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Taslima Nasrin's Autobiography ##1
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235 pages, Hardcover
First published January 1, 1998
81 people are currently reading
1495 people want to read
About the author
Taslima Nasrin
106听books416听followersTaslima Nasrin (Bengali: 唳むΩ唳侧唳 唳ㄠ唳膏Π唳苦Θ) is an award-winning Bangladeshi writer, physician, secular humanist and human rights activist, known for her powerful writings on women oppression and unflinching criticism of religion, despite forced exile and multiple fatwas calling for her death. Early in her literary career, she wrote mainly poetry, and published half a dozen collections of poetry between 1982 and 1993, often with female oppression as a theme. She started publishing prose in the early 1990s, and produced three collections of essays and four novels before the publication of her 1993 novel Lajja (Bengali: 唳侧唰嵿唳� L么jja), or Shame. Because of her thoughts and ideas she has been banned, blacklisted and banished from Bengal, both from Bangladesh and West Bengal part of India. Since fleeing Bangladesh in 1994, she has lived in many countries, and lives in United States as of July 2016. Nasrin has written 40 books in Bengali, which includes poetry, essays, novels and autobiography series. Her works have been translated in thirty different languages. Some of her books are banned in Bangladesh.'
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Displaying 1 - 30 of 52 reviews
April 10, 2023
I don鈥檛 think I will continue this anymore at the moment. I basically picked up Taslima Nasrin for the controversies her works have caused over the decades, and primarily because she鈥檚 one of the major feminism right-activists I鈥檝e had heard of from my parents. And my parents had read her works, so in a sense, I did want to read them much, much before I was deemed old enough to read them.
Of the part that I鈥檝e read, really the only thing that I鈥檓 appreciative of is her boldness and rather stark honesty, which is also the reason I鈥檓 discontinuing it at the moment: read the maximum and synopsis for the last part. I can鈥檛 handle this sort of mundane gloominess at this moment. Also, she really isn鈥檛 much of a writer which every single sentence written by her shows off: she has also a thing for making you feel disastrously creepy even when it is unnecessary 鈥� there鈥檚 an instance about a feeling of dread which she shared as 鈥榓 snake entering inside her through between her legs.' Erm鈥t鈥檚 too traumatizing for me, at the moment. She was one of the people to kickstart feminism in Bengal through her words, I really respect her courage, I believe in her cause, but I can鈥檛 appreciate her work for something it isn鈥檛 that most proclaim it to be: a particularly fine piece of literature. I can鈥檛 hold my attention for more than a couple of pages at once, and more than once when I try to I end up regretting it.
Maybe a few months later?
Of the part that I鈥檝e read, really the only thing that I鈥檓 appreciative of is her boldness and rather stark honesty, which is also the reason I鈥檓 discontinuing it at the moment: read the maximum and synopsis for the last part. I can鈥檛 handle this sort of mundane gloominess at this moment. Also, she really isn鈥檛 much of a writer which every single sentence written by her shows off: she has also a thing for making you feel disastrously creepy even when it is unnecessary 鈥� there鈥檚 an instance about a feeling of dread which she shared as 鈥榓 snake entering inside her through between her legs.' Erm鈥t鈥檚 too traumatizing for me, at the moment. She was one of the people to kickstart feminism in Bengal through her words, I really respect her courage, I believe in her cause, but I can鈥檛 appreciate her work for something it isn鈥檛 that most proclaim it to be: a particularly fine piece of literature. I can鈥檛 hold my attention for more than a couple of pages at once, and more than once when I try to I end up regretting it.
Maybe a few months later?
January 4, 2023
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唳唳む唳� 唰� 唳唳� 唳Ο唳监Ω唰� 唳嗋Κ唳� 唳唳 唳� 唳氞唳氞唳� 唳︵唳唳班 唳唳� 唳ㄠ唳班唳唳むΘ唰囙Π 唳多唳曕唳�, 唳唳唳� 唳Π唳曕唳唳�-唳︵唳多唳氞Π唳苦Δ唰嵿Π唳む唳� 唳膏唳曕唳粪 唳灌唳唳�, 唳唳唰囙Π 唳膏唳膏唳班唳� 唳唳班Δ唳� 唳夃Ζ唳距Ω唰€唳ㄠΔ唳�, 唳唳�-唳唳苦Π唳︵唳� 唳唳班Δ唳� 唳呧Θ唰嵿Η 唳唳多唳唳�, 唳氞唳氞唳� 唳膏唰嵿唰� 唳ㄠ唳粪唳︵唳� 唳膏Ξ唰嵿Κ唳班唳� 唳忇Μ唳� 唳膏Π唰嵿Μ唰嬥Κ唳班 唳涏唳熰唳� 唳ㄠ唳膏Π唳苦Θ唰囙Π 唳曕唳む唳灌Σ唰€ 唳唳班Χ唰嵿Θ唳椸唳侧唳� 唳曕唳ㄠ 唳膏Ζ唰佮Δ唰嵿Δ唳� 唳ㄠ 唳唳撪Ο唳监 唳嗋 唳むΩ唳侧唳 唳ㄠ唳膏Π唳苦Θ唳曕 唳曕唰嵿唳� 唳ㄠ唳班唳唳︵ 唳� 唳ㄠ唳膏唳む唳曕 唳Π唳苦Θ唳� 唳曕Π唰囙唰囙イ 唳多唳多Μ唰囙Π 唳曕Δ 唳嗋唳距Δ唳� 唳ㄠ 唳嗋Ξ唳距Ζ唰囙Π 唳膏唳班唳溹唳Θ 唳Ο唳监 唳唳∴唳距Δ唰� 唳灌Ο唳�!
