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丕爻丕胤蹖乇 賳賵乇爻
欧宝娱乐 Choice Award
Nominee for Readers' Favorite Fantasy (2017)丕爻胤賵乇賴鈥屬囏й� 賳賵乇爻貙 丕爻胤賵乇賴鈥屬囏й� 蹖讴 爻乇夭賲蹖賳 爻乇丿 賵 蹖禺鈥屫ㄘ池� 亘丕 卮亘鈥屬囏й� 亘爻蹖丕乇 胤賵賱丕賳蹖 夭賲爻鬲丕賳蹖 賵 乇賵夭賴丕蹖 诏乇賲 賵 亘蹖鈥屬矩й屫з� 鬲丕亘爻鬲丕賳蹖 賵 丕爻胤賵乇賴贁 賲乇丿賲蹖 丕爻鬲 讴賴 賳賴 鬲賳賴丕 丿乇亘爻鬲 亘賴 丕蹖夭丿丕賳 禺賵丿 丕毓鬲賲丕丿 賳丿丕卮鬲賳丿貙 亘賱讴賴 丌賳鈥屬傌辟囏� 賴賲 亘賴 丌賳丕賳 毓賱丕賯賴鈥屬呝嗀� 賳亘賵丿賳丿貙 亘丕 丕蹖賳 賴賲賴 丕夭 丕蹖夭丿丕賳 禺賵蹖卮 賲蹖鈥屫必驰屫嗀� 賵 亘賴 丌賳丕賳 丕丨鬲乇丕賲 賲蹖鈥屭柏ж簇嗀�. 鬲丕 丌賳鈥屫� 讴賴 賲蹖鈥屫з嗃屬呚� 丕蹖夭丿丕賳 丌夭诏丕乇丿 丕夭 丌賱賲丕賳 丌賲丿賴 亘賵丿賳丿 賵 丕亘鬲丿丕 丿乇 爻乇丕爻乇 丕爻讴丕賳丿蹖賳丕賵蹖 倬禺卮 卮丿賳丿 賵 爻倬爻 亘賴 丿蹖诏乇 亘禺卮鈥屬囏й� 噩賴丕賳 讴賴 夭蹖乇 爻賱胤賴贁 賵丕蹖讴蹖賳诏鈥屬囏� 賯乇丕乇 丿丕卮鬲. 丿乇 丕賵乇讴賳蹖 賵 丕爻讴丕鬲賱賳丿貙 丕蹖乇賱賳丿 賵 卮賲丕賱 丕賳诏賱爻鬲丕賳 - 讴賵趩 讴乇丿賳丿 賵 賲讴丕賳鈥屬囏й屰� 乇丕 讴賴 亘賴 賳丕賲 孬賵乇 蹖丕 丕賵丿蹖賳 賳丕賲诏匕丕乇蹖 卮丿賴 亘賵丿賳丿貙 鬲乇讴 诏賮鬲賳丿. 丕蹖夭丿丕賳 賳賵乇爻 賳丕賲鈥屬囏й� 禺賵丿 乇丕 丿乇 夭亘丕賳 丕賳诏賱蹖爻蹖 丿乇 賳丕賲 乇賵夭賴丕蹖 賴賮鬲賴 亘賴 噩丕 诏匕丕卮鬲賳丿. 賲蹖鈥屫堌з� 賳卮丕賳賴鈥屬囏й屰� 丕夭 賳丕賲鈥屬囏й� 鬲蹖乇 蹖讴 丿爻鬲 (倬爻乇 丕賵丿蹖賳)貙 丕賵丿蹖賳貙 孬賵乇 賵 賮乇蹖诏貙 賲賱讴賴贁 丕蹖夭丿丕賳 乇丕 亘賴鈥屫必屫� 丿乇 賳丕賲鈥屬囏й� 丕賳诏賱蹖爻蹖 乇賵夭賴丕蹖 賴賮鬲賴 趩賵賳 鬲蹖賵夭丿蹖 (爻賴鈥屫促嗀ㄙ�)貙 賵賳夭丿蹖 (趩賴丕乇卮賳亘賴)貙 孬乇夭丿蹖 (倬賳噩卮賳亘賴) 賵 賮乇丕蹖丿蹖 (噩賲毓賴) 賲卮丕賴丿賴 讴乇丿.
275 pages, Paperback
First published February 7, 2017
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319917 people want to read
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Displaying 1 - 30 of 29,217 reviews
April 28, 2020
Gaiman is, without a doubt, one of the most multi-talented writers alive today. I don鈥檛 say this out of a sense of personal bias, but with a degree of objectivity. Not only does he write fantastic comics, intelligent children鈥檚 stories and detailed novels about the nature of godhood (even if I didn鈥檛 personally enjoy them all), he also has adapted Norse mythology and re-written it with his modern stylish flair.
He really is a talented man; he is capable of that rare, rare, thing of being able to write fiction that is worthy of literary criticism but is also ridiculously popular and, well, just plain cool. He has many years of writing ahead of him (I hope.) And I don鈥檛 think it is too far a thing to suggest that he may win the noble prize for literature in his lifetime. He has contributed much to the arts, and this work here shows he has much more to give. I think he really deserves it.
So here he has retold some already excellent stories. In doing so he makes them approachable and, perhaps even, more engaging for a reader today. I do like old poetry, though not everyone does. I think this can be taken as either an introduction to such works or simply as it is at face value. And it really is what it says on the cover: it鈥檚 a whole bunch or Norse stories about some familiar faces. We have Odin, conniving and powerful. We have Thor, strong and honourable. And we have Loki, cunning and ingenious with his own complex intentions. They do battle with each other, with the elements and a whole host of nasties. But not before Gaiman takes the time to provide you with guided tour of Yggdrasil and the nine worlds that take root from her. He clearly establishes the confounds of this mythology before he even begins.
The collection ends with the most appropriate tale of them all, Ragnarok: the final destiny of the gods. It spends the entirety of the collection building up to it:
鈥淯ntil now I have told you of things that have happened in the past- things that happened a long time ago.
Now I shall tell you of the days to come鈥�
Thus we witness the end of time. The gods fight in one final glorious battle. Loki, naturally, does not fight with the gods of Asgard. Instead he leads the armies of the dead against them. Many of the gods will die, and the pattern will begin anew as their offspring pick up the weapons of their slain forbears; ultimately, taking on their mantels. The cycle continues, as Gaiman captures the heart of Norse mythology here.
What I also noticed is how these tales have affected his other works. Sure, the characters are different; yes, the setting is warped into something else, but you can clearly see how writing this, and researching this, has oozed out into his other projects. This ideas of rejuvenation is repeated in the Sandman series, for example. Gaiman also narrates his personal journey in the introduction; this book has been a long time coming: this topic has clearly helped to propel much of his writing, and it really is worth hearing about.
___________________________________
You can connect with me on social media via .
__________________________________
He really is a talented man; he is capable of that rare, rare, thing of being able to write fiction that is worthy of literary criticism but is also ridiculously popular and, well, just plain cool. He has many years of writing ahead of him (I hope.) And I don鈥檛 think it is too far a thing to suggest that he may win the noble prize for literature in his lifetime. He has contributed much to the arts, and this work here shows he has much more to give. I think he really deserves it.
So here he has retold some already excellent stories. In doing so he makes them approachable and, perhaps even, more engaging for a reader today. I do like old poetry, though not everyone does. I think this can be taken as either an introduction to such works or simply as it is at face value. And it really is what it says on the cover: it鈥檚 a whole bunch or Norse stories about some familiar faces. We have Odin, conniving and powerful. We have Thor, strong and honourable. And we have Loki, cunning and ingenious with his own complex intentions. They do battle with each other, with the elements and a whole host of nasties. But not before Gaiman takes the time to provide you with guided tour of Yggdrasil and the nine worlds that take root from her. He clearly establishes the confounds of this mythology before he even begins.
The collection ends with the most appropriate tale of them all, Ragnarok: the final destiny of the gods. It spends the entirety of the collection building up to it:
鈥淯ntil now I have told you of things that have happened in the past- things that happened a long time ago.
Now I shall tell you of the days to come鈥�
Thus we witness the end of time. The gods fight in one final glorious battle. Loki, naturally, does not fight with the gods of Asgard. Instead he leads the armies of the dead against them. Many of the gods will die, and the pattern will begin anew as their offspring pick up the weapons of their slain forbears; ultimately, taking on their mantels. The cycle continues, as Gaiman captures the heart of Norse mythology here.
What I also noticed is how these tales have affected his other works. Sure, the characters are different; yes, the setting is warped into something else, but you can clearly see how writing this, and researching this, has oozed out into his other projects. This ideas of rejuvenation is repeated in the Sandman series, for example. Gaiman also narrates his personal journey in the introduction; this book has been a long time coming: this topic has clearly helped to propel much of his writing, and it really is worth hearing about.
___________________________________
You can connect with me on social media via .
__________________________________
August 29, 2017
I've always loved mythology, folktales and legends. They are the original fairy tales of humanity and, given the timeless fairytale quality to Gaiman's writing, it seemed to follow that he would be the perfect writer for a book of Norse mythology. He is. In fact, Gaiman seems born to write (or rewrite) myths.
Norse mythology is actually one I've always been less familiar with. I know Greek, Roman and Egyptian fairly well, and some Indian as well, but my knowledge of Norse mythology kind of ends at Odin, Loki, Thor and Thor's hammer. And even then I don't know much about what they all did. To me, this book was very interesting and informative as well as a compelling pageturner.
Gaiman recreates Norse myths in his signature style, with a bit of humour, a whole bunch of complex characters, and a big serving of charm. He makes the stories feel modern and fresh, yet still timeless. You feel like you're reading about millennia-old gods, but it's very accessible to today's reader.
is told in short stories. Some of the chapters are very short - only a page or two long - and others are slightly longer. I liked how easy it was to dip in and out of. I could go read some of my other books between stories and return to this without a problem. I know ease of reading should not be a top priority, but it is great to find a book that makes experiencing its stories as easy and non-demanding as possible.
It is fast-paced and action-packed, but what shines through most of all is how all these stories tie into important aspects of the real world - as stories about gods tend to do. This is a fascinating portrait of a time and a people who really truly believed in Odin and Loki and their many escapades. It's funny, it's eye-opening, and it's very enjoyable.
| | | |
Norse mythology is actually one I've always been less familiar with. I know Greek, Roman and Egyptian fairly well, and some Indian as well, but my knowledge of Norse mythology kind of ends at Odin, Loki, Thor and Thor's hammer. And even then I don't know much about what they all did. To me, this book was very interesting and informative as well as a compelling pageturner.
Gaiman recreates Norse myths in his signature style, with a bit of humour, a whole bunch of complex characters, and a big serving of charm. He makes the stories feel modern and fresh, yet still timeless. You feel like you're reading about millennia-old gods, but it's very accessible to today's reader.
is told in short stories. Some of the chapters are very short - only a page or two long - and others are slightly longer. I liked how easy it was to dip in and out of. I could go read some of my other books between stories and return to this without a problem. I know ease of reading should not be a top priority, but it is great to find a book that makes experiencing its stories as easy and non-demanding as possible.
It is fast-paced and action-packed, but what shines through most of all is how all these stories tie into important aspects of the real world - as stories about gods tend to do. This is a fascinating portrait of a time and a people who really truly believed in Odin and Loki and their many escapades. It's funny, it's eye-opening, and it's very enjoyable.
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February 16, 2017
Definitely short, but imminently readable. This is one of the best straight mythology books I've read when it comes to pure enjoyment.
