What do you think?
Rate this book
賲丨丕賰賲丞 噩丕賳 丿丕乇賰
The Trial of Joan of Arc of Proven, 1431 is an adaptation by the German dramatist Bertolt Brecht of a radio play by Anna Seghers. It was written in collaboration with Benno Besson and premiered at the Berliner Ensemble in November 1952, in a production directed by Besson (his first important production with the Ensemble), with K盲the Reichel as Joan
- GenresGerman LiteraturePlays
Unknown Binding
First published November 1, 1952
1 person is currently reading
33 people want to read
About the author
Bertolt Brecht
1,540听books1,868听followersEugen Berthold Friedrich Brecht was a German poet, playwright, and theatre director. A seminal theatre practitioner of the twentieth century, Brecht made equally significant contributions to dramaturgy and theatrical production, the latter particularly through the seismic impact of the tours undertaken by the Berliner Ensemble鈥攖he post-war theatre company operated by Brecht and his wife and long-time collaborator, the actress Helene Weigel鈥攚ith its internationally acclaimed productions.
From his late twenties Brecht remained a life-long committed Marxist who, in developing the combined theory and practice of his 'epic theatre', synthesized and extended the experiments of Piscator and Meyerhold to explore the theatre as a forum for political ideas and the creation of a critical aesthetics of dialectical materialism. Brecht's modernist concern with drama-as-a-medium led to his refinement of the 'epic form' of the drama (which constitutes that medium's rendering of 'autonomization' or the 'non-organic work of art'鈥攔elated in kind to the strategy of divergent chapters in Joyce's novel Ulysses, to Eisenstein's evolution of a constructivist 'montage' in the cinema, and to Picasso's introduction of cubist 'collage' in the visual arts). In contrast to many other avant-garde approaches, however, Brecht had no desire to destroy art as an institution; rather, he hoped to 're-function' the apparatus of theatrical production to a new social use. In this regard he was a vital participant in the aesthetic debates of his era鈥攑articularly over the 'high art/popular culture' dichotomy鈥攙ying with the likes of Adorno, Luk谩cs, Bloch, and developing a close friendship with Benjamin. Brechtian theatre articulated popular themes and forms with avant-garde formal experimentation to create a modernist realism that stood in sharp contrast both to its psychological and socialist varieties. "Brecht's work is the most important and original in European drama since Ibsen and Strindberg," Raymond Williams argues, while Peter B眉rger insists that he is "the most important materialist writer of our time."
As Jameson among others has stressed, "Brecht is also 鈥楤recht鈥�"鈥攃ollective and collaborative working methods were inherent to his approach. This 'Brecht' was a collective subject that "certainly seemed to have a distinctive style (the one we now call 'Brechtian') but was no longer personal in the bourgeois or individualistic sense." During the course of his career, Brecht sustained many long-lasting creative relationships with other writers, composers, scenographers, directors, dramaturgs and actors; the list includes: Elisabeth Hauptmann, Margarete Steffin, Ruth Berlau, Slatan Dudow, Kurt Weill, Hanns Eisler, Paul Dessau, Caspar Neher, Teo Otto, Karl von Appen, Ernst Busch, Lotte Lenya, Peter Lorre, Therese Giehse, Angelika Hurwicz, and Helene Weigel herself. This is "theatre as collective experiment [...] as something radically different from theatre as expression or as experience."
There are few areas of modern theatrical culture that have not felt the impact or influence of Brecht's ideas and practices; dramatists and directors in whom one may trace a clear Brechtian legacy include: Dario Fo, Augusto Boal, Joan Littlewood, Peter Brook, Peter Weiss, Heiner M眉ller, Pina Bausch, Tony Kushner and Caryl Churchill. In addition to the theatre, Brechtian theories and techniques have exerted considerable sway over certain strands of film theory and cinematic practice; Brecht's influence may be detected in the films of Joseph Losey, Jean-Luc Godard, Lindsay Anderson, Rainer Werner Fassbinder, Nagisa Oshima, Ritwik Ghatak, Lars von Trier, Jan Bucquoy and Hal Hartley.
During the war years, Brecht became a prominent writer of the Exilliteratur. He expressed his opposition to the National Socialist and Fascist movements in his most famous plays.
From his late twenties Brecht remained a life-long committed Marxist who, in developing the combined theory and practice of his 'epic theatre', synthesized and extended the experiments of Piscator and Meyerhold to explore the theatre as a forum for political ideas and the creation of a critical aesthetics of dialectical materialism. Brecht's modernist concern with drama-as-a-medium led to his refinement of the 'epic form' of the drama (which constitutes that medium's rendering of 'autonomization' or the 'non-organic work of art'鈥攔elated in kind to the strategy of divergent chapters in Joyce's novel Ulysses, to Eisenstein's evolution of a constructivist 'montage' in the cinema, and to Picasso's introduction of cubist 'collage' in the visual arts). In contrast to many other avant-garde approaches, however, Brecht had no desire to destroy art as an institution; rather, he hoped to 're-function' the apparatus of theatrical production to a new social use. In this regard he was a vital participant in the aesthetic debates of his era鈥攑articularly over the 'high art/popular culture' dichotomy鈥攙ying with the likes of Adorno, Luk谩cs, Bloch, and developing a close friendship with Benjamin. Brechtian theatre articulated popular themes and forms with avant-garde formal experimentation to create a modernist realism that stood in sharp contrast both to its psychological and socialist varieties. "Brecht's work is the most important and original in European drama since Ibsen and Strindberg," Raymond Williams argues, while Peter B眉rger insists that he is "the most important materialist writer of our time."
As Jameson among others has stressed, "Brecht is also 鈥楤recht鈥�"鈥攃ollective and collaborative working methods were inherent to his approach. This 'Brecht' was a collective subject that "certainly seemed to have a distinctive style (the one we now call 'Brechtian') but was no longer personal in the bourgeois or individualistic sense." During the course of his career, Brecht sustained many long-lasting creative relationships with other writers, composers, scenographers, directors, dramaturgs and actors; the list includes: Elisabeth Hauptmann, Margarete Steffin, Ruth Berlau, Slatan Dudow, Kurt Weill, Hanns Eisler, Paul Dessau, Caspar Neher, Teo Otto, Karl von Appen, Ernst Busch, Lotte Lenya, Peter Lorre, Therese Giehse, Angelika Hurwicz, and Helene Weigel herself. This is "theatre as collective experiment [...] as something radically different from theatre as expression or as experience."
There are few areas of modern theatrical culture that have not felt the impact or influence of Brecht's ideas and practices; dramatists and directors in whom one may trace a clear Brechtian legacy include: Dario Fo, Augusto Boal, Joan Littlewood, Peter Brook, Peter Weiss, Heiner M眉ller, Pina Bausch, Tony Kushner and Caryl Churchill. In addition to the theatre, Brechtian theories and techniques have exerted considerable sway over certain strands of film theory and cinematic practice; Brecht's influence may be detected in the films of Joseph Losey, Jean-Luc Godard, Lindsay Anderson, Rainer Werner Fassbinder, Nagisa Oshima, Ritwik Ghatak, Lars von Trier, Jan Bucquoy and Hal Hartley.