唳唳む唳� 唰� 唳唳� 唳Ο唳监Ω唰� 唳嗋Κ唳� 唳唳 唳� 唳氞唳氞唳� 唳︵唳唳班 唳唳� 唳ㄠ唳班唳唳むΘ唰囙Π 唳多唳曕唳�, 唳唳唳� 唳Π唳曕唳唳�-唳︵唳多唳氞Π唳苦Δ唰嵿Π唳む唳� 唳膏唳曕唳粪 唳灌唳唳�, 唳唳唰囙Π 唳膏唳膏唳班唳� 唳唳班Δ唳� 唳夃Ζ唳距Ω唰€唳ㄠΔ唳�, 唳唳�-唳唳苦Π唳︵唳� 唳唳班Δ唳� 唳呧Θ唰嵿Η 唳唳多唳唳�, 唳氞唳氞唳� 唳膏唰嵿唰� 唳ㄠ唳粪唳︵唳� 唳膏Ξ唰嵿Κ唳班唳� 唳忇Μ唳� 唳膏Π唰嵿Μ唰嬥Κ唳班 唳涏唳熰唳� 唳ㄠ唳膏Π唳苦Θ唰囙Π 唳曕唳む唳灌Σ唰€ 唳唳班Χ唰嵿Θ唳椸唳侧唳� 唳曕唳ㄠ 唳膏Ζ唰佮Δ唰嵿Δ唳� 唳ㄠ 唳唳撪Ο唳监 唳嗋 唳むΩ唳侧唳 唳ㄠ唳膏Π唳苦Θ唳曕 唳曕唰嵿唳� 唳ㄠ唳班唳唳︵ 唳� 唳ㄠ唳膏唳む唳曕 唳Π唳苦Θ唳� 唳曕Π唰囙唰囙イ 唳多唳多Μ唰囙Π 唳曕Δ 唳嗋唳距Δ唳� 唳ㄠ 唳嗋Ξ唳距Ζ唰囙Π 唳膏唳班唳溹唳Θ 唳Ο唳监 唳唳∴唳距Δ唰� 唳灌Ο唳�!
January 25, 2016
It requires a lot of courage to disclose your personal life like this. It's best to think the way a child thinks.. So many questions.. So curious.. We grow up and we just start accepting things.. While reading this book I remembered my childhood.. How it all was and the way I used to think about about everything.. Growing up changes us so much...
December 23, 2015
When I saw the title, I knew I had to read it. I had an instant connection with the title because of the use of the language, which drew me closer. As I started reading the book, I did not enjoy the first couple of chapters about the war but, as the book progressed I was could not stop reading! I was amazed by the rawness of the author's writing (I guess I was not expecting that from a Bengali writer but, I am glad she does not follow the traditional/conservative Bengali writing).
I felt so much hate and disappointment towards her; I don't blame her for despising them. The sad truth is that, as much as I love Bengali culture and its traditions, there will always be people in the world that distort the traditions and religious understand to best suit themselves, because they are hungry for power . I hope people who read this autobiography do not think that Bangladesh, the people of Bangladesh and its customs are horrible. Many of the what Nasrins talks about is true, even if I have not faced many of the prejudices myself, I know of people who have. The sad truth is that a lot of the submissive customs are norms and submissiveness is expected from females.
By the end of the book, I really wished that I could have a chance to meet Taslima Nasrin and have a conversation with her, maybe even get to know how she feels about her family members now. I looked up some of her interviews on youtube and it makes me angry, because it seems like the reporters are verbally attacking her and not allowing her to speak. I think she has lost her relationship with many of her family members because she has spoken out about how she has felt as a child growing up.
Over all, I feel sad for her and the experience she has had with Bengali society. While reading, many times I even despised the Bengali traditions. In terms of the writing style, I think Nasrin does a good job being consistent with narrators age. I think the questions she brings forth about religion is only naturally, particularly for a child and an adult. It saddens me to see how Bangladesh and radical Islamic fundamentalist have banned her from stating her opinions what what really happened to her. Without questioning and confronting religious issues, there will never be any resolution. Closed minded Muslim who suppress their opinions only makes Islam weak and that frustrates me.
I want to read the rest of her autobiography but, since I am only limited to the language of English I can't read all of her works. I did find the second bio. translated in English in her website. If you have loads of ink and paper, print it out and read it (I still have not read it): http://taslimanasrin.com/MY%20YOUTH.htm
I really enjoyed this book maybe because I am a Bengali and it was nice to read about some of the familiar customs (good and bad) of Bangladesh.
