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兀孬乇 丕賱廿爻賱丕賲 賮賷 丕賱賰賵賲賷丿賷丕 丕賱廿賱賴賷丞
When first published in 1926 this book aroused much controversy. The theory expounded in the book was that Islamic sources in general, and the writings of Ibn al-'Arabi in particular, formed the basis of Dante鈥檚 poem Divine Comedy, the poem which symbolised the whole culture of medieval Christianity. The book shows how fundamental Muslim legends of the nocturnal journey and of the ascension of the Prophet Muhammed appear in Dante鈥檚 writings.
352 pages, Paperback
First published January 1, 1968
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About the author
Miguel As铆n Palacios
57听books12听followersMiguel As铆n Palacios (1871鈥�1944) was a Spanish scholar of Islamic studies and the Arabic language, and a Roman Catholic priest. He is primarily known for suggesting Muslim sources for ideas and motifs present in Dante's Divine Comedy, which he discusses in his book La Escatolog铆a musulmana en la Divina Comedia (1919). He wrote on medieval Islam, extensively on al-Ghazali (Latin: Algazel). A major book El Islam cristianizado (1931) presents a study of Sufism through the works of Muhyiddin ibn 'Arabi (Sp: Mohid铆n Abenarabe) of Murcia in Andalusia (medieval Al-Andalus). As铆n also published other comparative articles regarding certain Islamic influences on Christianity and on mysticism in Spain.
Life
Miguel As铆n Palacios was born in Zaragoza, Arag贸n, on July 5, 1871, into the modest commercial family of Don Pablo As铆n and Do帽a Filomena Palacios. His older brother Luis, his younger sister Dolores, and he were little children when their father died of pneumonia. His mother the young widow continued in business with help and made ends meet with decorum but not as well as before. He attended the Colegio de El Salvador instructed by Jesuits in Zaragoza, where he began to make lifelong friendships. He entered the Seminario Conciliar, singing his first Mass at San Cayetano in Zaragoza in 1895.[1]
At the Universidad de Zaragoza As铆n had met and begun study under the Arabist Professor Juli谩n Ribera y Tarrag贸.[2] In 1896 at Madrid he defended his thesis on the Persian theologian Ghazali (1058鈥�1111) before Francisco Codera Zaid铆n and Marcelino Men茅ndez y Pelayo.[3] All three professors guided his subsequent studies. As铆n then developed his study of Al-Ghazali, and published it in 1901. He also wrote on Mohidin Abenarabe, who is often called the leading figure in Islamic mysticism. Thus As铆n was running parallel with a then European-wide effort to understand Muslim inner spirituality.[4][5]
Professor Codera then retired from his chair in the Arabic Language at the Universidad de Madrid in order to create room there for As铆n; Ribera in Zaragoza allowed As铆n to leave to assume this Madrid c谩tedra in 1903. Professor As铆n lived in the same well-connected boarding house[6] as Codera, and was well received in the university. By 1905 Professor Ribera had also come to Madrid; together with As铆n they soon founded the journal Cultura Espa帽ola (1906鈥�1909). As铆n attended international conferences in Algeria (1905) and Copenhagen (1908), where he engaged other Arabists and academics in Islamic studies. In Madrid he continued to prosper, eventually being admitted to the royal court where he gained the friendship of Alfonso XIII.[7][8]
Arabian nights manuscript.jpg
As铆n, of course, is known for his academic work concerning the medieval Muslim-Christian interface of theology, mysticism, and religious practice, with a focus on Spain. His was a form of intellectual history. Among the figures studied were Al-Ghazali, Ibn 'Arabi, Averro毛s (Ibn Rushd), Ibn Masarra, and Ibn Hazm, as well as the rabbi Maimonides (all from Al-Andalus except al-Ghazali). As铆n did comparative work vis-脿-vis Islam respecting Ramon Lull, Thomas Aquinas, Dante Alighieri, Teresa of Avila, John of the Cross, and Blaise Pascal.
As铆n's manner of approach was to stick to a theme, to keep circling over it, each time adding to the understanding. His method of work involved meticulous planning, by first conceiving the order of presentation in detail, then straight ahead, without a rough draft ("sin borrador"), redacted with each reference note on its proper page.
