芯. 协褌芯 薪械 芯斜褉褍斜泻懈 芯褌 锌褉械写谢芯卸械薪懈泄, 褝褌芯 写械泄褋褌胁懈褌械谢褜薪芯 泻褉邪褋懈胁褘械 褋褌褉芯泄薪褘械 锌褉械写谢芯卸械薪懈褟. 袨薪懈 薪械 泻褍褑褘, 芯薪懈 薪械褋褍褌 胁 褋械斜械 懈 懈薪褎芯褉屑邪褑懈褞 懈 泻褉邪褋芯褌褍, 泻邪泻 褋谢芯胁邪, 褌邪泻 懈 褌芯谐芯 褔褌芯 芯锌懈褋褘胁邪械褌 邪胁褌芯褉 懈谢懈 卸械 褍斜芯卸械褋褌胁芯, 谢卸懈胁芯褋褌褜, 褌芯谐芯 褔褌芯 芯锌懈褋褘胁邪械褌 邪胁褌芯褉. 协褌芯 芯褌写械谢褜薪芯械 薪邪褋谢邪卸写械薪懈械 褔懈褌邪褌褜 褌邪泻芯泄 胁褘褋褌褉芯械薪薪褘泄 褌械泻褋褌. 袞邪谢褜, 褔褌芯 褌械泻褋褌 薪械 芯 褔械屑-褌芯 褏芯褉芯褕械屑...
效褌芯 卸械 褟 褌邪泻芯械 锌褉芯褔懈褌邪谢邪? 袧褍, 胁芯-锌械褉胁褘褏, 泻邪泻 锌谢芯褏邪 邪褉屑懈褟... 袧械 褍写懈胁懈谢懈. 袧褍, 褌芯 械褋褌褜 褍写懈胁懈谢懈 卸械褋褌芯泻芯褋褌褜褞 懈 褑懈薪懈蟹屑芯屑 - 褝褌芯 写邪, 薪芯 褌褍褌 褟 写褍屑邪褞 薪械 褋褌芯谢褜泻芯 邪褉屑懈褟 泻邪泻 褌邪泻芯胁邪褟 胁懈薪芯胁邪褌邪, 褋泻芯谢褜泻芯 褋邪屑芯 胁褉械屑褟 褋 褌械屑 褔褌芯 写芯锌褍褋泻邪谢芯褋褜, 锌芯芯褖褉褟谢芯褋褜, 斜褘谢芯 屑芯写薪芯. 袗 褌邪泻 - 褝褌芯 胁械写褜 胁褋械 褋邪屑懈 谢褞写懈褕泻懈 芯斜谢懈褔械薪薪褘械 胁谢邪褋褌褜褞, 泻褍写邪 懈褏 薪械 褋褍薪褜, 芯薪懈 胁褋械 褉邪胁薪芯 斜褍写褍褌 蟹邪 褔褍卸芯泄 褋褔械褌 锌芯胁褘褕邪褌褜 褋胁芯褞 褋邪屑芯芯褑械薪泻褍 懈 褍薪懈卸邪褌褜 褌械褏, 泻褌芯 薪械 屑芯卸械褌 芯褌胁械褌懈褌褜. 袩褉芯 褝褌芯 写邪卸械 写械褌褋泻邪褟 泻薪懈卸泻邪 械褋褌褜 懈 屑褍谢褜褌懈泻. 孝邪屑 斜芯谢械械 褔械屑 胁薪褟褌薪芯 芯锌懈褋邪薪邪 写邪薪薪邪褟 褋懈褌褍邪褑懈褟. 袠 械褋谢懈 谐芯胁芯褉懈褌褜 芯 褋芯胁褉械屑械薪薪芯褋褌懈 - 褌芯 写械写芯胁褖懈薪褍 写芯 褋懈褏 锌芯褉 懈褋泻芯褉械薪懈褌褜 薪械 屑芯谐褍褌. 袠 褝褌芯 薪械 邪褉屑懈褟 胁懈薪芯胁邪褌邪 - 邪褉屑懈褟 - 褝褌芯 谢褞写懈. 袙褋械 褔褌芯 褌邪屑 薪械 锌褉芯懈褋褏芯写懈褌, 锌褉芯懈褋褏芯写懈褌 懈蟹-蟹邪 泻芯薪泻褉械褌薪褘褏 谢褞写械泄, 邪 薪械 懈蟹-蟹邪 邪斜褋褌褉邪泻褌薪芯泄 邪褉屑懈懈.
袙芯-胁褌芯褉褘褏, 泻邪泻 褋泻褍褔薪芯 谢褞写褟屑 卸懈褌褜. 袨褋芯斜械薪薪芯 褋泻褍褔薪芯, 泻芯谐写邪 芯薪懈 薪械 薪邪 褋胁芯械屑 屑械褋褌械. 袧褍, 芯锌褟褌褜 卸械 褝褌芯 锌褉芯斜谢械屑邪 胁褋械谐芯 褔械谢芯胁械褔械褋褌胁邪 懈 胁 谢褞斜芯泄 锌械褉懈芯写 胁褉械屑械薪懈. 袠 泻芯谐写邪 懈屑 褋泻褍褔薪芯... 泻芯谐写邪 泻芯褌褍 褋泻褍褔薪芯, 芯薪 褟泄褑邪 谢懈卸械褌. 携 斜褘 褋泻邪蟹邪谢邪 - 懈 褝褌芯 胁褋械 芯 薪懈褏.
袗谢械泻褋邪薪写褉 袣褍锌褉懈薪 胁褋械 卸械 褏芯褉芯褕懈泄 锌褋懈褏芯谢芯谐 斜褘谢. 袙褋械 褔褌芯 锌褉芯懈褋褏芯写懈褌 褋 谢褞写褜屑懈 锌芯薪褟褌薪芯. 袩芯薪褟褌薪芯 芯褌泻褍写邪 斜械褉褍褌褋褟 懈褏 锌芯褋褌褍锌泻懈, 褋谢芯胁邪, 写械泄褋褌胁懈褟. 袩芯薪褟褌薪芯 泻邪泻 胁 泻邪泻芯泄-褌芯 屑芯屑械薪褌, 胁褋械 锌褉械胁褉邪褖邪械褌褋褟 胁 泻邪褕褍 懈 胁褘锌谢械褋泻懈胁邪械褌褋褟 薪邪褉褍卸褍. 袠 胁褋械 褝褌芯 褉邪蟹薪褘械 谢褞写懈 懈 谢褞写懈褕泻懈, 褋芯 褋胁芯懈屑懈 薪懈蟹屑械薪薪褘屑懈 懈薪褌械褉械褋邪屑懈. 校胁褘, 胁褘褋芯泻懈褏 懈薪褌械褉械褋芯胁 胁 写邪薪薪芯泄 懈褋褌芯褉懈懈 薪械 斜褘谢芯.
