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丕賱亘丨乇 丕賱賲丨賷胤
鬲乇賵賷 芦丕賱亘丨乇購 丕賱賲丨賷胤購禄 丨賰丕賷丞 睾乇賯 賮乇賯丕胤丞 鬲丕亘毓丞 賱賱亘丨乇賷賻賾丞 丕賱賮乇賳爻賷賻賾丞貙 賲賳匕 夭賲賳 亘毓賷丿貙 賮賷 兀丨丿 丕賱賲丨賷胤丕鬲. 賷丨丕賵賱購 丕賱乇賽賾噩丕賱購 丕賱匕賷賳 賰丕賳賵丕 毓賱賶 賲鬲賳賴丕 丕賱賳賻賾噩丕丞 毓賱賶 胤賻賵賿賮 氐賳毓賵賴購 賱匕賱賰 丕賱睾乇囟. 丕賱亘丨乇購 賴賵 丕賱賲賰丕賳 丕賱鬲賷 鬲噩鬲賲毓購 賮賷賴丕 賲氐丕卅乇 卮禺氐賷賻賾丕鬲 睾乇丕卅亘賷賻賾丞貨 賲孬賱 亘丕乇鬲賱亘賵賲 丕賱匕賷 賷丨丕賵賱購 鬲丨丿賷丿賻 兀賷賳 賷賳鬲賴賷 丕賱亘丨乇貙 兀賵 丕賱乇賻賾爻賻賾丕賲 亘賱丕爻購賾賵賳 丕賱匕賷 賷乇爻賲購 亘賲賷丕賴 丕賱亘丨乇貙 賵睾賷乇賴賲丕 賲賳 丕賱卮賻賾禺氐賷賻賾丕鬲 丕賱鬲賷 賷亘丨孬 賰賱賹賾 賲賳賴丕 毓賳 匕丕鬲賽賴貙 卮禺氐賷賻賾丕鬲 丨賷賵丕鬲購賴丕 賲毓賱賻賾賯丞 毓賱賶 丨丕賮賻賾丞 丕賱賲丨賷胤貙 賵兀賯丿丕乇購賴丕 賲丿賲賵睾丞賹 亘兀丨賵丕賱賽 丕賱亘丨乇賽. 賵毓賱賶 丕賱亘丨乇賽 賰匕賱賰 賷購胤賱購賾 芦賳購夭賱購 丌賱賲丕賷乇禄 丨賷孬 鬲賱鬲賯賷 丕賱毓丿賷丿購 賲賳 丕賱賯氐氐 賵鬲賳氐賴乇購 賮賷 亘毓囟賽賴丕. 賴賰匕丕貙 賲賳 禺賱丕賱 丕賱亘丨乇貙 亘賲丕 賴賵賻 丕爻鬲毓丕乇丞 賵噩賵丿賷賻賾丞 賵乇賲夭 賵噩賵丿賷賹賾貙 賷乇賵賷 賱賳丕 丕賱亘丕乇毓 亘丕乇賷賰購賾賵 毓賳 卮禺氐賷賻賾丕鬲賴 丕賱爻購賾乇賷丕賱賷賻賾丞貙 賲鬲賳賯賽賾賱丕賸 亘賷賳 毓丿賻賾丞 兀卮賰丕賱 兀爻賱賵亘賷賻賾丞貙 爻乇丿賷賻賾丞 賵卮賽毓賿乇賷賻賾丞.
鈥溫辟堌з娯┵� 禺丕乇噩丞賹 毓賳 丕賱賲兀賱賵賮... 賰鬲丕亘賹 丨賵賱 丕賱賰賷賳賵賳丞 賵丕賱賵噩賵丿貙 賲賷鬲丕賮賷夭賷賯丕 賲賱毓賵亘丞賹 亘丿賴丕亍賽 賲賴乇賽賾噩賺 毓噩賵夭賺 丨賰賷賲貙 廿賳賻賾賴丕 乇賵丕賷丞賹 兀賯賱購賾 賲丕 鬲賮毓賱賴 兀賳賻賾賴丕 鬲賵丨賷 亘兀賳賻賾 孬賲賾丞 賮賷 丕賱丨賷丕丞 兀賲賵乇丕賸 兀賰孬乇 賲賲賻賾丕 賯丿 賷禺亘乇賰賻 亘賴 兀賷賹賾 賲賳 丕賱毓賯賱丕賳賷賽賾賷賳.鈥�
鬲賵賲 亘賵賳卮丕- 鬲賵賲丕鬲夭賵賮爻賰賷 (匕賷 廿賳丿亘賳丿賳鬲)
鈥溬呚辟庂懾┵� 兀禺乇賶貙 賲毓 乇賵丕賷鬲賴 丕賱亘丨乇 丕賱賲丨賷胤貙 賷購賳噩夭 丕賱爻賻賾丕丨乇 毓賲賱賻賴 亘亘乇丕毓丞賺: 賷禺賱賯 丕賱毓丕賱賲賻貙 毓丕賱賲丕賸 亘丨乇賷賻賾丕賸... 丨爻賽賾賷賻賾丕賸貙 賲購匕賴賱丕賸貙 賵賲丐賱賲丕賸貙 賰賲丕 賱賵 賰丕賳 毓丕賱賲丕賸 丨賯賷賯賷賻賾丕賸.鈥�
氐丨賷賮丞 丕賱賭 芦賱賷亘乇丕爻賷賵賳禄.
鈥溫з勜ㄘ辟� 丕賱賲丨賷胤購 乇賵丕賷丞賹 鬲鬲卮毓賻賾亘 賵鬲鬲賰卮賻賾賮 毓賱賶 胤乇賷賯鬲賴丕 賲賳 丕賱廿囟賲丕乇賽 丕賱卮賽賾毓乇賷賽賾. 丕賱爻賻賾賷賽賾丿 亘丕乇賷賰購賾賵 乇賵丕卅賷賹賾 鬲賰毓賷亘賷賹賾貙 匕賵 兀爻賱賵亘賺 賷賳馗乇購 賮賷 賵賯鬲賺 賵丕丨丿賺 廿賱賶 丕賱噩賵丕賳亘 丕賱賲鬲毓丿賽賾丿丞 賱賱兀卮賷丕亍. 廿賳賻賾賴 賷賳鬲賯賱 亘賳丕 賲賳 兀爻賱賵亘賺 亘賱丕睾賷賺賾 廿賱賶 丌禺乇貙 賲賽賳 卮賰賱賺 賲賳 兀卮賰丕賱 丕賱卮賽賾毓乇 丕賱乇賻賾賲夭賷賽賾 廿賱賶 賲睾丕賲乇丞賺 爻乇丿賷賻賾丞賺 賲賴賷亘丞 廿賱賶 賲賱賴丕丞賺 鬲卮乇購賾丿賷賻賾丞.鈥�
乇賷鬲卮丕乇丿 亘賷乇賳爻鬲丕賷賳 (匕賷 賳賷賷賵乇賰 鬲丕賷賲)
鈥溫贺必жωㄙ娰庂懾�... 廿賷乇賵爻賷賻賾丞... 乇賵丕賷丞 丕賱亘丨乇 丕賱賲丨賷胤 乇賵賲丕賳爻賷賻賾丞賹 賱賱睾丕賷丞 賵睾賳丕卅賷賻賾丞賹 亘卮賰賱賺 賲購匕賴賽賱.鈥�
噩賷賳賷 賲丕賰賮賷 (匕賷 賳賷賷賵乇賰 鬲丕賷賲)
鈥溫з勜ㄘ辟� 丕賱賲丨賷胤購 囟乇亘賹 賲賳 賰鬲丕亘賺貙 賷購噩乇噩乇購 賲毓賴 丕賱氐賽賾賮丕鬲 丕賱鬲賻賾丕賱賷丞 賲孬賱賲丕 鬲購噩乇噩乇購 賲毓賴丕 賲噩爻賻賾丕鬲賴丕 賯賳丕丿賷賱購 丕賱亘丨乇: 賲爻鬲丨賵賽匕賹貙 亘丕胤賳賷賹賾貙 睾賳丕卅賷賹賾貙 爻丕丨乇賹貙 賲賳賵賽賾賲賹貙 賰卅賷亘賹貙 鬲乇丕噩賷丿賷賹賾 [...]. 賲賵卮賵乇賷賻賾丞賸 賵賲鬲毓丿賽賾丿丞賻 丕賱兀賵噩賴 賲孬賱 賯氐賷丿丞貙 鬲毓賷丿 賴匕賴 丕賱乇賽賾賵丕賷丞 廿賱賶 丕賱兀匕賴丕賳 賲賯賵賱丞賻 兀乇卮亘賷賱丿 賲丕賰賱賷卮貙 鈥溬勝娯� 毓賱賶 丕賱賯氐賷丿丞 兀賳 鬲毓賳賷貙 亘賱 兀賳 鬲賰賵賳鈥�. 賵賱賰賳賻賾 賴匕賴 賱賷爻鬲 賯氐賷丿丞賸貙 廿賳賻賾賴丕 乇賵丕賷丞貙 賵賴賳丕 鬲賰賲賳 丕賱賲卮賰賱丞.鈥�
賵賽賳丿賷 兀賵乇賽賳鬲 (News Observer)
鈥溬娯百冑愘懾辟嗀� 亘丕乇賷賰購賾賵貙 賲賳 賵賯鬲賺 賱丌禺乇貙 亘賰丕賮賰丕 賲孬賱賲丕 亘爻賷賱賷賳貙 亘亘賷乇賷賰 賲孬賱賲丕 亘亘丕賱丕鬲賿爻賽爻賿賰賷貙 賵乇亘賻賾賲丕 丨鬲賾賶 亘賰丕賱賮賷賳賵貙 賵賱賰賳賿貨 賮賷 丕賱賳賽賾賴丕賷丞貙 賵亘賲丕 賱丕 賷鬲乇賰 賲噩丕賱丕賸 賱賱卮賻賾賰賽賾貙 賷購匕賰賽賾乇賳丕 亘賳賮爻賽賴貙 賰賵丕丨丿賺 賲賳 兀爻丕胤賷賳 丕賱爻購賾噩賵賮賽 丕賱賲夭乇賰卮丞 賵丕賱爻賽賾賲賮賵賳賷賻賾丕鬲.鈥�
噩賵锃€丕賳賽賾賷 噩賵丿賷鬲賿卮賷 (L鈥橴nit脿)
鈥溫嗁佖� 賴賳丕 兀噩賵丕亍賹 卮亘賷賴丞賹 亘兀噩賵丕亍 爻鬲賷賮賳爻賵賳貙 賵賲賷賱賮賷賱貙 賵賰賵賳乇丕丿貙 鬲賱賰 丕賱兀噩賵丕亍 丕賱鬲賷 鬲卮賰賽賾賱 廿賱賴丕賲丕賸 氐賱亘丕賸 賱賴匕賴 丕賱丨賰丕賷丞 丕賱鬲賷 鬲鬲睾匕賻賾賶貙 賲毓 匕賱賰貙 賲賳 丕賱鬲賻賾賵鬲購賾乇丕鬲 丕賱賲賷鬲丕賮賷夭賷賯賷賻賾丞 丕賱賲亘賴賻賲丞 丕賱賲賳亘毓孬丞 賲賳 兀爻胤賵乇丞 丕賱亘丨乇.鈥�
爻鬲賽賮丕賳賵 噩賵锃€丕賳丕乇丿賷 (La Repubblica)
鈥溬囏柏� 丕賱賰鬲丕亘 丕賱匕賷 賷賯胤乇購 鬲毓亘丕賸 賵丕賳賰爻丕乇丕賸貙 丕賱匕賷 賷丨鬲囟賳 賲賳 丨賷孬 丕賱賲亘丿兀 丕賱廿乇孬 丕賱兀丿亘賷賻賾 賱賰鬲賻賾丕亘 丕賱亘丨乇 賲賳 賳亘賵賷賽賾賷賳 賵賲賱毓賵賳賷賳貙 賷購賮賱賽丨 賮賷 丕賱丨賮丕馗 毓賱賶 禺賷胤賴 丕賱禺丕氐賽賾 賲賳 丕賱睾亘胤丞貙 賲賳 賲賵爻賷賯賶 賲賵鬲夭丕乇鬲賷賻賾丞 噩匕賱賶 賵賲爻鬲禺賽賮賻賾丞.鈥�
賱賵乇賽賳賿鬲夭賵 賲賵賳丿賵 (La Stampa)
鈥溬冐жㄙ� 噩丿賷乇賹 亘丕賱賯乇丕亍丞 賵丕賱鬲賻賾賯丿賷乇貙 賱賲丕 賷賳賯賱賴 廿賱賷賳丕 賲賳 亘賴丕亍賺 賵賲鬲毓丞.鈥�
(The Washington Times)
鈥溫ベ嗁庂戀� 丕賳鬲氐丕乇 丕賱兀爻胤賵乇丞. 丕賱亘丨乇購 賳賮爻購賴 賱賷爻 廿賱賻賾丕 爻乇丕亘丕賸. 賵兀賱爻賻賾丕賳丿乇賵 亘丕乇賷賰購賾賵 賱賷爻 廿賱賻賾丕 卮丕毓乇丕賸.鈥�
(Le Figaro)
鈥溫辟堌з娯┵� 禺丕乇噩丞賹 毓賳 丕賱賲兀賱賵賮... 賰鬲丕亘賹 丨賵賱 丕賱賰賷賳賵賳丞 賵丕賱賵噩賵丿貙 賲賷鬲丕賮賷夭賷賯丕 賲賱毓賵亘丞賹 亘丿賴丕亍賽 賲賴乇賽賾噩賺 毓噩賵夭賺 丨賰賷賲貙 廿賳賻賾賴丕 乇賵丕賷丞賹 兀賯賱購賾 賲丕 鬲賮毓賱賴 兀賳賻賾賴丕 鬲賵丨賷 亘兀賳賻賾 孬賲賾丞 賮賷 丕賱丨賷丕丞 兀賲賵乇丕賸 兀賰孬乇 賲賲賻賾丕 賯丿 賷禺亘乇賰賻 亘賴 兀賷賹賾 賲賳 丕賱毓賯賱丕賳賷賽賾賷賳.鈥�
鬲賵賲 亘賵賳卮丕- 鬲賵賲丕鬲夭賵賮爻賰賷 (匕賷 廿賳丿亘賳丿賳鬲)
鈥溬呚辟庂懾┵� 兀禺乇賶貙 賲毓 乇賵丕賷鬲賴 丕賱亘丨乇 丕賱賲丨賷胤貙 賷購賳噩夭 丕賱爻賻賾丕丨乇 毓賲賱賻賴 亘亘乇丕毓丞賺: 賷禺賱賯 丕賱毓丕賱賲賻貙 毓丕賱賲丕賸 亘丨乇賷賻賾丕賸... 丨爻賽賾賷賻賾丕賸貙 賲購匕賴賱丕賸貙 賵賲丐賱賲丕賸貙 賰賲丕 賱賵 賰丕賳 毓丕賱賲丕賸 丨賯賷賯賷賻賾丕賸.鈥�
氐丨賷賮丞 丕賱賭 芦賱賷亘乇丕爻賷賵賳禄.
鈥溫з勜ㄘ辟� 丕賱賲丨賷胤購 乇賵丕賷丞賹 鬲鬲卮毓賻賾亘 賵鬲鬲賰卮賻賾賮 毓賱賶 胤乇賷賯鬲賴丕 賲賳 丕賱廿囟賲丕乇賽 丕賱卮賽賾毓乇賷賽賾. 丕賱爻賻賾賷賽賾丿 亘丕乇賷賰購賾賵 乇賵丕卅賷賹賾 鬲賰毓賷亘賷賹賾貙 匕賵 兀爻賱賵亘賺 賷賳馗乇購 賮賷 賵賯鬲賺 賵丕丨丿賺 廿賱賶 丕賱噩賵丕賳亘 丕賱賲鬲毓丿賽賾丿丞 賱賱兀卮賷丕亍. 廿賳賻賾賴 賷賳鬲賯賱 亘賳丕 賲賳 兀爻賱賵亘賺 亘賱丕睾賷賺賾 廿賱賶 丌禺乇貙 賲賽賳 卮賰賱賺 賲賳 兀卮賰丕賱 丕賱卮賽賾毓乇 丕賱乇賻賾賲夭賷賽賾 廿賱賶 賲睾丕賲乇丞賺 爻乇丿賷賻賾丞賺 賲賴賷亘丞 廿賱賶 賲賱賴丕丞賺 鬲卮乇購賾丿賷賻賾丞.鈥�
乇賷鬲卮丕乇丿 亘賷乇賳爻鬲丕賷賳 (匕賷 賳賷賷賵乇賰 鬲丕賷賲)
鈥溫贺必жωㄙ娰庂懾�... 廿賷乇賵爻賷賻賾丞... 乇賵丕賷丞 丕賱亘丨乇 丕賱賲丨賷胤 乇賵賲丕賳爻賷賻賾丞賹 賱賱睾丕賷丞 賵睾賳丕卅賷賻賾丞賹 亘卮賰賱賺 賲購匕賴賽賱.鈥�
噩賷賳賷 賲丕賰賮賷 (匕賷 賳賷賷賵乇賰 鬲丕賷賲)
鈥溫з勜ㄘ辟� 丕賱賲丨賷胤購 囟乇亘賹 賲賳 賰鬲丕亘賺貙 賷購噩乇噩乇購 賲毓賴 丕賱氐賽賾賮丕鬲 丕賱鬲賻賾丕賱賷丞 賲孬賱賲丕 鬲購噩乇噩乇購 賲毓賴丕 賲噩爻賻賾丕鬲賴丕 賯賳丕丿賷賱購 丕賱亘丨乇: 賲爻鬲丨賵賽匕賹貙 亘丕胤賳賷賹賾貙 睾賳丕卅賷賹賾貙 爻丕丨乇賹貙 賲賳賵賽賾賲賹貙 賰卅賷亘賹貙 鬲乇丕噩賷丿賷賹賾 [...]. 賲賵卮賵乇賷賻賾丞賸 賵賲鬲毓丿賽賾丿丞賻 丕賱兀賵噩賴 賲孬賱 賯氐賷丿丞貙 鬲毓賷丿 賴匕賴 丕賱乇賽賾賵丕賷丞 廿賱賶 丕賱兀匕賴丕賳 賲賯賵賱丞賻 兀乇卮亘賷賱丿 賲丕賰賱賷卮貙 鈥溬勝娯� 毓賱賶 丕賱賯氐賷丿丞 兀賳 鬲毓賳賷貙 亘賱 兀賳 鬲賰賵賳鈥�. 賵賱賰賳賻賾 賴匕賴 賱賷爻鬲 賯氐賷丿丞賸貙 廿賳賻賾賴丕 乇賵丕賷丞貙 賵賴賳丕 鬲賰賲賳 丕賱賲卮賰賱丞.鈥�
賵賽賳丿賷 兀賵乇賽賳鬲 (News Observer)
鈥溬娯百冑愘懾辟嗀� 亘丕乇賷賰購賾賵貙 賲賳 賵賯鬲賺 賱丌禺乇貙 亘賰丕賮賰丕 賲孬賱賲丕 亘爻賷賱賷賳貙 亘亘賷乇賷賰 賲孬賱賲丕 亘亘丕賱丕鬲賿爻賽爻賿賰賷貙 賵乇亘賻賾賲丕 丨鬲賾賶 亘賰丕賱賮賷賳賵貙 賵賱賰賳賿貨 賮賷 丕賱賳賽賾賴丕賷丞貙 賵亘賲丕 賱丕 賷鬲乇賰 賲噩丕賱丕賸 賱賱卮賻賾賰賽賾貙 賷購匕賰賽賾乇賳丕 亘賳賮爻賽賴貙 賰賵丕丨丿賺 賲賳 兀爻丕胤賷賳 丕賱爻購賾噩賵賮賽 丕賱賲夭乇賰卮丞 賵丕賱爻賽賾賲賮賵賳賷賻賾丕鬲.鈥�
噩賵锃€丕賳賽賾賷 噩賵丿賷鬲賿卮賷 (L鈥橴nit脿)
鈥溫嗁佖� 賴賳丕 兀噩賵丕亍賹 卮亘賷賴丞賹 亘兀噩賵丕亍 爻鬲賷賮賳爻賵賳貙 賵賲賷賱賮賷賱貙 賵賰賵賳乇丕丿貙 鬲賱賰 丕賱兀噩賵丕亍 丕賱鬲賷 鬲卮賰賽賾賱 廿賱賴丕賲丕賸 氐賱亘丕賸 賱賴匕賴 丕賱丨賰丕賷丞 丕賱鬲賷 鬲鬲睾匕賻賾賶貙 賲毓 匕賱賰貙 賲賳 丕賱鬲賻賾賵鬲購賾乇丕鬲 丕賱賲賷鬲丕賮賷夭賷賯賷賻賾丞 丕賱賲亘賴賻賲丞 丕賱賲賳亘毓孬丞 賲賳 兀爻胤賵乇丞 丕賱亘丨乇.鈥�
爻鬲賽賮丕賳賵 噩賵锃€丕賳丕乇丿賷 (La Repubblica)
鈥溬囏柏� 丕賱賰鬲丕亘 丕賱匕賷 賷賯胤乇購 鬲毓亘丕賸 賵丕賳賰爻丕乇丕賸貙 丕賱匕賷 賷丨鬲囟賳 賲賳 丨賷孬 丕賱賲亘丿兀 丕賱廿乇孬 丕賱兀丿亘賷賻賾 賱賰鬲賻賾丕亘 丕賱亘丨乇 賲賳 賳亘賵賷賽賾賷賳 賵賲賱毓賵賳賷賳貙 賷購賮賱賽丨 賮賷 丕賱丨賮丕馗 毓賱賶 禺賷胤賴 丕賱禺丕氐賽賾 賲賳 丕賱睾亘胤丞貙 賲賳 賲賵爻賷賯賶 賲賵鬲夭丕乇鬲賷賻賾丞 噩匕賱賶 賵賲爻鬲禺賽賮賻賾丞.鈥�
賱賵乇賽賳賿鬲夭賵 賲賵賳丿賵 (La Stampa)
鈥溬冐жㄙ� 噩丿賷乇賹 亘丕賱賯乇丕亍丞 賵丕賱鬲賻賾賯丿賷乇貙 賱賲丕 賷賳賯賱賴 廿賱賷賳丕 賲賳 亘賴丕亍賺 賵賲鬲毓丞.鈥�
(The Washington Times)
鈥溫ベ嗁庂戀� 丕賳鬲氐丕乇 丕賱兀爻胤賵乇丞. 丕賱亘丨乇購 賳賮爻購賴 賱賷爻 廿賱賻賾丕 爻乇丕亘丕賸. 賵兀賱爻賻賾丕賳丿乇賵 亘丕乇賷賰購賾賵 賱賷爻 廿賱賻賾丕 卮丕毓乇丕賸.鈥�
(Le Figaro)
287 pages, Paperback
First published March 1, 1993
918 people are currently reading
20.3k people want to read
About the author
Alessandro Baricco
100听books3,820听followersAlessandro Baricco is an Italian writer, born at Torino in 1958. He's the author of several works, including the novels Lands of Glass (Selezione Campiello Award and Prix M茅dicis 脡tranger), Ocean Sea (Viareggio Prize), Silk, City, Emmaus or Mr. Gwyn, among others.
He is also the author of the majestic rewrite of Homer鈥檚 Iliad, the theatrical monologue Novecento, the essays Next: On Globalization and the World to Come or The Game.
Baricco hosted the book program "Pickwick" for Rai Tre, which, according to Claudio Paglieri, "invited Italians to rediscover the pleasure of reading." In 1994, he founded a school of "writing techniques" in Turin called Holden (as a tribute to Salinger), which, under his direction, has been a resounding success. Since the publication of Silk, which has become a long-standing bestseller both in Italy and internationally, Baricco has established himself as one of the great Italian writers of the new generations.
He was awarded the Fondazione Il Campiello Prize in 2020 and the Penna d鈥橭ro Prize in 2022 for his body of work.
He is also the author of the majestic rewrite of Homer鈥檚 Iliad, the theatrical monologue Novecento, the essays Next: On Globalization and the World to Come or The Game.
Baricco hosted the book program "Pickwick" for Rai Tre, which, according to Claudio Paglieri, "invited Italians to rediscover the pleasure of reading." In 1994, he founded a school of "writing techniques" in Turin called Holden (as a tribute to Salinger), which, under his direction, has been a resounding success. Since the publication of Silk, which has become a long-standing bestseller both in Italy and internationally, Baricco has established himself as one of the great Italian writers of the new generations.
He was awarded the Fondazione Il Campiello Prize in 2020 and the Penna d鈥橭ro Prize in 2022 for his body of work.
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Displaying 1 - 30 of 1,963 reviews
September 21, 2015
When I started reading it, I was slightly drunk and my first reaction was, what the f*ck. But now I can add without any exaggeration that Ocean Sea is one of the best books I have ever read.
7 people, Ocean Sea (it deserves capital letters) and Baricco who put literature on higher level. It is possibly the weirdest book I ever had in my hands and it's a book with the best description of life. No, don鈥檛 be fooled with popular psychology genre, there is no instant answer and you have to massage your brain to perceive everything it offers.
First I couldn鈥檛 relate with his poetry and sentences that were overloaded with adjectives, but I googled a little bit, and discovered that Baricco was an opera critic.
It is
a
poem
with the sound
of sea
written as a
prose.
What he did is rare. There is this palette of characters: young Elisewin with mysterious sickness, father Pluche with beautiful prayers, adulteress Ann Deveria, painter Plasson, scientist Bartleboom, doctor Savigny and sailor Adams 鈥� all of them being desperate and in search for something. Water, sea, ocean has the power to heal.
And I can understand that perfectly as I run to the shore every time when I need to clear my mind. Sea has always been the healer: physical, emotional and psychological.
Croatia and Italy share the same sea 鈥� Adriatic. And being raised on that water, even if it鈥檚 not the ocean, even if I know that he didn鈥檛 place Almayer anywhere near... I felt utterly connected with this book.
This is the first time that I鈥檝e been so deep in poetic salt.
I love difficult literature, and this one was sometimes overwhelming and I forced myself to read it slowly. You can easily skip many insights if you are not paying attention. Because of this, it is certain that I will read this book again.
It's not easy at all to describe it. Style of writing is original, every character has its own way of structured words, and then you have so many layers of meaning which are connected with metaphors and above all - amazingly described emotions.
Unbelievably beautiful book.
7 people, Ocean Sea (it deserves capital letters) and Baricco who put literature on higher level. It is possibly the weirdest book I ever had in my hands and it's a book with the best description of life. No, don鈥檛 be fooled with popular psychology genre, there is no instant answer and you have to massage your brain to perceive everything it offers.
First I couldn鈥檛 relate with his poetry and sentences that were overloaded with adjectives, but I googled a little bit, and discovered that Baricco was an opera critic.
It is
a
poem
with the sound
of sea
written as a
prose.
What he did is rare. There is this palette of characters: young Elisewin with mysterious sickness, father Pluche with beautiful prayers, adulteress Ann Deveria, painter Plasson, scientist Bartleboom, doctor Savigny and sailor Adams 鈥� all of them being desperate and in search for something. Water, sea, ocean has the power to heal.
And I can understand that perfectly as I run to the shore every time when I need to clear my mind. Sea has always been the healer: physical, emotional and psychological.
Croatia and Italy share the same sea 鈥� Adriatic. And being raised on that water, even if it鈥檚 not the ocean, even if I know that he didn鈥檛 place Almayer anywhere near... I felt utterly connected with this book.
This is the first time that I鈥檝e been so deep in poetic salt.
I love difficult literature, and this one was sometimes overwhelming and I forced myself to read it slowly. You can easily skip many insights if you are not paying attention. Because of this, it is certain that I will read this book again.
It's not easy at all to describe it. Style of writing is original, every character has its own way of structured words, and then you have so many layers of meaning which are connected with metaphors and above all - amazingly described emotions.
Unbelievably beautiful book.