Life
Miguel As铆n Palacios was born in Zaragoza, Arag贸n, on July 5, 1871, into the modest commercial family of Don Pablo As铆n and Do帽a Filomena Palacios. His older brother Luis, his younger sister Dolores, and he were little children when their father died of pneumonia. His mother the young widow continued in business with help and made ends meet with decorum but not as well as before. He attended the Colegio de El Salvador instructed by Jesuits in Zaragoza, where he began to make lifelong friendships. He entered the Seminario Conciliar, singing his first Mass at San Cayetano in Zaragoza in 1895.[1]
At the Universidad de Zaragoza As铆n had met and begun study under the Arabist Professor Juli谩n Ribera y Tarrag贸.[2] In 1896 at Madrid he defended his thesis on the Persian theologian Ghazali (1058鈥�1111) before Francisco Codera Zaid铆n and Marcelino Men茅ndez y Pelayo.[3] All three professors guided his subsequent studies. As铆n then developed his study of Al-Ghazali, and published it in 1901. He also wrote on Mohidin Abenarabe, who is often called the leading figure in Islamic mysticism. Thus As铆n was running parallel with a then European-wide effort to understand Muslim inner spirituality.[4][5]
Professor Codera then retired from his chair in the Arabic Language at the Universidad de Madrid in order to create room there for As铆n; Ribera in Zaragoza allowed As铆n to leave to assume this Madrid c谩tedra in 1903. Professor As铆n lived in the same well-connected boarding house[6] as Codera, and was well received in the university. By 1905 Professor Ribera had also come to Madrid; together with As铆n they soon founded the journal Cultura Espa帽ola (1906鈥�1909). As铆n attended international conferences in Algeria (1905) and Copenhagen (1908), where he engaged other Arabists and academics in Islamic studies. In Madrid he continued to prosper, eventually being admitted to the royal court where he gained the friendship of Alfonso XIII.[7][8]
Arabian nights manuscript.jpg
As铆n, of course, is known for his academic work concerning the medieval Muslim-Christian interface of theology, mysticism, and religious practice, with a focus on Spain. His was a form of intellectual history. Among the figures studied were Al-Ghazali, Ibn 'Arabi, Averro毛s (Ibn Rushd), Ibn Masarra, and Ibn Hazm, as well as the rabbi Maimonides (all from Al-Andalus except al-Ghazali). As铆n did comparative work vis-脿-vis Islam respecting Ramon Lull, Thomas Aquinas, Dante Alighieri, Teresa of Avila, John of the Cross, and Blaise Pascal.
As铆n's manner of approach was to stick to a theme, to keep circling over it, each time adding to the understanding. His method of work involved meticulous planning, by first conceiving the order of presentation in detail, then straight ahead, without a rough draft ("sin borrador"), redacted with each reference note on its proper page.
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May 5, 2016
賱丕 鬲賵噩丿 丨囟丕乇丞 廿賱丕 賵賯丿 鬲兀爻爻鬲 毓賱賶 兀賳賯丕囟 丨囟丕乇丞 兀禺乇賶 賯丿 丿丕賴賲賴丕 丕賱賲賵鬲 亘毓丿賲丕 囟禺鬲 乇賵丨賴丕 賮賷 噩爻丿 賲賳 噩丕亍 亘毓丿賴丕貙 賵廿匕丕 賰丕賳 賴匕丕 賴賵 丨丕賱 丕賱丨囟丕乇丕鬲 賮賱丕 卮賰 兀賳 匕賱賰 爻賷賰賵賳 丨丕賱 丕賱賯氐氐 賵丕賱兀爻丕胤賷乇 丕賱鬲賷 鬲鬲爻賱賱 賲賳 孬賯丕賮丞 廿賱賶 兀禺乇賶 亘毓丿賲丕 鬲賰鬲爻賷 孬賵亘丕賸 賯卮賷亘丕賸 賷鬲賲丕卮賶 賲毓 丕賱亘賷卅丞 丕賱噩丿賷丿丞.
賮賷 賴匕丕 丕賱爻賷丕賯 賷兀鬲賷 賰鬲丕亘 "兀孬乇 丕賱廿爻賱丕賲 賮賷 丕賱賰賵賲賷丿賷丕 丕賱廿賱賴賷丞" 賱賱賯爻 丕賱廿爻亘丕賳賷"賲賷睾賷賱 亘賱丕爻賷賵爻" 丕賱匕賷 鬲丨乇乇 賲賳 賳胤丕賯 丕賱丿賷丕賳丞 丕賱鬲賷 賷賳鬲賲賷 廿賱賷賴丕 賱賷囟毓 賰鬲丕亘丕賸 賷孬亘鬲 賮賷賴 兀賳 賯氐丞 丕賱廿爻乇丕亍 賵 丕賱賲毓乇丕噩 賮賷 丕賱賲兀孬賵乇丕鬲 丕賱廿爻賱丕賲賷丞 賴賷 丕賱賳賲賵匕噩 丕賱匕賷 丕爻鬲賯賶 賲賳賴 丿丕賳鬲賷 鬲氐賵乇丕鬲賴 賱賱毓丕賱賲 丕賱丌禺乇 賲賳 丿乇噩丕鬲 丕賱噩賳丞 賵丿乇賰丕鬲 丕賱賳丕乇. 賮丕賱賲氐賲賲 丕賱匕賷 氐賲賲 丕賱毓賲賱賷賳 賲賴賳丿爻 賵丕丨丿 賴賵 丕賱賲賴賳丿爻 丕賱廿爻賱丕賲賷貙 賵賱丕 賷購賱鬲賮鬲 廿賱賶 賵噩賵丿 丕禺鬲賱丕賮 賮賷 毓丿丿 丕賱爻賲丕賵丕鬲 丕賱鬲賷 匕賰乇賴丕 丿丕賳鬲賷 丨賷孬 兀賳 匕賱賰 賱丕 賷卮賷乇 廿賱丕 廿賱賶 夭賷丕丿丞 丕賱賲毓賱賵賲丕鬲 丕賱毓賱賲賷丞 賮賷 毓氐乇賴. 賮賱賯丿 丕爻鬲賱賴賲 丿丕賳鬲賷 賮賷 鬲賯爻賷賲賴 賱兀氐賳丕賮 丕賱毓匕丕亘 丕賱賴賳丿爻丞 丕賱兀禺賱丕賯賷丞 賱賱噩丨賷賲 丕賱賲匕賰賵乇 賮賷 丕賱賯氐丞 丕賱廿爻賱丕賲賷丞貙 亘賱 廿賳 賴匕丕 丕賱鬲氐賲賷賲 賴賵 氐賵乇丞 胤亘賯 丕賱兀氐賱 賲賳 賵氐賮 丕賱賳丕乇 賮賷 丕賱鬲乇丕孬 丕賱廿爻賱丕賲賷.