Rating: READ IT ONCE...MAYBE EVEN TWICE
I felt so much hate and disappointment towards her; I don't blame her for despising them. The sad truth is that, as much as I love Bengali culture and its traditions, there will always be people in the world that distort the traditions and religious understand to best suit themselves, because they are hungry for power . I hope people who read this autobiography do not think that Bangladesh, the people of Bangladesh and its customs are horrible. Many of the what Nasrins talks about is true, even if I have not faced many of the prejudices myself, I know of people who have. The sad truth is that a lot of the submissive customs are norms and submissiveness is expected from females.
By the end of the book, I really wished that I could have a chance to meet Taslima Nasrin and have a conversation with her, maybe even get to know how she feels about her family members now. I looked up some of her interviews on youtube and it makes me angry, because it seems like the reporters are verbally attacking her and not allowing her to speak. I think she has lost her relationship with many of her family members because she has spoken out about how she has felt as a child growing up.
Over all, I feel sad for her and the experience she has had with Bengali society. While reading, many times I even despised the Bengali traditions. In terms of the writing style, I think Nasrin does a good job being consistent with narrators age. I think the questions she brings forth about religion is only naturally, particularly for a child and an adult. It saddens me to see how Bangladesh and radical Islamic fundamentalist have banned her from stating her opinions what what really happened to her. Without questioning and confronting religious issues, there will never be any resolution. Closed minded Muslim who suppress their opinions only makes Islam weak and that frustrates me.
I want to read the rest of her autobiography but, since I am only limited to the language of English I can't read all of her works. I did find the second bio. translated in English in her website. If you have loads of ink and paper, print it out and read it (I still have not read it): http://taslimanasrin.com/MY%20YOUTH.htm
I really enjoyed this book maybe because I am a Bengali and it was nice to read about some of the familiar customs (good and bad) of Bangladesh.
Rating: READ IT ONCE...MAYBE EVEN TWICE
August 30, 2018
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June 25, 2020
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April 18, 2018
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January 10, 2017
At first it seems like a war-time story but you soon find out it's not limited to just this time frame. The narrator,Nasrin, takes her own liberty on time by going in and out of plots as she pleases. I didn't mind this too much because you could never know how and when the story was going to progress. The narration would rewind and fast-forward so many times that sometimes it would be difficult to decipher at which time in Nasrin's upbringing it was occurring. The only clues to this seemed to be where her family was residing at the time and who was the maid in their house.
I wish the book was more organized so it flowed fluidly. At certain times it felt like there was repetition like when a brief character was introduced each time they came up in the plot. Because it seemed so choppy, othertimes I wasn't sure if a character was new or previously mentioned. I think a second reading would have a more powerful impact because you would be more aware of the connections through time and relations.
But she is so frank and blatantly open about certain topics that it's surprising she is writing through a Bengali's perspective. Nasrin doesn't leave taboo issues untouched either it be about religion, class or gender. Although throughout her girlhood Nasrin is characterized as being shy, she grows out of it by unbashfully coming out about the inner sufferings people in her society are too ashamed to divulge.
May 9, 2024
There is an axiom in the land I hail from. Translated roughly, it says that one should never probe deep into the origins of a river or the antecedents of a saint, which means that if you dig deep, you will find that even the holiest of things may have a murky past/beginning. Taslima Nasrin, who is no stranger to controversy, has given us a clear view into her childhood and things that made her the firebrand author that she is.
If the incidents she has narrated are all true and honest, I don't see any surprise or bitterness about her having become a staunch critic of patriarchy and religious hypocrisy. Lucid, hard-hitting narrative that is bound to make one feel uneasy for sure.
If the incidents she has narrated are all true and honest, I don't see any surprise or bitterness about her having become a staunch critic of patriarchy and religious hypocrisy. Lucid, hard-hitting narrative that is bound to make one feel uneasy for sure.
March 1, 2017
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唳唳侧Δ 唳む唳ㄠ唳� 唳む唳班 唳︵唳む 唳氞唳唰囙唳苦Σ唳距Ξ 唳曕唳ㄠ唳む 唳忇Π 唳溹Θ唰嵿Ο 唳忇唳熰 唳む唳班 唳曕Ξ
August 20, 2016
Sometimes its so important to reveal the truth but so hard to digest.
May 8, 2021
Feelings are nicely described. I hope it were less horrible for her than it seems
July 10, 2022
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September 9, 2009
Had the honor of meeting the author when I volunteered for the New York State Coalition Against Sexual Assault (NYSCASA) in college. She came and spoke to us about her book and her experiences. I read the book before she came, and was in awe of her when we met. Truly a remarkable woman. Her story should be required reading in high schools around the country.
May 5, 2008
a painful look at the life of women in the Inidan subcontinent......
July 12, 2014
唳膏Μ 唳唳唰囙Ζ唰囙Π 唳Α唳监 唳夃唳苦Δ, 唳忇唳唳� 唳灌Σ唰囙 O:)
October 20, 2019
A book that shook me to my very core.
This controversial yet bold book leaves a strong impression on the reader's mind. It will change one's perception of a society or a religion.
This controversial yet bold book leaves a strong impression on the reader's mind. It will change one's perception of a society or a religion.
