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賲賳 兀賳丕 賵賲賳 兀賳鬲 : 鬲毓賱賷賯 丨賵賱 亘丕賵賱 鬲爻賷賱丕賳
賮賷 賴匕丕 丕賱賰鬲丕亘 - 丕賱匕賷 毓丿賾賴 賴賷丿睾乇 兀毓賱賶 賲賳夭賱丞 丨鬲賶 賲賳 賰鬲丕亘 丕賱丨賯賷賯丞 賵丕賱賲賳賴噩 - 賷噩乇賷 鬲胤亘賷賯 丕賱鬲兀賵賷賱賷丞, 兀賵 賲賲丕乇爻丞 丕賱賮毓賱 丕賱鬲兀賵賷賱賷, 毓賱賶 丕賱卮毓乇.
賵賮賷賴 賷丿賳賵 睾丕丿丕賲賷乇 賲賳 卮毓乇 亘丕賵賱 鬲爻賷賱丕賳 丿賳賵丕 鬲兀賵賷賱賷丕 禺丕氐丕, 廿賳賴 丿賳賵 賲賳 賯氐丕卅丿 亘毓賷賳賴丕 禺丕胤亘鬲賴 賷賵賲丕 賲丕 賵毓丕丿 廿賱賷賴丕 亘賮毓賱 丕賱廿孬丕乇丞 賱賷禺丕胤亘賳丕 賳丨賳 丕賱賯乇丕亍 毓亘乇賴丕.
賷囟賲 賴匕丕 丕賱賰鬲丕亘 賲賯丕賱賷賳 丌禺乇賷賳, 賵賴賲丕: "丕賱賲毓賳賶 賵丕禺鬲賮丕亍 丕賱賲毓賳賶 賮賷 卮毓乇 亘丕賵賱 鬲爻賷賱丕賳", 賵 "賲賯鬲乇亘 馗丕賴乇丕鬲賷 賵丿賱丕賱賷 廿賱賶 卮毓乇 鬲爻賷賱丕賳" 賵賲賯丿賲丞 胤賵賷賱丞 亘毓賳賵丕賳 "鬲匕賰乇 丕賱賱睾丞: 賲丿禺賱 廿賱賶 卮毓乇賷丞 睾丕丿丕賲賷乇" 賰鬲亘賴丕 噩賷乇丕賱丿 賱. 亘乇賵賳爻. 賵夭丕丿鬲 賴匕賴 丕賱鬲乇噩賲丞 丕賱毓乇亘賷丞 毓賱賷賴 亘鬲乇噩賲丞 禺胤丕亘 鬲爻賷賱丕賳 丕賱賲毓賳賵賳 "賲賷乇賷丿賷丕賳".
賵賮賷賴 賷丿賳賵 睾丕丿丕賲賷乇 賲賳 卮毓乇 亘丕賵賱 鬲爻賷賱丕賳 丿賳賵丕 鬲兀賵賷賱賷丕 禺丕氐丕, 廿賳賴 丿賳賵 賲賳 賯氐丕卅丿 亘毓賷賳賴丕 禺丕胤亘鬲賴 賷賵賲丕 賲丕 賵毓丕丿 廿賱賷賴丕 亘賮毓賱 丕賱廿孬丕乇丞 賱賷禺丕胤亘賳丕 賳丨賳 丕賱賯乇丕亍 毓亘乇賴丕.
