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卮丕賴 賲蹖鈥屬呟屫必�
MARGUERITE, se dirigeant vers le Roi : Sire, je dois vous mettre au courant.
MARIE : Non, taisez-vous.
MARGUERITE, 脿 Marie : Taisez-vous.
MARIE, au Roi : Ce n'est pas vrai ce qu'elle dit.
LE ROI : Au courant de quoi ? Qu'est-ce qui n'est pas vrai ? Marie, pourquoi cet air d茅sol茅 ? Que vous arrive-t-il ?
MARGUERITE, au Roi : Sire, on doit vous annoncer que vous allez mourir.
LE MEDECIN : H茅las, oui, Majest茅.
MARIE : Non, taisez-vous.
MARGUERITE, 脿 Marie : Taisez-vous.
MARIE, au Roi : Ce n'est pas vrai ce qu'elle dit.
LE ROI : Au courant de quoi ? Qu'est-ce qui n'est pas vrai ? Marie, pourquoi cet air d茅sol茅 ? Que vous arrive-t-il ?
MARGUERITE, au Roi : Sire, on doit vous annoncer que vous allez mourir.
LE MEDECIN : H茅las, oui, Majest茅.
120 pages, Paperback
First published January 1, 1962
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1,098 people want to read
About the author
Eug猫ne Ionesco
447听books931听followersEug猫ne Ionesco, born Eugen Ionescu, was a Romanian playwright and dramatist; one of the foremost playwrights of the Theatre of the Absurd. Beyond ridiculing the most banal situations, Ionesco's plays depict in a tangible way the solitude and insignificance of human existence.
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Displaying 1 - 30 of 191 reviews
August 28, 2024
4.5 stars
A once mighty king is dying. He has always been "engrossed in ruling his kingdom," but now he is all but dead.
Worse, the kingdom, which allegedly flourished in the recent past, mirrors the condition of its ruler. Disasters of various kinds are coming thick and fast. Its population is rapidly shrinking, its borders are violated. Nothing is working as it should.
The king is perfectly aware that he has only around one hour left to live. His time is running out. The king's entourage knows this as well. Everyone present - his two wives, his doctor, and servants - waits for their sovereign to cease to be.
This play features absurdity that borders on reality. Ionesco, the archbishop of the paradox, skillfully combines the reign of absurdity with a sharp satire on autocratic dictatorships and their cult of personality. One person, no matter how talented he or she is or was or may have been, is a fallible human being. He or she should not be the linchpin on which everything in a state depends.
The king's ordeal also suggests that hardly anyone can be prepared to leave this world. The king must let go of all his desires or, as his queen puts it, stop "clinging to pictures of the outside world."
The dialogues are at once funny and rueful. They combine tragedy with comedy and are relatable despite their seeming lack of sense. Several layers hidden behind often ironic phrases can be unearthed without much difficulty.
Let's have a look at a few examples.
Now it's so normal to be abnormal, there's no such thing as abnormality. So that's straightened that out.
KING: It hurts to move my arms, too. Does that mean it's starting? No. Why was I born if it wasn't forever? Damn my parents! What a joke, what a farce! I came into the world five minutes ago. I got married three minutes ago.
MARGUERITE: Two hundred and eighty-three years.
KING: I came to the throne two and a half minutes ago.
MARGUERITE: Two hundred and seventy-seven years and three months.
KING: Never had time to say knife! Never had time to get to know life.
MARGUERITE: He never even tried.
MARIE: It was like a brisk walk through a flowery lane, a promise that's broken, a smile that fades.
MARGUERITE (to the DOCTOR, continuing): Yet he had the greatest experts to tell him all about it. Theologians, people of experience, and books he never read.
KING: I never had the time.
MARGUERITE: You used to say you had all the time in the world.
KING: I never had the time, I never had the time, I never had the time!
A once mighty king is dying. He has always been "engrossed in ruling his kingdom," but now he is all but dead.
Worse, the kingdom, which allegedly flourished in the recent past, mirrors the condition of its ruler. Disasters of various kinds are coming thick and fast. Its population is rapidly shrinking, its borders are violated. Nothing is working as it should.
The king is perfectly aware that he has only around one hour left to live. His time is running out. The king's entourage knows this as well. Everyone present - his two wives, his doctor, and servants - waits for their sovereign to cease to be.
This play features absurdity that borders on reality. Ionesco, the archbishop of the paradox, skillfully combines the reign of absurdity with a sharp satire on autocratic dictatorships and their cult of personality. One person, no matter how talented he or she is or was or may have been, is a fallible human being. He or she should not be the linchpin on which everything in a state depends.
The king's ordeal also suggests that hardly anyone can be prepared to leave this world. The king must let go of all his desires or, as his queen puts it, stop "clinging to pictures of the outside world."
The dialogues are at once funny and rueful. They combine tragedy with comedy and are relatable despite their seeming lack of sense. Several layers hidden behind often ironic phrases can be unearthed without much difficulty.
Let's have a look at a few examples.
Now it's so normal to be abnormal, there's no such thing as abnormality. So that's straightened that out.
KING: It hurts to move my arms, too. Does that mean it's starting? No. Why was I born if it wasn't forever? Damn my parents! What a joke, what a farce! I came into the world five minutes ago. I got married three minutes ago.
MARGUERITE: Two hundred and eighty-three years.
KING: I came to the throne two and a half minutes ago.
MARGUERITE: Two hundred and seventy-seven years and three months.
KING: Never had time to say knife! Never had time to get to know life.
MARGUERITE: He never even tried.
MARIE: It was like a brisk walk through a flowery lane, a promise that's broken, a smile that fades.
MARGUERITE (to the DOCTOR, continuing): Yet he had the greatest experts to tell him all about it. Theologians, people of experience, and books he never read.
KING: I never had the time.
MARGUERITE: You used to say you had all the time in the world.
KING: I never had the time, I never had the time, I never had the time!
February 9, 2022
蹖讴蹖 丿賵 爻丕賱蹖 賲蹖鈥屫促� 讴賴 芦賲乇诏禄 卮丿賴 賮讴乇 丕氐賱蹖 乇賵夭賴丕賲. 亘丕 賲乇诏 丕夭 禺賵丕亘 亘蹖丿丕乇 賲蹖鈥屫促� 賵 讴丕乇 賲蹖鈥屭┵嗁� 賵 賲蹖鈥屫堌辟� 賵 丿賵亘丕乇賴 賲蹖鈥屫堌жㄙ�. 卮丕蹖丿 亘乇丕蹖 賴賲蹖賳賴 讴賴 丕蹖賳 讴鬲丕亘 鬲丕 丕蹖賳 丨丿 亘乇丕賲 鬲兀孬蹖乇诏匕丕乇 亘賵丿貨 賳賲丕蹖卮蹖 丕夭 趩賳丿 丿賯蹖賯賴鈥屰� 倬丕蹖丕賳蹖 夭賳丿诏蹖 丕賳爻丕賳.
賴賲賴 亘丕蹖丿 丕蹖賳 讴鬲丕亘 乇賵 亘禺賵賳賳 賵 禺賵丿賲 亘丕蹖丿 亘丕乇賴丕 亘賴卮 亘乇诏乇丿賲.
倬卮鬲 噩賱丿 讴鬲丕亘:
卮丕賴: 丿爻鬲鈥屬囏з呚з� 賴賲 丿乇丿 賲蹖鈥屭┵嗁嗀�. 蹖毓賳蹖 丿丕乇賴 卮乇賵毓 賲蹖鈥屫促囏� 賳賴. 丕诏賴 賴賲蹖卮诏蹖 賳亘賵丿 倬爻 趩乇丕 賲丕 亘賴 丿賳蹖丕 丌賲丿蹖賲責 賱毓賳鬲 亘賴 賵丕賱丿蹖賳賲丕賳. 趩賴 賲爻禺乇賴貙 趩賴 賲囟丨讴! 倬賳噩 丿賯蹖賯 倬蹖卮 亘賴 丿賳蹖丕 丌賲丿蹖賲貙 爻賴 丿賯蹖賯賴 倬蹖卮 丕夭丿賵丕噩 讴乇丿蹖賲.
賲丕乇诏乇蹖鬲: 丿賵蹖爻鬲 賴卮鬲丕丿 賵 爻賴 爻丕賱 賲蹖鈥屫促�.
卮丕賴: 丿賵 丿賯蹖賯賴 賵 賳蹖賲 倬蹖卮 亘賵丿 亘賴 鬲禺鬲 爻賱胤賳鬲 賳卮爻鬲蹖賲.
賲丕乇诏乇蹖鬲: 丿賵蹖爻鬲 賵 賴賮鬲丕丿 賵 賴賮鬲 爻丕賱 賵 爻賴 賲丕賴 賲蹖鈥屫促�.
卮丕賴: 賮乇氐鬲 賳讴乇丿蹖賲 亘诏蹖賲 丕賵賮! 賮乇氐鬲 賳讴乇丿蹖賲 亘賮賴賲蹖賲 夭賳丿诏蹖 蹖毓賳蹖 趩蹖.
賲丕乇诏乇蹖鬲: (亘賴 丿讴鬲乇) 亘乇丕蹖 丕蹖賳 讴丕乇 賴蹖趩 爻毓蹖 賳讴乇丿賳丿.
賲丕乇蹖: 賲孬賱 蹖賴 倬蹖丕丿賴鈥屫辟堐� 禺蹖賱蹖 讴賵鬲丕賴 亘賵丿 鬲賵 蹖賴 禺蹖丕亘賵賳 倬購乇丿丕乇 賵 丿乇禺鬲貙 賲孬賱 賯賵賱蹖 讴賴 毓賲賱 賳卮賴貙 賱亘禺賳丿蹖 讴賴 賳卮讴賮鬲賴 倬跇賲乇丿賴 亘卮賴.
賲丕乇诏乇蹖鬲: (亘賴 丿讴鬲乇貙 丿乇 丕丿丕賲賴) 亘丕 丕蹖賳讴賴 亘夭乇诏鈥屫臂屬� 丿丕賳卮賲賳丿賴丕 丿賲 丿爻鬲卮賵賳 亘賵丿貙 賮賯賴丕貙 丌丿賲鈥屬囏й� 丿賳蹖丕 丿蹖丿賴貙 丕賵賳 賴賲賴 讴鬲丕亘 讴賴 賱丕卮 乇賵 亘丕夭 賳讴乇丿賳丿.
卮丕賴: 賵賯鬲 賳丿丕卮鬲蹖賲.
賲丕乇诏乇蹖鬲: 鬲賵 讴賴 賲蹖鈥屭佖� 鬲賲丕賲 賵賯鬲鈥屬囏й� 毓丕賱賲 賲丕賱 鬲賵爻鬲.
卮丕賴: 賵賯鬲 賳丿丕卮鬲蹖賲貙 賵賯鬲 賳丿丕卮鬲蹖賲貙 賵賯鬲 賳丿丕卮鬲蹖賲.
賴賲賴 亘丕蹖丿 丕蹖賳 讴鬲丕亘 乇賵 亘禺賵賳賳 賵 禺賵丿賲 亘丕蹖丿 亘丕乇賴丕 亘賴卮 亘乇诏乇丿賲.
倬卮鬲 噩賱丿 讴鬲丕亘:
卮丕賴: 丿爻鬲鈥屬囏з呚з� 賴賲 丿乇丿 賲蹖鈥屭┵嗁嗀�. 蹖毓賳蹖 丿丕乇賴 卮乇賵毓 賲蹖鈥屫促囏� 賳賴. 丕诏賴 賴賲蹖卮诏蹖 賳亘賵丿 倬爻 趩乇丕 賲丕 亘賴 丿賳蹖丕 丌賲丿蹖賲責 賱毓賳鬲 亘賴 賵丕賱丿蹖賳賲丕賳. 趩賴 賲爻禺乇賴貙 趩賴 賲囟丨讴! 倬賳噩 丿賯蹖賯 倬蹖卮 亘賴 丿賳蹖丕 丌賲丿蹖賲貙 爻賴 丿賯蹖賯賴 倬蹖卮 丕夭丿賵丕噩 讴乇丿蹖賲.
賲丕乇诏乇蹖鬲: 丿賵蹖爻鬲 賴卮鬲丕丿 賵 爻賴 爻丕賱 賲蹖鈥屫促�.
卮丕賴: 丿賵 丿賯蹖賯賴 賵 賳蹖賲 倬蹖卮 亘賵丿 亘賴 鬲禺鬲 爻賱胤賳鬲 賳卮爻鬲蹖賲.
賲丕乇诏乇蹖鬲: 丿賵蹖爻鬲 賵 賴賮鬲丕丿 賵 賴賮鬲 爻丕賱 賵 爻賴 賲丕賴 賲蹖鈥屫促�.
卮丕賴: 賮乇氐鬲 賳讴乇丿蹖賲 亘诏蹖賲 丕賵賮! 賮乇氐鬲 賳讴乇丿蹖賲 亘賮賴賲蹖賲 夭賳丿诏蹖 蹖毓賳蹖 趩蹖.
賲丕乇诏乇蹖鬲: (亘賴 丿讴鬲乇) 亘乇丕蹖 丕蹖賳 讴丕乇 賴蹖趩 爻毓蹖 賳讴乇丿賳丿.
賲丕乇蹖: 賲孬賱 蹖賴 倬蹖丕丿賴鈥屫辟堐� 禺蹖賱蹖 讴賵鬲丕賴 亘賵丿 鬲賵 蹖賴 禺蹖丕亘賵賳 倬購乇丿丕乇 賵 丿乇禺鬲貙 賲孬賱 賯賵賱蹖 讴賴 毓賲賱 賳卮賴貙 賱亘禺賳丿蹖 讴賴 賳卮讴賮鬲賴 倬跇賲乇丿賴 亘卮賴.
賲丕乇诏乇蹖鬲: (亘賴 丿讴鬲乇貙 丿乇 丕丿丕賲賴) 亘丕 丕蹖賳讴賴 亘夭乇诏鈥屫臂屬� 丿丕賳卮賲賳丿賴丕 丿賲 丿爻鬲卮賵賳 亘賵丿貙 賮賯賴丕貙 丌丿賲鈥屬囏й� 丿賳蹖丕 丿蹖丿賴貙 丕賵賳 賴賲賴 讴鬲丕亘 讴賴 賱丕卮 乇賵 亘丕夭 賳讴乇丿賳丿.
卮丕賴: 賵賯鬲 賳丿丕卮鬲蹖賲.
賲丕乇诏乇蹖鬲: 鬲賵 讴賴 賲蹖鈥屭佖� 鬲賲丕賲 賵賯鬲鈥屬囏й� 毓丕賱賲 賲丕賱 鬲賵爻鬲.
卮丕賴: 賵賯鬲 賳丿丕卮鬲蹖賲貙 賵賯鬲 賳丿丕卮鬲蹖賲貙 賵賯鬲 賳丿丕卮鬲蹖賲.
September 12, 2013
Absurd?
Or just another great way of demonstration how life is painful and unmerciful, in the same way as Kafka and Beckett did?
I read this book when I finishing my French course in 1989 (I was 18) and maybe not as mature to see that this talks about how unprepared we are for certain aspects of life.
It is not about the death of a king. This death only illustrates absurdly what we should read between the lines.
This is so much more about how we let ourselves be conducted peaceful and unquestioned all our lives to understand life itself and then when faced with death, we see that we have never understood nothing of it and we are still unprepared for the pain or bereavement.
Or it could be seen as how difficult is to part from a loved one, not only by death, but by a divorce or when our children go to live their own lives. How should we deal with it?
How should we proceed when everything seems to be falling apart, but yet it's just life taking its inevitable course of disintegration and reshaping itself.
An obligatory for classic lovers.
Or just another great way of demonstration how life is painful and unmerciful, in the same way as Kafka and Beckett did?
I read this book when I finishing my French course in 1989 (I was 18) and maybe not as mature to see that this talks about how unprepared we are for certain aspects of life.
It is not about the death of a king. This death only illustrates absurdly what we should read between the lines.
This is so much more about how we let ourselves be conducted peaceful and unquestioned all our lives to understand life itself and then when faced with death, we see that we have never understood nothing of it and we are still unprepared for the pain or bereavement.