锟斤拷-褌褉械褌褜懈褏 - 袨 卸械薪褖懈薪褘, 胁邪屑 懈屑褟 胁械褉芯谢芯屑褋褌胁芯!
袩褉芯 褝褌芯 褌芯卸械 胁 写邪薪薪芯屑 锌褉芯懈蟹胁械写械薪懈懈 械褋褌褜. 袠 薪邪褋, 屑械卸写褍 锌褉芯褔懈屑 邪胁褌芯褉 褔械褉械蟹 袧邪蟹邪薪褋泻芯谐芯 芯 褌邪泻芯屑 锌芯胁芯褉芯褌械 锌褉械写褍锌褉械卸写邪械褌. 袦芯谢 胁褘 泻邪泻 褏芯褌懈褌械, 薪芯 斜谢邪谐芯褉芯写薪褘褏 写邪屑 褋 胁褘褋芯泻懈屑懈 褑械谢褟屑懈 懈 懈薪褌械褉械褋邪屑懈 薪械 写谢褟 褋械斜褟, 邪 写谢褟 袘芯谐邪 懈 袨褌械褔械褋褌胁邪, 蟹写械褋褜 薪械 斜褍写械褌. 袟写械褋褜 斜褍写褍褌 写邪屑芯褔泻懈, 泻芯褌芯褉褘械 褏芯褌褟褌 斜褘褌褜 斜谢邪谐芯褉芯写薪褘屑懈, 泻褉邪褋懈胁褘屑懈, 谢褞斜懈屑褘屑懈, 泻芯褌芯褉褘械 胁褉褍褌 写褉褍谐懈屑 懈 褋械斜械. 袣芯褌芯褉褘械 锌褉懈泻褉褘胁邪褞褌褋褟 斜谢邪谐芯褉芯写褋褌胁芯屑, 邪 薪邪 褋邪屑芯屑 写械谢械... 袗 薪邪 褋邪屑芯屑 写械谢械 - 褔懈褌邪泄 褉邪锌芯褉褌 胁 泻芯薪褑械 泻薪懈谐懈, 胁芯褌 芯薪芯 懈褏 斜谢邪谐芯褉芯写褋褌胁芯.
袣芯薪械褔薪芯, 屑芯卸薪芯 褋泻邪蟹邪褌褜, 褔褌芯 胁褋械 褝褌芯 薪械 卸械薪褋泻懈褏 褉褍泻 写械谢芯, 邪 芯褔械薪褜 写邪卸械 屑褍卸褋泻懈褏, 薪芯 泻薪懈卸泻褍-褌芯 屑褘 褔懈褌邪谢懈 褋 褋邪屑芯谐芯 薪邪褔邪谢邪, 胁褋械 褔褌芯 褋泻褉褘胁邪谢芯褋褜 蟹邪 蟹邪泻褉褘褌褘屑懈 写胁械褉褜屑懈 屑褘 蟹薪邪械屑.
袣芯薪械褔薪芯, 械褋谢懈 斜褘 褍 屑褍卸褔懈薪褘 斜褘谢芯 "孝袨" 斜谢邪谐芯褉芯写褋褌胁芯, 泻芯褌芯褉芯械 薪邪屑 褌邪泻 薪褉邪胁懈褌褋褟, 褌邪泻 谢褞斜褟褌 芯锌懈褋褘胁邪褌褜 锌芯褉芯泄 锌芯褝褌褘, 褌芯 懈 褉邪锌芯褉褌 斜褘谢 写褉褍谐懈屑 懈 胁芯芯斜褖械 屑薪芯谐芯 褔械谐芯 薪械 锌褉芯懈蟹芯褕谢芯 斜褘, 薪芯 屑褘 卸械 锌芯屑薪懈屑: "袠 胁褋械 褝褌芯 褉邪蟹薪褘械 谢褞写懈 懈 谢褞写懈褕泻懈, 褋芯 褋胁芯懈屑懈 薪懈蟹屑械薪薪褘屑懈 懈薪褌械褉械褋邪屑懈. 校胁褘, 胁褘褋芯泻懈褏 懈薪褌械褉械褋芯胁 胁 写邪薪薪芯泄 懈褋褌芯褉懈懈 薪械 斜褘谢芯. "
袨卸懈写邪械屑褘泄 褎懈薪邪谢. 啸芯褌械谢芯褋褜 斜褘 懈薪邪褔械? 袛邪, 褏芯褌械谢芯褋褜 斜褘, 薪芯 懈薪邪褔械 胁 褌邪泻芯屑 谐邪写褞褕薪懈泻械 锌褉芯褋褌芯 薪械 胁褘褕谢芯 斜褘.
袗 械褖械, 褝褌芯 薪邪胁械褉薪芯械, 胁-褔械褌胁械褉褌褘褏, 斜褘谢邪 胁 泻薪懈谐械 锌褉械泻褉邪褋薪邪褟 胁械褖褜, 泻芯褌芯褉邪褟 谐芯胁芯褉懈谢邪 芯 褌芯屑, 褔褌芯 泻邪泻 斜褘 锌谢芯褏芯 薪械 斜褘谢芯, 斜褘谢懈 褏芯褉芯褕懈械 懈薪懈褑懈邪褌懈胁褘, 薪邪屑 斜褘 褋械泄褔邪褋 褌邪泻. 袧械 褌邪泻 褔褌芯斜褘 蟹谢芯械斜褍褔懈泄 褋胁褟褖械薪懈泻 胁褋械褏 芯泻褉芯锌懈谢 薪械 谐谢褟写褟 薪邪 胁械褉褍, 邪 褔褌芯斜褘 泻邪卸写邪褟 胁械褉邪 锌褉懈褋褟谐薪褍胁褕械谐芯 胁褋械 卸械 斜褘谢邪 褍褔褌械薪邪.
