James Douglas Morrison was an American singer, poet, songwriter, writer, and film director. He is best known as the lead singer and lyricist of The Doors, and is widely considered to be one of the most charismatic and influential frontmen in rock music. He was also the author of several books of poetry and the director of a documentary and short film.
"The Lizard King" was undoubtedly a poet, and he made a feather with his tail. For die-hard fans, this book will be a precious Bible, a hymnal of the hallucinatory and lyrical hymns of a legend; for others, it will be a Rimbaldian poetic collection, a shamanic flight drawing its incantatory power from Blake or Huxley. In short, this book is to put in each hand. A bilingual version of precise or hermetic poetry will make you travel far and high鈥攜ou're lost in a Roman desert, of lost pain, to Alabama aboard the Ship of Fools or even passengers of torment in the crystal ship.
Jim Morrison's poetry changed my perspective on life. It opened up a whole new world to me, one that is completely limitless. His imagery is dark, dangerous, and beautiful.
Singer, dissolute, drunk - James Douglas Morrison was all of these things. But, most of all, he was a master of the use of language. These pieces are spoken visions more than poems, and for that reason are best listened to on the album of the same name as the book, vividly recounted in the manner he interprets them himself. Words rise and coil, like audible wisps of smoke, into ephemeral images of his own exotic creation as he works magic with them. It is no less than genius at play.
As he said of himself: "I'll always be a word man, better than a bird man ..."
Luke F. D. Marsden (author of Wondering, the Way is Made)
An American Prayer is a collection of poems written by sexy, enigmatic, genius, writing prowess, the Lizard King, Jim Morrison.
Jim is one of those historical figures of American pop culture that fascinates me the most. His genius mind is so ahead of his time and his years. His work on the Doors, though short, left a mark on the music that will live on for years to come.
I consumed An American Prayer through an album that the surviving the Doors members released after Jim鈥檚 passing by adding background music to his spoken poetry.
Jim鈥檚 poems reflects on his nihilistic views of life. He talks about metaphysical stuff like spirituality, divinity, and the dark, and macabre side of a human鈥檚 life. Don鈥檛 expect Jim to write flowery poems about love and sunshine and rainbows. His poems can be twisted and disturbing; Jim was obsessed with death and the afterlife. The poems range between describing a bad acid trip to depressive rambles. But there are poems that are kinda funny (like the BlackPolished Chrome) which provides a break from all the grim theme of his written works.
Despite all these, I enjoy hearing Jim鈥檚 low and sultry voice when he speaks and he sings. Maybe not so much when he screams since it scared the shizz out of me when I first heard it here. Overall, in my simplistic mind, I鈥檓 just beyond amazed he wrote this (and the songs he written for the Doors). It shows how wise and aware he is of the metaphysical aspect of life and the world.
If youre a fan of music, the Doors, history, or poems by celebrities, give this one a try and you will find out how much of a wunderkid Jim was.
Jim Morrison is an inspiration to me. His poetry is a gateway to the sentimental wonders of life. Jim Morrison's poetry allows me to feel free, as he sends the message of the inner universal truth through his own artistically unique words. I highly admire his work, it's mystifying, yet honest.
As铆 como Jim Morrison describe que los esp铆ritus de un grupo de nativos americanos penetraron su alma durante la ni帽ez, el palpitar po茅tico de Morrison, su voz entre la calma de Sinatra y el rugido de una bestia, sacudi贸 mi infancia. Las canciones de The Doors fueron mi primer encuentro con el ejercicio po茅tico. Nada comprend铆a yo de la poes铆a. Nada sab铆a yo del performance. Seducido por la voz y el cuerpo de Morrison, s铆 entend铆 que para formarme deb铆a imitarle tanto en la voz como en la escritura.
Pasaron los a帽os y naturalmente me olvid茅 del Morrison-poeta. En mi memoria habitaba con cierto aprecio, pero no le tomaba muy en serio. As铆 pues, la re-lectura de An American Prayer, publicado en 1978 (seis a帽os despu茅s de la muerte del autor) me result贸 fascinante. En la traducci贸n de Jos茅 Vicente Anaya, aparecida en la editorial Laberinto (una edici贸n biling眉e, la cual falla al trasladar el texto original, pues hay incontables errores de transcripci贸n), Morrison se encuentra en manos m谩s que dignas.
A nivel textual, es un recorrido por toda a obra po茅tica del autor, que se entreve en la discograf铆a de The Doors. Es interesante como "Peace Frog", "Roadhouse Blues", "Riders on the Storm" forman parte de la experiencia po茅tica y, como fan del banda, resultan paradas familiares y amadas. An American Prayer es una ceremonia potente que se imparte durante un viaje que recorre las distintas facetas po茅ticas de Morrison: el m谩s salvaje, el m谩s er贸tico, el m谩s vulnerable. Por supuesto, y para mi sorpresa prejuiciosa, hay versos de gran calibre: "Hacemos confesi贸n de fe / como creyentes en / que una noche de Lujuria / nos hace confiar en / que lo nocturno / nos da color"; "La muerte nos convierte en 谩ngeles / y nos pone alas en los hombros / donde hab铆amos tenido / suaves garras de / cuervos". Me gusta c贸mo Morrison puede pasar del erotismo sagrado en la mutilaci贸n (en la Oraci贸n hay un sacrificio de "vergas") hasta un sentido homenaje a la amistad m谩s all谩 de la muerte: "Prefiero las fiestas de mis amigos en lugar de las de grandes familias").
