Caryl Churchill (born 3 September 1938) is an English dramatist known for her use of non-naturalistic techniques and feminist themes, dramatisation of the abuses of power, and exploration of sexual politics.[1] She is acknowledged as a major playwright in the English language and one of world theatre's most influential writers.
Her early work developed Bertolt Brecht's modernist dramatic and theatrical techniques of 'Epic theatre' to explore issues of gender and sexuality. From A Mouthful of Birds (1986) onwards, she began to experiment with forms of dance-theatre, incorporating techniques developed from the performance tradition initiated by Antonin Artaud with his 'Theatre of Cruelty'. This move away from a clear Fabel dramaturgy towards increasingly fragmented and surrealistic narratives characterises her work as postmodernist.
Prizes and awards
Churchill has received much recognition, including the following awards:
1958 Sunday Times/National Union of Students Drama Festival Award Downstairs 1961 Richard Hillary Memorial Prize 1981 Obie Award for Playwriting, Cloud Nine 1982 Obie Award for Playwriting, Top Girls 1983 Susan Smith Blackburn Prize (runner-up), Top Girls 1984 Susan Smith Blackburn Prize, Fen 1987 Evening Standard Award for Best Comedy of the Year, Serious Money 1987 Obie Award for Best New Play, Serious Money 1987 Susan Smith Blackburn Prize, Serious Money 1988 Laurence Olivier/BBC Award for Best New Play, Serious Money 2001 Obie Sustained Achievement Award 2010 Inducted into the American Theater Hall of Fame.
Plays
Downstairs (1958) You've No Need to be Frightened (1959?) Having a Wonderful Time (1960) Easy Death (1960) The Ants, radio drama (1962) Lovesick, radio drama (1969) Identical Twins (1960) Abortive, radio drama (1971) Not Not Not Not Not Enough Oxygen, radio drama (1971) Owners (1972) Schreber's Nervous Illness, radio drama (1972) 鈥� based on Memoirs of My Nervous Illness The Hospital at the Time of the Revolution (written 1972) The Judge's Wife, radio drama (1972) Moving Clocks Go Slow, (1973) Turkish Delight, television drama (1973) Objections to Sex and Violence (1975) Light Shining in Buckinghamshire (1976) [7] Vinegar Tom (1976) Traps (1976) The After-Dinner Joke, television drama (1978) Seagulls (written 1978) Cloud Nine (1979) Three More Sleepless Nights (1980) Top Girls (1982) Crimes, television drama (1982) Fen (1983) Softcops (1984) A Mouthful of Birds (1986) A Heart's Desire (1987)[18] Serious Money (1987) Ice Cream (1989) Hot Fudge (1989) Mad Forest (1990) Lives of the Great Poisoners (1991) The Skriker (1994) Blue Heart (1997) Hotel (1997) This is a Chair (1999) Far Away (2000) Thyestes (2001) 鈥� translation of Seneca's tragedy A Number (2002) A Dream Play (2005) 鈥� translation of August Strindberg's play Drunk Enough to Say I Love You? (2006) Seven Jewish Children 鈥� a play for Gaza (2009) Love and Information (2012) Ding Dong the Wicked (2013) Here We Go (play) (2015)
Literally have not stopped thinking about this play for 4 days like it IS about the land it IS about the class tensions it IS about the trauma it IS about the incredibly unstable role of the Mother it IS about the communal experience
Its 2020 and the themes of Fen are only becoming more relevant. Churchill is truly the master and this play is amongst her best. The characters pop and the dialogue crackles despite the deadly serious subject matter and the economy of language is downright impressive. The short, terse scenes between Val and Frank suggest infitine interpretations.
Review based on the 2023 Court Theatre Production in Chi. Truly a wonderful, complex, and rich text. Have no idea how one could pull it off without an increeeeedible ensemble like the one Court had.
If I had simply read the play I might have reviewed it lower but that would be more from a lack of vision on my part rather than an actual fair review of the text.
The introduction mentioned the originals set being a field in a room and I couldn't unsee it as I read, such a fantastic idea. Each layer works together seamlessly. I love it when a character tries to get out.
A moving play in the English countryside about the abuse that breaks us down but also, horribly, binds us together--in perpetuating rhythms of violence and self-hatred.
In this play. Juicy. Need to figure it out. Lots of politics and my gracious, what a specific accent to learn. The range of characters is incredible. I'm pretty sure I get child abused in one scene. Woo!