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6 卮禺氐賷丕鬲 鬲亘丨孬 毓賳 賲丐賱賮
賰丕賳鬲 丕賱卮禺氐賷丕鬲 噩丕賴夭丞 毓賱賶 丕賱賲爻乇丨貙 亘賱丨賲賴丕 賵丿賲賴丕貙 賵賱賰賳 丕賱賲丐賱賮 睾丕亘 胤賵賷賱丕賸 毓賳賴丕貙 亘丨孬鬲 毓賳賴 賮賷 賰賱 兀乇噩丕亍 丕賱禺卮亘丞 賵丕賱賰賵丕賱賷爻貙 鬲丨賲賱 爻賷賳丕乇賷賵賴丕鬲 丨賷丕鬲賴丕 亘賷賳 賷丿賷賴丕貙 賵鬲賳鬲馗乇 兀賳 鬲禺乇噩 賵鬲丨賰賷賴丕 賱賱噩賲丕賴賷乇 丕賱噩丕賱爻丞貙 賱賰賳 丕賱賲丐賱賮 馗賱賻賾 睾丕卅亘丕賸貙 賵賴匕賴 丕賱卮禺氐賷丕鬲 馗賱鬲 丨夭賷賳丞 賮賷 鬲賮丕氐賷賱賴丕 賵丨賵丕乇丕鬲賴丕 賱賲 賷爻賲毓賴丕 兀丨丿.
賰丕賳 丕賱賮乇丕睾 賷禺賷賲 賲賳 丨賵賱 賱賵賷噩賷 亘賷乇丕賳丿賷賱賵 賮賱賲 賷毓丿 賷賮賰乇 兀賵 賷鬲丨丿孬 廿賱丕 賱賱卮禺氐賷丕鬲 丕賱鬲賷 鬲賳卮兀 賮賷 匕賴賳賴貙 賵賯丿 賳卮兀鬲 賮賷 匕賱賰 丕賱賵賯鬲 爻鬲 卮禺氐賷丕鬲 乇兀賷 兀賳 賷氐亘賴丕 賮賷 賯氐丞 賵賱賰賳賴 賱賲 賷賮毓賱.
賵毓賱賶 匕賱賰 乇兀賶 兀賳 賷鬲丨丿孬 毓賳 賴匕賴 丕賱卮禺氐賷丕鬲 賵毓賲丕 丿丕乇 賮賷 匕賴賳賴 亘卮兀賳賴丕: 賮賰乇丞 丕賱賲丐賱賮 丕賱匕賷 賷爻鬲胤毓 鬲丨賯賷賯 卮禺氐賷丕鬲賴 毓賱賶 丕賱賵乇賯 賮兀胤賱賯賴丕 廿賱賶 丨賷孬 鬲爻鬲胤賷毓 丕賱毓賷卮.
賰丕賳 丕賱賮乇丕睾 賷禺賷賲 賲賳 丨賵賱 賱賵賷噩賷 亘賷乇丕賳丿賷賱賵 賮賱賲 賷毓丿 賷賮賰乇 兀賵 賷鬲丨丿孬 廿賱丕 賱賱卮禺氐賷丕鬲 丕賱鬲賷 鬲賳卮兀 賮賷 匕賴賳賴貙 賵賯丿 賳卮兀鬲 賮賷 匕賱賰 丕賱賵賯鬲 爻鬲 卮禺氐賷丕鬲 乇兀賷 兀賳 賷氐亘賴丕 賮賷 賯氐丞 賵賱賰賳賴 賱賲 賷賮毓賱.
賵毓賱賶 匕賱賰 乇兀賶 兀賳 賷鬲丨丿孬 毓賳 賴匕賴 丕賱卮禺氐賷丕鬲 賵毓賲丕 丿丕乇 賮賷 匕賴賳賴 亘卮兀賳賴丕: 賮賰乇丞 丕賱賲丐賱賮 丕賱匕賷 賷爻鬲胤毓 鬲丨賯賷賯 卮禺氐賷丕鬲賴 毓賱賶 丕賱賵乇賯 賮兀胤賱賯賴丕 廿賱賶 丨賷孬 鬲爻鬲胤賷毓 丕賱毓賷卮.
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First published March 9, 1921
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About the author
Luigi Pirandello
1,383听books1,371听followersLuigi Pirandello; Agrigento (28 June 1867 鈥� Rome 10 December 1936) was an Italian dramatist, novelist, poet, and short story writer whose greatest contributions were his plays.
He was awarded the 1934 Nobel Prize in Literature for "his almost magical power to turn psychological analysis into good theatre.
Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners of the Theatre of the Absurd.
He was awarded the 1934 Nobel Prize in Literature for "his almost magical power to turn psychological analysis into good theatre.
Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners of the Theatre of the Absurd.
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March 20, 2025
If we're living our lives from a carefully rehearsed script we're wooden. But if we only go with the flow, we're truly living our life. So says Luigi Pirandello.
For if our part is scripted, someday we'll blank out and bomb. Get real!
Directionless lives Work. Lives with Sure Direction fake it. And if you were born a Free Spirit you KNOW it's so.
In my Senior Year of high school I hated boxes, perhaps like you. I longed for freer and greener pastures than my parochial backwater had to offer. Swampy backwaters fester, and in green pastures I thought I would fear no ill.
I was wrong.
In a sleepy swamp, bullies roar: but in the open they simply insinuate. Some folks stake their lifeblood -- and, alas, their life direction - on getting what they want in life.
So which life is fuller: Directionless or Self-Directed? I'll let my sure footed friend Dee from senior year answer.
"I'll be honest: I'm about to attend uni, cause I want to SUCCEED in life. I'm self-directed, and I want a self-directed man. I'm gonna make my dreams come true.
"Look at the losers around me now... like that born loser, Fergus.
"Last night he took me to a postmodern play - Six Characters In Search of a Direction - or Author, I mean! He thought it was just peachy. Loser... It's like all he thinks about is how directionless modern life is!
"You know, he said there was more to think about in that garbage play, than he could fit into one night -
"A real creep! We're not here to Think, Dumbo, we're here to Make Ourselves Rich!
"Sheesh, I mean, was he a loser!"
So Dee, my sometime date the summer after high school.
And yes, she dumped me, the first week of college.
My life is still directionless. And Dee's?
Dunno, but I pray she's found her peace.
For if our part is scripted, someday we'll blank out and bomb. Get real!
Directionless lives Work. Lives with Sure Direction fake it. And if you were born a Free Spirit you KNOW it's so.
In my Senior Year of high school I hated boxes, perhaps like you. I longed for freer and greener pastures than my parochial backwater had to offer. Swampy backwaters fester, and in green pastures I thought I would fear no ill.
I was wrong.
In a sleepy swamp, bullies roar: but in the open they simply insinuate. Some folks stake their lifeblood -- and, alas, their life direction - on getting what they want in life.
So which life is fuller: Directionless or Self-Directed? I'll let my sure footed friend Dee from senior year answer.
"I'll be honest: I'm about to attend uni, cause I want to SUCCEED in life. I'm self-directed, and I want a self-directed man. I'm gonna make my dreams come true.
"Look at the losers around me now... like that born loser, Fergus.
"Last night he took me to a postmodern play - Six Characters In Search of a Direction - or Author, I mean! He thought it was just peachy. Loser... It's like all he thinks about is how directionless modern life is!
"You know, he said there was more to think about in that garbage play, than he could fit into one night -
"A real creep! We're not here to Think, Dumbo, we're here to Make Ourselves Rich!
"Sheesh, I mean, was he a loser!"
So Dee, my sometime date the summer after high school.
And yes, she dumped me, the first week of college.
My life is still directionless. And Dee's?
Dunno, but I pray she's found her peace.
April 4, 2021
6
卮禺氐賷丕鬲 鬲亘丨孬 毓賳 賲丐賱賮
丕賱賲爻乇丨賷丞 丕賱兀卮賴乇 賱亘賷乇丕賳丿賱賵
賵丕賱鬲賷 賷匕賰乇賴丕 丕賱噩賲賷毓 賲賳 賰鬲丕亘 毓亘丿 丕賱賳丕氐乇 賮賱爻賮丞 丕賱孬賵乇丞
孬賲 賲賳 賰鬲亘 兀賳賷爻 賲賳氐賵乇 丕賱賲賳鬲賯丿丞 賱毓亘丿 丕賱賳丕氐乇 賵丕爻鬲禺丿丕賲賴 毓賳賵丕賳賴丕 亘胤乇賷賯丞 爻胤丨賷丞 賮賷 乇兀賷賴
賵賱賰賳 丿毓賵賳丕 賳毓賵丿 賱兀氐賱 丕賱噩丿丕賱
丕賱賲爻乇丨賷丞 丕賱鬲賷 賱賲 鬲乇賯賻 廿賱賶 鬲賵賮毓丕鬲賷 丕賱毓丕賱賷丞
廿亘賴丕乇 丕賱賲爻乇丨賷丞 賰賱賴 賷賰賲賳 賮賷 丕賱賮賰乇丞
賵丕賱鬲賷 亘爻亘亘賴丕 鬲賵賯毓鬲 賱賱賲爻乇丨賷丞 兀賳 鬲賰賵賳 鬲丨賮丞 賮賳賷丞
賮賮賵噩卅鬲 亘兀賳賴丕 毓丕丿賷丞 賱賱睾丕賷丞
賮噩賲丕賱賴丕 賷鬲賵賯賮 毓賳丿 賮賰乇鬲賴丕 兀賲丕 鬲賳賮賷匕 丕賱賲爻乇丨賷丞 賳賮爻賴 賮賴賵 賲毓鬲丕丿 賱賲 賷鬲乇賰 賮賷 賳賮爻賷 兀丿賳賶 兀孬乇
丕賱禺賱胤 賷賰賲賳 賮賷 鬲丿丕禺賱 丕賱丨賯賷賯丞 賵丕賱鬲賲孬賷賱
賮丕賱卮禺氐賷丕鬲 賳賮丕噩賶亍 亘賴丕 毓賱賶 丕賱賲爻乇丨 亘賱丕 兀爻賲丕亍
賵賴賲 賷賵丿賵賳 鬲卮禺賷氐 丨賷丕鬲賴賲 丕賱鬲賷 賴賷 -賲賳 丕賱賲賮鬲乇囟 兀賳賴丕 賲賳 賲爻乇丨賷丞 兀禺乇賶 賱亘賷乇丕賳丿賱賱賵
廿賳賴賲 賱賷爻賵丕 兀卮禺丕氐丕 亘賱 卮禺氐賷丕鬲
賵賯丿 賵賱丿鬲 賴匕賴 丕賱卮禺氐賷丕鬲 賮賷 乇兀爻 賰丕鬲亘 "乇賮囟 賵囟毓賴丕 毓賱賶 丕賱賵乇賯丞 賵毓噩夭 毓賳 鬲噩爻賷丿賴丕 賵賲賳丨賴丕 丕賱丨賷丕丞 賱鬲毓賷卮 賮賷 毓賲賱 賮賳賷
"廿賱丕 兀賳賴丕 鬲丨賱賲 賵鬲鬲兀賵賴 賲賳 兀噩賱 兀賳 鬲毓賷卮 賵鬲噩爻賽賾丿 丕賱賲兀爻丕丞 丕賱鬲賷 鬲毓賷卮賴丕
丕賱卮禺氐賷丕鬲 賰賲丕 賷亘丿賵 賱丕 鬲噩丿 丕賱賲賲孬賱賷賳 丕賱賲丐賴賱賷賳 賱毓賷卮 賲丌爻賷賴賲
賮賴賷 賵丨丿賴丕 "丕賱賯丕丿乇丞 毓賱賶 兀賳 鬲毓賷卮 賲兀爻丕鬲賴丕 丕賱鬲賷 鬲賲孬賾賱 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 丨賷丕鬲賴丕
"賵賴賷 丨賷丕丞 鬲鬲賰乇乇 亘禺賱賵丿 丕賱賮賳
賵賲賳 禺賱丕賱 爻鬲丞 賲賵賳賵賱賵噩丕鬲
賳噩丿 兀賲丕賲賳丕 賯氐丞 鬲賳爻噩 賵鬲鬲賰賵賳
兀亘胤丕賱賴丕 賲賳 兀賮賰丕乇 賲噩爻丿丞 賵賰兀賳賴丕 賲賳 賱丨賲 賵丿賲
亘賱 兀亘賯賶 賰賲丕 賳賵賴賳丕
賮丕賱兀賮賰丕乇 丿賵賲丕 賴賷 丕賱禺丕賱丿丞
丕賱賲爻乇丨賷丞 賱胤賷賮丞 賵賱賰賳賳賷 賱丕 兀爻鬲胤賷毓 賵氐賮賴丕 亘丕賱毓馗賷賲丞 兀賵 丕賱賲丐孬乇丞 毓賱賶 丕賱兀賯賱 賮賷 乇兀賷賷
卮禺氐賷丕鬲 鬲亘丨孬 毓賳 賲丐賱賮
丕賱賲爻乇丨賷丞 丕賱兀卮賴乇 賱亘賷乇丕賳丿賱賵
賵丕賱鬲賷 賷匕賰乇賴丕 丕賱噩賲賷毓 賲賳 賰鬲丕亘 毓亘丿 丕賱賳丕氐乇 賮賱爻賮丞 丕賱孬賵乇丞
孬賲 賲賳 賰鬲亘 兀賳賷爻 賲賳氐賵乇 丕賱賲賳鬲賯丿丞 賱毓亘丿 丕賱賳丕氐乇 賵丕爻鬲禺丿丕賲賴 毓賳賵丕賳賴丕 亘胤乇賷賯丞 爻胤丨賷丞 賮賷 乇兀賷賴
賵賱賰賳 丿毓賵賳丕 賳毓賵丿 賱兀氐賱 丕賱噩丿丕賱
丕賱賲爻乇丨賷丞 丕賱鬲賷 賱賲 鬲乇賯賻 廿賱賶 鬲賵賮毓丕鬲賷 丕賱毓丕賱賷丞
賲兀爻丕鬲賶 賮賶 丕賱丕丨爻丕爻 亘兀賳賶 貙 賵亘兀賳 賰賱丕 賲賳丕 賷乇賶 賵 賷毓鬲賯丿 兀賳賴 賵丕丨丿 賮賯胤
兀賳 賰賱 賵丕丨丿 賲賳丕 賱賴 卮禺氐賷丕鬲 賲鬲毓丿丿丞 亘毓丿丿 丕賱丕賲賰丕賳賷丕鬲 丕賱鬲賶 鬲賰賲賳 賮賷賳丕
賮亘丕賱賳爻亘丞 賱賱亘毓囟 賷賰賵賳 賰賱 賲賳丕 卮禺氐丕 賵丕丨丿丕
賵亘丕賱賳爻亘丞 賱賱丕禺乇賷賳 賷賰賵賳 卮禺氐丕 賲禺鬲賱賮丕 鬲賲丕賲丕
賳丨賳 丿丕卅賲丕 賳鬲賵賴賲 兀賳賳丕 卮禺氐 賵丕丨丿 亘丕賱賳爻亘丞 賱賱噩賲賷毓 貙 賵 賴匕丕 丕賱卮禺氐 丿丕卅賲丕 賱丕 賷鬲睾賷乇
廿賳賳丕 賳毓鬲賯丿 兀賳 賴匕丕 丕賱卮禺氐 賷馗賱 賰賲丕 賴賵 毓賳丿賲丕 賷賮毓賱 兀賶 卮賶亍 貙 賵 賱賰賳 賴匕丕 賱賷爻 氐丨賷丨丕 毓賱賶 丕賱丕胤賱丕賯
赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌赌
廿亘賴丕乇 丕賱賲爻乇丨賷丞 賰賱賴 賷賰賲賳 賮賷 丕賱賮賰乇丞
賵丕賱鬲賷 亘爻亘亘賴丕 鬲賵賯毓鬲 賱賱賲爻乇丨賷丞 兀賳 鬲賰賵賳 鬲丨賮丞 賮賳賷丞
賮賮賵噩卅鬲 亘兀賳賴丕 毓丕丿賷丞 賱賱睾丕賷丞
賮噩賲丕賱賴丕 賷鬲賵賯賮 毓賳丿 賮賰乇鬲賴丕 兀賲丕 鬲賳賮賷匕 丕賱賲爻乇丨賷丞 賳賮爻賴 賮賴賵 賲毓鬲丕丿 賱賲 賷鬲乇賰 賮賷 賳賮爻賷 兀丿賳賶 兀孬乇
丕賱禺賱胤 賷賰賲賳 賮賷 鬲丿丕禺賱 丕賱丨賯賷賯丞 賵丕賱鬲賲孬賷賱
賮丕賱卮禺氐賷丕鬲 賳賮丕噩賶亍 亘賴丕 毓賱賶 丕賱賲爻乇丨 亘賱丕 兀爻賲丕亍
賵賴賲 賷賵丿賵賳 鬲卮禺賷氐 丨賷丕鬲賴賲 丕賱鬲賷 賴賷 -賲賳 丕賱賲賮鬲乇囟 兀賳賴丕 賲賳 賲爻乇丨賷丞 兀禺乇賶 賱亘賷乇丕賳丿賱賱賵
廿賳賴賲 賱賷爻賵丕 兀卮禺丕氐丕 亘賱 卮禺氐賷丕鬲
賵賯丿 賵賱丿鬲 賴匕賴 丕賱卮禺氐賷丕鬲 賮賷 乇兀爻 賰丕鬲亘 "乇賮囟 賵囟毓賴丕 毓賱賶 丕賱賵乇賯丞 賵毓噩夭 毓賳 鬲噩爻賷丿賴丕 賵賲賳丨賴丕 丕賱丨賷丕丞 賱鬲毓賷卮 賮賷 毓賲賱 賮賳賷
"廿賱丕 兀賳賴丕 鬲丨賱賲 賵鬲鬲兀賵賴 賲賳 兀噩賱 兀賳 鬲毓賷卮 賵鬲噩爻賽賾丿 丕賱賲兀爻丕丞 丕賱鬲賷 鬲毓賷卮賴丕
丕賱卮禺氐賷丕鬲 賰賲丕 賷亘丿賵 賱丕 鬲噩丿 丕賱賲賲孬賱賷賳 丕賱賲丐賴賱賷賳 賱毓賷卮 賲丌爻賷賴賲
賮賴賷 賵丨丿賴丕 "丕賱賯丕丿乇丞 毓賱賶 兀賳 鬲毓賷卮 賲兀爻丕鬲賴丕 丕賱鬲賷 鬲賲孬賾賱 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 丨賷丕鬲賴丕
"賵賴賷 丨賷丕丞 鬲鬲賰乇乇 亘禺賱賵丿 丕賱賮賳
賵賲賳 禺賱丕賱 爻鬲丞 賲賵賳賵賱賵噩丕鬲
賳噩丿 兀賲丕賲賳丕 賯氐丞 鬲賳爻噩 賵鬲鬲賰賵賳
兀亘胤丕賱賴丕 賲賳 兀賮賰丕乇 賲噩爻丿丞 賵賰兀賳賴丕 賲賳 賱丨賲 賵丿賲
亘賱 兀亘賯賶 賰賲丕 賳賵賴賳丕
賮丕賱兀賮賰丕乇 丿賵賲丕 賴賷 丕賱禺丕賱丿丞
丕賱賲爻乇丨賷丞 賱胤賷賮丞 賵賱賰賳賳賷 賱丕 兀爻鬲胤賷毓 賵氐賮賴丕 亘丕賱毓馗賷賲丞 兀賵 丕賱賲丐孬乇丞 毓賱賶 丕賱兀賯賱 賮賷 乇兀賷賷
March 26, 2022
Sei Personaggi in Cerca d'Autore = Six Characters in Search of an Author, Luigi Pirandello
Six Characters in Search of an Author is an Italian play by Luigi Pirandello, written and first performed in 1921. An acting company prepares to rehearse the play The Rules of the Game by Luigi Pirandello. As the rehearsal is about to begin, they are unexpectedly interrupted by the arrival of six strange people.
The Director of the play, furious at the interruption, demands an explanation. The Father explains that they are unfinished characters in search of an author to finish their story. The Director initially believes them to be mad, but as they begin to argue among themselves and reveal details of their story, he begins to listen. The Father and The Mother had one child together (The Son), but they have separated and Mother has had three children by another man - The Stepdaughter, The Boy and The Child (a girl). ...
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴禄貨 芦卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賲賵賱賮禄貨 芦卮卮 卮禺氐蹖鬲 丿乇 倬蹖 亘丕夭蹖 賳賵蹖爻禄貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 蹖丕夭丿賴賲 賲丕賴 跇賵卅賳 爻丕賱2000賲蹖賱丕丿蹖
毓賳賵丕賳: 卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴: 賳賲丕蹖卮賳丕賲賴 丿乇 丿賵 倬乇丿賴貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 賲鬲乇噩賲: 丨爻賳 賲賱讴蹖貨 鬲賴乇丕賳貙 鬲噩乇亘賴貙 爻丕賱1378貙 丿乇127氐貨 卮丕亘讴 丕蹖讴爻-964648171貨 趩丕倬 丿賵賲 爻丕賱1380貨 賲賵囟賵毓: 賳賲丕蹖卮賳丕賲賴 賴丕蹖 賳賵蹖爻賳丿诏丕賳 丕蹖鬲丕賱蹖丕 - 爻丿賴20賲
毓賳賵丕賳: 卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賲賵賱賮 (賳賲丕蹖卮賳丕賲賴)貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 賲鬲乇噩賲: 乇囟丕 賯蹖氐乇蹖賴貨 鬲賴乇丕賳貙 丕賲蹖乇禺丕賳蹖貙 爻丕賱1378貙 趩丕倬 丿蹖诏乇: 鬲賴乇丕賳貙 賳蹖賱丕貙 爻丕賱1390貙 丿乇168氐貨 卮丕亘讴9786001220432貨
毓賳賵丕賳: 卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴 : 賳賲丕蹖卮賳丕賲賴 丿乇 丿賵 倬乇丿賴貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 賲鬲乇噩賲: 倬乇蹖 氐丕亘乇蹖貨 鬲賴乇丕賳貙 賯胤乇賴貙 爻丕賱1384貙 丿乇88氐貨 卮丕亘讴9643415007貨 趩丕倬 丿蹖诏乇 爻丕賱1393貨 卮丕亘讴9789643415006貨
毓賳賵丕賳: 卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴 (賳賲丕蹖卮賳丕賲賴)貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 賲鬲乇噩賲: 亘賴賲賳 賮乇夭丕賳賴貨 鬲賴乇丕賳貙 倬賳噩乇賴貙 爻丕賱1387貙 丿乇116氐貨 卮丕亘讴9789647822442貨 趩丕倬 爻賵賲 爻丕賱1392貨
毓賳賵丕賳: 卮卮 卮禺氐蹖鬲 丿乇 倬蹖 亘丕夭蹖 賳賵蹖爻 (賳賲丕蹖卮賳丕賲賴)貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 賲鬲乇噩賲: 乇囟丕 賯蹖氐乇蹖賴貨 鬲賴乇丕賳貙 賲蹖賱讴丕賳貙 爻丕賱1394貙 丿乇150氐貨 卮丕亘讴9786007845202貨
讴丕乇诏乇丿丕賳 賵 亘丕夭蹖诏乇丕賳卮 丿乇 丨丕賱 鬲賲乇蹖賳 氐丨賳賴 賴丕蹖 鬲卅丕鬲乇 乇賵蹖 氐丨賳賴 賴爻鬲賳丿貙 讴賴 賳丕诏賴丕賳 爻乇 賵 讴賱賴 蹖 卮卮 鬲賳 倬蹖丿丕 賲蹖卮賵賳丿貙 賵 丕丿毓丕 賲蹖讴賳賳丿: 卮禺氐蹖鬲賴丕蹖 匕賴賳蹖 賳賵蹖爻賳丿賴 丕蹖 賴爻鬲賳丿貙 讴賴 丌賳賴丕 乇丕 鬲丕 丨丿賵丿 夭蹖丕丿蹖 倬丿蹖丿 丌賵乇丿賴貙 賵賱蹖 賳賴丕蹖鬲丕 丿丕爻鬲丕賳卮丕賳 乇丕 賳賳賵卮鬲賴貙 丌賳賴丕 賲蹖禺賵丕賴賳丿 氐丨賳賴 賴丕蹖 夭賳丿诏蹖 禺賵丿 乇丕 亘丕夭蹖 讴賳賳丿貙 鬲丕 讴爻蹖 丿丕爻鬲丕賳卮丕賳 乇丕 亘賳賵蹖爻丿貙 賵 丕噩乇丕 讴賳丿貨
卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 蹖讴 賳賵蹖爻賳丿賴貨 賳賲丕蹖卮鈥屬嗀з呝団€� 丕蹖 芦丕蹖鬲丕賱蹖丕蹖蹖禄貙 丕孬乇 芦賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賵禄 丕爻鬲貨 讴賴 丿乇 爻丕賱1921賲蹖賱丕丿蹖 賳诏丕卮鬲賴 卮丿賴 丕爻鬲貨 丕蹖賳 賳賲丕蹖卮鈥屬嗀з呝囏� 鬲卅丕鬲乇蹖 倬賵趩鈥� 丕賳诏丕乇貙 賵 賮乇丕鬲卅丕鬲乇蹖貙 丿乇亘丕乇賴 蹖 乇丕亘胤賴 蹖 賳賵蹖爻賳丿賴貙 卮禺氐蹖鬲鈥屬囏й� 賳賲丕蹖卮卮貙 賵 鬲賲乇蹖賳鈥� 讴賳賳丿诏丕賳 鬲卅丕鬲乇 丕爻鬲貨 讴賴 丿乇 芦乇賲禄貙 賵 賲蹖丕賳 賮乇蹖丕丿賴丕蹖 鬲賲丕卮丕趩蹖丕賳貙 丿乇 丕毓鬲乇丕囟 亘賴 乇賵賳丿 睾蹖乇賲賳胤賯蹖 丿丕爻鬲丕賳貙 亘丕 讴賱賲丕鬲蹖 賴賲趩賵賳 丿蹖賵丕賳賴鈥� 禺丕賳賴貙 丿乇 賴賲丕賳 爻丕賱 乇賵蹖 氐丨賳賴 乇賮鬲貨 倬匕蹖乇卮 賵 毓讴爻鈥� 丕賱毓賲賱 鬲賲丕卮丕趩蹖丕賳貙 丿乇 丕噩乇丕賴丕蹖 亘毓丿蹖貙 亘賴鈥� 賵蹖跇賴 倬爻 丕夭 賵蹖乇丕蹖卮 爻賵賲 丌賳貙 讴賴 丿乇 爻丕賱1925賲蹖賱丕丿蹖 亘賴 趩丕倬 乇爻蹖丿貙 賵 丿乇 倬蹖卮诏賮鬲丕乇卮貙 爻丕禺鬲丕乇 賵 丕蹖丿賴鈥� 賴丕蹖 丌賳 乇賵卮賳 卮丿賴 亘賵丿貙 亘賴亘賵丿 蹖丕賮鬲貨 丕蹖賳 鬲卅丕鬲乇 丿乇 爻丕賱1922賲蹖賱丕丿蹖 賳蹖夭貙 亘乇丕蹖 蹖讴爻丕賱 丿乇 鬲卅丕鬲乇 芦亘乇丕丿賵蹖禄貙 乇賵蹖 氐丨賳賴 乇賮鬲貨 賳賲丕蹖卮鈥屬嗀з呝囏� 丕夭 丌孬丕乇 鬲丕孬蹖乇诏匕丕乇 噩賳亘卮 賳賵诏乇丕蹖蹖 丿乇 賴賳乇貙 亘賴 卮賲丕乇 賲蹖鈥屫③屫�
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 08/04/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 05/01/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Six Characters in Search of an Author is an Italian play by Luigi Pirandello, written and first performed in 1921. An acting company prepares to rehearse the play The Rules of the Game by Luigi Pirandello. As the rehearsal is about to begin, they are unexpectedly interrupted by the arrival of six strange people.
The Director of the play, furious at the interruption, demands an explanation. The Father explains that they are unfinished characters in search of an author to finish their story. The Director initially believes them to be mad, but as they begin to argue among themselves and reveal details of their story, he begins to listen. The Father and The Mother had one child together (The Son), but they have separated and Mother has had three children by another man - The Stepdaughter, The Boy and The Child (a girl). ...
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴禄貨 芦卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賲賵賱賮禄貨 芦卮卮 卮禺氐蹖鬲 丿乇 倬蹖 亘丕夭蹖 賳賵蹖爻禄貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 蹖丕夭丿賴賲 賲丕賴 跇賵卅賳 爻丕賱2000賲蹖賱丕丿蹖
毓賳賵丕賳: 卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴: 賳賲丕蹖卮賳丕賲賴 丿乇 丿賵 倬乇丿賴貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 賲鬲乇噩賲: 丨爻賳 賲賱讴蹖貨 鬲賴乇丕賳貙 鬲噩乇亘賴貙 爻丕賱1378貙 丿乇127氐貨 卮丕亘讴 丕蹖讴爻-964648171貨 趩丕倬 丿賵賲 爻丕賱1380貨 賲賵囟賵毓: 賳賲丕蹖卮賳丕賲賴 賴丕蹖 賳賵蹖爻賳丿诏丕賳 丕蹖鬲丕賱蹖丕 - 爻丿賴20賲
毓賳賵丕賳: 卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賲賵賱賮 (賳賲丕蹖卮賳丕賲賴)貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 賲鬲乇噩賲: 乇囟丕 賯蹖氐乇蹖賴貨 鬲賴乇丕賳貙 丕賲蹖乇禺丕賳蹖貙 爻丕賱1378貙 趩丕倬 丿蹖诏乇: 鬲賴乇丕賳貙 賳蹖賱丕貙 爻丕賱1390貙 丿乇168氐貨 卮丕亘讴9786001220432貨
毓賳賵丕賳: 卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴 : 賳賲丕蹖卮賳丕賲賴 丿乇 丿賵 倬乇丿賴貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 賲鬲乇噩賲: 倬乇蹖 氐丕亘乇蹖貨 鬲賴乇丕賳貙 賯胤乇賴貙 爻丕賱1384貙 丿乇88氐貨 卮丕亘讴9643415007貨 趩丕倬 丿蹖诏乇 爻丕賱1393貨 卮丕亘讴9789643415006貨
毓賳賵丕賳: 卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴 (賳賲丕蹖卮賳丕賲賴)貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 賲鬲乇噩賲: 亘賴賲賳 賮乇夭丕賳賴貨 鬲賴乇丕賳貙 倬賳噩乇賴貙 爻丕賱1387貙 丿乇116氐貨 卮丕亘讴9789647822442貨 趩丕倬 爻賵賲 爻丕賱1392貨
毓賳賵丕賳: 卮卮 卮禺氐蹖鬲 丿乇 倬蹖 亘丕夭蹖 賳賵蹖爻 (賳賲丕蹖卮賳丕賲賴)貨 丕孬乇: 賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賱賵貨 賲鬲乇噩賲: 乇囟丕 賯蹖氐乇蹖賴貨 鬲賴乇丕賳貙 賲蹖賱讴丕賳貙 爻丕賱1394貙 丿乇150氐貨 卮丕亘讴9786007845202貨
讴丕乇诏乇丿丕賳 賵 亘丕夭蹖诏乇丕賳卮 丿乇 丨丕賱 鬲賲乇蹖賳 氐丨賳賴 賴丕蹖 鬲卅丕鬲乇 乇賵蹖 氐丨賳賴 賴爻鬲賳丿貙 讴賴 賳丕诏賴丕賳 爻乇 賵 讴賱賴 蹖 卮卮 鬲賳 倬蹖丿丕 賲蹖卮賵賳丿貙 賵 丕丿毓丕 賲蹖讴賳賳丿: 卮禺氐蹖鬲賴丕蹖 匕賴賳蹖 賳賵蹖爻賳丿賴 丕蹖 賴爻鬲賳丿貙 讴賴 丌賳賴丕 乇丕 鬲丕 丨丿賵丿 夭蹖丕丿蹖 倬丿蹖丿 丌賵乇丿賴貙 賵賱蹖 賳賴丕蹖鬲丕 丿丕爻鬲丕賳卮丕賳 乇丕 賳賳賵卮鬲賴貙 丌賳賴丕 賲蹖禺賵丕賴賳丿 氐丨賳賴 賴丕蹖 夭賳丿诏蹖 禺賵丿 乇丕 亘丕夭蹖 讴賳賳丿貙 鬲丕 讴爻蹖 丿丕爻鬲丕賳卮丕賳 乇丕 亘賳賵蹖爻丿貙 賵 丕噩乇丕 讴賳丿貨
卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 蹖讴 賳賵蹖爻賳丿賴貨 賳賲丕蹖卮鈥屬嗀з呝団€� 丕蹖 芦丕蹖鬲丕賱蹖丕蹖蹖禄貙 丕孬乇 芦賱賵卅蹖噩蹖 倬蹖乇丕賳丿賱賵禄 丕爻鬲貨 讴賴 丿乇 爻丕賱1921賲蹖賱丕丿蹖 賳诏丕卮鬲賴 卮丿賴 丕爻鬲貨 丕蹖賳 賳賲丕蹖卮鈥屬嗀з呝囏� 鬲卅丕鬲乇蹖 倬賵趩鈥� 丕賳诏丕乇貙 賵 賮乇丕鬲卅丕鬲乇蹖貙 丿乇亘丕乇賴 蹖 乇丕亘胤賴 蹖 賳賵蹖爻賳丿賴貙 卮禺氐蹖鬲鈥屬囏й� 賳賲丕蹖卮卮貙 賵 鬲賲乇蹖賳鈥� 讴賳賳丿诏丕賳 鬲卅丕鬲乇 丕爻鬲貨 讴賴 丿乇 芦乇賲禄貙 賵 賲蹖丕賳 賮乇蹖丕丿賴丕蹖 鬲賲丕卮丕趩蹖丕賳貙 丿乇 丕毓鬲乇丕囟 亘賴 乇賵賳丿 睾蹖乇賲賳胤賯蹖 丿丕爻鬲丕賳貙 亘丕 讴賱賲丕鬲蹖 賴賲趩賵賳 丿蹖賵丕賳賴鈥� 禺丕賳賴貙 丿乇 賴賲丕賳 爻丕賱 乇賵蹖 氐丨賳賴 乇賮鬲貨 倬匕蹖乇卮 賵 毓讴爻鈥� 丕賱毓賲賱 鬲賲丕卮丕趩蹖丕賳貙 丿乇 丕噩乇丕賴丕蹖 亘毓丿蹖貙 亘賴鈥� 賵蹖跇賴 倬爻 丕夭 賵蹖乇丕蹖卮 爻賵賲 丌賳貙 讴賴 丿乇 爻丕賱1925賲蹖賱丕丿蹖 亘賴 趩丕倬 乇爻蹖丿貙 賵 丿乇 倬蹖卮诏賮鬲丕乇卮貙 爻丕禺鬲丕乇 賵 丕蹖丿賴鈥� 賴丕蹖 丌賳 乇賵卮賳 卮丿賴 亘賵丿貙 亘賴亘賵丿 蹖丕賮鬲貨 丕蹖賳 鬲卅丕鬲乇 丿乇 爻丕賱1922賲蹖賱丕丿蹖 賳蹖夭貙 亘乇丕蹖 蹖讴爻丕賱 丿乇 鬲卅丕鬲乇 芦亘乇丕丿賵蹖禄貙 乇賵蹖 氐丨賳賴 乇賮鬲貨 賳賲丕蹖卮鈥屬嗀з呝囏� 丕夭 丌孬丕乇 鬲丕孬蹖乇诏匕丕乇 噩賳亘卮 賳賵诏乇丕蹖蹖 丿乇 賴賳乇貙 亘賴 卮賲丕乇 賲蹖鈥屫③屫�
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 08/04/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 05/01/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
October 23, 2017
"When a character is born, he acquires at once such an independence, even of his own author, that he can be imagined by everybody even in many other situations where the author never dreamed of placing him; and so he acquires for himself a meaning which the author never thought of giving him."
This is true for almost all of my favourite books. I often disagree with the initial thoughts the authors had when they created their stories, as I form my own distinctive ideas about the characters while reading, and I am not willing to give them up to suit the "accuracy" of literary studies - a field I gave up after university in order to keep my passion for reading.
