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倬丿乇
The Father, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London and subsequently to Wyndham's Theatre in the West End. Florian Zeller's The Father was awarded the Moliere Award for Best Play and the Olivier and Tony Awards for Best Actor.
92 pages, Paperback
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About the author
Florian Zeller
34听books93听followersFlorian Zeller is a French novelist and playwright. His work has been translated into a dozen languages, including English. He won the Prix Interalli茅 in 2004 for his novel "Fascination of Evil" ("La Fascination du Pire").
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October 9, 2022
丿丕爻鬲丕賳 丿乇亘丕乇賴 倬丿乇 倬蹖乇蹖 丕爻鬲 讴賴 丿趩丕乇 夭賵丕賱 丨丕賮馗賴 蹖丕 丌賱夭丕蹖賲乇 蹖丕 趩蹖夭蹖 卮亘蹖賴 丕蹖賳 卮丿賴 丕爻鬲 賵 賳賵蹖爻賳丿賴 亘賴 賯丿乇蹖 禺賵亘 丕夭 倬爻 鬲賵氐蹖賮 噩夭卅蹖丕鬲 丕蹖賳 亘蹖賲丕乇蹖 賱丕毓賱丕噩 亘乇丌賲丿賴 讴賴 卮讴 賳丿丕乇賲 賲丿鬲蹖 胤賵賱丕賳蹖 亘丕 蹖讴蹖 丕夭 丕蹖賳 丌丿賲 賴丕 夭賳丿诏蹖 讴乇丿賴 丕爻鬲. 丨丕賱丕鬲 禺丕氐 倬丿乇 亘蹖賲丕乇貙 丕丨爻丕爻丕鬲 丕胤乇丕賮蹖丕賳 賳夭丿蹖讴卮貙 賵丕讴賳卮 倬乇爻鬲丕乇丕賳 賵 賴賲賴 趩蹖夭 亘賴 賯丿乇蹖 丿賯蹖賯 亘賵丿 讴賴 丕賳诏丕乇 賲賳 丿丕卮鬲賲 鬲氐賵蹖乇 蹖讴 賴賮鬲賴 夭賳丿诏蹖 亘丕 賲丕丿乇亘夭乇诏賲 乇丕 賲蹖 丿蹖丿賲.听 賲丕丿乇亘夭乇诏蹖 讴賴 爻賴 爻丕賱 鬲賲丕賲 丿乇诏蹖乇 丌賱夭丕蹖賲乇 亘賵丿 貙 亘蹖賲丕乇蹖 丕蹖 讴賴 丕爻賲卮 鬲乇爻賳丕讴 丕爻鬲 丕賲丕 禺賵丿卮 賴夭丕乇丕賳 亘丕乇 鬲乇爻賳丕讴 鬲乇 丕夭 賴乇 鬲乇爻蹖 爻鬲. 亘蹖賲丕乇蹖 丕蹖 讴賴 乇賵丨 賵 噩爻賲 丕賵 乇丕 禺賵乇丿 賵 賴賲賴 賲丕 乇丕 禺爻鬲賴 貙禺乇丿貙 亘蹖賲丕乇 賵 丕賮爻乇丿賴 讴乇丿. 賴賲蹖卮賴 鬲氐賵乇 賲蹖 讴乇丿賲 丕賵 丕夭 亘蹖賲丕乇蹖 禺賵丿 禺亘乇 賳丿丕乇丿 賵 賳賲蹖 丿丕賳丿 讴賴 趩蹖夭蹖 蹖丕丿卮 賳賲蹖 丌蹖丿 丕賲丕 丌賳 賵丨卮鬲 毓賲賯 趩卮賲 賴丕蹖 丌亘 賲乇賵丕乇蹖丿蹖 丕卮 賴乇亘丕乇 賲乇丕 亘賴 卮讴 賲蹖 丕賳丿丕禺鬲. 丨丕賱丕鬲 賮乇丕賲賵卮蹖 賲丕丿乇亘夭乇诏 趩蹖夭蹖 亘賵丿 亘蹖賳 噩賳賵賳 賵 賳亘賵睾. 賳賲蹖 丿丕賳爻鬲蹖 丕蹖賳 讴丕乇賴丕 讴賴 賲蹖 讴賳丿 丕夭 乇賵蹖 亘丿噩賳爻蹖 丕爻鬲 蹖丕 賵丕賯毓丕 賳賲蹖 丿丕賳丿 賳丕賴丕乇 禺賵乇丿賴貙 賵 丿賵亘丕乇賴 诏乇爻賳賴 卮丿賴 趩賵賳 蹖丕丿卮 賳賲蹖 丌蹖丿 讴賴 賳丕賴丕乇 禺賵乇丿賴 .... 诏丕賴蹖 賮讴乇 賲蹖 讴乇丿賲 夭賵丕賱 丨丕賮馗賴 丕卮 丕賳鬲禺丕亘蹖 丕爻鬲 夭蹖乇丕 丿乇爻鬲 賵賯鬲蹖 讴賴 丕賳鬲馗丕乇卮 乇丕 賳丿丕卮鬲蹖 賵 爻乇亘夭賳诏丕賴 趩蹖夭蹖 賲蹖 倬乇丕賳丿 讴賴 賲蹖 鬲賵丕賳爻鬲 亘夭乇诏鬲乇蹖賳 丕爻乇丕乇鬲 乇丕 亘乇賲賱丕 讴賳丿 賵 丿賵丿賲丕賳鬲 乇丕 亘賴 亘丕丿 亘丿賴丿. 丕爻乇丕乇蹖 讴賴 丿乇 丨囟賵乇 丕賵 亘賴 夭亘丕賳 丌賵乇丿賴 亘賵丿蹖 賵 亘賴 禺蹖丕賱 丕蹖賳讴賴 丕賵 賮乇丕賲賵卮 賲蹖 讴賳丿 丿乇 賲賵乇丿卮 丨乇賮 夭丿賴 亘賵丿蹖 丕賲丕 丕賵 賳賴 賮乇丕賲賵卮 讴乇丿賴 亘賵丿 賵 賳賴 诏蹖噩 卮丿賴貙 鬲賲丕賲 丨乇賮 賴丕蹖 鬲賵 乇丕 亘賱毓蹖丿賴 亘賵丿 賵 丿乇爻鬲 丿乇 噩丕蹖 賲賳丕爻亘 鬲丨賵蹖賱 丿丕丿賴 亘賵丿 賵 鬲賵 丕诏乇 亘賴 丕賳丿丕夭賴 讴丕賮蹖 亘丕賴賵卮 賳亘賵丿蹖 讴賴 賯囟蹖賴 乇丕 亘賴 夭賵丕賱 毓賯賱卮 乇亘胤 亘丿賴蹖 丨鬲賲丕 丿賵丿賲丕賳鬲 亘賴 亘丕丿 賲蹖 乇賮鬲. 賲丕丿乇亘夭乇诏 賴賲 亘丕 鬲賲丕賲 倬乇爻鬲丕乇 賴丕蹖卮 丿毓賵丕 賲蹖 讴乇丿 賵 賴乇賲丕賴 亘爻丕胤 卮讴丕蹖鬲 賵 賲氐丕丨亘賴 亘丕 倬乇爻鬲丕乇 噩丿蹖丿 賵 亘蹖 丕毓鬲賲丕丿蹖 賵 趩賴 賵 趩賴 毓賱賲 亘賵丿 夭蹖乇丕 禺丕賳賵丕丿賴 賳賲蹖 禺賵丕爻鬲賳丿 賯亘賵賱 讴賳賳丿 賲丕丿乇卮丕賳 賲賴賲賱 賲蹖 诏賵蹖丿 賵 倬乇爻鬲丕乇 賳禺賵丿 賵 賱賵亘蹖丕 賴丕 乇丕 賳丿夭丿蹖丿賴 賵 爻乇讴丕乇 賳賲蹖 禺賵丕亘丿 賵 賲趩卮 乇丕 亘丕 倬丿乇亘夭乇诏 丿乇 夭蹖乇夭賲蹖賳 賳诏乇賮鬲賴 丕爻鬲. 倬丿乇亘夭乇诏蹖 讴賴 蹖讴爻丕賱 亘賵丿 賲乇丿賴 亘賵丿 賵 賵賯鬲蹖 亘賵丿 賳賲蹖 丿丕賳賲 亘丕 趩賴 讴爻蹖 丌賳 爻丕賱 賴丕蹖 丿賵乇 亘賴 卮賲丕賱 乇賮鬲賴 亘賵丿 賵 賲趩卮丕賳 乇丕 丿乇 賴鬲賱蹖 丕乇夭丕賳 賯蹖賲鬲 诏乇賮鬲賴 亘賵丿賳丿 讴賴 禺亘乇卮 亘賴 賲丕丿乇亘夭乇诏 乇爻蹖丿. 蹖丕 丕賱賳诏賵賴丕蹖卮 讴賴 蹖讴蹖 蹖讴蹖 讴賲 賲蹖 卮丿 賵 亘毓丿丕 賲毓賱賵賲 卮丿 賴賲賴 卮丕賳 乇丕 賲蹖 丿丕丿賴 亘賴 毓賲賵 賵 毓賲賵 賴賲 诏乇丿賳 賳賲蹖 诏乇賮鬲賴 讴賴 賴賲賴 乇丕 禺乇噩 丌賳 讴丕乇賴丕蹖卮 讴乇丿賴 丕爻鬲. 趩賯丿乇 丨爻 鬲賳賮乇 丕夭 倬丿乇 丌賱夭丕蹖賲乇蹖 丌卮賳丕 亘賵丿 賵賯鬲蹖 蹖讴 噩賲賱賴 乇丕 鬲讴乇丕乇 賲蹖 讴乇丿. 賵 丌賳 丨爻 丕爻鬲蹖氐丕賱 賵賯鬲蹖 丿禺丕乇卮 賳賲蹖 鬲賵丕賳爻鬲 賳賴 亘賲丕賳丿 賵 賳賴 乇賴丕蹖卮 讴賳丿 賵 鬲賳賴丕 亘丕 讴卮鬲賳 丿乇 禺蹖丕賱 亘賵丿 讴賴 賲蹖 鬲賵丕賳爻鬲 丌乇丕賲卮 乇丕 鬲噩乇亘賴 讴賳丿 丌賳 賴賲 亘乇丕蹖 賱丨馗丕鬲蹖 亘蹖 丿賵丕賲 丕賲丕 卮讴賵賴賲賳丿. 賳賲蹖 丿丕賳賲 丿乇 讴丿丕賲 讴鬲丕亘 禺賵丕賳丿賲貙 卮丕蹖丿 丿乇 讴鬲丕亘 賲乇丿蹖 讴賴 夭賳卮 乇丕 亘丕 讴賱丕賴 丕卮鬲亘丕賴 賲蹖 诏乇賮鬲 亘賵丿 讴賴 賲蹖 诏賮鬲 亘夭乇诏鬲乇蹖賳 乇賳噩 蹖讴 亘蹖賲丕乇 賲亘鬲賱丕 亘賴 賮乇丕賲賵卮蹖貙 賮乇丕賲賵卮 讴乇丿賳 禺丕胤乇丕鬲 丕爻鬲. 丕蹖賳讴賴 賴乇 乇賵夭 亘丕乇賴丕 賵 亘丕乇賴丕 亘亘蹖賳蹖 讴賴 賳賲蹖 丿丕賳蹖 趩賴 亘賵丿賴 丕蹖 賵 趩賴 讴爻蹖 賴爻鬲蹖. 卮丕蹖丿 卮賲丕 鬲氐賵乇 讴賳蹖丿 賴賲丕賳胤賵乇 讴賴 賲賳 鬲氐賵乇 賲蹖 讴乇丿賲貙 讴賴 亘蹖賲丕乇 丌賱夭丕蹖賲乇蹖 賳賲蹖 丿丕賳丿 讴賴 亘蹖賲丕乇 丕爻鬲 賵 亘賳丕亘乇丕蹖賳 乇賳噩 賳賲蹖 讴卮丿 . 丕賲丕 賲賳 丌賳 賵丨卮鬲 乇丕 丿乇 趩卮賲丕賳 賲丕丿乇亘夭乇诏 丿蹖丿賴 丕賲 賴乇 乇賵夭 讴賴 亘蹖丿丕乇 賲蹖 卮丿 賵 亘丕 丿賳蹖丕蹖 賳丕卮賳丕禺鬲賴 丕蹖 乇賵亘乇賵 賲蹖 卮丿 讴賴 丨鬲蹖 蹖讴 趩賴乇賴 丌卮賳丕 賴賲 丿乇 丌賳 賳亘賵丿. 丕蹖賳 賵賯鬲 賴丕 丕賵 丌乇丕賲 亘賵丿 丕賲丕 賲胤賲毓賳賲 丕賳 賱丨馗賴 賮乇丕賲賵卮 讴乇丿賴 亘賵丿 亘丕 趩賴 讴賱賲丕鬲蹖 卮丿鬲 乇賳噩蹖 讴賴 賲蹖 讴卮丿 乇丕 亘蹖丕賳 讴賳丿.