I say this, fully aware that I'm a Gaiman fanboy, and yet, I still mean it. :)
Don't look for fiction here. Rather, look for the source material and a clear understanding of the Norse mythos as far as we have it. So much has been lost and then, there's a ton of fragments. Alas. But what we do have is quite cool.
My personal favorite was the story of Baldur's murder and the attempt to raise him up from Hel's domain. Hel even agrees, graciously, to let him come back from the dead as long as not a single person on any level of the World Tree refuses to weep for the man. Baldur is a sweet man that makes the flowers grow, for goodness sake... and it was a very close race... but you know how these things go.
We all know that LOKI is the reason we can't have nice things. Forget children. I blame Loki. :)
I love the fact that wits and brawn are held in equal esteem, but I sure wish there was a lot more stories about the women. There's plenty of hints. Just lost fragments, however. It's a shame.
Still, what we've got is enough to whet anyone's appetite and I even think this is a perfectly appropriate text for young ones, too. I definitely plan on reading it to my kid once she holds still long enough for it. :) It'll be a nice companion to the and some Greek stuff, too. :)
Go Fenrir! (I'd really love to see Cthulhu go up against him.)
I say this, fully aware that I'm a Gaiman fanboy, and yet, I still mean it. :)
Don't look for fiction here. Rather, look for the source material and a clear understanding of the Norse mythos as far as we have it. So much has been lost and then, there's a ton of fragments. Alas. But what we do have is quite cool.
My personal favorite was the story of Baldur's murder and the attempt to raise him up from Hel's domain. Hel even agrees, graciously, to let him come back from the dead as long as not a single person on any level of the World Tree refuses to weep for the man. Baldur is a sweet man that makes the flowers grow, for goodness sake... and it was a very close race... but you know how these things go.
We all know that LOKI is the reason we can't have nice things. Forget children. I blame Loki. :)
I love the fact that wits and brawn are held in equal esteem, but I sure wish there was a lot more stories about the women. There's plenty of hints. Just lost fragments, however. It's a shame.
Still, what we've got is enough to whet anyone's appetite and I even think this is a perfectly appropriate text for young ones, too. I definitely plan on reading it to my kid once she holds still long enough for it. :) It'll be a nice companion to the and some Greek stuff, too. :)
Go Fenrir! (I'd really love to see Cthulhu go up against him.)
February 21, 2023
Retelling and thereby pimping the original stuff
Like rarely someone except Gaiman could
His talent is incredible and extra fueled by his love for the material, so there麓s simply no alternative if one is a mythology nerd. It麓s also an example of the fact that
Ancient storytelling often fails in comparison with reboots
That麓s kind of unfair too, because they invented storytelling and each nowadays author has several advantages. The millennia that passed and the works that have since been created to get inspiration from and steal everything that isn麓t approved Loki safe standard, but especially the fact that creative writing can be learned, not to mention the importance of tvtropes. Or maybe modern writers just thereby subconsciously compensate for the fact that most stories have already been told and that there just can be
New interpretations of the gold standards
Let麓s face it, we麓re kind of always reading the same fantasy, sci fi, and horror tropes in different constellations, but it麓s still always a hell of a ride. Especially if someone like Gaiman is so nice to tell us stories we should already be bored of. But instead of repeating one more round until boredom kicks in, he raises the level of how rousing a story can be and burns clearer pictures in our collective memory.
And there are still hidden mythology treasures from all around the world to be explored
Just as with the famous, mostly European, tales, their extra layer of ancient storytelling stylistics could be polished to make them more attractive to modern audiences. The sheer potential is immense and could lead to a similar avalanche of fictional stories inspired by them.
Tropes show how literature is conceptualized and created and which mixture of elements makes works and genres unique:
Like rarely someone except Gaiman could
His talent is incredible and extra fueled by his love for the material, so there麓s simply no alternative if one is a mythology nerd. It麓s also an example of the fact that
Ancient storytelling often fails in comparison with reboots
That麓s kind of unfair too, because they invented storytelling and each nowadays author has several advantages. The millennia that passed and the works that have since been created to get inspiration from and steal everything that isn麓t approved Loki safe standard, but especially the fact that creative writing can be learned, not to mention the importance of tvtropes. Or maybe modern writers just thereby subconsciously compensate for the fact that most stories have already been told and that there just can be
New interpretations of the gold standards
Let麓s face it, we麓re kind of always reading the same fantasy, sci fi, and horror tropes in different constellations, but it麓s still always a hell of a ride. Especially if someone like Gaiman is so nice to tell us stories we should already be bored of. But instead of repeating one more round until boredom kicks in, he raises the level of how rousing a story can be and burns clearer pictures in our collective memory.
And there are still hidden mythology treasures from all around the world to be explored
Just as with the famous, mostly European, tales, their extra layer of ancient storytelling stylistics could be polished to make them more attractive to modern audiences. The sheer potential is immense and could lead to a similar avalanche of fictional stories inspired by them.
Tropes show how literature is conceptualized and created and which mixture of elements makes works and genres unique:
March 8, 2021
Przyznaj臋, ksi膮偶k臋 czyta艂o ( a w艂a艣ciwie s艂ucha艂o) mi si臋 bardzo dobrze. Nie czu膰 kompletnie Gaimana w tym Gaimanie, wi臋c mog臋 wam j膮 poleci膰, nawet je艣li ju偶 si臋 od tego autora odbili艣cie. Co nie zmienia faktu, 偶e to prawdopodobnie ostatnia ksi膮偶ka tego pana w moim 偶yciu 馃ゲ鉁�
February 8, 2019
Hammer of the gods!
A book written by NEIL GAIMAN about NORSE MYTHOLOGY was a book I was going to read. There was no way I was NOT going to read it. Mr. Gaiman might as well have mentioned me in the dedication page 鈥溾€� and of course Lyn must read this.鈥�
And I was going to like it. He could have written 鈥淭hey were blond and cold. The end.鈥� and I鈥檇 have said WOW! succinctly stated, he鈥檚 a genius!!!
Thankfully Gaiman goes into some more detail and has crafted for us a beautiful modern saga of the coolest pantheon in the multiverse. I, of course, revisited and refreshed my memory of these badass northerners.
And like Norman Mailer did with Egyptian mythology in , and like Kevin Hearne is doing with the Celtic gods in his Iron Druid books, so too does Gaiman give life and breath to ancient myth. I am also reminded of Tolkien鈥檚 and how he was able to craft a First Age mythos for his fantasy.
We learn that unlike the money making Marvel heroes, these gods and goddesses are complicated and unfit for easy labels and stereotypes. This also made me think of myth in terms of ancient psychological needs and how primitives came up with the gods and their stories. A comparative religion study could trace the similarities in many legends and ancient belief systems. I am especially interested in a comparative study of Loki and other trickster gods like Coyote and Anansi. I was also reminded of American Tall Tales like Paul Bunyon and Pecos Bill and I thought of the origins of these kinds of stories.
And the author of is uniquely able to make this more than just a history lesson about primitive theology, and also more than just a current re-telling of legend. Gaiman reveals Loki as a colorful and complex rogue who is, like most of these figures, more than simply bad or good. (Although Deities & Demigods does list him as Chaotic Evil). Odin is darker and more mysterious than a grandfatherly figure; he鈥檚 cunning, dangerous and unpredictable. Thor is a simple and straightforward brute, sometimes petulant and easily misled. Gaiman鈥檚 interpretation of the death of Baldr was also very poignant.
So turn on , tap a keg of mead and enjoy!
Recommended for Gaiman fans, myth and legend fans and everyone else, a fun book.
A book written by NEIL GAIMAN about NORSE MYTHOLOGY was a book I was going to read. There was no way I was NOT going to read it. Mr. Gaiman might as well have mentioned me in the dedication page 鈥溾€� and of course Lyn must read this.鈥�
And I was going to like it. He could have written 鈥淭hey were blond and cold. The end.鈥� and I鈥檇 have said WOW! succinctly stated, he鈥檚 a genius!!!
Thankfully Gaiman goes into some more detail and has crafted for us a beautiful modern saga of the coolest pantheon in the multiverse. I, of course, revisited and refreshed my memory of these badass northerners.
And like Norman Mailer did with Egyptian mythology in , and like Kevin Hearne is doing with the Celtic gods in his Iron Druid books, so too does Gaiman give life and breath to ancient myth. I am also reminded of Tolkien鈥檚 and how he was able to craft a First Age mythos for his fantasy.
We learn that unlike the money making Marvel heroes, these gods and goddesses are complicated and unfit for easy labels and stereotypes. This also made me think of myth in terms of ancient psychological needs and how primitives came up with the gods and their stories. A comparative religion study could trace the similarities in many legends and ancient belief systems. I am especially interested in a comparative study of Loki and other trickster gods like Coyote and Anansi. I was also reminded of American Tall Tales like Paul Bunyon and Pecos Bill and I thought of the origins of these kinds of stories.
And the author of is uniquely able to make this more than just a history lesson about primitive theology, and also more than just a current re-telling of legend. Gaiman reveals Loki as a colorful and complex rogue who is, like most of these figures, more than simply bad or good. (Although Deities & Demigods does list him as Chaotic Evil). Odin is darker and more mysterious than a grandfatherly figure; he鈥檚 cunning, dangerous and unpredictable. Thor is a simple and straightforward brute, sometimes petulant and easily misled. Gaiman鈥檚 interpretation of the death of Baldr was also very poignant.
So turn on , tap a keg of mead and enjoy!
Recommended for Gaiman fans, myth and legend fans and everyone else, a fun book.
November 25, 2018
鈥淥f course it was Loki. It鈥檚 always Loki.鈥�
If you ask me this quote is a sufficient summary of the entirety of Norse mythology. *lol* But no one asked me so I鈥檓 going to continue to write down a few of my other thoughts. ;-P
- I wish I could have read this before I read Uncle Rick鈥檚 鈥淢agnus Chase series鈥� because there were all the details I wanted to know while I read those first two books. XD Also it鈥檚 kinda funny that Uncle Rick managed to write some of those stories into the plot of his books. ;-)
- Thor is definitely not the brightest bulb in the chandelier. *lol*
- What鈥檚 with all those giants and other gods that want to marry Freya?! O_o I mean what is she? A honeypot for bears?! XD They all want to buy a pig in a poke and don鈥檛 even know about her fierce temper. Haha! Poor Freya always reduced to her good looks. Guess this game is as old as time. *shakes head*
- Why are all the giants ugly except of some of the women?! *lol* I mean there were gods (Loki, Frey) who had a relationship with or married a giantess and they obviously were beautiful, so I don鈥檛 really get why the rest of them (even their parents) look the way they do. The ugliness skipped a generation? *lol*
- Why didn鈥檛 Balder and Freya start dating? They would have made the perfect children. ;-P
鈥滾oki was handsome, and he knew it. People wanted to like him, they wanted to believe him, but he was undependable and self-centred at best, mischievous or evil at worst.鈥�
- It was nice to hear more about Loki鈥檚 family even though I feel sorry for Sigyn. I mean he obviously cheated on her or his three kids with the giantess wouldn鈥檛 have even existed, yet she鈥檚 still faithful and stands next to him trying to safe him from the poison of the snake. Sigyn deserves everything and the world for this! <3
- I mean I get it, Loki caused Balder鈥檚 death and he did a lot of mischief over the centuries, did his deeds really qualify to punish him in that cruel manner though? Sigyn and his sons Narfi and Vali had nothing to do with his plotting yet they were the ones that got hurt the most. Couldn鈥檛 they just have locked Loki in an underground cell and let it be? To watch your children kill each other and to be bound with the intestines of one of them + the snake was a little bit over the top, wasn鈥檛 it? Just saying. No wonder he wants revenge in the form of Ragnarok.