賷乇賶 丕賱賲丐賱賮 廿賳 乇賵丕賷丞 丕亘賳 毓乇亘賷 丕賱賲鬲賵賮賶 賯亘賱 賲賷賱丕丿 丿丕賳鬲賷 亘賭 25 爻賳丞貙 賱丨丕丿孬丞 丕賱賲毓乇丕噩貙 鬲鬲卮丕亘賴 賲毓 賯氐賷丿丞 丿丕賳鬲賷 賮賷 丕賱氐賷丕睾丞 賵丕賱兀丨丿丕孬 賵丕賱賲乇賲賶 丕賱乇賲夭賷 賵賮賷 卮禺氐賷丕鬲賴丕 丕賱乇卅賷爻賷丞 賵丕賱孬丕賳賵賷丞 賵賮賷 鬲氐賲賷賲 爻賲丕賵丕鬲 丕賱賳馗丕賲 丕賱賮賱賰賷 賵賮賷 丕賱丕鬲噩丕賴 丕賱鬲毓賱賷賲賷 賱賱兀賮賰丕乇 賵賮賷 丕爻鬲禺丿丕賲 丕賱兀爻丕賱賷亘 丕賱兀丿亘賷丞.
賮賯氐丞 丕亘賳 毓乇亘賷 賴賷 兀賯乇亘 丕賱賲丐賱賮丕鬲 丕賱毓乇亘賷丞 賱賮乇丿賵爻 丿丕賳鬲賷貙 賵賴賳丕賰 鬲賯丕乇亘 賱丕 賷賲賰賳 睾囟 丕賱胤乇賮 毓賳賴 賲毓 乇爻丕賱丞 丕賱睾賮乇丕賳 賱兀亘賷 丕賱毓賱丕亍 丕賱賲毓乇賷貙 賵賱賯丿 丕胤賱毓鬲 毓賱賶 賳丨賵 45 毓賳賵丕賳丕賸 賮賷 賯氐丞 丕賱廿爻乇丕亍 賵丕賱賲毓乇丕噩 賱毓賱 兀亘乇夭賴丕 賴賵 賰鬲丕亘 丕賱丕賲丕賲 賲丨賲丿 丕賱卮丕賲賷 丕賱賲鬲賵賮賶 爻賳丞 942 賴賭 賵丕賱匕賷 乇爻賲 賮賷賴 氐賵乇丞 兀爻胤賵乇賷丞 賲購孬賯賱丞 亘丕賱賱丕賲毓賯賵賱 賱賯氐丞 丕賱廿爻乇丕亍 賵丕賱賲毓乇丕噩 丕賱丨賯賷賯賷丞貙 賵賯丿 鬲賱鬲賲爻 賮賷 賴匕丕 丕賱賰鬲丕亘 賵兀卮亘丕賴賴 丕賱亘購毓丿 丕賱賲賱丨賲賷 丕賱匕賷 賱丕 賷亘毓丿 兀賳 賷賰賵賳 賳鬲丕噩丕賸 賱賱丨囟丕乇丕鬲 丕賱爻丕亘賯丞 賰丕賱賷賵賳丕賳賷丞 賲孬賱丕賸. 賮毓丿賲 賵噩賵丿 爻賱胤丞 賲毓氐賵賲丞 賮賷 丕賱廿爻賱丕賲 鬲賮氐賱 亘賷賳 賲毓鬲賯丿丕鬲 丕賱丿賷賳 賵丨乇賷丞 丕賱賮賰乇 賰丕賳 爻亘亘丕賸 賮賷 丿禺賵賱 毓丿丿 賰亘賷乇 賲賳 丕賱禺乇丕賮丕鬲 賵 丕賱兀爻丕胤賷乇 毓賱賶 丕賱賲賮丕賴賷賲 丕賱廿爻賱丕賲賷丞 賲賳 丕賱賷賴賵丿賷丞 賵丕賱賲夭丿賷賰 賵丕賱賲爻賷丨賷丞 丕賱卮乇賯賷丞貙 兀賱氐賯賴丕 丕賱匕賷賳 兀丿禺賱賵賴丕 廿賱賶 丕賱賳亘賷 氐 賵氐丨丕亘鬲賴 丨鬲賶 賷囟賮賵丕 毓賱賷賴丕 丕賱氐賮丞 丕賱卮乇毓賷丞 賰賲丕 賷賯賵賱 亘賱丕爻賷賵爻.
