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袠褋泻褉邪 卸懈蟹薪懈
效褌芯 芯褋褌邪械褌褋褟 褍 谢褞写械泄, 蟹邪褏谢械斜褘胁邪褞褖懈褏褋褟 胁 芯谐薪械薪薪芯屑 胁芯写芯胁芯褉芯褌械 胁芯泄薪褘? 效褌芯 芯褋褌邪械褌褋褟 褍 谢褞写械泄, 褍 泻芯褌芯褉褘褏 芯褌薪褟谢懈 薪邪写械卸写褍, 谢褞斜芯胁褜 - 懈, 锌芯 褋褍褌懈, 写邪卸械 褋邪屑褍 卸懈蟹薪褜?
效褌芯 芯褋褌邪械褌褋褟 褍 谢褞写械泄, 褍 泻芯褌芯褉褘褏 薪械 芯褋褌邪谢芯褋褜 锌褉芯褋褌芯 薪懈褔械谐芯? 袙褋械谐芯-褌芯 - 懈褋泻褉邪 卸懈蟹薪懈. 小谢邪斜邪褟, 薪芯 - 薪械谐邪褋懈屑邪褟. 袠褋泻褉邪 卸懈蟹薪懈, 褔褌芯 写邪械褌 谢褞写褟屑 褋懈谢褍 褍谢褘斜邪褌褜褋褟 薪邪 锌芯褉芯谐械 褋屑械褉褌懈. 袠褋泻褉邪 褋胁械褌邪 - 胁 泻褉芯屑械褕薪芯泄 褌褜屑械...
效褌芯 芯褋褌邪械褌褋褟 褍 谢褞写械泄, 褍 泻芯褌芯褉褘褏 薪械 芯褋褌邪谢芯褋褜 锌褉芯褋褌芯 薪懈褔械谐芯? 袙褋械谐芯-褌芯 - 懈褋泻褉邪 卸懈蟹薪懈. 小谢邪斜邪褟, 薪芯 - 薪械谐邪褋懈屑邪褟. 袠褋泻褉邪 卸懈蟹薪懈, 褔褌芯 写邪械褌 谢褞写褟屑 褋懈谢褍 褍谢褘斜邪褌褜褋褟 薪邪 锌芯褉芯谐械 褋屑械褉褌懈. 袠褋泻褉邪 褋胁械褌邪 - 胁 泻褉芯屑械褕薪芯泄 褌褜屑械...
423 pages, Kindle Edition
First published February 1, 1952
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About the author
Erich Maria Remarque
223听books5,795听followersErich Maria Remarque was a German novelist best known for All Quiet on the Western Front (1929), a landmark anti-war novel based on his experiences in World War I. The book became an international bestseller, defining a new genre of veterans鈥� literature and inspiring multiple film adaptations. Its strong anti-war themes led to condemnation by the Nazi regime, which banned and burned his works.
Born Erich Paul Remark in 1898, he adopted the surname Remarque to honor his French ancestry. He served on the Western Front during World War I, where he was wounded, and later pursued various jobs, including teaching, editing, and technical writing. After the massive success of All Quiet on the Western Front, he wrote several other novels addressing war and exile, such as The Road Back, Three Comrades, and Arch of Triumph. His outspoken opposition to the Nazi regime forced him into exile in Switzerland and later the United States, where he became a naturalized citizen in 1947.
Remarque鈥檚 personal life included high-profile relationships with actresses Marlene Dietrich and Paulette Goddard, the latter of whom he married in 1958. In 1943, his youngest sister, Elfriede, was executed by the Nazis for anti-regime remarks, an event that deeply affected him. He spent his later years in Switzerland, where he continued writing. His final completed novel, The Night in Lisbon (1962), was another bestseller.
He died in 1970 at the age of 72, leaving behind a literary legacy that continues to shape discussions on war and its consequences.
AKA:
协褉懈褏 袦邪褉懈褟 袪械屑邪褉泻 (Russian)
Born Erich Paul Remark in 1898, he adopted the surname Remarque to honor his French ancestry. He served on the Western Front during World War I, where he was wounded, and later pursued various jobs, including teaching, editing, and technical writing. After the massive success of All Quiet on the Western Front, he wrote several other novels addressing war and exile, such as The Road Back, Three Comrades, and Arch of Triumph. His outspoken opposition to the Nazi regime forced him into exile in Switzerland and later the United States, where he became a naturalized citizen in 1947.
Remarque鈥檚 personal life included high-profile relationships with actresses Marlene Dietrich and Paulette Goddard, the latter of whom he married in 1958. In 1943, his youngest sister, Elfriede, was executed by the Nazis for anti-regime remarks, an event that deeply affected him. He spent his later years in Switzerland, where he continued writing. His final completed novel, The Night in Lisbon (1962), was another bestseller.
He died in 1970 at the age of 72, leaving behind a literary legacy that continues to shape discussions on war and its consequences.
AKA:
协褉懈褏 袦邪褉懈褟 袪械屑邪褉泻 (Russian)
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October 25, 2024
賮乇賵睾 夭賳丿诏蹖 讴鬲丕亘 禺蹖乇賴 讴賳賳丿賴 丕蹖 丕蹖爻鬲 丕夭 丕乇蹖卮 賲丕乇蹖丕 乇賲丕乇讴 貙 賳賵蹖爻賳丿賴 爻乇卮賳丕爻 丌賱賲丕賳蹖 讴賴 亘蹖卮鬲乇 亘賴 禺丕胤乇 丕孬乇 丿乇禺卮丕賳 囟丿 噩賳诏卮 丿乇 睾乇亘 禺亘乇蹖 賳蹖爻鬲 卮賳丕禺鬲賴 賲蹖 卮賵丿. 丕賵 丿乇 賮乇賵睾 夭賳丿诏蹖 亘賴 蹖讴蹖 丿蹖诏乇 丕夭 噩賳亘賴 賴丕蹖 賵丨卮鬲賳丕讴 噩賳诏 蹖毓賳蹖 賳爻賱 讴卮蹖 蹖丕 賴賲丕賳 赖賵賱賵讴丕爻鬲 賲毓乇賵賮 倬乇丿丕禺鬲賴 .
賯丿乇鬲 鬲賵氐蹖賮 乇賲丕乇讴 爻禺鬲 爻鬲賵丿賳蹖 丕蹖爻鬲 貙 鬲賵氐蹖賮丕鬲 丕賵 乇丕 丿乇 讴鬲丕亘 丿乇 睾乇亘 禺亘乇蹖 賳蹖爻鬲 賵 丌賳趩賴 讴賴 亘乇 倬賱 亘丕賵賲乇 賵 丿賵爻鬲丕賳卮 诏匕卮鬲 乇丕 诏乇趩賴 賲蹖 鬲賵丕賳 亘賴 丨爻丕亘 丨囟賵乇 乇賲丕乇讴 丿乇 噩賳诏 丕賵賱 丿丕賳爻鬲 丕賲丕 賲卮禺氐 賳蹖爻鬲 讴賴 鬲爻賱胤 亘蹖 賲丕賳賳丿 丕賵 亘乇 蹖讴 丕乇丿賵诏丕賴 賮乇囟蹖 賵 賲丨蹖胤 賵 乇賵丕亘胤 倬蹖趩蹖丿賴 賲蹖丕賳 夭賳丿丕賳蹖丕賳 賵賵氐賮 乇賵丨蹖賴 丿乇賴賲 卮讴爻鬲賴 丌賳丕賳 趩诏賵賳賴 賵 丕夭讴噩丕 丨丕氐賱 卮丿賴 丕爻鬲 責
丿丕爻鬲丕賳 丕賵 丿乇 丕乇丿賵诏丕賴蹖 賲蹖 诏匕乇丿 讴賴 诏乇趩賴 賲丕賳賳丿 丌卮賵蹖鬲爻 賵 蹖丕 丿蹖诏乇 丕乇丿賵诏丕賴 賴丕蹖 賲乇诏 貙 丕鬲丕賯 诏丕夭 賳丿丕乇丿 丕賲丕 賳丕夭蹖賴丕 賴賲丕賳 賴蹖賵賱丕賴丕蹖 爻丕丿蹖爻鬲蹖 賵 乇賵丕賳蹖 賴爻鬲賳丿 . 賯賴乇賲丕賳丕賳 丿丕爻鬲丕賳 丕賵 夭賳丿丕賳蹖丕賳蹖 賴爻鬲賳丿 讴賴 丿乇 诏賵卮賴 丕蹖 丕夭 噩賴賳賲 诏蹖乇 丕賮鬲丕丿賴 丕賳丿 貙 丌賳丕賳 诏乇趩賴 乇丕賴 賲蹖 乇賵賳丿 貙 讴丕乇 賲蹖 讴賳賳丿 賵 氐丨亘鬲 賲蹖 讴賳賳丿 丕賲丕 亘丕蹖丿 丌賳賴丕 乇丕 賲乇丿诏丕賳蹖 賲鬲丨乇讴 丿丕賳爻鬲 貙 丌賳賴丕 賲乇丿賴 丕賳丿 賳賴 亘賴 爻亘亘 囟毓賮 賲賮乇胤 蹖丕 禺爻鬲诏蹖 賳丕卮蹖 丕夭 讴丕乇 胤丕賯鬲 賮乇爻丕 亘賱讴賴 賳丿丕卮鬲賳 丕賲蹖丿 亘賴 賳噩丕鬲 賵 乇賴丕蹖蹖 丕蹖爻鬲 讴賴 爻亘亘 賲乇诏 丌賳賴丕 卮丿賴 丕爻鬲 .
丿乇 爻鬲丕蹖卮 丕賲蹖丿
丕賲蹖丿 乇丕 亘丕蹖丿 賯賵蹖鬲乇蹖賳 倬蹖丕賲 賳賵蹖爻賳丿賴 丿丕賳爻鬲 貙 丕賲蹖丿 诏乇趩賴 賳賵乇 讴賲 爻賵蹖蹖 丿乇 丿賵乇丿爻鬲 丕爻鬲 丕賲丕 賴賲丕賳 丕爻鬲 讴賴 亘賴 夭賳丿丕賳蹖丕賳 噩丕賳 賵 乇賵丨蹖賴 丕蹖 鬲丕夭賴 丿丕丿賴 貙 亘賴 賱胤賮 丿丕卮鬲賳 丕賲蹖丿 丕爻鬲 讴賴 丌賳賴丕 賲蹖 鬲賵丕賳賳丿 乇賵夭诏丕乇 爻禺鬲 乇丕 胤丕賯鬲 亘蹖丕賵乇賳丿 . 丕賲蹖丿 亘賴 丌賳賴丕 乇賵蹖丕 丿丕丿賴 貙 丨丕賱丕 夭賳丿丕賳蹖丕賳 賴賲 丿丕乇賳丿 賲丕賳賳丿 丌丿賲賴丕 亘賴 丌蹖賳丿賴 賮讴乇 賲蹖 讴賳賳丿 貙 丕蹖賳讴賴 亘毓丿 丕夭 丕乇丿賵诏丕賴 讴噩丕 禺賵丕賴賳丿 乇賮鬲 賵 趩賴 禺賵丕賴賳丿 讴乇丿 . 爻禺鬲蹖 賵 賲氐蹖亘鬲 賴丕蹖蹖 讴賴 讴卮蹖丿賴 丕賳丿 賵 丨丕賱丕 丿丕卮鬲賳 丕賲蹖丿 賴乇 趩賳丿 讴賵趩讴 诏賵蹖蹖 亘賴 丌賳賴丕 賳诏丕賴 丕诏夭蹖爻鬲丕賳爻蹖丕賱 丿丕丿賴 貙 卮讴乇诏夭丕乇 賴賲蹖賳 賱丨馗丕鬲 讴賵鬲丕賴蹖 賴爻鬲賳丿 讴賴 賲蹖 鬲賵丕賳賳丿 丿乇亘丕乇賴 丕賮讴丕乇 禺賵丿 賮讴乇 讴賳賳丿 .
丕賲丕 丌夭丕丿蹖 夭賳丿丕賳蹖丕賳 乇丕 賳丕丕賲蹖丿 讴乇丿 貙 鬲氐賵乇 丌賳賴丕 丕夭 丌夭丕丿蹖 亘賴 丕賳丿丕夭賴 丕蹖 亘夭乇诏 亘賵丿賴 讴賴 亘賴 亘毓丿 丕夭 丌賳 趩賳丿丕賳 賮讴乇 賳讴乇丿賴 亘賵丿賳丿 貙 诏賵蹖蹖 丿乇 賵乇丕蹖 丌夭丕丿蹖 禺亘乇蹖 丕夭 亘賴卮鬲 賵 丌乇丕賲卮 賳蹖爻鬲 賵 丨鬲蹖 賲毓噩夭賴 賴賲 賳賲蹖 鬲賵丕賳丿 夭賳丿诏蹖 丌乇丕賲 賵 诏匕卮鬲賴 乇丕 亘賴 丌賳丕賳 亘乇诏乇丿丕賳丿. 诏乇趩賴 丌夭丕丿蹖 賮乇丕乇爻蹖丿賴 丕賲丕 亘丕 禺賵丿 乇賳噩 鬲賳賴丕蹖蹖 貙 禺丕胤乇丕鬲 賵丨卮鬲賳丕讴 賵 丨爻 诏賲 卮丿賳 丿乇 丿賳蹖丕蹖蹖 噩丿蹖丿 乇丕 丌賵乇丿賴 . 丨丕賱 趩诏賵賳賴 亘丕蹖丿 夭賳丿诏蹖 乇丕 丕夭 爻乇 诏乇賮鬲 責
乇賲丕乇讴 亘賴 丕蹖賳 倬乇爻卮 倬丕爻禺蹖 丕夭 噩賳爻 丕诏夭蹖爻鬲丕賳爻蹖丕賱 丿丕丿賴 貙 趩诏賵賳賴 亘丕蹖丿 卮乇賵毓 讴乇丿 責 亘丕 爻丕丿賴 鬲乇蹖賳 趩蹖夭賴丕 貙 亘丕 丕丨爻丕爻 夭賳丿賴 亘賵丿賳 丿賵亘丕乇賴 貙 夭賳丿诏蹖 亘丕 鬲賲丕賲 賵噩賵丿 . 丕蹖賳 诏賵賳賴 賲蹖 鬲賵丕賳 诏匕卮鬲賴 乇丕 亘丕 賯丕賲鬲 丕賮乇丕卮鬲賴 鬲乇讴 讴乇丿 賵 丕夭 毓馗賲鬲 賱丨馗賴 賴丕蹖 倬蹖卮 乇賵 賳鬲乇爻蹖丿 .
賮乇蹖丿乇蹖卮 讴丕賱乇 蹖丕 509
讴丕賱乇 蹖丕 509 乇丕 賲蹖 鬲賵丕賳 賯賴乇賲丕賳 亘蹖 趩賵賳 賵趩乇丕蹖 丿丕爻鬲丕賳 乇賲丕乇讴 丿丕賳爻鬲 . 卮丕賳 賵 賲賯丕賲 丕賵 丨鬲蹖 鬲丕 丌賳 丕賳丿丕夭賴 亘丕賱丕爻鬲 讴賴 卮丕蹖丿 亘鬲賵丕賳 丕賵 乇丕 丿乇 卮賲丕乇 賳蹖讴賵鬲乇蹖賳 貙 禺乇丿賲賳丿 鬲乇蹖賳 賵 卮噩丕毓 鬲乇蹖賳 賯賴乇賲丕賳丕賳 鬲賲丕賲蹖 丕丿賵丕乇 丿丕賳爻鬲 . 鬲丕 夭賲丕賳蹖 讴賴 丕賵 爻乇禺賵乇丿賴 賵 倬乇蹖卮丕賳 丕爻鬲 蹖丕爻 賵 賳賵賲蹖丿蹖 丕蹖爻鬲 讴賴 鬲賯乇蹖亘丕 鬲賲丕賲蹖 丕乇丿賵诏丕賴 乇丕 賮乇丕 诏乇賮鬲賴 . 鬲丕 丕蹖賳 賲乇丨賱賴 丕賵 鬲賳賴丕 蹖讴 毓丿丿 蹖丕 賴賲丕賳 509 丕爻鬲 丕賲丕 亘丕 賲卮丕賴丿賴 賳賵乇 賴乇 趩賳丿 丿賵乇 賵 讴賲 爻賵 卮讴賵賮丕 賵 丿诏乇诏賵賳 賲蹖 卮賵丿 . 丕賵 丿蹖诏乇 509 賳蹖爻鬲 . 丕賵賮乇丿乇蹖卮 讴丕賱乇 丕爻鬲 . 丕賵 賵馗蹖賮賴 丕蹖 乇丕 賲蹖 倬匕蹖乇丿 讴賴 诏賵蹖蹖 亘乇丕蹖 丌賳 爻丕禺鬲賴 卮丿賴 . 讴丕賱乇 乇賴亘乇 賵 賲乇卮丿 賲毓賳賵蹖 夭賳丿丕賳蹖丕賳 賲蹖 卮賵丿 賵 丌賳賴丕 乇丕 賴賲 亘乇丕蹖 賲亘丕乇夭賴 賵 賴賲 亘乇丕蹖 丌夭丕丿蹖 倬爻 丕夭 丌賳 丌賲丕丿賴 賲蹖 讴賳丿 .
乇賲丕乇讴 乇丕 亘丕蹖丿 丕爻鬲丕丿 賲爻賱賲 賮囟丕爻丕夭蹖 丿丕賳爻鬲 貙 丕賵 趩賳丕賳 丕乇丿賵诏丕賴 乇丕 亘賴 鬲氐賵蹖乇 讴卮蹖丿賴 讴賴 诏賵蹖蹖 禺賵丿 噩夭 亘丕夭賲丕賳丿诏丕賳 丌賳 亘賵丿賴 貙 讴賲鬲乇 讴鬲丕亘蹖 乇丕 丿乇 跇丕賳乇 囟丿 噩賳诏 賲蹖 鬲賵丕賳 蹖丕賮鬲 讴賴 賴賲 乇丕賵蹖 丨丕賱 賳丕禺賵卮 噩賱丕丿丕賳 賳丕夭蹖 亘丕卮丿 賵 賴賲 丕夭 乇賵夭诏丕乇 賯乇亘丕賳蹖丕賳 賵 夭賳丿丕賳蹖丕賳 丌賳賴丕 爻禺賳 诏賵蹖丿 . 乇賲丕乇讴 丿賳蹖丕蹖蹖 爻丕禺鬲賴 讴賴 亘丕 賵噩賵丿 鬲賱禺 賵鬲蹖乇賴 亘賵丿賳貙 丿乇 丌賳 賯丿乇鬲 卮诏賮鬲 丕賳诏蹖夭 丕賲蹖丿 賵 鬲賵丕賳 鬲丕亘 丌賵乇蹖 丕賳爻丕賳 乇丕 賲蹖 鬲賵丕賳 丿蹖丿 .