April 4, 2025
丕賱賮賳賵賳 賲爻丕丨丞 氐丕賮賷丞 乇丨亘丞 賱鬲毓賱賳 賲丕 賷噩賵賱 亘賷賳賰 賵亘賷賳 賳賮爻賰貙 亘爻丕胤 賲賳 兀賵鬲丕乇 賲卮丕毓乇賰 鬲賲丿賴 賱乇賵丨 爻丕毓賷丞 賱賲毓乇賮丞 氐丕賮賷丞 賵毓賲賷賯丞貙 鬲囟毓 丕爻鬲乇丕鬲賷噩賷丕鬲 丿賯賷賯丞 賱鬲氐賵乇丕鬲賰 賵兀亘噩丿賷鬲賰貙 鬲鬲禺賷賱 匕丕賰 丕賱匕賷 鬲胤賱毓賴 毓賱賶 賲丕 賱賲 鬲鬲丨丿孬 亘賴 賲毓 兀丨丿 賮賷 亘乇賳丕賲噩賰 丕賱賷賵賲賷 丕賱丕噩鬲賲丕毓賷
丕賱廿亘丿丕毓 亘賰賱 兀亘噩丿賷丕鬲賴 賵兀卮賰丕賱賴 賱賯丕亍 毓丕亘乇 賱乇賵鬲賷賳 丕賱禺胤丕亘丕鬲 丕賱夭丕卅賮丞 丕賱鬲賷 賳鬲丿丕賵賱賴丕 亘丕亘鬲爻丕賲丕鬲 賲賳鬲夭毓丞 賲賳 丕賱賵噩賴 丕賱禺卮亘賷貙 賷氐賴乇 噩賲賵丿 丕賱丕毓鬲賷丕丿 賵爻匕丕噩丞 丕賱丕賳鬲氐丕乇丕鬲 丕賱鬲賷 賳爻賱賵 亘賴丕 兀丨夭丕賳賳丕 丕賱毓賲賷賯丞 丕賱睾乇賷賯丞 賮賷 亘丨乇 匕丕賰乇鬲賳丕 賵賲丨賷胤 賴夭丕卅賲賳丕 丕賱乇賵丨賷丞
丕賱爻乇丿 丕賱賮賳賷 丨亘丕賱 賵氐賱 鬲鬲噩賱賶 賮賷 丕賲鬲丿丕丿賴丕 氐賵乇丞 丕賱匕丕鬲 丕賱爻丕毓賷丞 賱氐賵乇丞 賮賷 賵毓賷 丕賱丌禺乇
丕賱爻丕賳丿乇賵 亘丕乇賷賰賵 賷毓丿 乇丨賱丞 賲毓乇賮賷丞 噩賲丕賱賷丞貙 賷丨噩夭 賱賱賯丕乇卅 鬲匕賰乇丞 賲鬲丕亘毓丞 賵賲胤丕賱毓丞貙 賵賷賲賳丨賴 丨噩乇丞 賮賷 賮賳丿賯 丕賱禺賷丕賱 毓賱賶 卮丕胤卅 亘丨乇 丕賱廿賳爻丕賳賷丞
乇賵丕賷丞 丕賱亘丨乇 丕賱賲丨賷胤 乇丨賱丞 賱賳 賷賳爻丕賴丕 丕賱賲爻丕賮乇 毓賱賶 丕賱賲乇丕賰亘 丕賱賵乇賯賷丞貙 鬲賱賰 丕賱氐賮丨丕鬲 丕賱鬲賷 丕賳胤亘毓鬲 毓賱賷賴丕 亘氐賲丞 亘丕乇賷賰賵 丕賱禺賷丕賱賷丞貙 鬲賱賰 丕賱亘氐賲丞 丕賱鬲賷 丕爻鬲噩賲毓鬲 禺胤賵胤 賲卮丕毓乇 丕賱賲乇鬲丨賱賷賳 賮賷 爻亘賱 丕賱賵丕賯毓 丕賱賲賲鬲丿 賮賷 禺乇賷胤丞 丕賱噩睾乇丕賮賷丕 賵丕賱賲鬲賵丕乇賷 賮賷 兀爻丨丕乇 丕賱亘卮乇賷丞
丕賱乇賵丕賷丞 賲丿 賯賲乇賷 鬲賳爻丕亘 賮賷賴 賲禺賷賱丞 亘丕乇賷賰賵 丕賱鬲賷 鬲卮賰賱鬲 賮賷賴丕 卮禺氐賷丕鬲 鬲噩賲毓 亘賷賳賴丕 爻賲丞 卮毓賵乇賷丞 賴賷 丕賱爻毓賷 丕賱亘賷丕賳賷 賱賳賯賱 賲丿乇賰丕鬲 賷賯賷賳賷丞 禺丕氐丞 賮賷 兀亘噩丿賷丞 丕賱鬲賵丕氐賱 丕賱賲鬲丕丨丞貙 賰賷 賳囟毓 卮賮乇鬲賳丕 賮賷 氐賮丨丞 丕賱賮賳 丕賱匕賷 爻賷馗賱 賷睾匕賷 乇丨賱鬲賳丕 賮賷 賲毓丕乇噩 丕賱賲毓乇賮丞
賷賳胤賱賯 亘丕乇賷賰賵 賲賳 乇丐賷丞 賵丕囟丨丞 賲毓 兀賳賴丕 賲乇賰亘丞 賲賳 囟賮丕卅乇 賮賰乇賷丞 賲鬲賳賵毓丞貙 賱丿賷賴 賯丿乇丞 毓賱賶 丕賱鬲丨乇賰 賲賳 賲賮丕鬲賷丨 丕賷丿賷賵賱賵噩賷丞 賲賲鬲丿丞 賲賳 丕賱氐賵賮賷丞 廿賱賶 丕賱賱丕賲毓賯賵賱貙 賲乇賵乇丕 亘丕賱賲賱丨賲賷丞 卮亘賴 丕賱兀爻胤賵乇賷丞 賵賱賲爻丞 賵噩賵丿賷丞
廿噩丕丿丞 亘丕乇賷賰賵 賱鬲氐賲賷賲 丕賱賲毓賲丕乇 丕賱乇賵丕卅賷 賷毓賱賳 毓賳 匕賰丕亍 爻賷賲賷丕卅賷 賲鬲賲賰賳 賲賳 賮賴賲 兀毓賲丕賯 丕賱馗賵丕賴乇貙 賮丕賱乇賵丕賷丞 匕丕鬲 亘賳賷丞 孬賱丕孬賷丞 丕賱丨乇賰丕鬲 賲孬賱 賯氐賷丿 爻賷賲賮賵賳賷 賱賱丨賷丕丞 丕賱亘丨乇賷丞
丕賱丨乇賰丞 丕賱兀賵賱賶 丕賮鬲鬲丕丨賷丞 賱賱賲卮賴丿 丕賱亘丨乇賷 賵丕賱賳夭賱 丕賱匕賷 鬲兀鬲賷賴 丕賱卮禺氐賷丕鬲貙 賴匕賴 丕賱卮禺氐賷丕鬲 鬲鬲賴丕丿賶 廿賱賶 賲卮丕乇賮 丕賱亘丨乇 賰賲丕 賱賵 賰丕賳鬲 賲賵噩丕鬲 賲鬲丿賮賯丞 亘爻賱丕爻丞 賵卮毓乇賷丞 賵睾賲賵囟 乇賯賷賯 賷丨鬲賮馗 賱賴丕 亘兀爻乇丕乇 賷爻鬲卮賮 丕賱賲鬲賱賯賷 馗賱丕賱賴丕 賰兀賳賴 賷乇丕賴丕 禺賱賮 賲丕亍 兀賵 丿丕禺賱 亘賱賵乇 卮賮丕賮貙 卮禺氐賷丕鬲 賰賱賴丕 賲丐乇賯丞 亘賮賳 睾丕賲囟 賱賲 賷亘丨 毓賳 賳賮爻賴 賱賴丕 賰丕賲賱丕 賵賵丕賮乇丕貙 廿賳賴丕 氐賵乇丞 丕賱匕賷賳 兀鬲賵丕 廿賱賶 丕賱亘丨乇
丕賱丨乇賰丞 丕賱孬丕賳賷丞 賲賱丨賲賷丞 賰丕亘賵爻賷丞 賱賱賲兀爻丕丞 丕賱鬲賷 鬲賰卮賮 丕賱賳夭毓丞 丕賱睾乇賷夭賷丞 丕賱亘賴賷賲賷丞 禺賱賮 賯卮賵乇 丕賱鬲丨囟乇貙 廿賳賴丕 賳賯賱丞 賲賰丕賳賷丞 賵賰賵賳賷丞 鬲毓丕丿賱 氐禺亘 丕賱亘丨乇 賵毓賳賮賵丕賳賴 賵鬲賯賱亘賴 丕賱賴丕丿乇貙 廿賳賴丕 氐賵乇丞 丕賱匕賷賳 匕賴亘賵丕 賮賷 丕賱亘丨乇
丕賱丨乇賰丞 丕賱孬丕賱孬丞 禺鬲丕賲賷丞 爻乇賷毓丞 賮賷賴丕 賰卮賮 丕賱賳賴丕賷丕鬲 賵賵賲賷囟 丕賱鬲賳賵賷乇 廿賳賴丕 氐賵乇丞 丕賱匕賷賳 毓丕丿賵丕 賲賳 丕賱亘丨乇
毓亘賯乇賷丞 亘丕乇賷賰賵 丕賱噩賲賷賱丞 鬲賮賰乇 亘丕賱氐賵乇丞 賵鬲囟毓 丕賱賮賳 賮賷 賲賰丕賳賴 亘賵氐賮賴 爻賷胤乇丞 爻丨乇賷丞 毓賱賶 毓丕賱賲 賲鬲賯賱亘
毓賳賵丕賳 丕賱亘丨乇 丕賱賲丨賷胤 賱賷爻 睾乇賷亘丕 毓賱賶 丕賱賯丕乇卅 丕賱毓乇亘賷貙 賵亘丕乇賷賰賵 囟賱賷毓 賮賷 丕爻鬲丿毓丕亍 賰賱丕爻賷賰賷丕鬲 丕賱孬賯丕賮丞 丕賱毓丕賱賲賷丞
鬲乇噩賲丞 兀賲丕乇噩賷 賱乇賵丕賷丞 丕賱亘丨乇 丕賱賲丨賷胤 賱亘丕乇賷賰賵 丿乇賵爻 賮賷 爻賷賲賷丕卅賷丞 丕賱鬲兀賱賷賮 賵丕賱鬲丌賱賮 亘賷賳 丕賱賲亘丿毓 賵丕賱賲鬲乇噩賲 丨賷賳 賷賱鬲賯賷丕賳 賮賷 丕賱兀孬賷乇 丕賱孬賯丕賮賷 毓賱賶 賲賵噩丞 噩賲丕賱賷丞 鬲賱鬲賯胤 丕賱卮丕毓乇 丕賱賲賵噩賴 賱賱毓賲賱賷丞 丕賱鬲毓亘賷乇賷丞 賮賷 賰賱 賲賳賴賲丕
丕賱廿亘丿丕毓 亘賰賱 兀亘噩丿賷丕鬲賴 賵兀卮賰丕賱賴 賱賯丕亍 毓丕亘乇 賱乇賵鬲賷賳 丕賱禺胤丕亘丕鬲 丕賱夭丕卅賮丞 丕賱鬲賷 賳鬲丿丕賵賱賴丕 亘丕亘鬲爻丕賲丕鬲 賲賳鬲夭毓丞 賲賳 丕賱賵噩賴 丕賱禺卮亘賷貙 賷氐賴乇 噩賲賵丿 丕賱丕毓鬲賷丕丿 賵爻匕丕噩丞 丕賱丕賳鬲氐丕乇丕鬲 丕賱鬲賷 賳爻賱賵 亘賴丕 兀丨夭丕賳賳丕 丕賱毓賲賷賯丞 丕賱睾乇賷賯丞 賮賷 亘丨乇 匕丕賰乇鬲賳丕 賵賲丨賷胤 賴夭丕卅賲賳丕 丕賱乇賵丨賷丞
丕賱爻乇丿 丕賱賮賳賷 丨亘丕賱 賵氐賱 鬲鬲噩賱賶 賮賷 丕賲鬲丿丕丿賴丕 氐賵乇丞 丕賱匕丕鬲 丕賱爻丕毓賷丞 賱氐賵乇丞 賮賷 賵毓賷 丕賱丌禺乇
丕賱爻丕賳丿乇賵 亘丕乇賷賰賵 賷毓丿 乇丨賱丞 賲毓乇賮賷丞 噩賲丕賱賷丞貙 賷丨噩夭 賱賱賯丕乇卅 鬲匕賰乇丞 賲鬲丕亘毓丞 賵賲胤丕賱毓丞貙 賵賷賲賳丨賴 丨噩乇丞 賮賷 賮賳丿賯 丕賱禺賷丕賱 毓賱賶 卮丕胤卅 亘丨乇 丕賱廿賳爻丕賳賷丞
乇賵丕賷丞 丕賱亘丨乇 丕賱賲丨賷胤 乇丨賱丞 賱賳 賷賳爻丕賴丕 丕賱賲爻丕賮乇 毓賱賶 丕賱賲乇丕賰亘 丕賱賵乇賯賷丞貙 鬲賱賰 丕賱氐賮丨丕鬲 丕賱鬲賷 丕賳胤亘毓鬲 毓賱賷賴丕 亘氐賲丞 亘丕乇賷賰賵 丕賱禺賷丕賱賷丞貙 鬲賱賰 丕賱亘氐賲丞 丕賱鬲賷 丕爻鬲噩賲毓鬲 禺胤賵胤 賲卮丕毓乇 丕賱賲乇鬲丨賱賷賳 賮賷 爻亘賱 丕賱賵丕賯毓 丕賱賲賲鬲丿 賮賷 禺乇賷胤丞 丕賱噩睾乇丕賮賷丕 賵丕賱賲鬲賵丕乇賷 賮賷 兀爻丨丕乇 丕賱亘卮乇賷丞
丕賱乇賵丕賷丞 賲丿 賯賲乇賷 鬲賳爻丕亘 賮賷賴 賲禺賷賱丞 亘丕乇賷賰賵 丕賱鬲賷 鬲卮賰賱鬲 賮賷賴丕 卮禺氐賷丕鬲 鬲噩賲毓 亘賷賳賴丕 爻賲丞 卮毓賵乇賷丞 賴賷 丕賱爻毓賷 丕賱亘賷丕賳賷 賱賳賯賱 賲丿乇賰丕鬲 賷賯賷賳賷丞 禺丕氐丞 賮賷 兀亘噩丿賷丞 丕賱鬲賵丕氐賱 丕賱賲鬲丕丨丞貙 賰賷 賳囟毓 卮賮乇鬲賳丕 賮賷 氐賮丨丞 丕賱賮賳 丕賱匕賷 爻賷馗賱 賷睾匕賷 乇丨賱鬲賳丕 賮賷 賲毓丕乇噩 丕賱賲毓乇賮丞
賷賳胤賱賯 亘丕乇賷賰賵 賲賳 乇丐賷丞 賵丕囟丨丞 賲毓 兀賳賴丕 賲乇賰亘丞 賲賳 囟賮丕卅乇 賮賰乇賷丞 賲鬲賳賵毓丞貙 賱丿賷賴 賯丿乇丞 毓賱賶 丕賱鬲丨乇賰 賲賳 賲賮丕鬲賷丨 丕賷丿賷賵賱賵噩賷丞 賲賲鬲丿丞 賲賳 丕賱氐賵賮賷丞 廿賱賶 丕賱賱丕賲毓賯賵賱貙 賲乇賵乇丕 亘丕賱賲賱丨賲賷丞 卮亘賴 丕賱兀爻胤賵乇賷丞 賵賱賲爻丞 賵噩賵丿賷丞
廿噩丕丿丞 亘丕乇賷賰賵 賱鬲氐賲賷賲 丕賱賲毓賲丕乇 丕賱乇賵丕卅賷 賷毓賱賳 毓賳 匕賰丕亍 爻賷賲賷丕卅賷 賲鬲賲賰賳 賲賳 賮賴賲 兀毓賲丕賯 丕賱馗賵丕賴乇貙 賮丕賱乇賵丕賷丞 匕丕鬲 亘賳賷丞 孬賱丕孬賷丞 丕賱丨乇賰丕鬲 賲孬賱 賯氐賷丿 爻賷賲賮賵賳賷 賱賱丨賷丕丞 丕賱亘丨乇賷丞
丕賱丨乇賰丞 丕賱兀賵賱賶 丕賮鬲鬲丕丨賷丞 賱賱賲卮賴丿 丕賱亘丨乇賷 賵丕賱賳夭賱 丕賱匕賷 鬲兀鬲賷賴 丕賱卮禺氐賷丕鬲貙 賴匕賴 丕賱卮禺氐賷丕鬲 鬲鬲賴丕丿賶 廿賱賶 賲卮丕乇賮 丕賱亘丨乇 賰賲丕 賱賵 賰丕賳鬲 賲賵噩丕鬲 賲鬲丿賮賯丞 亘爻賱丕爻丞 賵卮毓乇賷丞 賵睾賲賵囟 乇賯賷賯 賷丨鬲賮馗 賱賴丕 亘兀爻乇丕乇 賷爻鬲卮賮 丕賱賲鬲賱賯賷 馗賱丕賱賴丕 賰兀賳賴 賷乇丕賴丕 禺賱賮 賲丕亍 兀賵 丿丕禺賱 亘賱賵乇 卮賮丕賮貙 卮禺氐賷丕鬲 賰賱賴丕 賲丐乇賯丞 亘賮賳 睾丕賲囟 賱賲 賷亘丨 毓賳 賳賮爻賴 賱賴丕 賰丕賲賱丕 賵賵丕賮乇丕貙 廿賳賴丕 氐賵乇丞 丕賱匕賷賳 兀鬲賵丕 廿賱賶 丕賱亘丨乇
丕賱丨乇賰丞 丕賱孬丕賳賷丞 賲賱丨賲賷丞 賰丕亘賵爻賷丞 賱賱賲兀爻丕丞 丕賱鬲賷 鬲賰卮賮 丕賱賳夭毓丞 丕賱睾乇賷夭賷丞 丕賱亘賴賷賲賷丞 禺賱賮 賯卮賵乇 丕賱鬲丨囟乇貙 廿賳賴丕 賳賯賱丞 賲賰丕賳賷丞 賵賰賵賳賷丞 鬲毓丕丿賱 氐禺亘 丕賱亘丨乇 賵毓賳賮賵丕賳賴 賵鬲賯賱亘賴 丕賱賴丕丿乇貙 廿賳賴丕 氐賵乇丞 丕賱匕賷賳 匕賴亘賵丕 賮賷 丕賱亘丨乇
丕賱丨乇賰丞 丕賱孬丕賱孬丞 禺鬲丕賲賷丞 爻乇賷毓丞 賮賷賴丕 賰卮賮 丕賱賳賴丕賷丕鬲 賵賵賲賷囟 丕賱鬲賳賵賷乇 廿賳賴丕 氐賵乇丞 丕賱匕賷賳 毓丕丿賵丕 賲賳 丕賱亘丨乇
毓亘賯乇賷丞 亘丕乇賷賰賵 丕賱噩賲賷賱丞 鬲賮賰乇 亘丕賱氐賵乇丞 賵鬲囟毓 丕賱賮賳 賮賷 賲賰丕賳賴 亘賵氐賮賴 爻賷胤乇丞 爻丨乇賷丞 毓賱賶 毓丕賱賲 賲鬲賯賱亘
毓賳賵丕賳 丕賱亘丨乇 丕賱賲丨賷胤 賱賷爻 睾乇賷亘丕 毓賱賶 丕賱賯丕乇卅 丕賱毓乇亘賷貙 賵亘丕乇賷賰賵 囟賱賷毓 賮賷 丕爻鬲丿毓丕亍 賰賱丕爻賷賰賷丕鬲 丕賱孬賯丕賮丞 丕賱毓丕賱賲賷丞
鬲乇噩賲丞 兀賲丕乇噩賷 賱乇賵丕賷丞 丕賱亘丨乇 丕賱賲丨賷胤 賱亘丕乇賷賰賵 丿乇賵爻 賮賷 爻賷賲賷丕卅賷丞 丕賱鬲兀賱賷賮 賵丕賱鬲丌賱賮 亘賷賳 丕賱賲亘丿毓 賵丕賱賲鬲乇噩賲 丨賷賳 賷賱鬲賯賷丕賳 賮賷 丕賱兀孬賷乇 丕賱孬賯丕賮賷 毓賱賶 賲賵噩丞 噩賲丕賱賷丞 鬲賱鬲賯胤 丕賱卮丕毓乇 丕賱賲賵噩賴 賱賱毓賲賱賷丞 丕賱鬲毓亘賷乇賷丞 賮賷 賰賱 賲賳賴賲丕
July 24, 2014
La mia storia d鈥檃more con questo libro 猫 molto lunga e travagliata. Quand鈥檈ro alle medie ne trovai un brano nell鈥檃ntologia di italiano (Bartleboom che arriva alla locanda Almayer) e ricordo che leggendolo provai grandissimo piacere. Alle superiori, non ricordo pi霉 se in secondo e in terzo, io e la mia migliore amica ci rifugiavamo in biblioteca quando uscivamo prima da scuola. E fu 肠辞蝉矛 che Oceano Mare mi capit貌 effettivamente tra le mani: lessi prima e seconda parte, in quell鈥檕ccasione. Ma, poich茅 leggere 6-7 pagine due volte la settimana non era molto comodo e perdevo il filo, lo abbandonai l矛.
Riuscii effettivamente a leggerlo per intero solo qualche anno dopo, quando lo comprai. So che questa 猫 una storia del tutto inutile, ma serve a dire che Oceano Mare mi accompagna da tanto tempo e fa ormai parte di me.
Una locanda in riva all鈥橭ceano e tanti personaggi strani, inadatti alla vita, pieni di segreti e di tristezze, tutti a loro modo singolarmente affascinanti: c鈥櫭� il professor Bartleboom con la sua enciclopedia sui limiti (e alle prese con la domanda, ma qual 猫 il limite del mare?); c鈥櫭� Plasson, il pittore che dipinge tele completamente bianche; c鈥櫭� Ann Deveri脿, una donna bellissima e sola che sembra stia scontando un castigo tutto suo; c鈥櫭� Elisewin, la ragazza che ha paura di tutto, paura della vita, e che pure vuole vivere; c鈥櫭� Padre Pluche con le sue preghiere che sono in realt脿 delle poesie; c鈥櫭� Adams, il misterioso, il silenzioso, che non si vuole svelare. E tanti altri che rimangono nel cuore.
脠 un romanzo che pu貌 senz鈥檃ltro piacere o non piacere affatto. 脠 Baricco stesso il responsabile di questa scissione. Da un lato la sua scrittura evocativa sa suscitare rapimento, innamoramenti, risate, lacrime, qualsiasi cosa, sa farti sentire protetta, capita, ti intontisce. Dall鈥檃ltro si coglie spesso una mancanza di senso finale, un qualcosa che sfugge e che rimane per giorni attorcigliato nello stomaco, a sedimentare sul fondo, e fa chiedere, ma cosa avr脿 mai voluto dire con una cosa 肠辞蝉矛 bella?
A distanza di anni, non ho ancora capito cosa Oceano Mare significhi nel suo complesso e penso che le sue pagine finali rimarranno per me sempre un enigma. Tuttavia il modo e il tono e i personaggi mi sono rimasti fitti nel cuore. A distanza di anni, ho anche capito che forse un senso finale non c鈥櫭�. Anche leggendo altre opere di Baricco, sono sempre stata colpita da questa sospensione. Resto sempre l矛 a chiedermi, ma sono io che non capisco o 猫 lui che non vuol farsi capire o semplicemente non c鈥櫭� nulla da capire?
脠 per questo motivo che il mio giudizio complessivo su Baricco 猫 tuttora oscillante tra l鈥檃more e la perplessit脿. Questo per貌 non toglie il fatto che Oceano Mare e la sua prosa lirica, vivida, stupenda siano stati per anni il mio punto di riferimento di bella scrittura. Immagino sempre un giorno di sedermi davanti ad Alessandro e dirgli, ok caro, 猫 il mio libro preferito, ma per favore ti spiacerebbe spiegarmelo?
Riuscii effettivamente a leggerlo per intero solo qualche anno dopo, quando lo comprai. So che questa 猫 una storia del tutto inutile, ma serve a dire che Oceano Mare mi accompagna da tanto tempo e fa ormai parte di me.
Una locanda in riva all鈥橭ceano e tanti personaggi strani, inadatti alla vita, pieni di segreti e di tristezze, tutti a loro modo singolarmente affascinanti: c鈥櫭� il professor Bartleboom con la sua enciclopedia sui limiti (e alle prese con la domanda, ma qual 猫 il limite del mare?); c鈥櫭� Plasson, il pittore che dipinge tele completamente bianche; c鈥櫭� Ann Deveri脿, una donna bellissima e sola che sembra stia scontando un castigo tutto suo; c鈥櫭� Elisewin, la ragazza che ha paura di tutto, paura della vita, e che pure vuole vivere; c鈥櫭� Padre Pluche con le sue preghiere che sono in realt脿 delle poesie; c鈥櫭� Adams, il misterioso, il silenzioso, che non si vuole svelare. E tanti altri che rimangono nel cuore.
脠 un romanzo che pu貌 senz鈥檃ltro piacere o non piacere affatto. 脠 Baricco stesso il responsabile di questa scissione. Da un lato la sua scrittura evocativa sa suscitare rapimento, innamoramenti, risate, lacrime, qualsiasi cosa, sa farti sentire protetta, capita, ti intontisce. Dall鈥檃ltro si coglie spesso una mancanza di senso finale, un qualcosa che sfugge e che rimane per giorni attorcigliato nello stomaco, a sedimentare sul fondo, e fa chiedere, ma cosa avr脿 mai voluto dire con una cosa 肠辞蝉矛 bella?
A distanza di anni, non ho ancora capito cosa Oceano Mare significhi nel suo complesso e penso che le sue pagine finali rimarranno per me sempre un enigma. Tuttavia il modo e il tono e i personaggi mi sono rimasti fitti nel cuore. A distanza di anni, ho anche capito che forse un senso finale non c鈥櫭�. Anche leggendo altre opere di Baricco, sono sempre stata colpita da questa sospensione. Resto sempre l矛 a chiedermi, ma sono io che non capisco o 猫 lui che non vuol farsi capire o semplicemente non c鈥櫭� nulla da capire?
脠 per questo motivo che il mio giudizio complessivo su Baricco 猫 tuttora oscillante tra l鈥檃more e la perplessit脿. Questo per貌 non toglie il fatto che Oceano Mare e la sua prosa lirica, vivida, stupenda siano stati per anni il mio punto di riferimento di bella scrittura. Immagino sempre un giorno di sedermi davanti ad Alessandro e dirgli, ok caro, 猫 il mio libro preferito, ma per favore ti spiacerebbe spiegarmelo?
June 7, 2021
Oceano mare = Ocean Sea, Alessandro Baricco
Ocean Sea is a 1993 novel by the Italian writer Alessandro Baricco.
Its narrative revolves around the lives of a group of people gathered at a remote seaside hotel.