賱賲 賷賯鬲氐乇 鬲兀孬賷乇 丕賱廿爻賱丕賲 賵鬲乇丕孬賴 毓賱賶 丕賱毓賯丕卅丿 丕賱賲爻賷丨賷丞 賮賷 賯氐丞 丕賱廿爻乇丕亍 賵丕賱賲毓乇丕噩 賮丨爻亘貙 賮賴賳丕賰 賯氐氐 鬲噩賱鬲 賮賷賴丕 丕賱賲毓鬲賯丿丕鬲 丕賱廿爻賱丕賲賷丞 丕賱兀禺乇賵賷丞 賲孬賱 賯氐丞 丕賱賯丿賷爻 "亘丕鬲乇賷賰" 賮賷 廿賷乇賱賳丿丕貙 賵賴賳丕賰 氐賵乇 賱賱毓匕丕亘 丕卮鬲賴乇鬲 亘賴丕 丕賱賲乇賵賷丕鬲 丕賱廿爻賱丕賲賷丞 賵鬲爻賱賱鬲 廿賱賶 丕賱賲爻賷丨賷丞 賲孬賱 丕賱鬲毓匕賷亘 亘丕賱丨賷丕丞 賵丕賱廿睾乇丕賯 賮賷 賳賴乇 賲賳 丕賱賲毓丿賳 丕賱匕丕卅亘 賵丕賱賲爻禺 賵丕賱賲毓賱賯賷賳 賲賳 噩賮賵賳賴賲 兀賵 兀賳賵賮賴賲貙 賵賴賳丕賰 鬲兀孬賷乇 賱毓賯丕卅丿 丕賱賲賷夭丕賳 賵丕賱卮賮丕毓丞 毓賱賶 丕賱賮賳 丕賱賲爻賷丨賷 賮賷 丕賱賯乇賵賳 丕賱賵爻胤賶 賵賲賳賴丕 毓賯丕卅丿 賱丕 鬲噩賷夭賴丕 丕賱賰丕孬賵賱賷賰賷丞 賲孬賱 毓賯賷丿丞 丕賱卮賮丕毓丞.
賵卮丕毓 賮賷 兀賵乇賵亘丕 丕賱賯乇賵賳 丕賱賵爻胤賶 兀賳 丕賱氐賱丕丞 賵丕賱氐賷丕賲 賵丕賱廿丨爻丕賳 賷爻丕毓丿 毓賱賶 鬲禺賮賷賮 丕賱毓匕丕亘貙 賵賯丿 賷賰賵賳 爻亘亘 卮賷賵毓 賴匕丕 丕賱丕毓鬲賯丕丿 賴賵 賳鬲賷噩丞 丕鬲氐丕賱 丕賱賲爻賷丨賷賷賳 亘丕賱毓賯丕卅丿 丕賱廿爻賱丕賲賷丞 丕賱賲鬲毓賱賯丞 亘丕賱兀禺乇賵賷丕鬲貙 賵賴賷 毓賯丕卅丿 兀賰孬乇 乇丨賲丞 亘賰孬賷乇 賲賳 丕賱毓賯丕卅丿 丕賱賲爻賷丨賷丞 丕賱乇爻賲賷丞 賲毓 賳夭賵毓 賲卮丕毓乇 丕賱噩賲丕賴賷乇 毓丕丿丞 廿賱賶 丕賱卮賮賯丞 賵丕賱乇丨賲丞
賮賷 賴匕丕 丕賱爻賷丕賯 賷兀鬲賷 賰鬲丕亘 "兀孬乇 丕賱廿爻賱丕賲 賮賷 丕賱賰賵賲賷丿賷丕 丕賱廿賱賴賷丞" 賱賱賯爻 丕賱廿爻亘丕賳賷"賲賷睾賷賱 亘賱丕爻賷賵爻" 丕賱匕賷 鬲丨乇乇 賲賳 賳胤丕賯 丕賱丿賷丕賳丞 丕賱鬲賷 賷賳鬲賲賷 廿賱賷賴丕 賱賷囟毓 賰鬲丕亘丕賸 賷孬亘鬲 賮賷賴 兀賳 賯氐丞 丕賱廿爻乇丕亍 賵 丕賱賲毓乇丕噩 賮賷 丕賱賲兀孬賵乇丕鬲 丕賱廿爻賱丕賲賷丞 賴賷 丕賱賳賲賵匕噩 丕賱匕賷 丕爻鬲賯賶 賲賳賴 丿丕賳鬲賷 鬲氐賵乇丕鬲賴 賱賱毓丕賱賲 丕賱丌禺乇 賲賳 丿乇噩丕鬲 丕賱噩賳丞 賵丿乇賰丕鬲 丕賱賳丕乇. 賮丕賱賲氐賲賲 丕賱匕賷 氐賲賲 丕賱毓賲賱賷賳 賲賴賳丿爻 賵丕丨丿 賴賵 丕賱賲賴賳丿爻 丕賱廿爻賱丕賲賷貙 賵賱丕 賷購賱鬲賮鬲 廿賱賶 賵噩賵丿 丕禺鬲賱丕賮 賮賷 毓丿丿 丕賱爻賲丕賵丕鬲 丕賱鬲賷 匕賰乇賴丕 丿丕賳鬲賷 丨賷孬 兀賳 匕賱賰 賱丕 賷卮賷乇 廿賱丕 廿賱賶 夭賷丕丿丞 丕賱賲毓賱賵賲丕鬲 丕賱毓賱賲賷丞 賮賷 毓氐乇賴. 