袗 锌褉懈薪懈屑邪谢 芯薪 锌褉懈褋褟谐褍 写械泄褋褌胁懈褌械谢褜薪芯 胁械褋褜屑邪 芯褉懈谐懈薪邪谢褜薪芯. 袙 褌芯 胁褉械屑褟 泻芯谐写邪 褎芯褉屑褍谢褍 锌褉懈褋褟谐懈 褔懈褌邪谢 锌褉邪胁芯褋谢邪胁薪褘屑 鈥� 褋胁褟褖械薪薪懈泻, 泻邪褌芯谢懈泻邪屑 鈥� 泻褋械薪写蟹, 械胁褉械褟屑 鈥� 褉邪胁胁懈薪, 锌褉芯褌械褋褌邪薪褌邪屑, 蟹邪 薪械懈屑械薪懈械屑 锌邪褋褌芯褉邪 鈥� 褕褌邪斜褋-泻邪锌懈褌邪薪 袛懈褑, 邪 屑邪谐芯屑械褌邪薪邪屑 鈥� 锌芯褉褍褔懈泻 袘械泻-袗谐邪屑邪谢芯胁, 鈥� 褋 袚邪泄薪邪薪芯屑 斜褘谢邪 褋芯胁褋械屑 芯褋芯斜邪褟 懈褋褌芯褉懈褟.
袣邪卸写芯屑褍 褋胁芯械, 褔褌芯斜褘 泻邪卸写褘泄 褔褍胁褋褌胁芯胁邪谢 褋械斜褟 褔械谢芯胁械泻芯屑. 孝芯谢褜泻芯 薪邪褕械屑褍 褋械谐芯写薪褟褕薪械屑褍 谐芯褋褍写邪褉褋褌胁褍, 褝褌芯 锌芯褏芯卸械 薪械 薪邪写芯...
袨泄, 懈 泻邪泻 薪械 褋泻邪蟹邪褌褜 芯 褌芯屑, 褔褌芯 褟 谢褞斜谢褞 褋褌懈谢褜 泻谢邪褋褋懈褔械褋泻芯泄 谢懈褌械褉邪褌褍褉褘. 袨薪 芯斜褗械屑械薪, 褋谢芯胁邪 芯泻褉褍谐谢褘. 袩芯褋褌褉芯械薪懈械 锌褉械写谢芯卸械薪懈泄 褉邪蟹屑邪褕懈褋褌芯. 协褌芯 薪械 芯斜褉褍斜泻懈 芯褌 锌褉械写谢芯卸械薪懈泄, 褝褌芯 写械泄褋褌胁懈褌械谢褜薪芯 泻褉邪褋懈胁褘械 褋褌褉芯泄薪褘械 锌褉械写谢芯卸械薪懈褟. 袨薪懈 薪械 泻褍褑褘, 芯薪懈 薪械褋褍褌 胁 褋械斜械 懈 懈薪褎芯褉屑邪褑懈褞 懈 泻褉邪褋芯褌褍, 泻邪泻 褋谢芯胁邪, 褌邪泻 懈 褌芯谐芯 褔褌芯 芯锌懈褋褘胁邪械褌 邪胁褌芯褉 懈谢懈 卸械 褍斜芯卸械褋褌胁芯, 谢卸懈胁芯褋褌褜, 褌芯谐芯 褔褌芯 芯锌懈褋褘胁邪械褌 邪胁褌芯褉. 协褌芯 芯褌写械谢褜薪芯械 薪邪褋谢邪卸写械薪懈械 褔懈褌邪褌褜 褌邪泻芯泄 胁褘褋褌褉芯械薪薪褘泄 褌械泻褋褌. 袞邪谢褜, 褔褌芯 褌械泻褋褌 薪械 芯 褔械屑-褌芯 褏芯褉芯褕械屑...
February 27, 2025
Aleksandr Kuprin. The Duel.
螤蠈蟽慰 尉蠈未蔚渭伪...螣 维谓胃蟻蠅蟺慰蟼 渭慰喂维味蔚喂 谓伪 蔚蟺喂未委未蔚蟿伪喂 蟽蔚 苇谓伪 渭蔚蟿维 渭伪谓委伪蟼 "尉蠈未蔚渭伪" 伪蟺蠈 蟿蠈蟿蔚 蟺慰蠀 维蟻蠂喂蟽蔚 谓伪 魏蔚蟻未委味蔚喂 苇未伪蠁慰蟼 蟽蟿慰 胃苇渭伪 蟿畏蟼 蔚蟺喂尾委蠅蟽畏蟼. 螠蠈位喂蟼 魏伪蟿伪魏蟿维 蟿慰 渭蔚纬伪位蠉蟿蔚蟻慰 魏慰渭渭维蟿喂 蟿慰蠀 伪纬蠋谓伪 蟿畏蟼 蔚蟺喂尾委蠅蟽畏蟼, 蟺蔚蟻谓维 蟽蟿慰谓 伪纬蠋谓伪 蟿畏蟼 蔚蟺喂魏蟻维蟿畏蟽畏蟼 魏伪喂 蟿蠈蟿蔚 尉蔚魏喂谓维 渭委伪 伪蟿蔚位蔚委蠅蟿畏 蟺蟻慰蟽蟺维胃蔚喂伪 谓伪 尉蔚蠂维蟽蔚喂 魏伪喂 谓伪 尉蔚蠂伪蟽蟿蔚委. 螢慰未蔚蠉蔚喂 伪未喂维魏慰蟺伪 蔚谓苇蟻纬蔚喂伪 蟽蔚 蠈,蟿喂 尾位伪魏蔚委伪 (魏蠀蟻喂慰位蔚魏蟿蠋) 蠀蟺维蟻蠂蔚喂 蟺蟻慰魏蔚喂渭苇谓慰蠀 谓伪 尾慰位苇蠄蔚喂 蟿畏 蟽蠀谓蔚委未畏蟽萎 蟿慰蠀 蟺慰蠀 蟿慰谓 蟿蟻蠋蔚喂 伪蟽蟿伪渭维蟿畏蟿伪 纬喂伪蟿委 魏维蟿喂 渭苇蟽伪 蟿慰蠀 尉苇蟻蔚喂 蟺蠅蟼 慰喂 蔚蟺喂位慰纬苇蟼 蟿慰蠀 蔚委谓伪喂 纬喂伪 蟿慰 "蠁伪委谓蔚蟽胃伪喂" 魏伪喂 蠈蠂喂 蟿慰 "蔚委谓伪喂". 螤慰蠉 魏伪喂 蟺慰蠉 伪蠀蟿蠈 蟿慰 蔚蟽蠅蟿蔚蟻喂魏蠈 尉蔚尾蠈位蔚渭伪 蟺慰蠀 蟿慰蠀 蠄喂胃蠀蟻委味蔚喂 蟽蟿慰 伪蠀蟿委 魏伪位位喂蔚蟻纬蔚委 渭喂伪 蔚蟺伪谓维蟽蟿伪蟽畏 渭苇蟽伪 蟿慰蠀 魏伪喂 伪谓蟿喂未蟻维. 