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丕賱賵丿丕毓 诏賱 爻丕乇蹖
B眉y眉k anlat谋c谋 Cengiz Aytmatov, opus magnum鈥檒ar谋ndan biri olan Elveda G眉lsar谋鈥檇a, G眉lsar谋 nam 眉nl眉 bir cins at谋n ve sahibi Tanabay鈥櫮眓 莽alkant谋larla dolu hayat hik芒yelerini okura sunar. 脟arl谋k Rusyas谋鈥檔谋n y谋k谋lmas谋yla 枚zg眉rl眉klerine kavu艧an K谋rg谋zlar谋n ya艧ad谋臒谋 b眉y眉k co艧ku; de臒i艧im fikrinin b眉y眉s眉, toplum-birey ve insan-do臒a aras谋ndaki ili艧ki ustal谋kla ve realist bir bi莽imde dile gelir romanda. 脰zg眉rl眉臒眉n hemen ard谋ndan s枚k眉n eden yozla艧ma, b眉rokratikle艧me ve 莽枚k眉艧 ise tek kelimeyle h眉z眉nl眉d眉r. Prati臒in teoriyle 枚rt眉艧medi臒i o 莽eli艧ki dolu noktada ise bir 枚z ele艧tiri ba艧lar.
Elveda G眉lsar谋 ya艧amla 枚l眉m眉n s谋n谋r谋nda bir muhasebedir!
Bir at谋n ya艧am d枚ng眉s眉yle insan谋n ve toplumun ya艧am d枚ng眉s眉n眉, 鈥渆vcille艧me鈥漼le 鈥渕odernle艧me鈥漬in trajik sonu莽lar谋n谋 m眉kemmel bir bi莽imde anlatan g枚rkemli bir a臒谋tt谋r Elveda G眉lsar谋. Yitirilen 枚zg眉rl眉臒e, e艧itli臒e ve karde艧li臒e yak谋lan bir a臒谋t鈥�
Elveda G眉lsar谋 ya艧amla 枚l眉m眉n s谋n谋r谋nda bir muhasebedir!
Bir at谋n ya艧am d枚ng眉s眉yle insan谋n ve toplumun ya艧am d枚ng眉s眉n眉, 鈥渆vcille艧me鈥漼le 鈥渕odernle艧me鈥漬in trajik sonu莽lar谋n谋 m眉kemmel bir bi莽imde anlatan g枚rkemli bir a臒谋tt谋r Elveda G眉lsar谋. Yitirilen 枚zg眉rl眉臒e, e艧itli臒e ve karde艧li臒e yak谋lan bir a臒谋t鈥�
399 pages, Paperback
First published January 1, 1966
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About the author
Chingiz Aitmatov
162听books882听followersChinghiz Aitmatov (效懈薪谐懈蟹 袗泄褌屑邪褌芯胁, Tschingis Aitmatow, 膶ingiz Ajtmatov, T拧玫ng玫z Ajtmatov, Cengiz Aytmatov, Tsjingiz Ajtmatov, Tchinguiz A茂tmatov, 噩賳賰賷夭 丕賷鬲賲丕鬲賵賮) was an author who wrote in both Russian and Kyrgyz. He was the best known figure in Kyrgyzstan literature.
Aitmatov's parents were civil servants in Sheker. The name Chingiz is the same as the honorary title of Genghis Khan. In early childhood he wandered as a nomad with his family, as the Kyrgyzstan people did at the time. In 1937 his father was charged with "bourgeois nationalism" in Moscow, arrested and executed in 1938.
Aitmatov lived at a time when Kyrgyzstan was being transformed from one of the most remote lands of the Russian Empire to a republic of the USSR. The future author studied at a Soviet school in Sheker. He also worked from an early age. At fourteen he was an assistant to the Secretary at the Village Soviet. He later held jobs as a tax collector, a loader, an engineer's assistant and continued with many other types of work.
In 1946 he began studying at the Animal Husbandry Division of the Kirghiz Agricultural Institute in Frunze, but later switched to literary studies at the Maxim Gorky Literature Institute in Moscow, where he lived from 1956 to 1958. For the next eight years he worked for Pravda. His first two publications appeared in 1952 in Russian: The Newspaper Boy Dziuio and 袗褕褘屑. His first work published in Kyrgyz was 袗泻 袞邪邪薪 (White Rain) in 1954, and his well known work Jamilya appeared in 1958. 1980 saw his first novel The Day Lasts More than a Hundred Years; his next significant novel, The Scaffold was published in 1988. The Day Lasts More than a Hundred Years and other writings were translated into several languages.
Aitmatov suffered kidney failure and on 16 May 2008 was admitted to a hospital in Nuremberg, Germany, where he died of pneumonia on 10 June 2008, aged 79. His obituary in The New York Times characterized him as "a Communist writer whose novels and plays before the collapse of the Soviet Union gave a voice to the people of the remote Soviet republic of Kyrgyz" and adds that he "later became a diplomat and a friend and adviser to the Soviet leader Mikhail S. Gorbachev."
Chinghiz Aitmatov belonged to the post-war generation of writers. His output before Jamila was not significant, a few short stories and a short novel called Face to Face. But it was Jamila that came to prove the author's work. Louis Aragon described the novellete as the world's most beautiful love story, raising it even above Rudyard Kipling's World's Most Beautiful Love Story. Aitmatov's representative works also include the short novels Farewell, Gulsary!, The White Ship, The Day Lasts More Than a Hundred Years, and The Scaffold.
Aitmatov was honoured in 1963 with the Lenin Prize for Jamila and later he was awarded a State prize for Farewell, Gulsary!. Aitmatov's art was glorified by admirers. Even critics of Aitmatov mentioned high quality of his novels.
Aitmatov's work has some elements that are unique specifically to his creative process. His work drew on folklore, not in the ancient sense of it; rather, he tried to recreate and synthesize oral tales in the context of contemporary life. This is prevalent in his work; in nearly every story he refers to a myth, a legend, or a folktale. In The Day Lasts More Than a Hundred Years a poetic legend about a young captive turned into a mankurt serves a tragic allegory and becomes a significant symbolic expression of the philosophy of the novel.
A second aspect of Aitmatov's writing is his ultimate closeness to our "little brothers" the animals, for their and our lives are intimately and inseparably connected. The two center characters of Farewell, Gulsary! are a man and his stallion. A camel plays a prominent role in The Day Lasts More Than a Hundred Years; one of the key turns of the novel which decide
Aitmatov's parents were civil servants in Sheker. The name Chingiz is the same as the honorary title of Genghis Khan. In early childhood he wandered as a nomad with his family, as the Kyrgyzstan people did at the time. In 1937 his father was charged with "bourgeois nationalism" in Moscow, arrested and executed in 1938.
Aitmatov lived at a time when Kyrgyzstan was being transformed from one of the most remote lands of the Russian Empire to a republic of the USSR. The future author studied at a Soviet school in Sheker. He also worked from an early age. At fourteen he was an assistant to the Secretary at the Village Soviet. He later held jobs as a tax collector, a loader, an engineer's assistant and continued with many other types of work.
In 1946 he began studying at the Animal Husbandry Division of the Kirghiz Agricultural Institute in Frunze, but later switched to literary studies at the Maxim Gorky Literature Institute in Moscow, where he lived from 1956 to 1958. For the next eight years he worked for Pravda. His first two publications appeared in 1952 in Russian: The Newspaper Boy Dziuio and 袗褕褘屑. His first work published in Kyrgyz was 袗泻 袞邪邪薪 (White Rain) in 1954, and his well known work Jamilya appeared in 1958. 1980 saw his first novel The Day Lasts More than a Hundred Years; his next significant novel, The Scaffold was published in 1988. The Day Lasts More than a Hundred Years and other writings were translated into several languages.
Aitmatov suffered kidney failure and on 16 May 2008 was admitted to a hospital in Nuremberg, Germany, where he died of pneumonia on 10 June 2008, aged 79. His obituary in The New York Times characterized him as "a Communist writer whose novels and plays before the collapse of the Soviet Union gave a voice to the people of the remote Soviet republic of Kyrgyz" and adds that he "later became a diplomat and a friend and adviser to the Soviet leader Mikhail S. Gorbachev."
Chinghiz Aitmatov belonged to the post-war generation of writers. His output before Jamila was not significant, a few short stories and a short novel called Face to Face. But it was Jamila that came to prove the author's work. Louis Aragon described the novellete as the world's most beautiful love story, raising it even above Rudyard Kipling's World's Most Beautiful Love Story. Aitmatov's representative works also include the short novels Farewell, Gulsary!, The White Ship, The Day Lasts More Than a Hundred Years, and The Scaffold.
Aitmatov was honoured in 1963 with the Lenin Prize for Jamila and later he was awarded a State prize for Farewell, Gulsary!. Aitmatov's art was glorified by admirers. Even critics of Aitmatov mentioned high quality of his novels.
Aitmatov's work has some elements that are unique specifically to his creative process. His work drew on folklore, not in the ancient sense of it; rather, he tried to recreate and synthesize oral tales in the context of contemporary life. This is prevalent in his work; in nearly every story he refers to a myth, a legend, or a folktale. In The Day Lasts More Than a Hundred Years a poetic legend about a young captive turned into a mankurt serves a tragic allegory and becomes a significant symbolic expression of the philosophy of the novel.
A second aspect of Aitmatov's writing is his ultimate closeness to our "little brothers" the animals, for their and our lives are intimately and inseparably connected. The two center characters of Farewell, Gulsary! are a man and his stallion. A camel plays a prominent role in The Day Lasts More Than a Hundred Years; one of the key turns of the novel which decide
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May 21, 2024
丕賳 丕賷鬲賲丕鬲賵賮 賱賯丕丿乇 毓賱賶 鬲丨賵賷賱 ( 賳孬乇 丕賱丨賷丕丞 丕賱賶 賱丌賱卅 丕賱卮毓乇 ) .
噩乇賷丿丞 賱賷鬲乇丕鬲賵乇賳丕賷丕 丕賱爻賵賮賷賷鬲賷丞 鈥� 賲賵爻賰賵 鈥� 丨夭賷乇丕賳 1966
噩賲賷毓賳丕 賷賯乇兀 丕賱賯氐氐 賵丕賱乇賵丕賷丕鬲 賲賳 夭賵丕賷丕 賲禺鬲賱賮丞 夭賵丕賷丕 鬲賰丕丿 丕丨賷丕賳丕 鬲賱丕賲爻 賵丕賯毓賴 .
賵賰匕丕 賰丕賳鬲 賴匕賴 丕賱賯氐丞 賮賲賳匕 丕賳 賯乇兀鬲賴丕 賯亘賱 丕賰孬乇 賲賳 禺賲爻丞 毓卮乇 毓丕賲丕 丕氐亘丨鬲 賱賴丕 乇賲夭賷丞 禺丕氐丞 賱丿賷 . 乇賲夭賷丞 鬲賰丕丿 鬲丐胤乇 賰孬賷乇丕 賲賳 賲毓丕賳賷 丕賱睾亘賳 賵丕賱禺匕賱丕賳 貙 乇賲夭賷丞 鬲卮賷乇 丕賱賶 賯爻賵丞 丕賱丨賰賵賲丕鬲 鬲噩丕賴 亘毓囟 丕賱兀賯賱賷丕鬲 丕賱鬲賷 賷禺賱氐 兀賮乇丕丿賴丕 賮賷 賲噩丕賱 毓賲賱賴賲 孬賲 賱丕 賷噩丿賵賳 賲賳 賴匕賴 丕賱丨賰賵賲丕鬲 丨賷賳賲丕 賷鬲賯丕毓丿賵賳 爻賵賶 丕賱賴噩乇 賵丕賱丨乇賲丕賳 貙 賵丕賱爻亘亘 賮賷 匕賱賰 賰賱賴 丕賳賴 賮賷 毓丕賱賲賳丕 丕賱卮乇賯賷 丕賱賰亘賷乇 鬲鬲賰丕孬乇 卮乇匕賲丞 賲賳 丕賱亘卮乇 毓賱賶 賳丨賵 睾賷乇 賲爻亘賵賯 卮乇匕賲丞 賷賵賰賱 丕賱賷賴丕 鬲賯乇賷乇 賲氐丕卅乇 丕賱賲賱丕賷賷賳 賲賳 丕賱亘卮乇 賯賷賲鬲賴賲 丕賱賲丕丿賷丞 鬲毓賳賷 丕賱賰孬賷乇 賱賲丿丕賴賳賷賴賲 賱賰賳 賯賷賲鬲賴賲 丕賱賲毓賳賵賷丞 毓賳丿 卮毓賵亘賴賲 賱丕 鬲鬲毓丿賶 賯賷賲丞 丕賱賰乇丕爻賷 丕賱鬲賷 賷噩賱爻賵賳 毓賱賷賴丕 亘賱 丕賯賱 賲賳 匕賱賰 賰孬賷乇丕 .
丕賱亘乇賵賱賷鬲丕乇賱賷丕 賲氐胤賱丨 爻賷丕爻賷 賰孬乇 鬲丿丕賵賱賴 賮賷 丕賱丨賯亘丞 丕賱爻賵賮賷賷鬲賷丞 丕賱亘丕卅丿丞 賵鬲毓賳賷 丕賱胤亘賯丞 丕賱毓丕賲賱丞 賮賷 丕賱賲噩鬲賲毓 丕賱丕卮鬲乇丕賰賷 貙 賱賰賳 賴匕丕 丕賱賲氐胤賱丨 賱賴 賲賮賴賵賲 丌禺乇 丕賯丿賲 賲賳 匕賱賰 亘賰孬賷乇 貙 賮賮賷 毓氐乇 丕賱丿賵賱丞 丕賱乇賵賲丕賳賷丞 賰丕賳 賴匕丕 丕賱賲氐胤賱丨 賷胤賱賯 毓賱賶 毓賷賳丞 賲賳 丕賱匕賰賵乇 丕賱賮丨賵賱 丕賱賲賳噩亘賷賳 賱賱兀胤賮丕賱 丕賱匕賰賵乇 丕賱匕賷賳 鬲鬲賲 鬲乇亘賷鬲賴賲 亘毓丿 匕賱賰 賮賷 賲毓爻賰乇丕鬲 賱賱噩賷卮 賰賷 賷賰賵賳賵丕 毓氐亘 丕賱賯賵丞 丕賱毓爻賰乇賷丞丕賱丕賲亘乇賷丕賱賷丞 賱賱丿賵賱丞 丕賱乇賵賲丕賳賷丞 賮賷賲丕 亘毓丿 貙 亘卮乇 賮丨賵賱 鬲賲丕賲丕 賰丕賱孬賷乇丕賳 丕賵 賰亘丕賯賷 丕賱丨賷賵丕賳丕鬲 丕賱兀禺乇賶 貙 賵爻賵丕亍丕 丕禺匕賳丕 亘賴匕丕 丕賱賲賮賴賵賲 丕賵 匕丕賰 賮丕賳 丿賱丕賱鬲賴 鬲賰賮賷 賱丕乇卮丕丿賳丕 毓賳 丕賱廿爻鬲睾賱丕賱 丕賱爻卅 賱賰孬賷乇 賲賳 丕賱丨賰賵賲丕鬲 賱亘毓囟 丕賱兀賯賱賷丕鬲 兀賵 賱卮毓賵亘賴丕 賰丕賲賱丞 貙 鬲賰賵賳 賱賴賲 賲賴賲丕鬲 兀爻丕爻賷丞 賮賷 禺丿賲鬲賴丕 賵賮賷 丨丕賱丞 丕賳鬲賴丕亍 禺丿賲鬲賴賲 賷鬲賲 乇賲賷賴賲 賰賲丕 賷乇賲賵賳 丕賱兀卮賷丕亍 丕賱囟丕乇丞 丿賵賳 兀丿賳賶 丕毓鬲亘丕乇 賱丕賳爻丕賳賷鬲賴賲 丕賱鬲賷 賷禺鬲夭賱賵賳賴丕 賮賯胤 賱賲賳 賷丨亘賵賳 .禺賱丕氐丞 丕賱賯賵賱 丕賳 丕賱亘乇賵賱賷鬲丕乇賷丕 賱丕夭丕賱鬲 賲賵噩賵丿丞 亘賷賳賳丕 賵賱賰賳 亘氐賵乇 賲禺鬲賱賮丞 .
賲賳 賴賳丕 鬲亘丿兀 丕丨丿丕孬 賴匕賴 丕賱乇賵丕賷丞 .. 噩賵賱爻丕乇賷 匕賱賰 丕賱丨氐丕賳 丕賱乇賴賵丕賳 鬲禺賵乇 賯賵丕賴 賮賷 丌禺乇 乇丨賱丞 賲毓 氐丕丨亘賴 丕賱乇丕毓賷 丕賱賲爻丐賵賱 毓賳 鬲乇亘賷丞 丕賱丨賲賱丕賳 賮賷 賰賵賱禺賵夭 丕賱亘賱丿賴 鬲丕賳丕亘丕賷 亘丕賰爻賵賮 貙 賵亘毓丿 賵賯鬲 賯賱賷賱 賵賮賷 丕丨丿賶 丕賱胤乇賯 丕賱賳丕卅賷丞 賷賳胤乇丨 匕賱賰 丕賱丨氐丕賳 丕乇囟丕 賵賷賲賵鬲 貙 賮賷賯賵賲 鬲丕賳丕亘丕賷 亘鬲睾胤賷鬲賴 賵丕賱噩賱賵爻 賯乇亘丕 賲賳賴 胤賵丕賱 丕賱賱賷賱 賲鬲匕賰乇丕 丨賷丕鬲賴賲丕 丕賱鬲賷 爻禺乇丕賴丕 賱禺丿賲丞 丕賱丿賵賱丞 丕賱爻賵賮賷賷鬲賷丞 貙 亘毓丿 賵賯鬲 賯賱賷賱 賲乇鬲賴賲 毓乇亘丞 賵毓乇囟鬲 毓賱賶 鬲丕賳丕亘丕賷 丕賱氐毓賵丿 賲毓賴賲 賵乇賲賷 噩賷賮丞 丕賱丨氐丕賳 亘毓賷丿丕 賱賰賳賴 乇賮囟 亘毓丿 兀賳 兀亘丿賶 乇睾亘鬲賴 賮賷 丕賱噩賱賵爻 賯乇賷亘丕 賲賳 噩孬丞 丕賱丨氐丕賳 賰賷 賷賰賵賳 賯乇賷亘丕 賲賳 鬲匕賰乇 賰賱 丕賱賲丌爻賷 賵丕賱賲鬲丕毓亘 賵丕賱廿賴丕賳丕鬲 賵丕賱賲囟丕賷賯丕鬲 丕賱鬲賷 賲乇鬲 毓賱賷賴 賵毓賱賶 丨氐丕賳賴 貙 孬賲 賲丕匕丕 責 賱賯丿
(賳爻賷 丕賱噩賲賷毓 賲丕毓丕賳賵賴 賵賲丕鬲丨賲賱賵賴 賲賳 賲鬲丕毓亘 賵兀禺賷乇丕 賲丕鬲 賴匕丕 丕賱丨氐丕賳 賵爻兀賲賵鬲 兀賳丕 賲孬賱賴 丿賵賳 兀賳 賷毓賱賲 亘賳丕 兀丨丿 ( 賴賰匕丕 賮賰乇 鬲丕賳丕亘丕賷 賮賷 賳賮爻賴
鬲匕賰乇 鬲丕賳丕亘丕賷 賮賷 鬲賱賰 丕賱賱賷賱丞 賰孬賷乇丕 賲賳 丕賱兀賷丕賲 丕賱毓丕氐賮丞 丕賱鬲賷 賲乇鬲 亘賴賲丕 亘丿亍丕 賲賳 鬲賰賱賷賮賴 賲賳 賯亘賱 鬲毓丕賵賳賷丞 丕賱亘賱丿丞 亘鬲乇亘賷丞 丕賱禺賷賵賱 孬賲 丕賱丨賲賱丕賳 貙 賵賲乇賵乇丕 亘鬲賱賰 丕賱賱丨馗丕鬲 丕賱鬲賷 丕賱鬲賯賶 亘賴丕 亘噩賵賱爻丕乇賷 貙 鬲匕賰乇 丕賷囟丕 賰賷賮 毓賲賱丕 賲毓丕 亘鬲乇亘賷丞 丕賱丨賲賱丕賳 賵鬲匕賰乇 丕賷囟丕 賰賲 賰丕賳 毓賲賱賴賲丕 卮丕賯丕 貙 賮賷 鬲賱賰 丕賱賱賷丕賱賷 丕賱亘丕乇丿丞 丕賱賲胤賷乇丞 丕賱鬲賷 賲丕鬲鬲 亘賴丕 丕賱丨賲賱丕賳 亘爻亘亘 丕賱鬲賯氐賷乇 賮賷 鬲賵賮賷乇 丕賱賲賵丕丿 丕賱兀爻丕爻賷丞 賱鬲乇亘賷鬲賴丕 貙 賵丨賷賳賲丕 賲丕鬲鬲 丕賱賯賵丕 亘丕賱賱丕卅賲丞 毓賱賷賴 賵鬲賲 賮氐賱賴 丿賵賳 兀丿賳賶 丕毓鬲亘丕乇 賱鬲囟丨賷丕鬲賴 丕賱賴丕卅賱丞 賮賷 賲賷丿丕賳 毓賲賱賴 .
