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唳涏唳侧唳唳侧
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唳忇 唳唳熰唳� 唳唳粪Ο唳监Μ唳膏唳む唳� 唳曕唳涏 唳曕唳涏 唳呧唳� 唳唳撪Ο唳监 唳唳 唳溹唳Θ 唳膏唳唳む唳む, 唳曕唳ㄠ唳む 唳む唳� 唳膏唳唳� 唳嗋Σ唳距Ζ唳� -唳膏Π唰嬥Μ唳班唳� 唳膏唰嵿唰� 唳澿Π唳｀唳� 唳むΛ唳距Δ唰囙Π 唳Δ唰� 啷� 唳膏 唳灌Σ 唳曕唳灌唳ㄠ, 唳� 唳灌Σ 唳曕唳曕Σ唳� ,唳膏唳熰 唳︵唳栢 唳︵唳氞唳涏 唳澿唳∴唳苦Δ唰�, 唳忇唳� 唳︵唳栢 唳︵唳氞唳涏 唳椸唳涏啷� 唳Σ唰囙Π 唳膏唰嵿唰� 唳氞唳� 唳︵唳曕唳� 唳∴唳侧Κ唳距Σ唳距唰� 唳唳侧唳唰� 唳︵唳唰� 唳唳班唳距Χ 唳唳唰囙唰囙イ 唳曕唳涏唳曕唳� 唳灌Σ 唳忇唳熰 唳曕Μ唳苦Δ唳距Π 唳唳唰� 唳忇Π 唳曕唳涏 唳曕唳涏 唳氞唳灌唳班 唳︵唳栢 唳︵唳唰囙唳苦Σ, 唳膏唳熰 唳Ζ唰嵿Ο唰囙Π 唳唳侧Ξ唰囙イ 唳唳熰唳� 唳ㄠ唳� 鈥樴唳∴唳距Π 唳曕Μ唳库€� 啷� 唳む唳む 唳唰佮Θ唳� 唳涏唳� 唳曕唳涏 唳ㄠ唳唳侧唰囙Π ,唳曕唳涏 唳膏唳唳侧唰囙Π啷� 唳む唳む 唳栢唳多唳� 唳唳班唳距Χ 唳涏唳� 唳呧Θ唰囙唳熰唳� 唳涏唳侧 唳唳ㄠ唳粪 唳栢唳唳距Σ唰囙Π啷� 唳� 唳唳熰唳む 唳唳侧Ν唳距Ψ唳苦Δ 唳椸Ζ唰嵿Ο唰囙Π啷�
75 pages, Paperback
First published September 1, 1947
70 people are currently reading
948 people want to read
About the author
Rabindranath Tagore
2,716听books4,150听followersAwarded the Nobel Prize in Literature in 1913 "because of his profoundly sensitive, fresh and beautiful verse, by which, with consummate skill, he has made his poetic thought, expressed in his own English words, a part of the literature of the West."
Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced), and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed鈥攐r panned鈥攆or their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla.
The complete works of Rabindranath Tagore (唳班Μ唰€唳ㄠ唳︵唳� 唳班唳ㄠ唳Σ唰€) in the original Bengali are now available at these third-party websites:
Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced), and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed鈥攐r panned鈥攆or their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla.
The complete works of Rabindranath Tagore (唳班Μ唰€唳ㄠ唳︵唳� 唳班唳ㄠ唳Σ唰€) in the original Bengali are now available at these third-party websites:
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Displaying 1 - 30 of 95 reviews
January 9, 2023
All the nostalgic feels ... The writing is really beautiful.
Tagore is still one of my favourite authors when it comes to poetry, nonfiction and fiction.
He was one phenomenal personality and I just can鈥檛 stop reading and rereading his books.
This book 鈥楳y Boyhood Days鈥� is a short memoir of the author鈥檚 younger days. It鈥檚 written with such wit and humour that it feels like he鈥檚 talking to you as his most trusted friend.
The author narrated in such a singsong language about his education, the people in his household, the teachers or the gurus who taught him, his journey in learning in various subjects and his surroundings.
But most of all I love his musings on solitude and his description on Calcutta.
It鈥檚 a short read with short chapters. You will complete reading this book of just 87 pages in one day.
Tagore is still one of my favourite authors when it comes to poetry, nonfiction and fiction.
He was one phenomenal personality and I just can鈥檛 stop reading and rereading his books.
This book 鈥楳y Boyhood Days鈥� is a short memoir of the author鈥檚 younger days. It鈥檚 written with such wit and humour that it feels like he鈥檚 talking to you as his most trusted friend.
The author narrated in such a singsong language about his education, the people in his household, the teachers or the gurus who taught him, his journey in learning in various subjects and his surroundings.
But most of all I love his musings on solitude and his description on Calcutta.
It鈥檚 a short read with short chapters. You will complete reading this book of just 87 pages in one day.
