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氐賳丿賱蹖鈥属囏�
In a house on an island a very old couple pass their time with private games and half-remembered stories. With brilliant eccentricity, Ionesco's 'tragic farce' combines a comic portrait of human folly with a magical experiment in theatrical possibilities.
112 pages, Paperback
First published January 1, 1951
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About the author
Eug猫ne Ionesco
447听books931听followersEug猫ne Ionesco, born Eugen Ionescu, was a Romanian playwright and dramatist; one of the foremost playwrights of the Theatre of the Absurd. Beyond ridiculing the most banal situations, Ionesco's plays depict in a tangible way the solitude and insignificance of human existence.
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March 16, 2022
Les Chaises = The Chairs, Eug猫ne Ionesco
The Chairs is an absurdist "tragic farce" play by Eug猫ne Ionesco. It was written in 1952 and debuted the same year.
The play concerns two characters, known as Old Man and Old Woman, frantically preparing chairs for a series of invisible guests who are coming to hear an orator reveal the Old Man's discovery. It is implied that this discovery is the meaning of life, but it is never actually said. The guests supposedly include "everyone", implying everyone in the world; there are other implications that this is a post-apocalyptic world. The Old Man, for example, speaks of the destruction of Paris.
The invisibility of the guests implies that the Old Man and Old Woman are the last two people on the planet. As the "guests" arrive, the two characters speak to them and reminisce cryptically about their lives. A high point in the happiness of the couple is reached when the invisible emperor arrives. Finally, the orator arrives to deliver his speech to the assembled crowd. Played by a real actor, the orator's physical presence contradicts the expectations set up by the action earlier in the play.
The old couple then commit suicide by throwing themselves out of the window into the ocean. They claim that life couldn't get any better at this point because the whole world is about to hear the Old Man's astounding revelation. As the orator begins to speak, the invisible crowd assembled in the room and the real audience in the theatre discover that the orator is a deaf-mute.
At the end of the play, the sound of an audience fades in. Ionesco claimed that this sound was the most significant moment in the play, writing in a letter to the first director, "The last decisive moment of the play should be the expression of ... absence"
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮 乇賵夭 賴卮鬲賲 賲丕賴 丌诏賵爻鬲 爻丕賱 丿賵賴夭丕乇 賵 趩賴丕乇 賲蹖賱丕丿蹖
毓賳賵丕賳: 氐賳丿賱蹖賴丕貨 賳賵蹖爻賳丿賴: 丕賵跇賳 蹖賵賳爻讴賵貨 賲鬲乇噩賲 賲賴丿蹖 夭賲丕賳蹖丕賳貙 卮蹖乇丕夭貙 -貨 丿乇98氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 丕賮讴丕乇貙 爻丕賱1400貨 丿乇162氐貨 卮丕亘讴9786227542967貨 賲賵囟賵毓 賳賲丕蹖卮賳丕賲賴 賴丕蹖 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賴- 爻丿賴20賲
毓賳賵丕賳: 氐賳丿賱蹖賴丕貨 賳賵蹖爻賳丿賴: 丕賵跇賳 蹖賵賳爻讴賵貨 賲鬲乇噩賲貙 爻丨乇 丿丕賵乇蹖貙 鬲賴乇丕賳貙 鬲噩乇亘賴 丿賮鬲乇 賵蹖乇丕爻鬲賴貙 爻丕賱1381貨 丿乇125氐貨 趩丕倬 丿蹖诏乇 亘丕 毓賳賵丕賳 丌賵丕夭賴 禺賵丕賳 胤丕爻 - 氐賳丿賱蹖賴丕貨 鬲賴乇丕賳貙 鬲噩乇亘賴 丿賮鬲乇 賵蹖乇丕爻鬲賴貨 爻丕賱1381貨 丿乇125氐貨 趩丕倬 丿蹖诏乇貙 鬲賴乇丕賳貙 亘蹖丿诏賱貙 爻丕賱1399貨 丿乇143氐貨 卮丕亘讴9786227554205貨
毓賳賵丕賳: 氐賳丿賱蹖賴丕貨 賳賵蹖爻賳丿賴: 丕賵跇賳 蹖賵賳爻讴賵貨 賲鬲乇噩賲貙 丕丨賲丿 讴丕賲蹖丕亘蹖 賲爻讴貙 鬲賴乇丕賳貙 丿丕賳卮诏丕賴 鬲賴乇丕賳貨 爻丕賱1387貨 丿乇150氐貨 卮丕亘讴9789640358351貨
毓賳賵丕賳: 氐賳丿賱蹖賴丕貨 賳賵蹖爻賳丿賴: 丕賵跇賳 蹖賵賳爻讴賵貨 賲鬲乇噩賲貙 毓賱蹖 亘丕卮貙 賲卮賴丿貙 丕賳鬲卮丕乇丕鬲 鬲乇丕賳賴貨 爻丕賱1393貨 丿乇112氐貨 卮丕亘讴9786007061169貨
賳賲丕蹖卮賳丕賲賴 蹖 芦氐賳丿賱蹖颅賴丕禄貙 丿乇亘丕乇賴 蹖 夭賳 賵 卮賵賴乇 倬蹖乇蹖 丕爻鬲貙 讴賴 丿乇 蹖讴 噩夭蹖乇賴 蹖 丿賵乇丕賮鬲丕丿賴貙 夭賳丿诏蹖 賲蹖颅讴賳賳丿貨 氐丨賳賴 蹖 賳賲丕蹖卮貙 倬乇 丕爻鬲 丕夭 氐賳丿賱蹖颅賴丕蹖蹖 讴賴 噩丕蹖 賳卮爻鬲賳 賲丿毓賵蹖賳 禺蹖丕賱蹖 賲賴賲丕賳蹖 丌賳賴丕爻鬲貨 賲賴賲丕賳丕賳蹖 丕夭 胤亘賯丕鬲 诏賵賳丕诏賵賳 噩丕賲毓賴貙 丨鬲蹖 卮禺氐 丕賲倬乇丕鬲賵乇 賴賲貙 亘賴 賲賴賲丕賳蹖 丌賲丿賴貙 鬲丕 亘賴 丿丕爻鬲丕賳 夭賳丿诏蹖 夭賳 賵 卮賵賴乇貙 诏賵卮 讴賳丿貨 芦蹖賵賳爻讴賵禄 丿乇 亘丕乇賴 蹖 丕蹖賳 賳賲丕蹖卮賳丕賲賴 賲蹖诏賵蹖賳丿 (賲囟賲賵賳 賳賲丕蹖卮賳丕賲賴 倬蹖丕賲 賳蹖爻鬲貨 賳賴 卮讴爻鬲颅賴丕蹖 夭賳丿诏蹖 丕爻鬲貙 賳賴 卮讴爻鬲 賲毓賳賵蹖 倬蹖乇賲乇丿 賵 倬蹖乇夭賳貙 亘賱讴賴 氐賳丿賱蹖颅賴丕爻鬲貙 蹖毓賳蹖 睾蹖亘鬲 丕卮禺丕氐貙 睾蹖亘鬲 丕賲倬乇丕胤賵乇...貨 睾蹖亘鬲 賲丕丿賴貙 禺賱丕 賮賱爻賮蹖貙 賲賵囟賵毓 賳賲丕蹖卮賳丕賲賴 賴賲丕賳 芦賴蹖趩禄 丕爻鬲)貨
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 21/12/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 24/12/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
The Chairs is an absurdist "tragic farce" play by Eug猫ne Ionesco. It was written in 1952 and debuted the same year.
The play concerns two characters, known as Old Man and Old Woman, frantically preparing chairs for a series of invisible guests who are coming to hear an orator reveal the Old Man's discovery. It is implied that this discovery is the meaning of life, but it is never actually said. The guests supposedly include "everyone", implying everyone in the world; there are other implications that this is a post-apocalyptic world. The Old Man, for example, speaks of the destruction of Paris.
The invisibility of the guests implies that the Old Man and Old Woman are the last two people on the planet. As the "guests" arrive, the two characters speak to them and reminisce cryptically about their lives. A high point in the happiness of the couple is reached when the invisible emperor arrives. Finally, the orator arrives to deliver his speech to the assembled crowd. Played by a real actor, the orator's physical presence contradicts the expectations set up by the action earlier in the play.