May 9, 2023
賳賲丕蹖卮賳丕賲賴 "倬丿乇" 賳賵卮鬲賴 賮賱賵乇蹖丕賳 夭賱乇貙 賳賵蹖爻賳丿賴貙 賳賲丕蹖卮賳丕賲賴鈥屬嗁堐屫� 賵 讴丕乇诏乇丿丕賳 賮乇丕賳爻賵蹖貙 丿丕爻鬲丕賳 鬲賱禺 賵 睾賲鈥屫з嗂屫槽� 倬丿乇蹖 乇丕 乇賵丕蹖鬲 賲蹖鈥屭┵嗀� 讴賴 亘丕蹖丿 亘丕 亘蹖賲丕乇蹖 賲賴賱讴 丌賱夭丕蹖賲乇 賵 丕夭 亘蹖賳 乇賮鬲賳 賱丨馗賴 亘賴 賱丨馗賴 丨丕賮馗賴鈥屫ж� 賲賯丕亘賱賴 讴賳丿. 卮丕蹖丿 亘鬲賵丕賳 卮讴 賵 鬲乇丿蹖丿 乇丕 賲賴賲鬲乇蹖賳 賵蹖跇诏蹖 賳賲丕蹖卮賳丕賲賴 賵 鬲賮丕賵鬲 丌賳 亘丕 賳賵卮鬲賴鈥屬囏й� 賲卮丕亘賴 丿丕賳爻鬲貙 卮讴蹖 讴賴 亘賴 鬲丿乇蹖噩 丿乇 賳诏丕賴 賵 丕賳丿蹖卮賴 乇賵 亘賴 夭賵丕賱 倬丿乇 賳爻亘鬲 亘賴 賴賲賴 讴爻 賵 賴賲賴 噩丕 丌卮讴丕乇 卮丿賴貙 亘賴 诏賵賳賴鈥屫й� 讴賴 匕丕鬲 禺乇丿讴賳賳丿賴 賵 賳丕亘賵丿讴賳賳丿賴 丕蹖賳 亘蹖賲丕乇蹖 賵 丕孬乇诏匕丕乇蹖 毓賲蹖賯 丌賳 丿乇 卮禺氐蹖鬲 亘蹖賲丕乇 賳诏賵賳 亘禺鬲 乇丕 賳卮丕賳 賲蹖鈥屫囏�
胤蹖賮 賵爻蹖毓蹖 丕夭 丕丨爻丕爻丕鬲 乇丕 丿乇 丿乇 賳賲丕蹖卮 賳丕賲賴 讴賵鬲丕賴 夭賱乇 賲蹖 鬲賵丕賳 丿蹖丿 貙 丕夭 诏蹖噩蹖 賵 賲亘賴賵鬲蹖 讴賴 亘丕 倬乇爻蹖丿賳 倬蹖賵爻鬲賴 賴丕賳 責 禺賵丿 乇丕 賳卮丕賳 丿丕丿賴 鬲丕 丕賳丿賵賴蹖 讴賴 賴賳诏丕賲 鬲賳賴丕蹖蹖 丕賵 乇丕 丿乇 亘乇 賲蹖 诏蹖乇丿貙 蹖丕 禺卮賲 賵 賳丕丕賲蹖丿蹖 丕賵 賴賳诏丕賲蹖 讴賴 丕夭 丿乇讴 賵賯丕蹖毓 毓丕噩夭 賲蹖 卮賵丿. 丕賲丕 亘丕蹖丿 丕賵噩 丕丨爻丕爻丕鬲 倬丿乇 乇丕 夭賲丕賳蹖 丿丕賳爻鬲 讴賴 丕賵 丕夭 賯胤毓 卮丿賳 丕乇鬲亘丕胤 禺賵丿 亘丕 诏匕卮鬲賴 丌诏丕賴 賲蹖 卮賵丿 . 丌賳 噩丕 讴賴 丨爻 賲蹖 讴賳丿 丿丕乇丿 亘乇诏赖丕蹖卮 乇丕 丕夭 丿爻鬲 賲蹖 丿賴丿
夭賱乇 亘丕 賲賴丕乇鬲 賵 丕爻鬲丕丿蹖 丿賳蹖丕蹖 乇賵 亘賴 夭賵丕賱 賵 賳丕亘賵丿蹖 蹖讴 賮乇丿 賲亘鬲賱丕 亘賴 丌賱夭丕蹖賲乇 乇丕 亘賴 鬲氐賵蹖乇 讴卮蹖丿賴 丕爻鬲貨 亘蹖賲丕乇蹖 讴賴 賴賲賵丕乇賴 倬蹖卮乇賮鬲 讴乇丿賴 賵 丿賳蹖丕蹖 亘蹖賲丕乇 乇丕 讴賵趩讴鈥屫� 賵 賲丨丿賵丿鬲乇 賲蹖鈥屭┵嗀� . 賳賲丕蹖卮賳丕賲賴 夭賱乇 鬲兀孬蹖乇 賵丨卮鬲賳丕讴 亘蹖賲丕乇蹖 亘乇 賮乇丿 賵 禺丕賳賵丕丿賴 丕賵 乇丕 亘賴 禺賵亘蹖 賳卮丕賳 丿丕丿賴 賵 賳蹖丕夭 賮賵乇蹖 亘賴 蹖丕賮鬲賳 丿乇賲丕賳鈥屬囏й� 亘賴鬲乇 趩賴
乇賵丨蹖 賵 趩賴 噩爻賲蹖 乇丕 亘賴 賲丕 蹖丕丿 丌賵乇蹖 賲蹖鈥屭┵嗀�
胤蹖賮 賵爻蹖毓蹖 丕夭 丕丨爻丕爻丕鬲 乇丕 丿乇 丿乇 賳賲丕蹖卮 賳丕賲賴 讴賵鬲丕賴 夭賱乇 賲蹖 鬲賵丕賳 丿蹖丿 貙 丕夭 诏蹖噩蹖 賵 賲亘賴賵鬲蹖 讴賴 亘丕 倬乇爻蹖丿賳 倬蹖賵爻鬲賴 賴丕賳 責 禺賵丿 乇丕 賳卮丕賳 丿丕丿賴 鬲丕 丕賳丿賵賴蹖 讴賴 賴賳诏丕賲 鬲賳賴丕蹖蹖 丕賵 乇丕 丿乇 亘乇 賲蹖 诏蹖乇丿貙 蹖丕 禺卮賲 賵 賳丕丕賲蹖丿蹖 丕賵 賴賳诏丕賲蹖 讴賴 丕夭 丿乇讴 賵賯丕蹖毓 毓丕噩夭 賲蹖 卮賵丿. 丕賲丕 亘丕蹖丿 丕賵噩 丕丨爻丕爻丕鬲 倬丿乇 乇丕 夭賲丕賳蹖 丿丕賳爻鬲 讴賴 丕賵 丕夭 賯胤毓 卮丿賳 丕乇鬲亘丕胤 禺賵丿 亘丕 诏匕卮鬲賴 丌诏丕賴 賲蹖 卮賵丿 . 丌賳 噩丕 讴賴 丨爻 賲蹖 讴賳丿 丿丕乇丿 亘乇诏赖丕蹖卮 乇丕 丕夭 丿爻鬲 賲蹖 丿賴丿
夭賱乇 亘丕 賲賴丕乇鬲 賵 丕爻鬲丕丿蹖 丿賳蹖丕蹖 乇賵 亘賴 夭賵丕賱 賵 賳丕亘賵丿蹖 蹖讴 賮乇丿 賲亘鬲賱丕 亘賴 丌賱夭丕蹖賲乇 乇丕 亘賴 鬲氐賵蹖乇 讴卮蹖丿賴 丕爻鬲貨 亘蹖賲丕乇蹖 讴賴 賴賲賵丕乇賴 倬蹖卮乇賮鬲 讴乇丿賴 賵 丿賳蹖丕蹖 亘蹖賲丕乇 乇丕 讴賵趩讴鈥屫� 賵 賲丨丿賵丿鬲乇 賲蹖鈥屭┵嗀� . 賳賲丕蹖卮賳丕賲賴 夭賱乇 鬲兀孬蹖乇 賵丨卮鬲賳丕讴 亘蹖賲丕乇蹖 亘乇 賮乇丿 賵 禺丕賳賵丕丿賴 丕賵 乇丕 亘賴 禺賵亘蹖 賳卮丕賳 丿丕丿賴 賵 賳蹖丕夭 賮賵乇蹖 亘賴 蹖丕賮鬲賳 丿乇賲丕賳鈥屬囏й� 亘賴鬲乇 趩賴
乇賵丨蹖 賵 趩賴 噩爻賲蹖 乇丕 亘賴 賲丕 蹖丕丿 丌賵乇蹖 賲蹖鈥屭┵嗀�
August 20, 2021