The tension between reader and writer, between interpretation and author's intention, the relationship between parent and child, the break between an individual and the cultural heritage into which he is born, the loneliness of a character trying to find a suitable role in a world that doesn't ask for his performance - the questions raised by Pirandello are as difficult as they are relevant.
I wonder at his genius sometimes. When he wrote his experimental play, did he see all those characters of the future coming to usurp the role of the artist, to search for their own publicity, their own stages, their own words? When he imagined the conflict between the "unrealised characters"and their potential author, did he see something in human beings that was waiting for the technological development that made self-realisation as easy as going to a traditional interview? Via Facebook, Youtube, Twitter and Instagram?
All of social media is full of characters who look for an audience for their words, their gestures, their poses, their banality-filled life stories. They don't need to bow to the power of an author anymore to satisfy their need for visibility - all that is required is an increasing number of other characters who are willing to admire the Facebook picture of a morning latte in exchange for a like on the latest holiday snapshot.
The absurdity of our reality is the topic of Pirandello's philosophical play, and he shows the tragic comedy of life as a stage where human beings fight for visibility, taking their ridiculous small matters as seriously as can be, always conscious of the reaction of viewers:
"What is the stage? It's a place, baby, you know, where people play at being serious, a place where they act comedies. We've got to act a comedy now, dead serious."
I am seen, therefore I am. That is our era's credo. And art is in the eye of the beholder - which gives the audience a power which has yet to be put on stage:
"An audience in search of entertaining characters" is the next step - and we have plenty of characters who are willing to step up to play any parts that will get a decent amount of applause!
This is true for almost all of my favourite books. I often disagree with the initial thoughts the authors had when they created their stories, as I form my own distinctive ideas about the characters while reading, and I am not willing to give them up to suit the "accuracy" of literary studies - a field I gave up after university in order to keep my passion for reading.
The tension between reader and writer, between interpretation and author's intention, the relationship between parent and child, the break between an individual and the cultural heritage into which he is born, the loneliness of a character trying to find a suitable role in a world that doesn't ask for his performance - the questions raised by Pirandello are as difficult as they are relevant.
I wonder at his genius sometimes. When he wrote his experimental play, did he see all those characters of the future coming to usurp the role of the artist, to search for their own publicity, their own stages, their own words? When he imagined the conflict between the "unrealised characters"and their potential author, did he see something in human beings that was waiting for the technological development that made self-realisation as easy as going to a traditional interview? Via Facebook, Youtube, Twitter and Instagram?
All of social media is full of characters who look for an audience for their words, their gestures, their poses, their banality-filled life stories. They don't need to bow to the power of an author anymore to satisfy their need for visibility - all that is required is an increasing number of other characters who are willing to admire the Facebook picture of a morning latte in exchange for a like on the latest holiday snapshot.
The absurdity of our reality is the topic of Pirandello's philosophical play, and he shows the tragic comedy of life as a stage where human beings fight for visibility, taking their ridiculous small matters as seriously as can be, always conscious of the reaction of viewers:
"What is the stage? It's a place, baby, you know, where people play at being serious, a place where they act comedies. We've got to act a comedy now, dead serious."
I am seen, therefore I am. That is our era's credo. And art is in the eye of the beholder - which gives the audience a power which has yet to be put on stage:
"An audience in search of entertaining characters" is the next step - and we have plenty of characters who are willing to step up to play any parts that will get a decent amount of applause!
April 27, 2025
Absurd, dark, original
Men will die. Writers will die! But whatever has been created will live forever.
Six characters who have been abandoned by their author are looking for someone to help them complete their story.
But what is real and what fiction?
What exists and what is a mere illusion?
We are bearing in us a story of great pain and anguish.
A routine theatre rehearsal is interrupted by six characters begging the director to help them bring their drama to life.
The six distraught characters are a father, mother, two sons, a daughter and a stepdaughter.
Would the actors be able to succeed in staging the unfinished tragedy?
What will happen after the play is over?
Why did the author decide not to complete the play?
Men will die. Writers will die! But whatever has been created will live forever.
Six characters who have been abandoned by their author are looking for someone to help them complete their story.
But what is real and what fiction?
What exists and what is a mere illusion?
We are bearing in us a story of great pain and anguish.
A routine theatre rehearsal is interrupted by six characters begging the director to help them bring their drama to life.
The six distraught characters are a father, mother, two sons, a daughter and a stepdaughter.
Would the actors be able to succeed in staging the unfinished tragedy?
What will happen after the play is over?
Why did the author decide not to complete the play?
May 29, 2024
[3.9猸怾 饾檸饾櫄饾櫈饾櫒 饾櫏饾櫄饾櫑饾櫒饾櫎饾櫍饾櫀饾櫉饾櫄饾櫒 饾櫄饾櫍 饾櫁饾櫔饾櫒饾櫂饾櫀 饾櫃饾櫄 饾櫀饾櫔饾櫓饾櫎饾櫑 es una obra de teatro moderna escrita por el dramaturgo italiano Luigi Pirandello en 1921. Esta pieza explora los l铆mites entre la realidad y la ficci贸n, cuestionando la naturaleza del arte y la identidad.听
La obra comienza en un teatro donde un grupo de actores est谩 ensayando una obra de Pirandello. De repente, irrumpen en escena seis personajes que han sido abandonados por su autor y buscan desesperadamente a alguien que cuente su historia. Los personajes son: el Padre, la Madre, el Hijo, la Hijastra, el Muchacho y la Ni帽a. Cada uno de ellos tiene una narrativa intensa y conflictiva que se va desvelando a medida que interact煤an con el Director y los actores presentes.
Es una obra de teatro realmente compleja y me ha llamado la atenci贸n el hecho de que el dramaturgo catalogue esta pieza como 鈥渃omedia鈥� siendo que lo que menos logra es sacar risas al p煤blico. Es m谩s, he quedado asombrada ante la crueldad y la tragedia que se transmiten. Por cierto, es importante recordar la atm贸sfera pol铆tica que viv铆a Pirandello en aquellos a帽os; un r茅gimen totalitario estaba presente en Europa (de hecho, unos a帽os despu茅s estar谩 Mussolini al poder en Italia, pa铆s del escritor).听
Los personajes en esta obra son realmente complejos e intrigantes. El primero de ellos es el padre, el l铆der de los seis personajes. Es inteligente y atormentado, busca redenci贸n y comprensi贸n; su desesperaci贸n por contar su versi贸n de los hechos refleja la lucha por la identidad y el reconocimiento.
En cuanto a la madre, esta representa el sufrimiento y la resignaci贸n. Su dolor es palpable y su presencia es un recordatorio constante del drama y la tragedia que rodea a la familia.
La hijastra para m铆 ha sido el personaje con el que m谩s he empatizado. Es rebelde y llena de resentimiento, la Hijastra est谩 en conflicto con el Padre (tiene motivos m谩s que v谩lidos para odiarlo, en especial por el hecho de que ten铆a que prostituirse para mantener a la familia y pareciera ser que el Padre se aprovechaba sexualmente de ella). Su car谩cter desafiante y provocador introduce una din谩mica de tensi贸n y revela profundos traumas familiares.
El Hijo es bastante curioso ya que se muestra distante y ap谩tico, el Hijo se muestra indiferente a los dramas familiares. Su desapego es una respuesta a la disfuncionalidad y al caos que percibe en su entorno.
El Muchacho es menor en edad y presencia, el Muchacho es un personaje tr谩gico cuya vida es silenciada por los acontecimientos y decisiones de los adultos a su alrededor. En cuanto a La Ni帽a, es un s铆mbolo de inocencia perdida. Su tr谩gico destino es un punto crucial en la narrativa, marcando el dolor y las consecuencias de las acciones de los otros personajes.
Con personajes tan fuertes e incre铆bles, Pirandello logra jugar magistralmente con el concepto de "teatro dentro del teatro" (el metateatro) y pone en cuesti贸n la frontera entre la realidad y la ficci贸n. Los seis personajes buscan una existencia tangible a trav茅s de su historia. La interacci贸n entre los personajes y los actores genera una reflexi贸n profunda sobre la naturaleza del ser y la creaci贸n art铆stica. Los personajes tienen la necesidad de querer existir, es por ello que buscan con desesperaci贸n alg煤n dramaturgo que quiera escribir su historia.
Finalmente, puedo decir que es una obra realmente interesante y que aborda temas como la b煤squeda de identidad, la naturaleza del arte, el sufrimiento humano y la realidad versus la ilusi贸n. Pirandello nos enfrenta a preguntas inc贸modas sobre nuestra percepci贸n de la realidad y el poder de las historias para definir qui茅nes somos. 饾檸饾櫄饾櫈饾櫒 饾櫏饾櫄饾櫑饾櫒饾櫎饾櫍饾櫀饾櫉饾櫄饾櫒 饾櫄饾櫍 饾櫁饾櫔饾櫒饾櫂饾櫀 饾櫃饾櫄 饾櫀饾櫔饾櫓饾櫎饾櫑 es una obra compleja y fascinante que desaf铆a las convenciones teatrales y filos贸ficas. Tiene personajes muy bien desarrollados y un argumento que invita a la reflexi贸n. La raz贸n para darle esta calificaci贸n radica en su naturaleza a veces excesivamente abstracta, que puede resultar desafiante para algunos lectores. Sin embargo, su impacto en la literatura y el teatro moderno es innegable, haciendo de esta obra una lectura esencial para aquellos interesados en el drama y la filosof铆a existencialista.
La obra comienza en un teatro donde un grupo de actores est谩 ensayando una obra de Pirandello. De repente, irrumpen en escena seis personajes que han sido abandonados por su autor y buscan desesperadamente a alguien que cuente su historia. Los personajes son: el Padre, la Madre, el Hijo, la Hijastra, el Muchacho y la Ni帽a. Cada uno de ellos tiene una narrativa intensa y conflictiva que se va desvelando a medida que interact煤an con el Director y los actores presentes.
Es una obra de teatro realmente compleja y me ha llamado la atenci贸n el hecho de que el dramaturgo catalogue esta pieza como 鈥渃omedia鈥� siendo que lo que menos logra es sacar risas al p煤blico. Es m谩s, he quedado asombrada ante la crueldad y la tragedia que se transmiten. Por cierto, es importante recordar la atm贸sfera pol铆tica que viv铆a Pirandello en aquellos a帽os; un r茅gimen totalitario estaba presente en Europa (de hecho, unos a帽os despu茅s estar谩 Mussolini al poder en Italia, pa铆s del escritor).听
Los personajes en esta obra son realmente complejos e intrigantes. El primero de ellos es el padre, el l铆der de los seis personajes. Es inteligente y atormentado, busca redenci贸n y comprensi贸n; su desesperaci贸n por contar su versi贸n de los hechos refleja la lucha por la identidad y el reconocimiento.
En cuanto a la madre, esta representa el sufrimiento y la resignaci贸n. Su dolor es palpable y su presencia es un recordatorio constante del drama y la tragedia que rodea a la familia.
La hijastra para m铆 ha sido el personaje con el que m谩s he empatizado. Es rebelde y llena de resentimiento, la Hijastra est谩 en conflicto con el Padre (tiene motivos m谩s que v谩lidos para odiarlo, en especial por el hecho de que ten铆a que prostituirse para mantener a la familia y pareciera ser que el Padre se aprovechaba sexualmente de ella). Su car谩cter desafiante y provocador introduce una din谩mica de tensi贸n y revela profundos traumas familiares.
El Hijo es bastante curioso ya que se muestra distante y ap谩tico, el Hijo se muestra indiferente a los dramas familiares. Su desapego es una respuesta a la disfuncionalidad y al caos que percibe en su entorno.
El Muchacho es menor en edad y presencia, el Muchacho es un personaje tr谩gico cuya vida es silenciada por los acontecimientos y decisiones de los adultos a su alrededor. En cuanto a La Ni帽a, es un s铆mbolo de inocencia perdida. Su tr谩gico destino es un punto crucial en la narrativa, marcando el dolor y las consecuencias de las acciones de los otros personajes.
Con personajes tan fuertes e incre铆bles, Pirandello logra jugar magistralmente con el concepto de "teatro dentro del teatro" (el metateatro) y pone en cuesti贸n la frontera entre la realidad y la ficci贸n. Los seis personajes buscan una existencia tangible a trav茅s de su historia. La interacci贸n entre los personajes y los actores genera una reflexi贸n profunda sobre la naturaleza del ser y la creaci贸n art铆stica. Los personajes tienen la necesidad de querer existir, es por ello que buscan con desesperaci贸n alg煤n dramaturgo que quiera escribir su historia.
Finalmente, puedo decir que es una obra realmente interesante y que aborda temas como la b煤squeda de identidad, la naturaleza del arte, el sufrimiento humano y la realidad versus la ilusi贸n. Pirandello nos enfrenta a preguntas inc贸modas sobre nuestra percepci贸n de la realidad y el poder de las historias para definir qui茅nes somos. 饾檸饾櫄饾櫈饾櫒 饾櫏饾櫄饾櫑饾櫒饾櫎饾櫍饾櫀饾櫉饾櫄饾櫒 饾櫄饾櫍 饾櫁饾櫔饾櫒饾櫂饾櫀 饾櫃饾櫄 饾櫀饾櫔饾櫓饾櫎饾櫑 es una obra compleja y fascinante que desaf铆a las convenciones teatrales y filos贸ficas. Tiene personajes muy bien desarrollados y un argumento que invita a la reflexi贸n. La raz贸n para darle esta calificaci贸n radica en su naturaleza a veces excesivamente abstracta, que puede resultar desafiante para algunos lectores. Sin embargo, su impacto en la literatura y el teatro moderno es innegable, haciendo de esta obra una lectura esencial para aquellos interesados en el drama y la filosof铆a existencialista.
December 6, 2014
Six Characters in Search of a Stage
Presents a comic (tragic?) and confusing cast of six enigmatic characters seeking an author who can put them inside a 'book'.
They need this badly, so that they can live where they are born to live -- on the stage, and away from this off-stage world of ordinary people, without 'drama' inborn in them. They stumble on a stage and almost manages to get a director to present their story too.
But in the end their play does not manage to get presented -- because how can their story be truly represented without the 'missing' author? Also, who can play them on-stage? Surely they can't be allowed to play themselves! Thus the 'Drama' never materializes. Instead is presented the comedy of their vain attempts at putting their 'drama' 'out there', because, being mere characters, they need an audience all the time! But there is also the tragedy inherent in the situation -- the six characters have been rejected by their author. the author did not consider them worthy of a presentation, since he did not feel anything meaningful about life can be told through their story?
Now what use is your drama if your author did not think it worthy of 'philosophy'? How can you innovate or derive real meaning in the absence of the divine author?
This intricate play needs to be seen on-stage. I could imagine seeing this play and deriving great enjoyment from the bewilderment of the manager etc., but on the lifeless pages of a book it fails to capture me. Continuously imagining it on stage was too exhausting to maintain. I will be looking forward to an opportunity to catch this on the screen or on the stage.
These characters cannot be experienced fully away from their natural habitat. They are made too precisely.
Other Actors. No, no, it's only make believe, it's only pretence!
The Father [with a terrible cry]. Pretence? Reality, sir, reality!
The Manager. Pretence? Reality? To hell with it all! Never in my life has such a thing happened to me. I 've lost a whole day over these people, a whole day!
November 19, 2015
Recently, casually, a friend mentioned who he thinks I am. It was not at all who I think I am! Among other things, his version of me - inexplicably - is not a Viking. I'm pretty sure he was projecting there, but how would I know? Is there anyone less qualified to interpret me than me?
Pirandello's absurdist 1921 play is about how we create our own realities: how each of us choose to play a character, to such an extent that we sometimes sit outside ourselves, watching our characters act out their scenes. And some part of us sits outside that, watching the watcher, and who knows who lives at the bottom of it all? And it's about the subjective nature of reality: how to each of us, the scenes we live through may be be completely different to each actor in them.
This is what Pirandello's dealing with, at least until Act III when he starts to talk about the writing process and also to wrap up his own plot. It's all very smart, and often funny. My character enjoys it. A character under that thinks it's a little show-offy. A character under that is afraid he didn't get it at all, and a character under that is afraid that his opinion hasn't even been written.
Pirandello's absurdist 1921 play is about how we create our own realities: how each of us choose to play a character, to such an extent that we sometimes sit outside ourselves, watching our characters act out their scenes. And some part of us sits outside that, watching the watcher, and who knows who lives at the bottom of it all? And it's about the subjective nature of reality: how to each of us, the scenes we live through may be be completely different to each actor in them.
This is what Pirandello's dealing with, at least until Act III when he starts to talk about the writing process and also to wrap up his own plot. It's all very smart, and often funny. My character enjoys it. A character under that thinks it's a little show-offy. A character under that is afraid he didn't get it at all, and a character under that is afraid that his opinion hasn't even been written.
January 17, 2025
诏賮鬲賴 亘賵丿賲 讴賴 噩賱爻丕鬲 賵 丕賲鬲丨丕賳丕鬲 讴賱丕爻 鬲丨賱蹖賱 賳賲丕蹖卮賳丕賲賴鈥屬呝堎� 乇賵 讴丕賲賱 亘诏匕乇賵賳賲 賲蹖丕賲 丿丕丿賴鈥屬囏� 賵 賲賯丕賱賴鈥屬呝� 丕蹖賳噩丕 賲蹖匕丕乇賲貙 丨丕賱丕 賵賯鬲卮賴馃:
丕蹖賳 賳賲丕蹖卮賳丕賲賴 蹖讴蹖 丕夭 亘乇噩爻鬲賴鈥屫臂屬� 賵 賳賵丌賵乇丕賳賴鈥屫臂屬� 丌孬丕乇 鬲卅丕鬲乇蹖 賯乇賳 亘蹖爻鬲賲 丕爻鬲 讴賴 丿乇 爻丕賱 1921 賳賵卮鬲賴 卮丿. 丕蹖賳 丕孬乇 亘賴 卮丿鬲 亘乇 賲賮賴賵賲 鬲卅丕鬲乇 賵 賳賯卮 鬲賲丕卮丕诏乇 賵 賳賵蹖爻賳丿賴 丿乇 賮乇丌蹖賳丿 賳賲丕蹖卮 鬲兀讴蹖丿 丿丕乇丿 賵 賲乇夭賴丕蹖 亘蹖賳 賵丕賯毓蹖鬲 賵 鬲禺蹖賱 乇丕 蹖讴蹖 賲蹖 讴賳丿. 賴賲趩賳蹖賳 丕蹖賳 賳賲丕蹖卮賳丕賲賴 蹖讴蹖 丕夭 丕賵賱蹖賳 賳賲賵賳賴鈥屬囏й� 鬲卅丕鬲乇 賲丿乇賳 丕爻鬲 讴賴 亘賴 禺賵丕賳賳丿诏丕賳 賮乇氐鬲 賲蹖丿賴丿 鬲丕 亘賴 乇賵賳丿 禺賱賯 丕孬乇 鬲賵噩賴 讴賳賳丿 賵 卮禺氐蹖鬲 賴丕蹖 丿丕爻鬲丕賳 乇丕 丕夭 賳夭丿蹖讴 賱賲爻 讴賳賳丿 賵 賵噩賵丿 丌賳賴丕 乇丕 丕夭 夭丕賵蹖賴 丕蹖 丿蹖诏乇 丿乇讴 讴賳賳丿..
丿乇 倬乇丿賴 蹖 丕賵賱 蹖讴噩丕 倬丿乇 賲蹖 诏賵蹖丿:
"賲賳 亘丿亘禺鬲蹖 乇丕 丿乇 丕蹖賳 賲蹖 亘蹖賳賲 讴賴 倬蹖 亘乇丿賴 丕賲 賴乇蹖讴 丕夭 賲丕 賵噩賵丿 賵丕丨丿蹖 賴爻鬲蹖賲.賵賱蹖 丕蹖賳 賵噩賵丿 賵丕丨丿 賲胤丕亘賯 丕賲讴丕賳丕鬲 丿乇賵賳蹖 賴乇讴丿丕賲 丕夭 賲丕 賲蹖 鬲賵丕賳丿 氐丿賴丕 賵 蹖丕 賴夭丕乇丕賳 賳賵毓 賵 丨鬲蹖 亘蹖卮鬲夭 鬲睾蹖蹖乇 卮讴賱 倬蹖丿丕 讴賳丿."
禺賱丕氐赖:
丿丕爻鬲丕賳 賳賲丕蹖卮賳丕賲賴 丨賵賱 卮卮 卮禺氐蹖鬲 禺蹖丕賱蹖(讴賴 丿乇賵丕賯毓 乇賵夭蹖 賯乇丕乇 亘賵丿賴 丿乇 蹖讴 賳賲丕蹖卮賳丕賲賴 賯乇丕乇 亘诏蹖乇賳丿) 賲蹖鈥屭嗀必� 讴賴 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴鈥屫й� 賴爻鬲賳丿 鬲丕 丿丕爻鬲丕賳 夭賳丿诏蹖 丌賳賴丕 乇丕 亘賴 賯賱賲 丿乇 亘蹖丕賵乇丿. 丕蹖賳 卮禺氐蹖鬲鈥屬囏� 讴賴 丕夭 賳馗乇 禺賵丿 蹖讴 丿丕爻鬲丕賳 賵丕賯毓蹖 丿丕乇賳丿貙 丿乇 鬲賱丕卮賳丿 鬲丕 丕蹖賳 丿丕爻鬲丕賳 乇丕 亘賴 讴丕乇诏乇丿丕賳 蹖讴 鬲卅丕鬲乇 亘賴 賳賲丕蹖卮 亘诏匕丕乇賳丿貙 丕賲丕 亘丕 賲卮讴賱丕鬲 夭蹖丕丿蹖 賲賵丕噩賴 賲蹖鈥屫促堎嗀�. 丌賳賴丕 讴賴 賵丕乇丿 蹖讴 氐丨賳賴 鬲卅丕鬲乇蹖 賲蹖鈥屫促堎嗀� 讴賴 丿乇 丨丕賱 鬲賲乇蹖賳 賳賲丕蹖卮賳丕賲賴鈥屫й� 丿蹖诏乇 丕爻鬲 亘賴 亘丨孬 賵 噩丿賱鈥屬囏й屰� 賲蹖鈥屬矩必ж操嗀� 讴賴 賲毓賳丕蹖 賵丕賯毓蹖 鬲卅丕鬲乇貙 賳賯卮 卮禺氐蹖鬲鈥屬囏� 賵 賳賵蹖爻賳丿賴 乇丕 亘賴 讴賱蹖 亘賴 趩丕賱卮 賲蹖鈥屭┴簇�.
倬蹖卮 诏賮鬲丕乇 倬蹖乇丕賳丿賱賵賵:
禺賵丿 倬蹖乇丕賳丿賱賵 丿乇倬蹖卮 诏賮鬲丕乇蹖 讴賴 丿乇 丕亘鬲丿丕蹖 賳賲丕蹖卮賳丕賲賴 賳賵卮鬲賴 乇賵賳丿 噩丕賱亘 丕蹖丿賴 蹖 丕蹖賳 丿丕爻鬲丕賳 乇丕 鬲賵囟蹖丨 丿丕丿賴 賵 丕蹖賳 賲丕噩乇丕 乇丕 噩匕丕亘 鬲乇 賴賲 賲蹖 讴賳丿. 丕蹖賳 卮卮 卮禺氐蹖鬲 賵丕賯毓丕 丿乇 匕賴賳 禺賵丿 賳賵蹖爻賳丿賴 馗賴賵乇 賲蹖 讴賳賳丿 賵 賲丿鬲 賴丕 丌賳噩丕 賲蹖 賲丕賳賳丿 賵 丕賵 亘丕丕蹖賳讴賴 讴丕賲賱 丌賳賴丕 乇丕 賲蹖 卮賳丕爻丿 丿丕爻鬲丕賳蹖 亘乇丕蹖卮丕賳 倬蹖丿丕 賳賲蹖 讴賳賳丿. 蹖讴 噩丕 倬蹖乇丕賳丿賱賵 賲蹖 诏賵蹖丿 丌賳賴丕 丕賳賯丿乇 亘乇丕蹖 禺賵丿卮丕賳 丌夭丕丿 賲丕賳丿賴 亘賵丿賳丿 讴賴 丿蹖诏乇 卮禺氐蹖鬲 賴丕蹖蹖 噩丿丕 賵 讴丕賲賱 丕夭 賲賳 卮丿賴 亘賵丿賳丿. 鬲丕 丕蹖賳讴賴 蹖讴 乇賵夭 鬲氐賲蹖賲 賲蹖 诏蹖乇丿 賴賲蹖賳 賲丕噩乇丕 乇丕 讴賴 丕蹖賳 卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴 蹖 卮丕賳 賴爻鬲賳丿 乇丕 亘賴 丕噩乇丕 丿乇 亘蹖丕賵乇丿 蹖丕 亘賴 賯賵賱 禺賵丿卮 "亘诏匕丕乇賲 亘賴 氐丨賳賴 亘乇賵賳丿 鬲丕 亘亘蹖賳賲 趩賴 賲蹖 讴賳賳丿."
賵丕賯毓蹖鬲 賵 賳賲丕蹖卮:
蹖讴蹖 丕夭 賲丨賵乇 賴丕蹖蹖 讴賴 丿乇 丕蹖賳 賳賲丕蹖卮 賵噩賵丿 丿丕乇丿 鬲賳卮 賲蹖丕賳 賵丕賯毓蹖鬲 賵 賳賲丕蹖卮 丕爻鬲. 卮禺氐蹖鬲鈥屬囏� 鬲賱丕卮 賲蹖鈥屭┵嗁嗀� 禺賵丿 乇丕 亘賴 噩賴丕賳 亘蹖乇賵賳蹖 卮丕賳 賲毓乇賮蹖 讴賳賳丿 丕賲丕 丿乇 毓蹖賳 丨丕賱 亘丕 賮囟丕蹖 賳賲丕蹖卮蹖 讴賴 丿乇 丌賳 賯乇丕乇 丿丕乇賳丿 賲卮讴賱 丿丕乇丿賳丿 賵 亘乇丕蹖卮丕賳 丌賻卮賳丕 賳蹖爻鬲(賲賮賴賵賲 亘丕夭蹖诏乇 賴丕 亘乇丕蹖卮丕賳 诏賳诏 丕爻鬲) 丕蹖賳 鬲賳卮 丿乇 诏賮鬲鈥屬堏堎囏й� 卮禺氐蹖鬲鈥屬囏� 亘丕 讴丕乇诏乇丿丕賳 賵 亘丕夭蹖诏乇丕賳 丿蹖丿賴 賲蹖 卮賵丿. 丕賳诏丕乇 禺賵丿 鬲卅丕鬲乇 賵 賮乇丌蹖賳丿 賳賲丕蹖卮 亘賴 賴賲 亘賴 賳賯丿 诏乇賮鬲賴 賲蹖 卮賵丿 賵 蹖讴 噩賵乇賴丕蹖蹖 丕賳诏丕乇 丕孬乇 丕氐賱蹖 丿乇 丨丕賱 賲爻禺乇賴 讴乇丿賳 賮乇丌蹖賳丿 亘丕夭蹖诏乇蹖/鬲卅丕鬲乇 丕爻鬲.
讴爻蹖 亘賵丿賳:
蹖讴蹖 丕夭 亘禺卮 賴丕蹖蹖 讴賴 禺賵丕賳賳丿賴 乇丕 亘賴 賮讴乇 賮乇賵 賲蹖 亘乇丿 丿乇賲賵乇丿 賲丕賴蹖鬲 卮禺氐蹖鬲 賴丕蹖 禺蹖丕賱蹖 賵 賵丕賯毓蹖 丕爻鬲. 卮禺氐蹖鬲 賴丕蹖蹖 讴賴 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴 賴爻鬲賳丿 亘賴 胤賵乇 讴丕賲賱 賲蹖 丿丕賳賳丿 讴賴 賴爻鬲賳丿貙 丕夭 讴噩丕 丌賲丿賴丕賳丿 賵 趩賴 賲蹖 禺賵丕賴賳丿 丕賲丕 丌蹖丕 丌賳 讴丕乇诏乇丿丕賳 賵 亘丕夭蹖诏乇賴丕蹖蹖 讴賴 丿乇 氐丨賳賴 賴爻鬲賳丿 賴賲 亘賴 丕賳丿丕夭賴 蹖 丌賳賴丕 禺賵丿丌诏丕賴賳丿責
倬乇丿賴 蹖 丿賵賲 倬丿乇 亘賴 丕蹖賳 賳讴鬲賴 丕卮丕乇賴 賲蹖 讴賳丿:
"蹖讴 卮禺氐蹖鬲 賲蹖 鬲賵丕賳丿 賴賲蹖卮賴 丕夭 蹖讴 丌丿賲 爻賵丕賱 讴賳丿 讴賴 讴蹖 賴爻鬲. 蹖讴 卮禺氐蹖鬲 鬲卅丕鬲乇 賴賲蹖卮賴 丿賳蹖丕蹖 賲禺氐賵氐 禺賵丿 賵 丨乇讴丕鬲 賵 乇賮鬲丕乇 賲卮禺氐 丿丕乇丿.賴賲蹖卮賴 亘乇丕蹖 禺賵丿卮 "讴爻蹖" 丕爻鬲. 丿乇 丨丕賱蹖 讴賴 蹖讴 丌丿賲 賲毓賲賵賱蹖 賲賲讴賳 丕爻鬲 賴蹖趩 讴爻 賳亘丕卮丿.".
卮禺氐蹖鬲鈥屬囏й� 趩賳丿賱丕蹖賴:
賴乇 蹖讴 丕夭 卮禺氐蹖鬲鈥屬囏� 丿乇 丕蹖賳 賳賲丕蹖卮賳丕賲賴 丿丕爻鬲丕賳 毓賲蹖賯 禺賵丿卮丕賳 乇丕 丿丕乇賳丿. 賴乇 蹖讴 丕夭 丌賳賴丕 亘乇丕蹖 丕蹖賳讴賴 亘賴 毓賵丕賲賱 氐丨賳賴 亘賮賲丕賳賳丿 賵丕賯毓蹖鬲 丿丕乇賳丿 丿丕爻鬲丕賳 賴丕蹖 卮禺氐蹖 卮丕賳 乇丕 鬲毓乇蹖賮 賲蹖 讴賳賳丿 丕賲丕 亘丕 丕蹖賳 丨丕賱 亘蹖賳 禺賵丿卮丕賳 賴賲 丿丕爻鬲丕賳 賴丕蹖卮丕賳 鬲丿丕禺賱 丿丕乇丿 讴賴 亘賴 賳馗乇 賲蹖 丌蹖丿 丕卮丕乇賴 亘賴 丿賵 趩蹖夭 丿丕乇丿 蹖讴蹖 匕賴賳 丌卮賮鬲賴 蹖 賳賵蹖爻賳丿賴 丕蹖 讴賴 丿乇 丕亘鬲丿丕 丌賳賴丕 乇丕 丌賮乇蹖丿賴 賵 丿賵賲 夭丕賵蹖賴 賳诏丕賴 賴丕蹖 賲禺鬲賱賮蹖 讴賴 賴乇 卮禺氐蹖鬲 賲蹖 鬲賵丕賳丿 丿乇 丿丕爻鬲丕賳 賴丕 丿丕卮鬲賴 亘丕卮丿 賵 丕蹖賳 鬲讴賳蹖讴 賵 鬲賳丕賯囟 亘爻蹖 賴賵卮賲賳丿丕賳賴 丌賵乇丿賴 卮丿賴.
賳鬲蹖噩赖:
丿乇 賲噩賲賵毓 賳賲丕蹖卮賳丕賲賴 賳賴 鬲賳賴丕 蹖讴 丿丕爻鬲丕賳 丿乇亘丕乇賴 卮禺氐蹖鬲鈥屬囏й� 丿丕爻鬲丕賳蹖 丕爻鬲 讴賴 亘賴 丿賳亘丕賱 讴丕賲賱 讴乇丿賳 乇賵丕蹖鬲 禺賵丿 賴爻鬲賳丿貙 亘賱讴賴 亘賴 賳賵毓蹖 鬲噩夭蹖賴 賵 鬲丨賱蹖賱 丕夭 賲丕賴蹖鬲 鬲卅丕鬲乇 賵 賵丕賯毓蹖鬲 賵 禺蹖丕賱 賵 賴賲賴 蹖 丕蹖賳賴丕 丕爻鬲 亘賴 趩丕賱卮 讴卮蹖丿賴 賲蹖鈥屫促堌�. 倬蹖乇丕賳丿賱賱賵 禺賵丕賳賳丿賴 乇丕 亘賴 讴賱蹖 丿乇亘丕乇賴 蹖 賲卮讴賱丕鬲 賴賵蹖鬲 賵 噩爻鬲噩賵 亘乇丕蹖 賲毓賳丕 丿乇 夭賳丿诏蹖 亘賴 賮讴乇 賮乇賵 賲蹖 亘乇丿.
丕蹖賳 賳賲丕蹖卮賳丕賲賴 蹖讴蹖 丕夭 亘乇噩爻鬲賴鈥屫臂屬� 賵 賳賵丌賵乇丕賳賴鈥屫臂屬� 丌孬丕乇 鬲卅丕鬲乇蹖 賯乇賳 亘蹖爻鬲賲 丕爻鬲 讴賴 丿乇 爻丕賱 1921 賳賵卮鬲賴 卮丿. 丕蹖賳 丕孬乇 亘賴 卮丿鬲 亘乇 賲賮賴賵賲 鬲卅丕鬲乇 賵 賳賯卮 鬲賲丕卮丕诏乇 賵 賳賵蹖爻賳丿賴 丿乇 賮乇丌蹖賳丿 賳賲丕蹖卮 鬲兀讴蹖丿 丿丕乇丿 賵 賲乇夭賴丕蹖 亘蹖賳 賵丕賯毓蹖鬲 賵 鬲禺蹖賱 乇丕 蹖讴蹖 賲蹖 讴賳丿. 賴賲趩賳蹖賳 丕蹖賳 賳賲丕蹖卮賳丕賲賴 蹖讴蹖 丕夭 丕賵賱蹖賳 賳賲賵賳賴鈥屬囏й� 鬲卅丕鬲乇 賲丿乇賳 丕爻鬲 讴賴 亘賴 禺賵丕賳賳丿诏丕賳 賮乇氐鬲 賲蹖丿賴丿 鬲丕 亘賴 乇賵賳丿 禺賱賯 丕孬乇 鬲賵噩賴 讴賳賳丿 賵 卮禺氐蹖鬲 賴丕蹖 丿丕爻鬲丕賳 乇丕 丕夭 賳夭丿蹖讴 賱賲爻 讴賳賳丿 賵 賵噩賵丿 丌賳賴丕 乇丕 丕夭 夭丕賵蹖賴 丕蹖 丿蹖诏乇 丿乇讴 讴賳賳丿..
丿乇 倬乇丿賴 蹖 丕賵賱 蹖讴噩丕 倬丿乇 賲蹖 诏賵蹖丿:
"賲賳 亘丿亘禺鬲蹖 乇丕 丿乇 丕蹖賳 賲蹖 亘蹖賳賲 讴賴 倬蹖 亘乇丿賴 丕賲 賴乇蹖讴 丕夭 賲丕 賵噩賵丿 賵丕丨丿蹖 賴爻鬲蹖賲.賵賱蹖 丕蹖賳 賵噩賵丿 賵丕丨丿 賲胤丕亘賯 丕賲讴丕賳丕鬲 丿乇賵賳蹖 賴乇讴丿丕賲 丕夭 賲丕 賲蹖 鬲賵丕賳丿 氐丿賴丕 賵 蹖丕 賴夭丕乇丕賳 賳賵毓 賵 丨鬲蹖 亘蹖卮鬲夭 鬲睾蹖蹖乇 卮讴賱 倬蹖丿丕 讴賳丿."