Or it could be seen as how difficult is to part from a loved one, not only by death, but by a divorce or when our children go to live their own lives. How should we deal with it?
How should we proceed when everything seems to be falling apart, but yet it's just life taking its inevitable course of disintegration and reshaping itself.
An obligatory for classic lovers.
January 2, 2025
賴噩賵蹖賴鈥屫й� 亘乇 賲乇诏 賯丿乇鬲:
卮丕賴 賲蹖鈥屬呟屫必� 丿丕乇丕蹖 趩賳丕賳 爻丕丿诏蹖 丨爻丕亘 卮丿賴鈥屫й� 丕爻鬲 讴賴 丨鬲蹖 亘丕 丌賳 賲蹖鈥屫堌з� 亘賴 讴賵丿讴丕賳 賳蹖夭 丿乇爻 爻蹖丕爻蹖 丿丕丿. 倬丕乇賵丿蹖 賮丕賳鬲夭蹖 賵 讴賵鬲丕賴蹖 丕爻鬲 讴賴 爻丕毓丕鬲 丌禺乇 卮丕賴 蹖丕 亘賴 亘蹖丕賳蹖 鬲睾蹖蹖乇 卮讴賱 賵 丿乇 賳賴丕蹖鬲 賲乇诏 丕賯鬲丿丕乇 乇丕 毓乇囟賴 賲蹖鈥屭┵嗀�. 卮丕蹖丿 胤賳夭 丌賳 賳丕夭賱 賵 丿蹖丕賱賵诏鈥屬囏� 诏丕賴蹖 夭蹖丕丿蹖 賵丕囟丨 賵 卮毓丕乇蹖 亘賴 賳馗乇 亘乇爻賳丿 丕賲丕 丿乇 賲噩賲賵毓 賲蹖鈥屫堌з� 丌賳 乇丕 蹖讴 賲鬲賳 丌亘乇賵賲賳丿 賵 亘賴 丿賵乇 丕夭 賵乇丕噩蹖 鬲賱賯蹖 讴乇丿.
丨丕賱丕鬲 丕爻鬲毓丕乇蹖 丌賳 亘賴 賯丿乇蹖 爻丕丿賴 卮丿賴 讴賴 亘賴 卮讴賱 賲丿賱 賲賮賴賵賲蹖 丿乇 賲賯丕賱丕鬲 丿乇丌賲丿賴貙 亘賴 賴賲丕賳 賲蹖夭丕賳 爻丕丿賴貙 诏賵蹖丕 賵 睾蹖乇賲亘鬲匕賱.
卮丕賴 賲蹖鈥屬呟屫必� 丿丕乇丕蹖 趩賳丕賳 爻丕丿诏蹖 丨爻丕亘 卮丿賴鈥屫й� 丕爻鬲 讴賴 丨鬲蹖 亘丕 丌賳 賲蹖鈥屫堌з� 亘賴 讴賵丿讴丕賳 賳蹖夭 丿乇爻 爻蹖丕爻蹖 丿丕丿. 倬丕乇賵丿蹖 賮丕賳鬲夭蹖 賵 讴賵鬲丕賴蹖 丕爻鬲 讴賴 爻丕毓丕鬲 丌禺乇 卮丕賴 蹖丕 亘賴 亘蹖丕賳蹖 鬲睾蹖蹖乇 卮讴賱 賵 丿乇 賳賴丕蹖鬲 賲乇诏 丕賯鬲丿丕乇 乇丕 毓乇囟賴 賲蹖鈥屭┵嗀�. 卮丕蹖丿 胤賳夭 丌賳 賳丕夭賱 賵 丿蹖丕賱賵诏鈥屬囏� 诏丕賴蹖 夭蹖丕丿蹖 賵丕囟丨 賵 卮毓丕乇蹖 亘賴 賳馗乇 亘乇爻賳丿 丕賲丕 丿乇 賲噩賲賵毓 賲蹖鈥屫堌з� 丌賳 乇丕 蹖讴 賲鬲賳 丌亘乇賵賲賳丿 賵 亘賴 丿賵乇 丕夭 賵乇丕噩蹖 鬲賱賯蹖 讴乇丿.
丨丕賱丕鬲 丕爻鬲毓丕乇蹖 丌賳 亘賴 賯丿乇蹖 爻丕丿賴 卮丿賴 讴賴 亘賴 卮讴賱 賲丿賱 賲賮賴賵賲蹖 丿乇 賲賯丕賱丕鬲 丿乇丌賲丿賴貙 亘賴 賴賲丕賳 賲蹖夭丕賳 爻丕丿賴貙 诏賵蹖丕 賵 睾蹖乇賲亘鬲匕賱.
February 7, 2021
丕賱賲賱賰 賷賲賵鬲: 賲爻乇丨賷丞 毓亘孬賷丞 賷鬲禺賱賱賴丕 亘毓囟 丕賱乇賲夭賷丞 丕賱鬲賷 鬲丨鬲丕噩 亘丕賱胤亘毓 廿賱賶 丕賱鬲乇賰賷夭 - 賰賲丕 賴賷 丕賱毓丕丿丞 賮賷 丕賱賲爻乇丨 丕賱毓亘孬賷 - 賱賰賷 鬲賳鬲夭毓 丕賱賲毓賳賷 丕賱賲賯氐賵丿.
丕賱賲爻乇丨賷丞 賮賰乇鬲賴丕 亘爻賷胤丞: 賲賱賰 賷丨鬲囟乇.
丕賱噩夭亍 丕賱兀賵賱 賳乇賶 鬲賲爻賰 丕賱賲賱賰 亘丕賱丨賷丕丞 賵丕賱賲購賱賰 賵丕賱爻賱胤丞 賵丕賱賳賮賵匕 貙 賱賰賳賴 賮賷 丕賱丨賯賷賯丞 兀氐亘丨 睾賷乇 賯丕丿乇 毓賱賷 丕毓胤丕亍 丕賱兀賵丕賲乇 丨鬲賷 賱丕氐睾乇 丨丕乇爻貙 賮賴賵 賷乇賶 丕賳 丕賱賰賱 賷賲賵鬲 賵賱丕亘丿 賱賴 兀賳 賷毓賷卮 賱兀賳賴 賲賱賰貙 賮賴賵 禺丕賱丿 賰賲丕 賯丕賱貙 賵賴賵 賲賳 賯丕賲 亘亘賳丕亍 丕賱賲賲賱賰丞 丕賱鬲賷 兀氐亘丨鬲 丕賱丌賳 ( 賴賵 賱丕賷毓鬲乇賮 亘匕賱賰) 丕胤賱丕賱 賵禺乇丕亘丕鬲貙 賴丕噩乇 卮毓亘賴丕貙 爻購乇賯鬲 兀乇丕囟賷賴丕貙 亘丕乇鬲 賲夭丕乇毓賴丕貙 賵噩丕毓 爻賰丕賳賴丕.
賮賰丕賳鬲 鬲賱賰 丕賱賮賰乇丞 鬲賳亘丐賷丞 噩丿丕賸 亘賲丕 丨丿孬 賵賷丨丿孬 賮賷 亘毓囟 丕賱亘賱丿丕賳 ( 乇丕噩毓 賲丕 丨丿孬 賮賷 丕賱孬賵乇丕鬲 丕賱毓乇亘賷丞貙 丕賱卮毓亘 賲氐賲賲 毓賱賷 乇丨賷賱 丕賱乇卅賷爻貙 賱賰賳 丕賱乇卅賷爻 賲鬲賲爻賰 亘丕賱賲賳氐亘貙 賵賷乇賷 丕賳 賱丕 賷賵噩丿 賲卮賰賱丞 賮賷 賲賵鬲 丕賱噩賲賷毓 胤丕賱賲丕 賴賵 毓賱賷 丕賱賰乇爻賷).
丕賱噩夭亍 丕賱孬丕賳賷 賲賳 丕賱賲爻乇丨賷丞 睾賷乇 賲鬲乇丕亘胤 賵丕賳 賰丕賳 賴匕丕 賴賵 丕賱爻賲丞 丕賱兀爻丕爻賷丞 賱賲爻乇丨 丕賱毓亘孬貙 丨賵丕乇丕鬲 賵賴匕賷丕賳 賲丕 賯亘賱 丕賱賲賵鬲 ( 賲賳 丕賱賲賲賰賳 丕賳 賳胤賱賯 毓賱賷賴 賲丕 賯亘賱 丕賱鬲睾賷賷乇貙 賮亘賲賵鬲 丕賱賲賱賰 爻鬲鬲睾賷乇 丕賱賲賲賱賰丞) 亘賷賳 丕賱賲賱賰 賵丕賱卮禺氐賷丕鬲 賵賲丨丕賵賱丞 廿賯賳丕毓賴 亘賲氐賷乇賴 丕賱賲丨鬲賵賲貙 賵卮禺氐賷丕鬲 賲丐賷丿丞 賵兀禺乇賶 乇丕賮囟丞 亘丕賱乇睾賲 賲賳 廿賷賲丕賳賴丕 亘丕賱賲賵鬲貙 賵丨賵丕乇 丕賱賲賱賰 賵噩賵賱賷賷鬲 賵丕賱鬲賷 兀乇賶 丕賳賴丕 鬲賲孬賱 毓丕賲丞 丕賱卮毓亘 丕賱賮賯賷乇 丕賱賰丕丿丨.
丕賱賲爻乇丨賷丞 賯丕亘賱丞 賱賱鬲兀賵賷賱貙 賵丕賳 賰丕賳 丕賱賳氐 賮賷 馗丕賴乇丞 賮囟賮丕囟 睾賷乇 賵丕囟丨貙 廿賱丕 丕賳賴 賯丕亘賱 賱亘孬 丕賮賰丕乇 賲禺鬲賱賮丞 賱賰賱 卮禺氐 丨爻亘 賲丕 丕爻鬲賵毓亘賴 賲賳 丕賱賯乇丕亍丞.
丕賱賲爻乇丨賷丞 賮賰乇鬲賴丕 亘爻賷胤丞: 賲賱賰 賷丨鬲囟乇.
丕賱噩夭亍 丕賱兀賵賱 賳乇賶 鬲賲爻賰 丕賱賲賱賰 亘丕賱丨賷丕丞 賵丕賱賲購賱賰 賵丕賱爻賱胤丞 賵丕賱賳賮賵匕 貙 賱賰賳賴 賮賷 丕賱丨賯賷賯丞 兀氐亘丨 睾賷乇 賯丕丿乇 毓賱賷 丕毓胤丕亍 丕賱兀賵丕賲乇 丨鬲賷 賱丕氐睾乇 丨丕乇爻貙 賮賴賵 賷乇賶 丕賳 丕賱賰賱 賷賲賵鬲 賵賱丕亘丿 賱賴 兀賳 賷毓賷卮 賱兀賳賴 賲賱賰貙 賮賴賵 禺丕賱丿 賰賲丕 賯丕賱貙 賵賴賵 賲賳 賯丕賲 亘亘賳丕亍 丕賱賲賲賱賰丞 丕賱鬲賷 兀氐亘丨鬲 丕賱丌賳 ( 賴賵 賱丕賷毓鬲乇賮 亘匕賱賰) 丕胤賱丕賱 賵禺乇丕亘丕鬲貙 賴丕噩乇 卮毓亘賴丕貙 爻購乇賯鬲 兀乇丕囟賷賴丕貙 亘丕乇鬲 賲夭丕乇毓賴丕貙 賵噩丕毓 爻賰丕賳賴丕.
賮賰丕賳鬲 鬲賱賰 丕賱賮賰乇丞 鬲賳亘丐賷丞 噩丿丕賸 亘賲丕 丨丿孬 賵賷丨丿孬 賮賷 亘毓囟 丕賱亘賱丿丕賳 ( 乇丕噩毓 賲丕 丨丿孬 賮賷 丕賱孬賵乇丕鬲 丕賱毓乇亘賷丞貙 丕賱卮毓亘 賲氐賲賲 毓賱賷 乇丨賷賱 丕賱乇卅賷爻貙 賱賰賳 丕賱乇卅賷爻 賲鬲賲爻賰 亘丕賱賲賳氐亘貙 賵賷乇賷 丕賳 賱丕 賷賵噩丿 賲卮賰賱丞 賮賷 賲賵鬲 丕賱噩賲賷毓 胤丕賱賲丕 賴賵 毓賱賷 丕賱賰乇爻賷).
丕賱噩夭亍 丕賱孬丕賳賷 賲賳 丕賱賲爻乇丨賷丞 睾賷乇 賲鬲乇丕亘胤 賵丕賳 賰丕賳 賴匕丕 賴賵 丕賱爻賲丞 丕賱兀爻丕爻賷丞 賱賲爻乇丨 丕賱毓亘孬貙 丨賵丕乇丕鬲 賵賴匕賷丕賳 賲丕 賯亘賱 丕賱賲賵鬲 ( 賲賳 丕賱賲賲賰賳 丕賳 賳胤賱賯 毓賱賷賴 賲丕 賯亘賱 丕賱鬲睾賷賷乇貙 賮亘賲賵鬲 丕賱賲賱賰 爻鬲鬲睾賷乇 丕賱賲賲賱賰丞) 亘賷賳 丕賱賲賱賰 賵丕賱卮禺氐賷丕鬲 賵賲丨丕賵賱丞 廿賯賳丕毓賴 亘賲氐賷乇賴 丕賱賲丨鬲賵賲貙 賵卮禺氐賷丕鬲 賲丐賷丿丞 賵兀禺乇賶 乇丕賮囟丞 亘丕賱乇睾賲 賲賳 廿賷賲丕賳賴丕 亘丕賱賲賵鬲貙 賵丨賵丕乇 丕賱賲賱賰 賵噩賵賱賷賷鬲 賵丕賱鬲賷 兀乇賶 丕賳賴丕 鬲賲孬賱 毓丕賲丞 丕賱卮毓亘 丕賱賮賯賷乇 丕賱賰丕丿丨.
丕賱賲爻乇丨賷丞 賯丕亘賱丞 賱賱鬲兀賵賷賱貙 賵丕賳 賰丕賳 丕賱賳氐 賮賷 馗丕賴乇丞 賮囟賮丕囟 睾賷乇 賵丕囟丨貙 廿賱丕 丕賳賴 賯丕亘賱 賱亘孬 丕賮賰丕乇 賲禺鬲賱賮丞 賱賰賱 卮禺氐 丨爻亘 賲丕 丕爻鬲賵毓亘賴 賲賳 丕賱賯乇丕亍丞.
January 26, 2024
Il sera une page dans un livre de dix mille pages que l'on mettra dans une biblioth猫que qui aura un million de livres, une biblioth猫que parmi un million de biblioth猫ques.