螁位位蔚蟼 蠁慰蟻苇蟼 蟺畏纬伪委谓蔚喂 蟽蔚 苇谓伪 魏维蟺慰喂慰 尾维胃慰蟼 魏伪喂 尾蟻委蟽魏蔚喂 魏维蟿喂 蟺慰蠀 渭慰喂维味蔚喂 渭蔚 蟽畏渭伪谓蟿喂魏蠈, 渭蔚 喂未伪谓喂魏蠈, 渭蔚 伪尉委伪鈥� 蟿慰蠀 伪蟺慰未委未蔚喂, 位慰喂蟺蠈谓, 蟽蔚尾伪蟽渭蠈 渭蔚 蠈蟺慰喂慰谓 蟿蟻蠈蟺慰 蟿伪喂蟻喂维味蔚喂 蟽蟿畏谓 喂未喂慰蟽蠀纬魏蟻伪蟽委伪 蟿慰蠀 魏伪喂 蟺伪位蔚蠉蔚喂 纬喂伪 魏维蟿喂 未喂伪蠁慰蟻蔚蟿喂魏蠈, 委蟽蠅蟼 渭蔚纬伪位蠉蟿蔚蟻慰 伪蟺蠈 蟿慰谓 委未喂慰. 螁位位蔚蟼 蠁慰蟻苇蟼 畏 蔚蟺伪谓维蟽蟿伪蟽畏 魏伪蟿伪蟽蟿蟻伪蟿畏纬蔚委蟿伪喂 伪蟺蠈 蟿慰 蟽蠀渭蠁苇蟻慰谓 (蠈蠂喂 伪蟺伪蟻伪委蟿畏蟿伪 蟿慰蠀 委未喂慰蠀), 蔚委谓伪喂 魏慰蠀蟿蟽慰蠀蟻蔚渭苇谓畏, 蠁蟿蠅蠂萎 魏伪喂 渭委味蔚蟻畏 魏伪喂 蔚尉蠀蟺畏蟻蔚蟿蔚委 蟿蔚位喂魏维 蟿慰谓 渭喂魏蟻慰伪蟺伪蟿伪喂蠋谓伪 渭苇蟽伪 蟿慰蠀. 螁位位蔚蟼 畏 蔚蟺伪谓维蟽蟿伪蟽畏 蟺谓委纬蔚蟿伪喂 蟺蟻喂谓 尉蔚魏喂谓萎蟽蔚喂, 魏伪蟿伪蟽蟿苇位位蔚蟿伪喂 蟺伪蟻伪蠂蟻萎渭伪, 魏伪喂 维谓蟿蔚, 蟺维位喂, 伪蟺 蟿畏谓 伪蟻蠂萎, 纬喂伪蟿委, 蠈蟺蠅蟼 位苇蔚喂 魏伪喂 蟿慰 蟿蟻伪纬慰蠉未喂 "尉伪谓维 伪蟺蠈 蟿畏谓 伪蟻蠂萎 魏伪喂 蟺维位喂, 慰 蠂蟻蠈谓慰蟼 蔚委谓伪喂 苇谓伪 胃位喂渭渭苇谓慰 魏伪蟻谓伪尾维位喂".
螕喂伪蟿委 蠈位慰蟼 伪蠀蟿蠈蟼 慰 蟺蟻慰蟽蠅蟺喂魏蠈蟼 蟺蟻蠈位慰纬慰蟼 伪谓蟿委 谓伪 蟺蔚蟻维蟽蠅 伪蟺蔚蠀胃蔚委伪蟼 蟽蟿慰 尾喂尾位委慰; 螕喂伪蟿委 伪蠀蟿苇蟼 蟿喂蟼 蟽魏苇蠄蔚喂蟼 渭慰蠀 纬苇谓谓畏蟽伪谓 慰喂 蟽蔚位委未蔚蟼 蟿慰蠀, 纬喂伪蟿委 慰喂 蟻蠋蟽慰喂 位慰纬慰蟿苇蠂谓蔚蟼 蔚委谓伪喂 蔚魏蟺位畏魏蟿喂魏慰委 渭伪苇蟽蟿蟻慰喂 蟽蟿畏 未畏渭喂慰蠀蟻纬喂魏萎 蔚魏渭蔚蟿维位位蔚蠀蟽畏 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 魏伪蟿蟻伪魏蠉位伪蟼, 蟿蠅谓 蔚谓蟽蟿委魏蟿蠅谓 蟺慰蠀 蠈蟽慰 魏喂 伪谓 蟺蟻慰蟽蟺伪胃慰蠉渭蔚 谓伪 蔚魏蟺慰位喂蟿委蟽慰蠀渭蔚 纬委谓慰谓蟿伪喂 畏 蟺蟻蠋蟿畏 渭伪蟼 蟺畏纬萎 伪蟺蠈 蠈蟺慰蠀 伪谓蟿位慰蠉渭蔚 蟿喂蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 渭伪蟼, 纬喂伪蟿委 慰喂 维蟿喂渭慰喂 伪蠀蟿慰委 未畏渭喂慰蠀蟻纬慰委 尉苇蟻慰蠀谓 蠈蟽慰 魏伪谓蔚委蟼 蟿畏谓 喂未喂慰蟽蠀纬魏蟻伪蟽委伪 渭伪蟼 蟽蔚 蠈位慰 蟿畏蟼 蟿慰 蔚蠉蟻慰蟼 魏伪喂 未蔚谓 谓蟿蟻苇蟺慰谓蟿伪喂 谓伪 蟽蟿畏谓 蔚蟺喂魏慰喂谓蠅谓萎蟽慰蠀谓. 螕喂伪蟿委 魏伪蟿伪位伪尾伪委谓蔚喂蟼 蟺蠅蟼 蠈蟽慰 魏喂 伪谓 蔚蟽蠉 慰未蔚蠉蔚喂蟼 渭蔚 蟿慰 喂未伪谓喂魏蠈 (蟺慰蠀 位苇纬伪渭蔚 蟺伪蟻伪蟺维谓蠅) 蟽蟿畏谓 蟺位维蟿畏, 蠈蟽慰 蟺慰蟻蔚蠉蔚蟽伪喂 蟽蟿慰谓 委未喂慰 未蟻蠈渭慰 渭蔚 蟿慰蠀蟼 蠀蟺蠈位慰喂蟺慰蠀蟼 胃伪 蟽蔚 蠁维蔚喂 畏 渭伪蟻渭维纬魏伪 魏蠀蟻委蠅蟼, 伪谓 未蔚谓 魏伪蟿伪位维尾蔚喂蟼 蟺蠅蟼 慰蠁蔚委位蔚喂蟼 谓伪 纬委谓蔚喂蟼 蟺喂慰 蟽魏位畏蟻@ 魏伪喂 谓伪 魏蟻伪蟿萎蟽蔚喂蟼 蟿畏谓 蔚蠀蟽蠀谓蔚喂未畏蟽委伪 蟽慰蠀 纬喂伪 蟿喂蟼 蟽蠅蟽蟿苇蟼 蟽蠀谓胃萎魏蔚蟼, 魏喂 蠈蠂喂 蠈蟺慰蠀 谓伪 谓伪喂, 纬喂伪蟿委 蟺维蔚喂 蟿蟽维渭蟺伪. 韦蠋蟻伪, 蟺蟻慰蟽蠅蟺喂魏萎 维蟺慰蠄畏, 胃蔚蠅蟻蠋 蟺蠅蟼 谓慰渭慰蟿蔚位蔚喂伪魏维 胃伪 苇蟻胃蔚喂 畏 蠋蟻伪 蟺慰蠀 魏维胃蔚 喂未伪谓喂魏蠈 胃伪 蟽蔚 蟺蟻慰未蠋蟽蔚喂, 慰蟺蠈蟿蔚 魏维谓蟿蔚 蟿伪 魏慰蠀渭维谓蟿伪 蟽伪蟼!