禺賱丕氐赖:
丿丕爻鬲丕賳 賳賲丕蹖卮賳丕賲賴 丨賵賱 卮卮 卮禺氐蹖鬲 禺蹖丕賱蹖(讴賴 丿乇賵丕賯毓 乇賵夭蹖 賯乇丕乇 亘賵丿賴 丿乇 蹖讴 賳賲丕蹖卮賳丕賲賴 賯乇丕乇 亘诏蹖乇賳丿) 賲蹖鈥屭嗀必� 讴賴 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴鈥屫й� 賴爻鬲賳丿 鬲丕 丿丕爻鬲丕賳 夭賳丿诏蹖 丌賳賴丕 乇丕 亘賴 賯賱賲 丿乇 亘蹖丕賵乇丿. 丕蹖賳 卮禺氐蹖鬲鈥屬囏� 讴賴 丕夭 賳馗乇 禺賵丿 蹖讴 丿丕爻鬲丕賳 賵丕賯毓蹖 丿丕乇賳丿貙 丿乇 鬲賱丕卮賳丿 鬲丕 丕蹖賳 丿丕爻鬲丕賳 乇丕 亘賴 讴丕乇诏乇丿丕賳 蹖讴 鬲卅丕鬲乇 亘賴 賳賲丕蹖卮 亘诏匕丕乇賳丿貙 丕賲丕 亘丕 賲卮讴賱丕鬲 夭蹖丕丿蹖 賲賵丕噩賴 賲蹖鈥屫促堎嗀�. 丌賳賴丕 讴賴 賵丕乇丿 蹖讴 氐丨賳賴 鬲卅丕鬲乇蹖 賲蹖鈥屫促堎嗀� 讴賴 丿乇 丨丕賱 鬲賲乇蹖賳 賳賲丕蹖卮賳丕賲賴鈥屫й� 丿蹖诏乇 丕爻鬲 亘賴 亘丨孬 賵 噩丿賱鈥屬囏й屰� 賲蹖鈥屬矩必ж操嗀� 讴賴 賲毓賳丕蹖 賵丕賯毓蹖 鬲卅丕鬲乇貙 賳賯卮 卮禺氐蹖鬲鈥屬囏� 賵 賳賵蹖爻賳丿賴 乇丕 亘賴 讴賱蹖 亘賴 趩丕賱卮 賲蹖鈥屭┴簇�.
倬蹖卮 诏賮鬲丕乇 倬蹖乇丕賳丿賱賵賵:
禺賵丿 倬蹖乇丕賳丿賱賵 丿乇倬蹖卮 诏賮鬲丕乇蹖 讴賴 丿乇 丕亘鬲丿丕蹖 賳賲丕蹖卮賳丕賲賴 賳賵卮鬲賴 乇賵賳丿 噩丕賱亘 丕蹖丿賴 蹖 丕蹖賳 丿丕爻鬲丕賳 乇丕 鬲賵囟蹖丨 丿丕丿賴 賵 丕蹖賳 賲丕噩乇丕 乇丕 噩匕丕亘 鬲乇 賴賲 賲蹖 讴賳丿. 丕蹖賳 卮卮 卮禺氐蹖鬲 賵丕賯毓丕 丿乇 匕賴賳 禺賵丿 賳賵蹖爻賳丿賴 馗賴賵乇 賲蹖 讴賳賳丿 賵 賲丿鬲 賴丕 丌賳噩丕 賲蹖 賲丕賳賳丿 賵 丕賵 亘丕丕蹖賳讴賴 讴丕賲賱 丌賳賴丕 乇丕 賲蹖 卮賳丕爻丿 丿丕爻鬲丕賳蹖 亘乇丕蹖卮丕賳 倬蹖丿丕 賳賲蹖 讴賳賳丿. 蹖讴 噩丕 倬蹖乇丕賳丿賱賵 賲蹖 诏賵蹖丿 丌賳賴丕 丕賳賯丿乇 亘乇丕蹖 禺賵丿卮丕賳 丌夭丕丿 賲丕賳丿賴 亘賵丿賳丿 讴賴 丿蹖诏乇 卮禺氐蹖鬲 賴丕蹖蹖 噩丿丕 賵 讴丕賲賱 丕夭 賲賳 卮丿賴 亘賵丿賳丿. 鬲丕 丕蹖賳讴賴 蹖讴 乇賵夭 鬲氐賲蹖賲 賲蹖 诏蹖乇丿 賴賲蹖賳 賲丕噩乇丕 乇丕 讴賴 丕蹖賳 卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴 蹖 卮丕賳 賴爻鬲賳丿 乇丕 亘賴 丕噩乇丕 丿乇 亘蹖丕賵乇丿 蹖丕 亘賴 賯賵賱 禺賵丿卮 "亘诏匕丕乇賲 亘賴 氐丨賳賴 亘乇賵賳丿 鬲丕 亘亘蹖賳賲 趩賴 賲蹖 讴賳賳丿."
賵丕賯毓蹖鬲 賵 賳賲丕蹖卮:
蹖讴蹖 丕夭 賲丨賵乇 賴丕蹖蹖 讴賴 丿乇 丕蹖賳 賳賲丕蹖卮 賵噩賵丿 丿丕乇丿 鬲賳卮 賲蹖丕賳 賵丕賯毓蹖鬲 賵 賳賲丕蹖卮 丕爻鬲. 卮禺氐蹖鬲鈥屬囏� 鬲賱丕卮 賲蹖鈥屭┵嗁嗀� 禺賵丿 乇丕 亘賴 噩賴丕賳 亘蹖乇賵賳蹖 卮丕賳 賲毓乇賮蹖 讴賳賳丿 丕賲丕 丿乇 毓蹖賳 丨丕賱 亘丕 賮囟丕蹖 賳賲丕蹖卮蹖 讴賴 丿乇 丌賳 賯乇丕乇 丿丕乇賳丿 賲卮讴賱 丿丕乇丿賳丿 賵 亘乇丕蹖卮丕賳 丌賻卮賳丕 賳蹖爻鬲(賲賮賴賵賲 亘丕夭蹖诏乇 賴丕 亘乇丕蹖卮丕賳 诏賳诏 丕爻鬲) 丕蹖賳 鬲賳卮 丿乇 诏賮鬲鈥屬堏堎囏й� 卮禺氐蹖鬲鈥屬囏� 亘丕 讴丕乇诏乇丿丕賳 賵 亘丕夭蹖诏乇丕賳 丿蹖丿賴 賲蹖 卮賵丿. 丕賳诏丕乇 禺賵丿 鬲卅丕鬲乇 賵 賮乇丌蹖賳丿 賳賲丕蹖卮 亘賴 賴賲 亘賴 賳賯丿 诏乇賮鬲賴 賲蹖 卮賵丿 賵 蹖讴 噩賵乇賴丕蹖蹖 丕賳诏丕乇 丕孬乇 丕氐賱蹖 丿乇 丨丕賱 賲爻禺乇賴 讴乇丿賳 賮乇丌蹖賳丿 亘丕夭蹖诏乇蹖/鬲卅丕鬲乇 丕爻鬲.
讴爻蹖 亘賵丿賳:
蹖讴蹖 丕夭 亘禺卮 賴丕蹖蹖 讴賴 禺賵丕賳賳丿賴 乇丕 亘賴 賮讴乇 賮乇賵 賲蹖 亘乇丿 丿乇賲賵乇丿 賲丕賴蹖鬲 卮禺氐蹖鬲 賴丕蹖 禺蹖丕賱蹖 賵 賵丕賯毓蹖 丕爻鬲. 卮禺氐蹖鬲 賴丕蹖蹖 讴賴 丿乇 噩爻鬲噩賵蹖 賳賵蹖爻賳丿賴 賴爻鬲賳丿 亘賴 胤賵乇 讴丕賲賱 賲蹖 丿丕賳賳丿 讴賴 賴爻鬲賳丿貙 丕夭 讴噩丕 丌賲丿賴丕賳丿 賵 趩賴 賲蹖 禺賵丕賴賳丿 丕賲丕 丌蹖丕 丌賳 讴丕乇诏乇丿丕賳 賵 亘丕夭蹖诏乇賴丕蹖蹖 讴賴 丿乇 氐丨賳賴 賴爻鬲賳丿 賴賲 亘賴 丕賳丿丕夭賴 蹖 丌賳賴丕 禺賵丿丌诏丕賴賳丿責
倬乇丿賴 蹖 丿賵賲 倬丿乇 亘賴 丕蹖賳 賳讴鬲賴 丕卮丕乇賴 賲蹖 讴賳丿:
"蹖讴 卮禺氐蹖鬲 賲蹖 鬲賵丕賳丿 賴賲蹖卮賴 丕夭 蹖讴 丌丿賲 爻賵丕賱 讴賳丿 讴賴 讴蹖 賴爻鬲. 蹖讴 卮禺氐蹖鬲 鬲卅丕鬲乇 賴賲蹖卮賴 丿賳蹖丕蹖 賲禺氐賵氐 禺賵丿 賵 丨乇讴丕鬲 賵 乇賮鬲丕乇 賲卮禺氐 丿丕乇丿.賴賲蹖卮賴 亘乇丕蹖 禺賵丿卮 "讴爻蹖" 丕爻鬲. 丿乇 丨丕賱蹖 讴賴 蹖讴 丌丿賲 賲毓賲賵賱蹖 賲賲讴賳 丕爻鬲 賴蹖趩 讴爻 賳亘丕卮丿.".
卮禺氐蹖鬲鈥屬囏й� 趩賳丿賱丕蹖賴:
賴乇 蹖讴 丕夭 卮禺氐蹖鬲鈥屬囏� 丿乇 丕蹖賳 賳賲丕蹖卮賳丕賲賴 丿丕爻鬲丕賳 毓賲蹖賯 禺賵丿卮丕賳 乇丕 丿丕乇賳丿. 賴乇 蹖讴 丕夭 丌賳賴丕 亘乇丕蹖 丕蹖賳讴賴 亘賴 毓賵丕賲賱 氐丨賳賴 亘賮賲丕賳賳丿 賵丕賯毓蹖鬲 丿丕乇賳丿 丿丕爻鬲丕賳 賴丕蹖 卮禺氐蹖 卮丕賳 乇丕 鬲毓乇蹖賮 賲蹖 讴賳賳丿 丕賲丕 亘丕 丕蹖賳 丨丕賱 亘蹖賳 禺賵丿卮丕賳 賴賲 丿丕爻鬲丕賳 賴丕蹖卮丕賳 鬲丿丕禺賱 丿丕乇丿 讴賴 亘賴 賳馗乇 賲蹖 丌蹖丿 丕卮丕乇賴 亘賴 丿賵 趩蹖夭 丿丕乇丿 蹖讴蹖 匕賴賳 丌卮賮鬲賴 蹖 賳賵蹖爻賳丿賴 丕蹖 讴賴 丿乇 丕亘鬲丿丕 丌賳賴丕 乇丕 丌賮乇蹖丿賴 賵 丿賵賲 夭丕賵蹖賴 賳诏丕賴 賴丕蹖 賲禺鬲賱賮蹖 讴賴 賴乇 卮禺氐蹖鬲 賲蹖 鬲賵丕賳丿 丿乇 丿丕爻鬲丕賳 賴丕 丿丕卮鬲賴 亘丕卮丿 賵 丕蹖賳 鬲讴賳蹖讴 賵 鬲賳丕賯囟 亘爻蹖 賴賵卮賲賳丿丕賳賴 丌賵乇丿賴 卮丿賴.
賳鬲蹖噩赖:
丿乇 賲噩賲賵毓 賳賲丕蹖卮賳丕賲賴 賳賴 鬲賳賴丕 蹖讴 丿丕爻鬲丕賳 丿乇亘丕乇賴 卮禺氐蹖鬲鈥屬囏й� 丿丕爻鬲丕賳蹖 丕爻鬲 讴賴 亘賴 丿賳亘丕賱 讴丕賲賱 讴乇丿賳 乇賵丕蹖鬲 禺賵丿 賴爻鬲賳丿貙 亘賱讴賴 亘賴 賳賵毓蹖 鬲噩夭蹖賴 賵 鬲丨賱蹖賱 丕夭 賲丕賴蹖鬲 鬲卅丕鬲乇 賵 賵丕賯毓蹖鬲 賵 禺蹖丕賱 賵 賴賲賴 蹖 丕蹖賳賴丕 丕爻鬲 亘賴 趩丕賱卮 讴卮蹖丿賴 賲蹖鈥屫促堌�. 倬蹖乇丕賳丿賱賱賵 禺賵丕賳賳丿賴 乇丕 亘賴 讴賱蹖 丿乇亘丕乇賴 蹖 賲卮讴賱丕鬲 賴賵蹖鬲 賵 噩爻鬲噩賵 亘乇丕蹖 賲毓賳丕 丿乇 夭賳丿诏蹖 亘賴 賮讴乇 賮乇賵 賲蹖 亘乇丿.
June 19, 2017
This made for a whimsical and thought provoking 鈥渞ead鈥� by LibriVox audiobook. A family of six wanders into a theater where a director and cast are rehearsing a play by Pirandello (in which they complain 鈥渘obody understands anything, and where the author plays the fool with us all鈥�). The Father and Mother (names unspecified) explain they and their children are Characters in the middle of a drama that is in sore need of an author to make it real and bring some resolution to their story. Though the director is not an author, he is captivated enough by their story to believe he could fulfill their needs by having his actors put on a production. He begins to have the family reenact their story and then have the actors try to emulate their performance. After one section the family complains or laughs about the quality and veracity of the actors and argue that they should be the ones used in the production. As they proceed with their attempts at acting out their history, the family reveals such lurid, melodramatic, and tragic elements to their story, the director comes to doubt whether it鈥檚 believable and believes he has wasted a whole day of rehearsal.
The play was pretty zany with the cynical director trying to juggle so many balls, the actors getting upstaged, and the sordid pathos of the extremely dysfunctional family leaping off the page through their strident efforts to become realized through a stage performance. Fiction and non-fiction get confused in our minds, and the magic in the roles of director, actor, and script gets undermined by their vivisection that takes place before our eyes. The one element missing is the writer, which I suppose we are supposed to consider as the reason for the director鈥檚 conclusion of defeat.
First premiered in 1921, this play was a seminal precursor to the post-war Theater of the Absurd, such as Beckett鈥檚 鈥淲aiting for Godot鈥� (1952). This play鈥檚 full-tilt boogie on the 鈥渕eta鈥� element of crossovers between authors and their characters also presaged common uses of this device in postmodern works four or more decades later. In particular, his countryman Calvino in the 1979 novel 鈥淚f on a winter鈥檚 night a traveler鈥� makes a related kind of mind-bender with its screwball tale of readers shaping and getting involved with the contents and authors of what they鈥檙e reading.
This makes for a short, fun read (or listen) as an introduction to the work of a Pulitzer Prize winner. Though most respected as a playwright, he did write some novels (and volumes of essays and short stories). I look forward to trying his novel 鈥淭he Late Mattia Pascal鈥� (1904).
The play was pretty zany with the cynical director trying to juggle so many balls, the actors getting upstaged, and the sordid pathos of the extremely dysfunctional family leaping off the page through their strident efforts to become realized through a stage performance. Fiction and non-fiction get confused in our minds, and the magic in the roles of director, actor, and script gets undermined by their vivisection that takes place before our eyes. The one element missing is the writer, which I suppose we are supposed to consider as the reason for the director鈥檚 conclusion of defeat.
First premiered in 1921, this play was a seminal precursor to the post-war Theater of the Absurd, such as Beckett鈥檚 鈥淲aiting for Godot鈥� (1952). This play鈥檚 full-tilt boogie on the 鈥渕eta鈥� element of crossovers between authors and their characters also presaged common uses of this device in postmodern works four or more decades later. In particular, his countryman Calvino in the 1979 novel 鈥淚f on a winter鈥檚 night a traveler鈥� makes a related kind of mind-bender with its screwball tale of readers shaping and getting involved with the contents and authors of what they鈥檙e reading.
This makes for a short, fun read (or listen) as an introduction to the work of a Pulitzer Prize winner. Though most respected as a playwright, he did write some novels (and volumes of essays and short stories). I look forward to trying his novel 鈥淭he Late Mattia Pascal鈥� (1904).
December 31, 2020
爻鬲 卮禺氐賷丕鬲 鬲亘丨孬 毓賳 賲丐賱賮 貙 乇丕卅毓丞 賱賵賷噩賷 亘賷乇丕賳丿賷賱賵 貙 賵賲賳 兀賴賲 丕賱毓賳丕賵賷賳 丕賱鬲賷 兀亘丿毓賴丕 丕賱賲爻乇丨 丕賱廿賷胤丕賱賷 貙 鬲丿賵乇 丨賵賱 鬲賲乇丿 丕賱卮禺氐賷丕鬲 毓賱賶 廿乇丕丿丞 丕賱賰丕鬲亘 賵 賰賮丕丨賴丕 賱賱賵氐賵賱 廿賱賶 禺卮亘丞 丕賱賲爻乇丨 貙 賵丕賱毓賱丕賯丕鬲 丕賱賲鬲卮丕亘賰丞 亘賷賳 丕賱卮禺氐賷丞 賵丕賱禺賷丕賱 賵丕賱兀丿丕亍 賵丕賱賵丕賯毓 貙 賲賳 禺賱丕賱 賮氐賱 賵丕丨丿 賵鬲丿賮賯 賲爻鬲賲乇 賱賱丨賵丕乇 丕賱匕賷 賷鬲禺賱賱賴 兀賮賰丕乇 賮賱爻賮賷丞 賵鬲兀賲賱賾丕鬲 賵噩賵丿賷丞 鬲購賲賷賾夭 兀爻賱賵亘 亘賷乇丕賳丿賷賱賵 .
賮賰乇丞 鬲賲乇丿 丕賱卮禺氐賷丞 毓賱賶 丕賱賰丕鬲亘 爻亘賯 賵兀賳 賲乇鬲賿 亘賷 賮賷 乇賵丕賷丞 囟亘丕亘 賱賱廿爻亘丕賳賷 賲賷睾賷賱 丿賵 兀賵賳丕賲賵賳賵 貙 賵 兀匕賰乇 賲丿賶 廿毓噩丕亘賷 賵鬲兀孬乇賷 亘賲丕 兀禺匕鬲賴 鬲賱賰 丕賱乇賵丕賷丞 賲賳 賲賳丨賶 卮噩賷賾 賵賲兀爻丕賵賷 貙 賱賰賳 賲毓丕賱噩丞 亘賷乇丕賳丿賷賱賵 賱賱賮賰乇丞 兀賯賵賶 賵兀賰孬乇 噩賳賵賳丕賸 貙 鬲卮毓乇 亘賴 賷丨孬賾賰 禺賮賷賾丕賸 賱乇賮囟 賵丕賯毓賰 賵氐購賳毓 兀賯丿丕乇賰 亘賳賮爻賰 ...
鬲禺賷賱 賲丿賶 丕賱鬲毓丕爻丞 丕賱鬲賷 鬲氐賷亘 卮禺氐賷丞 鬲賵賱丿 丨賷丞 賲賳 禺賷丕賱 兀丨丿 丕賱賲丐賱賮賷賳貙 亘毓丿 兀賳 丨丕賵賱 兀賳 賷賳賰乇 毓賱賷賴丕 丨賷丕鬲賴丕 !..
賵禺亘乇賳賷 賴賱 丕賱丨賯 賮賷 噩丕賳亘賴 賮賷 丨丕賱丞 丕匕丕 賲丕 鬲乇賰鬲 賴匕賴 丕賱卮禺氐賷丞 毓賱賶 賴匕丕 丕賱賳丨賵責 丨賷丞 丿賵賳 丨賷丕丞責
兀賱丕 賷賰賵賳 賲賳 丨賯賴丕 兀賳 鬲賮毓賱 賲孬賱賲丕 賮毓賱賳丕 賳丨賳 丕賱丌賳 兀賲丕賲賰賲 賴賳丕責 兀賳 鬲賯賮 賴賷 兀賷囟丕賸 兀賲丕賲賴 賱賰賷 鬲賯賳毓賴 賵賱賰賷 鬲丨賮夭賴 賵賱賰賷 鬲馗賴乇 兀賲丕賲賴責
賱賲 鬲賰賳 兀賵賱 鬲噩乇亘丞 賱賷 賲毓 亘賷乇丕賳丿賷賱賵 貙 賱賰賳賴丕 (丕賱兀賮囟賱) 丨鬲賶 丕賱丌賳 ...
賰丕賳 亘賴丕 丨購爻賳 丕賱禺鬲丕賲 賮賷 賯乇丕亍丕鬲 賴匕賴 丕賱爻賳丞 馃摎鉂わ笍
賮賰乇丞 鬲賲乇丿 丕賱卮禺氐賷丞 毓賱賶 丕賱賰丕鬲亘 爻亘賯 賵兀賳 賲乇鬲賿 亘賷 賮賷 乇賵丕賷丞 囟亘丕亘 賱賱廿爻亘丕賳賷 賲賷睾賷賱 丿賵 兀賵賳丕賲賵賳賵 貙 賵 兀匕賰乇 賲丿賶 廿毓噩丕亘賷 賵鬲兀孬乇賷 亘賲丕 兀禺匕鬲賴 鬲賱賰 丕賱乇賵丕賷丞 賲賳 賲賳丨賶 卮噩賷賾 賵賲兀爻丕賵賷 貙 賱賰賳 賲毓丕賱噩丞 亘賷乇丕賳丿賷賱賵 賱賱賮賰乇丞 兀賯賵賶 賵兀賰孬乇 噩賳賵賳丕賸 貙 鬲卮毓乇 亘賴 賷丨孬賾賰 禺賮賷賾丕賸 賱乇賮囟 賵丕賯毓賰 賵氐購賳毓 兀賯丿丕乇賰 亘賳賮爻賰 ...
鬲禺賷賱 賲丿賶 丕賱鬲毓丕爻丞 丕賱鬲賷 鬲氐賷亘 卮禺氐賷丞 鬲賵賱丿 丨賷丞 賲賳 禺賷丕賱 兀丨丿 丕賱賲丐賱賮賷賳貙 亘毓丿 兀賳 丨丕賵賱 兀賳 賷賳賰乇 毓賱賷賴丕 丨賷丕鬲賴丕 !..
賵禺亘乇賳賷 賴賱 丕賱丨賯 賮賷 噩丕賳亘賴 賮賷 丨丕賱丞 丕匕丕 賲丕 鬲乇賰鬲 賴匕賴 丕賱卮禺氐賷丞 毓賱賶 賴匕丕 丕賱賳丨賵責 丨賷丞 丿賵賳 丨賷丕丞責
兀賱丕 賷賰賵賳 賲賳 丨賯賴丕 兀賳 鬲賮毓賱 賲孬賱賲丕 賮毓賱賳丕 賳丨賳 丕賱丌賳 兀賲丕賲賰賲 賴賳丕責 兀賳 鬲賯賮 賴賷 兀賷囟丕賸 兀賲丕賲賴 賱賰賷 鬲賯賳毓賴 賵賱賰賷 鬲丨賮夭賴 賵賱賰賷 鬲馗賴乇 兀賲丕賲賴責
賱賲 鬲賰賳 兀賵賱 鬲噩乇亘丞 賱賷 賲毓 亘賷乇丕賳丿賷賱賵 貙 賱賰賳賴丕 (丕賱兀賮囟賱) 丨鬲賶 丕賱丌賳 ...
賰丕賳 亘賴丕 丨購爻賳 丕賱禺鬲丕賲 賮賷 賯乇丕亍丕鬲 賴匕賴 丕賱爻賳丞 馃摎鉂わ笍
November 15, 2015
蹖讴 賳賲丕蹖卮賳丕賲賴 亘蹖 賳馗蹖乇貙 讴賴 丨賵賱 蹖賴 賲賵囟賵毓 賲卮禺氐 賳賲蹖 趩乇禺賴 賵賱蹖 丿乇賵賳 賲丕蹖賴 丕氐賱蹖卮 倬賵趩蹖 丿賳蹖丕 賵 丕賵賳 趩蹖夭蹖賴 讴賴 賲丕 賮讴乇 賲蹖 讴賳蹖賲 丨賯蹖賯鬲 賵 賵丕賯毓蹖鬲賴
卮禺氐蹖鬲 賴丕 亘蹖 賳賴丕蹖鬲 禺賵亘賳 賵 丕夭 丕賵賳 蹖賴鬲乇 胤乇夭 乇賵丕蹖鬲 丿丕爻鬲丕賳賴 讴賴 卮禺氐蹖鬲 賴丕 賴賲 鬲毓乇蹖賮卮 賲蹖 讴賳賳 賴賲 亘丕夭蹖卮 賲蹖 讴賳賳
倬蹖乇丕賳丿賱賵 禺賵丿卮 乇賵 賲丨丿賵丿 亘賴 氐丨賳賴 賳賲丕蹖卮 賳賲蹖 讴賳賴貙 丕夭 讴賱 賮囟丕蹖 爻丕賱賳 丕爻鬲賮丕丿賴 賲蹖 讴賳賴貙 丨鬲蹖 鬲賲丕卮丕诏乇 賴丕 乇賵 賴賲 賲爻禺乇賴 賲蹖 讴賳賴
賵賯鬲蹖 賮讴乇卮 乇賵 賲蹖 讴賳賲 讴賴 蹖賴 鬲賲丕卮丕诏乇 亘禺賵丕丿 賴賲趩蹖賳 鬲卅丕鬲乇蹖 乇賵 亘丕 丕蹖賳 賴賲賴 亘丕夭蹖诏乇 亘亘蹖賳賴 賵 蹖賴賵 賵爻胤 讴丕乇 亘丿賵賳 丕蹖賳讴賴 倬乇丿賴
亘蹖賮鬲賴 蹖丕 丕鬲賮丕賯蹖 亘蹖賮鬲賴 亘蹖爻鬲 丿賯蹖賯賴 賴賲賴 亘丕夭蹖诏乇丕 亘夭丕乇賳 亘乇賳 賵 氐丨賳賴 禺丕賱蹖 亘卮賴貙 賲賵 亘賴 鬲賳賲 爻蹖禺 賲蹖卮賴
禺賵丿卮 鬲賵 賳賲丕蹖卮賳丕賲賴 賲蹖诏賴貙 "讴丕乇賴丕蹖 倬蹖乇丕賳丿賱賵 噩賵乇蹖賴 讴賴 賳賴 亘丕夭蹖诏乇 丕夭卮 賱丿鬲 賲蹖 亘乇賴貙 賳賴 鬲賲丕卮丕诏乇 賵 賳賴 丨鬲蹖 賲賳鬲賯丿蹖賳"
卮禺氐蹖鬲 賴丕 亘蹖 賳賴丕蹖鬲 禺賵亘賳 賵 丕夭 丕賵賳 蹖賴鬲乇 胤乇夭 乇賵丕蹖鬲 丿丕爻鬲丕賳賴 讴賴 卮禺氐蹖鬲 賴丕 賴賲 鬲毓乇蹖賮卮 賲蹖 讴賳賳 賴賲 亘丕夭蹖卮 賲蹖 讴賳賳
倬蹖乇丕賳丿賱賵 禺賵丿卮 乇賵 賲丨丿賵丿 亘賴 氐丨賳賴 賳賲丕蹖卮 賳賲蹖 讴賳賴貙 丕夭 讴賱 賮囟丕蹖 爻丕賱賳 丕爻鬲賮丕丿賴 賲蹖 讴賳賴貙 丨鬲蹖 鬲賲丕卮丕诏乇 賴丕 乇賵 賴賲 賲爻禺乇賴 賲蹖 讴賳賴
賵賯鬲蹖 賮讴乇卮 乇賵 賲蹖 讴賳賲 讴賴 蹖賴 鬲賲丕卮丕诏乇 亘禺賵丕丿 賴賲趩蹖賳 鬲卅丕鬲乇蹖 乇賵 亘丕 丕蹖賳 賴賲賴 亘丕夭蹖诏乇 亘亘蹖賳賴 賵 蹖賴賵 賵爻胤 讴丕乇 亘丿賵賳 丕蹖賳讴賴 倬乇丿賴
亘蹖賮鬲賴 蹖丕 丕鬲賮丕賯蹖 亘蹖賮鬲賴 亘蹖爻鬲 丿賯蹖賯賴 賴賲賴 亘丕夭蹖诏乇丕 亘夭丕乇賳 亘乇賳 賵 氐丨賳賴 禺丕賱蹖 亘卮賴貙 賲賵 亘賴 鬲賳賲 爻蹖禺 賲蹖卮賴
禺賵丿卮 鬲賵 賳賲丕蹖卮賳丕賲賴 賲蹖诏賴貙 "讴丕乇賴丕蹖 倬蹖乇丕賳丿賱賵 噩賵乇蹖賴 讴賴 賳賴 亘丕夭蹖诏乇 丕夭卮 賱丿鬲 賲蹖 亘乇賴貙 賳賴 鬲賲丕卮丕诏乇 賵 賳賴 丨鬲蹖 賲賳鬲賯丿蹖賳"
December 16, 2023
Who is Luigi Pirandello?
A twentieth century writer from Sicily.
A Noble Prize winner.
I had never heard of him.
This play, 鈥楽ix characters in search of an Author鈥� is just great.
Pirandello wrote this apparition, an invention without oxygen, atop Mt. Etna, or so it seems. Like life, it is completely absurd. More cannot be packed into so few pages. I am still shaking my head.
A pinch of tragedy, doses of satire, an undercurrent of philosophy throughout, complex and detailed actors and their exchanges, a slice of psychology, human folly, and life鈥檚 randomness.
And to think it lasted only a year and a half, off-Broadway, before it closed because of thinning attendance, not very long ago.
It is significant. Perceptions.
Mi e piaciuto!
A twentieth century writer from Sicily.
A Noble Prize winner.
I had never heard of him.
This play, 鈥楽ix characters in search of an Author鈥� is just great.
Pirandello wrote this apparition, an invention without oxygen, atop Mt. Etna, or so it seems. Like life, it is completely absurd. More cannot be packed into so few pages. I am still shaking my head.
A pinch of tragedy, doses of satire, an undercurrent of philosophy throughout, complex and detailed actors and their exchanges, a slice of psychology, human folly, and life鈥檚 randomness.
And to think it lasted only a year and a half, off-Broadway, before it closed because of thinning attendance, not very long ago.
It is significant. Perceptions.
Mi e piaciuto!
February 20, 2024
If you want a sure thing in the quest to discover your self, you could spend the next ten years in analysis, see a psychologist, join a cult, read every book of philosophy and physics or you can read Luigi Pirandello鈥檚 Six Characters in Search of an Author. I jest. But, this is about the illusory nature of theatre, more than the individual self. But still... We could wonder more about who we are by the end of it.
The forgotten modernist text that came out in that recent centenary of greats around 1922 (1921 in this case), the title sounds as good in translation as it does in the original. Clever of Pirandello to achieve that.
Plays often don鈥檛 work on the page, you miss all the staging. But in this case, the staging acts like text so you can read the extensive stage directions like you might read landscape details or even character descriptions. Again, pretty clever of Pirandello to make his work so usable.
What goes on here? Well, a theatre company is about to rehearse a play by Luigi Pirandello. They are gathering, the lead actress is late as one might expect, the stage is unfinished, stuff is kind of lying around, the lights aren鈥檛 set up right.
They are about to start and then, six characters come by. This is a big production. There鈥檚 half a dozen 鈥榓ctors鈥�, producer, stage managers, prompters etc, so on stage at any one time there is usually around 15 people. Pirandello should know better, but you have to keep you budget down and think small cast. But, it鈥檚 not a play, it鈥檚 a 鈥渞eal鈥� event we are watching, the play hasn鈥檛 started yet鈥� the details haven鈥檛 been written, it鈥檚 all emerging.
These characters start telling everyone about their lives, only they are short on detail and big on passionate expression. So they come across as so 鈥榬eal鈥� that the producer abandons rehearsals and starts listening to the characters and thinks this would make a great play. At one level, the characters represent the stock in trade types, father, mother, son, daughter in law etc from which a family drama might be explored.
The producer and the characters go off and start to write and rehearse this new play. The producer becomes their author in a sense. They are raw, undetailed. They wear representative masks, they are not yet well drawn characters, or even selves. They think they are real and credible, based on their endless emotional outpourings. This makes me think I am reading at times a novel by Rachel Cusk and after reading this, I in fact read her recent book Second Place (funnily enough published 100 years after Six Characters, though unintentionally I suspect).
Pirandello loves to toy with illusions, the stage is not a stage, the actors are meagre performers, the only real is the unformed self, or the present embodiment of the self as it speaks in front of the audience, or perhaps the person speaking to you in the street is the only real we can experience, or what they say is the only thing we can know.
Best to read it, but there are no endings in the search. Oddly, as a Sicilian, Pirandello didn鈥檛 get much exposure in his native land for his theatre.
The forgotten modernist text that came out in that recent centenary of greats around 1922 (1921 in this case), the title sounds as good in translation as it does in the original. Clever of Pirandello to achieve that.
Plays often don鈥檛 work on the page, you miss all the staging. But in this case, the staging acts like text so you can read the extensive stage directions like you might read landscape details or even character descriptions. Again, pretty clever of Pirandello to make his work so usable.
What goes on here? Well, a theatre company is about to rehearse a play by Luigi Pirandello. They are gathering, the lead actress is late as one might expect, the stage is unfinished, stuff is kind of lying around, the lights aren鈥檛 set up right.
They are about to start and then, six characters come by. This is a big production. There鈥檚 half a dozen 鈥榓ctors鈥�, producer, stage managers, prompters etc, so on stage at any one time there is usually around 15 people. Pirandello should know better, but you have to keep you budget down and think small cast. But, it鈥檚 not a play, it鈥檚 a 鈥渞eal鈥� event we are watching, the play hasn鈥檛 started yet鈥� the details haven鈥檛 been written, it鈥檚 all emerging.
These characters start telling everyone about their lives, only they are short on detail and big on passionate expression. So they come across as so 鈥榬eal鈥� that the producer abandons rehearsals and starts listening to the characters and thinks this would make a great play. At one level, the characters represent the stock in trade types, father, mother, son, daughter in law etc from which a family drama might be explored.
The producer and the characters go off and start to write and rehearse this new play. The producer becomes their author in a sense. They are raw, undetailed. They wear representative masks, they are not yet well drawn characters, or even selves. They think they are real and credible, based on their endless emotional outpourings. This makes me think I am reading at times a novel by Rachel Cusk and after reading this, I in fact read her recent book Second Place (funnily enough published 100 years after Six Characters, though unintentionally I suspect).
Pirandello loves to toy with illusions, the stage is not a stage, the actors are meagre performers, the only real is the unformed self, or the present embodiment of the self as it speaks in front of the audience, or perhaps the person speaking to you in the street is the only real we can experience, or what they say is the only thing we can know.
Best to read it, but there are no endings in the search. Oddly, as a Sicilian, Pirandello didn鈥檛 get much exposure in his native land for his theatre.
July 12, 2023
丕賳 丕賱丨賷丕丞 賲賱賷卅丞 亘賲爻丕禺乇 賱丕 鬲賳鬲賴賷... 賲賱賷卅丞 亘兀卮賷丕亍 鬲亘賱睾 賲賳 丕賱爻禺乇賷丞 丨丿丕賸 賱丕 鬲氐亘丨 賲毓賴 賮賷 丨丕噩丞 丕賱賶 丕賱鬲爻鬲乇 賮賷 孬賷丕亘 丕賱丨賯賷賯丞... 賱兀賳賴丕 丕賱丨賯賷賯丞 賳賮爻賴丕
- 賲爻乇丨賷丞 毓賳 賲爻乇丨賷丞 丕賵 賮賷 賲爻乇丨賷丞貙 爻鬲 卮禺氐賷丕鬲 鬲馗賴乇 賮噩兀丞 毓賱賶 賲爻乇丨 賱鬲毓乇囟 賯氐鬲賴丕 丕賱丨賯賷賯賷丞 毓賱賶 丕賱賲禺乇噩貙 丕賱卮禺氐賷丕鬲 賲賵噩賵丿丞貙 丕賱兀丨丿丕孬 兀賷囟丕賸 賱賰賳 賷賳賯氐賴賲 丕賱丨亘賰丞 賵丕賱賯賮賱丕鬲 丕賱賳賴丕卅賷丞 賱鬲賰鬲賲賱 賲爻乇丨賷鬲賴賲 丕賱賵丕賯毓賷丞 毓賱賶 賲爻乇丨 丕賮鬲乇丕囟賷 丕賵 賱賷賳鬲賴賵丕 賲賳 賲丌爻丕鬲賴賲 亘毓乇囟 賲賷賱賵丿乇丕賲賷. 丕賱丨賵丕乇丕鬲 (乇睾賲 丕賱鬲賰乇丕乇) 丕賱丕 丕賳賴丕 賰丕賳鬲 賲賲鬲毓丞 賵毓賲賷賯丞 禺氐賵氐丕賸 匕賱賰 丕賱丨賵丕乇 毓賱賶 賱爻丕賳 丕賱賵丕賱丿.