鬲匕賰乇 丕賷囟丕 丨鬲賶 丕賱賱丨馗丕鬲 丕賱毓丕胤賮賷丞 丕賱鬲賷 賰丕賳鬲 鬲噩賲毓賴賲丕 賲毓 丕賱賮鬲丕丞 丕賱鬲賷 兀丨亘 貙 賵賰賷賮 賰丕賳丕 賷匕賴亘丕賳 丕賱賷賴丕 賵賰賷賮 賰丕賳鬲 鬲丿丕毓亘 噩賵賱爻丕乇賷 亘鬲賲乇賷乇 兀賳丕賲賱賴丕 毓賱賶 賵噩賴賴 .
賴匕賴 丕賱賲賯丿賲丞 亘賲孬丕亘丞 丿毓賵丞 賱賯乇丕亍丞 噩夭亍 賲賳 乇賵丕卅毓 丕賱兀丿亘 丕賱爻賵賮賷賷鬲賷 丕賱賯乇睾賷夭賷 丕賱匕賷 鬲鬲氐丿乇賴 兀毓賲丕賱 丕賱乇丕丨賱 丕賷鬲賲丕鬲賵賮 .
噩乇賷丿丞 賱賷鬲乇丕鬲賵乇賳丕賷丕 丕賱爻賵賮賷賷鬲賷丞 鈥� 賲賵爻賰賵 鈥� 丨夭賷乇丕賳 1966
噩賲賷毓賳丕 賷賯乇兀 丕賱賯氐氐 賵丕賱乇賵丕賷丕鬲 賲賳 夭賵丕賷丕 賲禺鬲賱賮丞 夭賵丕賷丕 鬲賰丕丿 丕丨賷丕賳丕 鬲賱丕賲爻 賵丕賯毓賴 .
賵賰匕丕 賰丕賳鬲 賴匕賴 丕賱賯氐丞 賮賲賳匕 丕賳 賯乇兀鬲賴丕 賯亘賱 丕賰孬乇 賲賳 禺賲爻丞 毓卮乇 毓丕賲丕 丕氐亘丨鬲 賱賴丕 乇賲夭賷丞 禺丕氐丞 賱丿賷 . 乇賲夭賷丞 鬲賰丕丿 鬲丐胤乇 賰孬賷乇丕 賲賳 賲毓丕賳賷 丕賱睾亘賳 賵丕賱禺匕賱丕賳 貙 乇賲夭賷丞 鬲卮賷乇 丕賱賶 賯爻賵丞 丕賱丨賰賵賲丕鬲 鬲噩丕賴 亘毓囟 丕賱兀賯賱賷丕鬲 丕賱鬲賷 賷禺賱氐 兀賮乇丕丿賴丕 賮賷 賲噩丕賱 毓賲賱賴賲 孬賲 賱丕 賷噩丿賵賳 賲賳 賴匕賴 丕賱丨賰賵賲丕鬲 丨賷賳賲丕 賷鬲賯丕毓丿賵賳 爻賵賶 丕賱賴噩乇 賵丕賱丨乇賲丕賳 貙 賵丕賱爻亘亘 賮賷 匕賱賰 賰賱賴 丕賳賴 賮賷 毓丕賱賲賳丕 丕賱卮乇賯賷 丕賱賰亘賷乇 鬲鬲賰丕孬乇 卮乇匕賲丞 賲賳 丕賱亘卮乇 毓賱賶 賳丨賵 睾賷乇 賲爻亘賵賯 卮乇匕賲丞 賷賵賰賱 丕賱賷賴丕 鬲賯乇賷乇 賲氐丕卅乇 丕賱賲賱丕賷賷賳 賲賳 丕賱亘卮乇 賯賷賲鬲賴賲 丕賱賲丕丿賷丞 鬲毓賳賷 丕賱賰孬賷乇 賱賲丿丕賴賳賷賴賲 賱賰賳 賯賷賲鬲賴賲 丕賱賲毓賳賵賷丞 毓賳丿 卮毓賵亘賴賲 賱丕 鬲鬲毓丿賶 賯賷賲丞 丕賱賰乇丕爻賷 丕賱鬲賷 賷噩賱爻賵賳 毓賱賷賴丕 亘賱 丕賯賱 賲賳 匕賱賰 賰孬賷乇丕 .
丕賱亘乇賵賱賷鬲丕乇賱賷丕 賲氐胤賱丨 爻賷丕爻賷 賰孬乇 鬲丿丕賵賱賴 賮賷 丕賱丨賯亘丞 丕賱爻賵賮賷賷鬲賷丞 丕賱亘丕卅丿丞 賵鬲毓賳賷 丕賱胤亘賯丞 丕賱毓丕賲賱丞 賮賷 丕賱賲噩鬲賲毓 丕賱丕卮鬲乇丕賰賷 貙 賱賰賳 賴匕丕 丕賱賲氐胤賱丨 賱賴 賲賮賴賵賲 丌禺乇 丕賯丿賲 賲賳 匕賱賰 亘賰孬賷乇 貙 賮賮賷 毓氐乇 丕賱丿賵賱丞 丕賱乇賵賲丕賳賷丞 賰丕賳 賴匕丕 丕賱賲氐胤賱丨 賷胤賱賯 毓賱賶 毓賷賳丞 賲賳 丕賱匕賰賵乇 丕賱賮丨賵賱 丕賱賲賳噩亘賷賳 賱賱兀胤賮丕賱 丕賱匕賰賵乇 丕賱匕賷賳 鬲鬲賲 鬲乇亘賷鬲賴賲 亘毓丿 匕賱賰 賮賷 賲毓爻賰乇丕鬲 賱賱噩賷卮 賰賷 賷賰賵賳賵丕 毓氐亘 丕賱賯賵丞 丕賱毓爻賰乇賷丞丕賱丕賲亘乇賷丕賱賷丞 賱賱丿賵賱丞 丕賱乇賵賲丕賳賷丞 賮賷賲丕 亘毓丿 貙 亘卮乇 賮丨賵賱 鬲賲丕賲丕 賰丕賱孬賷乇丕賳 丕賵 賰亘丕賯賷 丕賱丨賷賵丕賳丕鬲 丕賱兀禺乇賶 貙 賵爻賵丕亍丕 丕禺匕賳丕 亘賴匕丕 丕賱賲賮賴賵賲 丕賵 匕丕賰 賮丕賳 丿賱丕賱鬲賴 鬲賰賮賷 賱丕乇卮丕丿賳丕 毓賳 丕賱廿爻鬲睾賱丕賱 丕賱爻卅 賱賰孬賷乇 賲賳 丕賱丨賰賵賲丕鬲 賱亘毓囟 丕賱兀賯賱賷丕鬲 兀賵 賱卮毓賵亘賴丕 賰丕賲賱丞 貙 鬲賰賵賳 賱賴賲 賲賴賲丕鬲 兀爻丕爻賷丞 賮賷 禺丿賲鬲賴丕 賵賮賷 丨丕賱丞 丕賳鬲賴丕亍 禺丿賲鬲賴賲 賷鬲賲 乇賲賷賴賲 賰賲丕 賷乇賲賵賳 丕賱兀卮賷丕亍 丕賱囟丕乇丞 丿賵賳 兀丿賳賶 丕毓鬲亘丕乇 賱丕賳爻丕賳賷鬲賴賲 丕賱鬲賷 賷禺鬲夭賱賵賳賴丕 賮賯胤 賱賲賳 賷丨亘賵賳 .禺賱丕氐丞 丕賱賯賵賱 丕賳 丕賱亘乇賵賱賷鬲丕乇賷丕 賱丕夭丕賱鬲 賲賵噩賵丿丞 亘賷賳賳丕 賵賱賰賳 亘氐賵乇 賲禺鬲賱賮丞 .
賲賳 賴賳丕 鬲亘丿兀 丕丨丿丕孬 賴匕賴 丕賱乇賵丕賷丞 .. 噩賵賱爻丕乇賷 匕賱賰 丕賱丨氐丕賳 丕賱乇賴賵丕賳 鬲禺賵乇 賯賵丕賴 賮賷 丌禺乇 乇丨賱丞 賲毓 氐丕丨亘賴 丕賱乇丕毓賷 丕賱賲爻丐賵賱 毓賳 鬲乇亘賷丞 丕賱丨賲賱丕賳 賮賷 賰賵賱禺賵夭 丕賱亘賱丿賴 鬲丕賳丕亘丕賷 亘丕賰爻賵賮 貙 賵亘毓丿 賵賯鬲 賯賱賷賱 賵賮賷 丕丨丿賶 丕賱胤乇賯 丕賱賳丕卅賷丞 賷賳胤乇丨 匕賱賰 丕賱丨氐丕賳 丕乇囟丕 賵賷賲賵鬲 貙 賮賷賯賵賲 鬲丕賳丕亘丕賷 亘鬲睾胤賷鬲賴 賵丕賱噩賱賵爻 賯乇亘丕 賲賳賴 胤賵丕賱 丕賱賱賷賱 賲鬲匕賰乇丕 丨賷丕鬲賴賲丕 丕賱鬲賷 爻禺乇丕賴丕 賱禺丿賲丞 丕賱丿賵賱丞 丕賱爻賵賮賷賷鬲賷丞 貙 亘毓丿 賵賯鬲 賯賱賷賱 賲乇鬲賴賲 毓乇亘丞 賵毓乇囟鬲 毓賱賶 鬲丕賳丕亘丕賷 丕賱氐毓賵丿 賲毓賴賲 賵乇賲賷 噩賷賮丞 丕賱丨氐丕賳 亘毓賷丿丕 賱賰賳賴 乇賮囟 亘毓丿 兀賳 兀亘丿賶 乇睾亘鬲賴 賮賷 丕賱噩賱賵爻 賯乇賷亘丕 賲賳 噩孬丞 丕賱丨氐丕賳 賰賷 賷賰賵賳 賯乇賷亘丕 賲賳 鬲匕賰乇 賰賱 丕賱賲丌爻賷 賵丕賱賲鬲丕毓亘 賵丕賱廿賴丕賳丕鬲 賵丕賱賲囟丕賷賯丕鬲 丕賱鬲賷 賲乇鬲 毓賱賷賴 賵毓賱賶 丨氐丕賳賴 貙 孬賲 賲丕匕丕 責 賱賯丿
(賳爻賷 丕賱噩賲賷毓 賲丕毓丕賳賵賴 賵賲丕鬲丨賲賱賵賴 賲賳 賲鬲丕毓亘 賵兀禺賷乇丕 賲丕鬲 賴匕丕 丕賱丨氐丕賳 賵爻兀賲賵鬲 兀賳丕 賲孬賱賴 丿賵賳 兀賳 賷毓賱賲 亘賳丕 兀丨丿 ( 賴賰匕丕 賮賰乇 鬲丕賳丕亘丕賷 賮賷 賳賮爻賴
鬲匕賰乇 鬲丕賳丕亘丕賷 賮賷 鬲賱賰 丕賱賱賷賱丞 賰孬賷乇丕 賲賳 丕賱兀賷丕賲 丕賱毓丕氐賮丞 丕賱鬲賷 賲乇鬲 亘賴賲丕 亘丿亍丕 賲賳 鬲賰賱賷賮賴 賲賳 賯亘賱 鬲毓丕賵賳賷丞 丕賱亘賱丿丞 亘鬲乇亘賷丞 丕賱禺賷賵賱 孬賲 丕賱丨賲賱丕賳 貙 賵賲乇賵乇丕 亘鬲賱賰 丕賱賱丨馗丕鬲 丕賱鬲賷 丕賱鬲賯賶 亘賴丕 亘噩賵賱爻丕乇賷 貙 鬲匕賰乇 丕賷囟丕 賰賷賮 毓賲賱丕 賲毓丕 亘鬲乇亘賷丞 丕賱丨賲賱丕賳 賵鬲匕賰乇 丕賷囟丕 賰賲 賰丕賳 毓賲賱賴賲丕 卮丕賯丕 貙 賮賷 鬲賱賰 丕賱賱賷丕賱賷 丕賱亘丕乇丿丞 丕賱賲胤賷乇丞 丕賱鬲賷 賲丕鬲鬲 亘賴丕 丕賱丨賲賱丕賳 亘爻亘亘 丕賱鬲賯氐賷乇 賮賷 鬲賵賮賷乇 丕賱賲賵丕丿 丕賱兀爻丕爻賷丞 賱鬲乇亘賷鬲賴丕 貙 賵丨賷賳賲丕 賲丕鬲鬲 丕賱賯賵丕 亘丕賱賱丕卅賲丞 毓賱賷賴 賵鬲賲 賮氐賱賴 丿賵賳 兀丿賳賶 丕毓鬲亘丕乇 賱鬲囟丨賷丕鬲賴 丕賱賴丕卅賱丞 賮賷 賲賷丿丕賳 毓賲賱賴 .
鬲匕賰乇 丕賷囟丕 丨鬲賶 丕賱賱丨馗丕鬲 丕賱毓丕胤賮賷丞 丕賱鬲賷 賰丕賳鬲 鬲噩賲毓賴賲丕 賲毓 丕賱賮鬲丕丞 丕賱鬲賷 兀丨亘 貙 賵賰賷賮 賰丕賳丕 賷匕賴亘丕賳 丕賱賷賴丕 賵賰賷賮 賰丕賳鬲 鬲丿丕毓亘 噩賵賱爻丕乇賷 亘鬲賲乇賷乇 兀賳丕賲賱賴丕 毓賱賶 賵噩賴賴 .
賴匕賴 丕賱賲賯丿賲丞 亘賲孬丕亘丞 丿毓賵丞 賱賯乇丕亍丞 噩夭亍 賲賳 乇賵丕卅毓 丕賱兀丿亘 丕賱爻賵賮賷賷鬲賷 丕賱賯乇睾賷夭賷 丕賱匕賷 鬲鬲氐丿乇賴 兀毓賲丕賱 丕賱乇丕丨賱 丕賷鬲賲丕鬲賵賮 .
July 13, 2017
袩褉芯褖邪泄, 袚褍谢褜褋邪褉褘! (1966) = Farewell Gul'sary, Chingiz Aitmatov
Chyngyz Aitmatov was a Soviet and Kyrgyz author who wrote in both Russian and Kyrgyz. He is the best known figure in Kyrgyzstan's literature.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 卮卮賲 賳賵丕賲亘乇 爻丕賱 1978 賲蹖賱丕丿蹖
毓賳賵丕賳: 丕賱賵丿丕毓 诏賱 爻丕乇蹖貨 趩賳诏蹖夭 丌蹖鬲賲丕鬲賮貨 賲鬲乇噩賲: 賮乇賴丕丿 丨亘蹖亘蹖貨 鬲賴乇丕賳貙 賳蹖賱賵賮乇貙 1357貙 丿乇 400 氐貨 趩丕倬 爻賵賲 1361貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 卮賵乇賵蹖 - 賯乇賳 20 賲
賳禺爻鬲貙 賮蹖賱賲卮 乇丕 亘丕 蹖讴 丿賵爻鬲 讴賴 亘賴 丿賵乇鬲乇賴丕 乇賮鬲賴貙 丿乇 爻蹖賳賲丕 丿蹖丿蹖賲貙 爻倬爻 讴鬲丕亘卮 乇丕 丿乇 爻丕賱 1357 賴噩乇蹖 禺賵乇卮蹖丿蹖 禺賵丕賳丿賲. 賳賯賱 丕夭 賲鬲賳: 倬蹖乇賲乇丿蹖 (鬲丕賳丕 亘丕蹖) 爻賵丕乇 亘乇 诏丕乇蹖 讴賴賳賴 丕蹖 賲蹖乇賮鬲. 丕爻亘 讴乇賳丿 蹖賵乇睾賴貙 亘賴 賳丕賲 诏賱爻丕乇蹖 (诏賱 夭乇丿) 賳蹖夭 倬蹖乇 亘賵丿. 亘爻蹖丕乇 倬蹖乇...貨
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诏賱爻丕乇蹖 蹖賵乇睾賴 蹖 賲丕丿乇夭丕丿 亘賵丿貙 賵 亘爻蹖丕乇 禺賵亘 蹖賵乇睾賴 賲蹖乇賮鬲貙 亘賴 賲睾夭 讴爻蹖 賴賲 禺胤賵乇 賳賲蹖讴乇丿 讴賴 乇賵夭蹖貙 诏賱爻丕乇蹖 乇丕 亘賴 诏丕乇蹖 亘亘賳丿賳丿貙 趩賳蹖賳 賮讴乇蹖 讴賮乇 賲丨囟 亘賵丿. 倬丕蹖丕賳 賳賯賱
丕. 卮乇亘蹖丕賳蹖
Chyngyz Aitmatov was a Soviet and Kyrgyz author who wrote in both Russian and Kyrgyz. He is the best known figure in Kyrgyzstan's literature.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 卮卮賲 賳賵丕賲亘乇 爻丕賱 1978 賲蹖賱丕丿蹖
毓賳賵丕賳: 丕賱賵丿丕毓 诏賱 爻丕乇蹖貨 趩賳诏蹖夭 丌蹖鬲賲丕鬲賮貨 賲鬲乇噩賲: 賮乇賴丕丿 丨亘蹖亘蹖貨 鬲賴乇丕賳貙 賳蹖賱賵賮乇貙 1357貙 丿乇 400 氐貨 趩丕倬 爻賵賲 1361貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 卮賵乇賵蹖 - 賯乇賳 20 賲
賳禺爻鬲貙 賮蹖賱賲卮 乇丕 亘丕 蹖讴 丿賵爻鬲 讴賴 亘賴 丿賵乇鬲乇賴丕 乇賮鬲賴貙 丿乇 爻蹖賳賲丕 丿蹖丿蹖賲貙 爻倬爻 讴鬲丕亘卮 乇丕 丿乇 爻丕賱 1357 賴噩乇蹖 禺賵乇卮蹖丿蹖 禺賵丕賳丿賲. 賳賯賱 丕夭 賲鬲賳: 倬蹖乇賲乇丿蹖 (鬲丕賳丕 亘丕蹖) 爻賵丕乇 亘乇 诏丕乇蹖 讴賴賳賴 丕蹖 賲蹖乇賮鬲. 丕爻亘 讴乇賳丿 蹖賵乇睾賴貙 亘賴 賳丕賲 诏賱爻丕乇蹖 (诏賱 夭乇丿) 賳蹖夭 倬蹖乇 亘賵丿. 亘爻蹖丕乇 倬蹖乇...貨
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诏賱爻丕乇蹖 蹖賵乇睾賴 蹖 賲丕丿乇夭丕丿 亘賵丿貙 賵 亘爻蹖丕乇 禺賵亘 蹖賵乇睾賴 賲蹖乇賮鬲貙 亘賴 賲睾夭 讴爻蹖 賴賲 禺胤賵乇 賳賲蹖讴乇丿 讴賴 乇賵夭蹖貙 诏賱爻丕乇蹖 乇丕 亘賴 诏丕乇蹖 亘亘賳丿賳丿貙 趩賳蹖賳 賮讴乇蹖 讴賮乇 賲丨囟 亘賵丿. 倬丕蹖丕賳 賳賯賱
丕. 卮乇亘蹖丕賳蹖
October 13, 2021
趩賳诏蹖夭 丌蹖鬲賵賲丕鬲賮 賳賵蹖爻賳丿賴 賲毓乇賵賮 賯乇賯蹖夭爻鬲丕賳蹖 丿乇 讴鬲丕亘 丕賱賵丿丕毓 诏賵賱爻丕乇蹖 貙 丕爻亘 蹖賵乇睾賴 诏賵賱爻丕乇蹖 乇丕 賲丨賵乇 賵 爻鬲賵賳 讴鬲丕亘 禺賵丿 賯乇丕乇 丿丕丿賴 賵 亘賴 丕蹖賳 鬲乇鬲蹖亘 丿乇 丿乇噩賴 賳禺爻鬲 夭賳丿诏蹖 賲乇丿賲丕賳 賯乇賯蹖夭 貙 趩賴 丕蹖賱禺蹖 蹖丕 趩賴 丿丕賲丿丕乇 賵 爻倬爻 夭賳丿诏蹖 賯乇賯蹖夭賴丕 乇丕 丿乇 卮賵乇賵蹖 亘賴 毓賳賵丕賳 噩夭蹖蹖 丕夭 讴賱 卮乇丨 丿丕丿賴 賵 鬲賵氐蹖賮 讴乇丿賴 丕爻鬲 .