August 10, 2024
丕诏賴 亘禺賵丕蹖賲 丿賳蹖丕蹖 賲丕賵乇丕卅蹖 賵 丕丿蹖丕賳 賵 丨賯蹖賯蹖 丿乇 賳馗乇 亘诏蹖乇蹖賲貙 鬲賵蹖 丕蹖賳 丿賳蹖丕 賲賳 毓丕卮賯 毓夭乇丕卅蹖賱賲. 賳賴 亘賯蹖賴 賮乇卮鬲賴鈥屬囏ж� 賳賴 禺丿丕貙 賳賴 卮蹖胤丕賳貙 賳賴 倬蹖丕賲亘乇丕賳 賲賴乇亘丕賳貙 賳賴 丕噩賳賴貙 賳賴 亘趩賴鈥屬囏ж� 賮賯胤 毓夭乇丕卅蹖賱. 趩賵賳 亘乇丕卮 賲賴賲 賳蹖爻鬲 賲賳 趩賴 讴爻蹖 賴爻鬲賲貙 禺賵卮诏賱賲 蹖丕 夭卮鬲賲貙 倬賵賱丿丕乇賲 蹖丕 賮賯蹖乇賲貙 亘丕賴賵卮賲 蹖丕 禺賳诏賲貙 亘丕賱丕禺乇賴 蹖賴 乇賵夭蹖 賲蹖丕丿 爻乇丕睾賲. 賲蹖鈥屫促� 丕爻賲卮賵 亘匕丕乇賲 賲毓乇賮鬲 賵 毓丿丕賱鬲責 賵賯鬲蹖 亘蹖丕丿 乇丕丨鬲 賲蹖鈥屫促呚� 丕夭蹖賳 賴賲賴 丿乇丿 賵 乇賳噩 (亘丕 氐乇賮 賳馗乇 丕夭 賮卮丕乇 卮亘 丕賵賱 賯亘乇 賵 丌鬲卮 噩賴賳賲). 禺蹖賱蹖 卮睾賱 賴蹖噩丕賳 丕賳诏蹖夭蹖 丿丕乇賴貙 讴賱蹖 趩蹖夭 噩丕賱亘 丿丕乇賴 鬲毓乇蹖賮 讴賳賴. 賲孬賱 亘賯蹖賴 賮乇卮鬲賴鈥屬囏� 爻賮蹖丿 賳蹖爻鬲貙 賴賲卮 賳丕夭 賵 賳賵丕夭卮 賵 禺賵亘蹖貙 賲孬賱 卮蹖胤丕賳 爻蹖丕賴 賳蹖爻鬲貙 賴賲卮 讴丕乇丕蹖 亘丿 亘丿貙 蹖賴 禺丕讴爻鬲乇蹖 丿賱倬匕蹖乇賴. 賵 賲賴賲鈥屫� 丕夭 賴賲賴貙 丕诏賴 讴賲讴蹖 亘賴 夭賳丿诏蹖 賲賳 賳讴乇丿賴貙 趩賵賳 讴丕乇蹖 丕夭 丿爻鬲卮 亘乇 賳賲蹖賵賲丿賴. 賲孬賱 禺丿丕 賳蹖爻鬲 讴賴 賯丿乇鬲卮賵 丿丕卮鬲賴 亘丕卮賴 賵 睾氐賴鈥屬呝� 亘亘蹖賳賴 賵 爻讴賵鬲 讴賳賴. 丿賵爻鬲鬲 丿丕乇賲 毓夭乇丕卅蹖賱 噩賵賳. 賵賱蹖 丕蹖賳 賳賲丕蹖卮賳丕賲赖 賳賲丕蹖卮 賯卮賳诏 鬲賵乇賵 禺賵亘 亘賴 鬲氐賵蹖乇 賳讴卮蹖丿賴 亘賵丿. 丕夭鬲 賲毓匕乇鬲 賲蹖鈥屫堌з�. 賱蹖丕賯鬲 鬲賵 亘蹖卮鬲乇 丕夭 丕蹖賳 丨乇賮丕爻鬲.
July 24, 2024
"卮丕賴 賲蹖鈥屬呟屫必�" 賳賲丕蹖卮賳丕賲赖鈥屫й� 丕亘夭賵乇丿 賵 鬲兀孬蹖乇诏匕丕乇!
[丕蹖賳 乇蹖賵蹖賵 丨丕賵蹖 丿蹖丕賱賵诏鈥屬囏й屰� 丕夭 賳賲丕蹖卮賳丕賲赖鈥屫池�. 丕诏乇 亘賴 丕爻倬賵蹖賱鈥屬囏й� 丕蹖賳鈥屭嗁嗃屬嗃� 丨爻丕爻 賴爻鬲蹖丿貙 丕夭 禺賵丕賳丿賳 丌賳 丕賲鬲賳丕毓 讴賳蹖丿.]
賳賲丕蹖卮 亘丕 丿賵丿賱蹖賽 賴賲爻乇丕賳賽 卮丕賴 亘乇丕蹖 丕毓賱丕賲賽 賮乇丕 乇爻蹖丿賳賽 賲乇诏 卮丕賴 亘賴 禺賵丿賽 卮禺氐 卮丕賴 卮乇賵毓 賲蹖卮賴.
賴賲爻乇賽 丕賵賱 (賲丕乇诏丕乇鬲) 亘乇 丕蹖賳 毓賯蹖丿賴鈥屫池� 讴賴 亘丕蹖丿 丨賯蹖賯鬲賽 賲乇诏 乇賵 亘賴 卮丕賴 诏賮鬲 賵 賴賲爻乇賽 丿賵賲 (賲丕乇蹖) 丕氐乇丕乇 丿丕乇賴 讴賴 賲丕賳毓 丕蹖賳 讴丕乇 亘卮賴 賵 爻毓蹖 丿丕乇賴 亘丕 毓卮賯貙 卮丕賴 乇賵 丕夭 趩賳诏丕賱 賲乇诏 賳噩丕鬲 亘丿賴. 賮丕乇睾 丕夭 丕蹖賳讴賴 丨鬲蹖 毓卮賯 賴賲 賳賲蹖鈥屫堎嗁� 亘丕 賲乇诏 诏賱丕賵蹖夭 卮賴.
丿乇 賵丕賯毓 賳賲丕蹖卮貙 爻賽蹖乇蹖 丕夭 乇賵蹖丕乇賵蹖蹖 亘丕 賲乇诏貙 丕夭 丕賳讴丕乇 賵 鬲乇爻 鬲丕 倬匕蹖乇卮 賵 賳蹖爻鬲蹖 乇丕 亘賴 乇賵蹖 氐丨賳賴 賲蹖鈥屫ㄘ辟�.
卮丕賴 丕亘鬲丿丕 亘賴 禺亘乇賽 賲乇诏卮 丕毓鬲賳丕蹖蹖 賳丿丕乇賴 賵 丕賵賳 乇賵 噩丿蹖 賳賲蹖鈥屭屫辟� 賵 亘毓丿 丿爻鬲 亘賴 丕賳讴丕乇 賲蹖夭賳賴.
亘丕 丕蹖賳 丨丕賱貙 丕胤乇丕賮蹖丕賳賽 卮丕賴 (丿讴鬲乇/噩賱丕丿/爻鬲丕乇賴鈥屫促嗀ж� 賵 賲丕乇诏丕乇鬲) 讴丕賲賱丕 禺賵丿卮賵賳 乇賵 亘乇丕蹖 賲乇诏 卮丕賴 丌賲丕丿賴鈥� 讴乇丿賳丿 賵 丨鬲蹖 丕夭 亘乇賳丕賲賴鈥屫臂屫槽屸€屬囏й� 倬爻 丕夭 賲乇诏 卮丕賴 氐丨亘鬲 賲蹖鈥屭┵嗁嗀�:
"賲爻丐賵賱賷鬲賽 鬲賴蹖賴 卮乇丨 夭賲丕賳鈥屫ㄙ嗀屸€屫簇� 賲丕噩乇丕 乇賵 亘賴 毓賴丿賴 卮賲丕 賲蹖鈥屭柏ж辟�. 趩賳丿 鬲丕 丕夭 讴賱賲丕鬲 夭蹖亘丕蹖 丿蹖诏乇賵賳 乇賵 亘賴 丕賵賳 賳爻亘鬲 賲蹖鈥屫屬�. 丕诏賴 賱丕夭賲 卮丿貙 丨鬲蹖 丕夭 禺賵丿賲賵賳 賴賲 讴賱賲丕鬲 夭蹖亘丕蹖蹖 丿乇 禺賵丕賴蹖賲 丌賵乇丿. 趩賳丿 丕賳丿乇夭 丨讴蹖賲丕賳賴 賴賲 亘賴 丕蹖卮賵賳 賳爻亘鬲 賲蹖鈥屫屬�. 賳賴丕蹖鬲 丿賯鬲 乇賵 賲蹖鈥屭┵嗃屬� 讴賴 丕賮爻丕賳賴 丌亘乇賵賲賳丿蹖 丕夭卮賵賳 亘賲賵賳賴."
丕賵賳鈥屬囏� 爻毓蹖 丿丕乇賳丿 夭賳丿诏蹖 丕卮鬲亘丕賴 卮丕賴 乇賵 亘丕 賲乇诏賽 禺賵亘 賵 蹖丕 鬲氐賵蹖乇賽 禺賵亘 丕夭 賲乇诏賽 丕賵 亘倬賵卮賵賳賳.
卮丕賴 讴賲鈥屭┵� 亘丕 丨賯蹖賯鬲賽 賲乇诏 賲賵丕噩賴 賲蹖卮賴 賵 亘丕賵乇 賲蹖讴賳賴 讴賴 賵丕賯毓丕 賯乇丕乇賴 胤蹖 趩賳丿 爻丕毓鬲 丌蹖賳丿賴 亘賲蹖乇賴 賵 丕蹖賳噩丕爻鬲 讴賴 鬲乇爻 亘賴 賵噩賵丿卮 乇禺賳賴 賲蹖讴賳賴. 丕亘鬲丿丕 丕夭 賳丕亘賵丿蹖 噩爻賲卮 丿趩丕乇 賴乇丕爻 賲蹖卮賴:
"丌賴 丌賴! 賴蹖趩 賳賲蹖鈥屫堌й屰屬� 噩爻丿賲丕賳 乇丕 賲毓胤乇 讴賳賳丿. 噩爻丿 賲蹖鈥屫堌й屰屬� 趩蹖 讴丕乇. 賳賲蹖锟斤拷禺賵丕蹖蹖賲 亘爻賵夭丕賳賳丿賲丕賳. 賳賲蹖鈥屫堌й屰屬� 禺丕讴賲丕賳 讴賳賳丿. 賳賲蹖鈥屫堌й屰屬� 胤毓賲賴 賱丕卮禺賵乇賴丕 賵 丿乇賳丿诏丕賳賲丕賳 讴賳賳丿. 賲蹖鈥屫堌й屰屬� 賲丕 乇丕 鬲賵 丌睾賵卮 诏乇賲鈥屫簇з� 亘诏蹖乇賳丿. 鬲賵 丿爻鬲鈥屬囏й� 鬲乇诏賱 賵乇诏賱. 鬲賵 丿爻鬲鈥屬囏й� 賱胤蹖賮. 鬲賵 丿爻鬲鈥屬囏й� 爻賮鬲 賵 噩丕賳鈥屫ж必簇з�."
賵 亘毓丿貙 丕夭 賳丕亘賵丿蹖 蹖丕丿卮 丿乇 夭賳丿诏丕賳 亘賴 賴賵賱 賵 賵賱丕 賲蹖賮鬲賴:
"丕诏賴 蹖丕丿卮丕賳 亘賲丕賳蹖賲 鬲丕 讴賽蹖 蹖丕丿卮丕賳 賲蹖鈥屬呚з嗃屬呚�
丿賱賲丕賳 賲蹖鈥屫堌ж� 鬲丕 丌禺乇 丿賳蹖丕 蹖丕丿賲丕賳 亘丕卮賳丿. 亘毓丿 丕夭 丌禺乇 丿賳蹖丕 賴賲 鬲丕 亘蹖爻鬲鈥屬囏藏ж� 爻丕賱貙 鬲丕 丿賵蹖爻鬲 賵 倬賳噩丕賴 賵 倬賳噩 賲蹖賱蹖丕乇丿 爻丕賱...鈥�
丿蹖诏賴 丌賳 賲賵賯毓 讴爻蹖 亘丕賯蹖鈥屬嗁呚з嗀� 讴賴 亘賴 賮讴乇 賵 蹖丕丿 讴爻 丿蹖诏賴鈥屫й� 亘丕卮賴 蹖丕 賳亘丕卮賴. 丕賲丕 賴賳賵夭 丌賳 賲賵賯毓 賳卮丿賴 蹖丕丿卮丕賳 乇賮鬲賴. 禺賵丿禺賵丕賴鈥屫з嗀� 賴賲賴鈥屫簇з嗏€�. 賴賲賴鈥屫簇з�. 賮賯胤 亘賴 賮讴乇 夭賳丿诏蹖 禺賵丿卮丕賳鈥屫з嗀�. 亘賴 賮讴乇 噩丕賳 禺賵丿卮丕賳鈥屫з嗀�. 賳賴 亘賴 賮讴乇 夭賳丿诏蹖 賲丕貙 噩丕賳 賲丕. 丕诏賴 讴賱 讴乇賴 夭賲蹖賳 賴賲 賯乇丕乇賴 丕夭 賴賲 亘倬丕卮賴 賵 匕賵亘 亘卮賴貙 禺亘 賲蹖卮賴.
丕诏賴 賴賲賴 讴賴讴卮丕賳 賯乇丕乇賴 賲賳賮噩乇 亘卮賴貙 禺亘 賲蹖鈥屫促�. 丨丕賱丕 趩賴 賮乇丿丕 趩賴 賴夭丕乇丕賳 賯乇賳 丿蹖诏賴貙 賮乇賯蹖 賳丿丕乇賴. 趩蹖夭蹖 讴賴 賯乇丕乇賴 蹖讴 乇賵夭蹖 鬲賲丕賲 亘卮賴 丕夭 賴賲蹖賳 丨丕賱丕 鬲賲丕賲 卮丿賴鈥屫池�."
丕夭 鬲乇爻 亘賴 倬卮鬲 倬賳噩乇賴鈥屬囏й� 讴丕禺 賲蹖乇賴 賵 亘乇丕蹖 讴賲讴 丕夭 賲乇丿賲貙 賮乇蹖丕丿 賲蹖夭賳賴. 丕賲丕 亘丕 讴卮鬲 賵 讴卮鬲丕乇蹖 讴賴 丿乇 胤賵賱 丿賵乇丕賳 爻胤賱賳鬲卮 丿丕卮鬲賴貙 賲賱鬲賽 夭蹖丕丿蹖 亘乇丕卮 亘丕賯蹖 賳賲賵賳丿賴. 倬爻 丿爻鬲賽 蹖丕乇蹖 亘賴 爻賵蹖 賲乇丿诏丕賳 丿乇丕夭 賲蹖讴賳賴:
"讴賲讴 讴賳蹖丿 丕賽蹖 讴乇賵乇 讴乇賵乇 讴爻丕賳蹖 讴賴 倬蹖卮 丕夭 賲丕 賲乇丿賴鈥屫й屫� 亘诏蹖丿 亘亘蹖賳賲 趩胤賵乇蹖 鬲賳 丿丕丿蹖丿 亘賴 賲購乇丿賳 賵 賲購乇丿蹖丿. 亘賴 賲丕 賴賲 蹖丕丿 亘丿蹖丿. 亘賱讴賴 爻乇賲卮賯 卮賲丕 讴賲蹖 鬲爻讴蹖賳鈥屬呚з� 亘丿賴. 亘賱讴賴 亘賴 卮賲丕 鬲讴蹖賴 讴賳蹖賲 賲孬賱 趩賵亘 夭蹖乇 亘睾賱貙 賲孬賱 丿爻鬲鈥屬囏й� 亘乇丕丿乇丕賳賴.
讴賲讴 讴賳蹖丿 丕夭 丿乇蹖 讴賴 卮賲丕 乇丿 卮丿蹖丿 賲丕 賴賲 乇丿 亘卮蹖賲! 蹖賴 賱丨馗賴 亘蹖丕蹖蹖丿 丕蹖賳 胤乇賮 賳噩丕鬲鈥屬呚з� 亘丿蹖丿. 讴賲讴 讴賳蹖丿 丕賽蹖 卮賲丕蹖丕賳蹖 讴賴 鬲乇爻蹖丿賴 亘賵丿蹖丿 賵 丿賱鈥屫з� 賳賲蹖鈥屫堌ж池� 亘乇蹖丿!
亘诏蹖丿 趩胤賵乇蹖 丕鬲賮丕賯 丕賮鬲丕丿責 讴蹖 卮賲丕 乇賵 丨賲丕蹖鬲 讴乇丿責 讴蹖 讴卮蹖丿鬲丕賳 丌賳噩丕責 讴蹖 賴購賱鈥屫з� 丿丕丿 丌賳噩丕責 鬲丕 丌禺乇卮 鬲乇爻 丿丕卮鬲蹖丿責 賵丕蹖 卮賲丕蹖丕賳蹖 讴賴 賯賵蹖 賵 丿賱鈥屫ж� 亘賵丿蹖丿 賵 賲乇诏 乇丕 亘丕 丌乇丕賲卮 賵 禺賵賳爻乇丿蹖 倬匕蹖乇賮鬲蹖丿貙 丌乇丕賲卮 賵 禺賵賳爻乇丿蹖鈥屫з� 乇丕 亘賴 賲丕 賴賲 蹖丕丿 亘丿蹖丿貙 鬲爻賱蹖賲 乇丕 亘賴 賲丕 賴賲 蹖丕丿 亘丿蹖丿."