賮賱賯丿 丕爻鬲賱賴賲 丿丕賳鬲賷 賮賷 鬲賯爻賷賲賴 賱兀氐賳丕賮 丕賱毓匕丕亘 丕賱賴賳丿爻丞 丕賱兀禺賱丕賯賷丞 賱賱噩丨賷賲 丕賱賲匕賰賵乇 賮賷 丕賱賯氐丞 丕賱廿爻賱丕賲賷丞貙 亘賱 廿賳 賴匕丕 丕賱鬲氐賲賷賲 賴賵 氐賵乇丞 胤亘賯 丕賱兀氐賱 賲賳 賵氐賮 丕賱賳丕乇 賮賷 丕賱鬲乇丕孬 丕賱廿爻賱丕賲賷.
賷乇賶 丕賱賲丐賱賮 廿賳 乇賵丕賷丞 丕亘賳 毓乇亘賷 丕賱賲鬲賵賮賶 賯亘賱 賲賷賱丕丿 丿丕賳鬲賷 亘賭 25 爻賳丞貙 賱丨丕丿孬丞 丕賱賲毓乇丕噩貙 鬲鬲卮丕亘賴 賲毓 賯氐賷丿丞 丿丕賳鬲賷 賮賷 丕賱氐賷丕睾丞 賵丕賱兀丨丿丕孬 賵丕賱賲乇賲賶 丕賱乇賲夭賷 賵賮賷 卮禺氐賷丕鬲賴丕 丕賱乇卅賷爻賷丞 賵丕賱孬丕賳賵賷丞 賵賮賷 鬲氐賲賷賲 爻賲丕賵丕鬲 丕賱賳馗丕賲 丕賱賮賱賰賷 賵賮賷 丕賱丕鬲噩丕賴 丕賱鬲毓賱賷賲賷 賱賱兀賮賰丕乇 賵賮賷 丕爻鬲禺丿丕賲 丕賱兀爻丕賱賷亘 丕賱兀丿亘賷丞.
賮賯氐丞 丕亘賳 毓乇亘賷 賴賷 兀賯乇亘 丕賱賲丐賱賮丕鬲 丕賱毓乇亘賷丞 賱賮乇丿賵爻 丿丕賳鬲賷貙 賵賴賳丕賰 鬲賯丕乇亘 賱丕 賷賲賰賳 睾囟 丕賱胤乇賮 毓賳賴 賲毓 乇爻丕賱丞 丕賱睾賮乇丕賳 賱兀亘賷 丕賱毓賱丕亍 丕賱賲毓乇賷貙 賵賱賯丿 丕胤賱毓鬲 毓賱賶 賳丨賵 45 毓賳賵丕賳丕賸 賮賷 賯氐丞 丕賱廿爻乇丕亍 賵丕賱賲毓乇丕噩 賱毓賱 兀亘乇夭賴丕 賴賵 賰鬲丕亘 丕賱丕賲丕賲 賲丨賲丿 丕賱卮丕賲賷 丕賱賲鬲賵賮賶 爻賳丞 942 賴賭 賵丕賱匕賷 乇爻賲 賮賷賴 氐賵乇丞 兀爻胤賵乇賷丞 賲購孬賯賱丞 亘丕賱賱丕賲毓賯賵賱 賱賯氐丞 丕賱廿爻乇丕亍 賵丕賱賲毓乇丕噩 丕賱丨賯賷賯賷丞貙 賵賯丿 鬲賱鬲賲爻 賮賷 賴匕丕 丕賱賰鬲丕亘 賵兀卮亘丕賴賴 丕賱亘購毓丿 丕賱賲賱丨賲賷 丕賱匕賷 賱丕 賷亘毓丿 兀賳 賷賰賵賳 賳鬲丕噩丕賸 賱賱丨囟丕乇丕鬲 丕賱爻丕亘賯丞 賰丕賱賷賵賳丕賳賷丞 賲孬賱丕賸. 賮毓丿賲 賵噩賵丿 爻賱胤丞 賲毓氐賵賲丞 賮賷 丕賱廿爻賱丕賲 鬲賮氐賱 亘賷賳 賲毓鬲賯丿丕鬲 丕賱丿賷賳 賵丨乇賷丞 丕賱賮賰乇 賰丕賳 爻亘亘丕賸 賮賷 丿禺賵賱 毓丿丿 賰亘賷乇 賲賳 丕賱禺乇丕賮丕鬲 賵 丕賱兀爻丕胤賷乇 毓賱賶 丕賱賲賮丕賴賷賲 丕賱廿爻賱丕賲賷丞 賲賳 丕賱賷賴賵丿賷丞 賵丕賱賲夭丿賷賰 賵丕賱賲爻賷丨賷丞 丕賱卮乇賯賷丞貙 兀賱氐賯賴丕 丕賱匕賷賳 兀丿禺賱賵賴丕 廿賱賶 丕賱賳亘賷 氐 賵氐丨丕亘鬲賴 丨鬲賶 賷囟賮賵丕 毓賱賷賴丕 丕賱氐賮丞 丕賱卮乇毓賷丞 賰賲丕 賷賯賵賱 亘賱丕爻賷賵爻.