December 29, 2019
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唳むΜ唰� 唳唳熰唳� 唳曕唳粪唳む唳班 唳忇唳熰 唳唳粪Ο唳� 唳唳侧 唳侧唳椸唳ㄠ, 唳む 唳灌唰嵿唰� 唳о唳唰佮Σ唰嬥イ 唳嗋Ξ唳距Π 唳樴唳ㄠ唳椸唳侧唳� 唳熰唳囙Ξ唳侧唳囙Θ 唳忇Μ唳� 唳忇 唳樴唳ㄠ 唳ム唳曕 唳呧Θ唰嵿Ο 唳樴唳ㄠ唳� 唳熰唳班唳ㄠ唳膏唳多Θ唳椸唳侧 唳唳澿 唳夃唳む 唳曕Ψ唰嵿 唳灌Ο唳监唳涏 唳唳多イ
唳Α唳监 唳Δ唳熰唳曕 唳嗋Ξ唳� 唳唳澿唳涏 唳 唳嗋Θ唰嵿Ζ唳距 唳曕Π唰囙唳�, 唳 唳夃Θ唳� 唳班唳む唳Δ唰� 唳呧Μ唳侧唳侧唳 唳膏Δ唰嵿Ο唳苦唳� 唳唳班唳距Χ 唳曕Π唳む 唳椸唳唰� 唳曕唳夃唰囙 唳涏唳∴ 唳︵唳ㄠΘ唳苦イ 唳忇Ξ唳ㄠ唳� 唳ㄠ唳溹唳曕唳撪イ 唳膏唳侧唳班 唳ㄠ唳溹唳� 唳膏唳ム 唳溹Α唳监唳� 唳曕唳夃唰� 唳 唳む唳� 唳曕唳曕唳班唳む唳椸唳侧 "唳Π" 唳曕唳班 唳曕唳涏 唳唳班唳距Χ 唳曕Π唳む 唳ㄠ唳班唳� 唳ム唳曕, 唳膏唳囙Ω唳� 唳曕唳曕唳班唳む 唳膏Ξ唰嵿Κ唳班唳曕 唳ㄠ唳溹唳� 唳溹唳ㄠ唳�/唳唳澿Δ唰� 唳唳班唳� 唳膏唳Δ唰嵿Δ唰囙 唳忇Α唳监唳唰� 唳氞Σ唰囙イ 唳夃Θ唳� 唳む 唳曕Π唰囙Θ唳ㄠ啷�
唳唳唳� 唳Π唳曕唳唳距Π 唳� 唳唳� 唳班唳む唳Δ唰� 唳椸唳佮Α唳监唳唳� 唳︵唳Θ唰嵿Ζ唰囙Π 唳唳澿 唳嗋唳熰唰� 唳Π唳� 唳忇唳熰 唳唳ㄠΩ唳苦唳唳 唳ㄠ唳班唳唳む唳� 唳唳唰囙Μ唰囙Σ唳�, 唳む唳� 唳嗋Κ唳� 唳唳/唳曕唳曕唳曕 唳樴唳班 唳Θ唰囙Π 唳唳むΠ 唳唳粪Δ唰� 唳ム唳曕 唳︵唳班唳唳多 唳膏唳唳む 唳曕唳唳 唳曕唳涏 唳唳澿 唳夃唳距Π 唳嗋唰囙 唳忇唳熰 唳ㄠ唳唳侧 唳多唳多唳� 唳ㄠ唳多唳氞唳� 唳Θ唰� 唳嗋Ω唰嵿Δ唰� 唳嗋Ω唰嵿Δ唰� 唳︵唳ㄠΜ唰€唳 唳呧Ω唳灌唳唳む唳� 唳む唳班 唳曕Π唰�, 唳む唳� 唳氞唳む唳� 唳膏唳Ψ唰嵿 唳涏唳� 唳忇 唳唳熰唳む啷� 唳 唳呧Θ唰囙唰囙Π唳� 唳唳∴唰� 唳夃唳距Π 唳膏Ξ唳唳曕唳� 唳ㄠ 唳Σ唳� 唳曕唳涏 唳曕Ψ唰嵿唰囙Π 唳氞唳む唳班 唳灌Δ唰� 唳唳班啷�
唳むΜ唰� 唳唳熰唳� 唳曕唳粪唳む唳班 唳忇唳熰 唳唳粪Ο唳� 唳唳侧 唳侧唳椸唳ㄠ, 唳む 唳灌唰嵿唰� 唳о唳唰佮Σ唰嬥イ 唳嗋Ξ唳距Π 唳樴唳ㄠ唳椸唳侧唳� 唳熰唳囙Ξ唳侧唳囙Θ 唳忇Μ唳� 唳忇 唳樴唳ㄠ 唳ム唳曕 唳呧Θ唰嵿Ο 唳樴唳ㄠ唳� 唳熰唳班唳ㄠ唳膏唳多Θ唳椸唳侧 唳唳澿 唳夃唳む 唳曕Ψ唰嵿 唳灌Ο唳监唳涏 唳唳多イ
This entire review has been hidden because of spoilers.