賯丿乇鬲 鬲賵氐蹖賮 乇賲丕乇讴 爻禺鬲 爻鬲賵丿賳蹖 丕蹖爻鬲 貙 鬲賵氐蹖賮丕鬲 丕賵 乇丕 丿乇 讴鬲丕亘 丿乇 睾乇亘 禺亘乇蹖 賳蹖爻鬲 賵 丌賳趩賴 讴賴 亘乇 倬賱 亘丕賵賲乇 賵 丿賵爻鬲丕賳卮 诏匕卮鬲 乇丕 诏乇趩賴 賲蹖 鬲賵丕賳 亘賴 丨爻丕亘 丨囟賵乇 乇賲丕乇讴 丿乇 噩賳诏 丕賵賱 丿丕賳爻鬲 丕賲丕 賲卮禺氐 賳蹖爻鬲 讴賴 鬲爻賱胤 亘蹖 賲丕賳賳丿 丕賵 亘乇 蹖讴 丕乇丿賵诏丕賴 賮乇囟蹖 賵 賲丨蹖胤 賵 乇賵丕亘胤 倬蹖趩蹖丿賴 賲蹖丕賳 夭賳丿丕賳蹖丕賳 賵賵氐賮 乇賵丨蹖賴 丿乇賴賲 卮讴爻鬲賴 丌賳丕賳 趩诏賵賳賴 賵 丕夭讴噩丕 丨丕氐賱 卮丿賴 丕爻鬲 責
丿丕爻鬲丕賳 丕賵 丿乇 丕乇丿賵诏丕賴蹖 賲蹖 诏匕乇丿 讴賴 诏乇趩賴 賲丕賳賳丿 丌卮賵蹖鬲爻 賵 蹖丕 丿蹖诏乇 丕乇丿賵诏丕賴 賴丕蹖 賲乇诏 貙 丕鬲丕賯 诏丕夭 賳丿丕乇丿 丕賲丕 賳丕夭蹖賴丕 賴賲丕賳 賴蹖賵賱丕賴丕蹖 爻丕丿蹖爻鬲蹖 賵 乇賵丕賳蹖 賴爻鬲賳丿 . 賯賴乇賲丕賳丕賳 丿丕爻鬲丕賳 丕賵 夭賳丿丕賳蹖丕賳蹖 賴爻鬲賳丿 讴賴 丿乇 诏賵卮賴 丕蹖 丕夭 噩賴賳賲 诏蹖乇 丕賮鬲丕丿賴 丕賳丿 貙 丌賳丕賳 诏乇趩賴 乇丕賴 賲蹖 乇賵賳丿 貙 讴丕乇 賲蹖 讴賳賳丿 賵 氐丨亘鬲 賲蹖 讴賳賳丿 丕賲丕 亘丕蹖丿 丌賳賴丕 乇丕 賲乇丿诏丕賳蹖 賲鬲丨乇讴 丿丕賳爻鬲 貙 丌賳賴丕 賲乇丿賴 丕賳丿 賳賴 亘賴 爻亘亘 囟毓賮 賲賮乇胤 蹖丕 禺爻鬲诏蹖 賳丕卮蹖 丕夭 讴丕乇 胤丕賯鬲 賮乇爻丕 亘賱讴賴 賳丿丕卮鬲賳 丕賲蹖丿 亘賴 賳噩丕鬲 賵 乇賴丕蹖蹖 丕蹖爻鬲 讴賴 爻亘亘 賲乇诏 丌賳賴丕 卮丿賴 丕爻鬲 .
丿乇 爻鬲丕蹖卮 丕賲蹖丿
丕賲蹖丿 乇丕 亘丕蹖丿 賯賵蹖鬲乇蹖賳 倬蹖丕賲 賳賵蹖爻賳丿賴 丿丕賳爻鬲 貙 丕賲蹖丿 诏乇趩賴 賳賵乇 讴賲 爻賵蹖蹖 丿乇 丿賵乇丿爻鬲 丕爻鬲 丕賲丕 賴賲丕賳 丕爻鬲 讴賴 亘賴 夭賳丿丕賳蹖丕賳 噩丕賳 賵 乇賵丨蹖賴 丕蹖 鬲丕夭賴 丿丕丿賴 貙 亘賴 賱胤賮 丿丕卮鬲賳 丕賲蹖丿 丕爻鬲 讴賴 丌賳賴丕 賲蹖 鬲賵丕賳賳丿 乇賵夭诏丕乇 爻禺鬲 乇丕 胤丕賯鬲 亘蹖丕賵乇賳丿 . 丕賲蹖丿 亘賴 丌賳賴丕 乇賵蹖丕 丿丕丿賴 貙 丨丕賱丕 夭賳丿丕賳蹖丕賳 賴賲 丿丕乇賳丿 賲丕賳賳丿 丌丿賲賴丕 亘賴 丌蹖賳丿賴 賮讴乇 賲蹖 讴賳賳丿 貙 丕蹖賳讴賴 亘毓丿 丕夭 丕乇丿賵诏丕賴 讴噩丕 禺賵丕賴賳丿 乇賮鬲 賵 趩賴 禺賵丕賴賳丿 讴乇丿 . 爻禺鬲蹖 賵 賲氐蹖亘鬲 賴丕蹖蹖 讴賴 讴卮蹖丿賴 丕賳丿 賵 丨丕賱丕 丿丕卮鬲賳 丕賲蹖丿 賴乇 趩賳丿 讴賵趩讴 诏賵蹖蹖 亘賴 丌賳賴丕 賳诏丕賴 丕诏夭蹖爻鬲丕賳爻蹖丕賱 丿丕丿賴 貙 卮讴乇诏夭丕乇 賴賲蹖賳 賱丨馗丕鬲 讴賵鬲丕賴蹖 賴爻鬲賳丿 讴賴 賲蹖 鬲賵丕賳賳丿 丿乇亘丕乇賴 丕賮讴丕乇 禺賵丿 賮讴乇 讴賳賳丿 .
丕賲丕 丌夭丕丿蹖 夭賳丿丕賳蹖丕賳 乇丕 賳丕丕賲蹖丿 讴乇丿 貙 鬲氐賵乇 丌賳賴丕 丕夭 丌夭丕丿蹖 亘賴 丕賳丿丕夭賴 丕蹖 亘夭乇诏 亘賵丿賴 讴賴 亘賴 亘毓丿 丕夭 丌賳 趩賳丿丕賳 賮讴乇 賳讴乇丿賴 亘賵丿賳丿 貙 诏賵蹖蹖 丿乇 賵乇丕蹖 丌夭丕丿蹖 禺亘乇蹖 丕夭 亘賴卮鬲 賵 丌乇丕賲卮 賳蹖爻鬲 賵 丨鬲蹖 賲毓噩夭賴 賴賲 賳賲蹖 鬲賵丕賳丿 夭賳丿诏蹖 丌乇丕賲 賵 诏匕卮鬲賴 乇丕 亘賴 丌賳丕賳 亘乇诏乇丿丕賳丿. 诏乇趩賴 丌夭丕丿蹖 賮乇丕乇爻蹖丿賴 丕賲丕 亘丕 禺賵丿 乇賳噩 鬲賳賴丕蹖蹖 貙 禺丕胤乇丕鬲 賵丨卮鬲賳丕讴 賵 丨爻 诏賲 卮丿賳 丿乇 丿賳蹖丕蹖蹖 噩丿蹖丿 乇丕 丌賵乇丿賴 . 丨丕賱 趩诏賵賳賴 亘丕蹖丿 夭賳丿诏蹖 乇丕 丕夭 爻乇 诏乇賮鬲 責
乇賲丕乇讴 亘賴 丕蹖賳 倬乇爻卮 倬丕爻禺蹖 丕夭 噩賳爻 丕诏夭蹖爻鬲丕賳爻蹖丕賱 丿丕丿賴 貙 趩诏賵賳賴 亘丕蹖丿 卮乇賵毓 讴乇丿 責 亘丕 爻丕丿賴 鬲乇蹖賳 趩蹖夭賴丕 貙 亘丕 丕丨爻丕爻 夭賳丿賴 亘賵丿賳 丿賵亘丕乇賴 貙 夭賳丿诏蹖 亘丕 鬲賲丕賲 賵噩賵丿 . 丕蹖賳 诏賵賳賴 賲蹖 鬲賵丕賳 诏匕卮鬲賴 乇丕 亘丕 賯丕賲鬲 丕賮乇丕卮鬲賴 鬲乇讴 讴乇丿 賵 丕夭 毓馗賲鬲 賱丨馗賴 賴丕蹖 倬蹖卮 乇賵 賳鬲乇爻蹖丿 .
賮乇蹖丿乇蹖卮 讴丕賱乇 蹖丕 509
讴丕賱乇 蹖丕 509 乇丕 賲蹖 鬲賵丕賳 賯賴乇賲丕賳 亘蹖 趩賵賳 賵趩乇丕蹖 丿丕爻鬲丕賳 乇賲丕乇讴 丿丕賳爻鬲 . 卮丕賳 賵 賲賯丕賲 丕賵 丨鬲蹖 鬲丕 丌賳 丕賳丿丕夭賴 亘丕賱丕爻鬲 讴賴 卮丕蹖丿 亘鬲賵丕賳 丕賵 乇丕 丿乇 卮賲丕乇 賳蹖讴賵鬲乇蹖賳 貙 禺乇丿賲賳丿 鬲乇蹖賳 賵 卮噩丕毓 鬲乇蹖賳 賯賴乇賲丕賳丕賳 鬲賲丕賲蹖 丕丿賵丕乇 丿丕賳爻鬲 . 鬲丕 夭賲丕賳蹖 讴賴 丕賵 爻乇禺賵乇丿賴 賵 倬乇蹖卮丕賳 丕爻鬲 蹖丕爻 賵 賳賵賲蹖丿蹖 丕蹖爻鬲 讴賴 鬲賯乇蹖亘丕 鬲賲丕賲蹖 丕乇丿賵诏丕賴 乇丕 賮乇丕 诏乇賮鬲賴 . 鬲丕 丕蹖賳 賲乇丨賱賴 丕賵 鬲賳賴丕 蹖讴 毓丿丿 蹖丕 賴賲丕賳 509 丕爻鬲 丕賲丕 亘丕 賲卮丕賴丿賴 賳賵乇 賴乇 趩賳丿 丿賵乇 賵 讴賲 爻賵 卮讴賵賮丕 賵 丿诏乇诏賵賳 賲蹖 卮賵丿 . 丕賵 丿蹖诏乇 509 賳蹖爻鬲 . 丕賵賮乇丿乇蹖卮 讴丕賱乇 丕爻鬲 . 丕賵 賵馗蹖賮賴 丕蹖 乇丕 賲蹖 倬匕蹖乇丿 讴賴 诏賵蹖蹖 亘乇丕蹖 丌賳 爻丕禺鬲賴 卮丿賴 . 讴丕賱乇 乇賴亘乇 賵 賲乇卮丿 賲毓賳賵蹖 夭賳丿丕賳蹖丕賳 賲蹖 卮賵丿 賵 丌賳賴丕 乇丕 賴賲 亘乇丕蹖 賲亘丕乇夭賴 賵 賴賲 亘乇丕蹖 丌夭丕丿蹖 倬爻 丕夭 丌賳 丌賲丕丿賴 賲蹖 讴賳丿 .
乇賲丕乇讴 乇丕 亘丕蹖丿 丕爻鬲丕丿 賲爻賱賲 賮囟丕爻丕夭蹖 丿丕賳爻鬲 貙 丕賵 趩賳丕賳 丕乇丿賵诏丕賴 乇丕 亘賴 鬲氐賵蹖乇 讴卮蹖丿賴 讴賴 诏賵蹖蹖 禺賵丿 噩夭 亘丕夭賲丕賳丿诏丕賳 丌賳 亘賵丿賴 貙 讴賲鬲乇 讴鬲丕亘蹖 乇丕 丿乇 跇丕賳乇 囟丿 噩賳诏 賲蹖 鬲賵丕賳 蹖丕賮鬲 讴賴 賴賲 乇丕賵蹖 丨丕賱 賳丕禺賵卮 噩賱丕丿丕賳 賳丕夭蹖 亘丕卮丿 賵 賴賲 丕夭 乇賵夭诏丕乇 賯乇亘丕賳蹖丕賳 賵 夭賳丿丕賳蹖丕賳 丌賳賴丕 爻禺賳 诏賵蹖丿 . 乇賲丕乇讴 丿賳蹖丕蹖蹖 爻丕禺鬲賴 讴賴 亘丕 賵噩賵丿 鬲賱禺 賵鬲蹖乇賴 亘賵丿賳貙 丿乇 丌賳 賯丿乇鬲 卮诏賮鬲 丕賳诏蹖夭 丕賲蹖丿 賵 鬲賵丕賳 鬲丕亘 丌賵乇蹖 丕賳爻丕賳 乇丕 賲蹖 鬲賵丕賳 丿蹖丿 .
September 21, 2023
丿乇 賲禺蹖賱賴鈥屫� 賳賲蹖鈥屭嗀屫� 讴賴 讴爻蹖 亘鬲賵賳賴 丕蹖賳胤賵乇 鬲丨賱蹖賱 亘乇賴. 丕賲丕 賲賳 亘丕乇賴丕 丿蹖丿賴 亘賵丿賲 讴賴 趩胤賵乇 丕蹖賳 丕鬲賮丕賯 賲蹖賮鬲賴.
賲賳 鬲賯賱丕蹖 賲丕賴蹖鈥屬囏� 乇賵 亘乇丕蹖 丌亘 丿蹖丿賴 亘賵丿賲. 夭賲丕賳蹖 讴賴 賯氐丿 賮乇賵卮卮賵賳 乇賵 丿丕卮鬲賳 賵 乇賵蹖 夭賲蹖賳 倬禺卮 賵 倬賱丕 亘賵丿賳. 胤賵乇蹖 讴賴 丿賯丕蹖賯 倬丕蹖丕賳蹖 毓賲乇卮賵賳貙 丿賴賳卮賵賳 乇賵 亘丕夭 賵 亘爻鬲賴 賲蹖鈥屭┴必� 鬲丕 卮丕蹖丿 丿賵 趩讴賴 丌亘 賳噩丕鬲卮賵賳 亘丿賴.
丨丕賱 賲賳 亘蹖鈥屫簇ㄘз囏� 亘賴 丕蹖賳 亘乇夭禺 賳亘賵丿. 賲賳 亘賴 賲讴丕賳蹖 鬲亘毓蹖丿 卮丿賴 亘賵丿賲 讴賴 亘丕 賲丕賴蹖鬲 禺賵丿賲 賳賲蹖鈥屫堎嗀池� 丕夭卮 噩賵賳 爻丕賱賲 亘賴 丿乇 亘亘乇賲貨 趩賵賳 丕賵賳鈥屬囏� 亘丕乇蹖讴賴鈥屰� 賳賵乇 乇賵 亘賴 氐賵乇鬲賲 賲蹖鈥屫жㄙ堎嗀� 賵 丕夭賲 丿乇蹖睾卮 賲蹖鈥屭┴必�. 鬲賳賴丕 賲乇诏 賲蹖鈥屫堎嗀池� 乇賴丕蹖蹖鈥屫ㄘ� 亘丕卮賴.
賲丕賴蹖 亘丕 丕賲蹖丿 賵丕賴蹖 亘乇诏卮鬲賳卮 亘賴 丌亘 夭賳丿賴 亘賵丿. 賲賳 丕賲丕 賲蹖鈥屫堎嗀池� 丕蹖賳 蹖賴 丿乇賵睾 亘夭乇诏賴. 賴蹖趩 亘乇诏卮鬲蹖 丿乇 讴丕乇 賳亘賵丿. 氐蹖丕丿 亘蹖鈥屫佖з堌� 亘賴 賲丕賴蹖 賳蹖賲賴 噩賵賳 賳诏丕賴 賲蹖鈥屭┴必�. 賲丕賴蹖 鬲讴賵賳 賲蹖鈥屫堌必�. 氐蹖丕丿 亘賴 鬲賱丕卮 賳丕賮乇噩丕賲 賲丕賴蹖 亘蹖鈥屫佖з堌� 亘賵丿. 賲丕賴蹖 賳賮爻鈥屬囏й� 丌禺乇卮 乇賵 賲蹖鈥屭┴篡屫� 賵 丿乇 賳賴丕蹖鬲 亘賴 禺丕胤乇 趩蹖夭蹖 讴賴 亘賵丿 賮乇賵禺鬲賴 賲蹖鈥屫簇�.
賲賳 丕賲丕 亘賴 丕蹖賳 夭賲蹖賳 丌卮賳丕 亘賵丿賲. 匕丕鬲 賲賳 鬲賮丕賵鬲蹖 亘丕 亘賯蹖賴 賳丿丕卮鬲. 賲孬賱 賲丕賴蹖 亘賴 噩賴丕賳 丿蹖诏賴鈥屫й� 倬乇鬲 賳卮丿賴 亘賵丿賲. 夭賲蹖賳 賴賲賵賳 夭賲蹖賳 亘賵丿 賵 賲賳 賴賲 丕夭 禺賵丿卮賵賳 亘賵丿賲 丕賲丕 丿乇 毓蹖賳 丨丕賱 亘蹖诏丕賳賴 亘賵丿賲.
亘乇丕蹖 賲賳 賵丕囟丨 賵 賲亘乇賴賳 亘賵丿 讴賴 丕賵賳 氐蹖丕丿 賴賲 賲蹖鈥屫堎嗁� 亘賱丕蹖蹖 讴賴 亘賴 爻乇 賲丕賴蹖 丌賵乇丿賴 乇賵 爻乇 賴賲鈥屬嗁堌关� 亘蹖丕乇賴. 賲蹖鈥屫堎嗁� 丌丿賲蹖 乇賵 诏卮賳賴 賵 鬲卮賳賴貙 賵爻胤 丕乇丿賵诏丕賴 亘蹖 賴蹖趩 丕賲讴丕賳丕鬲蹖 亘賴 丕賲丕賳 禺賵丿卮 亘匕丕乇賴 鬲丕 丕賱鬲賲丕爻 丿賵 趩讴賴 丌亘 乇賵 亘賴卮 讴賳賳.
賲蹖鈥屫堎嗁� 亘丕 趩丕賯賵蹖 丿乇 丿爻鬲卮貙 倬賵爻鬲 丕夭 爻乇 亘卮乇 亘讴賳賴 賵 亘賴 噩丕蹖 丕蹖賳讴賴 賲孬賱 賲丕賴蹖 爻乇禺卮賵賳 讴賳賴貙 丕賵賳鈥屬囏� 乇賵 乇賵丕賳賴鈥屰� 讴賵乇賴鈥屬囏й� 丌丿賲鈥屫迟堌槽� 讴賳賴. 亘匕丕乇賴 亘禺丕乇 亘賴 亘丿賳 亘蹖鈥屫堎嗀促堎� 亘禺賵乇賴 賵 丿乇 賳賴丕蹖鬲 噩夭睾丕賱賴鈥屫促堎� 讴賳賴.
亘賴 噩丕蹖 丕卮倬賱 賲丕賴蹖 讴賴 賲蹖鈥屫堎嗁� 亘毓丿丕 丕夭卮 丕爻鬲賮丕丿賴 讴賳賴貙 丕夭 丿賳丿賵賳鈥屬囏й� 胤賱丕蹖 丕爻乇丕 亘賴乇賴 亘亘乇賴 鬲丕 亘乇丕卮 賳賮毓蹖 賴賲 丿丕卮鬲賴 亘丕卮賴.
賲蹖鈥屫堎嗁� 賵毓丿賴 賵 賵毓蹖丿賴丕蹖 鬲賵禺丕賱蹖 亘丿賴 賵 丌丿賲鈥屬囏� 乇賵 亘丕 丕賲蹖丿 賵丕賴蹖貙 爻乇诏乇丿賵賳 賵 趩卮賲 丕賳鬲馗丕乇 賳诏賴 丿丕乇賴. 丕蹖賳 讴丕乇蹖 賴爻鬲 讴賴 亘卮乇 亘丕 禺賵丿卮 丕賳噩丕賲 賲蹖丿賴 賵 诏賵乇卮 乇賵 賲蹖鈥屫堎嗁� 蹖賴 鬲賳賴 亘讴賳賴.
賳丕夭蹖鈥屬囏й屰� 讴賴 禺賵賳卮賵賳 乇賳诏蹖賳鈥屫� 丕夭 亘賯蹖賴 亘賵丿. 丌丿賲鈥屬囏й屰� 讴賴 亘蹖鈥屬囒屭� 丕蹖丿賴鈥屫й� 爻乇 丕夭 丕爻丕乇鬲 賵 丿乇亘賳丿 賴賲鈥屬嗁堌关з� 禺賵丿卮賵賳 賯乇丕乇 诏乇賮鬲賳 丿乇丌賵乇丿賳.
賲鬲毓氐亘蹖賳蹖 讴賴 毓賯丕蹖丿卮賵賳 乇賵 丿乇爻鬲鈥屫臂屬� 賲讴鬲亘 賲賲讴賳 賲蹖鈥屫堎嗀池�. 丨鬲蹖 丕诏賴 亘賴 讴卮鬲丕乇 丿爻鬲賴 噩賲毓蹖 賴夭丕乇丕賳 丌丿賲 亘蹖鈥屭嗀з� 禺鬲賲 賲蹖鈥屫簇�.