賮賱賵乇蹖丕賳 夭賱乇 賮乇丕賳爻賵蹖 丿乇 丕蹖賳 賳賲丕蹖卮賳丕賲賴 倬丿乇蹖 乇丕 亘賴 鬲氐賵蹖乇 丿乇丌賵乇丿賴 讴賴 丿趩丕乇 亘蹖賲丕乇蹖 丌賱夭丕蹖賲乇 賵 賮乇丕賲賵卮蹖 丕爻鬲. 賳賵蹖爻賳丿賴 賲丕 乇丕 亘賴 丿乇賵賳 匕賴賳 丌賳丿乇賴 賲蹖 亘乇丿 . 賴賲賴 趩蹖夭 丿乇 匕賴賳 丕賵 賲睾卮賵卮貙 丿乇賴賲貙 爻蹖丕賴 賵 賳丕乇丕丨鬲 讴賳賳丿賴 丕爻鬲.听
丿乇 賴乇 氐丨賳賴 丨噩賲听 丕蹖賳 爻蹖丕賴蹖 讴賴 丿乇 亘乇卮 賲蹖 诏蹖乇丿 亘蹖卮鬲乇 賲蹖 卮賵丿 . 賳賲蹖 丿丕賳蹖 丌賳 氐丨賳賴 賲鬲毓賱賯 亘賴 蹖讴 丿賯蹖賯賴 倬蹖卮 亘賵丿 蹖丕 丿蹖乇賵夭 賵 蹖丕 趩賳丿 爻丕賱 倬蹖卮. 賵 蹖丕 丕氐賱丕 丌賳 氐丨賳賴 賵丕賯毓蹖鬲 丿丕卮鬲 蹖丕 爻丕禺鬲賴 匕賴賳 乇賵 亘賴 夭賵丕賱 丌賳丿乇賴 丕爻鬲責 賵爻丕蹖賱 禺丕賳賴 讴賲 賵 夭蹖丕丿 賲蹖 卮賵賳丿 丕賲丕 丕蹖賳噩丕 讴賴 禺丕賳賴 丕賵 賳蹖爻鬲. 賲賳鬲馗乇 倬乇爻鬲丕乇蹖 丕爻鬲 讴賴 卮亘蹖賴 丿禺鬲乇 丿賵爻鬲 丿丕卮鬲賳蹖 丕賵爻鬲 丕賲丕 丕蹖賳 讴賴 丕賵 賳蹖爻鬲!
賴賲丕賳 胤賵乇 讴賴 倬丿乇 賳賲丕蹖卮 賲丕 丿趩丕乇 丕卮鬲亘丕賴 賵 亘丿 丿賱蹖 賲蹖 卮賵丿貙 禺賵丕賳賳丿賴 賳蹖夭 丿乇 倬丕乇賴 丕蹖 丕夭 丕亘賴丕賲丕鬲 賲蹖 賲丕賳丿. 禺賵丿 乇丕 亘蹖 倬賳丕賴 賲蹖 亘蹖賳丿 賵 丕丨爻丕爻 胤乇丿 卮丿诏蹖 賲蹖 讴賳丿. 賵賯鬲蹖 丿乇 丌禺乇 賴蹖賵賱丕蹖 賮乇丕賲賵卮蹖 丕賵乇 丕 鬲丕 亘賴 丕賳鬲賴丕 賲蹖 亘賱毓丿 賵 丨鬲蹖 丕爻賲 禺賵丿卮 乇丕 賳蹖夭 丕夭 蹖丕丿 賲蹖 亘乇丿 亘賴 蹖丕丿 賲丕丿乇卮 賲蹖 丕賮鬲丿 賵 丕賵 乇丕 氐丿丕 賲蹖 夭賳丿: 賲賳 賲丕賲丕賳賲賵 賲蹖禺賵丕賲! 賲賳賵 亘亘乇蹖丿 倬蹖卮 賲丕賲丕賳賲.
卮丕蹖丿 亘賴鬲乇蹖賳 鬲賵氐蹖賮 乇丕 禺賵丿 丌賳丿乇賴 丕夭 夭賵丕賱 禺賵丿 賲蹖 诏賵蹖丿: 丨爻 賲蹖鈥屭┵嗁� 丿丕乇賲 亘乇诏 賴丕賲賵.... 蹖讴蹖... 蹖讴蹖.... 丕夭 丿爻鬲 賲蹖 丿賲.
倬.賳:讴賵鬲丕赖貙鬲賱禺貙毓丕賱蹖
倬.賳: 丨鬲賲丕 賳賲丕蹖卮賳丕賲賴 賴丕蹖 丿蹖诏乇 丕夭 夭賱乇 禺賵丕賴賲 禺賵丕賳丿. 丕賵 丕蹖賳 賳賲丕蹖卮賳丕賲賴 乇丕 亘丕 賳賵蹖爻賳丿诏蹖 賵 讴丕乇诏乇丿丕賳蹖 禺賵丿卮 亘丕 亘丕夭蹖 丌賳鬲賵賳蹖 賴丕倬讴蹖賳夭 亘賴 賮蹖賱賲 鬲亘丿蹖賱 讴乇丿.
倬. 賳: 夭賱乇 毓賱丕賵賴 亘乇 賳賵蹖爻賳丿诏蹖 讴丕乇诏乇丿丕賳 賮賵賯鈥屫з勜关ж� 丕蹖 賴賲 賴爻鬲. 氐丨賳賴 賴丕 賵 賲蹖夭丕賳爻賳 賮蹖賱賲 毓丕賱蹖 亘賵丿賳丿. 噩丕蹖 禺丕賱蹖 鬲丕亘賱賵 讴賴 爻丕蹖賴 丕卮 亘乇 丿蹖賵丕乇 賲丕賳丿賴 丕夭 丕胤賲蹖賳丕賳 匕賴賳 丌賳丿乇賴 丕夭 亘賵丿賳 丌賳 鬲丕亘賱賵 丨讴丕蹖鬲 丿丕乇丿 丕賲丕 丌賳噩丕 賴蹖趩 賵賯鬲 鬲丕亘賱賵蹖蹖 賳亘賵丿賴 趩乇丕 讴賴 丌賳 禺丕賳賴 丕氐賱丕 禺丕賳賴 丌賳丿乇賴 賳蹖爻鬲! 趩賯丿乇 毓丕賱蹖 亘賵丿 丕蹖賳 氐丨賳賴....
丿乇 賴乇 氐丨賳賴 丨噩賲听 丕蹖賳 爻蹖丕賴蹖 讴賴 丿乇 亘乇卮 賲蹖 诏蹖乇丿 亘蹖卮鬲乇 賲蹖 卮賵丿 . 賳賲蹖 丿丕賳蹖 丌賳 氐丨賳賴 賲鬲毓賱賯 亘賴 蹖讴 丿賯蹖賯賴 倬蹖卮 亘賵丿 蹖丕 丿蹖乇賵夭 賵 蹖丕 趩賳丿 爻丕賱 倬蹖卮. 賵 蹖丕 丕氐賱丕 丌賳 氐丨賳賴 賵丕賯毓蹖鬲 丿丕卮鬲 蹖丕 爻丕禺鬲賴 匕賴賳 乇賵 亘賴 夭賵丕賱 丌賳丿乇賴 丕爻鬲責 賵爻丕蹖賱 禺丕賳賴 讴賲 賵 夭蹖丕丿 賲蹖 卮賵賳丿 丕賲丕 丕蹖賳噩丕 讴賴 禺丕賳賴 丕賵 賳蹖爻鬲. 賲賳鬲馗乇 倬乇爻鬲丕乇蹖 丕爻鬲 讴賴 卮亘蹖賴 丿禺鬲乇 丿賵爻鬲 丿丕卮鬲賳蹖 丕賵爻鬲 丕賲丕 丕蹖賳 讴賴 丕賵 賳蹖爻鬲!
賴賲丕賳 胤賵乇 讴賴 倬丿乇 賳賲丕蹖卮 賲丕 丿趩丕乇 丕卮鬲亘丕賴 賵 亘丿 丿賱蹖 賲蹖 卮賵丿貙 禺賵丕賳賳丿賴 賳蹖夭 丿乇 倬丕乇賴 丕蹖 丕夭 丕亘賴丕賲丕鬲 賲蹖 賲丕賳丿. 禺賵丿 乇丕 亘蹖 倬賳丕賴 賲蹖 亘蹖賳丿 賵 丕丨爻丕爻 胤乇丿 卮丿诏蹖 賲蹖 讴賳丿. 賵賯鬲蹖 丿乇 丌禺乇 賴蹖賵賱丕蹖 賮乇丕賲賵卮蹖 丕賵乇 丕 鬲丕 亘賴 丕賳鬲賴丕 賲蹖 亘賱毓丿 賵 丨鬲蹖 丕爻賲 禺賵丿卮 乇丕 賳蹖夭 丕夭 蹖丕丿 賲蹖 亘乇丿 亘賴 蹖丕丿 賲丕丿乇卮 賲蹖 丕賮鬲丿 賵 丕賵 乇丕 氐丿丕 賲蹖 夭賳丿: 賲賳 賲丕賲丕賳賲賵 賲蹖禺賵丕賲! 賲賳賵 亘亘乇蹖丿 倬蹖卮 賲丕賲丕賳賲.