賱賲 賷賯鬲氐乇 鬲兀孬賷乇 丕賱廿爻賱丕賲 賵鬲乇丕孬賴 毓賱賶 丕賱毓賯丕卅丿 丕賱賲爻賷丨賷丞 賮賷 賯氐丞 丕賱廿爻乇丕亍 賵丕賱賲毓乇丕噩 賮丨爻亘貙 賮賴賳丕賰 賯氐氐 鬲噩賱鬲 賮賷賴丕 丕賱賲毓鬲賯丿丕鬲 丕賱廿爻賱丕賲賷丞 丕賱兀禺乇賵賷丞 賲孬賱 賯氐丞 丕賱賯丿賷爻 "亘丕鬲乇賷賰" 賮賷 廿賷乇賱賳丿丕貙 賵賴賳丕賰 氐賵乇 賱賱毓匕丕亘 丕卮鬲賴乇鬲 亘賴丕 丕賱賲乇賵賷丕鬲 丕賱廿爻賱丕賲賷丞 賵鬲爻賱賱鬲 廿賱賶 丕賱賲爻賷丨賷丞 賲孬賱 丕賱鬲毓匕賷亘 亘丕賱丨賷丕丞 賵丕賱廿睾乇丕賯 賮賷 賳賴乇 賲賳 丕賱賲毓丿賳 丕賱匕丕卅亘 賵丕賱賲爻禺 賵丕賱賲毓賱賯賷賳 賲賳 噩賮賵賳賴賲 兀賵 兀賳賵賮賴賲貙 賵賴賳丕賰 鬲兀孬賷乇 賱毓賯丕卅丿 丕賱賲賷夭丕賳 賵丕賱卮賮丕毓丞 毓賱賶 丕賱賮賳 丕賱賲爻賷丨賷 賮賷 丕賱賯乇賵賳 丕賱賵爻胤賶 賵賲賳賴丕 毓賯丕卅丿 賱丕 鬲噩賷夭賴丕 丕賱賰丕孬賵賱賷賰賷丞 賲孬賱 毓賯賷丿丞 丕賱卮賮丕毓丞.
賵卮丕毓 賮賷 兀賵乇賵亘丕 丕賱賯乇賵賳 丕賱賵爻胤賶 兀賳 丕賱氐賱丕丞 賵丕賱氐賷丕賲 賵丕賱廿丨爻丕賳 賷爻丕毓丿 毓賱賶 鬲禺賮賷賮 丕賱毓匕丕亘貙 賵賯丿 賷賰賵賳 爻亘亘 卮賷賵毓 賴匕丕 丕賱丕毓鬲賯丕丿 賴賵 賳鬲賷噩丞 丕鬲氐丕賱 丕賱賲爻賷丨賷賷賳 亘丕賱毓賯丕卅丿 丕賱廿爻賱丕賲賷丞 丕賱賲鬲毓賱賯丞 亘丕賱兀禺乇賵賷丕鬲貙 賵賴賷 毓賯丕卅丿 兀賰孬乇 乇丨賲丞 亘賰孬賷乇 賲賳 丕賱毓賯丕卅丿 丕賱賲爻賷丨賷丞 丕賱乇爻賲賷丞 賲毓 賳夭賵毓 賲卮丕毓乇 丕賱噩賲丕賴賷乇 毓丕丿丞 廿賱賶 丕賱卮賮賯丞 賵丕賱乇丨賲丞
April 28, 2019
賱賲 兀鬲禺賷賱 兀賳 鬲氐賱 丕賱鬲賮丕氐賷賱 丕賱賲賯鬲亘爻丞 廿賱賶 賴匕丕 丕賱丨丿貙 賵賱賲 兀鬲禺賷賱 兀賳 賴賳丕賰 賲爻鬲卮乇賯賷賳 亘賴匕丕 丕賱廿胤賱丕毓貙 賮亘毓丿 噩賵賱丿賷爻鬲賴乇 丕賱毓丕賲 丕賱賲丕囟賷貙 丕賱丌賳 兀鬲毓噩亘 賲賳 丌禺乇貙 賵氐賱 亘爻毓鬲賴 丨丿 丕賱囟毓賷賮 賵丕賱賲賵囟賵毓貙 賲毓 毓丿賲 囟乇賵乇丞 氐丨丞 賵噩賴丞 丕賱賳馗乇 丕賱賲鬲亘賳丕丞貙 賱賰賳 賵氐賵賱賴賲 賱賴匕賷 丕賱賲乇丨賱丞 賲賳 丕賱毓賱賲 賴賵 卮賷亍 賲孬賷乇 賱賱廿毓噩丕亘.