During the war years, Brecht became a prominent writer of the Exilliteratur. He expressed his opposition to the National Socialist and Fascist movements in his most famous plays.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 8 of 8 reviews
February 10, 2018
丕丿賾毓鬲 噩丕賳 丿丕乇賰 丕賱廿賱賴丕賲 丕賱廿賱賴賷貙 賵賯丕丿鬲 丕賱噩賷卮 丕賱賮乇賳爻賷 廿賱賶 毓丿丞 丕賳鬲氐丕乇丕鬲 賲賴賲賾丞 禺賱丕賱 丨乇亘 丕賱賲卅丞 毓丕賲貙 賲賲賴丿丞賸 亘匕賱賰 丕賱胤乇賷賯 賱鬲鬲賵賷噩 卮丕乇賱 丕賱爻丕亘毓 賲賱賰丕賸 毓賱賶 丕賱亘賱丕丿. 賯購亘囟 毓賱賷賴丕 亘毓丿 匕賱賰 賵兀購乇爻賱鬲 廿賱賶 丕賱廿賳噩賱賷夭 賲賯丕亘賱 丕賱賲丕賱貙 賵丨賵賰賲鬲 亘鬲賴賲丞 "丕賱毓氐賷丕賳 賵丕賱夭賳丿賯丞" 孬賲 兀購毓丿賲鬲 丨乇賯丕賸 亘鬲賴賲丞 丕賱賴乇胤賯丞 毓賳丿賲丕 賰丕賳鬲 鬲亘賱睾 19 毓丕賲丕賸賵賴賵 兀賲乇 賲禺賷賮 賵賲丐爻賮 亘丕賱賳爻亘丞 賱賶 亘毓丿 匕賱賰
兀匕賳 丕賱亘丕亘丕 賰丕賱賷爻鬲賵爻 丕賱孬丕賱孬 亘毓丿 禺賲爻 賵毓卮乇賷賳 爻賳丞 賲賳 廿毓丿丕賲賴丕 亘廿毓丕丿丞 丕賱賳馗乇 賮賷 賲丨丕賰賲鬲賴丕 賲賳 賯賽亘賱 賱噩賳丞 賲禺鬲氐丞貙 丕賱鬲賷 賯囟鬲 亘亘乇丕亍鬲賴丕 賲賳 丕賱鬲賴賲 丕賱鬲賷 賵購噩賾賴鬲 廿賱賷賴丕 賵兀毓賱賳鬲賴丕 亘賳丕亍賸 毓賱賶 匕賱賰 卮賴賷丿丞 鬲賲 鬲胤賵賷亘 噩丕賳 丿丕乇賰 毓丕賲 1909貙 兀毓賯亘 匕賱賰 廿毓賱丕賳賴丕 賯丿賷爻丞 毓丕賲 1920. 噩丕賳 丿丕乇賰 賴賷 廿丨丿賶 丕賱賯丿賷爻賷賳 丕賱卮賮毓丕亍 賱賮乇賳爻丕 廿賱賶 噩丕賳亘 丕賱賯丿賷爻 賲丕乇鬲賷賳貙 賵賱賵賷爻 丕賱鬲丕爻毓貙 賵睾賷乇賴賲. 丕丿賾毓鬲 噩丕賳 丿丕乇賰 亘兀賳賴丕 乇兀鬲 丕賱賱賴 賮賷 乇丐賷丕 賷兀賲乇賴丕 亘丿毓賲 卮丕乇賱 丕賱爻丕亘毓 賵丕爻鬲毓丕丿丞 賮乇賳爻丕 賲賳 丕賱爻賷胤乇丞 丕賱廿賳噩賱賷夭賷丞 賮賷 兀賵丕禺乇 丨乇亘 丕賱賲卅丞 毓丕賲. 亘毓孬賴丕 丕賱賲賱賰 睾賷乇 丕賱賲鬲賵賾噩 卮丕乇賱 丕賱爻丕亘毓 廿賱賶 丨氐丕乇 兀賵乇賱賷丕賳貙 丨賷孬 丨賯賯鬲 賴賳丕賰 兀賵賱賶 丕賳鬲氐丕乇丕鬲賴丕 丕賱毓爻賰乇賷丞 丕賱賰亘賷乇丞貙鬲亘毓賴丕 毓丿丞 丕賳鬲氐丕乇丕鬲 爻乇賷毓丞 兀禺乇賶 兀丿賾鬲 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 廿賱賶 鬲鬲賵賷噩 卮丕乇賱 丕賱爻丕亘毓 賮賷 乇賷賲爻
Schizophrenia 丕乇賷 丕賳 丕賱乇賵丕賷賴 丕馗賴乇鬲 噩丕賳 丿丕乇賰 賵賰兀賳賴丕 賲乇賷囟丞 賳賮爻賷賴 賱丿賷賴丕
賵賴匕丕 氐丨賷丨 賱賱賵賴賱丞 丕賱丕賵賱賶 - 丕賱丕 丕賳 賮賶 丕賱賵丕賯毓 丕賱鬲丕乇賷禺賷 賱噩丕賳 丿丕乇賰
賱賲 鬲購馗賴乇 兀賷丞 兀毓乇丕囟 賲賳 丕賱兀毓乇丕囟 丕賱賲氐丕丨亘丞 賱賱兀賲乇丕囟 丕賱賳賮爻賷丞 丕賱鬲賷 鬲賲 賲賳丕賯卮鬲賴丕貙 賲孬賱 丕賱賮氐丕賲 毓賱賶 爻亘賷賱 丕賱賲孬丕賱. 丨賷孬 賷孬亘鬲 丕賱鬲丕乇賷禺 兀賳 噩丕賳 丨丕賮馗鬲 毓賱賶 賲賴丕乇丕鬲賴丕 丨鬲賶 賵賮丕鬲賴丕貙 賵卮賴丕丿丞 賲丨丕賰賲鬲賴丕 丕賱鬲賷 兀馗賴乇鬲 匕賰丕亍賸 毓噩賷亘丕賸 賲賳 噩丕賳 禺賷乇 丿賱賷賱 毓賱賶 匕賱賰. 丨賷孬 兀賳 丕賱賯囟丕丞 賰丕賳賵丕 賷賳鬲賯賱賵賳 賲賳 爻丐丕賱 廿賱賶 丌禺乇 賵賲賳 賲賵囟賵毓 廿賱賶 睾賷乇賴 賱賱廿賷賯丕毓 亘賴丕貙 賱賰賳 賵毓賱賶 丕賱乇睾賲 賲賳 匕賱賰貙 兀噩丕亘鬲 噩丕賳 毓賱賶 兀爻卅賱鬲賴賲 亘丨賰賲丞 鬲丕乇賰丞賸 賵乇丕亍賴丕 匕賰乇賶 賱丕 鬲購賳爻賶. 賵亘爻亘亘 乇丿賵丿賴丕 丕賱丿賯賷賯丞 賵丕賱丨賰賷賲丞 兀孬賳丕亍 丕賱丕爻鬲噩賵丕亘貙 丕囟胤乇鬲 丕賱賲丨賰賲丞 廿賱賶 丕賱鬲賵賯賮 毓賳 毓賯丿 丕賱噩賱爻丕鬲 丕賱毓賱賳賷丞.