禺胤乇 賮丕卮 卮丿賳 丿丕爻鬲丕賳
鬲丕賳丕亘丕蹖 爻乇噩賵禺賴 爻丕亘賯 丕乇鬲卮 爻乇禺 貙 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 丕爻鬲 貙 丕賵 讴賴 夭賲丕賳蹖 匕賵亘 卮丿賴 丿乇 丌乇賲丕賳 賴丕蹖 讴賲賵賳蹖爻賲 賵 賲丕乇讴爻蹖爻賲 亘賵丿賴 亘賴 賲乇賵乇 夭賲丕賳 賵 亘丕 丿蹖丿賳 丕賳亘賵賴 亘蹖 賱蹖丕賯鬲蹖 賴丕 賵 亘蹖 讴賮丕蹖鬲蹖 賴丕 貙 賮賯乇 爻禺鬲 賲乇丿賲 讴賲 讴賲 倬乇爻卮 賴丕蹖蹖 丿乇 匕賴賳 丕賵 丕蹖噩丕丿 卮丿賴 貙 丕賵 丨夭亘 乇丕 賲鬲賴賲 賳賲蹖 讴賳丿 丕賲丕 讴賲蹖 丕夭 丕蹖賲丕賳 爻禺鬲 禺賵丿 乇丕 丕夭 丿爻鬲 賲蹖 丿賴丿 .
诏賵賱爻丕乇蹖 丕夭 賴賳诏丕賲 鬲賵賱丿 亘丕 鬲丕賳丕亘丕蹖 丕爻鬲 貙 賳賵蹖爻賳丿賴 亘賴 丕蹖賳 亘賴丕賳賴 禺賵丕賳賳丿賴 乇丕 亘丕 禺賵丿 亘賴 丿賱 丿卮鬲 賴丕亘蹖 亘丕夭 賵 亘蹖 丕賳鬲賴丕 丿乇 賯乇賯蹖夭爻鬲丕賳 亘乇丿賴 賵 丕賵 乇丕 亘丕 夭賳丿诏蹖 爻禺鬲 蹖讴 丕蹖賱禺蹖 亘丕賳 丌卮賳丕 賲蹖 讴賳丿 貙 夭賳丿诏蹖 讴賴 亘賴 氐賵乇鬲 讴丕賲賱 丿乇 丿卮鬲 賵亘丿賵賳 賴蹖趩 诏賵賳賴 爻乇倬賳丕賴 賵 丿乇 丿賱 胤亘蹖毓鬲蹖 爻禺鬲 賵丨卮蹖 賲蹖 诏匕乇丿 . 亘賴 賲乇賵乇 乇丕亘胤賴 毓丕胤賮蹖 亘蹖賳 丕爻亘 賵 丕蹖賱禺蹖 卮讴賱 賲蹖 诏蹖乇丿. 鬲丕賳丕亘丕蹖 诏賵賱爻丕乇蹖 乇丕 賴賲丕賳賳丿 蹖讴 丕爻亘 賲爻丕亘賯賴 鬲乇亘蹖鬲 讴乇丿賴 賵 丕爻亘 卮賴乇鬲 亘爻蹖丕乇 賴賲 亘乇丕蹖 鬲丕賳丕亘丕蹖 賵 賴賲 亘乇丕蹖 禺賵丿 賴賲乇丕賴 賲蹖丕賵乇丿 貙 丕賲丕 丨夭亘 丕爻亘 丕賵 乇丕 賲氐丕丿乇賴 賲蹖 讴賳丿 賵 鬲丕賳丕亘丕蹖 乇丕 丕蹖賳 亘丕乇 賲爻卅賵賱 蹖讴 丿丕賲丿丕乇蹖 賲蹖 讴賳丿 .
鬲丕賳丕亘丕蹖 賴賲乇丕賴 亘丕 诏賱賴 賵 丕賱亘鬲賴 禺賵丕賳賳丿賴 丕蹖 讴賴 亘賴 賱胤賮 鬲賵囟蹖丨丕鬲 丌蹖鬲賵賲丕鬲賮 賯丿賲 亘賴 賯丿賲 亘丕 丕賵爻鬲 亘賴 賲夭乇毓賴 賵 丌睾賱 禺乇丕亘賴 賵 賵蹖乇丕賳 賲蹖 乇爻丿 丿乇 丕蹖賳 噩丕爻鬲 讴賴 亘丕 賵噩賵丿 丕蹖賲丕賳 爻禺鬲 貙 賴賲 亘賴 丨夭亘 卮讴 賲蹖 讴賳丿 賵 賴賲 亘賴 禺賵丿 .
鬲丕賳丕亘丕蹖 讴賴 賲乇丿 毓賲賱 賵 倬乇诏賲丕鬲蹖讴 丕爻鬲 丕夭 禺賵丿 賳丕丕賲蹖丿 賲蹖 卮賵丿 貙 丕賵 亘賴 丕蹖賳 賳鬲蹖噩賴 乇爻蹖丿賴 讴賴 亘丿賵賳 丕亘夭丕乇 賵 賱賵丕夭賲 賵 丕賲讴丕賳丕鬲 丕賵丨鬲蹖 鬲賵丕賳 丕氐賱丕丨 蹖讴 丌睾賱 賵 胤賵蹖賱賴 賲禺乇賵亘賴 乇丕 賴賲 賳丿丕乇丿 貙 丿蹖诏乇 卮毓丕乇賴丕蹖 丨夭亘 賴賲 亘賴 賳馗乇 鬲丕賳丕亘丕蹖 倬賵趩 賵 亘蹖賴賵丿賴 亘賴 賳馗乇 賲蹖 乇爻丿 .
丿乇 丕丿丕賲賴 丿丕爻鬲丕賳 丌蹖鬲賵賲丕鬲賮 夭賵丕賱 賴乇 丿賵 貙 丕爻亘 賵 丕爻亘 爻賵丕乇 貙 诏賵賱爻丕乇蹖 賵 鬲丕賳丕亘丕蹖 乇丕 亘賴 鬲氐賵蹖乇 讴卮蹖丿賴 貙 丕夭 卮讴賵賴 賵 毓馗賲鬲 诏賵賱爻丕乇蹖 丿蹖诏乇 趩蹖夭蹖 亘丕賯蹖 賳賲丕賳丿賴 賵 丕賵 丕爻亘 亘丕乇讴卮蹖 卮丿賴 貙 鬲丕賳丕亘丕蹖 賴賲 丕夭 丨夭亘 丕禺乇丕噩 卮丿賴 丕爻鬲 .
丿丕爻鬲丕賳 丕賱賵丿丕毓 诏賵賱爻丕乇蹖 丕诏乇趩賴 賲賲讴賳 丕爻鬲 亘乇丕蹖 禺賵丕賳賳丿賴 丕賲乇賵夭蹖 噩匕丕亘蹖鬲 趩賳丿丕賳蹖 賳丿丕卮鬲賴 亘丕卮丿 賵禺賵丕賳賳丿賴 亘禺卮賴丕蹖蹖 丕夭 丌賳乇丕 禺爻鬲賴 讴賳賳丿賴 亘丿丕賳丿 丕賲丕 丌蹖鬲賵賲丕鬲賮 鬲氐賵蹖乇 亘爻蹖丕乇 乇賵卮賳蹖 丕夭 夭賳丿诏蹖 賲乇丿賲丕賳 賯乇賯蹖夭 貙 趩賴 丕蹖賱禺蹖 賵 趩賴 丿丕賲丿丕乇 丿乇 卮賵乇賵蹖 賳卮丕賳 丿丕丿賴 貙 賴賲蹖賳 诏賵賳賴 賴賳乇 賳賵蹖爻賳丿賴 丿乇 鬲乇爻蹖賲 乇丕亘胤賴 賵 毓卮賯 賲蹖丕賳 鬲丕賳丕亘丕蹖 賵 诏賵賱爻丕乇蹖 爻鬲賵丿賳蹖 丕蹖爻鬲 .
禺胤乇 賮丕卮 卮丿賳 丿丕爻鬲丕賳
鬲丕賳丕亘丕蹖 爻乇噩賵禺賴 爻丕亘賯 丕乇鬲卮 爻乇禺 貙 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 丕爻鬲 貙 丕賵 讴賴 夭賲丕賳蹖 匕賵亘 卮丿賴 丿乇 丌乇賲丕賳 賴丕蹖 讴賲賵賳蹖爻賲 賵 賲丕乇讴爻蹖爻賲 亘賵丿賴 亘賴 賲乇賵乇 夭賲丕賳 賵 亘丕 丿蹖丿賳 丕賳亘賵賴 亘蹖 賱蹖丕賯鬲蹖 賴丕 賵 亘蹖 讴賮丕蹖鬲蹖 賴丕 貙 賮賯乇 爻禺鬲 賲乇丿賲 讴賲 讴賲 倬乇爻卮 賴丕蹖蹖 丿乇 匕賴賳 丕賵 丕蹖噩丕丿 卮丿賴 貙 丕賵 丨夭亘 乇丕 賲鬲賴賲 賳賲蹖 讴賳丿 丕賲丕 讴賲蹖 丕夭 丕蹖賲丕賳 爻禺鬲 禺賵丿 乇丕 丕夭 丿爻鬲 賲蹖 丿賴丿 .
诏賵賱爻丕乇蹖 丕夭 賴賳诏丕賲 鬲賵賱丿 亘丕 鬲丕賳丕亘丕蹖 丕爻鬲 貙 賳賵蹖爻賳丿賴 亘賴 丕蹖賳 亘賴丕賳賴 禺賵丕賳賳丿賴 乇丕 亘丕 禺賵丿 亘賴 丿賱 丿卮鬲 賴丕亘蹖 亘丕夭 賵 亘蹖 丕賳鬲賴丕 丿乇 賯乇賯蹖夭爻鬲丕賳 亘乇丿賴 賵 丕賵 乇丕 亘丕 夭賳丿诏蹖 爻禺鬲 蹖讴 丕蹖賱禺蹖 亘丕賳 丌卮賳丕 賲蹖 讴賳丿 貙 夭賳丿诏蹖 讴賴 亘賴 氐賵乇鬲 讴丕賲賱 丿乇 丿卮鬲 賵亘丿賵賳 賴蹖趩 诏賵賳賴 爻乇倬賳丕賴 賵 丿乇 丿賱 胤亘蹖毓鬲蹖 爻禺鬲 賵丨卮蹖 賲蹖 诏匕乇丿 . 亘賴 賲乇賵乇 乇丕亘胤賴 毓丕胤賮蹖 亘蹖賳 丕爻亘 賵 丕蹖賱禺蹖 卮讴賱 賲蹖 诏蹖乇丿. 鬲丕賳丕亘丕蹖 诏賵賱爻丕乇蹖 乇丕 賴賲丕賳賳丿 蹖讴 丕爻亘 賲爻丕亘賯賴 鬲乇亘蹖鬲 讴乇丿賴 賵 丕爻亘 卮賴乇鬲 亘爻蹖丕乇 賴賲 亘乇丕蹖 鬲丕賳丕亘丕蹖 賵 賴賲 亘乇丕蹖 禺賵丿 賴賲乇丕賴 賲蹖丕賵乇丿 貙 丕賲丕 丨夭亘 丕爻亘 丕賵 乇丕 賲氐丕丿乇賴 賲蹖 讴賳丿 賵 鬲丕賳丕亘丕蹖 乇丕 丕蹖賳 亘丕乇 賲爻卅賵賱 蹖讴 丿丕賲丿丕乇蹖 賲蹖 讴賳丿 .
鬲丕賳丕亘丕蹖 賴賲乇丕賴 亘丕 诏賱賴 賵 丕賱亘鬲賴 禺賵丕賳賳丿賴 丕蹖 讴賴 亘賴 賱胤賮 鬲賵囟蹖丨丕鬲 丌蹖鬲賵賲丕鬲賮 賯丿賲 亘賴 賯丿賲 亘丕 丕賵爻鬲 亘賴 賲夭乇毓賴 賵 丌睾賱 禺乇丕亘賴 賵 賵蹖乇丕賳 賲蹖 乇爻丿 丿乇 丕蹖賳 噩丕爻鬲 讴賴 亘丕 賵噩賵丿 丕蹖賲丕賳 爻禺鬲 貙 賴賲 亘賴 丨夭亘 卮讴 賲蹖 讴賳丿 賵 賴賲 亘賴 禺賵丿 .
鬲丕賳丕亘丕蹖 讴賴 賲乇丿 毓賲賱 賵 倬乇诏賲丕鬲蹖讴 丕爻鬲 丕夭 禺賵丿 賳丕丕賲蹖丿 賲蹖 卮賵丿 貙 丕賵 亘賴 丕蹖賳 賳鬲蹖噩賴 乇爻蹖丿賴 讴賴 亘丿賵賳 丕亘夭丕乇 賵 賱賵丕夭賲 賵 丕賲讴丕賳丕鬲 丕賵丨鬲蹖 鬲賵丕賳 丕氐賱丕丨 蹖讴 丌睾賱 賵 胤賵蹖賱賴 賲禺乇賵亘賴 乇丕 賴賲 賳丿丕乇丿 貙 丿蹖诏乇 卮毓丕乇賴丕蹖 丨夭亘 賴賲 亘賴 賳馗乇 鬲丕賳丕亘丕蹖 倬賵趩 賵 亘蹖賴賵丿賴 亘賴 賳馗乇 賲蹖 乇爻丿 .
丿乇 丕丿丕賲賴 丿丕爻鬲丕賳 丌蹖鬲賵賲丕鬲賮 夭賵丕賱 賴乇 丿賵 貙 丕爻亘 賵 丕爻亘 爻賵丕乇 貙 诏賵賱爻丕乇蹖 賵 鬲丕賳丕亘丕蹖 乇丕 亘賴 鬲氐賵蹖乇 讴卮蹖丿賴 貙 丕夭 卮讴賵賴 賵 毓馗賲鬲 诏賵賱爻丕乇蹖 丿蹖诏乇 趩蹖夭蹖 亘丕賯蹖 賳賲丕賳丿賴 賵 丕賵 丕爻亘 亘丕乇讴卮蹖 卮丿賴 貙 鬲丕賳丕亘丕蹖 賴賲 丕夭 丨夭亘 丕禺乇丕噩 卮丿賴 丕爻鬲 .
丿丕爻鬲丕賳 丕賱賵丿丕毓 诏賵賱爻丕乇蹖 丕诏乇趩賴 賲賲讴賳 丕爻鬲 亘乇丕蹖 禺賵丕賳賳丿賴 丕賲乇賵夭蹖 噩匕丕亘蹖鬲 趩賳丿丕賳蹖 賳丿丕卮鬲賴 亘丕卮丿 賵禺賵丕賳賳丿賴 亘禺卮賴丕蹖蹖 丕夭 丌賳乇丕 禺爻鬲賴 讴賳賳丿賴 亘丿丕賳丿 丕賲丕 丌蹖鬲賵賲丕鬲賮 鬲氐賵蹖乇 亘爻蹖丕乇 乇賵卮賳蹖 丕夭 夭賳丿诏蹖 賲乇丿賲丕賳 賯乇賯蹖夭 貙 趩賴 丕蹖賱禺蹖 賵 趩賴 丿丕賲丿丕乇 丿乇 卮賵乇賵蹖 賳卮丕賳 丿丕丿賴 貙 賴賲蹖賳 诏賵賳賴 賴賳乇 賳賵蹖爻賳丿賴 丿乇 鬲乇爻蹖賲 乇丕亘胤賴 賵 毓卮賯 賲蹖丕賳 鬲丕賳丕亘丕蹖 賵 诏賵賱爻丕乇蹖 爻鬲賵丿賳蹖 丕蹖爻鬲 .
April 18, 2023
Mein dritter Aitmatov. Auch diesen las ich sehr gerne. Ich habe da einen neuen Hausautor gefunden, zu dem ich in Zeiten der Trostsehnsucht greifen kann.
脛hnlich wie bei einem anderen meiner Literaturtherapeuten, Genazino, scheinen sich die Themen und Motive in Aitmatovs Welt zu wiederholen. Da er diese Motive aber so variationsreich und sprachlich ansprechend umsetzt, ist die Wiederholung vielmehr ein Nachhausekommen als eine St枚rung.