丕賳 賲兀爻丕鬲賷 賮賷 丕賱廿丨爻丕爻 亘兀賳賷貙 賵亘兀賳 賰賱賾 賲賳丕 賷乇賶 賵賷毓鬲賯丿 丕賳賴 賵丕丨丿 賮賯胤貙 賵賱賰賳 賴匕丕 賱賷爻 氐丨賷丨丕賸.. 丕賳 賰賱 賵丕丨丿 賲賳丕 賱賴 卮禺氐賷丕鬲 賲鬲毓丿丿丞 亘毓丿丿 丕賱廿賲賰丕賳賷丕鬲 丕賱鬲賷 鬲賰賲賳 賮賷賳丕
- 賴匕賴 丕賱賲爻乇丨賷丞 丕賱毓亘孬賷丞 鬲胤乇丨 丕賱賰孬賷乇 賲賳 丕賱兀爻卅賱丞 丕賱賵噩賵丿賷丞貙 毓賳 丕賱丨賷丕丞 賵兀丿賵丕乇 賲賲孬賱賷賴丕 (丕賱亘卮乇)貙 毓賳 丕賱兀賯丿丕乇 賵賰賷賮賷丞 氐賷乇賵乇鬲賴丕貙 毓賳 丕賱乇丕亘胤-丕賱賯丕胤毓 賲丕 亘賷賳 丕賱賲爻乇丨 賵賲爻乇丨 丕賱丨賷丕丞貙 廿賲賰丕賳賷丞 賲丨丕賰丕丞 丕賱賵丕賯毓 賵賳爻亘丞 賳噩丕丨賴丕貙 丕賱毓賱丕賯丞 亘賷賳 丕賱賰丕鬲亘 賵卮禺氐賷丕鬲賴貙 丕賱毓賱丕賯丞 亘賷賳 丕賮鬲乇丕囟 丕賱賯丕乇卅/丕賱賲卮丕賴丿 賱賱卮禺氐賷丞 賵丕賮鬲乇丕囟 丕賱賲賲孬賱 賱賱卮禺氐賷丞 丕賱鬲賷 賷丐丿賷賴丕 賵賲丕賴賷丞 丕賵 賰賷賳賵賳丞 丕賱卮禺氐賷丞 丕賱丨賯賷賯丞 賮毓賱丕賸貙 賰賷賮賷丞 鬲丨賵賱 丕賱賲兀爻丕丞 丕賱賶 賲賴夭賱丞 賵丕賱賲賴夭賱丞 丕賱賶 毓乇囟.
- 匕賰乇鬲賳賷 丕賱賲爻乇丨賷丞 亘兀爻賱賵亘賴丕 亘賲爻乇丨賷丞 夭賷丕丿 丕賱乇丨亘丕賳賷 (丕賱鬲賷 丕丨亘賴丕 噩丿丕賸) "卮賷 賮丕卮賱" 乇睾賲 丕禺鬲賱丕賮 丕賱賲囟賲賵賳.
- 賲爻乇丨賷丞 噩賲賷賱丞貙 賯氐賷乇丞 賵賲孬賷乇丞 賱兀爻卅賱丞 賰孬賷乇丞.
October 8, 2013
They say I was born in June. The day, the year somehow ceases to exist. I live with my mother. She stares at the wall, singing songs unnoticing my existence in the house. Is this how being an orphan feels like? I used to work at Madame Pace鈥檚 dress shop. Only it wasn't a dress shop. It was a whore house where I used to entertain clients throughout the night. My mother was unaware of my earnings, but as if it mattered. Then, one day I fell in love. In fact, I fell in love with his eyes. The same brown affectionate eyes that I own. They were so memorable, they were mine. I could see myself in them. My eyes on this strange face, mesmerizing yet daunting. He was my client, elderly yet so affectionate. Months went by, but he never visited me again. I looked for him but no avail. They say, he shot himself out of guilt. He was my biological father. The shame of seducing his own blood ate him up after finding my truth. So, as I lay in a pool of blood, the cold metal burning against my sinful hands, I pierce the sharp edge into the warm blob of flesh. I killed my baby. I killed my brother. I practically cease to exist now. Shame and numbness has weighed my soul into nothingness. The man once my mother had left my father for took her away. So, here I come to you with an unfilled life and an unfinished story pleading you to bring an authored conclusion.
鈥淵ou imbecile鈥�, yelled the stage-manager. 鈥淵ou expect me to believe this garbage and let my actors perform your absurdity".
鈥淵es鈥�, I affirm, 鈥淭he settings should be realistic and the truth should be told in its unaltered form.鈥�
鈥淚 am an unrealized character sir鈥�, I humbly say, 鈥淚 need you to finish my story and bring it to life鈥�.
The stage manager now enraged walks away hurling obscenities and muttering, 鈥淎cting is our business here. Truth up to a certain point, but no further鈥�; as he looks at me with a sardonic smile.
Pirandello illuminates the 鈥楾heatre of Absurd鈥� genre in this bizarre performance. A form of drama that emphasizes the absurdity of human existence by employing disjointed, repetitious and meaningless dialogue, purposeless and confusing situations and plots that lack realistic or logical development. Purely in its theatrical form he depicts a tale of six characters in search of an author who is able not only to complete their fragmentary story but to perform their ingenuous legitimacy. A story which is not a story after all. Through the numerous arguments between the six characters and the stage manager about portrayal of reality in its unaltered state to the audiences marks the debate of life reality v/s stage reality. The sense of illusion what is illustrated to be a reality on performance stage is far from the factual forms.
The plethora of reality television that demarcates an entire generation outlook mutates the genuineness of its characters. How real are the nuances of these actors who state publicly that their respected shows are not scripted but spontaneous? The movies that state 鈥榖ased on a true story鈥�, how far do they enact the truth or is pragmatism edited to normalization of absurdity. Pirandello stresses on the theatre being an illusion of reality where actors masquerade real emotions through rehearsals and mutability.
A brilliant existentialism perception of individuals being characters all through their life portraying roles that they're born into and the normality of emotions attached to their specific roles. Who are we? The roles that we are born into or the tangible roles we want to play.
鈥淵ou imbecile鈥�, yelled the stage-manager. 鈥淵ou expect me to believe this garbage and let my actors perform your absurdity".
鈥淵es鈥�, I affirm, 鈥淭he settings should be realistic and the truth should be told in its unaltered form.鈥�
鈥淚 am an unrealized character sir鈥�, I humbly say, 鈥淚 need you to finish my story and bring it to life鈥�.
The stage manager now enraged walks away hurling obscenities and muttering, 鈥淎cting is our business here. Truth up to a certain point, but no further鈥�; as he looks at me with a sardonic smile.
Pirandello illuminates the 鈥楾heatre of Absurd鈥� genre in this bizarre performance. A form of drama that emphasizes the absurdity of human existence by employing disjointed, repetitious and meaningless dialogue, purposeless and confusing situations and plots that lack realistic or logical development. Purely in its theatrical form he depicts a tale of six characters in search of an author who is able not only to complete their fragmentary story but to perform their ingenuous legitimacy. A story which is not a story after all. Through the numerous arguments between the six characters and the stage manager about portrayal of reality in its unaltered state to the audiences marks the debate of life reality v/s stage reality. The sense of illusion what is illustrated to be a reality on performance stage is far from the factual forms.
The plethora of reality television that demarcates an entire generation outlook mutates the genuineness of its characters. How real are the nuances of these actors who state publicly that their respected shows are not scripted but spontaneous? The movies that state 鈥榖ased on a true story鈥�, how far do they enact the truth or is pragmatism edited to normalization of absurdity. Pirandello stresses on the theatre being an illusion of reality where actors masquerade real emotions through rehearsals and mutability.
A brilliant existentialism perception of individuals being characters all through their life portraying roles that they're born into and the normality of emotions attached to their specific roles. Who are we? The roles that we are born into or the tangible roles we want to play.
January 20, 2016
鬲亘丿兀 丕賱賲爻乇丨賷丞 亘亘丕亘 丕賱賲爻乇丨 丕賱匕賷 賷購賮鬲丨 賮噩兀丞 .. 賵鬲馗賴乇 6 卮禺氐賷丕鬲 鬲鬲賱賮丨 亘丕賱爻賵丕丿 .. 鬲胤丕賱亘 賲禺乇噩 賲丕 亘兀賳 賷亘丨孬 賱賴丕 毓賳 賲丐賱賮 賱賷賰鬲亘 賯氐鬲賴丕 !
賮賱賯丿 賵購噩丿鬲 丕賱卮禺氐賷丕鬲 丿賵賳 兀賳 賷賰鬲亘賴賲 兀丨丿 .. !! 賵賴賲 丕賱兀賳 賮賷 丨丕噩丞 賱賲丐賱賮 賷購賰賲賱 賰鬲丕亘丞 賯氐鬲賴賲 賵賷購賳賴賷 賲兀爻丕鬲賴賲
賮賴賲 6 卮禺氐賷丕鬲 賲賳 毓丕卅賱丞 賵丕丨丿丞 .. 賯氐鬲賴丕 賲兀爻丕賵賷丞 .. 鬲亘丨孬 毓賳 賲丐賱賮 賷賲賳丨賴丕 丕賱丨賷丕锟斤拷 .. 亘兀賳 賷賰鬲亘 賯氐鬲賴丕 .. 賵鬲賲孬賱賴丕 丕賱毓丕卅賱丞 毓賱賷 丕賱賲爻乇丨 .. !
賮賱賯丿 賵噩丿鬲 賴匕賴 丕賱卮禺氐賷丕鬲 丕賱爻鬲 賮賷 丕賱賵丕賯毓 丿賵賳 兀賳 賷賰鬲亘賴賲 賲丐賱賮 貙 賵賱賰賷 賷爻鬲賲乇賵丕 賮賷 丕賱丨賷丕丞 賱丕亘丿 賱賴賲 賲賳 賲丐賱賮 賱賷賰鬲亘 賯氐鬲賴賲 賵賷氐賷睾賴丕 賮賷 賲爻乇丨賷丞 貙 賵廿賱丕 賱賳 賷馗賴乇賵丕 毓賱賷 丕賱賲爻乇丨 賵賱賳 賷毓乇賮 兀丨丿 賯氐鬲賴賲 !
胤亘毓丕 丕賱賮賰乇丞 賮賷 丨丿 匕丕鬲賴丕 睾乇賷亘丞 貙 賵賴賷 賮賱爻賮賷丞 賱賱睾丕賷丞 貙 賵鬲鬲賷丨 賱賰 丕賱鬲賮賰賷乇 賮賷 賮賰乇丞 鬲丨丿賷丿 丕賱賲氐賷乇 ..
賴賱 丕賱廿賳爻丕賳 賴賵 賲賳 賷丨丿丿 賲氐賷乇賴 責
兀賲 丕賱賯丿乇 賴賵 丕賱匕賷 賷丨丿丿賴 / 兀賵 丨丿丿賴 亘丕賱賮毓賱 賵賱丕 爻亘賷賱 賱鬲睾賷賷乇賴 責
胤亘毓丕 丕賱廿噩丕亘丞 毓賱賷 丨爻亘 賲毓鬲賯丿丕鬲 丕賱賯丕乇卅 ..
賵賱賰賳賰 爻鬲爻鬲賲毓 亘丕賱賮賰乇丞 賵丕賱丨賵丕乇 毓賱賷 丕賷丞 丨丕賱 .. 賮賭 賱賵賷噩賷 亘乇丕賳丿賷賱賵 賯丿賲 毓賲賱丕賸 睾乇賷亘丕賸 .. 賷爻鬲丨賯 丕賱賯乇丕亍丞 賵丕賱丿乇丕爻丞 .. 亘睾囟 丕賱賳馗乇 毓賳 丕賱廿噩丕亘丞
...
鬲賲 鬲丨丿賷孬 丕賱乇賷賮賷賵 丕賱兀賳 賵廿囟丕賮丞 丕賱氐賵乇
November 29, 2020
賲爻乇丨賷丞 睾乇賷亘丞貙 賮賰乇丞 毓亘賯乇賷丞 鈿○煈岎煆�
January 8, 2021
I'm finally reading books from the reading list I make every year. That's my New Year's resolution: to read only books from my 2021 shelf. And it worked out just fine until January 2.
Jan 3, 21
Jan 3, 21
October 20, 2024
賳賲丕蹖卮 賳丕賲賴 丕夭 趩賴丕乇丿賴 卮禺氐蹖鬲 鬲卮讴蹖賱 卮丿賴 貙 倬丿乇貙 賲丕丿乇貙 倬爻乇貙 倬爻乇亘趩賴 貙 丿禺鬲乇貙 丿禺鬲乇亘趩賴 貙 禺丕賳賲 倬丕爻 貙 讴丕乇诏乇丿丕賳 貙 賴賳乇倬蹖卮賴 丕賵賱 賲乇丿貙 賲丿蹖乇氐丨賳賴 貙 爻賵賮賱賵乇貙 賴賳乇倬蹖卮賴 丕賵賱 夭賳 貙 丌爻蹖爻鬲丕賳 讴丕乇诏乇丿丕賳 賵 賲丿蹖乇 鬲賴蹖賴.
賵賯鬲蹖 卮乇賵毓 亘賴 禺賵賳丿賳 賳賲丕蹖卮 賳丕賲賴 賲蹖讴賳蹖賲 賲鬲賵噩賴 賲蹖 卮蹖賲 讴賴 亘丕 蹖讴 賳賲丕蹖卮賳丕賲賴 毓丕丿蹖 爻乇賵讴丕乇 賳丿丕乇蹖賲貙 讴丕诏乇丿丕賳 賵 爻丕蹖乇 亘丕夭蹖诏乇丕賳 鬲卅丕鬲乇 賴賲 噩夭蹖蹖 丕夭 賳賲丕蹖卮 賳丕賲賴 賴爻鬲賳丿 貙 卮乇賵毓蹖 賲鬲賮丕賵鬲 亘乇丕蹖 賳賲丕蹖卮 賳丕賲賴.
亘丕夭蹖诏乇丕賳 賵 讴丕乇诏乇丿丕賳 鬲卅丕鬲乇 丿乇 丨丕賱 丌賲丕丿賴 卮丿賳 亘乇丕蹖 丕噩乇丕蹖 賳賲丕蹖卮 賳丕賲賴 賴爻鬲賳丿 讴賴 賳丕诏賴丕賳 卮卮 卮禺氐蹖鬲 亘賴 爻丕賱賳 鬲卅丕鬲乇 賵丕乇丿 賲蹖 卮賵賳丿 賵 丕匕毓丕賳 賲蹖讴賳賳丿 亘賴 丿賳亘丕賱 賳賵蹖爻賳丿賴 丕蹖 亘乇丕蹖 丿丕爻鬲丕賳 禺賵丿卮賵賳 賴爻鬲賳丿 趩賵賳 賳賵蹖爻賳丿賴 卮賵賳 丕賵賳 賴丕 乇賵 賳丕鬲賲丕賲 乇賴丕 讴乇丿賴貙 賴賲蹖賳賯丿乇丿蹖賵丕賳賴 讴賳賳丿賴 貙 鬲卅丕鬲乇蹖 亘丿丕賴賴 貙卮禺氐蹖鬲 賴丕 亘丕 丨丕賱鬲 噩賳賵賳 丌賲蹖乇蹖 卮乇賵毓 亘賴 卮乇丨 丨賯蹖賯鬲 賵 丿丕爻鬲丕賳 禺賵丿卮賵賳 賲蹖讴賳賳丿 賵 爻毓蹖 賲蹖讴賳賳丿 讴丕乇诏乇丿丕賳 乇賵 乇丕囟蹖 讴賳賳丿 讴賴 卮乇賵毓 亘賴 賳賵卮鬲賳 丿丕爻鬲丕賳 丕賵賳 賴丕 讴賳丿.賴賲 賲蹖卮賴 賳賲丕蹖卮賳丕賲賴 乇賵 倬賵趩 诏乇丕 丿乇 賳馗乇 诏乇賮鬲 趩賵賳 丿乇 丕賳鬲賴丕 賲毓賳丕蹖蹖 賵噩賵丿 賳丿丕乇賴 賵 賴賲 丕诏夭蹖爻鬲丕賳爻蹖丕賱 趩賵賳 卮禺氐蹖鬲 賴丕 亘賴 丿賳亘丕賱 賲毓賳蹖 賵 賳賵卮鬲賴 卮丿賳 賴爻鬲賳丿.
芦倬丿乇 : 丿乇 賵噩賵丿 賲丕 蹖讴 丿乇丕賲 丕爻鬲禄氐賮丨賴 郾鄢 讴鬲丕亘 .
賵 丕蹖賳 卮禺氐蹖鬲 卮乇賵毓 亘賴 诏賮鬲賳 丿乇丕賲 夭賳丿诏蹖 禺賵丿卮賵賳 賲蹖 讴賳賳丿 賴乇 卮禺氐蹖鬲 丕夭 賲賳馗乇 禺賵丿卮 丨賯丕蹖賯 丕鬲賮丕賯 丕賮鬲丕丿賴 乇賵 亘蹖丕賳 賲蹖 讴賳丿 鬲丕 丿丕爻鬲丕賳 卮讴賱 亘诏蹖乇賴貙 卮禺氐蹖鬲 賴丕 夭賳丿賴 賴爻鬲 賵 丿乇诏蹖乇蹖 卮賵賳 亘乇 爻乇 丨賯蹖賯鬲 亘丕毓孬 賲蹖卮賴 鬲賲丕卮丕诏乇 丕蹖賳 爻賵丕賱 乇賵 丕夭 禺賵丿卮 亘倬乇爻賴 讴賴 亘賴 乇丕爻鬲蹖 丨賯蹖賯鬲 趩賴 趩蹖夭蹖 賴爻鬲 貙 賵亘賴 丕蹖賳 丿乇讴 賲蹖乇爻賴 讴賴 丨賯蹖賯鬲 趩蹖夭蹖 賳爻亘蹖 賴爻鬲.賲賮賴賵賲 丨賯蹖賯鬲 亘丕乇賴丕 丿乇 丕蹖賳 讴鬲丕亘 賲賵乇丿 亘乇乇爻蹖 賯乇丕乇 賲蹖诏蹖乇賴 賵 賲蹖亘蹖賳蹖賲 讴賴 卮禺氐蹖鬲 賴丕 趩胤賵乇 丨賯丕蹖賯 丕鬲賮丕賯 丕賮鬲丕丿賴 乇賵 丕夭 賲賳馗乇 禺賵丿卮賵賳 賲蹖亘蹖賳賳 賵 賲賲讴賳賴 亘乇 爻乇 蹖賴 丕鬲賮丕賯 賵丕丨丿 丕禺鬲賱丕賮 賳馗乇 賴丕蹖 夭蹖丕丿蹖 賵噩賵丿 丿丕卮鬲賴 亘丕卮丿.
丿乇 倬乇丿賴 丕賵賱 氐賮丨賴 郾鄯 讴鬲丕亘 賵賯鬲蹖 讴丕乇诏乇丿丕賳 丕夭 卮禺氐蹖鬲 倬丿乇 賲蹖倬乇爻賴 丕蹖賳 禺丕賳賲 夭賳 卮賲丕爻鬲責
芦倬丿乇: 亘賱賴 丌賯丕 夭賳 賲賳 丕爻鬲禄
诏賮鬲诏賵 賴丕 丕丿丕賲賴 倬蹖丿丕 賲蹖讴賳賴 貙 丿禺鬲乇禺丕賳賵丕丿賴 賮乇蹖丕丿 賲蹖夭賳賴 丿乇賵睾 丕爻鬲 丿乇賵睾 貙 賵噩丕蹖蹖 賲丕丿乇 禺丕賳賵丕丿賴 賮乇蹖丕丿 賲蹖夭賳賴:
賲丕丿乇: 亘乇丕蹖 賲賳 亘賵丿賴 丕賳丿 /責 亘乇丕蹖 賲賳 亘賵丿賴 丕賳丿責 噩乇丕卅鬲 賲蹖 讴賳蹖.....
賵 丿乇诏蹖乇蹖 賵 賳夭丕毓 亘蹖賳 卮禺氐蹖鬲 賴丕 亘乇 爻乇 丨賯蹖賯鬲 丕丿丕賲賴 倬蹖丿丕 賲蹖讴賳賴貙
丨鬲蹖 噩丕蹖蹖 讴賴 賲丕丿乇 賲蹖诏賴 賲賳 乇賵 亘蹖乇賵賳 讴乇丿 賵 倬丿乇 賲蹖诏賴 賲賳 賮讴乇 賲蹖讴乇丿賲 丿丕乇賲 亘賴鬲 禺賵亘蹖 賲蹖讴賳賲 賳卮賵賳 賲蹖丿賴 丨賯蹖賯鬲 趩賯丿乇 丕夭 賲賳馗乇 丌丿賲 賴丕蹖 賲禺鬲賱賮 賲鬲賮丕賵鬲 賴爻鬲.
" 鬲賲丕賲 亘丿亘禺鬲蹖 賲丕 丕夭 賴賲蹖賳 噩丕 賳丕卮蹖 賲蹖 卮賵丿 .丕夭 讴賱賲丕鬲.賴乇 讴丿丕賲 丕夭 賲丕 亘乇丕蹖 禺賵丿 丿賳蹖丕蹖蹖 丿丕乇蹖賲 賵 丕蹖賳 丿賳蹖丕 賴丕 賴賲賴 亘丕 賴賲 賮乇賯 丿丕乇賳丿. 賵 賲丕 趩胤賵乇 賲蹖 鬲賵丕賳蹖賲 賲賯氐賵丿 賴賲丿蹖诏乇 乇丕 丿乇讴 讴賳蹖賲責 趩賵賳 讴賱賲丕鬲蹖 乇丕 讴賴 賲賳 賲蹖 诏賵蹖賲 賲毓賳丕 賵 丕乇夭卮 亘禺氐賵氐蹖 丿丕乇丿 讴賴 賲乇亘賵胤 亘賴 丿賳蹖丕蹖 禺賵丿 賲賳 丕爻鬲 丿乇丨丕賱蹖 讴賴 亘賴 賳丕趩丕乇 賴賲蹖賳 讴賱賲丕鬲 亘乇丕蹖 卮賳賵賳丿賴 蹖 賲賳 賲毓賳丕 賵 丕乇夭卮 丿蹖诏乇蹖 倬蹖丿丕 賲蹖 讴賳丿.趩賵賳 丕蹖賳 讴賱賲丕鬲 亘賴 丿賳蹖丕蹖 禺賵丿 丕賵 賲乇亘賵胤 賲蹖卮賵丿.賲乇丿賲 禺蹖丕賱 賲蹖 讴賳賳丿 讴賴 賴賲丿蹖诏乇 乇丕 賲蹖 賮賴賲賳丿 丿乇 氐賵乇鬲蹖 讴賴 賴乇诏夭 丕蹖賳 胤賵乇 賳蹖爻鬲..." ( 氐賮丨賴 鄄郾 讴鬲丕亘)
賲賮賴賵賲 賲賴賲 丿蹖诏賴 丕蹖 讴賴 鬲賵蹖 讴鬲丕亘 亘乇乇爻蹖 賲蹖卮賴 賲賮賴賵賲 芦賴賵蹖鬲禄 賴爻鬲貙 卮禺氐蹖鬲 賴丕蹖蹖 讴賴 亘賴 爻丕賱賳 鬲卅丕鬲乇 賵丕乇丿 賲蹖 卮賵賳丿 丕匕毓丕賳 丿丕乇賳丿 讴賴 亘賴 丿賳亘丕賱 蹖讴 賳賵蹖爻賳丿賴 賴爻鬲賳丿 趩賵賳 鬲卅丕鬲乇 賵 賴賳乇 鬲賳賴丕 乇丕賴蹖 賴爻鬲 讴賴 丕賵賳 賴丕 賲蹖 鬲賵丕賳賳丿 賴賵蹖鬲 倬蹖丿丕 讴賳賳丿 賵 丕蹖賳 爻賵丕賱 丕爻丕爻蹖 賲胤乇丨 賲蹖 卮賴 讴賴 丌蹖丕 卮禺氐蹖鬲 賴丕 亘丿賵賳 賳賵蹖爻賳丿賴 丿丕乇丕蹖 賴賵蹖鬲 賲爻鬲賯賱 賴爻鬲賳丿 蹖丕 賳賴 責
賵 丕蹖賳 賴丕 爻賵丕賱丕鬲 賮賱爻賮蹖 賵 賮乇丕鬲卅丕鬲乇蹖 丕蹖 賴爻鬲 讴賴 賲胤乇丨 賲蹖 卮賴.
氐賮丨賴 郾鄄 讴鬲丕亘:
芦卮賲丕 丌丿賲 賴丕蹖蹖 禺賱賯 賲蹖 讴賳蹖丿 讴賴 丕夭 丌賳 賴丕蹖蹖 讴賴 丕爻賲 卮丕賳 丿乇 丿賮鬲乇 爻噩賱 賵 丕丨賵丕賱 孬亘鬲 卮丿賴 賵 賳賮爻 賲蹖 讴卮賳丿 賵 乇丕賴 賲蹖 乇賵賳丿 貙 夭賳丿賴 鬲乇賳丿 丌丿賲 賴丕蹖蹖 讴賴 诏乇趩賴 丨賯蹖賯鬲 丌賳 賴丕 讴賲 鬲乇 丕爻鬲 丕賲丕 丨賯蹖賯蹖 鬲乇 噩賱賵賴 賲蹖 讴賳賳丿禄
賴賲蹖賳 噩丕 賴賲 亘賴 亘乇乇爻蹖 丨賯蹖賯鬲 賲蹖 倬乇丿丕夭賴 貙 卮禺氐蹖鬲 賴丕蹖蹖 禺蹖丕賱蹖 亘丕 丨賯蹖賯鬲蹖 讴賲鬲乇 丕賲丕 丨賯蹖賯蹖 鬲乇.
蹖丕 氐賮丨賴 郾鄢 讴鬲丕亘:
芦禺丕賱賯蹖 讴賴 亘賴 賲丕 夭賳丿诏蹖 丿丕丿 賳禺賵丕爻鬲 蹖丕 毓賲賱丕 賳鬲賵丕賳爻鬲 賲丕 乇丕 丿乇 丿賳蹖丕蹖 賴賳乇 禺賱賯 讴賳丿 賵 丕蹖賳 蹖讴 噩賳丕蹖鬲 丕爻鬲 趩賵賳 丕诏乇 丕賳爻丕賳 丕蹖賳 卮丕賳爻 乇丕 丿丕卮鬲賴 亘丕卮丿 讴賴 賯賴乇賲丕賳 鬲卅丕鬲乇 禺賱賯 卮賵倬 貙賯賴乇賲丕賳 夭賳丿賴 丌賳 賵賯鬲 賴爻鬲 讴賴 賲蹖 鬲賵丕賳丿 亘賴 賲乇诏 亘禺賳丿丿禄
卮禺氐蹖鬲 賴丕 丕氐乇丕乇蹖 夭蹖丕丿蹖 丿丕乇賳丿 讴賴 賳賵卮鬲賴 亘卮賵賳丿 貙 丕賳诏丕乇賴賵蹖鬲 丕賵賳 賴丕 丕夭 胤乇蹖賯 賯氐賴 丕蹖 讴賴 丕夭卮賵賳 乇賵丕蹖鬲 賲蹖卮賴貙 亘丕夭诏賵賲蹖卮賴貙 賵 丕蹖賳 爻賵丕賱 亘乇丕蹖 禺賵丕賳賳丿賴 亘賴 賵噩賵丿 賲蹖 丌蹖丿 讴賴 鬲丕 趩賴 丨丿蹖 賴賵蹖鬲 賲丕 丕夭 胤乇蹖賯 乇賵丕蹖鬲 賴丕蹖 丿蹖诏乇丕賳 丿乇 賲賵乇丿 賲丕 鬲毓蹖蹖賳 賲蹖 卮賴.丕蹖賳讴賴 丕诏乇 賲丕 丿乇 賯丕賱亘 賴賳乇 乇賵丕蹖鬲 賳卮蹖賲 丌蹖丕 亘賴 賲賳夭賱賴 丕蹖賳 賴爻鬲 讴賴 賲丕 賵丕賯毓蹖 賳亘賵丿蹖賲 貙 賴賲趩賳蹖賳 賲蹖 卮賴 丕夭卮 亘賴 毓賳賵丕賳 賳賯丿蹖 亘乇丕蹖 讴丕乇诏乇丿丕賳 賴丕 賵 賳賵蹖爻賳丿賴 賴丕蹖 鬲卅丕鬲乇 蹖丕丿 讴乇丿.
卮禺氐蹖鬲 賴丕 亘賴 禺賵丿蹖 禺賵丿 丿乇 賳賲丕蹖卮賳丕賲賴 丨囟賵乇 丿丕乇賳丿 賵 噩丕蹖蹖 賯爻賲鬲蹖 丕夭 丕鬲賮丕賯丕鬲 乇禺 丿丕丿賴 乇賵 丕噩乇丕 賲蹖讴賳賳 賵 賵賯鬲蹖 丕賵賳 氐丨賳賴 賲噩丿丿丕 鬲賵爻胤 亘丕夭蹖诏乇賴丕 丕噩乇丕 賲蹖卮賴 賲丕 賲蹖亘蹖賳蹖賲 讴賴 讴賲蹖 鬲氐賳毓蹖 卮丿賴 賵 丨鬲蹖 卮禺氐蹖鬲 賴丕蹖 丕氐賱蹖 诏賱丕蹖賴 賲蹖讴賳賳丿 讴賴 丕蹖賳 賲丕 賳蹖爻鬲蹖賲 賵 丕蹖賳 丕賳鬲賯丕丿蹖 亘賴 讴賳鬲乇賱 诏乇蹖 賳賵蹖爻賳丿賴 賴丕 亘賴 卮賲丕乇 賲蹖丕丿 貙 賲賴賲 賳蹖爻鬲 丕孬乇蹖 讴賴 賲丕 賲蹖亘蹖賳蹖賲 賵 丕噩乇丕 賲蹖卮賴 鬲丕 趩賴 丨丿蹖 亘丕夭蹖诏乇丕賳 禺賵亘蹖 丿丕卮鬲賴 亘丕卮賴 讴賴 賲蹖鬲賵賳賳丿 丕丨爻丕爻丕鬲 乇賵 亘賴鬲乇 賳賲丕蹖卮 亘丿賴賳丿貙 亘丕夭賴賲 讴賲蹖 丕夭 丨賯蹖賯鬲 賵 賴賵蹖鬲 丕賮乇丕丿 丿乇 亘丕夭賳賲丕蹖蹖 丕夭 亘蹖賳 賲蹖乇賴 .
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( 鉂宻poiler alart 鉂�)
趩賵賳 賳賲丕蹖卮 賳丕賲賴 鬲賲 乇丕亘胤賴 亘丕 賲丨丕乇賲 丿丕乇賴 貙 蹖讴蹖 丕夭 賲賮丕賴蹖賲 丕氐賱蹖 讴賴 丿乇 讴鬲丕亘 亘賴 卮丿鬲 丿蹖丿賴 賲蹖卮賴 賵 卮禺氐蹖鬲 賴丕 亘丕賴丕卮 丿乇诏蹖乇 賴爻鬲賳丿 賲賮賴賵賲 卮乇賲 賴爻鬲.卮乇賲 乇禺 丿丕丿賳 蹖讴 爻乇蹖 丕夭 賲爻丕卅賱 賲禺丕胤亘 乇賵 丿乇诏蹖乇 賲蹖讴賳賴 貙 讴丕乇诏乇丿丕賳 丕夭 卮賳蹖丿賳卮賵賳 丿趩丕乇 卮乇賲 賲蹖卮賴 賵 丕匕毓丕賳 賲蹖讴賳賴 氐丨賳賴 鬲卅丕鬲乇 噩丕蹖蹖 亘乇丕蹖 亘丕夭蹖诏賵蹖蹖 丕蹖賳賯丿乇 賵丕囟丨 蹖讴 爻乇蹖 丕夭 賲爻丕卅賱 賳蹖爻鬲 貙 倬爻乇禺丕賳賵丕丿賴 丕夭 丕蹖賳讴賴 丕鬲賮丕賯 賴丕 亘丕夭诏賵 賲蹖卮賴 賵 倬丿乇卮 丕氐乇丕乇 夭蹖丕丿蹖 丿丕乇賴 讴賴 禺丕賳賵丕丿賴 丿乇 氐丨賳賴 鬲卅丕鬲乇 賳賲丕蹖卮 丿丕丿賴 亘卮賵賳丿 丿趩丕乇 卮乇賲 賲蹖卮賴貙 賲丕丿乇禺丕賳賵丕丿賴 鬲丨鬲 賮卮丕乇 夭蹖丕丿蹖 賴爻鬲 丕夭 爻賲鬲蹖 倬爻乇 禺賵丿卮 乇賵 乇賴丕 讴乇丿賴 賵 亘賴 丿賳亘丕賱 賮乇氐鬲蹖 賴爻鬲 讴賴 賮賯胤 亘乇丕蹖 賱丨馗丕鬲蹖 亘丕賴丕卮 氐丨亘鬲 讴賳賴 貙 賵丕夭 胤乇賮蹖 卮丕賴丿 毓卮賯 亘丕夭蹖 倬丿乇 禺丕賳賵丕丿賴 賵 丿禺鬲乇 亘賵丿賴 賵 鬲丕讴蹖丿 賲蹖讴賳賴 讴賴 賳亘丕蹖丿 賳賲丕蹖卮 賳丕賲賴 乇賵 丕噩乇丕 讴賳蹖賲 趩賵賳 丕蹖賳 丕鬲賮丕賯 丿乇 丨丕賱 乇禺 丿丕丿賳 賴爻鬲 貙 賴賲蹖卮賴 丿乇 丨丕賱 乇禺 丿丕丿賳 賴爻鬲 賵 丕蹖賳 賳卮賵賳 賲蹖 丿賴 讴賴 趩胤賵乇 蹖讴 丕鬲賮丕賯 賲蹖 鬲賵賳賴 鬲賲丕賲 夭賳丿诏蹖 賮乇丿 乇賵 丿乇 賲丨賵乇蹖鬲 禺賵丿卮 賯乇丕乇 亘丿賴 貙 丕夭胤乇賮蹖 倬丿乇 禺丕賳賵丕丿賴 丿趩丕乇 卮乇賲 賴爻鬲貙 丕賵賳 丕匕毓丕賳 賲蹖讴賳賴 讴賴 丿蹖丿賴 卮丿賳卮 鬲賵蹖 蹖讴 賵囟毓蹖鬲 禺丕氐 亘賴 丕蹖賳 賲毓賳蹖 賳蹖爻鬲 讴賴 丕賵賳 賴賲蹖卮賴 趩賳蹖賳 卮禺氐蹖鬲蹖 丿丕乇賴 賵 亘丕蹖丿 鬲丕 丕亘丿 亘乇丕蹖 蹖讴 丕卮鬲亘丕賴 賲丨讴賵賲 亘賲賵賳賴.