The novel won the Viareggio Prize.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮
毓賳賵丕賳: 丕賯蹖丕賳賵爻 丿乇蹖丕貨 賳賵蹖爻賳丿賴: 丕賱爻丕賳丿乇賵 亘丕乇蹖讴賵貨 賲鬲乇噩賲: 丌乇夭賵 丕賯鬲丿丕乇蹖貨 鬲賴乇丕賳貙 丕賲蹖乇讴亘蹖乇貨 1384貨 丿乇 196氐貨 卮丕亘讴 9789640009918貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丕蹖鬲丕賱蹖丕蹖蹖 - 爻丿賴 20賲
丕蹖賳 讴鬲丕亘貙 亘蹖卮鬲乇 卮亘蹖賴 爻賮乇蹖 亘賱賳丿 丕爻鬲貙 鬲丕 蹖讴 丨讴丕蹖鬲 亘丕卮丿貨 丿丕爻鬲丕賳鈥屬囏й屰� 讴賴 卮丕蹖丿貙 丕乇鬲亘丕胤蹖 亘丕 賴賲 賳丿丕卮鬲賴 亘丕卮賳丿貙 丕賲丕 賳賯卮 丌賮乇蹖賳丕賳 丌賳貙 丿乇 賴鬲賱 毓噩蹖亘蹖 丿乇 爻丕丨賱 丿乇蹖丕貙 讴賴 亘賴 賵爻蹖賱賴鈥� 蹖 讴賵丿讴丕賳 賮乇卮鬲賴 賲丕賳賳丿貙 丕丿丕乇賴 賲蹖鈥屫促堌� 诏乇丿 賴賲 丌賲丿賴鈥� 丕賳丿貙 爻乇賳賵卮鬲 賴賲诏蹖 卮禺氐蹖鬲鈥屬囏ж� 亘丕 乇卮鬲賴鈥� 蹖 賳丕夭讴蹖 亘賴 賴賲 倬蹖賵爻鬲賴 丕爻鬲貙 賵 丕蹖賳 乇卮鬲賴 賴賲蹖賳 丿丕爻鬲丕賳 丿乇 丕蹖賳 讴鬲丕亘 丕爻鬲貨
丿乇 丌睾丕夭 讴鬲丕亘 丌賲丿賴 丕爻鬲: (爻丕賱鈥屬囏� 倬蹖卮貙 蹖讴 讴卮鬲蹖 噩賳诏蹖 芦賮乇丕賳爻賴禄 丿乇 丕賯蹖丕賳賵爻蹖 睾乇賯 卮丿賴 氐丿 賵 趩賴賱 賵 賴賮鬲 賳賮乇 賲爻丕賮乇 讴卮鬲蹖 亘丕 禺夭蹖丿賳 亘乇 蹖讴 鬲禺鬲賴鈥� 蹖 卮賳丕賵乇 亘夭乇诏貙 賵 爻倬乇丿賳 禺賵丿 亘賴 丿乇蹖丕貙 爻毓蹖 丿乇 賳噩丕鬲 禺賵蹖卮 讴乇丿賳丿貨 賵丨卮鬲蹖 讴賴 乇賵夭賴丕 胤賵賱 讴卮蹖丿貙 氐丨賳賴鈥� 丕蹖 亘賴 蹖丕丿 賲丕賳丿賳蹖 讴賴 丿乇 丌賳 亘丿鬲乇蹖賳 禺卮賵賳鬲鈥屬囏� 賵 乇賯鬲鈥屫з嗂屫藏臂屬� 鬲乇丨賲鈥屬囏� 亘賴 賳賲丕蹖卮 丿乇丌賲丿貨 爻丕賱鈥屬囏� 倬蹖卮貙 賲乇丿蹖 亘賴 爻丕丨賱 丕賯蹖丕賳賵爻 乇爻蹖丿貙 賯賵賱 賵 賯乇丕乇蹖 乇丕 亘丕 禺賵丿 亘賴 丌賳噩丕 丌賵乇丿賴 亘賵丿貨 賳丕賲 賲賴賲丕賳鈥屬矩佰屫臂� 讴賴 丿乇 丌賳貙 噩丕蹖 诏乇賮鬲 芦丌賱賲丕蹖乇禄 亘賵丿貨 丕蹖賳 賲賴賲丕賳鈥屬矩佰屫� 賴賮鬲 丕鬲丕賯 丿丕卮鬲: 亘丕 讴賵丿讴丕賳 毓噩蹖亘貙 蹖讴 賳賯丕卮貙 夭賳蹖 亘爻蹖丕乇 夭蹖亘丕貙 倬乇賮爻賵乇蹖 讴賴 賳丕賲蹖 毓噩蹖亘 丿丕卮鬲貙 賲乇丿蹖 賲乇賲賵夭貙 丿禺鬲乇蹖 讴賴 賳賲蹖鈥屫堌ж池� 亘賲蹖乇丿貙 賵 蹖讴 讴卮蹖卮 賲囟丨讴貙 賴賲诏蹖貙 賲爻丕賮乇丕賳 丌賳 賲賴賲丕賳鈥屬矩佰屫� 亘賵丿賳丿 賵 賲乇丿丿貙 丿乇 丕賯蹖丕賳賵爻 倬蹖 趩蹖夭蹖 賲蹖鈥屭簇嗀�)禄貨
禺蹖丕賱 丨賵氐賱賴 蹖 亘丨乇 賲蹖倬夭丿 賴蹖賴丕鬲貨 趩賴 賴丕爻鬲 丿乇 爻乇 丕蹖賳 賯胤乇賴 蹖 賲丨丕賱 丕賳丿蹖卮- 丨丕賮馗
賵 賴賲賴 趩蹖夭 丌亘 丕爻鬲 賵 丿乇蹖丕貨 丕蹖賳 毓賳氐乇 賳丕亘 賵 爻乇卮丕乇貙 爻乇趩卮賲賴 蹖 亘丕乇賵乇蹖貙 賵 賵蹖乇丕賳蹖貙 賲丕丿乇亘夭乇诏 丿乇蹖丕貙 賲丕丿乇賽 亘夭乇诏 丕蹖 丌亘...貨 丿乇蹖丕蹖 倬蹖賵賳丿 蹖丕 噩丿丕蹖蹖貙 丿乇蹖丕蹖 賵丨丿鬲 蹖丕 讴孬乇鬲貙 丿乇蹖丕 丌乇夭賵 賵 丕賯鬲丿丕乇賽 賴爻鬲蹖
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 16/03/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Ocean Sea is a 1993 novel by the Italian writer Alessandro Baricco.
Its narrative revolves around the lives of a group of people gathered at a remote seaside hotel.
The novel won the Viareggio Prize.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮
毓賳賵丕賳: 丕賯蹖丕賳賵爻 丿乇蹖丕貨 賳賵蹖爻賳丿賴: 丕賱爻丕賳丿乇賵 亘丕乇蹖讴賵貨 賲鬲乇噩賲: 丌乇夭賵 丕賯鬲丿丕乇蹖貨 鬲賴乇丕賳貙 丕賲蹖乇讴亘蹖乇貨 1384貨 丿乇 196氐貨 卮丕亘讴 9789640009918貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丕蹖鬲丕賱蹖丕蹖蹖 - 爻丿賴 20賲
丕蹖賳 讴鬲丕亘貙 亘蹖卮鬲乇 卮亘蹖賴 爻賮乇蹖 亘賱賳丿 丕爻鬲貙 鬲丕 蹖讴 丨讴丕蹖鬲 亘丕卮丿貨 丿丕爻鬲丕賳鈥屬囏й屰� 讴賴 卮丕蹖丿貙 丕乇鬲亘丕胤蹖 亘丕 賴賲 賳丿丕卮鬲賴 亘丕卮賳丿貙 丕賲丕 賳賯卮 丌賮乇蹖賳丕賳 丌賳貙 丿乇 賴鬲賱 毓噩蹖亘蹖 丿乇 爻丕丨賱 丿乇蹖丕貙 讴賴 亘賴 賵爻蹖賱賴鈥� 蹖 讴賵丿讴丕賳 賮乇卮鬲賴 賲丕賳賳丿貙 丕丿丕乇賴 賲蹖鈥屫促堌� 诏乇丿 賴賲 丌賲丿賴鈥� 丕賳丿貙 爻乇賳賵卮鬲 賴賲诏蹖 卮禺氐蹖鬲鈥屬囏ж� 亘丕 乇卮鬲賴鈥� 蹖 賳丕夭讴蹖 亘賴 賴賲 倬蹖賵爻鬲賴 丕爻鬲貙 賵 丕蹖賳 乇卮鬲賴 賴賲蹖賳 丿丕爻鬲丕賳 丿乇 丕蹖賳 讴鬲丕亘 丕爻鬲貨
丿乇 丌睾丕夭 讴鬲丕亘 丌賲丿賴 丕爻鬲: (爻丕賱鈥屬囏� 倬蹖卮貙 蹖讴 讴卮鬲蹖 噩賳诏蹖 芦賮乇丕賳爻賴禄 丿乇 丕賯蹖丕賳賵爻蹖 睾乇賯 卮丿賴 氐丿 賵 趩賴賱 賵 賴賮鬲 賳賮乇 賲爻丕賮乇 讴卮鬲蹖 亘丕 禺夭蹖丿賳 亘乇 蹖讴 鬲禺鬲賴鈥� 蹖 卮賳丕賵乇 亘夭乇诏貙 賵 爻倬乇丿賳 禺賵丿 亘賴 丿乇蹖丕貙 爻毓蹖 丿乇 賳噩丕鬲 禺賵蹖卮 讴乇丿賳丿貨 賵丨卮鬲蹖 讴賴 乇賵夭賴丕 胤賵賱 讴卮蹖丿貙 氐丨賳賴鈥� 丕蹖 亘賴 蹖丕丿 賲丕賳丿賳蹖 讴賴 丿乇 丌賳 亘丿鬲乇蹖賳 禺卮賵賳鬲鈥屬囏� 賵 乇賯鬲鈥屫з嗂屫藏臂屬� 鬲乇丨賲鈥屬囏� 亘賴 賳賲丕蹖卮 丿乇丌賲丿貨 爻丕賱鈥屬囏� 倬蹖卮貙 賲乇丿蹖 亘賴 爻丕丨賱 丕賯蹖丕賳賵爻 乇爻蹖丿貙 賯賵賱 賵 賯乇丕乇蹖 乇丕 亘丕 禺賵丿 亘賴 丌賳噩丕 丌賵乇丿賴 亘賵丿貨 賳丕賲 賲賴賲丕賳鈥屬矩佰屫臂� 讴賴 丿乇 丌賳貙 噩丕蹖 诏乇賮鬲 芦丌賱賲丕蹖乇禄 亘賵丿貨 丕蹖賳 賲賴賲丕賳鈥屬矩佰屫� 賴賮鬲 丕鬲丕賯 丿丕卮鬲: 亘丕 讴賵丿讴丕賳 毓噩蹖亘貙 蹖讴 賳賯丕卮貙 夭賳蹖 亘爻蹖丕乇 夭蹖亘丕貙 倬乇賮爻賵乇蹖 讴賴 賳丕賲蹖 毓噩蹖亘 丿丕卮鬲貙 賲乇丿蹖 賲乇賲賵夭貙 丿禺鬲乇蹖 讴賴 賳賲蹖鈥屫堌ж池� 亘賲蹖乇丿貙 賵 蹖讴 讴卮蹖卮 賲囟丨讴貙 賴賲诏蹖貙 賲爻丕賮乇丕賳 丌賳 賲賴賲丕賳鈥屬矩佰屫� 亘賵丿賳丿 賵 賲乇丿丿貙 丿乇 丕賯蹖丕賳賵爻 倬蹖 趩蹖夭蹖 賲蹖鈥屭簇嗀�)禄貨
禺蹖丕賱 丨賵氐賱賴 蹖 亘丨乇 賲蹖倬夭丿 賴蹖賴丕鬲貨 趩賴 賴丕爻鬲 丿乇 爻乇 丕蹖賳 賯胤乇賴 蹖 賲丨丕賱 丕賳丿蹖卮- 丨丕賮馗
賵 賴賲賴 趩蹖夭 丌亘 丕爻鬲 賵 丿乇蹖丕貨 丕蹖賳 毓賳氐乇 賳丕亘 賵 爻乇卮丕乇貙 爻乇趩卮賲賴 蹖 亘丕乇賵乇蹖貙 賵 賵蹖乇丕賳蹖貙 賲丕丿乇亘夭乇诏 丿乇蹖丕貙 賲丕丿乇賽 亘夭乇诏 丕蹖 丌亘...貨 丿乇蹖丕蹖 倬蹖賵賳丿 蹖丕 噩丿丕蹖蹖貙 丿乇蹖丕蹖 賵丨丿鬲 蹖丕 讴孬乇鬲貙 丿乇蹖丕 丌乇夭賵 賵 丕賯鬲丿丕乇賽 賴爻鬲蹖
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 16/03/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
October 18, 2016
Una prosa macchinosa e retorica per un romanzo di una vacuit脿 imbarazzante.
June 2, 2024
Marzo 2022
"Fanno delle cose, le donne, alle volte, che c鈥櫭� da rimanere secchi. Potresti passare una vita a provarci: ma non saresti capace di avere quella leggerezza che hanno loro, alle volte.
Sono leggere dentro. Dentro."
"Uno si costruisce grandi storie, questo 猫 il fatto, e pu貌 andare avanti anni a crederci, non importa quanto pazze sono, e inverosimili, se le porta addosso, e basta. Si 猫 anche felici, di cose del genere. Felici. E potrebbe non finire mai. Poi, un giorno, succede che si rompe qualcosa, nel cuore del gran marchingegno fantastico, tac, senza nessuna ragione, si rompe d鈥檌mprovviso e tu rimani l矛, senza capire come mai tutta quella favolosa storia non ce l鈥檋ai pi霉 addosso, ma davanti, come fosse la follia di un altro, e quell鈥檃ltro sei tu."
Primo libro di Baricco che leggo....la storia in s茅 mi 茅 anche piaciuta, come tutte le volte trovo qualcosa di mio, che parla di me e resto sempre a bocca aperta, ma vabb猫.
Sempre pi霉 convinta che, se avessi scritto un tema 肠辞蝉矛, il mio prof mi avrebbe scritto un bel 3 in rosso con tanto di annotazione sulle ripetizioni e l'uso delle parole...
Rilettura maggio 2024
Primo libro che rileggo in vita mia, ma la mia bunny aveva bisogno di compagnia con la sua milionesima rilettura di oceano mare che mi sono detta "male non pu貌 fare, magari lo leggi con occhi diversi, pi霉 esperti, in un momento migliore "
Ed effettivamente 肠辞蝉矛 猫 stato. 脠 entrato pi霉 in profondit脿 come il mare che infrange uno scoglio, il mare, che incanta, che uccide, commuove, ogni tanto sparisce, 猫 saggio, dolce, 猫 potente e imprevedibile. Ma soprattutto: il mare chiama!
E infatti mi 猫 venuta voglia di andarci al mare uff.
Il voto non cambia perch茅 Baricco alla fine ti deve piacere come scrive e io cosa posso dire se non
Amen
Amen
Amen
Amen
Amen
Amen
Amen
Amen
Amen
Amen
"Fanno delle cose, le donne, alle volte, che c鈥櫭� da rimanere secchi. Potresti passare una vita a provarci: ma non saresti capace di avere quella leggerezza che hanno loro, alle volte.
Sono leggere dentro. Dentro."
"Uno si costruisce grandi storie, questo 猫 il fatto, e pu貌 andare avanti anni a crederci, non importa quanto pazze sono, e inverosimili, se le porta addosso, e basta. Si 猫 anche felici, di cose del genere. Felici. E potrebbe non finire mai. Poi, un giorno, succede che si rompe qualcosa, nel cuore del gran marchingegno fantastico, tac, senza nessuna ragione, si rompe d鈥檌mprovviso e tu rimani l矛, senza capire come mai tutta quella favolosa storia non ce l鈥檋ai pi霉 addosso, ma davanti, come fosse la follia di un altro, e quell鈥檃ltro sei tu."
Primo libro di Baricco che leggo....la storia in s茅 mi 茅 anche piaciuta, come tutte le volte trovo qualcosa di mio, che parla di me e resto sempre a bocca aperta, ma vabb猫.
Sempre pi霉 convinta che, se avessi scritto un tema 肠辞蝉矛, il mio prof mi avrebbe scritto un bel 3 in rosso con tanto di annotazione sulle ripetizioni e l'uso delle parole...
Rilettura maggio 2024
Primo libro che rileggo in vita mia, ma la mia bunny aveva bisogno di compagnia con la sua milionesima rilettura di oceano mare che mi sono detta "male non pu貌 fare, magari lo leggi con occhi diversi, pi霉 esperti, in un momento migliore "
Ed effettivamente 肠辞蝉矛 猫 stato. 脠 entrato pi霉 in profondit脿 come il mare che infrange uno scoglio, il mare, che incanta, che uccide, commuove, ogni tanto sparisce, 猫 saggio, dolce, 猫 potente e imprevedibile. Ma soprattutto: il mare chiama!
E infatti mi 猫 venuta voglia di andarci al mare uff.
Il voto non cambia perch茅 Baricco alla fine ti deve piacere come scrive e io cosa posso dire se non
Amen
Amen
Amen
Amen
Amen
Amen
Amen
Amen
Amen
Amen
December 10, 2017
Ora capisco.
Le critiche a Baricco, intendo.
Le critiche da parte di molti critici e di tanti utenti critici.
Capisco anche le pernacchie e gli sberleffi.
Non 猫
che
basta
scrivere
肠辞蝉矛
per rappresentare il flusso di pensieri. Per dare profondit脿, forza, sostanza ai pensieri. Se/incateni/parole/una/nell'altra/senza/un/legame/forte - un legame forte - che le tiene insieme, sembra solo l'esercizio serale di un balbuziente. Un balbuziente colto e che conosce molte parole, per carit脿. Demostene, per intendersi. Demostene l'oratore. Demostene il greco.
Demostene.
Come non basta scrivere pagine di spaventevoli supercazzole prematurate come se fosse antani (ma anche no), gocciolanti tanto sono zuppe di parole e aggettivi, e delle quali, giunti alfine in fondo, non si 猫 capito nulla di ci貌 che si stava dicendo o di ci貌 che si voleva dire. Non 猫 che si 猫 tutti Saramago...
Certe pagine, lo dico inter nos , le ho trovate 肠辞蝉矛 prolisse e artificiose da risultare comiche.
Un barocchismo continuo, un esercizio estetico quasi del tutto privo di sostanza, un continuo divagare che si perde girando a vuoto. Nell'Oceano Mare. Ma anche da qualunque altra parte.
E siccome questi artifizi retorici sono costrutti utili solo a mascherare il nulla che c'猫 sotto, pi霉 d'una stella non si dovrebbe dare. Tuttavia qualche parte interessante c'猫, qualche bella intuizione, qualche pagina che lascia qualcosa.
Quindi 2 stelle mi pare un giudizio pi霉 equo. O forse no. Dato anche il finale.
Un
finale
imbarazzante
e
privo
di
significato.
Come quasi tutto il resto, d'altra parte.
[P.S. No, i bambini della locanda non sono alieni. E no, i protagonisti non sono fantasmi come nel Sesto senso]
Quindi s矛, confermo, voto 2.
Per la coerenza, per貌.
Le critiche a Baricco, intendo.
Le critiche da parte di molti critici e di tanti utenti critici.
Capisco anche le pernacchie e gli sberleffi.
Non 猫
che
basta
scrivere
肠辞蝉矛
per rappresentare il flusso di pensieri. Per dare profondit脿, forza, sostanza ai pensieri. Se/incateni/parole/una/nell'altra/senza/un/legame/forte - un legame forte - che le tiene insieme, sembra solo l'esercizio serale di un balbuziente. Un balbuziente colto e che conosce molte parole, per carit脿. Demostene, per intendersi. Demostene l'oratore. Demostene il greco.
Demostene.
Come non basta scrivere pagine di spaventevoli supercazzole prematurate come se fosse antani (ma anche no), gocciolanti tanto sono zuppe di parole e aggettivi, e delle quali, giunti alfine in fondo, non si 猫 capito nulla di ci貌 che si stava dicendo o di ci貌 che si voleva dire. Non 猫 che si 猫 tutti Saramago...
Certe pagine, lo dico inter nos , le ho trovate 肠辞蝉矛 prolisse e artificiose da risultare comiche.
Un barocchismo continuo, un esercizio estetico quasi del tutto privo di sostanza, un continuo divagare che si perde girando a vuoto. Nell'Oceano Mare. Ma anche da qualunque altra parte.
E siccome questi artifizi retorici sono costrutti utili solo a mascherare il nulla che c'猫 sotto, pi霉 d'una stella non si dovrebbe dare. Tuttavia qualche parte interessante c'猫, qualche bella intuizione, qualche pagina che lascia qualcosa.
Quindi 2 stelle mi pare un giudizio pi霉 equo. O forse no. Dato anche il finale.
Un
finale
imbarazzante
e
privo
di
significato.
Come quasi tutto il resto, d'altra parte.
[P.S. No, i bambini della locanda non sono alieni. E no, i protagonisti non sono fantasmi come nel Sesto senso]
Quindi s矛, confermo, voto 2.
Per la coerenza, per貌.
December 18, 2021
3/5
鈥� 鈥� Uno tiene sus sue帽os, cosas suyas, 铆ntimas, y despu茅s la vida no quiere seguir jugando contigo, y te lo desmonta, un instante, una frase y todo se desvanece. Suele ocurrir. Por esa raz贸n y no otra vivir es una tarea dolorosa 鈥︹€�
Como ya vengo avanzando en los comentarios parciales, esta novela tiene aciertos indudables y un estilo po茅tico, diferente y especial, con lo que genera pasajes de indudable hondura y belleza. Tal vez ser谩 que mi sensibilidad no es la necesaria, pero no es para m铆.
Me explico. La obra se divide en tres partes. La primera y la tercera ahondan m谩s en los personajes y ah铆 no he conseguido comprender a algunos de ellos. S茅 que no hay que juzgar lo que el autor propone, pero es que en ocasiones no comprendo que hacen los personajes ni por qu茅; no es que no empatice, que esto puede ocurrir, es que no comprendo ni a ellos ni a las situaciones en que se encuentran y que generan. Menci贸n aparte merecen algunos pasajes en los que se desarrollan conversaciones de estructura teatral y en los que no es f谩cil seguir quien dice qu茅. En cambio, la segunda parte s铆 me ha parecido m谩s brillante, tanto respecto a lo que se narra como en cuanto a la manera en que se narra, aunque haya hechos bastante desagradables, y la construcci贸n es original y po茅tica, a mi modo de ver. Hay quien define la obra de Baricco como prosa po茅tica o como poemas en prosa. No me considero el m谩s adecuado para entrar a debatir este aspecto, pero es indudable que destila toques po茅ticos.
Como se pregona en la contraportada, toda la novela gira en torno a un punto central que se eleva por encima de todas las tramas: el mar. Esto s铆 me ha parecido claro e interesante.
Pienso leer algo m谩s de este autor, para ver si cambia mi punto de vista. Tengo pendiente 鈥淪eda鈥�, pero despu茅s de algunas rese帽as que he le铆do a algunos de vosotros, creo que lo intentar茅 tambi茅n antes con 鈥淣ovecento鈥�.
Para aquellos que busqu茅is un estilo diferente con toques po茅ticos, el libro podr铆a ser recomendable, pero definitivamente considero que no va a gustar a muchos lectores, que buscan un relato m谩s estructurado y definido.
Y finalizo con otra cita que resume parte de lo dicho:
鈥� Este es el problema: ?donde empieza el mar?鈥�
鈥� 鈥� Uno tiene sus sue帽os, cosas suyas, 铆ntimas, y despu茅s la vida no quiere seguir jugando contigo, y te lo desmonta, un instante, una frase y todo se desvanece. Suele ocurrir. Por esa raz贸n y no otra vivir es una tarea dolorosa 鈥︹€�
Como ya vengo avanzando en los comentarios parciales, esta novela tiene aciertos indudables y un estilo po茅tico, diferente y especial, con lo que genera pasajes de indudable hondura y belleza. Tal vez ser谩 que mi sensibilidad no es la necesaria, pero no es para m铆.
Me explico. La obra se divide en tres partes. La primera y la tercera ahondan m谩s en los personajes y ah铆 no he conseguido comprender a algunos de ellos. S茅 que no hay que juzgar lo que el autor propone, pero es que en ocasiones no comprendo que hacen los personajes ni por qu茅; no es que no empatice, que esto puede ocurrir, es que no comprendo ni a ellos ni a las situaciones en que se encuentran y que generan. Menci贸n aparte merecen algunos pasajes en los que se desarrollan conversaciones de estructura teatral y en los que no es f谩cil seguir quien dice qu茅. En cambio, la segunda parte s铆 me ha parecido m谩s brillante, tanto respecto a lo que se narra como en cuanto a la manera en que se narra, aunque haya hechos bastante desagradables, y la construcci贸n es original y po茅tica, a mi modo de ver. Hay quien define la obra de Baricco como prosa po茅tica o como poemas en prosa. No me considero el m谩s adecuado para entrar a debatir este aspecto, pero es indudable que destila toques po茅ticos.
Como se pregona en la contraportada, toda la novela gira en torno a un punto central que se eleva por encima de todas las tramas: el mar. Esto s铆 me ha parecido claro e interesante.
Pienso leer algo m谩s de este autor, para ver si cambia mi punto de vista. Tengo pendiente 鈥淪eda鈥�, pero despu茅s de algunas rese帽as que he le铆do a algunos de vosotros, creo que lo intentar茅 tambi茅n antes con 鈥淣ovecento鈥�.
Para aquellos que busqu茅is un estilo diferente con toques po茅ticos, el libro podr铆a ser recomendable, pero definitivamente considero que no va a gustar a muchos lectores, que buscan un relato m谩s estructurado y definido.
Y finalizo con otra cita que resume parte de lo dicho:
鈥� Este es el problema: ?donde empieza el mar?鈥�
April 20, 2025
Este es el libro escrito m谩s bonito que he le铆do. Fuertes declaraciones, lo s茅.
Os voy a ser sincera, llevo semanas procrastinando el sentarme a escribir mis impresiones porque me dej贸 extasiada y no consegu铆a ordenar las ideas. Enamorada de la narraci贸n, la historia, los personajes, del mar鈥� y del puzzle que propone Baricco.
De hecho, si te gusta especular durante la lectura, 隆este es tu libro! Baricco se guarda muchas claves hasta el final, haciendo que a ratos el texto sea impenetrable para quien busque 鈥渆ntenderlo todo鈥� y quiz谩 la clave para leer este libro sea precisamente dejarse llevar por la marea. Un libro que como poco te mantiene atento a cada l铆nea, sin saber qu茅 puede pasar a continuaci贸n.
鈥極ceano mar鈥� como cabe esperar tiene como protagonista el mar, ese mar que lo es todo, que no acaba, ese mar, ese oc茅ano que nos hace pasar horas como si fueran minutos contempl谩ndolo. Un oc茅ano que nos recuerda lo peque帽os que somos y lo finito que es nuestro tiempo. Ese mar que nos sit煤a tantas veces en una orilla. El como s铆mbolo de lo inexplicable, aquello capaz de lo que creemos imposible, que es muerte y curaci贸n, que ahoga y se escapa entre los dedos. El oc茅ano mar como testigo perenne y eterno de nuestra historia y nuestra vida, y que acoge a quienes necesitan una estancia en la posada a sus orillas en medio de las tormentas de la vida. Un mar que para algunos es una cura, para otros una maldici贸n, para otros un misterio.
Y ese mar donde se produjo el hundimiento del Alliance y que fue inmortalizado por Gericault en su 鈥楲a balsa de Medusa鈥� y que obsesion贸 a Baricco y no dir茅 una palabra m谩s a este respecto.
Una narraci贸n fragmentada, con toques on铆ricos y polif贸nica nos va presentando a diferentes personajes que acabar谩n confluyendo en la misteriosa posada Almayer. Un crisol de personas sin (aparentemente) nada en com煤n, todos llegan al mismo (no)lugar que es la Posada Almayer. 驴Por casualidad o destinados a encontrarse? La segunda parte se aleja de lo metaf贸rico, mucho m谩s realista y cruda鈥� para explorar lo m谩s oscuro del ser humano.
El mar es inconmensurable, su grandeza nos supera, comprenderlo en toda su totalidad, es imposible. Y es mejor aceptarlo y disfrutarlo tal y como como es. Apl铆calo al mar y a la propia novela.
No s茅, qu茅 libro bonito. No quer铆a acabarlo. Volver茅 a 茅l.
Os voy a ser sincera, llevo semanas procrastinando el sentarme a escribir mis impresiones porque me dej贸 extasiada y no consegu铆a ordenar las ideas. Enamorada de la narraci贸n, la historia, los personajes, del mar鈥� y del puzzle que propone Baricco.
De hecho, si te gusta especular durante la lectura, 隆este es tu libro! Baricco se guarda muchas claves hasta el final, haciendo que a ratos el texto sea impenetrable para quien busque 鈥渆ntenderlo todo鈥� y quiz谩 la clave para leer este libro sea precisamente dejarse llevar por la marea. Un libro que como poco te mantiene atento a cada l铆nea, sin saber qu茅 puede pasar a continuaci贸n.
鈥極ceano mar鈥� como cabe esperar tiene como protagonista el mar, ese mar que lo es todo, que no acaba, ese mar, ese oc茅ano que nos hace pasar horas como si fueran minutos contempl谩ndolo. Un oc茅ano que nos recuerda lo peque帽os que somos y lo finito que es nuestro tiempo. Ese mar que nos sit煤a tantas veces en una orilla. El como s铆mbolo de lo inexplicable, aquello capaz de lo que creemos imposible, que es muerte y curaci贸n, que ahoga y se escapa entre los dedos. El oc茅ano mar como testigo perenne y eterno de nuestra historia y nuestra vida, y que acoge a quienes necesitan una estancia en la posada a sus orillas en medio de las tormentas de la vida. Un mar que para algunos es una cura, para otros una maldici贸n, para otros un misterio.
Y ese mar donde se produjo el hundimiento del Alliance y que fue inmortalizado por Gericault en su 鈥楲a balsa de Medusa鈥� y que obsesion贸 a Baricco y no dir茅 una palabra m谩s a este respecto.
Una narraci贸n fragmentada, con toques on铆ricos y polif贸nica nos va presentando a diferentes personajes que acabar谩n confluyendo en la misteriosa posada Almayer. Un crisol de personas sin (aparentemente) nada en com煤n, todos llegan al mismo (no)lugar que es la Posada Almayer. 驴Por casualidad o destinados a encontrarse? La segunda parte se aleja de lo metaf贸rico, mucho m谩s realista y cruda鈥� para explorar lo m谩s oscuro del ser humano.