丕賲丕 丕賵賳鈥屬囏� 丕夭 倬爻 丕賲蹖丿 亘賴 乇賵夭賴丕蹖 亘賴鬲乇 丌丿賲鈥屬囏й屰� 讴賴 賴賵蹖鬲卮賵賳 乇賵 賴賲 丕夭卮賵賳 诏乇賮鬲賴 亘賵丿賳 亘乇賲蹖鈥屫з堎呚嗀� 丌蹖丕 賲蹖鈥屫堎嗀池� 丕賵賳 賳賵乇 賳丕趩蹖夭 賴賲 丕夭卮賵賳 亘诏蹖乇賳責
賵 丕賲丕 丌丿賲蹖 趩胤賵乇 賲蹖鈥屫堎嗁� 丕蹖賳 夭賳丿诏蹖 乇賵 鬲丕亘 亘蹖丕乇賴責 賵賯鬲蹖 賳賴 禺賵乇丿 賵 禺賵乇丕讴蹖 丿丕乇賴 賵 賳賴 賱亘丕爻 賲賳丕爻亘蹖. 賳賴 禺賵丕亘 丌乇賵賲蹖 賵 賳賴 乇賵夭賴丕蹖 乇賵卮賳蹖. 賳賴 鬲賵丕賳蹖 亘乇丕蹖 丿賵蹖蹖丿賳 賵 賳賴 乇賲賯蹖 亘乇丕蹖 禺賵丿讴卮蹖. 賲诏乇 噩夭 丕賲蹖丿 趩蹖夭蹖 亘丕賯蹖 賲蹖鈥屬呝堎嗁囏�
丕蹖賳 讴鬲丕亘 乇賵丕蹖鬲 丕鬲賮丕賯丕鬲 爻丕賱 郾酃鄞鄣 丌賱賲丕賳 賴爻鬲 賵 丿乇 賵丕賯毓 亘賴 倬丕蹖丕賳 噩賳诏 噩賴丕賳蹖 丿賵賲 賲蹖鈥屬矩必ж操�. 丿丕爻鬲丕賳 丌丿賲鈥屬囏й� 诏賲賳丕賲蹖 讴賴 丕爻賲卮賵賳 丿乇 鬲丕乇蹖禺 孬亘鬲 賳卮丿賴 賵 賮乇賵睾 夭賳丿诏蹖賳.
夭蹖乇 馗賱賲 亘蹖鈥屬堎傎佡� 禺賲蹖丿賴 卮丿賳. 卮讴賳噩賴 卮丿賳. 鬲丨賱蹖賱 乇賮鬲賳. 亘蹖賲丕乇 卮丿賳. 賯乇亘丕賳蹖 卮丿賳. 爻賵禺鬲賳 賵 爻丕禺鬲賳 賵 亘丕 丌禺乇蹖賳 賳賮爻鈥屬囏� 丕丿丕賲賴 丿丕丿賳.
賵 丕夭 爻賵蹖 丿蹖诏賴貙 讴爻丕蹖蹖 讴賴 亘賴 賳丕丨賯 亘賴 噩丕蹖诏丕賴蹖 乇爻蹖丿賳. 鬲丕禺鬲賳. 禺賵乇丿賳. 亘乇丿賳. 爻賵夭賵賳丿賳. 賲毓丕賳蹖 讴賱賲丕鬲 乇賵 毓賵囟 讴乇丿賳. 亘乇趩爻亘 夭丿賳. 賳賮乇鬲鈥屬矩必и┵嗃� 讴乇丿賳. 讴卮鬲賳. 讴丕卮鬲賳. 丕賲丕 鬲賵賳爻鬲賳 亘乇丿丕卮鬲 讴賳賳責
鬲賵氐蹖賮丕鬲 乇賲丕乇讴 亘蹖鈥屫必呚з嗁� 賵 禺蹖乇賴鈥屭┵嗁嗀団€屫池� 亘丕 丕蹖賳讴賴 禺賵丿卮 趩賳蹖賳 賲賯賵賱賴鈥屫й� 乇賵 賱賲爻 賳讴乇丿賴. 爻乇毓鬲 丿丕爻鬲丕賳 亘丕 鬲賵噩賴 亘賴 丨噩賲卮 禺賵亘 賵 爻乇蹖毓 賴爻鬲 賵 卮丕蹖丿 噩丕賴丕蹖蹖 讴賳丿 卮賴 讴賴 丕夭 丨噩賲 丕鬲賮丕賯丕鬲 亘蹖鈥屫� 卮蹖.
卮禺氐蹖鬲鈥屬囏� 賵丕賯毓蹖賳 賵 诏丕賴蹖 丿蹖丕賱賵诏鈥屬囏ж促堎� 丨丕賱鬲 卮毓丕乇蹖 倬蹖丿丕 賲蹖鈥屭┵嗁囏� 丕賲丕 丿乇 毓蹖賳 丨丕賱 毓賲蹖賯 賵 鬲兀賲賱鈥屫ㄘ必з嗂屫操�.
鬲乇噩賲賴 亘賴 噩夭 丕爻鬲賮丕丿賴 丕夭 趩賳丿 讴賱賲賴 賵 毓亘丕乇鬲 賳丕丿乇爻鬲貙 丕蹖乇丕丿 趩卮賲诏蹖乇蹖 賳丿丕乇賴 丕賲丕 亘賴 毓賱鬲 賴賲禺賵丕賳蹖 亘丕 賳蹖賱賵賮乇 毓夭蹖夭賲 讴賴 賲鬲乇噩賲 賵 賵蹖乇丕爻鬲丕乇 賴爻鬲貙 賲鬲賵噩賴 卮丿賲 讴賴 賵蹖乇丕爻鬲丕乇蹖 賴賲 噩丕蹖 讴丕乇 丿丕乇賴. 賵 丕賱亘鬲賴 亘丕蹖丿 丕毓鬲乇丕賮 讴賳賲 讴賴 蹖讴蹖 丕夭 賴賲禺賵丕賳蹖鈥屬囏й� 丿賱趩爻亘 丕賲爻丕賱賲 亘賵丿. (丕賲爻丕賱 讴鬲丕亘鈥屬囏й� 禺蹖賱蹖 禺賵亘 賵 亘丿蹖 乇賵 亘賴 賱胤賮 賴賲禺賵丕賳蹖 倬蹖卮 亘乇丿賲 讴賴 丕诏乇 賴賲禺賵丕賳鈥屬囏� 賳亘賵丿賳 卮丕蹖丿 丕夭 倬爻 鬲賲賵賲 讴乇丿賳卮賵賳 亘乇賳賲蹖鈥屫з堎呚� ^^ )
讴蹖賮蹖鬲 禺賵丿 讴鬲丕亘 禺賵亘 賴爻鬲貙 丕诏乇趩賴 丕夭 趩丕倬鈥屬囏й� 噩丿蹖丿卮 亘蹖鈥屫ж焚勜ж官�.
乇賲丕乇讴 丕賵賱蹖賳 賳賵蹖爻賳丿賴鈥屫й� 亘賵丿 讴賴 賲賳 乇賵 亘丕 丕丿亘蹖丕鬲 囟丿 噩賳诏 賵 讴鬲丕亘 賲丨亘賵亘賲 蹖毓賳蹖 丿乇 睾乇亘 禺亘乇蹖 賳蹖爻鬲 丌卮賳丕 讴乇丿. 賮乇賵睾 夭賳丿诏蹖 丿乇 噩丕蹖诏丕賴 亘毓丿蹖 賯乇丕乇 賲蹖鈥屭屫辟� 丕賲丕 趩蹖夭蹖 丕夭 毓夭蹖夭 亘賵丿賳 賵 讴丕乇 丿乇爻鬲 亘賵丿賳 賳賵蹖爻賳丿賴鈥屫� 讴賲 賳賲蹖鈥屭┵嗁�.
亘賴 賵賯鬲 乇賵夭賴丕蹖 鬲丕乇蹖讴 賵 亘蹖鈥屬佖辟堌贺� 乇賵夭賴丕蹖蹖 讴賴 丕賲蹖丿蹖 亘丕賯蹖 賳賲蹖鈥屬呝堎嗁� 禺賵賳丿賳 丌孬丕乇 乇賲丕乇讴 乇賵 倬蹖卮賳賴丕丿 賲蹖鈥屭┵嗁�. 趩賵賳 丕賳诏蹖夭賴 賵 鬲賵丕賳蹖 亘乇丕蹖 丕丿丕賲賴 丿丕丿賳 乇賵 賲蹖丿賴 賵 鬲乇丕倬蹖爻鬲蹖 鬲賵 丕蹖賳 跇丕賳乇 賱丕丕賯賱 亘乇丕蹖 賲賳 賲丨爻賵亘 賲蹖卮賴.
倬.賳: 诏丕賴蹖 亘乇丕蹖 亘丕夭诏卮鬲 亘賴 趩蹖夭賴丕蹖蹖 讴賴 丕夭 丿爻鬲 丿丕丿賲 亘賴 鬲賵 亘乇賲蹖鈥屭必�. 趩賵賳 亘賴 蹖丕丿 賳丿丕乇賲 讴賴 丌禺乇蹖賳 亘丕乇 讴蹖 丕賲蹖丿賵丕乇 亘賵丿賲...
賲賳 鬲賯賱丕蹖 賲丕賴蹖鈥屬囏� 乇賵 亘乇丕蹖 丌亘 丿蹖丿賴 亘賵丿賲. 夭賲丕賳蹖 讴賴 賯氐丿 賮乇賵卮卮賵賳 乇賵 丿丕卮鬲賳 賵 乇賵蹖 夭賲蹖賳 倬禺卮 賵 倬賱丕 亘賵丿賳. 胤賵乇蹖 讴賴 丿賯丕蹖賯 倬丕蹖丕賳蹖 毓賲乇卮賵賳貙 丿賴賳卮賵賳 乇賵 亘丕夭 賵 亘爻鬲賴 賲蹖鈥屭┴必� 鬲丕 卮丕蹖丿 丿賵 趩讴賴 丌亘 賳噩丕鬲卮賵賳 亘丿賴.
丨丕賱 賲賳 亘蹖鈥屫簇ㄘз囏� 亘賴 丕蹖賳 亘乇夭禺 賳亘賵丿. 賲賳 亘賴 賲讴丕賳蹖 鬲亘毓蹖丿 卮丿賴 亘賵丿賲 讴賴 亘丕 賲丕賴蹖鬲 禺賵丿賲 賳賲蹖鈥屫堎嗀池� 丕夭卮 噩賵賳 爻丕賱賲 亘賴 丿乇 亘亘乇賲貨 趩賵賳 丕賵賳鈥屬囏� 亘丕乇蹖讴賴鈥屰� 賳賵乇 乇賵 亘賴 氐賵乇鬲賲 賲蹖鈥屫жㄙ堎嗀� 賵 丕夭賲 丿乇蹖睾卮 賲蹖鈥屭┴必�. 鬲賳賴丕 賲乇诏 賲蹖鈥屫堎嗀池� 乇賴丕蹖蹖鈥屫ㄘ� 亘丕卮賴.
賲丕賴蹖 亘丕 丕賲蹖丿 賵丕賴蹖 亘乇诏卮鬲賳卮 亘賴 丌亘 夭賳丿賴 亘賵丿. 賲賳 丕賲丕 賲蹖鈥屫堎嗀池� 丕蹖賳 蹖賴 丿乇賵睾 亘夭乇诏賴. 賴蹖趩 亘乇诏卮鬲蹖 丿乇 讴丕乇 賳亘賵丿. 氐蹖丕丿 亘蹖鈥屫佖з堌� 亘賴 賲丕賴蹖 賳蹖賲賴 噩賵賳 賳诏丕賴 賲蹖鈥屭┴必�. 賲丕賴蹖 鬲讴賵賳 賲蹖鈥屫堌必�. 氐蹖丕丿 亘賴 鬲賱丕卮 賳丕賮乇噩丕賲 賲丕賴蹖 亘蹖鈥屫佖з堌� 亘賵丿. 賲丕賴蹖 賳賮爻鈥屬囏й� 丌禺乇卮 乇賵 賲蹖鈥屭┴篡屫� 賵 丿乇 賳賴丕蹖鬲 亘賴 禺丕胤乇 趩蹖夭蹖 讴賴 亘賵丿 賮乇賵禺鬲賴 賲蹖鈥屫簇�.
賲賳 丕賲丕 亘賴 丕蹖賳 夭賲蹖賳 丌卮賳丕 亘賵丿賲. 匕丕鬲 賲賳 鬲賮丕賵鬲蹖 亘丕 亘賯蹖賴 賳丿丕卮鬲. 賲孬賱 賲丕賴蹖 亘賴 噩賴丕賳 丿蹖诏賴鈥屫й� 倬乇鬲 賳卮丿賴 亘賵丿賲. 夭賲蹖賳 賴賲賵賳 夭賲蹖賳 亘賵丿 賵 賲賳 賴賲 丕夭 禺賵丿卮賵賳 亘賵丿賲 丕賲丕 丿乇 毓蹖賳 丨丕賱 亘蹖诏丕賳賴 亘賵丿賲.
亘乇丕蹖 賲賳 賵丕囟丨 賵 賲亘乇賴賳 亘賵丿 讴賴 丕賵賳 氐蹖丕丿 賴賲 賲蹖鈥屫堎嗁� 亘賱丕蹖蹖 讴賴 亘賴 爻乇 賲丕賴蹖 丌賵乇丿賴 乇賵 爻乇 賴賲鈥屬嗁堌关� 亘蹖丕乇賴. 賲蹖鈥屫堎嗁� 丌丿賲蹖 乇賵 诏卮賳賴 賵 鬲卮賳賴貙 賵爻胤 丕乇丿賵诏丕賴 亘蹖 賴蹖趩 丕賲讴丕賳丕鬲蹖 亘賴 丕賲丕賳 禺賵丿卮 亘匕丕乇賴 鬲丕 丕賱鬲賲丕爻 丿賵 趩讴賴 丌亘 乇賵 亘賴卮 讴賳賳.
賲蹖鈥屫堎嗁� 亘丕 趩丕賯賵蹖 丿乇 丿爻鬲卮貙 倬賵爻鬲 丕夭 爻乇 亘卮乇 亘讴賳賴 賵 亘賴 噩丕蹖 丕蹖賳讴賴 賲孬賱 賲丕賴蹖 爻乇禺卮賵賳 讴賳賴貙 丕賵賳鈥屬囏� 乇賵 乇賵丕賳賴鈥屰� 讴賵乇賴鈥屬囏й� 丌丿賲鈥屫迟堌槽� 讴賳賴. 亘匕丕乇賴 亘禺丕乇 亘賴 亘丿賳 亘蹖鈥屫堎嗀促堎� 亘禺賵乇賴 賵 丿乇 賳賴丕蹖鬲 噩夭睾丕賱賴鈥屫促堎� 讴賳賴.
亘賴 噩丕蹖 丕卮倬賱 賲丕賴蹖 讴賴 賲蹖鈥屫堎嗁� 亘毓丿丕 丕夭卮 丕爻鬲賮丕丿賴 讴賳賴貙 丕夭 丿賳丿賵賳鈥屬囏й� 胤賱丕蹖 丕爻乇丕 亘賴乇賴 亘亘乇賴 鬲丕 亘乇丕卮 賳賮毓蹖 賴賲 丿丕卮鬲賴 亘丕卮賴.
賲蹖鈥屫堎嗁� 賵毓丿賴 賵 賵毓蹖丿賴丕蹖 鬲賵禺丕賱蹖 亘丿賴 賵 丌丿賲鈥屬囏� 乇賵 亘丕 丕賲蹖丿 賵丕賴蹖貙 爻乇诏乇丿賵賳 賵 趩卮賲 丕賳鬲馗丕乇 賳诏賴 丿丕乇賴. 丕蹖賳 讴丕乇蹖 賴爻鬲 讴賴 亘卮乇 亘丕 禺賵丿卮 丕賳噩丕賲 賲蹖丿賴 賵 诏賵乇卮 乇賵 賲蹖鈥屫堎嗁� 蹖賴 鬲賳賴 亘讴賳賴.
賳丕夭蹖鈥屬囏й屰� 讴賴 禺賵賳卮賵賳 乇賳诏蹖賳鈥屫� 丕夭 亘賯蹖賴 亘賵丿. 丌丿賲鈥屬囏й屰� 讴賴 亘蹖鈥屬囒屭� 丕蹖丿賴鈥屫й� 爻乇 丕夭 丕爻丕乇鬲 賵 丿乇亘賳丿 賴賲鈥屬嗁堌关з� 禺賵丿卮賵賳 賯乇丕乇 诏乇賮鬲賳 丿乇丌賵乇丿賳.
賲鬲毓氐亘蹖賳蹖 讴賴 毓賯丕蹖丿卮賵賳 乇賵 丿乇爻鬲鈥屫臂屬� 賲讴鬲亘 賲賲讴賳 賲蹖鈥屫堎嗀池�. 丨鬲蹖 丕诏賴 亘賴 讴卮鬲丕乇 丿爻鬲賴 噩賲毓蹖 賴夭丕乇丕賳 丌丿賲 亘蹖鈥屭嗀з� 禺鬲賲 賲蹖鈥屫簇�.
丕賲丕 丕賵賳鈥屬囏� 丕夭 倬爻 丕賲蹖丿 亘賴 乇賵夭賴丕蹖 亘賴鬲乇 丌丿賲鈥屬囏й屰� 讴賴 賴賵蹖鬲卮賵賳 乇賵 賴賲 丕夭卮賵賳 诏乇賮鬲賴 亘賵丿賳 亘乇賲蹖鈥屫з堎呚嗀� 丌蹖丕 賲蹖鈥屫堎嗀池� 丕賵賳 賳賵乇 賳丕趩蹖夭 賴賲 丕夭卮賵賳 亘诏蹖乇賳責
賵 丕賲丕 丌丿賲蹖 趩胤賵乇 賲蹖鈥屫堎嗁� 丕蹖賳 夭賳丿诏蹖 乇賵 鬲丕亘 亘蹖丕乇賴責 賵賯鬲蹖 賳賴 禺賵乇丿 賵 禺賵乇丕讴蹖 丿丕乇賴 賵 賳賴 賱亘丕爻 賲賳丕爻亘蹖. 賳賴 禺賵丕亘 丌乇賵賲蹖 賵 賳賴 乇賵夭賴丕蹖 乇賵卮賳蹖. 賳賴 鬲賵丕賳蹖 亘乇丕蹖 丿賵蹖蹖丿賳 賵 賳賴 乇賲賯蹖 亘乇丕蹖 禺賵丿讴卮蹖. 賲诏乇 噩夭 丕賲蹖丿 趩蹖夭蹖 亘丕賯蹖 賲蹖鈥屬呝堎嗁囏�
丕蹖賳 讴鬲丕亘 乇賵丕蹖鬲 丕鬲賮丕賯丕鬲 爻丕賱 郾酃鄞鄣 丌賱賲丕賳 賴爻鬲 賵 丿乇 賵丕賯毓 亘賴 倬丕蹖丕賳 噩賳诏 噩賴丕賳蹖 丿賵賲 賲蹖鈥屬矩必ж操�. 丿丕爻鬲丕賳 丌丿賲鈥屬囏й� 诏賲賳丕賲蹖 讴賴 丕爻賲卮賵賳 丿乇 鬲丕乇蹖禺 孬亘鬲 賳卮丿賴 賵 賮乇賵睾 夭賳丿诏蹖賳.
夭蹖乇 馗賱賲 亘蹖鈥屬堎傎佡� 禺賲蹖丿賴 卮丿賳. 卮讴賳噩賴 卮丿賳. 鬲丨賱蹖賱 乇賮鬲賳. 亘蹖賲丕乇 卮丿賳. 賯乇亘丕賳蹖 卮丿賳. 爻賵禺鬲賳 賵 爻丕禺鬲賳 賵 亘丕 丌禺乇蹖賳 賳賮爻鈥屬囏� 丕丿丕賲賴 丿丕丿賳.