Tanabai, der einfache Kirgise, der den Aufbau der jungen sozialistischen Sowjetrepublik tatkr盲ftig unterst眉tzte, ist alt geworden. Und so ist sein Pferd, G眉lsary, das seinen letzten Pass erklommen hat und sterben wird. So beginnt "Abschied von G眉lsary". Aitmatov l盲sst uns nun teilhaben an den Tagen der Begegnung zwischen den zwei Freunden, als diese jung und ungest眉m waren. (Wobei Tanabai die 40 wohl schon gerissen hatte)
Wie immer gl眉ht die Natur im Hintergrund, Eis, K盲lte und Wind bringen Tanabai fast um seine Schafsherde, die Inkompetenz der F眉hrungsriege versch盲rft die katastrophale Lage noch. Der Kot vom Vorjahr bedeckt den Boden, alle W盲nde sind vernachl盲ssigt, das Dach ist l枚chrig, es ist eiskalt. Da der Kolchos nur zwei alte Frauen statt 5 starken jungen Leuten schickt, sterben die L盲mmer reihenweise. Tanabai, der um jedes Lamm verbissen k盲mpft, gelangt bald an die Schwelle der Ohnmacht. Alleine diese Szene lohnt die Lekt眉re. (Alvin wach, sp盲ter mehr) Wie Aitmatov in der SU ver枚ffentlichen konnte, ist mir ein R盲tsel.
Dabei ist es nicht die Ebene der Kritik an den politischen Zust盲nden (obwohl die stark ist!)
脛hnlich wie bei einem anderen meiner Literaturtherapeuten, Genazino, scheinen sich die Themen und Motive in Aitmatovs Welt zu wiederholen. Da er diese Motive aber so variationsreich und sprachlich ansprechend umsetzt, ist die Wiederholung vielmehr ein Nachhausekommen als eine St枚rung.
Tanabai, der einfache Kirgise, der den Aufbau der jungen sozialistischen Sowjetrepublik tatkr盲ftig unterst眉tzte, ist alt geworden. Und so ist sein Pferd, G眉lsary, das seinen letzten Pass erklommen hat und sterben wird. So beginnt "Abschied von G眉lsary". Aitmatov l盲sst uns nun teilhaben an den Tagen der Begegnung zwischen den zwei Freunden, als diese jung und ungest眉m waren. (Wobei Tanabai die 40 wohl schon gerissen hatte)
Wie immer gl眉ht die Natur im Hintergrund, Eis, K盲lte und Wind bringen Tanabai fast um seine Schafsherde, die Inkompetenz der F眉hrungsriege versch盲rft die katastrophale Lage noch. Der Kot vom Vorjahr bedeckt den Boden, alle W盲nde sind vernachl盲ssigt, das Dach ist l枚chrig, es ist eiskalt. Da der Kolchos nur zwei alte Frauen statt 5 starken jungen Leuten schickt, sterben die L盲mmer reihenweise. Tanabai, der um jedes Lamm verbissen k盲mpft, gelangt bald an die Schwelle der Ohnmacht. Alleine diese Szene lohnt die Lekt眉re. (Alvin wach, sp盲ter mehr) Wie Aitmatov in der SU ver枚ffentlichen konnte, ist mir ein R盲tsel.
Dabei ist es nicht die Ebene der Kritik an den politischen Zust盲nden (obwohl die stark ist!)
January 24, 2024
2024-喈喁佮喈距畾喈苦喁嵿喁�
喈瘑喈班瘉喈瘝喈喈侧瘉喈瘝, 喈囙喈瘓喈喈侧瘝 喈掂喈氞喈曕瘝喈曕瘓喈喈侧瘝 喈喈曕瘉喈ㄠ瘝喈� 喈む喈曕瘝喈曕喁嵿喁� 喈夃喁嵿疅喁� 喈喁嵿喈苦 喈 喈疅喁堗喁嵿喁佮畷喈赤瘝 喈曕喈� 喈ㄠ畷喈班瘝喈掂喈┼喈侧瘝 喈忇喁嵿喈熰瘉喈瘝 喈呧喁佮喈掂畽喁嵿畷喈赤喈┼瘝 喈曕瘉喈掂喈瘝喈喈┼喈侧瘝 喈喁佮喈距畾喈苦喁嵿喁� 喈氞瘑喈瘝喈瘉喈瘝 喈瘖喈脆瘉喈む瘉 喈呧喈┼瘝 喈む瘈喈掂喈� 喈む喁嵿喁堗喁� 喈瘑喈班瘉喈瘝喈喈侧瘉喈瘝 喈囙喈ㄠ瘝喈む瘉 喈掂喈熰瘉喈掂喁� 喈夃喁嵿疅喁� .喈庎喁� 喈喈苦喁� 喈喁佮喈む瘝喈む喈侧瘝 喈庎喁� 喈喈む喈侧瘝 喈ㄠ瘈喈權瘝喈曕喈� 喈掄喁� 喈囙疅喈む瘝喈む瘓 喈喈熰喈む瘝喈� 喈囙喁嵿 喈瘉喈む喈┼喁嵿喁� 30 喈嗋喁嵿疅喁佮畷喈赤瘉喈曕瘝喈曕瘉 喈喈┼瘝喈┼喁� 喈喁佮喈距畾喈苦喁嵿喁� 喈氞瘑喈瘝喈む喈侧瘝 喈呧喈┼瘝 喈瘖喈侧喈掂瘓喈瘉喈瘝 , 喈畷喈む瘝喈む瘉喈掂喁堗喁佮喁� 喈囙喈ㄠ瘝喈む瘉 喈掂喈熰瘉喈瘚 喈庎喁嵿 喈呧畾喁嵿畾喈む瘝喈む瘉喈熰喁� 喈む喈┼瘝 喈喁佮喈距畾喈苦喁嵿喁� 喈氞瘑喈瘝喈� 喈呧喈瘝喈喈む瘝喈む瘒喈┼瘝 . 喈嗋喈距喁� , 喈掂喈氞喈む瘝喈む瘉 喈瘉喈熰喈む瘝喈� 喈喈┼瘝 , 喈囙喁嵿喁傕喁� 喈庎喁� 喈喈む喈┼瘝 喈喈班喈苦喈侧喈瘝喈喈侧瘝 喈瘒喈侧瘉喈瘝 喈瘑喈班瘉喈曕瘒喈编 喈畷喈む瘝喈む瘉喈� 喈む喁嵿喁� 喈瘑喈编瘝喈编瘉 喈囙喁佮喁嵿喈む瘓 喈夃喈班瘝喈ㄠ瘝喈む瘒喈┼瘝.
喈掂喈脆瘝喈曕瘝喈曕瘓 喈庎喁佮喁� 喈氞喈侧瘓喈喈侧瘝 喈庎喁嵿喈熰 喈ㄠ喈瘝 喈庎喁嵿喁嬥喁佮喁� 喈喈｀喁嵿喁� 喈ㄠ瘚喈曕瘝喈曕 喈ㄠ畷喈班瘝喈ㄠ瘝喈む瘉 喈曕瘖喈｀瘝喈熰喈班瘉喈曕瘝喈曕喈编瘚喈瘚, 喈呧喁佮喁嬥喈掂瘒 , 喈曕喈班瘝喈曕喈膏瘝 喈氞瘚喈掂喈喁� 喈氞瘚喈氞喈苦喁嵿疅喁� 喈曕瘉喈熰喈喈氞喈┼瘝 喈掄喁� 喈氞喈编瘉 喈曕喈班喈喁嵿喁佮喈む瘝喈む喈侧瘝 喈掄喁� 喈曕喈脆喈┼瘉喈瘝 喈呧喈┼瘉喈熰瘓喈� 喈喁佮喁嵿喁佮喈苦 喈曕喈� 喈曕瘉喈む喈班瘓喈瘉喈瘝 喈喁堗喁囙喁� 喈囙喁佮畷喁嵿畷喁佮喁� 喈む喈權瘝喈曕喁� 喈曕瘉喈赤喈班瘝喈曕喈� 喈瘉喈曕喈瘓 喈ㄠ瘚喈曕瘝喈曕 喈氞瘑喈侧瘝喈掂喈距畷 喈曕喁� 喈嗋喈瘝喈喈曕瘝喈曕喈编喁�. 喈囙喁� 喈掂喁� 喈呧喈班瘝喈曕喁� 喈囙喁佮喈班瘉喈瘒 喈曕疅喈ㄠ瘝喈む瘉喈掂喈熰瘝喈� 喈 喈曕畾喈瘝喈喈� 喈喁嵿喁佮喁� 喈囙喈苦喁堗喈距 喈曕疅喈ㄠ瘝喈� 喈曕喈� 喈ㄠ喈┼瘓喈掂瘉喈曕喁� 喈呧畾喁� 喈瘚喈熰瘝喈熰瘉喈曕瘝喈曕瘖喈｀瘝喈熰瘒 喈む喈┼喈喈瘝 喈庎喁佮喁� 喈咃拷锟洁瘝喈曕喈脆喈┼瘉喈瘝 喈曕瘉喈侧瘝喈氞喈班 喈庎喁佮喁� 喈曕瘉喈む喈班瘓喈瘉喈瘝 喈氞瘑喈侧瘝喈曕喈编喈班瘝喈曕喁�.
喈氞瘚喈掂喈喁� 喈瘋喈┼喈喈苦喁� 喈囙喈｀瘝喈熰喈瘝 喈夃喈� 喈畷喈� 喈瘉喈む瘝喈む喈苦喁� 喈掂瘑喈编瘝喈编喈曕瘝喈曕瘉 喈喈┼瘝喈┼喁� , 喈夃喈苦喁嬥疅喁� 喈む喈班瘉喈瘝喈 喈掂喁嵿 喈氞喈� 喈瘒喈班喈侧瘝 喈む喈┼喈喈瘉喈瘝 喈掄喁佮喈┼喈� 喈囙喁佮畷喁嵿畷喈苦喈距喁� . 喈曕喈班瘝喈曕喈膏瘝喈む喈┼喁嵿喈苦喁� 喈ㄠ喈熰瘚喈熰 喈瘒喈瘝喈瘝喈喁嵿畷喈赤瘝 喈曕瘉喈脆瘉喈掂瘓 喈氞瘒喈班瘝喈ㄠ瘝喈� 喈呧喈┼瘝 , 喈氞瘚喈掂喈喁� 喈曕瘋喈熰瘝喈熰瘉喈瘝喈喁嵿喁� 喈瘉喈编瘓喈喈侧瘝 喈曕瘉喈む喈班瘓喈曕喁� 喈瘒喈瘝喈曕瘝喈曕瘉喈瘝 喈喈苦喈苦喁� 喈呧喈┼瘝 喈氞瘖喈ㄠ瘝喈� 喈娻喈苦喁� 喈呧喈班瘝喈む瘝喈む喁嵿喈熰瘉喈曕喈编喈┼瘝. 喈呧畽喁嵿畷喁佮喈距喁� 喈曕瘉喈侧瘝喈氞喈班 喈庎喁佮喁� 喈掄喁� 喈曕瘉喈む喈班瘓 喈曕瘉喈熰瘝喈熰喈瘓 喈氞喁嵿喈苦畷喁嵿畷喈苦喈距喁�. 喈呧喈班瘝喈曕喁佮畷喁嵿畷喈苦疅喁堗喈苦喁� 喈掄喁� 喈掂喈苦喁堗喈距 喈喈｀瘓喈瘝喈瘉 喈忇喁嵿喈熰瘉喈曕喈编喁� .
喈囙喁嵿 喈囙喁佮喈班喈┼瘝 喈掂喈脆瘝喈曕瘝喈曕瘓喈瘉喈瘝 喈庎喁嵿喈熰 喈喈班喈曕瘝喈� 喈瘉喈熰喈喈喁� 喈喈｀瘝喈｀喁嵿喈熰瘉喈曕喈编喁� 喈庎喁嵿喈む瘓 喈氞瘖喈侧瘝喈侧瘉喈瘝 喈掄喁� 喈呧喈曕喈� 喈瘉喈む喈┼喁� 喈囙喁�.喈庎喁嵿喈� 喈喈苦 喈掂喈脆瘝喈曕瘝喈曕瘓喈喈侧瘉喈瘝 喈忇喁嵿喈熰畷喁嵿畷喁傕疅喈苦 喈曕喈む喁� , 喈ㄠ疅喁嵿喁� , 喈呧喁嵿喁� , 喈畷喈苦喁嵿畾喁嵿畾喈� , 喈喈氞喁� ,喈忇喈距喁嵿喈瘝 , 喈掂喈班畷喁嵿喈� , 喈氞喈侧喁� , 喈曕瘉喈编瘝喈编喁佮喈班瘝喈掂瘉 , 喈掂喁佮喁嵿喈瘝, 喈囙喈瘝喈瘉 喈庎喁嵿喁� 喈庎喁嵿喈距喁� 喈む喈┼喈喈喈┼瘝 喈掂喈脆瘝喈曕瘝喈曕瘓喈喈侧瘉喈瘝 喈忇喁嵿喈熰瘉喈曕喈编喁� . 喈囙喁嵿 喈掂喈脆瘝喈曕瘝喈曕瘓 喈氞瘉喈脆喁嵿畾喁嵿畾喈苦喁� 喈曕瘉喈侧瘝喈氞喈班喈喈┼瘝 喈む瘉喈｀瘓喈瘚喈熰瘉 喈庎喁嵿喈熰 喈曕疅喈ㄠ瘝喈む瘉 喈瘚喈曕喈编喈┼瘝 喈庎喁嵿喈む瘓 喈喈� 喈呧喈曕喈� 喈氞瘖喈侧瘝喈侧 喈囙喁佮畷喁嵿畷喈苦喈距喁� 喈愢喁嵿喈距喁嵿喈掂瘝 .喈氞瘚喈掂喈喁� 喈曕瘋喈熰瘝喈熰瘉喈瘝喈喁嵿喁堗喈苦喁� 喈嗋喈瘝喈� 喈曕喈� 喈曕瘉喈编瘓喈喈熰瘉喈曕喁堗喁佮喁� 喈呧喈┼喈侧瘝 喈忇喁嵿喈熰瘉喈瘝 喈曕喁嵿疅喈權瘝喈曕喁堗喁佮喁� 喈夃喁堗畷喁嵿畷喁佮喁� 喈掂喁嵿畷喁嵿畷喈む瘝喈む喈┼喁� 喈曕喁嵿喁嬥疅喁嵿疅喈む瘝喈む喈侧瘝 喈氞瘖喈侧瘝喈侧 喈囙喁佮喁嵿喈む瘉 喈氞喈编喁嵿喁�. 喈瘒喈侧瘉喈瘝 . 喈喈苦喈┼瘉喈曕瘝喈曕瘉喈瘝 喈掂喈侧畽喁嵿畷喁佮畷喁嵿畷喁� 喈囙疅喁堗喈苦喁� 喈忇喁嵿喈熰瘉喈瘝 喈掂喈侧畷喁嵿畷 喈瘉喈熰喈喈� 喈喈｀瘓喈瘝喈瘓喈瘉喈瘝 , 喈呧喁嵿喈距喁佮喁� 喈囙喈编瘝喈曕瘉 喈瘒喈侧瘝 喈ㄠ瘉喈｀瘉喈曕瘝喈曕喈距喁佮喁� 喈嗋喈喈曕喁佮喁� 喈喈班瘉喈瘝 喈氞瘖喈侧瘝喈侧喈掂喈� 喈瘉喈熰喈喈む瘉.
喈む喈苦喈苦喁� 喈囙喁嵿喁傕喁� 喈呧喁佮喁堗喈距畷 喈瘖喈脆喈瘑喈喁嵿喁嵿喁� 喈氞瘑喈瘝喈� 喈む喈班瘉.喈瘋.喈氞瘚喈畾喁佮喁嵿喈班喁� 喈囙喁嵿喁傕喁佮畷喁嵿畷喁� 喈掂瘑喈编瘉喈瘝 "喈曕瘉喈侧瘝喈氞喈班" 喈庎喁嵿喁� 喈む喁堗喁嵿喁� 喈氞瘋喈熰瘝喈熰 喈囙喁佮喁嵿喈距喁�. 喈嗋喈距喁� 喈呧畾喈侧瘝 喈班瘉喈粪瘝喈� 喈む喁堗喁嵿喈距 "袩褉芯褖邪泄, 袚褍谢褜褋邪褉褘- (Farewell Gulsary ) 喈喈┼瘝 喈む喈苦喈距畷喁嵿畷喈瘝- "喈瘚喈瘝 喈掂 喈曕瘉喈侧瘝喈膏喈班" 喈庎喁嵿喁� 喈掂瘓喈む瘝喈む喈班瘉喈ㄠ瘝喈む喈侧瘝 喈囙喁嵿喁佮喁� 喈喈� 喈瘖喈班瘉喈む瘝喈む喈距 喈む喁堗喁嵿喈距畷 喈囙喁佮喁嵿喈苦喁佮畷喁嵿畷喁佮喁� 喈庎喁嵿喁� 喈ㄠ喈┼瘓喈曕瘝喈曕喈编瘒喈┼瘝.喈庎喁嵿喈熰 30 喈嗋喁嵿疅喁佮畷喈赤瘉喈曕瘝喈曕瘉 喈瘉喈┼瘝喈瘉 喈ㄠ瘋喈侧喈┼瘝 喈曕疅喁堗畾喈� 喈畷喁嵿畷喈む瘝喈む瘓 喈曕喈む瘝喈� 喈囙喈喁嵿喁佮疅喈┼瘝 喈瘋喈熰喈┼瘒喈┼瘚 , 喈呧喁嵿喈距喁� 喈曕瘉喈侧瘝喈氞喈班喈曕瘝喈曕瘉 喈瘈喈｀瘝喈熰瘉喈瘝 喈喈班喈喈掂喈熰瘓 喈曕瘖喈熰瘉喈む瘝喈む瘉 喈瘋喈熰喈┼瘒喈┼瘝 .
喈愢喁嵿喈距喁嵿喈掂喈苦喁� 喈喁嵿 喈氞喈编喁嵿 喈ㄠ瘋喈侧瘝喈曕喈距畷喈苦 "喈呧喁嵿喁� 喈掂喈侧瘝", 喈溹喈苦喈苦喈� 喈喁嵿喁佮喁� "喈瘉喈む喁� 喈嗋畾喈苦喈苦喈班瘓 喈掂喈� 喈囙喁嵿喁傕喁佮畷喁嵿畷喁� 喈庎喁� 喈喈む喈侧瘝 喈掄喁� 喈む喈� 喈囙疅喈瘝 喈庎喁嵿喁娻喁佮喁佮喁� 喈夃喁嵿疅喁�.