賴匕丕 鬲乇丕孬賳丕 丕賱匕賷 賰丕賳 丨賱賯丞 賱丕 賷賲賰賳 鬲噩丕賴賱賴丕 兀亘丿賸丕 賲賳 鬲乇丕孬 丕賱廿賳爻丕賳賷丞貙 鬲乇丕孬 賷噩毓賱 賲賳 廿賳賴夭丕賲賷鬲賳丕 丕賱丨丿賷孬丞 睾賷乇 賲亘乇乇丞 廿胤賱丕賯賸丕貙 賵賮賷 丕賱賮氐賱 丕賱乇丕亘毓 鬲賯乇賷亘賸丕 兀賵乇丿 丕賱賰丕鬲亘 -賲孬賱賸兀- 廿賳亘賴丕乇 丿丕賳鬲賷 亘丕賱丨囟丕乇丞 丕賱廿爻賱丕賲賷丞貙 丨鬲賶 賱鬲卮毓乇 亘氐睾乇 賮禺乇 丕賱賮禺賵乇賷賳 丕賱丨丕賱賷賷賳. .
丕賱兀賲乇 丕賱匕賷 賱賲 兀賰賳 兀鬲禺賷賱賴貙 賴賵 鬲兀孬乇 丕賱兀丿亘 丕賱賲爻賷丨賷 賲丕 賯亘賱 丿丕賳鬲賷 亘丕賱鬲乇丕孬 丕賱廿爻賱丕賲賷貙 賵賱賵 賱賲 賷賰賳 賴匕丕 丕賱賰鬲丕亘 丿乇丕爻丞 毓賱賲賷丞貙 賱賲丕 氐丿賯鬲.. 賰鬲丕亘 乇丕卅毓貙 賱賰賳 賷購賲賰賳 鬲噩丕賵夭 賰孬賷乇 賲賳 氐賮丨丕鬲賴 賱廿毓鬲亘丕乇 賰賵賳賴 丿乇丕爻丞 毓賱賲賷丞貙 賵亘丕賱鬲丕賱賷 賰孬賷乇丞 丕賱鬲丿賱賷賱!
賴匕丕 鬲乇丕孬賳丕 丕賱匕賷 賰丕賳 丨賱賯丞 賱丕 賷賲賰賳 鬲噩丕賴賱賴丕 兀亘丿賸丕 賲賳 鬲乇丕孬 丕賱廿賳爻丕賳賷丞貙 鬲乇丕孬 賷噩毓賱 賲賳 廿賳賴夭丕賲賷鬲賳丕 丕賱丨丿賷孬丞 睾賷乇 賲亘乇乇丞 廿胤賱丕賯賸丕貙 賵賮賷 丕賱賮氐賱 丕賱乇丕亘毓 鬲賯乇賷亘賸丕 兀賵乇丿 丕賱賰丕鬲亘 -賲孬賱賸兀- 廿賳亘賴丕乇 丿丕賳鬲賷 亘丕賱丨囟丕乇丞 丕賱廿爻賱丕賲賷丞貙 丨鬲賶 賱鬲卮毓乇 亘氐睾乇 賮禺乇 丕賱賮禺賵乇賷賳 丕賱丨丕賱賷賷賳. .
丕賱兀賲乇 丕賱匕賷 賱賲 兀賰賳 兀鬲禺賷賱賴貙 賴賵 鬲兀孬乇 丕賱兀丿亘 丕賱賲爻賷丨賷 賲丕 賯亘賱 丿丕賳鬲賷 亘丕賱鬲乇丕孬 丕賱廿爻賱丕賲賷貙 賵賱賵 賱賲 賷賰賳 賴匕丕 丕賱賰鬲丕亘 丿乇丕爻丞 毓賱賲賷丞貙 賱賲丕 氐丿賯鬲.. 賰鬲丕亘 乇丕卅毓貙 賱賰賳 賷購賲賰賳 鬲噩丕賵夭 賰孬賷乇 賲賳 氐賮丨丕鬲賴 賱廿毓鬲亘丕乇 賰賵賳賴 丿乇丕爻丞 毓賱賲賷丞貙 賵亘丕賱鬲丕賱賷 賰孬賷乇丞 丕賱鬲丿賱賷賱!