危蟿慰 尾喂尾位委慰 蟺维位喂,
蠀蟺维蟻蠂慰蠀谓 蟽畏渭蔚委伪 蟿慰蠀, 未喂维位慰纬慰喂-蟺蟻伪纬渭伪蟿喂魏维 蠄蠀蠂喂魏维, 渭慰喂蟻维蟽渭伪蟿伪, 魏伪喂 蟽魏苇蠄蔚喂蟼-渭慰谓蠈位慰纬慰喂 蟿慰蠀 魏蔚谓蟿蟻喂魏慰蠉 萎蟻蠅伪 蟺慰蠀 胃伪 维尉喂味伪谓 谓蠈渭蟺蔚位!
螤蠈蟽慰 尉蠈未蔚渭伪...螣 维谓胃蟻蠅蟺慰蟼 渭慰喂维味蔚喂 谓伪 蔚蟺喂未委未蔚蟿伪喂 蟽蔚 苇谓伪 渭蔚蟿维 渭伪谓委伪蟼 "尉蠈未蔚渭伪" 伪蟺蠈 蟿蠈蟿蔚 蟺慰蠀 维蟻蠂喂蟽蔚 谓伪 魏蔚蟻未委味蔚喂 苇未伪蠁慰蟼 蟽蟿慰 胃苇渭伪 蟿畏蟼 蔚蟺喂尾委蠅蟽畏蟼. 螠蠈位喂蟼 魏伪蟿伪魏蟿维 蟿慰 渭蔚纬伪位蠉蟿蔚蟻慰 魏慰渭渭维蟿喂 蟿慰蠀 伪纬蠋谓伪 蟿畏蟼 蔚蟺喂尾委蠅蟽畏蟼, 蟺蔚蟻谓维 蟽蟿慰谓 伪纬蠋谓伪 蟿畏蟼 蔚蟺喂魏蟻维蟿畏蟽畏蟼 魏伪喂 蟿蠈蟿蔚 尉蔚魏喂谓维 渭委伪 伪蟿蔚位蔚委蠅蟿畏 蟺蟻慰蟽蟺维胃蔚喂伪 谓伪 尉蔚蠂维蟽蔚喂 魏伪喂 谓伪 尉蔚蠂伪蟽蟿蔚委. 螢慰未蔚蠉蔚喂 伪未喂维魏慰蟺伪 蔚谓苇蟻纬蔚喂伪 蟽蔚 蠈,蟿喂 尾位伪魏蔚委伪 (魏蠀蟻喂慰位蔚魏蟿蠋) 蠀蟺维蟻蠂蔚喂 蟺蟻慰魏蔚喂渭苇谓慰蠀 谓伪 尾慰位苇蠄蔚喂 蟿畏 蟽蠀谓蔚委未畏蟽萎 蟿慰蠀 蟺慰蠀 蟿慰谓 蟿蟻蠋蔚喂 伪蟽蟿伪渭维蟿畏蟿伪 纬喂伪蟿委 魏维蟿喂 渭苇蟽伪 蟿慰蠀 尉苇蟻蔚喂 蟺蠅蟼 慰喂 蔚蟺喂位慰纬苇蟼 蟿慰蠀 蔚委谓伪喂 纬喂伪 蟿慰 "蠁伪委谓蔚蟽胃伪喂" 魏伪喂 蠈蠂喂 蟿慰 "蔚委谓伪喂". 螤慰蠉 魏伪喂 蟺慰蠉 伪蠀蟿蠈 蟿慰 蔚蟽蠅蟿蔚蟻喂魏蠈 尉蔚尾蠈位蔚渭伪 蟺慰蠀 蟿慰蠀 蠄喂胃蠀蟻委味蔚喂 蟽蟿慰 伪蠀蟿委 魏伪位位喂蔚蟻纬蔚委 渭喂伪 蔚蟺伪谓维蟽蟿伪蟽畏 渭苇蟽伪 蟿慰蠀 魏伪喂 伪谓蟿喂未蟻维. 螁位位蔚蟼 蠁慰蟻苇蟼 蟺畏纬伪委谓蔚喂 蟽蔚 苇谓伪 魏维蟺慰喂慰 尾维胃慰蟼 魏伪喂 尾蟻委蟽魏蔚喂 魏维蟿喂 蟺慰蠀 渭慰喂维味蔚喂 渭蔚 蟽畏渭伪谓蟿喂魏蠈, 渭蔚 喂未伪谓喂魏蠈, 渭蔚 伪尉委伪鈥� 蟿慰蠀 伪蟺慰未委未蔚喂, 位慰喂蟺蠈谓, 蟽蔚尾伪蟽渭蠈 渭蔚 蠈蟺慰喂慰谓 蟿蟻蠈蟺慰 蟿伪喂蟻喂维味蔚喂 蟽蟿畏谓 喂未喂慰蟽蠀纬魏蟻伪蟽委伪 蟿慰蠀 魏伪喂 蟺伪位蔚蠉蔚喂 纬喂伪 魏维蟿喂 未喂伪蠁慰蟻蔚蟿喂魏蠈, 委蟽蠅蟼 渭蔚纬伪位蠉蟿蔚蟻慰 伪蟺蠈 蟿慰谓 委未喂慰. 螁位位蔚蟼 蠁慰蟻苇蟼 畏 蔚蟺伪谓维蟽蟿伪蟽畏 魏伪蟿伪蟽蟿蟻伪蟿畏纬蔚委蟿伪喂 伪蟺蠈 蟿慰 蟽蠀渭蠁苇蟻慰谓 (蠈蠂喂 伪蟺伪蟻伪委蟿畏蟿伪 蟿慰蠀 委未喂慰蠀), 蔚委谓伪喂 魏慰蠀蟿蟽慰蠀蟻蔚渭苇谓畏, 蠁蟿蠅蠂萎 魏伪喂 渭委味蔚蟻畏 魏伪喂 蔚尉蠀蟺畏蟻蔚蟿蔚委 蟿蔚位喂魏维 蟿慰谓 渭喂魏蟻慰伪蟺伪蟿伪喂蠋谓伪 渭苇蟽伪 蟿慰蠀. 螁位位蔚蟼 畏 蔚蟺伪谓维蟽蟿伪蟽畏 蟺谓委纬蔚蟿伪喂 蟺蟻喂谓 尉蔚魏喂谓萎蟽蔚喂, 魏伪蟿伪蟽蟿苇位位蔚蟿伪喂 蟺伪蟻伪蠂蟻萎渭伪, 魏伪喂 维谓蟿蔚, 蟺维位喂, 伪蟺 蟿畏谓 伪蟻蠂萎, 纬喂伪蟿委, 蠈蟺蠅蟼 位苇蔚喂 魏伪喂 蟿慰 蟿蟻伪纬慰蠉未喂 "尉伪谓维 伪蟺蠈 蟿畏谓 伪蟻蠂萎 魏伪喂 蟺维位喂, 慰 蠂蟻蠈谓慰蟼 蔚委谓伪喂 苇谓伪 胃位喂渭渭苇谓慰 魏伪蟻谓伪尾维位喂".