賷囟賲 賴匕丕 丕賱賰鬲丕亘 賲賯丕賱賷賳 丌禺乇賷賳, 賵賴賲丕: "丕賱賲毓賳賶 賵丕禺鬲賮丕亍 丕賱賲毓賳賶 賮賷 卮毓乇 亘丕賵賱 鬲爻賷賱丕賳", 賵 "賲賯鬲乇亘 馗丕賴乇丕鬲賷 賵丿賱丕賱賷 廿賱賶 卮毓乇 鬲爻賷賱丕賳" 賵賲賯丿賲丞 胤賵賷賱丞 亘毓賳賵丕賳 "鬲匕賰乇 丕賱賱睾丞: 賲丿禺賱 廿賱賶 卮毓乇賷丞 睾丕丿丕賲賷乇" 賰鬲亘賴丕 噩賷乇丕賱丿 賱. 亘乇賵賳爻. 賵夭丕丿鬲 賴匕賴 丕賱鬲乇噩賲丞 丕賱毓乇亘賷丞 毓賱賷賴 亘鬲乇噩賲丞 禺胤丕亘 鬲爻賷賱丕賳 丕賱賲毓賳賵賳 "賲賷乇賷丿賷丕賳".
- GenresPhilosophyPoetry
263 pages, Paperback
First published June 11, 1973
4 people are currently reading
150 people want to read
About the author
Hans-Georg Gadamer
278听books291听followersHans-Georg Gadamer was born February 11, 1900 in Marburg, Germany.
(Arabic: 賴丕賳夭 噩賵乇噩 睾丕丿丕賲賷乇)
Gadamer showed an early aptitude for studies in philosophy and after receiving his doctoral degree in 1922 he went on to work directly under Martin Heidegger for a period of five years. This had a profound and lasting effect on Gadamer's philosophical progression.
Gadamer was a teacher for most of his life, and published several important works: Truth and Method is considered his magnum opus. In this work Heidegger's notion of hermeneutics is seen clearly: hermeneutics is not something abstract that one can pick up and leave at will, but rather is something that one does at all times. To both Heidegger and to Gadamer, hermeneutics is not restricted to texts but to everything encountered in one's life.
Gadamer is most well-known for the notion of a horizon of interpretation, which states that one does not simply interpret something, but that in the act of interpretation one becomes changed as well. In this way, he takes some of the notions from Heidegger's Being and Time, notably that which Heidegger had to say about prejudgements and their role in interpreting and he turns them into a more positive notion: Gadamer sees every act and experience (which is a hermeneutical experience to a Gadamerian) as a chance to call into question and to change those prejudgements, for in the horizon of interpretation those prejudgements are not forever fixed.
Gadamer is considered the most important writer on the nature and task of hermeneutics of the 20th century, which was still widely considered a niche within Biblical studies until Truth and Method was widely read and discussed.
He died at the age of 102 in Heidelberg (March, 2002).
(Arabic: 賴丕賳夭 噩賵乇噩 睾丕丿丕賲賷乇)
Gadamer showed an early aptitude for studies in philosophy and after receiving his doctoral degree in 1922 he went on to work directly under Martin Heidegger for a period of five years. This had a profound and lasting effect on Gadamer's philosophical progression.
Gadamer was a teacher for most of his life, and published several important works: Truth and Method is considered his magnum opus. In this work Heidegger's notion of hermeneutics is seen clearly: hermeneutics is not something abstract that one can pick up and leave at will, but rather is something that one does at all times. To both Heidegger and to Gadamer, hermeneutics is not restricted to texts but to everything encountered in one's life.
Gadamer is most well-known for the notion of a horizon of interpretation, which states that one does not simply interpret something, but that in the act of interpretation one becomes changed as well. In this way, he takes some of the notions from Heidegger's Being and Time, notably that which Heidegger had to say about prejudgements and their role in interpreting and he turns them into a more positive notion: Gadamer sees every act and experience (which is a hermeneutical experience to a Gadamerian) as a chance to call into question and to change those prejudgements, for in the horizon of interpretation those prejudgements are not forever fixed.
Gadamer is considered the most important writer on the nature and task of hermeneutics of the 20th century, which was still widely considered a niche within Biblical studies until Truth and Method was widely read and discussed.
He died at the age of 102 in Heidelberg (March, 2002).