毓賱賶 丕賱乇睾賲 賲賳 兀賳 丕賱賲乇囟 丕賱毓賯賱賷 賱丕 賷鬲囟賲賾賳 亘丕賱囟乇賵乇丞 丕賱囟毓賮 丕賱廿丿乇丕賰賷 丕賱卮丿賷丿貙 廿賱丕 兀賳 賲禺鬲賱賮 丕賱丨丕賱丕鬲 丕賱賳賮爻賷丞 丕賱鬲賷 鬲賲 胤乇丨賴丕 賱卮乇丨 丨丕賱丞 噩丕賳 丿丕乇賰 鬲卮鬲賲賱 毓賱賶 兀毓乇丕囟 賲毓賷賳丞 鬲購毓丿 賲毓賷丕乇丕賸 賱賱鬲卮禺賷氐. 毓賱賶 爻亘賷賱 丕賱賲孬丕賱貙 賷賯賵賱 丕賱丿賱賷賱 丕賱鬲卮禺賷氐賷 賵丕賱廿丨氐丕卅賷 賱賱丕囟胤乇丕亘丕鬲 丕賱賳賮爻賷丞 丕賱匕賷 兀氐丿乇鬲賴 丕賱噩賲毓賷丞 丕賱兀賲乇賷賰賷丞 賱賱兀胤亘丕亍 丕賱賳賮爻賷賷賳 兀賳 賱賱賮氐丕賲 丌孬丕乇 噩丕賳亘賷丞 賲賱丨賵馗丞 鬲鬲賲孬賱 賮賷 丕賱賰賱丕賲 睾賷乇 丕賱賲賳馗賲貙 丕賱爻賱賵賰 丕賱噩丕賲賵丿賷 兀賵 睾賷乇 丕賱賲賳馗賲貙 毓丿賲 丕賱賯丿乇丞 毓賱賶 丕賱鬲毓亘賷乇 噩賷丿丕賸貙 丕賱鬲爻胤丨 丕賱毓丕胤賮賷 賵丕賱賵噩丿丕賳賷貙 賵丕賳毓丿丕賲 丕賱廿乇丕丿丞貙 賵睾賷乇賴丕.賵賲賳 丕賱賵丕囟丨 兀賳 賴匕賴 丕賱兀毓乇丕囟 賱丕 鬲馗賴乇 亘鬲丕鬲丕賸 賮賷 噩丕賳 丿丕乇賰
賵賴匕丕 賷毓賳賷 丕賳 賴匕丕 賰丕賳 賲賳 丕丿毓丕亍 噩丕賳 丿丕乇賰 賲賳 丕噩賱 賯囟賷鬲賴丕 - 丕毓鬲賯丿 賮賶 馗賳賷 丕賳賴丕 鬲毓賱賲 丕賳 賴匕丕 爻賷噩匕亘 丕賱賰孬賷乇賷賳 丕賱賶 賯囟賷鬲賴丕 - 丕賳 賰丕賳鬲 鬲鬲丨丿孬 亘丕爻賲 丕賱乇亘 賵丕賱賯丿爻賷賳 - 賵丕賱賲賱賰 丕賷囟丕 賷丨賰賲 亘兀爻賲 丕賱乇亘 - 賮賴賷 丕賯乇亘 賱賴賲 賲賳賴 禺丕氐鬲丕購 賮賶 丕賱馗乇賵賮 丕賱鬲賷 賲乇鬲 亘賴丕 賮乇賳爻丕 亘爻亘亘 丨乇亘 丕賱賲丕卅賴 毓丕賲 賵丕賱丕賯鬲氐丕丿 丕賱賲丿賲乇 賮賴賷 丕賯乇亘 亘賰孬賷乇 賱胤亘賯丕鬲 丕賱賮賯賷乇丞 賵丕賱賲鬲賵爻胤丞
- 賱匕丕 丕賱孬賱丕孬 賳噩賵賲 賴賷 賱噩丕賳 丿丕乇賰 丕賲丕 丕賱賰鬲丕亘 賮賳噩賲丞 賵丕丨丿丞
兀匕賳 丕賱亘丕亘丕 賰丕賱賷爻鬲賵爻 丕賱孬丕賱孬 亘毓丿 禺賲爻 賵毓卮乇賷賳 爻賳丞 賲賳 廿毓丿丕賲賴丕 亘廿毓丕丿丞 丕賱賳馗乇 賮賷 賲丨丕賰賲鬲賴丕 賲賳 賯賽亘賱 賱噩賳丞 賲禺鬲氐丞貙 丕賱鬲賷 賯囟鬲 亘亘乇丕亍鬲賴丕 賲賳 丕賱鬲賴賲 丕賱鬲賷 賵購噩賾賴鬲 廿賱賷賴丕 賵兀毓賱賳鬲賴丕 亘賳丕亍賸 毓賱賶 匕賱賰 卮賴賷丿丞 鬲賲 鬲胤賵賷亘 噩丕賳 丿丕乇賰 毓丕賲 1909貙 兀毓賯亘 匕賱賰 廿毓賱丕賳賴丕 賯丿賷爻丞 毓丕賲 1920. 噩丕賳 丿丕乇賰 賴賷 廿丨丿賶 丕賱賯丿賷爻賷賳 丕賱卮賮毓丕亍 賱賮乇賳爻丕 廿賱賶 噩丕賳亘 丕賱賯丿賷爻 賲丕乇鬲賷賳貙 賵賱賵賷爻 丕賱鬲丕爻毓貙 賵睾賷乇賴賲. 丕丿賾毓鬲 噩丕賳 丿丕乇賰 亘兀賳賴丕 乇兀鬲 丕賱賱賴 賮賷 乇丐賷丕 賷兀賲乇賴丕 亘丿毓賲 卮丕乇賱 丕賱爻丕亘毓 賵丕爻鬲毓丕丿丞 賮乇賳爻丕 賲賳 丕賱爻賷胤乇丞 丕賱廿賳噩賱賷夭賷丞 賮賷 兀賵丕禺乇 丨乇亘 丕賱賲卅丞 毓丕賲. 亘毓孬賴丕 丕賱賲賱賰 睾賷乇 丕賱賲鬲賵賾噩 卮丕乇賱 丕賱爻丕亘毓 廿賱賶 丨氐丕乇 兀賵乇賱賷丕賳貙 丨賷孬 丨賯賯鬲 賴賳丕賰 兀賵賱賶 丕賳鬲氐丕乇丕鬲賴丕 丕賱毓爻賰乇賷丞 丕賱賰亘賷乇丞貙鬲亘毓賴丕 毓丿丞 丕賳鬲氐丕乇丕鬲 爻乇賷毓丞 兀禺乇賶 兀丿賾鬲 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 廿賱賶 鬲鬲賵賷噩 卮丕乇賱 丕賱爻丕亘毓 賮賷 乇賷賲爻
Schizophrenia 丕乇賷 丕賳 丕賱乇賵丕賷賴 丕馗賴乇鬲 噩丕賳 丿丕乇賰 賵賰兀賳賴丕 賲乇賷囟丞 賳賮爻賷賴 賱丿賷賴丕
賵賴匕丕 氐丨賷丨 賱賱賵賴賱丞 丕賱丕賵賱賶 - 丕賱丕 丕賳 賮賶 丕賱賵丕賯毓 丕賱鬲丕乇賷禺賷 賱噩丕賳 丿丕乇賰
賱賲 鬲購馗賴乇 兀賷丞 兀毓乇丕囟 賲賳 丕賱兀毓乇丕囟 丕賱賲氐丕丨亘丞 賱賱兀賲乇丕囟 丕賱賳賮爻賷丞 丕賱鬲賷 鬲賲 賲賳丕賯卮鬲賴丕貙 賲孬賱 丕賱賮氐丕賲 毓賱賶 爻亘賷賱 丕賱賲孬丕賱. 丨賷孬 賷孬亘鬲 丕賱鬲丕乇賷禺 兀賳 噩丕賳 丨丕賮馗鬲 毓賱賶 賲賴丕乇丕鬲賴丕 丨鬲賶 賵賮丕鬲賴丕貙 賵卮賴丕丿丞 賲丨丕賰賲鬲賴丕 丕賱鬲賷 兀馗賴乇鬲 匕賰丕亍賸 毓噩賷亘丕賸 賲賳 噩丕賳 禺賷乇 丿賱賷賱 毓賱賶 匕賱賰. 丨賷孬 兀賳 丕賱賯囟丕丞 賰丕賳賵丕 賷賳鬲賯賱賵賳 賲賳 爻丐丕賱 廿賱賶 丌禺乇 賵賲賳 賲賵囟賵毓 廿賱賶 睾賷乇賴 賱賱廿賷賯丕毓 亘賴丕貙 賱賰賳 賵毓賱賶 丕賱乇睾賲 賲賳 匕賱賰貙 兀噩丕亘鬲 噩丕賳 毓賱賶 兀爻卅賱鬲賴賲 亘丨賰賲丞 鬲丕乇賰丞賸 賵乇丕亍賴丕 匕賰乇賶 賱丕 鬲購賳爻賶. 賵亘爻亘亘 乇丿賵丿賴丕 丕賱丿賯賷賯丞 賵丕賱丨賰賷賲丞 兀孬賳丕亍 丕賱丕爻鬲噩賵丕亘貙 丕囟胤乇鬲 丕賱賲丨賰賲丞 廿賱賶 丕賱鬲賵賯賮 毓賳 毓賯丿 丕賱噩賱爻丕鬲 丕賱毓賱賳賷丞.