賵 丕夭 爻賵蹖 丿蹖诏賴貙 讴爻丕蹖蹖 讴賴 亘賴 賳丕丨賯 亘賴 噩丕蹖诏丕賴蹖 乇爻蹖丿賳. 鬲丕禺鬲賳. 禺賵乇丿賳. 亘乇丿賳. 爻賵夭賵賳丿賳. 賲毓丕賳蹖 讴賱賲丕鬲 乇賵 毓賵囟 讴乇丿賳. 亘乇趩爻亘 夭丿賳. 賳賮乇鬲鈥屬矩必и┵嗃� 讴乇丿賳. 讴卮鬲賳. 讴丕卮鬲賳. 丕賲丕 鬲賵賳爻鬲賳 亘乇丿丕卮鬲 讴賳賳責
鬲賵氐蹖賮丕鬲 乇賲丕乇讴 亘蹖鈥屫必呚з嗁� 賵 禺蹖乇賴鈥屭┵嗁嗀団€屫池� 亘丕 丕蹖賳讴賴 禺賵丿卮 趩賳蹖賳 賲賯賵賱賴鈥屫й� 乇賵 賱賲爻 賳讴乇丿賴. 爻乇毓鬲 丿丕爻鬲丕賳 亘丕 鬲賵噩賴 亘賴 丨噩賲卮 禺賵亘 賵 爻乇蹖毓 賴爻鬲 賵 卮丕蹖丿 噩丕賴丕蹖蹖 讴賳丿 卮賴 讴賴 丕夭 丨噩賲 丕鬲賮丕賯丕鬲 亘蹖鈥屫� 卮蹖.
卮禺氐蹖鬲鈥屬囏� 賵丕賯毓蹖賳 賵 诏丕賴蹖 丿蹖丕賱賵诏鈥屬囏ж促堎� 丨丕賱鬲 卮毓丕乇蹖 倬蹖丿丕 賲蹖鈥屭┵嗁囏� 丕賲丕 丿乇 毓蹖賳 丨丕賱 毓賲蹖賯 賵 鬲兀賲賱鈥屫ㄘ必з嗂屫操�.
鬲乇噩賲賴 亘賴 噩夭 丕爻鬲賮丕丿賴 丕夭 趩賳丿 讴賱賲賴 賵 毓亘丕乇鬲 賳丕丿乇爻鬲貙 丕蹖乇丕丿 趩卮賲诏蹖乇蹖 賳丿丕乇賴 丕賲丕 亘賴 毓賱鬲 賴賲禺賵丕賳蹖 亘丕 賳蹖賱賵賮乇 毓夭蹖夭賲 讴賴 賲鬲乇噩賲 賵 賵蹖乇丕爻鬲丕乇 賴爻鬲貙 賲鬲賵噩賴 卮丿賲 讴賴 賵蹖乇丕爻鬲丕乇蹖 賴賲 噩丕蹖 讴丕乇 丿丕乇賴. 賵 丕賱亘鬲賴 亘丕蹖丿 丕毓鬲乇丕賮 讴賳賲 讴賴 蹖讴蹖 丕夭 賴賲禺賵丕賳蹖鈥屬囏й� 丿賱趩爻亘 丕賲爻丕賱賲 亘賵丿. (丕賲爻丕賱 讴鬲丕亘鈥屬囏й� 禺蹖賱蹖 禺賵亘 賵 亘丿蹖 乇賵 亘賴 賱胤賮 賴賲禺賵丕賳蹖 倬蹖卮 亘乇丿賲 讴賴 丕诏乇 賴賲禺賵丕賳鈥屬囏� 賳亘賵丿賳 卮丕蹖丿 丕夭 倬爻 鬲賲賵賲 讴乇丿賳卮賵賳 亘乇賳賲蹖鈥屫з堎呚� ^^ )
讴蹖賮蹖鬲 禺賵丿 讴鬲丕亘 禺賵亘 賴爻鬲貙 丕诏乇趩賴 丕夭 趩丕倬鈥屬囏й� 噩丿蹖丿卮 亘蹖鈥屫ж焚勜ж官�.
乇賲丕乇讴 丕賵賱蹖賳 賳賵蹖爻賳丿賴鈥屫й� 亘賵丿 讴賴 賲賳 乇賵 亘丕 丕丿亘蹖丕鬲 囟丿 噩賳诏 賵 讴鬲丕亘 賲丨亘賵亘賲 蹖毓賳蹖 丿乇 睾乇亘 禺亘乇蹖 賳蹖爻鬲 丌卮賳丕 讴乇丿. 賮乇賵睾 夭賳丿诏蹖 丿乇 噩丕蹖诏丕賴 亘毓丿蹖 賯乇丕乇 賲蹖鈥屭屫辟� 丕賲丕 趩蹖夭蹖 丕夭 毓夭蹖夭 亘賵丿賳 賵 讴丕乇 丿乇爻鬲 亘賵丿賳 賳賵蹖爻賳丿賴鈥屫� 讴賲 賳賲蹖鈥屭┵嗁�.
亘賴 賵賯鬲 乇賵夭賴丕蹖 鬲丕乇蹖讴 賵 亘蹖鈥屬佖辟堌贺� 乇賵夭賴丕蹖蹖 讴賴 丕賲蹖丿蹖 亘丕賯蹖 賳賲蹖鈥屬呝堎嗁� 禺賵賳丿賳 丌孬丕乇 乇賲丕乇讴 乇賵 倬蹖卮賳賴丕丿 賲蹖鈥屭┵嗁�. 趩賵賳 丕賳诏蹖夭賴 賵 鬲賵丕賳蹖 亘乇丕蹖 丕丿丕賲賴 丿丕丿賳 乇賵 賲蹖丿賴 賵 鬲乇丕倬蹖爻鬲蹖 鬲賵 丕蹖賳 跇丕賳乇 賱丕丕賯賱 亘乇丕蹖 賲賳 賲丨爻賵亘 賲蹖卮賴.
倬.賳: 诏丕賴蹖 亘乇丕蹖 亘丕夭诏卮鬲 亘賴 趩蹖夭賴丕蹖蹖 讴賴 丕夭 丿爻鬲 丿丕丿賲 亘賴 鬲賵 亘乇賲蹖鈥屭必�. 趩賵賳 亘賴 蹖丕丿 賳丿丕乇賲 讴賴 丌禺乇蹖賳 亘丕乇 讴蹖 丕賲蹖丿賵丕乇 亘賵丿賲...
March 12, 2018
EMR dedicates this to his sister who was beheaded in a concentration camp, in part to reach her famous brother who had condemned the Nazis while in exile in Switzerland. Yet the author's presence isn't felt. It's never vindictive or violently passionate. The narrative voice never dehumanizes, never does unto others as others have done unto his sister -- it keeps its cool and holds the gaze of the slowly dying sado-ubermencsh until his eyes turn to sightless jelly.
A goddamn great novel, generally. Rising drama for the win. Nearly as vivid, moving, significant, and unputdownable as A Time to Love and a Time to Die, which I read directly before this one, which EMR wrote directly after this one. Both are set in Germany during WWII, both structured absolutely linearly, and to extraordinary effect both use the Allied bombings of civilian populations in smaller towns to propel them forward.
"A Time to Love and A Time to Die" is more of a love story, a close-third POV limited to a single German soldier on leave -- like EMR knew he had something good with the Allied bombings but wanted to zoom-in on its effect on a single story/character after this one's roving POV, accessing the thoughts of dozens of prisoners, kapos, guards, SS, and townsfolk, although it primarily focuses on a prisoner known only as 509 for three quarters of the novel and the SS concentration camp commander, a former postal clerk. The camp isn't a death camp although it has a crematorium to dispose of bodies that waste away or are beaten to death. Some of the prisoners have been there more than a decade -- political prisoners, Communists, the editor of a newspaper who denounced the Nazis, a doctor who knew an SS officer had syphilis, etc. In the camp, the Communists and more democratic leaning prisoners have formed an underground coalition that meets and makes plans, gathers weapons, resists when it cans.
At first it took 75 to 100 pages for the characters to cohere and the story to start when 509 and another character refuse to submit to the camp doctor's experiments -- they're beaten viciously but survive -- and since they're not executed they give the other prisoners hope. A major positive for this is its setting in time: late-winter/early spring 1945. As the weather warms and they hear artillery fire in the distance they know that they have weeks, maybe even days until liberation, so they do whatever they can to stall their deaths, to live just a few more days, to delay going up through the crematorium chimney. As the British and Americans approach, the novel takes off and I read it compulsively, wanting to return to it whenever I put it down. Who would survive after so many years in the camp? Man, I hope 509 makes it! Would the SS ship everyone off to a death camp or just murder all the prisoners, set the barracks on fire and machine gun them before abandoning the camp and running from the Allies? Or maybe the Allies would inadvertently bomb the camp?
I won't divulge what happens but generally the ending makes it a great novel, especially for the depiction of the camp commander Neubauer who toward the end distances himself from real sadistic Nazis and tries to whitewash his reputation by planting some primroses around the barracks and increasing the food ration as he daydreams about surrendering as a military officer, ceremonially handing over his sword and informing his British and American conquerors that he had only been following orders and performing his duties, which as soldiers they will of course understand . . .
4.75 stars rounded down for the occasional murky machinations of the prisoners' schemes (bartering, bribes, etc), some difficulty keeping the characters straight (similar names of a few prisoners may be intentional since after a while all the prisoners look like walking skeletons with huge eyes and nostrils too large), and a translation that seemed less artful, patient, and/or milky than the other EMR's I've read. The language in this seemed weaker to me, comparatively spare, quick/rushed (probably loyal to the text due to the POV), and occasional sentences in dialogue that end with the odd "what?" This "what?" threw me off every time it appeared -- I suppose it could be rendered in common American English as "huh?" Also a few errors in the text ("I" instead of "It" for example).
But enough quibbling over minor demerits! Again, this is a great novel, a masterpiece of conventional rising drama, vivid, gripping, horrifying, never cartoonish, with moments of top-notch abstraction without getting in the way of the story's steady, natural progression.
I'll definitely be an EMR completist by the end of the year.
A goddamn great novel, generally. Rising drama for the win. Nearly as vivid, moving, significant, and unputdownable as A Time to Love and a Time to Die, which I read directly before this one, which EMR wrote directly after this one. Both are set in Germany during WWII, both structured absolutely linearly, and to extraordinary effect both use the Allied bombings of civilian populations in smaller towns to propel them forward.
"A Time to Love and A Time to Die" is more of a love story, a close-third POV limited to a single German soldier on leave -- like EMR knew he had something good with the Allied bombings but wanted to zoom-in on its effect on a single story/character after this one's roving POV, accessing the thoughts of dozens of prisoners, kapos, guards, SS, and townsfolk, although it primarily focuses on a prisoner known only as 509 for three quarters of the novel and the SS concentration camp commander, a former postal clerk. The camp isn't a death camp although it has a crematorium to dispose of bodies that waste away or are beaten to death. Some of the prisoners have been there more than a decade -- political prisoners, Communists, the editor of a newspaper who denounced the Nazis, a doctor who knew an SS officer had syphilis, etc. In the camp, the Communists and more democratic leaning prisoners have formed an underground coalition that meets and makes plans, gathers weapons, resists when it cans.
At first it took 75 to 100 pages for the characters to cohere and the story to start when 509 and another character refuse to submit to the camp doctor's experiments -- they're beaten viciously but survive -- and since they're not executed they give the other prisoners hope. A major positive for this is its setting in time: late-winter/early spring 1945. As the weather warms and they hear artillery fire in the distance they know that they have weeks, maybe even days until liberation, so they do whatever they can to stall their deaths, to live just a few more days, to delay going up through the crematorium chimney. As the British and Americans approach, the novel takes off and I read it compulsively, wanting to return to it whenever I put it down. Who would survive after so many years in the camp? Man, I hope 509 makes it! Would the SS ship everyone off to a death camp or just murder all the prisoners, set the barracks on fire and machine gun them before abandoning the camp and running from the Allies? Or maybe the Allies would inadvertently bomb the camp?
I won't divulge what happens but generally the ending makes it a great novel, especially for the depiction of the camp commander Neubauer who toward the end distances himself from real sadistic Nazis and tries to whitewash his reputation by planting some primroses around the barracks and increasing the food ration as he daydreams about surrendering as a military officer, ceremonially handing over his sword and informing his British and American conquerors that he had only been following orders and performing his duties, which as soldiers they will of course understand . . .
4.75 stars rounded down for the occasional murky machinations of the prisoners' schemes (bartering, bribes, etc), some difficulty keeping the characters straight (similar names of a few prisoners may be intentional since after a while all the prisoners look like walking skeletons with huge eyes and nostrils too large), and a translation that seemed less artful, patient, and/or milky than the other EMR's I've read. The language in this seemed weaker to me, comparatively spare, quick/rushed (probably loyal to the text due to the POV), and occasional sentences in dialogue that end with the odd "what?" This "what?" threw me off every time it appeared -- I suppose it could be rendered in common American English as "huh?" Also a few errors in the text ("I" instead of "It" for example).
But enough quibbling over minor demerits! Again, this is a great novel, a masterpiece of conventional rising drama, vivid, gripping, horrifying, never cartoonish, with moments of top-notch abstraction without getting in the way of the story's steady, natural progression.
I'll definitely be an EMR completist by the end of the year.
December 23, 2020
509 nodded. 鈥淚t鈥檚 difficult to die now. Earlier it was easier. Now it鈥檚 hard. So near the end.鈥�
鈥淩uth,鈥� he said after a while. 鈥淚 think when one starts as low as we do there must be a lot of happiness ahead.鈥�
This is a story of survival of a group of prisoners in Nazi concentration camp near the end of war. So you can guess the mood of this book. It鈥檚 bleak and also quite plot heavy.
You don鈥檛 go to Remarque for literary modernism or complex prose, you don't even go to him for intricately crafted psychological study of the characters. You read him if you want a story of love and friendship even if everything around is shit. For his signature quiet melancholy (it鈥檚 always present) and for the feeling of hope (sometimes if you鈥檙e lucky).
I first read this novel more than 10 years ago and I still remembered the scene between Breuer and Luebbe. This is one of my teenage self favourite books, so I'm partial.
What can I say, this book gets me in the feels every time.
It ends with dedication to the memory of his sister Elfreide, who was beheaded by Nazis.
鈥淩uth,鈥� he said after a while. 鈥淚 think when one starts as low as we do there must be a lot of happiness ahead.鈥�
This is a story of survival of a group of prisoners in Nazi concentration camp near the end of war. So you can guess the mood of this book. It鈥檚 bleak and also quite plot heavy.
You don鈥檛 go to Remarque for literary modernism or complex prose, you don't even go to him for intricately crafted psychological study of the characters. You read him if you want a story of love and friendship even if everything around is shit. For his signature quiet melancholy (it鈥檚 always present) and for the feeling of hope (sometimes if you鈥檙e lucky).
I first read this novel more than 10 years ago and I still remembered the scene between Breuer and Luebbe. This is one of my teenage self favourite books, so I'm partial.
What can I say, this book gets me in the feels every time.
It ends with dedication to the memory of his sister Elfreide, who was beheaded by Nazis.
September 16, 2015
I am becoming a huge Remarque fan. Spark of Life is thoughtful and powerful writing. The story illustrates the enormity of the tragedy we know as the holocaust and if you want to be moved by a book, that will happen when you read this one for sure. A sad tale and a wake up call in one amazingly well written novel. The story is even sadder with the knowledge that the author's sister Elfreide, to whom the book is dedicated, was beheaded by the nazis.
April 13, 2020
艩寞kart ra拧au apie paskutin臋 savo kolekcijoje perskaityt膮 Remarque knyg膮 鈥濭yvyb臈s kibirk拧tis鈥�. Ir nors istorija apie neegzistavus寞 lager寞 鈥� fikcija, tekstu nebuvo sunku patik臈ti. Visos tikros skaitytos karo istorijos prie拧 tai 鈥� neleid啪ia pamir拧ti, jog b奴tent tokia ne寞sivaizduojamai 啪iauri kasdienyb臈 pasitikdavo tikrus 啪mones, deja, ne tik knygos veik臈jus.
To tikrumo knygai neabejotinai suteik臈 autoriaus patirtis, turb奴t daugelis 啪ino, jog Erich Maria Remarque buvo pa拧auktas tarnauti Pirmajame pasauliniame kare, ma啪iau 啪inotinas faktas 鈥� jo seseriai Elfriede Scholz buvo paskirta mirties bausm臈 u啪 pasisakymus prie拧 naci懦 veikl膮. Skaudi gyvenimo patirtis neabejotinai atsiskleid臈 autoriaus darbuose, matyt tod臈l, knygos persona啪ai pasirodo artimi, palie膷iantys, jaudinantys.
Nors knyga, be abejon臈s 鈥� slegianti, pats tekstas i拧lieka remarki拧kas. Sakydama remarki拧kas stilius - turiu omenyje neapsunk臋s, puslapiai ver膷iasi lengvai, tekstas nepersunktas nereikalingomis detal臈mis, o dialogai 鈥� visada svarb奴s, atrodo girdi, k膮 knygos veik臈jai nori pasakyti vienas kitam tarp eilu膷i懦.
Ta膷iau, kai kas man pasirod臈 ne visai b奴dinga Remarque 鈥� 拧is pasakojimas i拧 dalies baigiasi viltingai. Po tik臈tino li奴desio pabaigoje (o skaitantys Remarque tikrai 啪ino, kaip baigiasi jo knygos), 拧寞kart autorius paliko ir 拧viesos ruo啪膮. O taikliausiai ir trumpiausiai apie knyg膮 galima pasakyti i拧 jos pa膷ios i拧kirptais 啪od啪iais: 鈥濵us 啪emino, bet mes nesame pa啪eminti. Pa啪eminti tie, kurie taip elg臈si."
To tikrumo knygai neabejotinai suteik臈 autoriaus patirtis, turb奴t daugelis 啪ino, jog Erich Maria Remarque buvo pa拧auktas tarnauti Pirmajame pasauliniame kare, ma啪iau 啪inotinas faktas 鈥� jo seseriai Elfriede Scholz buvo paskirta mirties bausm臈 u啪 pasisakymus prie拧 naci懦 veikl膮. Skaudi gyvenimo patirtis neabejotinai atsiskleid臈 autoriaus darbuose, matyt tod臈l, knygos persona啪ai pasirodo artimi, palie膷iantys, jaudinantys.
Nors knyga, be abejon臈s 鈥� slegianti, pats tekstas i拧lieka remarki拧kas. Sakydama remarki拧kas stilius - turiu omenyje neapsunk臋s, puslapiai ver膷iasi lengvai, tekstas nepersunktas nereikalingomis detal臈mis, o dialogai 鈥� visada svarb奴s, atrodo girdi, k膮 knygos veik臈jai nori pasakyti vienas kitam tarp eilu膷i懦.
Ta膷iau, kai kas man pasirod臈 ne visai b奴dinga Remarque 鈥� 拧is pasakojimas i拧 dalies baigiasi viltingai. Po tik臈tino li奴desio pabaigoje (o skaitantys Remarque tikrai 啪ino, kaip baigiasi jo knygos), 拧寞kart autorius paliko ir 拧viesos ruo啪膮. O taikliausiai ir trumpiausiai apie knyg膮 galima pasakyti i拧 jos pa膷ios i拧kirptais 啪od啪iais: 鈥濵us 啪emino, bet mes nesame pa啪eminti. Pa啪eminti tie, kurie taip elg臈si."
April 3, 2023
Niezwykle trudna i wymagaj膮ca emocjonalnie ksi膮偶ka. Przyt艂aczaj膮ca, brutalna i zawi艂a.
December 2, 2017
Schade, dass ich nicht mehr Sterne zur Verf眉gung habe.
