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袙芯蟹屑械蟹写懈械
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55 pages, Kindle Edition
Published May 22, 2014
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About the author
Alexandr Blok
203听books137听followersAleksandr Blok (Russian: 袗谢械泻褋邪薪写褉 袗谢械泻褋邪薪写褉芯胁懈褔 袘谢芯泻) was born in Saint Petersburg, into a sophisticated and intellectual family. Some of his relatives were men of letters, his father being a law professor in Warsaw, and his maternal grandfather the rector of Saint Petersburg State University. After his parents' separation, Blok lived with aristocratic relatives at the Shakhmatovo manor near Moscow, where he discovered the philosophy of Vladimir Solovyov, and the verse of then-obscure 19th-century poets, Fyodor Tyutchev and Afanasy Fet. These influences would be fused and transformed into the harmonies of his early pieces, later collected in the book Ante Lucem.
He fell in love with Lyubov (Lyuba) Dmitrievna Mendeleeva (daughter of the renowned chemist Dmitri Mendeleev) and married her in 1903. Later, she would involve him in a complicated love-hate relationship with his fellow Symbolist Andrey Bely. To Lyuba he dedicated a cycle of poetry that brought him fame, Stikhi o prekrasnoi Dame (Verses About the Beautiful Lady, 1904). In it, he transformed his humble wife into a vision of the feminine soul and eternal womanhood (The Greek Sophia of Solovyov's teaching). Blok's few relatives currently live in Moscow, Riga, Rome and England.
During the last period of his life, Blok concentrated primarily on political themes, pondering the messianic destiny of his country (Vozmezdie, 1910-21; Rodina, 1907-16; Skify, 1918). Influenced by Solovyov's doctrines, he was full of vague apocalyptic apprehensions and often vacillated between hope and despair. "I feel that a great event was coming, but what it was exactly was not revealed to me," he wrote in his diary during the summer of 1917. Quite unexpectedly for most of his admirers, he accepted the October Revolution as the final resolution of these apocalyptic yearnings.
By 1921 Blok had become disillusioned with the Russian Revolution. He did not write any poetry for three years. Blok complained to Maksim Gorky that he had given up his "faith in the wisdom of humanity". He explained to his friend Korney Chukovsky why he could not write poetry any more: "All sounds have stopped. Can't you hear that there are no longer any sounds?".[2]. Within a few days Blok became sick. His doctors requested him to be sent for medical treatment abroad, but he was not allowed to leave the country. Gorky pleaded for a visa. On 29 May 1921, he wrote to Anatoly Lunacharsky: "Blok is Russia's finest poet. If you forbid him to go abroad, and he dies, you and your comrades will be guilty of his death". Blok received permission only on 10 August, after his death.[2]
Several months earlier, Blok had delivered a celebrated lecture on Pushkin, whom he believed to be an iconic figure capable of uniting White and Red Russia. His death and the execution of his fellow poet Nikolai Gumilev by Cheka in 1921 were seen by many as the end of the entire generation of Russians [2]. Nina Berberova, then a young girl, recalled about the mood at his funeral: "I was suddenly and sharply orphaned... The end is coming. We are lost."
He fell in love with Lyubov (Lyuba) Dmitrievna Mendeleeva (daughter of the renowned chemist Dmitri Mendeleev) and married her in 1903. Later, she would involve him in a complicated love-hate relationship with his fellow Symbolist Andrey Bely. To Lyuba he dedicated a cycle of poetry that brought him fame, Stikhi o prekrasnoi Dame (Verses About the Beautiful Lady, 1904). In it, he transformed his humble wife into a vision of the feminine soul and eternal womanhood (The Greek Sophia of Solovyov's teaching). Blok's few relatives currently live in Moscow, Riga, Rome and England.
During the last period of his life, Blok concentrated primarily on political themes, pondering the messianic destiny of his country (Vozmezdie, 1910-21; Rodina, 1907-16; Skify, 1918). Influenced by Solovyov's doctrines, he was full of vague apocalyptic apprehensions and often vacillated between hope and despair. "I feel that a great event was coming, but what it was exactly was not revealed to me," he wrote in his diary during the summer of 1917. Quite unexpectedly for most of his admirers, he accepted the October Revolution as the final resolution of these apocalyptic yearnings.