The old couple then commit suicide by throwing themselves out of the window into the ocean. They claim that life couldn't get any better at this point because the whole world is about to hear the Old Man's astounding revelation. As the orator begins to speak, the invisible crowd assembled in the room and the real audience in the theatre discover that the orator is a deaf-mute.
At the end of the play, the sound of an audience fades in. Ionesco claimed that this sound was the most significant moment in the play, writing in a letter to the first director, "The last decisive moment of the play should be the expression of ... absence"
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮 乇賵夭 賴卮鬲賲 賲丕賴 丌诏賵爻鬲 爻丕賱 丿賵賴夭丕乇 賵 趩賴丕乇 賲蹖賱丕丿蹖
毓賳賵丕賳: 氐賳丿賱蹖賴丕貨 賳賵蹖爻賳丿賴: 丕賵跇賳 蹖賵賳爻讴賵貨 賲鬲乇噩賲 賲賴丿蹖 夭賲丕賳蹖丕賳貙 卮蹖乇丕夭貙 -貨 丿乇98氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 丕賮讴丕乇貙 爻丕賱1400貨 丿乇162氐貨 卮丕亘讴9786227542967貨 賲賵囟賵毓 賳賲丕蹖卮賳丕賲賴 賴丕蹖 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賴- 爻丿賴20賲
毓賳賵丕賳: 氐賳丿賱蹖賴丕貨 賳賵蹖爻賳丿賴: 丕賵跇賳 蹖賵賳爻讴賵貨 賲鬲乇噩賲貙 爻丨乇 丿丕賵乇蹖貙 鬲賴乇丕賳貙 鬲噩乇亘賴 丿賮鬲乇 賵蹖乇丕爻鬲賴貙 爻丕賱1381貨 丿乇125氐貨 趩丕倬 丿蹖诏乇 亘丕 毓賳賵丕賳 丌賵丕夭賴 禺賵丕賳 胤丕爻 - 氐賳丿賱蹖賴丕貨 鬲賴乇丕賳貙 鬲噩乇亘賴 丿賮鬲乇 賵蹖乇丕爻鬲賴貨 爻丕賱1381貨 丿乇125氐貨 趩丕倬 丿蹖诏乇貙 鬲賴乇丕賳貙 亘蹖丿诏賱貙 爻丕賱1399貨 丿乇143氐貨 卮丕亘讴9786227554205貨
毓賳賵丕賳: 氐賳丿賱蹖賴丕貨 賳賵蹖爻賳丿賴: 丕賵跇賳 蹖賵賳爻讴賵貨 賲鬲乇噩賲貙 丕丨賲丿 讴丕賲蹖丕亘蹖 賲爻讴貙 鬲賴乇丕賳貙 丿丕賳卮诏丕賴 鬲賴乇丕賳貨 爻丕賱1387貨 丿乇150氐貨 卮丕亘讴9789640358351貨
毓賳賵丕賳: 氐賳丿賱蹖賴丕貨 賳賵蹖爻賳丿賴: 丕賵跇賳 蹖賵賳爻讴賵貨 賲鬲乇噩賲貙 毓賱蹖 亘丕卮貙 賲卮賴丿貙 丕賳鬲卮丕乇丕鬲 鬲乇丕賳賴貨 爻丕賱1393貨 丿乇112氐貨 卮丕亘讴9786007061169貨
賳賲丕蹖卮賳丕賲賴 蹖 芦氐賳丿賱蹖颅賴丕禄貙 丿乇亘丕乇賴 蹖 夭賳 賵 卮賵賴乇 倬蹖乇蹖 丕爻鬲貙 讴賴 丿乇 蹖讴 噩夭蹖乇賴 蹖 丿賵乇丕賮鬲丕丿賴貙 夭賳丿诏蹖 賲蹖颅讴賳賳丿貨 氐丨賳賴 蹖 賳賲丕蹖卮貙 倬乇 丕爻鬲 丕夭 氐賳丿賱蹖颅賴丕蹖蹖 讴賴 噩丕蹖 賳卮爻鬲賳 賲丿毓賵蹖賳 禺蹖丕賱蹖 賲賴賲丕賳蹖 丌賳賴丕爻鬲貨 賲賴賲丕賳丕賳蹖 丕夭 胤亘賯丕鬲 诏賵賳丕诏賵賳 噩丕賲毓賴貙 丨鬲蹖 卮禺氐 丕賲倬乇丕鬲賵乇 賴賲貙 亘賴 賲賴賲丕賳蹖 丌賲丿賴貙 鬲丕 亘賴 丿丕爻鬲丕賳 夭賳丿诏蹖 夭賳 賵 卮賵賴乇貙 诏賵卮 讴賳丿貨 芦蹖賵賳爻讴賵禄 丿乇 亘丕乇賴 蹖 丕蹖賳 賳賲丕蹖卮賳丕賲賴 賲蹖诏賵蹖賳丿 (賲囟賲賵賳 賳賲丕蹖卮賳丕賲賴 倬蹖丕賲 賳蹖爻鬲貨 賳賴 卮讴爻鬲颅賴丕蹖 夭賳丿诏蹖 丕爻鬲貙 賳賴 卮讴爻鬲 賲毓賳賵蹖 倬蹖乇賲乇丿 賵 倬蹖乇夭賳貙 亘賱讴賴 氐賳丿賱蹖颅賴丕爻鬲貙 蹖毓賳蹖 睾蹖亘鬲 丕卮禺丕氐貙 睾蹖亘鬲 丕賲倬乇丕胤賵乇...貨 睾蹖亘鬲 賲丕丿賴貙 禺賱丕 賮賱爻賮蹖貙 賲賵囟賵毓 賳賲丕蹖卮賳丕賲賴 賴賲丕賳 芦賴蹖趩禄 丕爻鬲)貨
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 21/12/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 24/12/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
May 25, 2022
丕賱賰乇丕爻賷 賱賷賵噩賷賳 賷賵賳爻賰賵
賯賷賱 兀賳 賲爻乇丨 丕賱毓亘孬 賷亘丿賵 賵賰兀賳賴 賲禺賱賵賯丕 賮乇賳爻賷丕
賮乇賵丕丿賴 兀丿丕賲賵賮 賵 賷賵賳爻賰賵 賵 亘賷賰賷鬲 亘乇睾賲 兀氐賵賱賴賲 丕賱賲禺鬲賱賮丞鈥�
賰鬲亘賵丕 兀睾賱亘 賳氐賵氐賴賲 亘丕賱賮乇賳爻賷丞
賲賲丕 賷孬賷乇 丨賷乇丞 賵鬲毓噩亘 丕賱亘毓囟
賵丕賱賰乇丕爻賷 賱丕 鬲卮匕 毓賳 賴匕賴 丕賱賯丕毓丿丞
賮賯丿 賰鬲亘賴丕 賷賵賳爻賰賵 亘丕賱賮乇賳爻賷丞 賵賳卮乇賴丕 賱兀賵賱 賲乇丞 毓丕賲 1951
賵賴賷 賵丕丨丿丞 賲賳 兀卮賴乇 賲爻乇丨賷丕鬲 丕賱毓亘孬 賮賷 鬲丕乇賷禺 鈥徹з勜Ｘ�
賵賲賳 兀賰孬乇賴丕 噩賲丕賱丕 賰匕賱賰
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賮賷 馗丕賴乇賴丕 鬲亘丿賵 丕賱賲爻乇丨賷丞 亘賱丕 賲毓賳賶 賲賳 兀賷 賳賵毓
賲噩乇丿 賴匕賷丕賳 賰鬲丕亘賷 賱丕 鬲禺乇噩 賲賳賴 亘卮賷亍
賵賮賷 丕賱丨賯賷賯丞 丕賱兀賲乇 亘毓賷丿 賰賱 丕賱亘毓丿 毓賳 匕賱賰
賵丕賱賲鬲毓丞 丕賱毓賯賱賷丞 丕賱鬲賷 賳賳丕賱賴丕 賲賳 賲爻乇丨賷丞 賰賴匕賴 賱賷爻鬲 亘丕賱賴賷賳丞
鬲丨賰賷 丕賱賲爻乇丨賷丞 毓賳 夭賵噩賷賳 賷賲囟賷丕賳 賲毓丕 毓賯賵丿賸丕 賲賳 丕賱賲賱賱 賵丕賱毓夭賱丞
賷毓賷卮丕賳 賮賷 賯賱毓丞 賲賴噩賵乇丞 鈥�
鬲丨賷胤 亘賴丕 丕賱賲賷丕賴 賲賳 賰賱 噩丕賳亘 鈥�
賷賳賯胤毓丕賳 賮賷賴丕 賰賱賷丕 毓賳 丕賱毓丕賱賲 丕賱賵丕賯毓賷
賷毓賷卮丕賳 賮賷賴丕 毓丕賱賲賴賲丕 丕賱禺丕氐 鈥�
丕賱夭賵噩 丕賱毓噩賵夭 賷丨賱賲 胤賵丕賱 丕賱賵賯鬲 亘兀賳賴
丿賵賳 乇爻丕賱丞 毓馗賷賲丞 賱廿賳賯丕匕 鈥徹з勜ㄘ簇辟娯� 丕賱賲毓匕亘丞
賵賷賯賵賱 兀賳賴 賯丿 丕鬲賮賯 賲毓 禺胤賷亘 "賲賮賵賴" 賱廿亘賱丕睾 丕賱賳丕爻 亘賴匕賴 丕賱乇爻丕賱丞 丕賱賲氐賷乇賷丞
賵丿毓賷 廿賱賶 丕賱丨囟賵乇 噩賲毓丕賸 鈥徺呝� 丕賱賳丕爻 賱賴匕賴 丕賱賲賳丕爻亘丞 丕賱爻毓賷丿丞
賵胤賵丕賱 賴匕丕 丕賱賵賯鬲 賳乇賶 賷賵賳爻賰賵 賵賯丿 丿賲乇 丕賱亘賳賷丞 丕賱丨賵丕乇賷丞 丕賱丕毓鬲賷丕丿賷丞 鬲賲丕賲丕
丨鬲賶 丕賱亘賳賷丞 丕賱賱睾賵賷丞 賳噩丿賴丕 賲賮賰賰丞
賵賰賲丕 賷賲賰賳 兀賳 賷丨丿孬 賵賷賯賵賱 丕賱夭賵噩 賱夭賵噩鬲賴 丕卮乇亘賷 丕賱卮丕賷
乇睾賲 鈥徹关� 賵噩賵丿 卮丕賷 兀賲丕賲賴賲丕 賲賳 丕賱兀氐賱鈥�
賮廿賳 丕賱丨賵丕乇 賷賲賰賳 兀賳 賷賰賵賳 賰丕賱鬲丕賱賷
丕賱夭賵噩丞: 丕丨賰 賱賷 丕賱丨賰丕賷丞. 賴丕.. 丕賱丨賰丕賷丞.鈥�
丕賱夭賵噩: 賲乇丞 兀禺乇賶責鈥� 兀賱賲 鬲卮亘毓賷責 鬲乇賷丿賷賳 丨賰丕賷丞責 鈥� 廿賳賰 鬲胤賱亘賷賳 賲賳賷 丿丕卅賲丕 賳賮爻 鈥徹з勜冐з娯�! 鈥� 廿匕賳 賮賯丿 賵丕氐賱賳丕 丕賱囟丨賰 賵賱賰賳 賴匕丕 卮賷亍 鈥徹必娯� 賲賲賱鈥� 賲賳匕 禺賲爻丞 賵爻亘毓賷賳 毓丕賲丕貙 兀賷 賲賳匕 鈥徹操堌ж嗀ж� 賵兀賳鬲 賮賷 賰賱 賱賷賱丞貙 賮賷 賰賱 賱賷賱丞 亘賱丕 丕爻鬲孬賳丕亍貙 鈥徹焚勜ㄙ娰� 賲賳賷 兀賳 兀賯賱丿 賱賰 賳賮爻 丕賱兀卮禺丕氐貙 賵賳賮爻 鈥徹з勜促囐堌扁€� 卮賷亍 賵丕丨丿 賱丕 賷鬲睾賷乇貙 賱賲丕匕丕 賱丕 賳鬲丨丿孬 賮賷 鈥徹促娯� 丌禺乇責
丕賱夭賵噩丞: 丨亘賷亘賷貙 兀賳丕 卮禺氐賷丕 賱丕 兀賲賱 匕賱賰鈥� 賮賴賷 賯氐丞 鈥徹娯ж冐� 賵兀賳丕 卮睾賵賮 亘賲毓乇賮鬲賴丕鈥︹€�
丕賱夭賵噩: 賵賱賰賳賰 鬲毓乇賮賷賳賴丕 毓賳 馗賴乇 賯賱亘.鈥�
丕賱夭賵噩丞: 賵賱賰賳賳賷 賮賷 賰賱 賲乇丞 兀卮毓乇 賵賰兀賳賳賷 賳爻賷鬲 賰賱 鈥徹促娯� 亘賲噩乇丿 丕賱丕爻鬲賲丕毓 廿賱賷賴丕貙 賵兀噩丿 匕賴賳賷 禺丕賱賷丕 鈥徺呚� 賰賱 賲爻丕亍 鈥� 賵賱賰賳 丕賱丨賯賷賯丞貙 賷丕 丨亘賷亘賷 兀賳賳賷 鈥徹Ｙ佖官� 匕賱賰 毓丕賲丿丞 賲鬲毓賲丿丞貙 賮兀賳丕 兀鬲賳丕賵賱 丕賱賲爻賴賱丕鬲鈥� 鈥徺佖Ｘ官堌� 賰賲丕 賰賳鬲 賲賳 噩丿賷丿貙 禺丕賱賷丞 丕賱匕賴賳貙 賲賳 兀噩賱賰 鈥徹Ｙ嗀� 賷丕 丨亘賷亘賷貙 賰賱 賲爻丕亍貙 賴賷丕 丕亘丿兀 丕賱丨賰丕賷丞 兀乇噩賵賰鈥︹€�
丕賱夭賵噩: 賰賲丕 鬲卮丕卅賷賳.鈥�
丕賱夭賵噩丞:賴賷丕貙 丕亘丿兀 賯氐鬲賰貙 賮賴賷 兀賷囟丕 賯氐鬲賷貙 賮賰賱 賲丕 鈥徺娯蒂� 賷禺氐賳賷! 廿匕賳貙 賮賯丿 賵丕氐賱賳丕 丕賱囟丨賰鈥� 丕賱囟丨賰
賲噩乇丿 丿賵乇丕賳 賮賷 丨賱賯丕鬲 賲賮乇睾丞..
賱賯丿 禺賱賯 賷賵賳賷爻賰賵 毓丕賱賲丕 賱睾賵賷丕 "兀卮亘賴 亘丕賱鬲賳賵賷賲 丕賱賲睾賳胤賷爻賷"鈥�
毓丕賱賲 賷賯氐賷賳丕 毓賳 賰賱 丕賱毓亘孬 賵丕賱卮乇 賵丕賱爻禺丕賮丞 賵丕賱兀丨賱丕賲 鈥徹з勜敦жω关�
毓丕賱賲 賷賳賯匕賳丕 賲賳 丕賱禺賵丕亍 丕賱廿賳爻丕賳賷鈥�
賮賱乇亘賲丕 賳毓孬乇 毓賱賶 兀賳賮爻賳丕 "賮賷 兀賱賮丕馗賳丕 丕賱禺丕氐丞"鈥�
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鈥� 賷亘丿兀 丕賱夭賵噩丕賳 賮賷 氐賮 丕賱賰乇丕爻賷 丕爻鬲毓丿丕丿丕 賱丕爻鬲賯亘丕賱 丕賱丨囟賵乇 鈥�
睾賷乇 兀賳 丕賱噩賲賴賵乇 丕賱睾賯賷乇 丕賱匕賷 賷爻鬲賯亘賱賵賳賴 亘丌賷丕鬲 丕賱鬲乇丨賷亘 噩賲賴賵乇丕 賵賴賲賷丕 鈥�
丕賱丌賳 賱丿賷賳丕 丨賵丕乇 睾賷乇 賲賮賴賵賲
賵賰乇丕爻賷 禺丕賱賷丞 賷乇丨亘 丕賱毓噩賵夭丕賳 亘噩丕賱爻賷賴丕
孬賲 賷馗賴乇 丕賱禺胤賷亘
賵丨賷賳 賷亘丿賵 毓賱賶 丕賱禺胤賷亘 兀賳賴 毓賱賶 賵卮賰 廿賱賯丕亍 禺胤丕亘賴鈥�
鈥� 賷鬲賵噩賴 丕賱夭賵噩丕賳 賲毓丕 賳丨賵 丕賱賳丕賮匕丞鈥�
賵賷賱賯賷丕賳 亘賳賮爻賷賴賲丕 廿賱賶 丕賱亘丨乇 賲賳鬲丨乇賷賳 鈥�
!
胤賷亘
丕賱丌賳 賱丿賷賳丕 毓噩賵夭賷賳 賲賳鬲丨乇賷賳鈥�
賵賰乇丕爻賷 禺丕賱賷丞 鈥�
賵禺胤賷亘 賲賳 丕賱賲賮鬲乇囟 兀賳 賷鬲賱賵 乇爻丕賱丞 丕賱毓噩賵夭 丕賱賲賳鬲丨乇
毓賱賶 丕賱噩賲毓 鈥徹з勜嘿佡娯� 丕賱睾賷乇 賲乇卅賷
賷賮鬲丨 丕賱禺胤賷亘 賮賲賴
賮賱丕 賷禺乇噩 卮賷卅丕賸 爻賵賶 兀氐賵丕鬲 賱丕 賲毓賳賶 賱賴丕 賲賲賲賲賲賲 鈥徺呝呝呝呝�
!