Wie einst sein "Im Westen nichts Neues" l盲sst mich auch "Der Funke Leben" betroffen, ger眉hrt, besch盲mt und gleichzeitig begl眉ckt zur眉ck. Begl眉ckt ihm Sinne, dass Remarque 1952 dieses komplexe wie schwere Thema mit seinem Roman 枚ffentlich zur Sprache bringt, w盲hrend ein Gro脽teil der deutschen Bev枚lkerung versuchte, diese historische Wahrheit zu umgehen, statt es konstruktiv f眉r sich selbst und nachfolgende Generationen aufzuarbeiten. Und auch begl眉ckt, weil Remarque als Schriftsteller nicht entt盲uscht. Er beherrscht dieses Handwerk wie kaum ein anderer. Mich beeindruckt, mit welch einfachen S盲tzen und Worten er derart Gro脽es ausspricht, dass es ein jeder verstehen kann und muss. Denn darin liegt f眉r mich die wahre Brillanz eines intellektuellen Literaten.
Diesen Roman betreffend, gibt es unz盲hlige Passagen, die ich unterstrich und kommentierte, weil sie mich so sehr besch盲ftigten und doch kann ich sie hier nicht allesamt aufz盲hlen. 脺berdies f眉rchte ich, dass mir noch die Worte fehlen, um der Gro脽artigkeit dieses Buches gerecht zu werden.
Trotz des unvorstellbaren Grauens, das kontinuierlich durch die Handlung zieht, wurde ich nie m眉de, weiterzulesen. Im Gegenteil, dieser Roman hat mich gepackt wie schon lange kein anderer. Jeder Person verleiht Remarque mit einfachen Mitteln eine unglaubliche Tiefe und Substanz, selbst der Hauptfigur, dem KZ-H盲ftling 509. Trotz der blo脽en Nummer ist er von dem Moment an, in dem er zum ersten Mal dem Leser vorgestellt wird, ein Mensch aus Fleisch und Blut, zum Ber眉hren nahe. Ein Mensch von ungeheurer Gr枚脽e und mentaler St盲rke, obwohl sein Leben nur noch am seidenen Faden h盲ngt und sein K枚rper nur noch einem Skelett gleicht.
Remarque wagt zudem den Perspektivwechsel und stellt uns den Alltag des Lager-Kommandanten und seinen Gehilfen gegen眉ber. Er wird au脽erdem nie m眉de, auf die Gefahren des Kommunismus zu verweisen, was in einem interessanten Dialog zwischen 509 und dem kommunistischen Werner gipfelt:
"'Ich kenne das Lied. Sag mir lieber, was mit denen gesch盲he, die gegen euch sind, wenn ihr gewinnen w眉rdet und die Macht h盲ttet? Oder denen, die nicht f眉r euch sind?'
Werner schwieg einen Moment. 'Da gibt es viele verschiedene Wege', sagte er dann.
'Ich kenne welche. Du auch. T枚ten, Foltern, Konzentrationslager - meinst du die auch?'
'Unter anderem. Je nachdem, was notwendig ist.'"
Dieses Buch ist von unbeschreiblicher Tiefe, weil es nicht nur handwerklich meisterhaft ist, sondern so viele unterschiedliche Themen anspricht und philosophische Fragen aufwirft, so zum Beispiel die Frage nach dem Sinn von Rache und Vergeltung, dem Umgang von wiedergewonnener Freiheit und dem Danach, aber auch der Flucht aus der eigenen Verantwortung.
Remarque hat mich mit diesem seiner Romane erneut geistig wie emotional gefesselt. Regelrecht mitgenommen haben mich insbesondere die Szene des grauenhaften "Schildkr枚tenrennens" vor dem Tor des Lagers sowie der Augenblick, als die H盲ftlinge, nun durch amerikanische Soldaten befreit, zum ersten Mal jeder in einem eigenen Bett mit einer Decke und einem Kissen schlafen durften.
Lange Rede kurzer Sinn: Es ist ein Meisterwerk und Remarque m枚ge mir meine Sprachlosigkeit verzeihen!
Wie einst sein "Im Westen nichts Neues" l盲sst mich auch "Der Funke Leben" betroffen, ger眉hrt, besch盲mt und gleichzeitig begl眉ckt zur眉ck. Begl眉ckt ihm Sinne, dass Remarque 1952 dieses komplexe wie schwere Thema mit seinem Roman 枚ffentlich zur Sprache bringt, w盲hrend ein Gro脽teil der deutschen Bev枚lkerung versuchte, diese historische Wahrheit zu umgehen, statt es konstruktiv f眉r sich selbst und nachfolgende Generationen aufzuarbeiten. Und auch begl眉ckt, weil Remarque als Schriftsteller nicht entt盲uscht. Er beherrscht dieses Handwerk wie kaum ein anderer. Mich beeindruckt, mit welch einfachen S盲tzen und Worten er derart Gro脽es ausspricht, dass es ein jeder verstehen kann und muss. Denn darin liegt f眉r mich die wahre Brillanz eines intellektuellen Literaten.
Diesen Roman betreffend, gibt es unz盲hlige Passagen, die ich unterstrich und kommentierte, weil sie mich so sehr besch盲ftigten und doch kann ich sie hier nicht allesamt aufz盲hlen. 脺berdies f眉rchte ich, dass mir noch die Worte fehlen, um der Gro脽artigkeit dieses Buches gerecht zu werden.
Trotz des unvorstellbaren Grauens, das kontinuierlich durch die Handlung zieht, wurde ich nie m眉de, weiterzulesen. Im Gegenteil, dieser Roman hat mich gepackt wie schon lange kein anderer. Jeder Person verleiht Remarque mit einfachen Mitteln eine unglaubliche Tiefe und Substanz, selbst der Hauptfigur, dem KZ-H盲ftling 509. Trotz der blo脽en Nummer ist er von dem Moment an, in dem er zum ersten Mal dem Leser vorgestellt wird, ein Mensch aus Fleisch und Blut, zum Ber眉hren nahe. Ein Mensch von ungeheurer Gr枚脽e und mentaler St盲rke, obwohl sein Leben nur noch am seidenen Faden h盲ngt und sein K枚rper nur noch einem Skelett gleicht.
Remarque wagt zudem den Perspektivwechsel und stellt uns den Alltag des Lager-Kommandanten und seinen Gehilfen gegen眉ber. Er wird au脽erdem nie m眉de, auf die Gefahren des Kommunismus zu verweisen, was in einem interessanten Dialog zwischen 509 und dem kommunistischen Werner gipfelt:
"'Ich kenne das Lied. Sag mir lieber, was mit denen gesch盲he, die gegen euch sind, wenn ihr gewinnen w眉rdet und die Macht h盲ttet? Oder denen, die nicht f眉r euch sind?'
Werner schwieg einen Moment. 'Da gibt es viele verschiedene Wege', sagte er dann.
'Ich kenne welche. Du auch. T枚ten, Foltern, Konzentrationslager - meinst du die auch?'
'Unter anderem. Je nachdem, was notwendig ist.'"
Dieses Buch ist von unbeschreiblicher Tiefe, weil es nicht nur handwerklich meisterhaft ist, sondern so viele unterschiedliche Themen anspricht und philosophische Fragen aufwirft, so zum Beispiel die Frage nach dem Sinn von Rache und Vergeltung, dem Umgang von wiedergewonnener Freiheit und dem Danach, aber auch der Flucht aus der eigenen Verantwortung.
Remarque hat mich mit diesem seiner Romane erneut geistig wie emotional gefesselt. Regelrecht mitgenommen haben mich insbesondere die Szene des grauenhaften "Schildkr枚tenrennens" vor dem Tor des Lagers sowie der Augenblick, als die H盲ftlinge, nun durch amerikanische Soldaten befreit, zum ersten Mal jeder in einem eigenen Bett mit einer Decke und einem Kissen schlafen durften.
Lange Rede kurzer Sinn: Es ist ein Meisterwerk und Remarque m枚ge mir meine Sprachlosigkeit verzeihen!
December 26, 2021
丌賳鈥屬囏� 丌夭丕丿 亘賵丿賳丿 丕賲賾丕 賳賲蹖鈥屫з嗀池嗀� 亘丕 丌夭丕丿蹖 禺賵丿 趩賴 亘讴賳賳丿. 亘乇丕蹖 亘爻蹖丕乇蹖 丕夭 丌賳鈥屬囏� 鬲氐賵賾乇 丌夭丕丿蹖 丌賳鈥屬傌� 亘夭乇诏 亘賵丿 讴賴 亘賴 亘毓丿丕夭丌賳 賮讴乇 賳讴乇丿賴 亘賵丿賳丿貨 賵 丨丕賱 讴賴 蹖讴鈥屬呚必ㄙ� 亘賴 丌夭丕丿蹖 乇爻蹖丿賴 亘賵丿賳丿貙 賲蹖鈥屫屫嗀� 丿乇 賵乇丕蹖 丌賳 禺亘乇蹖 丕夭 亘賴卮鬲 賵 賲毓噩夭丕鬲 賳蹖爻鬲 賵 賴蹖趩 噩丕丿賵蹖蹖 鈥屬嗁呟屸€屫堌з嗀� 丌賳 爻丕賱鈥屬囏й� 诏匕卮鬲賴 乇丕 亘賴鈥屰屭┾€屫ㄘж辟� 亘丕夭诏乇丿丕賳丿. 丌夭丕丿蹖 賮乇丕乇爻蹖丿賴 賵 亘丕 禺賵丿 乇賳噩 鬲賳賴丕蹖蹖 賵 禺丕胤乇丕鬲 賵丨卮鬲賳丕讴 乇丕 亘賴鈥屬囐呚必з� 丌賵乇丿賴 亘賵丿鈥�.听
July 9, 2023
鈥濾isada reikia galvoti tik apie artimiausi膮 pavoj懦. Gresiant寞 tuo metu. 沤ingsnis po 啪ingsnio. Kitaip i拧prot臈si."
Kaip ir daugelis, su Remarko k奴ryba susipa啪inau vidurin臈je mokykloje. Tad sentiment懦 nei拧vengiau, o be to, tai buvo ir mano t臈vo m臈giamas autorius. Tod臈l Remarko knygos mano namuose u啪ima garbing膮 viet膮.
Taip jau atsitiko, kad b奴tent 鈥濭yvyb臈s kibirk拧tis" tapo m奴s懦 knyg懦 klubo baland啪io m臈nesio knyga. Paprastas, neperkrautas ra拧ymo stilius tikrovi拧kai parodo lagerio kasdienyb臋: skeletai, kiau拧as vietoj galvos, bedant臈s burnos, skarmalai. 膶ia n臈ra heroj懦 ir patoso, aklo patriotizmo. O kruopel臈 vilties 寞啪iebia gyvyb臈s kibirk拧t寞.
艩寞 k奴rin寞 vertinu d臈l pacifizmo, humanizmo id臈j懦. Pirm膮 kart膮 knyga i拧leista 1952 m., tad j膮 galima laikyti protestu prie拧 kar膮. Tuo labiau, kad autorius nesl臈p臈 savo antinacistini懦 pa啪i奴r懦, i拧 jo buvo atimta Vokietijos pilietyb臈, o knygos vie拧ai deginamos. Ra拧oma, jog 鈥濭yvyb臈s kibirk拧t寞" E. M. Remarque始as skyr臈 savo seseriai E. Scholz, 1943 啪iauriai nu啪udytai gestapinink懦.
Vienintelis minusas, kuris man labai trukd臈 skaityti 鈥� tai vard懦 ir pavard啪i懦 mai拧alyn臈. Prad啪ioje j懦 buvo tiek daug ir a拧 niekaip negal臈jau sekti siu啪eto ir painiojausi tarp veik臈j懦. Ma膷iau, kad 拧i knyga lyginama su 鈥滵ievu mi拧ku", bet, man asmeni拧kai, Balio Sruogos memuarai patiko daug labiau.
Kaip ir daugelis, su Remarko k奴ryba susipa啪inau vidurin臈je mokykloje. Tad sentiment懦 nei拧vengiau, o be to, tai buvo ir mano t臈vo m臈giamas autorius. Tod臈l Remarko knygos mano namuose u啪ima garbing膮 viet膮.
Taip jau atsitiko, kad b奴tent 鈥濭yvyb臈s kibirk拧tis" tapo m奴s懦 knyg懦 klubo baland啪io m臈nesio knyga. Paprastas, neperkrautas ra拧ymo stilius tikrovi拧kai parodo lagerio kasdienyb臋: skeletai, kiau拧as vietoj galvos, bedant臈s burnos, skarmalai. 膶ia n臈ra heroj懦 ir patoso, aklo patriotizmo. O kruopel臈 vilties 寞啪iebia gyvyb臈s kibirk拧t寞.
艩寞 k奴rin寞 vertinu d臈l pacifizmo, humanizmo id臈j懦. Pirm膮 kart膮 knyga i拧leista 1952 m., tad j膮 galima laikyti protestu prie拧 kar膮. Tuo labiau, kad autorius nesl臈p臈 savo antinacistini懦 pa啪i奴r懦, i拧 jo buvo atimta Vokietijos pilietyb臈, o knygos vie拧ai deginamos. Ra拧oma, jog 鈥濭yvyb臈s kibirk拧t寞" E. M. Remarque始as skyr臈 savo seseriai E. Scholz, 1943 啪iauriai nu啪udytai gestapinink懦.
Vienintelis minusas, kuris man labai trukd臈 skaityti 鈥� tai vard懦 ir pavard啪i懦 mai拧alyn臈. Prad啪ioje j懦 buvo tiek daug ir a拧 niekaip negal臈jau sekti siu啪eto ir painiojausi tarp veik臈j懦. Ma膷iau, kad 拧i knyga lyginama su 鈥滵ievu mi拧ku", bet, man asmeni拧kai, Balio Sruogos memuarai patiko daug labiau.
February 5, 2025
This was the first novel about the Holocaust, by any author, published after WWII. Remarque was widely criticized for having written a novel about events he had never personally experienced. But I doubt that there are many literary treatments of this human tragedy that are as poignant or relevant. Definitely a novel to include in a study of the era.
November 26, 2022
醿涐償醿栣儤醿栣儲醿斸儜醿� 醿欋儛醿儩醿戓儬醿樶儩醿戓儛 醿撫儛 醿樶儧醿樶儭 醿掅儛醿ａ儛醿溼儛醿氠儤醿栣償醿戓儦醿濁儜醿� 醿樶儭醿斸儞醿愥儶 醿犪儛 醿ａ儧醿溼儤醿ㄡ儠醿溼償醿氠儩醿斸儜醿� 醿曖儛醿犪儣, 醿炨儬醿濁儜醿氠償醿涐償醿戓儤 醿┽儠醿斸儨 醿椺儠醿樶儣醿濁儨醿曖償 醿犪儩醿� 醿愥儬 醿撫儛醿曖儤醿涐儛醿⑨儩醿�.
September 16, 2023
Erich Maria Remarque'nin sihirli bir g眉ce sahip oldu臒una inan谋yorum. 脟ook uzun aral谋klarla, her elime al谋艧谋mda ayr谋 keyif al谋yorum yazd谋klar谋n谋 okumaktan. 陌nan谋lmaz umutsuz, 莽aresiz, korkun莽 ve katlan谋lamaz durumlar谋n i莽indeki umudu, g眉ndelik kayg谋lar谋n insanili臒ini ve en 枚nemlisi, kabul etmeyi istemesek ve derinlereeee,,, taaaaa derinlere g枚mmeye 莽al谋艧sak da i莽imizde k谋m谋l k谋m谋l parlayan Hayat K谋v谋lc谋m谋'n谋 枚yle g眉zel hat谋rlat谋yor ki..
Roman bir Nazi toplama kamp谋n谋n,art谋k 莽al谋艧acak hali olmayan, g眉莽ten d眉艧m眉艧, iskeletten farks谋z tutsaklar i莽in ayr谋lm谋艧 b枚l眉m眉 olan k眉莽眉k kampta ge莽iyor. K谋sacas谋 k眉莽眉k kamp sakinleri, burada 枚l眉mlerini bekliyorlar ve tahmin edece臒iniz 眉zere 枚l眉m pek 莽ok farkl谋 k谋l谋kta 莽谋k谋yor kar艧谋lar谋na. Roman谋n ana kahraman谋 509 da umudunu, inanc谋n谋 ve hatta nefretini bile kaybetmi艧 k谋demli bir tutsak. K谋sacas谋, bu kampa hapsedilmi艧 ya艧ayan 枚l眉lerden biri.
''Ama sonunda nefret duygusu da s枚nm眉艧t眉. Bir ekmek k谋r谋nt谋s谋 i莽in sava艧谋m vermek her 艧eyden daha 枚nemliydi. Tehlikeye girmi艧 bir varl谋臒谋n, an谋lardan ve nefretten de 谋zd谋rap kadar zarar g枚rebilece臒ini, zamanla 枚臒renmi艧ti. 509 kabu臒una 莽ekilip bir saatten 枚teki saate ya艧an谋lan bir 枚m眉rden ba艧ka hi莽bir 艧eyle ilgilenmemeyi 枚臒renmi艧ti.
Bu kentin 509 numara i莽in ilgi 莽ekici hi莽bir yan谋 kalmam谋艧t谋 ve hi莽 de臒i艧meyen manzaras谋, art谋k hi莽 de臒i艧meyecek kendi al谋nyaz谋s谋n谋n da kasvetli bir simgesi olmu艧tu.''
Uzun zamand谋r say谋s谋z ve tarifsiz eziyetlere maruz kalan kamp sakinleri i莽in kamptan kurtulmay谋 hayal etmek, en b眉y眉k eziyetlerden birisi halini alm谋艧. Bu konuda konu艧may谋 ve d眉艧眉nmeyi bile yasak etmi艧ler kendilerine. Ta ki, y谋llard谋r kamp telleri ard谋ndan izledikleri kentin bombaland谋臒谋n谋 g枚rene dek...
''Kent yan谋yordu. Toplama kamp谋 kadar de臒i艧mez ve y谋k谋lamaz san谋lan bu kent yanmaktayd谋.''
Kentin bombalanmas谋 kitab谋n hemen ba艧lar谋nda ger莽ekle艧iyor ve sava艧谋n gidi艧at谋 de臒i艧irken kamp sakinlerinin i莽lerindeki Hayat K谋v谋lc谋m谋'n谋n uyan谋艧谋na e艧lik ediyoruz. Korkun莽 grotesk sahneler e艧li臒inde bile, insan谋n i莽indeki s枚nmeyen ate艧e 艧ahit olmak ferahlat谋c谋 oldu benim i莽in. 脺stelik depremin ard谋ndan ve se莽im g眉ndeminde Hayat K谋v谋lc谋m谋'n谋 okumak, ''tam zaman谋nda'' hissini uyand谋rd谋. Her okurun vard谋 b枚yle anlar谋...
En korkutucu olaylar谋n bile engel olamad谋臒谋, tenimizde, etimizde, kemiklerimizde ve her bir h眉cremizde gizli k眉莽眉k ya艧am zerreciklerini hat谋rlatt谋 Erich Maria Remarque bana.
''脰zg眉rl眉臒眉n ilk belirli selam谋 gelmi艧ti. Onlar 艧u yery眉z眉n眉n pis yarat谋klar谋 de臒illerdi bundan b枚yle. Onlar谋 unutmad谋klar谋n谋 g枚stermek i莽in, tehlikeyi g枚ze al谋p u莽ak g枚nderiyorlard谋. T眉k眉r眉len, nefret edilen ve solucanlardan daha az de臒er verilen pis yarat谋klar de臒ildiler, bundan b枚yle; birer insand谋lar art谋k. Tan谋mad谋klar谋 insanlar i莽in de insand谋lar.''
Peki ne ki insan olmak? Bir insan olarak ya艧amak ne?
Uzun zaman hi莽 konu艧madan oturdular. Kamp da, bombalarla y谋k谋lm谋艧 kent de art谋k g枚r眉n眉rlerde yoktu. Yaln谋zca 莽ay谋r ve 莽ay谋r谋n 眉zerindeki yumu艧ac谋k g枚ky眉z眉 vard谋. R眉zgar谋n 谋l谋k dokunu艧lar谋n谋 y眉zlerinde hissediyor ve ge莽mi艧in b眉t眉n o kara kara felaketlerinin bu r眉zgar谋n yumu艧ak elleriyle uzakla艧t谋r谋ld谋臒谋n谋 san谋yorlard谋.