- Also if Odin is the All-father and sees and knows everything how could he have missed so much? *lol* If Loki actually managed to do mischief whenever the almighty Odin was on the privy he鈥檚 even more talented than I thought. ;-P
- Last but not least I鈥檒l go and check my family tree now. There鈥檚 a slight chance I could be one of Loki鈥檚 descendants. (All the mischief, plotting, scheming, being sassy, a self-confidence you鈥檇 have to slay extra one day 鈥� sounds damn familiar. Pity I didn鈥檛 inherit his good looks. *lol* ;-P)
This said: Happy Reading! XD
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I love Norse mythology so I was kind of bound to read this book sooner or later and I鈥檓 really curious how Neil Gaiman wrote this.
The opinions of my friends seem to be rather mixed on this one and their reviews vary from 5 stars to only 2 or 3. Plus I read some disturbing updates. *lol* (Do I really want to read this?! XD)
Well, I guess I鈥檒l have to find out if Gaiman鈥檚 book works for me or not.
Hopefully it does! Wish me luck! *crosses fingers*
P.S.: If it turns out to be bad it's at least not all too long. *lol*
If you ask me this quote is a sufficient summary of the entirety of Norse mythology. *lol* But no one asked me so I鈥檓 going to continue to write down a few of my other thoughts. ;-P
- I wish I could have read this before I read Uncle Rick鈥檚 鈥淢agnus Chase series鈥� because there were all the details I wanted to know while I read those first two books. XD Also it鈥檚 kinda funny that Uncle Rick managed to write some of those stories into the plot of his books. ;-)
- Thor is definitely not the brightest bulb in the chandelier. *lol*
- What鈥檚 with all those giants and other gods that want to marry Freya?! O_o I mean what is she? A honeypot for bears?! XD They all want to buy a pig in a poke and don鈥檛 even know about her fierce temper. Haha! Poor Freya always reduced to her good looks. Guess this game is as old as time. *shakes head*
- Why are all the giants ugly except of some of the women?! *lol* I mean there were gods (Loki, Frey) who had a relationship with or married a giantess and they obviously were beautiful, so I don鈥檛 really get why the rest of them (even their parents) look the way they do. The ugliness skipped a generation? *lol*
- Why didn鈥檛 Balder and Freya start dating? They would have made the perfect children. ;-P
鈥滾oki was handsome, and he knew it. People wanted to like him, they wanted to believe him, but he was undependable and self-centred at best, mischievous or evil at worst.鈥�
- It was nice to hear more about Loki鈥檚 family even though I feel sorry for Sigyn. I mean he obviously cheated on her or his three kids with the giantess wouldn鈥檛 have even existed, yet she鈥檚 still faithful and stands next to him trying to safe him from the poison of the snake. Sigyn deserves everything and the world for this! <3
- I mean I get it, Loki caused Balder鈥檚 death and he did a lot of mischief over the centuries, did his deeds really qualify to punish him in that cruel manner though? Sigyn and his sons Narfi and Vali had nothing to do with his plotting yet they were the ones that got hurt the most. Couldn鈥檛 they just have locked Loki in an underground cell and let it be? To watch your children kill each other and to be bound with the intestines of one of them + the snake was a little bit over the top, wasn鈥檛 it? Just saying. No wonder he wants revenge in the form of Ragnarok.
- Also if Odin is the All-father and sees and knows everything how could he have missed so much? *lol* If Loki actually managed to do mischief whenever the almighty Odin was on the privy he鈥檚 even more talented than I thought. ;-P
- Last but not least I鈥檒l go and check my family tree now. There鈥檚 a slight chance I could be one of Loki鈥檚 descendants. (All the mischief, plotting, scheming, being sassy, a self-confidence you鈥檇 have to slay extra one day 鈥� sounds damn familiar. Pity I didn鈥檛 inherit his good looks. *lol* ;-P)
This said: Happy Reading! XD
__________________________________
I love Norse mythology so I was kind of bound to read this book sooner or later and I鈥檓 really curious how Neil Gaiman wrote this.
The opinions of my friends seem to be rather mixed on this one and their reviews vary from 5 stars to only 2 or 3. Plus I read some disturbing updates. *lol* (Do I really want to read this?! XD)
Well, I guess I鈥檒l have to find out if Gaiman鈥檚 book works for me or not.
Hopefully it does! Wish me luck! *crosses fingers*
P.S.: If it turns out to be bad it's at least not all too long. *lol*
April 18, 2017
3.5/5 Stars
Gilgamesh from Mesopotamian religion, Izanagi from Japanese creation myth and Zeus from Greek myth. These are a few popular figures from many mythologies around the globe. I鈥檓 here to let you know my thoughts on one of the most popular and well known mythology, Norse Mythology, told by Neil Gaiman with Odin, Thor, and Loki at the center of the lore.
Norse mythology has always been one of the foundations used for most fictional stories in our time. I grew up playing tons of video games that were based on these myths without even realizing that they were based on the mythology in the first place. For instance, Odin as a summon in Final Fantasy franchise, Einherjar that were taken to Valhalla by the Valkyrie in preparation for Ragnarok in Valkyrie Profile series, or Yggdrasil, the tree of life that were depicted in Breath of Fire III but I won鈥檛 bore you with these countless video games adaptations.
Let鈥檚 do the most famous example: Thor and Loki from Marvel Universe. This franchise is so damn popular that every time the name Thor and Loki were mentioned, I can鈥檛 help but envisioned Chris Hemsworth and Toms Hiddleston as the canon facial features, flaunting their long hair everywhere like they鈥檙e in a shampoo commercial. (No idea why, they just do.)
Picture: Hair of the Gods
Anyway, my point is, Norse mythology is a really important source of material for our current media entertainment and I admit, it has always been one of my favorite mythologies along with Japanese, Greek and Rome mythology.
Norse Mythology is an EXACT retelling of Poetic Edda, the source material of the myth, which is already fantastic in its own way. Neil Gaiman did a great job in adapting the source into a collection of short stories with his own words that made it enjoyable to read, especially for beginner to the myth but for me who鈥檚 been fed with this myth for almost 20 years, I wish there鈥檚 something new to be found here. For those of you who don鈥檛 know, the basic outline of Norse Mythology is about the creation of the worlds until the final battle between the Gods and the creatures that will destroy the worlds. In case someone who doesn鈥檛 know about the myth stumbled upon this review, I won鈥檛 tell you about the battle itself other than in my opinion, it's always epic, in all adaptations.
Picture: An example of the kind of battle you鈥檒l find in Ragnarok.
I find Neil鈥檚 retelling enjoyable to read but I do have two main problems with it.
-First, as I mentioned before, for those of you who鈥檝e known about this myth already, you won鈥檛 find anything new here, this is an EXACT retelling that it almost feel like a copy and paste to me. I came into this book with the expectation that it will be a full novel with Neil鈥檚 own rendition of the myth but nope, you can actually go to Wikipedia, search Norse Mythology and voila, you鈥檒l find the story told here.
-Secondly, this is a really expensive book for its content. It cost $20 where I live and for a 2 to 3 hour read of a story I鈥檝e heard about almost my whole life is really not worth it. I received this book from my friend otherwise I鈥檒l feel so robbed personally.
Overall, I personally still think that this book is a great introduction to the myth. The original source, the Poetic Edda languages are hard to dive into and it鈥檚 more of an info dump compared to this. Despite not finding anything original here, I still find it enjoyable and good to read.
I definitely recommend this to any Norse Mythology beginner, Neil Gaiman did a great job in this retelling and it鈥檚 so easy to understand the words he wrote. Plus, Norse Mythology is one of the best myths out there. You owe it to yourself to read it if you鈥檙e interested in knowing more about the original tale of Odin, Thor, Loki, Valkyrie, Balder, Fenrir, Mjollnir and many more names, I'll let you find out about them by yourself.
Picture: Norse Mythology by Marc Simonetti
You can find this and the rest of my Adult Epic/High Fantasy & Sci-Fi reviews at
Gilgamesh from Mesopotamian religion, Izanagi from Japanese creation myth and Zeus from Greek myth. These are a few popular figures from many mythologies around the globe. I鈥檓 here to let you know my thoughts on one of the most popular and well known mythology, Norse Mythology, told by Neil Gaiman with Odin, Thor, and Loki at the center of the lore.
Norse mythology has always been one of the foundations used for most fictional stories in our time. I grew up playing tons of video games that were based on these myths without even realizing that they were based on the mythology in the first place. For instance, Odin as a summon in Final Fantasy franchise, Einherjar that were taken to Valhalla by the Valkyrie in preparation for Ragnarok in Valkyrie Profile series, or Yggdrasil, the tree of life that were depicted in Breath of Fire III but I won鈥檛 bore you with these countless video games adaptations.
Let鈥檚 do the most famous example: Thor and Loki from Marvel Universe. This franchise is so damn popular that every time the name Thor and Loki were mentioned, I can鈥檛 help but envisioned Chris Hemsworth and Toms Hiddleston as the canon facial features, flaunting their long hair everywhere like they鈥檙e in a shampoo commercial. (No idea why, they just do.)
Picture: Hair of the Gods
Anyway, my point is, Norse mythology is a really important source of material for our current media entertainment and I admit, it has always been one of my favorite mythologies along with Japanese, Greek and Rome mythology.
Norse Mythology is an EXACT retelling of Poetic Edda, the source material of the myth, which is already fantastic in its own way. Neil Gaiman did a great job in adapting the source into a collection of short stories with his own words that made it enjoyable to read, especially for beginner to the myth but for me who鈥檚 been fed with this myth for almost 20 years, I wish there鈥檚 something new to be found here. For those of you who don鈥檛 know, the basic outline of Norse Mythology is about the creation of the worlds until the final battle between the Gods and the creatures that will destroy the worlds. In case someone who doesn鈥檛 know about the myth stumbled upon this review, I won鈥檛 tell you about the battle itself other than in my opinion, it's always epic, in all adaptations.
Picture: An example of the kind of battle you鈥檒l find in Ragnarok.
I find Neil鈥檚 retelling enjoyable to read but I do have two main problems with it.
-First, as I mentioned before, for those of you who鈥檝e known about this myth already, you won鈥檛 find anything new here, this is an EXACT retelling that it almost feel like a copy and paste to me. I came into this book with the expectation that it will be a full novel with Neil鈥檚 own rendition of the myth but nope, you can actually go to Wikipedia, search Norse Mythology and voila, you鈥檒l find the story told here.
-Secondly, this is a really expensive book for its content. It cost $20 where I live and for a 2 to 3 hour read of a story I鈥檝e heard about almost my whole life is really not worth it. I received this book from my friend otherwise I鈥檒l feel so robbed personally.
鈥淭he Norse myths are the myths of a chilly place, with long, long winter nights and endless summer days, myths of a people who did not entirely trust or even like their gods, although they respected and feared them.鈥�
Overall, I personally still think that this book is a great introduction to the myth. The original source, the Poetic Edda languages are hard to dive into and it鈥檚 more of an info dump compared to this. Despite not finding anything original here, I still find it enjoyable and good to read.
I definitely recommend this to any Norse Mythology beginner, Neil Gaiman did a great job in this retelling and it鈥檚 so easy to understand the words he wrote. Plus, Norse Mythology is one of the best myths out there. You owe it to yourself to read it if you鈥檙e interested in knowing more about the original tale of Odin, Thor, Loki, Valkyrie, Balder, Fenrir, Mjollnir and many more names, I'll let you find out about them by yourself.
Picture: Norse Mythology by Marc Simonetti
You can find this and the rest of my Adult Epic/High Fantasy & Sci-Fi reviews at
July 15, 2023
3.5 stars! This was such a fun book of short stories. Before reading this book I didn鈥檛 know anythingggg about Norse mythology so this was a v fun read. It was so cool getting to learn more about Thor and Loki like how Thor got his hammer.