El mar es inconmensurable, su grandeza nos supera, comprenderlo en toda su totalidad, es imposible. Y es mejor aceptarlo y disfrutarlo tal y como como es. Apl铆calo al mar y a la propia novela.
No s茅, qu茅 libro bonito. No quer铆a acabarlo. Volver茅 a 茅l.
June 9, 2011
There was about a minute when I was a little girl when I wanted to play baseball with the boys, and my dad was trying to teach me some stuff. I was about five when this happened, but I remember one of the first things he said to me was that, 鈥淵ou can鈥檛 always swing for the fences.鈥� Which was good advice, because not only did I miss the ball most of the time, but given the size and the velocity at which I swung the bat, more often than not I ended up flat on my butt. But the boys were watching and I wanted to beat them, so I swung for the fences anyway. Cycle, rinse, repeat.
In the prose and subject matter of Ocean Sea Baricco seems to have adopted a somewhat similar mentality. Granted his goal is probably a bit more noble. Rather than beating neighborhood boys, he wants to provide a meditation on the idea of the sea, what it has meant, what it used to mean and what it has become, and most importantly, what possibilities it holds for people who need it. Given that I鈥檝e just spent a semester reading about the Mediterranean, the Mare Nostrum, the 鈥淢iddle Sea,鈥� the fault line of conflicts for a thousand years, and now possibly the most overdetermined space in the history of ever, I was interested to hear what he had to say. I think possibly his best idea, which he didn鈥檛 spend enough time on, is how the meaning of oceans changed in the 18th and 19th century. Their original status- and of course we must keep in mind that I鈥檓 talking about status among Europeans- was as threatening, Other spaces where monsters dwelled and Satan ruled, but when the English started an empire that was based on the sea, it could not be a 鈥渇ree space鈥� given over to pirates any longer. No, the sea had to be made something respectable, where proper Englishmen could (and should) go to find glory and make a living. The sea had to be tamed, in other words. And what better way to do this than by allowing, nay, advising women to go to the sea- in fact having medical doctors say that the sea was healthy for you? If this was a space where weak women whose honor must be protected could go (though of course with prescribed limits), well then who could not approve of it? Baricco has a wonderful few pages where he describes women at the sea, and in particular the curtained 鈥渟ea baths鈥� that allowed them to take part in its healing properties while staying within respectable boundaries:
鈥渨omen. The sea suddenly seemed to have been waiting for them forever. To listen to the doctors, it had been there, for millennia, patiently perfecting itself, with the sole and precise intention of offering itself as a miraculous unguent for their afflictions of body and soul. Just as, while sipping tea in impeccable drawing rooms, impeccable doctors-weighing their words well in order to explain with paradoxical courtesy- would tell impeccable husbands and fathers over and over that the disgust for the sea, and the shock and the terror was in reality a seraphic cure for sterility, anorexia, nervous exhaustion, overexcitement, menopause, anxiety and insomnia. An ideal experience inasmuch as it was a remedy for the ferments of youth and a preparation for wifely duties. A solemn baptism for young ladies to become women鈥�
鈥� we could think of a woman-respected loved, mother, woman. For whatever reason-illness- brought to a sea that she would otherwise never have seen鈥� Her hair hangs loose and she is barefoot and this is not a mere detail, it is absurd, along with that little white tunic and the trousers that leave her ankles exposed, you could imagine her slim hips, it is absurd, only her boudoir has seen her like this, and yet, like that, there she is on an enormous beach, where there is no one of the viscous, stagnant air of the bridal bed, but the gusty sea breeze, bearing the edict of a wild freedom removed鈥� and it is clear: she cannot feel it鈥�
鈥hey were drinking the sea water, things had gone that far, the water that until the day before had been horror and disgust, and the privilege of a forlorn and barbarous humanity鈥� Now they were sipping it, those same divine invalids who waled along the water's edge imperceptibly dragging one leg... It was the same world as ever that had suddenly been transferred, for wholly medical purposes, to the edge of an abyss abhorred for centuries and now chosen as the promenade of suffering... The wave bath the doctors called it鈥� a kind of patented sedan chair for getting into the sea, it was for the ladies obviously to protect them from indiscreet eyes. 鈥� Only science can do certain things, this is the truth. To sweep away centuries of disgust- the horrendous sea womb of corruption and death- and invent that idyll little by little spreading to all the beaches of the world鈥︹€�
I liked this part. I think he's right about a lot. I loved the way that Baricco wrote about the sea as a negotiation between civilization and freedom, and saints and madmen, between tradition and the possibilities of the future, as a place where things are erased, where there can by definition be no firm foundations, where everything changes and nothing does, where time seems to stop because of its very repetitiveness. I think Baricco is getting at an argument that is only now coming to the fore in the many studies of the sea that have been released in the last few years. Maybe it is fitting that it took an Italian- an Italian who would include a priest in his cast of characters, to do it.
However, the unfortunate part is that he didn鈥檛 really live up to these ideas. The swinging for the fences prose, first of all. The part I quoted above was probably the best part, and I liked it. But the vast majority of it鈥� he was going for poetry, that much was obvious. Unfortunately, when you go for that in print, I think that you have to go about it in a particular way. Either you鈥檙e Nabokov and you can do what the hell you want, or you have to mix it in with other things. Your metaphor may be flowery or unusual, but you must surround it with plain or unobtrusive prose that leads up to it and away from it. And most of all, there must be a point to it. For example, at one point, Baricco writes: 鈥淥nly after a little did the gardener鈥檚 footsteps engrave themselves on the silence.鈥� First of all, I think I wrote that when I was 15. Second of all, the metaphorical word choice there serves absolutely no purpose except to show me that Baricco spent far too much time thinking of a better way to say, 鈥渉e walked away.鈥� Thirdly, shut up. There was also another pretty unbearable sex scene where he uses the structure of the inexorable waves to explain the different reasons why a young girl and a middle aged man would want to have sex with each other. Now 迟丑别谤别鈥檚 a subject that one more man definitely needed to rhapsodize badly about (鈥�sighs, sighs in Elisewin鈥檚 throat-soaring velvet, sighs at each new step in that world that crosses mountains never seen and lakes with forms unimaginable鈥hoever would have said that by kissing the eyes of a man you could see so far away- by caressing the legs of a young girl you could run so fast and escape-escape from everything to see so far away鈥︹€� VOMIT. If you鈥檙e going for the oldest subject in the book you better bring it, man). I could go on, but I think you get the idea. Overwrought, overly dramatic, and once he鈥檚 finished expressing his few ideas about the sea, all he鈥檚 got left is filling in the blanks by repeating himself in more and more fanciful ways.
I also thought the structure was both weird and off putting. It starts off with a section that is half straightforward prose, half impressionistic, but leans strongly towards the impressionism by the end of it. He鈥檚 big on ellipses, on not identifying speakers, on not finishing sentences and wise children who can read your mind (VOMIT, again). They volley minimalistic profundity back and forth to each other and almost never reach a place that goes deeper than that- with few exceptions. The ocean bit I talked about above, and 迟丑别谤别鈥檚 another lovely bit about Elisewin鈥檚 father arranging her journey to the sea. I liked when he started to veer into fully formed fairy tale, I hated when he tried to turn his prose into poetry. In a wincingly literal fashion at times- one or a few words per line, stopping paragraphs and starting them in the middle of the next, etc. Ugh. Didn鈥檛 we leave this novelist poet envy back in the 18th century? There was a part that ALMOST worked with a priest who wrote unusual and specific prayers (鈥淎 Prayer for a Little Boy Who Cannot Say the Letter R,鈥� 鈥淧rayer for a Man Who Is Falling into a Ravine鈥� 鈥撯€渙bviously it is very short鈥�-), but then he felt the need to write out the prayers rather than just tell me the wonderful titles and let me imagine it for myself. And unfortunately, the execution did not live up to the imagination. As with most of this book.
The next section was stream of consciousness, set up in a mockingly twelve days of Christmas sort of incantation, with a conflict that鈥檚 clearly drawn from the shipwreck that inspired and a . But the conflict set up because of it was obvious and banal. I hate this thing writers do where they put their otherwise flimsy tales into the context of some great historical event- World War II stories of any kind, all those Regency romance writers who use the Napoleonic wars- to try to give their stories some sort of weight and get prizes. Using the shield of historical events that are virtually off limits to criticism to block criticism of your writing by giving you some sort of impenetrable moral superiority is pretty cowardly and lazy. I don鈥檛 mind the use of big events, but either tell me something more interesting than 鈥淗itler is bad,鈥� or write your book in such a way that, 鈥淗itler is bad,鈥� seems new again. Baricco did not accomplish this. Which meant that his closing section, which was essentially an extended epilogue, had no emotional impact at all (except for perhaps the chapter about the 鈥渟eductress鈥�- as the book jacket calls her- who wrote a long letter to her lover begging for the freedom to be by herself. Which of course, he ignores. And THAT ends super well. Argh, MEN.) And then, on top of all that, as if this whole exercise weren鈥檛 already incredibly self-indulgent and pointless, he felt the need to insert himself into the last chapter for no reason whatsoever? Other than to establish.. what? He wrote this by the sea? He is finished contemplating the sea? Yes I saw that there were only a few pages left. Why did we need this announcement? It鈥檚 hardly heart rending when you saw to it yourself that most of the characters were vague and representative rather than fully formed humans- in fact at every point where they seemed almost human, where I almost formed a picture of someone I knew, you stopped abruptly and wrote another terrible poem.
You know what this was like? It was like someone deliberately trying to write a book consisting only of things he doesn鈥檛 know very much about, in styles he鈥檚 not very good at. Every time something natural to him came out, he quashed it, ruthlessly. Was this book an experiment of some kind? A punishment? Why would he keep swinging for something and landing on his butt? I don鈥檛 know, but in the end, I think that Baricco should have let himself breathe a bit. I think we all would have enjoyed ourselves much more.
In the prose and subject matter of Ocean Sea Baricco seems to have adopted a somewhat similar mentality. Granted his goal is probably a bit more noble. Rather than beating neighborhood boys, he wants to provide a meditation on the idea of the sea, what it has meant, what it used to mean and what it has become, and most importantly, what possibilities it holds for people who need it. Given that I鈥檝e just spent a semester reading about the Mediterranean, the Mare Nostrum, the 鈥淢iddle Sea,鈥� the fault line of conflicts for a thousand years, and now possibly the most overdetermined space in the history of ever, I was interested to hear what he had to say. I think possibly his best idea, which he didn鈥檛 spend enough time on, is how the meaning of oceans changed in the 18th and 19th century. Their original status- and of course we must keep in mind that I鈥檓 talking about status among Europeans- was as threatening, Other spaces where monsters dwelled and Satan ruled, but when the English started an empire that was based on the sea, it could not be a 鈥渇ree space鈥� given over to pirates any longer. No, the sea had to be made something respectable, where proper Englishmen could (and should) go to find glory and make a living. The sea had to be tamed, in other words. And what better way to do this than by allowing, nay, advising women to go to the sea- in fact having medical doctors say that the sea was healthy for you? If this was a space where weak women whose honor must be protected could go (though of course with prescribed limits), well then who could not approve of it? Baricco has a wonderful few pages where he describes women at the sea, and in particular the curtained 鈥渟ea baths鈥� that allowed them to take part in its healing properties while staying within respectable boundaries:
鈥渨omen. The sea suddenly seemed to have been waiting for them forever. To listen to the doctors, it had been there, for millennia, patiently perfecting itself, with the sole and precise intention of offering itself as a miraculous unguent for their afflictions of body and soul. Just as, while sipping tea in impeccable drawing rooms, impeccable doctors-weighing their words well in order to explain with paradoxical courtesy- would tell impeccable husbands and fathers over and over that the disgust for the sea, and the shock and the terror was in reality a seraphic cure for sterility, anorexia, nervous exhaustion, overexcitement, menopause, anxiety and insomnia. An ideal experience inasmuch as it was a remedy for the ferments of youth and a preparation for wifely duties. A solemn baptism for young ladies to become women鈥�
鈥� we could think of a woman-respected loved, mother, woman. For whatever reason-illness- brought to a sea that she would otherwise never have seen鈥� Her hair hangs loose and she is barefoot and this is not a mere detail, it is absurd, along with that little white tunic and the trousers that leave her ankles exposed, you could imagine her slim hips, it is absurd, only her boudoir has seen her like this, and yet, like that, there she is on an enormous beach, where there is no one of the viscous, stagnant air of the bridal bed, but the gusty sea breeze, bearing the edict of a wild freedom removed鈥� and it is clear: she cannot feel it鈥�
鈥hey were drinking the sea water, things had gone that far, the water that until the day before had been horror and disgust, and the privilege of a forlorn and barbarous humanity鈥� Now they were sipping it, those same divine invalids who waled along the water's edge imperceptibly dragging one leg... It was the same world as ever that had suddenly been transferred, for wholly medical purposes, to the edge of an abyss abhorred for centuries and now chosen as the promenade of suffering... The wave bath the doctors called it鈥� a kind of patented sedan chair for getting into the sea, it was for the ladies obviously to protect them from indiscreet eyes. 鈥� Only science can do certain things, this is the truth. To sweep away centuries of disgust- the horrendous sea womb of corruption and death- and invent that idyll little by little spreading to all the beaches of the world鈥︹€�
I liked this part. I think he's right about a lot. I loved the way that Baricco wrote about the sea as a negotiation between civilization and freedom, and saints and madmen, between tradition and the possibilities of the future, as a place where things are erased, where there can by definition be no firm foundations, where everything changes and nothing does, where time seems to stop because of its very repetitiveness. I think Baricco is getting at an argument that is only now coming to the fore in the many studies of the sea that have been released in the last few years. Maybe it is fitting that it took an Italian- an Italian who would include a priest in his cast of characters, to do it.
However, the unfortunate part is that he didn鈥檛 really live up to these ideas. The swinging for the fences prose, first of all. The part I quoted above was probably the best part, and I liked it. But the vast majority of it鈥� he was going for poetry, that much was obvious. Unfortunately, when you go for that in print, I think that you have to go about it in a particular way. Either you鈥檙e Nabokov and you can do what the hell you want, or you have to mix it in with other things. Your metaphor may be flowery or unusual, but you must surround it with plain or unobtrusive prose that leads up to it and away from it. And most of all, there must be a point to it. For example, at one point, Baricco writes: 鈥淥nly after a little did the gardener鈥檚 footsteps engrave themselves on the silence.鈥� First of all, I think I wrote that when I was 15. Second of all, the metaphorical word choice there serves absolutely no purpose except to show me that Baricco spent far too much time thinking of a better way to say, 鈥渉e walked away.鈥� Thirdly, shut up. There was also another pretty unbearable sex scene where he uses the structure of the inexorable waves to explain the different reasons why a young girl and a middle aged man would want to have sex with each other. Now 迟丑别谤别鈥檚 a subject that one more man definitely needed to rhapsodize badly about (鈥�sighs, sighs in Elisewin鈥檚 throat-soaring velvet, sighs at each new step in that world that crosses mountains never seen and lakes with forms unimaginable鈥hoever would have said that by kissing the eyes of a man you could see so far away- by caressing the legs of a young girl you could run so fast and escape-escape from everything to see so far away鈥︹€� VOMIT. If you鈥檙e going for the oldest subject in the book you better bring it, man). I could go on, but I think you get the idea. Overwrought, overly dramatic, and once he鈥檚 finished expressing his few ideas about the sea, all he鈥檚 got left is filling in the blanks by repeating himself in more and more fanciful ways.
I also thought the structure was both weird and off putting. It starts off with a section that is half straightforward prose, half impressionistic, but leans strongly towards the impressionism by the end of it. He鈥檚 big on ellipses, on not identifying speakers, on not finishing sentences and wise children who can read your mind (VOMIT, again). They volley minimalistic profundity back and forth to each other and almost never reach a place that goes deeper than that- with few exceptions. The ocean bit I talked about above, and 迟丑别谤别鈥檚 another lovely bit about Elisewin鈥檚 father arranging her journey to the sea. I liked when he started to veer into fully formed fairy tale, I hated when he tried to turn his prose into poetry. In a wincingly literal fashion at times- one or a few words per line, stopping paragraphs and starting them in the middle of the next, etc. Ugh. Didn鈥檛 we leave this novelist poet envy back in the 18th century? There was a part that ALMOST worked with a priest who wrote unusual and specific prayers (鈥淎 Prayer for a Little Boy Who Cannot Say the Letter R,鈥� 鈥淧rayer for a Man Who Is Falling into a Ravine鈥� 鈥撯€渙bviously it is very short鈥�-), but then he felt the need to write out the prayers rather than just tell me the wonderful titles and let me imagine it for myself. And unfortunately, the execution did not live up to the imagination. As with most of this book.
The next section was stream of consciousness, set up in a mockingly twelve days of Christmas sort of incantation, with a conflict that鈥檚 clearly drawn from the shipwreck that inspired and a . But the conflict set up because of it was obvious and banal. I hate this thing writers do where they put their otherwise flimsy tales into the context of some great historical event- World War II stories of any kind, all those Regency romance writers who use the Napoleonic wars- to try to give their stories some sort of weight and get prizes. Using the shield of historical events that are virtually off limits to criticism to block criticism of your writing by giving you some sort of impenetrable moral superiority is pretty cowardly and lazy. I don鈥檛 mind the use of big events, but either tell me something more interesting than 鈥淗itler is bad,鈥� or write your book in such a way that, 鈥淗itler is bad,鈥� seems new again. Baricco did not accomplish this. Which meant that his closing section, which was essentially an extended epilogue, had no emotional impact at all (except for perhaps the chapter about the 鈥渟eductress鈥�- as the book jacket calls her- who wrote a long letter to her lover begging for the freedom to be by herself. Which of course, he ignores. And THAT ends super well. Argh, MEN.) And then, on top of all that, as if this whole exercise weren鈥檛 already incredibly self-indulgent and pointless, he felt the need to insert himself into the last chapter for no reason whatsoever? Other than to establish.. what? He wrote this by the sea? He is finished contemplating the sea? Yes I saw that there were only a few pages left. Why did we need this announcement? It鈥檚 hardly heart rending when you saw to it yourself that most of the characters were vague and representative rather than fully formed humans- in fact at every point where they seemed almost human, where I almost formed a picture of someone I knew, you stopped abruptly and wrote another terrible poem.
You know what this was like? It was like someone deliberately trying to write a book consisting only of things he doesn鈥檛 know very much about, in styles he鈥檚 not very good at. Every time something natural to him came out, he quashed it, ruthlessly. Was this book an experiment of some kind? A punishment? Why would he keep swinging for something and landing on his butt? I don鈥檛 know, but in the end, I think that Baricco should have let himself breathe a bit. I think we all would have enjoyed ourselves much more.
May 2, 2024
Possibile che 肠辞蝉矛 pochi lettori si rendano conto che questo non 猫 affatto un capolavoro, ma un insipido esercizio di stile? Baricco 猫 l鈥檃poteosi di 鈥渢utto fumo e niente arrosto鈥�, tutto forma e niente contenuti, tutto marketing e niente sostanza. Sicuro, e' un bravo illusionista, come il sarto dei "vestiti nuovi dell'imperatore". Ma tutto resta puramente in superficie, e il mezzo (la parola) sembra diventare l'unico fine.
September 1, 2020
Sand as far as the eye can see, between the last hills and the sea鈥� the sea鈥攊n the cold air of an afternoon almost past, and blessed by the wind that always blows from the north.
The beach. And the sea.
It could be perfection鈥� an image for divine eyes鈥� a world that happens, that is all, the mute existence of land and water, a work perfectly accomplished, truth鈥攂ut once again it is the redeeming grain of a man that jams the mechanism of that paradise, a trifle capable on its own of suspending all that great apparatus of inexorable truth, a mere nothing, but one planted in the sand, an imperceptible tear in the surface of that sacred icon, a minuscule exception come to rest on the perfection of that boundless beach. From afar he would be no more than a black dot: amid nothingness, the nothing of a man and a painter鈥檚 easel.
The easel is anchored by slender cords to four stones placed on the sand. It sways imperceptibly in the wind that always blows from the north. The man is wearing waders and a large fisherman鈥檚 jacket . He is standing, facing the sea, twirling a slim paintbrush between his fingers. On the easel, a canvas.
He is like a sentinel鈥� this you must realize鈥攕tanding there to defend that part of the world from the silent invasion of perfection, a small crack that fragments that spectacular stage set of being. As it is always like this, you need only the glimmer of a man to wound the repose of that which would otherwise be a split second away from becoming truth, but instead immediately becomes suspense and doubt once more, because of the simple and infinite power of that man, who is a slit, a chink, a small doorway through which return a flood of stories and the enormous inventory of what of what could be, an infinite gash , a marvelous wound,a path made of thousands of steps where nothing can be true anymore but everything will be鈥攋ust as the steps are of that woman who, wrapped up in a purple cloak, her head covered, is pacing the beach with measured tread, skirting the backwash of of the sea, her feet tracing furrows from right to left across what is by then the lost perfection of the great picture , consuming the distance that separates her from the man until she comes to within a few paces of him, and then right beside him, where it takes nothing to pause and silently look on.
The man does not even turn. He continues staring out at the sea. Silence. From time to time he dips the brush in a copper cup and makes a few light strokes on the canvas. In their wake the bristles of the brush leave a shadow of the palest obscurity that the wind immediately dries, bringing the pristine white back to the surface. Water. In the copper cup there is only water. And on the canvas, nothing. Nothing that may be seen.
The north wind blows as it always does, and the woman pulls her purple cloak closer around her.
The beach. And the sea.
It could be perfection鈥� an image for divine eyes鈥� a world that happens, that is all, the mute existence of land and water, a work perfectly accomplished, truth鈥攂ut once again it is the redeeming grain of a man that jams the mechanism of that paradise, a trifle capable on its own of suspending all that great apparatus of inexorable truth, a mere nothing, but one planted in the sand, an imperceptible tear in the surface of that sacred icon, a minuscule exception come to rest on the perfection of that boundless beach. From afar he would be no more than a black dot: amid nothingness, the nothing of a man and a painter鈥檚 easel.
The easel is anchored by slender cords to four stones placed on the sand. It sways imperceptibly in the wind that always blows from the north. The man is wearing waders and a large fisherman鈥檚 jacket . He is standing, facing the sea, twirling a slim paintbrush between his fingers. On the easel, a canvas.
He is like a sentinel鈥� this you must realize鈥攕tanding there to defend that part of the world from the silent invasion of perfection, a small crack that fragments that spectacular stage set of being. As it is always like this, you need only the glimmer of a man to wound the repose of that which would otherwise be a split second away from becoming truth, but instead immediately becomes suspense and doubt once more, because of the simple and infinite power of that man, who is a slit, a chink, a small doorway through which return a flood of stories and the enormous inventory of what of what could be, an infinite gash , a marvelous wound,a path made of thousands of steps where nothing can be true anymore but everything will be鈥攋ust as the steps are of that woman who, wrapped up in a purple cloak, her head covered, is pacing the beach with measured tread, skirting the backwash of of the sea, her feet tracing furrows from right to left across what is by then the lost perfection of the great picture , consuming the distance that separates her from the man until she comes to within a few paces of him, and then right beside him, where it takes nothing to pause and silently look on.
The man does not even turn. He continues staring out at the sea. Silence. From time to time he dips the brush in a copper cup and makes a few light strokes on the canvas. In their wake the bristles of the brush leave a shadow of the palest obscurity that the wind immediately dries, bringing the pristine white back to the surface. Water. In the copper cup there is only water. And on the canvas, nothing. Nothing that may be seen.
The north wind blows as it always does, and the woman pulls her purple cloak closer around her.
April 21, 2020
Let me Drown in this gorgeous book.
One of the first books I read with an overall poetic prose, a speculative fiction of sorts. It's been years, decades, lifetime maybe, but I feel like I'm still adrift in that ocean.
April 1, 2019
"丕賱亘丨乇 賷爻丨乇貙 丕賱亘丨乇 賷賯鬲賱貙 賷購丨乇賾賰貙 賷購乇賵賾毓貙 賵賰匕賱賰 賷購囟丨賰貙 兀丨賷丕賳丕賸貙 賵賲賳 丨賷賳 賱丌禺乇 賷鬲賵丕乇賶貙 賷鬲賳賾賰乇 賮賷 賴賷卅丞 亘丨賷乇丞貙 兀賵 賷購賳卮卅 毓賵丕氐賮貙 賷賱鬲賯賾賲 爻賮賳丕賸貙 賷賴亘 孬乇賵丕鬲貙 賱丕 賷購毓胤賷 噩賵丕亘丕賸貙 丨賰賷賲貙 賱胤賷賮貙 賯丕丿乇貙 賵毓氐賷賾 毓賱賶 賰賱 賳亘賵亍丞. 賱賰賳貨 賮賵賯 賰賱 卮賷亍: 丕賱亘丨乇 賷購賳丕丿賷... 廿賳賴 賱丕 賷賮毓賱 卮賷卅丕賸貙 賮賷 丕賱賳賴丕賷丞貙 爻賵賶 賴匕丕: 丕賱賳丿丕亍."
亘毓丿 賯氐鬲賴 丕賱乇丕卅毓丞貙 賲賵賳賵賱賵噩 毓丕夭賮 丕賱亘賷丕賳賵 賮賷 丕賱賲丨賷胤貙 兀毓賵丿 賱賯乇丕亍丞 乇賵丕賷丞 噩丿賷丿丞 爻丕丨乇丞 賱兀賱賷爻丕賳丿乇賵 亘丕乇賷賰賵.
鬲亘丿兀 丕賱乇賵丕賷丞 賮賷 賳購夭賱 丌賱賲丕賷乇貙 毓賳丿 丕賱亘丨乇貙 丨賷孬 鬲賱鬲賯賷 賲噩賲賵毓丞 賲賳 丕賱卮禺氐賷丕鬲 丕賱睾乇賷亘丞貙 丕賱亘乇賵賮賷爻賵乇 亘丕乇鬲賱亘賵賲貙 丕賱乇爻丕賲 亘賱丕爻賵賳貙 丕賱爻賷丿丞 丌賳 丿賵賮乇賷丕貙 丕賱卮丕亘丞 廿賱夭賵賷賳貙 丕賱兀亘 亘賱賵卮貙 丌丿丕賲夭貙 丕賱胤亘賷亘 爻丕賮賷賳賷 賵賲噩賲賵毓丞 賲賳 丕賱兀胤賮丕賱. 卮禺氐賷丕鬲 鬲購賳爻噩 賲氐丕卅乇賴丕 賵兀賯丿丕乇賴丕 亘兀賲賵丕噩 丕賱亘丨乇貙 賲賳賴賲 賲賳 賷亘丨孬 毓賳 匕丕鬲賴貙 賵賲賳賴賲 賲賳 賷賰鬲亘 丿乇丕爻丕鬲 賵賷噩乇賷 兀亘丨丕孬丕賸貙 賵賲賳賴賲 賲賳 賷乇賷丿 乇爻賲 毓賷賵賳 丕賱亘丨乇貙 賵賲賳賴賲 賲賳 賷乇賷丿 兀賳 賷亘乇兀 賲賳 兀賲乇丕囟貙 賵賲賳賴賲 賲賳 賷亘丨孬 毓賳 廿噩丕亘丕鬲 賱兀爻卅賱鬲賴貙 賵賲賳賴賲 賲賳 賷乇賷丿 丕賱丕賳鬲賯丕賲. 乇賵丕賷丞 爻乇賷丕賱賷丞 賷兀禺匕賳丕 賮賷賴丕 亘丕乇賷賰賵 亘卮禺氐賷丕鬲賴 丕賱睾乇丕卅亘賷丞 廿賱賶 毓賵丕賱賲 亘毓賷丿丞貙 廿賱賶 兀夭賲丕賳 兀禺乇賶貙 廿賱賶 兀賲賵乇 賮賷 丕賱丨賷丕丞 賱丕 兀卮賷丕亍 賱丕 賳毓賱賲 毓賳 賰購賳賴賴丕 卮賷亍.
鬲卮毓乇 賵賰兀賳 丕賱亘丨乇 賳賮爻賴 賴賵 賲賳 賰鬲亘 賴匕賴 丕賱乇賵丕賷丞 賵氐丕睾賴丕 賱賳丕 賵賷鬲賳賯賾賱 亘賳丕 亘賷賳 毓丿丞 兀卮賰丕賱 爻乇丿賷丞 賵卮毓乇賷丞 賵亘賱丕睾賷丞 賮乇賷丿丞貙 賰賲丕 鬲鬲睾賷乇 兀賲賵丕噩賴 賵鬲鬲賱丕胤賲 賮賷 賰賱 賱丨馗丞. 鬲卮毓乇 賵賰兀賳賰 鬲爻賲毓 氐賵鬲 賴丿賷乇 丕賱亘丨乇 賮賷 爻胤乇 賮賷賴丕. 乇賵丕賷丞 亘丿賷毓丞 賵爻丕丨乇丞貙 賵賲丕 兀囟賮賶 毓賱賷賴丕 爻丨乇丕賸 賵賮乇丕丿丞 兀賰孬賷乇貙 亘毓丿 丕賱鬲乇噩賲丞貙 賴賵 氐賵鬲 爻賲毓丕賳 賮乇夭賱賷貙 丨賷孬 丕爻鬲賲鬲毓鬲 廿賱賷賴丕 賲賳 禺賱丕賱 鬲胤亘賷賯 爻鬲賵乇賷鬲賱.