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Displaying 1 - 4 of 4 reviews
March 13, 2019
Very clear. One of the few philosophers concerned with how one reads what one reads. Recommended for 'Celan Studies'.
March 27, 2022
This volume collects three essays by Gadamer on Celan, including his book-length essay "Who am I and Who Are You?" together with an Epilogue he wrote for a revised edition; as well as two much shorter essays - all preceded by an introductory essay by Gerald Bruns.
In "Who am I and Who Are You?" Gadamer does a meticulous close reading of all of the poems in section I of Celan's collection Breathturn (Atemwende), which was originally published a stand-alone volume entitled Breath-Crystal (Atemkristall). This made the essay especially riveting for me, since these were the very first poems by Celan I ever read: the poems that immediately gripped me and thus led to Celan becoming my favorite poet. Gadamer's close readings got me to read these poems more closely and carefully than ever before, and contain a wealth of insights into how we might understand the workings of Celan's constant and cryptic use of the 1st and 2nd person pronouns - I and you - in his poetry.
"Meaning and Concealment of Meaning in Paul Celan" is basically an essay-length close reading of "Tenebrae", one of Celan's most celebrated poems. Gadamer tackles head-on the seeming blasphemous nature of the poem, urging God or Christ: "pray to us". Gadamer makes a convincing case that the poem is no mere provocation against God, but rather an earnest exploration of religious themes. Gadamer's willingness to treat the poem as operating squarely within the space of Christian tropes is refreshing, although the absence of any reflection on what it could mean for Celan - for whom his own Jewishness and Jewishness in general were primary preoccupations - to write almost as if he were himself a Christian in this poem is an unfortunate omission.
"A Phenomenological and Semantic Approach to Celan?" is mostly skippable. It mostly re-hashes points made in the previous essays, and is less an essay about Celan and more a reflection by Gadamer (then in his late 80s) on his own development as a reader of Celan.
In "Who am I and Who Are You?" Gadamer does a meticulous close reading of all of the poems in section I of Celan's collection Breathturn (Atemwende), which was originally published a stand-alone volume entitled Breath-Crystal (Atemkristall). This made the essay especially riveting for me, since these were the very first poems by Celan I ever read: the poems that immediately gripped me and thus led to Celan becoming my favorite poet. Gadamer's close readings got me to read these poems more closely and carefully than ever before, and contain a wealth of insights into how we might understand the workings of Celan's constant and cryptic use of the 1st and 2nd person pronouns - I and you - in his poetry.
"Meaning and Concealment of Meaning in Paul Celan" is basically an essay-length close reading of "Tenebrae", one of Celan's most celebrated poems. Gadamer tackles head-on the seeming blasphemous nature of the poem, urging God or Christ: "pray to us". Gadamer makes a convincing case that the poem is no mere provocation against God, but rather an earnest exploration of religious themes. Gadamer's willingness to treat the poem as operating squarely within the space of Christian tropes is refreshing, although the absence of any reflection on what it could mean for Celan - for whom his own Jewishness and Jewishness in general were primary preoccupations - to write almost as if he were himself a Christian in this poem is an unfortunate omission.
"A Phenomenological and Semantic Approach to Celan?" is mostly skippable. It mostly re-hashes points made in the previous essays, and is less an essay about Celan and more a reflection by Gadamer (then in his late 80s) on his own development as a reader of Celan.
July 25, 2017
Uma aula de interpreta莽茫o po茅tica, que ilumina tremendamente a poesia de Celan.
E n茫o haveria qualquer coisa de epistola de perd茫o p贸stumo heideggeriano pelo nazismo, vinda nas palavras compreensivas de seu maior pupilo, Hans Gadamer, lendo uma v铆tima do holocausto...?
E n茫o haveria qualquer coisa de epistola de perd茫o p贸stumo heideggeriano pelo nazismo, vinda nas palavras compreensivas de seu maior pupilo, Hans Gadamer, lendo uma v铆tima do holocausto...?
October 25, 2015
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