喈瘑喈班瘉喈瘝喈喈侧瘉喈瘝, 喈囙喈瘓喈喈侧瘝 喈掂喈氞喈曕瘝喈曕瘓喈喈侧瘝 喈喈曕瘉喈ㄠ瘝喈� 喈む喈曕瘝喈曕喁嵿喁� 喈夃喁嵿疅喁� 喈喁嵿喈苦 喈 喈疅喁堗喁嵿喁佮畷喈赤瘝 喈曕喈� 喈ㄠ畷喈班瘝喈掂喈┼喈侧瘝 喈忇喁嵿喈熰瘉喈瘝 喈呧喁佮喈掂畽喁嵿畷喈赤喈┼瘝 喈曕瘉喈掂喈瘝喈喈┼喈侧瘝 喈喁佮喈距畾喈苦喁嵿喁� 喈氞瘑喈瘝喈瘉喈瘝 喈瘖喈脆瘉喈む瘉 喈呧喈┼瘝 喈む瘈喈掂喈� 喈む喁嵿喁堗喁� 喈瘑喈班瘉喈瘝喈喈侧瘉喈瘝 喈囙喈ㄠ瘝喈む瘉 喈掂喈熰瘉喈掂喁� 喈夃喁嵿疅喁� .喈庎喁� 喈喈苦喁� 喈喁佮喈む瘝喈む喈侧瘝 喈庎喁� 喈喈む喈侧瘝 喈ㄠ瘈喈權瘝喈曕喈� 喈掄喁� 喈囙疅喈む瘝喈む瘓 喈喈熰喈む瘝喈� 喈囙喁嵿 喈瘉喈む喈┼喁嵿喁� 30 喈嗋喁嵿疅喁佮畷喈赤瘉喈曕瘝喈曕瘉 喈喈┼瘝喈┼喁� 喈喁佮喈距畾喈苦喁嵿喁� 喈氞瘑喈瘝喈む喈侧瘝 喈呧喈┼瘝 喈瘖喈侧喈掂瘓喈瘉喈瘝 , 喈畷喈む瘝喈む瘉喈掂喁堗喁佮喁� 喈囙喈ㄠ瘝喈む瘉 喈掂喈熰瘉喈瘚 喈庎喁嵿 喈呧畾喁嵿畾喈む瘝喈む瘉喈熰喁� 喈む喈┼瘝 喈喁佮喈距畾喈苦喁嵿喁� 喈氞瘑喈瘝喈� 喈呧喈瘝喈喈む瘝喈む瘒喈┼瘝 . 喈嗋喈距喁� , 喈掂喈氞喈む瘝喈む瘉 喈瘉喈熰喈む瘝喈� 喈喈┼瘝 , 喈囙喁嵿喁傕喁� 喈庎喁� 喈喈む喈┼瘝 喈喈班喈苦喈侧喈瘝喈喈侧瘝 喈瘒喈侧瘉喈瘝 喈瘑喈班瘉喈曕瘒喈编 喈畷喈む瘝喈む瘉喈� 喈む喁嵿喁� 喈瘑喈编瘝喈编瘉 喈囙喁佮喁嵿喈む瘓 喈夃喈班瘝喈ㄠ瘝喈む瘒喈┼瘝.
喈掂喈脆瘝喈曕瘝喈曕瘓 喈庎喁佮喁� 喈氞喈侧瘓喈喈侧瘝 喈庎喁嵿喈熰 喈ㄠ喈瘝 喈庎喁嵿喁嬥喁佮喁� 喈喈｀喁嵿喁� 喈ㄠ瘚喈曕瘝喈曕 喈ㄠ畷喈班瘝喈ㄠ瘝喈む瘉 喈曕瘖喈｀瘝喈熰喈班瘉喈曕瘝喈曕喈编瘚喈瘚, 喈呧喁佮喁嬥喈掂瘒 , 喈曕喈班瘝喈曕喈膏瘝 喈氞瘚喈掂喈喁� 喈氞瘚喈氞喈苦喁嵿疅喁� 喈曕瘉喈熰喈喈氞喈┼瘝 喈掄喁� 喈氞喈编瘉 喈曕喈班喈喁嵿喁佮喈む瘝喈む喈侧瘝 喈掄喁� 喈曕喈脆喈┼瘉喈瘝 喈呧喈┼瘉喈熰瘓喈� 喈喁佮喁嵿喁佮喈苦 喈曕喈� 喈曕瘉喈む喈班瘓喈瘉喈瘝 喈喁堗喁囙喁� 喈囙喁佮畷喁嵿畷喁佮喁� 喈む喈權瘝喈曕喁� 喈曕瘉喈赤喈班瘝喈曕喈� 喈瘉喈曕喈瘓 喈ㄠ瘚喈曕瘝喈曕 喈氞瘑喈侧瘝喈掂喈距畷 喈曕喁� 喈嗋喈瘝喈喈曕瘝喈曕喈编喁�. 喈囙喁� 喈掂喁� 喈呧喈班瘝喈曕喁� 喈囙喁佮喈班瘉喈瘒 喈曕疅喈ㄠ瘝喈む瘉喈掂喈熰瘝喈� 喈 喈曕畾喈瘝喈喈� 喈喁嵿喁佮喁� 喈囙喈苦喁堗喈距 喈曕疅喈ㄠ瘝喈� 喈曕喈� 喈ㄠ喈┼瘓喈掂瘉喈曕喁� 喈呧畾喁� 喈瘚喈熰瘝喈熰瘉喈曕瘝喈曕瘖喈｀瘝喈熰瘒 喈む喈┼喈喈瘝 喈庎喁佮喁� 喈咃拷锟洁瘝喈曕喈脆喈┼瘉喈瘝 喈曕瘉喈侧瘝喈氞喈班 喈庎喁佮喁� 喈曕瘉喈む喈班瘓喈瘉喈瘝 喈氞瘑喈侧瘝喈曕喈编喈班瘝喈曕喁�.
喈氞瘚喈掂喈喁� 喈瘋喈┼喈喈苦喁� 喈囙喈｀瘝喈熰喈瘝 喈夃喈� 喈畷喈� 喈瘉喈む瘝喈む喈苦喁� 喈掂瘑喈编瘝喈编喈曕瘝喈曕瘉 喈喈┼瘝喈┼喁� , 喈夃喈苦喁嬥疅喁� 喈む喈班瘉喈瘝喈 喈掂喁嵿 喈氞喈� 喈瘒喈班喈侧瘝 喈む喈┼喈喈瘉喈瘝 喈掄喁佮喈┼喈� 喈囙喁佮畷喁嵿畷喈苦喈距喁� . 喈曕喈班瘝喈曕喈膏瘝喈む喈┼喁嵿喈苦喁� 喈ㄠ喈熰瘚喈熰 喈瘒喈瘝喈瘝喈喁嵿畷喈赤瘝 喈曕瘉喈脆瘉喈掂瘓 喈氞瘒喈班瘝喈ㄠ瘝喈� 喈呧喈┼瘝 , 喈氞瘚喈掂喈喁� 喈曕瘋喈熰瘝喈熰瘉喈瘝喈喁嵿喁� 喈瘉喈编瘓喈喈侧瘝 喈曕瘉喈む喈班瘓喈曕喁� 喈瘒喈瘝喈曕瘝喈曕瘉喈瘝 喈喈苦喈苦喁� 喈呧喈┼瘝 喈氞瘖喈ㄠ瘝喈� 喈娻喈苦喁� 喈呧喈班瘝喈む瘝喈む喁嵿喈熰瘉喈曕喈编喈┼瘝. 喈呧畽喁嵿畷喁佮喈距喁� 喈曕瘉喈侧瘝喈氞喈班 喈庎喁佮喁� 喈掄喁� 喈曕瘉喈む喈班瘓 喈曕瘉喈熰瘝喈熰喈瘓 喈氞喁嵿喈苦畷喁嵿畷喈苦喈距喁�. 喈呧喈班瘝喈曕喁佮畷喁嵿畷喈苦疅喁堗喈苦喁� 喈掄喁� 喈掂喈苦喁堗喈距 喈喈｀瘓喈瘝喈瘉 喈忇喁嵿喈熰瘉喈曕喈编喁� .
喈囙喁嵿 喈囙喁佮喈班喈┼瘝 喈掂喈脆瘝喈曕瘝喈曕瘓喈瘉喈瘝 喈庎喁嵿喈熰 喈喈班喈曕瘝喈� 喈瘉喈熰喈喈喁� 喈喈｀瘝喈｀喁嵿喈熰瘉喈曕喈编喁� 喈庎喁嵿喈む瘓 喈氞瘖喈侧瘝喈侧瘉喈瘝 喈掄喁� 喈呧喈曕喈� 喈瘉喈む喈┼喁� 喈囙喁�.喈庎喁嵿喈� 喈喈苦 喈掂喈脆瘝喈曕瘝喈曕瘓喈喈侧瘉喈瘝 喈忇喁嵿喈熰畷喁嵿畷喁傕疅喈苦 喈曕喈む喁� , 喈ㄠ疅喁嵿喁� , 喈呧喁嵿喁� , 喈畷喈苦喁嵿畾喁嵿畾喈� , 喈喈氞喁� ,喈忇喈距喁嵿喈瘝 , 喈掂喈班畷喁嵿喈� , 喈氞喈侧喁� , 喈曕瘉喈编瘝喈编喁佮喈班瘝喈掂瘉 , 喈掂喁佮喁嵿喈瘝, 喈囙喈瘝喈瘉 喈庎喁嵿喁� 喈庎喁嵿喈距喁� 喈む喈┼喈喈喈┼瘝 喈掂喈脆瘝喈曕瘝喈曕瘓喈喈侧瘉喈瘝 喈忇喁嵿喈熰瘉喈曕喈编喁� . 喈囙喁嵿 喈掂喈脆瘝喈曕瘝喈曕瘓 喈氞瘉喈脆喁嵿畾喁嵿畾喈苦喁� 喈曕瘉喈侧瘝喈氞喈班喈喈┼瘝 喈む瘉喈｀瘓喈瘚喈熰瘉 喈庎喁嵿喈熰 喈曕疅喈ㄠ瘝喈む瘉 喈瘚喈曕喈编喈┼瘝 喈庎喁嵿喈む瘓 喈喈� 喈呧喈曕喈� 喈氞瘖喈侧瘝喈侧 喈囙喁佮畷喁嵿畷喈苦喈距喁� 喈愢喁嵿喈距喁嵿喈掂瘝 .喈氞瘚喈掂喈喁� 喈曕瘋喈熰瘝喈熰瘉喈瘝喈喁嵿喁堗喈苦喁� 喈嗋喈瘝喈� 喈曕喈� 喈曕瘉喈编瘓喈喈熰瘉喈曕喁堗喁佮喁� 喈呧喈┼喈侧瘝 喈忇喁嵿喈熰瘉喈瘝 喈曕喁嵿疅喈權瘝喈曕喁堗喁佮喁� 喈夃喁堗畷喁嵿畷喁佮喁� 喈掂喁嵿畷喁嵿畷喈む瘝喈む喈┼喁� 喈曕喁嵿喁嬥疅喁嵿疅喈む瘝喈む喈侧瘝 喈氞瘖喈侧瘝喈侧 喈囙喁佮喁嵿喈む瘉 喈氞喈编喁嵿喁�. 喈瘒喈侧瘉喈瘝 . 喈喈苦喈┼瘉喈曕瘝喈曕瘉喈瘝 喈掂喈侧畽喁嵿畷喁佮畷喁嵿畷喁� 喈囙疅喁堗喈苦喁� 喈忇喁嵿喈熰瘉喈瘝 喈掂喈侧畷喁嵿畷 喈瘉喈熰喈喈� 喈喈｀瘓喈瘝喈瘓喈瘉喈瘝 , 喈呧喁嵿喈距喁佮喁� 喈囙喈编瘝喈曕瘉 喈瘒喈侧瘝 喈ㄠ瘉喈｀瘉喈曕瘝喈曕喈距喁佮喁� 喈嗋喈喈曕喁佮喁� 喈喈班瘉喈瘝 喈氞瘖喈侧瘝喈侧喈掂喈� 喈瘉喈熰喈喈む瘉.
喈む喈苦喈苦喁� 喈囙喁嵿喁傕喁� 喈呧喁佮喁堗喈距畷 喈瘖喈脆喈瘑喈喁嵿喁嵿喁� 喈氞瘑喈瘝喈� 喈む喈班瘉.喈瘋.喈氞瘚喈畾喁佮喁嵿喈班喁� 喈囙喁嵿喁傕喁佮畷喁嵿畷喁� 喈掂瘑喈编瘉喈瘝 "喈曕瘉喈侧瘝喈氞喈班" 喈庎喁嵿喁� 喈む喁堗喁嵿喁� 喈氞瘋喈熰瘝喈熰 喈囙喁佮喁嵿喈距喁�. 喈嗋喈距喁� 喈呧畾喈侧瘝 喈班瘉喈粪瘝喈� 喈む喁堗喁嵿喈距 "袩褉芯褖邪泄, 袚褍谢褜褋邪褉褘- (Farewell Gulsary ) 喈喈┼瘝 喈む喈苦喈距畷喁嵿畷喈瘝- "喈瘚喈瘝 喈掂 喈曕瘉喈侧瘝喈膏喈班" 喈庎喁嵿喁� 喈掂瘓喈む瘝喈む喈班瘉喈ㄠ瘝喈む喈侧瘝 喈囙喁嵿喁佮喁� 喈喈� 喈瘖喈班瘉喈む瘝喈む喈距 喈む喁堗喁嵿喈距畷 喈囙喁佮喁嵿喈苦喁佮畷喁嵿畷喁佮喁� 喈庎喁嵿喁� 喈ㄠ喈┼瘓喈曕瘝喈曕喈编瘒喈┼瘝.喈庎喁嵿喈熰 30 喈嗋喁嵿疅喁佮畷喈赤瘉喈曕瘝喈曕瘉 喈瘉喈┼瘝喈瘉 喈ㄠ瘋喈侧喈┼瘝 喈曕疅喁堗畾喈� 喈畷喁嵿畷喈む瘝喈む瘓 喈曕喈む瘝喈� 喈囙喈喁嵿喁佮疅喈┼瘝 喈瘋喈熰喈┼瘒喈┼瘚 , 喈呧喁嵿喈距喁� 喈曕瘉喈侧瘝喈氞喈班喈曕瘝喈曕瘉 喈瘈喈｀瘝喈熰瘉喈瘝 喈喈班喈喈掂喈熰瘓 喈曕瘖喈熰瘉喈む瘝喈む瘉 喈瘋喈熰喈┼瘒喈┼瘝 .
喈愢喁嵿喈距喁嵿喈掂喈苦喁� 喈喁嵿 喈氞喈编喁嵿 喈ㄠ瘋喈侧瘝喈曕喈距畷喈苦 "喈呧喁嵿喁� 喈掂喈侧瘝", 喈溹喈苦喈苦喈� 喈喁嵿喁佮喁� "喈瘉喈む喁� 喈嗋畾喈苦喈苦喈班瘓 喈掂喈� 喈囙喁嵿喁傕喁佮畷喁嵿畷喁� 喈庎喁� 喈喈む喈侧瘝 喈掄喁� 喈む喈� 喈囙疅喈瘝 喈庎喁嵿喁娻喁佮喁佮喁� 喈夃喁嵿疅喁�.
January 8, 2019
Her 艧eyi ile b眉y眉leyiciydi. Bozk谋r, atlar, do臒a, do臒ar do臒maz 枚len kuzular, d眉r眉st insanlar, k枚t眉 insanlar...
Not: Aytmatov'un babas谋 1938 y谋l谋nda Sovyetler taraf谋ndan kur艧una dizilmi艧tir.
Sosyalizmin 莽ok iyi bir 枚zeti de var.
"Bize kamyon vermi艧 olmalar谋 莽ok iyi... Onu kolhozun kamyonu sanm谋艧t谋k... Sonra onu orduya gerek diye alm谋艧lard谋 bizden."
Not: Aytmatov'un babas谋 1938 y谋l谋nda Sovyetler taraf谋ndan kur艧una dizilmi艧tir.
Sosyalizmin 莽ok iyi bir 枚zeti de var.
"Bize kamyon vermi艧 olmalar谋 莽ok iyi... Onu kolhozun kamyonu sanm谋艧t谋k... Sonra onu orduya gerek diye alm谋艧lard谋 bizden."
August 3, 2021
鬲亘丿兀 賯氐丞 賵丿丕毓丕賸 賷丕 睾賵賱爻丕乇賷 亘賲卮賴丿 賷馗賴乇 賮賷賴 廿賳爻丕賳 賴乇賲 賵丨氐丕賳 賴乇賲 賮賷 胤乇賷賯 毓賵丿鬲賴賲丕 賲賳 賯乇賷丞 丕賱賰爻丕賳丿乇賵賮賰丕 賵賯丿 亘賱睾 丕賱鬲毓亘 賵丕賱丕噩賴丕丿 亘丕賱丨氐丕賳 丨丿丕賸 賱賲 賷爻鬲胤毓 亘毓丿賴 廿賰賲丕賱 丕賱賲爻賷乇 賮賷禺乇 毓賱賶 丕賱兀乇囟 賱賷賱賮馗 兀賳賮丕爻賴 丕賱兀禺賷乇丞 亘賷賳賲丕 氐丕丨亘賴 丕賱卮賷禺 鬲丕賳丕亘丕賷 賷噩賱爻 胤賵丕賱 丕賱賱賷賱 亘噩賳亘賴 賷賮賰乇 亘丨賷丕鬲賴 丕賱鬲賷 乇丕賮賯賴 賮賷賴丕 賴匕丕 丕賱丨氐丕賳
November 28, 2024
"丕賱鬲賮鬲 亘賰賱 丕賱兀賱賲 賵丕賱丨夭賳 廿賱賶 丕賱爻賳賵丕鬲 丕賱賲丕囟賷丞貙 丕賱鬲賷 毓丕卮賴丕 賮賷 丨賷丕鬲賴貙 賮丕賳亘毓孬鬲 丨賷丞 亘賰賱 兀亘毓丕丿賴丕 丕賱孬賱丕孬丞 兀賲丕賲 賳丕馗乇賴."
"賵賴賰匕丕 爻丕乇 丕賱賰賴賱丕賳 亘賴丿賵亍貙 廿賳爻丕賳 毓噩賵夭貙 賵丨氐丕賳 賰賴賱."
"賵賴賰匕丕 爻丕乇 丕賱賰賴賱丕賳 亘賴丿賵亍貙 廿賳爻丕賳 毓噩賵夭貙 賵丨氐丕賳 賰賴賱."