卮丕賴 亘賴 鬲丿乇蹖噩 賲蹖鈥屫堎嗁� 亘賴 鬲乇爻卮 賮丕卅賯 亘蹖丕丿 賵 亘賴 倬匕蹖乇卮 賲蹖乇爻賴. 賲蹖鈥屬矩佰屫辟� 讴賴 毓賱丕乇睾賲 夭賳丿诏蹖 倬賵趩蹖 讴賴 丿丕卮鬲賴 賵 夭賲丕賳蹖/夭賳丿诏蹖鈥屫й� 讴賴 亘賴 賴丿乇 丿丕丿賴貙 胤蹖 爻丕毓丕鬲蹖 丿蹖诏乇 亘賴 讴賱 丕夭 噩賴丕賳 賲丨賵 禺賵丕賴丿 卮丿.
丕蹖賳噩丕爻鬲 讴賴 賲鬲賵噩賴 賱匕鬲 賵 夭蹖亘丕蹖蹖 夭賳丿诏蹖 賲蹖卮賴 賵 毓丕丿蹖鈥屫臂屬� 賱丨馗丕鬲 夭賳丿诏蹖 乇賵 <> "蹖讴鈥屫堌� 賲毓噩夭賴貙 噩丕丿賵 賵 蹖賴 噩卮賳 亘蹖鈥屬矩й屫з�" 賲蹖鈥屫堎嗁� 讴賴 鬲丕 倬蹖卮 丕夭 丕蹖賳 丕夭卮 睾丕賮賱 亘賵丿賴.
賵丕賯毓丕 亘乇丕蹖 賲賳 禺蹖賱蹖 賱匕鬲鈥屫ㄘ� 亘賵丿 賵 亘禺卮蹖 丕夭 禺賵丿賲 乇賵 丿乇 卮丕賴 賲蹖鈥屫屫�!
賲賳 賲蹖鈥屫必迟� 讴賴 亘丿賵賳 賱匕鬲 亘乇丿賳貙 丕賵賳鈥屫焚堌� 讴賴 卮丕蹖爻鬲賴鈥屰� 丕蹖賳 夭賳丿诏蹖賽 卮诏賮鬲鈥屫з嗂屫操� 亘賲蹖乇賲. 賲蹖鈥屫必迟� 丕賵賳鈥屫焚堌� 讴賴 亘丕蹖丿 丕夭 賱丨馗賴 賱匕鬲 賳亘乇賲 賵 丕蹖賳賯丿乇 禺賵丿賲 乇賵 鬲賵蹖 禺丕胤乇丕鬲 诏匕卮鬲賴 賵 亘乇賳丕賲賴鈥屬囏й� 丌蹖賳丿賴 睾乇賯 讴賳賲 讴賴 蹖丕丿賲 亘乇賴 趩賯丿乇 "丕讴賳賵賳" 賵 丿賯蹖賯丕 賴賲蹖賳 賱丨馗賴 夭蹖亘丕爻鬲. 丕蹖賳 賳賲丕蹖卮賳丕賲赖 亘乇丕賲 鬲賱賳诏乇蹖 亘賵丿 讴賴 亘蹖卮鬲乇 丨賵丕爻賲 亘賴 夭賳丿诏蹖賽 蹖讴鈥屫ㄘж� 賲氐乇賮賲 亘丕卮賴.
[丕蹖賳 乇蹖賵蹖賵 丨丕賵蹖 丿蹖丕賱賵诏鈥屬囏й屰� 丕夭 賳賲丕蹖卮賳丕賲赖鈥屫池�. 丕诏乇 亘賴 丕爻倬賵蹖賱鈥屬囏й� 丕蹖賳鈥屭嗁嗃屬嗃� 丨爻丕爻 賴爻鬲蹖丿貙 丕夭 禺賵丕賳丿賳 丌賳 丕賲鬲賳丕毓 讴賳蹖丿.]
賳賲丕蹖卮 亘丕 丿賵丿賱蹖賽 賴賲爻乇丕賳賽 卮丕賴 亘乇丕蹖 丕毓賱丕賲賽 賮乇丕 乇爻蹖丿賳賽 賲乇诏 卮丕賴 亘賴 禺賵丿賽 卮禺氐 卮丕賴 卮乇賵毓 賲蹖卮賴.
賴賲爻乇賽 丕賵賱 (賲丕乇诏丕乇鬲) 亘乇 丕蹖賳 毓賯蹖丿賴鈥屫池� 讴賴 亘丕蹖丿 丨賯蹖賯鬲賽 賲乇诏 乇賵 亘賴 卮丕賴 诏賮鬲 賵 賴賲爻乇賽 丿賵賲 (賲丕乇蹖) 丕氐乇丕乇 丿丕乇賴 讴賴 賲丕賳毓 丕蹖賳 讴丕乇 亘卮賴 賵 爻毓蹖 丿丕乇賴 亘丕 毓卮賯貙 卮丕賴 乇賵 丕夭 趩賳诏丕賱 賲乇诏 賳噩丕鬲 亘丿賴. 賮丕乇睾 丕夭 丕蹖賳讴賴 丨鬲蹖 毓卮賯 賴賲 賳賲蹖鈥屫堎嗁� 亘丕 賲乇诏 诏賱丕賵蹖夭 卮賴.
丿乇 賵丕賯毓 賳賲丕蹖卮貙 爻賽蹖乇蹖 丕夭 乇賵蹖丕乇賵蹖蹖 亘丕 賲乇诏貙 丕夭 丕賳讴丕乇 賵 鬲乇爻 鬲丕 倬匕蹖乇卮 賵 賳蹖爻鬲蹖 乇丕 亘賴 乇賵蹖 氐丨賳賴 賲蹖鈥屫ㄘ辟�.
卮丕賴 丕亘鬲丿丕 亘賴 禺亘乇賽 賲乇诏卮 丕毓鬲賳丕蹖蹖 賳丿丕乇賴 賵 丕賵賳 乇賵 噩丿蹖 賳賲蹖鈥屭屫辟� 賵 亘毓丿 丿爻鬲 亘賴 丕賳讴丕乇 賲蹖夭賳賴.
亘丕 丕蹖賳 丨丕賱貙 丕胤乇丕賮蹖丕賳賽 卮丕賴 (丿讴鬲乇/噩賱丕丿/爻鬲丕乇賴鈥屫促嗀ж� 賵 賲丕乇诏丕乇鬲) 讴丕賲賱丕 禺賵丿卮賵賳 乇賵 亘乇丕蹖 賲乇诏 卮丕賴 丌賲丕丿賴鈥� 讴乇丿賳丿 賵 丨鬲蹖 丕夭 亘乇賳丕賲賴鈥屫臂屫槽屸€屬囏й� 倬爻 丕夭 賲乇诏 卮丕賴 氐丨亘鬲 賲蹖鈥屭┵嗁嗀�:
"賲爻丐賵賱賷鬲賽 鬲賴蹖賴 卮乇丨 夭賲丕賳鈥屫ㄙ嗀屸€屫簇� 賲丕噩乇丕 乇賵 亘賴 毓賴丿賴 卮賲丕 賲蹖鈥屭柏ж辟�. 趩賳丿 鬲丕 丕夭 讴賱賲丕鬲 夭蹖亘丕蹖 丿蹖诏乇賵賳 乇賵 亘賴 丕賵賳 賳爻亘鬲 賲蹖鈥屫屬�. 丕诏賴 賱丕夭賲 卮丿貙 丨鬲蹖 丕夭 禺賵丿賲賵賳 賴賲 讴賱賲丕鬲 夭蹖亘丕蹖蹖 丿乇 禺賵丕賴蹖賲 丌賵乇丿. 趩賳丿 丕賳丿乇夭 丨讴蹖賲丕賳賴 賴賲 亘賴 丕蹖卮賵賳 賳爻亘鬲 賲蹖鈥屫屬�. 賳賴丕蹖鬲 丿賯鬲 乇賵 賲蹖鈥屭┵嗃屬� 讴賴 丕賮爻丕賳賴 丌亘乇賵賲賳丿蹖 丕夭卮賵賳 亘賲賵賳賴."
丕賵賳鈥屬囏� 爻毓蹖 丿丕乇賳丿 夭賳丿诏蹖 丕卮鬲亘丕賴 卮丕賴 乇賵 亘丕 賲乇诏賽 禺賵亘 賵 蹖丕 鬲氐賵蹖乇賽 禺賵亘 丕夭 賲乇诏賽 丕賵 亘倬賵卮賵賳賳.
卮丕賴 讴賲鈥屭┵� 亘丕 丨賯蹖賯鬲賽 賲乇诏 賲賵丕噩賴 賲蹖卮賴 賵 亘丕賵乇 賲蹖讴賳賴 讴賴 賵丕賯毓丕 賯乇丕乇賴 胤蹖 趩賳丿 爻丕毓鬲 丌蹖賳丿賴 亘賲蹖乇賴 賵 丕蹖賳噩丕爻鬲 讴賴 鬲乇爻 亘賴 賵噩賵丿卮 乇禺賳賴 賲蹖讴賳賴. 丕亘鬲丿丕 丕夭 賳丕亘賵丿蹖 噩爻賲卮 丿趩丕乇 賴乇丕爻 賲蹖卮賴:
"丌賴 丌賴! 賴蹖趩 賳賲蹖鈥屫堌й屰屬� 噩爻丿賲丕賳 乇丕 賲毓胤乇 讴賳賳丿. 噩爻丿 賲蹖鈥屫堌й屰屬� 趩蹖 讴丕乇. 賳賲蹖锟斤拷禺賵丕蹖蹖賲 亘爻賵夭丕賳賳丿賲丕賳. 賳賲蹖鈥屫堌й屰屬� 禺丕讴賲丕賳 讴賳賳丿. 賳賲蹖鈥屫堌й屰屬� 胤毓賲賴 賱丕卮禺賵乇賴丕 賵 丿乇賳丿诏丕賳賲丕賳 讴賳賳丿. 賲蹖鈥屫堌й屰屬� 賲丕 乇丕 鬲賵 丌睾賵卮 诏乇賲鈥屫簇з� 亘诏蹖乇賳丿. 鬲賵 丿爻鬲鈥屬囏й� 鬲乇诏賱 賵乇诏賱. 鬲賵 丿爻鬲鈥屬囏й� 賱胤蹖賮. 鬲賵 丿爻鬲鈥屬囏й� 爻賮鬲 賵 噩丕賳鈥屫ж必簇з�."
賵 亘毓丿貙 丕夭 賳丕亘賵丿蹖 蹖丕丿卮 丿乇 夭賳丿诏丕賳 亘賴 賴賵賱 賵 賵賱丕 賲蹖賮鬲賴:
"丕诏賴 蹖丕丿卮丕賳 亘賲丕賳蹖賲 鬲丕 讴賽蹖 蹖丕丿卮丕賳 賲蹖鈥屬呚з嗃屬呚�
丿賱賲丕賳 賲蹖鈥屫堌ж� 鬲丕 丌禺乇 丿賳蹖丕 蹖丕丿賲丕賳 亘丕卮賳丿. 亘毓丿 丕夭 丌禺乇 丿賳蹖丕 賴賲 鬲丕 亘蹖爻鬲鈥屬囏藏ж� 爻丕賱貙 鬲丕 丿賵蹖爻鬲 賵 倬賳噩丕賴 賵 倬賳噩 賲蹖賱蹖丕乇丿 爻丕賱...鈥�
丿蹖诏賴 丌賳 賲賵賯毓 讴爻蹖 亘丕賯蹖鈥屬嗁呚з嗀� 讴賴 亘賴 賮讴乇 賵 蹖丕丿 讴爻 丿蹖诏賴鈥屫й� 亘丕卮賴 蹖丕 賳亘丕卮賴. 丕賲丕 賴賳賵夭 丌賳 賲賵賯毓 賳卮丿賴 蹖丕丿卮丕賳 乇賮鬲賴. 禺賵丿禺賵丕賴鈥屫з嗀� 賴賲賴鈥屫簇з嗏€�. 賴賲賴鈥屫簇з�. 賮賯胤 亘賴 賮讴乇 夭賳丿诏蹖 禺賵丿卮丕賳鈥屫з嗀�. 亘賴 賮讴乇 噩丕賳 禺賵丿卮丕賳鈥屫з嗀�. 賳賴 亘賴 賮讴乇 夭賳丿诏蹖 賲丕貙 噩丕賳 賲丕. 丕诏賴 讴賱 讴乇賴 夭賲蹖賳 賴賲 賯乇丕乇賴 丕夭 賴賲 亘倬丕卮賴 賵 匕賵亘 亘卮賴貙 禺亘 賲蹖卮賴.
丕诏賴 賴賲賴 讴賴讴卮丕賳 賯乇丕乇賴 賲賳賮噩乇 亘卮賴貙 禺亘 賲蹖鈥屫促�. 丨丕賱丕 趩賴 賮乇丿丕 趩賴 賴夭丕乇丕賳 賯乇賳 丿蹖诏賴貙 賮乇賯蹖 賳丿丕乇賴. 趩蹖夭蹖 讴賴 賯乇丕乇賴 蹖讴 乇賵夭蹖 鬲賲丕賲 亘卮賴 丕夭 賴賲蹖賳 丨丕賱丕 鬲賲丕賲 卮丿賴鈥屫池�."
丕夭 鬲乇爻 亘賴 倬卮鬲 倬賳噩乇賴鈥屬囏й� 讴丕禺 賲蹖乇賴 賵 亘乇丕蹖 讴賲讴 丕夭 賲乇丿賲貙 賮乇蹖丕丿 賲蹖夭賳賴. 丕賲丕 亘丕 讴卮鬲 賵 讴卮鬲丕乇蹖 讴賴 丿乇 胤賵賱 丿賵乇丕賳 爻胤賱賳鬲卮 丿丕卮鬲賴貙 賲賱鬲賽 夭蹖丕丿蹖 亘乇丕卮 亘丕賯蹖 賳賲賵賳丿賴. 倬爻 丿爻鬲賽 蹖丕乇蹖 亘賴 爻賵蹖 賲乇丿诏丕賳 丿乇丕夭 賲蹖讴賳賴:
"讴賲讴 讴賳蹖丿 丕賽蹖 讴乇賵乇 讴乇賵乇 讴爻丕賳蹖 讴賴 倬蹖卮 丕夭 賲丕 賲乇丿賴鈥屫й屫� 亘诏蹖丿 亘亘蹖賳賲 趩胤賵乇蹖 鬲賳 丿丕丿蹖丿 亘賴 賲購乇丿賳 賵 賲購乇丿蹖丿. 亘賴 賲丕 賴賲 蹖丕丿 亘丿蹖丿. 亘賱讴賴 爻乇賲卮賯 卮賲丕 讴賲蹖 鬲爻讴蹖賳鈥屬呚з� 亘丿賴. 亘賱讴賴 亘賴 卮賲丕 鬲讴蹖賴 讴賳蹖賲 賲孬賱 趩賵亘 夭蹖乇 亘睾賱貙 賲孬賱 丿爻鬲鈥屬囏й� 亘乇丕丿乇丕賳賴.
讴賲讴 讴賳蹖丿 丕夭 丿乇蹖 讴賴 卮賲丕 乇丿 卮丿蹖丿 賲丕 賴賲 乇丿 亘卮蹖賲! 蹖賴 賱丨馗賴 亘蹖丕蹖蹖丿 丕蹖賳 胤乇賮 賳噩丕鬲鈥屬呚з� 亘丿蹖丿. 讴賲讴 讴賳蹖丿 丕賽蹖 卮賲丕蹖丕賳蹖 讴賴 鬲乇爻蹖丿賴 亘賵丿蹖丿 賵 丿賱鈥屫з� 賳賲蹖鈥屫堌ж池� 亘乇蹖丿!