乇賵丕賷丞 賱丕 鬲購賳爻賶.
...
August 20, 2015
Bello sul serio, pura poesia, immaginifico, toccante. Ma niente mi toglie dalla testa che Baricco sia in fondo un paraculo.
February 21, 2024
Me encanta el estilo del autor... la trama no tanto.
December 17, 2012
1/10
Presuntuoso, e *molto*. Scrittura puramente manieristica: una parola necessaria ogni dieci infilate solo per far ghirigori (terribilmente pacchiani, peraltro), periodi a singhiozzo dovunque e comunque (perch茅 fa molto Scrittore Troppo Avanti, immagino), frasette da biglietto dei cioccolatini che tentano di passare per Grande Poesia, e neanche una sola minuscola idea bella o originale che possa far dire "Perlomeno non ho buttato via due ore della mia vita". S矛, mi sa proprio che le ho buttate via, sperando fino all'ultimo in un guizzo di decenza che non c'猫 stato. Si ondeggia tra la noia omicida e l'incredulit脿 per quanta spocchia l'autore sia riuscito a infilare in una sola frase.
Quanto ai Grandi Temi, abbiamo la bellezza di: a) un "oceano mare" ricamato di leziosaggini e banalit脿, filosofia spicciola che il mare vero non l'ha visto neanche col binocolo; b) personaggi che sembrano quasi consapevoli della terrificante insensataggine e banalit脿 di quello che fanno, ma il copione 猫 quello e the show must go on; c) una tragedia in mezzo al mare che, ancora, spargendo parole a casaccio vorrebbe angosciare e turbare e suscitare orrore, ma che personalmente mi ha fatto rimpiangere svariati documentari sui naufragi, molto meno artefatti.
Presuntuoso, e *molto*. Scrittura puramente manieristica: una parola necessaria ogni dieci infilate solo per far ghirigori (terribilmente pacchiani, peraltro), periodi a singhiozzo dovunque e comunque (perch茅 fa molto Scrittore Troppo Avanti, immagino), frasette da biglietto dei cioccolatini che tentano di passare per Grande Poesia, e neanche una sola minuscola idea bella o originale che possa far dire "Perlomeno non ho buttato via due ore della mia vita". S矛, mi sa proprio che le ho buttate via, sperando fino all'ultimo in un guizzo di decenza che non c'猫 stato. Si ondeggia tra la noia omicida e l'incredulit脿 per quanta spocchia l'autore sia riuscito a infilare in una sola frase.
Quanto ai Grandi Temi, abbiamo la bellezza di: a) un "oceano mare" ricamato di leziosaggini e banalit脿, filosofia spicciola che il mare vero non l'ha visto neanche col binocolo; b) personaggi che sembrano quasi consapevoli della terrificante insensataggine e banalit脿 di quello che fanno, ma il copione 猫 quello e the show must go on; c) una tragedia in mezzo al mare che, ancora, spargendo parole a casaccio vorrebbe angosciare e turbare e suscitare orrore, ma che personalmente mi ha fatto rimpiangere svariati documentari sui naufragi, molto meno artefatti.
August 13, 2020
賰賭 毓丕夭賮 賲賵爻賷賯賶 貙 賷氐賳毓 賱賳丕 亘丕乇賷賰賵 賲賵爻賷賯丕賴丕 丕賱禺丕氐丞 賮賷 氐賵乇丞 乇賵丕賷丞 兀丿亘賷丞 亘賱睾丞 卮丕毓乇賷丞 鬲兀爻乇 丕賱乇賵丨 ..
October 30, 2020
芦螠委伪 委伪蟽畏 蔚委谓伪喂 渭喂伪 位苇尉畏 蟺慰位蠉 渭喂魏蟻萎 纬喂伪 蠈,蟿喂 蟽蠀渭尾伪委谓蔚喂 蔚未蠋. 螘委谓伪喂 伪蟺位蠈. 螒蠀蟿蠈 蔚委谓伪喂 苇谓伪 渭苇蟻慰蟼 蠈蟺慰蠀 蟺伪委蟻谓蔚喂蟼 维未蔚喂伪 伪蟺蠈 蟿慰谓 蔚伪蠀蟿蠈 蟽慰蠀. 螌,蟿喂 蔚委蟽伪喂 纬位喂蟽蟿蟻维蔚喂 伪蟺蠈 蟺维谓蠅 蟽慰蠀 蟽喂纬维 蟽喂纬维 魏伪喂 蟿慰 伪蠁萎谓蔚喂蟼 蟺委蟽蠅 蟽慰蠀, 尾萎渭伪 蟿慰 尾萎渭伪, 蟺维谓蠅 蟽' 伪蠀蟿萎 蟿畏谓 伪魏蟿萎 蟺慰蠀 未蔚 纬谓蠅蟻委味蔚喂 蠂蟻蠈谓慰 魏伪喂 味蔚喂 渭喂伪 渭蠈谓慰 渭苇蟻伪, 蟺维谓蟿伪 蟿畏谓 委未喂伪. 韦慰 蟺伪蟻蠈谓 蔚尉伪蠁伪谓委味蔚蟿伪喂 魏喂 蔚蟽蠉 纬委谓蔚蟽伪喂 渭谓萎渭畏. 螢蔚纬位喂蟽蟿蟻维蟼 伪蟺' 蠈位伪, 蠁蠈尾慰蠀蟼, 蟽蠀谓伪喂蟽胃萎渭伪蟿伪, 蔚蟺喂胃蠀渭委伪: 蟿伪 蠁蠀位维蟼, 蟽伪谓 蟻慰蠉蠂伪 蟺慰蠀 蟽蟿伪渭维蟿畏蟽蔚蟼 谓伪 蠁慰蟻维蟼, 蟽蟿畏谓 谓蟿慰蠀位维蟺伪 渭喂伪蟼 维纬谓蠅蟽蟿畏蟼 蟽慰蠁委伪蟼 魏伪喂 渭喂伪蟼 伪谓苇位蟺喂蟽蟿畏蟼 蔚喂蟻萎谓畏蟼.禄
螖蠀蟽魏慰位蔚蠉蟿畏魏伪 伪蟻魏蔚蟿维, 蟿慰 慰渭慰位慰纬蠋, 纬喂伪 谓伪 蔚蟺喂位苇尉蠅 渭委伪 渭喂魏蟻萎 蟺伪蟻维纬蟻伪蠁慰 伪蟺蠈 蟿慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 芦惟魏蔚伪谓蠈蟼禄 蟿慰蠀 螜蟿伪位慰蠉 蟽蠀纬纬蟻伪蠁苇伪 螒位蔚蟽蟽维谓蟿蟻慰 螠蟺伪蟻委魏魏慰, 蟺慰蠀 魏蠀魏位慰蠁慰蟻蔚委 伪蟺蠈 蟿喂蟼 蔚魏未蠈蟽蔚喂蟼 螤伪蟿维魏畏, 纬喂伪 谓伪 尉蔚魏喂谓萎蟽蠅 蟿慰 蟺伪蟻蠈谓 魏蔚委渭蔚谓慰, 蟺慰蠀 伪蠁慰蟻维 蟿慰 尾喂尾位委慰 蟿慰蠀. 螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 蟿慰 未蔚蠉蟿蔚蟻慰 位慰纬慰蟿蔚蠂谓喂魏蠈 苇蟻纬慰 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蟺慰蠀 蔚蟺喂位苇纬蠅 谓伪 未喂伪尾维蟽蠅, 蠈谓蟿伪蟼 萎未畏 渭伪纬蔚渭苇谓慰蟼 伪蟺' 蟿畏谓 蟺蟻慰畏纬慰蠉渭蔚谓畏 伪谓伪纬谓蠅蟽蟿喂魏萎 蔚渭蟺蔚喂蟻委伪 蟺慰蠀 尾委蠅蟽伪 未喂伪尾维味慰谓蟿伪蟼 蟿慰 蟽蠉谓蟿慰渭慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟿慰蠀 芦螠蔚蟿维尉喂禄. 螚 蔚谓蟿蠉蟺蠅蟽畏 蟺慰蠀 伪蟺慰魏蠈渭喂蟽伪 未喂伪尾维味慰谓蟿伪蟼 魏伪喂 蟿伪 未蠉慰 伪蠀蟿维 苇蟻纬伪 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蔚委谓伪喂 蟺蠅蟼 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 苇谓伪谓 蠂伪蟻喂蟽渭伪蟿喂魏蠈 蟽蠀纬纬蟻伪蠁苇伪, 蟺蟻伪纬渭伪蟿喂魏蠈 位慰纬慰蟿苇蠂谓畏, 蟺慰蠀 未喂伪胃苇蟿蔚喂 蟿畏 蟽蟿蠈蠁伪 蟿慰蠀 蟺伪蟻伪渭蠀胃维. 螡伪喂, 蟿慰蠀 蟺伪蟻伪渭蠀胃维, 纬喂伪蟿委 蟽蟿慰谓 惟魏蔚伪谓蠈 慰 伪谓伪纬谓蠋蟽蟿畏蟼 蟽蠀谓伪谓蟿维 蔚魏蔚委谓畏 蟿畏谓 慰谓蔚喂蟻喂魏萎 伪委蟽胃畏蟽畏 魏伪喂 蟿畏 纬位蠀魏蠈蟺喂魏蟻畏 纬蔚蠉蟽畏 蟺慰蠀 蠂伪蟻伪魏蟿畏蟻委味慰蠀谓 蟿伪 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪 蟺伪蟻伪渭蠉胃喂伪, 魏伪胃蠋蟼 魏伪喂 蟿慰 魏蠉蟻喂慰 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏蠈 蟺慰蠀 未喂伪魏蟻委谓蔚喂 蟿畏谓 蟿苇蠂谓畏 蟿畏蟼 蟺伪蟻伪渭蠀胃委伪蟼, 蟺慰蠀 未蔚谓 蔚委谓伪喂 维位位慰 伪蟺' 蟿慰谓 蟺伪蟻畏纬慰蟻畏蟿喂魏蠈 蟿畏蟼 蟽魏慰蟺蠈.
螣 惟魏蔚伪谓蠈蟼 蔚委谓伪喂 苇谓伪 蟺慰位蠀蟺蟻蠈蟽蠅蟺慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 伪蠁慰蠉 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 蔚蟺喂位苇纬蔚喂 谓伪 渭伪蟼 伪蠁畏纬畏胃蔚委 蟿喂蟼 喂蟽蟿慰蟻委蔚蟼 蔚蟺蟿维 未喂伪蠁慰蟻蔚蟿喂魏蠋谓 伪谓胃蟻蠋蟺蠅谓. 螁谓胃蟻蠅蟺慰喂 蠅蟽蟿蠈蟽慰, 慰喂 慰蟺慰委慰喂 未喂苇蟺慰谓蟿伪喂 伪蟺蠈 苇谓伪 魏慰喂谓蠈 蟽蟿慰喂蠂蔚委慰: 蔚蟺喂位苇纬慰蠀谓 魏伪喂 慰喂 蔚蟺蟿维 谓伪 未喂伪谓蠀魏蟿蔚蟻蔚蠉蟽慰蠀谓 纬喂伪 魏维蟺慰喂伪 尾蟻维未喂伪 蟽蟿慰 蟺伪谓未慰蠂蔚委慰 芦螒位渭维纬蔚蟻禄. 螆谓伪 蟺伪蟻伪胃伪位维蟽蟽喂慰 蟺伪谓未慰蠂蔚委慰, 蟿伪 鈥溝€蠈未喂伪鈥� 蟿慰蠀 慰蟺慰委慰蠀 蟿伪 纬位蠉蠁蔚喂 魏蠀蟻喂慰位蔚魏蟿喂魏维 蟿慰 魏蠉渭伪 蟿畏蟼 胃维位伪蟽蟽伪蟼. 螆谓伪 蟺伪谓未慰蠂蔚委慰 伪纬谓蠋蟽蟿蠅谓 蟽蠀谓蟿蔚蟿伪纬渭苇谓蠅谓, 蟺慰蠀 胃伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 尾蟻委蟽魏蔚蟿伪喂 魏蟿喂蟽渭苇谓慰 蟽蔚 慰蟺慰喂慰未萎蟺慰蟿蔚 蟽畏渭蔚委慰 蟿慰蠀 魏蠈蟽渭慰蠀. 螆谓伪 蟺伪谓未慰蠂蔚委慰 蟺慰蠀 伪喂蠅蟻蔚委蟿伪喂 魏维蟺慰蠀 伪谓维渭蔚蟽伪 蟽蟿慰 蠈谓蔚喂蟻慰 魏伪喂 蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪.
韦慰 蟺伪谓未慰蠂蔚委慰 伪蠀蟿蠈 伪蟺慰蟿蔚位蔚委 蟿慰 尾伪蟽喂魏蠈 蠁蠈谓蟿慰, 蟽蟿慰 慰蟺慰委慰 蔚魏蟿蠀位委蟽蟽蔚蟿伪喂 畏 未蟻维蟽畏 蟿慰蠀 尾喂尾位委慰蠀. 螘魏蔚委, 胃伪 渭蔚蟿伪蠁蔚蟻胃慰蠉谓 慰喂 蔚蟺蟿维 萎蟻蠅蔚蟼 蟿慰蠀 螠蟺伪蟻委魏魏慰, 慰蟻渭蠋渭蔚谓慰蟼 慰 魏伪胃苇谓伪蟼 伪蟺' 蟿喂蟼 未喂魏苇蟼 蟿慰蠀 伪谓维纬魏蔚蟼, 蔚蟺喂胃蠀渭委蔚蟼 魏伪喂 蟺蟻慰蟽未慰魏委蔚蟼, 蟺蔚蟻喂渭苇谓慰谓蟿伪蟼 蟽蟿慰 伪蟺慰渭慰谓蠅渭苇谓慰 伪蠀蟿蠈 渭苇蟻慰蟼 谓伪 尾蟻蔚喂 慰 魏伪胃苇谓伪蟼 蟿畏 位蠉蟽畏 蟽蟿慰 蟺蟻蠈尾位畏渭伪 蟺慰蠀 伪谓蟿喂渭蔚蟿蠅蟺委味蔚喂, 未委谓慰谓蟿伪蟼 蟺蟻蠋蟿伪 蟿畏 未喂魏萎 蟿慰蠀 蟺蟻慰蟽蠅蟺喂魏萎 渭维蠂畏.
O 伪谓伪纬谓蠋蟽蟿畏蟼 蟽蠀谓伪谓蟿维 蟿畏谓 谓蔚伪蟻萎 魏伪喂 蔚蠉胃蟻伪蠀蟽蟿畏 蟽蟿畏谓 蠀纬蔚委伪 蟿畏蟼 螘位委蟽纬慰蠀喂谓 蟺慰蠀 伪谓伪味畏蟿维 蟿畏谓 委伪蟽畏, 蠋蟽蟿蔚 谓伪 渭畏谓 蟺蔚胃维谓蔚喂, 蟿慰谓 伪谓伪蟺慰蠁维蟽喂蟽蟿慰 蟺维蟿蔚蟻 螤位慰蠀蟼 蟺慰蠀 蟽蠀谓慰未蔚蠉蔚喂 蟿畏谓 螘位委蟽纬慰蠀喂谓 蟽蟿慰 蟿伪尉委未喂 蟿畏蟼, 蟿畏谓 螒谓谓 螡蟿蔚尾蔚蟻喂维 蟺慰蠀 蔚蟺喂蟽魏苇蟺蟿蔚蟿伪喂 蟿慰 渭慰谓伪蠂喂魏蠈 伪蠀蟿蠈 渭苇蟻慰蟼, 蠉蟽蟿蔚蟻伪 伪蟺' 蟿畏谓 蟺蟻慰蟿蟻慰蟺萎 蟿慰蠀 蟽蠀味蠉纬慰蠀 蟿畏蟼 纬喂伪 谓伪 谓喂魏萎蟽蔚喂 蟿畏谓 伪蟻蟻蠋蟽蟿喂伪 蟺慰蠀 魏伪蟿苇尾伪位蔚 蟿慰谓 慰蟻纬伪谓喂蟽渭蠈 蟿畏蟼, 谓伪 尉蔚蟺蔚蟻维蟽蔚喂 慰蠀蟽喂伪蟽蟿喂魏维 蟿慰 伪委蟽胃畏渭伪 蟿慰蠀 苇蟻蠅蟿伪 蟺慰蠀 蟿蟻苇蠁蔚喂 纬喂伪 蟿慰谓 蔚蟻伪蟽蟿萎 蟿畏蟼, 蟿慰谓 味蠅纬蟻维蠁慰 螤位伪蟽蟽蠈谓, 慰 慰蟺慰委慰蟼 苇蠂慰谓蟿伪蟼 慰未畏纬畏胃蔚委 蟽蔚 苇谓伪 魏伪位位喂蟿蔚蠂谓喂魏蠈 蟿苇位渭伪, 味蠅纬蟻伪蠁委味慰谓蟿伪蟼 伪蟺慰魏位蔚喂蟽蟿喂魏维 蟿喂蟼 蟺蟻慰蟽蠅蟺慰纬蟻伪蠁委蔚蟼 蔚蠀纬蔚谓蠋谓 魏伪喂 伪谓胃蟻蠋蟺蠅谓 渭蔚 魏维蟺慰喂慰 魏蠉蟻慰蟼 魏伪喂 魏慰喂谓蠅谓喂魏蠈-慰喂魏慰谓慰渭喂魏萎 喂蟽蠂蠉, 蔚蟺喂位苇纬蔚喂 谓伪 魏维谓蔚喂 渭委伪 蟽蟿蟻慰蠁萎 蟽蟿畏谓 蟺慰蟻蔚委伪 蟿慰蠀, 蔚蟺喂蠂蔚喂蟻蠋谓蟿伪蟼 谓伪 未畏渭喂慰蠀蟻纬萎蟽蔚喂 渭委伪 蟺蟻慰蟽蠅蟺慰纬蟻伪蠁委伪 纬喂伪 蟿畏 胃维位伪蟽蟽伪, 蟿慰谓 蔚蟺喂蟽蟿萎渭慰谓伪 螠蟺维蟻蟿位渭蟺慰蠀渭 蟺慰蠀 蔚蟺喂胃蠀渭蔚委 谓伪 伪蟺慰未蔚委尉蔚喂 蟺蠅蟼 畏 胃维位伪蟽蟽伪 未蔚谓 蔚委谓伪喂 伪蟺苇蟻伪谓蟿畏, 伪谓伪味畏蟿蠋谓蟿伪蟼 谓伪 尾蟻蔚喂 蟿慰 蟽畏渭蔚委慰 蟺慰蠀 蟿蔚位蔚喂蠋谓蔚喂, 蟿慰谓 纬喂伪蟿蟻蠈 危伪尾喂谓蠉 蟺慰蠀 蟺蟻慰蟽蟺伪胃蔚委 谓伪 尉蔚蠁蠉纬蔚喂 伪蟺' 蟿慰蠀蟼 未伪委渭慰谓蔚蟼 蟿慰蠀 蟺伪蟻蔚位胃蠈谓蟿慰蟼, 魏伪喂 蟿慰谓 螁谓蟿伪渭蟼, 慰 慰蟺慰委慰蟼 蟺蟻苇蟺蔚喂 谓伪 尉慰蠁位萎蟽蔚喂 苇谓伪 蟺伪蟻蔚位胃慰谓蟿喂魏蠈 蠂蟻苇慰蟼...
螣喂 蔚蟺蟿维 蔚谓蟿蔚位蠋蟼 未喂伪蠁慰蟻蔚蟿喂魏慰委 渭蔚蟿伪尉蠉 蟿慰蠀蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼 伪蟺伪蟽蠂慰位慰蠉谓 蟿慰谓 蟽蠀纬纬蟻伪蠁苇伪 渭苇蟽伪 蟽蟿喂蟼 蟽蔚位委未蔚蟼 伪蠀蟿慰蠉 蟿慰蠀 尾喂尾位委慰蠀. 螘蟺蟿维 伪位位喂蠋蟿喂魏蔚蟼 喂蟽蟿慰蟻委蔚蟼 伪谓胃蟻蠋蟺蠅谓, 蟺慰蠀 蠁伪谓蟿维味慰蠀谓 伪蟽蠉谓未蔚蟿蔚蟼 渭蔚蟿伪尉蠉 蟿慰蠀蟼, 魏喂 伪蟻蠂喂魏维 尉蔚未喂蟺位蠋谓慰谓蟿伪喂 蟺伪蟻维位位畏位伪 尾蟻委蟽魏慰蠀谓 苇谓伪 蟽畏渭蔚委慰 蟿慰渭萎蟼, 苇谓伪 蟽畏渭蔚委慰 蟽蠀谓维谓蟿畏蟽畏蟼. 韦慰 蟽畏渭蔚委慰 伪蠀蟿蠈 蔚委谓伪喂 蠁蠀蟽喂魏维 蟿慰 蟺伪谓未慰蠂蔚委慰 螒位渭维纬蔚蟻. 螚 蟽蠀谓维谓蟿畏蟽畏 伪蠀蟿萎 蔚委谓伪喂 魏伪胃慰蟻喂蟽蟿喂魏萎蟼 蟽畏渭伪蟽委伪蟼 纬喂伪 蟿畏谓 渭蔚蟿苇蟺蔚喂蟿伪 蔚尉苇位喂尉畏 蟿畏蟼 蟺慰蟻蔚委伪蟼 魏维胃蔚 萎蟻蠅伪. 螚 魏伪胃畏渭蔚蟻喂谓萎 蔚蟺伪蠁萎 魏伪喂 畏 伪谓维蟺蟿蠀尉畏 未喂伪蟺蟻慰蟽蠅蟺喂魏蠋谓 未蔚蟽渭蠋谓 伪谓维渭蔚蟽伪 蟿慰蠀蟼, 魏伪胃蠋蟼 魏伪喂 畏 蟺伪蟻伪渭慰谓萎 蟿慰蠀蟼 蟽蟿慰 喂未喂蠈蟿蠀蟺慰 伪蠀蟿蠈 蟺伪谓未慰蠂蔚委慰 胃伪 未喂伪未蟻伪渭伪蟿委蟽蔚喂 蟽蟺慰蠀未伪委慰 蟻蠈位慰 蟽蟿喂蟼 伪蟺慰蠁维蟽蔚喂蟼 蟺慰蠀 胃伪 位维尾蔚喂 蟿蔚位喂魏维 魏维胃蔚 萎蟻蠅伪蟼, 位委纬慰 蟺蟻喂谓 伪蟺慰蠂蠅蟻萎蟽蔚喂 伪蟺' 蟿慰 蟺伪谓未慰蠂蔚委慰 螒位渭维纬蔚蟻.
螣喂 蠂伪蟻伪魏蟿萎蟻蔚蟼 蟿慰蠀 尾喂尾位委慰蠀 蟺伪蟻伪蠂蠅蟻慰蠉谓 蟽蟿慰谓 蟽蠀纬纬蟻伪蠁苇伪 渭委伪蟼 蟺蟻蠋蟿畏蟼 蟿维尉蔚蠅蟼 蔚蠀魏伪喂蟻委伪 纬喂伪 谓伪 胃委尉蔚喂 味畏蟿萎渭伪蟿伪 蟺慰蠀 伪蟺伪蟽蠂慰位慰蠉谓 蟿慰谓 维谓胃蟻蠅蟺慰 蔚未蠋 魏伪喂 蔚魏伪蟿慰谓蟿维未蔚蟼 蠂蟻蠈谓喂伪, 蠈蟺蠅蟼 蔚委谓伪喂 慰 胃维谓伪蟿慰蟼, 畏 味蠅萎, 慰 苇蟻蠅蟿伪蟼. 螣 蟽蠀纬纬蟻伪蠁苇伪蟼 胃伪 蟿慰位渭慰蠉蟽伪 谓伪 蟺蠅 蠈蟿喂 蠂蟻畏蟽喂渭慰蟺慰喂蔚委 蠅蟼 蟺伪蟻维未蔚喂纬渭伪 蟿慰蠀蟼 萎蟻蠅蔚蟼 蟿慰蠀 纬喂伪 谓伪 蟺蟻慰尾蔚委 蟽蔚 蠁喂位慰蟽慰蠁喂魏苇蟼 蟽魏苇蠄蔚喂蟼 蠀蟺伪蟻尉喂伪魏慰蠉 魏蠀蟻委蠅蟼 蟺蔚蟻喂蔚蠂慰渭苇谓慰蠀. 螒蟺' 蠈位蔚蟼 蟿喂蟼 蟽魏苇蠄蔚喂蟼 蠅蟽蟿蠈蟽慰, 蟽蟿喂蟼 慰蟺慰委蔚蟼 蟺蟻慰尾伪委谓蔚喂, 畏 蟽畏渭伪谓蟿喂魏蠈蟿蔚蟻畏 委蟽蠅蟼 蔚尉' 伪蠀蟿蠋谓, 萎 魏伪位蠉蟿蔚蟻伪 畏 魏蔚谓蟿蟻喂魏蠈蟿蔚蟻畏, 蟺慰蠀 伪蟺伪蟽蠂慰位蔚委 蠁蠀蟽喂魏维 蟿慰蠀蟼 萎蟻蠅蔚蟼 蟿慰蠀, 蔚委谓伪喂 伪蠀蟿萎 蟺慰蠀 蟽蠂蔚蟿委味蔚蟿伪喂 渭蔚 蟿慰 蟺蠈蟽慰 蟽畏渭伪谓蟿喂魏蠈 蔚委谓伪喂 蟿蔚位喂魏维 蟿慰 谓伪 伪魏慰位慰蠀胃慰蠉渭蔚 蟿喂蟼 蔚蟺喂胃蠀渭委蔚蟼 渭伪蟼, 纬喂伪 谓伪 渭蟺慰蟻苇蟽慰蠀渭蔚 谓伪 蟺慰蠉渭蔚 蟺蠅蟼 蟿蔚位喂魏维 味萎蟽伪渭蔚.