毓賱賶 丕賱乇睾賲 賲賳 兀賳 丕賱賲乇囟 丕賱毓賯賱賷 賱丕 賷鬲囟賲賾賳 亘丕賱囟乇賵乇丞 丕賱囟毓賮 丕賱廿丿乇丕賰賷 丕賱卮丿賷丿貙 廿賱丕 兀賳 賲禺鬲賱賮 丕賱丨丕賱丕鬲 丕賱賳賮爻賷丞 丕賱鬲賷 鬲賲 胤乇丨賴丕 賱卮乇丨 丨丕賱丞 噩丕賳 丿丕乇賰 鬲卮鬲賲賱 毓賱賶 兀毓乇丕囟 賲毓賷賳丞 鬲購毓丿 賲毓賷丕乇丕賸 賱賱鬲卮禺賷氐. 毓賱賶 爻亘賷賱 丕賱賲孬丕賱貙 賷賯賵賱 丕賱丿賱賷賱 丕賱鬲卮禺賷氐賷 賵丕賱廿丨氐丕卅賷 賱賱丕囟胤乇丕亘丕鬲 丕賱賳賮爻賷丞 丕賱匕賷 兀氐丿乇鬲賴 丕賱噩賲毓賷丞 丕賱兀賲乇賷賰賷丞 賱賱兀胤亘丕亍 丕賱賳賮爻賷賷賳 兀賳 賱賱賮氐丕賲 丌孬丕乇 噩丕賳亘賷丞 賲賱丨賵馗丞 鬲鬲賲孬賱 賮賷 丕賱賰賱丕賲 睾賷乇 丕賱賲賳馗賲貙 丕賱爻賱賵賰 丕賱噩丕賲賵丿賷 兀賵 睾賷乇 丕賱賲賳馗賲貙 毓丿賲 丕賱賯丿乇丞 毓賱賶 丕賱鬲毓亘賷乇 噩賷丿丕賸貙 丕賱鬲爻胤丨 丕賱毓丕胤賮賷 賵丕賱賵噩丿丕賳賷貙 賵丕賳毓丿丕賲 丕賱廿乇丕丿丞貙 賵睾賷乇賴丕.賵賲賳 丕賱賵丕囟丨 兀賳 賴匕賴 丕賱兀毓乇丕囟 賱丕 鬲馗賴乇 亘鬲丕鬲丕賸 賮賷 噩丕賳 丿丕乇賰
賵賴匕丕 賷毓賳賷 丕賳 賴匕丕 賰丕賳 賲賳 丕丿毓丕亍 噩丕賳 丿丕乇賰 賲賳 丕噩賱 賯囟賷鬲賴丕 - 丕毓鬲賯丿 賮賶 馗賳賷 丕賳賴丕 鬲毓賱賲 丕賳 賴匕丕 爻賷噩匕亘 丕賱賰孬賷乇賷賳 丕賱賶 賯囟賷鬲賴丕 - 丕賳 賰丕賳鬲 鬲鬲丨丿孬 亘丕爻賲 丕賱乇亘 賵丕賱賯丿爻賷賳 - 賵丕賱賲賱賰 丕賷囟丕 賷丨賰賲 亘兀爻賲 丕賱乇亘 - 賮賴賷 丕賯乇亘 賱賴賲 賲賳賴 禺丕氐鬲丕購 賮賶 丕賱馗乇賵賮 丕賱鬲賷 賲乇鬲 亘賴丕 賮乇賳爻丕 亘爻亘亘 丨乇亘 丕賱賲丕卅賴 毓丕賲 賵丕賱丕賯鬲氐丕丿 丕賱賲丿賲乇 賮賴賷 丕賯乇亘 亘賰孬賷乇 賱胤亘賯丕鬲 丕賱賮賯賷乇丞 賵丕賱賲鬲賵爻胤丞
- 賱匕丕 丕賱孬賱丕孬 賳噩賵賲 賴賷 賱噩丕賳 丿丕乇賰 丕賲丕 丕賱賰鬲丕亘 賮賳噩賲丞 賵丕丨丿丞
December 30, 2015
賲丕 兀噩賲賱賴 賲賳 毓賲賱 賮賳賷 賰購鬲賽亘賻 禺氐賷氐賸丕 賱賱廿匕丕毓丞 廿賱丕 兀賳賴 賷氐賱丨 賱賱鬲賲孬賷賱 毓賱賶 丕賱賲爻乇丨 亘噩丿丕乇丞
鬲乇噩賲丞 丿賰鬲賵乇 賷爻乇賷 禺賲賷爻
鬲賳賮賷匕 丕賱廿匕丕毓丞 丕賱賲氐乇賷丞
鬲乇噩賲丞 丿賰鬲賵乇 賷爻乇賷 禺賲賷爻
鬲賳賮賷匕 丕賱廿匕丕毓丞 丕賱賲氐乇賷丞
May 20, 2024
噩丕賳 丿丕乇賰貙 丕賱鬲賷 賯乇乇鬲 兀賳 鬲丨丕乇亘 丕賱丕賳噩賱賷夭 賱鬲丨乇賷乇 賮乇賳爻丕 賲賳 丨賰賲 丕賱丕賳噩賱賷夭貙 賵丕賱鬲賷 鬲賲 丕賱丨賰賲 毓賱賷賴丕 賲賳 賯亘賱 丕賱賰賳賷爻丞 亘丕賱毓丿賷丿 賲賳 丕賱鬲賴賲 丕賱賲囟丨賰丞 賲孬賱 丕賱夭賳丿賯丞 賵丕乇鬲丿丕亍 賲賱丕亘爻 丕賱乇噩丕賱.
賱丕 毓噩亘 兀賳 賳乇賶 亘毓囟 毓賳丕賵賷賳 賲爻乇丨賷丕鬲 亘乇賷禺鬲 賮賷賴丕 賱賮馗 丕賱賲丨丕賰賲丞 鈥� 賲孬賱 賲爻乇丨賷丞 賲丨丕賰賲丞 賱賵賰賵賱賵爻 賵賲爻乇丨賷丞 賲丨丕賰賲丞 噩丕賳 丿丕乇賰- 賮丕賱賲丨丕賰賲丞 丨丕囟乇丞 亘賯賵丞 賮賷 賲爻乇丨賷丕鬲賴 丨鬲賶 鬲賱賰 丕賱鬲賷 賱賷爻 賮賷 毓賳賵丕賳賴丕 賱賮馗 丕賱賲丨丕賰賲丞 -賵賲賳 匕賱賰 賲爻乇丨賷丞 丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞 賵賲爻乇丨賷丞 亘丕丿賳 亘丕丿賳-貙 賵匕賱賰 賱賰賵賳賴 賷丨亘 胤乇丨 丕賱賯囟丕賷丕 丕賱爻賷丕爻賷丞 毓賱賶 噩賲賴賵乇賴 賲賳 禺賱丕賱 丕賱賲丨丕賰賲丕鬲 貙 賵賷毓乇囟 賱賴 禺賱丕賱 鬲賱賰 丕賱賲丨丕賰賲丕鬲 賵噩賴丕鬲 丕賱賳馗乇 丕賱賲禺鬲賱賮丞 丨賵賱賴丕 貙 賵毓賱賶 賰賱 賮乇丿 賮賷 丕賱噩賲賴賵乇 丕賱賲鬲賱賯賷 賱賴丕 兀賳 賷禺鬲丕乇 賱賳賮爻賴 賲賵賯賮丕 賲賳賴丕 貙 賵亘賴匕丕 賱丕 賷賰賵賳 鬲賱賯賷賴 爻賱亘賷丕 賱賴匕賴 丕賱賲爻乇丨賷丕鬲
賵卮禺氐賷丞 噩丕賳 丿丕乇賰 毓丕卮鬲 賮賷 賮乇賳爻丕 賮賷 丕賱賳氐賮 丕賱兀賵賱 賲賳 丕賱賯乇賳 丕賱禺丕賲爻 毓卮乇 貙 賵卮丕乇賰鬲 亘丕賱賳囟丕賱 囟丿 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷 賱兀噩夭丕亍 賰亘賷乇丞 賲賳 賮乇賳爻丕 丌賳匕丕賰 貙 賵丕禺鬲賱賮鬲 賳馗乇丞 丕賱賲丐乇禺賷賳 賵丕賱賲亘丿毓賷賳 賵乇噩丕賱 丕賱丿賷賳 賳丨賵賴丕 貙 賮賲賳賴賲 賲賳 乇兀賵賴丕 卮丕亘丞 賲賳丕囟賱丞 賯丕賵賲鬲 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷 亘丕賱爻賱丕丨 賵丕賱鬲丨乇賷囟 貙 賵賲賳賴賲 賲賳 乇兀賵賴丕 賯丿賷爻丞 賰丕賳鬲 毓賱賶 毓賱丕賯丞 賲爻鬲賲乇丞 亘賰丕卅賳丕鬲 乇賵丨賷丞 賰丕賳鬲 鬲乇卮丿賴丕 賮賷 胤乇賷賯賴丕 賮賷 丕賱丨賷丕丞 賵賮賽賷 丕賱孬賵乇丞 囟丿 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷 貙 賵賴賳丕賰 兀賷囟丕 賲賳 乇兀賵賴丕 賮鬲丕丞 兀氐丕亘賴丕 賲賻爻 賲賳 丕賱噩賳賵賳 貙 賵賰丕賳鬲 鬲鬲禺賷賱 兀賳 賴賳丕賰 賰丕卅賳丕鬲 乇賵丨賷丞 鬲鬲氐賱 亘賴丕 貙 賵兀賷囟丕 賴賳丕賰 賲賳 丕賱亘丕丨孬賷賳 賵丕賱賲丐乇禺賷賳 賵亘毓囟 乇噩丕賱 丕賱丿賷賳 賲賳 乇兀賵賴丕 夭賳丿賷賯丞 禺丕乇噩丞 毓賱賶 卮乇丕卅毓 丕賱賲爻賷丨賷丞