亘诏蹖丿 趩胤賵乇蹖 丕鬲賮丕賯 丕賮鬲丕丿責 讴蹖 卮賲丕 乇賵 丨賲丕蹖鬲 讴乇丿責 讴蹖 讴卮蹖丿鬲丕賳 丌賳噩丕責 讴蹖 賴購賱鈥屫з� 丿丕丿 丌賳噩丕責 鬲丕 丌禺乇卮 鬲乇爻 丿丕卮鬲蹖丿責 賵丕蹖 卮賲丕蹖丕賳蹖 讴賴 賯賵蹖 賵 丿賱鈥屫ж� 亘賵丿蹖丿 賵 賲乇诏 乇丕 亘丕 丌乇丕賲卮 賵 禺賵賳爻乇丿蹖 倬匕蹖乇賮鬲蹖丿貙 丌乇丕賲卮 賵 禺賵賳爻乇丿蹖鈥屫з� 乇丕 亘賴 賲丕 賴賲 蹖丕丿 亘丿蹖丿貙 鬲爻賱蹖賲 乇丕 亘賴 賲丕 賴賲 蹖丕丿 亘丿蹖丿."
卮丕賴 亘賴 鬲丿乇蹖噩 賲蹖鈥屫堎嗁� 亘賴 鬲乇爻卮 賮丕卅賯 亘蹖丕丿 賵 亘賴 倬匕蹖乇卮 賲蹖乇爻賴. 賲蹖鈥屬矩佰屫辟� 讴賴 毓賱丕乇睾賲 夭賳丿诏蹖 倬賵趩蹖 讴賴 丿丕卮鬲賴 賵 夭賲丕賳蹖/夭賳丿诏蹖鈥屫й� 讴賴 亘賴 賴丿乇 丿丕丿賴貙 胤蹖 爻丕毓丕鬲蹖 丿蹖诏乇 亘賴 讴賱 丕夭 噩賴丕賳 賲丨賵 禺賵丕賴丿 卮丿.
丕蹖賳噩丕爻鬲 讴賴 賲鬲賵噩賴 賱匕鬲 賵 夭蹖亘丕蹖蹖 夭賳丿诏蹖 賲蹖卮賴 賵 毓丕丿蹖鈥屫臂屬� 賱丨馗丕鬲 夭賳丿诏蹖 乇賵 <> "蹖讴鈥屫堌� 賲毓噩夭賴貙 噩丕丿賵 賵 蹖賴 噩卮賳 亘蹖鈥屬矩й屫з�" 賲蹖鈥屫堎嗁� 讴賴 鬲丕 倬蹖卮 丕夭 丕蹖賳 丕夭卮 睾丕賮賱 亘賵丿賴.
賵丕賯毓丕 亘乇丕蹖 賲賳 禺蹖賱蹖 賱匕鬲鈥屫ㄘ� 亘賵丿 賵 亘禺卮蹖 丕夭 禺賵丿賲 乇賵 丿乇 卮丕賴 賲蹖鈥屫屫�!
賲賳 賲蹖鈥屫必迟� 讴賴 亘丿賵賳 賱匕鬲 亘乇丿賳貙 丕賵賳鈥屫焚堌� 讴賴 卮丕蹖爻鬲賴鈥屰� 丕蹖賳 夭賳丿诏蹖賽 卮诏賮鬲鈥屫з嗂屫操� 亘賲蹖乇賲. 賲蹖鈥屫必迟� 丕賵賳鈥屫焚堌� 讴賴 亘丕蹖丿 丕夭 賱丨馗賴 賱匕鬲 賳亘乇賲 賵 丕蹖賳賯丿乇 禺賵丿賲 乇賵 鬲賵蹖 禺丕胤乇丕鬲 诏匕卮鬲賴 賵 亘乇賳丕賲賴鈥屬囏й� 丌蹖賳丿賴 睾乇賯 讴賳賲 讴賴 蹖丕丿賲 亘乇賴 趩賯丿乇 "丕讴賳賵賳" 賵 丿賯蹖賯丕 賴賲蹖賳 賱丨馗賴 夭蹖亘丕爻鬲. 丕蹖賳 賳賲丕蹖卮賳丕賲赖 亘乇丕賲 鬲賱賳诏乇蹖 亘賵丿 讴賴 亘蹖卮鬲乇 丨賵丕爻賲 亘賴 夭賳丿诏蹖賽 蹖讴鈥屫ㄘж� 賲氐乇賮賲 亘丕卮賴.
September 4, 2013
賴匕賴 賴賷 兀賵賱 賯乇丕亍丞 賱賷 賱賱兀禺 賷賵賳爻賰賵 賵賱賲爻乇丨賴 丕賱毓亘孬賷.
賵丕賱丌賳 賱丿賷 爻丐丕賱 賱賷爻 賮賷 賲賯丿賵乇賷 丕賱廿噩丕亘丞 毓賳賴貙 賱賰賳 亘賳賴丕賷丞 賴匕丕 丕賱乇賷賮賷賵 乇亘賲丕 鬲鬲卮賰賱 賱賷 廿噩丕亘丞 賲丕.
賰賷賮 賱賷 兀賳 兀賰鬲亘 乇賷賮賷賵 毓賳 賲爻乇丨賷丞 亘賴匕丕 丕賱卮賰賱 ! 賱賷爻 賮賷 賵爻毓賰 廿賲爻丕賰賴丕 亘丕賱賯丿乇 丕賱賰丕賮賷 兀賵 丕賱夭毓賲 亘兀賳賰 賮賴賲鬲賴丕 亘賳爻亘丞 禺賲爻賷賳 亘丕賱賲卅丞!
丨鬲賷 丕賱乇賷賮賷賵賴丕鬲 丕賱兀禺乇賶 賱賲 鬲爻丕毓丿賰 亘卮賰賱 兀賵 亘兀禺乇 賮賷 賮賴賲賴丕.
賱匕丕 丿毓賳賷 兀鬲丨賱賷 亘卮噩丕毓丞 丕賱丨賲賯賷 賮賷 廿丿乇丕噩 賲丨丕賵賱丞 賮賴賲賷 賱賴匕丕 丕賱賳氐
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卮禺氐賷丕鬲 丕賱賲爻乇丨賷丞
鬲鬲賰賵賳 丕賱賲爻乇丨賷丞 賲賳 6 卮禺氐賷丕鬲 賴賷
丕賱賲賱賰 亘乇賷噩賳賷賴- 丕賱賲賱賰丞 賲丕乇賷- 丕賱賲賱賰丞 賲丕噩賷乇賷鬲- 丕賱胤亘賷亘 賵賴賵 兀賷囟賻丕 噩賱丕丿 賵噩乇丕丨 賵毓丕賱賲 賮賱賰- 噩賵賱賷賷鬲 賵賴賷 賲賲乇囟丞 賵賲丿賷乇丞 丕賱賯氐乇- 賵兀禺賷乇賸丕 丕賱丨丕乇爻.
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丕賱賲賱賰 賷賲賵鬲
賰賲丕 賷亘丿賵 賱賰 賲賳 丕爻賲 丕賱賲爻乇丨賷丞 兀賳 丕賱賲賱賰 賷賲賵鬲貙 賱匕丕 賴匕丕 賱丕 賷毓鬲亘乇 丨乇賯賸丕 賱賱兀丨丿丕孬貙 亘賱 賴匕丕 賷亘丿賵 賲鬲毓賲丿賸丕 丨賷賳賲丕 鬲噩丿 賲丕噩賷乇賷鬲 鬲丨丿孬 丕賱賲賱賰 賮賷 亘丿丕賷丞 丕賱賲爻乇丨賷丞 賵鬲禺亘乇賴 亘兀賳賴 爻賷賲賵鬲 賮賷 賳賴丕賷丞 丕賱毓乇囟 賮賴匕丕 賱丕 賷毓賳賷 卮賷亍 兀禺乇 睾賷乇 兀賳 丕賱賲賱賰 賷賲賵鬲 =D
貙
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賷丕 廿賱賴賷..賲丕 丕賱賴乇丕亍 丕賱匕賷 丕賰鬲亘賴 亘丕賱兀毓賱賶!
貙
鬲丿賵乇 丕賱賲爻乇丨賷丞 丨賵賱 匕賱賰 丕賱賲賱賰 賵鬲賱賰 丕賱爻丕毓丞 丕賱兀禺賷乇丞 賮賷 丨賷丕鬲賴 賵鬲卮亘鬲賴 賮賷 丕賱丨賷丕丞 賵丕賱丨賰賲 賵丕賱氐賵賱噩丕賳..賲鬲卮亘孬 亘廿丨賰丕賲 賮賷 丕賱丨賰賲 賵丕賱丨賷丕丞..賴匕丕 賲丕 爻鬲乇丕賴.
爻賷亘丿賵 賱賰 丿賷賰鬲丕鬲賵乇賸丕.
賱賰賳 賴賱 賴匕丕 賴賵 賲睾夭賷 丕賱賲爻乇丨賷丞 賰賱賴丕!
兀賳鬲 亘賲噩乇丿 賯乇丕亍鬲賰 賱賴丕 毓賱賷賰 兀賳 鬲鬲兀賰丿 亘兀賳 賴賳丕賰 噩夭亍 賲賳 毓賯賱賰 爻賷賳爻賮 賲毓丕賴丕 賵賲毓 胤乇賷賯丞 丕賱丨賵丕乇 賵丕賱兀賵丕賲乇.. 賱鬲賰賮 丕賱丕賲胤丕乇 毓賳 丕賱爻賯賵胤..兀賲乇賰 賷丕 卮賲爻 亘兀賳 鬲卮鬲毓賱賷.
兀賷賳 丕賱賲丿賮兀丞! 賱賯丿 乇賴賳丕賴丕 賱賱丨氐賵賱 毓賱賷 賯乇囟 賲賳 亘賱丿 兀禺乇賶!
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丕賱乇賲夭賷丞 賴賳丕 賱丕 鬲鬲賵賯賮 毓賱賷 卮賷亍 賲毓賷賳貙 賰賲丕 兀賳 丕賱噩賲賱 賱丕 鬲亘丿賵 賰賲丕 賴賷 賮賷 馗丕賴乇賴丕
毓亘孬賷丞 賮賯胤 亘賱 鬲丨賲賱 賲毓賳賷 毓賲賷賯..毓賲賷賯 噩丿賸丕 賮賷 丿丕禺賱賴丕.
賱丕 兀賳賰乇 兀賳 賱賵賱丕 丕賱禺胤賵胤 丕賱鬲賷 毓賱賲賴丕 兀禺賷 賮賷 賯乇丕亍鬲賴 丕賱爻丕亘賯丞 賱賮丕鬲賳賷 亘毓囟 丕賱兀卮賷丕亍.
賲孬賱賸丕 毓賳丿 丕賳鬲丨丕亘 丕賱賲賱賰 賵賲丨丕賵賱丞 丕賱鬲賲爻賰 亘丕賱兀賲賱 賮賷 丕賱丨賷丕丞 賮賷囟乇亘 賲孬賱賸丕 亘兀賳賴 賰丕賳 賷賰爻亘 丿丕卅賲賸丕 賮賷 兀賵乇丕賯 丕賱賷丕賳氐賷亘!
> 賵賴匕丕 丕賱賲賵賯賮 匕賰乇賳賷 亘丨丕丿孬丞 丨丿孬鬲 賲賳匕 賮鬲乇丞 賯氐賷乇丞 毓賳 賯賷丕賲 亘賳賰 賲丕 亘丕賱丕毓賱丕賳 毓賳 噩丕卅夭丞 賷丕賳氐賷亘 賮賷 夭賷賲亘丕亘賵賷.. 賱鬲丨丿孬 丕賱賲賮丕噩兀丞..賱賯丿 賮丕夭 賲賵睾丕亘賷 丕賱乇卅賷爻 丕賱丿賷賰鬲丕鬲賵乇 亘丕賱賷丕賳氐賷亘 亘賮噩丕噩丞 賵丕囟丨丞.
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鬲爻鬲賲乇 丕賱賲爻乇丨賷丞 賮賷 賲丨丕賵賱丞 丕賯賳丕毓 丕賱賲賱賰 亘丕賱鬲賴賷兀 賵丕賱丕爻鬲爻賱丕賲 賱賱賲賵鬲 賲賳 賯亘賱 丕賱賲賱賰丞 賲丕噩賷乇賷鬲 賵丕賱胤亘賷亘貙 賵賲丨丕賵賱丞 丕賱鬲禺賮賷賮 毓賳賴 賲賳 賯亘賱 丕賱賲賱賰丞 賲丕乇賷 賵噩賵賱賷賷鬲 兀丨賷丕賳賸丕.
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賰賲丕 鬲乇賶 丕賱乇賲夭 丕賱賵丕囟丨 丨鬲賲賸丕 兀賳賴 毓賳 丿賷賰鬲丕鬲賵乇 賵亘賲賳丕賯卮丞 兀禺賷 賷禺亘乇賳賷 亘賮賰乇丞 丕賱賰賵賳 兀賷囟賻丕!
賵賴賳丕 兀乇賰夭 兀賰孬乇 毓賱賶 丕賱賳氐.
賴賳丕賰 兀賰孬乇 賲賳 賲毓賳賷 賵賯乇丕亍丞 賱賴匕賴 丕賱賲爻乇丨賷丞 賵賱丕 卮賰.. 賵賲賳賴丕 兀胤乇賵丨丞 丕賱賰賵賳 兀賵 丕賱毓丕賱賲 > 賮賷 賳賴丕賷丞 丕賱賲爻乇丨賷丞 爻鬲賰賵賳 賴賷 丕賱兀賰孬乇 丨囟賵乇賸丕 毓賳 賮賰乇丞 丕賱賲賱賰 丕賱丿賷賰鬲丕鬲賵乇 丕賱鬲賷 兀禺匕鬲 丕賱賳氐賮 丕賱兀賵賱 賲賳 丕賱賲爻乇丨賷丞.
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賱賰賳 乇亘賲丕 賰丕賳 賰賱 賴匕丕 賱丕 卮賷亍 賵兀賳賴丕 賴賱賵爻丞 噩賲丕毓賷丞 賲鬲賮賯 毓賱賷賴丕..賲丕 丕賱匕賷 賷噩毓賱賳賷 兀賮賰乇 賮賷 賴匕丕 丕賱丕丨鬲賲丕賱!
丨賷賳賲丕 鬲噩丿 賮賷 丕賱亘丿丕賷丞 丕賱丨丿賷孬 丕賱噩丕乇賷 亘賷賳 丕賱禺丕丿賲丞 噩賵賱賷賷鬲 賵丕賱賲賱賰丞 賲丕乇噩賷乇賷鬲 賵丕賱鬲賷 鬲爻兀賱賴丕 毓賳 鬲賳馗賷賮 丨噩乇丞 丕賱毓乇卮.
賮鬲賯賵賱 噩賵賱賷賷鬲 " 鬲賯氐丿賷賳 丨噩乇丞 丕賱氐丕賱賵賳!"
孬賲 鬲爻賱賲 賮賷 丕賱兀禺乇 " 賵鬲賲卮賷賴丕" 丨噩乇丞 丕賱毓乇卮.
賱賳鬲丕亘毓 賯氐丞 丕賱賲賱賰鬲賷賳 賵丕賱賲賱賰 毓賱賷 賴匕丕 丕賱賲賳賵丕賱.
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兀賲丕 毓賳 卮禺氐賷丞 丕賱賲賱賰丞 賲丕乇賷 賵丕賱賲賱賰丞 賲丕乇噩賷乇賷鬲 賮賯丿 賮卮賱鬲 亘噩丿丕乇丞 賮賷 賵囟毓 賲胤賱賯 賷丿賷 毓賱賷賴賲丕.
賮賮賷 賲丕乇賷 兀卮毓乇 亘兀賳賴丕丕賱丿賳賷丕 丕賱鬲賶 爻賱亘鬲 丕賱賲賱賰 毓賯賱賴 賵賱亘賴 賵噩毓賱鬲賴 賷賳爻賷 丕賱丕爻鬲毓丿丕丿 賱賱賳賴丕賷丞 賵賷丐噩賱 丕賱鬲毓賱賲 賲賳 毓賯丿 賱兀禺乇 賱賯乇賳 賮賯乇賳 賲賳 丕賱夭賲丕賳.