July 26, 2021
唳忇 唳唳唰囙Π 唳班唳唳� 唳侧唳栢唳� 唳膏唳о唳 唳ㄠ唳� 唳嗋Ξ唳距Π啷� 唳曕 唳唳班唳む唳 唳忇唳栢唳� 唳侧唳栢 唳Α唳监Σ唳距Ξ! 唳忇唳ㄠ唳� 唳唳ㄠ 唳多唳夃Π唰� 唳夃唳涏啷� 唳班唳唳� 唳む 唳嗋Π 唳灌唰嵿唰� 唳ㄠ鈥撪Δ唳距 唳唳栢唳ㄠ 唳樴唳班唳� 唳曕唳涏 唳Σ唳� 唳唳�! 唳唳�-唳唳班Δ唳苦唰嵿Π唳苦Ο唳监唳� 唳оΠ唰� 唳ㄠ唳ㄠイ
唳忇 唳唳班Ε唳� 唳曕唳ㄠ 唳 唳忇唳唳班 唳Α唳监 唳夃唳む 唳唳班 唳ㄠ啷� 唳Α唳监Δ唰� 唳灌Ο唳监唳涏 唳ム唳曕-唳ム唳曕鈥斷Κ唰嵿Π唳距Ο唳� 唳忇 唳唳� 唳膏Ξ唳 唳ㄠ唳唰�! 唳曕唳Σ 唳唳唰囙Π 唳唳班Ε唳� 唳忇唳距Χ唳苦唳� 唳唳粪唳犩 唳Α唳监Δ唰� 唳膏Ξ唳 唳ㄠ唳唰囙唳� 唳唳班唳 唳忇 唳灌Κ唰嵿Δ唳距Π 唳唳多!! 唳膏唳� 唳唳む唳椸唳侧 唳Α唳监唳� 唳膏Ξ唳 唳Θ唰� 唳灌唰嵿唳苦Σ唰嬧€撪唳� 唳Α唳监唳� 唳嗋Ξ唳�! 唳嗋Ξ唳距Π 唳灌唳�-唳 唳唳︵唳唰庎Ω唰嵿Κ唰冟Ψ唰嵿唰囙Π 唳Δ唰� 唳曕唳佮Κ唳涏唳侧 唳班唳む唳Δ唰�; 唳多Π唰€唳� 唳呧Ω唳距Α唳� 唳灌Ο唳监 唳嗋Ω唳涏唳侧啷� 唳о唳むΩ唰嵿Ε 唳灌Δ唰� 唳唳班 唳忇 唳︵唳�! 唳樴唳ㄠ唳椸唳侧唳� 唳班唳� 唳曕唳熰 唳椸唳侧 唳嗋Μ唳距Π唳� 唳唳熰 唳ㄠ唳唰� 唳Ω唳侧唳イ 唳忇Μ唳距Π 唳嗋Π 唳ム唳曕-唳ム唳曕 唳ㄠΟ唳监イ 唳曕唳班Γ, 唳むΔ唳︵唳ㄠ 唳唳唰囙Π 唳ム唳唳� 唳膏唳ム 唳唳班唳 唳呧Ν唰嵿Ο唳膏唳� 唳灌Ο唳监 唳椸唳唰囙唳苦Σ唳距Ξ 唳曕-唳ㄠ鈥撪Δ唳距 唳忇唳熰唳ㄠ唳� 唳Α唳监唳涏啷�
唳忇 唳侧唳栢 唳Α唳监唳� 唳嗋唰� 唳嗋Ξ唳距Π 唳溹唳ㄠ 唳涏唳侧 唳ㄠ鈥撪唳曕唳� 唳班唳囙唳距Π 唳Θ唰囙Π 唳膏Δ唰嵿Ο 唳ㄠ唳班唳︵唳唳о唳 唳侧唳栢Δ唰� 唳唳班唳�! 唳嗋Π 唳唳熰唳� 唳Η唰嵿Ο唰� 唳曕唳Θ 唳唳� 唳忇唳熰 唳膏唳唳о唳� 唳膏唳唳о唳� 唳唳� 唳嗋唰囙イ 唳呧Θ唰嵿Ο 唳︵Χ唳熰 唳嗋Δ唰嵿Ξ唳溹唳Θ唰€唳� 唳Δ唰� 唳ㄠ 唳唳熰啷� 唳曕唳ㄠ 唳曕唳ㄠ 唳唳唰囙Π 唳曕唳涏 唳樴唳ㄠ 唳忇Ξ唳ㄠΝ唳距Μ唰� 唳唳侧 唳唳氞唳涏 唳唳� 唳Θ唰� 唳灌唰嵿唰団€斷唳班唳�! 唳忇唳熰 唳む 唳嗋Ξ唳苦!!