螖喂伪尾维味慰谓蟿伪蟼, 位慰喂蟺蠈谓, 蟿慰谓 惟魏蔚伪谓蠈, 伪蠀蟿蠈 蟺慰蠀 未喂伪蟺喂蟽蟿蠋谓蔚喂 魏伪谓蔚委蟼 伪蟺' 蟿喂蟼 蟺蟻蠋蟿蔚蟼 魏喂蠈位伪蟼 蟽蔚位委未蔚蟼 蟿慰蠀 尾喂尾位委慰蠀 蔚委谓伪喂 畏 蔚蟺喂尾位畏蟿喂魏萎 蟺伪蟻慰蠀蟽委伪 蟿畏蟼 胃维位伪蟽蟽伪蟼, 畏 慰蟺慰委伪 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿蔚委 蟽蠂蔚未蠈谓 蟽蔚 魏维胃蔚 蟽蔚位委未伪 蟿慰蠀 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿慰蟼, 蔚谓蠋 蟿蔚位喂魏维 渭苇蟽伪 伪蟺' 蟿慰谓 蟿蟻蠈蟺慰 蟺慰蠀 渭伪蟼 蟿畏谓 蟺伪蟻慰蠀蟽喂维味蔚喂 蠅蟼 蟽蠀纬纬蟻伪蠁苇伪蟼 畏 胃维位伪蟽蟽伪 伪蟺慰魏蟿维 渭委伪 伪蠀蟿伪尉委伪, 纬蔚纬慰谓蠈蟼 蟺慰蠀 胃伪 渭蟺慰蟻慰蠉蟽伪 谓伪 蟺蠅 蠈蟿喂 慰未畏纬蔚委 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏 蟽蟿慰 谓伪 蟿畏 胃蔚蠅蟻蔚委 蟺喂慰 蠀蟺伪蟻魏蟿萎 伪魏蠈渭伪 魏喂 伪蟺蠈 蟿伪 蟺蟻蠈蟽蠅蟺伪 蟺慰蠀 未蟻慰蠀谓 魏伪喂 味慰蠀谓 渭苇蟽伪, 苇尉蠅 魏伪喂 纬蠉蟻蠅 伪蟺蠈 伪蠀蟿萎. 螚 胃维位伪蟽蟽伪 纬蔚谓喂魏蠈蟿蔚蟻伪 蟽蟿畏 位慰纬慰蟿蔚蠂谓委伪 伪蟺慰蟿蔚位蔚委 渭委伪 苇谓谓慰喂伪 蟺慰蠀 蟽蠀谓蠀蠁伪委谓蔚蟿伪喂 渭蔚 蟺慰喂魏委位慰蠀蟼 蟽蠀渭尾慰位喂蟽渭慰蠉蟼. 危蟿畏谓 蟺蟻慰魏蔚喂渭苇谓畏 蟺蔚蟻委蟺蟿蠅蟽畏, 胃伪 渭蟺慰蟻慰蠉蟽伪渭蔚 谓伪 蟺慰蠉渭蔚 蠈蟿喂 畏 胃维位伪蟽蟽伪 蟽蠀渭尾慰位委味蔚喂 蟿伪 蟺维谓蟿伪 魏伪喂 蟿慰 蟿委蟺慰蟿伪, 魏喂 伪蠀蟿蠈 纬喂伪蟿委 纬喂伪 蟿慰谓 魏伪胃苇谓伪 伪蟺' 蟿慰蠀蟼 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿苇蟼 畏 胃维位伪蟽蟽伪 伪蟺慰魏蟿维 未喂伪蠁慰蟻蔚蟿喂魏蠈 谓蠈畏渭伪. 螝维胃蔚 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎蟼 苇蠂蔚喂 蟿畏 未喂魏萎 蟿慰蠀 喂未喂慰蟽蠀纬魏蟻伪蟽委伪, 慰蟺蠈蟿蔚 畏 胃维位伪蟽蟽伪 位蔚喂蟿慰蠀蟻纬蔚委 蠅蟼 苇谓伪蟼 魏伪胃蟻苇蠁蟿畏蟼 蟽蟿畏谓 蔚蟺喂蠁维谓蔚喂伪 蟿慰蠀 慰蟺慰委伪 魏伪胃蟻蔚蠁蟿委味蔚蟿伪喂 魏维胃蔚 蠁慰蟻维 魏维蟿喂 蔚谓蟿蔚位蠋蟼 未喂伪蠁慰蟻蔚蟿喂魏蠈, 伪谓伪位蠈纬蠅蟼 渭蔚 蟿慰 维蟿慰渭慰 蟺慰蠀 尾蟻委蟽魏蔚蟿伪喂 伪蟺苇谓伪谓蟿喂 蟿畏蟼 魏伪喂 蟿畏谓 蟺伪蟻伪蟿畏蟻蔚委. 螘喂未喂魏蠈蟿蔚蟻伪, 畏 胃维位伪蟽蟽伪 渭苇蟽伪 伪蟺' 蟿喂蟼 蟽蔚位委未蔚蟼 蟿慰蠀 尾喂尾位委慰蠀 蟽蠀谓未苇蔚蟿伪喂 蟺蠈蟿蔚 渭蔚 蟿畏谓 慰渭慰蟻蠁喂维, 蟿畏谓 蔚位蟺委未伪 魏伪喂 蟿畏 味蠅萎, 蟺蠈蟿蔚 渭蔚 蟿畏 蠁蟻委魏畏, 蟿畏 蟽魏位畏蟻蠈蟿畏蟿伪 魏伪喂 蟿慰谓 胃维谓伪蟿慰, 蟺蠈蟿蔚 渭蔚 蟿畏谓 苇谓谓慰喂伪 蟿慰蠀 蟺蔚蟺蔚蟻伪蟽渭苇谓慰蠀, 魏伪喂 蟺蠈蟿蔚 渭蔚 蟿畏谓 苇谓谓慰喂伪 蟿慰蠀 维蟺蔚喂蟻慰蠀.
螤苇蟻伪 伪蟺' 蟿慰蠀蟼 蟺慰喂魏委位慰蠀蟼 蟽蠀渭尾慰位喂蟽渭慰蠉蟼 渭蔚 蟿慰蠀蟼 慰蟺慰委慰蠀蟼 蠁慰蟻蟿委味蔚喂 蟿畏谓 苇谓谓慰喂伪 蟿畏蟼 胃维位伪蟽蟽伪蟼, 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 魏伪蟿伪蠁苇蟻谓蔚喂 魏维胃蔚 蠁慰蟻维 蟺慰蠀 蟿畏谓 蟺蔚蟻喂纬蟻维蠁蔚喂 谓伪 蟿喂蟼 蟺蟻慰蟽未蠋蟽蔚喂 未喂伪蠁慰蟻蔚蟿喂魏慰蠉蟼 蠂伪蟻伪魏蟿畏蟻喂蟽渭慰蠉蟼, 蠂蟿委味慰谓蟿伪蟼 未喂伪蠁慰蟻蔚蟿喂魏苇蟼 蔚喂魏蠈谓蔚蟼, 纬蔚纬慰谓蠈蟼 蟺慰蠀 蔚喂位喂魏蟻喂谓维 胃伪蠉渭伪蟽伪, 魏喂 伪蠀蟿蠈 纬喂伪蟿委 渭苇蟽蠅 伪蠀蟿慰蠉 魏伪蟿伪未蔚喂魏谓蠉蔚蟿伪喂 蟺蔚蟻委蟿蟻伪谓伪 畏 伪蠁畏纬畏渭伪蟿喂魏萎 未蔚喂谓蠈蟿畏蟿伪 蟺慰蠀 未喂苇蟺蔚喂 蟿慰谓 螒位蔚蟽蟽维谓蟿蟻慰 螠蟺伪蟻委魏魏慰 魏伪喂 蟿慰谓 伪谓伪纬维纬蔚喂 蟿慰蠀位维蠂喂蟽蟿慰谓 蟽蟿伪 未喂魏维 渭慰蠀 渭维蟿喂伪 伪蟺蠈 苇谓伪谓 伪蟺位蠈 蟽蠀纬纬蟻伪蠁苇伪 蟽蔚 蟺蟻伪纬渭伪蟿喂魏蠈 位慰纬慰蟿苇蠂谓畏.
螣位慰魏位畏蟻蠋谓慰谓蟿伪蟼, 慰 惟魏蔚伪谓蠈蟼, 蔚委谓伪喂 苇谓伪 喂未喂伪委蟿蔚蟻慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟺慰蠀 未喂伪魏伪蟿苇蠂蔚蟿伪喂 伪蟺蠈 渭委伪 苇谓蟿慰谓畏 蟺伪蟻伪渭蠀胃喂伪魏萎 伪蠉蟻伪. 螒蟺慰蟿蔚位蔚委 伪未喂伪渭蠁喂蟽尾萎蟿畏蟿伪 渭委伪 渭慰谓伪未喂魏萎 伪谓伪纬谓蠅蟽蟿喂魏萎 蔚渭蟺蔚喂蟻委伪, 伪蠁慰蠉 慰未畏纬蔚委 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏 蟽蟿慰 谓伪 委蟺蟿伪蟿伪喂 蟽蟿慰 渭蔚蟿伪委蠂渭喂慰 渭蔚蟿伪尉蠉 蟿慰蠀 慰谓蔚委蟻慰蠀 魏伪喂 渭委伪蟼 维魏蟻蠅蟼 蟻蔚伪位喂蟽蟿喂魏萎蟼 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪蟼, 渭蔚蟿伪尉蠉 未蠉慰 伪谓蟿喂胃蔚蟿喂魏蠋谓 蔚魏蠁维谓蟽蔚蠅谓 蟿慰蠀 委未喂慰蠀 魏蠈蟽渭慰蠀 蠅蟽蟿蠈蟽慰. 螠委伪 伪谓伪纬谓蠅蟽蟿喂魏萎 蔚渭蟺蔚喂蟻委伪 位慰喂蟺蠈谓, 蟺慰蠀 伪尉委味蔚喂 蟽委纬慰蠀蟻伪 谓伪 味萎蟽蔚蟿蔚 蟽蟿畏谓 蟺慰蟻蔚委伪 蟽伪蟼 蠅蟼 伪谓伪纬谓蠋蟽蟿蔚蟼.
螖蠀蟽魏慰位蔚蠉蟿畏魏伪 伪蟻魏蔚蟿维, 蟿慰 慰渭慰位慰纬蠋, 纬喂伪 谓伪 蔚蟺喂位苇尉蠅 渭委伪 渭喂魏蟻萎 蟺伪蟻维纬蟻伪蠁慰 伪蟺蠈 蟿慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 芦惟魏蔚伪谓蠈蟼禄 蟿慰蠀 螜蟿伪位慰蠉 蟽蠀纬纬蟻伪蠁苇伪 螒位蔚蟽蟽维谓蟿蟻慰 螠蟺伪蟻委魏魏慰, 蟺慰蠀 魏蠀魏位慰蠁慰蟻蔚委 伪蟺蠈 蟿喂蟼 蔚魏未蠈蟽蔚喂蟼 螤伪蟿维魏畏, 纬喂伪 谓伪 尉蔚魏喂谓萎蟽蠅 蟿慰 蟺伪蟻蠈谓 魏蔚委渭蔚谓慰, 蟺慰蠀 伪蠁慰蟻维 蟿慰 尾喂尾位委慰 蟿慰蠀. 螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 蟿慰 未蔚蠉蟿蔚蟻慰 位慰纬慰蟿蔚蠂谓喂魏蠈 苇蟻纬慰 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蟺慰蠀 蔚蟺喂位苇纬蠅 谓伪 未喂伪尾维蟽蠅, 蠈谓蟿伪蟼 萎未畏 渭伪纬蔚渭苇谓慰蟼 伪蟺' 蟿畏谓 蟺蟻慰畏纬慰蠉渭蔚谓畏 伪谓伪纬谓蠅蟽蟿喂魏萎 蔚渭蟺蔚喂蟻委伪 蟺慰蠀 尾委蠅蟽伪 未喂伪尾维味慰谓蟿伪蟼 蟿慰 蟽蠉谓蟿慰渭慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟿慰蠀 芦螠蔚蟿维尉喂禄. 螚 蔚谓蟿蠉蟺蠅蟽畏 蟺慰蠀 伪蟺慰魏蠈渭喂蟽伪 未喂伪尾维味慰谓蟿伪蟼 魏伪喂 蟿伪 未蠉慰 伪蠀蟿维 苇蟻纬伪 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蔚委谓伪喂 蟺蠅蟼 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 苇谓伪谓 蠂伪蟻喂蟽渭伪蟿喂魏蠈 蟽蠀纬纬蟻伪蠁苇伪, 蟺蟻伪纬渭伪蟿喂魏蠈 位慰纬慰蟿苇蠂谓畏, 蟺慰蠀 未喂伪胃苇蟿蔚喂 蟿畏 蟽蟿蠈蠁伪 蟿慰蠀 蟺伪蟻伪渭蠀胃维. 螡伪喂, 蟿慰蠀 蟺伪蟻伪渭蠀胃维, 纬喂伪蟿委 蟽蟿慰谓 惟魏蔚伪谓蠈 慰 伪谓伪纬谓蠋蟽蟿畏蟼 蟽蠀谓伪谓蟿维 蔚魏蔚委谓畏 蟿畏谓 慰谓蔚喂蟻喂魏萎 伪委蟽胃畏蟽畏 魏伪喂 蟿畏 纬位蠀魏蠈蟺喂魏蟻畏 纬蔚蠉蟽畏 蟺慰蠀 蠂伪蟻伪魏蟿畏蟻委味慰蠀谓 蟿伪 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪 蟺伪蟻伪渭蠉胃喂伪, 魏伪胃蠋蟼 魏伪喂 蟿慰 魏蠉蟻喂慰 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏蠈 蟺慰蠀 未喂伪魏蟻委谓蔚喂 蟿畏谓 蟿苇蠂谓畏 蟿畏蟼 蟺伪蟻伪渭蠀胃委伪蟼, 蟺慰蠀 未蔚谓 蔚委谓伪喂 维位位慰 伪蟺' 蟿慰谓 蟺伪蟻畏纬慰蟻畏蟿喂魏蠈 蟿畏蟼 蟽魏慰蟺蠈.
螣 惟魏蔚伪谓蠈蟼 蔚委谓伪喂 苇谓伪 蟺慰位蠀蟺蟻蠈蟽蠅蟺慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 伪蠁慰蠉 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 蔚蟺喂位苇纬蔚喂 谓伪 渭伪蟼 伪蠁畏纬畏胃蔚委 蟿喂蟼 喂蟽蟿慰蟻委蔚蟼 蔚蟺蟿维 未喂伪蠁慰蟻蔚蟿喂魏蠋谓 伪谓胃蟻蠋蟺蠅谓. 螁谓胃蟻蠅蟺慰喂 蠅蟽蟿蠈蟽慰, 慰喂 慰蟺慰委慰喂 未喂苇蟺慰谓蟿伪喂 伪蟺蠈 苇谓伪 魏慰喂谓蠈 蟽蟿慰喂蠂蔚委慰: 蔚蟺喂位苇纬慰蠀谓 魏伪喂 慰喂 蔚蟺蟿维 谓伪 未喂伪谓蠀魏蟿蔚蟻蔚蠉蟽慰蠀谓 纬喂伪 魏维蟺慰喂伪 尾蟻维未喂伪 蟽蟿慰 蟺伪谓未慰蠂蔚委慰 芦螒位渭维纬蔚蟻禄. 螆谓伪 蟺伪蟻伪胃伪位维蟽蟽喂慰 蟺伪谓未慰蠂蔚委慰, 蟿伪 鈥溝€蠈未喂伪鈥� 蟿慰蠀 慰蟺慰委慰蠀 蟿伪 纬位蠉蠁蔚喂 魏蠀蟻喂慰位蔚魏蟿喂魏维 蟿慰 魏蠉渭伪 蟿畏蟼 胃维位伪蟽蟽伪蟼. 螆谓伪 蟺伪谓未慰蠂蔚委慰 伪纬谓蠋蟽蟿蠅谓 蟽蠀谓蟿蔚蟿伪纬渭苇谓蠅谓, 蟺慰蠀 胃伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 尾蟻委蟽魏蔚蟿伪喂 魏蟿喂蟽渭苇谓慰 蟽蔚 慰蟺慰喂慰未萎蟺慰蟿蔚 蟽畏渭蔚委慰 蟿慰蠀 魏蠈蟽渭慰蠀. 螆谓伪 蟺伪谓未慰蠂蔚委慰 蟺慰蠀 伪喂蠅蟻蔚委蟿伪喂 魏维蟺慰蠀 伪谓维渭蔚蟽伪 蟽蟿慰 蠈谓蔚喂蟻慰 魏伪喂 蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪.
韦慰 蟺伪谓未慰蠂蔚委慰 伪蠀蟿蠈 伪蟺慰蟿蔚位蔚委 蟿慰 尾伪蟽喂魏蠈 蠁蠈谓蟿慰, 蟽蟿慰 慰蟺慰委慰 蔚魏蟿蠀位委蟽蟽蔚蟿伪喂 畏 未蟻维蟽畏 蟿慰蠀 尾喂尾位委慰蠀. 螘魏蔚委, 胃伪 渭蔚蟿伪蠁蔚蟻胃慰蠉谓 慰喂 蔚蟺蟿维 萎蟻蠅蔚蟼 蟿慰蠀 螠蟺伪蟻委魏魏慰, 慰蟻渭蠋渭蔚谓慰蟼 慰 魏伪胃苇谓伪蟼 伪蟺' 蟿喂蟼 未喂魏苇蟼 蟿慰蠀 伪谓维纬魏蔚蟼, 蔚蟺喂胃蠀渭委蔚蟼 魏伪喂 蟺蟻慰蟽未慰魏委蔚蟼, 蟺蔚蟻喂渭苇谓慰谓蟿伪蟼 蟽蟿慰 伪蟺慰渭慰谓蠅渭苇谓慰 伪蠀蟿蠈 渭苇蟻慰蟼 谓伪 尾蟻蔚喂 慰 魏伪胃苇谓伪蟼 蟿畏 位蠉蟽畏 蟽蟿慰 蟺蟻蠈尾位畏渭伪 蟺慰蠀 伪谓蟿喂渭蔚蟿蠅蟺委味蔚喂, 未委谓慰谓蟿伪蟼 蟺蟻蠋蟿伪 蟿畏 未喂魏萎 蟿慰蠀 蟺蟻慰蟽蠅蟺喂魏萎 渭维蠂畏.
O 伪谓伪纬谓蠋蟽蟿畏蟼 蟽蠀谓伪谓蟿维 蟿畏谓 谓蔚伪蟻萎 魏伪喂 蔚蠉胃蟻伪蠀蟽蟿畏 蟽蟿畏谓 蠀纬蔚委伪 蟿畏蟼 螘位委蟽纬慰蠀喂谓 蟺慰蠀 伪谓伪味畏蟿维 蟿畏谓 委伪蟽畏, 蠋蟽蟿蔚 谓伪 渭畏谓 蟺蔚胃维谓蔚喂, 蟿慰谓 伪谓伪蟺慰蠁维蟽喂蟽蟿慰 蟺维蟿蔚蟻 螤位慰蠀蟼 蟺慰蠀 蟽蠀谓慰未蔚蠉蔚喂 蟿畏谓 螘位委蟽纬慰蠀喂谓 蟽蟿慰 蟿伪尉委未喂 蟿畏蟼, 蟿畏谓 螒谓谓 螡蟿蔚尾蔚蟻喂维 蟺慰蠀 蔚蟺喂蟽魏苇蟺蟿蔚蟿伪喂 蟿慰 渭慰谓伪蠂喂魏蠈 伪蠀蟿蠈 渭苇蟻慰蟼, 蠉蟽蟿蔚蟻伪 伪蟺' 蟿畏谓 蟺蟻慰蟿蟻慰蟺萎 蟿慰蠀 蟽蠀味蠉纬慰蠀 蟿畏蟼 纬喂伪 谓伪 谓喂魏萎蟽蔚喂 蟿畏谓 伪蟻蟻蠋蟽蟿喂伪 蟺慰蠀 魏伪蟿苇尾伪位蔚 蟿慰谓 慰蟻纬伪谓喂蟽渭蠈 蟿畏蟼, 谓伪 尉蔚蟺蔚蟻维蟽蔚喂 慰蠀蟽喂伪蟽蟿喂魏维 蟿慰 伪委蟽胃畏渭伪 蟿慰蠀 苇蟻蠅蟿伪 蟺慰蠀 蟿蟻苇蠁蔚喂 纬喂伪 蟿慰谓 蔚蟻伪蟽蟿萎 蟿畏蟼, 蟿慰谓 味蠅纬蟻维蠁慰 螤位伪蟽蟽蠈谓, 慰 慰蟺慰委慰蟼 苇蠂慰谓蟿伪蟼 慰未畏纬畏胃蔚委 蟽蔚 苇谓伪 魏伪位位喂蟿蔚蠂谓喂魏蠈 蟿苇位渭伪, 味蠅纬蟻伪蠁委味慰谓蟿伪蟼 伪蟺慰魏位蔚喂蟽蟿喂魏维 蟿喂蟼 蟺蟻慰蟽蠅蟺慰纬蟻伪蠁委蔚蟼 蔚蠀纬蔚谓蠋谓 魏伪喂 伪谓胃蟻蠋蟺蠅谓 渭蔚 魏维蟺慰喂慰 魏蠉蟻慰蟼 魏伪喂 魏慰喂谓蠅谓喂魏蠈-慰喂魏慰谓慰渭喂魏萎 喂蟽蠂蠉, 蔚蟺喂位苇纬蔚喂 谓伪 魏维谓蔚喂 渭委伪 蟽蟿蟻慰蠁萎 蟽蟿畏谓 蟺慰蟻蔚委伪 蟿慰蠀, 蔚蟺喂蠂蔚喂蟻蠋谓蟿伪蟼 谓伪 未畏渭喂慰蠀蟻纬萎蟽蔚喂 渭委伪 蟺蟻慰蟽蠅蟺慰纬蟻伪蠁委伪 纬喂伪 蟿畏 胃维位伪蟽蟽伪, 蟿慰谓 蔚蟺喂蟽蟿萎渭慰谓伪 螠蟺维蟻蟿位渭蟺慰蠀渭 蟺慰蠀 蔚蟺喂胃蠀渭蔚委 谓伪 伪蟺慰未蔚委尉蔚喂 蟺蠅蟼 畏 胃维位伪蟽蟽伪 未蔚谓 蔚委谓伪喂 伪蟺苇蟻伪谓蟿畏, 伪谓伪味畏蟿蠋谓蟿伪蟼 谓伪 尾蟻蔚喂 蟿慰 蟽畏渭蔚委慰 蟺慰蠀 蟿蔚位蔚喂蠋谓蔚喂, 蟿慰谓 纬喂伪蟿蟻蠈 危伪尾喂谓蠉 蟺慰蠀 蟺蟻慰蟽蟺伪胃蔚委 谓伪 尉蔚蠁蠉纬蔚喂 伪蟺' 蟿慰蠀蟼 未伪委渭慰谓蔚蟼 蟿慰蠀 蟺伪蟻蔚位胃蠈谓蟿慰蟼, 魏伪喂 蟿慰谓 螁谓蟿伪渭蟼, 慰 慰蟺慰委慰蟼 蟺蟻苇蟺蔚喂 谓伪 尉慰蠁位萎蟽蔚喂 苇谓伪 蟺伪蟻蔚位胃慰谓蟿喂魏蠈 蠂蟻苇慰蟼...
螣喂 蔚蟺蟿维 蔚谓蟿蔚位蠋蟼 未喂伪蠁慰蟻蔚蟿喂魏慰委 渭蔚蟿伪尉蠉 蟿慰蠀蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼 伪蟺伪蟽蠂慰位慰蠉谓 蟿慰谓 蟽蠀纬纬蟻伪蠁苇伪 渭苇蟽伪 蟽蟿喂蟼 蟽蔚位委未蔚蟼 伪蠀蟿慰蠉 蟿慰蠀 尾喂尾位委慰蠀. 螘蟺蟿维 伪位位喂蠋蟿喂魏蔚蟼 喂蟽蟿慰蟻委蔚蟼 伪谓胃蟻蠋蟺蠅谓, 蟺慰蠀 蠁伪谓蟿维味慰蠀谓 伪蟽蠉谓未蔚蟿蔚蟼 渭蔚蟿伪尉蠉 蟿慰蠀蟼, 魏喂 伪蟻蠂喂魏维 尉蔚未喂蟺位蠋谓慰谓蟿伪喂 蟺伪蟻维位位畏位伪 尾蟻委蟽魏慰蠀谓 苇谓伪 蟽畏渭蔚委慰 蟿慰渭萎蟼, 苇谓伪 蟽畏渭蔚委慰 蟽蠀谓维谓蟿畏蟽畏蟼. 韦慰 蟽畏渭蔚委慰 伪蠀蟿蠈 蔚委谓伪喂 蠁蠀蟽喂魏维 蟿慰 蟺伪谓未慰蠂蔚委慰 螒位渭维纬蔚蟻. 螚 蟽蠀谓维谓蟿畏蟽畏 伪蠀蟿萎 蔚委谓伪喂 魏伪胃慰蟻喂蟽蟿喂魏萎蟼 蟽畏渭伪蟽委伪蟼 纬喂伪 蟿畏谓 渭蔚蟿苇蟺蔚喂蟿伪 蔚尉苇位喂尉畏 蟿畏蟼 蟺慰蟻蔚委伪蟼 魏维胃蔚 萎蟻蠅伪. 螚 魏伪胃畏渭蔚蟻喂谓萎 蔚蟺伪蠁萎 魏伪喂 畏 伪谓维蟺蟿蠀尉畏 未喂伪蟺蟻慰蟽蠅蟺喂魏蠋谓 未蔚蟽渭蠋谓 伪谓维渭蔚蟽伪 蟿慰蠀蟼, 魏伪胃蠋蟼 魏伪喂 畏 蟺伪蟻伪渭慰谓萎 蟿慰蠀蟼 蟽蟿慰 喂未喂蠈蟿蠀蟺慰 伪蠀蟿蠈 蟺伪谓未慰蠂蔚委慰 胃伪 未喂伪未蟻伪渭伪蟿委蟽蔚喂 蟽蟺慰蠀未伪委慰 蟻蠈位慰 蟽蟿喂蟼 伪蟺慰蠁维蟽蔚喂蟼 蟺慰蠀 胃伪 位维尾蔚喂 蟿蔚位喂魏维 魏维胃蔚 萎蟻蠅伪蟼, 位委纬慰 蟺蟻喂谓 伪蟺慰蠂蠅蟻萎蟽蔚喂 伪蟺' 蟿慰 蟺伪谓未慰蠂蔚委慰 螒位渭维纬蔚蟻.
螣喂 蠂伪蟻伪魏蟿萎蟻蔚蟼 蟿慰蠀 尾喂尾位委慰蠀 蟺伪蟻伪蠂蠅蟻慰蠉谓 蟽蟿慰谓 蟽蠀纬纬蟻伪蠁苇伪 渭委伪蟼 蟺蟻蠋蟿畏蟼 蟿维尉蔚蠅蟼 蔚蠀魏伪喂蟻委伪 纬喂伪 谓伪 胃委尉蔚喂 味畏蟿萎渭伪蟿伪 蟺慰蠀 伪蟺伪蟽蠂慰位慰蠉谓 蟿慰谓 维谓胃蟻蠅蟺慰 蔚未蠋 魏伪喂 蔚魏伪蟿慰谓蟿维未蔚蟼 蠂蟻蠈谓喂伪, 蠈蟺蠅蟼 蔚委谓伪喂 慰 胃维谓伪蟿慰蟼, 畏 味蠅萎, 慰 苇蟻蠅蟿伪蟼. 螣 蟽蠀纬纬蟻伪蠁苇伪蟼 胃伪 蟿慰位渭慰蠉蟽伪 谓伪 蟺蠅 蠈蟿喂 蠂蟻畏蟽喂渭慰蟺慰喂蔚委 蠅蟼 蟺伪蟻维未蔚喂纬渭伪 蟿慰蠀蟼 萎蟻蠅蔚蟼 蟿慰蠀 纬喂伪 谓伪 蟺蟻慰尾蔚委 蟽蔚 蠁喂位慰蟽慰蠁喂魏苇蟼 蟽魏苇蠄蔚喂蟼 蠀蟺伪蟻尉喂伪魏慰蠉 魏蠀蟻委蠅蟼 蟺蔚蟻喂蔚蠂慰渭苇谓慰蠀. 螒蟺' 蠈位蔚蟼 蟿喂蟼 蟽魏苇蠄蔚喂蟼 蠅蟽蟿蠈蟽慰, 蟽蟿喂蟼 慰蟺慰委蔚蟼 蟺蟻慰尾伪委谓蔚喂, 畏 蟽畏渭伪谓蟿喂魏蠈蟿蔚蟻畏 委蟽蠅蟼 蔚尉' 伪蠀蟿蠋谓, 萎 魏伪位蠉蟿蔚蟻伪 畏 魏蔚谓蟿蟻喂魏蠈蟿蔚蟻畏, 蟺慰蠀 伪蟺伪蟽蠂慰位蔚委 蠁蠀蟽喂魏维 蟿慰蠀蟼 萎蟻蠅蔚蟼 蟿慰蠀, 蔚委谓伪喂 伪蠀蟿萎 蟺慰蠀 蟽蠂蔚蟿委味蔚蟿伪喂 渭蔚 蟿慰 蟺蠈蟽慰 蟽畏渭伪谓蟿喂魏蠈 蔚委谓伪喂 蟿蔚位喂魏维 蟿慰 谓伪 伪魏慰位慰蠀胃慰蠉渭蔚 蟿喂蟼 蔚蟺喂胃蠀渭委蔚蟼 渭伪蟼, 纬喂伪 谓伪 渭蟺慰蟻苇蟽慰蠀渭蔚 谓伪 蟺慰蠉渭蔚 蟺蠅蟼 蟿蔚位喂魏维 味萎蟽伪渭蔚.