賵兀賲丕 毓賳 丕賱賲賱賰丞 賲丕乇噩賷乇賷鬲 丕賱鬲賷 鬲亘丿賵 氐丕乇賲丞 -賵丕賱夭賵噩丞 丕賱兀賵賱賶- 賱賱賲賱賰 賮賴賷 鬲丨丕賵賱 鬲匕賰賷乇賴 亘丕賱賳賴丕賷丞 亘賱 兀賳賴丕 鬲禺亘乇賴 亘丨賯賷賯丞 賲賵鬲賴 亘賱丕 賲賵乇丕亘丞 賵鬲禺亘乇賴 丕賱賰賮 毓賳 丕賱賲賯丕賵賲丞.
賵賴賷 丕賱兀賰孬乇 廿孬丕乇丞 賱賱丨賷乇丞 廿賱賷 賲丕匕丕 鬲乇賲夭 賲丕乇噩賷乇賷鬲責
賴賱 賴賷 丕賱丨賷丕丞 丕賱兀禺乇賶..賴賱 賴賷 丕賱噩丕賳亘 丕賱兀禺乇 丕賱匕賷 爻賷匕賴亘 廿賱賷賴 丕賱賲賱賰 \丕賱賰賵賳 賵兀賳賴丕 鬲鬲毓噩賱賴 賵鬲胤賲卅賳賴.
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賱賷爻 賮 賲賯丿賵乇賷 丕爻鬲賷毓丕亘 賰賱 賴匕丕 XD
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賷賵賳爻賰賵
亘丕賱乇睾賲 賲賳 賰賲賷丞 丕賱賲噩丕賴賷賱 鬲賱賰貙 賮賯丿 丕爻鬲賲鬲毓鬲 亘賴匕賴 丕賱賲爻乇丨賷丞 賰孬賷乇賸丕貙 賵賲賳馗賵乇賷 賱賲爻乇丨 丕賱毓亘孬 亘丿兀 賷禺鬲賱賮 亘卮賰賱 賰亘賷乇 毓賳賴 賯亘賱 兀賳 丕賯乇兀 賱賴.
賵丕賱丌賳 賱丿賷 爻丐丕賱 賱賷爻 賮賷 賲賯丿賵乇賷 丕賱廿噩丕亘丞 毓賳賴貙 賱賰賳 亘賳賴丕賷丞 賴匕丕 丕賱乇賷賮賷賵 乇亘賲丕 鬲鬲卮賰賱 賱賷 廿噩丕亘丞 賲丕.
賰賷賮 賱賷 兀賳 兀賰鬲亘 乇賷賮賷賵 毓賳 賲爻乇丨賷丞 亘賴匕丕 丕賱卮賰賱 ! 賱賷爻 賮賷 賵爻毓賰 廿賲爻丕賰賴丕 亘丕賱賯丿乇 丕賱賰丕賮賷 兀賵 丕賱夭毓賲 亘兀賳賰 賮賴賲鬲賴丕 亘賳爻亘丞 禺賲爻賷賳 亘丕賱賲卅丞!
丨鬲賷 丕賱乇賷賮賷賵賴丕鬲 丕賱兀禺乇賶 賱賲 鬲爻丕毓丿賰 亘卮賰賱 兀賵 亘兀禺乇 賮賷 賮賴賲賴丕.
賱匕丕 丿毓賳賷 兀鬲丨賱賷 亘卮噩丕毓丞 丕賱丨賲賯賷 賮賷 廿丿乇丕噩 賲丨丕賵賱丞 賮賴賲賷 賱賴匕丕 丕賱賳氐
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卮禺氐賷丕鬲 丕賱賲爻乇丨賷丞
鬲鬲賰賵賳 丕賱賲爻乇丨賷丞 賲賳 6 卮禺氐賷丕鬲 賴賷
丕賱賲賱賰 亘乇賷噩賳賷賴- 丕賱賲賱賰丞 賲丕乇賷- 丕賱賲賱賰丞 賲丕噩賷乇賷鬲- 丕賱胤亘賷亘 賵賴賵 兀賷囟賻丕 噩賱丕丿 賵噩乇丕丨 賵毓丕賱賲 賮賱賰- 噩賵賱賷賷鬲 賵賴賷 賲賲乇囟丞 賵賲丿賷乇丞 丕賱賯氐乇- 賵兀禺賷乇賸丕 丕賱丨丕乇爻.
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丕賱賲賱賰 賷賲賵鬲
賰賲丕 賷亘丿賵 賱賰 賲賳 丕爻賲 丕賱賲爻乇丨賷丞 兀賳 丕賱賲賱賰 賷賲賵鬲貙 賱匕丕 賴匕丕 賱丕 賷毓鬲亘乇 丨乇賯賸丕 賱賱兀丨丿丕孬貙 亘賱 賴匕丕 賷亘丿賵 賲鬲毓賲丿賸丕 丨賷賳賲丕 鬲噩丿 賲丕噩賷乇賷鬲 鬲丨丿孬 丕賱賲賱賰 賮賷 亘丿丕賷丞 丕賱賲爻乇丨賷丞 賵鬲禺亘乇賴 亘兀賳賴 爻賷賲賵鬲 賮賷 賳賴丕賷丞 丕賱毓乇囟 賮賴匕丕 賱丕 賷毓賳賷 卮賷亍 兀禺乇 睾賷乇 兀賳 丕賱賲賱賰 賷賲賵鬲 =D
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賷丕 廿賱賴賷..賲丕 丕賱賴乇丕亍 丕賱匕賷 丕賰鬲亘賴 亘丕賱兀毓賱賶!
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鬲丿賵乇 丕賱賲爻乇丨賷丞 丨賵賱 匕賱賰 丕賱賲賱賰 賵鬲賱賰 丕賱爻丕毓丞 丕賱兀禺賷乇丞 賮賷 丨賷丕鬲賴 賵鬲卮亘鬲賴 賮賷 丕賱丨賷丕丞 賵丕賱丨賰賲 賵丕賱氐賵賱噩丕賳..賲鬲卮亘孬 亘廿丨賰丕賲 賮賷 丕賱丨賰賲 賵丕賱丨賷丕丞..賴匕丕 賲丕 爻鬲乇丕賴.
爻賷亘丿賵 賱賰 丿賷賰鬲丕鬲賵乇賸丕.
賱賰賳 賴賱 賴匕丕 賴賵 賲睾夭賷 丕賱賲爻乇丨賷丞 賰賱賴丕!
兀賳鬲 亘賲噩乇丿 賯乇丕亍鬲賰 賱賴丕 毓賱賷賰 兀賳 鬲鬲兀賰丿 亘兀賳 賴賳丕賰 噩夭亍 賲賳 毓賯賱賰 爻賷賳爻賮 賲毓丕賴丕 賵賲毓 胤乇賷賯丞 丕賱丨賵丕乇 賵丕賱兀賵丕賲乇.. 賱鬲賰賮 丕賱丕賲胤丕乇 毓賳 丕賱爻賯賵胤..兀賲乇賰 賷丕 卮賲爻 亘兀賳 鬲卮鬲毓賱賷.
兀賷賳 丕賱賲丿賮兀丞! 賱賯丿 乇賴賳丕賴丕 賱賱丨氐賵賱 毓賱賷 賯乇囟 賲賳 亘賱丿 兀禺乇賶!
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丕賱乇賲夭賷丞 賴賳丕 賱丕 鬲鬲賵賯賮 毓賱賷 卮賷亍 賲毓賷賳貙 賰賲丕 兀賳 丕賱噩賲賱 賱丕 鬲亘丿賵 賰賲丕 賴賷 賮賷 馗丕賴乇賴丕
毓亘孬賷丞 賮賯胤 亘賱 鬲丨賲賱 賲毓賳賷 毓賲賷賯..毓賲賷賯 噩丿賸丕 賮賷 丿丕禺賱賴丕.
賱丕 兀賳賰乇 兀賳 賱賵賱丕 丕賱禺胤賵胤 丕賱鬲賷 毓賱賲賴丕 兀禺賷 賮賷 賯乇丕亍鬲賴 丕賱爻丕亘賯丞 賱賮丕鬲賳賷 亘毓囟 丕賱兀卮賷丕亍.
賲孬賱賸丕 毓賳丿 丕賳鬲丨丕亘 丕賱賲賱賰 賵賲丨丕賵賱丞 丕賱鬲賲爻賰 亘丕賱兀賲賱 賮賷 丕賱丨賷丕丞 賮賷囟乇亘 賲孬賱賸丕 亘兀賳賴 賰丕賳 賷賰爻亘 丿丕卅賲賸丕 賮賷 兀賵乇丕賯 丕賱賷丕賳氐賷亘!
> 賵賴匕丕 丕賱賲賵賯賮 匕賰乇賳賷 亘丨丕丿孬丞 丨丿孬鬲 賲賳匕 賮鬲乇丞 賯氐賷乇丞 毓賳 賯賷丕賲 亘賳賰 賲丕 亘丕賱丕毓賱丕賳 毓賳 噩丕卅夭丞 賷丕賳氐賷亘 賮賷 夭賷賲亘丕亘賵賷.. 賱鬲丨丿孬 丕賱賲賮丕噩兀丞..賱賯丿 賮丕夭 賲賵睾丕亘賷 丕賱乇卅賷爻 丕賱丿賷賰鬲丕鬲賵乇 亘丕賱賷丕賳氐賷亘 亘賮噩丕噩丞 賵丕囟丨丞.
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鬲爻鬲賲乇 丕賱賲爻乇丨賷丞 賮賷 賲丨丕賵賱丞 丕賯賳丕毓 丕賱賲賱賰 亘丕賱鬲賴賷兀 賵丕賱丕爻鬲爻賱丕賲 賱賱賲賵鬲 賲賳 賯亘賱 丕賱賲賱賰丞 賲丕噩賷乇賷鬲 賵丕賱胤亘賷亘貙 賵賲丨丕賵賱丞 丕賱鬲禺賮賷賮 毓賳賴 賲賳 賯亘賱 丕賱賲賱賰丞 賲丕乇賷 賵噩賵賱賷賷鬲 兀丨賷丕賳賸丕.
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賰賲丕 鬲乇賶 丕賱乇賲夭 丕賱賵丕囟丨 丨鬲賲賸丕 兀賳賴 毓賳 丿賷賰鬲丕鬲賵乇 賵亘賲賳丕賯卮丞 兀禺賷 賷禺亘乇賳賷 亘賮賰乇丞 丕賱賰賵賳 兀賷囟賻丕!
賵賴賳丕 兀乇賰夭 兀賰孬乇 毓賱賶 丕賱賳氐.
賴賳丕賰 兀賰孬乇 賲賳 賲毓賳賷 賵賯乇丕亍丞 賱賴匕賴 丕賱賲爻乇丨賷丞 賵賱丕 卮賰.. 賵賲賳賴丕 兀胤乇賵丨丞 丕賱賰賵賳 兀賵 丕賱毓丕賱賲 > 賮賷 賳賴丕賷丞 丕賱賲爻乇丨賷丞 爻鬲賰賵賳 賴賷 丕賱兀賰孬乇 丨囟賵乇賸丕 毓賳 賮賰乇丞 丕賱賲賱賰 丕賱丿賷賰鬲丕鬲賵乇 丕賱鬲賷 兀禺匕鬲 丕賱賳氐賮 丕賱兀賵賱 賲賳 丕賱賲爻乇丨賷丞.
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賱賰賳 乇亘賲丕 賰丕賳 賰賱 賴匕丕 賱丕 卮賷亍 賵兀賳賴丕 賴賱賵爻丞 噩賲丕毓賷丞 賲鬲賮賯 毓賱賷賴丕..賲丕 丕賱匕賷 賷噩毓賱賳賷 兀賮賰乇 賮賷 賴匕丕 丕賱丕丨鬲賲丕賱!
丨賷賳賲丕 鬲噩丿 賮賷 丕賱亘丿丕賷丞 丕賱丨丿賷孬 丕賱噩丕乇賷 亘賷賳 丕賱禺丕丿賲丞 噩賵賱賷賷鬲 賵丕賱賲賱賰丞 賲丕乇噩賷乇賷鬲 賵丕賱鬲賷 鬲爻兀賱賴丕 毓賳 鬲賳馗賷賮 丨噩乇丞 丕賱毓乇卮.
賮鬲賯賵賱 噩賵賱賷賷鬲 " 鬲賯氐丿賷賳 丨噩乇丞 丕賱氐丕賱賵賳!"
孬賲 鬲爻賱賲 賮賷 丕賱兀禺乇 " 賵鬲賲卮賷賴丕" 丨噩乇丞 丕賱毓乇卮.
賱賳鬲丕亘毓 賯氐丞 丕賱賲賱賰鬲賷賳 賵丕賱賲賱賰 毓賱賷 賴匕丕 丕賱賲賳賵丕賱.
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兀賲丕 毓賳 卮禺氐賷丞 丕賱賲賱賰丞 賲丕乇賷 賵丕賱賲賱賰丞 賲丕乇噩賷乇賷鬲 賮賯丿 賮卮賱鬲 亘噩丿丕乇丞 賮賷 賵囟毓 賲胤賱賯 賷丿賷 毓賱賷賴賲丕.
賮賮賷 賲丕乇賷 兀卮毓乇 亘兀賳賴丕丕賱丿賳賷丕 丕賱鬲賶 爻賱亘鬲 丕賱賲賱賰 毓賯賱賴 賵賱亘賴 賵噩毓賱鬲賴 賷賳爻賷 丕賱丕爻鬲毓丿丕丿 賱賱賳賴丕賷丞 賵賷丐噩賱 丕賱鬲毓賱賲 賲賳 毓賯丿 賱兀禺乇 賱賯乇賳 賮賯乇賳 賲賳 丕賱夭賲丕賳.
賵兀賲丕 毓賳 丕賱賲賱賰丞 賲丕乇噩賷乇賷鬲 丕賱鬲賷 鬲亘丿賵 氐丕乇賲丞 -賵丕賱夭賵噩丞 丕賱兀賵賱賶- 賱賱賲賱賰 賮賴賷 鬲丨丕賵賱 鬲匕賰賷乇賴 亘丕賱賳賴丕賷丞 亘賱 兀賳賴丕 鬲禺亘乇賴 亘丨賯賷賯丞 賲賵鬲賴 亘賱丕 賲賵乇丕亘丞 賵鬲禺亘乇賴 丕賱賰賮 毓賳 丕賱賲賯丕賵賲丞.
賵賴賷 丕賱兀賰孬乇 廿孬丕乇丞 賱賱丨賷乇丞 廿賱賷 賲丕匕丕 鬲乇賲夭 賲丕乇噩賷乇賷鬲責
賴賱 賴賷 丕賱丨賷丕丞 丕賱兀禺乇賶..賴賱 賴賷 丕賱噩丕賳亘 丕賱兀禺乇 丕賱匕賷 爻賷匕賴亘 廿賱賷賴 丕賱賲賱賰 \丕賱賰賵賳 賵兀賳賴丕 鬲鬲毓噩賱賴 賵鬲胤賲卅賳賴.
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賱賷爻 賮 賲賯丿賵乇賷 丕爻鬲賷毓丕亘 賰賱 賴匕丕 XD
貙
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賷賵賳爻賰賵
亘丕賱乇睾賲 賲賳 賰賲賷丞 丕賱賲噩丕賴賷賱 鬲賱賰貙 賮賯丿 丕爻鬲賲鬲毓鬲 亘賴匕賴 丕賱賲爻乇丨賷丞 賰孬賷乇賸丕貙 賵賲賳馗賵乇賷 賱賲爻乇丨 丕賱毓亘孬 亘丿兀 賷禺鬲賱賮 亘卮賰賱 賰亘賷乇 毓賳賴 賯亘賱 兀賳 丕賯乇兀 賱賴.