卮丕蹖丿 亘賴鬲乇蹖賳 鬲賵氐蹖賮 乇丕 禺賵丿 丌賳丿乇賴 丕夭 夭賵丕賱 禺賵丿 賲蹖 诏賵蹖丿: 丨爻 賲蹖鈥屭┵嗁� 丿丕乇賲 亘乇诏 賴丕賲賵.... 蹖讴蹖... 蹖讴蹖.... 丕夭 丿爻鬲 賲蹖 丿賲.
倬.賳:讴賵鬲丕赖貙鬲賱禺貙毓丕賱蹖
倬.賳: 丨鬲賲丕 賳賲丕蹖卮賳丕賲賴 賴丕蹖 丿蹖诏乇 丕夭 夭賱乇 禺賵丕賴賲 禺賵丕賳丿. 丕賵 丕蹖賳 賳賲丕蹖卮賳丕賲賴 乇丕 亘丕 賳賵蹖爻賳丿诏蹖 賵 讴丕乇诏乇丿丕賳蹖 禺賵丿卮 亘丕 亘丕夭蹖 丌賳鬲賵賳蹖 賴丕倬讴蹖賳夭 亘賴 賮蹖賱賲 鬲亘丿蹖賱 讴乇丿.
倬. 賳: 夭賱乇 毓賱丕賵賴 亘乇 賳賵蹖爻賳丿诏蹖 讴丕乇诏乇丿丕賳 賮賵賯鈥屫з勜关ж� 丕蹖 賴賲 賴爻鬲. 氐丨賳賴 賴丕 賵 賲蹖夭丕賳爻賳 賮蹖賱賲 毓丕賱蹖 亘賵丿賳丿. 噩丕蹖 禺丕賱蹖 鬲丕亘賱賵 讴賴 爻丕蹖賴 丕卮 亘乇 丿蹖賵丕乇 賲丕賳丿賴 丕夭 丕胤賲蹖賳丕賳 匕賴賳 丌賳丿乇賴 丕夭 亘賵丿賳 丌賳 鬲丕亘賱賵 丨讴丕蹖鬲 丿丕乇丿 丕賲丕 丌賳噩丕 賴蹖趩 賵賯鬲 鬲丕亘賱賵蹖蹖 賳亘賵丿賴 趩乇丕 讴賴 丌賳 禺丕賳賴 丕氐賱丕 禺丕賳賴 丌賳丿乇賴 賳蹖爻鬲! 趩賯丿乇 毓丕賱蹖 亘賵丿 丕蹖賳 氐丨賳賴....
October 17, 2022
賳鬲 賳丿丕乇賲貙 鬲賳賴丕 趩蹖夭蹖 讴賴 讴丕乇 賲蹖讴賳賴 賴賲蹖賳 诏賵丿乇蹖丿夭賴. 禺爻鬲賴 卮丿賲 丿蹖诏賴. 讴丕卮 夭賵丿鬲乇 倬蹖乇賵夭 卮蹖賲.
丿乇 賲賵乇丿 讴鬲丕亘:
賴賲賵賳胤賵乇 讴賴 賲蹖丿賵賳蹖丿 賳賲丕蹖卮賳丕賲賴 丿乇 賲賵乇丿 丌賱夭丕蹖賲乇賴. 诏丕賴蹖 丕賵賯丕鬲 胤賵乇蹖 丿丕爻鬲丕賳 倬蹖趩 賲蹖禺賵乇丿 讴賴 賲賳賲 丕卮鬲亘丕賴 賲蹖賮賴賲蹖丿賲 賵丕賯毓蹖鬲 乇賵.
讴鬲丕亘 禺賵亘蹖 亘賵丿 賵 讴賱丕 爻乇蹖毓 賵 禺賵亘 诏匕卮鬲 賵賱蹖 禺亘 亘蹖卮鬲乇 丕夭 鄢賳賲蹖鬲賵賳賴 亘丕卮賴 賳賲乇賴鈥屫ж� 丕夭 賳馗乇 賲賳.
丿乇 賲賵乇丿 讴鬲丕亘:
賴賲賵賳胤賵乇 讴賴 賲蹖丿賵賳蹖丿 賳賲丕蹖卮賳丕賲賴 丿乇 賲賵乇丿 丌賱夭丕蹖賲乇賴. 诏丕賴蹖 丕賵賯丕鬲 胤賵乇蹖 丿丕爻鬲丕賳 倬蹖趩 賲蹖禺賵乇丿 讴賴 賲賳賲 丕卮鬲亘丕賴 賲蹖賮賴賲蹖丿賲 賵丕賯毓蹖鬲 乇賵.
讴鬲丕亘 禺賵亘蹖 亘賵丿 賵 讴賱丕 爻乇蹖毓 賵 禺賵亘 诏匕卮鬲 賵賱蹖 禺亘 亘蹖卮鬲乇 丕夭 鄢賳賲蹖鬲賵賳賴 亘丕卮賴 賳賲乇賴鈥屫ж� 丕夭 賳馗乇 賲賳.
June 30, 2021
賳賲丕蹖卮 賮乇賵倬丕卮蹖 蹖讴 丕賳爻丕賳 爻乇卮丕乇 丕夭 氐丨賳賴鈥屬囏й屰� 丿乇丿賳丕讴
禺賵賳丿賳 賳賲丕蹖卮賳丕賲賴 蹖讴賲 鬲賲乇讴夭 賲蹖禺賵丕丿 趩賵賳 夭賱乇 禺賵丕賳賳丿賴 乇賵 賵丕乇丿 匕賴賳 蹖讴 丕賳爻丕賳 賲亘鬲賱丕 亘賴 丌賱夭丕蹖賲乇 賲蹖讴賳賴 賵 禺賵丕賳賳丿賴 乇賵 賯丿賲 亘賴 賯丿賲 賴賲乇丕賴 卮禺氐蹖鬲 丕氐賱蹖 亘賴 爻賲鬲 賮乇賵倬丕卮蹖 賲蹖亘乇賴 丿乇丿賳丕讴貙 爻賴賲诏蹖賳 賵 賲亘賴賵鬲 讴賳賳丿賴. 丕賯鬲亘丕爻 爻蹖賳賲丕蹖蹖 賴賲 讴賴 爻丕賱 鄄郯鄄郯 丕夭卮 丿乇爻鬲 卮丿 毓丕賱蹖 亘賵丿 亘丕 亘丕夭蹖 丌賳鬲賵賳蹖 賴丕倬讴蹖賳夭 丕蹖 讴丕卮 賳賲丕蹖卮賳丕賲賴 乇賵 賯亘賱 丕夭 丿蹖丿賳 賮蹖賱賲 賲蹖鈥屫堎嗀�.
禺賵賳丿賳 賳賲丕蹖卮賳丕賲賴 蹖讴賲 鬲賲乇讴夭 賲蹖禺賵丕丿 趩賵賳 夭賱乇 禺賵丕賳賳丿賴 乇賵 賵丕乇丿 匕賴賳 蹖讴 丕賳爻丕賳 賲亘鬲賱丕 亘賴 丌賱夭丕蹖賲乇 賲蹖讴賳賴 賵 禺賵丕賳賳丿賴 乇賵 賯丿賲 亘賴 賯丿賲 賴賲乇丕賴 卮禺氐蹖鬲 丕氐賱蹖 亘賴 爻賲鬲 賮乇賵倬丕卮蹖 賲蹖亘乇賴 丿乇丿賳丕讴貙 爻賴賲诏蹖賳 賵 賲亘賴賵鬲 讴賳賳丿賴. 丕賯鬲亘丕爻 爻蹖賳賲丕蹖蹖 賴賲 讴賴 爻丕賱 鄄郯鄄郯 丕夭卮 丿乇爻鬲 卮丿 毓丕賱蹖 亘賵丿 亘丕 亘丕夭蹖 丌賳鬲賵賳蹖 賴丕倬讴蹖賳夭 丕蹖 讴丕卮 賳賲丕蹖卮賳丕賲賴 乇賵 賯亘賱 丕夭 丿蹖丿賳 賮蹖賱賲 賲蹖鈥屫堎嗀�.
June 15, 2023
蹖賴鈥屫ㄘж� 賮蹖賱賲卮 乇賵 丿蹖丿賲貙 丕賲乇賵夭 賳賲丕蹖卮鈥屬嗀з呝� 乇賵 禺賵賳丿賲 賵 丕賱丕賳 丿賵亘丕乇賴 賲蹖鈥屫堌з� 賮蹖賱賲 乇賵 亘亘蹖賳賲. 賮蹖賱賲 讴丕賲賱丕賸 賲胤丕亘賯 賲鬲賳賴 賵 亘蹖鈥屬嗀港屫必� 賵 亘毓丿 丿蹖丿賳 丿賵亘丕乇賴鈥屫簇� 賲蹖鈥屫堎嗁� 亘诏賲 乇賵蹖 賴賲鈥屫辟佖� 爻賴鈥屫ㄘж� 丌賱夭丕蹖賲乇 乇賵 鬲噩乇亘賴 讴乇丿賲.
May 5, 2021
Filme com Anthony Hopkins e Olivia Colman.