賵賲賳 兀卮賴乇 丕賱兀丿亘丕亍 丕賱匕賷賳 丕鬲禺匕賵丕 賲賳 爻賷乇鬲賴丕 賲爻乇丨賷丞 丕賱賰丕鬲亘 丕賱兀賷乇賱賳丿賷 噩賵乇噩 亘乇賳丕乇丿卮賵 賮賷 賲爻乇丨賷丞 丕賱賯丿賷爻丞 噩賵賳 貙 賵賰匕賱賰 丕賱賰丕鬲亘 丕賱兀賱賲丕賳賷 亘乇鬲賵賱丿 亘乇賷禺鬲 賮賷 賲爻乇丨賷丞 賲丨丕賰賲丞 噩丕賳 丿丕乇賰
賵賲爻乇丨賷丞 賲丨丕賰賲丞 噩丕賳 丿丕乇賰 賱亘乇賷禺鬲 貙 賮賷賴丕 賲夭賷噩 賲賳 丕賱賲爻乇丨 丕賱賲賱丨賲賷 賵丕賱賲爻乇丨 丕賱鬲爻噩賷賱賷 貙 賮鬲亘丿賵 賮賷賴丕 亘毓囟 爻賲丕鬲 丕賱賲爻乇丨 丕賱鬲爻噩賷賱賷 賮賷 丨乇氐 亘乇賷禺鬲 毓賱賶 匕賰乇賴 亘毓囟 丕賱賲毓賱賵賲丕鬲 毓賳 噩丕賳 丿丕乇賰 賵鬲賮丕氐賷賱 賲丨丕賰賲丕鬲賴丕 貙 賵兀孬乇 賲丨丕賰賲丕鬲賴丕 毓賱賶 噩賲賴賵乇 丕賱賳丕爻 賮賷 賮乇賳爻丕 丌賳匕丕賰 貙 賵賲丕 賳鬲噩 毓賳 賯鬲賱賴丕 丨乇賯丕 賲賳 孬賵乇丞 賯丕賲鬲 亘毓丿 賲賵鬲賴丕 亘賳丨賵 禺賲爻 爻賳賵丕鬲 賳鬲噩 毓賳賴丕 胤乇丿 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷 賲賳 賮乇賳爻丕 廿賱丕 賲丿賳丕 賯賱賷賱丞 賲賳賴丕
賵兀賷囟丕 賲賳 賲賱丕賲丨 丕賱賲爻乇丨 丕賱賲賱丨賲賷 賮賷賴丕 賵噩賵丿 丕賱噩賵賯丞 丕賱鬲賷 鬲賯賵賲 亘爻乇丿 亘毓囟 丕賱兀丨丿丕孬 賵丕賱鬲毓賱賷賯 毓賱賷賴丕 貙 賵毓乇囟 丕賱賲丨丕賰賲丕鬲 丕賱鬲賷 鬲毓乇囟 賲賵賯賮 賯囟丕丞 丕賱賲丨賰賲丞 賲賳 噩丕賳 丿丕乇賰 賵鬲毓賱賷賯 亘毓囟 丕賱毓丕賲丞 毓賱賶 賴匕賴 丕賱賲丨丕賰賲丕鬲 貙 賵丕爻鬲賳賮丕乇 丕賱賲卮丕賴丿 賱賰賷 賷賰賵賳 賱賴 賲賵賯賮 賲賳 丕賱丕鬲賴丕賲丕鬲 丕賱鬲賷 賵噩賴鬲 賱噩丕賳 丿丕乇賰
賵丕賱賲爻乇丨賷丞 鬲亘丿兀 亘鬲毓賱賷賯 丕賱噩賵賯丞 毓賱賶 賯亘囟 丕賱廿賳噩賱賷夭 丕賱賲丨鬲賱賷賳 賱賮乇賳爻丕 毓賱賶 噩丕賳 丿丕乇賰 貙 賵鬲乇賯亘 賲丨丕賰賲鬲賴丕 賲賳 賯亘賱 賯囟丕丞 賮乇賳爻賷賷賳 賲鬲毓丕賵賳賷賳 賲毓 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷
賵賲賳 丕賱賵丕囟丨 兀賳 賲丨丕賰賲丞 噩丕賳 丿丕乇賰 賰丕賳鬲 賲丨丕賰賲丞 氐賵乇賷丞 丕賱睾乇囟 賲賳賴丕 賲噩乇丿 丕賱卮賰賱 丕賱馗丕賴乇賷 賱賱賲丨丕賰賲丞 兀賲丕 丕賱丨賰賲 賮賴賵 賲毓乇賵賮 丕賱廿毓丿丕賲 兀賵 丕賱爻噩賳 丕賱賲丐亘丿 貙 賵賰賱 賲丕 賴賵 賲胤賱賵亘 禺賱丕賱 爻噩賳賴丕 賵賲丨丕賰賲鬲賴丕 廿囟毓丕賮 賴賲鬲賴丕 賵鬲卮賰賷賰 賲賳丕氐乇賷賴丕 賮賷賴丕貙 賵賱丕 賷賴鬲賲 賯囟丕鬲賴丕 亘鬲賵噩賷賴 丕賱丕鬲賴丕賲 賱賴丕 亘丕賱孬賵乇丞 囟丿 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷 貙 賵賱賰賳賴賲 賷賴鬲賲賵賳 亘鬲賵噩賷賴 丕賱丕鬲賴丕賲 賱賴丕 亘丕賱夭賳丿賯丞 賵丕賱禺乇賵噩 毓賳 丕賱毓賯賷丿丞 丕賱賲爻賷丨賷丞 賱丕丿毓丕卅賴丕 兀賳賴丕 鬲乇賶 賰丕卅賳丕鬲 乇賵丨賷丞 賵鬲鬲賵丕氐賱 賲毓賴丕 賵兀賳賴丕 鬲爻賲毓 兀氐賵丕鬲賴賲 賵賴賲 賷丨乇囟賵賳賴丕 毓賱賶 賲賯丕賵賲丞 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷
賵鬲鬲賲爻賰 噩丕賳 丿丕乇賰 亘賲賵賯賮賴丕 賵鬲氐賲丿 胤賵賷賱丕 貙 賵賱賰賳賴丕 賲毓 胤賵賱 爻噩賳賴丕 賵爻賵亍 賲毓丕賲賱鬲賴丕 賵鬲賴丿賷丿賴丕 亘丕賱賲賵鬲 丨乇賯丕 亘卮賰賱 亘胤卅 貙賵賱廿丨爻丕爻賴丕 兀賷囟丕 亘兀賳 丕賱賳丕爻 賲賳 卮毓亘賴丕 賱賲 賷毓賵丿賵丕 賷賴鬲賲賵賳 亘賴丕 -賱賰賱 賴匕丕 -丕爻鬲爻賱賲鬲 賵賵賯毓鬲 毓賱賶 賵乇賯丞 鬲毓鬲乇賮 賮賷賴丕 亘兀賳賴丕 賱丕 鬲鬲氐賱 亘兀賷 賰丕卅賳丕鬲 賵兀賳賴丕 賰匕亘鬲 賮賷賲丕 賯丕賱鬲賴 賲賳 賯亘賱