July 26, 2021
唳多唳� 唳唳侧唳 唳膏唳む唳唳� 唳唳灌唳∴唰€ 唳班唳膏唳む唳 唳膏唳ム唳� 唳灌Ο唳监 唳嗋唰� 唳︵唳� 唳唳∴唰�; 唳忇唳溹Θ 唳唳ㄠ唳� 唳嗋Π 唳忇唳熰 唳樴唳∴唳距イ 唳椸唳侧Ω唳距Π唳�: 唳曕唳班唳苦 唳唳粪唳 唳膏唳ㄠ唳侧 唳班唰囙Π 唳澿唳唰� 唳唳�; 唳忇 唳оΠ唳ㄠ唳� 唳唳� 唳灌Σ唰囙 唳忇唳距Θ唰� 唳膏 唳︵唳� 唳唳Θ唰囙Π 唳Π唰� 唳班唳曕唳むΔ唳距Ο唳� 唳唳∴唳� 唳唳∴唰� 唳む唳ㄠ唳唳� 唳唳曕唳膏Ν唰囙Π 唳唳∴唰� 唳樴唳∴唳距イ 唳む唳ㄠ唳唳� 唳忇Ω唰囙唳苦Σ唰囙Θ 唳涏唳侧唳� 唳曕唳涏 唳曕唳ㄠ唳む 唳涏唳侧唳� 唳唳唰囙Π 唳曕Ε唳� 唳多唳ㄠ 唳膏唳栢唳ㄠ 唳熰唳曕Δ唰� 唳ㄠ 唳唳班 唳班唳ㄠ 唳灌Θ 唳ㄠ唳溹唳� 唳唳∴唳苦Π 唳︵唳曕啷� 唳曕唳ㄠ唳む 唳忇 唳呧Μ唰囙Σ唳距Ο唳� 唳膏唳む唳唳� 唳曕Θ唳曕Θ唰� 唳多唳む 唳む唳ㄠ唳唳� 唳侧唰嵿Ψ唰嵿Ο 唳曕Π唳侧唳� 唳椸唳侧Ω唳距Π唳苦Π 唳灌唳む 唳嗋Π 唳栢唳� 唳唳多 唳膏Ξ唳 唳ㄠ唳�! 唳膏唳� 唳︵唳∴唳唳� 唳椸唳侧Ω唳距Π唳苦Π 唳膏Ξ唳 唳嗋 唳多唳粪唳� 唳Ε唰�, 唳膏唳ム 唳灌Ο唳监Δ唰� 唳ㄠ唳溹唳班! 唳む唳� 唳Θ唰� 唳Α唳监Σ唰� 唳膏唳� 唳嗋唰囙唳距Π 唳︵唳∴唳唳� 唳椸唳侧Ω唳距Π唳苦Π 唳曕Ε唳距イ
唳忇唳距Θ唰� 唳唳熰唳� 唳∴唳膏唳曕唳班唳Χ唳� 唳唰嵿Ω唰� 唳侧唳栢 唳嗋唰�, "唳椸唳侧Ω唳距Π唳� 唳ㄠ唳唳� 唳樴唳∴唳距唳� 唳溹唳Θ唰囙Π 唳膏唳唳唳唳曕Δ唰嵿Μ唰囙Π 唳唳班Δ唰€唳�, 唳む唳ㄠ唳唳� 唳唳唳侧Μ唳距唳距唰嵿唰嵿Ψ唳距Π 唳唳班Δ唳苦Θ唳苦Η唳苦イ 唳膏唳唳唰囙Δ 唳唳唳侧Μ唰囙Π 唳氞唳むΘ唳� 唳忇唳膏Ξ唳 唳嗋Ξ唳侧唳むΘ唰嵿Δ唰嵿Π唰囙Π 唳椸唳侧唳о唳佮Η唳距Ο唳� 唳曕唳唳 唳灌唳班唳唰� 唳椸唳侧, 唳む唳班 唳涏Μ唳� 唳忇唳曕唳涏唳� 唳氞唳權唳椸唳� 唳嗋唰庎Ξ唳距Δ唳� 啷�" 唳犩唳� 唳む唳�-唳�, 唳唳Θ唳熰 唳︵唳栢 唳唳 唳忇唳�- 唳嗋Ξ唳侧唳むΘ唰嵿Δ唰嵿Π, 唳椸Γ唳むΘ唰嵿Δ唰嵿Π, 唳呧Ξ唰佮唳むΞ唰佮唳むΘ唰嵿Δ唰嵿Π唰囙Π 唳氞唳 唳曕唳唳 唳唳粪唳� 唳灌唰嵿唰� 唳唳班唳ㄠ唳む唳� 唳溹Θ唳椸唳粪唳犩! 唳忇 唳椸唳侧Ω唳距Π唳� 唳む唳班 唳唳班Δ唰€唳曕イ
唳椸唳∴Π唳苦Α唳膏 唳忇Ω唰� 唳栢唳佮 唳唳唰囙唳苦Σ唳距Ξ 唳班唳多唳� 唳 唳唳唰囙Π啷� 唳忇Δ唰� 唳嗋唰� 唳氞唳權唳椸唳� 唳嗋唰庎Ξ唳距Δ唳唳� , 唳嗋Π 唳唳︵唳 唳椸唳侧Ω唳距Π唳苦イ 唳忇唰� 唳忇唰� 唳む唳ㄠ唳� 唳Α唳监 唳灌Σ唰嬥イ 唳氞Ξ唰庎唳距Π 唳侧唳椸唳涏 唳氞唳權唳椸唳� 唳嗋唰庎Ξ唳距Δ唳唳� 唳夃Κ唳膏唳ム唳Θ唳�, 唳呧Θ唰佮Μ唳距Ζ唳椸唳侧唳� 唳膏唳栢Κ唳距唰嵿Ο啷�
~唰ㄠК 唳溹唳侧唳�, 唰ㄠЕ唰ㄠЁ
"唳嗋Ξ唳班 唳膏Μ唳距 唳撪 唳班唳イ 唳Π唳膏唳Π唰囙Π 唳曕Ε唳� 唳唳 唳溹唳Θ唰囙Π 唳忇唰囙Μ唳距Π唰� 唳多唳� 唳︵唳曕, 唳唳� 唳曕唳� 唳椸唳班唳むΠ 唳班唳椸Χ唳唳唳 唳Α唳监 唳呧Ε唳 唳唳班 唳唳啷� 唳む唳ㄠ 唳嗋Ξ唳距Ζ唰囙Π 唳曕唳涏 唳灌唳距 唳Π唳苦Ψ唰嵿唳距Π 唳灌Ο唳监 唳撪唰� 唳曕唳曕 唳嗋Ξ唳班 唳灌唳班唳侧唳�, 唳曕唳Θ 唳膏 唳涏唳�, 唳曕Δ 唳唳� 唳涏唳�, 唳曕 唳曕 唳曕唳� 唳膏 唳曕Π唰囙唰囙イ 唳曕唳ㄠ唳む 唳忇唳熰 唳呧Μ唰嬥Σ唳� 唳溹唳唳� 唳曕Ε唳� 唳曕 唳Σ唳距Π 唳嗋唰�?"唳膏唳侧唳囙Ω 唳呧Λ 唳侧唳囙Λ 唳溹Θ唳班唳熰 唳嗋Ξ唳距Π 唳曕唳涏 唳唳� 唳侧唳椸 唳む唳� 唳膏Μ唰囙Δ唰囙 唳忇Ω唳� 唳栢唳佮唰� 唳唳∴唳距啷� 唳むΜ唰� 唳椸唳侧Ω唳距Π唳� 唳多唳о 唳膏唳侧唳囙Ω 唳ㄠΟ唳� 唳栢唳� 唳む唳ㄠ唳唳� 唳嗋Π 唳椸唳侧Ω唳距Π唳� 唳ㄠ唳 唳樴唳∴唳距唳苦Π 唳膏唳侧唳囙Ω唰囙Ω 唳呧Λ 唳侧唳囙Λ唰囙Π 唳Η唰嵿Ο唰� 唳Α唳监Μ唰� 唳曕唳傕Μ唳� 唳嗋Π唳� 唳唳多 唳曕唳涏...
唳忇唳距Θ唰� 唳唳熰唳� 唳∴唳膏唳曕唳班唳Χ唳� 唳唰嵿Ω唰� 唳侧唳栢 唳嗋唰�, "唳椸唳侧Ω唳距Π唳� 唳ㄠ唳唳� 唳樴唳∴唳距唳� 唳溹唳Θ唰囙Π 唳膏唳唳唳唳曕Δ唰嵿Μ唰囙Π 唳唳班Δ唰€唳�, 唳む唳ㄠ唳唳� 唳唳唳侧Μ唳距唳距唰嵿唰嵿Ψ唳距Π 唳唳班Δ唳苦Θ唳苦Η唳苦イ 唳膏唳唳唰囙Δ 唳唳唳侧Μ唰囙Π 唳氞唳むΘ唳� 唳忇唳膏Ξ唳 唳嗋Ξ唳侧唳むΘ唰嵿Δ唰嵿Π唰囙Π 唳椸唳侧唳о唳佮Η唳距Ο唳� 唳曕唳唳 唳灌唳班唳唰� 唳椸唳侧, 唳む唳班 唳涏Μ唳� 唳忇唳曕唳涏唳� 唳氞唳權唳椸唳� 唳嗋唰庎Ξ唳距Δ唳� 啷�" 唳犩唳� 唳む唳�-唳�, 唳唳Θ唳熰 唳︵唳栢 唳唳 唳忇唳�- 唳嗋Ξ唳侧唳むΘ唰嵿Δ唰嵿Π, 唳椸Γ唳むΘ唰嵿Δ唰嵿Π, 唳呧Ξ唰佮唳むΞ唰佮唳むΘ唰嵿Δ唰嵿Π唰囙Π 唳氞唳 唳曕唳唳 唳唳粪唳� 唳灌唰嵿唰� 唳唳班唳ㄠ唳む唳� 唳溹Θ唳椸唳粪唳犩! 唳忇 唳椸唳侧Ω唳距Π唳� 唳む唳班 唳唳班Δ唰€唳曕イ
唳椸唳∴Π唳苦Α唳膏 唳忇Ω唰� 唳栢唳佮 唳唳唰囙唳苦Σ唳距Ξ 唳班唳多唳� 唳 唳唳唰囙Π啷� 唳忇Δ唰� 唳嗋唰� 唳氞唳權唳椸唳� 唳嗋唰庎Ξ唳距Δ唳唳� , 唳嗋Π 唳唳︵唳 唳椸唳侧Ω唳距Π唳苦イ 唳忇唰� 唳忇唰� 唳む唳ㄠ唳� 唳Α唳监 唳灌Σ唰嬥イ 唳氞Ξ唰庎唳距Π 唳侧唳椸唳涏 唳氞唳權唳椸唳� 唳嗋唰庎Ξ唳距Δ唳唳� 唳夃Κ唳膏唳ム唳Θ唳�, 唳呧Θ唰佮Μ唳距Ζ唳椸唳侧唳� 唳膏唳栢Κ唳距唰嵿Ο啷�
~唰ㄠК 唳溹唳侧唳�, 唰ㄠЕ唰ㄠЁ
February 8, 2018
Sadece Tanabay ve G眉lsar谋鈥檔谋n 枚yk眉s眉 de臒il bu..Aytmatov yine b眉y眉k 眉mitleri,ard谋ndan gelen hayalk谋r谋kl谋klar谋n谋,dostluklar谋 ve vefay谋 da anlat谋yor.Her kitab谋yla yazar谋n etkisini daha 莽ok hissediyorum,basit g枚r眉nen 艧eyleri koyu bir derinlikle anlatmas谋na hayranl谋k duyuyorum.
June 15, 2017
唳忇 唳 唳︵唳栢唳� 唳曕唳侧唳多唳� 唳忇唳椸唳︵ 唳唳 唳膏Ξ唳膏唳Π唰� 唳曕Ο唳监 唳Ω唳侧, 唳忇唳熰唳� 唳唳班唰嵿唳� 唳� 唳唳班唳溹Ξ唳距Ο唳� 唳曕Π唳�!
唳唳班唳溹Ξ唳距 唳灌Ο唳监Δ 唳椸Σ唰嵿Κ唰� 唳夃唰� 唳嗋Ω唳, 唳� 唳唳唰� 唳夃唰� 唳忇Ω唰囙唰� 唳樴唳∴唳� 唳嗋Π 唳曕Ξ唰佮Θ唳苦唳� 唳唳Θ啷�
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April 27, 2012
爻兀賯鬲亘爻 賲丕 賮丕賱鬲賴 丕賱噩乇賷丿丞 丕賱兀丿亘賷丞 毓賳 賯氐丞 賵丿丕毓丕 賷丕 睾賵賱爻丕乇賷
賱兀賳賷 丕毓噩夭 毓賳 丕賳 丕氐賷睾 賲卮丕毓乇賷 亘賰賱賲丕鬲賷 丕賱禺丕氐丞
" 廿賳 丌賷鬲賲丕鬲賵賮 賱賯丕丿乇 毓賱賶 鬲丨賵賷賱 賳孬乇 丕賱丨賷丕丞 丕廿賱賶 賱丌賱賶亍 丕賱卮毓乇"
賱兀賳賷 丕毓噩夭 毓賳 丕賳 丕氐賷睾 賲卮丕毓乇賷 亘賰賱賲丕鬲賷 丕賱禺丕氐丞
" 廿賳 丌賷鬲賲丕鬲賵賮 賱賯丕丿乇 毓賱賶 鬲丨賵賷賱 賳孬乇 丕賱丨賷丕丞 丕廿賱賶 賱丌賱賶亍 丕賱卮毓乇"
March 18, 2019
Bir y谋lk谋da yollar谋 kesi艧en bir tay ve adam谋n 枚yk眉s眉, bug眉ne kadar okudu臒um en g眉zel kitaplardan birisi.
Adam ve tay ilk kar艧谋la艧t谋klar谋nda ikisi de hayat doludur, sonra birlikte b眉y眉rler, oradan oraya savrulup kocarlar. G眉zel zamanlarda adam kolhozun en 莽al谋艧kan谋, at ise bozk谋r谋n en h谋zl谋s谋yd谋. Ge莽en y谋llarda Tanabay 眉stlendi臒i her g枚revi canla ba艧la yaparken, kocad谋k莽a inand谋臒谋 her 艧eyin g枚zlerinin 枚n眉nde 莽枚kt眉臒眉ne tan谋kl谋k eder, yollar谋 son bir defa daha kesi艧ti臒inde kendisi art谋k d谋艧lanm谋艧 bir aksakal, 眉nl眉 yorga(rahvan) at ise arabaya ko艧ulu haldedir.
Aytmatov'un 莽ok g眉莽l眉 ve usta bir anlat谋m谋 var. Adam, at ve devrimin hikayesini birbiri ile i莽 i莽e ge莽irerek 枚yle bir anlat谋yor ki insan allak bullak oluyor, bunu yaparken de okuyucuyu 枚yk眉n眉n i莽inde ya艧at谋yor. Okurken bazen Tanabay ile yeni do臒an kuzular谋 kucaklay谋p 莽aresizlik i莽inde oradan oraya ko艧tum, bazen de G眉lsar谋'n谋n 眉zerinde r眉zgar sa莽lar谋mda, t谋rnaklar谋m o臒lakta at ko艧turdum, yeri geldi Caydar'谋n kopuzunun sesleri kula臒谋mda bozk谋r谋 seyrettim ve de yeri geldi kendimi G眉lsar谋'n谋n yerine koyup 莽ay谋rda, y谋lk谋da k谋sraklar谋n pe艧inde gezdim.
En sonda yine di臒er kitaplar谋nda oldu臒u gibi ana 枚yk眉 ile paralel seyreden eski bir s枚ylenceyi, Karag眉l s枚ylencesi, ana 枚yk眉ye ba臒layarak bitiriyor.
Benim i莽in unutulmaz bir kitapt谋.
Taypalma yorga G眉lsar谋, ho艧莽akal.
Adam ve tay ilk kar艧谋la艧t谋klar谋nda ikisi de hayat doludur, sonra birlikte b眉y眉rler, oradan oraya savrulup kocarlar. G眉zel zamanlarda adam kolhozun en 莽al谋艧kan谋, at ise bozk谋r谋n en h谋zl谋s谋yd谋. Ge莽en y谋llarda Tanabay 眉stlendi臒i her g枚revi canla ba艧la yaparken, kocad谋k莽a inand谋臒谋 her 艧eyin g枚zlerinin 枚n眉nde 莽枚kt眉臒眉ne tan谋kl谋k eder, yollar谋 son bir defa daha kesi艧ti臒inde kendisi art谋k d谋艧lanm谋艧 bir aksakal, 眉nl眉 yorga(rahvan) at ise arabaya ko艧ulu haldedir.
Aytmatov'un 莽ok g眉莽l眉 ve usta bir anlat谋m谋 var. Adam, at ve devrimin hikayesini birbiri ile i莽 i莽e ge莽irerek 枚yle bir anlat谋yor ki insan allak bullak oluyor, bunu yaparken de okuyucuyu 枚yk眉n眉n i莽inde ya艧at谋yor. Okurken bazen Tanabay ile yeni do臒an kuzular谋 kucaklay谋p 莽aresizlik i莽inde oradan oraya ko艧tum, bazen de G眉lsar谋'n谋n 眉zerinde r眉zgar sa莽lar谋mda, t谋rnaklar谋m o臒lakta at ko艧turdum, yeri geldi Caydar'谋n kopuzunun sesleri kula臒谋mda bozk谋r谋 seyrettim ve de yeri geldi kendimi G眉lsar谋'n谋n yerine koyup 莽ay谋rda, y谋lk谋da k谋sraklar谋n pe艧inde gezdim.
En sonda yine di臒er kitaplar谋nda oldu臒u gibi ana 枚yk眉 ile paralel seyreden eski bir s枚ylenceyi, Karag眉l s枚ylencesi, ana 枚yk眉ye ba臒layarak bitiriyor.
Benim i莽in unutulmaz bir kitapt谋.
Taypalma yorga G眉lsar谋, ho艧莽akal.
December 30, 2020
A romantic glimpse of the highlands of Kyrgyzstan with an implication of resistance to traditional society. Tanabai recalls happier days when he was a returned war hero, successful livestock keeper and proud new owner of magnificent stallion Gul'sary. When the horse wins a race, however, the party鈥檚 new regional chief decides Gul'sary must be his. Filled with immense nostalgia and a vivid description of the mountains and the steppes, I must have fallen for the subtle beauty Aitmatov creates with his words, of his beautiful country.
October 28, 2021
The author offers us a wonderful journey on the steppe through a story related to a horse. This horse belongs to a strict communist who during the Soviet era tried passionately to enforce the party's orders to organize livestock in the area. This policy, however, does nothing but threaten the way of life of its people, try to change it and adapt it to a modern way of life that completely rejects the past. Of course, there is some form of resistance, a realization that these commands given from afar are unenforceable, a nostalgia for a lost world and a pride for this culture but in the end, it all seems doomed, or not?
The horse of the story symbolizes this transition. Wild and dynamic, proud and independent, it refuses to compromise and tolerates any attempt by people to bring it to their own measures but unfortunately in the face of what is coming it is very weak and in the end, can only have the position they leave to it. So the farewell to this horse becomes the quiet farewell to an entire way of life, in a book that talks about all of this accurately but without a strong tone, conveying to us a bitterness through a wonderful restrained lyricism. A beautiful book.