唳忇 唳唳班Ε唳� 唳曕唳ㄠ 唳 唳忇唳唳班 唳Α唳监 唳夃唳む 唳唳班 唳ㄠ啷� 唳Α唳监Δ唰� 唳灌Ο唳监唳涏 唳ム唳曕-唳ム唳曕鈥斷Κ唰嵿Π唳距Ο唳� 唳忇 唳唳� 唳膏Ξ唳 唳ㄠ唳唰�! 唳曕唳Σ 唳唳唰囙Π 唳唳班Ε唳� 唳忇唳距Χ唳苦唳� 唳唳粪唳犩 唳Α唳监Δ唰� 唳膏Ξ唳 唳ㄠ唳唰囙唳� 唳唳班唳 唳忇 唳灌Κ唰嵿Δ唳距Π 唳唳多!! 唳膏唳� 唳唳む唳椸唳侧 唳Α唳监唳� 唳膏Ξ唳 唳Θ唰� 唳灌唰嵿唳苦Σ唰嬧€撪唳� 唳Α唳监唳� 唳嗋Ξ唳�! 唳嗋Ξ唳距Π 唳灌唳�-唳 唳唳︵唳唰庎Ω唰嵿Κ唰冟Ψ唰嵿唰囙Π 唳Δ唰� 唳曕唳佮Κ唳涏唳侧 唳班唳む唳Δ唰�; 唳多Π唰€唳� 唳呧Ω唳距Α唳� 唳灌Ο唳监 唳嗋Ω唳涏唳侧啷� 唳о唳むΩ唰嵿Ε 唳灌Δ唰� 唳唳班 唳忇 唳︵唳�! 唳樴唳ㄠ唳椸唳侧唳� 唳班唳� 唳曕唳熰 唳椸唳侧 唳嗋Μ唳距Π唳� 唳唳熰 唳ㄠ唳唰� 唳Ω唳侧唳イ 唳忇Μ唳距Π 唳嗋Π 唳ム唳曕-唳ム唳曕 唳ㄠΟ唳监イ 唳曕唳班Γ, 唳むΔ唳︵唳ㄠ 唳唳唰囙Π 唳ム唳唳� 唳膏唳ム 唳唳班唳 唳呧Ν唰嵿Ο唳膏唳� 唳灌Ο唳监 唳椸唳唰囙唳苦Σ唳距Ξ 唳曕-唳ㄠ鈥撪Δ唳距 唳忇唳熰唳ㄠ唳� 唳Α唳监唳涏啷�
唳忇 唳侧唳栢 唳Α唳监唳� 唳嗋唰� 唳嗋Ξ唳距Π 唳溹唳ㄠ 唳涏唳侧 唳ㄠ鈥撪唳曕唳� 唳班唳囙唳距Π 唳Θ唰囙Π 唳膏Δ唰嵿Ο 唳ㄠ唳班唳︵唳唳о唳 唳侧唳栢Δ唰� 唳唳班唳�! 唳嗋Π 唳唳熰唳� 唳Η唰嵿Ο唰� 唳曕唳Θ 唳唳� 唳忇唳熰 唳膏唳唳о唳� 唳膏唳唳о唳� 唳唳� 唳嗋唰囙イ 唳呧Θ唰嵿Ο 唳︵Χ唳熰 唳嗋Δ唰嵿Ξ唳溹唳Θ唰€唳� 唳Δ唰� 唳ㄠ 唳唳熰啷� 唳曕唳ㄠ 唳曕唳ㄠ 唳唳唰囙Π 唳曕唳涏 唳樴唳ㄠ 唳忇Ξ唳ㄠΝ唳距Μ唰� 唳唳侧 唳唳氞唳涏 唳唳� 唳Θ唰� 唳灌唰嵿唰団€斷唳班唳�! 唳忇唳熰 唳む 唳嗋Ξ唳苦!!
July 6, 2014
Taslima Nasreen, dans son livre "Enfance au F茅minin" nous donne un aper莽ut sur ce que fut la vie au Bangladesh durant son enfance: tous ce qu'elle a subit, elle, sa m猫re, et toutes les autres femmes du roman, car elles sont femmes. Cela explique la vision de l'auteur envers Dieu, dont je ne suis pas d'accord, mais je pr茅cise, l'auteur a du penser ainsi 脿 cause de la fa莽on dans elle a 茅t茅 茅lev茅. N'emp锚che, il reste un bon livre 脿 lire.
October 11, 2024
Bengali dissident Taslima Nasrin invented the term meyebela, which means the female experience of girlhood. She was 鈥渂orn in 1962 in a small town in former East Pakistan (now Bangladesh). She studied medicine [inspired, in part, by her father], became a doctor, and wrote columns for newspapers and magazines. Her novel Shame brought her international acclaim as a new feminist voice. The religious leaders of Bangladesh, who issued a death fatwa against her in 1991, condemned her views on women鈥檚 freedom and religion. During the summer of 1994 a violent nationwide strike calling for her arrest and public execution forced her first into hiding and then to flee the country. She has been living in exile ever since鈥︹€� The experiences of her girlhood in this corner of the Muslim world, in a nation beset by war and internal struggle is her memoir that I have enjoyed reading over many months.
Meyebela: My Bengali Girlhood by Taslima Nasrin, translated by Gopa Majumdar, 1998, covers a period from her earliest memories until age fourteen. The book has a map of Bangladesh, a chronology from 1947 until 1975, and a glossary of terms (which still left me consulting the internet for terms that I did not know). The culture and religious environment denigrated women, and left them open to things like sexual abuse. But women formulated and practiced a life that accommodated to that fact, but was often one where victories against male neglect, derision, and abuse were had, which was a story of Taslima鈥檚 mother, the female servants, and of Taslima, herself. Her father, for one, urged her quite forcefully to pursue academic study, despite his domineering abuse.