March 4, 2021
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唳嗋Ξ唳距Π 唳嗋Δ唰嵿Ξ唳溹唳Θ唰€ 唳Α唳监Δ唰� 唳呧Θ唰囙 唳唳侧 唳侧唳椸, 唳嗋Ξ唳� 唳唳熰唳曕 唳氞唳� 唳む唳班唳� 唳︵唳む唳� 唳曕唳ㄠ唳む, 唳忇唳� 唳Α唳监 唳嗋Ξ唳距Π 唳呧唰嵿Ψ唳 唳唳侧Μ唰囙Π唳� 唳Α唳监唳� 唳Δ 唳呧Θ唰佮Ν唰傕Δ唳� 唳灌Ο唳监Θ唳苦イ 唳嗋Ξ唳� 唳Σ唳涏唳ㄠ 唳唳熰 唳唳侧唳ㄠ, 唳曕唳ㄠ唳む 唳曕唳涏 唳 唳嗋唰囙Θ唳�, 唳呧Θ唰囙唳︵唳� 唳Θ唰� 唳ム唳曕 唳Α唳监唳� 唳Π唰�, 唳撪唳班唳� 唳Θ唰� 唳灌Ο唳监Θ唳苦イ
October 8, 2017
唳Α唳监Δ唰� 唳Α唳监Δ唰� 唳唳∴Θ唳距唳� 唳囙Θ 唳唳唳班唳膏唳� 唳曕Ε唳� 唳Θ唰� 唳灌唰嵿唳苦Σ啷� 唳 唳唳� 唳唳椸 唳唳� 唳曕Π唰� , 唳膏唳� 唳唳� 唳ㄠ唳唰� 唳む唳� 唳Η唰嵿Ο唰� 唳忇唳熰 唳呧Δ唰冟Κ唰嵿Δ唳� 唳曕唳� 唳曕Π唰囙イ 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε唳� 唳︵唳栢Σ唳距Ξ, 唳唳溹唳� 唳唳粪唳熰, 唳︵唳曕唳ㄠ唳� 唳嗋唳距Π 唳忇Ω唳� 唳ㄠ唳唰� 唳唳� 唳呧Ν唳苦Ο唰嬥 唳曕Π唳侧唳ㄠイ 唳唳多唳Ν唳距Π唳む唳� 唳忇Α唳苦Χ唳ㄠ 唳嗋Π唰� 唳忇唳熰 唳唳粪Ο唳� 唳氞唳栢 唳Α唳监Σ唰�, 唳忇 唳 唳膏Κ唰嵿Δ唳� 唳多唳班唳｀唳む 唳Α唳监唳ㄠ 唳灌Ο唳监イ 唳︵唳栢 唳唳侧 唳侧唳椸Σ唰嬥イ 唳膏Δ唰嵿Ο唳� 唳Σ唳む 唳曕, 唳嗋唰€唳Θ 唳班Μ唰€唳ㄠ唳︵唳班Π唳膏 唳唰嵿唳苦Δ 唳涏唳侧唳イ 唳忇唳溹Θ唰嵿Ο, 唳︵唳班唳む 唳灌Σ唰囙 唳多唳班 唳曕Π唰囙唳� 唳む唳� 唳Θ唳ㄠ 唳夃唳曕 唳︵唳撪Ο唳监! 唳忇 唳唳唰囙Π 唳忇唳熰 唳曕Ε唳� 唳Θ唰� 唳唳� 唳唳� 唳樴唳班唰�, '唳Π唳氞-唳Α唳监 唳嗋Σ唰�'啷� <3
May 1, 2023
"唳 唳 唳ㄠΟ唳� 唳ㄠ唳溹唳曕 唳む唳� 唳唳� 唳曕唳� 唳唳, 唳む唳� 唳唳ム 唳灌唳佮 唳曕Π唰� 唳︵唳唳� 唳忇 唳︵唳Δ唳� 唳む唳班 唳ム唳曕唳ㄠイ"
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唳忇唳� '唳溹唳Θ唳膏唳唳む' 唳Α唳监 唳む唳� 唳溹唳Θ唰囙Π 唳嗋Δ唰嵿Ξ唳距Π 唳忇唳熰 唳呧唳� 唳ㄠ唳溹唳� 唳Η唰嵿Ο唰� 唳ㄠ唳唰� 唳嗋Ω唳イ
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唳嗋Θ唳Θ唳� 唳Ζ唳� 唳灌 唳忇 唳む唳�
唳呧Ξ唳ㄠ 唳膏Π唰嵿Μ唳ㄠ唳多イ'
唳Θ唰� 唳Θ唰� 唳灌唳膏 唳唳� 唳曕Π唳� 唳唳�
唳曕唰� 唳曕Μ唳苦唳距Ο唳监, "唳唳班 唳ㄠ唳曕 唳嗋Π,
唳樴Π-唳膏唳膏唳� 唳椸唳� 唳涏唳班唳栢唳�,
唳膏Μ 唳む唳む 唳Π唳苦唳距Ω啷�' 啷�
----- 唳曕Μ唳苦唰佮Π唰�
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唳忇唳� '唳溹唳Θ唳膏唳唳む' 唳Α唳监 唳む唳� 唳溹唳Θ唰囙Π 唳嗋Δ唰嵿Ξ唳距Π 唳忇唳熰 唳呧唳� 唳ㄠ唳溹唳� 唳Η唰嵿Ο唰� 唳ㄠ唳唰� 唳嗋Ω唳イ
唳む唳� 唳む 唳曕Κ唳距唰� 唳侧唳椸唳囙Ο唳监 唳栢唳�
唳膏唳Π唰嵿唰� 唳Π唰嵿Δ唰嵿Ο唰� 唳栢唳佮唳苦Δ唰囙唳� 唳唳�,
唳嗋Θ唳Θ唳� 唳Ζ唳� 唳灌 唳忇 唳む唳�
唳呧Ξ唳ㄠ 唳膏Π唰嵿Μ唳ㄠ唳多イ'
唳Θ唰� 唳Θ唰� 唳灌唳膏 唳唳� 唳曕Π唳� 唳唳�
唳曕唰� 唳曕Μ唳苦唳距Ο唳监, "唳唳班 唳ㄠ唳曕 唳嗋Π,
唳樴Π-唳膏唳膏唳� 唳椸唳� 唳涏唳班唳栢唳�,
唳膏Μ 唳む唳む 唳Π唳苦唳距Ω啷�' 啷�
----- 唳曕Μ唳苦唰佮Π唰�
May 7, 2022
"唳Ο唳监Ω 唳む唳� 唳涏唳� 唳曕唳佮唳� - 唳灌唳侧唳� 唳︵唳灌唳距Θ唳�
唳涏唳� 唳唳栢唳� 唳Δ,唳多唳о 唳涏唳� 唳ㄠ 唳む唳� 唳∴唳ㄠ啷� "
唳呧Ζ唰嵿Ν唰佮Δ 唳忇唳熰 唳膏Ξ唳唰� 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε 唳唳∴唰� 唳夃唰囙唰囙Θ啷� 唳む唳� 唳ㄠ 唳唳溹Σ唳� 唳唳む 唳涏唳�,唳ㄠ 唳涏唳� 唳唳熰Π 唳椸唳∴唳苦イ 唳Σ唳� 唳唳侧 唳唳侧唳苦Π 唳唳椸 唳溹Θ唰嵿Ξ唰� 唳涏唳侧唳� 唳班Μ唰€啷� 唳唳侧唳� 唳ㄠ唳唰� 唳栢唳侧Δ唰� 唳� 唳唳� 唳唳ㄠ唳� 唳曕Π唳� 唳班Μ唰€啷� 唳むΜ唰� 唳呧Θ唰嵿Ο 唳唳氞唳氞唳︵唳� 唳Δ 唳忇唳︵Ξ 唳栢唳侧唳唳侧 唳溹唳Θ 唳涏唳� 唳ㄠ 唳班Μ唰€唳班イ 唳唳む唳Ζ唰囙Π 唳ㄠ唳班Ζ唳距Π唳� 唳む 唳ム唳曕Δ唰� 唳灌Δ唰� 唳膏Π唰嵿Μ唳︵啷� 唳忇Π 唳唳囙Π唰� 唳Δ唳熰唳曕 唳膏Ξ唳 唳唳撪Ο唳监 唳唳�, 唳膏 唳膏Ξ唳唳熰唳曕唳む 唳班Μ唰€ 唳涏唳熰唳唰� 唳ㄠ唳� 唳む唳佮Π 唳曕Σ唰嵿Κ唳ㄠ唳� 唳班Ε啷�
唳呧Ω唳唳Μ 唳膏唳ㄠ唳︵Π 唳忇唳熰 唳啷� 唳忇 唳Ω唳距Δ唰� 唳多唳� 唳曕Π唳� 唳唳啷� 唳むΜ唰佮 唳嗋Ξ唳� 唳Δ唰囙Ψ唰嵿 唳膏Ξ唳 唳ㄠ唳唰� 唳о唳� 唳侧Ο唳监 唳Α唳监唳涏啷� 唳呧Ω唳距Η唳距Π唳� 唳侧唳椸唳涏啷� 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε唰囙Π 唳侧唳栢 唳栢唳� 唳� 唳曕Ξ 唳Α唳监唳涏啷� 唳忇 唳 唳︵唳唰� 唳多唳班 唳曕Π唳侧唳�,唳忇 唳班Ε 唳氞Σ唳む 唳ム唳曕Μ唰囙イ
唳涏唳� 唳唳栢唳� 唳Δ,唳多唳о 唳涏唳� 唳ㄠ 唳む唳� 唳∴唳ㄠ啷� "
唳呧Ζ唰嵿Ν唰佮Δ 唳忇唳熰 唳膏Ξ唳唰� 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε 唳唳∴唰� 唳夃唰囙唰囙Θ啷� 唳む唳� 唳ㄠ 唳唳溹Σ唳� 唳唳む 唳涏唳�,唳ㄠ 唳涏唳� 唳唳熰Π 唳椸唳∴唳苦イ 唳Σ唳� 唳唳侧 唳唳侧唳苦Π 唳唳椸 唳溹Θ唰嵿Ξ唰� 唳涏唳侧唳� 唳班Μ唰€啷� 唳唳侧唳� 唳ㄠ唳唰� 唳栢唳侧Δ唰� 唳� 唳唳� 唳唳ㄠ唳� 唳曕Π唳� 唳班Μ唰€啷� 唳むΜ唰� 唳呧Θ唰嵿Ο 唳唳氞唳氞唳︵唳� 唳Δ 唳忇唳︵Ξ 唳栢唳侧唳唳侧 唳溹唳Θ 唳涏唳� 唳ㄠ 唳班Μ唰€唳班イ 唳唳む唳Ζ唰囙Π 唳ㄠ唳班Ζ唳距Π唳� 唳む 唳ム唳曕Δ唰� 唳灌Δ唰� 唳膏Π唰嵿Μ唳︵啷� 唳忇Π 唳唳囙Π唰� 唳Δ唳熰唳曕 唳膏Ξ唳 唳唳撪Ο唳监 唳唳�, 唳膏 唳膏Ξ唳唳熰唳曕唳む 唳班Μ唰€ 唳涏唳熰唳唰� 唳ㄠ唳� 唳む唳佮Π 唳曕Σ唰嵿Κ唳ㄠ唳� 唳班Ε啷�
唳呧Ω唳唳Μ 唳膏唳ㄠ唳︵Π 唳忇唳熰 唳啷� 唳忇 唳Ω唳距Δ唰� 唳多唳� 唳曕Π唳� 唳唳啷� 唳むΜ唰佮 唳嗋Ξ唳� 唳Δ唰囙Ψ唰嵿 唳膏Ξ唳 唳ㄠ唳唰� 唳о唳� 唳侧Ο唳监 唳Α唳监唳涏啷� 唳呧Ω唳距Η唳距Π唳� 唳侧唳椸唳涏啷� 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε唰囙Π 唳侧唳栢 唳栢唳� 唳� 唳曕Ξ 唳Α唳监唳涏啷� 唳忇 唳 唳︵唳唰� 唳多唳班 唳曕Π唳侧唳�,唳忇 唳班Ε 唳氞Σ唳む 唳ム唳曕Μ唰囙イ
October 27, 2019
Writing one year before he died, Tagore's reminiscences about his childhood come off as very nostalgic and evocative. The youngest of thirteen(!) children, Tagore was a much loved child, not only by his parents but by his elder brothers and sisters. He also made a very close friend in his sister-in-law, Kadambari Devi, as they were pretty much children together.
I loved how Tagore contrasts life in 1940 as compared to the last decades of the 1800s, and bemoans the loss of greenery and old-style life. Of course, you would expect an 80 year old man to become evocative and lyrical about his childhood even if it was a horrible one, and Tagore's certainly wasn't! I loved the contrast between the cultures of the times. Women were no longer observing purdah, people had electricity, not to mention chocolates.
It is hardly surprising that Tagore went on to win the Nobel. He was schooled in music, wrestling, drawing, English, gymnastics, in addition to the usual school curriculum. Several of his brothers were already writers and composers, though I am not sure if any of their work remains. The family was in the forefront of change, what with abolishing purdah in their home, sending girls to school, and so on.
My Boyhood Days covers Tagore's younger days until he goes to England. I really enjoyed this and am looking forward to reading the more detailed My Reminiscences at some point soon. Even if you aren't really interested in Tagore, this book is worth reading because of how beautifully evocative it is!
I loved how Tagore contrasts life in 1940 as compared to the last decades of the 1800s, and bemoans the loss of greenery and old-style life. Of course, you would expect an 80 year old man to become evocative and lyrical about his childhood even if it was a horrible one, and Tagore's certainly wasn't! I loved the contrast between the cultures of the times. Women were no longer observing purdah, people had electricity, not to mention chocolates.
It is hardly surprising that Tagore went on to win the Nobel. He was schooled in music, wrestling, drawing, English, gymnastics, in addition to the usual school curriculum. Several of his brothers were already writers and composers, though I am not sure if any of their work remains. The family was in the forefront of change, what with abolishing purdah in their home, sending girls to school, and so on.
My Boyhood Days covers Tagore's younger days until he goes to England. I really enjoyed this and am looking forward to reading the more detailed My Reminiscences at some point soon. Even if you aren't really interested in Tagore, this book is worth reading because of how beautifully evocative it is!