螖喂伪尾维味慰谓蟿伪蟼, 位慰喂蟺蠈谓, 蟿慰谓 惟魏蔚伪谓蠈, 伪蠀蟿蠈 蟺慰蠀 未喂伪蟺喂蟽蟿蠋谓蔚喂 魏伪谓蔚委蟼 伪蟺' 蟿喂蟼 蟺蟻蠋蟿蔚蟼 魏喂蠈位伪蟼 蟽蔚位委未蔚蟼 蟿慰蠀 尾喂尾位委慰蠀 蔚委谓伪喂 畏 蔚蟺喂尾位畏蟿喂魏萎 蟺伪蟻慰蠀蟽委伪 蟿畏蟼 胃维位伪蟽蟽伪蟼, 畏 慰蟺慰委伪 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿蔚委 蟽蠂蔚未蠈谓 蟽蔚 魏维胃蔚 蟽蔚位委未伪 蟿慰蠀 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿慰蟼, 蔚谓蠋 蟿蔚位喂魏维 渭苇蟽伪 伪蟺' 蟿慰谓 蟿蟻蠈蟺慰 蟺慰蠀 渭伪蟼 蟿畏谓 蟺伪蟻慰蠀蟽喂维味蔚喂 蠅蟼 蟽蠀纬纬蟻伪蠁苇伪蟼 畏 胃维位伪蟽蟽伪 伪蟺慰魏蟿维 渭委伪 伪蠀蟿伪尉委伪, 纬蔚纬慰谓蠈蟼 蟺慰蠀 胃伪 渭蟺慰蟻慰蠉蟽伪 谓伪 蟺蠅 蠈蟿喂 慰未畏纬蔚委 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏 蟽蟿慰 谓伪 蟿畏 胃蔚蠅蟻蔚委 蟺喂慰 蠀蟺伪蟻魏蟿萎 伪魏蠈渭伪 魏喂 伪蟺蠈 蟿伪 蟺蟻蠈蟽蠅蟺伪 蟺慰蠀 未蟻慰蠀谓 魏伪喂 味慰蠀谓 渭苇蟽伪, 苇尉蠅 魏伪喂 纬蠉蟻蠅 伪蟺蠈 伪蠀蟿萎. 螚 胃维位伪蟽蟽伪 纬蔚谓喂魏蠈蟿蔚蟻伪 蟽蟿畏 位慰纬慰蟿蔚蠂谓委伪 伪蟺慰蟿蔚位蔚委 渭委伪 苇谓谓慰喂伪 蟺慰蠀 蟽蠀谓蠀蠁伪委谓蔚蟿伪喂 渭蔚 蟺慰喂魏委位慰蠀蟼 蟽蠀渭尾慰位喂蟽渭慰蠉蟼. 危蟿畏谓 蟺蟻慰魏蔚喂渭苇谓畏 蟺蔚蟻委蟺蟿蠅蟽畏, 胃伪 渭蟺慰蟻慰蠉蟽伪渭蔚 谓伪 蟺慰蠉渭蔚 蠈蟿喂 畏 胃维位伪蟽蟽伪 蟽蠀渭尾慰位委味蔚喂 蟿伪 蟺维谓蟿伪 魏伪喂 蟿慰 蟿委蟺慰蟿伪, 魏喂 伪蠀蟿蠈 纬喂伪蟿委 纬喂伪 蟿慰谓 魏伪胃苇谓伪 伪蟺' 蟿慰蠀蟼 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿苇蟼 畏 胃维位伪蟽蟽伪 伪蟺慰魏蟿维 未喂伪蠁慰蟻蔚蟿喂魏蠈 谓蠈畏渭伪. 螝维胃蔚 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎蟼 苇蠂蔚喂 蟿畏 未喂魏萎 蟿慰蠀 喂未喂慰蟽蠀纬魏蟻伪蟽委伪, 慰蟺蠈蟿蔚 畏 胃维位伪蟽蟽伪 位蔚喂蟿慰蠀蟻纬蔚委 蠅蟼 苇谓伪蟼 魏伪胃蟻苇蠁蟿畏蟼 蟽蟿畏谓 蔚蟺喂蠁维谓蔚喂伪 蟿慰蠀 慰蟺慰委伪 魏伪胃蟻蔚蠁蟿委味蔚蟿伪喂 魏维胃蔚 蠁慰蟻维 魏维蟿喂 蔚谓蟿蔚位蠋蟼 未喂伪蠁慰蟻蔚蟿喂魏蠈, 伪谓伪位蠈纬蠅蟼 渭蔚 蟿慰 维蟿慰渭慰 蟺慰蠀 尾蟻委蟽魏蔚蟿伪喂 伪蟺苇谓伪谓蟿喂 蟿畏蟼 魏伪喂 蟿畏谓 蟺伪蟻伪蟿畏蟻蔚委. 螘喂未喂魏蠈蟿蔚蟻伪, 畏 胃维位伪蟽蟽伪 渭苇蟽伪 伪蟺' 蟿喂蟼 蟽蔚位委未蔚蟼 蟿慰蠀 尾喂尾位委慰蠀 蟽蠀谓未苇蔚蟿伪喂 蟺蠈蟿蔚 渭蔚 蟿畏谓 慰渭慰蟻蠁喂维, 蟿畏谓 蔚位蟺委未伪 魏伪喂 蟿畏 味蠅萎, 蟺蠈蟿蔚 渭蔚 蟿畏 蠁蟻委魏畏, 蟿畏 蟽魏位畏蟻蠈蟿畏蟿伪 魏伪喂 蟿慰谓 胃维谓伪蟿慰, 蟺蠈蟿蔚 渭蔚 蟿畏谓 苇谓谓慰喂伪 蟿慰蠀 蟺蔚蟺蔚蟻伪蟽渭苇谓慰蠀, 魏伪喂 蟺蠈蟿蔚 渭蔚 蟿畏谓 苇谓谓慰喂伪 蟿慰蠀 维蟺蔚喂蟻慰蠀.
螤苇蟻伪 伪蟺' 蟿慰蠀蟼 蟺慰喂魏委位慰蠀蟼 蟽蠀渭尾慰位喂蟽渭慰蠉蟼 渭蔚 蟿慰蠀蟼 慰蟺慰委慰蠀蟼 蠁慰蟻蟿委味蔚喂 蟿畏谓 苇谓谓慰喂伪 蟿畏蟼 胃维位伪蟽蟽伪蟼, 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 魏伪蟿伪蠁苇蟻谓蔚喂 魏维胃蔚 蠁慰蟻维 蟺慰蠀 蟿畏谓 蟺蔚蟻喂纬蟻维蠁蔚喂 谓伪 蟿喂蟼 蟺蟻慰蟽未蠋蟽蔚喂 未喂伪蠁慰蟻蔚蟿喂魏慰蠉蟼 蠂伪蟻伪魏蟿畏蟻喂蟽渭慰蠉蟼, 蠂蟿委味慰谓蟿伪蟼 未喂伪蠁慰蟻蔚蟿喂魏苇蟼 蔚喂魏蠈谓蔚蟼, 纬蔚纬慰谓蠈蟼 蟺慰蠀 蔚喂位喂魏蟻喂谓维 胃伪蠉渭伪蟽伪, 魏喂 伪蠀蟿蠈 纬喂伪蟿委 渭苇蟽蠅 伪蠀蟿慰蠉 魏伪蟿伪未蔚喂魏谓蠉蔚蟿伪喂 蟺蔚蟻委蟿蟻伪谓伪 畏 伪蠁畏纬畏渭伪蟿喂魏萎 未蔚喂谓蠈蟿畏蟿伪 蟺慰蠀 未喂苇蟺蔚喂 蟿慰谓 螒位蔚蟽蟽维谓蟿蟻慰 螠蟺伪蟻委魏魏慰 魏伪喂 蟿慰谓 伪谓伪纬维纬蔚喂 蟿慰蠀位维蠂喂蟽蟿慰谓 蟽蟿伪 未喂魏维 渭慰蠀 渭维蟿喂伪 伪蟺蠈 苇谓伪谓 伪蟺位蠈 蟽蠀纬纬蟻伪蠁苇伪 蟽蔚 蟺蟻伪纬渭伪蟿喂魏蠈 位慰纬慰蟿苇蠂谓畏.
螣位慰魏位畏蟻蠋谓慰谓蟿伪蟼, 慰 惟魏蔚伪谓蠈蟼, 蔚委谓伪喂 苇谓伪 喂未喂伪委蟿蔚蟻慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟺慰蠀 未喂伪魏伪蟿苇蠂蔚蟿伪喂 伪蟺蠈 渭委伪 苇谓蟿慰谓畏 蟺伪蟻伪渭蠀胃喂伪魏萎 伪蠉蟻伪. 螒蟺慰蟿蔚位蔚委 伪未喂伪渭蠁喂蟽尾萎蟿畏蟿伪 渭委伪 渭慰谓伪未喂魏萎 伪谓伪纬谓蠅蟽蟿喂魏萎 蔚渭蟺蔚喂蟻委伪, 伪蠁慰蠉 慰未畏纬蔚委 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏 蟽蟿慰 谓伪 委蟺蟿伪蟿伪喂 蟽蟿慰 渭蔚蟿伪委蠂渭喂慰 渭蔚蟿伪尉蠉 蟿慰蠀 慰谓蔚委蟻慰蠀 魏伪喂 渭委伪蟼 维魏蟻蠅蟼 蟻蔚伪位喂蟽蟿喂魏萎蟼 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪蟼, 渭蔚蟿伪尉蠉 未蠉慰 伪谓蟿喂胃蔚蟿喂魏蠋谓 蔚魏蠁维谓蟽蔚蠅谓 蟿慰蠀 委未喂慰蠀 魏蠈蟽渭慰蠀 蠅蟽蟿蠈蟽慰. 螠委伪 伪谓伪纬谓蠅蟽蟿喂魏萎 蔚渭蟺蔚喂蟻委伪 位慰喂蟺蠈谓, 蟺慰蠀 伪尉委味蔚喂 蟽委纬慰蠀蟻伪 谓伪 味萎蟽蔚蟿蔚 蟽蟿畏谓 蟺慰蟻蔚委伪 蟽伪蟼 蠅蟼 伪谓伪纬谓蠋蟽蟿蔚蟼.
May 6, 2021
En este libro el autor italiano nos enfrenta a las m煤tliples relaciones del ser humano con el mar: el miedo que genera, la nostalgia que provoca, su poder evocador, la bestialidad oscura de su inmensidad.听
"No se puede apagar el mar, cuando arde en la noche" (p.72)听
A trav茅s de siete personajes que se entrecruzan en una extra帽a posada, Baricco se sumerge completamente en las contradicciones, bajezas y maravillas del ser humano. Con un estilo narrativo muy particular, va deshilvanando una serie de historias m铆nimas que tienen al mar como enlazador.
Hay algunos pasajes muy po茅ticos dentro de la prosa que son preciosos y nos encontramos, a la vez, con cap铆tulos que son abrumadores por la violencia que encierran.听
Me ha gustado much铆simo la originalidad que ostentan algunos personajes, como el profesor Bartleboom, quien escribe una enciclopedia de los l铆mites y se pregunta a d贸nde termina el mar.
Por momentos se vuelve una trama llena de misterios y secretos oscuros que terminan devel谩ndose al final o que nos dejan reflexionando profundamente.听
Todas las novelas que he le铆do de Alessandro Baricco est谩n llenas de descubrimientos, belleza y alg煤n toque de tragedia que me llevan una y otra vez a un verso de Rilke de las Eleg铆as de Duino que dice: "Lo bello no es m谩s que el primer eslab贸n de lo terrible, que a煤n soportamos y as铆 admiramos, porque impasiblemente reh煤sa destruirnos".
"No se puede apagar el mar, cuando arde en la noche" (p.72)听
A trav茅s de siete personajes que se entrecruzan en una extra帽a posada, Baricco se sumerge completamente en las contradicciones, bajezas y maravillas del ser humano. Con un estilo narrativo muy particular, va deshilvanando una serie de historias m铆nimas que tienen al mar como enlazador.
Hay algunos pasajes muy po茅ticos dentro de la prosa que son preciosos y nos encontramos, a la vez, con cap铆tulos que son abrumadores por la violencia que encierran.听
Me ha gustado much铆simo la originalidad que ostentan algunos personajes, como el profesor Bartleboom, quien escribe una enciclopedia de los l铆mites y se pregunta a d贸nde termina el mar.
Por momentos se vuelve una trama llena de misterios y secretos oscuros que terminan devel谩ndose al final o que nos dejan reflexionando profundamente.听
Todas las novelas que he le铆do de Alessandro Baricco est谩n llenas de descubrimientos, belleza y alg煤n toque de tragedia que me llevan una y otra vez a un verso de Rilke de las Eleg铆as de Duino que dice: "Lo bello no es m谩s que el primer eslab贸n de lo terrible, que a煤n soportamos y as铆 admiramos, porque impasiblemente reh煤sa destruirnos".
August 24, 2020
No entiendo, no entiendo, no entiendo y no entiendo el genio de Baricco para describir lo bello. Describir de una manera sincera, de una manera triste y desgarradora (驴de qu茅 otra forma?) Un libro lleno de magia, de reflexiones y de repugnante y maravillosa humanidad. Baricco se convierte, as铆 de "f谩cil", en uno de mis favoritos.
January 30, 2021
"兀丨賷丕賳丕 賷賴夭 賰賷丕賳賰 毓賲賱 兀丿亘賷 賲丕 賵賱丕 賷毓賳賷 匕賱賰 兀賳賴 毓賲賱 睾賷乇 賲爻亘賵賯 賮賷 鬲丕乇賷禺 丕賱兀丿亘貙 兀賵 兀賳賴 兀賮囟賱 賲丕 賯乇兀鬲 賮賷 丨賷丕鬲賰. 廿賳賴丕 丕賱氐丿賮 丕賱毓賲賷丕亍 丕賱鬲賷 鬲亘毓孬 賱賰 乇爻丕賱丞 鬲爻丕毓丿賰 毓賱賶 賮賴賲 賲丕 鬲賲乇 亘賴貙 賮賷 丕賱賱丨馗丞 丕賱鬲賷 鬲丨鬲丕噩賴丕 鬲賲丕賲丕貙 丿賵賳 丨鬲賶 兀賳 鬲毓乇賮 兀賳賰 鬲丨鬲丕噩賴丕. 丕賱兀賲鬲賳丕賳 賱賷爻 賱賱兀毓賲丕賱 丕賱毓馗賷賲丞 賮賯胤貙 賵賱賰賳 賱賱兀毓賲丕賱 丕賱鬲賷 賰丕賳 丿賵乇賴丕 毓馗賷賲丕 賮賷 賮賴賲賳丕 賱兀賳賮爻賳丕 賮賷 賱丨馗丞 賲丨丿丿丞貙 丨鬲賶 廿賳賳丕 毓賳丿賲丕 賳賱鬲賮鬲 賱丨賷丕鬲賳丕 賷賲賰賳賳丕 鬲毓乇賷賮賴丕 亘賴匕賴 丕賱兀毓賲丕賱"
廿賷賲丕賳 賲乇爻丕賱
丕賱亘丨乇 丕賱賲丨賷胤 亘丕賱賳爻亘丞 賱賷 賴賷 賵丕丨丿丞 賲賳 賴匕賴 丕賱廿毓賲丕賱.
兀丨亘亘鬲賴丕貙 亘亘爻丕胤丞 鬲爻賱賱鬲 廿賱賶 噩賳亘丕鬲 乇賵丨賷 賱鬲鬲賱賲爻 胤乇賷賯賴丕 賳丨賵 賯賱亘賷.
賴賷 賯氐賷丿丞 卮丕毓乇賷丞 賰鬲亘鬲 賰爻賷賲賮賵賳賷丞 賲賵爻賷賯賷丞 賮賳賷丞 賲鬲賯賳丞.
賴賷 乇賵賲丕賳爻賷丞貙 睾乇丕卅亘賷丞貙 卮賮丕賮丞貙 賮乇賷丿丞貙 賵賷賱賮賴丕 爻丨乇 賲丕賵乇丕卅賷.
賵丕賱亘丿丕賷丞 賰丕賳鬲 賳夭賱 丌賱賲丕賷乇.
賯丕卅賲丕 賲賳匕 丕賱兀夭賱 毓賳丿 丕賱丨丕賮丞 丕賱兀禺賷乇丞 賱賱毓丕賱賲貙 毓賱賶 亘毓丿 禺胤賵丞 賲賳 賳賴丕賷丞 丕賱亘丨乇貙 賰丕賳 賷賯毓 賳夭賱 丌賱賲丕賷乇.
"賴賵 匕丕 賳夭賱 丌賱賲丕賷乇貙 賷賲鬲賱賰 噩賲丕賱丕 賱丕 賷賯丿乇 毓賱賶 廿賲鬲賱丕賰賴 廿賱丕 丕賱賲睾賱賵亘賵賳貙 賷賲鬲賱賰 賳賯丕亍 丕賱兀卮賷丕亍 丕賱賵丕賴賳丞. 賵賷賲鬲賱賰 丕賱毓夭賱丞 丕賱禺丕賱氐丞貙 毓夭賱丞 丕賱囟丕賱賷賳"
賳夭賱 賷賰丕丿 賷賰賵賳 賱丕 賵噩賵丿 賱賴 賵賱賰賳賴 丕賱賲賱丕匕 丕賱賲孬丕賱賷貙 賲胤賴乇 乇賲賱賷貙 賵賵噩賴丞 賰賱 鬲賱賰 丕賱兀賳賮爻 丕賱鬲丕卅賴丞貙 賷兀鬲賵賳 廿賱賷賴 囟丕卅毓賷賳 賵賷乇丨賱賵賳 毓賳賴 賵賯丿 賴丿賴丿賴賲 氐賵鬲 丕賱亘丨乇 丕賱賲丨賷胤.
"兀賳 鬲乇丕賴 賲賳 亘毓賷丿 賱賳 鬲丨爻亘賴 兀賰孬乇 賲賳 賳賯胤丞 爻賵丿丕亍: 丿丕禺賱 丕賱毓丿賲貙 賷賯亘毓 丕賱毓丿賲 丕賱丌禺乇 丕賱賲賰賵賳 賲賳 乇噩賱貙 賵賲賳 賲爻賳丿 乇爻賲"
丕賱賳夭賷賱 丕賱兀賵賱 亘賱丕爻賵賳 丕賱乇爻丕賲貙 丕賱賲夭賯 亘賱丕 賳賴丕賷丞 賮賷 賰賲丕賱 鬲賱賰 丕賱賱賵丨丞 丕賱乇丕卅毓丞 賱賱亘丨乇 賵丕賱爻賲丕亍.
"賴匕丕 丕賱乇噩賱 賷乇爻賲 丕賱亘丨乇 亘丕賱亘丨乇"
賲賳睾乇夭 賮賷 丕賱乇賲丕賱 賷乇賷丿 兀賳 賷乇爻賲 賵噩賴 丕賱亘丨乇貙 賱鬲馗賱 賱賵丨丕鬲賴 丕賱亘賷囟丕亍 鬲爻乇丿 丨賰丕賷丕 丕賱亘丨乇 亘賲丕亍 丕賱亘丨乇.
丕賱賳夭賷賱丞 丕賱孬丕賳賷丞 丌賳 丿賵賮乇賷丕貙 锟斤拷賱賲乇兀丞 丕賱賲賱鬲賮毓丞 亘丕賱賲賱丕亍丞 亘賳賮爻噩賷丞貙 乇丕卅毓丞 丕賱噩賲丕賱 賵賱賰賳賴丕 丨夭賷賳丞 賵賵丨賷丿丞貙 鬲賲爻丨 丕賱卮丕胤卅 亘賮鬲賵乇貙 禺胤丕賴丕 鬲賳爻丕亘 賮賵賯 丕賱乇賲丕賱 賵賱賰賳 賷賲丨賵賴丕 丕賱亘丨乇 賱鬲馗賱 丿賵賳 丌孬乇.
"兀賳 丕賱乇賵丨 賱賷爻鬲 丿丕卅賲丕 丨賱賷丞 賲丕爻賷丞貙 賮賴賷 鬲賰賵賳 兀丨賷丕賳丕 丨噩丕亘丕 卮賮丕賮丕 賲賳 丕賱丨乇賷乇貙 賵兀賷 卮賷亍 賷賲賰賳 兀賳 賷賲夭賯賴貙 丨鬲賶 賳馗乇丞"
鬲賱賰 丕賱乇賵丨 賴賷 丕賱賳夭賷賱丞 丕賱孬丕賱孬丞 廿賱賷夭賵賷賳貙 賴賷 丕賱鬲賷 賱丕 鬲賲鬲賱賰 賲丕 賷丨賲賷賴丕 賲賳 丕賱毓丕胤賮丞 賵賱賰賳賴丕 亘賰賱 賲丕 賮賷賴丕 賰丕賳鬲 鬲鬲賵賯 廿賱賶 兀賳 鬲丨賷丕.
丕賱賮鬲丕丞 丕賱賲乇賷囟丞 亘賲乇囟 賱賷爻 賱賴 廿爻賲貙 賵賱賵 賰丕賳 賱賴貙 賱賰丕賳 廿爻賲 禺賮賷賮丕 賱賱睾丕賷丞 賲丕 兀賳 鬲賳胤賯賴 丨鬲賶 賷鬲賱丕卮賶.
鬲賱賰 丕賱賮鬲丕丞 丕賱鬲賷 鬲鬲賲賱賰賴丕 丨爻丕爻賷丞 丕賱乇賵丨貙 丕賱賮鬲丕丞 丕賱鬲賷 賰丕賳鬲 鬲禺丕賮 丨鬲賶 賲賳 禺胤丕賴丕貙 丕賱賮鬲丕丞 丕賱鬲賷 賰丕賳鬲 鬲乇賰囟 毓賱賶 丕賱爻噩丕噩賷丿 亘賷囟 賳丨賵 禺賷丕賱 鬲賰賮 賮賷賴 毓賳 賰賵賳賴丕 馗賱.
鬲乇賷丕賯賴丕 賴賵 丕賱亘丨乇貙 鬲匕賴亘 廿賱賷賴 賱鬲鬲丨賵賱 兀禺賷乇丕 賲賳 賮乇丕卮丞 賱賷賱賷丞 賱廿賲乇兀丞貙 兀禺賷乇丕 乇丿賴丕 丕賱亘丨乇 丨賷丞 亘丨賯.
丕賱賳夭賷賱 丕賱乇丕亘毓 丕賱兀亘 亘賱賵卮貙 丕賱匕賷 賱賲 賷賳胤賯 兀亘丿丕 丕賱毓亘丕乇丞 丕賱鬲賷 賷亘賳睾賷 賳胤賯賴丕 亘賱 賰丕賳 賷賳胤賯 亘賲丕 賷乇丿 毓賱賶 匕賴賳賴 賯亘賱賴丕貙 賮丕賱賳夭丕賱 丕賱賲毓鬲丕丿 亘賷賳 丕賱賰賱賲丕鬲 丕賱鬲賷 賷噩亘 兀賳 鬲賯丕賱 賵丕賱賰賱賲丕鬲 丕賱鬲賷 賷丨亘 兀賳 賷賯賵賱賴丕貙 賷賳鬲氐乇 賮賷賴 丿丕卅賲丕 丕賱丨亘 賵賱賷爻 丕賱賵丕噩亘.
丕賱兀亘 亘賱賵卮 氐丕丨亘 賰鬲丕亘 丕賱氐賱賵丕鬲 丕賱鬲賷 賱丕 鬲卮亘賴 兀賷 氐賱丕丞 賰鬲亘鬲 賲賳 賯亘賱.
丕賱賳夭賷賱 丕賱禺丕賲爻 丕賱亘乇賵賮爻賵乇 亘丕乇鬲賱亘賵賲貙 丕賱匕賷 賷賰鬲亘 賲賵爻賵毓丞 毓賳 丕賱丨丿賵丿貙 毓賳 丕賱賳賴丕賷丕鬲貙 賴賵 氐丕丨亘 丕賱賯賷丕爻丕鬲 丕賱鬲賷 亘賱丕 賳賴丕賷丞.
"賴賳丕賰 丨賷鬲 賷氐賱 丕賱賲賵噩... 賷氐毓丿 丕賱卮丕胤卅貙 孬賲 賷鬲賵賯賮.... 賴賵 匕丕貙 匕賱賰 丕賱賲賵囟毓 亘丕賱匕丕鬲貙 賴賳丕賰 賷鬲賵賯賮... 賱丕 賷爻鬲睾乇賯 丕賱兀賲乇 兀賰孬乇 賲賳 賴賳賷賴丞貙 孬賲 廿匕丕 亘丕賱賲賵噩 賷鬲亘丿丿貙 賱賰賳 賱賵 賰丕賳 亘賲賰賳丞 兀丨丿 兀賳 賷賵賯賮 鬲賱賰 丕賱賴賳賷賴丞..... 毓賳丿賲丕 賷爻賰賳 丕賱賲賵噩貙 毓賳丿 鬲賱賰 丕賱毓胤賮丞貙 丨賷孬 賷爻賰賳 丕賱賲賵噩貙 賴賳丕賰 賷賳鬲賴賷 丕賱亘丨乇"
亘丕乇鬲賱亘賵賲 丕賱匕賷 鬲鬲乇丕賰賲 賮賷 氐賳丿賵賯賴 賲賳 禺卮亘 丕賱賲丕賴賵睾丕賳賷 乇爻丕卅賱 亘賲睾賱賮丕鬲 亘丿賵賳 廿爻賲 賵賱丕 毓賳賵丕賳貙 鬲賳鬲馗乇 賮賷 賴丿賵亍 兀賳 鬲賯乇兀賴丕 鬲賱賰 丕賱鬲賷 兀賮賳賶 亘丕乇鬲賱亘賵賲 毓賲乇賴 賮賷 廿賳鬲馗丕乇賴丕 賵賰丕賳 賷毓賷卮 賲賳 兀噩賱賴丕 賵賷賳鬲馗乇賴丕 賲賳匕 毓賴賵丿.
"賴賵 賷馗賳 兀賳賴 賮賷 賲賰丕賳 賲丕 賲賳 丕賱毓丕賱賲 爻賷賱鬲賯賷 匕丕鬲 賷賵賲 亘廿賲乇兀丞 賰丕賳鬲貙 賲賳匕 丕賱兀夭賱貙 廿賲乇兀鬲賴"
兀賵氐賱賴 丕賱亘丨孬 毓賳賴丕 廿賱賶 兀賳 賷賳丕賱 丕賱丨亘 丕賱匕賷 賷爻鬲丨賯賴 賲賳 賯賱賵亘 賱賲 賷賰賳 賷鬲賵賯毓賴丕.
"賴賵 匕丕賰 丕賱匕賷 賷賳鬲馗乇貙 賴賵 丕賱匕賷 丨乇賮鬲賴 丕賱廿賳鬲馗丕乇"
丕賱賳夭賷賱 丕賱爻丕丿爻 丌丿賲夭貙 賴匕丕 丕賱乇噩賱 丕賱匕賷 賴賵 爻乇 賮賷 丨丿 匕丕鬲賴貙 賴匕丕 丕賱匕賷 鬲丕賴 賮賷 丕賱亘丨乇 賵毓丕丿 賲賳 丕賱賲噩賴賵賱貙 亘毓孬乇鬲賴 丕賱賯爻賵丞 賵丕賱賵丨卮賷丞 丕賱賱丕亘卮乇賷丞貙 賮賲囟賶 囟丕賱丕 賷鬲禺亘胤 賮賷 賰賱 丕賱兀賳丨丕亍 賯亘賱 兀賳 賷乇爻賵 兀禺賷乇丕 賮賷 賳夭賱 丌賱賲丕賷乇.
"賰賱賲丞 賵丕丨丿丞 賮丨爻亘貙 睾賷乇 兀賳賴丕 賱丕 賲鬲賳丕賴賷丞貙 毓賱賶 胤乇賷賯鬲賴丕貙 賵爻丕丨乇丞 賮賵賯 匕賱賰貙 賵亘爻賷胤丞 亘氐賵乇丞 賱丕 鬲丨鬲賲賱.
- 丕賱亘丨乇...."
賳夭賱 丌賱賲丕賷乇 丕賱匕賷 賷丿賷乇賴 兀胤賮丕賱 賵賱賰賳賴賲 賱賷爻賵丕 賰丕賱兀胤賮丕賱 亘賱 賯賱 賴賲 丕賱匕賷賳 賷賲囟賵賳 噩賷卅丞 賵匕賴丕亘丕 賵賰兀賳賴賲 賷賲賱賰賵賳 丕賱兀亘丿賷丞.
丿賷乇丕 丕賱鬲賷 賰丕賳鬲 鬲毓賱賲 賮賷囟丕 賲賳 丕賱兀卮賷丕亍 賲毓 廿賳賴丕 鬲亘丿賵 賮賷 丕賱毓丕卮乇丞 賲賳 毓賲乇賴丕 賵賱賰賳賴丕 乇亘賲丕 賰丕賳鬲 鬲夭賷丿 毓賳賴賲 亘兀賱賮 兀禺乇賶.
丿賵丿 丕賱賮鬲賶 丕賱匕賷 賷賯胤賳 毓賱賶 丨丕賮丞 丕賱賳丕賮匕丞貙 丕賱賮鬲賶 丕賱匕賷 賷賯乇兀 丕賱廿丨賱丕賲 賵毓賳丿賴 噩賵丕亘 賱賰賱 爻丐丕賱.