賳毓賲 丕賱禺胤賷亘 兀禺乇爻 鈥�
賵賮賷 賯賵賱 丌禺乇 賲氐丕亘 亘丨亘爻丞 賰賱丕賲賷丞
鈥�"廿賳賴 賱賲 賷鬲賲賰賳 賲賳 鬲禺胤賷 丕賱丨賯賷賯丞 丕賱賵丕賯毓賷丞 丕賱鬲囟賱賷賱賷丞 鈥徹ベ勝� 丕賱丨賯賷賯丞 丕賱兀爻賲賶"鈥�
胤賷亘
丕賱丌賳 賱丿賷賳丕 毓噩賵夭賷賳 賲賳鬲丨乇賷賳
賵賰乇丕爻賷 禺丕賱賷丞
賵乇爻丕賱丞 禺賱丕氐 丕賱亘卮乇賷丞
賵禺胤賷亘 賲賮賵賴 賵兀禺乇爻
鈥� 賷鬲賯丿賲 丕賱禺胤賷亘 賮噩兀丞 賳丨賵 丕賱爻亘賵乇丞 丕賱賲賵噩賵丿丞 賮賷 丕賱睾乇賮丞鈥�
賵賷賰鬲亘 亘禺胤 賵丕囟丨 : 賵丿丕毓丕賸!鈥�
賵賷賳爻丨亘 亘亘胤亍
亘賷賳賲丕 賳爻賲毓 囟噩賷噩 丕賱噩賲賴賵乇 丕賱匕賷 賱賲 鈥徺娯敦� 賵賷爻丿賱 丕賱爻鬲丕乇 卮賷卅丕 賮卮賷卅丕鈥�
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賷亘丿賵 兀賳 賴賲 丕賱賲丐賱賮 丕賱兀賵賱 賴賵 廿賯賳丕毓 丕賱噩賲賴賵乇 亘毓丿賲 鈥徺堌堌� 丨賯賷賯丞 賲胤賱賯丞
賮賰賱賴 禺賵丕亍
賮賲賳 賷毓乇賮 賱丕 賷鬲賰賱賲
兀賵 丕賳鬲丨乇 賵睾丕丿乇 丕賱丿賳賷丕
賵兀孬賳丕亍 賵噩賵丿賴 賱賲 賷賰賳 睾賷乇 匕賷 卮兀賳
賵賲賳 賷乇鬲噩賶 爻賲丕毓賴賲 賱賱乇爻丕賱丞 睾賷乇 賲乇卅賷賷賳 兀賵 鈥徺呚迟呝堌官娰娰�
賷賯賵賱 賷賵賳爻賰賵 賮賷 廿丨丿賶 賲賯丕賱丕鬲賴:鈥�
鈥�"兀賵丕賳 丕賱廿亘丿丕毓 毓賳丿賷貙 賴賵 丕賱賵賯鬲 丕賱匕賷 兀賰賵賳 賮賷賴 鬲丨鬲 鈥徹Ｘ娯� 鬲賮丕毓賱 匕賴賳賷 睾乇賷亘貙 賵鬲賮賰賷乇 賲卮賵卮 賲囟胤乇亘貙 鈥徺佡� 賴匕賴 丕賱賱丨馗丕鬲 兀噩丿 賰賱 卮賷亍貙 賵賱丕 兀丿乇賷 賲賳 兀賷賳 鈥徺娯Ｘ� 匕賱賰鈥� 賵賲丕 兀賳 鬲爻噩賱 賴匕賴 丕賱兀卮賷丕亍貙 賵賷胤乇兀 毓賱賷賴丕 鈥徺嗁堌� 賲賳 丕賱鬲賱丕丨賲 亘丨賰賲 鬲噩賲賷毓賴丕貙 賵鬲乇丕亘胤 亘毓囟賴丕 亘丕賱亘毓囟 鈥徹з勜⒇必� 丨賷賳卅匕 兀爻鬲胤賷毓 兀賳 兀賮賰乇 賰賲丕 賷賯賵賱賵賳 胤亘賯丕 賱賱賯賵丕毓丿 鈥徹з勝堌敦官娯�"鈥�
鈥�"兀噩丿 賲丕丿鬲賷 賲爻乇丨賷丕鬲賷 賮賷 兀丨賱丕賲賷.. 賮賷 乇睾亘丕鬲賷 鈥徹з勜贺з呚敦�.. 賵鬲賳丕賯囟丕鬲賷 丕賱亘丕胤賳賷丞 丕賱丿賮賷賳丞.. 賵賲禺丕賵賮賷"鈥�
賮丕賱賵丕賯毓 丕賱賲毓丕卮 賱丕 賲毓賳賶 賱賴
賵賰賷 賳毓亘乇 毓賳賴 賱丕亘丿 賱賳丕 賲賳 丕賱丕賳鬲賯丕賱 廿賱賶 賱丕賵毓賷賳丕 丕賱禺丕氐
賵賲賳賴 賳爻鬲賯賷 亘賯丕賷丕 丕賱丨賯賷賯丞 丕賱鬲賷 賷丨丕賵賱 丕賱噩賲賷毓 鈥徹焚呚迟囏� 亘賰賱 丕賱禺乇丕亘 丕賱匕賷 賷爻賵丿 丕賱毓丕賱賲
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丕賱賲爻乇丨賷丞 賯乇兀鬲賴丕 賲乇鬲賷賳
亘鬲乇噩賲丞 廿賳噩賱賷夭賷丞 賵亘兀禺乇賶 毓乇亘賷丞
爻鬲噩丿賵賳 丕賱毓乇亘賷丞 囟賲賳 丕賱兀毓賲丕賱 丕賱賰丕賲賱丞 賱賷賵賳爻賰賵 鈥�
丕賱氐丕丿乇丞 毓賳 丕賱賴賷卅丞 丕賱賲氐乇賷丞 丕賱毓丕賲丞 賱賱賰鬲丕亘
賵兀賷囟丕 賲賵噩賵丿丞 賲賳 廿氐丿丕乇
丿丕乇 丕賱丨乇賮 丕賱毓乇亘賷
May 3, 2023
Memory as a game; played even after the rules are long forgotten. The overall feeling is one of abandonment; trying to remember what once connected us to the places we tried to find answers from. Ionesco is a master of (what I call) 'existential horror' - that 'Bohemian Rhapsodic' feeling that nothing really matters... anyone can see...just open your eyes.
September 1, 2019
Farce tragique!
It strikes me that the definition Ionesco chose for his play makes for a good summary of life in general - especially at this time in history!
And of course the dramatic action is worthy of the master of creepy reality: two protagonists with a message to deliver to humanity, an increasing number of chairs with invisible guests, and to complete the isolation: a deaf-mute and helpless deus-ex-machina struggling to make himself understood.
Message: returned to sender! In an anti-cathartic act of brilliantly disconnected dialogue.
To pair this bleak vision with another short play featuring Ionesco himself in the lead role, being brain-washed by three scientific critics, is a wonderful choice by Folio.
Their message to the readers: we never get through to each other in the true sense of understanding. Except when we do: via Ionesco!
When "tragic farce" is not an oxymoron, but life as we know and play it, we most likely are in an Ionesco play. The empty chairs are for those who don't realise it and live life as if it weren't the saddest joke on Earth!
It strikes me that the definition Ionesco chose for his play makes for a good summary of life in general - especially at this time in history!
And of course the dramatic action is worthy of the master of creepy reality: two protagonists with a message to deliver to humanity, an increasing number of chairs with invisible guests, and to complete the isolation: a deaf-mute and helpless deus-ex-machina struggling to make himself understood.
Message: returned to sender! In an anti-cathartic act of brilliantly disconnected dialogue.
To pair this bleak vision with another short play featuring Ionesco himself in the lead role, being brain-washed by three scientific critics, is a wonderful choice by Folio.
Their message to the readers: we never get through to each other in the true sense of understanding. Except when we do: via Ionesco!
When "tragic farce" is not an oxymoron, but life as we know and play it, we most likely are in an Ionesco play. The empty chairs are for those who don't realise it and live life as if it weren't the saddest joke on Earth!
September 9, 2019
丕賵跇賳 蹖賵賳爻讴賵 賳丕_丿蹖丿賳 乇丕 亘賴 鬲氐賵蹖乇 賲蹖鈥屭┴簇�.氐丿丕賴丕蹖蹖 賲禺丿賵卮 丿乇 丨丕賮馗賴鈥�.夭賳丿诏蹖鈥� 丿乇 鬲賲丕賲蹖鬲蹖 乇賵 亘賴 賲乇诏貙夭賳丿賴 亘賵丿賳 乇丕 丕夭 賳賵 胤賱亘 賲蹖鈥屭┵嗀�.
June 5, 2019
賲爻乇丨賷丞 丕賱賰乇丕爻賷 賱賱兀丿賷亘 丕賱賮乇賳爻賷 丕賱毓亘孬賷 丕賱卮賴賷乇 賷賵噩賷賳 賷賵賳爻賰賵
賵賷丕 廿賱賴賷 ! 賴賱 賴賳丕賰 鬲噩爻丿 賱賱賵丨丿丞貙 賵丕賱毓亘孬賷丞貙 賵丕賱賮乇丕睾貙 賵丕賱爻兀賲 兀賰孬乇 賲賳 賴匕丕 責
賰賷賮 丕爻鬲胤丕毓 賷賵賳爻賰賵 兀賳 賷囟毓 丕賱廿賳爻丕賳賷丞 賮賷 賴匕丕 丕賱賲兀夭賯 .. 賴匕丕 丕賱賵囟毓 丕賱賲購丨乇噩貙 丕賱賲丐賱賲貙 丕賱匕賷 賷噩毓賱賴丕 賲噩乇丿 爻鬲丕乇丞 賵賴賲賷丞 鬲購禺賮賷 禺賱賮賴丕 賲丕賴賵 兀賰孬乇 賵賴賲丕 賲賳賴丕
!
賮丕賱兀氐賵丕鬲 賵賴賲賷丞貙 賵丕賱丨賵丕乇 賵賴賲賷貙 賵丕賱丨丕賱 兀賯乇亘 廿賱賷 丕賱噩賳賵賳 賲賳賴 廿賱賷 丕賱賷兀爻貙 兀賵 賯賱 賴賵 賷兀爻 兀賮囟賷 廿賱賷 噩賳賵賳 廿乇丕丿賷
賮賰賱 賲賳賴賲丕 噩購賳 亘賳賮爻 丕賱廿爻賱賵亘 .. 賵賳賮爻 丕賱丨賵丕乇 .. 賵賳賮爻 丕賱兀賮賰丕乇貙 賵賰兀賳賴賲丕 兀鬲賮賯丕 爻賵賷丕 毓賱賷 賳賴丕賷丞 賵丕丨丿丞 賱丕 亘丿賷賱 毓賳賴丕 賴賷 丕賱爻亘亘 賵丕賱賳鬲賷噩丞 賲毓丕賸
賮賴賷 丕賱亘丿丕賷丞 賵丕賱賳賴丕賷丞 .. 賮賱賯丿 鬲爻丕賵賷 丕賱賷兀爻 賵丕賱兀賲賱
賵鬲爻丕賵賷 廿丨爻丕爻 丕賱賵丨丿丞貙 賲毓 廿丨爻丕爻 丕賱噩賲賵毓
賵鬲爻丕賵賷 丕賱氐賵鬲 賲毓 丕賱氐賲鬲
賵賰賱 賷鬲噩賴 賳丨賵 賲氐賷乇 賲丨鬲賵賲 毓賱賷 丕賱廿賳爻丕賳 兀賳 賷睾乇賯 賮賷賴 兀賰孬乇 賵兀賰孬乇
賮賲氐賷乇賰 賴賳丕 賴賵 毓賯丕亘賰貙 賵丕賱賳噩丕丞 賲賳賴 賱丕 鬲禺鬲賱賮 賰孬賷乇丕賸 毓賳 丕賱賵賯賵毓 賮賷賴
鬲禺賷賱 兀賳 鬲賰賵賳 丕賱噩乇賷賲丞 賴賷 丕賱毓賯丕亘 ! 兀賵 兀賳 賷賰賵賳 丕賱丨賱 賴賵 賳賮爻賴 兀氐賱 丕賱賲卮賰賱丞
!
賮丕賱兀賲賱 賲購賲鬲賳毓 .. 賵丕賱丨賱 賲毓 禺胤賷亘 賲賮賵賴貙 亘丕乇毓貙 賱賰賳賴 賱賱兀爻賮 兀禺乇爻 !
賳毓賲貙 丕賱禺胤賷亘 兀禺乇爻 !! 賵丕賱丨賰賲丞 賲購噩賲丿丞 毓賱賷 賱爻丕賳 賱賳 賷賳胤賯 ! 賵丕賱氐賵鬲 賲丕鬲 賮賵賯 兀丨亘丕賱 氐賵鬲賷丞 賲購賴賱賴賱丞
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賮丕賱丨賯賷賯丞 囟丕卅毓丞貙 賵丕賱賲毓乇賮丞 賲購賲鬲賳毓丞 賮賷 賵賴賲 毓賲乇賴 賲丕卅丞 毓丕賲貙 賴賵 鬲賯乇賷亘丕 毓賲乇 丕賱夭賵噩賷賳貙 賵賱丕 爻丐丕賱 賵賱丕 廿噩丕亘賴貙 賵賱丕 丕賳鬲馗丕乇 廿賱丕 賱氐賵鬲 氐丕賲鬲 賮賷 賮賲 禺胤賷亘 亘丕乇毓貙 賷禺胤亘 兀賲丕賲 丨囟賵乇 賵賴賲賷貙 噩丕賱爻 賮賵賯 丕賱賰乇丕爻賷 丕賱賮乇丕睾丞貙 賷乇丕賴 噩賲賴賵乇 賱賲 賷丨囟乇 丕賱賲爻乇丨賷丞
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賮丕賱丨丕賱 賱賳 賷鬲睾賷乇 .. 賮爻賵丕亍 毓賱賷賰 爻兀賱鬲 兀賲 賱賲 鬲爻兀賱貙 毓乇賮鬲 兀賲 賱賲 鬲毓乇賮貙 囟丨賰鬲 兀賲 亘賰賷鬲貙 賱賳 賷鬲睾賷乇 丕賱丨丕賱
賮丕賱亘丿丕賷丞 兀禺鬲 丕賱賳賴丕賷丞 .. 賵亘賷賳賴賲丕 丨賷乇丞 賵賮乇丕睾 賵氐賲鬲 .. 賵丕賳鬲馗丕乇 亘孬乇孬乇丞 賮丕乇睾丞 賱丕 鬲鬲賵賯賮
兀賲丕 丨丕賱賰 兀賳鬲 丕賱賯丕乇卅 .. 賮毓賱賷賰 亘丕賱氐亘乇 丕賱胤賵賷賱 .. 賵鬲匕賰乇 兀賳賰 鬲鬲毓丕賲賱 賲毓 丕孬賳賷賳 亘賱睾丕 賲賳 丕賱賷兀爻 賵丕賱賵丨丿丞 賵丕賱賮乇丕睾 丨丿丕賸 賷噩毓賱 賲賳 丕賱賲賵鬲 兀賲賱丕賸 貙 賵賲賳 丕賱毓丿賲 乇睾亘丞賸貙 賵賲賳 丕賱賮賳丕亍 乇賮丕賴賷丞 賱丕 鬲購胤丕賱
賮丕禺鬲亘乇 氐亘乇賰 賲毓 賷賵賳爻賰賵 .. 賵賳氐賷丨丞 賱賰 丕賯乇兀賴丕 賵賱丕 鬲爻鬲賲毓 廿賱賷賴丕 .. 賮賱賯丿 丨丕賵賱鬲 丕賱丕爻鬲賲丕毓 廿賱賷賴丕貙 賮兀氐丕亘賳賷 睾賷馗 賱丕 賷購丨鬲賲賱 ]:
賷賵賳爻賰賵 .. 賰賳鬲 丕馗賳 氐賲賵賷賱 亘賷賰鬲 賲購鬲毓賽亘丕貙 氐丿賯賳賷貙 賴賵 亘賲孬丕亘丞 丕賱賳爻賲丞 丕賱賴丕丿卅丞 賲賯丕乇賳丞 亘賰
馃
February 17, 2017
丕夭 亘蹖賳 丌孬丕乇 蹖賵賳爻讴賵 賳賲丕蹖卮賳丕賲賴 蹖 氐賳丿賱蹖 賴丕 亘蹖卮鬲乇 丕夭 爻丕蹖乇 賳賲丕蹖卮 賳丕賲賴 賴丕蹖卮 亘乇丕蹖賲 丿賱賳卮蹖賳 亘賵丿賴 丕爻鬲.