March 26, 2021
唳ㄠ唳ㄠ 唳膏Ξ唳唰�, 唳ㄠ唳ㄠ 唳曕Ε唳距Π 唳唳∴唰� 唳忇 唳唳熰 唳ム唳曕 唳夃Ζ唰嵿Η唰冟Δ唳� 唳夃唰� 唳嗋Ω唰囙イ 唳唳唰囙Π 唳唳栢, 唳︵唳唳班唳� 唳唳侧唳�-唳唳涏唳ㄠ 唳膏唳栢 唳Θ唰� 唳Α唳监 唳膏唳� 唳Θ唰嵿Ζ唳� 唳唳侧唳熰唳� 唳曕Ε唳锯€� 唳 唳︵唳熰 唳氞唳� 唳︵唳唰� 唳唳ム唳唳曕 唳侧唳熰 唳ㄠ唳唰囙唳苦Σ, 唳嗋Π 唳膏唳� 唳膏Ξ唰嵿Κ唳� 唳溹Ξ唳苦Ο唳监 唳班唳栢唳涏唳� 唳ㄠ唳溹唳� 唳Θ唰囙Π 唳唳澿啷�
唳Π唰�, 唳呧Θ唰囙 唳Π唰�, 唳栢唳侧 唳嗋唳距Χ 唳嗋Π 唳溹唳Θ唰囙Π 唳熰唳ㄠ唳唳∴唰囙Θ 唳む唳� 唳Θ唰囙Π 唳唳澿唳距Θ 唳ム唳曕 唳唳� 唳曕Π唰� 唳忇Θ唰囙唳苦Σ 唳膏唳� 唳оΘ唳膏Ξ唰嵿Κ唳︵イ
唳多唳班 唳灌Ο唳监唳涏唳� 唳犩唳曕唳班Μ唳距Α唳监唳� 唳忇 '唳涏唳侧' 唳ム唳曕 唳忇 唳唰€唳班唳� 唳灌唳唳距Π 唳唳む唳班啷�
唳忇 唳唳熰 唳む唳� 唳熰唳溹唳班Ω唰嵿Ο 唳熰唳溹唳� 唳唳む唳班イ 唳膏唰嵿唰� 唳唳班唳ㄠ 唳曕Σ唳曕唳む 唳嗋Π 唳樴Π唰嬥Ο唳监 唳ㄠ唳ㄠ 唳膏唳�-唳︵唳冟唰囙Π 唳忇 唳澿Σ唳� 唳唳ㄠ唳� 唳灌唳膏唳 唳唳班唳唳む啷�
唳唳熰 唳忇唳ㄠ 唳Α唳监唳ㄠΘ唳� 唳唳澿? 唳澿 唳曕Π唰� 唳Α唳监 唳唳侧唳� 唳忇唳唳佮唰囙イ 唳唳多 唳膏Ξ唳 唳侧唳椸Μ唰� 唳ㄠ啷� 唳侧唳栢唳栢唳ㄠ 唳唳班 唳唳侧 唳侧唳椸Μ唰囙イ 唳唳多唳唳唳� 唳ㄠ唳唳� 唳涏Μ唳苦唳苦 唳︵唳栢 唳ㄠ唳唳� 唳膏唳� 唳膏唳唳椸啷�
唳Π唰�, 唳呧Θ唰囙 唳Π唰�, 唳栢唳侧 唳嗋唳距Χ 唳嗋Π 唳溹唳Θ唰囙Π 唳熰唳ㄠ唳唳∴唰囙Θ 唳む唳� 唳Θ唰囙Π 唳唳澿唳距Θ 唳ム唳曕 唳唳� 唳曕Π唰� 唳忇Θ唰囙唳苦Σ 唳膏唳� 唳оΘ唳膏Ξ唰嵿Κ唳︵イ
唳多唳班 唳灌Ο唳监唳涏唳� 唳犩唳曕唳班Μ唳距Α唳监唳� 唳忇 '唳涏唳侧' 唳ム唳曕 唳忇 唳唰€唳班唳� 唳灌唳唳距Π 唳唳む唳班啷�
唳忇 唳唳熰 唳む唳� 唳熰唳溹唳班Ω唰嵿Ο 唳熰唳溹唳� 唳唳む唳班イ 唳膏唰嵿唰� 唳唳班唳ㄠ 唳曕Σ唳曕唳む 唳嗋Π 唳樴Π唰嬥Ο唳监 唳ㄠ唳ㄠ 唳膏唳�-唳︵唳冟唰囙Π 唳忇 唳澿Σ唳� 唳唳ㄠ唳� 唳灌唳膏唳 唳唳班唳唳む啷�
唳唳熰 唳忇唳ㄠ 唳Α唳监唳ㄠΘ唳� 唳唳澿? 唳澿 唳曕Π唰� 唳Α唳监 唳唳侧唳� 唳忇唳唳佮唰囙イ 唳唳多 唳膏Ξ唳 唳侧唳椸Μ唰� 唳ㄠ啷� 唳侧唳栢唳栢唳ㄠ 唳唳班 唳唳侧 唳侧唳椸Μ唰囙イ 唳唳多唳唳唳� 唳ㄠ唳唳� 唳涏Μ唳苦唳苦 唳︵唳栢 唳ㄠ唳唳� 唳膏唳� 唳膏唳唳椸啷�
May 21, 2021
Oof. This is not a good book for a first encounter with Rabindranath Tagore if you're not already familiar with India.
It's sad, because I was really looking forward to it. A recollection of Tagore's childhood, written near his death, it also has so many aspects I usually love: autobiography, an author who received the Nobel prize for literature (in 1913), short stories of childhood and imagination, a 19th century time frame (Tagore was born in 1861), life when old traditions still existed in parallel with the things we know today, and the promise of splendid, evocative prose.
Alas, Tagore's "Boyhood Days" could use a critical edition.
Amartya Sen's 12-page foreword is a bit of an introduction to the man himself, his later beliefs, his core ideas and his achievements (including creating a new genre of music), but you can feel his disappointment at the translated text not having quite the same charm as the original Bengali. That's never a good sign.
Radha Chakravarty explains her choices in translation: in order to preserve the atmosphere of the original, she chose to retain in Bengali words without a direct equivalent in English. She also strived to "achieve a 'modern' translation with an 'old-time' atmosphere" - and as a translator, I'm fully aware of how difficult such an endeavor can be. Sadly, although her intentions were commendable, I think the result is too esoteric for a general audience.
Which brings me back to the idea of a "critical edition" (which this is not).
As I was reading the book, I realized I had no idea what a 19th century Indian household looked like. I'm familiar with the European 19th century. I am somewhat familiar with the US's 19th century. I know something about the Japanese 19th century. But I have no idea what India's 19th century looked like - except for the fact that the British were there.
Between the Bengali words (not all explained in the dictionary at the end of the book) and the cultural references, between Tagore's allusive, poetic style and the narration aimed towards children growing up in the '40s, I was lost. Entirely.
鈥淲hen everyone went to bed, I would roam about, like a follower of the Brahmadaitya," Tagore says at one point. Now, what am I to do with that? What does a follower look like? What is Brahmadaitya?