All the stories were all so fun and clever too. Loki is such a clever and mischievous character. I never knew where each story was going. I also think this would be such a fun palette cleanser to read the short stories in between novels.
All the stories were all so fun and clever too. Loki is such a clever and mischievous character. I never knew where each story was going. I also think this would be such a fun palette cleanser to read the short stories in between novels.
January 12, 2018
In the beginning, there was nothing but mist and flames.
At least, that's what the Edda claims.
I've always been fascinated with Norse Mythology (and with everything ancient in general). With its strong impact on Marvel's movies, metal music and , the AllFather of high fantasy, references to the mighty Gods of Asgard, and the impending twilight thereof, are a part of daily life. did not invent a story from the start. He had the material, the facts, the descriptions ready. Yet is the stellar proof of his tremendous talent and ingenuity, because like a new Odin, he instilled breath in myths existing for thousands of years, he commanded to life frost giants, demons, dwarves, elves, 脝sir and Vanir alike, and crafted a marvelous collection of stories, ideal to read them in a cold winter's night, next to a grinding fire, holding a cup of warm content, while your mind travels in wild landscapes and flies in the form of a raven, spying the creation of the world and its destruction, only to be reborn again. For in Norse Mythology, it is obvious that rebirth always follows death.
One of the most astonishing things you realise while reading Norse Mythology, is that human minds work in a similar manner all over the world. You can't help but notice the similarities with other mythologies, the traditions of people who thrived miles away. Take the creation of the Nine Worlds for example: there was a flood, one created by Ymer's blood, that destroyed all life only to start it anew. You will notice the same pattern in Greek Mythology, with Deucalion and Pyrrha, in Genesis, with Noah's ark, and many other cultures, like the Aboriginal tribes and the Mayas. You will also discover the origins of the Middle Earth's creation, and the races inhabiting it, and you'll marvel at the parallels between Gjallerhorn, which will be blown by Heimdall at the end of all things to wake the Gods, and the Horn of Valere which will summon the Heroes to battle in Tarmon Gai'don, the Final Battle, in 's Wheel of Time. It's chilling, and strangely satisfying.
Odin, Thor and Loki are the main dramatis personae, followed by Freyr and Freya, Baldr and T媒r. Through Neil Gaiman's eyes, his witty narration infused with humour, subtle comments and foreboding, you witness Odin's quest for wisdom, and the price he had to pay to acquire it; you will find out how Loki made Sif go bald, and thus the greatest treasures came to the possesion of the Gods; you will follow a strange man's efforts to create the walls of Asgard, demanding to be paid with the sun, the moon and beautiful Freya.
You will shiver before the children of Loki, the serpent of Midgard, the lady of the realm of the Dead, and wolf Fenrir, the demise of the Gods.
You will laugh at Thor's disguise in order to take back Mjolnir, and taste the heavenly mead of Poetry and Widsom, which was made of blood; you'll visit the land of the giants alongside Thor and Loki and you'll be tricked by illusions; you'll search for the apples of I冒unn which grant eternal youth (apples of Hesperides anyone?) after the Gods lost them thanks to Loki; you'll see Freyr finding his missing part; you will steal the cauldron that brews the greatest beer; and you will mourn the death of the Sun.
You will find out how the first fishing net was created and why, and finally, you will freeze in the Coldest Winter, the prelude to the extinction of mankind, and the Twilight of the Gods.
搁补驳苍补谤枚办.
Neil Gaiman's pantheon is ruled by the same passions, desires and ambitions with the mortals. His Gods are naive and cruel, spontaneous and bloodthirsty; Thor is not particularly bright (nor as hot as Chris Hemsworth), and Loki is a spiteful creature, a puppeteer, a troublemaker and by the end, you'll crave his suffering.
Norse Mythology may not be original in its content, but it is innovative and deeply inspiring in its prose, and the blessed talent of the hand that wrote it. It is a quick and relaxing read I highly recommend if you're searching for your next epic adventure!
*Buddy read with Eliasdgian*
Playlist (in order of lyrics' appearance)
At least, that's what the Edda claims.
I've always been fascinated with Norse Mythology (and with everything ancient in general). With its strong impact on Marvel's movies, metal music and , the AllFather of high fantasy, references to the mighty Gods of Asgard, and the impending twilight thereof, are a part of daily life. did not invent a story from the start. He had the material, the facts, the descriptions ready. Yet is the stellar proof of his tremendous talent and ingenuity, because like a new Odin, he instilled breath in myths existing for thousands of years, he commanded to life frost giants, demons, dwarves, elves, 脝sir and Vanir alike, and crafted a marvelous collection of stories, ideal to read them in a cold winter's night, next to a grinding fire, holding a cup of warm content, while your mind travels in wild landscapes and flies in the form of a raven, spying the creation of the world and its destruction, only to be reborn again. For in Norse Mythology, it is obvious that rebirth always follows death.
鈥淏ehind the depth, before the height
Surrounded by the serpent J枚rmundgand
World of man in the middle
Of heat and ice built by the Ymer brow鈥�
One of the most astonishing things you realise while reading Norse Mythology, is that human minds work in a similar manner all over the world. You can't help but notice the similarities with other mythologies, the traditions of people who thrived miles away. Take the creation of the Nine Worlds for example: there was a flood, one created by Ymer's blood, that destroyed all life only to start it anew. You will notice the same pattern in Greek Mythology, with Deucalion and Pyrrha, in Genesis, with Noah's ark, and many other cultures, like the Aboriginal tribes and the Mayas. You will also discover the origins of the Middle Earth's creation, and the races inhabiting it, and you'll marvel at the parallels between Gjallerhorn, which will be blown by Heimdall at the end of all things to wake the Gods, and the Horn of Valere which will summon the Heroes to battle in Tarmon Gai'don, the Final Battle, in 's Wheel of Time. It's chilling, and strangely satisfying.
Odin, Thor and Loki are the main dramatis personae, followed by Freyr and Freya, Baldr and T媒r. Through Neil Gaiman's eyes, his witty narration infused with humour, subtle comments and foreboding, you witness Odin's quest for wisdom, and the price he had to pay to acquire it; you will find out how Loki made Sif go bald, and thus the greatest treasures came to the possesion of the Gods; you will follow a strange man's efforts to create the walls of Asgard, demanding to be paid with the sun, the moon and beautiful Freya.
鈥淔谤酶测补
Blue her eyes
Gold of hair
A maiden so fair鈥�
You will shiver before the children of Loki, the serpent of Midgard, the lady of the realm of the Dead, and wolf Fenrir, the demise of the Gods.
鈥淚 watched as he shouted
To the giants who died that day
He held up his hammer high
And called to Odin for a sign鈥�
You will laugh at Thor's disguise in order to take back Mjolnir, and taste the heavenly mead of Poetry and Widsom, which was made of blood; you'll visit the land of the giants alongside Thor and Loki and you'll be tricked by illusions; you'll search for the apples of I冒unn which grant eternal youth (apples of Hesperides anyone?) after the Gods lost them thanks to Loki; you'll see Freyr finding his missing part; you will steal the cauldron that brews the greatest beer; and you will mourn the death of the Sun.
鈥淗onour your brother's name, unarmed or blind
Let me aid you in your aim, don't stay behind
Let's maim immortality and death to a deity鈥�
You will find out how the first fishing net was created and why, and finally, you will freeze in the Coldest Winter, the prelude to the extinction of mankind, and the Twilight of the Gods.
搁补驳苍补谤枚办.
鈥凌补驳苍补谤枚办
See the earth go up in flames
搁补驳苍补谤枚办
The great serpent writhes in rage
The doom of gods now hath come
The fall of the sun
The gates of Hel devour the dead
At the twilight of the gods鈥�
Neil Gaiman's pantheon is ruled by the same passions, desires and ambitions with the mortals. His Gods are naive and cruel, spontaneous and bloodthirsty; Thor is not particularly bright (nor as hot as Chris Hemsworth), and Loki is a spiteful creature, a puppeteer, a troublemaker and by the end, you'll crave his suffering.
鈥淎sgard's always been my home
But I'm of different blood
I will overthrow the throne
Deceiver!
Deceiver of the gods!鈥�
Norse Mythology may not be original in its content, but it is innovative and deeply inspiring in its prose, and the blessed talent of the hand that wrote it. It is a quick and relaxing read I highly recommend if you're searching for your next epic adventure!
鈥淭hor! Odin's son
Protector of mankind
Ride to meet your fate
Your destiny awaits鈥�
*Buddy read with Eliasdgian*
Playlist (in order of lyrics' appearance)
June 22, 2022
"I am grim of mind and wrathful of spirit and I have no desire to be nice to anyone."
I cannot say Norse is my favorite area for mythology, especially compared to the Greek, but Gaiman does a pretty good job here to get one interested in the Norse. In fact, I believe this is an excellent way to start your Norse journey.
I'm sure majority of the mythology fans probably had read Stephen Fry's Mythos, and if you had done so, this is going to be a lot familiar: A collection of small stories but shares an underlying plot that only gets attention during last chapter. Well, may not be as humorous as Fry's work, but good enough to keep one entertained. 3.5-stars.
"That is the end. But there is also what will come after the end...
From the gray waters of the ocean, the green earth will arise once more...
And the game begins anew."
I cannot say Norse is my favorite area for mythology, especially compared to the Greek, but Gaiman does a pretty good job here to get one interested in the Norse. In fact, I believe this is an excellent way to start your Norse journey.
I'm sure majority of the mythology fans probably had read Stephen Fry's Mythos, and if you had done so, this is going to be a lot familiar: A collection of small stories but shares an underlying plot that only gets attention during last chapter. Well, may not be as humorous as Fry's work, but good enough to keep one entertained. 3.5-stars.
"That is the end. But there is also what will come after the end...
From the gray waters of the ocean, the green earth will arise once more...
And the game begins anew."
November 12, 2020
鈥漈he Norse myths are the myths of a chilly place, with long, long winter nights and endless summer days, myths of a people who did not entirely trust or even like their gods, although they respected and feared them. As best we can tell, the gods of Asgard came from Germany, spread into Scandinavia, and then out into the parts of the world dominated by the Vikings鈥�. In English, the gods have left their names in our days of the week. You can find Tyr the one-handed (Odin鈥檚 son), Odin, Thor and Frig, the queen of the gods, in respectively, Tuesday, Wednesday, Thursday, and Friday.鈥�
Christianity very nearly drove the old gods of the Northmen from the face of the Earth. There was something so tangible about the pagan gods. They had personalities, fallacies, and a sense of humor that didn鈥檛 always bode well for their human worshippers. If we learned that Loki, in particular, had taken an interest in our troubles, we felt more trepidation than relief. His cunning intelligence was more often used for creating mayhem than it was providing solutions to dire problems. He was the gasoline that turned a smoldering, warm, ash heap into a raging forest fire.
Loki made enemies of everyone, which was why he had to live in a house with four doors facing each direction. He was the instigator of much of the troubles the gods found themselves facing, but he was also the one who always brilliantly conceived a plan that saved them from those troubles. Was Loki more of an asset or a liability? You will have to decide that for yourself. I do know that finding out he was not on the side of the gods in the final battle, Ragnarok, made me tremble with concern for the gods.
Who didn鈥檛 want Thor on their side? He wasn鈥檛 the brightness bulb in a chandelier, but once he entered a fight, one side breathed a sigh of relief, and the other side started fleeing for their lives. His magic belt, Megingjord, doubled his strength, but it was his hammer, Mjollnir, that made Giants, Trolls, and other gods tremble. The great, recently departed, Stan Lee mined the Old Norse tales heavily for his writing. These Norse gods were superheroes long before the term ever existed.