螆谓伪 蠀蟺苇蟻慰蠂慰 蟿伪尉委未喂 蟽蟿畏谓 蟽蟿苇蟺伪 渭伪蟼 蟺蟻慰蟽蠁苇蟻蔚喂 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 渭苇蟽伪 伪蟺蠈 渭委伪 喂蟽蟿慰蟻委伪 蟺慰蠀 蟽蠂蔚蟿委味蔚蟿伪喂 渭蔚 苇谓伪 维位慰纬慰. 螒蠀蟿蠈 蟿慰 维位慰纬慰 伪谓萎魏蔚喂 蟽蔚 苇谓伪谓 伪蠀蟽蟿畏蟻蠈 魏慰渭渭慰蠀谓喂蟽蟿萎 蟺慰蠀 蟿畏谓 蔚蟺慰蠂萎 蟿畏蟼 危慰尾喂蔚蟿喂魏萎蟼 螆谓蠅蟽畏蟼 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蔚蟺喂尾维位蔚喂 渭蔚 蟺维胃慰蟼 蟿喂蟼 蔚谓蟿慰位苇蟼 蟿慰蠀 魏蠈渭渭伪蟿慰蟼 纬喂伪 蟿畏谓 慰蟻纬维谓蠅蟽畏 蟿畏蟼 魏蟿畏谓慰蟿蟻慰蠁委伪蟼 蟽蟿畏谓 蟺蔚蟻喂慰蠂萎. 螒蠀蟿萎 畏 蟺慰位喂蟿喂魏萎, 蠈渭蠅蟼, 未蔚谓 魏维谓蔚喂 蟿委蟺慰蟿伪 维位位慰 伪蟺蠈 蟿慰 谓伪 伪蟺蔚喂位蔚委 蟿慰谓 蟿蟻蠈蟺慰 味蠅萎蟼 蟿慰蠀 位伪慰蠉 蟿慰蠀, 谓伪 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蟿慰谓 渭蔚蟿伪尾维位位蔚喂 魏伪喂 谓伪 蟿慰谓 蟺蟻慰蟽伪蟻渭蠈蟽蔚喂 蟽蔚 苇谓伪谓 蟽蠉纬蠂蟻慰谓慰 蟿蟻蠈蟺慰 味蠅萎蟼 蟺慰蠀 伪蟺慰蟻蟻委蟺蟿蔚喂 蟺位萎蟻蠅蟼 蟿慰 蟺伪蟻蔚位胃蠈谓. 桅蠀蟽喂魏维 蠀蟺维蟻蠂蔚喂 魏维蟺慰喂伪蟼 渭慰蟻蠁萎蟼 伪谓蟿委蟽蟿伪蟽畏, 渭委伪 未喂伪蟺委蟽蟿蠅蟽畏 蠈蟿喂 伪蠀蟿苇蟼 慰喂 蔚谓蟿慰位苇蟼 蟺慰蠀 未委谓慰谓蟿伪喂 伪蟺蠈 渭伪魏蟻喂维 蔚委谓伪喂 伪谓蔚蠁维蟻渭慰蟽蟿蔚蟼, 渭委伪 谓慰蟽蟿伪位纬委伪 纬喂伪 苇谓伪谓 魏蠈蟽渭慰 蟺慰蠀 蠂维谓蔚蟿伪喂 魏伪喂 渭委伪 蠀蟺蔚蟻畏蠁维谓蔚喂伪 纬喂伪 伪蠀蟿蠈谓 蟿慰谓 蟺慰位喂蟿喂蟽渭蠈 伪位位维 蟽蟿慰 蟿苇位慰蟼 蠁伪委谓蔚蟿伪喂 蠈蟿喂 蠈位伪 蔚委谓伪喂 魏伪蟿伪未喂魏伪蟽渭苇谓伪, 萎 渭萎蟺蠅蟼 蠈蠂喂;
韦慰 维位慰纬蠈 蟿畏蟼 喂蟽蟿慰蟻委伪蟼 蟽蠀渭尾慰位委味蔚喂 伪蠀蟿萎谓 蟿畏谓 渭蔚蟿维尾伪蟽畏. 螁纬蟻喂慰 魏伪喂 未蠀谓伪渭喂魏蠈, 蠀蟺蔚蟻萎蠁伪谓慰 魏伪喂 伪谓蔚尉维蟻蟿畏蟿慰, 伪蟻谓蔚委蟿伪喂 谓伪 蟽蠀渭尾喂尾伪蟽蟿蔚委 魏伪喂 谓伪 伪谓蔚蠂蟿蔚委 魏维胃蔚 蟺蟻慰蟽蟺维胃蔚喂伪 谓伪 蟿慰 蠁苇蟻慰蠀谓 慰喂 维谓胃蟻蠅蟺慰喂 蟽蟿伪 未喂魏维 蟿慰蠀蟼 渭苇蟿蟻伪 伪位位维 未蠀蟽蟿蠀蠂蠋蟼 渭蟺蟻慰蟽蟿维 蟽蔚 伪蠀蟿蠈 蟺慰蠀 苇蟻蠂蔚蟿伪喂 蔚委谓伪喂 蟺慰位蠉 伪未蠉谓伪渭慰 魏伪喂 蟽蟿慰 蟿苇位慰蟼 渭蟺慰蟻蔚委 谓伪 苇蠂蔚喂 渭蠈谓慰 蟿畏 胃苇蟽畏 蟺慰蠀 蟿慰蠀 伪蠁萎谓慰蠀谓. 螆蟿蟽喂 慰 伪蟺慰蠂伪喂蟻蔚蟿喂蟽渭蠈蟼 蟽蔚 伪蠀蟿蠈 蟿慰 维位慰纬慰 纬委谓蔚蟿伪喂 慰 萎蟽蠀蠂慰蟼 伪蟺慰蠂伪喂蟻蔚蟿喂蟽渭蠈蟼 蟽蔚 苇谓伪谓 慰位蠈魏位畏蟻慰 蟿蟻蠈蟺慰 味蠅萎蟼, 蟽蔚 苇谓伪 尾喂尾位委慰 蟺慰蠀 渭喂位维蔚喂 纬喂伪 蠈位伪 伪蠀蟿维 渭蔚 伪魏蟻委尾蔚喂伪, 蠂蠅蟻委蟼 苇谓蟿慰谓慰 蟿蠈谓慰, 渭蔚蟿伪蠁苇蟻慰谓蟿伪蟼 渭伪蟼 渭委伪 蟺喂魏蟻委伪 渭苇蟽蠅 蔚谓蠈蟼 蠀蟺苇蟻慰蠂慰蠀 蟽蠀纬魏蟻伪蟿畏渭苇谓慰蠀 位蠀蟻喂蟽渭慰蠉. 螆谓伪 蟺伪谓苇渭慰蟻蠁慰 尾喂尾位委慰.
The horse of the story symbolizes this transition. Wild and dynamic, proud and independent, it refuses to compromise and tolerates any attempt by people to bring it to their own measures but unfortunately in the face of what is coming it is very weak and in the end, can only have the position they leave to it. So the farewell to this horse becomes the quiet farewell to an entire way of life, in a book that talks about all of this accurately but without a strong tone, conveying to us a bitterness through a wonderful restrained lyricism. A beautiful book.
螆谓伪 蠀蟺苇蟻慰蠂慰 蟿伪尉委未喂 蟽蟿畏谓 蟽蟿苇蟺伪 渭伪蟼 蟺蟻慰蟽蠁苇蟻蔚喂 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 渭苇蟽伪 伪蟺蠈 渭委伪 喂蟽蟿慰蟻委伪 蟺慰蠀 蟽蠂蔚蟿委味蔚蟿伪喂 渭蔚 苇谓伪 维位慰纬慰. 螒蠀蟿蠈 蟿慰 维位慰纬慰 伪谓萎魏蔚喂 蟽蔚 苇谓伪谓 伪蠀蟽蟿畏蟻蠈 魏慰渭渭慰蠀谓喂蟽蟿萎 蟺慰蠀 蟿畏谓 蔚蟺慰蠂萎 蟿畏蟼 危慰尾喂蔚蟿喂魏萎蟼 螆谓蠅蟽畏蟼 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蔚蟺喂尾维位蔚喂 渭蔚 蟺维胃慰蟼 蟿喂蟼 蔚谓蟿慰位苇蟼 蟿慰蠀 魏蠈渭渭伪蟿慰蟼 纬喂伪 蟿畏谓 慰蟻纬维谓蠅蟽畏 蟿畏蟼 魏蟿畏谓慰蟿蟻慰蠁委伪蟼 蟽蟿畏谓 蟺蔚蟻喂慰蠂萎. 螒蠀蟿萎 畏 蟺慰位喂蟿喂魏萎, 蠈渭蠅蟼, 未蔚谓 魏维谓蔚喂 蟿委蟺慰蟿伪 维位位慰 伪蟺蠈 蟿慰 谓伪 伪蟺蔚喂位蔚委 蟿慰谓 蟿蟻蠈蟺慰 味蠅萎蟼 蟿慰蠀 位伪慰蠉 蟿慰蠀, 谓伪 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蟿慰谓 渭蔚蟿伪尾维位位蔚喂 魏伪喂 谓伪 蟿慰谓 蟺蟻慰蟽伪蟻渭蠈蟽蔚喂 蟽蔚 苇谓伪谓 蟽蠉纬蠂蟻慰谓慰 蟿蟻蠈蟺慰 味蠅萎蟼 蟺慰蠀 伪蟺慰蟻蟻委蟺蟿蔚喂 蟺位萎蟻蠅蟼 蟿慰 蟺伪蟻蔚位胃蠈谓. 桅蠀蟽喂魏维 蠀蟺维蟻蠂蔚喂 魏维蟺慰喂伪蟼 渭慰蟻蠁萎蟼 伪谓蟿委蟽蟿伪蟽畏, 渭委伪 未喂伪蟺委蟽蟿蠅蟽畏 蠈蟿喂 伪蠀蟿苇蟼 慰喂 蔚谓蟿慰位苇蟼 蟺慰蠀 未委谓慰谓蟿伪喂 伪蟺蠈 渭伪魏蟻喂维 蔚委谓伪喂 伪谓蔚蠁维蟻渭慰蟽蟿蔚蟼, 渭委伪 谓慰蟽蟿伪位纬委伪 纬喂伪 苇谓伪谓 魏蠈蟽渭慰 蟺慰蠀 蠂维谓蔚蟿伪喂 魏伪喂 渭委伪 蠀蟺蔚蟻畏蠁维谓蔚喂伪 纬喂伪 伪蠀蟿蠈谓 蟿慰谓 蟺慰位喂蟿喂蟽渭蠈 伪位位维 蟽蟿慰 蟿苇位慰蟼 蠁伪委谓蔚蟿伪喂 蠈蟿喂 蠈位伪 蔚委谓伪喂 魏伪蟿伪未喂魏伪蟽渭苇谓伪, 萎 渭萎蟺蠅蟼 蠈蠂喂;
韦慰 维位慰纬蠈 蟿畏蟼 喂蟽蟿慰蟻委伪蟼 蟽蠀渭尾慰位委味蔚喂 伪蠀蟿萎谓 蟿畏谓 渭蔚蟿维尾伪蟽畏. 螁纬蟻喂慰 魏伪喂 未蠀谓伪渭喂魏蠈, 蠀蟺蔚蟻萎蠁伪谓慰 魏伪喂 伪谓蔚尉维蟻蟿畏蟿慰, 伪蟻谓蔚委蟿伪喂 谓伪 蟽蠀渭尾喂尾伪蟽蟿蔚委 魏伪喂 谓伪 伪谓蔚蠂蟿蔚委 魏维胃蔚 蟺蟻慰蟽蟺维胃蔚喂伪 谓伪 蟿慰 蠁苇蟻慰蠀谓 慰喂 维谓胃蟻蠅蟺慰喂 蟽蟿伪 未喂魏维 蟿慰蠀蟼 渭苇蟿蟻伪 伪位位维 未蠀蟽蟿蠀蠂蠋蟼 渭蟺蟻慰蟽蟿维 蟽蔚 伪蠀蟿蠈 蟺慰蠀 苇蟻蠂蔚蟿伪喂 蔚委谓伪喂 蟺慰位蠉 伪未蠉谓伪渭慰 魏伪喂 蟽蟿慰 蟿苇位慰蟼 渭蟺慰蟻蔚委 谓伪 苇蠂蔚喂 渭蠈谓慰 蟿畏 胃苇蟽畏 蟺慰蠀 蟿慰蠀 伪蠁萎谓慰蠀谓. 螆蟿蟽喂 慰 伪蟺慰蠂伪喂蟻蔚蟿喂蟽渭蠈蟼 蟽蔚 伪蠀蟿蠈 蟿慰 维位慰纬慰 纬委谓蔚蟿伪喂 慰 萎蟽蠀蠂慰蟼 伪蟺慰蠂伪喂蟻蔚蟿喂蟽渭蠈蟼 蟽蔚 苇谓伪谓 慰位蠈魏位畏蟻慰 蟿蟻蠈蟺慰 味蠅萎蟼, 蟽蔚 苇谓伪 尾喂尾位委慰 蟺慰蠀 渭喂位维蔚喂 纬喂伪 蠈位伪 伪蠀蟿维 渭蔚 伪魏蟻委尾蔚喂伪, 蠂蠅蟻委蟼 苇谓蟿慰谓慰 蟿蠈谓慰, 渭蔚蟿伪蠁苇蟻慰谓蟿伪蟼 渭伪蟼 渭委伪 蟺喂魏蟻委伪 渭苇蟽蠅 蔚谓蠈蟼 蠀蟺苇蟻慰蠂慰蠀 蟽蠀纬魏蟻伪蟿畏渭苇谓慰蠀 位蠀蟻喂蟽渭慰蠉. 螆谓伪 蟺伪谓苇渭慰蟻蠁慰 尾喂尾位委慰.
May 1, 2019
Such a beautiful book. Full of true sentiment and no fake emotions. I really could feel the pain and sorrow Tanabai (the main character) was going through. I would definitely recommend you to read this one!
February 20, 2020
Poor Gyulsary, The Stallion.
Poor Tanabai Bakasov, The Shepherd.
Poor Choro Saiakov, The devoted Communist.
This beautiful novel revolves around love, devotion and friendship between these three individuals. Tanabai Bakasov war veteran and devoted Communist party worker assigned to herd horses and sheep. This is how he discoveres the stallion Gyulsary. He raises him, just like party and his educated and intellectual friend Choro Siaiakov raised him to become energetic party worker.
Gyulsary accompanies his master in his prime days and wheel of fate spins hard on three of them.
It's unforgettable novella about faithfulness with personal relationships and political ideologies. It's very hard to read something by Aitmatov without heartaches. One of most loved writers ever lived. I might be biggest fan of him in my entire country.
Poor Tanabai Bakasov, The Shepherd.
Poor Choro Saiakov, The devoted Communist.
This beautiful novel revolves around love, devotion and friendship between these three individuals. Tanabai Bakasov war veteran and devoted Communist party worker assigned to herd horses and sheep. This is how he discoveres the stallion Gyulsary. He raises him, just like party and his educated and intellectual friend Choro Siaiakov raised him to become energetic party worker.
Gyulsary accompanies his master in his prime days and wheel of fate spins hard on three of them.
It's unforgettable novella about faithfulness with personal relationships and political ideologies. It's very hard to read something by Aitmatov without heartaches. One of most loved writers ever lived. I might be biggest fan of him in my entire country.
February 4, 2016
bilirsiz nec蓹dir? Ba艧qa vaxt olsayd谋 m蓹n indi ayr谋 c眉ml蓹l蓹rin alt谋ndan x蓹tt 莽蓹k蓹rdim. Tamam ayr谋 艧eyl蓹r d眉艧眉n蓹rdim.
He莽 sevm蓹dim bu b枚y眉m蓹yi.
He莽 sevm蓹dim bu b枚y眉m蓹yi.
September 11, 2022
賵丿丕毓丕賸 賷丕 睾賵賱爻丕乇賷 乇賵丕賷丞 賮賷 丕賱兀丿亘 丕賱賯乇睾賷夭賷..鬲丨賰賷 毓賳 鬲丕賳亘丕賷 丕賱匕賷 賷毓賲賱 賲乇賵囟丕賸 賵 乇丕毓賷丕賸 賱賱禺賷賵賱 賮賷 丕賱賰賵賱禺賵夭 賮賷 賯乇賷鬲賴 丕賱氐睾賷乇丞.
睾賵賱爻丕乇賷 丕賱丨氐丕賳 丕賱匕賷 兀卮鬲購賴乇 賮賷 丕賱賯乇賷丞 賵 丕賱賰賵賱禺賵夭 亘爻乇毓鬲賴 賵 乇卮丕賯鬲賴 賵 毓丿賵賴 賰丕賱乇賷丨 賮賷 丕賱爻亘丕賯丕鬲 賲賲丕 噩毓賱 丕賱噩賲賷毓 賷胤賲丨 賵 賷胤賲毓 亘賴.
鬲丕賳亘丕賷 氐丕丨亘 睾賵賱爻丕乇賷 賵 禺賷賾丕賱賴 丕賱賵賮賷賾 丕賱匕賷 賱賲 賷鬲乇賰賴 賮賷 丌禺乇 賱丨馗丕鬲 丨賷丕鬲賴 賵 賴賵 賷丨鬲囟乇 賵 賷賱賮馗 兀賳賮丕爻賴 丕賱兀禺賷乇丞 毓賳丿賲丕 鬲禺賱賾賶 毓賳賴 丕賱噩賲賷毓 亘毓丿 兀賳 賰亘賽乇 賵 賴乇賽賲 賵 賮賯丿 賯賵鬲賴 賵 賯丿乇鬲賴 毓賱賶 丕賱毓丿賵 賰賲丕 丕賱亘乇賯..
丕賱乇賵丕賷丞 毓亘丕乇丞 毓賳 賲卮賴丿 廿丨鬲囟丕乇 睾賵賱爻丕乇賷 賮賷 賲賳鬲氐賮 丕賱胤乇賷賯 賲毓 氐丕丨亘賴 鬲丕賳亘丕賷 丨賷孬 賷爻鬲乇噩毓 鬲丕賳亘丕賷 匕賰乇賷丕鬲賴 賲毓 睾賵賱爻丕乇賷 賵 賲卮丕賴丿 賲賳 丨賷丕鬲賴 賵 賴賵 亘噩丕賳亘賴 賮賷 丕賱爻乇丕亍 賵 丕賱囟乇丕亍.
毓賲賱 賲賲賷夭 噩賲賷賱貙 賲丐孬乇 噩丿丕賸 賵 兀噩賲賱 賲丕賮賷賴 丨賯賷賯丞賸 毓賱丕賯丞 鬲丕賳亘丕賷 亘睾賵賱爻丕乇賷.鬲賱賰 丕賱賲丨亘丞 丕賱毓丕乇賲丞 丕賱鬲賷 噩賲毓鬲 丨氐丕賳 賵 禺賷賾丕賱賴 丕賱匕賷 爻賷乇丕賮賯賴 毓賱賶 賲丿丕乇 丨賷丕鬲賴 卮丕亘丕賸 賵 毓噩賵夭丕賸 ..毓賱丕賯丞 賵賮丕亍 賵 廿禺賱丕氐 賯賱賾 賳馗賷乇賴丕 賮賷 夭賲賳賳丕 丕賱丨丕囟乇 .
賴匕賴賽 丕賱乇賵丕賷丞 毓賳 丕賱賲丨亘丞 賵 丕賱賵賮丕亍 賵 丕賱廿禺賱丕氐 貙丕賱賮賯乇 賵 丕賱丨賷丕丞 丕賱賯丕爻賷丞 丕賱氐毓亘丞 賮賷 爻亘賷賱 丕賱丨氐賵賱 毓賱賶 賱賯賲丞 丕賱毓賷卮 丕賱卮乇賷賮丞..
乇賵丕賷丞 毓賱賶 丕賱乇睾賲 賲賳 亘爻丕胤鬲賴丕 賵 賯賱丞 兀丨丿丕孬賴丕 賵 乇鬲丕亘丞 兀噩賵丕卅賴丕 賮賷 賲賵丕囟毓 賰孬賷乇丞 廿賱丕 兀賳賴丕 噩賲賷賱丞 .