"But there was no stemming the tide of his song. He was especially partial to the ragini bihag," we're told about a tone-deaf adult. What is this? What does it sound like? I don't know.
Every page (and these are short pages, that I can cover top to bottom with the palm of my hand) contains on average 2-3 words in Bengali, creating difficulty and obscurity. I say on average - page 36 has: paan, betel, chuna, khoyer, catechu, albola, amburi, sandesh, ustad, raga; also two verses of songs in Bengali. Aside from those, page 36 also has the names of what I assume are well-known things: Nagaloka, Jadubhatta, Kafi; although Jadubhatta might be a person, it's hard to tell from the context of "a major ustad Jadubhatta ensconced himself in our house". Does this mean a major master of music of the type Jadubhatta, or a major master of music called Jadubhatta?
You see my problem here.
I have very little to say about the stories themselves. I'm afraid that, trying hard to understand them, I probably didn't.
It's sad, because I was really looking forward to it. A recollection of Tagore's childhood, written near his death, it also has so many aspects I usually love: autobiography, an author who received the Nobel prize for literature (in 1913), short stories of childhood and imagination, a 19th century time frame (Tagore was born in 1861), life when old traditions still existed in parallel with the things we know today, and the promise of splendid, evocative prose.
Alas, Tagore's "Boyhood Days" could use a critical edition.
Amartya Sen's 12-page foreword is a bit of an introduction to the man himself, his later beliefs, his core ideas and his achievements (including creating a new genre of music), but you can feel his disappointment at the translated text not having quite the same charm as the original Bengali. That's never a good sign.
Radha Chakravarty explains her choices in translation: in order to preserve the atmosphere of the original, she chose to retain in Bengali words without a direct equivalent in English. She also strived to "achieve a 'modern' translation with an 'old-time' atmosphere" - and as a translator, I'm fully aware of how difficult such an endeavor can be. Sadly, although her intentions were commendable, I think the result is too esoteric for a general audience.
Which brings me back to the idea of a "critical edition" (which this is not).
As I was reading the book, I realized I had no idea what a 19th century Indian household looked like. I'm familiar with the European 19th century. I am somewhat familiar with the US's 19th century. I know something about the Japanese 19th century. But I have no idea what India's 19th century looked like - except for the fact that the British were there.
Between the Bengali words (not all explained in the dictionary at the end of the book) and the cultural references, between Tagore's allusive, poetic style and the narration aimed towards children growing up in the '40s, I was lost. Entirely.
鈥淲hen everyone went to bed, I would roam about, like a follower of the Brahmadaitya," Tagore says at one point. Now, what am I to do with that? What does a follower look like? What is Brahmadaitya?
"But there was no stemming the tide of his song. He was especially partial to the ragini bihag," we're told about a tone-deaf adult. What is this? What does it sound like? I don't know.
Every page (and these are short pages, that I can cover top to bottom with the palm of my hand) contains on average 2-3 words in Bengali, creating difficulty and obscurity. I say on average - page 36 has: paan, betel, chuna, khoyer, catechu, albola, amburi, sandesh, ustad, raga; also two verses of songs in Bengali. Aside from those, page 36 also has the names of what I assume are well-known things: Nagaloka, Jadubhatta, Kafi; although Jadubhatta might be a person, it's hard to tell from the context of "a major ustad Jadubhatta ensconced himself in our house". Does this mean a major master of music of the type Jadubhatta, or a major master of music called Jadubhatta?
You see my problem here.
I have very little to say about the stories themselves. I'm afraid that, trying hard to understand them, I probably didn't.
December 1, 2016
醿儤醿掅儨醿� 醿犪儩 醿愥儬醿愥儰醿斸儬醿ㄡ儤 醿掅儛醿涐儩醿掅儛醿撫儝醿斸儜醿�, 醿斸儝 醿ㄡ償醿涐儣醿儠醿斸儠醿愥儛 :|||
October 17, 2013
This reminiscence by Tagore of his boyhood days when Calcutta was an emerging metropolis and capital of British India takes us to a Calcutta whose streets used to be lit up by gas-lamps, where horse-carriages took the elite around, which housed dreams of better lives for those on the outskirts. Both is Bengali and in English, Tagore's writing characteristically shows a depth of nostalgia and fondness for what is gone. In this world of Calcutta, Tagore places his lonely childhood which ironically fostered an imagination that led to the composition of invaluable works of literature. He takes readers on a journey of how a huge zamindari household functioned during the time, especially from the perspective of an adolescent. This short read will be fascinating to those who want to know more about old Calcutta and Tagore's early life as well as another chance to experience the master's art.
March 28, 2011
Tepat seperti judulnya, Tagore menumpahkan kesan-kesan masa kecil yang tertanam erat di benak dalam halaman-halaman buku ini. Tanpa alur cerita, tanpa dialog, tanpa protagonis dan antagonis. Hanya kesan dan ingatan. Khayalan-khayalan masa bocahnya yang telah melambung tinggi, pelajaran dan guru-gurunya, kehidupan bersama keluarganya, juga kenangan-kenangan saat ia pertama kali belajar menuliskan karya-karyanya. Kita telah mengenal seorang Rabindranath Tagore, tetapi ternyata masih ada Tagore-Tagore yang lain, yang meskipun tidak mendunia seperti Rabindranath, tetapi tidak jauh dari dunia tulis menulis. Dari penuturannya, terlihat bagaimana bakat Rabindranath muda terasah dan terbentuk oleh abang-abangnya, Jyotirindranath dan Dwijendranath yang memiliki penerbitan majalah Bharati, juga pada Satyendranath yang memberi jalan kepada perbendaharaan sastra Inggris kepadanya.
Selain menceritakan masa kecil penulis, buku ini juga sekaligus mencermati perubahan kebiasaan India di masa tersebut dengan gaya hidup di masa tuanya. Saat kehidupan tradisional pedesaan tergantikan dengan hiruk pikuk kota dan modernitas. Komentar-komentar singkat padat melukiskan perubahan tersebut dengan sangat apik, ini misalnya:
"Anak-anak modern tidak mendengar cerita peri dari mulut ibu mereka, mereka membaca sendiri dari buku-buku cetakan"
"Acar dan sambal kini dibeli di Newmarket dalam botol, masing-masing botol ditutup gabus dan disegel lilin"
"...ada sejenis kembang gula mawar yang harus dibeli. Aku tidak tahu apakah kantong anak-anak modern masih lekat dengan gumpalan gula berlapis wijen ini, dengan sekelumit wangi mawar... Masih adakah? Jika sudah tidak ada, sudah tidak ada gunanya diadakan kembali."