螕喂伪蟿委 蠈位慰蟼 伪蠀蟿蠈蟼 慰 蟺蟻慰蟽蠅蟺喂魏蠈蟼 蟺蟻蠈位慰纬慰蟼 伪谓蟿委 谓伪 蟺蔚蟻维蟽蠅 伪蟺蔚蠀胃蔚委伪蟼 蟽蟿慰 尾喂尾位委慰; 螕喂伪蟿委 伪蠀蟿苇蟼 蟿喂蟼 蟽魏苇蠄蔚喂蟼 渭慰蠀 纬苇谓谓畏蟽伪谓 慰喂 蟽蔚位委未蔚蟼 蟿慰蠀, 纬喂伪蟿委 慰喂 蟻蠋蟽慰喂 位慰纬慰蟿苇蠂谓蔚蟼 蔚委谓伪喂 蔚魏蟺位畏魏蟿喂魏慰委 渭伪苇蟽蟿蟻慰喂 蟽蟿畏 未畏渭喂慰蠀蟻纬喂魏萎 蔚魏渭蔚蟿维位位蔚蠀蟽畏 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 魏伪蟿蟻伪魏蠉位伪蟼, 蟿蠅谓 蔚谓蟽蟿委魏蟿蠅谓 蟺慰蠀 蠈蟽慰 魏喂 伪谓 蟺蟻慰蟽蟺伪胃慰蠉渭蔚 谓伪 蔚魏蟺慰位喂蟿委蟽慰蠀渭蔚 纬委谓慰谓蟿伪喂 畏 蟺蟻蠋蟿畏 渭伪蟼 蟺畏纬萎 伪蟺蠈 蠈蟺慰蠀 伪谓蟿位慰蠉渭蔚 蟿喂蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 渭伪蟼, 纬喂伪蟿委 慰喂 维蟿喂渭慰喂 伪蠀蟿慰委 未畏渭喂慰蠀蟻纬慰委 尉苇蟻慰蠀谓 蠈蟽慰 魏伪谓蔚委蟼 蟿畏谓 喂未喂慰蟽蠀纬魏蟻伪蟽委伪 渭伪蟼 蟽蔚 蠈位慰 蟿畏蟼 蟿慰 蔚蠉蟻慰蟼 魏伪喂 未蔚谓 谓蟿蟻苇蟺慰谓蟿伪喂 谓伪 蟽蟿畏谓 蔚蟺喂魏慰喂谓蠅谓萎蟽慰蠀谓. 螕喂伪蟿委 魏伪蟿伪位伪尾伪委谓蔚喂蟼 蟺蠅蟼 蠈蟽慰 魏喂 伪谓 蔚蟽蠉 慰未蔚蠉蔚喂蟼 渭蔚 蟿慰 喂未伪谓喂魏蠈 (蟺慰蠀 位苇纬伪渭蔚 蟺伪蟻伪蟺维谓蠅) 蟽蟿畏谓 蟺位维蟿畏, 蠈蟽慰 蟺慰蟻蔚蠉蔚蟽伪喂 蟽蟿慰谓 委未喂慰 未蟻蠈渭慰 渭蔚 蟿慰蠀蟼 蠀蟺蠈位慰喂蟺慰蠀蟼 胃伪 蟽蔚 蠁维蔚喂 畏 渭伪蟻渭维纬魏伪 魏蠀蟻委蠅蟼, 伪谓 未蔚谓 魏伪蟿伪位维尾蔚喂蟼 蟺蠅蟼 慰蠁蔚委位蔚喂蟼 谓伪 纬委谓蔚喂蟼 蟺喂慰 蟽魏位畏蟻@ 魏伪喂 谓伪 魏蟻伪蟿萎蟽蔚喂蟼 蟿畏谓 蔚蠀蟽蠀谓蔚喂未畏蟽委伪 蟽慰蠀 纬喂伪 蟿喂蟼 蟽蠅蟽蟿苇蟼 蟽蠀谓胃萎魏蔚蟼, 魏喂 蠈蠂喂 蠈蟺慰蠀 谓伪 谓伪喂, 纬喂伪蟿委 蟺维蔚喂 蟿蟽维渭蟺伪. 韦蠋蟻伪, 蟺蟻慰蟽蠅蟺喂魏萎 维蟺慰蠄畏, 胃蔚蠅蟻蠋 蟺蠅蟼 谓慰渭慰蟿蔚位蔚喂伪魏维 胃伪 苇蟻胃蔚喂 畏 蠋蟻伪 蟺慰蠀 魏维胃蔚 喂未伪谓喂魏蠈 胃伪 蟽蔚 蟺蟻慰未蠋蟽蔚喂, 慰蟺蠈蟿蔚 魏维谓蟿蔚 蟿伪 魏慰蠀渭维谓蟿伪 蟽伪蟼!