丿禺鬲乇 禺丕賳賵丕丿賴 丕夭 丕蹖賳讴賴 趩賳蹖賳 丕鬲賮丕賯蹖 亘乇丕卮 乇禺 丿丕丿賴 丿趩丕乇 卮乇賲 賴爻鬲 貙 賵丕匕毓丕賳 賲蹖讴賳賴 讴賴 倬丿乇卮 賴賲賵賳 囟乇亘賴 丕賵賱蹖賴 丕蹖 亘賵丿賴 讴賴 丕賵賳 乇賵 亘賴 倬乇鬲诏丕賴 倬乇鬲丕亘 讴乇丿賴貙 噩賳賵賳 卮禺氐蹖鬲蹖 丿乇 丿禺鬲乇 亘蹖卮鬲乇 丕夭 亘賯蹖賴 卮禺氐蹖鬲 賴丕 丿蹖丿賴 賲蹖卮賴貙 禺賳丿賴 賴丕蹖 賴蹖爻鬲乇蹖讴 賵 ...賵 丿禺鬲乇 鬲賯乇蹖亘丕 亘賴 鬲賲丕賲 卮禺氐蹖鬲 賴丕蹖 丿蹖诏賴 丿丕爻鬲丕賳 賴賲 卮乇賲 乇賵 丕賱賯丕 賲蹖讴賳賴貙 噩丕蹖蹖 倬爻乇 乇賵 夭蹖乇 爻賵丕賱 賲蹖亘乇賴 讴賴 趩乇丕 賳诏丕賴鬲 乇賵 丕夭 賲賳 賲蹖丿夭丿蹖 賵 诏賳丕賴讴丕乇蹖貙 賲丕丿乇卮 乇賵 亘乇丕蹖 睾賮賱鬲 丕夭 丨丕賱 丿禺鬲乇 亘趩賴 夭蹖乇 爻賵丕賱 賲蹖亘乇賴 賵 丕匕毓丕賳 丿丕乇賴 趩賵賳 賲丕丿乇 亘賴 丿賳亘丕賱 丨乇賮 夭丿賳 亘丕 倬爻乇 亘賵丿賴 丕夭 丨丕賱 丿禺鬲乇 亘趩賴 睾丕賮賱 卮丿賴 賵 亘丕毓孬 賲乇诏 丿禺鬲乇 亘趩賴 卮丿賴貙 噩賳亘賴 賴丕蹖 卮禺氐蹖鬲 倬丕乇丕賳賵蹖蹖丿 賵 丨鬲蹖 讴賲蹖 禺賵丿卮蹖賮鬲賴 亘賴 卮丿鬲 丿乇 丿禺鬲乇 賵噩賵丿 丿丕乇賴 貙 丕賵賳 倬丿乇卮 乇賵 賲鬲賴賲 賲蹖讴賳賴 讴賴 亘丕 賳賯卮賴 賯亘賱蹖 亘賴卮 賳夭丿蹖讴 卮丿賴 趩賵賳 丨鬲蹖 丕夭 丿賵乇丕賳 讴賵丿讴蹖 丿禺鬲乇 噩賱賵蹖 賲丿乇爻賴 丿禺鬲乇 賲賳鬲馗乇 賲蹖賲賵賳丿賴貙 丕賳诏丕乇倬丿乇 賲賳鬲馗乇 乇卮丿 丿禺鬲乇 賵 毓卮賯 亘丕夭蹖 亘丕 丕賵賳 亘賵丿賴貙 丕夭胤乇賮蹖 賲丕丿乇 乇賵 亘賴 毓賱鬲 睾賮賱鬲 賵 丕蹖賳讴賴 賳賲蹖丿賵賳爻鬲賴 禺丕賳賲 倬丕卅爻 丕賵賳 乇賵 賲噩亘賵乇 亘賴 賴賲 禺賵丕亘蹖 亘丕 倬丿乇卮 讴乇丿賴 賲鬲賴賲 賲蹖讴賳賴 賵 卮乇賲蹖 讴賴 丨鬲蹖 亘賴 倬爻乇 亘趩賴 丕賱賯丕 賲蹖讴賳賴 貙 噩丕蹖蹖 讴賴 倬爻乇 亘趩賴 鬲賮賳诏蹖 乇賵 鬲賵蹖 丿爻鬲卮 賯丕蹖賲 讴乇丿賴 亘乇 爻乇卮 賮乇蹖丕丿 賲蹖夭賳賴 讴賴 鬲賵 亘丕蹖丿 丕蹖賳 倬丿乇 賵 蹖丕 倬爻乇 乇賵 賲蹖讴卮鬲蹖貙 丕夭胤乇賮蹖 倬爻乇 禺丕賳賵丕丿賴 卮乇賲蹖 乇賵 亘賴 倬爻乇 亘趩賴 丕賱賯丕 賲蹖讴賳賴 讴賴 鬲賵 丿乇 丨丕賱 鬲賲丕卮丕蹖 賲乇诏 丿禺鬲乇 亘趩賴 亘賵丿蹖 賵 倬爻乇 亘趩賴 亘丕 丕蹖賳讴賴 讴丕賲賱丕 爻丕讴鬲 丿乇 丨丕賱 鬲賲丕卮丕 亘賵丿賴 貙 丕賵賳 賴賲 丕丨鬲賲丕賱丕 夭蹖乇 亘丕乇 賮卮丕乇 卮乇賲 讴卮鬲賴 卮丿賳 丿禺鬲乇 亘趩賴 亘賵丿賴 賵 賴賲蹖賳 亘丕毓孬 禺賵丿讴卮蹖 倬爻乇 亘趩賴 丿乇 丌禺乇 讴鬲丕亘 卮丿賴 .
丕夭 胤乇賮蹖 賵丕賯毓蹖鬲 趩賴 趩蹖夭蹖 賴爻鬲 丌蹖丕 毓賵囟 卮丿賳 亘丕夭蹖诏乇賴丕 賲蹖鬲賵賳賴 丨賯蹖賯鬲 乇賵 毓賵囟 讴賳賴 趩賵賳 禺賵丿 賵丕賯毓蹖 卮禺氐蹖鬲 賴丕 賳蹖爻鬲賳丿責
丕诏乇 亘禺賵丕賴蹖賲 卮禺氐蹖鬲 賴乇 讴丿賵賲 丕夭 讴丕乇丕讴鬲乇賴丕蹖 丿丕爻鬲丕賳 乇賵 丕夭 賲賳馗乇 乇賵丕賳 卮賳丕爻蹖 亘乇乇爻蹖 讴賳蹖賲貙 芦 倬丿乇 禄 乇賵 賲蹖 卮賴 卮禺氐蹖鬲蹖 禺賵丿卮蹖賮鬲賴 貙 賳賲丕蹖卮蹖 賵 讴賳鬲乇賱 诏乇 丿賵賳爻鬲 貙 倬丿乇 丿乇 賳賲丕蹖卮 賳丕賲賴 爻毓蹖 丿丕乇賴 乇賵賳丿 賳賲丕蹖卮 賳丕賲賴 乇賵 讴賳鬲乇賱 讴賳賴 賵 亘丕 丕蹖賳讴賴 亘禺卮 夭蹖丕丿蹖 丕夭 賲卮讴賱丕鬲 乇賵 禺賵丿卮 亘賴 賵噩賵丿 丌賵乇丿賴貙 丕氐乇丕乇 夭蹖丕丿蹖 丿丕乇賴 讴賴 賳賲丕蹖卮 賳丕賲賴 丕噩乇丕 亘卮賴 賵 丨鬲蹖 禺賵丿卮 賳賯卮 禺賵丿卮 乇賵 亘乇 毓賴丿賴 亘诏蹖乇賴.
鬲賵蹖 乇賵丕賳卮賳丕爻蹖 賵賯鬲蹖 蹖讴蹖 丕夭 丕亘毓丕丿 乇丕亘胤賴 趩賳蹖賳 卮禺氐蹖鬲蹖 丿丕乇賴 貙 亘毓丿 丿蹖诏乇 丿乇 丕蹖賳噩丕 芦賲丕丿乇 禄 爻毓蹖 賲蹖 讴賳賴 貙 丨鬲蹖 诏丕賴蹖 賳丕禺賵丿丌诏丕賴 貙 亘乇丕蹖 爻丕夭诏丕乇蹖 亘蹖卮鬲乇 鬲賵蹖 賳賯卮 芦卮禺氐蹖鬲 賵丕亘爻鬲賴禄 賮乇賵 亘乇賴貙 賲丕丿乇 丿乇 丕亘賳 賳賲丕蹖卮 賳丕賲賴 丿乇 賳賯卮 賯乇亘丕賳蹖 賮乇賵 乇賮鬲賴 賵 賵賯鬲蹖 丕夭 鬲氐賲蹖賲丕鬲 夭賳丿诏蹖卮 賲孬賱 夭賳丿诏蹖 亘丕 蹖讴 賲乇丿 丿蹖诏賴 爻賵丕賱 賲蹖卮賴 賲丕丿乇 賮乇蹖丕丿 賲蹖夭賳賴 丕蹖賳 鬲氐賲蹖賲 賲賳 賳亘賵丿賴 貙 亘賱讴賴 倬丿乇 賲賳 乇賵 賲噩亘賵乇 亘賴 賮乇丕乇 賵 夭賳丿诏蹖 亘丕 丕賵賳 賲乇丿 讴乇丿貙 賵丨鬲蹖 禺賵丿卮 乇賵 亘乇丕蹖 鬲乇讴 倬爻乇 賲賯氐乇 賳賲蹖丿賵賳賴 賵 亘賴 丿賳亘丕賱 賮乇氐鬲蹖 賴爻鬲 讴賴 亘乇丕卮 鬲賵囟蹖丨 亘丿賴貙 賵 丕诏乇 丕蹖賳 丕鬲賮丕賯 丿乇 賳賲丕蹖卮 賳丕賲賴 乇禺 賲蹖 丿丕丿 賲蹖鬲賵賳爻鬲蹖賲 賲胤賲卅賳 亘丕卮蹖賲 鬲賵囟蹖丨丕鬲 丿乇 賯丕賱亘 賯乇亘丕賳蹖 賵 卮禺氐蹖鬲 賵丕亘爻鬲賴 賲丕丿乇 亘賵丿.
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卮禺氐蹖鬲 丿禺鬲乇 鬲乇讴蹖亘蹖 丕夭 丿賵 卮禺氐蹖鬲 賴爻鬲 丿禺鬲乇 賴賲 丿乇 賳賯卮 賯乇亘丕賳蹖 賴賲 卮禺氐蹖鬲 賳賲丕蹖卮蹖 賵 賴蹖爻鬲乇蹖讴 賵 賴賲 爻乇夭賳卮 诏乇 賵 倬丕乇丕賳賵蹖蹖丿 丿乇 賳賲丕蹖卮 賳丕賲賴 丨囟賵乇 丿丕乇賴.
倬丿乇 賵 丿禺鬲乇 爻毓蹖 丿丕乇賳丿 讴賳鬲乇賱 賳賲丕蹖卮 乇賵 亘賴 丿爻鬲 亘诏蹖乇賳丿 賵 丕蹖賳 賳卮賵賳 丿賴賳丿賴 禺賵丿賲丨賵乇蹖 賴乇 丿賵蹖 丕蹖賳 卮禺氐蹖鬲 賴丕 賴爻鬲 鬲丕 噩丕蹖蹖 讴賴 讴丕乇诏乇丿丕賳 亘賴卮賵賳 賲鬲匕讴乇 賲蹖卮賴 讴賴 卮賲丕 賳賲蹖鬲賵賳蹖丿 鬲賲丕賲 賳賲丕蹖卮 乇賵 丕噩乇丕 讴賳蹖丿 賵 丕賮乇丕丿 丿锟斤拷诏賴 丨賯 丕亘乇丕夭 賵噩賵丿 丿丕乇賳丿.
倬爻乇 禺丕賳賵丕丿賴 乇賵 賲蹖卮賴 賳賲賵賳賴 亘丕乇夭 芦卮禺氐蹖鬲 丕噩鬲賳丕亘蹖禄 亘賴 卮賲丕乇 丌賵乇丿 貙 倬爻乇 讴賴 丿乇 讴賵丿讴蹖 鬲賵爻胤 賲丕丿乇 乇賴丕 賵 胤乇丿 卮丿賴 貙 乇賵丕亘胤卮 亘丕 倬丿乇 趩賳丿丕賳 禺賵亘 賳蹖爻鬲 賵 賴賲趩賳蹖賳 丕夭 亘丕夭诏卮鬲 賳丕诏賴丕賳蹖 賲丕丿乇 賵 丿禺鬲乇 賳丕乇丕丨鬲 賴爻鬲貙 亘丕毓孬 賲蹖卮賴 卮禺氐蹖鬲蹖 丕噩鬲賳丕亘蹖 丿丕卮鬲賴 亘丕卮賴 貙 倬爻乇丿乇 鬲賲丕賲 胤賵賱 賳賲丕蹖卮 丕夭 賵丕乇丿 诏賮鬲诏賵 卮丿賳 倬乇賴蹖夭 賲蹖 讴賳賴貙 丕氐乇丕乇丿丕乇賴 讴賴 賴蹖趩 氐丨賳賴 丕蹖 丕鬲賮丕賯 賳蹖賮鬲丕丿賴 賵 賳蹖丕夭蹖 賳蹖爻鬲 讴賴 丿乇 賳賲丕蹖卮 賳丕賲賴 亘丕夭蹖 讴賳賴.
卮禺氐蹖鬲 倬爻乇亘趩賴貙 卮禺氐蹖鬲蹖 禺丕賲 賵 卮讴賱 賳诏乇賮鬲賴 賴爻鬲 讴賴 賲賳丕爻亘 卮禺氐蹖鬲 蹖讴 讴賵丿讴 賴爻鬲貙 讴賵丿讴丕賳 賲毓賲賵賱丕 丿乇 賳賯胤賴 丕蹖 賲蹖 丕蹖爻鬲賳丿 賵 卮丕賴丿 鬲賳卮 賴丕蹖 禺丕賳賵丕丿賴 賴爻鬲賳丿 貙 丕賵賳賴丕 賴賲賴 趩蹖夭 乇賵 丨爻 賲蹖讴賳賳丿 丨鬲蹖 亘丕 丕蹖賳讴賴 賲賲讴賳賴 丕夭卮 氐丨亘鬲 賳讴賳賳丿 賵 賵賯鬲蹖 丿禺鬲乇 禺丕賳賵丕丿賴 丿蹖丿 丕爻賱丨賴 丕蹖 丿乇 丿爻鬲 倬爻乇 賴爻鬲 丕賵賳 乇賵 丕丨賲賯 禺胤丕亘 讴乇丿貙 倬爻乇亘趩賴 鬲丨鬲 賮卮丕乇 乇賵丕賳蹖 夭蹖丕丿 禺賵丿讴卮蹖 讴乇丿貙 卮禺氐蹖鬲 倬乇丿丕夭蹖 賴丕 賮賵賯 丕賱毓丕丿賴 毓丕賱蹖 賵 亘乇 丨爻亘 乇賵丕賳 卮賳丕爻蹖.
卮禺氐蹖鬲 丿禺鬲乇 亘趩賴 貙 卮禺氐蹖鬲蹖 丿乇 亘趩诏蹖 賵 賳卮丕胤 讴賵丿讴蹖 賴爻鬲 讴賴 丿乇 亘丕睾 賲卮睾賵賱 亘丕夭蹖 亘賵丿賴 賵 亘毓丿 鬲賵蹖 丨賵囟 賮賵鬲 卮丿賴貙 賲蹖卮賴 丕蹖賳胤賵乇 丿乇 賳馗乇 诏乇賮鬲 讴賴 丿禺鬲乇 亘趩賴 丿乇 賵丕賯毓 賮乇夭賳丿 卮禺氐蹖鬲 丿禺鬲乇 賴爻鬲.
讴丕乇诏乇丿丕賳 卮禺氐蹖鬲蹖 賲賳賮毓鬲 噩賵 賵 讴賳鬲乇賱 诏乇 丿丕乇賴 貙 爻毓蹖 賲蹖讴賳賴 氐丨賳賴 賵 亘丕夭蹖诏乇丕賳 乇賵 讴賳鬲乇賱 讴賳賴 賵 亘丿賵賳 鬲賵噩賴 亘賴 丕蹖賳讴賴 丨賵丕丿孬蹖 讴賴 丕鬲賮丕賯 丕賮鬲丕丿賳 趩賯丿乇 鬲賱禺 賴爻鬲賳丿 賮賯胤 丿乇丕賲 禺賵丿卮 乇賵 鬲賵賱蹖丿 讴賳賴 賵 丨鬲蹖 禺賵丿讴卮蹖 倬爻乇 亘趩賴 丿乇 氐丨賳賴 倬丕蹖丕賳蹖 賳賲蹖鬲賵賳賴 鬲丕孬蹖乇 夭蹖丕丿蹖 乇賵卮 亘匕丕乇賴 賵 賮賯胤 丕丨爻丕爻 賲蹖讴賳賴 蹖讴 乇賵夭 乇賵 丕夭 丿爻鬲 丿丕丿賴.
丕夭 胤乇賮蹖 禺賵丿 芦賴賳乇 禄 賵 芦 賴賳乇賲賳丿禄 蹖讴蹖 丕夭 賲賮丕賴蹖賲 丕氐賱蹖 讴鬲丕亘 賴爻鬲 貙 丕乇夭卮賲賳丿蹖 賴賳乇 貙 丕蹖賳讴賴 卮禺氐蹖鬲 賴丕 丨鬲蹖 亘丕 賵噩賵丿 鬲禺蹖賱蹖 亘賵丿賳 賵 丨賯蹖賯鬲 讴賲鬲乇 丨賯蹖賯蹖 鬲乇賳丿 賵 亘乇丕蹖 夭賳丿賴 賲丕賳丿賳 亘丕蹖丿 賳賵卮鬲賴 亘卮蹖賲 丕蹖賳讴賴 丌賮乇蹖丿賴 賳卮丿賳 丿乇 賯丕賱亘 蹖讴 卮禺氐蹖鬲 賴賳乇蹖 蹖讴 噩賳丕蹖鬲 賴爻鬲 賵 丨鬲蹖 丕蹖賳 賳賯丿 讴賴 卮禺氐蹖鬲 賴丕 亘乇丕蹖 賴賳乇賲賳丿丕賳 氐乇賮丕 蹖讴 丕亘夭丕乇 賴爻鬲賳丿.
倬丕蹖丕賳 賳賲丕蹖卮 蹖讴蹖 丕夭 亘賴鬲乇蹖賳 倬丕蹖丕賳 賴丕蹖 讴鬲丕亘 亘賵丿 亘賴 乇丕爻鬲蹖 讴賴 丕夭 丕蹖賳 亘賴鬲乇 賳賲蹖卮丿 貙 亘賵賲 丕賳诏丕乇 噩丕丿賵 蹖讴 賲乇鬲亘賴 丕夭 亘蹖賳 乇賮鬲賴 亘賵丿 貙 卮禺氐蹖鬲 賴丕 氐丨賳賴 乇賵 禺丕賱蹖 讴乇丿賳 賵 丿毓賵丕蹖 賳賴丕蹖蹖 亘乇 爻乇 丨賯蹖賯蹖 蹖丕 禺蹖丕賱蹖 亘賵丿賳 丕蹖賳 丿丕爻鬲丕賳 亘賵丿貙 讴丕乇诏乇丿丕賳 賮乇蹖丕丿 賲蹖讴卮賴 禺蹖丕賱蹖 蹖丕 賵丕賯毓蹖 賴賲诏蹖 诏賲 卮蹖丿....禺蹖賱蹖 禺蹖賱蹖 毓丕賱蹖 賵 賮賵賯 丕賱毓丕丿賴 賳賯胤賴 丕賵噩 丿丕爻鬲丕賳 倬丕蹖丕賳卮 亘賵丿 賵 丿丕爻鬲丕賳 丿乇 亘賴鬲乇蹖賳 噩丕蹖 賲賲讴賳 鬲賲賵賲 賲蹖卮賴 賵丕賯毓丕 賳賲蹖丿賵賳賲 趩胤賵乇 賲蹖鬲賵賳賲 丕蹖賳 倬丕蹖丕賳 賮賵賯 丕賱毓丕丿賴 乇賵 爻鬲丕蹖卮 讴賳賲 貙 賳賲丕蹖卮賳丕賲賴 丕蹖 禺蹖賱蹖 毓丕賱蹖貙 鬲乇丕跇丿蹖貙 丿乇丕賲亘丕 賲賯丿丕乇蹖 讴賲蹖 讴賲丿蹖 貙 賲賮丕賴賲蹖賲 禺蹖賱蹖 毓丕賱蹖貙 丨賯蹖賯鬲貙 賵丕賯毓蹖鬲貙 鬲禺蹖賱貙 卮乇賲貙 賴賵蹖鬲貙 禺賵丿讴卮蹖貙 乇丕亘胤賴 亘丕 賲丨丕乇賲 貙 蹖讴蹖 丕夭 亘賴鬲乇蹖賳 賳賲丕蹖卮 賳丕賲賴 賴丕蹖蹖 讴賴 禺賵賳丿賲 丿乇 爻亘讴 倬爻鬲 賲丿乇賳蹖爻賲 貙 賮賵賯 丕賱毓丕丿賴...賲賳 賳賲丕蹖卮賳丕賲賴 乇賵 丕夭 賳卮乇 賯胤乇賴 禺賵賳丿賲 亘丕 鬲乇噩賲賴 倬乇蹖 氐丕亘乇蹖 賵 趩蹖夭蹖 讴賴 賳丕乇丕丨鬲賲 賲蹖讴賳賴 丕蹖賳 賴爻鬲 讴賴 倬蹖卮 诏賮鬲丕乇蹖 讴賴 賳賵蹖爻賳丿賴 亘乇丕蹖 讴鬲丕亘 賳賵卮鬲賴 趩丕倬 賳卮丿賴 賵 丕賵賳 倬蹖卮 诏賮鬲丕乇 禺蹖賱蹖 毓丕賱蹖 賵 乇賵卮賳 讴賳賳丿賴 賴爻鬲 丕诏賴 鬲賵蹖 讴鬲丕亘鬲賵賳 賳亘賵丿 貙丨鬲賲丕 丕夭 賳爻禺賴 丕賳诏賱蹖爻蹖 倬蹖卮 诏賮鬲丕乇 賲鬲賳 乇賵 亘禺賵賳蹖丿 賵 賲爻卅賱賴 丿蹖诏賴 丕蹖 讴賴 賳丕乇丕丨鬲賲 讴乇丿 丕蹖賳 亘賵丿 讴賴 賲鬲乇噩賲 亘賴 賲鬲賳 賵賮丕丿丕乇 賳亘賵丿賴 賵 賵賯鬲蹖 賲賳 亘丕 賲鬲賳 丕賳诏賱蹖爻蹖 賲賯丕蹖爻賴 讴乇丿賲 丿蹖丿賲 賲鬲乇噩賲 賯爻賲鬲蹖 丕夭 鬲賵囟蹖丨丕鬲 氐丨賳賴 丕夭 丕亘鬲丿丕蹖 讴鬲丕亘 賵 賯爻賲鬲蹖 乇賵 賴賲 丕夭 丕賳鬲賴丕蹖 讴鬲丕亘 丨匕賮 讴乇丿賴貙賳賲蹖丿賵賳賲 鬲賵蹖 賳爻禺賴 賴丕蹖 丿蹖诏賴 鬲乇噩賲賴 卮丿賴 丕蹖賳 賯爻賲鬲 賴丕 賵噩賵丿 丿丕乇賳丿 蹖丕 賳賴 貙亘毓丿 丕夭 禺賵賳丿賳卮 丨鬲賲丕 丕爻賲 讴鬲丕亘 乇賵 亘賴 丕賳诏賱蹖爻蹖 丿乇 蹖賵鬲賵倬 爻乇趩 讴賳蹖丿 賵 賳賲丕蹖卮 賳丕賲賴 丕噩乇丕 卮丿賴 丕夭卮 乇賵 亘亘蹖賳蹖丿 讴賴 賱匕鬲 禺賵賳丿賳 讴鬲丕亘 乇賵 丿賵 趩賳丿丕賳 賲蹖讴賳賴.
賵賯鬲蹖 卮乇賵毓 亘賴 禺賵賳丿賳 賳賲丕蹖卮 賳丕賲賴 賲蹖讴賳蹖賲 賲鬲賵噩賴 賲蹖 卮蹖賲 讴賴 亘丕 蹖讴 賳賲丕蹖卮賳丕賲賴 毓丕丿蹖 爻乇賵讴丕乇 賳丿丕乇蹖賲貙 讴丕诏乇丿丕賳 賵 爻丕蹖乇 亘丕夭蹖诏乇丕賳 鬲卅丕鬲乇 賴賲 噩夭蹖蹖 丕夭 賳賲丕蹖卮 賳丕賲賴 賴爻鬲賳丿 貙 卮乇賵毓蹖 賲鬲賮丕賵鬲 亘乇丕蹖 賳賲丕蹖卮 賳丕賲賴.
亘丕夭蹖诏乇丕賳 賵 讴丕乇诏乇丿丕賳 鬲卅丕鬲乇 丿乇 丨丕賱 丌賲丕丿賴 卮丿賳 亘乇丕蹖 丕噩乇丕蹖 賳賲丕蹖卮 賳丕賲賴 賴爻鬲賳丿 讴賴 賳丕诏賴丕賳 卮卮 卮禺氐蹖鬲 亘賴 爻丕賱賳 鬲卅丕鬲乇 賵丕乇丿 賲蹖 卮賵賳丿 賵 丕匕毓丕賳 賲蹖讴賳賳丿 亘賴 丿賳亘丕賱 賳賵蹖爻賳丿賴 丕蹖 亘乇丕蹖 丿丕爻鬲丕賳 禺賵丿卮賵賳 賴爻鬲賳丿 趩賵賳 賳賵蹖爻賳丿賴 卮賵賳 丕賵賳 賴丕 乇賵 賳丕鬲賲丕賲 乇賴丕 讴乇丿賴貙 賴賲蹖賳賯丿乇丿蹖賵丕賳賴 讴賳賳丿賴 貙 鬲卅丕鬲乇蹖 亘丿丕賴賴 貙卮禺氐蹖鬲 賴丕 亘丕 丨丕賱鬲 噩賳賵賳 丌賲蹖乇蹖 卮乇賵毓 亘賴 卮乇丨 丨賯蹖賯鬲 賵 丿丕爻鬲丕賳 禺賵丿卮賵賳 賲蹖讴賳賳丿 賵 爻毓蹖 賲蹖讴賳賳丿 讴丕乇诏乇丿丕賳 乇賵 乇丕囟蹖 讴賳賳丿 讴賴 卮乇賵毓 亘賴 賳賵卮鬲賳 丿丕爻鬲丕賳 丕賵賳 賴丕 讴賳丿.賴賲 賲蹖卮賴 賳賲丕蹖卮賳丕賲賴 乇賵 倬賵趩 诏乇丕 丿乇 賳馗乇 诏乇賮鬲 趩賵賳 丿乇 丕賳鬲賴丕 賲毓賳丕蹖蹖 賵噩賵丿 賳丿丕乇賴 賵 賴賲 丕诏夭蹖爻鬲丕賳爻蹖丕賱 趩賵賳 卮禺氐蹖鬲 賴丕 亘賴 丿賳亘丕賱 賲毓賳蹖 賵 賳賵卮鬲賴 卮丿賳 賴爻鬲賳丿.
芦倬丿乇 : 丿乇 賵噩賵丿 賲丕 蹖讴 丿乇丕賲 丕爻鬲禄氐賮丨賴 郾鄢 讴鬲丕亘 .
賵 丕蹖賳 卮禺氐蹖鬲 卮乇賵毓 亘賴 诏賮鬲賳 丿乇丕賲 夭賳丿诏蹖 禺賵丿卮賵賳 賲蹖 讴賳賳丿 賴乇 卮禺氐蹖鬲 丕夭 賲賳馗乇 禺賵丿卮 丨賯丕蹖賯 丕鬲賮丕賯 丕賮鬲丕丿賴 乇賵 亘蹖丕賳 賲蹖 讴賳丿 鬲丕 丿丕爻鬲丕賳 卮讴賱 亘诏蹖乇賴貙 卮禺氐蹖鬲 賴丕 夭賳丿賴 賴爻鬲 賵 丿乇诏蹖乇蹖 卮賵賳 亘乇 爻乇 丨賯蹖賯鬲 亘丕毓孬 賲蹖卮賴 鬲賲丕卮丕诏乇 丕蹖賳 爻賵丕賱 乇賵 丕夭 禺賵丿卮 亘倬乇爻賴 讴賴 亘賴 乇丕爻鬲蹖 丨賯蹖賯鬲 趩賴 趩蹖夭蹖 賴爻鬲 貙 賵亘賴 丕蹖賳 丿乇讴 賲蹖乇爻賴 讴賴 丨賯蹖賯鬲 趩蹖夭蹖 賳爻亘蹖 賴爻鬲.賲賮賴賵賲 丨賯蹖賯鬲 亘丕乇賴丕 丿乇 丕蹖賳 讴鬲丕亘 賲賵乇丿 亘乇乇爻蹖 賯乇丕乇 賲蹖诏蹖乇賴 賵 賲蹖亘蹖賳蹖賲 讴賴 卮禺氐蹖鬲 賴丕 趩胤賵乇 丨賯丕蹖賯 丕鬲賮丕賯 丕賮鬲丕丿賴 乇賵 丕夭 賲賳馗乇 禺賵丿卮賵賳 賲蹖亘蹖賳賳 賵 賲賲讴賳賴 亘乇 爻乇 蹖賴 丕鬲賮丕賯 賵丕丨丿 丕禺鬲賱丕賮 賳馗乇 賴丕蹖 夭蹖丕丿蹖 賵噩賵丿 丿丕卮鬲賴 亘丕卮丿.
丿乇 倬乇丿賴 丕賵賱 氐賮丨賴 郾鄯 讴鬲丕亘 賵賯鬲蹖 讴丕乇诏乇丿丕賳 丕夭 卮禺氐蹖鬲 倬丿乇 賲蹖倬乇爻賴 丕蹖賳 禺丕賳賲 夭賳 卮賲丕爻鬲責
芦倬丿乇: 亘賱賴 丌賯丕 夭賳 賲賳 丕爻鬲禄
诏賮鬲诏賵 賴丕 丕丿丕賲賴 倬蹖丿丕 賲蹖讴賳賴 貙 丿禺鬲乇禺丕賳賵丕丿賴 賮乇蹖丕丿 賲蹖夭賳賴 丿乇賵睾 丕爻鬲 丿乇賵睾 貙 賵噩丕蹖蹖 賲丕丿乇 禺丕賳賵丕丿賴 賮乇蹖丕丿 賲蹖夭賳賴:
賲丕丿乇: 亘乇丕蹖 賲賳 亘賵丿賴 丕賳丿 /責 亘乇丕蹖 賲賳 亘賵丿賴 丕賳丿責 噩乇丕卅鬲 賲蹖 讴賳蹖.....
賵 丿乇诏蹖乇蹖 賵 賳夭丕毓 亘蹖賳 卮禺氐蹖鬲 賴丕 亘乇 爻乇 丨賯蹖賯鬲 丕丿丕賲賴 倬蹖丿丕 賲蹖讴賳賴貙
丨鬲蹖 噩丕蹖蹖 讴賴 賲丕丿乇 賲蹖诏賴 賲賳 乇賵 亘蹖乇賵賳 讴乇丿 賵 倬丿乇 賲蹖诏賴 賲賳 賮讴乇 賲蹖讴乇丿賲 丿丕乇賲 亘賴鬲 禺賵亘蹖 賲蹖讴賳賲 賳卮賵賳 賲蹖丿賴 丨賯蹖賯鬲 趩賯丿乇 丕夭 賲賳馗乇 丌丿賲 賴丕蹖 賲禺鬲賱賮 賲鬲賮丕賵鬲 賴爻鬲.
" 鬲賲丕賲 亘丿亘禺鬲蹖 賲丕 丕夭 賴賲蹖賳 噩丕 賳丕卮蹖 賲蹖 卮賵丿 .丕夭 讴賱賲丕鬲.賴乇 讴丿丕賲 丕夭 賲丕 亘乇丕蹖 禺賵丿 丿賳蹖丕蹖蹖 丿丕乇蹖賲 賵 丕蹖賳 丿賳蹖丕 賴丕 賴賲賴 亘丕 賴賲 賮乇賯 丿丕乇賳丿. 賵 賲丕 趩胤賵乇 賲蹖 鬲賵丕賳蹖賲 賲賯氐賵丿 賴賲丿蹖诏乇 乇丕 丿乇讴 讴賳蹖賲責 趩賵賳 讴賱賲丕鬲蹖 乇丕 讴賴 賲賳 賲蹖 诏賵蹖賲 賲毓賳丕 賵 丕乇夭卮 亘禺氐賵氐蹖 丿丕乇丿 讴賴 賲乇亘賵胤 亘賴 丿賳蹖丕蹖 禺賵丿 賲賳 丕爻鬲 丿乇丨丕賱蹖 讴賴 亘賴 賳丕趩丕乇 賴賲蹖賳 讴賱賲丕鬲 亘乇丕蹖 卮賳賵賳丿賴 蹖 賲賳 賲毓賳丕 賵 丕乇夭卮 丿蹖诏乇蹖 倬蹖丿丕 賲蹖 讴賳丿.趩賵賳 丕蹖賳 讴賱賲丕鬲 亘賴 丿賳蹖丕蹖 禺賵丿 丕賵 賲乇亘賵胤 賲蹖卮賵丿.賲乇丿賲 禺蹖丕賱 賲蹖 讴賳賳丿 讴賴 賴賲丿蹖诏乇 乇丕 賲蹖 賮賴賲賳丿 丿乇 氐賵乇鬲蹖 讴賴 賴乇诏夭 丕蹖賳 胤賵乇 賳蹖爻鬲..." ( 氐賮丨賴 鄄郾 讴鬲丕亘)
賲賮賴賵賲 賲賴賲 丿蹖诏賴 丕蹖 讴賴 鬲賵蹖 讴鬲丕亘 亘乇乇爻蹖 賲蹖卮賴 賲賮賴賵賲 芦賴賵蹖鬲禄 賴爻鬲貙 卮禺氐蹖鬲 賴丕蹖蹖 讴賴 亘賴 爻丕賱賳 鬲卅丕鬲乇 賵丕乇丿 賲蹖 卮賵賳丿 丕匕毓丕賳 丿丕乇賳丿 讴賴 亘賴 丿賳亘丕賱 蹖讴 賳賵蹖爻賳丿賴 賴爻鬲賳丿 趩賵賳 鬲卅丕鬲乇 賵 賴賳乇 鬲賳賴丕 乇丕賴蹖 賴爻鬲 讴賴 丕賵賳 賴丕 賲蹖 鬲賵丕賳賳丿 賴賵蹖鬲 倬蹖丿丕 讴賳賳丿 賵 丕蹖賳 爻賵丕賱 丕爻丕爻蹖 賲胤乇丨 賲蹖 卮賴 讴賴 丌蹖丕 卮禺氐蹖鬲 賴丕 亘丿賵賳 賳賵蹖爻賳丿賴 丿丕乇丕蹖 賴賵蹖鬲 賲爻鬲賯賱 賴爻鬲賳丿 蹖丕 賳賴 責
賵 丕蹖賳 賴丕 爻賵丕賱丕鬲 賮賱爻賮蹖 賵 賮乇丕鬲卅丕鬲乇蹖 丕蹖 賴爻鬲 讴賴 賲胤乇丨 賲蹖 卮賴.
氐賮丨賴 郾鄄 讴鬲丕亘:
芦卮賲丕 丌丿賲 賴丕蹖蹖 禺賱賯 賲蹖 讴賳蹖丿 讴賴 丕夭 丌賳 賴丕蹖蹖 讴賴 丕爻賲 卮丕賳 丿乇 丿賮鬲乇 爻噩賱 賵 丕丨賵丕賱 孬亘鬲 卮丿賴 賵 賳賮爻 賲蹖 讴卮賳丿 賵 乇丕賴 賲蹖 乇賵賳丿 貙 夭賳丿賴 鬲乇賳丿 丌丿賲 賴丕蹖蹖 讴賴 诏乇趩賴 丨賯蹖賯鬲 丌賳 賴丕 讴賲 鬲乇 丕爻鬲 丕賲丕 丨賯蹖賯蹖 鬲乇 噩賱賵賴 賲蹖 讴賳賳丿禄
賴賲蹖賳 噩丕 賴賲 亘賴 亘乇乇爻蹖 丨賯蹖賯鬲 賲蹖 倬乇丿丕夭賴 貙 卮禺氐蹖鬲 賴丕蹖蹖 禺蹖丕賱蹖 亘丕 丨賯蹖賯鬲蹖 讴賲鬲乇 丕賲丕 丨賯蹖賯蹖 鬲乇.