What would we give up to have all the wisdom of the world? Odin gave up an eye. He even plucked it from his head with his own fingers. He was the god of the gods and, according to legend, the father of us all. 鈥滲ecause he was the father of the gods, and because he breathed the breath of life into our grandparents鈥� grandparents鈥� grandparents. Whether we are gods or mortals, Odin is the father of us all.鈥�
How about this for creepy? The Death Ship, Naglfar, was made from the untrimmed fingernails of the dead. A friend of mine was once moved into a different office where he worked. He kept finding fingernail clippings in drawers, in between stacks of paper, under the desk legs, wedged behind the computer speakers, snagged in the carpet fibers. Every time he would clean a new section of his office, he would find piles of fingernail clippings to sweep up. This was all very creepy for him, but when I told him that the man those clippings belonged to had recently died, he nearly came out of his skin. Suddenly, those annoying nail clippings became eerie reminders of mortality.
Speaking of mortality: 鈥漌hen the gods felt age beginning to touch them, to frost their hair or ache their joints, then they would go to Idunn. She would open her box and allow the god or goddess to eat a single apple. As they ate it, their youth and power would return to them. Without Idunn鈥檚 apples, the gods would scarcely be gods鈥︹€� I don鈥檛 know about the rest of you, but I could use a bite of those Golden Apples. I鈥檓 not even greedy; just a nibble would be great.
Even the mighty Thor could be temporarily flummoxed. 鈥漈here was a giantess in the kitchen, cutting up onions as big as boulders and cabbages the size of boats. Thor could not help staring: the old woman had nine hundred heads, each head uglier and more terrifying than the last. He took a step backward.鈥� If you were fighting a monster like this, where would you start and where would you end?
The stories that Neil Gaiman gathered together here were based on what little was left of the pagan stories of the Norse gods. Fortunately, a 13th century Icelandic saga writer named Snorri Sturluson recorded these tales in his book Prose Edda. Neil Gaiman retold them with his entertaining and illuminating prose. Check out the life of Snorri Sturluson when you get the chance. He might have written about heroes of old, but his life was equally fascinating to read about.
What stories we have were the tip of the iceberg of the stories that were originally told. Wouldn鈥檛 it be great if more of them were found? The Norse gods were mere shadows of what they were in the past.
This was a wonderful introduction to Norse Mythology. If you know very little about the old gods, this would be a great place to start. If you have some idea of the Norse legends, you would certainly benefit from reading them in Gaiman鈥檚 engaging style. I even found myself chuckling at several points...that Loki kills me every time.
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Christianity very nearly drove the old gods of the Northmen from the face of the Earth. There was something so tangible about the pagan gods. They had personalities, fallacies, and a sense of humor that didn鈥檛 always bode well for their human worshippers. If we learned that Loki, in particular, had taken an interest in our troubles, we felt more trepidation than relief. His cunning intelligence was more often used for creating mayhem than it was providing solutions to dire problems. He was the gasoline that turned a smoldering, warm, ash heap into a raging forest fire.
Loki made enemies of everyone, which was why he had to live in a house with four doors facing each direction. He was the instigator of much of the troubles the gods found themselves facing, but he was also the one who always brilliantly conceived a plan that saved them from those troubles. Was Loki more of an asset or a liability? You will have to decide that for yourself. I do know that finding out he was not on the side of the gods in the final battle, Ragnarok, made me tremble with concern for the gods.
Who didn鈥檛 want Thor on their side? He wasn鈥檛 the brightness bulb in a chandelier, but once he entered a fight, one side breathed a sigh of relief, and the other side started fleeing for their lives. His magic belt, Megingjord, doubled his strength, but it was his hammer, Mjollnir, that made Giants, Trolls, and other gods tremble. The great, recently departed, Stan Lee mined the Old Norse tales heavily for his writing. These Norse gods were superheroes long before the term ever existed.
What would we give up to have all the wisdom of the world? Odin gave up an eye. He even plucked it from his head with his own fingers. He was the god of the gods and, according to legend, the father of us all. 鈥滲ecause he was the father of the gods, and because he breathed the breath of life into our grandparents鈥� grandparents鈥� grandparents. Whether we are gods or mortals, Odin is the father of us all.鈥�
How about this for creepy? The Death Ship, Naglfar, was made from the untrimmed fingernails of the dead. A friend of mine was once moved into a different office where he worked. He kept finding fingernail clippings in drawers, in between stacks of paper, under the desk legs, wedged behind the computer speakers, snagged in the carpet fibers. Every time he would clean a new section of his office, he would find piles of fingernail clippings to sweep up. This was all very creepy for him, but when I told him that the man those clippings belonged to had recently died, he nearly came out of his skin. Suddenly, those annoying nail clippings became eerie reminders of mortality.
Speaking of mortality: 鈥漌hen the gods felt age beginning to touch them, to frost their hair or ache their joints, then they would go to Idunn. She would open her box and allow the god or goddess to eat a single apple. As they ate it, their youth and power would return to them. Without Idunn鈥檚 apples, the gods would scarcely be gods鈥︹€� I don鈥檛 know about the rest of you, but I could use a bite of those Golden Apples. I鈥檓 not even greedy; just a nibble would be great.
Even the mighty Thor could be temporarily flummoxed. 鈥漈here was a giantess in the kitchen, cutting up onions as big as boulders and cabbages the size of boats. Thor could not help staring: the old woman had nine hundred heads, each head uglier and more terrifying than the last. He took a step backward.鈥� If you were fighting a monster like this, where would you start and where would you end?
The stories that Neil Gaiman gathered together here were based on what little was left of the pagan stories of the Norse gods. Fortunately, a 13th century Icelandic saga writer named Snorri Sturluson recorded these tales in his book Prose Edda. Neil Gaiman retold them with his entertaining and illuminating prose. Check out the life of Snorri Sturluson when you get the chance. He might have written about heroes of old, but his life was equally fascinating to read about.
What stories we have were the tip of the iceberg of the stories that were originally told. Wouldn鈥檛 it be great if more of them were found? The Norse gods were mere shadows of what they were in the past.
This was a wonderful introduction to Norse Mythology. If you know very little about the old gods, this would be a great place to start. If you have some idea of the Norse legends, you would certainly benefit from reading them in Gaiman鈥檚 engaging style. I even found myself chuckling at several points...that Loki kills me every time.
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January 17, 2021
Eight centuries ago, Snorri Sturluson, one of Iceland鈥檚 greatest literary glories, wrote the , a significant source for what is left of the ancient religion of the Vikings, with a medieval Christianity twist. Only recently, Neil Gaiman, one of Britain鈥檚 most celebrated literary glories, wrote this Norse Mythology, a blockbuster retelling of the ancient religion of the Vikings, with a Marvel superhero twist.
While it is not always easy to wrap one鈥檚 head around Snorri鈥檚 prose, Gaiman鈥檚 book is delightful and readable, almost a children鈥檚 digest of these arcane myths of pre-Christian Scandinavia. The colourful tales flow naturally under Gaiman鈥檚 pen as if they were a collection of 鈥檚 fairytales or 鈥檚 recounting of the Arthurian legends.
Gaiman addresses the reader as if he were a skald speaking to an audience gathered around a campfire under a field of chilly stars. He starts with the dismemberment of the cosmic Ymir at the beginning of times. He leads us through the various adventures of the gods of Asgard, particularly Odin, Thor and Loki, against different kinds of cave-dwarfs and frost-giants, all the way to the last battle of 搁补驳苍补谤枚办, at the end of days. I particularly love the stories that involve this most unlikely duo, the coarse and invincible Thor and the devious and shapeshifting Loki. Some of their adventures, for instance, their encounter with the Brobdingnagian Skrymir/Utgardaloki, are fascinating; others, like Thor鈥檚 wedding with the ogre Thrym, are priceless. Gaiman鈥檚 description of 搁补驳苍补谤枚办 is both sublime and sinister: indubitably the best section of the whole book.
However, while Snorri Sturluson went on to tell the stories of the hero Sigurd, Gaiman restricts himself to the narratives concerning the gods. Therefore, you will not find a word in his book about the heroic Norsemen 鈥� historical or legendary 鈥� who are mentioned in Snorri鈥檚 , in Saxo鈥檚 (the source of Shakespeare鈥檚 ), in the , or the .
Naturally, these myths, which had been stifled under Christian domination, resurfaced in the 19th century with Richard Wagner鈥檚 , and in the 20th century with J. R. R. Tolkien 鈥� the is a fascinating variation on the Norse myths. More recently, G. R. R. Martin borrowed quite a few themes from these old myths in his , and there are now literally piles of YA novels that giddily, and maybe unwittingly, loot and misrepresent Snorri鈥檚 legacy. However, Gaiman鈥檚 book is an honest, faithful, engaging and robust endeavour to make it shine yet again.
While it is not always easy to wrap one鈥檚 head around Snorri鈥檚 prose, Gaiman鈥檚 book is delightful and readable, almost a children鈥檚 digest of these arcane myths of pre-Christian Scandinavia. The colourful tales flow naturally under Gaiman鈥檚 pen as if they were a collection of 鈥檚 fairytales or 鈥檚 recounting of the Arthurian legends.
Gaiman addresses the reader as if he were a skald speaking to an audience gathered around a campfire under a field of chilly stars. He starts with the dismemberment of the cosmic Ymir at the beginning of times. He leads us through the various adventures of the gods of Asgard, particularly Odin, Thor and Loki, against different kinds of cave-dwarfs and frost-giants, all the way to the last battle of 搁补驳苍补谤枚办, at the end of days. I particularly love the stories that involve this most unlikely duo, the coarse and invincible Thor and the devious and shapeshifting Loki. Some of their adventures, for instance, their encounter with the Brobdingnagian Skrymir/Utgardaloki, are fascinating; others, like Thor鈥檚 wedding with the ogre Thrym, are priceless. Gaiman鈥檚 description of 搁补驳苍补谤枚办 is both sublime and sinister: indubitably the best section of the whole book.
However, while Snorri Sturluson went on to tell the stories of the hero Sigurd, Gaiman restricts himself to the narratives concerning the gods. Therefore, you will not find a word in his book about the heroic Norsemen 鈥� historical or legendary 鈥� who are mentioned in Snorri鈥檚 , in Saxo鈥檚 (the source of Shakespeare鈥檚 ), in the , or the .
Naturally, these myths, which had been stifled under Christian domination, resurfaced in the 19th century with Richard Wagner鈥檚 , and in the 20th century with J. R. R. Tolkien 鈥� the is a fascinating variation on the Norse myths. More recently, G. R. R. Martin borrowed quite a few themes from these old myths in his , and there are now literally piles of YA novels that giddily, and maybe unwittingly, loot and misrepresent Snorri鈥檚 legacy. However, Gaiman鈥檚 book is an honest, faithful, engaging and robust endeavour to make it shine yet again.
April 2, 2017
First off the cover of this book is amaze balls! I just freaking love it! 鉂�
I have always wanted to read a good book on Norse Mythology and I think Neil Gaiman did a great job explaining some things before the stories.
The different stories were awesome, okay, some were mean and what not but they were just so awesome. Stories of the gods and giants and ogres and cunning and trickery. I just loved it.
This book isn't very long at all and the stories are short but I think they were still great. We don't always have to read big tomes to get good stories =) That being said, I think this would have been a cool trilogy of stories, but that's just my opinion. I would liked to have seen two more books.
