An unnamed menace, an ancient document� five families torn apart. An unputdownable and bestselling historical mystery
John Mellamphy’s life is under threat. In the remote countryside, his mother, Mary, has been burgled in mysterious circumstances. Then her protector, Mr Fortisquince, is suddenly murdered in London.
Mysterious forces are at work looking for an old document, the key to an enormous fortune. Already having experienced a life of toil and hardship, it may change John’s life.
But this is a document that provokes avarice, hatred, murder and madness, that determines the fates of five families and sets the pattern of John’s own life. A pattern woven around, and unravelled within, that most mysterious symbol � the Quincunx!
An extraordinary historical mystery and cult classic,The Quincunxis perfect for readers of M.J. Carter, C.J. Sansom and Oscar de Muriel.
Praise for The Quincunx
�Grips like steel� it’s a book to make you miss your stop on the bus or the train, keep you up at night and wake you early� a formidable achievement� Kaleidoscope, BBC Radio 4
‘H¾±²õ brilliant and entertaining pastiche of the mid-nineteenth-century novelâ€� The Times
‘A brilliant and deeply eccentric attempt to reproduce an early Victorian novel…it combines massive scope with minute detail � there is a cast of thousands, but every figure is lovingly painted. The plot is so thick the spoon stands up in it, and by the end, the reader has toured the whole of late Regency society� Magnificent � gripping and beautifully written; the sort of book that sends you into a trance of pleasure� Independent
‘Charles Palliser has realised a world that can almost be smelt and tasted as it pours off the page of this gripping, extraordinary novel� Daily Telegraph
‘H¾±²õ plot is of an intricacy that Wilkie Collins himself might have enviedâ€� an astonishing achievementâ€� Scotsman
The Quincunx
The Huffams
The Mompessons
The Clothiers
The Palphramonds
The Maliphants
Charles Palliser (born December 11, 1947) is an American-born, British-based novelist. He is the elder brother of the late author and freelance journalist Marcus Palliser.
Born in New England, Palliser is an American citizen, but has lived in the United Kingdom since the age of three. He attended Oxford University in 1967 to read English Language and Literature, and took a First in June 1970. He was awarded the B. Litt. in 1975 for a dissertation on Modernist fiction.
From 1974 until 1990, Palliser was a Lecturer in the Department of English at the University of Strathclyde in Glasgow. He was the first Deputy Editor of The Literary Review when it was founded in 1979. He taught creative writing during the Spring semester of 1986 at Rutgers University in New Jersey. In 1990 he gave up his university post to become a full-time writer when his first novel, The Quincunx, became an international best-seller. He has published four novels which have been translated into a dozen languages.
Palliser has also written for the theatre, radio, and television. His stage play, Week Nothing, toured Scotland in 1980. His 90 minute radio play, The Journal of Simon Owen, was commissioned by the BBC and twice broadcast on Radio 4 in June, 1982. His short TV film, Obsessions: Writing, was broadcast by the BBC and published by BBC Publications in 1991. Most recently, his short radio play, Artist with Designs, was broadcast on BBC Radio 3 on 21 February 2004.
He teaches occasionally for the Arvon Foundation, the Skyros Institute, London University, the London Metropolitan University, and Middlesex University. He was Writer in Residence at Poitiers University in 1997.
In 1991, The Quincunx was awarded the Sue Kaufman Prize for First Fiction by the American Academy and Institute of Arts and Letters which is given for the best first novel published in North America. The Unburied was nominated for the 2001 International IMPAC Dublin Literary Award. Since 1990 he has written the Introduction to a Penguin Classics edition of the Sherlock Holmes stories, the Foreword to a new French translation of Wilkie Collins�The Moonstone published by Editions Phebus, and other articles on 19th century and contemporary fiction. He is a past member of the long-running North London Writers circle.
The ghosts of Wilkie Collins and Charles Dickens are hovering. This is confusing and complicated; when a book has pages of character mini-bios, complicated is to be assumed.
BUT it is proving addictive. When I lose the thread I just keep going, and the thread reappears.
Slip in this mega-novel like you would a hot bath - it's a slow-burning saga that manages to blossom into a page-turner. (This book version is part 1 of 5. There is a door-stopper of a 5-volume all-in-one alternative. I'm reading the 5 volumes as separate e-books from Kobo and Kindle.)
The stage is set for the novel. I read this book years ago and was transported to 19th Century England. I couldn't comprehend the life of John Mellamphy - shut up in a house with only his mother and the servants (whose number reduces on a regular basis). It struck me as the saddest childhood and I find myself still of the same opinion. I'm looking forward to reading the next book in the quintet. It took me no time at all to read the first.
It does a good job of pastiching Wilkie Collins and Dickens as others have mentioned, but like them, it is very detailed and long-winded and I'm not sure I enjoyed it enough to dive straight into the next section/book. It might be one to come back to at a later date.