蹖丕 氐賮丨賴 郾鄢 讴鬲丕亘:
芦禺丕賱賯蹖 讴賴 亘賴 賲丕 夭賳丿诏蹖 丿丕丿 賳禺賵丕爻鬲 蹖丕 毓賲賱丕 賳鬲賵丕賳爻鬲 賲丕 乇丕 丿乇 丿賳蹖丕蹖 賴賳乇 禺賱賯 讴賳丿 賵 丕蹖賳 蹖讴 噩賳丕蹖鬲 丕爻鬲 趩賵賳 丕诏乇 丕賳爻丕賳 丕蹖賳 卮丕賳爻 乇丕 丿丕卮鬲賴 亘丕卮丿 讴賴 賯賴乇賲丕賳 鬲卅丕鬲乇 禺賱賯 卮賵倬 貙賯賴乇賲丕賳 夭賳丿賴 丌賳 賵賯鬲 賴爻鬲 讴賴 賲蹖 鬲賵丕賳丿 亘賴 賲乇诏 亘禺賳丿丿禄
卮禺氐蹖鬲 賴丕 丕氐乇丕乇蹖 夭蹖丕丿蹖 丿丕乇賳丿 讴賴 賳賵卮鬲賴 亘卮賵賳丿 貙 丕賳诏丕乇賴賵蹖鬲 丕賵賳 賴丕 丕夭 胤乇蹖賯 賯氐賴 丕蹖 讴賴 丕夭卮賵賳 乇賵丕蹖鬲 賲蹖卮賴貙 亘丕夭诏賵賲蹖卮賴貙 賵 丕蹖賳 爻賵丕賱 亘乇丕蹖 禺賵丕賳賳丿賴 亘賴 賵噩賵丿 賲蹖 丌蹖丿 讴賴 鬲丕 趩賴 丨丿蹖 賴賵蹖鬲 賲丕 丕夭 胤乇蹖賯 乇賵丕蹖鬲 賴丕蹖 丿蹖诏乇丕賳 丿乇 賲賵乇丿 賲丕 鬲毓蹖蹖賳 賲蹖 卮賴.丕蹖賳讴賴 丕诏乇 賲丕 丿乇 賯丕賱亘 賴賳乇 乇賵丕蹖鬲 賳卮蹖賲 丌蹖丕 亘賴 賲賳夭賱賴 丕蹖賳 賴爻鬲 讴賴 賲丕 賵丕賯毓蹖 賳亘賵丿蹖賲 貙 賴賲趩賳蹖賳 賲蹖 卮賴 丕夭卮 亘賴 毓賳賵丕賳 賳賯丿蹖 亘乇丕蹖 讴丕乇诏乇丿丕賳 賴丕 賵 賳賵蹖爻賳丿賴 賴丕蹖 鬲卅丕鬲乇 蹖丕丿 讴乇丿.
卮禺氐蹖鬲 賴丕 亘賴 禺賵丿蹖 禺賵丿 丿乇 賳賲丕蹖卮賳丕賲賴 丨囟賵乇 丿丕乇賳丿 賵 噩丕蹖蹖 賯爻賲鬲蹖 丕夭 丕鬲賮丕賯丕鬲 乇禺 丿丕丿賴 乇賵 丕噩乇丕 賲蹖讴賳賳 賵 賵賯鬲蹖 丕賵賳 氐丨賳賴 賲噩丿丿丕 鬲賵爻胤 亘丕夭蹖诏乇賴丕 丕噩乇丕 賲蹖卮賴 賲丕 賲蹖亘蹖賳蹖賲 讴賴 讴賲蹖 鬲氐賳毓蹖 卮丿賴 賵 丨鬲蹖 卮禺氐蹖鬲 賴丕蹖 丕氐賱蹖 诏賱丕蹖賴 賲蹖讴賳賳丿 讴賴 丕蹖賳 賲丕 賳蹖爻鬲蹖賲 賵 丕蹖賳 丕賳鬲賯丕丿蹖 亘賴 讴賳鬲乇賱 诏乇蹖 賳賵蹖爻賳丿賴 賴丕 亘賴 卮賲丕乇 賲蹖丕丿 貙 賲賴賲 賳蹖爻鬲 丕孬乇蹖 讴賴 賲丕 賲蹖亘蹖賳蹖賲 賵 丕噩乇丕 賲蹖卮賴 鬲丕 趩賴 丨丿蹖 亘丕夭蹖诏乇丕賳 禺賵亘蹖 丿丕卮鬲賴 亘丕卮賴 讴賴 賲蹖鬲賵賳賳丿 丕丨爻丕爻丕鬲 乇賵 亘賴鬲乇 賳賲丕蹖卮 亘丿賴賳丿貙 亘丕夭賴賲 讴賲蹖 丕夭 丨賯蹖賯鬲 賵 賴賵蹖鬲 丕賮乇丕丿 丿乇 亘丕夭賳賲丕蹖蹖 丕夭 亘蹖賳 賲蹖乇賴 .
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( 鉂宻poiler alart 鉂�)
趩賵賳 賳賲丕蹖卮 賳丕賲賴 鬲賲 乇丕亘胤賴 亘丕 賲丨丕乇賲 丿丕乇賴 貙 蹖讴蹖 丕夭 賲賮丕賴蹖賲 丕氐賱蹖 讴賴 丿乇 讴鬲丕亘 亘賴 卮丿鬲 丿蹖丿賴 賲蹖卮賴 賵 卮禺氐蹖鬲 賴丕 亘丕賴丕卮 丿乇诏蹖乇 賴爻鬲賳丿 賲賮賴賵賲 卮乇賲 賴爻鬲.卮乇賲 乇禺 丿丕丿賳 蹖讴 爻乇蹖 丕夭 賲爻丕卅賱 賲禺丕胤亘 乇賵 丿乇诏蹖乇 賲蹖讴賳賴 貙 讴丕乇诏乇丿丕賳 丕夭 卮賳蹖丿賳卮賵賳 丿趩丕乇 卮乇賲 賲蹖卮賴 賵 丕匕毓丕賳 賲蹖讴賳賴 氐丨賳賴 鬲卅丕鬲乇 噩丕蹖蹖 亘乇丕蹖 亘丕夭蹖诏賵蹖蹖 丕蹖賳賯丿乇 賵丕囟丨 蹖讴 爻乇蹖 丕夭 賲爻丕卅賱 賳蹖爻鬲 貙 倬爻乇禺丕賳賵丕丿賴 丕夭 丕蹖賳讴賴 丕鬲賮丕賯 賴丕 亘丕夭诏賵 賲蹖卮賴 賵 倬丿乇卮 丕氐乇丕乇 夭蹖丕丿蹖 丿丕乇賴 讴賴 禺丕賳賵丕丿賴 丿乇 氐丨賳賴 鬲卅丕鬲乇 賳賲丕蹖卮 丿丕丿賴 亘卮賵賳丿 丿趩丕乇 卮乇賲 賲蹖卮賴貙 賲丕丿乇禺丕賳賵丕丿賴 鬲丨鬲 賮卮丕乇 夭蹖丕丿蹖 賴爻鬲 丕夭 爻賲鬲蹖 倬爻乇 禺賵丿卮 乇賵 乇賴丕 讴乇丿賴 賵 亘賴 丿賳亘丕賱 賮乇氐鬲蹖 賴爻鬲 讴賴 賮賯胤 亘乇丕蹖 賱丨馗丕鬲蹖 亘丕賴丕卮 氐丨亘鬲 讴賳賴 貙 賵丕夭 胤乇賮蹖 卮丕賴丿 毓卮賯 亘丕夭蹖 倬丿乇 禺丕賳賵丕丿賴 賵 丿禺鬲乇 亘賵丿賴 賵 鬲丕讴蹖丿 賲蹖讴賳賴 讴賴 賳亘丕蹖丿 賳賲丕蹖卮 賳丕賲賴 乇賵 丕噩乇丕 讴賳蹖賲 趩賵賳 丕蹖賳 丕鬲賮丕賯 丿乇 丨丕賱 乇禺 丿丕丿賳 賴爻鬲 貙 賴賲蹖卮賴 丿乇 丨丕賱 乇禺 丿丕丿賳 賴爻鬲 賵 丕蹖賳 賳卮賵賳 賲蹖 丿賴 讴賴 趩胤賵乇 蹖讴 丕鬲賮丕賯 賲蹖 鬲賵賳賴 鬲賲丕賲 夭賳丿诏蹖 賮乇丿 乇賵 丿乇 賲丨賵乇蹖鬲 禺賵丿卮 賯乇丕乇 亘丿賴 貙 丕夭胤乇賮蹖 倬丿乇 禺丕賳賵丕丿賴 丿趩丕乇 卮乇賲 賴爻鬲貙 丕賵賳 丕匕毓丕賳 賲蹖讴賳賴 讴賴 丿蹖丿賴 卮丿賳卮 鬲賵蹖 蹖讴 賵囟毓蹖鬲 禺丕氐 亘賴 丕蹖賳 賲毓賳蹖 賳蹖爻鬲 讴賴 丕賵賳 賴賲蹖卮賴 趩賳蹖賳 卮禺氐蹖鬲蹖 丿丕乇賴 賵 亘丕蹖丿 鬲丕 丕亘丿 亘乇丕蹖 蹖讴 丕卮鬲亘丕賴 賲丨讴賵賲 亘賲賵賳賴.
丿禺鬲乇 禺丕賳賵丕丿賴 丕夭 丕蹖賳讴賴 趩賳蹖賳 丕鬲賮丕賯蹖 亘乇丕卮 乇禺 丿丕丿賴 丿趩丕乇 卮乇賲 賴爻鬲 貙 賵丕匕毓丕賳 賲蹖讴賳賴 讴賴 倬丿乇卮 賴賲賵賳 囟乇亘賴 丕賵賱蹖賴 丕蹖 亘賵丿賴 讴賴 丕賵賳 乇賵 亘賴 倬乇鬲诏丕賴 倬乇鬲丕亘 讴乇丿賴貙 噩賳賵賳 卮禺氐蹖鬲蹖 丿乇 丿禺鬲乇 亘蹖卮鬲乇 丕夭 亘賯蹖賴 卮禺氐蹖鬲 賴丕 丿蹖丿賴 賲蹖卮賴貙 禺賳丿賴 賴丕蹖 賴蹖爻鬲乇蹖讴 賵 ...賵 丿禺鬲乇 鬲賯乇蹖亘丕 亘賴 鬲賲丕賲 卮禺氐蹖鬲 賴丕蹖 丿蹖诏賴 丿丕爻鬲丕賳 賴賲 卮乇賲 乇賵 丕賱賯丕 賲蹖讴賳賴貙 噩丕蹖蹖 倬爻乇 乇賵 夭蹖乇 爻賵丕賱 賲蹖亘乇賴 讴賴 趩乇丕 賳诏丕賴鬲 乇賵 丕夭 賲賳 賲蹖丿夭丿蹖 賵 诏賳丕賴讴丕乇蹖貙 賲丕丿乇卮 乇賵 亘乇丕蹖 睾賮賱鬲 丕夭 丨丕賱 丿禺鬲乇 亘趩賴 夭蹖乇 爻賵丕賱 賲蹖亘乇賴 賵 丕匕毓丕賳 丿丕乇賴 趩賵賳 賲丕丿乇 亘賴 丿賳亘丕賱 丨乇賮 夭丿賳 亘丕 倬爻乇 亘賵丿賴 丕夭 丨丕賱 丿禺鬲乇 亘趩賴 睾丕賮賱 卮丿賴 賵 亘丕毓孬 賲乇诏 丿禺鬲乇 亘趩賴 卮丿賴貙 噩賳亘賴 賴丕蹖 卮禺氐蹖鬲 倬丕乇丕賳賵蹖蹖丿 賵 丨鬲蹖 讴賲蹖 禺賵丿卮蹖賮鬲賴 亘賴 卮丿鬲 丿乇 丿禺鬲乇 賵噩賵丿 丿丕乇賴 貙 丕賵賳 倬丿乇卮 乇賵 賲鬲賴賲 賲蹖讴賳賴 讴賴 亘丕 賳賯卮賴 賯亘賱蹖 亘賴卮 賳夭丿蹖讴 卮丿賴 趩賵賳 丨鬲蹖 丕夭 丿賵乇丕賳 讴賵丿讴蹖 丿禺鬲乇 噩賱賵蹖 賲丿乇爻賴 丿禺鬲乇 賲賳鬲馗乇 賲蹖賲賵賳丿賴貙 丕賳诏丕乇倬丿乇 賲賳鬲馗乇 乇卮丿 丿禺鬲乇 賵 毓卮賯 亘丕夭蹖 亘丕 丕賵賳 亘賵丿賴貙 丕夭胤乇賮蹖 賲丕丿乇 乇賵 亘賴 毓賱鬲 睾賮賱鬲 賵 丕蹖賳讴賴 賳賲蹖丿賵賳爻鬲賴 禺丕賳賲 倬丕卅爻 丕賵賳 乇賵 賲噩亘賵乇 亘賴 賴賲 禺賵丕亘蹖 亘丕 倬丿乇卮 讴乇丿賴 賲鬲賴賲 賲蹖讴賳賴 賵 卮乇賲蹖 讴賴 丨鬲蹖 亘賴 倬爻乇 亘趩賴 丕賱賯丕 賲蹖讴賳賴 貙 噩丕蹖蹖 讴賴 倬爻乇 亘趩賴 鬲賮賳诏蹖 乇賵 鬲賵蹖 丿爻鬲卮 賯丕蹖賲 讴乇丿賴 亘乇 爻乇卮 賮乇蹖丕丿 賲蹖夭賳賴 讴賴 鬲賵 亘丕蹖丿 丕蹖賳 倬丿乇 賵 蹖丕 倬爻乇 乇賵 賲蹖讴卮鬲蹖貙 丕夭胤乇賮蹖 倬爻乇 禺丕賳賵丕丿賴 卮乇賲蹖 乇賵 亘賴 倬爻乇 亘趩賴 丕賱賯丕 賲蹖讴賳賴 讴賴 鬲賵 丿乇 丨丕賱 鬲賲丕卮丕蹖 賲乇诏 丿禺鬲乇 亘趩賴 亘賵丿蹖 賵 倬爻乇 亘趩賴 亘丕 丕蹖賳讴賴 讴丕賲賱丕 爻丕讴鬲 丿乇 丨丕賱 鬲賲丕卮丕 亘賵丿賴 貙 丕賵賳 賴賲 丕丨鬲賲丕賱丕 夭蹖乇 亘丕乇 賮卮丕乇 卮乇賲 讴卮鬲賴 卮丿賳 丿禺鬲乇 亘趩賴 亘賵丿賴 賵 賴賲蹖賳 亘丕毓孬 禺賵丿讴卮蹖 倬爻乇 亘趩賴 丿乇 丌禺乇 讴鬲丕亘 卮丿賴 .
丕夭 胤乇賮蹖 賵丕賯毓蹖鬲 趩賴 趩蹖夭蹖 賴爻鬲 丌蹖丕 毓賵囟 卮丿賳 亘丕夭蹖诏乇賴丕 賲蹖鬲賵賳賴 丨賯蹖賯鬲 乇賵 毓賵囟 讴賳賴 趩賵賳 禺賵丿 賵丕賯毓蹖 卮禺氐蹖鬲 賴丕 賳蹖爻鬲賳丿責
丕诏乇 亘禺賵丕賴蹖賲 卮禺氐蹖鬲 賴乇 讴丿賵賲 丕夭 讴丕乇丕讴鬲乇賴丕蹖 丿丕爻鬲丕賳 乇賵 丕夭 賲賳馗乇 乇賵丕賳 卮賳丕爻蹖 亘乇乇爻蹖 讴賳蹖賲貙 芦 倬丿乇 禄 乇賵 賲蹖 卮賴 卮禺氐蹖鬲蹖 禺賵丿卮蹖賮鬲賴 貙 賳賲丕蹖卮蹖 賵 讴賳鬲乇賱 诏乇 丿賵賳爻鬲 貙 倬丿乇 丿乇 賳賲丕蹖卮 賳丕賲賴 爻毓蹖 丿丕乇賴 乇賵賳丿 賳賲丕蹖卮 賳丕賲賴 乇賵 讴賳鬲乇賱 讴賳賴 賵 亘丕 丕蹖賳讴賴 亘禺卮 夭蹖丕丿蹖 丕夭 賲卮讴賱丕鬲 乇賵 禺賵丿卮 亘賴 賵噩賵丿 丌賵乇丿賴貙 丕氐乇丕乇 夭蹖丕丿蹖 丿丕乇賴 讴賴 賳賲丕蹖卮 賳丕賲賴 丕噩乇丕 亘卮賴 賵 丨鬲蹖 禺賵丿卮 賳賯卮 禺賵丿卮 乇賵 亘乇 毓賴丿賴 亘诏蹖乇賴.
鬲賵蹖 乇賵丕賳卮賳丕爻蹖 賵賯鬲蹖 蹖讴蹖 丕夭 丕亘毓丕丿 乇丕亘胤賴 趩賳蹖賳 卮禺氐蹖鬲蹖 丿丕乇賴 貙 亘毓丿 丿蹖诏乇 丿乇 丕蹖賳噩丕 芦賲丕丿乇 禄 爻毓蹖 賲蹖 讴賳賴 貙 丨鬲蹖 诏丕賴蹖 賳丕禺賵丿丌诏丕賴 貙 亘乇丕蹖 爻丕夭诏丕乇蹖 亘蹖卮鬲乇 鬲賵蹖 賳賯卮 芦卮禺氐蹖鬲 賵丕亘爻鬲賴禄 賮乇賵 亘乇賴貙 賲丕丿乇 丿乇 丕亘賳 賳賲丕蹖卮 賳丕賲賴 丿乇 賳賯卮 賯乇亘丕賳蹖 賮乇賵 乇賮鬲賴 賵 賵賯鬲蹖 丕夭 鬲氐賲蹖賲丕鬲 夭賳丿诏蹖卮 賲孬賱 夭賳丿诏蹖 亘丕 蹖讴 賲乇丿 丿蹖诏賴 爻賵丕賱 賲蹖卮賴 賲丕丿乇 賮乇蹖丕丿 賲蹖夭賳賴 丕蹖賳 鬲氐賲蹖賲 賲賳 賳亘賵丿賴 貙 亘賱讴賴 倬丿乇 賲賳 乇賵 賲噩亘賵乇 亘賴 賮乇丕乇 賵 夭賳丿诏蹖 亘丕 丕賵賳 賲乇丿 讴乇丿貙 賵丨鬲蹖 禺賵丿卮 乇賵 亘乇丕蹖 鬲乇讴 倬爻乇 賲賯氐乇 賳賲蹖丿賵賳賴 賵 亘賴 丿賳亘丕賱 賮乇氐鬲蹖 賴爻鬲 讴賴 亘乇丕卮 鬲賵囟蹖丨 亘丿賴貙 賵 丕诏乇 丕蹖賳 丕鬲賮丕賯 丿乇 賳賲丕蹖卮 賳丕賲賴 乇禺 賲蹖 丿丕丿 賲蹖鬲賵賳爻鬲蹖賲 賲胤賲卅賳 亘丕卮蹖賲 鬲賵囟蹖丨丕鬲 丿乇 賯丕賱亘 賯乇亘丕賳蹖 賵 卮禺氐蹖鬲 賵丕亘爻鬲賴 賲丕丿乇 亘賵丿.
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卮禺氐蹖鬲 丿禺鬲乇 鬲乇讴蹖亘蹖 丕夭 丿賵 卮禺氐蹖鬲 賴爻鬲 丿禺鬲乇 賴賲 丿乇 賳賯卮 賯乇亘丕賳蹖 賴賲 卮禺氐蹖鬲 賳賲丕蹖卮蹖 賵 賴蹖爻鬲乇蹖讴 賵 賴賲 爻乇夭賳卮 诏乇 賵 倬丕乇丕賳賵蹖蹖丿 丿乇 賳賲丕蹖卮 賳丕賲賴 丨囟賵乇 丿丕乇賴.
倬丿乇 賵 丿禺鬲乇 爻毓蹖 丿丕乇賳丿 讴賳鬲乇賱 賳賲丕蹖卮 乇賵 亘賴 丿爻鬲 亘诏蹖乇賳丿 賵 丕蹖賳 賳卮賵賳 丿賴賳丿賴 禺賵丿賲丨賵乇蹖 賴乇 丿賵蹖 丕蹖賳 卮禺氐蹖鬲 賴丕 賴爻鬲 鬲丕 噩丕蹖蹖 讴賴 讴丕乇诏乇丿丕賳 亘賴卮賵賳 賲鬲匕讴乇 賲蹖卮賴 讴賴 卮賲丕 賳賲蹖鬲賵賳蹖丿 鬲賲丕賲 賳賲丕蹖卮 乇賵 丕噩乇丕 讴賳蹖丿 賵 丕賮乇丕丿 丿锟斤拷诏賴 丨賯 丕亘乇丕夭 賵噩賵丿 丿丕乇賳丿.
倬爻乇 禺丕賳賵丕丿賴 乇賵 賲蹖卮賴 賳賲賵賳賴 亘丕乇夭 芦卮禺氐蹖鬲 丕噩鬲賳丕亘蹖禄 亘賴 卮賲丕乇 丌賵乇丿 貙 倬爻乇 讴賴 丿乇 讴賵丿讴蹖 鬲賵爻胤 賲丕丿乇 乇賴丕 賵 胤乇丿 卮丿賴 貙 乇賵丕亘胤卮 亘丕 倬丿乇 趩賳丿丕賳 禺賵亘 賳蹖爻鬲 賵 賴賲趩賳蹖賳 丕夭 亘丕夭诏卮鬲 賳丕诏賴丕賳蹖 賲丕丿乇 賵 丿禺鬲乇 賳丕乇丕丨鬲 賴爻鬲貙 亘丕毓孬 賲蹖卮賴 卮禺氐蹖鬲蹖 丕噩鬲賳丕亘蹖 丿丕卮鬲賴 亘丕卮賴 貙 倬爻乇丿乇 鬲賲丕賲 胤賵賱 賳賲丕蹖卮 丕夭 賵丕乇丿 诏賮鬲诏賵 卮丿賳 倬乇賴蹖夭 賲蹖 讴賳賴貙 丕氐乇丕乇丿丕乇賴 讴賴 賴蹖趩 氐丨賳賴 丕蹖 丕鬲賮丕賯 賳蹖賮鬲丕丿賴 賵 賳蹖丕夭蹖 賳蹖爻鬲 讴賴 丿乇 賳賲丕蹖卮 賳丕賲賴 亘丕夭蹖 讴賳賴.
卮禺氐蹖鬲 倬爻乇亘趩賴貙 卮禺氐蹖鬲蹖 禺丕賲 賵 卮讴賱 賳诏乇賮鬲賴 賴爻鬲 讴賴 賲賳丕爻亘 卮禺氐蹖鬲 蹖讴 讴賵丿讴 賴爻鬲貙 讴賵丿讴丕賳 賲毓賲賵賱丕 丿乇 賳賯胤賴 丕蹖 賲蹖 丕蹖爻鬲賳丿 賵 卮丕賴丿 鬲賳卮 賴丕蹖 禺丕賳賵丕丿賴 賴爻鬲賳丿 貙 丕賵賳賴丕 賴賲賴 趩蹖夭 乇賵 丨爻 賲蹖讴賳賳丿 丨鬲蹖 亘丕 丕蹖賳讴賴 賲賲讴賳賴 丕夭卮 氐丨亘鬲 賳讴賳賳丿 賵 賵賯鬲蹖 丿禺鬲乇 禺丕賳賵丕丿賴 丿蹖丿 丕爻賱丨賴 丕蹖 丿乇 丿爻鬲 倬爻乇 賴爻鬲 丕賵賳 乇賵 丕丨賲賯 禺胤丕亘 讴乇丿貙 倬爻乇亘趩賴 鬲丨鬲 賮卮丕乇 乇賵丕賳蹖 夭蹖丕丿 禺賵丿讴卮蹖 讴乇丿貙 卮禺氐蹖鬲 倬乇丿丕夭蹖 賴丕 賮賵賯 丕賱毓丕丿賴 毓丕賱蹖 賵 亘乇 丨爻亘 乇賵丕賳 卮賳丕爻蹖.
卮禺氐蹖鬲 丿禺鬲乇 亘趩賴 貙 卮禺氐蹖鬲蹖 丿乇 亘趩诏蹖 賵 賳卮丕胤 讴賵丿讴蹖 賴爻鬲 讴賴 丿乇 亘丕睾 賲卮睾賵賱 亘丕夭蹖 亘賵丿賴 賵 亘毓丿 鬲賵蹖 丨賵囟 賮賵鬲 卮丿賴貙 賲蹖卮賴 丕蹖賳胤賵乇 丿乇 賳馗乇 诏乇賮鬲 讴賴 丿禺鬲乇 亘趩賴 丿乇 賵丕賯毓 賮乇夭賳丿 卮禺氐蹖鬲 丿禺鬲乇 賴爻鬲.
讴丕乇诏乇丿丕賳 卮禺氐蹖鬲蹖 賲賳賮毓鬲 噩賵 賵 讴賳鬲乇賱 诏乇 丿丕乇賴 貙 爻毓蹖 賲蹖讴賳賴 氐丨賳賴 賵 亘丕夭蹖诏乇丕賳 乇賵 讴賳鬲乇賱 讴賳賴 賵 亘丿賵賳 鬲賵噩賴 亘賴 丕蹖賳讴賴 丨賵丕丿孬蹖 讴賴 丕鬲賮丕賯 丕賮鬲丕丿賳 趩賯丿乇 鬲賱禺 賴爻鬲賳丿 賮賯胤 丿乇丕賲 禺賵丿卮 乇賵 鬲賵賱蹖丿 讴賳賴 賵 丨鬲蹖 禺賵丿讴卮蹖 倬爻乇 亘趩賴 丿乇 氐丨賳賴 倬丕蹖丕賳蹖 賳賲蹖鬲賵賳賴 鬲丕孬蹖乇 夭蹖丕丿蹖 乇賵卮 亘匕丕乇賴 賵 賮賯胤 丕丨爻丕爻 賲蹖讴賳賴 蹖讴 乇賵夭 乇賵 丕夭 丿爻鬲 丿丕丿賴.
丕夭 胤乇賮蹖 禺賵丿 芦賴賳乇 禄 賵 芦 賴賳乇賲賳丿禄 蹖讴蹖 丕夭 賲賮丕賴蹖賲 丕氐賱蹖 讴鬲丕亘 賴爻鬲 貙 丕乇夭卮賲賳丿蹖 賴賳乇 貙 丕蹖賳讴賴 卮禺氐蹖鬲 賴丕 丨鬲蹖 亘丕 賵噩賵丿 鬲禺蹖賱蹖 亘賵丿賳 賵 丨賯蹖賯鬲 讴賲鬲乇 丨賯蹖賯蹖 鬲乇賳丿 賵 亘乇丕蹖 夭賳丿賴 賲丕賳丿賳 亘丕蹖丿 賳賵卮鬲賴 亘卮蹖賲 丕蹖賳讴賴 丌賮乇蹖丿賴 賳卮丿賳 丿乇 賯丕賱亘 蹖讴 卮禺氐蹖鬲 賴賳乇蹖 蹖讴 噩賳丕蹖鬲 賴爻鬲 賵 丨鬲蹖 丕蹖賳 賳賯丿 讴賴 卮禺氐蹖鬲 賴丕 亘乇丕蹖 賴賳乇賲賳丿丕賳 氐乇賮丕 蹖讴 丕亘夭丕乇 賴爻鬲賳丿.
倬丕蹖丕賳 賳賲丕蹖卮 蹖讴蹖 丕夭 亘賴鬲乇蹖賳 倬丕蹖丕賳 賴丕蹖 讴鬲丕亘 亘賵丿 亘賴 乇丕爻鬲蹖 讴賴 丕夭 丕蹖賳 亘賴鬲乇 賳賲蹖卮丿 貙 亘賵賲 丕賳诏丕乇 噩丕丿賵 蹖讴 賲乇鬲亘賴 丕夭 亘蹖賳 乇賮鬲賴 亘賵丿 貙 卮禺氐蹖鬲 賴丕 氐丨賳賴 乇賵 禺丕賱蹖 讴乇丿賳 賵 丿毓賵丕蹖 賳賴丕蹖蹖 亘乇 爻乇 丨賯蹖賯蹖 蹖丕 禺蹖丕賱蹖 亘賵丿賳 丕蹖賳 丿丕爻鬲丕賳 亘賵丿貙 讴丕乇诏乇丿丕賳 賮乇蹖丕丿 賲蹖讴卮賴 禺蹖丕賱蹖 蹖丕 賵丕賯毓蹖 賴賲诏蹖 诏賲 卮蹖丿....禺蹖賱蹖 禺蹖賱蹖 毓丕賱蹖 賵 賮賵賯 丕賱毓丕丿賴 賳賯胤賴 丕賵噩 丿丕爻鬲丕賳 倬丕蹖丕賳卮 亘賵丿 賵 丿丕爻鬲丕賳 丿乇 亘賴鬲乇蹖賳 噩丕蹖 賲賲讴賳 鬲賲賵賲 賲蹖卮賴 賵丕賯毓丕 賳賲蹖丿賵賳賲 趩胤賵乇 賲蹖鬲賵賳賲 丕蹖賳 倬丕蹖丕賳 賮賵賯 丕賱毓丕丿賴 乇賵 爻鬲丕蹖卮 讴賳賲 貙 賳賲丕蹖卮賳丕賲賴 丕蹖 禺蹖賱蹖 毓丕賱蹖貙 鬲乇丕跇丿蹖貙 丿乇丕賲亘丕 賲賯丿丕乇蹖 讴賲蹖 讴賲丿蹖 貙 賲賮丕賴賲蹖賲 禺蹖賱蹖 毓丕賱蹖貙 丨賯蹖賯鬲貙 賵丕賯毓蹖鬲貙 鬲禺蹖賱貙 卮乇賲貙 賴賵蹖鬲貙 禺賵丿讴卮蹖貙 乇丕亘胤賴 亘丕 賲丨丕乇賲 貙 蹖讴蹖 丕夭 亘賴鬲乇蹖賳 賳賲丕蹖卮 賳丕賲賴 賴丕蹖蹖 讴賴 禺賵賳丿賲 丿乇 爻亘讴 倬爻鬲 賲丿乇賳蹖爻賲 貙 賮賵賯 丕賱毓丕丿賴...賲賳 賳賲丕蹖卮賳丕賲賴 乇賵 丕夭 賳卮乇 賯胤乇賴 禺賵賳丿賲 亘丕 鬲乇噩賲賴 倬乇蹖 氐丕亘乇蹖 賵 趩蹖夭蹖 讴賴 賳丕乇丕丨鬲賲 賲蹖讴賳賴 丕蹖賳 賴爻鬲 讴賴 倬蹖卮 诏賮鬲丕乇蹖 讴賴 賳賵蹖爻賳丿賴 亘乇丕蹖 讴鬲丕亘 賳賵卮鬲賴 趩丕倬 賳卮丿賴 賵 丕賵賳 倬蹖卮 诏賮鬲丕乇 禺蹖賱蹖 毓丕賱蹖 賵 乇賵卮賳 讴賳賳丿賴 賴爻鬲 丕诏賴 鬲賵蹖 讴鬲丕亘鬲賵賳 賳亘賵丿 貙丨鬲賲丕 丕夭 賳爻禺賴 丕賳诏賱蹖爻蹖 倬蹖卮 诏賮鬲丕乇 賲鬲賳 乇賵 亘禺賵賳蹖丿 賵 賲爻卅賱賴 丿蹖诏賴 丕蹖 讴賴 賳丕乇丕丨鬲賲 讴乇丿 丕蹖賳 亘賵丿 讴賴 賲鬲乇噩賲 亘賴 賲鬲賳 賵賮丕丿丕乇 賳亘賵丿賴 賵 賵賯鬲蹖 賲賳 亘丕 賲鬲賳 丕賳诏賱蹖爻蹖 賲賯丕蹖爻賴 讴乇丿賲 丿蹖丿賲 賲鬲乇噩賲 賯爻賲鬲蹖 丕夭 鬲賵囟蹖丨丕鬲 氐丨賳賴 丕夭 丕亘鬲丿丕蹖 讴鬲丕亘 賵 賯爻賲鬲蹖 乇賵 賴賲 丕夭 丕賳鬲賴丕蹖 讴鬲丕亘 丨匕賮 讴乇丿賴貙賳賲蹖丿賵賳賲 鬲賵蹖 賳爻禺賴 賴丕蹖 丿蹖诏賴 鬲乇噩賲賴 卮丿賴 丕蹖賳 賯爻賲鬲 賴丕 賵噩賵丿 丿丕乇賳丿 蹖丕 賳賴 貙亘毓丿 丕夭 禺賵賳丿賳卮 丨鬲賲丕 丕爻賲 讴鬲丕亘 乇賵 亘賴 丕賳诏賱蹖爻蹖 丿乇 蹖賵鬲賵倬 爻乇趩 讴賳蹖丿 賵 賳賲丕蹖卮 賳丕賲賴 丕噩乇丕 卮丿賴 丕夭卮 乇賵 亘亘蹖賳蹖丿 讴賴 賱匕鬲 禺賵賳丿賳 讴鬲丕亘 乇賵 丿賵 趩賳丿丕賳 賲蹖讴賳賴.
January 7, 2018
賲囟賲賵賳 賳賲丕蹖卮賳丕賲賴貙 賮乇賲 丌賳 賵 賲賵囟賵毓蹖 讴賴 丕蹖賳 卮卮 卮禺氐蹖鬲 爻毓蹖 丿乇 賳卮丕賳 丿丕丿賳卮 丿丕乇賳丿貙 丕氐丕賱鬲 賵丕賯毓蹖鬲 丕爻鬲. 鬲兀讴蹖丿 倬丿乇 賵 賳丕丿禺鬲乇蹖 亘賴 禺氐賵氐 亘乇 丕蹖賳 賲爻卅賱賴 丕爻鬲 讴賴 丌賳鈥屬囏� 卮禺氐蹖鬲鈥屬囏й� 賵丕賯毓蹖 賴爻鬲賳丿 賵 丌賳鈥屭嗁� 亘丕夭蹖诏乇丕賳 丕蹖賮丕 賲蹖鈥屭┵嗁嗀� 讴倬蹖 賳丕丿乇爻鬲 賵 賳丕賯氐蹖 丕夭 賵丕賯毓蹖鬲 丕氐賱蹖 丕爻鬲. 丕蹖賳 卮禺氐蹖鬲鈥屬囏� 讴賴 亘乇爻丕禺鬲賴鈥屰� 鬲禺蹖賾賱 賳賵蹖爻賳丿賴鈥屫簇з� 賴爻鬲賳丿 丌賳鈥屭嗁嗀з� 丿乇 丿乇丕賲 卮禺氐蹖鬲蹖 禺賵丿 睾乇賯 卮丿賴鈥屫з嗀� 讴賴 亘丕夭蹖诏乇丕賳 丨乇賮賴鈥屫й� 鬲卅丕鬲乇 乇丕 亘賴 鬲賲丕卮丕蹖 禺賵丿 賵丕丿丕乇 賲蹖鈥屭┵嗁嗀�. 丕蹖賳鈥屫� 丿蹖诏乇 賲鬲賳蹖 賵噩賵丿 賳丿丕乇丿. 賲丐賱賮蹖 丿乇 讴丕乇 賳蹖爻鬲 趩乇丕 讴賴 卮禺氐蹖鬲鈥屬囏� 亘毓丿 丕夭 爻丕禺鬲賴 卮丿賳貙 亘賴 夭賳丿诏蹖鈥屫簇з� 丕丿丕賲賴 賲蹖鈥屫囐嗀� 丨鬲蹖 丕诏乇 賲丐賱賮 賲購乇丿賴 亘丕卮丿. 丕賲丕 亘賴 賳馗乇 賲蹖鈥屫必池� 讴賴 賲禺丕胤亘 丿乇 噩爻鬲噩賵蹖 賵丕賯毓蹖鬲 賳蹖爻鬲. 賲賴賲 賳蹖爻鬲 賵丕賯毓蹖鬲 趩賴 亘賵丿賴 亘丕卮丿 丕诏乇 亘丕 卮诏賮鬲鈥屫藏� 讴賲鈥屫臂� 賴賲乇丕賴 亘丕卮丿貙 丿乇 丕蹖賳鈥屫蒂堌必� 賲禺丕胤亘 賵丕賯毓蹖鬲 丿爻鬲鈥屭┴ж臂� 卮丿賴 乇丕 鬲乇噩蹖丨 賲蹖鈥屫囏�.
July 21, 2015
丕賵賱蹖賳 讴丕乇蹖 亘賵丿 讴賴 丕夭 倬蹖乇丕賳丿賱賵 賲蹖 禺賵賳丿賲. 丕賵賳賯丿乇 禺賵亘 亘賵丿 讴賴 賳鬲賵賳爻鬲賲 讴鬲丕亘 乇賵 夭賲蹖賳 亘匕丕乇賲 賵 鬲丕 丌禺乇 禺賵賳丿賲卮.