危蟿慰 尾喂尾位委慰 蟺维位喂,
蠀蟺维蟻蠂慰蠀谓 蟽畏渭蔚委伪 蟿慰蠀, 未喂维位慰纬慰喂-蟺蟻伪纬渭伪蟿喂魏维 蠄蠀蠂喂魏维, 渭慰喂蟻维蟽渭伪蟿伪, 魏伪喂 蟽魏苇蠄蔚喂蟼-渭慰谓蠈位慰纬慰喂 蟿慰蠀 魏蔚谓蟿蟻喂魏慰蠉 萎蟻蠅伪 蟺慰蠀 胃伪 维尉喂味伪谓 谓蠈渭蟺蔚位!
December 28, 2019
Read as an ebook. Melville House has an "Art of the Novella" series, which includes 5 titles of "The Duel", by 5 different late 19th/early 20th C authors. You can put them together yourself for less than the Melvile editions cost.
This is hard to fit in as a "novella" - page estimates go anywhere from 140 pp to 340 pp. It felt more like the latter to me.
Kuprin lead quite a life, and drank way too much. Admired by Chekhov, and once considered only second to Gorky, his later in life work suffered greatly. This was his "breakout" novel, and obviously caused quite a stir. He was in the service at the time of publication, and was "gently" forced out after this expose of the evils of the Tsarist Russian Army.
I had to slog through the first third, mostly filled with interior dialog charatcter development and some now hugely outdated late 19th C Ideas. But then the action finally picks up. We get some more Ideas towards the end, cringe worthy. Mankind is becoming more educated and aware, and Man will see through his Ego to take care of himself first, self-preservation, and War will end. Does not help that these Ideas are presented by an alcoholic officer who has the shakes!
And the woman the main character, a mere 21, loves - what a piece of work! "Unh, you have to put your life on the lone in duel, because if you just walk away there will still be questions about my honor, and my husband will never be promoted...." Oh-kay!
I will read some more Kuprin - I have another "novella" (we'll see how short this one is!), a very short book of travlel sketchs, and a book of short stories. But no, there is a reason he is not read more widely today, has not aged well at all.
This is hard to fit in as a "novella" - page estimates go anywhere from 140 pp to 340 pp. It felt more like the latter to me.
Kuprin lead quite a life, and drank way too much. Admired by Chekhov, and once considered only second to Gorky, his later in life work suffered greatly. This was his "breakout" novel, and obviously caused quite a stir. He was in the service at the time of publication, and was "gently" forced out after this expose of the evils of the Tsarist Russian Army.
I had to slog through the first third, mostly filled with interior dialog charatcter development and some now hugely outdated late 19th C Ideas. But then the action finally picks up. We get some more Ideas towards the end, cringe worthy. Mankind is becoming more educated and aware, and Man will see through his Ego to take care of himself first, self-preservation, and War will end. Does not help that these Ideas are presented by an alcoholic officer who has the shakes!
And the woman the main character, a mere 21, loves - what a piece of work! "Unh, you have to put your life on the lone in duel, because if you just walk away there will still be questions about my honor, and my husband will never be promoted...." Oh-kay!
I will read some more Kuprin - I have another "novella" (we'll see how short this one is!), a very short book of travlel sketchs, and a book of short stories. But no, there is a reason he is not read more widely today, has not aged well at all.
May 23, 2024
Servis yolculu臒umda bitirdi臒im ikinci kitab谋m. Kitab谋 okumak i莽in servise binmeyi iple 莽ektim diyebilirim 莽ok s眉r眉kleyici bir kitapt谋.
Romo艧ov鈥檜n ne istedi臒inden habersiz girdi臒i subay okulundan ba艧l谋yor bir 艧eyler oturmamaya..Bulundu臒u yere, konuma kendisini ait hissedemeyen, hayatta farkl谋 hi莽bir deneyimi olmad谋臒谋 i莽in elinden askerlik d谋艧谋nda bir 艧ey gelece臒ini d眉艧眉nmeyen, kendi i莽erisinde kendini bulamayan, elinde olan 艧eylerden vazge莽emeye cesaret edemeyen Romo艧ov belkide i莽erisinde bulundu臒u bo艧luk sebebiyle kendisini a艧谋k sand谋臒谋 艦uro莽ka i莽in ucu karanl谋k bir d眉elloya giriyor.
Asl谋nda hayat谋n谋n b眉t眉n sorunlar谋, mutsuzluklar谋 onu Nikoloyev ile subay gazinosundaki kavgaya itiyor. D谋艧ar谋ya 莽谋karamad谋臒谋 duygular谋, ya艧ayamad谋臒谋 sevgi 艧iddet olarak ortaya 莽谋k谋yor ve maalesefki Martin Eden鈥� in kald谋臒谋 aidiyetsizlik duygusu sonucunda oldu臒u gibi 枚l眉m 艧ekilleri farkl谋 olsada hakedilmemi艧 bir 枚l眉mle sonu莽lan谋yor.
Asl谋nda herkesin hayat谋nda b枚ylesi durumlar ya艧anabiliyor , bazen daha 莽abuk reaksiyonu al谋n谋p o bo艧luktan 莽谋k谋labilirken bazen bu s眉re莽 daha da uzun olabiliyor. Unutmamak gerekir ki hayata bir kere geliniyor ve hayatta kalmak de臒ilde ya艧amak 枚nemli olan..Bir 艧eylere cesaret edebilmek, kabu臒umuzu k谋rabilmek, bir 艧eylerden vazge莽ebilmek ve yenilerine a莽谋k olabilmek, kendimiz i莽in 莽ok do臒ru oldu臒unu d眉艧眉nd眉臒眉m眉z 艧eyin asl谋nda bizim i莽in belkide do臒ru olamayaca臒谋n谋 g枚rebilmek ve o yolu tekrar 莽izebilme cesaretini g枚sterip beyaz sayfalar a莽abilmek gereklidir.
Ak谋艧ta savrulmak de臒ilde a b c planlar谋yla beraber ak谋艧a g眉venmek gerekir..
鈥淏inlerce odas谋 olan kocaman bir yap谋ya benzer hayat; her bir odas谋nda 谋艧谋k, 艧ark谋, muhte艧em tablolar ve zarif insanlar, kahkahalar, danslar, a艧k; sanattaki y眉ce ve kudretli her 艧ey.鈥�
Romo艧ov鈥檜n ne istedi臒inden habersiz girdi臒i subay okulundan ba艧l谋yor bir 艧eyler oturmamaya..Bulundu臒u yere, konuma kendisini ait hissedemeyen, hayatta farkl谋 hi莽bir deneyimi olmad谋臒谋 i莽in elinden askerlik d谋艧谋nda bir 艧ey gelece臒ini d眉艧眉nmeyen, kendi i莽erisinde kendini bulamayan, elinde olan 艧eylerden vazge莽emeye cesaret edemeyen Romo艧ov belkide i莽erisinde bulundu臒u bo艧luk sebebiyle kendisini a艧谋k sand谋臒谋 艦uro莽ka i莽in ucu karanl谋k bir d眉elloya giriyor.