氐賳丿賱蹖 賴丕 丿乇 70 氐賮丨賴 賴蹖趩 乇丕 亘賴 胤乇夭 丿賱賳卮蹖賳 賵 賲賱賲賵爻蹖 亘賴 卮賲丕 賳卮丕賳 賲蹖 丿賴賳丿.
倬蹖乇賲乇丿蹖 讴賴 爻丕賱 賴丕 亘乇丕蹖 丿賱禺賵卮 讴乇丿賳 禺賵丿貙 禺賵丿 乇丕 賮乇賲丕賳丿賴 賲蹖 禺賵丕賳丿. 亘蹖 丌賳讴賴 禺賵丿卮 丕夭 噩賴賱 禺賵丿卮 丌诏丕賴 亘丕卮丿. 鬲賳賴丕 丕蹖賳 禺賵丕賳賳丿賴 丕爻鬲 讴賴 賲蹖 丿丕賳丿 賲乇丿 丿乇 噩夭蹖乇賴 丕蹖 亘賴 賴賲乇丕賴 賴賲爻乇卮 鬲賳賴丕 夭賳丿诏蹖 賲蹖 讴賳丿. 賵 賮乇賲丕賳丿賴 蹖 賴蹖趩 丕爻鬲.
蹖賵賳爻讴賵 丿乇 丕蹖賳 讴鬲丕亘 乇賵丕亘胤 丕賳爻丕賳蹖 乇丕 賴蹖趩 賲蹖 禺賵丕賳丿賵 賳賴 倬賵趩.
夭亘丕賳 賵 讴賱賲丕鬲 丿乇 氐賮丨丕鬲 讴鬲丕亘 賲丿丕賲 賵 賲丿丕賲 倬爻鬲 賲蹖 卮賵賳丿. 亘丕乇賴丕 賵 亘丕乇賴丕 亘賴 趩卮賲 賲蹖 丌蹖丿 讴賴 讴賱賲丕鬲 鬲賵爻胤 蹖賵賳爻讴賵 亘賴 爻禺乇賴 诏乇賮鬲賴 賲蹖 卮賵賳丿. 賴賲丕賳 胤賵乇 讴賴 丿乇 丌賵丕夭禺賵丕賳 鬲丕爻 賲蹖 禺賵丕賳蹖賲.
卮诏賮鬲蹖賽 氐賳丿賱蹖 賴丕 丿乇 氐賮丨丕鬲 丕賳鬲賴丕蹖蹖 丿蹖丿賴 賲蹖 卮賵丿. 賵賯鬲蹖 賳丕胤賯 卮乇賵毓 亘賴 氐丨亘鬲 賲蹖 讴賳丿. 丕诏乇 丿乇 讴賱賲丕鬲 賮乇賵 乇賮鬲賴 亘丕卮蹖 賲胤賲蹖賳丕 爻賳诏蹖賳蹖 趩蹖夭蹖 乇丕 丨爻 禺賵丕賴蹖 讴乇丿. 爻賳诏蹖賳蹖 賴蹖趩 亘賵丿賳. 爻賳诏蹖賳蹖 賲賴賲賱 亘賵丿賳賽 丕賲蹖丿. 亘蹖賴賵丿賴 亘賵丿賳 讴賱賲丕鬲蹖 讴賴 賴乇 乇賵夭 丕夭 丌賳 賴丕 丕爻鬲賮丕丿賴 賲蹖 讴賳蹖.
丕蹖賳 讴鬲丕亘 亘賴 禺賵亘蹖 賲蹖 鬲賵丕賳丿 丿乇 丿賯丕蹖賯 讴賵鬲丕賴蹖 禺賵丕賳賳丿賴 乇丕 丿乇诏蹖乇 賵 鬲丨鬲 鬲丕孬蹖乇 禺賵丿 賯乇丕乇 丿賴丿.
禺賵丕賳丿賳卮 乇丕 鬲賵氐蹖賴 賲蹖 讴賳賲.
噩賲賱賴 蹖 丕賳鬲賴丕蹖蹖 乇丕 丕夭 蹖丕丿丿丕卮鬲 丕亘鬲丿丕蹖 讴鬲丕亘 丕賳鬲禺丕亘 讴乇丿賴 丕賲.
"毓馗賲鬲 丕賳爻丕賳 亘乇丕蹖 毓丿賴 丕蹖貙 亘乇 卮毓賵乇 賵 鬲乇丨賲 亘乇 賮賱丕讴鬲 禺賵丿 亘賳丕 卮丿賴 丕爻鬲. "
賲蹖卮賱 賱賵賵乇貙 蹖丕丿丿丕卮鬲蹖 亘乇 氐賳丿賱蹖 賴丕 丕孬乇 丕賵跇賳 蹖賵賳爻讴賵
氐賳丿賱蹖 賴丕 丿乇 70 氐賮丨賴 賴蹖趩 乇丕 亘賴 胤乇夭 丿賱賳卮蹖賳 賵 賲賱賲賵爻蹖 亘賴 卮賲丕 賳卮丕賳 賲蹖 丿賴賳丿.
倬蹖乇賲乇丿蹖 讴賴 爻丕賱 賴丕 亘乇丕蹖 丿賱禺賵卮 讴乇丿賳 禺賵丿貙 禺賵丿 乇丕 賮乇賲丕賳丿賴 賲蹖 禺賵丕賳丿. 亘蹖 丌賳讴賴 禺賵丿卮 丕夭 噩賴賱 禺賵丿卮 丌诏丕賴 亘丕卮丿. 鬲賳賴丕 丕蹖賳 禺賵丕賳賳丿賴 丕爻鬲 讴賴 賲蹖 丿丕賳丿 賲乇丿 丿乇 噩夭蹖乇賴 丕蹖 亘賴 賴賲乇丕賴 賴賲爻乇卮 鬲賳賴丕 夭賳丿诏蹖 賲蹖 讴賳丿. 賵 賮乇賲丕賳丿賴 蹖 賴蹖趩 丕爻鬲.
蹖賵賳爻讴賵 丿乇 丕蹖賳 讴鬲丕亘 乇賵丕亘胤 丕賳爻丕賳蹖 乇丕 賴蹖趩 賲蹖 禺賵丕賳丿賵 賳賴 倬賵趩.
夭亘丕賳 賵 讴賱賲丕鬲 丿乇 氐賮丨丕鬲 讴鬲丕亘 賲丿丕賲 賵 賲丿丕賲 倬爻鬲 賲蹖 卮賵賳丿. 亘丕乇賴丕 賵 亘丕乇賴丕 亘賴 趩卮賲 賲蹖 丌蹖丿 讴賴 讴賱賲丕鬲 鬲賵爻胤 蹖賵賳爻讴賵 亘賴 爻禺乇賴 诏乇賮鬲賴 賲蹖 卮賵賳丿. 賴賲丕賳 胤賵乇 讴賴 丿乇 丌賵丕夭禺賵丕賳 鬲丕爻 賲蹖 禺賵丕賳蹖賲.
卮诏賮鬲蹖賽 氐賳丿賱蹖 賴丕 丿乇 氐賮丨丕鬲 丕賳鬲賴丕蹖蹖 丿蹖丿賴 賲蹖 卮賵丿. 賵賯鬲蹖 賳丕胤賯 卮乇賵毓 亘賴 氐丨亘鬲 賲蹖 讴賳丿. 丕诏乇 丿乇 讴賱賲丕鬲 賮乇賵 乇賮鬲賴 亘丕卮蹖 賲胤賲蹖賳丕 爻賳诏蹖賳蹖 趩蹖夭蹖 乇丕 丨爻 禺賵丕賴蹖 讴乇丿. 爻賳诏蹖賳蹖 賴蹖趩 亘賵丿賳. 爻賳诏蹖賳蹖 賲賴賲賱 亘賵丿賳賽 丕賲蹖丿. 亘蹖賴賵丿賴 亘賵丿賳 讴賱賲丕鬲蹖 讴賴 賴乇 乇賵夭 丕夭 丌賳 賴丕 丕爻鬲賮丕丿賴 賲蹖 讴賳蹖.
丕蹖賳 讴鬲丕亘 亘賴 禺賵亘蹖 賲蹖 鬲賵丕賳丿 丿乇 丿賯丕蹖賯 讴賵鬲丕賴蹖 禺賵丕賳賳丿賴 乇丕 丿乇诏蹖乇 賵 鬲丨鬲 鬲丕孬蹖乇 禺賵丿 賯乇丕乇 丿賴丿.
禺賵丕賳丿賳卮 乇丕 鬲賵氐蹖賴 賲蹖 讴賳賲.
噩賲賱賴 蹖 丕賳鬲賴丕蹖蹖 乇丕 丕夭 蹖丕丿丿丕卮鬲 丕亘鬲丿丕蹖 讴鬲丕亘 丕賳鬲禺丕亘 讴乇丿賴 丕賲.
"毓馗賲鬲 丕賳爻丕賳 亘乇丕蹖 毓丿賴 丕蹖貙 亘乇 卮毓賵乇 賵 鬲乇丨賲 亘乇 賮賱丕讴鬲 禺賵丿 亘賳丕 卮丿賴 丕爻鬲. "
賲蹖卮賱 賱賵賵乇貙 蹖丕丿丿丕卮鬲蹖 亘乇 氐賳丿賱蹖 賴丕 丕孬乇 丕賵跇賳 蹖賵賳爻讴賵
October 5, 2022
倬蹖乇賲乇丿: 賲賳 蹖讴 賳馗丕賲 丕蹖噩丕丿 讴乇丿賲... 賲蹖鈥屫堌з� 亘丕賴丕卮 丿賳蹖丕 乇賵 賳噩丕鬲 亘丿賲. (倬蹖乇夭賳 讴賱賲丕鬲 丌禺乇 賲乇丿 乇丕 丕讴賵 賲蹖鈥屭┵嗀�.)
賲丨賲丿賲賴丿蹖 丕乇丿亘蹖賱蹖貙 爻賲蹖乇丕 乇卮蹖丿倬賵乇.
賲乇丕丿 賮乇賴丕丿倬賵乇貙 氐丕賱丨 賳噩賮蹖.
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毓賱丕賵賴 亘乇 賲囟賲賵賳 亘丕賱丕貙 丿乇賵賳鈥屬呚й屬団€屰� 丿蹖诏乇 丕孬乇貙 趩蹖夭蹖 亘賵丿 卮亘蹖賴 亘賴 胤亘蹖毓鬲 亘蹖鈥屫з� 卮賴蹖丿 孬丕賱孬. 丕賮乇丕丿蹖 讴賴 蹖讴 毓賲乇 亘乇丕蹖 丕蹖賳 乇卅蹖爻 賵 丌賳 乇卅蹖爻 讴丕乇 讴乇丿賴鈥屫з嗀� 賵 丨丕賱丕 丿蹖诏乇 亘乇丕蹖 禺賵丿卮丕賳 芦卮丕賴賽 賳賵讴乇蹖禄 卮丿賴鈥屫з嗀�. 賴蹖趩鈥屭┴� 亘賴 丌賳鈥屬囏� 诏賵卮 賳丿丕丿賴 賵 丕蹖賳 丌禺乇蹖賳 賮乇氐鬲 丌賳鈥屬囏� 亘乇丕蹖 賵氐蹖鬲 丕爻鬲貨 亘乇丕蹖 丌賳鈥屭┵� 賲毓賳丕蹖 夭賳丿诏蹖 禺賵丿 乇丕 亘賴 诏賵卮 亘賯蹖賴 亘乇爻丕賳賳丿. 丕夭 丌賳鈥屫� 讴賴 丕蹖賳 夭賳丿诏蹖 賲丿乇賳貙 倬蹖卮丕倬蹖卮 鬲賵禺丕賱蹖 賵 亘蹖鈥屬呚官嗀� 亘賵丿賴貙 倬爻 賲爻賱賲丕 賳賴 亘丕夭蹖诏乇丕賳 丕氐賱蹖 賵 賳賴 爻禺賳乇丕賳貙 賯丕丿乇 亘賴 丕賳鬲賯丕賱 倬蹖丕賲 夭賳丿诏蹖 夭賵噩 爻丕賱禺賵乇丿賴 賳蹖爻鬲賳丿: 趩賵賳 丕氐賱丕 倬蹖丕賲蹖 賵噩賵丿 賳丿丕乇丿. 蹖讴 賴蹖趩 亘夭乇诏 讴賴 亘乇丕蹖 賴蹖趩鈥屬囏й� 丿蹖诏乇 丕噩乇丕 賲蹖鈥屫促堌�. 夭賳丿诏蹖 夭賵噩貙 賴賲趩賵賳 賴賲蹖賳 賲乇丕爻賲 丕爻鬲: 賴賲賴鈥屫ж� 芦丌賲丕丿賴 卮丿賳禄 亘乇丕蹖 趩蹖夭蹖 賵 賳賴 禺賵丿 丌賳 趩蹖夭. 亘乇丕蹖 蹖讴 賴蹖趩貙 丕賱亘鬲賴 讴賴 賲蹖鈥屫堌з� 賲乇丕爻賲 噩卮賳 蹖丕 鬲乇丨蹖賲 诏乇賮鬲貙 丕賲丕 丿乇亘丕乇賴鈥屰� 禺賵丿 丌賳 賴蹖趩 賳賲蹖鈥屫堌з� 賴蹖趩 诏賮鬲.