April 17, 2021
亘丕乇丿賵賲 賮乇賵乇丿蹖賳 賴夭丕乇賵趩賴丕乇氐丿
賯亘賱 丕夭 丿蹖丿賳 賮蹖賱賲 亘賴 讴丕乇诏乇丿丕賳蹖 夭賱乇
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亘丕夭蹖 丌賳鬲賵賳蹖 賴丕倬讴蹖賳夭 丿乇 賳賯卮 倬丿乇蹖 賲亘鬲賱丕 亘賴 丌賱夭丕蹖賲乇
賮賵賯 丕賱毓丕丿賴 丨蹖乇鬲 丕賳诏蹖夭 賵 丨蹖乇鬲 丌賵乇爻鬲
讴蹖賮蹖鬲 讴丕乇 賵 鬲丕孬蹖乇 賲鬲賳 乇丕 亘賴 賲乇丕鬲亘 亘丕賱丕鬲乇 亘乇丿賴
!趩胤賵乇 鬲睾蹖蹖乇 夭賲丕賳賴丕 賵 丨爻 賴丕 賵 丿诏乇诏賵賳蹖 丨丕賱鬲賴丕 乇丕 丿乇 賱丨馗賴 丕蹖 讴賵鬲丕賴 賳賲丕蹖卮 賲蹖 丿賴丿
賲丨卮乇
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亘丕乇 丕賵賱
丿丕爻鬲丕賳 倬丿乇蹖 讴賴 丿趩丕乇 賮乇丕賲賵卮蹖 卮丿賴 賵 乇賳噩 丕胤乇丕賮蹖丕賳
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鬲讴乇丕乇 氐丨賳賴 賴丕 亘賴 卮讴賱賴丕蹖 賲禺鬲賱賮 讴賲鬲乇 丕夭 賳賲丕蹖卮賳丕賲賴 賲丕丿乇爻鬲
丿乇賴賲 卮丿賳 丨丕賱 賵 诏匕卮鬲賴 丿乇 匕賴賳 倬丿乇 賵 爻乇毓鬲 诏乇賮鬲賳 乇賵賳丿 賮乇丕賲賵卮蹖 賵 賮乇賵倬丕卮蹖
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丿乇 賲噩賲賵毓 囟毓蹖賮鬲乇 丕夭 賳賲丕蹖卮賳丕賲賴 賲丕丿乇爻鬲 賵賱蹖 丕乇夭卮 禺賵丕賳丿賳 丿丕乇丿
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鬲乇噩賲賴 賯丕亘賱 賯亘賵賱
賯亘賱 丕夭 丿蹖丿賳 賮蹖賱賲 亘賴 讴丕乇诏乇丿丕賳蹖 夭賱乇
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亘丕夭蹖 丌賳鬲賵賳蹖 賴丕倬讴蹖賳夭 丿乇 賳賯卮 倬丿乇蹖 賲亘鬲賱丕 亘賴 丌賱夭丕蹖賲乇
賮賵賯 丕賱毓丕丿賴 丨蹖乇鬲 丕賳诏蹖夭 賵 丨蹖乇鬲 丌賵乇爻鬲
讴蹖賮蹖鬲 讴丕乇 賵 鬲丕孬蹖乇 賲鬲賳 乇丕 亘賴 賲乇丕鬲亘 亘丕賱丕鬲乇 亘乇丿賴
!趩胤賵乇 鬲睾蹖蹖乇 夭賲丕賳賴丕 賵 丨爻 賴丕 賵 丿诏乇诏賵賳蹖 丨丕賱鬲賴丕 乇丕 丿乇 賱丨馗賴 丕蹖 讴賵鬲丕賴 賳賲丕蹖卮 賲蹖 丿賴丿
賲丨卮乇
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亘丕乇 丕賵賱
丿丕爻鬲丕賳 倬丿乇蹖 讴賴 丿趩丕乇 賮乇丕賲賵卮蹖 卮丿賴 賵 乇賳噩 丕胤乇丕賮蹖丕賳
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鬲讴乇丕乇 氐丨賳賴 賴丕 亘賴 卮讴賱賴丕蹖 賲禺鬲賱賮 讴賲鬲乇 丕夭 賳賲丕蹖卮賳丕賲賴 賲丕丿乇爻鬲
丿乇賴賲 卮丿賳 丨丕賱 賵 诏匕卮鬲賴 丿乇 匕賴賳 倬丿乇 賵 爻乇毓鬲 诏乇賮鬲賳 乇賵賳丿 賮乇丕賲賵卮蹖 賵 賮乇賵倬丕卮蹖
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丿乇 賲噩賲賵毓 囟毓蹖賮鬲乇 丕夭 賳賲丕蹖卮賳丕賲賴 賲丕丿乇爻鬲 賵賱蹖 丕乇夭卮 禺賵丕賳丿賳 丿丕乇丿
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鬲乇噩賲賴 賯丕亘賱 賯亘賵賱
May 22, 2022
賳賲丕蹖卮賳丕賲賴 禺蹖賱蹖 亘賴鬲乇 丕夭 賮蹖賱賲卮 亘賵丿貙 蹖毓賳蹖 蹖賴 爻乇 賵 诏乇丿賳 亘丕賱丕鬲乇
September 23, 2021
There was a lot of hoopla about the Anthony Hopkins movie, which I haven鈥檛 seen, but while at my local library, I saw this book on the shelf. It鈥檚 very short I thought. And read it in two short readings.
It鈥檚 very short I thought.
Very dark, very twisted, very confusing. Deliberately confusing. Who is who? What are we seeing? believing? The play turns us on our heads.
Dementia is not enjoyable. No, but the odds that we will get some form of dementia by the time we are 80 is very high. It affects our loved ones. Memories are gone, changed, lost. Confused.
Life is very short I thought. Best to enjoy it before this nightmare happens.
It鈥檚 very short I thought.
Very dark, very twisted, very confusing. Deliberately confusing. Who is who? What are we seeing? believing? The play turns us on our heads.
Dementia is not enjoyable. No, but the odds that we will get some form of dementia by the time we are 80 is very high. It affects our loved ones. Memories are gone, changed, lost. Confused.
Life is very short I thought. Best to enjoy it before this nightmare happens.
April 23, 2021
诏蹖噩 卮丿蹖丿責 卮禺氐蹖鬲 賴丕 乇賵 诏賲 讴乇丿蹖丿責 禺胤 丿丕爻鬲丕賳蹖 乇賵 趩胤賵乇責
丕蹖賳 丿賯蹖賯丕 賴賲賵賳 趩蹖夭蹖賴 讴賴 蹖讴 賮乇丿 賲亘鬲賱丕 亘賴 丌賱夭丕蹖賲乇 鬲噩乇亘賴 賲蹖讴賳賴 賵 夭賱乇 亘丕 賴賳乇賲賳丿蹖 鬲賲丕賲 亘賴 禺賵丕賳賳丿賴/亘蹖賳賳丿賴 賴賲 毓乇囟賴 賲蹖鈥屭┵嗁�
卮丕蹖丿 丕诏乇 丕蹖賳 倬蹖趩蹖丿诏蹖 賴丕 賳亘賵丿貙 亘丕 賵噩賵丿 睾賲 丕賳诏蹖夭 亘賵丿賳貙 賴賲趩賳丕賳 丨爻 蹖賴 丿丕爻鬲丕賳 讴賱蹖卮賴 讴賴 賴丿賮蹖 噩夭 賳卮賵賳 丿丕丿賳 蹖讴 睾賲 賳丿丕乇賴 乇賵 亘賴 賲禺丕胤亘 賳卮賵賳 賲蹖丿丕丿. 丕賲丕 亘丕 丕蹖賳 丿爻鬲讴丕乇蹖 賴丕蹖 賳賵蹖爻賳丿賴 丿乇 乇賵丕蹖鬲貙 賲禺丕胤亘 賴賲 丿賯蹖賯丕 丿乇诏蹖乇 趩蹖夭蹖 賲蹖卮賴 讴賴 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 丿丕乇賴 鬲噩乇亘賴 賲蹖鈥屭┵嗁� 賵 丕蹖賳 亘丕毓孬 丕孬乇诏匕丕乇蹖 亘蹖卮鬲乇 丿丕爻鬲丕賳 卮丿賴 亘賵丿.
倬.賳: 亘丕夭蹖诏乇蹖 賲丨卮乇 丌賳鬲賵賳蹖 賴丕倬讴蹖賳夭 亘賴 鬲賲丕賲蹖 丨賯 丕蹖賳 賳賲丕蹖卮賳丕賲賴 乇賵 丕丿丕 讴乇丿 賵 禺蹖賱蹖 丨爻 賴丕蹖 亘蹖卮鬲乇蹖 乇賵 賴賲 亘賴卮 丕囟丕賮賴 讴乇丿. 蹖賴 鬲乇讴蹖亘 毓丕賱蹖!
賵 趩賯丿乇 诏乇蹖賴 讴乇丿賲!
丕蹖賳 丿賯蹖賯丕 賴賲賵賳 趩蹖夭蹖賴 讴賴 蹖讴 賮乇丿 賲亘鬲賱丕 亘賴 丌賱夭丕蹖賲乇 鬲噩乇亘賴 賲蹖讴賳賴 賵 夭賱乇 亘丕 賴賳乇賲賳丿蹖 鬲賲丕賲 亘賴 禺賵丕賳賳丿賴/亘蹖賳賳丿賴 賴賲 毓乇囟賴 賲蹖鈥屭┵嗁�
卮丕蹖丿 丕诏乇 丕蹖賳 倬蹖趩蹖丿诏蹖 賴丕 賳亘賵丿貙 亘丕 賵噩賵丿 睾賲 丕賳诏蹖夭 亘賵丿賳貙 賴賲趩賳丕賳 丨爻 蹖賴 丿丕爻鬲丕賳 讴賱蹖卮賴 讴賴 賴丿賮蹖 噩夭 賳卮賵賳 丿丕丿賳 蹖讴 睾賲 賳丿丕乇賴 乇賵 亘賴 賲禺丕胤亘 賳卮賵賳 賲蹖丿丕丿. 丕賲丕 亘丕 丕蹖賳 丿爻鬲讴丕乇蹖 賴丕蹖 賳賵蹖爻賳丿賴 丿乇 乇賵丕蹖鬲貙 賲禺丕胤亘 賴賲 丿賯蹖賯丕 丿乇诏蹖乇 趩蹖夭蹖 賲蹖卮賴 讴賴 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 丿丕乇賴 鬲噩乇亘賴 賲蹖鈥屭┵嗁� 賵 丕蹖賳 亘丕毓孬 丕孬乇诏匕丕乇蹖 亘蹖卮鬲乇 丿丕爻鬲丕賳 卮丿賴 亘賵丿.