丿賷鬲爻 丕賱賮鬲賶 丕賱匕賷 賰丕賳 賷賴亘 丕賱廿丨賱丕賲貙 賷亘鬲賰乇賴丕 孬賲 賷賴丿賷賴丕.
丿賵賱 丕賱賮鬲賶 亘氐丕乇 丕賱爻賮賳 賵兀禺賷乇丕 鬲賱賰 丕賱胤賮賱丞 丕賱賮丕卅賯丞 丕賱噩賲丕賱 賵賱丕 兀丨丿 賷毓賱賲 廿爻賲賴丕.
"丕賱馗賱賲丞 鬲亘胤賱 賰賱 卮賷亍. 賲丕 賲賳 卮賷亍 賷賯丿乇貙 丿丕禺賱 丕賱馗賱賲丞貙 兀賳 賷氐賷乇 丨賯賷賯丞"
孬賲 賷兀鬲賷 丕賱賲賳鬲氐賮 賵賷鬲睾賷乇 丕賱賲卮賴丿 賮噩兀丞 賵鬲賱賮 丕賱馗賱賲丞 賰賱 卮賷亍.
賲卮賴丿 睾乇賯 丕賱賮乇賯丕胤丞 兀賱賷賵賳爻 賴賵 賲卮賴丿 亘丕卅爻貙 毓亘孬賷貙 毓丿賲賷.
鬲賱賰 丕賱賮乇賯丕胤丞 丕賱鬲賷 睾丕氐鬲 賮賷 丕賱亘丨乇貙 賮睾丕氐鬲 賲毓賴丕 丕賱廿賳爻丕賳賷丞.
賮賴賳丕賰 賮賷 噩賵賮 丕賱亘丨乇 丕賱匕賷 亘賱丕 賵噩賴丞 賵亘賱丕 賳賴丕賷丞 鬲鬲噩賱賶 賯爻賵丞 丕賱賳賮爻 丕賱亘卮乇賷丞 賵囟毓賮賴丕 賵廿爻鬲毓丿丕丿賴丕 賱賱賮鬲賰 亘丕賱丌禺乇 賮賷 爻亘賷賱 丕賱賳噩丕丞.
賮丕賱賰乇丕賴賷丞 鬲胤賮賵 賮賵賯 丕賱乇賰丕賲 賱鬲賯賵賱 賰賱 賳賮爻 賳賮爻賷 賳賮爻賷 賵賷亘賯賶 毓亘孬 丕爻賲 丕賱賮乇賯丕胤丞 丕賱鬲賷 賰丕賳 乇賰丕亘賴丕 丕亘毓丿 賲丕 賷賰賵賳 毓賳 丕賱廿鬲丨丕丿.
"賴匕賴 丕賱丨乇亘 丕賱鬲賷 賳禺賵囟 賴匕丕 丕賱賲賵鬲 丕賱匕賷 賳亘匕乇賴 丨賵賱賳丕 賱卅賱丕 賳賲賵鬲"
賮賮賷 賯賱亘 丕賱亘丨乇 胤賵賯鬲賴賲 賲賵噩丞 賱丕 賲乇卅賷丞 賲賳 丕賱賵丨卮賷丞 賵丕賱丨賷賵丕賳賷丞 禺丕乇噩丞 賲賳 丕賱噩賳賵賳貙 賵丕賱噩賵毓 賵丕賱賷兀爻 賵丕賱禺賵賮.
賱賲 賷賰賳 丕賱睾乇賷賲 賮賯胤 丕賱亘丨乇 丕賱賲丨賷胤 亘賱 賰丕賳 睾乇賷賲 丌禺乇 兀賰孬乇 賰賷丿丕貙 兀賳賴 丕賱賳賮爻 丕賱鬲賷 亘賷賳 噩賳亘丕鬲賴賲.
"賲丕匕丕 賳賯氐丿 丨賷賳 賳賯賵賱 亘丨乇責
兀賳賯氐丿 丕賱賵丨卮 丕賱賲賴賵賱 丕賱賯丕丿乇 毓賱賶 廿亘鬲賱丕毓 兀賷 卮賷亍責
兀賲 鬲賱賰 丕賱賲賵噩丞 丕賱鬲賷 鬲氐賳毓 丕賱夭亘丿 丨賵賱 兀賯丿丕賲賳丕責
丕賱賲丕亍 丕賱匕賷 亘廿賲賰丕賳賰 丨賲賱賴 賮賷 噩賵賮 乇丕丨鬲賰責
兀賲 丕賱賴丕賵賷丞 丕賱鬲賷 賱丕 賷爻鬲胤賷毓 兀丨丿 爻亘乇賴丕責
兀鬲乇丕賳丕 賳賯賵賱 賰賱 卮賷亍 賮賷 賱賮馗丞 賵丕丨丿丞責
兀賲 兀賳賳丕 賮賷 賱賮馗丞 賵丕丨丿丞 賳禺賮賷 賰賱 卮賷亍責"
賱鬲兀鬲賷 丕賱賳賴丕賷丞 賱鬲毓賷丿 丕賱賴丿賵亍 賵丕賱爻賰賷賳丞 兀賵 乇亘賲丕 賱鬲毓賷丿 爻乇丿 丕賱亘丨乇 賵丕賱廿賷賲丕賳 亘丕賱爻丨乇 丕賱匕賷 賰丕丿 兀賳 賷鬲賱丕卮賶.
"賮賷 賲賰賳丞 丕賱賲乇亍 兀賳 賷賲賰孬 爻丕毓丕鬲 賷鬲兀賲賱 匕賱賰 丕賱亘丨乇貙 賵鬲賱賰 丕賱爻賲丕亍貙 賵賰賱 卮賷亍 賴賳丕賰"
賲賲鬲賳丞 賱鬲賱賰 丕賱氐丿賮丞 丕賱毓賲賷丕亍 鉂�
鬲爻鬲丨賯 賰賱 賳噩賵賲 丕賱爻賲丕亍 鉂�
December 19, 2018
鈥淗e visto so帽ar sue帽os maravillosos y he escuchado las historias m谩s hermosas de mi vida, contadas por hombres cualesquiera un instante antes de lanzarse al mar y desaparecer para siempre. He le铆do en el cielo signos que no conoc铆a y contemplado el horizonte con ojos que no cre铆a poseer.鈥�
Oc茅ano Mar es un libro bastante dif铆cil de rese帽ar. 驴Qu茅 podr铆a decir sobre 茅l? He pasado un par de d铆as d谩ndole vueltas a c贸mo podr铆a ser esta cr铆tica y la realidad es que ninguna idea termina de concretarse. Y quiz谩 no tenga nada de extra帽o, considerando la naturaleza de esta novela del italiano Alessandro Baricco, que es tal cual como el tema que trata 鈥揺l mar: va y viene, se pierde en la inmensidad, y es un elemento que fascina porque nos sigue siendo desconocido en muchos aspectos.
As铆 es Oc茅ano Mar: llena de historias que admiramos por su belleza pero apenas duran un segundo; que cuesta trabajo entender pero que dejan una marca profunda. Esta novela ha sido para m铆 una poes铆a, llena de misterio y de reflexiones, cuyos personajes son et茅reos para a la vez muy humanos y que, a pesar de los elementos fant谩sticos, son situaciones muy ancladas a la realidad.
鈥淎ndaba, y sab铆a hacia d贸nde andaba. Eso era todo. Sensaci贸n maravillosa. De cuando el destino finalmente se descubre, y se convierte en un sendero inteligible, y huella inequ铆voca, y direcci贸n exacta. El tiempo interminable de la aproximaci贸n. Aquel acercamiento. Ojal谩 no acabara nunca. El gesto de entregarse al destino.鈥�
He de reconocer que este es tambi茅n un tipo de libro que pude haber amado u odiado, porque la narrativa en un principio es lenta y la trama va hil谩ndose paso a paso. Sin embargo, quiz谩 ah铆 es donde se encuentra la magia de la novela, en el detalle, en cada elemento que va construyendo, literalmente, un oc茅ano de an茅cdotas, de vivencias y aprendizajes. De las distintas historias que conocemos y que se van relacionando poco a poco, se forma una narraci贸n s贸lida, impactante, completa. He disfrutado tambi茅n much铆simo los pincelazos sobre mundos ex贸ticos, lejanos, de f谩bula y fantas铆a:
Tombuct煤. La perla de 脕frica. La ciudad inalcanzable y maravillosa. El cofre de todos los tesoros, residencia de todos los dioses b谩rbaros. Coraz贸n del mundo desconocido, fortaleza de los mil secretos, reino fantasma de todas las riquezas, meta extraviada de infinitos viajes, manantial de todas las aguas y sue帽o de cualquier cielo. Tombuct煤. La ciudad que ning煤n hombre blanco hab铆a encontrado jam谩s.鈥�
Describir la trama resulta un tanto complicado porque creo que es una novela que se centra sobre los personajes, sobre sus historias: son hombres y mujeres que han acudido al mar buscando algo - curar una dolencia, encontrar algo o alguien, olvidar un amor. Situada en alguna parte de Europa y probablemente a finales del siglo XIX, los personajes son muy peculiares: un pintor que desea capturar la verdadera esencia del mar, un investigador que quiere describir en donde termina el mar, una adolescente que tiene miedo de vivir, una mujer que desea olvidar a su amante, un marinero que busca vengar a un amor. Todos se encuentran en la posada Alamay, que es manejada por ni帽os que son al parecer m谩s sabios y m谩s viejos que los adultos. Al final, y a su manera, todos encuentran lo que buscan que es, quiz谩, un cierre a su dolor, a su p茅rdida o a sus anhelos. Pero no son finales felices 鈥搒on encuentros, a veces tristes, decepcionantes pero tal cual como a veces es la vida y que sin embargo permiten tambi茅n seguir adelante, avanzar y continuar viviendo sin dejar de a帽orar eso que es tan elusivo como la felicidad, como el propio mar:
鈥淧ara que nadie pueda olvidar lo hermoso que ser铆a si, para cada mar que nos espera, hubiera un r铆o para nosotros. Y alguien 鈥搖n padre, un amor, alguien- capaz de cogernos de la mano y de encontrar ese r铆o 鈥搃maginarlo, inventarlo- y de depositarnos sobre su corriente, con la ligereza de una sola palabra, adi贸s. Eso, en verdad, ser铆a maravilloso. Ser铆a dulce la vida, cualquier vida (鈥�) Bastar铆a la fantas铆a de alguien 鈥搖n padre, un amor, alguien. 脡l sabr铆a inventar un camino, aqu铆, en medio de este silencio, en esta tierra que no quiere hablar. Camino clemente, y hermoso. Un camino de aqu铆 al mar.鈥�
January 9, 2019
Oceano mare, del tanto contestato Baricco, si legge in tre parti.
Il libro Primo si chiama Locanda Almayer, e parla di mare e di sogni, di quiete e tempesta, di memorie e speranza.
Qui si incontrano i personaggi, le loro storie ed il loro passato, ed 猫 un libro meraviglioso. In questa strana locanda Almayer, un luogo senza tempo n茅 futuro, dove il mare avvolge tutto ed 猫 tutto, si intrecciano le vite di vari personaggi, tra chi sta cercando nel mare una cura, chi sollievo, chi risposte; c'猫 il professor Bartleboom, che cerca di definire quale sia il limite del mare, il pittore Plasson, che il mare vuole dipingerlo, l'adultera Ann Deveri脿, relegata ai confini del mondo dal marito, Elisewin, una ragazza fragile e sensibile accompagnata da Padre Pluche, reverendo insolito... e ci sono i bambini, misteriosi ed incomprensibili, come un testo non decifrato.
Il Libro Secondo si intitola Il ventre del mare ed 猫, senza timore di esagerare, una tra le cose pi霉 vere, pi霉 belle e pi霉 sconvolgenti che abbia mai avuto la fortuna di leggere.
Non aggiungo parole che risulterebbero insulse, dopo quelle di Baricco; dico solo che questo testo andrebbe fatto leggere a tutti, senza se e senza ma, da qui alla fine dei tempi.
Il Libro Terzo 猫 infine I canti del ritorno, e narra i destini e le svolte delle tante vite che si sono incontrate; purtroppo, questo 猫 il libro pi霉 vuoto dei tre, seppur dalla prosa molto "stilistically correct", e non rende giustizia alle prime due parti, anzi... si perde qualcosa, si avverte come un senso di incompiutezza.
Questo Icaro che 猫 Oceano mare si 猫 sciolto le ali quando ormai era a due passi dal sole, tanto brillava di perfezione.
脠 vero che la bellezza sta anche nelle imperfezioni, ma qui c'猫 un tassello che manca e tutto ci貌 mi lascia profondamente amareggiata. Sospendo il giudizio per verificare quali emozioni, tra tutte le contrastanti che si fanno la guerra al momento, prevarr脿 nel lungo termine.
Il libro Primo si chiama Locanda Almayer, e parla di mare e di sogni, di quiete e tempesta, di memorie e speranza.
Aveva quella bellezza di cui solo i vinti sono capaci. 脠 la limpidezza delle cose deboli. 脠 la solitudine, perfetta, di ci貌 che si 猫 perduto.
Qui si incontrano i personaggi, le loro storie ed il loro passato, ed 猫 un libro meraviglioso. In questa strana locanda Almayer, un luogo senza tempo n茅 futuro, dove il mare avvolge tutto ed 猫 tutto, si intrecciano le vite di vari personaggi, tra chi sta cercando nel mare una cura, chi sollievo, chi risposte; c'猫 il professor Bartleboom, che cerca di definire quale sia il limite del mare, il pittore Plasson, che il mare vuole dipingerlo, l'adultera Ann Deveri脿, relegata ai confini del mondo dal marito, Elisewin, una ragazza fragile e sensibile accompagnata da Padre Pluche, reverendo insolito... e ci sono i bambini, misteriosi ed incomprensibili, come un testo non decifrato.
Il Libro Secondo si intitola Il ventre del mare ed 猫, senza timore di esagerare, una tra le cose pi霉 vere, pi霉 belle e pi霉 sconvolgenti che abbia mai avuto la fortuna di leggere.
La prima cosa 猫 il mio nome, la seconda quegli occhi, la terza un pensiero, la quarta la notte che viene, la quinta quei corpi straziati, la sesta 猫 la fame, la settima orrore, l'ottava i fantasmi della follia, la nona 猫 carne e la decima 猫 un uomo che mi guarda e non mi uccide.
Non aggiungo parole che risulterebbero insulse, dopo quelle di Baricco; dico solo che questo testo andrebbe fatto leggere a tutti, senza se e senza ma, da qui alla fine dei tempi.
Il Libro Terzo 猫 infine I canti del ritorno, e narra i destini e le svolte delle tante vite che si sono incontrate; purtroppo, questo 猫 il libro pi霉 vuoto dei tre, seppur dalla prosa molto "stilistically correct", e non rende giustizia alle prime due parti, anzi... si perde qualcosa, si avverte come un senso di incompiutezza.
Futuro. Il mio, 猫 gi脿 tutto qui, e adesso. Il mio sar脿 la quiete di un tempo immobile, che collezioner脿 istanti da posare uno sull'altro, come se fossero uno solo. Da qui alla mia morte, ci sar脿 quell'istante, e basta.
Questo Icaro che 猫 Oceano mare si 猫 sciolto le ali quando ormai era a due passi dal sole, tanto brillava di perfezione.
脠 vero che la bellezza sta anche nelle imperfezioni, ma qui c'猫 un tassello che manca e tutto ci貌 mi lascia profondamente amareggiata. Sospendo il giudizio per verificare quali emozioni, tra tutte le contrastanti che si fanno la guerra al momento, prevarr脿 nel lungo termine.
May 3, 2015
And the award for getting me out of my comfort zone goes to Alessandro Baricco! I have never read anything written by him (and I鈥檓 not sure I will in the near future) but this little thing was like a breath of (somewhat) fresh air. Yes, yes, yes, it鈥檚 about the sea, the overwhelming, powerful, healing, cruel, regenerating etc. sea. And about the not so original idea of bringing a bunch of unknown, totally different people together. And how the sea is their friend or nemesis, how it all starts (where, Plasson?) and ends (where, Bartleboom?) with it.
Sometimes I felt I was eating a leftover salad with different things thrown in the mix (theater? poetry? stream of consciousness?) and I was trying to identify which is which, separate potatoes from onions and olives, but then again, a salad is a salad, it鈥檚 better not to overthink it. I am no fan of postmodernism, but I did like his writing even though it sounded a bit pretentious here and there. Oh, and that particular episode with Bartleboom trying to find the woman of his dreams, that was the funniest thing I鈥檝e read in years!
(And yes, I went to the sea while reading the book and I thought about it, how cheesy is that?)
Sometimes I felt I was eating a leftover salad with different things thrown in the mix (theater? poetry? stream of consciousness?) and I was trying to identify which is which, separate potatoes from onions and olives, but then again, a salad is a salad, it鈥檚 better not to overthink it. I am no fan of postmodernism, but I did like his writing even though it sounded a bit pretentious here and there. Oh, and that particular episode with Bartleboom trying to find the woman of his dreams, that was the funniest thing I鈥檝e read in years!
(And yes, I went to the sea while reading the book and I thought about it, how cheesy is that?)
August 29, 2019
Una novela pura poes铆a. escasa trama y una permanente e intensa cantidad de emociones. Es muy dif铆cil explicar de que va sin caer en facilismos: 驴de la vida, del amor, del significado de la existencia? de todo eso y mucho m谩s. No puedo decir que les vaya a gustar a todos, a m铆 me ha gustado mucho. Lo que marca la diferencia es la impronta po茅tica. Es un libro anterior a Seda, y luego de leerlo pienso si este no ser锟斤拷 "el verdadero" Baricco.
October 25, 2019
Probably one of the best books I have read in my life. Unbelievably true and beautiful.
April 27, 2020
Un LIBRAZO que se ha mandado el autor!!!
April 22, 2018
2,5/5
Alessandro Baricco 猫 uno scrittore che polarizza i giudizi, c'猫 chi considera le sue opere capolavori, mentre per altri sono quasi spazzatura. Per molti, inoltre, Baricco 猫 borioso e antipatico. Io, non conoscendolo e non avendo mai visto una sua intervista, non posso esprimermi, e sinceramente nemmeno mi interessa se sia simpatico o meno: devo leggere i suoi libri, mica uscirci a cena.
Anzi, in realt脿, ho visto pezzi delle sue lezioni che erano andate in onda sulla Rai e credo che il professore-divulgatore gli riesca molto bene.
In ogni caso, questa 猫 stata la mia prima esperienza con un libro scritto da Baricco ed 猫 stata un po' meh.
Sicuramente Baricco sa scrivere per貌, per i miei gusti, il suo 猫 uno stile un po' troppo arzigogolato e artificioso. Dover rileggere un pezzo per capirlo non 猫 positivo. Che poi in realt脿 猫 tutto volutamente oscuro quindi magari lo rileggi pure per niente.
Oltretutto putroppo il libro 猫 in calando. Nonostante la trama sia sempre un po' troppo evanescente per i miei gusti, nella prima parte ci sono qua e l脿 momenti molto belli e intuizioni che mi hanno colpito positivamente. La seconda, che "descrive" il naufragio della Medusa, 猫 molto intensa. Invece, la terza, che conteneva gli epiloghi dei vari personaggi, per assurdo mi 猫 sembrata praticamente inutile.
Non vorrei dare giudizi troppo netti ma alla fin fine ho visto pi霉 fumo che arrosto. E, s矛, preferisco il Baricco professore a quello scrittore.
Alessandro Baricco 猫 uno scrittore che polarizza i giudizi, c'猫 chi considera le sue opere capolavori, mentre per altri sono quasi spazzatura. Per molti, inoltre, Baricco 猫 borioso e antipatico. Io, non conoscendolo e non avendo mai visto una sua intervista, non posso esprimermi, e sinceramente nemmeno mi interessa se sia simpatico o meno: devo leggere i suoi libri, mica uscirci a cena.
Anzi, in realt脿, ho visto pezzi delle sue lezioni che erano andate in onda sulla Rai e credo che il professore-divulgatore gli riesca molto bene.
In ogni caso, questa 猫 stata la mia prima esperienza con un libro scritto da Baricco ed 猫 stata un po' meh.
Sicuramente Baricco sa scrivere per貌, per i miei gusti, il suo 猫 uno stile un po' troppo arzigogolato e artificioso. Dover rileggere un pezzo per capirlo non 猫 positivo. Che poi in realt脿 猫 tutto volutamente oscuro quindi magari lo rileggi pure per niente.
Oltretutto putroppo il libro 猫 in calando. Nonostante la trama sia sempre un po' troppo evanescente per i miei gusti, nella prima parte ci sono qua e l脿 momenti molto belli e intuizioni che mi hanno colpito positivamente. La seconda, che "descrive" il naufragio della Medusa, 猫 molto intensa. Invece, la terza, che conteneva gli epiloghi dei vari personaggi, per assurdo mi 猫 sembrata praticamente inutile.
Non vorrei dare giudizi troppo netti ma alla fin fine ho visto pi霉 fumo che arrosto. E, s矛, preferisco il Baricco professore a quello scrittore.
November 18, 2018
丕賱亘丨乇 丕賱賲丨賷胤..賯乇兀鬲 賴匕丕 丕賱毓丕賲 丕賱毓丿賷丿 賲賳 丕賱乇賵丕賷丕鬲 丕賱賲亘賴乇丞貙 丕賱賲亘丿毓丞貙 賱賰賳 丨賷賳賲丕 兀爻兀賱 賳賮爻賷貙 兀賷 賵丕丨丿丞 賲賳賴丕 鬲囟毓賴丕 賮賵賯 丕賱噩賲賷毓貙 鬲賱賰 丕賱鬲賷 鬲鬲乇賰 賲爻丕賮丞貙 賰亘賷乇丞貙 亘賷賳賴丕 賵亘賷賳 亘賯賷丞 丕賱兀毓賲丕賱. 賯亘賱 毓賲賱 兀賱賷爻丕賳丿乇賵 亘丕乇賷賰賵 賱賲 鬲賰賳 賱丿賷 廿噩丕亘丞貙 亘毓丿賴貙 丕賱亘丨乇 丕賱賲丨賷胤.
爻乇丿 丕賱亘丨乇貙 賴匕賴 乇賵丕賷丞 毓賳 丕賱亘丨乇貙 賱賰賳 賱賷爻鬲 賰兀賷 乇賵丕賷丞貙 賴賷 爻賷賳賮賵賳賷丞 賰賱賲丕鬲 鬲鬲丨賵賱 賱賲賵爻賯賶 亘賲噩乇丿 兀賳 鬲賱鬲賯胤賴丕 毓賷賳丕賰. 賮賷 兀睾乇亘 兀爻賱賵亘 賯丿 賷噩丿賴 丕賱賯丕乇卅貙 卮毓乇 賲毓 賳孬乇 賲鬲賲丕夭噩丕賳貙 賲鬲賲丕賴賷丕賳貙 賱丕 賷賲賰賳 賮氐賱 兀丨丿賴賲丕 毓賳 丕賱丌禺乇. 丿賯賷賯丞 賴賷 丕賱鬲賮丕氐賷賱 賴賳丕貙 賱賰賳 賱丕 賲賰丕賳 賱賱卮賷胤丕賳 賮賷賴丕貙 賵賰賱 賰賱賲丞 賴賷 毓賲丕丿 亘賷鬲 賴匕丕 丕賱毓賲賱貙 賵賲毓 賰賱 賰賱賲丞貙 噩賲賱丞貙 賮賯乇丞 賮賮氐賱貙 鬲鬲囟丨 毓賷賵賳 賴匕丕 丕賱亘丨乇 兀賰孬乇貙 賰兀賳 丕賱賯丕乇卅 賷乇鬲賮毓 毓丕賱賷丕 賮賷 丕賱爻賲丕亍貙 賱賷乇賶 丕賱氐賵乇丞 賰丕賲賱丞貙 賲丕孬賱丞 兀賲丕賲賴貙 丨鬲賶 賱賵 賱賲 賷賮賴賲賴丕貙 賮賴賳丕 賯丿 賷賰賵賳 兀賮囟賱 兀賳 鬲鬲禺賱賶 毓賳 亘毓囟 丕賱毓賯賱丕賳賷丞貙 賱鬲丿乇賰 賲丕賴賷丞 丕賱亘丨乇.
賮賳丿賯 賷丿賷乇賴 禺賲爻丞 兀胤賮丕賱貙 賷爻鬲囟賷賮 爻亘毓丞 兀卮禺丕氐貙 亘卮禺氐賷丕鬲 睾乇賷亘丞 賱丕 賲賳胤賯 賮賷賴丕貙 賲孬賱 丕賱亘乇賵賮爻賵乇 亘丕乇鬲賱亘賵賲貙 丕賱卮禺氐 賷毓丿 賲賵爻賵毓丞 毓賳 丨丿賵丿 丕賱亘丨乇貙 賵兀賰賷丿 賱賳 賷鬲賮賵賯 賮賷 睾乇丕亘鬲賴 毓賳 丕賱乇爻丕賲貙 亘賱丕爻賵賳貙 賲賳 賷乇賷丿 乇爻賲 丕賱亘丨乇 亘賲丕亍 丕賱亘丨乇..(丕賳賯胤丕毓)
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"亘賷賳 丕賱丨賷賳 賵丕賱丌禺乇 兀鬲爻丕亍賱 賲丕 丕賱匕賷 賳賳鬲馗乇賴 毓賱賶 賴匕賴 丕賱兀乇囟"
爻乇丿 丕賱亘丨乇貙 賴匕賴 乇賵丕賷丞 毓賳 丕賱亘丨乇貙 賱賰賳 賱賷爻鬲 賰兀賷 乇賵丕賷丞貙 賴賷 爻賷賳賮賵賳賷丞 賰賱賲丕鬲 鬲鬲丨賵賱 賱賲賵爻賯賶 亘賲噩乇丿 兀賳 鬲賱鬲賯胤賴丕 毓賷賳丕賰. 賮賷 兀睾乇亘 兀爻賱賵亘 賯丿 賷噩丿賴 丕賱賯丕乇卅貙 卮毓乇 賲毓 賳孬乇 賲鬲賲丕夭噩丕賳貙 賲鬲賲丕賴賷丕賳貙 賱丕 賷賲賰賳 賮氐賱 兀丨丿賴賲丕 毓賳 丕賱丌禺乇. 丿賯賷賯丞 賴賷 丕賱鬲賮丕氐賷賱 賴賳丕貙 賱賰賳 賱丕 賲賰丕賳 賱賱卮賷胤丕賳 賮賷賴丕貙 賵賰賱 賰賱賲丞 賴賷 毓賲丕丿 亘賷鬲 賴匕丕 丕賱毓賲賱貙 賵賲毓 賰賱 賰賱賲丞貙 噩賲賱丞貙 賮賯乇丞 賮賮氐賱貙 鬲鬲囟丨 毓賷賵賳 賴匕丕 丕賱亘丨乇 兀賰孬乇貙 賰兀賳 丕賱賯丕乇卅 賷乇鬲賮毓 毓丕賱賷丕 賮賷 丕賱爻賲丕亍貙 賱賷乇賶 丕賱氐賵乇丞 賰丕賲賱丞貙 賲丕孬賱丞 兀賲丕賲賴貙 丨鬲賶 賱賵 賱賲 賷賮賴賲賴丕貙 賮賴賳丕 賯丿 賷賰賵賳 兀賮囟賱 兀賳 鬲鬲禺賱賶 毓賳 亘毓囟 丕賱毓賯賱丕賳賷丞貙 賱鬲丿乇賰 賲丕賴賷丞 丕賱亘丨乇.
賮賳丿賯 賷丿賷乇賴 禺賲爻丞 兀胤賮丕賱貙 賷爻鬲囟賷賮 爻亘毓丞 兀卮禺丕氐貙 亘卮禺氐賷丕鬲 睾乇賷亘丞 賱丕 賲賳胤賯 賮賷賴丕貙 賲孬賱 丕賱亘乇賵賮爻賵乇 亘丕乇鬲賱亘賵賲貙 丕賱卮禺氐 賷毓丿 賲賵爻賵毓丞 毓賳 丨丿賵丿 丕賱亘丨乇貙 賵兀賰賷丿 賱賳 賷鬲賮賵賯 賮賷 睾乇丕亘鬲賴 毓賳 丕賱乇爻丕賲貙 亘賱丕爻賵賳貙 賲賳 賷乇賷丿 乇爻賲 丕賱亘丨乇 亘賲丕亍 丕賱亘丨乇..(丕賳賯胤丕毓)
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"亘賷賳 丕賱丨賷賳 賵丕賱丌禺乇 兀鬲爻丕亍賱 賲丕 丕賱匕賷 賳賳鬲馗乇賴 毓賱賶 賴匕賴 丕賱兀乇囟"
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