Just like the title, Tagore poured out his most memorable childhood impressions into this book's pages. Without storylines, without dialogue, without protagonis and antagonis. Just memory and impressions. His childhood imaginations soared high, his teachers and their lessons, his life with his big families, also some recolections when he first learned to write his works. We all knew one Rabindranath Tagore, but the truth was, there were many other Tagores, maybe not as world wide known as Rabindranath, but not that far away from writings realm. From his words, it shown how young Rabindranath's talent was sharpen and moulded by his brothers, Jyotirindranath and Dwijendranath who had publishing company for Bharati magazine, also for Satyendranath who had given way for English literature repetories.
Beside that, this book also loked throughly the alterations of Indian cultures and peoples of that time with the life styles during his old life. When the traditional rural living had been replaced by the tumult of the city and modernity, his sharp, solid and short comments summarized it beautifuly. These are some examples:
"Modern children do not hear fairytales from their mother lips, they read it themselves from printed books."
"Pickels and chilli sauce now have been bought from Newmarket inside a bottle, shut with cork and sealed with wax."
"...there was a rose candy that should be bought. I don't know wether these modern children's pocket still sticky with this sugar clump covers with sesame and a bit of rosey scent.... Does it? If it doesn't, then there's no used to brought it back."
Selain menceritakan masa kecil penulis, buku ini juga sekaligus mencermati perubahan kebiasaan India di masa tersebut dengan gaya hidup di masa tuanya. Saat kehidupan tradisional pedesaan tergantikan dengan hiruk pikuk kota dan modernitas. Komentar-komentar singkat padat melukiskan perubahan tersebut dengan sangat apik, ini misalnya:
"Anak-anak modern tidak mendengar cerita peri dari mulut ibu mereka, mereka membaca sendiri dari buku-buku cetakan"
"Acar dan sambal kini dibeli di Newmarket dalam botol, masing-masing botol ditutup gabus dan disegel lilin"
"...ada sejenis kembang gula mawar yang harus dibeli. Aku tidak tahu apakah kantong anak-anak modern masih lekat dengan gumpalan gula berlapis wijen ini, dengan sekelumit wangi mawar... Masih adakah? Jika sudah tidak ada, sudah tidak ada gunanya diadakan kembali."
Just like the title, Tagore poured out his most memorable childhood impressions into this book's pages. Without storylines, without dialogue, without protagonis and antagonis. Just memory and impressions. His childhood imaginations soared high, his teachers and their lessons, his life with his big families, also some recolections when he first learned to write his works. We all knew one Rabindranath Tagore, but the truth was, there were many other Tagores, maybe not as world wide known as Rabindranath, but not that far away from writings realm. From his words, it shown how young Rabindranath's talent was sharpen and moulded by his brothers, Jyotirindranath and Dwijendranath who had publishing company for Bharati magazine, also for Satyendranath who had given way for English literature repetories.
Beside that, this book also loked throughly the alterations of Indian cultures and peoples of that time with the life styles during his old life. When the traditional rural living had been replaced by the tumult of the city and modernity, his sharp, solid and short comments summarized it beautifuly. These are some examples:
"Modern children do not hear fairytales from their mother lips, they read it themselves from printed books."
"Pickels and chilli sauce now have been bought from Newmarket inside a bottle, shut with cork and sealed with wax."
"...there was a rose candy that should be bought. I don't know wether these modern children's pocket still sticky with this sugar clump covers with sesame and a bit of rosey scent.... Does it? If it doesn't, then there's no used to brought it back."
March 19, 2017
Tagore's reminiscence of his early childhood days really comes to picture in this book. He has savored various instances of his boyhood like schooling, life with his family, his imaginative play and many more during his reminiscence. As he himself describes, the way of the world has entirely changed from those times, in his real time the people not even had the time to take a restful nap. Though the world had changed a lot for him when he takes a look back from his age of eighties, the world today is having its shortest breath in the process of change ever in the human history. Even 5 - 10 years seems like a bygone age today. So reading his boyhood days was like a quick peep into an India with its calm and peaceful village life. Ultimately, the book makes one see the young Tagore who in a way was lonely yet very well embraced by the arms of love by his family members. From this book I see that childhood has its own way of relating to everybody. I have to say Tagore really touches ones heart with such a poetic delicacy with prose into ones own childhood memories via his. The translator has tried her best to not lose the essence of the original work in Bengali which she propounds to be much more tranquil in nature. And I suppose her effort has been worthful :)