賲丨賲丿賲賴丿蹖 丕乇丿亘蹖賱蹖貙 爻賲蹖乇丕 乇卮蹖丿倬賵乇.
賲乇丕丿 賮乇賴丕丿倬賵乇貙 氐丕賱丨 賳噩賮蹖.
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毓賱丕賵賴 亘乇 賲囟賲賵賳 亘丕賱丕貙 丿乇賵賳鈥屬呚й屬団€屰� 丿蹖诏乇 丕孬乇貙 趩蹖夭蹖 亘賵丿 卮亘蹖賴 亘賴 胤亘蹖毓鬲 亘蹖鈥屫з� 卮賴蹖丿 孬丕賱孬. 丕賮乇丕丿蹖 讴賴 蹖讴 毓賲乇 亘乇丕蹖 丕蹖賳 乇卅蹖爻 賵 丌賳 乇卅蹖爻 讴丕乇 讴乇丿賴鈥屫з嗀� 賵 丨丕賱丕 丿蹖诏乇 亘乇丕蹖 禺賵丿卮丕賳 芦卮丕賴賽 賳賵讴乇蹖禄 卮丿賴鈥屫з嗀�. 賴蹖趩鈥屭┴� 亘賴 丌賳鈥屬囏� 诏賵卮 賳丿丕丿賴 賵 丕蹖賳 丌禺乇蹖賳 賮乇氐鬲 丌賳鈥屬囏� 亘乇丕蹖 賵氐蹖鬲 丕爻鬲貨 亘乇丕蹖 丌賳鈥屭┵� 賲毓賳丕蹖 夭賳丿诏蹖 禺賵丿 乇丕 亘賴 诏賵卮 亘賯蹖賴 亘乇爻丕賳賳丿. 丕夭 丌賳鈥屫� 讴賴 丕蹖賳 夭賳丿诏蹖 賲丿乇賳貙 倬蹖卮丕倬蹖卮 鬲賵禺丕賱蹖 賵 亘蹖鈥屬呚官嗀� 亘賵丿賴貙 倬爻 賲爻賱賲丕 賳賴 亘丕夭蹖诏乇丕賳 丕氐賱蹖 賵 賳賴 爻禺賳乇丕賳貙 賯丕丿乇 亘賴 丕賳鬲賯丕賱 倬蹖丕賲 夭賳丿诏蹖 夭賵噩 爻丕賱禺賵乇丿賴 賳蹖爻鬲賳丿: 趩賵賳 丕氐賱丕 倬蹖丕賲蹖 賵噩賵丿 賳丿丕乇丿. 蹖讴 賴蹖趩 亘夭乇诏 讴賴 亘乇丕蹖 賴蹖趩鈥屬囏й� 丿蹖诏乇 丕噩乇丕 賲蹖鈥屫促堌�. 夭賳丿诏蹖 夭賵噩貙 賴賲趩賵賳 賴賲蹖賳 賲乇丕爻賲 丕爻鬲: 賴賲賴鈥屫ж� 芦丌賲丕丿賴 卮丿賳禄 亘乇丕蹖 趩蹖夭蹖 賵 賳賴 禺賵丿 丌賳 趩蹖夭. 亘乇丕蹖 蹖讴 賴蹖趩貙 丕賱亘鬲賴 讴賴 賲蹖鈥屫堌з� 賲乇丕爻賲 噩卮賳 蹖丕 鬲乇丨蹖賲 诏乇賮鬲貙 丕賲丕 丿乇亘丕乇賴鈥屰� 禺賵丿 丌賳 賴蹖趩 賳賲蹖鈥屫堌з� 賴蹖趩 诏賮鬲.
April 14, 2025
亘賴 爻賴 爻鬲丕乇賴鈥屬� 鬲賵噩賴蹖 賳讴賳蹖丿. 賴賲蹖賳 讴賴 賳蹖賲 爻丕毓鬲賴 丿丕乇賲 亘丕 禺賵丿賲 讴賱賳噩丕乇 賲蹖乇賲 讴賴 趩蹖 丿乇亘丕乇賴鈥屫� 亘賳賵蹖爻賲 賵 丌禺乇卮 賴賲 賲蹖夭賳賲 亘賴 丿乇賽 倬乇鬲鈥屬堚€屬举勜� 诏賮鬲賳貙 蹖毓賳蹖 丕蹖賳讴賴 亘蹖卮鬲乇 丕夭 丕蹖賳 丨乇賮丕 賲賳 乇賵 丿乇诏蹖乇 禺賵丿卮 讴乇丿賴.
April 25, 2016
The play, written by Eug猫ne Ionesco, consists of an Old Man and an Old Woman, moving around many chairs. It's one of the plays that became the foundation for a theatrical movement called Th茅芒tre de l'Absurde.
There are only two people in the play, except the orator that make an entrance later. The other characters are invisible. Perhaps the Old Man och Old Women are the only ones left in the world. Perhaps an apocalypse has destroyed the earth, leaving nothing behind. They say that there is no Paris anymore, and talk about an old memory repeatedly. The chairs might symbolise their long lost friends. Another explanation is that the imaginary guests are real people, but with an absent mind. They are there, but at the same time not. However, despite being invisible, they seem more alive than the strange orator, who seems more like a robot than a human being. Are they in the future?
There are many themes in the play. The need to be remembered is easy to identify with. No one wants to be forgotten forever. When finding the meaning of life, or whatever discovery the Old Man has made, will garantee it. Perhaps the chairs symbolise the importance to not forget people. Or perhaps the couple might have dementia? Or being prisoners, bored and wanting to entertain themselves? It doesn't really matter. The play is about memories, and the ability to remember a past that was better than the present. It is about regret. The Old Woman often tells her husband what he could have become if he only were more ambitious. Now, when he has the answer to everything, and will reveal the secret to the world, he will finally be someone. He will be remembered.
The reason that the orator doesn't succeed to reveal the Old Man's discovery is perhaps because of the Old Man. He doesn't dare to reveal his discovery himself. Instead he escapes. If not believing in oneself, no one else does. He seems to have escaped many things in his life. He denies having a son and he admits having abandoned his dying mother. Is the empty room a form of escapism? The lack of responsibility is a great theme. By the way, perhaps the orator really tells the audience the meaning of life. They are just unable to understand it, because it's impossible to understand.
What's good about this play is that it makes you think. There are many interpretations possible, and the story surely means different things to different people.
There are only two people in the play, except the orator that make an entrance later. The other characters are invisible. Perhaps the Old Man och Old Women are the only ones left in the world. Perhaps an apocalypse has destroyed the earth, leaving nothing behind. They say that there is no Paris anymore, and talk about an old memory repeatedly. The chairs might symbolise their long lost friends. Another explanation is that the imaginary guests are real people, but with an absent mind. They are there, but at the same time not. However, despite being invisible, they seem more alive than the strange orator, who seems more like a robot than a human being. Are they in the future?
There are many themes in the play. The need to be remembered is easy to identify with. No one wants to be forgotten forever. When finding the meaning of life, or whatever discovery the Old Man has made, will garantee it. Perhaps the chairs symbolise the importance to not forget people. Or perhaps the couple might have dementia? Or being prisoners, bored and wanting to entertain themselves? It doesn't really matter. The play is about memories, and the ability to remember a past that was better than the present. It is about regret. The Old Woman often tells her husband what he could have become if he only were more ambitious. Now, when he has the answer to everything, and will reveal the secret to the world, he will finally be someone. He will be remembered.
The reason that the orator doesn't succeed to reveal the Old Man's discovery is perhaps because of the Old Man. He doesn't dare to reveal his discovery himself. Instead he escapes. If not believing in oneself, no one else does. He seems to have escaped many things in his life. He denies having a son and he admits having abandoned his dying mother. Is the empty room a form of escapism? The lack of responsibility is a great theme. By the way, perhaps the orator really tells the audience the meaning of life. They are just unable to understand it, because it's impossible to understand.
What's good about this play is that it makes you think. There are many interpretations possible, and the story surely means different things to different people.
May 21, 2020
氐賳丿賱蹖 賴丕貙 丕賵賱蹖賳 賳賲丕蹖卮賳丕賲賴 丕蹖 亘賵丿 讴賴 丕夭 蹖賵賳爻讴賵 賲蹖禺賵賳丿賲. 丕賱亘鬲賴 賯亘賱 鬲乇 賴賲 鬲卅丕鬲乇 氐賳丿賱蹖 賴丕 賵 賴賲 丌賵丕夭賴 禺賵丕賳 鬲丕爻 乇賵 丿蹖丿賴 亘賵丿賲 賵賱蹖 賴賳賵夭 趩蹖夭蹖 丕夭卮 賳禺賵賳丿賴 亘賵丿賲.
賳賲丕蹖卮賳丕賲賴 氐賳丿賱蹖 賴丕 丿乇爻鬲 賲孬賱 鬲卅丕鬲乇卮 讴賴 爻丕賱賴丕 賯亘賱 丿蹖丿賴 亘賵丿賲 賮賵賯 丕賱毓丕丿賴 亘賵丿. 丿丕爻鬲丕賳 丿乇亘丕乇賴 蹖 蹖讴 倬蹖乇夭賳 賵 倬蹖乇賲乇丿賴 讴賴 丌禺乇丕蹖 毓賲乇卮賵賳賴 賵 丕夭 賲賴賲丕賳丕賳 禺蹖丕賱蹖 夭蹖丕丿蹖 丿毓賵鬲 讴乇丿賳 鬲丕 倬蹖丕賲卮賵賳 乇賵 鬲賵爻胤 爻禺賳乇丕賳蹖 讴賴 丕賳鬲馗丕乇卮 乇賵 賲蹖讴卮賳 亘賴 诏賵卮 丿賳蹖丕 亘乇爻賵賳賳. 丕賲丕...
胤亘賯 诏賮鬲賴 蹖 禺賵丿 蹖賵賳爻讴賵"賲賵囟賵毓 賳賲丕蹖卮賳丕賲賴 賳蹖爻鬲蹖 亘賵丿賴 丕爻鬲 賳賴 卮讴爻鬲. 睾蹖亘鬲 讴丕賲賱 亘賵丿: 氐賳丿賱蹖 賴丕 亘丿賵賳 賴蹖趩讴爻.
"氐賳丿賱蹖 賴丕 賳賲丕丿 卮乇丕蹖胤 睾賲亘丕乇 夭賳丿诏蹖 丕賳爻丕賳蹖貙 賳賲丕蹖卮 毓丿賲 丕賲讴丕賳 鬲賮賴蹖賲 禺賵丿 亘賴 賵爻蹖賱賴 蹖 夭亘丕賳 賵 賴賲趩賳蹖賳 賳賲丕丿蹖 丕爻鬲 賱夭賵賲 丕賲蹖丿 賵 丕賳鬲馗丕乇 亘乇丕蹖 賳賵毓 亘卮乇."
賲賳 賳賲丕蹖卮賳丕賲賴 乇賵 亘丕 鬲乇噩賲賴 蹖 丿讴鬲乇 丕丨賲丿 讴丕賲蹖丕亘蹖 賲爻讴 趩丕倬 丕賳鬲卮丕乇丕鬲 丿丕賳卮诏丕賴 鬲賴乇丕賳 禺賵賳丿賲. 丿乇 丌禺乇 讴鬲丕亘 亘毓丿 丕夭 賳賲丕蹖卮賳丕賲賴貙 賲鬲乇噩賲 賳賯丿 胤賵賱丕賳蹖 賵 讴丕賲賱蹖 亘乇 丕蹖賳 賳賲丕蹖卮 賳賵卮鬲賴 讴賴 亘賴 禺賵亘蹖 賳賲丕蹖卮賳丕賲賴 乇賵 鬲卮乇蹖丨 賵 賳賯丿 讴乇丿賴 賵 賴賲賴 蹖 诏賮鬲賳蹖 賴丕 乇賵 诏賮鬲賴.
賳賲丕蹖卮賳丕賲賴 氐賳丿賱蹖 賴丕 丿乇爻鬲 賲孬賱 鬲卅丕鬲乇卮 讴賴 爻丕賱賴丕 賯亘賱 丿蹖丿賴 亘賵丿賲 賮賵賯 丕賱毓丕丿賴 亘賵丿. 丿丕爻鬲丕賳 丿乇亘丕乇賴 蹖 蹖讴 倬蹖乇夭賳 賵 倬蹖乇賲乇丿賴 讴賴 丌禺乇丕蹖 毓賲乇卮賵賳賴 賵 丕夭 賲賴賲丕賳丕賳 禺蹖丕賱蹖 夭蹖丕丿蹖 丿毓賵鬲 讴乇丿賳 鬲丕 倬蹖丕賲卮賵賳 乇賵 鬲賵爻胤 爻禺賳乇丕賳蹖 讴賴 丕賳鬲馗丕乇卮 乇賵 賲蹖讴卮賳 亘賴 诏賵卮 丿賳蹖丕 亘乇爻賵賳賳. 丕賲丕...
胤亘賯 诏賮鬲賴 蹖 禺賵丿 蹖賵賳爻讴賵"賲賵囟賵毓 賳賲丕蹖卮賳丕賲賴 賳蹖爻鬲蹖 亘賵丿賴 丕爻鬲 賳賴 卮讴爻鬲. 睾蹖亘鬲 讴丕賲賱 亘賵丿: 氐賳丿賱蹖 賴丕 亘丿賵賳 賴蹖趩讴爻.