I think that anyone that loves the gods will love or like this book. I would recommend it for all of the great stories. I can see how they all wanted to drop-kick Loki across the room =)
MY BLOG:
Many gods and goddesses are named in Norse mythology. You will meet quite a few of them in these pages. Most of the stories we have, however, concern two gods, Odin and his son Thor, and Odin's blood brother, a giant's son called Loki, who lives with the Aesir in Asgard.
I have always wanted to read a good book on Norse Mythology and I think Neil Gaiman did a great job explaining some things before the stories.
The different stories were awesome, okay, some were mean and what not but they were just so awesome. Stories of the gods and giants and ogres and cunning and trickery. I just loved it.
This book isn't very long at all and the stories are short but I think they were still great. We don't always have to read big tomes to get good stories =) That being said, I think this would have been a cool trilogy of stories, but that's just my opinion. I would liked to have seen two more books.
I think that anyone that loves the gods will love or like this book. I would recommend it for all of the great stories. I can see how they all wanted to drop-kick Loki across the room =)
MY BLOG:
December 15, 2021
I love mythology and I鈥檓 pretty sure Norse mythology is my favorite of them all. This was such a digestible way to review such great stories. I want more.
May 1, 2017
Norse Mythology by Neil Gaiman is a compulsively readable retelling of various myths from Norse Mythology.
Once upon a time, in that hazy prehistoric time before 欧宝娱乐, Neil Gaiman was my favorite author. Sandman was the gateway drug but I read all the Gaiman works I could get my hands on: American Gods, Neverwhere, Coraline, Stardust, you get the point. As the years went by, some of the shine wore off that penny. As I explored Gaimain's influences, like P.G. Wodehouse and Ray Bradbury, some of the magic was diminished.
Anyway, I heard Gaimain was writing this book and my interest was rekindled. I've been curious about Norse mythology since reading my first Thor comic. Gaimain delivers the goods here.
In Norse Mythology, Gaimain retells fifteen Norse myths, from the creation of the Aesir to Ragnarok, the twilight of the gods, making them accessible to the modern reader.
All of the Norse gods you're familiar with from pop culture, namely Odin, Thor, Loki, Balder, and Heimdall, are here, as well as a slew of others like Vidar, Kvasir, and Hod. I was tangentially aware of some of what transpired, like Loki giving birth to a six-legged horse and Odin hanging from Yggdrasil, the world tree, for nine days and nights before gaining his wisdom, but a lot of it was new to me. The Aesir sure liked to booze it up, didn't they?
While there was quite a bit to like about this book, the thing that really stuck in my mind was Naglfar, the ship of the dead made out of fingernails. Really. Loki tying his junk to the beard of a goat for entertainment purposes was right up there, though.
Reading Norse Mythology, I noticed echoes of it in fantasy novels I've read in past couple decades, most notably and . For my money, this is the best thing Gaimain has done since (though was also pretty sweet.) Four out of five stars.
Once upon a time, in that hazy prehistoric time before 欧宝娱乐, Neil Gaiman was my favorite author. Sandman was the gateway drug but I read all the Gaiman works I could get my hands on: American Gods, Neverwhere, Coraline, Stardust, you get the point. As the years went by, some of the shine wore off that penny. As I explored Gaimain's influences, like P.G. Wodehouse and Ray Bradbury, some of the magic was diminished.
Anyway, I heard Gaimain was writing this book and my interest was rekindled. I've been curious about Norse mythology since reading my first Thor comic. Gaimain delivers the goods here.
In Norse Mythology, Gaimain retells fifteen Norse myths, from the creation of the Aesir to Ragnarok, the twilight of the gods, making them accessible to the modern reader.
All of the Norse gods you're familiar with from pop culture, namely Odin, Thor, Loki, Balder, and Heimdall, are here, as well as a slew of others like Vidar, Kvasir, and Hod. I was tangentially aware of some of what transpired, like Loki giving birth to a six-legged horse and Odin hanging from Yggdrasil, the world tree, for nine days and nights before gaining his wisdom, but a lot of it was new to me. The Aesir sure liked to booze it up, didn't they?
While there was quite a bit to like about this book, the thing that really stuck in my mind was Naglfar, the ship of the dead made out of fingernails. Really. Loki tying his junk to the beard of a goat for entertainment purposes was right up there, though.
Reading Norse Mythology, I noticed echoes of it in fantasy novels I've read in past couple decades, most notably and . For my money, this is the best thing Gaimain has done since (though was also pretty sweet.) Four out of five stars.
March 21, 2017
What a fantastic retelling of Norse Myths. Featuring such characters as Odin, Thor and Loki along with a host of other lesser known gods and characters.
Gaiman does his best to stick to the source material and not stray too far from the myths themselves, writing it in his own language which really brings the stories to life. By doing this, Gaiman has written the perfect place to start if you want to learn more about Norse Mythology in my view.
What really added to my enjoyment was that I had read the Poetic Edda before this, so I had an inclination as to which myths would get the Gaiman treatment.
It鈥檚 basically a collection of short stories, with a large Ragnarok story at the end. Amongst my favourites were:
鈥� How Thor receives Mjollnir (Treasures of the Gods)
鈥� When Thor has to dress up as a bride to get Mjollnir back (Freya鈥檚 unusual wedding)
鈥� The story of the cauldron the Gods want so they can get drunk a lot (Hymir and Thor鈥檚 fishing expedition)
鈥� The mead of Poetry (Mead of poets)
My favourite though, was Thor鈥檚 journey to the land of the giants. It鈥檚 one of the longer tales in the book where Thor and his companions are put through their paces in a number of physical contests.
Gaiman stays true to how the characters are described within the ancient myths. The characters are different to what people have come to expect from Marvel films. Thor is a bit of a dumb meat head. Odin is treacherous and ultimately clever. Loki is even more conniving than the film/comic book version.
Gaiman starts the book by saying that Norse myths are his favourites, and this shows with the level of care he gives the source material whilst adding his own spin to the tales. Norsemen also play a large part in American Gods.
I listened to this on audiobook and Gaiman鈥檚 narration is great. Something really special happens when writers narrate their own works. The passion comes across when they read their own works. I鈥檇 recommend any of Gaiman鈥檚 audiobooks.
Final thought
Gaiman has definitely drank from Odin鈥檚 Gift (from the nice end!) and this is a must-read for anyone interested in Norse / Viking history. I already want to reread this, it was that good and it鈥檚 short enough to be read in a couple of days.
Gaiman does his best to stick to the source material and not stray too far from the myths themselves, writing it in his own language which really brings the stories to life. By doing this, Gaiman has written the perfect place to start if you want to learn more about Norse Mythology in my view.
What really added to my enjoyment was that I had read the Poetic Edda before this, so I had an inclination as to which myths would get the Gaiman treatment.
It鈥檚 basically a collection of short stories, with a large Ragnarok story at the end. Amongst my favourites were:
鈥� How Thor receives Mjollnir (Treasures of the Gods)
鈥� When Thor has to dress up as a bride to get Mjollnir back (Freya鈥檚 unusual wedding)
鈥� The story of the cauldron the Gods want so they can get drunk a lot (Hymir and Thor鈥檚 fishing expedition)
鈥� The mead of Poetry (Mead of poets)
My favourite though, was Thor鈥檚 journey to the land of the giants. It鈥檚 one of the longer tales in the book where Thor and his companions are put through their paces in a number of physical contests.
Gaiman stays true to how the characters are described within the ancient myths. The characters are different to what people have come to expect from Marvel films. Thor is a bit of a dumb meat head. Odin is treacherous and ultimately clever. Loki is even more conniving than the film/comic book version.
Gaiman starts the book by saying that Norse myths are his favourites, and this shows with the level of care he gives the source material whilst adding his own spin to the tales. Norsemen also play a large part in American Gods.
I listened to this on audiobook and Gaiman鈥檚 narration is great. Something really special happens when writers narrate their own works. The passion comes across when they read their own works. I鈥檇 recommend any of Gaiman鈥檚 audiobooks.
Final thought
Gaiman has definitely drank from Odin鈥檚 Gift (from the nice end!) and this is a must-read for anyone interested in Norse / Viking history. I already want to reread this, it was that good and it鈥檚 short enough to be read in a couple of days.
March 10, 2021
There is not much to say about this book, except that if you have a few hours of very boring work ahead of you, listening to Neil Gaiman tell you his versions of fairytales ancient myths at 2x speed is a fairly ideal way to accompany it.
Doesn't need too much attention. Won't distract you very much. This should be consumed, in my opinion, exactly as pleasant background noise.
Sorry that that's kind of a frenemy-ish thing to say.
Bottom line: Fine!
----------------
pre-review
what's the level of possibility on neil gaiman narrating every audiobook?
asking for a friend or whatever.
review to come / 3 stars
----------------
tbr review
on a quest to find pure joy. pretty sure i'm on the right track with "mythology rewritten and read aloud by neil gaiman"
Doesn't need too much attention. Won't distract you very much. This should be consumed, in my opinion, exactly as pleasant background noise.
Sorry that that's kind of a frenemy-ish thing to say.
Bottom line: Fine!
----------------
pre-review
what's the level of possibility on neil gaiman narrating every audiobook?
asking for a friend or whatever.
review to come / 3 stars
----------------
tbr review
on a quest to find pure joy. pretty sure i'm on the right track with "mythology rewritten and read aloud by neil gaiman"
January 24, 2020
If you never read Northern mythologies before or only heard about the Northern Pantheon by a Marvel movie (the author refers to them in his introduction) this is certainly the book to get a good entry into that world. Neil Gaiman professionally introduces in a modern and fluent narrative what it is about and who the main players are. You come to know why Thor once dressed up as a woman, learn where poetry does come from and wonder about the timeless wisdom that no one can beat old age. Packed chapters tell of Thor, Thyr, Odin, Loki and their adventures. You see how the world was structured back then and what was good or evil. My favourites were the death of Balder, the last days of Loki and the apocalyptic Ragnarok, the final destiny and destruction of the Gods. The end of the old times. Well, so far so good. Was there anything new to Northern Mythology as I read it way back in my childhood and youth? Unfortunately not too much. Certainly a good book if you want to have some more background to a Marvel movie or comic but not sufficient for the experienced Mythologist. It's easy to read though and brought back some memories of the old stories. A good basic work, a fine cover and a quick read. But don't expect any new aspects.
April 8, 2017
**Spoiler Free Review**
Now, the actual review:
This book is the re-writing of Norse Mythology. Author doesn't exaggerate the facts. He simply re-writes some of the popular myths in pretty straight-forward way. I really liked the writing style.
Most of the myths are about Odin, Thor and Loki.
In the whole fifteen myths, I just loved four:
=> The Children of Loki
=>Freya's Unusual Wedding
[this is hilarious]
=>Thor's Journey to the Land's of Giants
[this myth has some great universal truths]
=> The Treasures of gods
[if you wanna know how Thor got his Hammer, read it]
These are those which I enjoyed the most. Other than these were just fine. Some of them I liked as a fiction. Some of them I didn't even like as a fiction.
I liked Loki. He was clever. Evil. Cause of every bad deed. But he was little good too. I couldn't decide whether he was completely good or completely bad. Thor was also good. I liked reading his myths too. I couldn't like Odin that much. He was just fine.
After reading this book, I wouldn't recommend this book to children. Even though this book is totally fine for them. But still I won't be recommending this to them. I hope some of you have gotten an idea why I am saying this. Believe me this book is totally fine for them. But I am not feeling that they should read this book. Of course when they will have grown-up then there is no harm.
Or the most important thing I almost forgot to tell you that this was my first Mythology reading. I thought these were just like our regular fantasy genre. But now I think that there is a great joy in reading myths as a part of books' plot. Like Rick Reordan's books. Rather than reading the original myths. Don't get me wrong, please!