June 21, 2022
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June 11, 2016
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July 13, 2016
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November 19, 2016
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May 13, 2021
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September 17, 2021
唳班Μ唳苦Μ唳距Μ唰� 唳ㄠ唳溹唳� 唳涏唳侧唳唳侧唳� 唳椸Σ唰嵿Κ 唳Σ唳距Π 唳膏唳ム 唳膏唳ム 唳忇唳距Σ 唳膏唳曕唳侧唳� 唳むΛ唳距Δ唳熰唳� 唳溹唳ㄠ唳唰囙唰囙Θ 唳Ζ唰� 唳Ζ唰囙イ 唳む唳佮Π 唳涏唳侧唳唳侧唳 唳ㄠ唳班唳唳溹唳� 唳樴 唳唳撪Ο唳监 唳唳む, 唳唳∴唳苦Π 唳唳唰囙Π唳� 唳嗋唳距Π 唳唳ㄠ唳む, 唳氞唳∴唳苦唳唳距Σ唳� 唳嗋Ω唳む 唳唳侧唳唳距Π唳� 唳氞唳∴唳� 唳ㄠ唳唰囙Х 唳曕唳ㄠ唳む 唳Α唳监Μ唰囙Σ唳距Ο唳� 唳ㄠ唳班唳唳溹唳� 唳樴 唳唳撪Ο唳监 唳唳む 唳ㄠ, 唳嗋唳距Π 唳曕唳ㄠΔ唰� 唳灌Δ唰� 唳ㄠΔ唰佮Θ唳唳溹唳� 唳ム唳曕 唳唳むΣ唰� 唳Π唳�, 唳涏唳唳む 唳嗋唳熰, 唳唳侧唳唳距Π唳� 唳氞唳∴唳苦唳唳距Σ唳距 唳ㄠ唳唰囙唰� 唳唳︵唳, 唳膏 唳灌Ο唳监Δ唰� 唳忇唳� 唳班唳曕Χ唳� 唳氞唳侧唳啷� 唳む唳佮Π 唳涏唳侧唳唳侧唳 唳侧唳曕唳� 唳膏Ξ唳唰囙Π 唳呧Ν唳距Μ 唳涏唳� 唳ㄠ, 唳呧Μ唳曕唳� 唳涏唳� 唳唳班唰佮Π啷� 唳Α唳监Μ唰囙Σ唳距Π 唳膏Ξ唳唰囙Π 唳Δ唰� 唳犩唳膏Μ唰佮Θ唳� 唳涏唳� 唳ㄠ, 唳涏唳� 唳呧Θ唰囙唳熰 唳Α唳� 唳Α唳� 唳唳佮唳唳曕Α唳监唳唳距Σ唳� 唳溹唳侧唳� 唳Δ唰嬥イ 唳む唳佮Π 唳膏唳� 唳忇唳距Σ 唳膏唳曕唳侧唳� 唳Η唰嵿Ο唰� 唳曕唳ム唳 唳唳� 唳ㄠ唳溹唳� 唳涏唳侧唳唳诧拷锟斤拷唳� 唳膏唳ム 唳忇唳ㄠ唳距Π 唳膏Ξ唳唰囙Π 唳む唳侧Θ唳距Ο唳� 唳灌唳班唳唰� 唳唳氞唳涏唳侧唳Х 唳む唳佮Π 唳涏唳侧唳唳侧唳曕唳� 唳椸Σ唰嵿Κ 唳Α唳监Δ唰� 唳Α唳监Δ唰� 唳曕唳� 唳唳� 唳ㄠ唳溹唳� 唳涏唳侧唳唳侧 唳ㄠ唳唰� 唳唳Δ唰� 唳Ω唰� 唳椸唳侧唳� 唳む 唳熰唳班唰佮唰佮 唳唳撪Ο唳监 唳唳 唳ㄠ啷�
February 28, 2017
This book is an autobiographical writing by Tagore. His childhood in Kolkatta. I am a big fan of Bengali literature so I was expecting a lot more from this book since this is my first proper reading of Tagore. I think it is the translation from Bengali to English. Perhaps the translator was unable to do justice to his writing. But I was bowled over the introduction written by Amartya Sen about Tagore and childhood in general. The importance of freedom and exposure to music and the intellectual curiosity that ends up shaping ones personality. I haven't read any of Amartya Sen's writings either but I am definitely going to do so.
September 29, 2012
An informative and enjoyable read about one of the greatest poets of India. Loved reading about the various bengali traditions and and happenings in the 1800s. The various late evening plays, the naughty pranks and the many strollings under the mango trees in the garden, all provided an overall fun reading. A few parts could have been edited to avoid making this account dull at time but nevertheless, worth reading.
November 23, 2016
In 'My Boyhood Days', the legendary author and poet Rabindranath Tagore narrates
the journey of his adolescent age.
This was Tagore's second memoir, after 'Jeevansmriti'. He describes in the book how was his life during his adolescence, how was his family, how was the environment, how they were financially and things like that.
Recommended to all fans and followers of Rabindranath Tagore and anyone who will like to experience the life events of a legendary person.
the journey of his adolescent age.
This was Tagore's second memoir, after 'Jeevansmriti'. He describes in the book how was his life during his adolescence, how was his family, how was the environment, how they were financially and things like that.
Recommended to all fans and followers of Rabindranath Tagore and anyone who will like to experience the life events of a legendary person.
April 8, 2016
When poetry is in your blood since childhood , no doubt you get noble for that afterwards! These are basically memoirs of childhood and teenage days of Tagore. They let us travel to city of joy during late 19the century. Beautiful is very shallow word for anything created by Gurudev!
June 24, 2016
A gentle, even whimsical recollection of his early days in Kolkata written in old age. What is lost is lost in fact is gained in the burnishing of his linguistic skill and the ever golden days of youth.
September 7, 2012
Good book.
It gives idea about the life which laid foundation for the Rabindranath Tagore. How he was during childhood and also about those days lifestyle.
It gives idea about the life which laid foundation for the Rabindranath Tagore. How he was during childhood and also about those days lifestyle.
March 16, 2013
The autobiographic account of childhood of one of the most celebrated poets of our times. The poetic instinct and lyrical flow is evident in the entire reading. A short book to read and preserve.
December 12, 2014
啶椸啶班啶︵啶掂ぞ啶傕啷€ 啶膏た啶︵啶оす啶膏啶� 啶侧啶栢ぃ啷€ 啶嗋ぃ啶� 啶啶侧啶氞ぞ 啶むた啶む啶距 啶膏す啶溹じ啷佮啶︵ぐ 啶ぞ啶掂ぞ啶ㄠ啶掂ぞ啶�... 啶灌 啶溹 啶曕ぞ啶灌 啶班じ啶距く啶� 啶溹ぎ啶侧啶� 啶む 啶囙い啶曕 啶ㄠた啶班ぞ啶椸じ, 啶ㄠた啶曕啶�, 啶呧え啷� 啶むげ啶� 啶嗋す啷�! 啶嗋さ啶班啶溹啶� 啶掂ぞ啶氞ぞ啶�. 啶む啶啷嵿く啶� 啶ぞ啶掂さ啶苦ざ啷嵿さ啶距啷嵿く啶� 啶膏ぎ啷冟う啷嵿ぇ啷€啶� 啶ぐ 啶ぁ啷囙げ!
May 25, 2015
The translation is a tough read, because it's still awash with Bengali words. It's tough to get a sense of what he's talking about without constantly looking things up.
December 2, 2015
Easy and quick read. This book deals with Rabindranath Tagore's life till 17th year before going to England for studies.