"氐賳丿賱蹖 賴丕 賳賲丕丿 卮乇丕蹖胤 睾賲亘丕乇 夭賳丿诏蹖 丕賳爻丕賳蹖貙 賳賲丕蹖卮 毓丿賲 丕賲讴丕賳 鬲賮賴蹖賲 禺賵丿 亘賴 賵爻蹖賱賴 蹖 夭亘丕賳 賵 賴賲趩賳蹖賳 賳賲丕丿蹖 丕爻鬲 賱夭賵賲 丕賲蹖丿 賵 丕賳鬲馗丕乇 亘乇丕蹖 賳賵毓 亘卮乇."
賲賳 賳賲丕蹖卮賳丕賲賴 乇賵 亘丕 鬲乇噩賲賴 蹖 丿讴鬲乇 丕丨賲丿 讴丕賲蹖丕亘蹖 賲爻讴 趩丕倬 丕賳鬲卮丕乇丕鬲 丿丕賳卮诏丕賴 鬲賴乇丕賳 禺賵賳丿賲. 丿乇 丌禺乇 讴鬲丕亘 亘毓丿 丕夭 賳賲丕蹖卮賳丕賲賴貙 賲鬲乇噩賲 賳賯丿 胤賵賱丕賳蹖 賵 讴丕賲賱蹖 亘乇 丕蹖賳 賳賲丕蹖卮 賳賵卮鬲賴 讴賴 亘賴 禺賵亘蹖 賳賲丕蹖卮賳丕賲賴 乇賵 鬲卮乇蹖丨 賵 賳賯丿 讴乇丿賴 賵 賴賲賴 蹖 诏賮鬲賳蹖 賴丕 乇賵 诏賮鬲賴.
December 15, 2015
鬲卅丕鬲乇貙 賲毓賲丕乇蹖鈥� 賲鬲丨乇讴 丕爻鬲.
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April 24, 2022袟邪褌褉褍写薪懈褌械谢褜薪芯 写邪褌褜 芯褑械薪泻褍, 锌芯褋泻芯谢褜泻褍 械褋褌褜 芯褖褍褖械薪懈械, 褔褌芯 屑薪芯泄 写芯 泻芯薪褑邪 薪械 锌芯薪褟褌邪 锌褜械褋邪. 袙 写械褌褋褌胁械 胁褋械 懈谐褉邪谢懈 胁 褌邪泻懈械 锌邪薪褌芯屑懈屑薪褘械 胁芯芯斜褉邪卸邪械屑褘械 谐芯褋褌懈. 袝褋谢懈 褍 写械褌械泄 褝褌芯 锌褉芯褋褌芯 懈谐褉邪, 褉邪蟹胁懈胁邪褞褖邪褟 褋芯褑懈邪谢褜薪褘械 薪邪胁褘泻懈 懈 褉芯谢懈, 褌芯 褝褌懈 芯写懈薪芯泻懈械 锌褉械褋褌邪褉械谢褘械 褋褍锌褉褍谐懈 褋芯蟹写邪褞褌 懈谢谢褞蟹懈褞 锌芯谢薪芯褌褘 卸懈蟹薪懈 懈 胁芯褋褌褉械斜芯胁邪薪薪芯褋褌懈. 袧芯 锌芯褔械屑褍 锌芯褋谢械 褌芯谐芯, 泻邪泻 芦锌褉懈褕谢懈 胁褋械 谐芯褋褌懈, 胁泻谢褞褔邪褟 懈屑锌械褉邪褌芯褉邪禄, 褋褌邪褉懈泻懈 褋芯胁械褉褕邪褞褌 褋褍懈褑懈写? 袙 褔械屑 褉芯谢褜 谐谢褍褏芯薪械屑芯谐芯 芯褉邪褌芯褉邪? 袗斜褋褍褉写, 写邪 懈 褌芯谢褜泻芯.
November 28, 2017
A tragic play written by Ionesco about the relationship between a very old couple after being married for more than 70 years, their love for one another, their what ifs and would have been-s, their reminiscences and disappointments over lost opportunities.
January 26, 2019
亘毓賷丿丕賸 毓賳 兀丿亘 丕賱賵丕賯毓賷丞 賵 丕賱賰賱丕爻賰賷丞 賵 丕賱禺賷丕賱 賵 丕賱乇毓亘 賵 丕賱賲睾丕賲乇丕鬲 兀賱鬲賯賷鬲 氐丿賮丞 賰毓丕丿鬲賷 賲賳 禺賱丕賱 賲卮丕賴丿鬲賷 賱賯賳丕丞 丕賱亘乇賳丕賲噩 丕賱孬賯丕賮賷 賱賱廿匕丕毓丞 丕賱賲氐锟斤拷賷丞 毓賱賶 丕賱賷賵鬲賷賵亘 亘乇賵丕丿 賲爻乇丨 丕賱毓亘孬...賲丿乇爻丞 兀丿亘賷丞 孬丕乇賵丕 賲賳 賮賷賴丕 毓賱賶 賰賱 卮卅 毓賱賶 丕賱兀賵囟丕毓 丕賱廿噩鬲賲丕毓賷丞 賵 丕賱爻賷丕爻賷丞 賵 丕賱兀丿亘賷丞 兀賷囟丕賸
賵 賰丕賳鬲 賴匕賴 丕賱賲爻乇丨賷丞 賴賶 孬丕賳賷 鬲噩丕乇亘賷 賲毓 賷賵噩賷賳 賷賵賳爻賰賵 亘毓丿 賲爻乇丨賷鬲賴 丕賱兀賵賱賶 丕賱丿乇爻
毓卮鬲 兀噩賵丕亍 兀丿亘賷丞 噩丿賷丿丞 賱賲 兀鬲匕賵賯賴丕 賲賳 賯亘賱 賮賷 兀賷 兀丿亘 賯胤..乇亘賲丕 賯乇兀鬲 乇賵丕賷丕鬲 乇賲夭賷丞 鬲丨賲賱 亘賷賳 胤賷丕鬲賴丕 賲毓丕賳賷 賮賱爻賮賷丞 賵 亘賷賳 兀丨丿丕孬賴丕 鬲賮氐賷賱丕鬲 丿賯賷賯丞 賱賰賳 鬲賰賲賳 亘乇丕毓丞 賴匕丕 丕賱兀丿亘 (賲爻乇丨 丕賱毓亘孬) 賮賷 鬲賵馗賷賮 賲卮賴丿 賵丕丨丿 亘卮禺氐鬲賷賳 兀賵 孬賱丕孬丞 賷丨賰賷 賮賰乇丞 賰丕賲賱丞 亘睾賲賵囟 鬲丕賲
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丕賱賯氐丞 :
鬲賯毓 兀丨丿丕孬 丕賱乇賵丕賷丞 賮賷 睾乇賮丞 鬲丨鬲賵賷 毓賱賶 毓丿丿 賲賳 丕賱賰乇丕爻賷 賵鬲丨賰賶 毓賳 丨賵丕乇 賷丿賵乇 亘賷賳 夭賵噩賷賳 毓噩賵夭賷賳 丕賱乇噩賱 賰丕賳 賲丕乇卮丕賱丕賸 賵 丕賱賲乇丕丞 丕賱毓噩賵夭丞 賰丕賳鬲 匕丕鬲 賯賷賲丞 賷鬲匕賰乇丕賳 賲毓丕賸 兀賷丕賲賴賲丕 丕賱禺賵丕賱賷 賴賵 賷鬲匕賰乇 賯賵鬲賴 丕賱爻丕亘賯丞 賵 賴賶 鬲鬲匕賰乇 賲噩丿賴丕 丕賱睾丕卅亘 賷爻鬲賯亘賱丕賳 囟賷賵賮丕賸 賵賴賲賷賷賳 賱毓賱賴賲丕 賷爻鬲毓賷丿丕賳 賲丕 賮賯丿賵賴 賲賳 賰亘乇賷丕亍 賵 毓夭丞 孬賲 賷毓賱賳賵賳 賵 賴賲 賷匕乇賮賵賳 丕賱丿賲賵毓
禺囟賵毓賴賲丕 賱賱廿賲亘乇丕胤賵乇 丕賱噩丿賷丿 丕賱匕賷 噩丕亍 毓賳丿賲丕 廿爻鬲胤丕毓 兀亘賳丕亍 丕賱胤亘賯丞 丕賱賲鬲賵爻胤丞 賵丕賱毓丕賲賱丞 賵 丕賱賮賯賷乇丞 賲賳 丕賱卮毓亘 鬲睾賷賷乇 兀賲丕賰賳 丕賱賰乇丕爻賷
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賮賷 廿毓鬲賯丕丿賷 丕賱卮禺氐賷:
丕賱乇噩賱 丕賱毓噩賵夭 賴賵 丕賱噩賳乇丕賱丕鬲
丕賱賲乇兀丞 丕賱毓噩賵夭丞 賴賶 丕賱賲賱賰賷丞 丕賱賮乇賳爻賷丞
丕賱囟賷賵賮 丕賱賵賴賲賷賵賳 賴賲 丕賱胤亘賯丞 丕賱賲賱賰賷丞 丕賱兀賵乇賵亘賷丞 丕賱鬲賷 賵賯賮鬲 亘丕賱賲乇氐丕丿 囟丿 丕賱孬賵乇丞 丕賱賮乇賳爻賷丞 賵 丕賱鬲賷 賳丕氐乇鬲 丕賱賲賱賰賷丞 丕賱賮乇賳爻賷丞 賵 噩賳乇丕賱丕鬲 丕賱丨乇亘 兀賲賱丕賸 賲賳賴丕 賮賷 爻賯賵胤 丕賱孬賵乇丞
丕賱廿賲亘乇丕胤賵乇 丕賱噩丿賷丿 賴賶 丕賱孬賵乇丞 丕賱賮乇賳爻賷丞 丨丕賲賱丞 卮毓丕乇丕鬲 丕賱賲爻丕賵丕丞 賵 丕賱丨賯 賵 丕賱毓丿丕賱丞 賵 丕賱丨乇賷丞
鬲睾賷賷乇 丕賱賰乇丕爻賷 賴賶 乇賲夭 賱鬲睾賷賷乇 丕賱兀丨丿丕孬 賲賳 丕賱丿賷賰鬲丕賵乇賷丞 廿賱賶 丕賱丿賷賲賵賯乇丕胤賷丞 賵 賲賳 丕賱噩賴賱 賵 丕賱胤亘賯賷丞 廿賱賶 丕賱毓賱賲 賵 丕賱賲爻丕賵丕丞
兀賲賾丕 丕賱卮毓亘 丕賱賮乇賳爻賷 賮噩丕亍 匕賰乇賴 賵丕囟丨丕賸 丿賵賳 丕賱廿卮丕乇丞 廿賱賷賴 亘乇賲夭 賮賴賵 賲丨乇賰 丕賱兀丨丿丕孬 賵 氐丕賳毓賴丕
賵
賰賲丕 兀馗賳賴丕 : 丕賱賯氐丞 鬲丨賰賷 毓賳 丕賱丨賯亘丞 丕賱丨爻丕爻丞 賮賷 丕賱鬲丕乇賷禺 丕賱賮乇賳爻賷 賮賷 丕賱賮鬲乇丞 賲丕 亘毓丿 爻賯賵胤 丕賱賲賱賰賷丞 賵 氐毓賵丿 丕賱噩賳乇丕賱丕鬲 亘廿鬲丨丕丿 丕賱賲賱賰賷丞 賲毓 丕賱噩賷卮 賲毓丕賸 賲丨丕賵賱丞賸 賲賳賴賲 賮賷 丕賱丨賮丕馗 毓賱賶 爻丕亘賯 毓賴丿賴賲 賵 胤賲毓丕賸 賮賷 廿賮卮丕賱 丕賱孬賵乇丞 (亘賵賳丕亘乇鬲 賲孬賱丕賸 賰丕賳 賯丕卅丿丕賸 毓爻賰乇賷丕賸 賮賷 氐賮賵賮 丕賱賲賱賰 賱賵賷爻 16) 賵 廿賯丕賲丞 丨賰賲 丿賷賰鬲丕鬲賵乇賷 孬賲 兀禺賷乇丕賸 廿賳鬲氐丕乇 丕賱卮毓亘 丕賱賮乇賳爻賷 賵 孬賵乇鬲賴 賵 爻賯賵胤 丕賱丿賷賰鬲丕鬲賵乇賷丞 亘賵噩賴賷賴丕 丕賱賲賱賰賷 賵 丕賱毓爻賰乇賷 賵 廿賯丕賲丞 賳馗丕賲 毓丕丿賱 賷丨鬲乇賲 丕賱毓賱賲 賵賷毓賱賷 賯賷賲丞 丕賱丨賯 賵 丕賱賲爻丕賵丕丞 賵賰賱 賴匕丕 亘賮囟賱 兀亘賳丕亍 丕賱胤亘賯丕鬲 丕賱毓丕賲賱丞 賵 丕賱賲鬲賵爻胤丞 丕賱匕賷賳 賰丕賳賵丕 賯丿 氐賳毓賵丕 丕賱賰乇丕爻賷 賲賳 賯亘賱 孬賲 廿爻鬲胤丕毓賵丕 鬲睾賷賷乇賴丕 賲賳 噩丿賷丿
丨賯亘丞 丨爻丕爻丞 賱賲 兀氐丕丿賮賴丕 賰孬賷乇丕賸 賮賷 賰鬲丕亘丕鬲 丕賱賮乇賳爻賷賷賳 賱兀賳 丕賱亘毓囟 賲賳賴賲 賷毓鬲亘乇賵賳 丨賲賱丕鬲 賳丕亘賱賷賵賳 丕賱毓爻賰乇賷丞 賲噩丿丕賸 賱賱丿賵賱丞 丕賱賮乇賳爻賷丞 賮賷鬲睾丕囟賵賳 毓賳 丨賯賷賯丞 氐毓賵丿賴 賱毓乇卮 賮乇賳爻丕 賵 賷睾賲囟賵賳 兀毓賷賳賴賲 毓賲賾丕 廿賯鬲乇賮鬲 賷丿丕賴 賲賳 噩乇丕卅賲
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丕賱賵氐賮 :
鬲毓丕賯亘 丕賱兀丨丿丕孬 丿賯賷賯 賱賱睾丕賷丞 賰丕賳 丕賱賵氐賮 賰丕賮賷丕賸 丿賵賳 鬲賯氐賷乇 亘廿禺賱丕賱 兀賵 廿胤丕賱丞 亘賲賱賱
丕賱卮禺氐賷丕鬲 :
亘賳丕亍 丕賱卮禺氐賷丕鬲 乇丕卅毓
廿賰鬲賮賶 丕賱賰丕鬲亘 亘丕賱廿卮丕乇丞 廿賱賶 丕賱賲賱賰賷丞 丕賱賮乇賳爻賷丞 亘丕賱爻賷丿丞 丕賱毓噩賵夭 賵丕賱噩賳乇賱丕鬲 亘丕賱爻賷丿 丕賱毓噩賵夭 賰賲丕 兀卮丕乇 廿賱賶 丕賱胤亘賯丞 丕賱賲賱賰賷丞 丕賱兀賵乇賵亘賷丞
亘丕賱囟賷賵賮 丕賱賵賴賲賷賷賳 (賱兀賳 丕賱賵賴賲賷 賱賳 賷爻鬲胤賷毓 鬲睾賷賷乇 丕賱兀丨丿丕孬 賵 賴賲 賱賲 賷爻鬲胤賷毓賵丕 廿爻賯丕胤 孬賵乇丞 丕賱賮乇賳爻賷賷賳) 兀賲丕 丕賱卮毓亘 丕賱賮乇賳爻賷 賮噩丕亍 匕賰乇賴 賵丕囟丨 賮賴賵 丕賱卮賲爻 丕賱匕賷 賱賳 賷爻鬲胤賷毓 兀丨丿 廿睾賮丕賱賴丕 賲賴賲丕 丨丕賵賱
丕賱賮賱爻賮丞 :
兀毓噩夭 毓賳 鬲賵氐賷賮賴丕 賱賰賳賴丕 兀亘賴乇鬲賳賷
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賱爻鬲 賲賱賲丞 鬲賲丕賲丕賸 亘丕賱鬲丕乇賷禺 丕賱賮乇賳爻賷 賱賰賷 兀卮乇丨 賲丕 賯氐丿賴 丕賱賰丕鬲亘 卮乇丨丕賸 賵丕賮賷丕賸
賱賰賳賳賷 兀爻鬲賲毓鬲 亘賴匕丕 丕賱兀丿亘 丕賱賮乇賷丿 丨賯丕賸
賵 賱兀賵賱 賲乇丞 兀賮賯丿鬲賳賷 丕賱賱賴噩丞 丕賱賲氐乇賷丞 賲鬲毓丞 丕賱廿爻鬲賲鬲丕毓 亘丕賱賲爻乇丨賷丞 ...兀賵 丨鬲賶 賲丨丕賵賱丞 丕賱丨氐賵賱 毓賱賶 廿賯鬲丕亘丕爻丕鬲 賲賳賴丕 亘乇睾賲 賵賮乇丞 賲丨鬲賵丕賴丕 丕賱賮賱爻賮賷
賱賲 鬲賰賳 丕賱賱賴噩丞 丕賱賲氐乇賷丞 賴賶 丕賱賲卮賰賱丞 賱賰賳 乇賰丕賰丞 丕賱兀爻賱賵亘 兀賮賯丿 丕賱賲爻乇丨賷丞 賲毓賳丕賴丕 賵 丕賱賯氐丞 噩賲丕賱賴丕
兀鬲賲賳賶 兀賳 賷毓賷丿 丕賱亘乇賳丕賲噩 丕賱孬賯丕賮賷 廿賳鬲丕噩賴丕 賲乇丞 兀禺乇賶 亘丕賱賱睾丞 丕賱毓乇亘賷丞
賱丕 兀毓賱賲 兀賷賳 賴賶 廿氐丿丕乇丕鬲 賷賵噩賷賳 賷賵賳爻賰賵 亘丕賱毓乇亘賷丞 賴賱 胤亘毓鬲 兀賲 賱丕 責責
賱賰賳賳賷 爻兀丨丕賵賱 丕賱亘丨孬 毓賳賴丕
廿爻鬲賲毓鬲 廿賱賷賴丕 賲賳 禺賱丕賱 丕賱乇丕亘胤 丕賱鬲丕賱賷:
丕賱乇賵丕賷丞 5/5
丕賱賲爻乇丨賷丞 2/5
賵 賰丕賳鬲 賴匕賴 丕賱賲爻乇丨賷丞 賴賶 孬丕賳賷 鬲噩丕乇亘賷 賲毓 賷賵噩賷賳 賷賵賳爻賰賵 亘毓丿 賲爻乇丨賷鬲賴 丕賱兀賵賱賶 丕賱丿乇爻
毓卮鬲 兀噩賵丕亍 兀丿亘賷丞 噩丿賷丿丞 賱賲 兀鬲匕賵賯賴丕 賲賳 賯亘賱 賮賷 兀賷 兀丿亘 賯胤..乇亘賲丕 賯乇兀鬲 乇賵丕賷丕鬲 乇賲夭賷丞 鬲丨賲賱 亘賷賳 胤賷丕鬲賴丕 賲毓丕賳賷 賮賱爻賮賷丞 賵 亘賷賳 兀丨丿丕孬賴丕 鬲賮氐賷賱丕鬲 丿賯賷賯丞 賱賰賳 鬲賰賲賳 亘乇丕毓丞 賴匕丕 丕賱兀丿亘 (賲爻乇丨 丕賱毓亘孬) 賮賷 鬲賵馗賷賮 賲卮賴丿 賵丕丨丿 亘卮禺氐鬲賷賳 兀賵 孬賱丕孬丞 賷丨賰賷 賮賰乇丞 賰丕賲賱丞 亘睾賲賵囟 鬲丕賲
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丕賱賯氐丞 :
鬲賯毓 兀丨丿丕孬 丕賱乇賵丕賷丞 賮賷 睾乇賮丞 鬲丨鬲賵賷 毓賱賶 毓丿丿 賲賳 丕賱賰乇丕爻賷 賵鬲丨賰賶 毓賳 丨賵丕乇 賷丿賵乇 亘賷賳 夭賵噩賷賳 毓噩賵夭賷賳 丕賱乇噩賱 賰丕賳 賲丕乇卮丕賱丕賸 賵 丕賱賲乇丕丞 丕賱毓噩賵夭丞 賰丕賳鬲 匕丕鬲 賯賷賲丞 賷鬲匕賰乇丕賳 賲毓丕賸 兀賷丕賲賴賲丕 丕賱禺賵丕賱賷 賴賵 賷鬲匕賰乇 賯賵鬲賴 丕賱爻丕亘賯丞 賵 賴賶 鬲鬲匕賰乇 賲噩丿賴丕 丕賱睾丕卅亘 賷爻鬲賯亘賱丕賳 囟賷賵賮丕賸 賵賴賲賷賷賳 賱毓賱賴賲丕 賷爻鬲毓賷丿丕賳 賲丕 賮賯丿賵賴 賲賳 賰亘乇賷丕亍 賵 毓夭丞 孬賲 賷毓賱賳賵賳 賵 賴賲 賷匕乇賮賵賳 丕賱丿賲賵毓
禺囟賵毓賴賲丕 賱賱廿賲亘乇丕胤賵乇 丕賱噩丿賷丿 丕賱匕賷 噩丕亍 毓賳丿賲丕 廿爻鬲胤丕毓 兀亘賳丕亍 丕賱胤亘賯丞 丕賱賲鬲賵爻胤丞 賵丕賱毓丕賲賱丞 賵 丕賱賮賯賷乇丞 賲賳 丕賱卮毓亘 鬲睾賷賷乇 兀賲丕賰賳 丕賱賰乇丕爻賷