Ahora bien, An American Prayer debe leerse acompa帽ado de la versi贸n performativa con m煤sica de The Doors. Ante eso, cualquier poeta flaquea frente al despliegue actoral y dram谩tico de la ceremonia. Como lectura silenciosa e individual es una experiencia incompleta: hay que escuchar la voz del lagarto.
Leer esto a las 7 y media de la ma帽ana en un tren me hizo agradecer que Jim Morrison est茅 muerto porque puedo apreciar su m煤sica y no puede levantarse de la tumba para escribir m谩s poemas
Me parece que el hecho de que sea una obra de Morrison me hizo tener una expectativa muy alta, pero realmente no me hizo sentir nada. Creo que la poes铆a es un tema demasiado delicado para m铆 y suelo pensar en darle una segunda oportunidad a lo que leo y siento que probablemente no me gusto por mi culpa, pero nah, no creo que esto lo valga. Lo siento, de todas maneras intentare leer m谩s de Jim para quitarme esta mala imagen que me ha quedado de su trabajo como poeta.
I think that Jim Morrison had an approach to poetry that was not unlike the ancient Oriental method described by Wei T'ai in the 11th century; "Poetry presents the thing in order to covey the feeling. It should be precise about the thing and reticent about the feeling, for as soon as the mind responds and connects with the thing the feeling shows in words; this is how poetry enters deeply into us. If the poet presents directly feelings which overwhelm him, and keeps nothing back to linger as an aftertaste, he stirs us superficially; he cannot start the hands and feet involuntarily waving and tapping in time, far less strengthen morality and refine culture, set heaven and earth in motion and call up spirits!"
Morrison mentions this of poetry in an interview; "Listen, real poetry doesn't say anything, it just ticks off the possibilities. Opens all doors. You can walk through any one that suits you.. . . and that's why poetry appeals to me so much - because it's so eternal. As long as there are people, they can remember words and combinations of words. Nothing else can survive a holocaust but poetry and songs. No one can remember an entire novel. No one can describe a film, a piece of sculpture, a painting, but so long as there are human beings, songs and poetry can continue. If my poetry aims to achieve anything, It's to deliver people from the limited ways in which they see and feel."
Morrison has remained an influence on my work for over 20 years now-I remember classes in Graduate school in which his poems or name would come up and it was always in a disregarding fashion, yet his books of poetry have been among the highest sellers of all time in that genre (and continue to be). Morrison was Blakean in poetic sensibility and Nietzschian in philosophy which is a terrifying combination if you think about it-he sought to be rid of the 'Mind Forged Manacles' that Blake spoke of and also desired a 'World as a will to power and nothing more' as Nietzsche mentions. There is something of the eternal and the powerfully visionary about Morrison's work that remains- he was and also is a controversial figure, a poet that attempted to re-create the theater of Artaud in a way that would inform later performers like Alice Cooper and Marilyn Manson. I think that Morrison's contribution to modern poetry was much more significant than he is currently being given credit for in the Academy. * Notes about Morrison regarding his poetry by the Poet Michael McClure; " One of the things I like about this biography is that it shows that Jim knew himself to be a poet. That was the basis of my friendship and brotherhood with him,-I know of no better poet of Jim's generation. Few poets have been such public figures or entertainers (perhaps Mayakovsky in Russia in the twenties and thirties) and none have had so brief or so powerful a career."
Este livro, que deu in铆cio 脿 colec莽茫o "Rei Lagarto", mostra-nos o percurso deste cantor/ compositor dos lend谩rios The Doors, atrav茅s dos poemas que escreveu para os 谩lbuns The Doors (1967), Strange Days (1968), Waiting for the Sun (1969), The Soft Parade (1969), Morrison Hotel (1970), Absolutely Live (1970) e L.A. Woman (1971) e ainda o poema An American Prayer, publicado em plaquete, edi莽茫o de 200 exemplares, fora de com茅rcio, distribu铆da pelos amigos do autor, em 1970, bem como Ode to L.A. While Thinking of Brian Jones, Deceased 鈥� poema distribu铆do pelo p煤blico em alguns concertos nos Estados Unidos, pouco depois da morte de Brian Jones, dos Rolling Stones, a 3 de Julho de 1969.
I love Jim Morrison, he's been one of my favorite lead singers ever since I discovered him and The Doors back when I was a teenager, but what was this other than the incoherent ramblings of a heroin addict that rhyme to make sense maybe only once or twice and not just to make it rhyme?
Absolut favorite album with Jim Morrison soeaking his texts recording and the added music by the doors after he died. The translation in french is not always accurate though that鈥檚 why I don鈥檛 give it 5 stars - but defenitely a journey to read Morrison鈥檚 text instead of simply listening鈥