賵賲毓 鬲賵賯賷毓 噩丕賳 丿丕乇賰 毓賱賶 賴匕賴 丕賱賵孬賷賯丞 賮廿賳 賯囟丕丞 丕賱賲丨賰賲丞 丕賱匕賷賳 丨丕賰賲賵賴賲 賵胤賱亘賵丕 廿賱賷賴丕 丕賱鬲賵賯賷毓 毓賱賶 賴匕賴 丕賱賵孬賷賯丞 賱賲 賷賮賵丕 賱賴丕 亘賵毓丿賴賲 亘廿胤賱丕賯 爻乇丕丨賴丕 貙 賵兀賲乇賵丕 亘丕賱爻噩賳 丕賱賲丐亘丿 賱賴丕貙
賵丨賷賳 毓賱賲鬲 噩丕賳 亘兀賳 丕賱卮毓亘 賲丕夭丕賱 賷賳丕氐乇賴丕 貙 賵兀賳賴 鬲兀賱賲 賱鬲賵賯賷毓賴丕 鬲賱賰 丕賱賵孬賷賯丞 鈥� 毓丕丿鬲 賱丕乇鬲丿丕亍 賲賱丕亘爻 丕賱乇噩丕賱 丕賱鬲賷 賰丕賳鬲 鬲丨乇賲賴丕 丕賱賰賳賷爻丞 丌賳匕丕賰 毓賱賶 丕賱賳爻丕亍-賵噩丕賳 亘賴匕丕 鬲毓賱賳 毓氐賷丕賳賴丕 賲賳 噩丿賷丿 賵賰賵賳賴丕 鬲毓賵丿 賱賱賰賮丕丨 囟丿 丕賱賲爻鬲毓賲乇 丕賱廿賳噩賱賷夭賷-
賵賷兀賲乇 丕賱賯囟丕丞 丕賱匕賷賳 丨丕賰賲賵賳丕 賲賳 賯亘賱 亘賲賵鬲賴丕 丨乇賯丕 亘亘胤亍 賱鬲鬲毓匕亘 賯亘賱 賲賵鬲賴丕 貙 賵匕賱賰 賱賰賵賳賴丕 夭賳丿賷賯丞 禺丕乇噩丞 毓賱賶 丕賱卮乇賷毓丞 丕賱賲爻賷丨賷丞 貙賵鬲鬲氐賱 亘丕賱卮賷丕胤賷賳 卮兀賳 丕賱爻丕丨乇丕鬲
賵鬲丨乇賯 噩丕賳 丨賷丞 貙 賵鬲鬲兀賱賲 賯亘賷賱 賲賵鬲賴丕 賲賳 廿丨乇丕賯 丕賱賳丕乇 賱賴丕 貙 賵鬲毓賱賯 丕賱噩賵賯丞 亘兀賳 賲賵鬲 噩丕賳 賰丕賳 卮乇丕乇丞 賲賴賲丞 爻丕毓丿鬲 賮賷 廿卮毓丕賱 丕賱丨乇亘 毓賱賶 丕賱廿賳噩賱賷夭 丕賱賲丨鬲賱賷賳 賱賮乇賳爻丕 丨鬲賶 鬲賲 胤乇丿賴賲 賲賳 賮乇賳爻丕 賰賱賴丕- 廿賱丕 賲丿賳丕 賯賱賷賱丞 -亘毓丿 禺賲爻 爻賳賵丕鬲 賲賳 賯鬲賱 噩丕賳 丿丕乇賰
賵賮賷 馗賳賷 兀賳 賴匕賴 丕賱賲爻乇丨賷丞 賴賷 兀賴賲 賲爻乇丨賷丞 鬲兀孬乇 亘賴丕 氐賱丕丨 毓亘丿 丕賱氐亘賵乇 賮賷 賲爻乇丨賷鬲賴 賲兀爻丕丞 丕賱丨賱丕噩 貙 賮賮賷 賲兀爻丕丞 丕賱丨賱丕噩 賱毓亘丿 丕賱氐亘賵乇 賳乇賶 亘胤賱賴丕 丕賱丨賱丕噩 賷賯賵丿 孬賵乇丞 囟丿 亘毓囟 噩賵丕賳亘 賲賳 丕賱馗賱賲 賮賷 賲噩鬲賲毓賴貙 賵賴賵 兀賷囟丕 賷購鬲賴賲 賮賷 毓賯賷丿鬲賴 貙賵賷丨丕賰賲 賲丨丕賰賲丞 氐賵乇賷丞 貙 賵賷賴鬲賲 丕孬賳丕賳 賲賳 賯囟丕鬲賴 亘鬲賵噩賷賴 丕賱丕鬲賴丕賲 賱賴 亘丕賱夭賳丿賯丞 貙 賵賷鬲兀孬乇 亘毓囟 丕賱孬賵丕乇 亘兀賯賵丕賱賴 賮賷 丕賱丿毓賵丞 賱賱毓丿丕賱丞 賵賳亘匕 丕賱馗賱賲貙 賵鬲賳鬲賴賷 丨賷丕丞 丕賱丨賱丕噩 賰匕賱賰 亘廿毓丿丕賲賴
賵亘賴匕丕 賳乇賶 丕賱鬲卮丕亘賴 丕賱賵丕囟丨 亘賷賳 賲爻乇丨賷丞 賲兀爻丕丞 丕賱丨賱丕噩 賱毓亘丿 丕賱氐亘賵乇 賵賲爻乇丨賷丞 賲丨丕賰賲丞 噩丕賳 丿丕乇賰 賱亘乇賷禺鬲
賲賳賯賵賱 毓賳 兀.丿 毓賱賷 禺賱賷賮丞
賱丕 毓噩亘 兀賳 賳乇賶 亘毓囟 毓賳丕賵賷賳 賲爻乇丨賷丕鬲 亘乇賷禺鬲 賮賷賴丕 賱賮馗 丕賱賲丨丕賰賲丞 鈥� 賲孬賱 賲爻乇丨賷丞 賲丨丕賰賲丞 賱賵賰賵賱賵爻 賵賲爻乇丨賷丞 賲丨丕賰賲丞 噩丕賳 丿丕乇賰- 賮丕賱賲丨丕賰賲丞 丨丕囟乇丞 亘賯賵丞 賮賷 賲爻乇丨賷丕鬲賴 丨鬲賶 鬲賱賰 丕賱鬲賷 賱賷爻 賮賷 毓賳賵丕賳賴丕 賱賮馗 丕賱賲丨丕賰賲丞 -賵賲賳 匕賱賰 賲爻乇丨賷丞 丕賱丕爻鬲孬賳丕亍 賵丕賱賯丕毓丿丞 賵賲爻乇丨賷丞 亘丕丿賳 亘丕丿賳-貙 賵匕賱賰 賱賰賵賳賴 賷丨亘 胤乇丨 丕賱賯囟丕賷丕 丕賱爻賷丕爻賷丞 毓賱賶 噩賲賴賵乇賴 賲賳 禺賱丕賱 丕賱賲丨丕賰賲丕鬲 貙 賵賷毓乇囟 賱賴 禺賱丕賱 鬲賱賰 丕賱賲丨丕賰賲丕鬲 賵噩賴丕鬲 丕賱賳馗乇 丕賱賲禺鬲賱賮丞 丨賵賱賴丕 貙 賵毓賱賶 賰賱 賮乇丿 賮賷 丕賱噩賲賴賵乇 丕賱賲鬲賱賯賷 賱賴丕 兀賳 賷禺鬲丕乇 賱賳賮爻賴 賲賵賯賮丕 賲賳賴丕 貙 賵亘賴匕丕 賱丕 賷賰賵賳 鬲賱賯賷賴 爻賱亘賷丕 賱賴匕賴 丕賱賲爻乇丨賷丕鬲
賵卮禺氐賷丞 噩丕賳 丿丕乇賰 毓丕卮鬲 賮賷 賮乇賳爻丕 賮賷 丕賱賳氐賮 丕賱兀賵賱 賲賳 丕賱賯乇賳 丕賱禺丕賲爻 毓卮乇 貙 賵卮丕乇賰鬲 亘丕賱賳囟丕賱 囟丿 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷 賱兀噩夭丕亍 賰亘賷乇丞 賲賳 賮乇賳爻丕 丌賳匕丕賰 貙 賵丕禺鬲賱賮鬲 賳馗乇丞 丕賱賲丐乇禺賷賳 賵丕賱賲亘丿毓賷賳 賵乇噩丕賱 丕賱丿賷賳 賳丨賵賴丕 貙 賮賲賳賴賲 賲賳 乇兀賵賴丕 卮丕亘丞 賲賳丕囟賱丞 賯丕賵賲鬲 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷 亘丕賱爻賱丕丨 賵丕賱鬲丨乇賷囟 貙 賵賲賳賴賲 賲賳 乇兀賵賴丕 賯丿賷爻丞 賰丕賳鬲 毓賱賶 毓賱丕賯丞 賲爻鬲賲乇丞 亘賰丕卅賳丕鬲 乇賵丨賷丞 賰丕賳鬲 鬲乇卮丿賴丕 賮賷 胤乇賷賯賴丕 賮賷 丕賱丨賷丕丞 賵賮賽賷 丕賱孬賵乇丞 囟丿 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷 貙 賵賴賳丕賰 兀賷囟丕 賲賳 乇兀賵賴丕 賮鬲丕丞 兀氐丕亘賴丕 賲賻爻 賲賳 丕賱噩賳賵賳 貙 賵賰丕賳鬲 鬲鬲禺賷賱 兀賳 賴賳丕賰 賰丕卅賳丕鬲 乇賵丨賷丞 鬲鬲氐賱 亘賴丕 貙 賵兀賷囟丕 賴賳丕賰 賲賳 丕賱亘丕丨孬賷賳 賵丕賱賲丐乇禺賷賳 賵亘毓囟 乇噩丕賱 丕賱丿賷賳 賲賳 乇兀賵賴丕 夭賳丿賷賯丞 禺丕乇噩丞 毓賱賶 卮乇丕卅毓 丕賱賲爻賷丨賷丞