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賮賷 廿毓鬲賯丕丿賷 丕賱卮禺氐賷:
丕賱乇噩賱 丕賱毓噩賵夭 賴賵 丕賱噩賳乇丕賱丕鬲
丕賱賲乇兀丞 丕賱毓噩賵夭丞 賴賶 丕賱賲賱賰賷丞 丕賱賮乇賳爻賷丞
丕賱囟賷賵賮 丕賱賵賴賲賷賵賳 賴賲 丕賱胤亘賯丞 丕賱賲賱賰賷丞 丕賱兀賵乇賵亘賷丞 丕賱鬲賷 賵賯賮鬲 亘丕賱賲乇氐丕丿 囟丿 丕賱孬賵乇丞 丕賱賮乇賳爻賷丞 賵 丕賱鬲賷 賳丕氐乇鬲 丕賱賲賱賰賷丞 丕賱賮乇賳爻賷丞 賵 噩賳乇丕賱丕鬲 丕賱丨乇亘 兀賲賱丕賸 賲賳賴丕 賮賷 爻賯賵胤 丕賱孬賵乇丞
丕賱廿賲亘乇丕胤賵乇 丕賱噩丿賷丿 賴賶 丕賱孬賵乇丞 丕賱賮乇賳爻賷丞 丨丕賲賱丞 卮毓丕乇丕鬲 丕賱賲爻丕賵丕丞 賵 丕賱丨賯 賵 丕賱毓丿丕賱丞 賵 丕賱丨乇賷丞
鬲睾賷賷乇 丕賱賰乇丕爻賷 賴賶 乇賲夭 賱鬲睾賷賷乇 丕賱兀丨丿丕孬 賲賳 丕賱丿賷賰鬲丕賵乇賷丞 廿賱賶 丕賱丿賷賲賵賯乇丕胤賷丞 賵 賲賳 丕賱噩賴賱 賵 丕賱胤亘賯賷丞 廿賱賶 丕賱毓賱賲 賵 丕賱賲爻丕賵丕丞
兀賲賾丕 丕賱卮毓亘 丕賱賮乇賳爻賷 賮噩丕亍 匕賰乇賴 賵丕囟丨丕賸 丿賵賳 丕賱廿卮丕乇丞 廿賱賷賴 亘乇賲夭 賮賴賵 賲丨乇賰 丕賱兀丨丿丕孬 賵 氐丕賳毓賴丕
賵
賰賲丕 兀馗賳賴丕 : 丕賱賯氐丞 鬲丨賰賷 毓賳 丕賱丨賯亘丞 丕賱丨爻丕爻丞 賮賷 丕賱鬲丕乇賷禺 丕賱賮乇賳爻賷 賮賷 丕賱賮鬲乇丞 賲丕 亘毓丿 爻賯賵胤 丕賱賲賱賰賷丞 賵 氐毓賵丿 丕賱噩賳乇丕賱丕鬲 亘廿鬲丨丕丿 丕賱賲賱賰賷丞 賲毓 丕賱噩賷卮 賲毓丕賸 賲丨丕賵賱丞賸 賲賳賴賲 賮賷 丕賱丨賮丕馗 毓賱賶 爻丕亘賯 毓賴丿賴賲 賵 胤賲毓丕賸 賮賷 廿賮卮丕賱 丕賱孬賵乇丞 (亘賵賳丕亘乇鬲 賲孬賱丕賸 賰丕賳 賯丕卅丿丕賸 毓爻賰乇賷丕賸 賮賷 氐賮賵賮 丕賱賲賱賰 賱賵賷爻 16) 賵 廿賯丕賲丞 丨賰賲 丿賷賰鬲丕鬲賵乇賷 孬賲 兀禺賷乇丕賸 廿賳鬲氐丕乇 丕賱卮毓亘 丕賱賮乇賳爻賷 賵 孬賵乇鬲賴 賵 爻賯賵胤 丕賱丿賷賰鬲丕鬲賵乇賷丞 亘賵噩賴賷賴丕 丕賱賲賱賰賷 賵 丕賱毓爻賰乇賷 賵 廿賯丕賲丞 賳馗丕賲 毓丕丿賱 賷丨鬲乇賲 丕賱毓賱賲 賵賷毓賱賷 賯賷賲丞 丕賱丨賯 賵 丕賱賲爻丕賵丕丞 賵賰賱 賴匕丕 亘賮囟賱 兀亘賳丕亍 丕賱胤亘賯丕鬲 丕賱毓丕賲賱丞 賵 丕賱賲鬲賵爻胤丞 丕賱匕賷賳 賰丕賳賵丕 賯丿 氐賳毓賵丕 丕賱賰乇丕爻賷 賲賳 賯亘賱 孬賲 廿爻鬲胤丕毓賵丕 鬲睾賷賷乇賴丕 賲賳 噩丿賷丿
丨賯亘丞 丨爻丕爻丞 賱賲 兀氐丕丿賮賴丕 賰孬賷乇丕賸 賮賷 賰鬲丕亘丕鬲 丕賱賮乇賳爻賷賷賳 賱兀賳 丕賱亘毓囟 賲賳賴賲 賷毓鬲亘乇賵賳 丨賲賱丕鬲 賳丕亘賱賷賵賳 丕賱毓爻賰乇賷丞 賲噩丿丕賸 賱賱丿賵賱丞 丕賱賮乇賳爻賷丞 賮賷鬲睾丕囟賵賳 毓賳 丨賯賷賯丞 氐毓賵丿賴 賱毓乇卮 賮乇賳爻丕 賵 賷睾賲囟賵賳 兀毓賷賳賴賲 毓賲賾丕 廿賯鬲乇賮鬲 賷丿丕賴 賲賳 噩乇丕卅賲
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丕賱賵氐賮 :
鬲毓丕賯亘 丕賱兀丨丿丕孬 丿賯賷賯 賱賱睾丕賷丞 賰丕賳 丕賱賵氐賮 賰丕賮賷丕賸 丿賵賳 鬲賯氐賷乇 亘廿禺賱丕賱 兀賵 廿胤丕賱丞 亘賲賱賱
丕賱卮禺氐賷丕鬲 :
亘賳丕亍 丕賱卮禺氐賷丕鬲 乇丕卅毓
廿賰鬲賮賶 丕賱賰丕鬲亘 亘丕賱廿卮丕乇丞 廿賱賶 丕賱賲賱賰賷丞 丕賱賮乇賳爻賷丞 亘丕賱爻賷丿丞 丕賱毓噩賵夭 賵丕賱噩賳乇賱丕鬲 亘丕賱爻賷丿 丕賱毓噩賵夭 賰賲丕 兀卮丕乇 廿賱賶 丕賱胤亘賯丞 丕賱賲賱賰賷丞 丕賱兀賵乇賵亘賷丞
亘丕賱囟賷賵賮 丕賱賵賴賲賷賷賳 (賱兀賳 丕賱賵賴賲賷 賱賳 賷爻鬲胤賷毓 鬲睾賷賷乇 丕賱兀丨丿丕孬 賵 賴賲 賱賲 賷爻鬲胤賷毓賵丕 廿爻賯丕胤 孬賵乇丞 丕賱賮乇賳爻賷賷賳) 兀賲丕 丕賱卮毓亘 丕賱賮乇賳爻賷 賮噩丕亍 匕賰乇賴 賵丕囟丨 賮賴賵 丕賱卮賲爻 丕賱匕賷 賱賳 賷爻鬲胤賷毓 兀丨丿 廿睾賮丕賱賴丕 賲賴賲丕 丨丕賵賱
丕賱賮賱爻賮丞 :
兀毓噩夭 毓賳 鬲賵氐賷賮賴丕 賱賰賳賴丕 兀亘賴乇鬲賳賷
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賱爻鬲 賲賱賲丞 鬲賲丕賲丕賸 亘丕賱鬲丕乇賷禺 丕賱賮乇賳爻賷 賱賰賷 兀卮乇丨 賲丕 賯氐丿賴 丕賱賰丕鬲亘 卮乇丨丕賸 賵丕賮賷丕賸
賱賰賳賳賷 兀爻鬲賲毓鬲 亘賴匕丕 丕賱兀丿亘 丕賱賮乇賷丿 丨賯丕賸
賵 賱兀賵賱 賲乇丞 兀賮賯丿鬲賳賷 丕賱賱賴噩丞 丕賱賲氐乇賷丞 賲鬲毓丞 丕賱廿爻鬲賲鬲丕毓 亘丕賱賲爻乇丨賷丞 ...兀賵 丨鬲賶 賲丨丕賵賱丞 丕賱丨氐賵賱 毓賱賶 廿賯鬲丕亘丕爻丕鬲 賲賳賴丕 亘乇睾賲 賵賮乇丞 賲丨鬲賵丕賴丕 丕賱賮賱爻賮賷
賱賲 鬲賰賳 丕賱賱賴噩丞 丕賱賲氐乇賷丞 賴賶 丕賱賲卮賰賱丞 賱賰賳 乇賰丕賰丞 丕賱兀爻賱賵亘 兀賮賯丿 丕賱賲爻乇丨賷丞 賲毓賳丕賴丕 賵 丕賱賯氐丞 噩賲丕賱賴丕
兀鬲賲賳賶 兀賳 賷毓賷丿 丕賱亘乇賳丕賲噩 丕賱孬賯丕賮賷 廿賳鬲丕噩賴丕 賲乇丞 兀禺乇賶 亘丕賱賱睾丞 丕賱毓乇亘賷丞
賱丕 兀毓賱賲 兀賷賳 賴賶 廿氐丿丕乇丕鬲 賷賵噩賷賳 賷賵賳爻賰賵 亘丕賱毓乇亘賷丞 賴賱 胤亘毓鬲 兀賲 賱丕 責責
賱賰賳賳賷 爻兀丨丕賵賱 丕賱亘丨孬 毓賳賴丕
廿爻鬲賲毓鬲 廿賱賷賴丕 賲賳 禺賱丕賱 丕賱乇丕亘胤 丕賱鬲丕賱賷:
丕賱乇賵丕賷丞 5/5
丕賱賲爻乇丨賷丞 2/5
April 30, 2020
The pinnacle of the theater of absurdity, which touches dehumanization of a man in an unusual way (as if anyone would expect any less than that, if they already read some of his previous works). What is so special about it is the plot: an old couple preparing themselves for a spectacular welcome of man who will spread the word of their deeds to the spectators and the whole world afterword. This is where the tragedy and comedy meet one another on a stage. The complete lose of the touch with the world is presented both literally and figuratively, while the old couple act like they're having the time of their life, by expression of their emotions through gesticulating, moving and giving a speech (it's a quite impressive one, to be honest). The ending is a story of it's own, as it leaves one side angry and offended, the other cheering and applauding, while the third (the reader) may ask themselves: ''What just happened??? (with a huge question marks above their heads)''. ''The Chairs'' is one of those works which a reader discovers something new with each repeated reading, as it's full of symbolism and a great testament of the 20th century to the new generations. A high recommendation to everyone.
January 14, 2016
鬲卅丕鬲乇 賳賵 乇丕 亘丕賷丿 亘賴 賮乇丕賳爻賴 禺賵丕賳丿! 賵 賷賵賳爻賰賵 乇丕 賮乇丕賳爻賵賷 鬲乇!
January 28, 2023
Ionesco himself called this play a "tragic farce" and he was absolutely right about that. There is a certain sadness in the elderly couple who are welcoming more and more guests in their home for a speech - guests that are all invisible and just exist in the empty chairs the couple carries on stage for them. It is as absurd and (partly) funny as you would expect from an Ionesco play, but also more melancholic in its reflection of ageing and how to deal with a life reaching its end. At times I felt outright sad and that is definitely a new experience reading Ionesco for me. But it was one that I enjoyed. I'm already looking forward to what he'll throw at me the next time!
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June 2, 2021Ok茅. Eug猫ne, 莽a va ? 馃槦
November 27, 2020
Victor Hugo disait: 鈥樷€� Une pi猫ce de听th茅芒tre, c'est quelqu'un. C'est une voix qui parle, c'est un esprit qui 茅claire, c'est une conscience qui avertit.鈥欌€�
C鈥檈st le cas pour 鈥樷€� Les chaises鈥欌€�, une pi猫ce de th茅芒tre parue en 1954 par le dramaturge roumano-fran莽ais Eug猫ne Ionesco. Une farce tragique dont est mis en lumi猫re la solitude, les souvenirs et la terreur.
LA VIEILLE : Dis-moi l'histoire, tu sais, l'histoire : Alors on a ri...
LE VIEUX : Encore?... J'en ai assez... Alors, on a ri} encore celle-l脿... tu me demandes toujours la m锚me chose!... 芦 Alors on a ri... 禄 Mais c'est monotone... Depuis soixante-quinze ans que nous sommes mari茅s, tous les soirs, absolument tous les soirs, tu me fais raconter la m锚me histoire, tu me fais imiter les m锚mes personnes, les m锚mes mois... toujours pareil... parlons d'autre chose...