Superstitions, customs, war, and a changing world reaching even Bengali culture, affected the Muslim milieu in which this girlhood created a young woman able to proceed well on her own, despite the smothering patriarchy, in my opinion. Not being very familiar with Bangladesh, or Islam, my opinion is only that from reflections upon reading Mayebela.
鈥淏efore I turned five Ma had had two miscarriages and was pregnant again. Baba was transferred to Ishwarganj. Once more Ma had to move with her husband, three children, and baggage. Grandma had just given birth to Chhotku [a term for second oldest brother, custom forbids addressing an older brother by name]. In that house it was not unusual for mother and daughter to be pregnant at the same time.
In Ishwarganj, Baba鈥檚 hospital gave him a jeep. He used it to drop my brothers off at school every morning on his way to work. I was still too young to go to school. Ma taught me rhymes at home鈥︹€� Page 58.
鈥淚 did not know why I loved drawing human figures even though I knew it was sinful to do so. Every time ma saw me drawing a man or a woman, she said, 鈥楧raw plants, or trees of flowers, there鈥檚 no harm in that. Don鈥檛 draw living things; don鈥檛 draw humans. You can鈥檛 give them life, can you? Only Allah can do that.鈥欌€� Page 86.
鈥淥bviously, it was not Aunt Fajli who spoke these words but a jinn whose name was Sharafat. He had entered her body and made her drop her veil, slip her sari from her shoulder, dance obscenely, and speak without thinking. It was all Sharafat鈥檚 doing. Naturally, Aunt Fajli herself could never be so completely shameless.鈥� Page 106.
鈥淣ow, Ma and the others were fighting over Amirullah鈥檚 paan juice as if it was some heavenly nectar. Ma, certainly, was convinced that although the paan had been chewed, it was no ordinary man who had chewed it, but one with whom Allah Himself conversed secretly, late at night, while everyone else slept鈥� from Amirullah鈥檚 spittoon a place for her in heaven was guaranteed鈥︹€� Page 111.
鈥溾€橸ou stupid bitch, who do you think you are, eh?鈥� he was ranting. 鈥楩irst you forget to put any salt in my food, and then you have the cheek to argue!鈥� As he spoke these words, he kicked his wife in her stomach, her back, fer face; then, still not satisfied, he brought out a burning log from the kitchen and struck her with it鈥he onlookers were standing idly by鈥︹€� Page 153.
鈥淚 felt like swallowing poison and ending it all. The world was such a cruel place鈥攂etter to die than live in it as a woman. I had read in a magazine that, somewhere in the world, a girl had become a boy. I longed to wake up one day and find something similar had happened to me鈥︹€� Page 258
鈥渢he 鈥榖ad girl,鈥� the 鈥榮lut,鈥� had left without a word. I didn鈥檛 know it then but I would never see her again. I didn鈥檛 know that she would be married off to a total stranger, a much older man. Her notebook of poems would be burned, and she would be forced into a life of peeling, cleaning, grinding, cooking, and serving, as well as bearing a child almost every year.
And what would happen to me? I would hate our society and the rules it imposed; would feel the invisible shackles placed on my hands and feet, realize that my wings had been chopped off鈥�
Or鈥攑erhaps鈥攊t was the other way around. Perhaps there was a cage inside my own being that confined me and pulled me back into its depths each time I wanted to spread my wings and soar in the sky.鈥� Page 274
The tyranny of society鈥攊ts culture and religion鈥攊s internalized in childhood, and a realization, soon enough that one鈥檚 own mind conspired in one鈥檚 slavery鈥攁nd, perhaps a person lives boldly, and lives. Living to one鈥檚 ideals and aspirations is something societal tyranny cannot abide. Making freedom for oneself is arduous, fulfilling, and dangerous.
Meyebela: My Bengali Girlhood by Taslima Nasrin, translated by Gopa Majumdar, 1998, covers a period from her earliest memories until age fourteen. The book has a map of Bangladesh, a chronology from 1947 until 1975, and a glossary of terms (which still left me consulting the internet for terms that I did not know). The culture and religious environment denigrated women, and left them open to things like sexual abuse. But women formulated and practiced a life that accommodated to that fact, but was often one where victories against male neglect, derision, and abuse were had, which was a story of Taslima鈥檚 mother, the female servants, and of Taslima, herself. Her father, for one, urged her quite forcefully to pursue academic study, despite his domineering abuse.
Superstitions, customs, war, and a changing world reaching even Bengali culture, affected the Muslim milieu in which this girlhood created a young woman able to proceed well on her own, despite the smothering patriarchy, in my opinion. Not being very familiar with Bangladesh, or Islam, my opinion is only that from reflections upon reading Mayebela.
鈥淏efore I turned five Ma had had two miscarriages and was pregnant again. Baba was transferred to Ishwarganj. Once more Ma had to move with her husband, three children, and baggage. Grandma had just given birth to Chhotku [a term for second oldest brother, custom forbids addressing an older brother by name]. In that house it was not unusual for mother and daughter to be pregnant at the same time.
In Ishwarganj, Baba鈥檚 hospital gave him a jeep. He used it to drop my brothers off at school every morning on his way to work. I was still too young to go to school. Ma taught me rhymes at home鈥︹€� Page 58.