賵賲賳 兀卮賴乇 丕賱兀丿亘丕亍 丕賱匕賷賳 丕鬲禺匕賵丕 賲賳 爻賷乇鬲賴丕 賲爻乇丨賷丞 丕賱賰丕鬲亘 丕賱兀賷乇賱賳丿賷 噩賵乇噩 亘乇賳丕乇丿卮賵 賮賷 賲爻乇丨賷丞 丕賱賯丿賷爻丞 噩賵賳 貙 賵賰匕賱賰 丕賱賰丕鬲亘 丕賱兀賱賲丕賳賷 亘乇鬲賵賱丿 亘乇賷禺鬲 賮賷 賲爻乇丨賷丞 賲丨丕賰賲丞 噩丕賳 丿丕乇賰
賵賲爻乇丨賷丞 賲丨丕賰賲丞 噩丕賳 丿丕乇賰 賱亘乇賷禺鬲 貙 賮賷賴丕 賲夭賷噩 賲賳 丕賱賲爻乇丨 丕賱賲賱丨賲賷 賵丕賱賲爻乇丨 丕賱鬲爻噩賷賱賷 貙 賮鬲亘丿賵 賮賷賴丕 亘毓囟 爻賲丕鬲 丕賱賲爻乇丨 丕賱鬲爻噩賷賱賷 賮賷 丨乇氐 亘乇賷禺鬲 毓賱賶 匕賰乇賴 亘毓囟 丕賱賲毓賱賵賲丕鬲 毓賳 噩丕賳 丿丕乇賰 賵鬲賮丕氐賷賱 賲丨丕賰賲丕鬲賴丕 貙 賵兀孬乇 賲丨丕賰賲丕鬲賴丕 毓賱賶 噩賲賴賵乇 丕賱賳丕爻 賮賷 賮乇賳爻丕 丌賳匕丕賰 貙 賵賲丕 賳鬲噩 毓賳 賯鬲賱賴丕 丨乇賯丕 賲賳 孬賵乇丞 賯丕賲鬲 亘毓丿 賲賵鬲賴丕 亘賳丨賵 禺賲爻 爻賳賵丕鬲 賳鬲噩 毓賳賴丕 胤乇丿 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷 賲賳 賮乇賳爻丕 廿賱丕 賲丿賳丕 賯賱賷賱丞 賲賳賴丕
賵兀賷囟丕 賲賳 賲賱丕賲丨 丕賱賲爻乇丨 丕賱賲賱丨賲賷 賮賷賴丕 賵噩賵丿 丕賱噩賵賯丞 丕賱鬲賷 鬲賯賵賲 亘爻乇丿 亘毓囟 丕賱兀丨丿丕孬 賵丕賱鬲毓賱賷賯 毓賱賷賴丕 貙 賵毓乇囟 丕賱賲丨丕賰賲丕鬲 丕賱鬲賷 鬲毓乇囟 賲賵賯賮 賯囟丕丞 丕賱賲丨賰賲丞 賲賳 噩丕賳 丿丕乇賰 賵鬲毓賱賷賯 亘毓囟 丕賱毓丕賲丞 毓賱賶 賴匕賴 丕賱賲丨丕賰賲丕鬲 貙 賵丕爻鬲賳賮丕乇 丕賱賲卮丕賴丿 賱賰賷 賷賰賵賳 賱賴 賲賵賯賮 賲賳 丕賱丕鬲賴丕賲丕鬲 丕賱鬲賷 賵噩賴鬲 賱噩丕賳 丿丕乇賰
賵丕賱賲爻乇丨賷丞 鬲亘丿兀 亘鬲毓賱賷賯 丕賱噩賵賯丞 毓賱賶 賯亘囟 丕賱廿賳噩賱賷夭 丕賱賲丨鬲賱賷賳 賱賮乇賳爻丕 毓賱賶 噩丕賳 丿丕乇賰 貙 賵鬲乇賯亘 賲丨丕賰賲鬲賴丕 賲賳 賯亘賱 賯囟丕丞 賮乇賳爻賷賷賳 賲鬲毓丕賵賳賷賳 賲毓 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷
賵賲賳 丕賱賵丕囟丨 兀賳 賲丨丕賰賲丞 噩丕賳 丿丕乇賰 賰丕賳鬲 賲丨丕賰賲丞 氐賵乇賷丞 丕賱睾乇囟 賲賳賴丕 賲噩乇丿 丕賱卮賰賱 丕賱馗丕賴乇賷 賱賱賲丨丕賰賲丞 兀賲丕 丕賱丨賰賲 賮賴賵 賲毓乇賵賮 丕賱廿毓丿丕賲 兀賵 丕賱爻噩賳 丕賱賲丐亘丿 貙 賵賰賱 賲丕 賴賵 賲胤賱賵亘 禺賱丕賱 爻噩賳賴丕 賵賲丨丕賰賲鬲賴丕 廿囟毓丕賮 賴賲鬲賴丕 賵鬲卮賰賷賰 賲賳丕氐乇賷賴丕 賮賷賴丕貙 賵賱丕 賷賴鬲賲 賯囟丕鬲賴丕 亘鬲賵噩賷賴 丕賱丕鬲賴丕賲 賱賴丕 亘丕賱孬賵乇丞 囟丿 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷 貙 賵賱賰賳賴賲 賷賴鬲賲賵賳 亘鬲賵噩賷賴 丕賱丕鬲賴丕賲 賱賴丕 亘丕賱夭賳丿賯丞 賵丕賱禺乇賵噩 毓賳 丕賱毓賯賷丿丞 丕賱賲爻賷丨賷丞 賱丕丿毓丕卅賴丕 兀賳賴丕 鬲乇賶 賰丕卅賳丕鬲 乇賵丨賷丞 賵鬲鬲賵丕氐賱 賲毓賴丕 賵兀賳賴丕 鬲爻賲毓 兀氐賵丕鬲賴賲 賵賴賲 賷丨乇囟賵賳賴丕 毓賱賶 賲賯丕賵賲丞 丕賱賲丨鬲賱 丕賱廿賳噩賱賷夭賷
賵鬲鬲賲爻賰 噩丕賳 丿丕乇賰 亘賲賵賯賮賴丕 賵鬲氐賲丿 胤賵賷賱丕 貙 賵賱賰賳賴丕 賲毓 胤賵賱 爻噩賳賴丕 賵爻賵亍 賲毓丕賲賱鬲賴丕 賵鬲賴丿賷丿賴丕 亘丕賱賲賵鬲 丨乇賯丕 亘卮賰賱 亘胤卅 貙賵賱廿丨爻丕爻賴丕 兀賷囟丕 亘兀賳 丕賱賳丕爻 賲賳 卮毓亘賴丕 賱賲 賷毓賵丿賵丕 賷賴鬲賲賵賳 亘賴丕 -賱賰賱 賴匕丕 -丕爻鬲爻賱賲鬲 賵賵賯毓鬲 毓賱賶 賵乇賯丞 鬲毓鬲乇賮 賮賷賴丕 亘兀賳賴丕 賱丕 鬲鬲氐賱 亘兀賷 賰丕卅賳丕鬲 賵兀賳賴丕 賰匕亘鬲 賮賷賲丕 賯丕賱鬲賴 賲賳 賯亘賱
賵賲毓 鬲賵賯賷毓 噩丕賳 丿丕乇賰 毓賱賶 賴匕賴 丕賱賵孬賷賯丞 賮廿賳 賯囟丕丞 丕賱賲丨賰賲丞 丕賱匕賷賳 丨丕賰賲賵賴賲 賵胤賱亘賵丕 廿賱賷賴丕 丕賱鬲賵賯賷毓 毓賱賶 賴匕賴 丕賱賵孬賷賯丞 賱賲 賷賮賵丕 賱賴丕 亘賵毓丿賴賲 亘廿胤賱丕賯 爻乇丕丨賴丕 貙 賵兀賲乇賵丕 亘丕賱爻噩賳 丕賱賲丐亘丿 賱賴丕貙