LA VIEILLE : Mon chou, moi je ne m'en lasse pas... C'est ta vie, elle me passionne.
LE VIEUX : Tu la connais par c艙ur.
LA VIEILLE : C'est comme si j'oubliais tout, tout de suite... J'ai l'esprit neuf tous les soirs... Mais oui, mon chou, je le fais expr猫s, je prends des purges... je redeviens neuve, pour toi, mon chou, tous les soirs... Allons, commence, je t'en prie.
C鈥檈st le cas pour 鈥樷€� Les chaises鈥欌€�, une pi猫ce de th茅芒tre parue en 1954 par le dramaturge roumano-fran莽ais Eug猫ne Ionesco. Une farce tragique dont est mis en lumi猫re la solitude, les souvenirs et la terreur.
LA VIEILLE : Dis-moi l'histoire, tu sais, l'histoire : Alors on a ri...
LE VIEUX : Encore?... J'en ai assez... Alors, on a ri} encore celle-l脿... tu me demandes toujours la m锚me chose!... 芦 Alors on a ri... 禄 Mais c'est monotone... Depuis soixante-quinze ans que nous sommes mari茅s, tous les soirs, absolument tous les soirs, tu me fais raconter la m锚me histoire, tu me fais imiter les m锚mes personnes, les m锚mes mois... toujours pareil... parlons d'autre chose...
LA VIEILLE : Mon chou, moi je ne m'en lasse pas... C'est ta vie, elle me passionne.
LE VIEUX : Tu la connais par c艙ur.
LA VIEILLE : C'est comme si j'oubliais tout, tout de suite... J'ai l'esprit neuf tous les soirs... Mais oui, mon chou, je le fais expr猫s, je prends des purges... je redeviens neuve, pour toi, mon chou, tous les soirs... Allons, commence, je t'en prie.
July 18, 2023
Takov茅 jemn臎 apokalyptick茅 膶ek谩n铆 na Godota, by钮 vy煤st臎n铆, 啪e po lidstvu z暖stanou vlastn臎 jen h暖艡e identifikovateln茅 zvuky, se mi jev铆 pom臎rn臎 拧钮astn臎. L铆b铆 se mi, 啪e t茅ma nedorozum臎n铆 (v拧emo啪n茅 papou拧kov谩n铆, destrukce 艡e膷i na ozv臎ny a od拧t臎pky, stereotypn铆 promluvy, zkomolen谩 p艡铆slov铆, pr谩zdn茅 floskule, ztr谩cen铆 se ve vlastn铆m dom臎) lehce pronik谩 i do sc茅nick媒ch pozn谩mek, jako by s谩m Ionesco nem臎l slovo pevn臎 pod rukama 鈥� mo艡e zapomn臎n铆, kam hereck谩 dvojice na konci miz铆, jako by tu bylo pro v拧echny.
March 12, 2011
A crazy crazy play to say the least. Try ot understand it if you dare. There are so many ways to interpret this play but ultimately I think I would LOVE LOVE LOVE to see it staged. I think that with Absurd drama that is the only way to get SOME grasp of what is really going on, or the true feel of the play. Two old people going in and out of many doors bringing hundreds of chairs into a room full of visitors that are not there. You try to understand. Honestly earth shattering stuff...... Love this play. Probably it is one of my new favourites.
January 14, 2014
Les Chaises is, so far, my favorite play of Ionesco's.
It took me an absurdly (...i love puns) long time to read it, mainly because I only found it in French and had to first brush up what French I used to know 7 years ago, but every single damn unknown word was worth it.
Plus, I can read in French again, so double win.
It took me an absurdly (...i love puns) long time to read it, mainly because I only found it in French and had to first brush up what French I used to know 7 years ago, but every single damn unknown word was worth it.
Plus, I can read in French again, so double win.
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January 21, 2015Les Chaises est tout simplement ma pi猫ce pr茅f茅r茅 parmi celles de mon auteur pr茅f茅r茅. Je crois que tout est dit. Si vous en avez l'occasion, allez la voir. C'est une pi猫ce qu'il faut lire, mais c'est surtout je crois une pi猫ce qu'il faut vivre.
September 7, 2021
Existence shattering.
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啶灌ぎ 啶膏ぞ啶班ぞ 啶溹啶掂え Godot 啶曕ぞ 啶囙啶む啶距ぐ 啶曕ぐ啶む 啶灌啶傕イ 啶ぐ 啶膏啶氞い啷� 啶灌啶� 啶曕啶ぞ 啶曕た godot 啶嗋く啶� 啶斷ぐ 啶夃じ啶曕 啶ぞ啶粪ぞ 啶灌ぎ 啶膏ぎ啶� 啶ㄠす啷€啶� 啶ぞ啶� 啶む? 啶むが 啶曕啶ぞ? 啶ぞ 啶た啶� godot 啶椸啶傕啶� 啶す啶班ぞ 啶ㄠた啶曕げ啶� 啶む?
啶む啶� 啶じ 啶忇 啶曕啶班啶膏 啶え 啶曕ぐ 啶班す 啶溹ぞ啶む 啶灌啷� 啶溹た啶膏啶� 啶曕啶� 啶呧じ啷嵿い啶苦い啷嵿さ 啶ㄠす啷€啶傕イ 啶ぞ啶曕 啶曕啶班啶膏た啶啶� 啶曕 啶灌啶膏 啶啶� 啶多ぞ啶た啶� 啶溹た啶膏じ啷� 啶囙じ 啶︵啶� 啶膏 啶 啶膏啷嬥イ
February 24, 2024
first play of ionesco
i love the chairs analogy and the way of thinking existential anxiety. i started with this book because y谋ld谋z kenter, m眉艧fik kenter and genco erkal played, just wonder why they choose this and i got it now
zaman bi tren h谋z谋yla ge莽ti, derimizin 眉zerine raylar 莽izdi (莽ev. fikret adil)
i love the chairs analogy and the way of thinking existential anxiety. i started with this book because y谋ld谋z kenter, m眉艧fik kenter and genco erkal played, just wonder why they choose this and i got it now
zaman bi tren h谋z谋yla ge莽ti, derimizin 眉zerine raylar 莽izdi (莽ev. fikret adil)
December 3, 2022
This was heavy in it鈥檚 own way. I liked it.
January 31, 2024
Soooo i was really going to give this only two stars but it literally ended as i expected it.
But still the boredom was killing me while i was reading it so it cant get anymore than 3 stars from me.
But still the boredom was killing me while i was reading it so it cant get anymore than 3 stars from me.
February 20, 2022
C'est un peu n'importe quoi, mais c'est dr么le un peu
October 7, 2020
Maravilloso el uso del objeto de las sillas en esta obra. Es decir, en la lectura debemos imaginarlo pero no es nada dif铆cil hacerlo. Una obra que considero movilizante, con un mensaje poderoso aunque eso parezca una paradoja en ella. Hay que tener en cuenta que pertenece a lo que se denomina "Teatro del absurdo" y conviene tener en cuenta algunas caracter铆sticas para poder apreciarla aun m谩s. Muy recomendable.
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