兀丨亘亘鬲 賵氐賮 丕賱賰丕鬲亘 賱毓賱丕賯丞 鬲丕賳亘丕賷 亘睾賵賱爻丕乇賷 貙
丕賱鬲乇噩賲丞 賱賲 鬲賰購賳 賲賵賮賯丞 噩丿丕賸 賱丕 兀賳氐丨 亘賴丕 貙 賵 兀賳丕 卮禺氐賷丕賸 賰賳鬲 兀乇賷丿 兀賳 丕賯鬲賳賷 胤亘毓丞 丕賱賮丕乇丕亘賷 賱賰賳賳賷 賱賲 兀噩丿賴丕.
毓賲賱 丌禺賾丕匕 乇睾賲 賰賱賾 卮賷亍.
睾賵賱爻丕乇賷 丕賱丨氐丕賳 丕賱匕賷 兀卮鬲購賴乇 賮賷 丕賱賯乇賷丞 賵 丕賱賰賵賱禺賵夭 亘爻乇毓鬲賴 賵 乇卮丕賯鬲賴 賵 毓丿賵賴 賰丕賱乇賷丨 賮賷 丕賱爻亘丕賯丕鬲 賲賲丕 噩毓賱 丕賱噩賲賷毓 賷胤賲丨 賵 賷胤賲毓 亘賴.
鬲丕賳亘丕賷 氐丕丨亘 睾賵賱爻丕乇賷 賵 禺賷賾丕賱賴 丕賱賵賮賷賾 丕賱匕賷 賱賲 賷鬲乇賰賴 賮賷 丌禺乇 賱丨馗丕鬲 丨賷丕鬲賴 賵 賴賵 賷丨鬲囟乇 賵 賷賱賮馗 兀賳賮丕爻賴 丕賱兀禺賷乇丞 毓賳丿賲丕 鬲禺賱賾賶 毓賳賴 丕賱噩賲賷毓 亘毓丿 兀賳 賰亘賽乇 賵 賴乇賽賲 賵 賮賯丿 賯賵鬲賴 賵 賯丿乇鬲賴 毓賱賶 丕賱毓丿賵 賰賲丕 丕賱亘乇賯..
丕賱乇賵丕賷丞 毓亘丕乇丞 毓賳 賲卮賴丿 廿丨鬲囟丕乇 睾賵賱爻丕乇賷 賮賷 賲賳鬲氐賮 丕賱胤乇賷賯 賲毓 氐丕丨亘賴 鬲丕賳亘丕賷 丨賷孬 賷爻鬲乇噩毓 鬲丕賳亘丕賷 匕賰乇賷丕鬲賴 賲毓 睾賵賱爻丕乇賷 賵 賲卮丕賴丿 賲賳 丨賷丕鬲賴 賵 賴賵 亘噩丕賳亘賴 賮賷 丕賱爻乇丕亍 賵 丕賱囟乇丕亍.
毓賲賱 賲賲賷夭 噩賲賷賱貙 賲丐孬乇 噩丿丕賸 賵 兀噩賲賱 賲丕賮賷賴 丨賯賷賯丞賸 毓賱丕賯丞 鬲丕賳亘丕賷 亘睾賵賱爻丕乇賷.鬲賱賰 丕賱賲丨亘丞 丕賱毓丕乇賲丞 丕賱鬲賷 噩賲毓鬲 丨氐丕賳 賵 禺賷賾丕賱賴 丕賱匕賷 爻賷乇丕賮賯賴 毓賱賶 賲丿丕乇 丨賷丕鬲賴 卮丕亘丕賸 賵 毓噩賵夭丕賸 ..毓賱丕賯丞 賵賮丕亍 賵 廿禺賱丕氐 賯賱賾 賳馗賷乇賴丕 賮賷 夭賲賳賳丕 丕賱丨丕囟乇 .
賴匕賴賽 丕賱乇賵丕賷丞 毓賳 丕賱賲丨亘丞 賵 丕賱賵賮丕亍 賵 丕賱廿禺賱丕氐 貙丕賱賮賯乇 賵 丕賱丨賷丕丞 丕賱賯丕爻賷丞 丕賱氐毓亘丞 賮賷 爻亘賷賱 丕賱丨氐賵賱 毓賱賶 賱賯賲丞 丕賱毓賷卮 丕賱卮乇賷賮丞..
乇賵丕賷丞 毓賱賶 丕賱乇睾賲 賲賳 亘爻丕胤鬲賴丕 賵 賯賱丞 兀丨丿丕孬賴丕 賵 乇鬲丕亘丞 兀噩賵丕卅賴丕 賮賷 賲賵丕囟毓 賰孬賷乇丞 廿賱丕 兀賳賴丕 噩賲賷賱丞 .
兀丨亘亘鬲 賵氐賮 丕賱賰丕鬲亘 賱毓賱丕賯丞 鬲丕賳亘丕賷 亘睾賵賱爻丕乇賷 貙
丕賱鬲乇噩賲丞 賱賲 鬲賰購賳 賲賵賮賯丞 噩丿丕賸 賱丕 兀賳氐丨 亘賴丕 貙 賵 兀賳丕 卮禺氐賷丕賸 賰賳鬲 兀乇賷丿 兀賳 丕賯鬲賳賷 胤亘毓丞 丕賱賮丕乇丕亘賷 賱賰賳賳賷 賱賲 兀噩丿賴丕.
毓賲賱 丌禺賾丕匕 乇睾賲 賰賱賾 卮賷亍.
July 8, 2024
"G枚ky眉z眉nde s谋ra s谋ra u莽u艧an kazlar谋n kanat 莽谋rp谋艧谋na kendi kanatlar谋n谋n g眉c眉 yetmedi臒i i莽in geride kal谋p tek ba艧谋na donarak 枚len kaz gibi 枚lmek istemiyorum, kanat 莽谋rparken 枚lmek istiyorum. Bir yuvadan u莽up gidece臒im zaman, o yuvay谋 benimle payla艧anlar 眉zerimde c谋v谋l c谋v谋l u莽u艧sunlar, i艧te benim arman谋m bu..."
Elveda G眉lsar谋, sadece bir at谋n ve sahibinin hikayesi de臒il; ayn谋 zamanda bir d枚nemin ve toplumun portresi. Beklentilerimi kar艧谋layan bir kitap oldu.
January 22, 2019
丕蹖賳 讴鬲丕亘 卮丕賲賱 丿賵 丿丕爻鬲丕賳賴貙 丿丕爻鬲丕賳 丕賵賱 :賳禺爻鬲蹖賳 丌賲賵夭诏丕乇(丿丕爻鬲丕賳 賲毓賱賲蹖 噩賵丕賳 丿乇 丿賵乇丕賳 賱賳蹖賳 賵 爻禺鬲蹖 賴丕蹖蹖 讴賴 丿乇 乇丕賴 爻丕禺鬲 賲丿乇爻賴 賵 丌賲賵夭卮 讴賵丿讴丕賳 丿乇 乇賵爻鬲丕 賲鬲丨賲賱 賲蹖卮賴) 賵 丿賵賲 丕賱賵丿丕毓 诏賱 爻丕乇蹖(丿丕爻鬲丕賳 讴丕乇诏乇蹖 亘賴 賳丕賲 鬲丕賳丕讴賴 賵 丕爻亘卮 讴賴 丿乇禺賱丕賱 丕蹖賳 乇丕亘胤賴 卮賲丕 亘丕 丿丕爻鬲丕賳 夭賳丿诏蹖 鬲丕賳丕讴賴 倬蹖卮 賲蹖鈥屫辟堐屫�)貙 禺賵卮丨丕賱賲 讴賴 亘丕 丕蹖賳 賳賵蹖爻賳丿賴 丌卮賳丕 卮丿賲貙 賵 丕賲蹖丿賵丕乇賲 讴鬲丕亘鈥屬囏й� 丿蹖诏賴 丕卮 乇賵 倬蹖丿丕 讴賳賲貙 賯賱賲 爻丕丿賴 賵 夭蹖亘丕蹖蹖 丿丕乇賴 賵 丿丕爻鬲丕賳鈥屬囏� 卮 倬乇 丕夭 夭賳丿诏蹖 賵 丕賳爻丕賳蹖鬲.
May 18, 2013
Th岷 nguy锚n bao la r峄檔g l峄沶, c谩nh 膽峄搉g ru峄檔g l煤a m锚nh mang, v岷瓂 m脿 sao ng峄檛 ng岷 膽岷縩 th岷�?
T么i ch峄� mu峄憂 c岷 s煤ng d岷瓂 m脿 b岷痭, b岷痭 ch岷縯 h岷縯 l农 th峄慽 tha 岷. Ng峄檛 ng岷 qu谩, kh么ng th峄� 膽瓢峄. B岷 l峄眂 qu谩, kh么ng ch峄憂g ch峄峣 膽瓢峄. Bu么ng tay 瓢? Hay 膽峄﹏g d岷瓂 m脿 chi岷縩 膽岷 膽峄� r峄搃 m脿 b峄� ch岷縯 膽峄﹏g?
T么i ch峄� mu峄憂 c岷 s煤ng d岷瓂 m脿 b岷痭, b岷痭 ch岷縯 h岷縯 l农 th峄慽 tha 岷. Ng峄檛 ng岷 qu谩, kh么ng th峄� 膽瓢峄. B岷 l峄眂 qu谩, kh么ng ch峄憂g ch峄峣 膽瓢峄. Bu么ng tay 瓢? Hay 膽峄﹏g d岷瓂 m脿 chi岷縩 膽岷 膽峄� r峄搃 m脿 b峄� ch岷縯 膽峄﹏g?
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November 28, 2020鬲噩毓賱賰 賴匕賴 丕賱乇賵丕賷丞 鬲乇賰囟 賲鬲鬲亘毓丕賸 睾賵賱爻丕乇賷 賮賷 丕賱噩亘丕賱 丕賱鬲賷 鬲睾胤賷賴丕 丕賱孬賱賵噩 賵 鬲鬲賳丕賵亘 毓賱賷賴丕 丕賱賮氐賵賱 賵 丕賱兀賷丕賲. 丕賱賵氐賮 丕賱乇賯賷賯 噩丿丕賸噩丿丕賸 賮賷 賴匕賴 丕賱乇賵丕賷丞 賷乇爻禺 賲卮丕賴丿賴丕 賮賷 丕賱匕丕賰乇丞 賮賱丕 賷賲賰賳
賳爻賷丕賳賴丕 亘爻賴賵賱丞.
賰兀賳賴丕 乇賵丕賷丞賹 丕賳亘孬賯鬲 賲賳 賯氐賷丿丞.
賳爻賷丕賳賴丕 亘爻賴賵賱丞.
賰兀賳賴丕 乇賵丕賷丞賹 丕賳亘孬賯鬲 賲賳 賯氐賷丿丞.
June 14, 2017
Nh峄媝 nh脿ng v脿 uy峄僴 chuy峄僴
L煤c m岷h m岷�, l煤c tr岷 l岷穘g
C锟斤拷锟絤 gi谩c nh瓢 膽峄峜 Nguy峄卬 Kh岷
C贸 l岷� c谩c b岷 tr岷� th峄漣 nay 铆t 膽峄峜 nh峄痭g quy峄僴 nh瓢 th岷� n脿y
L煤c m岷h m岷�, l煤c tr岷 l岷穘g
C锟斤拷锟絤 gi谩c nh瓢 膽峄峜 Nguy峄卬 Kh岷
C贸 l岷� c谩c b岷 tr岷� th峄漣 nay 铆t 膽峄峜 nh峄痭g quy峄僴 nh瓢 th岷� n脿y
November 29, 2018
I teared up reading this book, and I haven't been touched this deeply by a novel in a looong time. Adding it to my special shelf.
August 19, 2019
Elveda G眉lsar谋, elveda... Harika! Yery眉z眉nden iyiki bir Cengiz Aytmatov ge莽mi艧! Bu kadar g眉zel bir anlat谋m ...
April 4, 2022
乇賵丕蹖鬲賽 賲乇丿賽 倬蹖乇 賵 丕爻亘賽 倬蹖乇.
芦诏賱鈥屫池ж臂屫� 賲賳 賴賲蹖卮賴 鬲購乇丕 亘賴 蹖丕丿 禺賵丕賴賲 丿丕卮鬲.禄
芦诏賱鈥屫池ж臂屫� 賲賳 賴賲蹖卮賴 鬲購乇丕 亘賴 蹖丕丿 禺賵丕賴賲 丿丕卮鬲.禄
June 25, 2021
Non so bene perch茅 abbia preso questo libro nel negozietto dell'usato di fiducia. Sicuramente perch茅 l'autore era kirghiso e cittadino sovietico e di un un autore kirghiso vissuto nell'URSS non ho mai letto nulla. Considerando il mio totale disinteresse per film e libri che abbiano a che fare coi cavalli, non riesco a trovare altre motivazioni, tant'猫 che ho deciso di attenermi ai giudizi di 欧宝娱乐 e dare due stelline perch茅, alla fine, per me questo libro was just ok.
Il Gul'sary che d脿 il titolo al libro 猫 un cavallo, un sauro ambiante, ovvero un cavallo dal manto rossastro/giallastro che ha la particolarit脿 di muovere in simultanea la zampa anteriore e quella posteriore dello stesso lato. Ne 猫 il protagonista e, al tempo stesso non lo 猫: al centro del libro, infatti, pi霉 che le vicende del cavallo, ci sono quelle del suo padrone Tanabaj, ambientate nella realt脿 rurale kirghisa sovietica. Tanabaj e Gul'sary si lasciano e si ritrovano per anni e la storia si articola su due diversi livelli temporali, raccontandoci l'inizio e la fine di questa lunga amicizia tra uomo e cavallo. Entrambi, negli anni, vivranno situazioni spiacevoli in cui saranno costretti a sacrificare loro stessi per volont脿 degli uomini.
Il contesto storico 猫, per me, la parte pi霉 interessante di tutto il libro (che ha la fortuna di essere una lettura molto breve e scorrevole): Ajtmatov ci parla delle ipocrisie e della propaganda del periodo sovietico, di obiettivi prefissati ma impossibili da raggiungere, il cui successo viene attribuito alla collettivit脿 e l'insuccesso al singolo. Non ho trovato altro degno di nota, non ci sono personaggi o passaggi memorabili, a mio avviso, per questo motivo il mio giudizio non pu貌 andare oltre quello che 欧宝娱乐 attribuisce alle due stelline.
Non posso non chiudere, per貌, senza una nota-lamentela su questa edizione. Si tratta di un'edizione scolastica pubblicata negli anni '70 e, facendo un confronto col numero di pagine di altre traduzioni, oserei dire che sia stata pubblicata integralmente. Non mi aspettavo di trovare un'edizione con un apparato critico, una lunga introduzione/postfazione o un saggio critico sulle opere di Ajtmatov, ma un paio di cose non mi son proprio piaciute. Il testo 猫 accompagnato da note a pie' di pagina e, finch茅 vengono spiegati termini termini intraducibili o un po' di contesto storico, nulla da ridire, ma la maggior parte sono imbarazzanti: abbiamo non solo note che ci spiegano termini italiani il cui significato 猫 palese o facilmente intuibile, ma addirittura note che anticipano eventi che vengono raccontati pi霉 avanti! Ora, questa sar脿 anche un'edizione scolastica rivolta ai ragazzi, ma i ragazzi son ragazzi, non sono scemi, cosa siano le galosce o i passamontagna e cosa voglia dire "antiche" penso sia abbastanza chiaro sia agli adolescenti di oggi che a quelli degli anni '70. Le note spoiler si commentano da sole, sono allo stesso livello delle quarte di copertina che raccontano come va a finire il libro che abbiamo in mano e ancora non apriamo - meritano entrambe un loro girone infernale.
Il Gul'sary che d脿 il titolo al libro 猫 un cavallo, un sauro ambiante, ovvero un cavallo dal manto rossastro/giallastro che ha la particolarit脿 di muovere in simultanea la zampa anteriore e quella posteriore dello stesso lato. Ne 猫 il protagonista e, al tempo stesso non lo 猫: al centro del libro, infatti, pi霉 che le vicende del cavallo, ci sono quelle del suo padrone Tanabaj, ambientate nella realt脿 rurale kirghisa sovietica. Tanabaj e Gul'sary si lasciano e si ritrovano per anni e la storia si articola su due diversi livelli temporali, raccontandoci l'inizio e la fine di questa lunga amicizia tra uomo e cavallo. Entrambi, negli anni, vivranno situazioni spiacevoli in cui saranno costretti a sacrificare loro stessi per volont脿 degli uomini.
Il contesto storico 猫, per me, la parte pi霉 interessante di tutto il libro (che ha la fortuna di essere una lettura molto breve e scorrevole): Ajtmatov ci parla delle ipocrisie e della propaganda del periodo sovietico, di obiettivi prefissati ma impossibili da raggiungere, il cui successo viene attribuito alla collettivit脿 e l'insuccesso al singolo. Non ho trovato altro degno di nota, non ci sono personaggi o passaggi memorabili, a mio avviso, per questo motivo il mio giudizio non pu貌 andare oltre quello che 欧宝娱乐 attribuisce alle due stelline.
Non posso non chiudere, per貌, senza una nota-lamentela su questa edizione. Si tratta di un'edizione scolastica pubblicata negli anni '70 e, facendo un confronto col numero di pagine di altre traduzioni, oserei dire che sia stata pubblicata integralmente. Non mi aspettavo di trovare un'edizione con un apparato critico, una lunga introduzione/postfazione o un saggio critico sulle opere di Ajtmatov, ma un paio di cose non mi son proprio piaciute. Il testo 猫 accompagnato da note a pie' di pagina e, finch茅 vengono spiegati termini termini intraducibili o un po' di contesto storico, nulla da ridire, ma la maggior parte sono imbarazzanti: abbiamo non solo note che ci spiegano termini italiani il cui significato 猫 palese o facilmente intuibile, ma addirittura note che anticipano eventi che vengono raccontati pi霉 avanti! Ora, questa sar脿 anche un'edizione scolastica rivolta ai ragazzi, ma i ragazzi son ragazzi, non sono scemi, cosa siano le galosce o i passamontagna e cosa voglia dire "antiche" penso sia abbastanza chiaro sia agli adolescenti di oggi che a quelli degli anni '70. Le note spoiler si commentano da sole, sono allo stesso livello delle quarte di copertina che raccontano come va a finire il libro che abbiamo in mano e ancora non apriamo - meritano entrambe un loro girone infernale.
November 17, 2022
Klasik Aytmatov dramatizmi...
Tanabay ad谋ndaki karakter 眉zerinden devrime inanm谋艧 birinin b眉t眉n hayat谋n谋 devrim 眉lk眉s眉ne adamas谋n谋 ve bunu cins bir at t眉r眉 olan G眉lsar谋n谋n hayat谋 ile birle艧tirerek dramatik bir 艧ekilde anlat谋yor.
Tanabay ad谋ndaki karakter 眉zerinden devrime inanm谋艧 birinin b眉t眉n hayat谋n谋 devrim 眉lk眉s眉ne adamas谋n谋 ve bunu cins bir at t眉r眉 olan G眉lsar谋n谋n hayat谋 ile birle艧tirerek dramatik bir 艧ekilde anlat谋yor.
January 22, 2025
Cengiz Aytmatov'un klasik, ak谋c谋, m眉kemmel eserlerinden; kitap ayr谋ca Sovyetlerin d眉艧t眉臒眉 batakl谋臒谋 da 莽ok g眉zel anlatm谋艧.
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