Asl谋nda hayat谋n谋n b眉t眉n sorunlar谋, mutsuzluklar谋 onu Nikoloyev ile subay gazinosundaki kavgaya itiyor. D谋艧ar谋ya 莽谋karamad谋臒谋 duygular谋, ya艧ayamad谋臒谋 sevgi 艧iddet olarak ortaya 莽谋k谋yor ve maalesefki Martin Eden鈥� in kald谋臒谋 aidiyetsizlik duygusu sonucunda oldu臒u gibi 枚l眉m 艧ekilleri farkl谋 olsada hakedilmemi艧 bir 枚l眉mle sonu莽lan谋yor.
Asl谋nda herkesin hayat谋nda b枚ylesi durumlar ya艧anabiliyor , bazen daha 莽abuk reaksiyonu al谋n谋p o bo艧luktan 莽谋k谋labilirken bazen bu s眉re莽 daha da uzun olabiliyor. Unutmamak gerekir ki hayata bir kere geliniyor ve hayatta kalmak de臒ilde ya艧amak 枚nemli olan..Bir 艧eylere cesaret edebilmek, kabu臒umuzu k谋rabilmek, bir 艧eylerden vazge莽ebilmek ve yenilerine a莽谋k olabilmek, kendimiz i莽in 莽ok do臒ru oldu臒unu d眉艧眉nd眉臒眉m眉z 艧eyin asl谋nda bizim i莽in belkide do臒ru olamayaca臒谋n谋 g枚rebilmek ve o yolu tekrar 莽izebilme cesaretini g枚sterip beyaz sayfalar a莽abilmek gereklidir.
Ak谋艧ta savrulmak de臒ilde a b c planlar谋yla beraber ak谋艧a g眉venmek gerekir..
鈥淏inlerce odas谋 olan kocaman bir yap谋ya benzer hayat; her bir odas谋nda 谋艧谋k, 艧ark谋, muhte艧em tablolar ve zarif insanlar, kahkahalar, danslar, a艧k; sanattaki y眉ce ve kudretli her 艧ey.鈥�
August 29, 2024
A third-rate imitator of Leo Tolstoi. One gets the feeling that Kuprin lacks his own voice. 75% of the time he is trite and predictable and sometimes even silly. He does strive to create characters that are alive, but generally fails at this; Romashov, the narrator, is probably the best defined, likely because he represents Kuprin himself, but is still a rather muddled, vague character. The others come closer to sketches than real persons. The novel is, you could say, anti-war, but being anti-war is hardly an earthshaking revelation. There are scant insights of any depth, but the trite insights are presented as if the author believes they are profound.
The romance has an odd, banal quality to it. The love language of the lovers is cliched. The straining for dramatic effect is evident in the romance scenes, which descend into chestnuts of purple prose that lack genuine believability.
The text meanders with the addition of useless, superfluous material that doesn't advance the basic plot. Episodes supposed to illustrate garrison life but not integral to the action overrun the book; indeed, this is less of a plotted novel than simply a series of repetitive sketches of military life in barracks. The plot, where it exists, seems incidental. Way too much straining for effect, and too many forced metaphors, cringeworthy in places; the romance described seems mechanical, forced, superficial, a contrivance, and reeks of predictability. There is also too much implicit moralizing on military life being 'evil'.
Kuprin's strengths are that he is writing from experience, which adds a veneer of authenticity in places.
All the same, despite its flaws, the book still stays with you to some extent as a cross between a laudable effort and a grand failure.
The romance has an odd, banal quality to it. The love language of the lovers is cliched. The straining for dramatic effect is evident in the romance scenes, which descend into chestnuts of purple prose that lack genuine believability.
The text meanders with the addition of useless, superfluous material that doesn't advance the basic plot. Episodes supposed to illustrate garrison life but not integral to the action overrun the book; indeed, this is less of a plotted novel than simply a series of repetitive sketches of military life in barracks. The plot, where it exists, seems incidental. Way too much straining for effect, and too many forced metaphors, cringeworthy in places; the romance described seems mechanical, forced, superficial, a contrivance, and reeks of predictability. There is also too much implicit moralizing on military life being 'evil'.
Kuprin's strengths are that he is writing from experience, which adds a veneer of authenticity in places.
All the same, despite its flaws, the book still stays with you to some extent as a cross between a laudable effort and a grand failure.
July 4, 2018
This book had the best description of the stultifying life of a provincial garrison town that I have ever read, even better than The Radetzky March. Romashov is a great character, young, ambitious, but totally incapable, his head in the clouds. He deplores war and the senseless cruelty of army life, but he cannot escape the culture of honor that is at the foundation of life in the Russian officer corps. He craves love, but is totally unable to bring his love past the borderline of fantasy. In short, he is a mass of contradictions, just like a real person. On the other side of the planet, one hundred years later, I can still relate to his ambitions and dreams and his total inability to realize them. He just keeps screwing up. The supporting cast is great too. Every character is damaged in some way by army life, but some manage to work out their neuroses in relatively harmless ways. For others, it is all just a road to perdition.
September 7, 2020
El autor (Fallecido en 1935) representante del realismo ruso describe la vida del ej茅rcito ruso despu茅s de la guerra ruso - japonesa en donde un joven soldado a quien llama Romashov observa que en el ej茅rcito la brutalidad de los entrenamientos hacia los soldados que, demuestran la falta de habilidad y desencanto por lo que est谩n viviendo ante una Rusia en transici贸n e indiferencia.
La novela fue publicada en 1905 en la que el autor le dedica dicha obra a M谩ximo Gorki en se帽al de amistad y respeto mutuo.
La novela fue publicada en 1905 en la que el autor le dedica dicha obra a M谩ximo Gorki en se帽al de amistad y respeto mutuo.
June 21, 2021
Did you ever question yourself about what is going on? What are you doing? Did we choose to live our life how we want it or are we just taking what life is giving us? Maybe we don't even really think of things we can do. We just born into a particular regime, environment and try to live, but are the rules set by them right? Are the things we do right? We can't be the only ones who thought that, but even if many of us worship peace, forgiveness, why there are still bloodshed and violence?
August 19, 2020
There's no duel at all till the end of the book: the scene of Surochka imploring Romanchov to have himself killed remembered me of a similar duel in The Count of Montecristo when Mercedes asks Dantes to spare her loved son (with a different outcome though).
This entire review has been hidden because of spoilers.
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