By 1921 Blok had become disillusioned with the Russian Revolution. He did not write any poetry for three years. Blok complained to Maksim Gorky that he had given up his "faith in the wisdom of humanity". He explained to his friend Korney Chukovsky why he could not write poetry any more: "All sounds have stopped. Can't you hear that there are no longer any sounds?".[2]. Within a few days Blok became sick. His doctors requested him to be sent for medical treatment abroad, but he was not allowed to leave the country. Gorky pleaded for a visa. On 29 May 1921, he wrote to Anatoly Lunacharsky: "Blok is Russia's finest poet. If you forbid him to go abroad, and he dies, you and your comrades will be guilty of his death". Blok received permission only on 10 August, after his death.[2]
Several months earlier, Blok had delivered a celebrated lecture on Pushkin, whom he believed to be an iconic figure capable of uniting White and Red Russia. His death and the execution of his fellow poet Nikolai Gumilev by Cheka in 1921 were seen by many as the end of the entire generation of Russians [2]. Nina Berberova, then a young girl, recalled about the mood at his funeral: "I was suddenly and sharply orphaned... The end is coming. We are lost."
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January 15, 2020
"袙芯蟹屑械蟹写懈械" 薪邪褋褌懈谐谢芯 (斜) 薪邪褋 薪械 锌褉芯褋褌芯 褌邪泻,
懈 胁褘斜褉邪薪 斜褘谢 褔懈褌邪褌械谢械屑 薪邪写褢卸薪械泄褕懈泄 褋褌褍谢褜褔邪泻;
胁芯锌褉芯褋-屑谢邪写械薪械褑 谐芯谢芯褋懈谢 胁 褉邪褋泻芯谢芯褌芯屑 褍屑械:
袣邪泻 褉邪斜褋泻芯泄 胁芯谢械 - 褔褌芯斜 懈褋锌芯谢薪懈褌褜褋褟 胁 锌懈褋褜屑械?
效褌芯 蟹薪邪褔懈褌 "褋胁芯斜芯写邪 褌胁芯褉械薪懈褟",
泻芯谐写邪 胁 谐邪谢械褉械械: 袣谢械械, 袪械屑斜褉邪薪写褌
- 懈 屑芯褖褜褞 懈 褑胁械褌芯屑 - 锌谢芯写褘 "谐芯胁芯褉械薪懈褟",
泻邪写褉褘 屑褍蟹械泄薪褘褏 锌褉芯谐褉邪屑屑?
效褌芯 蟹薪邪褔懈褌 "薪邪褉芯写 褉邪蟹胁懈胁邪械褌褋褟",
泻芯谐写邪 胁褋褟泻 褋芯斜芯泄 锌褉械褋褘褖褢薪?
小芯屑薪械薪懈械屑 褍屑 薪邪锌芯谢薪褟械褌褋褟;
屑薪懈褌械谢褜薪芯褋褌褜 "胁蟹谐谢褟写芯屑" 蟹芯胁褢屑.
袠 "胁蟹谐谢褟写" 褌芯褌 褋泻芯谢褜蟹懈褌 锌芯 斜褍谢褘卸薪懈泻褍,
懈 斜邪斜芯褔械泻 写邪胁懈褌 褌芯褌 "胁蟹谐谢褟写";
褋锌邪褋械薪懈褟 薪械褌 芯褌 斜械褋褋褌褘卸械谐芯
写谢褟 袦懈褉邪-写芯褉芯卸械-胁褋械褏-泻谢褟褌胁.
小锌邪褋械薪懈褟 薪械褌 芯褌 褍胁械褉械薪薪褘褏,
泻芯薪褋褌褉褍泻褌芯褉芯胁 锌谢邪薪芯胁 懈 屑械褉 -
胁 褌械褔械薪懈懈 泻褍谢褜褌邪 褉邪蟹屑械褉械薪薪芯屑
褏褉邪薪懈 懈褏 小胁褟褌芯泄 袣邪屑邪屑斜械褉.
小锌邪褋械薪褜械 - 褝褌邪锌 泻邪褌邪褋褌褉芯褎褘.
袧邪写械卸写邪 - 褋懈屑锌褌芯屑 d茅j脿 vuos.
袧械 写邪褉芯屑 "袙芯蟹屑械蟹写懈褟" 褋褌褉芯褎褘
- 褍屑芯谢泻薪褍胁, 泻褍泻褍褞褌 胁 袪邪褞.
小褌褍谢褜褔邪泻 褋谢褍卸懈谢 薪邪屑 胁械褉薪芯泄 斜邪褉褉懈泻邪写芯泄.