鈥淚 did not know why I loved drawing human figures even though I knew it was sinful to do so. Every time ma saw me drawing a man or a woman, she said, 鈥楧raw plants, or trees of flowers, there鈥檚 no harm in that. Don鈥檛 draw living things; don鈥檛 draw humans. You can鈥檛 give them life, can you? Only Allah can do that.鈥欌€� Page 86.
鈥淥bviously, it was not Aunt Fajli who spoke these words but a jinn whose name was Sharafat. He had entered her body and made her drop her veil, slip her sari from her shoulder, dance obscenely, and speak without thinking. It was all Sharafat鈥檚 doing. Naturally, Aunt Fajli herself could never be so completely shameless.鈥� Page 106.
鈥淣ow, Ma and the others were fighting over Amirullah鈥檚 paan juice as if it was some heavenly nectar. Ma, certainly, was convinced that although the paan had been chewed, it was no ordinary man who had chewed it, but one with whom Allah Himself conversed secretly, late at night, while everyone else slept鈥� from Amirullah鈥檚 spittoon a place for her in heaven was guaranteed鈥︹€� Page 111.
鈥溾€橸ou stupid bitch, who do you think you are, eh?鈥� he was ranting. 鈥楩irst you forget to put any salt in my food, and then you have the cheek to argue!鈥� As he spoke these words, he kicked his wife in her stomach, her back, fer face; then, still not satisfied, he brought out a burning log from the kitchen and struck her with it鈥he onlookers were standing idly by鈥︹€� Page 153.
鈥淚 felt like swallowing poison and ending it all. The world was such a cruel place鈥攂etter to die than live in it as a woman. I had read in a magazine that, somewhere in the world, a girl had become a boy. I longed to wake up one day and find something similar had happened to me鈥︹€� Page 258
鈥渢he 鈥榖ad girl,鈥� the 鈥榮lut,鈥� had left without a word. I didn鈥檛 know it then but I would never see her again. I didn鈥檛 know that she would be married off to a total stranger, a much older man. Her notebook of poems would be burned, and she would be forced into a life of peeling, cleaning, grinding, cooking, and serving, as well as bearing a child almost every year.
And what would happen to me? I would hate our society and the rules it imposed; would feel the invisible shackles placed on my hands and feet, realize that my wings had been chopped off鈥�
Or鈥攑erhaps鈥攊t was the other way around. Perhaps there was a cage inside my own being that confined me and pulled me back into its depths each time I wanted to spread my wings and soar in the sky.鈥� Page 274
The tyranny of society鈥攊ts culture and religion鈥攊s internalized in childhood, and a realization, soon enough that one鈥檚 own mind conspired in one鈥檚 slavery鈥攁nd, perhaps a person lives boldly, and lives. Living to one鈥檚 ideals and aspirations is something societal tyranny cannot abide. Making freedom for oneself is arduous, fulfilling, and dangerous.
April 18, 2021
Riveting, and painful. Nasrin鈥檚 girlhood gives you a peep into political unrest, socialisation vis-脿-vis gender, class and religion in Bangladesh as seen through a little girl鈥檚 eyes. She fearlessly immortalises painful memories of being molested as a child and innocently questioning fundamentalist Islamic thought, attempting to weave sense into 鈥榬eason鈥�.
Definitely worth a read.
Definitely worth a read.
October 27, 2013
It's honestly described child age story of Taslima Nasrin. However, she could have modified some vulgar words. She successfully expressed her feeling against senseless religious practices, against male dominating society. Readable.........
July 29, 2021
"唳嗋Ξ唳距Π 唳唳唰囙Μ唰囙Σ唳�" 唳唳班Ε唳� 唳ム唳曕 唳多唳� 唳Π唰嵿Ο唳ㄠ唳� 唳Α唳监唳� 唳Π 唳 唳曕Ε唳距唳� 唳嗋Ξ唳距Π 唳唳班Μ唳距Π 唳Θ唰� 唳灌Ο唳监唳涏 唳む 唳灌Σ唰� 唳唳氞唳氞 唳唳唰囙唳� 唳忇唳熰 唳唳侧 唳多唳多Μ 唳唳唳ㄠ啷� 唳Ζ唳� 唳忇唳熰 唳唳侧 唳多唳多Μ 唳嗋Ξ唳距Ζ唰囙Π 唳膏Ξ唳距, 唳む唳� 唳-唳唳 唳む唳曕 唳︵唳む 唳唳班Δ唰� 唳むΜ唰� 唳唳︵唳唳粪 唳ㄠΟ唳� 唳唳侧Μ唳距Ω唳距Ο唳� 唳Π唳苦Κ唰傕Π唰嵿Γ 唳忇 唳むΩ唳侧唳 唳ㄠ唳膏Π唳苦Θ 唳曕 唳嗋Ξ唳班 唳唳む唳イ
August 29, 2010
no focus
April 7, 2014
Honest, insightful, and interesting.
October 22, 2013
Biased by extreme feminism.
Currently reading
December 6, 2013good
September 16, 2014
Long. Tedious reading, but also quite interesting tale of a young Muslim girl being raised in Pakistan/ Bangladesh.
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