Bucher, her 艧ey belki de b枚ylece yeniden ba艧layacak, diye d眉艧眉nd眉. K枚t眉 an谋lar ve nefretle de臒il de, b枚yle ba艧layacak. En basit bi莽imde yeniden ya艧ayabilmek duygusuyla. Yaln谋zca ya艧ayabilmek duygusu yetecek.
Ne unutmal谋 ne de korkun莽 an谋lar谋n kabusuyla yok olmal谋yd谋. Vedala艧谋rken Berer b枚yle s枚ylemi艧ti.''
B枚yle bol al谋nt谋l谋, darmada臒谋n bir yorum b谋rak谋yorum sizlere.Grotesk toplama kamp谋, bomba ve enkaz sahneleri size k枚t眉 gelmeyecekse ''tam zaman谋nda'' okuman谋z谋 枚neriyorum. Yoruma s谋臒d谋ramad谋m ama kitapta sadece kamptaki tutsaklar谋n de臒il, kamp komutan谋n谋n g眉nlerine ve d眉艧眉ncelerine de 艧ahit oluyoruz. 陌nan谋r m谋s谋n谋z, ben bu b枚l眉mlerden apayr谋 bir keyif ald谋m. D眉艧眉nmeye de臒er ne 莽ok 艧ey var, kamp komutan谋n谋n tav艧an sevgisinde dedim kendime. Sonra Hitler'i d眉艧眉nd眉m, sonra yine bizim kamp谋n komutan谋n谋... O da atlar谋 seviyor zira...
R眉zgar谋n tatl谋 dokunu艧u, hep bizimle olsun. Sevgiler :)
Roman bir Nazi toplama kamp谋n谋n,art谋k 莽al谋艧acak hali olmayan, g眉莽ten d眉艧m眉艧, iskeletten farks谋z tutsaklar i莽in ayr谋lm谋艧 b枚l眉m眉 olan k眉莽眉k kampta ge莽iyor. K谋sacas谋 k眉莽眉k kamp sakinleri, burada 枚l眉mlerini bekliyorlar ve tahmin edece臒iniz 眉zere 枚l眉m pek 莽ok farkl谋 k谋l谋kta 莽谋k谋yor kar艧谋lar谋na. Roman谋n ana kahraman谋 509 da umudunu, inanc谋n谋 ve hatta nefretini bile kaybetmi艧 k谋demli bir tutsak. K谋sacas谋, bu kampa hapsedilmi艧 ya艧ayan 枚l眉lerden biri.
''Ama sonunda nefret duygusu da s枚nm眉艧t眉. Bir ekmek k谋r谋nt谋s谋 i莽in sava艧谋m vermek her 艧eyden daha 枚nemliydi. Tehlikeye girmi艧 bir varl谋臒谋n, an谋lardan ve nefretten de 谋zd谋rap kadar zarar g枚rebilece臒ini, zamanla 枚臒renmi艧ti. 509 kabu臒una 莽ekilip bir saatten 枚teki saate ya艧an谋lan bir 枚m眉rden ba艧ka hi莽bir 艧eyle ilgilenmemeyi 枚臒renmi艧ti.
Bu kentin 509 numara i莽in ilgi 莽ekici hi莽bir yan谋 kalmam谋艧t谋 ve hi莽 de臒i艧meyen manzaras谋, art谋k hi莽 de臒i艧meyecek kendi al谋nyaz谋s谋n谋n da kasvetli bir simgesi olmu艧tu.''
Uzun zamand谋r say谋s谋z ve tarifsiz eziyetlere maruz kalan kamp sakinleri i莽in kamptan kurtulmay谋 hayal etmek, en b眉y眉k eziyetlerden birisi halini alm谋艧. Bu konuda konu艧may谋 ve d眉艧眉nmeyi bile yasak etmi艧ler kendilerine. Ta ki, y谋llard谋r kamp telleri ard谋ndan izledikleri kentin bombaland谋臒谋n谋 g枚rene dek...
''Kent yan谋yordu. Toplama kamp谋 kadar de臒i艧mez ve y谋k谋lamaz san谋lan bu kent yanmaktayd谋.''
Kentin bombalanmas谋 kitab谋n hemen ba艧lar谋nda ger莽ekle艧iyor ve sava艧谋n gidi艧at谋 de臒i艧irken kamp sakinlerinin i莽lerindeki Hayat K谋v谋lc谋m谋'n谋n uyan谋艧谋na e艧lik ediyoruz. Korkun莽 grotesk sahneler e艧li臒inde bile, insan谋n i莽indeki s枚nmeyen ate艧e 艧ahit olmak ferahlat谋c谋 oldu benim i莽in. 脺stelik depremin ard谋ndan ve se莽im g眉ndeminde Hayat K谋v谋lc谋m谋'n谋 okumak, ''tam zaman谋nda'' hissini uyand谋rd谋. Her okurun vard谋 b枚yle anlar谋...
En korkutucu olaylar谋n bile engel olamad谋臒谋, tenimizde, etimizde, kemiklerimizde ve her bir h眉cremizde gizli k眉莽眉k ya艧am zerreciklerini hat谋rlatt谋 Erich Maria Remarque bana.
''脰zg眉rl眉臒眉n ilk belirli selam谋 gelmi艧ti. Onlar 艧u yery眉z眉n眉n pis yarat谋klar谋 de臒illerdi bundan b枚yle. Onlar谋 unutmad谋klar谋n谋 g枚stermek i莽in, tehlikeyi g枚ze al谋p u莽ak g枚nderiyorlard谋. T眉k眉r眉len, nefret edilen ve solucanlardan daha az de臒er verilen pis yarat谋klar de臒ildiler, bundan b枚yle; birer insand谋lar art谋k. Tan谋mad谋klar谋 insanlar i莽in de insand谋lar.''
Peki ne ki insan olmak? Bir insan olarak ya艧amak ne?
Uzun zaman hi莽 konu艧madan oturdular. Kamp da, bombalarla y谋k谋lm谋艧 kent de art谋k g枚r眉n眉rlerde yoktu. Yaln谋zca 莽ay谋r ve 莽ay谋r谋n 眉zerindeki yumu艧ac谋k g枚ky眉z眉 vard谋. R眉zgar谋n 谋l谋k dokunu艧lar谋n谋 y眉zlerinde hissediyor ve ge莽mi艧in b眉t眉n o kara kara felaketlerinin bu r眉zgar谋n yumu艧ak elleriyle uzakla艧t谋r谋ld谋臒谋n谋 san谋yorlard谋.
Bucher, her 艧ey belki de b枚ylece yeniden ba艧layacak, diye d眉艧眉nd眉. K枚t眉 an谋lar ve nefretle de臒il de, b枚yle ba艧layacak. En basit bi莽imde yeniden ya艧ayabilmek duygusuyla. Yaln谋zca ya艧ayabilmek duygusu yetecek.
Ne unutmal谋 ne de korkun莽 an谋lar谋n kabusuyla yok olmal谋yd谋. Vedala艧谋rken Berer b枚yle s枚ylemi艧ti.''
B枚yle bol al谋nt谋l谋, darmada臒谋n bir yorum b谋rak谋yorum sizlere.Grotesk toplama kamp谋, bomba ve enkaz sahneleri size k枚t眉 gelmeyecekse ''tam zaman谋nda'' okuman谋z谋 枚neriyorum. Yoruma s谋臒d谋ramad谋m ama kitapta sadece kamptaki tutsaklar谋n de臒il, kamp komutan谋n谋n g眉nlerine ve d眉艧眉ncelerine de 艧ahit oluyoruz. 陌nan谋r m谋s谋n谋z, ben bu b枚l眉mlerden apayr谋 bir keyif ald谋m. D眉艧眉nmeye de臒er ne 莽ok 艧ey var, kamp komutan谋n谋n tav艧an sevgisinde dedim kendime. Sonra Hitler'i d眉艧眉nd眉m, sonra yine bizim kamp谋n komutan谋n谋... O da atlar谋 seviyor zira...
R眉zgar谋n tatl谋 dokunu艧u, hep bizimle olsun. Sevgiler :)
April 22, 2019
孝芯胁邪 斜械褕械 械写薪邪 芯褌 薪邪泄-屑邪褔泻邪褖懈褌械 泻薪懈谐懈, 泻芯懈褌芯 褋褗屑 褔械谢邪.
袚邪写薪邪, 写械锌褉械褋懈褉邪褖邪, 锌褉械写褋褌邪胁褟褏 褋懈 胁褋械泻懈 械写懈薪 蟹邪褌胁芯褉薪懈泻 芯褌 泻芯薪褑械薪褌褉邪褑懈芯薪薪懈褌械 谢邪谐械褉懈褌械, 褉芯胁懈褏 褋械 写芯锌褗谢薪懈褌械谢薪芯, 屑懈褋谢懈褏 屑薪芯谐芯.
袗 薪械 蟹薪邪屑 褋谢褍褔邪泄薪芯 懈谢懈 薪械, 薪芯 写芯泻邪褌芯 褋褗屑 胁 褌邪褟 褋械褉懈褟 写邪 褔械褌邪 袪械屑邪褉泻, 写胁邪屑邪 褋褗褋械写懈 褋械 芯斜械褋懈褏邪.
孝邪蟹懈 泻薪懈谐邪 屑械 锌芯写褋械褌懈 懈 蟹邪 褌褟褏. 袣芯谢泻芯 屑薪芯谐芯 褏芯褉邪 械 懈屑邪谢芯, 懈屑邪 懈 胁懈薪邪谐懈 褖械 懈屑邪, 泻芯懈褌芯 褋邪 褋谢邪斜懈. 袣邪泻胁芯 褌褉褟斜胁邪 写邪 锌褉械卸懈胁褟胁邪褕 写褗谢斜芯泻芯 胁褗褌褉械, 蟹邪 写邪 懈蟹斜械褉械褕 写邪 薪械 卸懈胁械械褕? 袗 泻邪泻胁芯 褋邪 锌褉械卸懈胁械谢懈 屑懈谢懈芯薪懈 械胁褉械懈? 袣邪泻胁芯 芯蟹薪邪褔邪胁邪 写邪 懈屑邪褕 懈褋泻褉懈褑邪 卸懈胁芯褌 胁 褋械斜械 褋懈?
袩褉芯褋褌芯 薪械 懈褋泻邪屑 写邪 褋懈 锌褉械写褋褌邪胁褟 泻邪泻胁芯 械 写邪 褍屑懈褉邪褕 芯褌 谐谢邪写 懈 斜芯谢械褋褌懈, 泻芯谐邪褌芯, 芯褌懈胁邪泄泻懈 胁 屑邪谐邪蟹懈薪邪 薪邪 锌褉邪蟹薪懈泻, 褋械 褋斜谢褗褋泻胁邪褕 褋 薪褟泻邪泻胁懈 褏芯褉邪, 泻芯懈褌芯 褟写邪褌 泻邪褌芯 蟹邪 锌芯褋谢械写薪芯. 袗 泻邪泻胁芯 写邪 谐芯胁芯褉懈屑 蟹邪 芯薪械蟹懈 "all inclusive"...
袣邪泻褌芯 胁懈薪邪谐懈 薪械 泻芯屑械薪褌懈褉邪屑 屑薪芯谐芯 褋邪屑邪褌邪 泻薪懈谐邪, 胁邪卸薪懈 褋邪 屑懈 屑懈褋谢懈褌械 懈 械屑芯褑懈懈褌械...
袠 薪邪泻褉邪褟 械 薪邪泄-褌械卸泻芯 - 泻邪泻胁芯 写邪 锌褉邪胁懈屑 褋褗褋 褋胁芯斜芯写邪褌邪 褋懈?
袩褉械锌芯褉褗褔胁邪屑 写邪 褋械 褔械褌械, 蟹邪褖芯褌芯, 邪泻芯 褋械 邪斜褋褌褉邪褏懈褉邪屑械 芯褌 懈褋褌芯褉懈褔械褋泻懈褌械 褋褗斜懈褌懈褟, 卸懈胁芯褌褗褌 薪械 械 褋邪屑芯 褑胁械褌褟 懈 褉芯蟹懈...
袚邪写薪邪, 写械锌褉械褋懈褉邪褖邪, 锌褉械写褋褌邪胁褟褏 褋懈 胁褋械泻懈 械写懈薪 蟹邪褌胁芯褉薪懈泻 芯褌 泻芯薪褑械薪褌褉邪褑懈芯薪薪懈褌械 谢邪谐械褉懈褌械, 褉芯胁懈褏 褋械 写芯锌褗谢薪懈褌械谢薪芯, 屑懈褋谢懈褏 屑薪芯谐芯.
袗 薪械 蟹薪邪屑 褋谢褍褔邪泄薪芯 懈谢懈 薪械, 薪芯 写芯泻邪褌芯 褋褗屑 胁 褌邪褟 褋械褉懈褟 写邪 褔械褌邪 袪械屑邪褉泻, 写胁邪屑邪 褋褗褋械写懈 褋械 芯斜械褋懈褏邪.
孝邪蟹懈 泻薪懈谐邪 屑械 锌芯写褋械褌懈 懈 蟹邪 褌褟褏. 袣芯谢泻芯 屑薪芯谐芯 褏芯褉邪 械 懈屑邪谢芯, 懈屑邪 懈 胁懈薪邪谐懈 褖械 懈屑邪, 泻芯懈褌芯 褋邪 褋谢邪斜懈. 袣邪泻胁芯 褌褉褟斜胁邪 写邪 锌褉械卸懈胁褟胁邪褕 写褗谢斜芯泻芯 胁褗褌褉械, 蟹邪 写邪 懈蟹斜械褉械褕 写邪 薪械 卸懈胁械械褕? 袗 泻邪泻胁芯 褋邪 锌褉械卸懈胁械谢懈 屑懈谢懈芯薪懈 械胁褉械懈? 袣邪泻胁芯 芯蟹薪邪褔邪胁邪 写邪 懈屑邪褕 懈褋泻褉懈褑邪 卸懈胁芯褌 胁 褋械斜械 褋懈?
袩褉芯褋褌芯 薪械 懈褋泻邪屑 写邪 褋懈 锌褉械写褋褌邪胁褟 泻邪泻胁芯 械 写邪 褍屑懈褉邪褕 芯褌 谐谢邪写 懈 斜芯谢械褋褌懈, 泻芯谐邪褌芯, 芯褌懈胁邪泄泻懈 胁 屑邪谐邪蟹懈薪邪 薪邪 锌褉邪蟹薪懈泻, 褋械 褋斜谢褗褋泻胁邪褕 褋 薪褟泻邪泻胁懈 褏芯褉邪, 泻芯懈褌芯 褟写邪褌 泻邪褌芯 蟹邪 锌芯褋谢械写薪芯. 袗 泻邪泻胁芯 写邪 谐芯胁芯褉懈屑 蟹邪 芯薪械蟹懈 "all inclusive"...
袣邪泻褌芯 胁懈薪邪谐懈 薪械 泻芯屑械薪褌懈褉邪屑 屑薪芯谐芯 褋邪屑邪褌邪 泻薪懈谐邪, 胁邪卸薪懈 褋邪 屑懈 屑懈褋谢懈褌械 懈 械屑芯褑懈懈褌械...
袠 薪邪泻褉邪褟 械 薪邪泄-褌械卸泻芯 - 泻邪泻胁芯 写邪 锌褉邪胁懈屑 褋褗褋 褋胁芯斜芯写邪褌邪 褋懈?
袩褉械锌芯褉褗褔胁邪屑 写邪 褋械 褔械褌械, 蟹邪褖芯褌芯, 邪泻芯 褋械 邪斜褋褌褉邪褏懈褉邪屑械 芯褌 懈褋褌芯褉懈褔械褋泻懈褌械 褋褗斜懈褌懈褟, 卸懈胁芯褌褗褌 薪械 械 褋邪屑芯 褑胁械褌褟 懈 褉芯蟹懈...
August 14, 2017
Remarque left me speechless ... again. Can't even write a review.
January 16, 2013
One of the most impressive Remarque books. The harshest, I would say, and as usual incredibly touching.
June 13, 2024
Gan sunku vertinti 拧i膮 knyg膮. Visai ne tod臈l, kad ji (ko gero, jei neatsiras lietuvi懦 kalba i拧leist懦 nauj懦) buvo paskutin臈 i拧 neskaityt懦 E.M. Remarko knyg懦, ir jau buvau susidar臋s tvirt膮 nuomon臋 apie 拧io vokie膷i懦 klasiko k奴ryb膮. Ne, nuomon臈 nepakito, bet jau膷iuosi nejaukiai, nes po roman懦 鈥濼rys draugai鈥�, 鈥濲uodasis obeliskas鈥�, o ir kit懦, negaliu paskutin寞 perskaityt膮 roman膮 vertinti taip puikiai, kaip anuos. I拧kart noriu pasakyti, kad tai, be abejo, romanas savo laiku (i拧leistas 1952 m.) suk臈l臋s 拧ok膮, nes vokie膷i懦 ra拧ytojas TAIP apra拧臈 vokie膷i懦 fa拧izmo sukeltas kan膷ias 寞vairiausi懦 taut懦 啪mon臈ms. Dabar, kai i拧leista daugyb臈 寞vairi懦 knyg懦 拧ia tema (tokios geros kaip V.E. Frankl 鈥炁絤ogus ie拧ko prasm臈s鈥�, B. Sruogos 鈥濪iev懦 mi拧kas鈥�, F. Klodelio 鈥濨rodekas鈥� 鈥� skirtingais pj奴viais pateikian膷ios 啪mogi拧kum膮 ir nu啪mog臈jim膮 ekstremaliose s膮lygose), 拧is Remarko k奴rinys jau gali b奴ti vertinamas kiek kitaip nei tada, kai buvo i拧leistas (temos naujumo prasme). Bet stiprus, kaip ir visi Remarko romanai.
Pirmiausia noriu pabr臈啪ti, kad k奴rinys labai realistinis (tiesiog romanas apie 啪iauri膮 tikrov臋). Steb臈tina, kaip Remarkas, daugel寞 savo roman懦 para拧臋s apie tai, k膮 patyr臈, mat臈, i拧kent臈jo, 鈥� sugeb臈jo taip autenti拧kai, detaliai, psichologi拧kai pagr寞stai pavaizduoti 拧iame romane (nors pats nebuvo patek臋s 寞 konclager寞). Stulbinantis tikrovi拧kumas!
Ne寞prastai daug dialog懦, per juos atskleid啪iamas veik臈j懦 charakteri懦 individualumas, spalvingumas, j懦 tapsmas tais, kokie jie palieka konclager寞. Nors trupin臈lis 啪mogaus, kas be寞vykt懦 gyvenime, vis d臈lto i拧lieka 鈥� pabaiga optimistin臈.
Pateiksiu tik vien膮 citat膮, esmin臋, nes kitos kai kuriuos skaitytojus gal臈t懦 sukr臈sti. 鈥濵us 啪emino, bet mes nesame pa啪eminti. Pa啪eminti tie, kurie taip elg臈si."
Jeigu kraupi realyb臈 knygose j奴s懦 ne拧okiruoja, perskaitykite 拧寞 roman膮. Visos Remarko k奴rybos kontekste jis vertas ne ma啪iau 7 bal懦.
Pirmiausia noriu pabr臈啪ti, kad k奴rinys labai realistinis (tiesiog romanas apie 啪iauri膮 tikrov臋). Steb臈tina, kaip Remarkas, daugel寞 savo roman懦 para拧臋s apie tai, k膮 patyr臈, mat臈, i拧kent臈jo, 鈥� sugeb臈jo taip autenti拧kai, detaliai, psichologi拧kai pagr寞stai pavaizduoti 拧iame romane (nors pats nebuvo patek臋s 寞 konclager寞). Stulbinantis tikrovi拧kumas!
Ne寞prastai daug dialog懦, per juos atskleid啪iamas veik臈j懦 charakteri懦 individualumas, spalvingumas, j懦 tapsmas tais, kokie jie palieka konclager寞. Nors trupin臈lis 啪mogaus, kas be寞vykt懦 gyvenime, vis d臈lto i拧lieka 鈥� pabaiga optimistin臈.
Pateiksiu tik vien膮 citat膮, esmin臋, nes kitos kai kuriuos skaitytojus gal臈t懦 sukr臈sti. 鈥濵us 啪emino, bet mes nesame pa啪eminti. Pa啪eminti tie, kurie taip elg臈si."