March 29, 2025
丕蹖賳 賳賲丕蹖卮賳丕賲赖 氐賵鬲蹖 讴賴 亘賴 鬲丕夭诏蹖 诏賵卮 丿丕丿賲貙 亘蹖鈥屬嗁囏й屫� 亘賴 丿賱賲 賳卮爻鬲. 丕噩乇丕蹖 丿乇禺卮丕賳 诏賵蹖賳丿诏丕賳 賴賲蹖卮賴 鬲賵丕賳賲賳丿 讴卮賵乇賲丕賳貙 賴賲趩賵賳 丌乇賲丕賳 爻賱胤丕賳鈥屫藏ж囏� 丌夭丕丿賴 乇丕丿賲賴乇貙 賲乇蹖賲 倬丕讴鈥屫柏ж� 賲賴丿蹖 氐賮乇蹖 賵 丿蹖诏乇 賴賳乇賲賳丿丕賳貙 丌賳趩賳丕賳 夭賳丿賴 賵 賵丕賯毓蹖 亘賵丿 讴賴 丕賳诏丕乇 禺賵丿賲 蹖讴蹖 丕夭 卮禺氐蹖鬲鈥屬囏й� 氐丨賳賴 亘賵丿賲. 氐丿丕蹖 诏蹖乇丕 賵 丕噩乇丕蹖 亘蹖鈥屬嗁傌地簇з嗀� 賲乇丕 亘賴 丿賱 丿丕爻鬲丕賳 讴卮丕賳丿 賵 賱丨馗賴鈥屫й� 乇賴丕 賳讴乇丿.
丕蹖賳 賳賲丕蹖卮賳丕賲赖 倬乇 丕夭 噩賲賱丕鬲 賳丕亘 賵 鬲丕孬蹖乇诏匕丕乇 亘賵丿貨 丌賳賯丿乇 讴賴 亘爻蹖丕乇蹖 丕夭 丌賳鈥屬囏� 乇丕 賴丕蹖賱丕蹖鬲 讴乇丿賲. 丿丕爻鬲丕賳 丿乇亘丕乇賴 卮丕賴蹖 丕爻鬲 讴賴 賲乇诏 亘賴 爻乇丕睾卮 丌賲丿賴 賵 賮乇氐鬲蹖 丕賳丿讴 亘乇丕蹖 夭賳丿诏蹖 丿丕乇丿. 亘丕夭 賴賲貙 賲丕賳賳丿 賴賲蹖卮賴貙 丿賵 賲賮賴賵賲 噩丕賵丿丕賳賴鈥屰� 賲乇诏 賵 夭賳丿诏蹖 丿乇 噩丿丕賱蹖 亘蹖鈥屬矩й屫з� 賯乇丕乇 丿丕乇賳丿.
蹖讴蹖 丕夭 丿蹖丕賱賵诏鈥屬囏� 讴賴 丿乇 匕賴賳賲 賲丕賳丿诏丕乇 卮丿 丕蹖賳 亘賵丿:
芦趩蹖夭 睾蹖乇毓丕丿蹖 丿丕乇蹖賲責 丕蹖賳 乇賵夭賴丕 讴賴 丿蹖诏賴 趩蹖夭 睾蹖乇毓丕丿蹖鈥屫й� 賵噩賵丿 賳丿丕乇賴貙 趩賵賳 睾蹖乇毓丕丿蹖 亘賵丿賳貙 毓丕丿蹖 卮丿賴. 丕蹖賳 亘賴 丕賵賳 丿乇.禄
賵 丌賳噩丕 讴賴 卮丕賴 亘丕 賳诏乇丕賳蹖 丕夭 賲卮讴賱丕鬲 讴卮賵乇 賲蹖鈥屭堐屫�:
芦丨鬲賲丕賸 趩乇禺鈥屫嗀団€屫й屫� 趩蹖夭蹖 丕夭 丿賲 賵 丿爻鬲诏丕賴卮 夭賳诏 夭丿賴. 蹖賴 趩蹖夭丕蹖蹖 賲蹖鈥屫促嗁堎�.禄
賵 丿讴鬲乇 丿乇 倬丕爻禺 賲蹖鈥屭堐屫�:
芦丕賵賳 诏賵卮鬲賵賳賴 夭賳诏 賲蹖鈥屫操嗁�.禄
賵 丿乇 丕丿丕賲賴:
芦丕蹖賳 丕賳毓讴丕爻 氐丿丕爻鬲 讴賴 蹖賴 禺乇丿賴 亘丕 鬲兀禺蹖乇 卮賳蹖丿賴 賲蹖卮賴. 鬲兀禺蹖乇 賴賲 讴賴 蹖賴 趩蹖夭 毓丕丿蹖賴 鬲賵 賲賲賱讴鬲貙 賴賲賴 讴丕乇賴丕 禺乇丕亘賳丿.禄
丕蹖賳 噩賲賱丕鬲 賳賴 鬲賳賴丕 胤賳夭 鬲賱禺蹖 丿丕乇賳丿貙 亘賱讴賴 鬲賱賳诏乇蹖 賴賲 亘賴 匕賴賳 賲蹖鈥屫操嗁嗀�. 噩丕蹖蹖 丕夭 賳賲丕蹖卮 讴賴 卮丕賴 賲蹖鈥屭佖�: 芦賵賯鬲 賳讴乇丿蹖賲 亘賴卮 亘倬乇丿丕夭蹖賲禄 (賲賳馗賵乇 賲賲賱讴鬲鈥屫ж臂� 賵 賲卮讴賱丕鬲)貙 丕丨爻丕爻 鬲乇爻蹖 賳丕禺賵丿丌诏丕賴 亘賴 噩丕賳賲 丕賮鬲丕丿. 鬲乇爻蹖 丕夭 丕蹖賳讴賴 賲賳 賴賲 賴賳賵夭 賵賯鬲 賳讴乇丿賴鈥屫з� 亘賴 丕賲賵乇 卮禺氐蹖鈥屫з� 乇爻蹖丿诏蹖 讴賳賲.
卮丕蹖丿 賮乇丿丕 丿賵乇亘蹖賳賲 乇丕 亘乇丿丕乇賲 賵 鬲賲乇蹖賳 毓讴丕爻蹖 讴賳賲貙 蹖丕 讴卮賵賴丕蹖賲 乇丕 賲乇鬲亘 讴賳賲 賵 丕夭 趩蹖夭賴丕蹖蹖 讴賴 夭賲丕賳蹖 亘丕 毓卮賯 禺乇蹖丿賴鈥屫з呚� 丿賵亘丕乇賴 丕爻鬲賮丕丿賴 讴賳賲. 賲亘丕丿丕 賮乇丿丕 丿蹖乇 亘丕卮丿.
丕蹖賳 賳賲丕蹖卮賳丕賲赖 賮賯胤 丿丕爻鬲丕賳蹖 亘乇丕蹖 诏賵卮 丿丕丿賳 賳亘賵丿貙 亘賱讴賴 賴卮丿丕乇蹖 亘賵丿 亘乇丕蹖 夭賳丿诏蹖鈥� 讴乇丿賳.
丕蹖賳 賳賲丕蹖卮賳丕賲赖 倬乇 丕夭 噩賲賱丕鬲 賳丕亘 賵 鬲丕孬蹖乇诏匕丕乇 亘賵丿貨 丌賳賯丿乇 讴賴 亘爻蹖丕乇蹖 丕夭 丌賳鈥屬囏� 乇丕 賴丕蹖賱丕蹖鬲 讴乇丿賲. 丿丕爻鬲丕賳 丿乇亘丕乇賴 卮丕賴蹖 丕爻鬲 讴賴 賲乇诏 亘賴 爻乇丕睾卮 丌賲丿賴 賵 賮乇氐鬲蹖 丕賳丿讴 亘乇丕蹖 夭賳丿诏蹖 丿丕乇丿. 亘丕夭 賴賲貙 賲丕賳賳丿 賴賲蹖卮賴貙 丿賵 賲賮賴賵賲 噩丕賵丿丕賳賴鈥屰� 賲乇诏 賵 夭賳丿诏蹖 丿乇 噩丿丕賱蹖 亘蹖鈥屬矩й屫з� 賯乇丕乇 丿丕乇賳丿.
蹖讴蹖 丕夭 丿蹖丕賱賵诏鈥屬囏� 讴賴 丿乇 匕賴賳賲 賲丕賳丿诏丕乇 卮丿 丕蹖賳 亘賵丿:
芦趩蹖夭 睾蹖乇毓丕丿蹖 丿丕乇蹖賲責 丕蹖賳 乇賵夭賴丕 讴賴 丿蹖诏賴 趩蹖夭 睾蹖乇毓丕丿蹖鈥屫й� 賵噩賵丿 賳丿丕乇賴貙 趩賵賳 睾蹖乇毓丕丿蹖 亘賵丿賳貙 毓丕丿蹖 卮丿賴. 丕蹖賳 亘賴 丕賵賳 丿乇.禄
賵 丌賳噩丕 讴賴 卮丕賴 亘丕 賳诏乇丕賳蹖 丕夭 賲卮讴賱丕鬲 讴卮賵乇 賲蹖鈥屭堐屫�:
芦丨鬲賲丕賸 趩乇禺鈥屫嗀団€屫й屫� 趩蹖夭蹖 丕夭 丿賲 賵 丿爻鬲诏丕賴卮 夭賳诏 夭丿賴. 蹖賴 趩蹖夭丕蹖蹖 賲蹖鈥屫促嗁堎�.禄
賵 丿讴鬲乇 丿乇 倬丕爻禺 賲蹖鈥屭堐屫�:
芦丕賵賳 诏賵卮鬲賵賳賴 夭賳诏 賲蹖鈥屫操嗁�.禄
賵 丿乇 丕丿丕賲賴:
芦丕蹖賳 丕賳毓讴丕爻 氐丿丕爻鬲 讴賴 蹖賴 禺乇丿賴 亘丕 鬲兀禺蹖乇 卮賳蹖丿賴 賲蹖卮賴. 鬲兀禺蹖乇 賴賲 讴賴 蹖賴 趩蹖夭 毓丕丿蹖賴 鬲賵 賲賲賱讴鬲貙 賴賲賴 讴丕乇賴丕 禺乇丕亘賳丿.禄
丕蹖賳 噩賲賱丕鬲 賳賴 鬲賳賴丕 胤賳夭 鬲賱禺蹖 丿丕乇賳丿貙 亘賱讴賴 鬲賱賳诏乇蹖 賴賲 亘賴 匕賴賳 賲蹖鈥屫操嗁嗀�. 噩丕蹖蹖 丕夭 賳賲丕蹖卮 讴賴 卮丕賴 賲蹖鈥屭佖�: 芦賵賯鬲 賳讴乇丿蹖賲 亘賴卮 亘倬乇丿丕夭蹖賲禄 (賲賳馗賵乇 賲賲賱讴鬲鈥屫ж臂� 賵 賲卮讴賱丕鬲)貙 丕丨爻丕爻 鬲乇爻蹖 賳丕禺賵丿丌诏丕賴 亘賴 噩丕賳賲 丕賮鬲丕丿. 鬲乇爻蹖 丕夭 丕蹖賳讴賴 賲賳 賴賲 賴賳賵夭 賵賯鬲 賳讴乇丿賴鈥屫з� 亘賴 丕賲賵乇 卮禺氐蹖鈥屫з� 乇爻蹖丿诏蹖 讴賳賲.
卮丕蹖丿 賮乇丿丕 丿賵乇亘蹖賳賲 乇丕 亘乇丿丕乇賲 賵 鬲賲乇蹖賳 毓讴丕爻蹖 讴賳賲貙 蹖丕 讴卮賵賴丕蹖賲 乇丕 賲乇鬲亘 讴賳賲 賵 丕夭 趩蹖夭賴丕蹖蹖 讴賴 夭賲丕賳蹖 亘丕 毓卮賯 禺乇蹖丿賴鈥屫з呚� 丿賵亘丕乇賴 丕爻鬲賮丕丿賴 讴賳賲. 賲亘丕丿丕 賮乇丿丕 丿蹖乇 亘丕卮丿.
丕蹖賳 賳賲丕蹖卮賳丕賲赖 賮賯胤 丿丕爻鬲丕賳蹖 亘乇丕蹖 诏賵卮 丿丕丿賳 賳亘賵丿貙 亘賱讴賴 賴卮丿丕乇蹖 亘賵丿 亘乇丕蹖 夭賳丿诏蹖鈥� 讴乇丿賳.
September 16, 2018
脠 la morte dell'umanit脿, di un'esistenza "finita" in tutte le sue forme. L'umana condizione della precariet脿, la paura dell'oblio e dello scorrere inesorabile del tempo. Ionesco riesce ad essere visionario ma essenziale; attraverso un linguaggio disarticolato, nonsense e paradossi ti avviluppa in un dibattito esistenziale fino a scuotere i pensieri del lettore, che inevitabilmente si trova a fare i conti con la verit脿. La stessa verit脿 che il Re rifiuta di vedere.Con un ritmo sempre pi霉 incalzante, questo testo teatrale rievoca immagini metafisiche senza tregua: sconvolge, destruttura, impietosisce,lacera l'animo di ognuno di noi, che catarticamente si abbandona all'inevitabile esito dell'opera.
"l'unica grandezza pu貌 consistere soltanto nell'accettazione del non essere"
"l'unica grandezza pu貌 consistere soltanto nell'accettazione del non essere"
Read
April 20, 2010I read this one or two sentences a day, four of four or five years. It was pretty easy to follow. The king dies -- not to give away the whole plot. When I started it, the play seemed absolutely an attack on George W. Bush. By the end, Bush had been banished by history, and it now seemed a meditation on mortality. It has that near-mysticism that is "modernism," and perhaps the story never quite resolves itself. But it's great in French. Though perhaps everything is great in French. Everything I read, anyway.
I read this book for so long, that it was actually produced, at the Brooklyn Academy of Music. Of course, I didn't see it. Because I was still reading it.
Ionesco is very helpful on the question: "Everything is falling apart. But how do we proceed?" I think he's right, you just deny everything, and solve the immediate little problems.
It's a meditation on divorce, and how ultimately divorce is impossible.
I read this book for so long, that it was actually produced, at the Brooklyn Academy of Music. Of course, I didn't see it. Because I was still reading it.
Ionesco is very helpful on the question: "Everything is falling apart. But how do we proceed?" I think he's right, you just deny everything, and solve the immediate little problems.
It's a meditation on divorce, and how ultimately divorce is impossible.
June 25, 2024
Comment dire beaucoup de n'importe quoi tout en disant des choses tr猫s profondes. C'est tr猫s fort de parler de la peur de mourir (notamment) de cette fa莽on. Que la vie est absurde, et que les humains sont absurdes ! J'ai trouv茅 cette pi猫ce d'autant plus int茅ressante 脿 lire de par mes croyances personnelles (celle que nous sommes pi茅g茅s sur Terre et que la r茅incarnation se fait souvent contre notre gr茅 et nous emp锚che de retourner l脿 o霉 l'on vient vraiment).
November 25, 2023
The once mighty king has only one hour to live. The signs where there to see: The once prospering kingdom lies in ruins, the people fled the realm and the monarch himself has seen better days, too. But know that his end is near, he doesn't want to go, denying the undeniable, fighting the invincible and finally accepting the inevitable.
It is a tale of decay that works on two levels. It is a satire on authritarian political regimes and how they struggle to keep control even over a reality beyond their reach. On a more existential level, it is a tale about how humanity and death. We might feel like the crown of creation, but we're surely not (except in the sense of the dental crown as German comedian Jochen Malmsheimer once pointed out: a laborious copying of nature to compensate for erosive surface damage). Life can be painful and death inevitable and without graspable sense to us. It is the way it is. We will all perish.
Compared to other Ionesco plays I read, it is less funny and less obviously absurd. It is a rather straightforward play with a absurd detail here and there. To me, it lacked a bit the drive of his other works, but I liked the genuinly sad moments that were sprinkled throughout the text. It gives you something to think about, but perhaps there is enough crisis all around at the moment so I would have prefered something a bit more lighthearted? Well, there will has to be a reread at some point in the future to decide that.
It is a tale of decay that works on two levels. It is a satire on authritarian political regimes and how they struggle to keep control even over a reality beyond their reach. On a more existential level, it is a tale about how humanity and death. We might feel like the crown of creation, but we're surely not (except in the sense of the dental crown as German comedian Jochen Malmsheimer once pointed out: a laborious copying of nature to compensate for erosive surface damage). Life can be painful and death inevitable and without graspable sense to us. It is the way it is. We will all perish.
Compared to other Ionesco plays I read, it is less funny and less obviously absurd. It is a rather straightforward play with a absurd detail here and there. To me, it lacked a bit the drive of his other works, but I liked the genuinly sad moments that were sprinkled throughout the text. It gives you something to think about, but perhaps there is enough crisis all around at the moment so I would have prefered something a bit more lighthearted? Well, there will has to be a reread at some point in the future to decide that.