February 27, 2016
賵 丕賱丨賯 兀賳 丕賱賳氐賷亘 丕賱匕賷 賷爻鬲丨賯賴 丕亘賳 毓乇亘賷 賵 賴賵 賲賳 丕爻亘丕賳賷丕 -賵 毓賱賷 丕賱乇睾賲 賲賳 兀賳賴 賲爻賱賲 - 賮賷 丕賱賲噩丿 丕賱兀丿亘賷 丕賱匕賷 丨賯賯賴 丿丕賳鬲賷 兀賱賷噩賷乇賷 賮賷 賯氐賷丿鬲賴 丕賱禺丕賱丿賴 , 丕賲乇 賱丕 賷賲賰賳 鬲噩丕賴賱賴 亘毓丿 丕賱丕賳.
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May 16, 2018Din k眉lt眉r眉 ve tarihiyle ilgili T眉rk莽e'de okudu臒um en iyi kitaplardan biri oldu臒unu s枚yleyebilirim. Sayesinde 枚臒rendiklerim beklentilerimi 莽ok a艧t谋, ayr谋ca bunlar beni daha zorunu yap谋p yeni bak谋艧 a莽谋lar谋yla tan谋艧t谋rd谋. Kitab谋n Dante'den 莽ok bir 陌slam kitab谋 oldu臒unu s枚ylemek m眉mk眉n. 陌slam eskatolojisinin derinlerinde dola艧谋l谋rken,ayetlerden hadislere, menk谋belerden 莽e艧itli tasavvuf insanlar谋 ve felsefecilerin konu hakk谋nda g枚r眉艧lerine, olduk莽a sa臒lam incelemelere giri艧ilmi艧. 陌slam tarihinin 枚nemli safhalar谋ndaki eskatolojik yakla艧谋mlar谋 g枚r眉rken bununla birlikte "tasavvuf-ortodoks din" , "ana metin-romantik tevil" gibi kar艧谋tl谋klar 眉zerinden kendi d眉艧眉ncelerinizle de yeni hesapla艧malara girme f谋rsat谋 buluyorsunuz. Kitapta Dante'nin 陌lahi Komedya'y谋 olu艧tururken 陌slami eskatolojik kaynaklardan, onlar谋n yorumlar谋ndan, ilgili hikayelerden kopyalamaya varan bir bi莽imde beslendi臒i anlat谋l谋yor. Bunu yaparken 陌slami gelene臒in zenginli臒ini de g枚stermi艧 oluyor, bunu 枚v眉yor da. Ama kitab谋n amac谋n谋n bu t眉r 枚vg眉ler olmamas谋 bu yan ger莽ekli臒in daha g眉莽l眉 bir bi莽imde anla艧谋lmas谋n谋 da sa臒l谋yor ve kitap onu basit bir taklit莽i olarak g枚stermekten ka莽谋n谋p Dante'nin yarat谋c谋l谋臒谋n谋n hakk谋n谋 teslim etmekten de ka莽谋nm谋yor.
June 12, 2022
Un saggio molto difficile ma che aiuta a comprendere un aspetto della complessa opera dantesca.
March 31, 2020
Benim i莽in 莽ok a臒谋r maalesef, yine ad谋na aldan谋p ald谋臒谋m bir 陌slam felsefesi kitab谋n谋n 莽ok az谋n谋 anlad谋m. Tabi 陌lahi Komedyay谋 okumadan bunu okumaya kalk谋艧mak da cahil cesaretinin bir di臒ee boyutu.
Yine de kitab谋n 莽ok s谋rad谋艧谋 bir konuyu 莽ok titizlikle ve kapsaml谋 olarak ele ald谋臒谋n谋 anl谋yorsunuz. Eskatoloji, Mira莽 k谋ssas谋n谋n di臒er k眉lt眉rlerdeki k枚kenleri ve Hristiyan r枚nesans谋ndaki End眉l眉s etkisinin izini s眉rmeniz de cabas谋.
Yine de kitab谋n 莽ok s谋rad谋艧谋 bir konuyu 莽ok titizlikle ve kapsaml谋 olarak ele ald谋臒谋n谋 anl谋yorsunuz. Eskatoloji, Mira莽 k谋ssas谋n谋n di臒er k眉lt眉rlerdeki k枚kenleri ve Hristiyan r枚nesans谋ndaki End眉l眉s etkisinin izini s眉rmeniz de cabas谋.
August 4, 2012
Please see my review of The Human Comedy.
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