Nevertheless, this book is good. Highly recommended for those who love reading original myths. But not for children until their mature age.
鈽嗏槅3.5 Stars鈽嗏槅
April 5, 2017
There is no glory without dangerBefore beginning the review, I clear out that I read this book as a fictional work not as the work which I believe can be/is true. I am telling you because this book was getting little serious about narrating these myths. Like trying to make us believe these are real facts.
Now, the actual review:
This book is the re-writing of Norse Mythology. Author doesn't exaggerate the facts. He simply re-writes some of the popular myths in pretty straight-forward way. I really liked the writing style.
Most of the myths are about Odin, Thor and Loki.
In the whole fifteen myths, I just loved four:
=> The Children of Loki
=>Freya's Unusual Wedding
[this is hilarious]
=>Thor's Journey to the Land's of Giants
[this myth has some great universal truths]
=> The Treasures of gods
[if you wanna know how Thor got his Hammer, read it]
These are those which I enjoyed the most. Other than these were just fine. Some of them I liked as a fiction. Some of them I didn't even like as a fiction.
I liked Loki. He was clever. Evil. Cause of every bad deed. But he was little good too. I couldn't decide whether he was completely good or completely bad. Thor was also good. I liked reading his myths too. I couldn't like Odin that much. He was just fine.
After reading this book, I wouldn't recommend this book to children. Even though this book is totally fine for them. But still I won't be recommending this to them. I hope some of you have gotten an idea why I am saying this. Believe me this book is totally fine for them. But I am not feeling that they should read this book. Of course when they will have grown-up then there is no harm.
Or the most important thing I almost forgot to tell you that this was my first Mythology reading. I thought these were just like our regular fantasy genre. But now I think that there is a great joy in reading myths as a part of books' plot. Like Rick Reordan's books. Rather than reading the original myths. Don't get me wrong, please!
Nevertheless, this book is good. Highly recommended for those who love reading original myths. But not for children until their mature age.
鈽嗏槅3.5 Stars鈽嗏槅
When something goes wrong, the first thing I always think is, it is Loki鈥檚 fault. It saves a lot of time -- Thor
April 5, 2017
December 16, 2020
Re-read (16/12/20) - 5 猸�
Initial Read (19/5/19) - 4 猸�
I鈥檝e fallen for Norse Mythology as unequivocally and as whole-heartedly as Frey, Brother of Freya, fell for the beautiful Giantess, Gerd. Gaiman鈥檚 鈥楴orse Mythology鈥� is the closest thing I鈥檝e found, thus far, to literary comfort food and I can see myself coming back time and time again to these stories that range from Humorous and Whimsical to Tragic and Epic, but always peculiar. Very peculiar. If you鈥檙e a lover of Greek or Egyptian Mythology but haven鈥檛 delved into Scandinavian, or if your knowledge of Norse Mythology is limited to the Marvel Universe, you really must do yourself the kindness of picking up this wonderful little book.
Given that this re-read was my first-ever audiobook experience, I suppose I should make comment on that. Firstly, thank you to my friend Aoife who suggested the audiobook when I mentioned I was eager to re-read it. It was a masterclass in story-telling, narrated by Neil Gaiman himself. His enthusiasm and passion for the source material is apparent as early as the introduction in which he all but confesses his favouritism of Norse Mythology over others. He voices all characters superbly, with oddities specific to each individual, apparent. Thor is Mr.Bombastic himself, Loki sounds sly and mischievous, Odin sounds wise and all-knowing, it鈥檚 all spot on. I don鈥檛 drink warm cocoa or have a fire to sit by but I would imagine that鈥檚 the ideal means by which to settle in and listen to this veritable dessert platter of curious tales.
I will mention that I had to go back to the paperback for 2 very short chapters, 鈥楤efore the Beginning, and After鈥� and 鈥榊ggdrasil and the Nine Worlds鈥� due to the shear number of obscure names of people and places spat out in a brief account of the beginning of everything. But they are exceptions, once you get to the more story-driven chapters, the audio medium is perfect.
鈥漈hat was the thing about Loki. You resented him even when you were at your most grateful, and you were grateful to him even when you hated him the most鈥�.
Ultimately, like everything, these tales are a result of cause and effect. With Loki invariably being the cause, and the effects ranging from the birth of Sleipnir the eight-legged horse, the result of inter-species intercourse between God and Horse, to the creation of the legendary weapons Mjollnir (Thor鈥檚 hammer) and Gungnir (Odin鈥檚 spear), and finally to Ragnarok, both the beginning and the violent end of the world as it is and as it will be. Everything that the Gods own must have a name! Megingjord (Thor鈥檚 belt of strength), Naglfar (a boat made entirely of the fingernails and toenails of the dead) and many of these names were familiar to me as I鈥檝e seen them used, time and time again, in Movies, TV and comic books but never more copiously than in video games where RPG鈥檚 like Elder Scrolls or Final Fantasy make endless references to these legendary Gods and their treasures. 鈥楪od of War鈥� is another recent example of a game that brought these tales to life in extraordinary detail. The influence is widespread.
As Neil makes clear in the introduction there are a few inconsistencies and contradictions from myth to myth. One such example is the generous palming-out of the title 鈥淲isest of the Gods鈥�. Mimir who is just a head and whose well Odin drinks from to gain wisdom and clarity, is the wisest of all the Gods. But Kvasir, who was born of the saliva of the Aesir and the Vanir is THE wisest of the Gods. At the Same time, Odin The All father is the WISEST of the Gods鈥�. Hmm, at times you could be forgiven for thinking Trump may have written the first manuscripts of Norse Mythology, which he would claim, and for once I might agree, are 鈥淭he greatest! The likes of which the World has never seen before鈥�. There are a number of these quirks but these are ancient tales, it is what it is. Make a game of picking out the inconsistencies, I did, it doesn鈥檛 hurt the experience.
The only thing that disappointed me about this collection of myths is that it is not more substantial but this is no fault of Gaimans. It鈥檚 largely due to the fact that 鈥渞ecord-keeping鈥� wasn鈥檛 at the top of the priorities list for the Scandinavian people of the early middle-ages. Storytelling was very much an oral tradition for the Icelanders and the stories were only collected into manuscripts beginning in the 13th Century. These early texts include the Prose Edda and the Poetic Edda, The former composed by Snorri Sturluson (Great name!), the latter anonymously composed. I鈥檒l definitely be needing to read them both to satiate my new North Germanic addiction!
Happy reading! :)
鈥淭here is no end. It is simply the end of the old times, Loki, and the beginning of the new times. Rebirth always follows death.鈥�
Initial Read (19/5/19) - 4 猸�
I鈥檝e fallen for Norse Mythology as unequivocally and as whole-heartedly as Frey, Brother of Freya, fell for the beautiful Giantess, Gerd. Gaiman鈥檚 鈥楴orse Mythology鈥� is the closest thing I鈥檝e found, thus far, to literary comfort food and I can see myself coming back time and time again to these stories that range from Humorous and Whimsical to Tragic and Epic, but always peculiar. Very peculiar. If you鈥檙e a lover of Greek or Egyptian Mythology but haven鈥檛 delved into Scandinavian, or if your knowledge of Norse Mythology is limited to the Marvel Universe, you really must do yourself the kindness of picking up this wonderful little book.
Given that this re-read was my first-ever audiobook experience, I suppose I should make comment on that. Firstly, thank you to my friend Aoife who suggested the audiobook when I mentioned I was eager to re-read it. It was a masterclass in story-telling, narrated by Neil Gaiman himself. His enthusiasm and passion for the source material is apparent as early as the introduction in which he all but confesses his favouritism of Norse Mythology over others. He voices all characters superbly, with oddities specific to each individual, apparent. Thor is Mr.Bombastic himself, Loki sounds sly and mischievous, Odin sounds wise and all-knowing, it鈥檚 all spot on. I don鈥檛 drink warm cocoa or have a fire to sit by but I would imagine that鈥檚 the ideal means by which to settle in and listen to this veritable dessert platter of curious tales.
I will mention that I had to go back to the paperback for 2 very short chapters, 鈥楤efore the Beginning, and After鈥� and 鈥榊ggdrasil and the Nine Worlds鈥� due to the shear number of obscure names of people and places spat out in a brief account of the beginning of everything. But they are exceptions, once you get to the more story-driven chapters, the audio medium is perfect.
鈥漈hat was the thing about Loki. You resented him even when you were at your most grateful, and you were grateful to him even when you hated him the most鈥�.
Ultimately, like everything, these tales are a result of cause and effect. With Loki invariably being the cause, and the effects ranging from the birth of Sleipnir the eight-legged horse, the result of inter-species intercourse between God and Horse, to the creation of the legendary weapons Mjollnir (Thor鈥檚 hammer) and Gungnir (Odin鈥檚 spear), and finally to Ragnarok, both the beginning and the violent end of the world as it is and as it will be. Everything that the Gods own must have a name! Megingjord (Thor鈥檚 belt of strength), Naglfar (a boat made entirely of the fingernails and toenails of the dead) and many of these names were familiar to me as I鈥檝e seen them used, time and time again, in Movies, TV and comic books but never more copiously than in video games where RPG鈥檚 like Elder Scrolls or Final Fantasy make endless references to these legendary Gods and their treasures. 鈥楪od of War鈥� is another recent example of a game that brought these tales to life in extraordinary detail. The influence is widespread.
As Neil makes clear in the introduction there are a few inconsistencies and contradictions from myth to myth. One such example is the generous palming-out of the title 鈥淲isest of the Gods鈥�. Mimir who is just a head and whose well Odin drinks from to gain wisdom and clarity, is the wisest of all the Gods. But Kvasir, who was born of the saliva of the Aesir and the Vanir is THE wisest of the Gods. At the Same time, Odin The All father is the WISEST of the Gods鈥�. Hmm, at times you could be forgiven for thinking Trump may have written the first manuscripts of Norse Mythology, which he would claim, and for once I might agree, are 鈥淭he greatest! The likes of which the World has never seen before鈥�. There are a number of these quirks but these are ancient tales, it is what it is. Make a game of picking out the inconsistencies, I did, it doesn鈥檛 hurt the experience.
The only thing that disappointed me about this collection of myths is that it is not more substantial but this is no fault of Gaimans. It鈥檚 largely due to the fact that 鈥渞ecord-keeping鈥� wasn鈥檛 at the top of the priorities list for the Scandinavian people of the early middle-ages. Storytelling was very much an oral tradition for the Icelanders and the stories were only collected into manuscripts beginning in the 13th Century. These early texts include the Prose Edda and the Poetic Edda, The former composed by Snorri Sturluson (Great name!), the latter anonymously composed. I鈥檒l definitely be needing to read them both to satiate my new North Germanic addiction!
Happy reading! :)
鈥淭here is no end. It is simply the end of the old times, Loki, and the beginning of the new times. Rebirth always follows death.鈥�
June 12, 2018
Igual es un poco loco darle 5 ESTRELLAZAS a este libro pero es que lo he disfrutado DEMASIADO.
Este volumen es una manera genial de introducirse en los mitos n贸rdicos contados de manera super entretenida, ligera, divertida y al mismo tiempo informativa.
Igual influye que amo la mitolog铆a n贸rdica y que amo a Gaiman, pero el caso es que ha sido una lectura de 10 para mi.
驴D贸nde hay que votar para que Gaiman escriba m谩s libros sobre leyendas y mitolog铆a?
#LOKIFOREVAH
Este volumen es una manera genial de introducirse en los mitos n贸rdicos contados de manera super entretenida, ligera, divertida y al mismo tiempo informativa.