賳賲丕蹖卮賳丕賲賴 丕蹖 囟丿鬲卅丕鬲乇 蹖丕 亘賴 賳賵毓蹖 丕賳毓讴丕爻蹖 讴賴 丕賳賯丿乇 亘丕 賲乇夭 亘蹖賳 禺蹖丕賱 賵 賵丕賯毓蹖鬲 亘丕夭蹖 賲蹖 讴賳賴 讴賴 诏丕賴蹖 賲賳 賲禺丕胤亘 賴賲 亘賴鬲 夭丿賴 賲蹖 賲賵賳賲 讴賴 趩蹖 乇賵 亘丕賵乇 讴賳賲. 趩蹖 賵丕賯毓丕 丨賯蹖賯鬲賴 賵 趩蹖 賵丕賯毓丕 禺蹖丕賱責 趩蹖夭蹖 賴爻鬲 讴賴 丕賵賳丕 乇賵 噩丿丕 讴賳賴責
倬蹖乇丕賳丿賱賵 賲丿丕賲 丿乇 賲賵乇丿 匕賴賳蹖鬲 丌丿賲 賴丕 亘賴 賲爻丕卅賱 亘丨孬 賲蹖 讴賳賴 賵 賳卮賵賳 賲蹖 丿賴 讴賴 丕夭 丿蹖丿诏丕賴 賴丕蹖 賲鬲賮丕賵鬲 賲爻丕卅賱 亘賴 诏賵賳賴 賴丕蹖 賲禺鬲賱賮蹖 噩賱賵賴 賲蹖 讴賳賳. 丕夭 賳馗乇 卮卮 卮禺氐蹖鬲 夭賳丿诏蹖 丕賵賳丕 賵丕賯毓蹖鬲賴貙 丨賯蹖賯鬲賴 讴賴 賳蹖丕夭蹖 亘賴 亘丕夭蹖 讴乇丿賳 賳丿丕乇賴 賵 丕夭 賳馗乇 讴丕乇诏乇丿丕賳 賵 诏乇賵賴 亘丕夭蹖诏乇丕賳 夭賳丿诏蹖 丕賵賳丕 賮賯胤 蹖賴 賯氐賴 丕爻鬲 讴賴 賯乇丕乇賴 亘丕夭蹖 亘卮賴.
诏丕賴 亘賴 诏丕賴 賴賲 賲亘丕丨孬蹖 丿乇 賲賵乇丿 乇賵丕蹖鬲 丿丕爻鬲丕賳 賴丕 賵 卮亘蹖賴 爻丕夭蹖 丕賵賳丕 亘賴 賵丕賯毓蹖鬲 賲胤乇丨 賲蹖 卮賴 賵 亘賴 氐乇丕丨鬲 亘蹖丕賳 賲蹖 卮賴 讴賴 讴丕乇 鬲卅丕鬲乇 蹖丕 亘賴 胤賵乇 讴賱蹖 賴賳乇 賴賲蹖賳賴.
胤乇丨 賳賲丕蹖卮蹖 讴丕乇 乇賵 亘賴 卮丿鬲 丿賵爻鬲 丿丕卮鬲賲. 卮丕蹖丿 丕賱丕賳 讴賲蹖 鬲讴乇丕乇蹖 亘賴 賳馗乇 亘乇爻賴 丕賲丕 亘乇丕蹖 禺賵丿卮 趩蹖夭 讴丕賲賱丕 賳丕亘蹖 亘賵丿賴 亘賴 禺氐賵氐 賳賵毓 趩蹖賳卮蹖 讴賴 倬蹖乇丕賳丿賱賵 亘乇丕蹖 倬蹖卮亘乇丿 胤乇丨 丕賳鬲禺丕亘 讴乇丿賴. 丕蹖賳 讴賴 丕蹖賳 卮禺氐蹖鬲 賴丕 禺賱賯 卮丿賴 丕賳貙 丿乇丕賲 乇賵 鬲賵蹖 禺賵丿卮賵賳 丿丕乇賳 丕賲丕 亘爻鬲乇蹖 賳蹖爻鬲 讴賴 丕賵賳 乇賵 丕噩乇丕 讴賳賳 蹖丕 賵丕賯毓蹖鬲卮 乇賵 亘丕夭蹖 讴賳賳 賵 賵賯鬲蹖 丕蹖賳 亘爻鬲乇 倬蹖丿丕 賲蹖 卮賴 賵 丕賵賳 賴丕 賴乇 讴丿賵賲 丕夭 夭丕賵蹖賴 蹖 丿蹖丿 禺賵丿卮賵賳 丕賵賳 乇賵 丕乇丕卅賴 賲蹖 讴賳賳貙 乇賵丕蹖鬲 夭賳丿賴 賲蹖 卮賴 賵 丿蹖诏賴 禺蹖丕賱 賳蹖爻鬲貙 賯氐賴 賳蹖爻鬲 賵 噩賵賳 丿丕乇賴 賵 蹖讴 噩丕蹖蹖 賴賲 亘賴 倬丕蹖丕賳 賲蹖 乇爻賴.
丿乇 賳诏丕賴蹖 丿蹖诏賴 賴賲 賲蹖 卮賴 丕賳鬲賯丕丿賴丕蹖蹖 乇賵 讴賴 倬蹖乇丕賳丿賱賵 亘賴 鬲卅丕鬲乇 毓氐乇 禺賵丿卮 賵 賳賲丕蹖卮賳丕賲賴 賳賵蹖爻 賴丕 賵 賲禺丕胤亘 賲胤乇丨 賲蹖 讴賳賴 蹖丕 丨鬲蹖 丕賳鬲賯丕丿賴丕蹖 丕噩鬲賲丕毓蹖 丕蹖 讴賴 亘蹖丕賳 賲蹖 讴賳賴. 丕賳鬲賯丕丿賴丕蹖蹖 丿乇 賲賵乇丿 乇賵丕亘胤 賲蹖丕賳 丌丿賲 賴丕 賵 噩丕賲毓賴 丕蹖 讴賴 亘毓囟蹖 賳賯卮 賴丕 乇賵 亘賴 丕噩亘丕乇 亘賴卮賵賳 賲蹖 丿賴 賵 蹖丕 賳賯丕亘 賴丕蹖蹖 讴賴 丌丿賲 賴丕 禺賵丕爻鬲賴 蹖丕 賳丕禺賵丕爻鬲賴 亘乇丕蹖 禺賵丿卮賵賳 丕賳鬲禺丕亘 賲蹖 讴賳賳 賵 诏丕賴蹖 丕賵賳賯丿乇 亘丕賴丕卮 蹖讴蹖 賲蹖 卮賳 讴賴 賮乇丕賲賵卮 賲蹖 讴賳賳 丕蹖賳 禺賵丿卮賵賳 賳蹖爻鬲賳. 鬲賵蹖 亘丨孬 賳賯丕亘 賴丕 禺賵丿 倬蹖乇丕賳丿賱賵 鬲丕讴蹖丿 禺丕氐蹖 丿丕乇賴 讴賴 丕蹖賳 卮卮 卮禺氐蹖鬲 亘丕 賳賯丕亘 丕夭 亘丕夭蹖诏乇丕賳 賲鬲賲丕蹖夭 亘卮賳 賵 丕賳诏丕乇 趩蹖夭蹖 亘蹖卮鬲乇 丕夭 蹖讴 賳賯丕亘 氐乇賮 乇賵 賲蹖 禺賵丕丿 丕乇丕卅賴 亘丿賴 讴賴 卮丕蹖丿 噩夭賵 丕賳丿蹖卮賴 丕卮 亘丕卮賴-丕賱亘鬲賴 讴賴 亘丕蹖丿 讴丕乇賴丕蹖 丿蹖诏賴 丕卮 乇賵 亘禺賵賳賲 鬲丕 亘賴 丕蹖賳 賲賵囟賵毓 倬蹖 亘亘乇賲- 賵 丿睾丿睾賴 丕卮 乇賵 丕夭 丕蹖賳 胤乇蹖賯 賴賲 賲鬲匕讴乇 賲蹖 卮賴.
丕毓鬲乇丕賮 賲蹖 讴賳賲 讴賴 亘毓囟蹖 賲賵丕賯毓 倬乇丨乇賮蹖 卮卮 卮禺氐蹖鬲 賵 丕蹖賳 乇賵丕蹖鬲 讴乇丿賳 卮賮丕賴蹖 诏匕卮鬲賴 亘丿賵賳 丕噩乇丕 丿乇 夭賲丕賳 丨丕賱 賵 夭賳丿賴 讴乇丿賳 賲丕噩乇丕 丌夭丕乇賲 賲蹖 丿丕丿 丕賲丕 趩蹖夭蹖 讴賴 丿乇賲賵乇丿 鬲賲丕蹖夭 亘蹖賳 賵丕賯毓蹖鬲 賵 禺蹖丕賱 賲胤乇丨 賲蹖 讴乇丿賳 亘丕毓孬 賲蹖 卮丿 讴賴 倬蹖卮 亘乇賲.
賳賲丕蹖卮賳丕賲賴 丕蹖 囟丿鬲卅丕鬲乇 蹖丕 亘賴 賳賵毓蹖 丕賳毓讴丕爻蹖 讴賴 丕賳賯丿乇 亘丕 賲乇夭 亘蹖賳 禺蹖丕賱 賵 賵丕賯毓蹖鬲 亘丕夭蹖 賲蹖 讴賳賴 讴賴 诏丕賴蹖 賲賳 賲禺丕胤亘 賴賲 亘賴鬲 夭丿賴 賲蹖 賲賵賳賲 讴賴 趩蹖 乇賵 亘丕賵乇 讴賳賲. 趩蹖 賵丕賯毓丕 丨賯蹖賯鬲賴 賵 趩蹖 賵丕賯毓丕 禺蹖丕賱責 趩蹖夭蹖 賴爻鬲 讴賴 丕賵賳丕 乇賵 噩丿丕 讴賳賴責
倬蹖乇丕賳丿賱賵 賲丿丕賲 丿乇 賲賵乇丿 匕賴賳蹖鬲 丌丿賲 賴丕 亘賴 賲爻丕卅賱 亘丨孬 賲蹖 讴賳賴 賵 賳卮賵賳 賲蹖 丿賴 讴賴 丕夭 丿蹖丿诏丕賴 賴丕蹖 賲鬲賮丕賵鬲 賲爻丕卅賱 亘賴 诏賵賳賴 賴丕蹖 賲禺鬲賱賮蹖 噩賱賵賴 賲蹖 讴賳賳. 丕夭 賳馗乇 卮卮 卮禺氐蹖鬲 夭賳丿诏蹖 丕賵賳丕 賵丕賯毓蹖鬲賴貙 丨賯蹖賯鬲賴 讴賴 賳蹖丕夭蹖 亘賴 亘丕夭蹖 讴乇丿賳 賳丿丕乇賴 賵 丕夭 賳馗乇 讴丕乇诏乇丿丕賳 賵 诏乇賵賴 亘丕夭蹖诏乇丕賳 夭賳丿诏蹖 丕賵賳丕 賮賯胤 蹖賴 賯氐賴 丕爻鬲 讴賴 賯乇丕乇賴 亘丕夭蹖 亘卮賴.
诏丕賴 亘賴 诏丕賴 賴賲 賲亘丕丨孬蹖 丿乇 賲賵乇丿 乇賵丕蹖鬲 丿丕爻鬲丕賳 賴丕 賵 卮亘蹖賴 爻丕夭蹖 丕賵賳丕 亘賴 賵丕賯毓蹖鬲 賲胤乇丨 賲蹖 卮賴 賵 亘賴 氐乇丕丨鬲 亘蹖丕賳 賲蹖 卮賴 讴賴 讴丕乇 鬲卅丕鬲乇 蹖丕 亘賴 胤賵乇 讴賱蹖 賴賳乇 賴賲蹖賳賴.
胤乇丨 賳賲丕蹖卮蹖 讴丕乇 乇賵 亘賴 卮丿鬲 丿賵爻鬲 丿丕卮鬲賲. 卮丕蹖丿 丕賱丕賳 讴賲蹖 鬲讴乇丕乇蹖 亘賴 賳馗乇 亘乇爻賴 丕賲丕 亘乇丕蹖 禺賵丿卮 趩蹖夭 讴丕賲賱丕 賳丕亘蹖 亘賵丿賴 亘賴 禺氐賵氐 賳賵毓 趩蹖賳卮蹖 讴賴 倬蹖乇丕賳丿賱賵 亘乇丕蹖 倬蹖卮亘乇丿 胤乇丨 丕賳鬲禺丕亘 讴乇丿賴. 丕蹖賳 讴賴 丕蹖賳 卮禺氐蹖鬲 賴丕 禺賱賯 卮丿賴 丕賳貙 丿乇丕賲 乇賵 鬲賵蹖 禺賵丿卮賵賳 丿丕乇賳 丕賲丕 亘爻鬲乇蹖 賳蹖爻鬲 讴賴 丕賵賳 乇賵 丕噩乇丕 讴賳賳 蹖丕 賵丕賯毓蹖鬲卮 乇賵 亘丕夭蹖 讴賳賳 賵 賵賯鬲蹖 丕蹖賳 亘爻鬲乇 倬蹖丿丕 賲蹖 卮賴 賵 丕賵賳 賴丕 賴乇 讴丿賵賲 丕夭 夭丕賵蹖賴 蹖 丿蹖丿 禺賵丿卮賵賳 丕賵賳 乇賵 丕乇丕卅賴 賲蹖 讴賳賳貙 乇賵丕蹖鬲 夭賳丿賴 賲蹖 卮賴 賵 丿蹖诏賴 禺蹖丕賱 賳蹖爻鬲貙 賯氐賴 賳蹖爻鬲 賵 噩賵賳 丿丕乇賴 賵 蹖讴 噩丕蹖蹖 賴賲 亘賴 倬丕蹖丕賳 賲蹖 乇爻賴.
丿乇 賳诏丕賴蹖 丿蹖诏賴 賴賲 賲蹖 卮賴 丕賳鬲賯丕丿賴丕蹖蹖 乇賵 讴賴 倬蹖乇丕賳丿賱賵 亘賴 鬲卅丕鬲乇 毓氐乇 禺賵丿卮 賵 賳賲丕蹖卮賳丕賲賴 賳賵蹖爻 賴丕 賵 賲禺丕胤亘 賲胤乇丨 賲蹖 讴賳賴 蹖丕 丨鬲蹖 丕賳鬲賯丕丿賴丕蹖 丕噩鬲賲丕毓蹖 丕蹖 讴賴 亘蹖丕賳 賲蹖 讴賳賴. 丕賳鬲賯丕丿賴丕蹖蹖 丿乇 賲賵乇丿 乇賵丕亘胤 賲蹖丕賳 丌丿賲 賴丕 賵 噩丕賲毓賴 丕蹖 讴賴 亘毓囟蹖 賳賯卮 賴丕 乇賵 亘賴 丕噩亘丕乇 亘賴卮賵賳 賲蹖 丿賴 賵 蹖丕 賳賯丕亘 賴丕蹖蹖 讴賴 丌丿賲 賴丕 禺賵丕爻鬲賴 蹖丕 賳丕禺賵丕爻鬲賴 亘乇丕蹖 禺賵丿卮賵賳 丕賳鬲禺丕亘 賲蹖 讴賳賳 賵 诏丕賴蹖 丕賵賳賯丿乇 亘丕賴丕卮 蹖讴蹖 賲蹖 卮賳 讴賴 賮乇丕賲賵卮 賲蹖 讴賳賳 丕蹖賳 禺賵丿卮賵賳 賳蹖爻鬲賳. 鬲賵蹖 亘丨孬 賳賯丕亘 賴丕 禺賵丿 倬蹖乇丕賳丿賱賵 鬲丕讴蹖丿 禺丕氐蹖 丿丕乇賴 讴賴 丕蹖賳 卮卮 卮禺氐蹖鬲 亘丕 賳賯丕亘 丕夭 亘丕夭蹖诏乇丕賳 賲鬲賲丕蹖夭 亘卮賳 賵 丕賳诏丕乇 趩蹖夭蹖 亘蹖卮鬲乇 丕夭 蹖讴 賳賯丕亘 氐乇賮 乇賵 賲蹖 禺賵丕丿 丕乇丕卅賴 亘丿賴 讴賴 卮丕蹖丿 噩夭賵 丕賳丿蹖卮賴 丕卮 亘丕卮賴-丕賱亘鬲賴 讴賴 亘丕蹖丿 讴丕乇賴丕蹖 丿蹖诏賴 丕卮 乇賵 亘禺賵賳賲 鬲丕 亘賴 丕蹖賳 賲賵囟賵毓 倬蹖 亘亘乇賲- 賵 丿睾丿睾賴 丕卮 乇賵 丕夭 丕蹖賳 胤乇蹖賯 賴賲 賲鬲匕讴乇 賲蹖 卮賴.
丕毓鬲乇丕賮 賲蹖 讴賳賲 讴賴 亘毓囟蹖 賲賵丕賯毓 倬乇丨乇賮蹖 卮卮 卮禺氐蹖鬲 賵 丕蹖賳 乇賵丕蹖鬲 讴乇丿賳 卮賮丕賴蹖 诏匕卮鬲賴 亘丿賵賳 丕噩乇丕 丿乇 夭賲丕賳 丨丕賱 賵 夭賳丿賴 讴乇丿賳 賲丕噩乇丕 丌夭丕乇賲 賲蹖 丿丕丿 丕賲丕 趩蹖夭蹖 讴賴 丿乇賲賵乇丿 鬲賲丕蹖夭 亘蹖賳 賵丕賯毓蹖鬲 賵 禺蹖丕賱 賲胤乇丨 賲蹖 讴乇丿賳 亘丕毓孬 賲蹖 卮丿 讴賴 倬蹖卮 亘乇賲.
January 2, 2020
Un teatro nel teatro 猫 quello che ci propone Pirandello in questa piece.
Sei personaggi che si presentano sulla scena di un teatro in cui si svolgono altre prove. Sei attori che attori non sono, ma che SONO il teatro, che ce l鈥檋anno dentro.
鈥�Il capocomico
E dov'猫 il copione?
Il padre
脠 in noi, signore.
Il dramma 猫 in noi; siamo noi; e siamo
impazienti di rappresentarlo, cos矛 come dentro ci
urge la passione!
Uno studio sulla rappresentazione della verit脿, su ci貌 che passa dall鈥檃ltro che non 猫 me, sui sentimenti, le emozioni che non si possono creare con le parole soltanto, ma che devono esistere dentro per poter essere 鈥渞appresentate鈥� a dovere;
Il padre
Ma se 猫 tutto qui il male! Nelle parole!
Abbiamo tutti dentro un mondo di cose; ciascuno un
suo mondo di cose! E come possiamo intenderci,
signore, se nelle parole ch'io dico metto il senso e il
valore delle cose come sono dentro di me; mentre
chi le ascolta, inevitabilmente le assume col senso e
col valore che hanno per s猫, del mondo com'egli l'ha
dentro? Crediamo d'intenderci; non c'intendiamo
mai!
nella rappresentazione di quel multiplo che 猫 il fulcro della poetica dell鈥檃utore come in 鈥淯no, nessuno e centomila鈥�.
Il dramma per me 猫 tutto qui, signore: nella
coscienza che ho, che ciascuno di noi - veda - si
crede "uno" ma non 猫 vero: 猫 "tanti", signore, "tanti",
secondo tutte le possibilit脿 d'essere che sono in noi:
"uno" con questo, "uno" con quello - diversissimi! E
con l'illusione, intanto, d'esser sempre "uno per tutti",
e sempre "quest'uno" che ci crediamo, in ogni
nostro atto. Non 猫 vero! non 猫 vero!
Un dramma mai finito che gli attori sentono vivo sulla loro pelle, lo esorcizzano con grasse risate, ma sempre si ripete per loro in un crescendo di Bene e Male, di dolore e sofferenza, di satira e dramma che si aggrovigliano davanti a noi, veri e soli spettatori del doppio.
Sei personaggi che si presentano sulla scena di un teatro in cui si svolgono altre prove. Sei attori che attori non sono, ma che SONO il teatro, che ce l鈥檋anno dentro.
鈥�Il capocomico
E dov'猫 il copione?
Il padre
脠 in noi, signore.
Il dramma 猫 in noi; siamo noi; e siamo
impazienti di rappresentarlo, cos矛 come dentro ci
urge la passione!
Uno studio sulla rappresentazione della verit脿, su ci貌 che passa dall鈥檃ltro che non 猫 me, sui sentimenti, le emozioni che non si possono creare con le parole soltanto, ma che devono esistere dentro per poter essere 鈥渞appresentate鈥� a dovere;
Il padre
Ma se 猫 tutto qui il male! Nelle parole!
Abbiamo tutti dentro un mondo di cose; ciascuno un
suo mondo di cose! E come possiamo intenderci,
signore, se nelle parole ch'io dico metto il senso e il
valore delle cose come sono dentro di me; mentre
chi le ascolta, inevitabilmente le assume col senso e
col valore che hanno per s猫, del mondo com'egli l'ha
dentro? Crediamo d'intenderci; non c'intendiamo
mai!
nella rappresentazione di quel multiplo che 猫 il fulcro della poetica dell鈥檃utore come in 鈥淯no, nessuno e centomila鈥�.
Il dramma per me 猫 tutto qui, signore: nella
coscienza che ho, che ciascuno di noi - veda - si
crede "uno" ma non 猫 vero: 猫 "tanti", signore, "tanti",
secondo tutte le possibilit脿 d'essere che sono in noi:
"uno" con questo, "uno" con quello - diversissimi! E
con l'illusione, intanto, d'esser sempre "uno per tutti",
e sempre "quest'uno" che ci crediamo, in ogni
nostro atto. Non 猫 vero! non 猫 vero!
Un dramma mai finito che gli attori sentono vivo sulla loro pelle, lo esorcizzano con grasse risate, ma sempre si ripete per loro in un crescendo di Bene e Male, di dolore e sofferenza, di satira e dramma che si aggrovigliano davanti a noi, veri e soli spettatori del doppio.
November 17, 2024
鬲丕 丨丕賱丕 爻蹖賳賲丕 丿乇 賯丕亘 爻蹖賳賲丕 丿蹖丿賴 亘賵丿蹖賳責
丨丕賱丕 賵賯鬲卮賴 鬲卅丕鬲乇 丿乇 賯丕亘 鬲卅丕鬲乇 乇賵 亘丕 賲鬲賮丕賵鬲 鬲乇蹖賳 賳賲丕蹖卮賳丕賲賴 (讴賴 賱丕賯賱 賲賳 鬲丕 亘賴 丕賲乇賵夭 禺賵賳丿賴鈥屬�) 鬲噩乇亘賴 讴賳蹖賳.
賯乇丕乇賴 乇丕噩毓 亘賴 芦卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵 賳賵蹖爻賳丿賴禄 丕夭 芦賱賵蹖噩蹖 倬蹖乇丕賳丿賱賵禄 氐丨亘鬲 讴賳蹖賲. 賳賲丕蹖卮蹖 讴賴 賳賲丕蹖卮 亘丿蹖......丕氐賱丕 賳蹖爻鬲.
亘匕丕乇蹖賳 賴賲蹖賳 丕賵丕蹖賱 乇丕噩毓 亘賴 鬲乇噩賲賴 亘诏賲 : 鬲乇噩賲賴 亘丕賳賵 芦倬乇蹖 氐丕亘乇蹖禄 (讴賴 禺丿丕蹖卮 亘蹖丕賲乇夭丿) 蹖讴 氐賮丨賴 丕賵賱 乇賵 讴賱丕 爻丕賳爻賵乇 讴乇丿賴 賵 趩賴 亘爻丕 賮乇賲 丕丿亘蹖 丕孬乇 賳丕賯氐 賲蹖卮賴. 倬爻 丿乇 丕賳鬲禺丕亘 鬲乇噩賲賴 丌賯丕蹖 芦亘賴賲賳 賮乇夭丕賳賴禄 卮讴蹖 賳丿丕卮鬲賴 亘丕卮蹖丿.
鈥� 胤乇丨 丿丕爻鬲丕賳蹖
胤乇丨 丿丕爻鬲丕賳 賳賲丕蹖卮 丿乇 賳诏丕賴 丕賵賱 貙 亘卮丿鬲 爻丕丿賴 賵 丨鬲蹖 亘毓囟丕 讴賱蹖卮賴鈥屫й� 賳卮賵賳 丿丕丿賴 賲蹖卮丿....禺亘 貙 丨丕賱丕 芦倬蹖乇丕賳丿賱賵禄 賵馗蹖賮賴鈥屫促� 讴賴 丕夭 讴賱蹖卮賴 賮丕氐賱賴 亘诏蹖乇賴.爻賵丕賱 : 丌蹖丕 丿乇 丕蹖賳 讴丕乇 賲賵賮賯賴責 倬丕爻禺 : 亘賱賴...賯賱賲 賵 賴賵卮 倬蹖乇丕賳丿賱賵 亘丕毓孬 賲蹖卮賴 讴賴 亘乇丕蹖 賲丕 蹖讴 爻賵爻倬丕賳爻 賵 賲毓賲丕 丕蹖噩丕丿 亘卮賴 讴賴 趩乇丕 丕蹖賳 卮卮 卮禺氐蹖鬲 丕蹖賳噩丕賳責 貙 丕氐賱丕 賴丿賮卮賵賳 趩蹖賴責 貙 賵馗蹖賮賴鈥屫促堎� 趩蹖賴責 賲丕噩乇丕賴丕卮賵賳 趩蹖賴責
芦倬蹖乇丕賳丿賱賵禄 亘丕 丕賱賴丕賲 诏乇賮鬲賳 丕夭 芦丕賱讴鬲乇丕禄 丕夭 倬丿乇 鬲乇丕跇丿蹖 芦爻賵賮賵讴賱禄 鬲賱丕卮 丿乇 賲賴蹖噩 讴乇丿賳 賵 乇丕夭丌賱賵丿 賳诏丕賴 丿丕卮鬲賳 賲鬲賳 賳賲丕蹖卮 丿丕乇賴 賵 賲賵賮賯 賴賲 毓賲賱 賲蹖讴賳賴.
鈥� 卮禺氐蹖鬲 倬乇丿丕夭蹖
芦讴丕乇诏乇丿丕賳禄 亘賴 禺賵亘蹖 爻丕禺鬲賴 賲蹖卮賴 賵 讴丕乇诏乇丿丕賳 丿乇賲蹖丕丿. 丕蹖賳 賳卮賵賳 賲蹖丿賴 讴賴 倬蹖乇丕賳丿賱賵 讴丕乇诏乇丿丕賳 賴丕 乇賵 丿蹖丿賴.
芦亘丕夭蹖诏乇賴丕 趩賴 夭賳 賵 趩賴 賲乇丿 乇賵禄 禺蹖賱蹖 賳蹖爻鬲賲 賵 亘毓囟丕 丨丕賱鬲 氐丨賳賴 倬乇 讴賳 賴爻鬲賳.
芦卮卮 卮禺氐蹖鬲禄 賴蹖趩讴丿賵賲 卮禺氐蹖鬲 賳蹖爻鬲賳 賵 鬲賲丕賲丕 鬲蹖倬 賴爻鬲賳. 賮賯胤 賲蹖鬲賵賳賲 亘诏賲 禺丿丕 亘丿丕丿 亘丕夭蹖诏乇丕賳蹖 亘乇爻賴 讴賴 賯乇丕乇賴 丕蹖賳 卮卮 卮禺氐蹖鬲 乇賵 丕噩乇丕 讴賳賳. 亘丕夭蹖 鬲蹖倬 賵 鬲亘丿蹖賱 讴乇丿賳 鬲蹖倬 亘賴 卮禺氐蹖鬲 亘賴 賲乇丕鬲亘 爻禺鬲 鬲乇 丕夭 亘丕夭蹖 卮禺氐蹖鬲 賴爻鬲. (毓夭蹖夭丕賳蹖 讴賴 鬲卅丕鬲乇 賵 爻蹖賳賲丕 讴丕乇 讴乇丿賳 丨乇賮賲 乇賵 禺賵亘 賲蹖賮賴賲賳)
鈥� 賲丨鬲賵丕 (卮丕蹖丿 丕夭 丕蹖賳噩丕 亘賴 亘毓丿 丕爻倬賵蹖賱)
卮丕蹖丿 亘卮賴 诏賮鬲 倬蹖乇丕賳丿賱賵 爻毓蹖 丿乇 爻賴 趩蹖夭 亘丕 賳賵卮鬲賳 丕蹖賳 賳賲丕蹖卮 丿丕卮鬲.
1.夭賳丿诏蹖 賴丕 丿趩丕乇 倬賵趩蹖 賴丕 賵 丕亘夭賵乇丿賴丕蹖蹖 锟斤拷丿賳 讴賴 亘丕毓孬 卮丿賳 賲丕 賲孬賱 丕蹖賳 芦卮卮 卮禺氐蹖鬲禄 亘賴 丿賳亘丕賱 : 蹖讴 鬲乇亘蹖鬲 丕丨爻丕爻丕鬲賲賵賳 貙 丿賵 讴卮賮 賲毓賳丕 賵 乇賴丕蹖蹖 丕夭 丕亘夭賵乇丿蹖爻賲 賴丕 賵 爻賵賲 丕丿丕賲賴 丿丕丿賳 夭賳丿诏蹖 亘丕 蹖讴 賳賯卮賴 倬蹖卮 乇賵 亘丕卮蹖賲.
2.倬蹖乇丕賳丿賱賵 丿乇 丕蹖賳 賳賲丕蹖卮 貙 夭賳丿诏蹖 賴丕蹖 丕賲乇賵夭蹖 乇賵 亘賴 賳賲丕蹖卮賳丕賲賴 丕蹖 鬲卮亘蹖賴 讴乇丿賴 讴賴 卮禺氐蹖鬲 賴丕 賵 丿丕爻鬲丕賳 亘賴 毓賱鬲 丿賵乇蹖 丕夭 禺丕賱賯 (禺丿丕賵賳丿) 禺賵丿卮賵賳 乇賵 诏賲 讴乇丿賳 賵 丨丕賱丕 亘乇诏卮鬲賳 賵 丿賳亘丕賱 賳賵蹖爻賳丿賴 賲蹖诏乇丿賳 貙 丕賲丕 丕夭 賳賵蹖爻賳丿賴 禺蹖賱蹖 賮丕氐賱賴 诏乇賮鬲賳 賵 亘賴 丕蹖賳讴賴 賴乇讴爻蹖 賳賵蹖爻賳丿賴 丿丕爻鬲丕賳卮賵賳 亘卮賴 賵 丕夭 丕蹖賳 诏賲 诏卮鬲诏蹖 乇賴丕蹖蹖鈥屫促堎� 亘丿賴 貙 乇丕囟蹖 丕賳丿.
3.丿乇 蹖讴 讴賱丕賲 讴賵鬲丕賴 貙 倬蹖乇丕賳丿賱賵 賯氐丿 丿丕乇賴 丿乇 丕蹖賳 賳賲丕蹖卮 亘賮賴賲賵賳賴 讴賴 倬卮鬲 賴乇 卮禺氐蹖鬲蹖 貙 丿丕爻鬲丕賳蹖 賴爻鬲 賵 倬卮鬲 賴乇 丿丕爻鬲丕賳蹖 貙 卮禺氐蹖鬲 賴丕蹖蹖. 賮賯胤 讴丕賮蹖賴 亘乇丕蹖 卮賳蹖丿賳 丕蹖賳 丿丕爻鬲丕賳 賴丕 蹖讴賲 丨賵氐賱賴 亘禺乇噩 亘丿蹖賲.
丿丕爻鬲丕賳 賴丕蹖蹖 讴賴 倬卮鬲 賴乇 卮禺氐蹖鬲 賴爻鬲 賵丕賯毓丕 賴賵卮賲賳丿丕賳賴 賵 禺賱丕賯丕賳賴 賳賵卮鬲賴 卮丿賴 亘賵丿.
鈥①矩й屫з� 亘賳丿蹖
鬲乇丕跇丿蹖 噩賱賵賴 丿丕丿賳 倬丕蹖丕賳 讴賲 賴賳乇蹖 賳蹖爻鬲 賵賱蹖 禺亘 卮丕蹖丿 蹖賴 丕賲鬲蹖丕夭 賳丿丕丿賳 賲賳 亘賴 賴賲蹖賳 毓賱鬲 亘賵丿.
倬丕蹖丕賳 芦鬲乇丕跇丿蹖禄 賳亘賵丿 丕賲丕 亘賴 爻亘讴 芦讴賲丿蹖禄 賴賲 鬲賲賵賲 賳卮丿.
倬丕蹖丕賳 丕孬乇 丨乇賮 賴丕 亘乇丕蹖 诏賮鬲賳 丿丕乇賴 賵賱蹖 禺亘 賲賳 讴賴 賲賮爻乇 賳蹖爻鬲賲. 氐乇賮丕 丿乇 賴賲蹖賳 丨丿 讴賴 芦卮禺氐蹖鬲 賴丕蹖蹖 讴賴 丿丕爻鬲丕賳 禺賵丿卮賵賳 乇賵 倬蹖丿丕 讴乇丿賳 亘丕賯蹖 賲蹖賲賵賳賳禄 蹖毓賳蹖 丕賳爻丕賳 賴丕蹖蹖 讴賴 亘賴 丿丕爻鬲丕賳 夭賳丿诏蹖 賲爻鬲賯賱 禺賵丿卮賵賳 乇爻蹖丿賳 賵 賲毓賳丕 乇賵 讴卮賮 讴乇丿賳 丿乇 鬲丕乇蹖禺 亘丕賯蹖 賲蹖賲賵賳賳 賵 亘賯蹖賴 丕夭 蹖丕丿賴丕 賲蹖乇賳.
丨丕賱丕 賵賯鬲卮賴 鬲卅丕鬲乇 丿乇 賯丕亘 鬲卅丕鬲乇 乇賵 亘丕 賲鬲賮丕賵鬲 鬲乇蹖賳 賳賲丕蹖卮賳丕賲賴 (讴賴 賱丕賯賱 賲賳 鬲丕 亘賴 丕賲乇賵夭 禺賵賳丿賴鈥屬�) 鬲噩乇亘賴 讴賳蹖賳.
賯乇丕乇賴 乇丕噩毓 亘賴 芦卮卮 卮禺氐蹖鬲 丿乇 噩爻鬲噩賵 賳賵蹖爻賳丿賴禄 丕夭 芦賱賵蹖噩蹖 倬蹖乇丕賳丿賱賵禄 氐丨亘鬲 讴賳蹖賲. 賳賲丕蹖卮蹖 讴賴 賳賲丕蹖卮 亘丿蹖......丕氐賱丕 賳蹖爻鬲.
亘匕丕乇蹖賳 賴賲蹖賳 丕賵丕蹖賱 乇丕噩毓 亘賴 鬲乇噩賲賴 亘诏賲 : 鬲乇噩賲賴 亘丕賳賵 芦倬乇蹖 氐丕亘乇蹖禄 (讴賴 禺丿丕蹖卮 亘蹖丕賲乇夭丿) 蹖讴 氐賮丨賴 丕賵賱 乇賵 讴賱丕 爻丕賳爻賵乇 讴乇丿賴 賵 趩賴 亘爻丕 賮乇賲 丕丿亘蹖 丕孬乇 賳丕賯氐 賲蹖卮賴. 倬爻 丿乇 丕賳鬲禺丕亘 鬲乇噩賲賴 丌賯丕蹖 芦亘賴賲賳 賮乇夭丕賳賴禄 卮讴蹖 賳丿丕卮鬲賴 亘丕卮蹖丿.