倬.賳: 亘丕夭蹖诏乇蹖 賲丨卮乇 丌賳鬲賵賳蹖 賴丕倬讴蹖賳夭 亘賴 鬲賲丕賲蹖 丨賯 丕蹖賳 賳賲丕蹖卮賳丕賲賴 乇賵 丕丿丕 讴乇丿 賵 禺蹖賱蹖 丨爻 賴丕蹖 亘蹖卮鬲乇蹖 乇賵 賴賲 亘賴卮 丕囟丕賮賴 讴乇丿. 蹖賴 鬲乇讴蹖亘 毓丕賱蹖!
賵 趩賯丿乇 诏乇蹖賴 讴乇丿賲!
February 7, 2020
蹖賴 讴丕乇 丿乇丿賳丕讴 賵 賲鬲賮丕賵鬲 丕夭 亘賯蹖賴 讴丕乇賴丕蹖 夭賱乇 貙 乇賳诏 賵 亘賵蹖 讴丕乇賴丕蹖 夭賱乇 亘蹖卮鬲乇 亘乇倬丕蹖賴 賲卮讴賱丕鬲 賵 賲爻丕卅賱 禺丕賳賵丕丿诏蹖 賵 禺蹖丕賳鬲 賴爻鬲 賵賱蹖 丕蹖賳 丕孬乇 賳賵蹖爻賳丿賴 蹖讴 丕孬乇 鬲賱禺 倬蹖乇丕賲賵賳 倬蹖乇蹖 賵 丌賱夭丕蹖賲乇 亘賵丿 讴賴 亘賴 賳馗乇賲 噩夭亍 亘賴鬲乇蹖賳 讴丕乇賴丕蹖 夭賱乇 賲蹖卮賴 丕夭卮 賳丕賲 亘乇丿 貙 丌賳丿乇賴 倬蹖乇賲乇丿蹖 讴賴 丕爻蹖乇 丌賱夭丕蹖賲乇賴 亘乇丕蹖 鬲賳賴丕 丿禺鬲乇卮 丌賳 賲卮讴賱 爻丕夭 賲蹖卮賵丿 鬲丕 噩丕蹖蹖 讴賴 丌賳 丕夭 賳诏賴丿丕乇蹖 倬丿乇卮 禺爻鬲賴 賲蹖卮賵丿 賵 丕賵 乇丕 亘賴 丌爻丕蹖卮诏丕賴 賲蹖爻倬乇丿 貙 鬲賱禺 鬲賱禺 鬲賱禺 ...
May 12, 2019
賳賲丕蹖卮賳丕賲賴鈥屰� 噩匕丕亘蹖 亘賵丿貙 丨賯蹖賯鬲丕賸 丕蹖丿賴鈥屰� 丕蹖賳讴賴 禺賵丕賳賳丿賴鈥屬囏� 賴賲 亘賴鈥屫з嗀ж操団€屰� 卮禺氐蹖鬲 丕氐賱蹖-丌賳丿乇賴貙 讴賴 丌賱夭丕蹖賲乇 賴賲 丿丕乇賴- 賵丕賯毓丕賸 賳丕亘 亘賵丿. 亘丕 賴乇 禺胤 禺賵賳丿賳 爻乇诏卮鬲诏蹖 丌賳丿乇賴-賵 亘丕賱胤亘毓 賲丕- 亘蹖卮鬲乇 賲蹖鈥屫促�.
賲鬲賳 爻賱蹖爻 賵 乇賵丕賳蹖 丿丕卮鬲貙 倬蹖卮賳賴丕丿 賲蹖鈥屭┵嗁� 丕诏乇 亘賴 丕丿亘蹖丕鬲 賳賲丕蹖卮蹖 毓賱丕賯賴鈥� 丿丕乇蹖丿貙 丕蹖賳 賳賲丕蹖卮賳丕賲賴鈥屰� 丿乇丕賲 乇賵 丕夭 丿爻鬲 賳丿蹖丿.
賲鬲賳 爻賱蹖爻 賵 乇賵丕賳蹖 丿丕卮鬲貙 倬蹖卮賳賴丕丿 賲蹖鈥屭┵嗁� 丕诏乇 亘賴 丕丿亘蹖丕鬲 賳賲丕蹖卮蹖 毓賱丕賯賴鈥� 丿丕乇蹖丿貙 丕蹖賳 賳賲丕蹖卮賳丕賲賴鈥屰� 丿乇丕賲 乇賵 丕夭 丿爻鬲 賳丿蹖丿.
February 14, 2023
What is the benefit of witnessing the confusion of an ag茅d father afflicted by dementia? The answer has been portrayed for centuries in novels, poems, plays, memoirs and case studies. However, playwright Florian Zeller presents something different. He shifts our point of view from reader/witness to witness / participant. As a result, we are confused and lost. Herein lies the tragic farce, as the title promises.
To achieve this dramatic effect Zeller shifts times, varies locations, and twists character names. As a result of these, we鈥檙e lost. We鈥檝e been transported inside the demented mind of Andr茅, the main character, an ag茅d father. Foil to him is Anne, his daughter who vainly tries both to care for and reason with him. On the one hand, we feel Andr茅鈥檚 disoriented confusion and Anne鈥檚 vain attempts to assist him, and on the other we witness their mutual lack of perspective or understanding of each other. Andr茅 insists he鈥檚 coherent and Anne argues that he鈥檚 not. Her most frequent line is 鈥淒on鈥檛 you remember?鈥� And, his is, 鈥淲hat are you cooking up against me?鈥� To add another layer of confusion to this dilemma is her lack of knowledge about his dementia. She doesn鈥檛 understand his disabilities, so she fusses at him, as does he to her. Round and round they go, both insisting the other鈥檚 reality is misguided. Anger and frustration repeat in nearly every scene. However, one clever point of reference is Zeller鈥檚 repeated use of Andr茅鈥檚 wristwatch. He often claims, 鈥淚t鈥檚 lost鈥� or 鈥淪he stole it鈥� or 鈥淚s that your watch?鈥� On the surface we see him forgetting where he put his watch. On a more symbolic level, we realize that he鈥檚 lost track of time. His mind has been floating about within a period of years where his apartment transposes into Anne鈥檚 place 鈥� where her husband transposes into a stranger, or a new boyfriend 鈥� where yesterday鈥檚 events are wiped away and today is now five years ago. Throughout these illusions, Andr茅鈥檚 wristwatch is his anchor point. When it鈥檚 found and back on his arm, he鈥檚 no longer afloat, he鈥檚 intact and coherent. Despite these momentary anchor points, throughout the play, as these confusions and transpositions increase, Zeller takes us to moments of confusion that crack Andr茅鈥檚 feisty spirit.
The climax that resolves these tensions appears in the final scene. This is where we not only clearly see the actual present time in the actual location outside of Andr茅鈥檚 mind, but also we鈥檙e witness to the play鈥檚 subtitle: 鈥榯ragic farce.鈥� Here we can both laugh at his innocent, childish request for comfort, when he sobs and says, 鈥淚 want my mommy鈥� but we also can grieve at his loss of connection to Anne when he says, 鈥淲ho are you?鈥� And to his apartment when he says, 鈥淲here am I?鈥� They鈥檝e all tragically faded in the mind of a living man who says, 鈥淚 feel as if I鈥檓 losing all my leaves.鈥� Finally, we know that his past is dead when he humbly asks, 鈥淎nd, what is my name?鈥�
As an aside, the adaptation of 鈥淭he Father鈥� from script to screen reveals a key element that both Zeller and Christopher Hampton removed from the script. Andr茅鈥檚 more hostile side does not appear in the screen version. Early in the script Anne鈥檚 confronts her father about his violent threat to hit Isabella, his hired caregiver with a curtain rod. In the film, she only says that he threatened her, nothing about a curtain rod. Nor do we hear his three verbal abuses about his deceased wife in the movie that are in the script. These omissions soften Andr茅鈥檚 character thus making room for our purer sympathy especially during the final scene where, like him, we are moved by his vulnerability.
So, is there any benefit of being both witness to and participant in life鈥檚 ancient dilemma that occurs in old age? The answer could be the simple and ancient saw: 鈥榯he child is father to the man.鈥� In fact, Anne as child does serve as parent to her father. But, in this case, the relationship between Andr茅 and Anne, the benefit for us could be found in the profound effect of sympathy from Anne and its close relative, empathy from us. Despite Andr茅鈥檚 combative words, we experience his loss of memory and we grieve along with Anne whose compassion for her father cannot keep him afloat. He鈥檚 sinking out of control, as Shakespeare wrote into 鈥渟econd childishness and mere oblivion.鈥� Or as Florian Zeller wrote - he鈥檚 losing all his leaves in the wind 鈥� the cold and constant wind of age which forever blows our way.
To achieve this dramatic effect Zeller shifts times, varies locations, and twists character names. As a result of these, we鈥檙e lost. We鈥檝e been transported inside the demented mind of Andr茅, the main character, an ag茅d father. Foil to him is Anne, his daughter who vainly tries both to care for and reason with him. On the one hand, we feel Andr茅鈥檚 disoriented confusion and Anne鈥檚 vain attempts to assist him, and on the other we witness their mutual lack of perspective or understanding of each other. Andr茅 insists he鈥檚 coherent and Anne argues that he鈥檚 not. Her most frequent line is 鈥淒on鈥檛 you remember?鈥� And, his is, 鈥淲hat are you cooking up against me?鈥� To add another layer of confusion to this dilemma is her lack of knowledge about his dementia. She doesn鈥檛 understand his disabilities, so she fusses at him, as does he to her. Round and round they go, both insisting the other鈥檚 reality is misguided. Anger and frustration repeat in nearly every scene. However, one clever point of reference is Zeller鈥檚 repeated use of Andr茅鈥檚 wristwatch. He often claims, 鈥淚t鈥檚 lost鈥� or 鈥淪he stole it鈥� or 鈥淚s that your watch?鈥� On the surface we see him forgetting where he put his watch. On a more symbolic level, we realize that he鈥檚 lost track of time. His mind has been floating about within a period of years where his apartment transposes into Anne鈥檚 place 鈥� where her husband transposes into a stranger, or a new boyfriend 鈥� where yesterday鈥檚 events are wiped away and today is now five years ago. Throughout these illusions, Andr茅鈥檚 wristwatch is his anchor point. When it鈥檚 found and back on his arm, he鈥檚 no longer afloat, he鈥檚 intact and coherent. Despite these momentary anchor points, throughout the play, as these confusions and transpositions increase, Zeller takes us to moments of confusion that crack Andr茅鈥檚 feisty spirit.
