Jos茅 Mauro was born in Rio de Janeiro on February 26 of 1920. His family was very poor, and when he was still very young, he migrated to Natal where relatives took care of him. Entering the Medical Faculty, Jos茅 abandoned the course of studies in his second year and returned to Rio de Janeiro.[citation needed] There he worked as a boxing instructor and even as a painter's model.
Jos茅 iniciated his literature with the novel Banana Brava. His greatest success was his novel Meu P茅 de Laranja Lima, that tells about his own personal experiences and the shocks he suffered in his childhood with the abrupt changes of life.
Jos茅 was part Indian and part Portuguese. He passed his childhood in Natal. When he was 9 years old, he learned to swim, and with pleasure he still remembers the days when he threw himself to the waters of the Potengi River to train for swimming competitions. Jos茅 frequently went to the sea. He won many swimming competitions and, like every boy, liked to play soccer and to climb on trees. Jos茅's first job, from 16 yars old to 17 years old, was a sparring partner of featherweight boxers. Next, he worked in a farm in Mazomba, his job was to carry bananas. After that, he became a fisherman and lived on the coastline at Rio de Janeiro. Later he moved to Recife, where he became an elementary teacher and teacher at a fishermen's center.
Because of his prodigious capacity of telling stories, possessing a fabulous memory, brilliant imagination, and a large human experience, Jos茅 felt he was obligated to become an author, and started to write novels when he was 22 years old.
The author had his original methods of writing. In the beginning, he would choose the scenarios where the characters would move. Then he would transfer to this place and do rigorous studies there. To write the novel Arara Vermelha, Jos茅 traveled 450 leagues in the brute wilderness. Next, he builds all the novel, determining even the sentences of the dialogues. He had a memory that, for a long time, allowed him to remember every little detail of his studied scenario. "When the story is entirely made in imagination", reveals the author, "is when I begin to write. I only work I have the impression that the novel is exiting from all the pores of the body."
Jos茅 relates that after finishing writing the first chapter, he passes to the conclusion of the novel, without even elaborating the plot. "That, he explains "because all the chapters are already produced mentally. It is not really important writing a sequence, like alterating the order. In the end everything goes well". Jos茅 was a cinemactor and worked in films such as Carteira Modelo 19, Fronteiras do Inferno, Floradas na Serra, Canto do Mar (of which he wrote the screenplay), Na Garganta do Diabo, and A Ilha. He won many prizes, such as the Saci prize to best supporting actor, the Saci prize to the best actor of the year, and the Governo do Estado prize to best actor of the year. His novels Arara Vermelha and Vazante were filmed.
Vamos Aquecer o Sol (Zeze #2), (1974), Jos茅 Mauro de Vasconcelos
Jos茅 Mauro de Vasconcelos (February 26, 1920 鈥� July 24, 1984) was a Brazilian writer.
At the age of eleven, Zeh Zeh lives in the house of the doctor who supervised him to complete his education; But even at this stage, the life of "Zeh Zeh" is full of mischief and playing tricks on others. Here too, the fantasy does not leave him, yet, in the dream world, he makes for himself a father, who is kind and sensitive, and at night, when "Zeh Zah" is asleep, he comes to him and covers his body.
-''Unutmakla ba臒谋艧lamak aras谋nda ne fark var?'' Zeze: ''Ba臒谋艧larken ki艧i her 艧eyi unutuyor.Ama yaln谋zca unutmakla,pek 莽ok kez insan yeniden an谋msamaya ba艧l谋yor.''
As children, we swallow the world. As adults, we live the rest of our lives digesting what we have swallowed. A glimpse into the years in which a child who was always left behind grows into the one who is leaving.
Hey d卯nik锚 艧锚t, tu nizan卯 ku mirov锚 mezin 莽i ti艧t t锚nagehin? Tu dixwaz卯 meztir卯n rast卯y锚 donyay锚 b锚j卯, l锚 f锚de nake...
Zarokt卯 zo xilas dibe 没 c卯vak div锚 tu wek mirov锚n din aq锚l b卯 没 锚d卯 gelek xewn 没 xeyal b卯ra xwe bib卯. Heke tu ser ne莽em卯n卯, bi zor卯 dixwazin ser锚 te bi莽em卯n锚n. Ewe qan没na garana(herd) 锚nsan卯 ye...
Ez naxwazim mezin bim. Tu莽ara min nexwast卯ye
Em bixwazin an nexwazin mezin dibin. L锚bel锚 dest锚 me de ye ku em bibine 莽卯k. Em dikarin zaroka naw dil锚 xwe de bixujin 没 bibne kele艧ek sax an car caran hewsare ew mirov锚 mezin bidene dest zarok锚 xwe 没 j卯yan锚 bi keyf 没 serbest derbas biken..
L锚bel锚 garan kesek b卯r nake 没 herroj t锚 ku te j卯 gel xwe bibe. Xwe xilas kirin pir zehmete. Ser xatira hind锚 ku ez t锚kel garan锚 nebim, hemo roj锚 dibijime xwe: wisa bij卯 ku hezar sal锚n din po艧man neb卯.
Hi莽 mi 眉zmez okurunu Vasconcelos, hi莽 mi bu olmam谋艧 dedirtmez. O da b枚yle bir yazar i艧te... 脟ok zor ama bir o kadar da keyifli ge莽en 莽ocukluk y谋llar谋ndan sonra Portuga'n谋n 枚l眉m眉n眉n 眉stesinden gelmesi 莽ok da kolay de臒ildir Zeze'nin, yeni bir hayat yeni ebeveynler de cabas谋. Neyse ki haya d眉nyas谋 o kadar geni艧 ki ona e艧lik eden Maurice ve Adam ile hayat kolayla艧makta. D眉nyan谋n d眉zenine ba艧ka nas谋l kar艧谋 konabilir ki:
"Hayat b枚yledir, insanlar 莽ekip gider." Ne zaman umutsuzlu臒a d眉艧sem veya yeter art谋k desem bu kitaplar谋 akl谋ma geliyor Vasconcelos'un. 艦unu da belirtmek laz谋m ki 莽ok g眉zel mottolar var i莽inde. 陌kisiyle yorumu burada bitirelim.
"Sev, mutlu ol." "脟眉nk眉 her 艧eye kar艧谋n hayat 莽ok g眉zeldir."
Neye yarar Adam? Beni i艧itiyor musun? Konu艧, 脰臒ret bana yeniden g眉ne艧i uyand谋rmay谋. Devam etmek, ilerlemek, gelip ge莽mek zorunlulu臒unu kabul etmeyi. 陌lerlemek ve g眉ne艧i uyand谋rmak, g眉莽 de臒il mi Adam? Yalvar谋r谋m, bunu senden son kez istiyorum, yan谋t ver, b眉y眉k insanlar g眉ne艧i nas谋l uyand谋rabilirler? Yaln谋zca bu kez.
Jose ya da kendi tabiriyle Zeze, t眉m iyi y眉reklili臒i ve hayal g眉c眉yle beni kendine 莽ekiyor. Vasconcelos her defas谋nda beni duyguland谋rmay谋 ba艧ar谋yor鈽猴笍