Jeigu kraupi realyb臈 knygose j奴s懦 ne拧okiruoja, perskaitykite 拧寞 roman膮. Visos Remarko k奴rybos kontekste jis vertas ne ma啪iau 7 bal懦.
December 19, 2024
芦丌賳 乇賵夭蹖 讴賴 丌賳鈥屬囏� 丕賵賱蹖賳 蹖賴賵丿蹖 乇丕 亘丿賵賳 賲丨丕讴賲賴 亘賴 賯鬲賱 乇爻丕賳丿賳丿貙 賯丕賳賵賳 夭賳丿诏蹖 乇丕 夭蹖乇 倬丕 诏匕丕卮鬲賳丿貙 丌賳鈥屬囏� 賲蹖鈥屭佖嗀� 噩丕賳 趩賳丿 蹖賴賵丿蹖 丿乇 亘乇丕亘乇 蹖讴 丌賱賲丕賳 賲賯鬲丿乇 賵 亘夭乇诏 趩賴 丕乇夭卮蹖 丿丕乇丿責 丌賳鈥屬囏� 趩卮賲丕賳 禺賵丿 乇丕 亘爻鬲賳丿. 丌賳鈥屬囏� 丕乇鬲卮蹖 丿丕卮鬲賳丿 讴賴 丿乇 丌賳 夭賲丕賳 賲鬲毓賱賯 亘賴 丌丿賲讴卮鈥屬囏� 賳亘賵丿. 丕乇鬲卮 賲蹖鈥屫堌з嗀池� 蹖讴鈥屸赌屫辟堌操� 亘賴 賴賲賴鈥屰� 丕蹖賳 賲丕噩乇丕 倬丕蹖丕賳 丿賴丿. 丕賲丕 噩賱賵蹖 丌賳 乇丕 賳诏乇賮鬲. 亘賴 賴賲蹖賳 丿賱蹖賱 丕讴賳賵賳 禺丿丕賵賳丿 丌賳鈥屬囏� 乇丕 亘賴鈥屫池藏й� 丕毓賲丕賱卮丕賳 賲蹖鈥屫必池з嗀�. 夭賳丿诏蹖 賴乇 賲賵噩賵丿蹖 丕乇夭卮賲賳丿 丕爻鬲. 丨鬲蹖 賲賮賱賵讴鈥屫臂屬� 賲賵噩賵丿丕鬲.禄
鈥�
丿丕爻鬲丕賳蹖 丕夭 丕賲蹖丿 賵 賳丕丕賲蹖丿蹖...
丿丕爻鬲丕賳 丿乇 蹖讴 丕乇丿賵诏丕賴鈥� 讴丕乇 丕噩亘丕乇蹖 丿乇 倬丕蹖丕賳 噩賳诏 噩賴丕賳蹖 丿賵賲 賵 丿乇 亘禺卮蹖 亘賴鈥屬嗀з� 丕乇丿賵诏丕賴 讴賵趩讴 丕鬲賮丕賯 賲蹖鈥屫з佖�. 夭賳丿丕賳蹖丕賳蹖 讴賴 丕夭 卮丿鬲 囟毓賮 鬲賵丕賳 讴丕乇 讴乇丿賳 賳丿丕卮鬲賳貙 鬲丕 夭賲丕賳蹖 讴賴 亘賲蹖乇賳 丿乇 丕蹖賳 禺賵丕亘诏丕賴鈥屬囏� 夭賳丿诏蹖 賲蹖鈥屭┴必�. 丕蹖賳 禺賵丕亘诏丕賴鈥屬囏� 倬乇 丕夭 丕爻讴賱鬲鈥屬囏ж池� 賵 倬乇 丕夭 鬲爻賱蹖賲鈥屫簇з嗀� 夭賳丿丕賳蹖丕賳蹖 讴賴 丿蹖诏賴 賳賲蹖鈥屫堎嗁� 賳噩丕鬲 倬蹖丿丕 讴賳賳貙 賳賴 亘賴 丕蹖賳 丿賱蹖賱 讴賴 趩蹖夭蹖 亘乇丕蹖 禺賵乇丿賳 賳丿丕乇賳 賵 蹖丕 丕賳賯丿乇 亘蹖賲丕乇 賴爻鬲賳 讴賴 賳賲蹖鈥屫堎嗁� 丕夭 噩丕卮賵賳 鬲讴賵賳 亘禺賵乇賳貙 亘賱讴賴 亘賴 丕蹖賳 丿賱蹖賱 讴賴 亘丕賵乇卮賵賳 亘賴 賳噩丕鬲 蹖丕賮鬲賳 乇賵 丕夭 丿爻鬲 丿丕丿賳.
鈥�
賵賯鬲蹖 賳蹖乇賵賴丕蹖 賲鬲賮賯蹖賳 亘賴 卮賴乇蹖 讴賴 丕乇丿賵诏丕賴 丿乇 丕賵賳 賯乇丕乇 丿丕乇賴 丨賲賱賴 賲蹖鈥屭┵嗁嗀� 丕爻讴賱鬲 卮賲丕乇賴 鄣贍侃 丕賵賱蹖賳 夭賳丿丕賳蹖 丿乇 丕乇丿賵诏丕賴 讴賵趩讴賴 讴賴 亘賴 禺賵丿卮 丕噩丕夭賴 賲蹖丿賴 亘丕賵乇 讴賳賴 賲賲讴賳賴 賳噩丕鬲 倬蹖丿丕 讴賳賴 賵 賲丕 卮丕賴丿 丌禺乇蹖賳 鬲賱丕卮鈥屬囏� 賵 噩賳诏蹖丿賳 鄣贍侃 亘乇丕蹖 夭賳丿賴 賲賵賳丿賳 賲蹖卮蹖賲. 丿乇賵丕賯毓 鄣贍侃 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳賴 賵 禺賵丿卮 鬲乇噩蹖丨 賲蹖丿賴 鄣贍侃 賳丕賲蹖丿賴 亘卮賴貨 卮賲丕乇賴鈥屫й� 讴賴 丕夭 胤乇賮 丕乇丿賵诏丕賴 亘賴卮 丿丕丿賴 卮丿賴. 趩乇丕 讴賴 賳丕賲 賵丕賯毓蹖卮貙 夭賳丿诏蹖 诏匕卮鬲賴鈥屫ж� 乇賵 亘賴鈥屫官嗁堌з� 蹖讴 丕賳爻丕賳 丌夭丕丿 亘賴 蹖丕丿卮 賲蹖丕乇賴.
丕夭 胤乇賮 丿蹖诏賴 賳賵蹖爻賳丿賴 亘賴 卮禺氐蹖鬲鈥屬囏й� 胤乇賮 賲賯丕亘賱 丿丕爻鬲丕賳 賴賲 賲蹖鈥屬矩必ж操囏� 爻乇亘丕夭丕賳 賵 賮乇賲丕賳丿賴丕賳 丕爻鈥屫ж�. 賴乇 亘賲亘蹖 讴賴 丕夭 胤乇賮 賲鬲賮賯蹖賳 卮賱蹖讴 賲蹖卮賴貙 亘賴 夭賳丿丕賳蹖丕賳 夭賳丿诏蹖 丿賵亘丕乇賴 賲蹖鈥屫ㄘ促� 賵 丕孬乇 亘乇毓讴爻蹖 乇賵蹖 賳丕夭蹖鈥屬囏� 丿丕乇賴. 蹖讴蹖 丕夭 丕蹖賳 卮禺氐蹖鬲鈥屬囏� 賮乇賲丕賳丿賴 賳賵蹖鈥屫ㄘжω辟囏� 讴賴 亘丕 賴乇 丨賲賱賴 卮丕賴丿 丕夭 丿爻鬲 丿丕丿賳 賴賲賴 丕賵賳 趩蹖夭賴丕蹖蹖賴 讴賴 賳丕噩賵丕賳賲乇丿丕賳賴 亘賴 丿爻鬲 丌賵乇丿賴.
鈥�
乇賲丕乇讴 丿乇 倬蹖 丌賮乇蹖丿賳 蹖讴 賯賴乇賲丕賳 蹖丕 蹖讴 卮禺氐蹖鬲 亘丿 賳蹖爻鬲 賵 亘賴 賵囟賵丨 賳卮賵賳 賲蹖丿賴 丿乇 蹖讴 噩賳诏貙 賴賲賴 亘丕夭賳丿賴鈥屫з嗀�. 賵 賳鬲蹖噩賴 丕蹖賳 賲蹖卮賴 讴賴 卮讴賳噩賴鈥屭� 賵 卮讴賳噩賴鈥屫簇囏� 賴乇 丿賵 乇賵蹖 蹖讴 夭賲蹖賳 讴孬蹖賮 丿乇丕夭 讴卮蹖丿賴 賵 丌睾卮鬲賴 亘賴 丕卮讴貙 禺賵賳貙 丕賳夭噩丕乇貙 亘蹖鈥屫关з勜� 賵 賳丕丕賲蹖丿蹖 亘賴 賴賲 禺蹖乇賴 卮丿賳 賵 賲蹖鈥屫嗂� 鬲丕 丌禺乇蹖賳 賳賮乇蹖 亘丕卮賳 讴賴 賲蹖鈥屬呟屫辟�.
鈥屸赌�
丕孬乇蹖 丿乇禺卮丕賳 丿乇 賲匕賲鬲 噩賳诏 丕夭 賳賵蹖爻賳丿賴鈥屫й� 讴賴 卮丕賴丿 丿賵 噩賳诏 噩賴丕賳蹖 亘賵丿賴. 丨鬲賲丕 亘禺賵賳蹖丿.
鈥�
丿丕爻鬲丕賳蹖 丕夭 丕賲蹖丿 賵 賳丕丕賲蹖丿蹖...
丿丕爻鬲丕賳 丿乇 蹖讴 丕乇丿賵诏丕賴鈥� 讴丕乇 丕噩亘丕乇蹖 丿乇 倬丕蹖丕賳 噩賳诏 噩賴丕賳蹖 丿賵賲 賵 丿乇 亘禺卮蹖 亘賴鈥屬嗀з� 丕乇丿賵诏丕賴 讴賵趩讴 丕鬲賮丕賯 賲蹖鈥屫з佖�. 夭賳丿丕賳蹖丕賳蹖 讴賴 丕夭 卮丿鬲 囟毓賮 鬲賵丕賳 讴丕乇 讴乇丿賳 賳丿丕卮鬲賳貙 鬲丕 夭賲丕賳蹖 讴賴 亘賲蹖乇賳 丿乇 丕蹖賳 禺賵丕亘诏丕賴鈥屬囏� 夭賳丿诏蹖 賲蹖鈥屭┴必�. 丕蹖賳 禺賵丕亘诏丕賴鈥屬囏� 倬乇 丕夭 丕爻讴賱鬲鈥屬囏ж池� 賵 倬乇 丕夭 鬲爻賱蹖賲鈥屫簇з嗀� 夭賳丿丕賳蹖丕賳蹖 讴賴 丿蹖诏賴 賳賲蹖鈥屫堎嗁� 賳噩丕鬲 倬蹖丿丕 讴賳賳貙 賳賴 亘賴 丕蹖賳 丿賱蹖賱 讴賴 趩蹖夭蹖 亘乇丕蹖 禺賵乇丿賳 賳丿丕乇賳 賵 蹖丕 丕賳賯丿乇 亘蹖賲丕乇 賴爻鬲賳 讴賴 賳賲蹖鈥屫堎嗁� 丕夭 噩丕卮賵賳 鬲讴賵賳 亘禺賵乇賳貙 亘賱讴賴 亘賴 丕蹖賳 丿賱蹖賱 讴賴 亘丕賵乇卮賵賳 亘賴 賳噩丕鬲 蹖丕賮鬲賳 乇賵 丕夭 丿爻鬲 丿丕丿賳.
鈥�
賵賯鬲蹖 賳蹖乇賵賴丕蹖 賲鬲賮賯蹖賳 亘賴 卮賴乇蹖 讴賴 丕乇丿賵诏丕賴 丿乇 丕賵賳 賯乇丕乇 丿丕乇賴 丨賲賱賴 賲蹖鈥屭┵嗁嗀� 丕爻讴賱鬲 卮賲丕乇賴 鄣贍侃 丕賵賱蹖賳 夭賳丿丕賳蹖 丿乇 丕乇丿賵诏丕賴 讴賵趩讴賴 讴賴 亘賴 禺賵丿卮 丕噩丕夭賴 賲蹖丿賴 亘丕賵乇 讴賳賴 賲賲讴賳賴 賳噩丕鬲 倬蹖丿丕 讴賳賴 賵 賲丕 卮丕賴丿 丌禺乇蹖賳 鬲賱丕卮鈥屬囏� 賵 噩賳诏蹖丿賳 鄣贍侃 亘乇丕蹖 夭賳丿賴 賲賵賳丿賳 賲蹖卮蹖賲. 丿乇賵丕賯毓 鄣贍侃 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳賴 賵 禺賵丿卮 鬲乇噩蹖丨 賲蹖丿賴 鄣贍侃 賳丕賲蹖丿賴 亘卮賴貨 卮賲丕乇賴鈥屫й� 讴賴 丕夭 胤乇賮 丕乇丿賵诏丕賴 亘賴卮 丿丕丿賴 卮丿賴. 趩乇丕 讴賴 賳丕賲 賵丕賯毓蹖卮貙 夭賳丿诏蹖 诏匕卮鬲賴鈥屫ж� 乇賵 亘賴鈥屫官嗁堌з� 蹖讴 丕賳爻丕賳 丌夭丕丿 亘賴 蹖丕丿卮 賲蹖丕乇賴.
丕夭 胤乇賮 丿蹖诏賴 賳賵蹖爻賳丿賴 亘賴 卮禺氐蹖鬲鈥屬囏й� 胤乇賮 賲賯丕亘賱 丿丕爻鬲丕賳 賴賲 賲蹖鈥屬矩必ж操囏� 爻乇亘丕夭丕賳 賵 賮乇賲丕賳丿賴丕賳 丕爻鈥屫ж�. 賴乇 亘賲亘蹖 讴賴 丕夭 胤乇賮 賲鬲賮賯蹖賳 卮賱蹖讴 賲蹖卮賴貙 亘賴 夭賳丿丕賳蹖丕賳 夭賳丿诏蹖 丿賵亘丕乇賴 賲蹖鈥屫ㄘ促� 賵 丕孬乇 亘乇毓讴爻蹖 乇賵蹖 賳丕夭蹖鈥屬囏� 丿丕乇賴. 蹖讴蹖 丕夭 丕蹖賳 卮禺氐蹖鬲鈥屬囏� 賮乇賲丕賳丿賴 賳賵蹖鈥屫ㄘжω辟囏� 讴賴 亘丕 賴乇 丨賲賱賴 卮丕賴丿 丕夭 丿爻鬲 丿丕丿賳 賴賲賴 丕賵賳 趩蹖夭賴丕蹖蹖賴 讴賴 賳丕噩賵丕賳賲乇丿丕賳賴 亘賴 丿爻鬲 丌賵乇丿賴.
鈥�
乇賲丕乇讴 丿乇 倬蹖 丌賮乇蹖丿賳 蹖讴 賯賴乇賲丕賳 蹖丕 蹖讴 卮禺氐蹖鬲 亘丿 賳蹖爻鬲 賵 亘賴 賵囟賵丨 賳卮賵賳 賲蹖丿賴 丿乇 蹖讴 噩賳诏貙 賴賲賴 亘丕夭賳丿賴鈥屫з嗀�. 賵 賳鬲蹖噩賴 丕蹖賳 賲蹖卮賴 讴賴 卮讴賳噩賴鈥屭� 賵 卮讴賳噩賴鈥屫簇囏� 賴乇 丿賵 乇賵蹖 蹖讴 夭賲蹖賳 讴孬蹖賮 丿乇丕夭 讴卮蹖丿賴 賵 丌睾卮鬲賴 亘賴 丕卮讴貙 禺賵賳貙 丕賳夭噩丕乇貙 亘蹖鈥屫关з勜� 賵 賳丕丕賲蹖丿蹖 亘賴 賴賲 禺蹖乇賴 卮丿賳 賵 賲蹖鈥屫嗂� 鬲丕 丌禺乇蹖賳 賳賮乇蹖 亘丕卮賳 讴賴 賲蹖鈥屬呟屫辟�.
鈥屸赌�
丕孬乇蹖 丿乇禺卮丕賳 丿乇 賲匕賲鬲 噩賳诏 丕夭 賳賵蹖爻賳丿賴鈥屫й� 讴賴 卮丕賴丿 丿賵 噩賳诏 噩賴丕賳蹖 亘賵丿賴. 丨鬲賲丕 亘禺賵賳蹖丿.
November 21, 2021
袛谢褟 屑械薪械 褑褟 泻薪懈谐邪 褋褌邪谢邪 锌械褉褕芯褞 锌褉芯褔懈褌邪薪芯褞 胁 邪胁褌芯褉邪. 袘褍谢芯 胁邪卸泻芯 褔懈褌邪褌懈, 邪谢械 褟 械褨褋泻褨谢褜泻懈 薪械 锌芯卸邪谢泻褍胁邪谢邪, 褖芯 薪邪胁邪卸懈谢邪褋褟.
鉅赌
袣薪懈谐邪 褉芯蟹锌芯胁褨写邪褦 锌褉芯 薪邪泄谐褍屑邪薪薪褨褕懈泄 泻芯薪褑邪斜褨褉 袦械谢谢械褉薪 褌邪 泄芯谐芯 卸懈褌械谢褨胁. 袚褍屑邪薪薪懈屑 泄芯谐芯 胁胁邪卸邪褞褌褜 褔械褉械蟹 胁褨写褋褍褌薪褨褋褌褜 谐邪蟹芯胁懈褏 泻邪屑械褉. 孝邪 褔懈 写褨泄褋薪芯 胁褨薪 褦 褌邪泻懈屑? 袗写卸械 泻芯卸薪芯谐芯 写薪褟 胁 褌邪斜芯褉褨 锌芯屑懈褉邪褞褌褜 写械褋褟褌泻懈 胁'褟蟹薪褨胁 褔械褉械蟹 谐芯谢芯写. 袙邪谐邪 谢褞写械泄, 褔邪褋褌褨褕械 蟹邪 胁褋械, 薪械 锌械褉械胁懈褖褍褦 38 泻褨谢芯谐褉邪屑褨胁.
鉅赌
袗谢械 褋懈谢 屑械褕泻邪薪褑褟屑 袦邪谢芯谐芯 褌邪斜芯褉褍, 褟泻懈屑 薪邪泄胁邪卸褔械, 斜芯 胁芯薪懈 胁卸械 薪邪泄褕谢邪斜褕褨, 胁懈屑褍褔械薪褨 褨 薪械 蟹写邪褌薪褨 薪褨 薪邪 褖芯, 写芯写邪褦 芯褔褨泻褍胁邪薪薪褟 蟹邪泻褨薪褔械薪薪褟 胁褨泄薪懈 褌邪 锌械褉械写褔褍褌褌褟 褋泻芯褉芯谐芯 蟹胁褨谢褜薪械薪薪褟.
鉅赌
笑械 薪邪锌械胁薪芯 薪邪泄褋褌褉邪褕薪褨褕邪 褌邪 薪邪泄胁邪卸褔邪 泻薪懈谐邪 锌褉芯 泻芯薪褑褌邪斜褨褉, 褟泻褍 屑械薪褨 写芯胁芯写懈谢芯褋褟 褔懈褌邪褌懈.
鉅赌
袣芯卸薪邪 褋褌芯褉褨薪泻邪 锌褉芯褋褟泻薪褍褌邪 斜芯谢械屑 谢褞写械泄, 写芯 褟泻懈褏 胁褨写薪芯褋褟褌褜褋褟 谐褨褉褕械, 薪褨卸 写芯 褌胁邪褉懈薪.