The climax that resolves these tensions appears in the final scene. This is where we not only clearly see the actual present time in the actual location outside of Andr茅鈥檚 mind, but also we鈥檙e witness to the play鈥檚 subtitle: 鈥榯ragic farce.鈥� Here we can both laugh at his innocent, childish request for comfort, when he sobs and says, 鈥淚 want my mommy鈥� but we also can grieve at his loss of connection to Anne when he says, 鈥淲ho are you?鈥� And to his apartment when he says, 鈥淲here am I?鈥� They鈥檝e all tragically faded in the mind of a living man who says, 鈥淚 feel as if I鈥檓 losing all my leaves.鈥� Finally, we know that his past is dead when he humbly asks, 鈥淎nd, what is my name?鈥�
As an aside, the adaptation of 鈥淭he Father鈥� from script to screen reveals a key element that both Zeller and Christopher Hampton removed from the script. Andr茅鈥檚 more hostile side does not appear in the screen version. Early in the script Anne鈥檚 confronts her father about his violent threat to hit Isabella, his hired caregiver with a curtain rod. In the film, she only says that he threatened her, nothing about a curtain rod. Nor do we hear his three verbal abuses about his deceased wife in the movie that are in the script. These omissions soften Andr茅鈥檚 character thus making room for our purer sympathy especially during the final scene where, like him, we are moved by his vulnerability.
So, is there any benefit of being both witness to and participant in life鈥檚 ancient dilemma that occurs in old age? The answer could be the simple and ancient saw: 鈥榯he child is father to the man.鈥� In fact, Anne as child does serve as parent to her father. But, in this case, the relationship between Andr茅 and Anne, the benefit for us could be found in the profound effect of sympathy from Anne and its close relative, empathy from us. Despite Andr茅鈥檚 combative words, we experience his loss of memory and we grieve along with Anne whose compassion for her father cannot keep him afloat. He鈥檚 sinking out of control, as Shakespeare wrote into 鈥渟econd childishness and mere oblivion.鈥� Or as Florian Zeller wrote - he鈥檚 losing all his leaves in the wind 鈥� the cold and constant wind of age which forever blows our way.
April 22, 2021
Late last year, my father died of complications from Alzheimer's, and soon after, I found myself unintentionally watching a lot of films that were about the disease. None of them quite got the emotions and struggle of this disease quite right, often focusing on the joy of enjoying those final moments together, or assisting someone who knows what is happening to them. But when I saw Florian Zeller's film The Father, it was like I was seeing the experience with my dad on the screen.
Zeller's original play is just as powerful, as he puts us in the shoes of a person dealing with dementia, and how confusing and terrifying that experience must be. But Zeller also smartly decides to show us just how frustrating this disease is for those who have to live with the people dealing with dementia. There's anger and confusion and an incredible amount of patience that these people have to put up with, and I'm glad Zeller didn't shy away from showing the difficulties for both sides of the equation. As someone who has been through an experience so similar to this, the scene where Andres, the man with dementia, is asked if he's doing this on purpose, if this is all just an unbelievable act, is one of the most honest scenes I saw in a movie last year.
But I'm truly impressed that Zeller is able to convey everything that the film does, but on the stage. I'd love to see how the stage transforms and evolves in a way that puts the audience in the mindset of someone with dementia, and to see this live, with the stage changing and the cast members changing must be an incredible experience. A truly powerful piece of work that really helped me deal with this disease after the death of my father.
Zeller's original play is just as powerful, as he puts us in the shoes of a person dealing with dementia, and how confusing and terrifying that experience must be. But Zeller also smartly decides to show us just how frustrating this disease is for those who have to live with the people dealing with dementia. There's anger and confusion and an incredible amount of patience that these people have to put up with, and I'm glad Zeller didn't shy away from showing the difficulties for both sides of the equation. As someone who has been through an experience so similar to this, the scene where Andres, the man with dementia, is asked if he's doing this on purpose, if this is all just an unbelievable act, is one of the most honest scenes I saw in a movie last year.
But I'm truly impressed that Zeller is able to convey everything that the film does, but on the stage. I'd love to see how the stage transforms and evolves in a way that puts the audience in the mindset of someone with dementia, and to see this live, with the stage changing and the cast members changing must be an incredible experience. A truly powerful piece of work that really helped me deal with this disease after the death of my father.
October 24, 2016
This play is based on the very clever idea of dramatising the Alzheimer's of elderly protagonist Andre by making the audience as lost as he is. The most exciting moment in the script is the start of the second scene, when we first realise this. His daughter Anne, whom we have just watched in the opening scene, is played by a different actor. What is really going on? We simply can't be sure, and we are simultaneously intrigued and disturbed.
As the story progresses, confusions about the sort of facts we take for granted in our everyday lives abound, from the banal (they are having chicken for dinner / what chicken are you talking about, Dad?) to the profound (his daughter is married / his daughter has been divorced for years). The random, discombobulating movement of furniture on the set is a simple cruelty that is especially clever at catching Andre's loss of self, though the most affecting moment of the play is a comically unsuccessful bluff of recognition of his son-in-law, Antoine. (Andre, Anne, Antoine - even the names conspire to confuse.)
This could all amount to tragicomedy at its finest yet, despite his brilliant conceit, the playwright forgot something crucial. Heart. The play has a coldness to it, a clipped tonal efficiency in its dialogue (think David Mamet or Harold Pinter) that leaves out the truth that, as well as finding people with Alzheimer's frustrating, carers also... love them. So when, in the penultimate scene, Andre's daughter bids a tearful goodbye, there has not been enough of a dilemma for her up to that point for us to believe her and when, in the final scene, Andre wails for comfort, the pathos sought feels unearned.
As the story progresses, confusions about the sort of facts we take for granted in our everyday lives abound, from the banal (they are having chicken for dinner / what chicken are you talking about, Dad?) to the profound (his daughter is married / his daughter has been divorced for years). The random, discombobulating movement of furniture on the set is a simple cruelty that is especially clever at catching Andre's loss of self, though the most affecting moment of the play is a comically unsuccessful bluff of recognition of his son-in-law, Antoine. (Andre, Anne, Antoine - even the names conspire to confuse.)
This could all amount to tragicomedy at its finest yet, despite his brilliant conceit, the playwright forgot something crucial. Heart. The play has a coldness to it, a clipped tonal efficiency in its dialogue (think David Mamet or Harold Pinter) that leaves out the truth that, as well as finding people with Alzheimer's frustrating, carers also... love them. So when, in the penultimate scene, Andre's daughter bids a tearful goodbye, there has not been enough of a dilemma for her up to that point for us to believe her and when, in the final scene, Andre wails for comfort, the pathos sought feels unearned.
May 7, 2021
Now, this was something beautiful. I've read two more of Florian's plays: THE TRUTH and THE LIE. Both were just ok. But this is really mature work. This is really beautifully written and now I'm really looking forward to its screen adaptation and Anthony Hopkins' performance.
November 11, 2023
丿乇 賮蹖賱賲 memento貙 賳賵賱丕賳 亘丕 賳丨賵賴鈥屰� 乇賵丕蹖鬲 讴丕乇蹖 賲蹖鈥屭┵嗀� 讴賴 賲禺丕胤亘 丕丨爻丕爻 讴賳丿 賲丕賳賳丿 讴丕乇丕讴鬲乇 丕氐賱蹖 丨丕賮馗賴鈥屰� 讴賵鬲丕賴 賲丿鬲 禺賵丿 乇丕 丕夭 丿爻鬲 丿丕丿賴 丕爻鬲.
卮亘蹖賴 賴賲蹖賳 讴丕乇 乇丕 芦夭賱乇禄 丿乇 賳賲丕蹖卮賳丕賲賴鈥屰� 倬丿乇 丕賳噩丕賲 賲蹖鈥屫囏� 賵 禺賵丕賳賳丿賴 乇丕 丿乇 丨丕賱丕鬲 蹖讴 賮乇丿 賲亘鬲賱丕 亘賴 丌賱夭丕蹖賲乇 卮乇蹖讴 賲蹖鈥屭┵嗀�. 鬲噩乇亘賴鈥屰� 噩丕賱亘蹖 亘賵丿. 鬲乇讴蹖亘蹖 丕夭 丨爻 睾賲 賵 賵丨卮鬲
卮亘蹖賴 賴賲蹖賳 讴丕乇 乇丕 芦夭賱乇禄 丿乇 賳賲丕蹖卮賳丕賲賴鈥屰� 倬丿乇 丕賳噩丕賲 賲蹖鈥屫囏� 賵 禺賵丕賳賳丿賴 乇丕 丿乇 丨丕賱丕鬲 蹖讴 賮乇丿 賲亘鬲賱丕 亘賴 丌賱夭丕蹖賲乇 卮乇蹖讴 賲蹖鈥屭┵嗀�. 鬲噩乇亘賴鈥屰� 噩丕賱亘蹖 亘賵丿. 鬲乇讴蹖亘蹖 丕夭 丨爻 睾賲 賵 賵丨卮鬲
April 12, 2021
[Slight spoilers but only if you haven't seen the trailer and absolutely knows nothing about the movie or the play]
Nominated for Oscars 2021 Best Adapted Screenplay
Winner, BAFTA 2021 Best Adapted Screenplay
Very successful in generating the continual sense of confusion that must be felt by a dementia sufferer with clever juxtaposition of timelines and repetition; even on paper, this increasing sense of bewilderment and disorientation escalates well to the inevitable conflict that ensues. (In the movie, I'm sure that using different actors to play the same role will accentuate the self-doubt even more.) Almost from page one, I was wondering how it would end and I'm rather disappointed with the ending, which is why I didn't end up giving it 5 stars.
With the theatrical release continually delayed due to the pandemic, I've been waiting for this movie to be released for well over a year! The screenplay is the next best thing!