July 29, 2017
Il re sta morendo. Il suo regno si sta sbriciolando insieme a lui. Contava nove miliardi di abitanti, ora sono appena un migliaio, e sembra pieno di buchi, 猫 diventato piccolissimo, tra poco praticamente non esister脿 pi霉. Probabilmente morir脿 insieme al re.
Il re per貌 non vuole morire, si rifiuta, non accetta minimamente la sua sorte. Ha vissuto centinaia di anni e ha sempre rimandato il momento di pensare alla morte, perch茅 ci sarebbe stato tempo. Al re avevano promesso che sarebbe morto quando fosse stato lui stesso a deciderlo. Ma invece lo faranno morire prima, alla fine dello spettacolo (con conto alla rovescia della regina Margherita, prima moglie del re, nel ruolo di Parca), perch茅 lui non si 猫 deciso e si 猫 芦impantanato nel fango tiepido dei vivi禄. La regina Maria, seconda moglie del re e prima nel suo cuore, cerca di farlo vivere attraverso il suo amore, ma in ultima analisi si rivela solo come un'egoista incapace di vivere senza l'amore del re, vorrebbe che anche negli ultimi istanti della sua vita il re pensasse a lei.
Una metafora della vita di ogni uomo, che 猫 destinata per forza a finire, e non certo dopo trecento anni.
芦Egli sar脿 una pagina in un libro di diecimila pagine collocato in una biblioteca di un milione di libri, una biblioteca tra un milione di biblioteche.禄
Il re per貌 non vuole morire, si rifiuta, non accetta minimamente la sua sorte. Ha vissuto centinaia di anni e ha sempre rimandato il momento di pensare alla morte, perch茅 ci sarebbe stato tempo. Al re avevano promesso che sarebbe morto quando fosse stato lui stesso a deciderlo. Ma invece lo faranno morire prima, alla fine dello spettacolo (con conto alla rovescia della regina Margherita, prima moglie del re, nel ruolo di Parca), perch茅 lui non si 猫 deciso e si 猫 芦impantanato nel fango tiepido dei vivi禄. La regina Maria, seconda moglie del re e prima nel suo cuore, cerca di farlo vivere attraverso il suo amore, ma in ultima analisi si rivela solo come un'egoista incapace di vivere senza l'amore del re, vorrebbe che anche negli ultimi istanti della sua vita il re pensasse a lei.
Una metafora della vita di ogni uomo, che 猫 destinata per forza a finire, e non certo dopo trecento anni.
芦Egli sar脿 una pagina in un libro di diecimila pagine collocato in una biblioteca di un milione di libri, una biblioteca tra un milione di biblioteche.禄
March 17, 2010
2007. I have made the mistake of going to a matinee performance and my heart sinks before an absurd word has been spoken. I find myself sitting in front of a group of maybe 20 kids with Down Syndrome. I don't even know any theatre going adults who admit to liking Theatre of the Absurd and who on earth could possibly have thought these kids would be an exception.
Oh. But oh. Geoffrey Rush is something special. He had the entire audience eating from the palm of his hand and the kids behind me were riveted throughout. I've never seen anybody enjoy theatre as much as they did this day.
The play, translated by Geoffrey Rush and Neil Armfield, had never been produced in Australia before. Hard to understand why as it is easy going stuff as Theatre of the Absurd goes. The audience was there to see Geoffrey - I imagine plenty of them had never been in a theatre. They were not to be disappointed. Exit the King is a one person show where the rest of the case is no more than accoutrements. Sorry, Susan Sarandon, you're gorgeous and you get some good lines, but still.
I wonder if he did this when it was on Broadway: at some point he spluttered a drink of water all over a lady in the front row. By way of apology he waggled his finger at her and said 'That's what you get for being overexcited and booking your seat too early.' Audience goes wild. How clever, I think to myself. Ah, I find out from Felicity, who is wealthy enough to see it twice. He does that every night.
Oh. But oh. Geoffrey Rush is something special. He had the entire audience eating from the palm of his hand and the kids behind me were riveted throughout. I've never seen anybody enjoy theatre as much as they did this day.
The play, translated by Geoffrey Rush and Neil Armfield, had never been produced in Australia before. Hard to understand why as it is easy going stuff as Theatre of the Absurd goes. The audience was there to see Geoffrey - I imagine plenty of them had never been in a theatre. They were not to be disappointed. Exit the King is a one person show where the rest of the case is no more than accoutrements. Sorry, Susan Sarandon, you're gorgeous and you get some good lines, but still.
I wonder if he did this when it was on Broadway: at some point he spluttered a drink of water all over a lady in the front row. By way of apology he waggled his finger at her and said 'That's what you get for being overexcited and booking your seat too early.' Audience goes wild. How clever, I think to myself. Ah, I find out from Felicity, who is wealthy enough to see it twice. He does that every night.
July 21, 2020
Nous vivons notre vie paisiblement, sans trop nous poser de question et un jour, face 脿 la mort, nous r茅alisons l'茅tendue de notre fragilit茅 et de notre ignorance. Comment faire lorsque notre monde s'effondre lentement et que d'autres continuent de vivre et d'锚tre heureux sans nous ?
"Pourquoi suis-je n茅 si ce n'茅tais pas pour toujours ? [...] Je suis venu au monde il y a cinq minutes, je me suis mari茅 il y a trois minutes. Je suis mont茅 au tr么ne il y a deux minutes et demie. Pas eu le temps de dire ouf ! Je n'ai pas eu le temps de conna卯tre la vie."
Comment le monde ose-t-il continuer son chemin sans nous ?
Au final nous sommes et serons tous ce roi qui se meurt, ce n'est qu'une question de minutes.
"Pourquoi suis-je n茅 si ce n'茅tais pas pour toujours ? [...] Je suis venu au monde il y a cinq minutes, je me suis mari茅 il y a trois minutes. Je suis mont茅 au tr么ne il y a deux minutes et demie. Pas eu le temps de dire ouf ! Je n'ai pas eu le temps de conna卯tre la vie."
Comment le monde ose-t-il continuer son chemin sans nous ?
Au final nous sommes et serons tous ce roi qui se meurt, ce n'est qu'une question de minutes.
July 15, 2009
The second and possibly last entry in my ill fated "Read A Play Every Friday" series. Geoffrey Rush won a Tony for his role as the king in the recent New York revival of this so I thought it would be a fitting choice. I love pretty much anything Ionesco does so it was no surprise that I loved it. Very minimal (of course) but detailed account of the literal disintegration of every aspect of the king: his kingdom, attendants, lovers, and self. Existential futility to the extreme and naturally not for all tastes but if that's your cup of tea (oh baby, and it's mine) then this will find a well deserved place on your bookshelf.
March 24, 2015
It's about death. Yet it's not a tragedy. I'd never read a play, but this one, from theater of the Absurd was genuinely phenomenal.
It's a play that makes you think and return on a lot of points of your existence. It shows how we're never ready to death, how death takes us by surprise and catches us off guard...
I enjoyed this play soo much and I do truly recommend it. Plus it's a one-day reading !
It's a play that makes you think and return on a lot of points of your existence. It shows how we're never ready to death, how death takes us by surprise and catches us off guard...
I enjoyed this play soo much and I do truly recommend it. Plus it's a one-day reading !
July 21, 2018
Une pi猫ce tr猫s psychologique, tr猫s intime, sur l'agonie du roi B茅renger et ses r茅criminations.
On peut le rapprocher de La mort d'Ivan Ilitch de L茅on Tolsto茂 pour le d茅bat int茅rieur contradictoire autour de la mort, de L'茅cume des jours de Boris Vian pour la d茅cr茅pitude physique du roi que redouble la d茅cr茅pitude de son environnement.
On peut le rapprocher de La mort d'Ivan Ilitch de L茅on Tolsto茂 pour le d茅bat int茅rieur contradictoire autour de la mort, de L'茅cume des jours de Boris Vian pour la d茅cr茅pitude physique du roi que redouble la d茅cr茅pitude de son environnement.
January 9, 2023
I was very impressed that Ionesco was able to write a whole play on the last hour of a narcissistic tyrant! Like his other work, the text tends to be farcical but the farce masks the tragedy of authoritarian rulers, the effect they have on their kingdoms and the banal absurdity of death. If you enjoy the absurd, there is a good chance that you will enjoy this play. I certainly did.
June 3, 2024
鈥淣u e firesc sa mori, daca nu vrei. Vreau sa exist鈥�
Read
November 3, 2024Read in French yay
November 26, 2024
If you forget me, if you abandon me, I no longer exist, I am nothing.
3.5 - cool plot but didn't love how the final scene was staged or the repetitious dialogue. always humbling to find out theatre of the absurd is, indeed, absurd.
3.5 - cool plot but didn't love how the final scene was staged or the repetitious dialogue. always humbling to find out theatre of the absurd is, indeed, absurd.
February 4, 2024
durant ma lecture, j'ai pris des notes dans mon carnet de notes (chose que je fais pour 茅viter l'exc猫s d'annotation dans mes livres) avec un point de vie pr茅cis puisque c'茅tait le th猫me que j'avais cru bien identifier. je crois que cette pi猫ce absurde allait 锚tre une critique sur l'in茅vitable destruction du capitalisme et les effets sur l'environement - un vrai parall猫le. apr猫s tout, j'ai toujours eu le talent de trouver une m茅taphore anti-capitaliste partout.
je suis all茅 voir sur l'internet. j'ai r茅alis茅 que j'ai regard茅 un peu trop loin. j'ai eu tort. c'est tout simple. en vrai, ionesco a peintur茅 l'humain face 脿 la mort et l'absurdit茅 de la mort. j'ai tr猫s honn锚tement peu 脿 dire puisque j'ai tout analyser de travers. j'ai tellement cru 脿 mon point de vue originel, je ne peux en bonne foi 茅crire une analyse sur la mort alors qu'elle n'a pas 茅t茅 mon focus. question d'int茅grit茅 intellectuelle. oh j'茅tais pr锚te 脿 茅crire une dissertation! j'ai au moins correctement identifier les bons id茅aux au bon personnage (marguerite - la raison, marie - la foi aveugle, le garde - l'arm茅e et puis aussi un peu la presse et juliette - l'芒me du peuple). puisque je n'ai pas vu les v茅ritables motifs de cette pi猫ce dans cette premi猫re lecture, je sens que je ne peux pas examiner proprement ce que je pensais, sachant que ce n'茅tait pas intentionnel du cot茅 de ionesco et qu'alors, c'est juste moi qui trouve 脿 nouveau une m茅taphore contre le capitalisme dans tout.
j'ai remarqu茅 que le nom b茅renger et son association 脿 l'humanit茅 est repris souvent par ionesco lui-m锚me (ex: rhinoc茅ros). en somme, si mon analyse originel 茅tait bon, j'aurais 茅t茅 tr猫s contente mais je suis tellement d茅莽ue d'avoir manqu茅 le th猫me en entier. je crois que celui-ci se trouve 脿 3.5 茅toiles pour la premi猫re fois. je ne fais jamais de .5 dans mes 茅toiles mais je fais l'exception. 脿 relire.
je suis all茅 voir sur l'internet. j'ai r茅alis茅 que j'ai regard茅 un peu trop loin. j'ai eu tort. c'est tout simple. en vrai, ionesco a peintur茅 l'humain face 脿 la mort et l'absurdit茅 de la mort. j'ai tr猫s honn锚tement peu 脿 dire puisque j'ai tout analyser de travers. j'ai tellement cru 脿 mon point de vue originel, je ne peux en bonne foi 茅crire une analyse sur la mort alors qu'elle n'a pas 茅t茅 mon focus. question d'int茅grit茅 intellectuelle. oh j'茅tais pr锚te 脿 茅crire une dissertation! j'ai au moins correctement identifier les bons id茅aux au bon personnage (marguerite - la raison, marie - la foi aveugle, le garde - l'arm茅e et puis aussi un peu la presse et juliette - l'芒me du peuple). puisque je n'ai pas vu les v茅ritables motifs de cette pi猫ce dans cette premi猫re lecture, je sens que je ne peux pas examiner proprement ce que je pensais, sachant que ce n'茅tait pas intentionnel du cot茅 de ionesco et qu'alors, c'est juste moi qui trouve 脿 nouveau une m茅taphore contre le capitalisme dans tout.
j'ai remarqu茅 que le nom b茅renger et son association 脿 l'humanit茅 est repris souvent par ionesco lui-m锚me (ex: rhinoc茅ros). en somme, si mon analyse originel 茅tait bon, j'aurais 茅t茅 tr猫s contente mais je suis tellement d茅莽ue d'avoir manqu茅 le th猫me en entier. je crois que celui-ci se trouve 脿 3.5 茅toiles pour la premi猫re fois. je ne fais jamais de .5 dans mes 茅toiles mais je fais l'exception. 脿 relire.
April 29, 2023
U ovoj Ionescovoj tragikomediji problematizira se 膷ovjekova(u ovom slu膷aju kraljeva) nespremnost da se suo膷i sa smr膰u, kroz cijelu igru kralj se koprca u blatu kojeg si je sam stvorio u svojoj "vi拧estoljetnoj" vladavini.
Kraljeva oholost ne dopu拧ta mu da shvati da mu se nazire kraj, usprkos svim o膷itim znakovima i doktorovoj dijagnozi on nos uzdi啪e visoko i dr啪i za sebe da je besmrtan.
Likovi dviju kraljica su suvi拧e naporni i nezanimljivi sem zadnje scene sa Margaretom, dok lije膷nik, a ponajvi拧e stra啪ar slu啪e za humoristi膷ki odu拧ak.
Pripominjem da Ionesco, za moj ukus, previ拧e razvla膷i radnju bez potrebe i filozofira u suho.
"Kad kraljevi umiru, oni se hvataju za zidove, za drve膰e, za fontane, za Mjesec; oni se hvataju..."
5.7/10
I.J.
Kraljeva oholost ne dopu拧ta mu da shvati da mu se nazire kraj, usprkos svim o膷itim znakovima i doktorovoj dijagnozi on nos uzdi啪e visoko i dr啪i za sebe da je besmrtan.
Likovi dviju kraljica su suvi拧e naporni i nezanimljivi sem zadnje scene sa Margaretom, dok lije膷nik, a ponajvi拧e stra啪ar slu啪e za humoristi膷ki odu拧ak.
Pripominjem da Ionesco, za moj ukus, previ拧e razvla膷i radnju bez potrebe i filozofira u suho.
"Kad kraljevi umiru, oni se hvataju za zidove, za drve膰e, za fontane, za Mjesec; oni se hvataju..."
5.7/10
I.J.
June 30, 2023
Deuxi猫me pi猫ce de Ionesco que je lis et elle confirme mon appr茅ciation de ses 艙uvres. Tr猫s amusant tout en abordant un sujet compliqu茅 comme la mort. La mort d'un roi mais aussi de tout un royaume. Cela m'a fait penser 脿 Macbeth, o霉 la nature d茅p茅rit une fois le roi mort. Et bien s没r le fait que le roi ne pourra pas 茅chapper 脿 son destin de mourir "脿 la fin du spectacle" me rappelle n'importe quelle trag茅die: un destin in茅vitable.
March 4, 2016
DOCTOR: He will be a page in a book of ten thousand pages
in one of a million l ibraries wh ich has a million books.
JULIETTE: It won't be easy to find that page again.
[DocToR : Oh yes, you ' l l find it catalogued by subject matter,
in alphabetical order . . . until the day comes when the
paper's turned to dust . . . unless it's destroyed by fire.
Libraries often go up in smoke.]
in one of a million l ibraries wh ich has a million books.
JULIETTE: It won't be easy to find that page again.
[DocToR : Oh yes, you ' l l find it catalogued by subject matter,
in alphabetical order . . . until the day comes when the
paper's turned to dust . . . unless it's destroyed by fire.
Libraries often go up in smoke.]
January 7, 2013
Je suis surprise par 脿 quel point j'ai appr茅ci茅 cette pi猫ce. Je compte aller la voir prochainement. Bel oeuvre.
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