鉅赌
袗谢械 褟 薪械泄屑芯胁褨褉薪芯 褉邪写邪, 褖芯 胁褋械 卸 蟹胁邪卸懈谢邪褋褟 褩褩 锌褉芯褔懈褌邪褌懈. 袉 锌谢邪薪褍褞 薪邪写邪谢褨 蟹薪邪泄芯屑懈褌懈褋褟 蟹 褌胁芯褉邪屑懈 邪胁褌芯褉邪.
鉅赌
孝邪泻褨 泻薪懈谐懈 薪械 褏芯褔械褌褜褋褟 褔懈褌邪褌懈 褔邪褋褌芯. 袧邪写褌芯 胁卸械 胁芯薪懈 褌褟卸泻褨. 袗谢械 胁褋械 卸 褔懈褌邪褌懈 褏芯褔械褌褜褋褟, 褕芯斜 蟹薪邪褌懈 褨 锌邪屑'褟褌邪褌懈.
鉅赌
袣薪懈谐邪 褉芯蟹锌芯胁褨写邪褦 锌褉芯 薪邪泄谐褍屑邪薪薪褨褕懈泄 泻芯薪褑邪斜褨褉 袦械谢谢械褉薪 褌邪 泄芯谐芯 卸懈褌械谢褨胁. 袚褍屑邪薪薪懈屑 泄芯谐芯 胁胁邪卸邪褞褌褜 褔械褉械蟹 胁褨写褋褍褌薪褨褋褌褜 谐邪蟹芯胁懈褏 泻邪屑械褉. 孝邪 褔懈 写褨泄褋薪芯 胁褨薪 褦 褌邪泻懈屑? 袗写卸械 泻芯卸薪芯谐芯 写薪褟 胁 褌邪斜芯褉褨 锌芯屑懈褉邪褞褌褜 写械褋褟褌泻懈 胁'褟蟹薪褨胁 褔械褉械蟹 谐芯谢芯写. 袙邪谐邪 谢褞写械泄, 褔邪褋褌褨褕械 蟹邪 胁褋械, 薪械 锌械褉械胁懈褖褍褦 38 泻褨谢芯谐褉邪屑褨胁.
鉅赌
袗谢械 褋懈谢 屑械褕泻邪薪褑褟屑 袦邪谢芯谐芯 褌邪斜芯褉褍, 褟泻懈屑 薪邪泄胁邪卸褔械, 斜芯 胁芯薪懈 胁卸械 薪邪泄褕谢邪斜褕褨, 胁懈屑褍褔械薪褨 褨 薪械 蟹写邪褌薪褨 薪褨 薪邪 褖芯, 写芯写邪褦 芯褔褨泻褍胁邪薪薪褟 蟹邪泻褨薪褔械薪薪褟 胁褨泄薪懈 褌邪 锌械褉械写褔褍褌褌褟 褋泻芯褉芯谐芯 蟹胁褨谢褜薪械薪薪褟.
鉅赌
笑械 薪邪锌械胁薪芯 薪邪泄褋褌褉邪褕薪褨褕邪 褌邪 薪邪泄胁邪卸褔邪 泻薪懈谐邪 锌褉芯 泻芯薪褑褌邪斜褨褉, 褟泻褍 屑械薪褨 写芯胁芯写懈谢芯褋褟 褔懈褌邪褌懈.
鉅赌
袣芯卸薪邪 褋褌芯褉褨薪泻邪 锌褉芯褋褟泻薪褍褌邪 斜芯谢械屑 谢褞写械泄, 写芯 褟泻懈褏 胁褨写薪芯褋褟褌褜褋褟 谐褨褉褕械, 薪褨卸 写芯 褌胁邪褉懈薪.
鉅赌
袗谢械 褟 薪械泄屑芯胁褨褉薪芯 褉邪写邪, 褖芯 胁褋械 卸 蟹胁邪卸懈谢邪褋褟 褩褩 锌褉芯褔懈褌邪褌懈. 袉 锌谢邪薪褍褞 薪邪写邪谢褨 蟹薪邪泄芯屑懈褌懈褋褟 蟹 褌胁芯褉邪屑懈 邪胁褌芯褉邪.
鉅赌
孝邪泻褨 泻薪懈谐懈 薪械 褏芯褔械褌褜褋褟 褔懈褌邪褌懈 褔邪褋褌芯. 袧邪写褌芯 胁卸械 胁芯薪懈 褌褟卸泻褨. 袗谢械 胁褋械 卸 褔懈褌邪褌懈 褏芯褔械褌褜褋褟, 褕芯斜 蟹薪邪褌懈 褨 锌邪屑'褟褌邪褌懈.
October 12, 2023
亘蹖卮鬲乇 讴鬲丕亘 賴丕蹖 讴賴 賲賵乇丿 噩賳诏 賲蹖鈥屫堎嗃屬� 鬲賵 氐丨賳賴 賴丕蹖 毓賲賱蹖丕鬲 賵 丿乇诏蹖乇蹖 賴丕蹖 噩賱賵 賲蹖丿丕賳 賴爻鬲卮 丕賲丕 丕蹖賳 讴鬲丕亘 禺蹖賱蹖 禺賵亘 亘賴 夭賳丿丕賳 賵 丕乇丿賵诏丕賴丕蹖 賳丕夭蹖 倬乇丿丕禺鬲賴 賵 賲賯丕賵賲鬲蹖 丕爻胤賵乇賴 賵丕乇 丕夭 丌爻乇丕蹖蹖 讴賴 亘丕 丕賲蹖丿 賵 賲賯丿丕乇蹖 爻賵倬 丕亘讴蹖 夭賳丿賴 賲丕賳丿賳丿 賵 乇賵丕蹖鬲 诏乇 丕蹖賳 丨噩賲 賯爻丕賵鬲 賵 禺卮賵賳鬲 亘賵丿賳丿.
乇賵丕蹖鬲蹖 丕爻鬲 丕夭 乇賳噩 讴賴 賳賲蹖鈥屫促堌� 丿賵亘丕乇賴 禺賵丕賳丿 賮賯胤 亘丕蹖丿 賮乇丕賲賵卮 賳讴賳蹖賲 .
乇賵丕蹖鬲蹖 丕爻鬲 丕夭 乇賳噩 讴賴 賳賲蹖鈥屫促堌� 丿賵亘丕乇賴 禺賵丕賳丿 賮賯胤 亘丕蹖丿 賮乇丕賲賵卮 賳讴賳蹖賲 .
March 12, 2009
I thought this book was very moving. The most humbling book I have ever read.
January 3, 2025
I understand why All Quiet on the Western Front is Remarque鈥檚 鈥渂ig鈥� novel but personally I consider this one his best. I devoured it in a kind of breathless stupor. I鈥檓 not surprised people do and always have shied away from it (it鈥檚 set in a concentration camp during the last few weeks before the end of WW2, and it鈥檚 not sparing on the day-to-day casual horror) but it鈥檚 also a deeply humanising, clear-eyed, stunning exercise in character studies, and the titular spark of life, the rediscovery of that ounce of humanity and selfhood, is a strong and life-affirming theme.
It's a totally gutting book, absolutely. I kind of want everyone and their uncle to read it.
The publication history is wild. I hadn鈥檛 known his sister was murdered by the Nazis (for Wehrkraftzersetzung, lovely) or that he spent his whole life trying to get her sentence revoked. As for the publishers and critics of the time, I wish I was surprised at people ranting 鈥渄o we really still need to talk about concentration camps鈥� a mere seven fucking years after the end of the war, or claiming the book is inauthentic because Remarque wasn鈥檛 an inmate himself (even though every single detail is based on eyewitness accounts or hard evidence). Obviously human capacity for self-delusion when it comes to the Holocaust is as strong now as it was then. But I do wish books like this were more widely read so more people could at least let go of the idea that it was all some disembodied, incomprehensible, remote evil, when it鈥檚 always, always people and their choices that are capable of making the unthinkable a reality. I think that鈥檚 the strongest point the book makes.
It's a totally gutting book, absolutely. I kind of want everyone and their uncle to read it.
The publication history is wild. I hadn鈥檛 known his sister was murdered by the Nazis (for Wehrkraftzersetzung, lovely) or that he spent his whole life trying to get her sentence revoked. As for the publishers and critics of the time, I wish I was surprised at people ranting 鈥渄o we really still need to talk about concentration camps鈥� a mere seven fucking years after the end of the war, or claiming the book is inauthentic because Remarque wasn鈥檛 an inmate himself (even though every single detail is based on eyewitness accounts or hard evidence). Obviously human capacity for self-delusion when it comes to the Holocaust is as strong now as it was then. But I do wish books like this were more widely read so more people could at least let go of the idea that it was all some disembodied, incomprehensible, remote evil, when it鈥檚 always, always people and their choices that are capable of making the unthinkable a reality. I think that鈥檚 the strongest point the book makes.
May 7, 2017
Pripadam si ako keby som objavila Ameriku.
Ved ja som vedela, ze Remarque je dobry. Na zapade nic nove bola jedna z naj knih zo skolskeho povinneho citania. Traja kamarati ma vtedy az tak nedostali, nedocitala som ich... mozno to bol ten dovod. Na tuto knizku som nasla odporucanie na jednom mamickovskom portali (ano, je to Modry konik a ano, je tam uzasna skupina o knihach).
Pribeh poslednych tydnov jedneho koncentracneho tabora pred oslobodenim. Pribeh tych, ktori prezili v taboroch najdlhsie. Pribeh tych, ktori uz vedeli "ako to chodi", pribeh o tych, ktori uz nedufali, len sa mechanicky naucili starat ako skupina o seba... pribeh o tych, ktori zrazu zacitili sancu. Sancu, ze po tych rokoch pride koniec.
O tych to je.
Ale je to aj o tych, ktori boli na druhej strane, pre mna velmi dobre vystihnute uvazovanie niektorych nacistov.
Napisane je to putavo, bez zbytocne dlhych opisov, ale ani prilis sucho a stroho. Nie je to ani prilis zromantizovane ani prilis beznadejne.
Jednoducho vyborne.
Ved ja som vedela, ze Remarque je dobry. Na zapade nic nove bola jedna z naj knih zo skolskeho povinneho citania. Traja kamarati ma vtedy az tak nedostali, nedocitala som ich... mozno to bol ten dovod. Na tuto knizku som nasla odporucanie na jednom mamickovskom portali (ano, je to Modry konik a ano, je tam uzasna skupina o knihach).
Pribeh poslednych tydnov jedneho koncentracneho tabora pred oslobodenim. Pribeh tych, ktori prezili v taboroch najdlhsie. Pribeh tych, ktori uz vedeli "ako to chodi", pribeh o tych, ktori uz nedufali, len sa mechanicky naucili starat ako skupina o seba... pribeh o tych, ktori zrazu zacitili sancu. Sancu, ze po tych rokoch pride koniec.
O tych to je.
Ale je to aj o tych, ktori boli na druhej strane, pre mna velmi dobre vystihnute uvazovanie niektorych nacistov.
Napisane je to putavo, bez zbytocne dlhych opisov, ale ani prilis sucho a stroho. Nie je to ani prilis zromantizovane ani prilis beznadejne.
Jednoducho vyborne.
July 19, 2023
"Nj毛 krim i p毛rbindsh毛m kund毛r t毛 gjith毛 njer毛zimit dhe mend qe kuror毛zuar me sukses; rregullat njer毛zore qen毛 p毛rmbysur dhe mend qen毛 shkelur me k毛mb毛; ligji i jet毛s qe p毛shtyr毛, kamzhikuar dhe zhbiruar nga plumbat. Grabitja ishte e ligj毛suar. Vrasja t毛 siguronte merita. Terrori ishte ngritur n毛 sistem - dhe tani papritur dhe pakujtuar, n毛 k毛to 莽aste q毛 po i linin pa frym毛, kat毛rqind viktima t毛 dhun毛s po e ndjenin k毛tu, mu n毛 mes t毛 rrug毛s, se ishte mbushur kupa, se nj毛 z毛 e kishte th毛n毛 fjal毛n e vet dhe se balanca po anonte nga ana tjet毛r. Ata e ndjenin se nuk do t毛 shp毛toheshin vet毛m vende dhe popuj, por edhe vet毛 ligjet e jet毛s. Do t毛 shp毛tohej di莽ka, p毛r t毛 cil毛n kishte shum毛 emra - por nj毛ri prej k毛tyre emrave, ai m毛 i vjetri dhe m毛 i thjeshti, ishte: Njeriu..."
August 26, 2018
Nuk ka review, q毛 t毛 p毛rshkruaj毛 ashtu si莽 v毛rtet duhet, emocionet dhe ndjesit毛 q毛 t毛 p毛r莽on ky lib毛r.
Vet毛m nj毛 shkrimtar i madh si, Erich Maria Remarque, mund t毛 shkruaj毛 nj毛 lib毛r t毛 till毛, pa qen毛 n毛 ndonj毛 kamp p毛rq毛ndrimi. Me detaje dhe peripeci t毛 frikshme deri n毛 dhimbje.
Dhe vet毛m nj毛 p毛rkthyes po aq i madh si Robert Shvarc ,mund t毛 arrij毛 t毛 p毛rcjell毛 ato ndjesi dhe emocione pa i c毛nuar aspak. (duke ditur peripecit毛 q毛 ka kaluar p毛rkthyesi deri sa ky lib毛r pa drit毛 botimi n毛 vitin 1978)
Vet毛m nj毛 shkrimtar i madh si, Erich Maria Remarque, mund t毛 shkruaj毛 nj毛 lib毛r t毛 till毛, pa qen毛 n毛 ndonj毛 kamp p毛rq毛ndrimi. Me detaje dhe peripeci t毛 frikshme deri n毛 dhimbje.
Dhe vet毛m nj毛 p毛rkthyes po aq i madh si Robert Shvarc ,mund t毛 arrij毛 t毛 p毛rcjell毛 ato ndjesi dhe emocione pa i c毛nuar aspak. (duke ditur peripecit毛 q毛 ka kaluar p毛rkthyesi deri sa ky lib毛r pa drit毛 botimi n毛 vitin 1978)
March 1, 2013
"- 袪褍褌 鈥� 泻邪蟹邪 褌芯泄 褋谢械写 薪褟泻芯械 胁褉械屑械. 鈥� 袣芯谐邪褌芯 褔芯胁械泻 蟹邪锌芯褔薪械 芯褌 薪懈褖芯, 泻邪褌芯 薪邪褋, 屑懈褋谢褟, 褔械 锌褉械写 薪械谐芯 谢械卸懈 芯褖械 褌胁褗褉写械 屑薪芯谐芯 褖邪褋褌懈械."
...
...
August 14, 2013
Mus 啪emino; bet mes nesame pa啪eminti. Pa啪eminti tie, kurie taip elg臈si.
E. M. Remarque, ,,Gyvyb臈s kibirk拧tis" (2007)
E. M. Remarque, ,,Gyvyb臈s kibirk拧tis" (2007)
August 21, 2024
P毛r ju q毛 se keni lexuar, b毛n fjal毛 se si ishte t毛 mbijetoje n毛 nj毛 kamp p毛rqendrimi!?
P毛r mua kam nj毛 mendim q毛 po ta kisha lexuar nga 2010 e m毛 par毛 do kishte pasur nj毛 ndikim t毛 madh te un毛 pozitiv, negativ sdi t毛 them.
Por nga ai vit deri nga 2015 max s鈥櫭玸ht毛 se ka qen毛 kjo rrezikshm毛ri ky brutalitet q毛 毛sht毛 sot n毛 rruget tona.
B毛ra lidhjen e librit me koh毛n ku jetojm sot ne, me vrasjet q毛 ndodhin, dhe paraqitjen n毛 media aq t毛 shpejt毛 t毛 tyre. Sikur 毛sht毛 b毛r毛 di莽ka jo e rregullt por normale p毛r veshin, dua t毛 them jo shum毛 gjera m毛 b毛jn毛 pershtypje sot. Prekem me k毛to q毛 d毛gjoj por vuajtjet i kan毛 p毛rjetuar dhe i p毛rjetojn t毛 af毛rmit dhe familjar毛t.
P毛r mua kam nj毛 mendim q毛 po ta kisha lexuar nga 2010 e m毛 par毛 do kishte pasur nj毛 ndikim t毛 madh te un毛 pozitiv, negativ sdi t毛 them.
Por nga ai vit deri nga 2015 max s鈥櫭玸ht毛 se ka qen毛 kjo rrezikshm毛ri ky brutalitet q毛 毛sht毛 sot n毛 rruget tona.
B毛ra lidhjen e librit me koh毛n ku jetojm sot ne, me vrasjet q毛 ndodhin, dhe paraqitjen n毛 media aq t毛 shpejt毛 t毛 tyre. Sikur 毛sht毛 b毛r毛 di莽ka jo e rregullt por normale p毛r veshin, dua t毛 them jo shum毛 gjera m毛 b毛jn毛 pershtypje sot. Prekem me k毛to q毛 d毛gjoj por vuajtjet i kan毛 p毛rjetuar dhe i p毛rjetojn t毛 af毛rmit dhe familjar毛t.
September 17, 2023
It is amazing how Remark has the ability to describe hope through death. Through the book, even if you feel the deepest pain and suffer of the characters, still there is always a door or a window through which hope shines. I think this is something in common to everything written by EMR.
April 24, 2023
There is a lot that can be said about this book: its plot, its message, the emotions it evokes.
This is a novel of hope amidst the darkest, most soul-destroying conditions a human being can experience. Though Remarque details the horrors experienced by the prisoners of the concentration camp, he juxtaposes them with scenes of beauty:
"They were marching back. They were done in. They carried their dead and wounded. The ones who had been buried alive had died in the meantime. A magnificent sunset colored the sky. Its light filled the air, and so vast was its beauty that it seemed as though time stood still and for one hour there could be neither ruins nor death."
Again and again, Remarque brings up the idea that hope, beauty, and goodness inhabit the same sphere as death, torture, destruction, and unimaginable suffering. The dying prisoners see a bustling, cheery town through the barbed wire fence; birds sing and flowers spring to life just beyond their reach. For the prisoners, holding onto this idea of life becomes central to survival. Death is infectious: the survivors are the ones who keep up a psychological battle against it, holding death at bay as they nurture the hope of rescue.
I also appreciated the way Remarque writes about the "gray zone" of the human condition, the way in which human beings can carry out atrocities and live with themselves:
He was a reliable friend, loved music and poetry and considered torture an indispensable method of extracting information from prisoners, since all enemies of the Party were liars. In his life he had killed six people on command鈥攖wo of them slowly in order to obtain the names of accomplices鈥攁nd had never given it a moment鈥檚 thought. He was in love with the daughter of a provincial court councilor and wrote her charming, rather romantic letters. In his free time he liked to sing. He had a pleasant tenor voice.
All in all, I highly recommend this novel for its themes, language and characters. You can't go wrong with Remarque.
This is a novel of hope amidst the darkest, most soul-destroying conditions a human being can experience. Though Remarque details the horrors experienced by the prisoners of the concentration camp, he juxtaposes them with scenes of beauty:
"They were marching back. They were done in. They carried their dead and wounded. The ones who had been buried alive had died in the meantime. A magnificent sunset colored the sky. Its light filled the air, and so vast was its beauty that it seemed as though time stood still and for one hour there could be neither ruins nor death."
Again and again, Remarque brings up the idea that hope, beauty, and goodness inhabit the same sphere as death, torture, destruction, and unimaginable suffering. The dying prisoners see a bustling, cheery town through the barbed wire fence; birds sing and flowers spring to life just beyond their reach. For the prisoners, holding onto this idea of life becomes central to survival. Death is infectious: the survivors are the ones who keep up a psychological battle against it, holding death at bay as they nurture the hope of rescue.
I also appreciated the way Remarque writes about the "gray zone" of the human condition, the way in which human beings can carry out atrocities and live with themselves:
He was a reliable friend, loved music and poetry and considered torture an indispensable method of extracting information from prisoners, since all enemies of the Party were liars. In his life he had killed six people on command鈥攖wo of them slowly in order to obtain the names of accomplices鈥攁nd had never given it a moment鈥檚 thought. He was in love with the daughter of a provincial court councilor and wrote her charming, rather romantic letters. In his free time he liked to sing. He had a pleasant tenor voice.
All in all, I highly recommend this novel for its themes, language and characters. You can't go wrong with Remarque.
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