Igual influye que amo la mitolog铆a n贸rdica y que amo a Gaiman, pero el caso es que ha sido una lectura de 10 para mi.
驴D贸nde hay que votar para que Gaiman escriba m谩s libros sobre leyendas y mitolog铆a?
#LOKIFOREVAH
May 7, 2019
3.5*. This story collection was fun especially when I kept imagining Tom Hiddleston as Loki.
December 22, 2017
2.5ish stars
Interesting folklore told competently, descriptively and cleverly. That's about the gist of it.
Most of the stories were new to me. Some of them I enjoyed more than others. All of the blurbs describe this as Gaiman's "version/rendition/interpretation" of the mythos (and he presents a good rendition) rather than actual fiction. As such, this was more of a "that was cool I'm glad I read that" read than a "whoa coolest book ever!" read.
Favorites: The Treasures of the Gods, Freya's Unusual Wedding, Thor's Journey to the Land of the Giants (all the silly ones with Thor being a doofus) and The Death of Balder
Also Gaiman is a really awesome audiobook performer! It surprised me!
Interesting folklore told competently, descriptively and cleverly. That's about the gist of it.
Most of the stories were new to me. Some of them I enjoyed more than others. All of the blurbs describe this as Gaiman's "version/rendition/interpretation" of the mythos (and he presents a good rendition) rather than actual fiction. As such, this was more of a "that was cool I'm glad I read that" read than a "whoa coolest book ever!" read.
Favorites: The Treasures of the Gods, Freya's Unusual Wedding, Thor's Journey to the Land of the Giants (all the silly ones with Thor being a doofus) and The Death of Balder
Also Gaiman is a really awesome audiobook performer! It surprised me!
December 10, 2020
鈥淏ecause,鈥� said Thor, 鈥渨hen something goes wrong, the first thing I always think is, it is Loki鈥檚 fault. It saves a lot of time.鈥�This is my first comprehensive book on Norse Mythology and I was not a huge fan. Everything seems too disconnected. The Gods actions, their reactions, their punishments all don't seem to fit. There wasn't fluidity between one legend and the next - it felt like a bunch of disjointed vignettes featuring the same characters.
But, considering most of my knowledge is based on Marvel movies, I can't tell if bits of the stories are being left out in this rendition, if it's Gaiman's particular style or if this is just how the myths are told. If they are anything like Greek myths, I think it could be just due to the oral traditions being scattered and warped every time they're told.
I did enjoy Gaiman's style of writing. Yes, these tales are ancient but they didn't quite feel so old. Gaiman inserts humor through the word-choice that while likely not a literal translation, it certainly made for better listening.
I鈥檓 not happy about any of this,鈥� said Thor. 鈥淚鈥檓 going to kill somebody soon, just to relieve the tension. You鈥檒l see.There's such a steep curve for keeping track of the people and things. I kept having to rewind my audiobook to figure out what I missed. Everything, right down to the cauldrons and the hammers have difficult names and sometimes multiple names. However, listening to the audiobook did make it slightly easier to handle all of those names.
Of course it was Loki. It's always Loki.Audiobook Comments
Read by the author (a definitely plus)...and reading all of those crazy names was difficult but listening to them being said was significantly better for keeping track.
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February 27, 2019
If you want to read myths and stories about the gods of Valhalla, Neil Gaiman's Norse Mythology is quick, accessible and an entertaining way to delve into the subject. Some of the tales were short and fragmented, but that allows the reader to see the difference between the source material and the way these legends have evolved in the modern day. What really makes this compelling is the fact that Gaiman is such a great storyteller himself. The gods are no longer characters in a superhero universe. They belong to their own time and distinct place. Without changing the essential stories, Gaiman brings life to them. 4.5 stars.
November 9, 2020
Thor is a badass.
February 9, 2017
I do not have a strong knowledge of any mythology as a general rule. It's something I've been wanting to remedy for a while, but it's a vast subject.
I've known for a while that Gaiman was working on (for almost 8 years wowza!), and that many of his stories and characters take inspiration from the Norse tales. So naturally, I pre-ordered this one.
I did enjoy this. It's a selection of tales, mostly focusing on Odin, Loki, and Thor, that all lead up to Ragnarok, the end of the world. It's a quick read, and decently accurate. Gaiman retold these stories in an interesting way, in layman's terms, and definitely taught me a couple things I did not know.
I think this book accomplished what it set out to accomplish, but I guess I was looking for a little more. I haven't read scores of mythology books in order to know how this holds up against other existing works, but I stayed present more for Gaiman's brilliant writing style than for the actual stories he chose to retell.
Throughout the book I saw glimpses of some characters I would've liked to hear more about, such as Fenrir, Loki's wolf son. Perhaps substantial material on these gods does not exist, but they caught my attention and I definitely wanted to explore more of their story. But as I mentioned earlier, a large portion of the focus was on Loki and Thor.
I must say though Loki is a very interesting dude... maybe I'm just ignorant but I didn't realize he is literally at the heart of every problem.
From his author's note, I'm to understand that Gaiman would've liked to focus on some lesser known Gods, but that there simply is not enough source material to accurately and effectively retell their tales. While I appreciate that this book exists, I don't believe it is something I'll ever revisit.
I've known for a while that Gaiman was working on (for almost 8 years wowza!), and that many of his stories and characters take inspiration from the Norse tales. So naturally, I pre-ordered this one.
I did enjoy this. It's a selection of tales, mostly focusing on Odin, Loki, and Thor, that all lead up to Ragnarok, the end of the world. It's a quick read, and decently accurate. Gaiman retold these stories in an interesting way, in layman's terms, and definitely taught me a couple things I did not know.
I think this book accomplished what it set out to accomplish, but I guess I was looking for a little more. I haven't read scores of mythology books in order to know how this holds up against other existing works, but I stayed present more for Gaiman's brilliant writing style than for the actual stories he chose to retell.
Throughout the book I saw glimpses of some characters I would've liked to hear more about, such as Fenrir, Loki's wolf son. Perhaps substantial material on these gods does not exist, but they caught my attention and I definitely wanted to explore more of their story. But as I mentioned earlier, a large portion of the focus was on Loki and Thor.
I must say though Loki is a very interesting dude... maybe I'm just ignorant but I didn't realize he is literally at the heart of every problem.
From his author's note, I'm to understand that Gaiman would've liked to focus on some lesser known Gods, but that there simply is not enough source material to accurately and effectively retell their tales. While I appreciate that this book exists, I don't believe it is something I'll ever revisit.
October 21, 2019
I don't know why but this book failed to keep me interested. It was hard for me to keep focused, I found myself getting distracted really easily.
The writing style was quick and easy and I'm generally very interested in norse mythology, so it doesn't really make sense that I didn't enjoy it that much. But oh well, shit happens lol
The writing style was quick and easy and I'm generally very interested in norse mythology, so it doesn't really make sense that I didn't enjoy it that much. But oh well, shit happens lol
April 8, 2017
[Originally appeared here: ]
Of all the fiction in this world, I find the ones rooted in mythology the most enticing; not because there is an element of otherworldly magic in them but because somewhere deep down, a bewitching veil of truth hovers above them. The characters we read of, the prowess we fall to, the betrayals we appall at and the spells we dive in, have all a debatable root which almost like our very own of the Hindu mythology, can be twisted this way or that. As most myths are made lesser of primary evidence and more of a secondary interpretation, there is a hidden little room of sorts from where you can see as far as you can, like Heimdall in this book. He is a kind of parallel to Mahabharata鈥檚 .
Neil Gaiman takes the essence of Norse mythology and spins a riveting web around it. Although he makes it clear in the beginning that this book will focus on the three towering characters of Odin, the all-father of gods, Thor, Odin鈥檚 powerful son and Loki, Odin鈥檚 shrewd, evil blood-brother (and eventual enemy), the chapters easily transcend the trio and throw open an enchanted window to the Germanic myths. Chronicling the journey right from the beginning when nothing existed and going all the way to Ragnarok, the apocalyptic war that wiped the gods and the giants, Gaiman deploys an easy and engaging language to retell the myths that remain fraught with magic, power, bonds, guilt, murder, betrayal, repentance, revenge and redemption. I chuckled at the story where Thor and his two companions are put to a series of illusory tests by a giant who didn鈥檛 want his kingdom to be usurped by the mighty Thor. I felt sombre at the unfortunate fate that was handed over to the Hel, Fenrir and J枚rmungandr, the children of Loki from a giantess, just because they didn鈥檛 resemble the gods. I read with palpable excitement the battle of skills when the two most accomplished dwarfs, the craftsmen of the Norse world, were pitted against each other to create the most unique gifts for the gods. Mj枚lnir, the heroic hammer of Thor, was an outcome of this competition.
For most parts, the chapters were taut and action-oriented. Crisp and to the point, the narrative had a very clear agenda of telling the myths the way they were documented to be told. However, for the keen eyes who look out for detailed landscape and an aura of environment that inevitably leave a mark on the characters and their becoming with the passage of time, there may be something amiss. Questions of morality and immorality, mortality and immortality, lay suspended without direction. Now, perhaps, the objective of this book was to stuff in as many incidents as possible into the terse 300 pages, effectively closing the alternative of detailed painting and reflecting. However, Gaiman鈥檚 version remains faithful to the original and one may ditch the expansive road in the favour of a vertiginous fall.
----
Of all the fiction in this world, I find the ones rooted in mythology the most enticing; not because there is an element of otherworldly magic in them but because somewhere deep down, a bewitching veil of truth hovers above them. The characters we read of, the prowess we fall to, the betrayals we appall at and the spells we dive in, have all a debatable root which almost like our very own of the Hindu mythology, can be twisted this way or that. As most myths are made lesser of primary evidence and more of a secondary interpretation, there is a hidden little room of sorts from where you can see as far as you can, like Heimdall in this book. He is a kind of parallel to Mahabharata鈥檚 .
Neil Gaiman takes the essence of Norse mythology and spins a riveting web around it. Although he makes it clear in the beginning that this book will focus on the three towering characters of Odin, the all-father of gods, Thor, Odin鈥檚 powerful son and Loki, Odin鈥檚 shrewd, evil blood-brother (and eventual enemy), the chapters easily transcend the trio and throw open an enchanted window to the Germanic myths. Chronicling the journey right from the beginning when nothing existed and going all the way to Ragnarok, the apocalyptic war that wiped the gods and the giants, Gaiman deploys an easy and engaging language to retell the myths that remain fraught with magic, power, bonds, guilt, murder, betrayal, repentance, revenge and redemption. I chuckled at the story where Thor and his two companions are put to a series of illusory tests by a giant who didn鈥檛 want his kingdom to be usurped by the mighty Thor. I felt sombre at the unfortunate fate that was handed over to the Hel, Fenrir and J枚rmungandr, the children of Loki from a giantess, just because they didn鈥檛 resemble the gods. I read with palpable excitement the battle of skills when the two most accomplished dwarfs, the craftsmen of the Norse world, were pitted against each other to create the most unique gifts for the gods. Mj枚lnir, the heroic hammer of Thor, was an outcome of this competition.
For most parts, the chapters were taut and action-oriented. Crisp and to the point, the narrative had a very clear agenda of telling the myths the way they were documented to be told. However, for the keen eyes who look out for detailed landscape and an aura of environment that inevitably leave a mark on the characters and their becoming with the passage of time, there may be something amiss. Questions of morality and immorality, mortality and immortality, lay suspended without direction. Now, perhaps, the objective of this book was to stuff in as many incidents as possible into the terse 300 pages, effectively closing the alternative of detailed painting and reflecting. However, Gaiman鈥檚 version remains faithful to the original and one may ditch the expansive road in the favour of a vertiginous fall.
----
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