賵丨賷賳 毓賱賲鬲 噩丕賳 亘兀賳 丕賱卮毓亘 賲丕夭丕賱 賷賳丕氐乇賴丕 貙 賵兀賳賴 鬲兀賱賲 賱鬲賵賯賷毓賴丕 鬲賱賰 丕賱賵孬賷賯丞 鈥� 毓丕丿鬲 賱丕乇鬲丿丕亍 賲賱丕亘爻 丕賱乇噩丕賱 丕賱鬲賷 賰丕賳鬲 鬲丨乇賲賴丕 丕賱賰賳賷爻丞 丌賳匕丕賰 毓賱賶 丕賱賳爻丕亍-賵噩丕賳 亘賴匕丕 鬲毓賱賳 毓氐賷丕賳賴丕 賲賳 噩丿賷丿 賵賰賵賳賴丕 鬲毓賵丿 賱賱賰賮丕丨 囟丿 丕賱賲爻鬲毓賲乇 丕賱廿賳噩賱賷夭賷-
賵賷兀賲乇 丕賱賯囟丕丞 丕賱匕賷賳 丨丕賰賲賵賳丕 賲賳 賯亘賱 亘賲賵鬲賴丕 丨乇賯丕 亘亘胤亍 賱鬲鬲毓匕亘 賯亘賱 賲賵鬲賴丕 貙 賵匕賱賰 賱賰賵賳賴丕 夭賳丿賷賯丞 禺丕乇噩丞 毓賱賶 丕賱卮乇賷毓丞 丕賱賲爻賷丨賷丞 貙賵鬲鬲氐賱 亘丕賱卮賷丕胤賷賳 卮兀賳 丕賱爻丕丨乇丕鬲
賵鬲丨乇賯 噩丕賳 丨賷丞 貙 賵鬲鬲兀賱賲 賯亘賷賱 賲賵鬲賴丕 賲賳 廿丨乇丕賯 丕賱賳丕乇 賱賴丕 貙 賵鬲毓賱賯 丕賱噩賵賯丞 亘兀賳 賲賵鬲 噩丕賳 賰丕賳 卮乇丕乇丞 賲賴賲丞 爻丕毓丿鬲 賮賷 廿卮毓丕賱 丕賱丨乇亘 毓賱賶 丕賱廿賳噩賱賷夭 丕賱賲丨鬲賱賷賳 賱賮乇賳爻丕 丨鬲賶 鬲賲 胤乇丿賴賲 賲賳 賮乇賳爻丕 賰賱賴丕- 廿賱丕 賲丿賳丕 賯賱賷賱丞 -亘毓丿 禺賲爻 爻賳賵丕鬲 賲賳 賯鬲賱 噩丕賳 丿丕乇賰
賵賮賷 馗賳賷 兀賳 賴匕賴 丕賱賲爻乇丨賷丞 賴賷 兀賴賲 賲爻乇丨賷丞 鬲兀孬乇 亘賴丕 氐賱丕丨 毓亘丿 丕賱氐亘賵乇 賮賷 賲爻乇丨賷鬲賴 賲兀爻丕丞 丕賱丨賱丕噩 貙 賮賮賷 賲兀爻丕丞 丕賱丨賱丕噩 賱毓亘丿 丕賱氐亘賵乇 賳乇賶 亘胤賱賴丕 丕賱丨賱丕噩 賷賯賵丿 孬賵乇丞 囟丿 亘毓囟 噩賵丕賳亘 賲賳 丕賱馗賱賲 賮賷 賲噩鬲賲毓賴貙 賵賴賵 兀賷囟丕 賷購鬲賴賲 賮賷 毓賯賷丿鬲賴 貙賵賷丨丕賰賲 賲丨丕賰賲丞 氐賵乇賷丞 貙 賵賷賴鬲賲 丕孬賳丕賳 賲賳 賯囟丕鬲賴 亘鬲賵噩賷賴 丕賱丕鬲賴丕賲 賱賴 亘丕賱夭賳丿賯丞 貙 賵賷鬲兀孬乇 亘毓囟 丕賱孬賵丕乇 亘兀賯賵丕賱賴 賮賷 丕賱丿毓賵丞 賱賱毓丿丕賱丞 賵賳亘匕 丕賱馗賱賲貙 賵鬲賳鬲賴賷 丨賷丕丞 丕賱丨賱丕噩 賰匕賱賰 亘廿毓丿丕賲賴
賵亘賴匕丕 賳乇賶 丕賱鬲卮丕亘賴 丕賱賵丕囟丨 亘賷賳 賲爻乇丨賷丞 賲兀爻丕丞 丕賱丨賱丕噩 賱毓亘丿 丕賱氐亘賵乇 賵賲爻乇丨賷丞 賲丨丕賰賲丞 噩丕賳 丿丕乇賰 賱亘乇賷禺鬲
賲賳賯賵賱 毓賳 兀.丿 毓賱賷 禺賱賷賮丞
August 22, 2022
鬲毓乇賮鬲 毓賱賶 丕賱賰鬲丕亘 賵 賯氐丞 卮禺氐賷鬲賴 賲賳 丕賱丕匕丕毓丞 丕賱賲氐乇賷丞 丨賷孬 丕賳賴丕 賯丕賲鬲 亘鬲爻噩賷賱 丕賱賲爻乇丨賷丞 賵 丕賱丨賯賷賯丞 鬲卮賰乇 毓賱賶 匕賱賰
丕賱賲爻乇丨賷丞 毓賳 丕賱賮鬲丕丞 噩丕賳 丿丕乇賰 丕賱鬲賷 賰丕賳鬲 賲賯丕賵賲丞 丨丕乇亘鬲 丕賱丕賳噩賱賷夭 賱鬲丨乇賷乇 亘賱丿賴丕 賮乇賳爻丕 賵 毓夭鬲 匕賱賰 賱乇丐賶 丕賱丕賴賷丞 丕賲乇鬲賴丕 亘匕賱 禺賱丕賱 丨乇亘 100 毓丕賲 賵 賲賴丿鬲 丕賱胤乇賷賯 賱卮丕乇賱 7 賱賷毓鬲賱賷 毓乇卮 賮乇賳爻丕 孬賲 鬲賲 丕賱賯亘囟 毓賱賷賴丕 賵 丨賵賰賲鬲 亘爻亘亘 丕鬲賴丕賲丕鬲 丕賱賰賳賷爻丞 賱賴丕 亘丕賱夭賳丿賯丞 賵 丕乇鬲丿丕亍 賲賱丕亘爻 丕賱乇噩丕賱 賵 鬲賲 丕毓丿丕賲賴丕
亘毓丿 爻賳賵丕鬲 鬲賲 丕毓丕丿丞 丕賱丕毓鬲亘丕乇 賱賴丕 賵 毓丿鬲 賯丿賷爻丞
丕賱賲爻乇丨賷丞 毓賳 丕賱賮鬲丕丞 噩丕賳 丿丕乇賰 丕賱鬲賷 賰丕賳鬲 賲賯丕賵賲丞 丨丕乇亘鬲 丕賱丕賳噩賱賷夭 賱鬲丨乇賷乇 亘賱丿賴丕 賮乇賳爻丕 賵 毓夭鬲 匕賱賰 賱乇丐賶 丕賱丕賴賷丞 丕賲乇鬲賴丕 亘匕賱 禺賱丕賱 丨乇亘 100 毓丕賲 賵 賲賴丿鬲 丕賱胤乇賷賯 賱卮丕乇賱 7 賱賷毓鬲賱賷 毓乇卮 賮乇賳爻丕 孬賲 鬲賲 丕賱賯亘囟 毓賱賷賴丕 賵 丨賵賰賲鬲 亘爻亘亘 丕鬲賴丕賲丕鬲 丕賱賰賳賷爻丞 賱賴丕 亘丕賱夭賳丿賯丞 賵 丕乇鬲丿丕亍 賲賱丕亘爻 丕賱乇噩丕賱 賵 鬲賲 丕毓丿丕賲賴丕
亘毓丿 爻賳賵丕鬲 鬲賲 丕毓丕丿丞 丕賱丕毓鬲亘丕乇 賱賴丕 賵 毓丿鬲 賯丿賷爻丞
October 13, 2020
賷馗賱 亘乇賷禺鬲 賰丕鬲亘賷 丕賱賲賮囟賱 鉂わ笍鉂わ笍鉂わ笍
December 27, 2021
丕賱廿匕丕毓丞 毓丕賲賱丞 賲爻乇丨賷丕鬲 賲賳 丕賱兀丿亘 丕賱毓丕賱賲賷 賰賱賴賲 噩賲丕賱
July 26, 2023
噩賲賷賱丞 丨賯賷賯賶, 賰鬲兀乇賷禺 賱廿丨丿賶 兀賴賲 丕賱卮禺氐賷丕鬲 丕賱賱賶 兀賱賴賲鬲 丕賱卮毓亘 丕賱賮乇賳爻賶 賱賲賯丕賵賲丞 丕賱丕丨鬲賱丕賱 丕賱丕賳噩賱賷夭賶. 丕賱兀丿丕亍 丕賱賲爻乇丨賶 賲賲鬲丕夭 賵禺丕氐丞 兀丿丕亍 丕賱賲賲孬賱 噩賲丕賱 廿爻賲丕毓賷賱 賵賲丐丿賷丞 卮禺氐賷丞 丕賱賲賵賲爻
Displaying 1 - 8 of 8 reviews
Can't find what you're looking for?
Get help and learn more about the design.