Nominated for Oscars 2021 Best Adapted Screenplay
Winner, BAFTA 2021 Best Adapted Screenplay
Very successful in generating the continual sense of confusion that must be felt by a dementia sufferer with clever juxtaposition of timelines and repetition; even on paper, this increasing sense of bewilderment and disorientation escalates well to the inevitable conflict that ensues. (In the movie, I'm sure that using different actors to play the same role will accentuate the self-doubt even more.) Almost from page one, I was wondering how it would end and I'm rather disappointed with the ending, which is why I didn't end up giving it 5 stars.
With the theatrical release continually delayed due to the pandemic, I've been waiting for this movie to be released for well over a year! The screenplay is the next best thing!
March 12, 2016
From BBC radio 3 - Drama on 3:
Kenneth Cranham's moving portrayal of a man suffering from dementia in Florian Zeller's award-winning stage play, translated by Christopher Hampton.
This darkly funny drama tells the story of 80-year-old Andr茅's declining mental powers and the efforts of his daughter Anne (Claire Skinner) to balance caring for him with the demands of her own life.
A Theatre Royal Bath/Ustinov Studio/Tricyle Theatre production directed by James Macdonald.
Sound Design ..... Christopher Shutt
Winner of the 2014 Moli猫re award for France's best play, The Father by Florian Zeller received five star reviews across the board in the UK.
Kenneth Cranham's moving portrayal of a man suffering from dementia in Florian Zeller's award-winning stage play, translated by Christopher Hampton.
This darkly funny drama tells the story of 80-year-old Andr茅's declining mental powers and the efforts of his daughter Anne (Claire Skinner) to balance caring for him with the demands of her own life.
A Theatre Royal Bath/Ustinov Studio/Tricyle Theatre production directed by James Macdonald.
Sound Design ..... Christopher Shutt
Winner of the 2014 Moli猫re award for France's best play, The Father by Florian Zeller received five star reviews across the board in the UK.
May 16, 2021
It was the most depressing thing I ever read, reminding me of my late father-in-law that had dementia before he died. The movie was just as depressing, although Anthony Hopkins is a very gifted actor, I would rather see him in roles like Dr. Hannibal Lecter in "The Silence of the Lambs" or "Audrey Rose."
September 8, 2016
Florian Zeller 茅crit tres 茅loquemment et avec la maturit茅. Les personnages sont tr猫s vrai de sorte qu'il est difficile a lire quelque fois.
Florian Zeller writes very eloquently and with maturity. The characters are very real so that it is difficult to red sometimes.
Florian Zeller writes very eloquently and with maturity. The characters are very real so that it is difficult to red sometimes.
March 1, 2020
I have only read the play but not seen it. I can imagine the emotional punch a good production would give the audience. This play will be done all across the country and rightly so.
September 17, 2020
Wow! What a play! The way the reader is made to feel like the one with dementia is so clever and so jarring! What a fantastic way to draw our attention to such an awful disease
This entire review has been hidden because of spoilers.
January 17, 2024
禺蹖賱蹖丕 卮丕蹖丿 賮讴乇 讴賳賳 亘蹖賲丕乇蹖 賮乇丕賲賵卮蹖 禺賱丕氐賴 賲蹖卮賴 鬲賵蹖 丕蹖賳讴賴 讴爻蹖 讴賲 讴賲 禺蹖賱蹖 趩蹖夭賴丕乇賵 賮乇丕賲賵卮 讴賳賴貙 乇賮鬲賴 乇賮鬲賴 讴賲 丨乇賮 亘卮賴 賵 鬲丕 丕蹖賳讴賴 蹖賴 乇賵夭 丕夭 丿賳蹖丕 亘乇賴貙 賵賱蹖 趩賴乇賴鈥屰� 賵丕賯毓蹖 丌賱夭丕蹖賲乇 鬲賵蹖 丕蹖賳 賳賲丕蹖卮賳丕賲賴 丕爻鬲貙 噩丕蹖蹖 讴賴 倬丿乇 亘蹖賲丕乇貙 丕鬲賮丕賯丕鬲 乇賵 亘丕 賴賲 賯丕胤蹖 賲蹖讴賳賴貙 丌丿賲丕 乇賵 噩丕 亘賴 噩丕 蹖丕丿卮 賲蹖丕丿貙 賵賯丕蹖毓蹖 乇賵 禺賱賯 賲蹖讴賳賴 讴賴 丕氐賱丕 丕鬲賮丕賯 賳蹖賮鬲丕丿賳貙鈥�. 禺賱丕氐賴 亘诏賲 丌賱夭丕蹖賲乇 亘蹖賲丕乇蹖 丌乇賵賲蹖 賳蹖爻鬲貙 亘賱讴賴 鬲賵卮 賴賲 禺賵丿 亘蹖賲丕乇 賱丨馗賴 亘賴 賱丨馗賴 丿乇 毓匕丕亘賴貙 賵 賴賲 丕胤乇丕賮蹖丕賳卮貙 禺賵丿卮 趩賵賳 賲蹖亘蹖賳賴 讴賴 丿蹖诏賴 鬲爻賱胤蹖 乇賵蹖 賴蹖趩 趩蹖夭 賳丿丕乇賴 丨鬲蹖 匕賴賳 禺賵丿卮貙 賵 丕胤乇丕賮蹖丕賳 讴賴 賲蹖亘蹖賳賳 讴爻蹖 讴賴 毓賲乇蹖 丿賵爻鬲卮 丿丕卮鬲賳 鬲亘丿蹖賱 亘賴 蹖賴 丌丿賲 丿蹖诏賴 賲蹖卮賴貙 鬲賲丕賲 禺丕胤乇丕鬲卮 賲丨賵 蹖丕 噩丕 亘賴 噩丕 賲蹖卮賳貙 賵鈥�. 賵 禺賵賳丿賳 丕蹖賳賴丕 亘乇丕蹖 讴爻蹖 賲孬賱 賲賳 讴賴 亘蹖賲丕乇蹖 乇賵 丕夭 賳夭丿蹖讴 丿蹖丿賴 賵丕賯毓丕 丿乇丿賳丕讴賴貙 賵賱蹖 丿乇 毓蹖賳 丨丕賱 賯丿乇鬲 亘丕賱丕蹖 丕丿亘蹖丕鬲貙 鬲卅丕鬲乇 賵 賳賵蹖爻賳丿賴 乇賵 賳卮賵賳 賲蹖丿賴 讴賴 趩胤賵乇 賲蹖卮賴 趩賳蹖賳 賲賵囟賵毓蹖 乇賵 亘賴 丕蹖賳 鬲讴丕賲賱 丿乇 賯丕賱亘 賳賲丕蹖卮賳丕賲賴 賵 蹖讴 丕孬乇 賴賳乇蹖 亘賴 鬲氐賵蹖乇 讴卮蹖丿.
April 29, 2021
Zeller鈥檚 play, originally produced in 2012, is an unsentimental and emotionally intense look at an elderly man sliding deeper into dementia. As his dementia intensifies, Andr茅 has become too unbearable for caretakers and now lives with his daughter Anne. With Andr茅 experiencing an increasing mental loss, so does he experience a resonating physical loss as well as his environment slowly erodes around him. Unflinching in its honesty and tragic humor, 鈥淭he Father鈥� is a brilliant contemporary narrative.
May 7, 2021
As someone with grandparents who have passed away/are currently suffering with dementia, I can't recommend this highly enough. Especially if you know a loved one with the illness, or are concerned about what old age may bring. It's a fascinating and moving portrayal of how horrific the experience must be, however differently it is experienced for each person. Also, it is a realistic exploration of how frustrating it can be for the families and carers of those suffering. I look forward to reading more of Zeller's illuminating works, thanks for raising awareness through art!
June 14, 2024
Devastating. In a world with so much focus on aging and dementia, this play, intriguingly self-named a 鈥渇arce鈥�, shows an all too real side of aging for so many people.
Imagine you have memory issues. What would the world look like from your perspective? That鈥檚 what Zeller crafts in this heartbreaking play.
In each scene, the audience is left questioning what they just saw, giving us a first person glance at what it might feel like to suffer from this disease of the mind.
A hauntingly beautiful and devastatingly sad play.
Imagine you have memory issues. What would the world look like from your perspective? That鈥檚 what Zeller crafts in this heartbreaking play.
In each scene, the audience is left questioning what they just saw, giving us a first person glance at what it might feel like to suffer from this disease of the mind.
A hauntingly beautiful and devastatingly sad play.
January 3, 2022
賰卅賷亘 賵賲馗賱賲貙 賲卮鬲鬲 賱賱賮賰乇 賵毓賳 毓賲丿鈥� 賲賷賳 賲賷賳 賵賮賷賳責 賲丕匕丕 賳乇賷 責 賵賲丕匕丕 賳氐丿賯 責
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丕賱賲爻乇丨賷丞 鬲賱毓亘 亘賳丕 賵鬲賯賱亘賳丕 乇兀爻丕賸 毓賱賷 毓賯亘鈥� 丕賱丿賲賳卮賷丕 (賲乇囟 丕賱賳爻賷丕賳) 丨丕賱丞 睾賷乇 賲賲鬲毓丞 兀亘丿丕賸貙 賵賱賰賳賳丕 丕匕丕 賲丕 亘賱睾賳丕 賲賳 丕賱毓賲乇 兀乇匕賱賴 賮睾丕賱亘丕賸 賲丕 爻賳氐丕亘 亘賴鈥� 賴匕賴 丕賱丨丕賱丞 鬲丐孬乇 毓賱賷 兀丨亘丕卅賳丕貙 匕賰乇賷丕鬲賳丕 丕禺鬲賮鬲貙 鬲睾賷乇鬲貙 囟丕毓鬲 賵丕氐亘丨鬲 賲卮賵卮丞鈥� 丨賷丕鬲賳丕 賯氐賷乇丞鈥� 賵賲賳 丕賱兀賮囟賱 兀賳 賳毓賷卮賴丕 賵賳爻鬲賲鬲毓 亘賴丕 賯亘賱 丕賳 賳氐丕亘 亘丕賱丿賷賲賳卮賷丕鈥�
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May 3, 2021Read this as part of my Oscar challenge since it was nominated for Best Adapted Screenplay. The movie stayed almost completely true to the script with minor tweaks. Really enjoyed reading through it to enjoy the creativity of the way this sad story was told.
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