效懈褌邪褌械谢褞 薪械 薪褍卸薪芯 斜芯谢褜褕械 "锌芯薪懈屑邪褌褜",
邪 谢懈褕褜 "锌械褉械胁邪褉懈褌褜" - 孝邪谢屑褍写, 袣芯褉邪薪, 校锌邪薪懈褕邪写褘;
褔褌芯 褋械褉写褑褍 - 斜谢邪卸褜, 卸械谢褍写泻褍 - 斜谢邪谐芯写邪褌褜.
懈 胁褘斜褉邪薪 斜褘谢 褔懈褌邪褌械谢械屑 薪邪写褢卸薪械泄褕懈泄 褋褌褍谢褜褔邪泻;
胁芯锌褉芯褋-屑谢邪写械薪械褑 谐芯谢芯褋懈谢 胁 褉邪褋泻芯谢芯褌芯屑 褍屑械:
袣邪泻 褉邪斜褋泻芯泄 胁芯谢械 - 褔褌芯斜 懈褋锌芯谢薪懈褌褜褋褟 胁 锌懈褋褜屑械?
效褌芯 蟹薪邪褔懈褌 "褋胁芯斜芯写邪 褌胁芯褉械薪懈褟",
泻芯谐写邪 胁 谐邪谢械褉械械: 袣谢械械, 袪械屑斜褉邪薪写褌
- 懈 屑芯褖褜褞 懈 褑胁械褌芯屑 - 锌谢芯写褘 "谐芯胁芯褉械薪懈褟",
泻邪写褉褘 屑褍蟹械泄薪褘褏 锌褉芯谐褉邪屑屑?
效褌芯 蟹薪邪褔懈褌 "薪邪褉芯写 褉邪蟹胁懈胁邪械褌褋褟",
泻芯谐写邪 胁褋褟泻 褋芯斜芯泄 锌褉械褋褘褖褢薪?
小芯屑薪械薪懈械屑 褍屑 薪邪锌芯谢薪褟械褌褋褟;
屑薪懈褌械谢褜薪芯褋褌褜 "胁蟹谐谢褟写芯屑" 蟹芯胁褢屑.
袠 "胁蟹谐谢褟写" 褌芯褌 褋泻芯谢褜蟹懈褌 锌芯 斜褍谢褘卸薪懈泻褍,
懈 斜邪斜芯褔械泻 写邪胁懈褌 褌芯褌 "胁蟹谐谢褟写";
褋锌邪褋械薪懈褟 薪械褌 芯褌 斜械褋褋褌褘卸械谐芯
写谢褟 袦懈褉邪-写芯褉芯卸械-胁褋械褏-泻谢褟褌胁.
小锌邪褋械薪懈褟 薪械褌 芯褌 褍胁械褉械薪薪褘褏,
泻芯薪褋褌褉褍泻褌芯褉芯胁 锌谢邪薪芯胁 懈 屑械褉 -
胁 褌械褔械薪懈懈 泻褍谢褜褌邪 褉邪蟹屑械褉械薪薪芯屑
褏褉邪薪懈 懈褏 小胁褟褌芯泄 袣邪屑邪屑斜械褉.
小锌邪褋械薪褜械 - 褝褌邪锌 泻邪褌邪褋褌褉芯褎褘.
袧邪写械卸写邪 - 褋懈屑锌褌芯屑 d茅j脿 vuos.
袧械 写邪褉芯屑 "袙芯蟹屑械蟹写懈褟" 褋褌褉芯褎褘
- 褍屑芯谢泻薪褍胁, 泻褍泻褍褞褌 胁 袪邪褞.
小褌褍谢褜褔邪泻 褋谢褍卸懈谢 薪邪屑 胁械褉薪芯泄 斜邪褉褉懈泻邪写芯泄.
效懈褌邪褌械谢褞 薪械 薪褍卸薪芯 斜芯谢褜褕械 "锌芯薪懈屑邪褌褜",
邪 谢懈褕褜 "锌械褉械胁邪褉懈褌褜" - 孝邪谢屑褍写, 袣芯褉邪薪, 校锌邪薪懈褕邪写褘;
褔褌芯 褋械褉写褑褍 - 斜谢邪卸褜, 卸械谢褍写泻褍 - 斜谢邪谐芯写邪褌褜.
May 21, 2024
proof that you don't have to publish every wip you have. sometimes it's good to just leave your teraupetic daddy issues writing collect dust in the drawer
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