January 18, 2011
To Read this
May 7, 2022
唳涏唳熰唳唳侧唳 唳唳∴唳苦Δ唰� 唳曕唳傕Μ唳� 唳膏唳曕唳侧 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε唰囙Π 唳涏Α唳监 唳曕Μ唳苦Δ唳� 唳Α唳监Δ唰� 唳Α唳监Δ唰囙 唳Α唳� 唳灌Ο唳监唳涏啷� 唳 唳曕Μ唳苦Π 唳涏Α唳监-唳曕Μ唳苦Δ唳� 唳Α唳监Δ唰� 唳Α唳监Δ唰� 唳涏唳侧唳唳侧唳熰 唳曕唳熰唳侧唳� 唳む唳佮Π 唳涏唳熰唳唳侧唳熰 唳曕唳Θ 唳曕唳熰唳涏唳�? 唳膏 唳唳Κ唳距Π唰� 唳呧Σ唰嵿Κ唳唳膏唳むΠ 唳溹唳ㄠ唳� 唳溹Θ唰嵿Ο唳� 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε唰囙Π "唳涏唳侧唳唳侧" 唳唳熰 唳Α唳监啷�
唳唳む 唳曕Μ唳苦唰佮Π唰� 唳ㄠ唳溹唳� 唳涏唳侧唳唳侧唳� 唳ㄠ唳ㄠ唳� 唳︵唳曕唳� 唳曕Ε唳� 唳侧唳栢唳涏唳ㄠイ 唳Α唳监Δ唰� 唳椸唳唰� 唳忇唳熰 唳唳粪Ο唳� 唳熰唳� 唳唳侧唳�- 唳Π唰嵿Δ唳唳� 唳ㄠ唳唰� 唳呧Δ唰冟Κ唰嵿Δ唳�, 唳呧Δ唰€唳む唳� 唳膏唳� 唳栢唳佮唳�! 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε 唳唳� 唳唳� 唳む唳侧Θ唳� 唳曕Π唰囙唰囙Θ 唳涏唳熰唳唳侧唳� 唳曕Σ唳曕唳む 唳多唳班唳� 唳膏唳ム 唳Α唳监唳唳侧唳� 唳曕Σ唳曕唳む唳曕, 唳曕Π唰囙唰囙Θ 唳ㄠ唳ㄠ唳� 唳呧Ν唳苦Ο唰嬥唳�- 唳唳Θ唳熰 唳嗋Ξ唳班 唳曕Π唳� 唳Π唰嵿Δ唳唳� 唳ㄠ唳唰� 唳嗋Π 唳Σ唳� 唳嗋唰� 唳曕 唳膏唳ㄠ唳︵Π 唳︵唳� 唳曕唳熰唳囙Δ唳距Ξ!
唳涏唳熰唳唳侧唳� 唳膏唳唳む唳氞唳班Γ唳距Ξ唰傕Σ唳� 唳 唳Α唳监唳� 唳忇唳熰 唳氞Ξ唰庎唳距Π 唳︵唳� 唳灌Σ唰� 唳唳唰囙Π 唳膏唳ム 唳膏唳ム 唳ㄠ唳溹唳� 唳∴唳� 唳︵唳唰� 唳嗋Ω唳む 唳唳班 唳ㄠ唳溹唳� 唳涏唳熰唳唳侧唳! 唳忇 唳ㄠ唳多唳唳膏 唳唳熰 唳Α唳监 唳唳侧唳� 唳Π 唳Θ唰� 唳灌唰嵿唳苦Σ- 唳囙Χ! 唳嗋Π 唳曕唳� 唳唳粪唳犩 唳唳多 唳ム唳曕Σ唰� 唳曕 唳忇Ξ唳� 唳曕唳粪Δ唳� 唳灌Δ!
.
唳涏唳侧唳唳侧
唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε 唳犩唳曕唳�
唳唳多唳Ω唳距唳苦Δ唰嵿Ο 唳曕唳ㄠ唳︵唳班イ
.
"唳Ο唳监Ω 唳む唳� 唳涏唳� 唳曕唳佮唳�- 唳灌唳侧唳� 唳︵唳灌唳距Θ唳�
唳涏唳� 唳唳栢唳� 唳Δ唰�, 唳多唳о 唳涏唳� 唳ㄠ 唳む唳� 唳∴唳ㄠ啷�"
唳班唳唳�: 唰ㄠЕ唳唳班唳�, 唰ㄠЕ唰ㄠЁ啷� 唳唳膏Μ唰佮 唳椸唳班唳イ
唳唳む 唳曕Μ唳苦唰佮Π唰� 唳ㄠ唳溹唳� 唳涏唳侧唳唳侧唳� 唳ㄠ唳ㄠ唳� 唳︵唳曕唳� 唳曕Ε唳� 唳侧唳栢唳涏唳ㄠイ 唳Α唳监Δ唰� 唳椸唳唰� 唳忇唳熰 唳唳粪Ο唳� 唳熰唳� 唳唳侧唳�- 唳Π唰嵿Δ唳唳� 唳ㄠ唳唰� 唳呧Δ唰冟Κ唰嵿Δ唳�, 唳呧Δ唰€唳む唳� 唳膏唳� 唳栢唳佮唳�! 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε 唳唳� 唳唳� 唳む唳侧Θ唳� 唳曕Π唰囙唰囙Θ 唳涏唳熰唳唳侧唳� 唳曕Σ唳曕唳む 唳多唳班唳� 唳膏唳ム 唳Α唳监唳唳侧唳� 唳曕Σ唳曕唳む唳曕, 唳曕Π唰囙唰囙Θ 唳ㄠ唳ㄠ唳� 唳呧Ν唳苦Ο唰嬥唳�- 唳唳Θ唳熰 唳嗋Ξ唳班 唳曕Π唳� 唳Π唰嵿Δ唳唳� 唳ㄠ唳唰� 唳嗋Π 唳Σ唳� 唳嗋唰� 唳曕 唳膏唳ㄠ唳︵Π 唳︵唳� 唳曕唳熰唳囙Δ唳距Ξ!
唳涏唳熰唳唳侧唳� 唳膏唳唳む唳氞唳班Γ唳距Ξ唰傕Σ唳� 唳 唳Α唳监唳� 唳忇唳熰 唳氞Ξ唰庎唳距Π 唳︵唳� 唳灌Σ唰� 唳唳唰囙Π 唳膏唳ム 唳膏唳ム 唳ㄠ唳溹唳� 唳∴唳� 唳︵唳唰� 唳嗋Ω唳む 唳唳班 唳ㄠ唳溹唳� 唳涏唳熰唳唳侧唳! 唳忇 唳ㄠ唳多唳唳膏 唳唳熰 唳Α唳监 唳唳侧唳� 唳Π 唳Θ唰� 唳灌唰嵿唳苦Σ- 唳囙Χ! 唳嗋Π 唳曕唳� 唳唳粪唳犩 唳唳多 唳ム唳曕Σ唰� 唳曕 唳忇Ξ唳� 唳曕唳粪Δ唳� 唳灌Δ!
.
唳涏唳侧唳唳侧
唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε 唳犩唳曕唳�
唳唳多唳Ω唳距唳苦Δ唰嵿Ο 唳曕唳ㄠ唳︵唳班イ
.
"唳Ο唳监Ω 唳む唳� 唳涏唳� 唳曕唳佮唳�- 唳灌唳侧唳� 唳︵唳灌唳距Θ唳�
唳涏唳� 唳唳栢唳� 唳Δ唰�, 唳多唳о 唳涏唳� 唳ㄠ 唳む唳� 唳∴唳ㄠ啷�"
唳班唳唳�: 唰ㄠЕ唳唳班唳�, 唰ㄠЕ唰ㄠЁ啷� 唳唳膏Μ唰佮 唳椸唳班唳イ
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