鈥� 胤乇丨 丿丕爻鬲丕賳蹖
胤乇丨 丿丕爻鬲丕賳 賳賲丕蹖卮 丿乇 賳诏丕賴 丕賵賱 貙 亘卮丿鬲 爻丕丿賴 賵 丨鬲蹖 亘毓囟丕 讴賱蹖卮賴鈥屫й� 賳卮賵賳 丿丕丿賴 賲蹖卮丿....禺亘 貙 丨丕賱丕 芦倬蹖乇丕賳丿賱賵禄 賵馗蹖賮賴鈥屫促� 讴賴 丕夭 讴賱蹖卮賴 賮丕氐賱賴 亘诏蹖乇賴.爻賵丕賱 : 丌蹖丕 丿乇 丕蹖賳 讴丕乇 賲賵賮賯賴責 倬丕爻禺 : 亘賱賴...賯賱賲 賵 賴賵卮 倬蹖乇丕賳丿賱賵 亘丕毓孬 賲蹖卮賴 讴賴 亘乇丕蹖 賲丕 蹖讴 爻賵爻倬丕賳爻 賵 賲毓賲丕 丕蹖噩丕丿 亘卮賴 讴賴 趩乇丕 丕蹖賳 卮卮 卮禺氐蹖鬲 丕蹖賳噩丕賳責 貙 丕氐賱丕 賴丿賮卮賵賳 趩蹖賴責 貙 賵馗蹖賮賴鈥屫促堎� 趩蹖賴責 賲丕噩乇丕賴丕卮賵賳 趩蹖賴責
芦倬蹖乇丕賳丿賱賵禄 亘丕 丕賱賴丕賲 诏乇賮鬲賳 丕夭 芦丕賱讴鬲乇丕禄 丕夭 倬丿乇 鬲乇丕跇丿蹖 芦爻賵賮賵讴賱禄 鬲賱丕卮 丿乇 賲賴蹖噩 讴乇丿賳 賵 乇丕夭丌賱賵丿 賳诏丕賴 丿丕卮鬲賳 賲鬲賳 賳賲丕蹖卮 丿丕乇賴 賵 賲賵賮賯 賴賲 毓賲賱 賲蹖讴賳賴.
鈥� 卮禺氐蹖鬲 倬乇丿丕夭蹖
芦讴丕乇诏乇丿丕賳禄 亘賴 禺賵亘蹖 爻丕禺鬲賴 賲蹖卮賴 賵 讴丕乇诏乇丿丕賳 丿乇賲蹖丕丿. 丕蹖賳 賳卮賵賳 賲蹖丿賴 讴賴 倬蹖乇丕賳丿賱賵 讴丕乇诏乇丿丕賳 賴丕 乇賵 丿蹖丿賴.
芦亘丕夭蹖诏乇賴丕 趩賴 夭賳 賵 趩賴 賲乇丿 乇賵禄 禺蹖賱蹖 賳蹖爻鬲賲 賵 亘毓囟丕 丨丕賱鬲 氐丨賳賴 倬乇 讴賳 賴爻鬲賳.
芦卮卮 卮禺氐蹖鬲禄 賴蹖趩讴丿賵賲 卮禺氐蹖鬲 賳蹖爻鬲賳 賵 鬲賲丕賲丕 鬲蹖倬 賴爻鬲賳. 賮賯胤 賲蹖鬲賵賳賲 亘诏賲 禺丿丕 亘丿丕丿 亘丕夭蹖诏乇丕賳蹖 亘乇爻賴 讴賴 賯乇丕乇賴 丕蹖賳 卮卮 卮禺氐蹖鬲 乇賵 丕噩乇丕 讴賳賳. 亘丕夭蹖 鬲蹖倬 賵 鬲亘丿蹖賱 讴乇丿賳 鬲蹖倬 亘賴 卮禺氐蹖鬲 亘賴 賲乇丕鬲亘 爻禺鬲 鬲乇 丕夭 亘丕夭蹖 卮禺氐蹖鬲 賴爻鬲. (毓夭蹖夭丕賳蹖 讴賴 鬲卅丕鬲乇 賵 爻蹖賳賲丕 讴丕乇 讴乇丿賳 丨乇賮賲 乇賵 禺賵亘 賲蹖賮賴賲賳)
鈥� 賲丨鬲賵丕 (卮丕蹖丿 丕夭 丕蹖賳噩丕 亘賴 亘毓丿 丕爻倬賵蹖賱)
卮丕蹖丿 亘卮賴 诏賮鬲 倬蹖乇丕賳丿賱賵 爻毓蹖 丿乇 爻賴 趩蹖夭 亘丕 賳賵卮鬲賳 丕蹖賳 賳賲丕蹖卮 丿丕卮鬲.
1.夭賳丿诏蹖 賴丕 丿趩丕乇 倬賵趩蹖 賴丕 賵 丕亘夭賵乇丿賴丕蹖蹖 锟斤拷丿賳 讴賴 亘丕毓孬 卮丿賳 賲丕 賲孬賱 丕蹖賳 芦卮卮 卮禺氐蹖鬲禄 亘賴 丿賳亘丕賱 : 蹖讴 鬲乇亘蹖鬲 丕丨爻丕爻丕鬲賲賵賳 貙 丿賵 讴卮賮 賲毓賳丕 賵 乇賴丕蹖蹖 丕夭 丕亘夭賵乇丿蹖爻賲 賴丕 賵 爻賵賲 丕丿丕賲賴 丿丕丿賳 夭賳丿诏蹖 亘丕 蹖讴 賳賯卮賴 倬蹖卮 乇賵 亘丕卮蹖賲.
2.倬蹖乇丕賳丿賱賵 丿乇 丕蹖賳 賳賲丕蹖卮 貙 夭賳丿诏蹖 賴丕蹖 丕賲乇賵夭蹖 乇賵 亘賴 賳賲丕蹖卮賳丕賲賴 丕蹖 鬲卮亘蹖賴 讴乇丿賴 讴賴 卮禺氐蹖鬲 賴丕 賵 丿丕爻鬲丕賳 亘賴 毓賱鬲 丿賵乇蹖 丕夭 禺丕賱賯 (禺丿丕賵賳丿) 禺賵丿卮賵賳 乇賵 诏賲 讴乇丿賳 賵 丨丕賱丕 亘乇诏卮鬲賳 賵 丿賳亘丕賱 賳賵蹖爻賳丿賴 賲蹖诏乇丿賳 貙 丕賲丕 丕夭 賳賵蹖爻賳丿賴 禺蹖賱蹖 賮丕氐賱賴 诏乇賮鬲賳 賵 亘賴 丕蹖賳讴賴 賴乇讴爻蹖 賳賵蹖爻賳丿賴 丿丕爻鬲丕賳卮賵賳 亘卮賴 賵 丕夭 丕蹖賳 诏賲 诏卮鬲诏蹖 乇賴丕蹖蹖鈥屫促堎� 亘丿賴 貙 乇丕囟蹖 丕賳丿.
3.丿乇 蹖讴 讴賱丕賲 讴賵鬲丕賴 貙 倬蹖乇丕賳丿賱賵 賯氐丿 丿丕乇賴 丿乇 丕蹖賳 賳賲丕蹖卮 亘賮賴賲賵賳賴 讴賴 倬卮鬲 賴乇 卮禺氐蹖鬲蹖 貙 丿丕爻鬲丕賳蹖 賴爻鬲 賵 倬卮鬲 賴乇 丿丕爻鬲丕賳蹖 貙 卮禺氐蹖鬲 賴丕蹖蹖. 賮賯胤 讴丕賮蹖賴 亘乇丕蹖 卮賳蹖丿賳 丕蹖賳 丿丕爻鬲丕賳 賴丕 蹖讴賲 丨賵氐賱賴 亘禺乇噩 亘丿蹖賲.
丿丕爻鬲丕賳 賴丕蹖蹖 讴賴 倬卮鬲 賴乇 卮禺氐蹖鬲 賴爻鬲 賵丕賯毓丕 賴賵卮賲賳丿丕賳賴 賵 禺賱丕賯丕賳賴 賳賵卮鬲賴 卮丿賴 亘賵丿.
鈥①矩й屫з� 亘賳丿蹖
鬲乇丕跇丿蹖 噩賱賵賴 丿丕丿賳 倬丕蹖丕賳 讴賲 賴賳乇蹖 賳蹖爻鬲 賵賱蹖 禺亘 卮丕蹖丿 蹖賴 丕賲鬲蹖丕夭 賳丿丕丿賳 賲賳 亘賴 賴賲蹖賳 毓賱鬲 亘賵丿.
倬丕蹖丕賳 芦鬲乇丕跇丿蹖禄 賳亘賵丿 丕賲丕 亘賴 爻亘讴 芦讴賲丿蹖禄 賴賲 鬲賲賵賲 賳卮丿.
倬丕蹖丕賳 丕孬乇 丨乇賮 賴丕 亘乇丕蹖 诏賮鬲賳 丿丕乇賴 賵賱蹖 禺亘 賲賳 讴賴 賲賮爻乇 賳蹖爻鬲賲. 氐乇賮丕 丿乇 賴賲蹖賳 丨丿 讴賴 芦卮禺氐蹖鬲 賴丕蹖蹖 讴賴 丿丕爻鬲丕賳 禺賵丿卮賵賳 乇賵 倬蹖丿丕 讴乇丿賳 亘丕賯蹖 賲蹖賲賵賳賳禄 蹖毓賳蹖 丕賳爻丕賳 賴丕蹖蹖 讴賴 亘賴 丿丕爻鬲丕賳 夭賳丿诏蹖 賲爻鬲賯賱 禺賵丿卮賵賳 乇爻蹖丿賳 賵 賲毓賳丕 乇賵 讴卮賮 讴乇丿賳 丿乇 鬲丕乇蹖禺 亘丕賯蹖 賲蹖賲賵賳賳 賵 亘賯蹖賴 丕夭 蹖丕丿賴丕 賲蹖乇賳.
December 26, 2020
"螆蠂慰蠀渭蔚 蠈位慰喂 渭苇蟽伪 渭伪蟼 苇谓伪谓 魏蠈蟽渭慰 蟺慰蠀 慰喂 委未喂慰喂 苇蠂慰蠀渭蔚 蠁蟿喂维尉蔚喂 渭蔚 蠂喂位喂维未蔚蟼 蟺蟻维纬渭伪蟿伪. 螝伪胃苇谓伪蟼 渭伪蟼 渭蔚 蟿慰 未喂魏蠈 蟿慰蠀 魏蠈蟽渭慰! 螁蟻伪, 蟺蠋蟼 渭蟺慰蟻慰蠉渭蔚 谓伪 蟽蠀谓蔚谓谓慰畏胃慰蠉渭蔚 蠈蟿伪谓 蟽蟿伪 位蠈纬喂伪 渭慰蠀 蔚纬蠋 尾维味蠅 蟿畏谓 苇谓谓慰喂伪 魏伪喂 蟿畏谓 伪尉委伪 蟺慰蠀 苇蠂慰蠀谓蔚 纬喂伪 渭苇谓伪, 蔚谓蠋, 蠈蟺慰喂慰蟼 蟿伪 伪魏慰蠉蔚喂 蟿伪 未苇蠂蔚蟿伪喂 渭蔚 蟿畏谓 苇谓谓慰喂伪 魏伪喂 蟿畏谓 伪尉委伪 蟺慰蠀 蟿伪 委未喂伪 位蠈纬喂伪 苇蠂慰蠀谓 纬喂伪 蔚魏蔚委谓慰谓; 螡慰渭委味慰蠀渭蔚 蠈蟿喂 魏伪蟿伪位伪尾伪委谓慰蠀渭蔚 慰 苇谓伪蟼 蟿慰谓 维位位慰, 魏喂 蠈渭蠅蟼 伪蠀蟿蠈 未蔚谓 蟽蠀渭尾伪委谓蔚喂 蟺慰蟿苇."
December 15, 2020
E insieme al pianto e al riso, insieme a tutte quelle cose che non si possono spiegare... ancora una volta mi hai fatto commuovere.
Perch茅 in quella tragedia, in quel dramma che fa ridere, che apre le costole, ci trovo tutto il mistero delle cose che fanno male, di tutte quelle cose incomprese nascoste sotto pelle come sangue e lividi...
Sai Luigi, forse anche io parlo, ma le mie parole sono camere vuote, riempite del mio sentimento, del mio vagare per il mondo;camere che si svuotano ogni volta che le pronuncio.
Forse non ci capiremo mai davvero, noi, esseri umani piccoli e fragili, grandi come la nostra consapevolezza di star compiendo un viaggio assurdo e terribile, meraviglioso e insostituibile.
Ma forse sta proprio qua la bellezza di questa commedia, di questa tragedia che ti toglie il respiro e ti incita a leggere, ancora, sempre di pi霉; arte come creazione.
Era da tanto che non rileggevo questa opera immortale... ma ne 猫 valsa la pena; ogni volta ci trov貌 dentro qualcosa di nuovo, e ogni volta mi stupisco di come gli esseri umani possano trovarsi, anche attraverso i secoli, anche attraverso l鈥檌nchiostro 馃枈
Perch茅 in quella tragedia, in quel dramma che fa ridere, che apre le costole, ci trovo tutto il mistero delle cose che fanno male, di tutte quelle cose incomprese nascoste sotto pelle come sangue e lividi...
Sai Luigi, forse anche io parlo, ma le mie parole sono camere vuote, riempite del mio sentimento, del mio vagare per il mondo;camere che si svuotano ogni volta che le pronuncio.
Forse non ci capiremo mai davvero, noi, esseri umani piccoli e fragili, grandi come la nostra consapevolezza di star compiendo un viaggio assurdo e terribile, meraviglioso e insostituibile.
Ma forse sta proprio qua la bellezza di questa commedia, di questa tragedia che ti toglie il respiro e ti incita a leggere, ancora, sempre di pi霉; arte come creazione.
Era da tanto che non rileggevo questa opera immortale... ma ne 猫 valsa la pena; ogni volta ci trov貌 dentro qualcosa di nuovo, e ogni volta mi stupisco di come gli esseri umani possano trovarsi, anche attraverso i secoli, anche attraverso l鈥檌nchiostro 馃枈
June 16, 2021
[The Manager] ... You represent the shell of the eggs you are beating!
Silence! and listen to my explanations, please!
鈥淭he empty form of reason without the fullness of instinct, which is blind.鈥�
You stand for reason, your wife is instinct.
It鈥檚 a mixing of parts, according to which you who act your own part become the puppet of yourself.
Do you understand?
[Leading Man] I鈥檓 hanged if I do.
[The Manager] Neither do I. But let鈥檚 get on with it. It鈥檚 sure to be a glorious failure anyway.
A reluctant theatrical company is rehearsing a new play by a guy named Luigi Pirandello, the director complaining to his actors about the lack of good material to work with. Their rehearsal is interrupted by a family group who comes on stage demanding an audience with this manager. A Father, A Mother, A Son, A Daughter and two mostly silent Children, boy and girl: in total six new personages enter the bare scene.
They present themselves as characters from an abandoned play, a story that its author lost interest in or thought without commercial merits. Yet these characters feel real and deserving of having their story told. They try to persuade the Manager to hear them out and to rehearse with them instead of the current play they are studying.
The presentation is slightly humorous in its initial stages, with most of the comedy coming from the commentary Pirandello makes about his own theatrical output and from the reversal of the traditional progress of the spectacle. But the best result of this unusual debut is to break the fourth wall with the audience and invite them to participate in the creative exercise by analysing the relationship between the author of the story, the directorial insights of the Manager and the personal interpretation of the text by the professional actors.
What is ultimately real in this interplay between multiple levels of editorial changes? Who controls the story when its author is not present to explain it in detail, his characters have taken off from their script in an affirmation of free will and the directors and company members have their own opinions about what a proper spectacle should look like?
The Six Characters plead their case with passion and eloquence, insisting that the story itself, a family drama about betrayal, incest and hidden rivalries, should be told from their point of view, since they are real people now, even if they originally came from the pen of an author. Yet everybody else thinks they know better how the theatrical world turns.
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This was my first attempt to discover Luigi Pirandello, and I was truly impressed, despite a long-standing reluctance to read theatre or opera in its printed form. I consider the live performance of the material essential to a correct understanding of the form, yet Pirandello, with his metafictional composition and with his subtle subversion of my conventional mentality, managed to persuade me otherwise. How did he do it?
Calling his piece a comedy initially, and then getting serious about the nature of the show and about its hidden cross-currents mostly. Pointing out the entertainment value of the spectacle and then subverting it by callous disregard of the real drama the Six Characters are going through: it was like Rome was burning and its citizens were busy discussing whether Petronius or Nero is throwing the best parties.
For man never reasons so much and becomes so introspective as when he suffers; since he is anxious to get at the cause of his sufferings, to learn who has produced them, and whether it is just or unjust that he should have to bear them. On the other hand, when he is happy, he takes his happiness as it comes and doesn鈥檛 analyse it, just as if happiness were his right. The animals suffer without reasoning about their sufferings. But take the case of a man who suffers and begins to reason about it. Oh no! it can鈥檛 be allowed! Let him suffer like an animal, and then 鈥� ah yet, he is 鈥渉uman鈥�!
I was helped along by the detailed stage directions and character acting instructions, preparing the stage for the monologues that will later develop the main themes of the play.
The whole lecture only lasted a couple of hours on a rainy Sunday afternoon, but my curiosity was satisfied, and I plan to try to find some of Pirandello鈥檚 celebrated short stories, those that have gained him a Noble Prize in Literature.
I believe this two acts play works well on its own as a novella and as an introduction to the universe of this talented author.
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December 20, 2022
丕賵賱賸丕 丕賱賮賰乇丞 乇賵卮丞 噩丿賸丕 亘丕賱賳爻亘丞 賱毓氐乇賴丕
爻鬲 卮禺氐賷丕鬲 賲賰鬲賵亘丞 亘鬲亘丨孬 毓賳 賲丐賱賮 賱兀賳 賲丐賱賮賴賲 丕賱兀氐賱賷 賱賲 賷賯丿賲賴賲 賱賱賲爻乇丨
鬲卮毓乇 胤賵丕賱 丕賱賵賯鬲 丕賳賴賲 賱丕 賷乇囟賵賳 亘賲噩乇丿 鬲賲孬賷賱 丕賱賲爻乇丨賷丞 毓賱賷 丕賱賲爻乇丨 賵 賱賰賳 賷乇賷丿賵賳 丕賳 賷賰賵賳賵丕 賴賲 卮禺氐賷丕鬲 賴匕賴 丕賱賲爻乇丨賷丞
丕賱賲禺乇噩 賰丕賳 丕賱卮禺氐賷丞 丕賱亘丕乇夭丞 丕賱賵丨賷丿丞 禺丕乇噩 丕賱爻鬲 卮禺氐賷丕鬲 丨賷孬 卮睾賮賴 賱鬲鬲亘毓 賯氐丞 賴匕賴 丕賱卮禺氐賷丕鬲 丕賱爻鬲 毓賳丿賲丕 卮毓乇 丕賳 賴賳丕賰 亘丕賱賮毓賱 丨賰丕賷丞 鬲爻鬲丨賯 丕賳 鬲丨賰賷 毓賱賷 丕賱賲爻乇丨 賵乇丕亍賴賲.
鬲賲爻賰 丕賱卮禺氐賷丕鬲 亘丕賱鬲賮丕氐賷賱 賱丕賳 賴匕賴 鬲賮丕氐賷賱 丨賷丕鬲賴賲 賴匕丕 賲丕 丨丿孬 亘丕賱賳爻亘丞 丕賱賷賴賲
丕賱丨賰丕賷丞 賱賲 鬲丨賰賷 亘卮賰賱 鬲賯賱賷丿賷 亘丕賷 卮賰賱 賲賳 丕賱丕卮賰丕賱 賮賯丿 鬲賲 爻乇丿 卮匕乇丕鬲 賲賳 丕賱丨賰丕賷丞 賵 賷鬲乇賰 丕賱賲丐賱賮 賱毓賯賱賰 賲丨丕賵賱丞 乇亘胤 賴匕賴 丕賱卮匕乇丕鬲 賮賷 丨賰丕賷丞 賰丕賲賱丞
兀亘 睾乇賷亘 賷卮賰 賮賷 賯賷丕賲 毓賱丕賯丞 亘賷賳 夭賵噩鬲賴 賵 亘賷賳 毓丕賲賱 毓賳丿賴 賮賷噩賲毓賴賲 賲毓 亘毓囟賴賲 賵 賷亘孬 賱賴賲 卮賰賵賰賴 孬賲 賷胤乇丿 丕賱毓丕賲賱 孬賲 賷胤乇丿 夭賵噩鬲賴 乇睾亘鬲賴 賲賳賴 亘噩賲毓賴丕 賲毓 丕賱毓丕賲賱.
賵 賴匕丕 賲丕 賷丨丿孬 賮毓賱賸丕 鬲毓賷卮 丕賱夭賵噩丞 賲毓 丕賱毓丕賲賱 丨鬲賷 賵賮丕鬲賴 賵 賮賷 賴匕賴 丕賱兀孬賳丕亍 鬲賱丿 賲賳賴 賮鬲丕丞 賴匕賴 丕賱賮鬲丕丞 鬲爻鬲睾賱賴丕 丕賲乇兀丞 賯賵丕丿丞 賵 鬲亘賷毓賴丕 賱賱乇噩丕賱
賷賰賵賳 賲賳 賴丐賱丕亍 丕賱乇噩丕賱 丕賱兀亘 賳賮爻賴 賵 丕賱賲賵丕乇亘丞 賴賳丕 賰孬賷乇丞 噩丿賸丕 賱氐毓賵亘丞 鬲賲孬賷賱 賲卮丕賴丿 廿亘丕丨賷丞 毓丕賱賲爻乇丨.
亘毓丿 賴匕丕 賷噩鬲賲毓 卮賲賱 丕賱夭賵噩丞 賵 丕亘賳丕亍賴丕 丕賱噩丿丿 賵 丕賱兀亘 賲乇丞 兀禺乇賷
丕賱噩夭卅賷丞 丕賱鬲賷 鬲毓乇賮 亘賴丕 丕賱兀賲 賲丕 丨丿孬 亘賷賳 丕亘賳鬲賴丕 賵 丕賱兀亘 囟亘丕亘賷丞 賯賱賷賱賸丕 亘丕賱賳爻亘丞 賱賷 丨賷孬 賯乇兀鬲 丕賱賲爻乇丨賷丞 賲鬲賯胤毓丞
賵 丕賷囟賸丕 噩夭卅賷丞 賰賷賮 毓乇賮 丕賱廿亘賳 丕賷囟賸丕 亘賴匕丕
賵 賱賰賳 丕賱賳賴丕賷丞 丕毓鬲賯丿 賵丕囟丨丞 丕賱胤賮賱丕賳 丕賱氐睾賷乇丕賳 丕丨丿賴賲丕 賷囟乇亘 賳賮爻賴 亘丕賱賳丕乇 賵 丕賱兀禺乇賷 鬲睾乇賯 賮賷 丨賵囟 丕賱丨丿賷賯丞.
爻鬲 卮禺氐賷丕鬲 賲賰鬲賵亘丞 亘鬲亘丨孬 毓賳 賲丐賱賮 賱兀賳 賲丐賱賮賴賲 丕賱兀氐賱賷 賱賲 賷賯丿賲賴賲 賱賱賲爻乇丨
鬲卮毓乇 胤賵丕賱 丕賱賵賯鬲 丕賳賴賲 賱丕 賷乇囟賵賳 亘賲噩乇丿 鬲賲孬賷賱 丕賱賲爻乇丨賷丞 毓賱賷 丕賱賲爻乇丨 賵 賱賰賳 賷乇賷丿賵賳 丕賳 賷賰賵賳賵丕 賴賲 卮禺氐賷丕鬲 賴匕賴 丕賱賲爻乇丨賷丞
丕賱賲禺乇噩 賰丕賳 丕賱卮禺氐賷丞 丕賱亘丕乇夭丞 丕賱賵丨賷丿丞 禺丕乇噩 丕賱爻鬲 卮禺氐賷丕鬲 丨賷孬 卮睾賮賴 賱鬲鬲亘毓 賯氐丞 賴匕賴 丕賱卮禺氐賷丕鬲 丕賱爻鬲 毓賳丿賲丕 卮毓乇 丕賳 賴賳丕賰 亘丕賱賮毓賱 丨賰丕賷丞 鬲爻鬲丨賯 丕賳 鬲丨賰賷 毓賱賷 丕賱賲爻乇丨 賵乇丕亍賴賲.
鬲賲爻賰 丕賱卮禺氐賷丕鬲 亘丕賱鬲賮丕氐賷賱 賱丕賳 賴匕賴 鬲賮丕氐賷賱 丨賷丕鬲賴賲 賴匕丕 賲丕 丨丿孬 亘丕賱賳爻亘丞 丕賱賷賴賲
丕賱丨賰丕賷丞 賱賲 鬲丨賰賷 亘卮賰賱 鬲賯賱賷丿賷 亘丕賷 卮賰賱 賲賳 丕賱丕卮賰丕賱 賮賯丿 鬲賲 爻乇丿 卮匕乇丕鬲 賲賳 丕賱丨賰丕賷丞 賵 賷鬲乇賰 丕賱賲丐賱賮 賱毓賯賱賰 賲丨丕賵賱丞 乇亘胤 賴匕賴 丕賱卮匕乇丕鬲 賮賷 丨賰丕賷丞 賰丕賲賱丞
兀亘 睾乇賷亘 賷卮賰 賮賷 賯賷丕賲 毓賱丕賯丞 亘賷賳 夭賵噩鬲賴 賵 亘賷賳 毓丕賲賱 毓賳丿賴 賮賷噩賲毓賴賲 賲毓 亘毓囟賴賲 賵 賷亘孬 賱賴賲 卮賰賵賰賴 孬賲 賷胤乇丿 丕賱毓丕賲賱 孬賲 賷胤乇丿 夭賵噩鬲賴 乇睾亘鬲賴 賲賳賴 亘噩賲毓賴丕 賲毓 丕賱毓丕賲賱.
賵 賴匕丕 賲丕 賷丨丿孬 賮毓賱賸丕 鬲毓賷卮 丕賱夭賵噩丞 賲毓 丕賱毓丕賲賱 丨鬲賷 賵賮丕鬲賴 賵 賮賷 賴匕賴 丕賱兀孬賳丕亍 鬲賱丿 賲賳賴 賮鬲丕丞 賴匕賴 丕賱賮鬲丕丞 鬲爻鬲睾賱賴丕 丕賲乇兀丞 賯賵丕丿丞 賵 鬲亘賷毓賴丕 賱賱乇噩丕賱
賷賰賵賳 賲賳 賴丐賱丕亍 丕賱乇噩丕賱 丕賱兀亘 賳賮爻賴 賵 丕賱賲賵丕乇亘丞 賴賳丕 賰孬賷乇丞 噩丿賸丕 賱氐毓賵亘丞 鬲賲孬賷賱 賲卮丕賴丿 廿亘丕丨賷丞 毓丕賱賲爻乇丨.
亘毓丿 賴匕丕 賷噩鬲賲毓 卮賲賱 丕賱夭賵噩丞 賵 丕亘賳丕亍賴丕 丕賱噩丿丿 賵 丕賱兀亘 賲乇丞 兀禺乇賷
丕賱噩夭卅賷丞 丕賱鬲賷 鬲毓乇賮 亘賴丕 丕賱兀賲 賲丕 丨丿孬 亘賷賳 丕亘賳鬲賴丕 賵 丕賱兀亘 囟亘丕亘賷丞 賯賱賷賱賸丕 亘丕賱賳爻亘丞 賱賷 丨賷孬 賯乇兀鬲 丕賱賲爻乇丨賷丞 賲鬲賯胤毓丞
賵 丕賷囟賸丕 噩夭卅賷丞 賰賷賮 毓乇賮 丕賱廿亘賳 丕賷囟賸丕 亘賴匕丕
賵 賱賰賳 丕賱賳賴丕賷丞 丕毓鬲賯丿 賵丕囟丨丞 丕賱胤賮賱丕賳 丕賱氐睾賷乇丕賳 丕丨丿賴賲丕 賷囟乇亘 賳賮爻賴 亘丕賱賳丕乇 賵 丕賱兀禺乇賷 鬲睾乇賯 賮賷 丨賵囟 丕賱丨丿賷賯丞.
January 26, 2018
Stop, wait! It was the Six Characters in Search of an Author!
Well, there actually is a connection. Milo Manara was the reason I first got acquainted with Luigi Pirandello.
Now that I have fought my way through the play a few song lines pops up in my head.
"Wooords doooon麓t come eeeasy tooo meee 鈥�" & "What麓s the fuzz, tell me what is happening?"
I can easily see the chocking effect it had when first performed, even I don麓t quite get that the good people of Milan should be so much more open-minded than the citizens of Rome.
As revolting as it is that a young woman should meet her estranged father in 鈥渁 house of ill reputation鈥�, that the characters without an author are alienated, disconnected and yet full of inner life insisting that said life should be enlarged, I still fail to feel the grandness of the play.
A play within a play, or a meta narrative is what is forming, and the storyline is just not strong enough.
The absurdist experimenting theatre is no stranger to me. I see where we are going, that art for arts sake is not enough for Pirandello 鈥� and I see the beginning of method acting. The actor learning from a scrip is a dying race, in from left comes the real human tragedy or drama. The Mimesis of old has now played its part and may retire. But, this is not even close to social realism, even the translator Eric Bentley spend many pages paraphrasing it as such.
It is an interesting take on family tragedies from a man who was alienated from his own family in so many ways that it is hard not to call out to Freud to clear things up.
However significant it was in the 1920麓es it regrettably leaves me lukewarm today.
March 9, 2021
3.5 stars
I have never in my 22 years watched a music video I liked, or enjoyed, or didn't immediately regret putting myself through at the expense of all the various plays between the song and my imagination that had flourished in its non-existence. Once you watch someone else's interpretation of something it's hardly possible to completely own up to your own, and I hate being marginal in my own memory鈥攏ever mind that I will never truly know what a song meant in the moment of its birth, or in all the time it spent without but one listener. There is a fundamental chasm between the worlds of any two people and all words are mere approximation, blindly grasping for coherence.
It is doubly confounding to me that these are some thoughts that throw a bridge between myself and Luigi Pirandello. While known primarily as a playwright, Pirandello was always somewhat questioning鈥攊f not outrightly disdainful鈥攐f the form, fully aware of the impossibility of representation. This was, no doubt, a position shaped at least somewhat by the way in which Italian theatre emphasised the role of the actor at the expense of the writer. After all, most writers, engaged as they are in a solitary activity, seek a very different kind of collaboration in and through their work. The actor, on the other hand, displaces the writer鈥攁n idea Pirandello does implicitly toy with in Six Characters in Search of an Author.
I left a significant amount of time to fallow between first hearing about this play and actually sitting down to read it鈥攖ime enough with a title like this for the imagination to cultivate its own set of expectations. They weren't met as much as smashed, but with a rare sense of savour, for what Pirandello investigates through this play is the very question I'd been thinking and talking about at the time. In simple (and hence most enigmatic) words, it is coded as the human condition. However, Pirandello is more thorough and complex: he looks at that fundamental chasm in understanding, between understanding and existence, between change and stasis. It is hardly a wonder that the premiere performance of this play stirred up the controversy it did.
Six Characters in Search of an Author uses fantasy to hold up a mirror to reality, but what shocked contemporary audiences the most was its depiction and picking apart of a family, and doubly fictional at that. Incest and suicide do no better today than they did a hundred years ago (we have merely adopted a more clinical stance towards 'studying' these as 'themes'), and their forceful appearance on stage therefore remains intact, bolstered by a vague (and therefore powerful) denouement.
However, the genius of the play lies in the way it picks at the idea of the theatre, and by means of that, reality鈥攆or all the world is indeed a stage, compelling some to pull the strings and for all to play parts, however tangential they may be to the (one, none, and a hundred thousand) realities within and without. Having just started a 9 to 5 job, I was under the illusion that this is just Capitalism. However, given one cannot imagine a world without it鈥攖he only time the imagination really does fail us鈥攜et, it may as well be life itself, which it perhaps is. On Pirandello's stage, there are two plays, an inner play that reveals the drama of the characters' lives and an outer play where it is being reconstituted on stage with the producer and actors. In both cases, the drama serves as an illustration of a philosophy integral to the playwright's outlook on life and art.
The Six Characters look for an author (here, the producer) to write them, while people 'write our own destinies' and miss. Pirandello makes arguments for and against both these states of being, but the answer is in the ambiguity: reality or fiction? It is a recognition of multiplicity that drives this play鈥攖he same that drove Pessoa's ,鈥攁nd it is precisely this that will determine each individual's understanding of it. There cannot be an appropriate enough 'review' of this play in that sense, but I am glad I read it instead of choosing to watch it. This is purely for illusory reasons: Pirandello clearly shared some of my concerns about the loss of meaning that occurs in translation鈥攁nd in his own self-definition as a 'humourist' he decided to have actors on a stage (re)present them.
In his theory of Mimesis, Plato considered art as twice removed from reality. In Six Characters in Search of an Author, Pirandello examines how far reality is removed from its own true multiplicity. Understandably, then, no two readings (or stagings) of this story can be quite the same.
A brilliant, thought-provoking play.
I have never in my 22 years watched a music video I liked, or enjoyed, or didn't immediately regret putting myself through at the expense of all the various plays between the song and my imagination that had flourished in its non-existence. Once you watch someone else's interpretation of something it's hardly possible to completely own up to your own, and I hate being marginal in my own memory鈥攏ever mind that I will never truly know what a song meant in the moment of its birth, or in all the time it spent without but one listener. There is a fundamental chasm between the worlds of any two people and all words are mere approximation, blindly grasping for coherence.
It is doubly confounding to me that these are some thoughts that throw a bridge between myself and Luigi Pirandello. While known primarily as a playwright, Pirandello was always somewhat questioning鈥攊f not outrightly disdainful鈥攐f the form, fully aware of the impossibility of representation. This was, no doubt, a position shaped at least somewhat by the way in which Italian theatre emphasised the role of the actor at the expense of the writer. After all, most writers, engaged as they are in a solitary activity, seek a very different kind of collaboration in and through their work. The actor, on the other hand, displaces the writer鈥攁n idea Pirandello does implicitly toy with in Six Characters in Search of an Author.
I left a significant amount of time to fallow between first hearing about this play and actually sitting down to read it鈥攖ime enough with a title like this for the imagination to cultivate its own set of expectations. They weren't met as much as smashed, but with a rare sense of savour, for what Pirandello investigates through this play is the very question I'd been thinking and talking about at the time. In simple (and hence most enigmatic) words, it is coded as the human condition. However, Pirandello is more thorough and complex: he looks at that fundamental chasm in understanding, between understanding and existence, between change and stasis. It is hardly a wonder that the premiere performance of this play stirred up the controversy it did.
Six Characters in Search of an Author uses fantasy to hold up a mirror to reality, but what shocked contemporary audiences the most was its depiction and picking apart of a family, and doubly fictional at that. Incest and suicide do no better today than they did a hundred years ago (we have merely adopted a more clinical stance towards 'studying' these as 'themes'), and their forceful appearance on stage therefore remains intact, bolstered by a vague (and therefore powerful) denouement.
However, the genius of the play lies in the way it picks at the idea of the theatre, and by means of that, reality鈥攆or all the world is indeed a stage, compelling some to pull the strings and for all to play parts, however tangential they may be to the (one, none, and a hundred thousand) realities within and without. Having just started a 9 to 5 job, I was under the illusion that this is just Capitalism. However, given one cannot imagine a world without it鈥攖he only time the imagination really does fail us鈥攜et, it may as well be life itself, which it perhaps is. On Pirandello's stage, there are two plays, an inner play that reveals the drama of the characters' lives and an outer play where it is being reconstituted on stage with the producer and actors. In both cases, the drama serves as an illustration of a philosophy integral to the playwright's outlook on life and art.
The Six Characters look for an author (here, the producer) to write them, while people 'write our own destinies' and miss. Pirandello makes arguments for and against both these states of being, but the answer is in the ambiguity: reality or fiction? It is a recognition of multiplicity that drives this play鈥攖he same that drove Pessoa's ,鈥攁nd it is precisely this that will determine each individual's understanding of it. There cannot be an appropriate enough 'review' of this play in that sense, but I am glad I read it instead of choosing to watch it. This is purely for illusory reasons: Pirandello clearly shared some of my concerns about the loss of meaning that occurs in translation鈥攁nd in his own self-definition as a 'humourist' he decided to have actors on a stage (re)present them.
In his theory of Mimesis, Plato considered art as twice removed from reality. In Six Characters in Search of an Author, Pirandello examines how far reality is removed from its own true multiplicity. Understandably, then, no two readings (or stagings) of this story can be quite the same.
A brilliant, thought-provoking play.
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